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Speaker 1: Look who's here?

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Speaker 2: Oh, baby, guys.

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Speaker 1: I missed you so much, you guys, and I'm so

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Speaker 1: happy that Donald you you you took the time to

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Speaker 1: put on the Mickey Mouse hoodie because I was worried

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Speaker 1: you might not be wearing it.

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Speaker 3: Dude, listen, this is a tradition.

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Speaker 1: This is your uniform.

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Speaker 3: This I jumped right back into play. Here's what are

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Speaker 3: you wearing? Man? You got a hoodie on?

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Speaker 1: You're gone, all three of us change. You seem to

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Speaker 1: you have your Scrubs podcast uniform.

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Speaker 3: Yeah, Daniel, where are you?

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Speaker 1: Daniel lives in New York. Now I'm in our new apartment.

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Speaker 3: Daniel, you live in New York Now you're still married? Right?

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Speaker 1: Yes, we moved together, dog, and all you guys were back.

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Speaker 1: Missed you so much. So much has happened, So I

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Speaker 1: don't know how we begin to do a podcast.

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Speaker 3: How do we start?

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Speaker 1: There's so much that's happened, But most importantly, I'll tell

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Speaker 1: you where we start. We start with that Donald Faison

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Speaker 1: has a hit new comedy.

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Speaker 4: I can do.

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Speaker 3: Don't druseph lause, Daddy, Yes, you're freaking John Cryer, Abigail Spencer,

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Speaker 3: Sophia Capana, Finn Sweeney Lenny Klak Show ran by Michae O'Malley.

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Speaker 1: I'm so happy for you man. Now, when is an on?

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Speaker 1: Tell everyone when it's.

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Speaker 3: On Tuesdays eight thirty following Night Court on NBC. Please

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Speaker 3: tune in.

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Speaker 1: It's doing really well. I saw the number.

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Speaker 3: Well it's yes, it's doing well. The critics hate us,

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Speaker 3: but you know what, that's how it goes.

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Speaker 1: You know what, though, I got to tell you that,

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Speaker 1: you know, you made a family sitcom that everybody can

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Speaker 1: watch with their kids. It's not exactly the kind of

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Speaker 1: thing critics stereotypically are going to go, you know, ape shit.

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Speaker 3: For somebody said to me and I and then it

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Speaker 3: made a lot of sense. If a critic likes your sitcom,

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Speaker 3: your sitcoms probably not going to last on television very

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Speaker 3: long because it's a very small group of people that

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Speaker 3: it's a niche type of sitcom. Because critics have seen

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Speaker 3: every sitcom that's ever been on, so yours is now niche,

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Speaker 3: and so now critics are like, it's very different. Right,

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Speaker 3: nobody wants a different sitcom. We are what you are

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Speaker 3: looking for when it comes to sitcom television, right.

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Speaker 1: And I also think that Amen and I also think

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Speaker 1: that parents are you know, you hear all the time

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Speaker 1: people being like, what the fuck can I watch with

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Speaker 1: my kids? Because everything on TV that's cool and that

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Speaker 1: people love is edgy. And you know, people are always

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Speaker 1: looking on for someon what can you put on after

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Speaker 1: dinner at at eight thirty? Or you could I suppose

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Speaker 1: you could TV. I was about to say tv R

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Speaker 1: you can stream it or whatever, and just I know,

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Speaker 1: I was about to say videotape and watched your kids

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Speaker 1: and you made that. You made a wholesome sitcom that's

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Speaker 1: funny that everybody can watch together, So don't worry about

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Speaker 1: negative views.

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Speaker 3: And is with John Cryer, dude, it's with freaking Sean Cryer.

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Speaker 3: Look if you follow me on Instagram or or my

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Speaker 3: career at all, Uh, there are two people in my

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Speaker 3: other than Harrison Ford. There are two people in my

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Speaker 3: life that had a big influence on me as a teenager,

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Speaker 3: and that was Kadeem Hardison as Dwayne Wayne and then

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Speaker 3: John Cryer as Ducky that character. I missed them together

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Speaker 3: and that's who I played in high school. You know

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Speaker 3: what I mean? Because nobody, let's keep it one hundred.

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Speaker 3: Nobody's who they really are in high school. We're all

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Speaker 3: you know what I mean, we're all playing a role.

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Speaker 3: But anyway, that was the character I decided to play

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Speaker 3: in a high school full of actors and stuff like that, musicians.

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Speaker 1: Did you wear the glasses with the fold up?

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Speaker 3: I did, but both of them had the glasses if

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Speaker 3: you recall.

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Speaker 1: Oh, they did them.

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Speaker 3: So that's the thing you like, you liked to not

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Speaker 3: just the glasses, the hat, the vest. Sometimes maybe wear

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Speaker 3: a bow tie to school. Maybe not, you know, you

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Speaker 3: know what I mean?

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Speaker 1: You know, I ran into your cast at a at

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Speaker 1: a Emmy's pre party, and I was so funny. I

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Speaker 1: was like, I was like your wife. I was like,

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Speaker 1: he's having so much fun with you guys, like clutching

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Speaker 1: my pearls, being like he just loves being with you. Guys.

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Speaker 3: We want you on the show. How about that?

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Speaker 1: Well, if you come on, if you write me a

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Speaker 1: funny cameo, I don't want to do a cameo. I

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Speaker 1: want a good part.

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Speaker 3: No, you have a good part.

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Speaker 1: I'm not coming into So the audience goes, woo.

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Speaker 3: No, no, no, no, no no, no, it's not gonna

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Speaker 3: be that.

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Speaker 1: I want a good part.

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Speaker 3: You have, you have way too much television talent.

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Speaker 1: Yeah, I just don't want to be a Woo Donald

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Speaker 1: basically in all aspects of my life. I'm just trying

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Speaker 1: to do things where I'm not just a boo.

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Speaker 3: Yeah, no doubt keep it one hundred after sex and

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Speaker 3: woo is necessary.

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Speaker 1: To say woo after you have sextion? No, she has

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Speaker 1: an orgasm and she's like whoo.

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Speaker 3: Imagine imagine your spouse after or whoever, your lover, whatever,

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Speaker 3: you guys have, just whoever it is after you have

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Speaker 3: just climax and they have climax, they go whoo it.

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Speaker 1: I missed you. You look hot at the Critics Choice Awards.

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Speaker 3: I saw you.

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Speaker 1: That was a nice suit.

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Speaker 3: You looked hot at all of these parties.

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Speaker 1: I saw you at well, I only went to a

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Speaker 1: couple I did. I did have a really cool hang

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Speaker 1: with your with your boy Harrison last night.

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Speaker 3: Yeah you did. You guys look like you were doing it.

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Speaker 3: Pig come out on stage at the critics started to

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Speaker 3: cut you off, Buddy, I come, and this is the

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Speaker 3: last time I promised. I'm just excited about.

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Speaker 1: I don't know how we're going to do a show.

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Speaker 1: I have nine thousand things to talk about. I'm not

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Speaker 1: going to do an hour and a half show.

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Speaker 3: But go ahead. All of this stuff is new to me.

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Speaker 3: When Scrubs was going on, you were the star of Scrubs.

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Speaker 3: You know, well it was an ensemble, but you were

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Speaker 3: the head of the ensemble and you were the star

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Speaker 3: of it, and so you had to do and you

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Speaker 3: were there all the time, and so the show really

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Speaker 3: surrounded about around you, and you had to go and

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Speaker 3: do all of this press and stuff like that and

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Speaker 3: get out and do you know. But we were young

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Speaker 3: and we had the stamina for it and everything. Right.

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Speaker 3: So now as an adult, it's a joke that was

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Speaker 3: made at the award show. But you know, when I

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Speaker 3: was younger, I definitely wanted to be at the award

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Speaker 3: shows and get my picture taken and everything like that.

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Speaker 3: Now I get it, it's for pressed and we're there

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Speaker 3: to make everybody happy, you know what I mean, at

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Speaker 3: the studio for the network, you know, so the fans

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Speaker 3: can see us and know that our show is out

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Speaker 3: there and everything. But I wanted to be at my kids'

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Speaker 3: basketball game. Anyway, I got dressed up, we go out

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Speaker 3: and everything, and it's exactly when I was younger what

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Speaker 3: I wanted. You know what I mean. It was exactly that.

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Speaker 3: As an adult. You know, I'm literally in between the

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Speaker 3: show at the critics' choice, I'm watching on Live Barn

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Speaker 3: my kid play basketball and everything like that and looking

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Speaker 3: up with you know what I mean, trying to you know,

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Speaker 3: applaud when I'm supposed to applaud and stuff.

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Speaker 1: You know when I was younger, you don't want to

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Speaker 1: get caught on the camera because people won't know it's

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Speaker 1: something as sweet as watching your kids basketball. Be like

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Speaker 1: this motherfucker's board and watching watching.

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Speaker 3: The sports right right, exactly, but it's exactly what I wanted.

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Speaker 3: All of the big celebrities and stars were in the

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Speaker 3: house at this Bad Boy, and it was like, wow,

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Speaker 3: this is this is cool, this is great all right,

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Speaker 3: but uh yeah, I really wanted to be watching my kids.

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Speaker 1: That's very sweet. You're a very good dad, and that

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Speaker 1: makes my heart warm. But I also want to say

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Speaker 1: you looked great. I like that suit. That was a

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Speaker 1: nice suit.

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Speaker 3: I like Paul Smith's baby.

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Speaker 1: Yeah he looks great.

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Speaker 3: And you know I'm gonna be on can be honest

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Speaker 3: with you real quick.

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Speaker 1: We don't want any lies on the show.

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Speaker 3: Okay, here we go. That's something that wardrobe put together

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Speaker 3: for me, mashup of Dolce and Gabana Paul Smith. I

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Speaker 3: think I had my shoes would definitely Louse Biton because

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Speaker 3: the bottoms were red with the bottoms biton Chris Carpet

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Speaker 3: like woo like how I like it? After sex?

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Speaker 1: Oh so you had lou batons and uh green, it

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Speaker 1: was like a green velvet.

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Speaker 3: Yeah, Paul Smith. Yeah, and then Doce and Gabana pants. Yeah.

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Speaker 1: You clean up nice, baby, you clean up nice.

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Speaker 3: Thank you. Haircut by Vaughan.

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Speaker 1: I got to go to a I went to the

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Speaker 1: Apple party last night after them, and that was really cool.

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Speaker 2: You looked fire, dude, Really.

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Speaker 3: You look handsome. That picture you, Harrison and Bill, you

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Speaker 3: guys look like the rat, the rat pat type. It

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Speaker 3: was dope.

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Speaker 1: Thank you. I just threw on a little something. And

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Speaker 1: the cool thing is, I'm really We're about to gear

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Speaker 1: up and start shrinking season two and I am directing

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Speaker 1: episodes number three and number four, So I'm really excited.

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Speaker 1: I love the show. I love the cast, and you

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Speaker 1: know it's just cool, you know, with Harrison in all

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Speaker 1: that mayhem, you know, with all these people vying for

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Speaker 1: his attention. I had this kind of cool moment where

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Speaker 1: you like did that thing where you're like, you know,

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Speaker 1: called me over and said, come sit down next to

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Speaker 1: me and talk to me. So that's obviously very surreal,

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Speaker 1: even though I know him now, But it also was

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Speaker 1: cool just because gearing seeing the whole cast and like

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Speaker 1: getting excited, and I don't know, I'm stoked, you know,

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Speaker 1: those of you outside the business, I'm sure.

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Speaker 5: No.

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Speaker 1: We've been on strike for so long, and I'm just

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Speaker 1: so excited to go be creative because it's been so

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Speaker 1: long since I've been able to do anything creative and

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Speaker 1: I love this show and I have so much fun

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Speaker 1: doing it. And then Last So Too, I mean, even

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Speaker 1: though I'm just a minuscule part of it, it was

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Speaker 1: just kind of cool to see all the Last Soo

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Speaker 1: gang from For those of you who don't know, I

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Speaker 1: directed an episode of Last so season one, episode Too,

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Speaker 1: the Biscuits. I did. It might be your favorite episode

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Speaker 1: because it's the one about the biscuits. Just you know,

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Speaker 1: but I know it's cool to see the whole Lasso

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Speaker 1: gang because when I directed Last so none of it

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Speaker 1: had happened yet, you know. I I directed episode two

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Speaker 1: of season one, and I was like, this show is

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Speaker 1: cute and funny and everyone's really talented, and I think

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Speaker 1: people are gonna like it. And I left, you know,

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Speaker 1: so I'm seeing all that. I'm seeing all these cast

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Speaker 1: members being like you guys, remember like they were all

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Speaker 1: unknown other than obviously obviously Jason, and and and and

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Speaker 1: Hannah was a bit known, and I and Juno sorry

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Speaker 1: some of them most some of them are known, but

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Speaker 1: you know, all the young guys. I was like, Oh

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Speaker 1: my gosh, you guys, what it's so crazy to see

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Speaker 1: you after all that's happened to you. That was just

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Speaker 1: a fun, full circle moment.

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Speaker 3: What's crazy about that is you you know, we talk

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Speaker 3: about it a lot early on when you're developing what

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Speaker 3: the show is. The first few episodes, the directors that

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Speaker 3: come in, they're really the ones that formulate what is

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Speaker 3: to come for the next if the show's success got

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Speaker 3: the look for the next few seasons. That biscuit thing

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Speaker 3: ran for really really, really really really long time, you

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Speaker 3: know what I mean, all the way to the end

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Speaker 3: almost I mean, well, at the end of the season when

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Speaker 3: they figured out that he's making them shits himself.

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Speaker 1: No, that was not That was the end of my

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Speaker 1: episode Donald, but thanks for being a big fan. More importantly,

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Speaker 1: I think what I got to do was set sort

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Speaker 1: of the heart of it. You know, the pilot is

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Speaker 1: really really funny of Lasso, but then season episode two

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Speaker 1: was the first one that was like, Oh, don't worry,

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Speaker 1: we're gonna break your heart too. Yeah, And I don't know,

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Speaker 1: It's just so cool and I'm happy for them, and

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Speaker 1: shrinking is is just so much fun to work on.

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Speaker 1: And then there's another new Bill Lawrence drop coming out

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Speaker 1: not till the summer, unfortunately, but I did. I did

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Speaker 1: a little care dark on his new Vince Vaughn show

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Speaker 1: called Bad Monkey that that's gonna be really good too.

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Speaker 3: I say one last thing about the critics choice. It

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Speaker 3: does involve Bill Lawrence too.

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Speaker 1: You can say whatever you want, this is yours.

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Speaker 3: I walk out on stage to present the award for

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Speaker 3: Limited Series with my cast mates from the Extended Family,

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Speaker 3: Abigail Spencer, John Cryer. We walk out on stage. Who's

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Speaker 3: in the front looking right at me but Bill Lawrence,

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Speaker 3: Neil Goldman, Harrison Ford, Brett Goldstein, and Jason Siegel. Yeah.

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Speaker 3: So we walk out and right away, yo oh, they

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Speaker 3: start screaming at me. On stage with these guys, so

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Speaker 3: we start screaming back. I don't know if I don't

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Speaker 3: know what if it was, I don't know if it

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Speaker 3: got caught on television, but we're screaming live at each other.

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Speaker 3: It was really nice to run down when you know,

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Speaker 3: when it goes black and they're announcing the nominees and everything,

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Speaker 3: to give Bill a hug and everything like that.

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Speaker 1: It came you ran off the stage during the Parne

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Speaker 1: Wow game. That's really really, really scandalous.

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Speaker 3: Get back up on stage and and freaking John Cryer goes, Donald,

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Speaker 3: you were two hugs away from Harrison Ford. I looked

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Speaker 3: down Harrison standing dead center in the middle of the table,

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Speaker 3: and I'm like, should I made He made the right choice,

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Speaker 3: But oh man, I could have if I stayed a

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Speaker 3: little bit.

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Speaker 1: You know this season, Donald, because you know last season

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Speaker 1: was COVID and so many rules. This season, I think

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Speaker 1: you can come and visit us on the Warner Brothers

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Speaker 1: a lot and comes to High High and meet your

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Speaker 1: meet your favorite.

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Speaker 3: I would love that a lot. That would be nice.

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Speaker 3: Hell yeah, because I'll be that would be nice just

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Speaker 3: to kick it with him. I wonder if he still

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Speaker 3: smokes weed or if he ever did.

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Speaker 6: Yeah, he was a carpenter hanging out with Carrie.

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Speaker 1: Probably he wants uh, we were doing this bit in

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Speaker 1: the episode I directed where he had to keep slamming

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Speaker 1: a door and the and a little bit. I don't

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Speaker 1: know if I told this story before, sorry if I did,

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Speaker 1: But a little bit of the molding around the door

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Speaker 1: came off and everyone was like, somebody call a carpenter.

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Speaker 1: Ricos He's like, are you kidding me?

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Speaker 3: I got this.

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Speaker 1: I was a carpenter. And he starts kicking it and

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Speaker 1: kicking it and fixing the molding by kicking it back.

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Speaker 5: We definitely haven't heard that story.

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Speaker 3: No, that's the first.

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Speaker 1: Wow. What else we we got to talk about the

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Speaker 1: Emmy's that was. I personally loved Succession and I loved

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Speaker 1: the Bear, and so I was happy that they dominated.

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Speaker 1: I haven't seen Beef. I don't know if you guys

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Speaker 1: have seen Beef, but.

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Speaker 3: I've never watched any of these shows.

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Speaker 1: We know that Donald, the audience knows.

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Speaker 3: The hold on man the names of these shows. Okay,

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Speaker 3: so Succession not necessarily the name of that one, but

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Speaker 3: the beat on the theme song for that one is fire. Yes, yeah,

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Speaker 3: that's one of the most Fire's theme songs ever.

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Speaker 1: Yeah, I agree, I miss hearing it.

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Speaker 3: Beef is the dopest, one of the dopest names for

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Speaker 3: a show, because back in the day, beef was a

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Speaker 3: hip hop thing. Yo, you got beef. Yeah, I got beef.

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Speaker 3: You got beef. Yeah, we got beef. And that meant

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Speaker 3: you were ready to you you hated each other and

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Speaker 3: you guys were ready to throw down. It's gone so

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Speaker 3: far into the mainstream main vein vein.

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Speaker 1: You realize it is this. I haven't seen the show,

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Speaker 1: but it is about a beef between two people. Yes, Wow,

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Speaker 1: they cleaned up that. That is I mean, you gotta

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Speaker 1: watch it now, right, How could you not watch it

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Speaker 1: after it one?

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Speaker 3: Have to watch it now? Yeah, you gotta watch it now. Yeah,

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Speaker 3: all of these shows, freaking Succession, you got to go

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Speaker 3: back and watch that now.

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Speaker 1: I knew the moment, the moment I saw as a

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Speaker 1: director Connor's wedding on Succession, I was like, this will

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Speaker 1: win every single Emmy, and it did. I called it.

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Speaker 1: I called it back after the fucking cut to black

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Speaker 1: on that episode. That's a great one, right, Joelle, is

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Speaker 1: she right.

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Speaker 5: In the heart?

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Speaker 3: Oh god?

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Speaker 1: Oh Man and Kieren Culkin. I'm so happy for him.

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Speaker 1: He just seems like such a nice guy.

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Speaker 3: Sally. Since he was a kid, we went together, me

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Speaker 3: and that kid. Since he was a kid, I known him.

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Speaker 3: That's right, He's always been a good kid.

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Speaker 1: There's a lot of guys and gals, but I just

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Speaker 1: my brain went to the guys who had just been

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Speaker 1: doing this so long. They are finally having their moment,

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Speaker 1: like Jeremy Allen White and Evan Moss and Kieren. Yeah,

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Speaker 1: there's some.

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Speaker 3: There's someone around for a very long time.

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Speaker 1: I just I'm just so happy for people that have

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Speaker 1: been like journeymen, actors and actresses or as the as

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Speaker 1: the as the people say. I think this is correct,

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Speaker 1: Joelle getting their flowers.

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Speaker 5: Yes, yes, indeed, it's.

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Speaker 1: Lovely because it's very hard in this town. There's so

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Speaker 1: many ups and downs, there's so many years. I mean,

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Speaker 1: that was very moving when when Kieran was saying, like

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Speaker 1: the thing about he said something about my manager has

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Speaker 1: been with me even when no one would, you know,

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Speaker 1: consider me for things. And I just I'm always very

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Speaker 1: moved when people finally get their their moment of recognition

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Speaker 1: for their talent. I just find it very very moving.

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Speaker 5: Amen, it makes it all seem worth it.

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Speaker 3: But this is also a town that's very what's next,

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Speaker 3: you know what I mean. Of course, as as as

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Speaker 3: much as it's awesome that everybody won awards last night,

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Speaker 3: that ain't it's not over. We still got to keep

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Speaker 3: pushing and congratulations to everyone that won, obviously, but what's next.

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Speaker 1: Well, that's why they get a little time, Dolly, a

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Speaker 1: little time to hold their emmy and and uh and

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Speaker 1: and feel good. But about about a month they'll be like,

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Speaker 1: oh god, I'll never work again. It's true. You you

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Speaker 1: you have such when you have a hit, and when

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Speaker 1: you have something that works, you're like, this is the universe.

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Speaker 1: This is all the universe is ever gonna give me.

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Speaker 1: I'm gonna even Chris Nolan was like, you know who

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Speaker 1: never won shockingly, he never won a Golden Globe and

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Speaker 1: he that's just crazy. And he was up there being like,

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Speaker 1: I think you know I'm not mistaken. He said something

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Speaker 1: like in case I'm never up here again, or something

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Speaker 1: like that. But uh, you know, you get your you

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Speaker 1: get your moment, and uh, I don't know. I like

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Speaker 1: award shows. I mean it's also silly, like what art

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Speaker 1: is better than other art. But I just love I

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Speaker 1: love actors and I love directors, and I just love

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Speaker 1: seeing it, seeing everybody be happy.

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Speaker 3: I hate that the award shows are so focused on

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Speaker 3: actors and not that I don't love actors and directors

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Speaker 3: and everything like that. I think that when we were younger,

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Speaker 3: there were so many categories, you know what I mean,

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Speaker 3: and the categories were seen on television. Yeah, and I

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Speaker 3: thought that was really cool, you know what I mean. Like,

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Speaker 3: you know, I ran into Phil and Chris who did

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Speaker 3: Spider Verse, and they got their award on the carpet.

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Speaker 3: They found out they got there, that's where they found.

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Speaker 1: No, which is insane. Do you think about the amount

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Speaker 1: of artistry and work went into that award.

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Speaker 3: And right exactly into one into that way into that movie.

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Speaker 3: Just think about how much how much time and effort

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Speaker 3: went into that and they found out on the red carpet,

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Speaker 3: you know what I mean. I know it's crazy to me.

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Speaker 1: I know, what about cinematography and and and costume designer productions.

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Speaker 1: I like the fact that those aren't presented. I guess

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Speaker 1: just you know, the I think they assume probably rightly.

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Speaker 1: I don't know that the that the public who's not

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Speaker 1: mega into TV and film doesn't care. They just want

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Speaker 1: to see the stars. I guess right.

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Speaker 6: Yeah, and we're not seeing a change in viewership numbers though, so.

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Speaker 1: I hope nobody nobody really cares.

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Speaker 6: Yeah yeah, I just feel like if you're if the

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Speaker 6: whole premise of your awards is to celebrate the community

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Speaker 6: of creatives.

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Speaker 5: And let's give it.

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Speaker 6: I mean freaking we miss Nick Offerman's speech for one

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Speaker 6: of the best guest roles in a drama ever because

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Speaker 6: he had to do it at the Creative Arts Emmys.

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Speaker 6: I just feel like, you know, it would be great.

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Speaker 6: I miss seeing costumes and makeup design and even the

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Speaker 6: sound people because they show the clips and it's like,

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Speaker 6: if you don't know how that stuff works, you get

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Speaker 6: these like really short, bite sized clips that are like,

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Speaker 6: oh this is I mean, the Oscars were my introduction

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Speaker 6: to the entertainment industry at large, like what are all

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Speaker 6: the jobs you can do? What are all the positions?

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Speaker 6: And if that's not there, I think kids who you know,

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Speaker 6: don't grow up inside of the entertainment industry miss out

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Speaker 6: on a lot.

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Speaker 5: And so I hope I hope Awards goes back to it.

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Speaker 1: I mean, not awarding the cinematographer. Everything you're looking appreciating

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Speaker 1: is the photography, and uh and the fact that that's

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Speaker 1: I don't even know if if there were, I'm sure

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Speaker 1: it was the creative art semis. I don't know what

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Speaker 1: one cinematography in television this year.

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Speaker 3: There's so many platforms too now where I don't know.

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Speaker 3: It seems like the award show has gotten gotten very

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Speaker 3: specific and it's who's in the audience. And that's cool,

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Speaker 3: because I'm not gonna lie. It was cool to see

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Speaker 3: Robert Downey Jr. The other night. That was really fucking cool.

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Speaker 3: I didn't say shit. I didn't say The only person

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Speaker 3: I spoke to really was Reese Witherspoon. I spoke to

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Speaker 3: her daughter, and I got another story I gotta tell.

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Speaker 3: So this happened. This is the last story I'll tell

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Speaker 3: about this Award show because this is the first time

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Speaker 3: ever in the history that this has ever happened to

432
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Speaker 3: me before by someone in my own race. We're sitting

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Speaker 3: there with a bunch of people at the table and

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Speaker 3: a young African American lady comes up to me and goes,

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Speaker 3: mister Gooding, I just have to say no, no, yes, oh.

436
00:22:00,200 --> 00:22:01,800
Speaker 2: God, you don't look anything like.

437
00:22:01,760 --> 00:22:06,960
Speaker 5: Look, yes, I'm so sorry. I'm sorry that happened to you.

438
00:22:07,480 --> 00:22:10,440
Speaker 3: I just love you. And I go, let me stop

439
00:22:10,520 --> 00:22:14,639
Speaker 3: you right there, young lady, I am not Cooba Gooding

440
00:22:14,720 --> 00:22:17,000
Speaker 3: Junior or his brother oh.

441
00:22:16,880 --> 00:22:18,439
Speaker 5: Mark, oh no.

442
00:22:19,920 --> 00:22:26,399
Speaker 3: And she immediately doesn't apologize or anything, stands up and

443
00:22:26,520 --> 00:22:30,679
Speaker 3: just walks away. Oh oh, walks away. I was like,

444
00:22:31,680 --> 00:22:34,000
Speaker 3: and so this is in front of John Cryer and

445
00:22:34,080 --> 00:22:35,560
Speaker 3: Abigail Spencer.

446
00:22:36,680 --> 00:22:38,720
Speaker 1: And this is she was so embowras she had to

447
00:22:38,760 --> 00:22:39,359
Speaker 1: just walk away.

448
00:22:40,520 --> 00:22:43,640
Speaker 3: It is the first time African American any woman has

449
00:22:43,720 --> 00:22:46,920
Speaker 3: ever done this this like, do you know how you

450
00:22:47,240 --> 00:22:47,800
Speaker 3: look like him?

451
00:22:47,800 --> 00:22:47,960
Speaker 1: Though?

452
00:22:47,960 --> 00:22:53,000
Speaker 3: I mean I congratulated, listen, like inside I'm laughing hard,

453
00:22:53,200 --> 00:22:55,120
Speaker 3: but the other part of me is like, I don't

454
00:22:55,160 --> 00:22:56,520
Speaker 3: even look like the brother man.

455
00:22:56,640 --> 00:22:59,800
Speaker 1: Like last night, a woman came up to me at

456
00:22:59,800 --> 00:23:03,760
Speaker 1: the Apple party and she said, and there's two women

457
00:23:03,800 --> 00:23:08,080
Speaker 1: and they were very lovely, and she said, I love

458
00:23:08,119 --> 00:23:10,520
Speaker 1: you so much. And I said, thank you. I really

459
00:23:10,520 --> 00:23:13,640
Speaker 1: appreciate that. She goes, it's just you're amazing, and I said,

460
00:23:13,640 --> 00:23:15,600
Speaker 1: I thank you. You're so sweet, thank you so much.

461
00:23:15,680 --> 00:23:20,200
Speaker 1: She goes, armchair expert is my favorite. She thought you

462
00:23:20,240 --> 00:23:25,560
Speaker 1: were Dax. Oh no, but I at least look I

463
00:23:25,640 --> 00:23:26,680
Speaker 1: at least look like Dax.

464
00:23:26,720 --> 00:23:28,879
Speaker 3: I don't look anything like Coobagat and Junior other than

465
00:23:28,920 --> 00:23:31,320
Speaker 3: the fact that we have similar skin color, and I

466
00:23:31,359 --> 00:23:33,040
Speaker 3: think his is a little bit more golden.

467
00:23:33,200 --> 00:23:35,920
Speaker 1: I'm so used to people thinking that I'm that I'm

468
00:23:36,000 --> 00:23:38,879
Speaker 1: Dax that I just I know they're gonna be embarrassed,

469
00:23:38,920 --> 00:23:41,600
Speaker 1: and so I feel bad almost telling them. Some sometimes

470
00:23:41,640 --> 00:23:45,880
Speaker 1: I just walk away, and other times I'm just like, oh,

471
00:23:45,920 --> 00:23:50,600
Speaker 1: you're thinking of of Dax. I. I also have a podcast.

472
00:23:50,600 --> 00:23:52,320
Speaker 1: It's called Fake Doctors.

473
00:23:53,840 --> 00:23:54,040
Speaker 4: Out.

474
00:23:54,480 --> 00:23:56,760
Speaker 1: I don't go into like my career. I'm always like,

475
00:23:56,840 --> 00:23:59,840
Speaker 1: you know, since you like podcasts, I feel like I'll

476
00:23:59,840 --> 00:24:02,440
Speaker 1: just yet one quick plug in with one person.

477
00:24:02,920 --> 00:24:05,120
Speaker 3: That's next, next, three years, next year.

478
00:24:05,160 --> 00:24:07,160
Speaker 1: I had a super cringe moment, by the way last

479
00:24:07,240 --> 00:24:09,760
Speaker 1: night that I came I'm not drinking. I haven't had

480
00:24:09,800 --> 00:24:11,639
Speaker 1: a drink in a very long time, but this is

481
00:24:11,680 --> 00:24:14,119
Speaker 1: the kind of thing you would have happened drinking. But

482
00:24:14,440 --> 00:24:16,960
Speaker 1: I I got home last night and I got in

483
00:24:17,000 --> 00:24:18,520
Speaker 1: the tub. I'm been taking a lot of hot baths

484
00:24:18,520 --> 00:24:20,120
Speaker 1: at the end of the day, which I really recommend.

485
00:24:20,160 --> 00:24:22,760
Speaker 1: That's I have like a great epiphanies in the tub.

486
00:24:23,200 --> 00:24:25,440
Speaker 1: Hot bath rules, A hot bath at the end of

487
00:24:25,480 --> 00:24:28,800
Speaker 1: the night, no phone, nothing, just sitting there thinking. And

488
00:24:28,840 --> 00:24:31,439
Speaker 1: you can have some I have some really great thoughts

489
00:24:31,440 --> 00:24:34,439
Speaker 1: and creative ideas, but anyway, this one was a bad one.

490
00:24:34,800 --> 00:24:37,640
Speaker 1: I pulled up, I went, I went with Amanda Clutes

491
00:24:37,840 --> 00:24:40,159
Speaker 1: to the Apple party and as we're pulling up, I

492
00:24:40,200 --> 00:24:44,520
Speaker 1: see this woman and again obviously one hundred percent sober,

493
00:24:44,560 --> 00:24:47,199
Speaker 1: and I go, oh my god, she this woman. I

494
00:24:47,240 --> 00:24:49,520
Speaker 1: have to tell you this crazy story being in my career.

495
00:24:49,640 --> 00:24:52,159
Speaker 1: She and I go in this whole story and we

496
00:24:52,160 --> 00:24:53,680
Speaker 1: get out of the car and I see the woman

497
00:24:53,720 --> 00:24:56,960
Speaker 1: and I start referencing the story and I start telling

498
00:24:56,960 --> 00:24:59,240
Speaker 1: her thank you for something she did for me when

499
00:24:59,240 --> 00:25:01,639
Speaker 1: I was first starting out, and she's just being so

500
00:25:01,760 --> 00:25:05,440
Speaker 1: sweet and nodding and kind, and I made like three

501
00:25:05,520 --> 00:25:08,399
Speaker 1: references and that I had told Amanda. So Amanda was like,

502
00:25:08,400 --> 00:25:11,040
Speaker 1: that's so sweet what you did for Zach. And we

503
00:25:11,160 --> 00:25:12,359
Speaker 1: go in to the party and parties gad and I'm

504
00:25:12,400 --> 00:25:13,560
Speaker 1: in my tub at the end of the night and

505
00:25:13,600 --> 00:25:21,160
Speaker 1: I went, I think, that's a fucking different woman, perfect

506
00:25:24,520 --> 00:25:27,480
Speaker 1: and it's so cringe. But she was so lovely. Because

507
00:25:27,480 --> 00:25:30,439
Speaker 1: I'm ninety nine point nine nine nine percent sure it

508
00:25:30,480 --> 00:25:33,159
Speaker 1: was not her, and and she was like nodding and

509
00:25:33,240 --> 00:25:36,439
Speaker 1: smiling and being lovely. But I'm like, that's not the

510
00:25:36,480 --> 00:25:40,119
Speaker 1: woman that I've think love And in the past I

511
00:25:40,160 --> 00:25:42,240
Speaker 1: could have like blamed that on, like you idiot, you

512
00:25:42,320 --> 00:25:44,080
Speaker 1: got two buzz Like no, I was stone hold.

513
00:25:44,160 --> 00:25:48,800
Speaker 3: Now you were fine, It's all right though, somebody feels good,

514
00:25:49,040 --> 00:25:50,800
Speaker 3: that's all right. But you saw to Dave Chapelle jump

515
00:25:50,840 --> 00:25:53,800
Speaker 3: off somebody's living. You were in somebody's dream. Somebody. You

516
00:25:53,840 --> 00:25:56,600
Speaker 3: were in somebody's dream, giving them all the affirmation they

517
00:25:56,640 --> 00:25:58,560
Speaker 3: ever wanted and everything like that from you.

518
00:25:59,000 --> 00:26:00,800
Speaker 1: It's so funny that I was, I think it myself,

519
00:26:00,880 --> 00:26:03,439
Speaker 1: like here I am went to a giant party night,

520
00:26:03,520 --> 00:26:05,320
Speaker 1: didn't even have a sip of booze. I'm sitting here

521
00:26:05,359 --> 00:26:07,840
Speaker 1: in my tub, my tub thinking session. And I'm like,

522
00:26:07,920 --> 00:26:10,720
Speaker 1: you still manage to say something so crinch.

523
00:26:12,000 --> 00:26:12,680
Speaker 3: What happens?

524
00:26:13,040 --> 00:26:14,199
Speaker 1: Shit happens?

525
00:26:14,760 --> 00:26:17,400
Speaker 3: Well, yeah, I mean one of the Nelson twins when

526
00:26:17,400 --> 00:26:19,800
Speaker 3: I was at sushi once came up to me while

527
00:26:20,400 --> 00:26:23,879
Speaker 3: I was eating and like a little bit more than

528
00:26:23,920 --> 00:26:25,800
Speaker 3: a whisper because of a sushi and you have to

529
00:26:25,840 --> 00:26:28,600
Speaker 3: talk louder than the people goes Alfonso.

530
00:26:34,720 --> 00:26:37,720
Speaker 1: You don't look like Alfonso either. I know it's crazy,

531
00:26:37,840 --> 00:26:40,120
Speaker 1: but dah, I have to take because we do look

532
00:26:40,160 --> 00:26:43,119
Speaker 1: like brothers. But I and I always try and be

533
00:26:43,119 --> 00:26:46,399
Speaker 1: sweet about it. But these people you don't look like. Yeah,

534
00:26:46,440 --> 00:26:47,240
Speaker 1: there's no story.

535
00:26:47,240 --> 00:26:49,440
Speaker 3: Not only have I been mistaken for somebody else by

536
00:26:49,440 --> 00:26:53,600
Speaker 3: a celebrity, but also by somebody from my own ethnicity.

537
00:26:54,520 --> 00:26:57,399
Speaker 1: Yeah, I want to go back as Joel found the

538
00:26:57,520 --> 00:27:04,120
Speaker 1: cinematography Christian Sprang for Atlanta, which is incredibly shot, and

539
00:27:05,160 --> 00:27:07,679
Speaker 1: m David Mullen for The Marvelous Missus Maisel, which is

540
00:27:07,760 --> 00:27:11,760
Speaker 1: also incredibly shot. They do these epic wanners on Mazel

541
00:27:11,840 --> 00:27:15,720
Speaker 1: that are so cool, and I sent a video to

542
00:27:15,800 --> 00:27:18,639
Speaker 1: Bill of one of them like they because on Instagram

543
00:27:18,680 --> 00:27:20,639
Speaker 1: it knows I love cinematography, so it sends me all

544
00:27:20,680 --> 00:27:22,840
Speaker 1: these videos and the top half will be like the

545
00:27:22,840 --> 00:27:24,760
Speaker 1: shot and the set, and the bottom half is the

546
00:27:24,920 --> 00:27:27,520
Speaker 1: is the behind the scenes shooting the shot. And it

547
00:27:27,600 --> 00:27:29,959
Speaker 1: was one of these, like such an epic wanner like

548
00:27:30,080 --> 00:27:32,760
Speaker 1: all around a giant set and it went on for

549
00:27:32,800 --> 00:27:35,000
Speaker 1: like like probably five minutes, and I sent it to Bill.

550
00:27:35,080 --> 00:27:36,720
Speaker 1: I was like, we need to do shit like this.

551
00:27:38,320 --> 00:27:41,359
Speaker 3: But check this out. That's another show though, right there.

552
00:27:41,960 --> 00:27:46,240
Speaker 3: When You're Hot, Holy cow, You're hot. That won everything

553
00:27:46,280 --> 00:27:49,040
Speaker 3: in the beginning. Nothing's really changed, you just said it

554
00:27:49,280 --> 00:27:52,480
Speaker 3: so yourself. The shots are amazing. I don't doubt that

555
00:27:52,600 --> 00:27:54,560
Speaker 3: acting has changed or anything like that.

556
00:27:54,640 --> 00:27:56,439
Speaker 1: But it just had its moment, dude. It got so

557
00:27:56,560 --> 00:27:59,320
Speaker 1: much love. They won so many awards. It's just now

558
00:27:59,400 --> 00:28:01,320
Speaker 1: there's a new new kids on the block, you know.

559
00:28:01,600 --> 00:28:05,600
Speaker 1: Yeah man, all these shot everything, everything that was nominated

560
00:28:05,640 --> 00:28:08,359
Speaker 1: and beyond. There was so much good television this year.

561
00:28:09,520 --> 00:28:14,480
Speaker 1: But you know, things things become the zeitgey's holy shit,

562
00:28:14,640 --> 00:28:17,639
Speaker 1: have you not seen the Bear? I mean, have you

563
00:28:17,680 --> 00:28:21,080
Speaker 1: not seen Succession? They just become like the most beloved things.

564
00:28:21,320 --> 00:28:23,560
Speaker 1: It's so hard to make, as we've discussed on here

565
00:28:23,600 --> 00:28:27,080
Speaker 1: so many times, something for everyone. You're not. You know,

566
00:28:27,440 --> 00:28:31,119
Speaker 1: it's so rare that something breaks through and is so

567
00:28:31,400 --> 00:28:38,720
Speaker 1: universally loved and and and so that's what that's what happens.

568
00:28:38,720 --> 00:28:41,760
Speaker 1: It's just like and and sometimes sometimes the critics and

569
00:28:41,760 --> 00:28:46,880
Speaker 1: everyone loves something that audiences don't. And the Succession and

570
00:28:46,960 --> 00:28:50,000
Speaker 1: the Bear just as examples are our shows that just

571
00:28:50,080 --> 00:28:51,520
Speaker 1: everybody fucking loved.

572
00:28:51,880 --> 00:28:56,120
Speaker 3: Yeah man, this year, I'm congratulations to everyone who won

573
00:28:56,640 --> 00:28:59,040
Speaker 3: from that show, and I hope it pushes the needle

574
00:28:59,080 --> 00:29:01,400
Speaker 3: forward on your career, because that's what that's what we

575
00:29:01,480 --> 00:29:03,280
Speaker 3: all hope, you know what I mean. It's not just

576
00:29:03,800 --> 00:29:07,520
Speaker 3: the recognition of what you did, it's the possibilities of

577
00:29:07,560 --> 00:29:10,480
Speaker 3: what you can do, you know as well. I hope

578
00:29:10,480 --> 00:29:13,160
Speaker 3: it's all that everyone hopes for.

579
00:29:13,680 --> 00:29:18,480
Speaker 1: Amen, Donald, I just want to say that during the Holiday,

580
00:29:18,560 --> 00:29:22,000
Speaker 1: my movie A Good Person finally ended up on Prime.

581
00:29:23,000 --> 00:29:24,600
Speaker 3: Humble brag this.

582
00:29:24,560 --> 00:29:26,840
Speaker 1: Is it's a humble brag, but it's just a cool

583
00:29:26,960 --> 00:29:29,480
Speaker 1: ending because I I didn't know when the movie got

584
00:29:29,520 --> 00:29:32,040
Speaker 1: to Prime that it was gonna blow up like that.

585
00:29:32,440 --> 00:29:34,480
Speaker 1: But the second it got to Prime and then it

586
00:29:34,520 --> 00:29:37,280
Speaker 1: was the Holidays, so I was like, oh, it went

587
00:29:37,320 --> 00:29:41,040
Speaker 1: to number one on Prime and all of Prime movies

588
00:29:41,360 --> 00:29:43,800
Speaker 1: and it was the Holidays, and I was thinking, like,

589
00:29:43,960 --> 00:29:45,800
Speaker 1: oh my god, like the Christmas movies are going to

590
00:29:45,920 --> 00:29:47,800
Speaker 1: kick this movie out real quick. But at least I

591
00:29:47,840 --> 00:29:50,520
Speaker 1: got to number one, and then they dropped the Eddie

592
00:29:50,600 --> 00:29:55,360
Speaker 1: Murphy Original Christmas Movie, which of course was went to

593
00:29:55,440 --> 00:29:57,320
Speaker 1: number one, and I was like, Okay, my time here

594
00:29:57,400 --> 00:30:00,280
Speaker 1: is done. And then for like two weeks I was

595
00:30:00,280 --> 00:30:03,400
Speaker 1: it like number two. I was at number three, and

596
00:30:03,440 --> 00:30:06,040
Speaker 1: it was just like me and the Christmas movies chilling

597
00:30:06,240 --> 00:30:08,640
Speaker 1: in the top ten on Prime and it was just

598
00:30:08,680 --> 00:30:10,480
Speaker 1: such a good feeling. So I just wanted to from

599
00:30:10,520 --> 00:30:13,960
Speaker 1: the bottom of my heart, thank you everyone who's listening,

600
00:30:14,000 --> 00:30:16,600
Speaker 1: who took the time to see it, who took the

601
00:30:16,640 --> 00:30:18,760
Speaker 1: time to tell their friends to see it, because that

602
00:30:18,880 --> 00:30:21,520
Speaker 1: is I got a note from someone in Amazon. She's like,

603
00:30:21,920 --> 00:30:25,760
Speaker 1: that is so many. She said, millions of people are

604
00:30:25,800 --> 00:30:28,280
Speaker 1: seeing your movie, and that is more people than would

605
00:30:28,320 --> 00:30:32,440
Speaker 1: ever see it in the theaters. And that's just all

606
00:30:32,440 --> 00:30:34,240
Speaker 1: I could ever hope for. And so from the bottom

607
00:30:34,240 --> 00:30:34,880
Speaker 1: my heart, thank you.

608
00:30:35,800 --> 00:30:43,560
Speaker 3: Love that. Congratulations, Thank you guys. What we do as successful,

609
00:30:43,600 --> 00:30:47,080
Speaker 3: everybody wants the holy trinity of successful, you know what

610
00:30:47,160 --> 00:30:50,160
Speaker 3: I mean. Not only do the critics love it, but

611
00:30:50,200 --> 00:30:52,920
Speaker 3: the people love it, and then also they watch it

612
00:30:53,000 --> 00:30:54,640
Speaker 3: and they go to see it, you know what I mean.

613
00:30:54,880 --> 00:30:58,880
Speaker 3: Everybody wants that one successful but successful. If you just

614
00:30:58,960 --> 00:31:02,280
Speaker 3: get one or two of those, holy shit, how lucky

615
00:31:02,320 --> 00:31:04,840
Speaker 3: are you? You know what I mean. But to make

616
00:31:04,920 --> 00:31:07,840
Speaker 3: it accessible to where your fans can see it, you

617
00:31:07,880 --> 00:31:10,080
Speaker 3: know what I mean. It's hard to get to a

618
00:31:10,120 --> 00:31:12,440
Speaker 3: movie theater nowadays, and as much as I want people

619
00:31:12,440 --> 00:31:14,440
Speaker 3: in the movie theaters, as much as I want people

620
00:31:14,440 --> 00:31:16,480
Speaker 3: to go to movies, it's hard. You got to be

621
00:31:16,520 --> 00:31:18,880
Speaker 3: freaking Tom Cruise, you know what I mean, You got

622
00:31:18,880 --> 00:31:20,200
Speaker 3: to be It's difficult, you.

623
00:31:20,240 --> 00:31:22,200
Speaker 1: Know what I think the time. You know, I don't

624
00:31:22,240 --> 00:31:26,440
Speaker 1: know that i'll release when I make another indie drama

625
00:31:26,520 --> 00:31:28,960
Speaker 1: d I don't know that it'll even it'll even be

626
00:31:29,040 --> 00:31:31,560
Speaker 1: a thing where it goes to the theater. It's it's

627
00:31:31,640 --> 00:31:34,400
Speaker 1: it's just a it's like a dying it's a dying thing.

628
00:31:34,600 --> 00:31:37,120
Speaker 1: The idea of I don't know if it's okay. Well

629
00:31:37,160 --> 00:31:38,640
Speaker 1: I'm not just not just I'm going to be a

630
00:31:38,680 --> 00:31:41,920
Speaker 1: little fatalistic, if you don't mind. I think, as I

631
00:31:42,240 --> 00:31:47,600
Speaker 1: heard this famous uh screenwriter say, eventually the theater movie

632
00:31:47,680 --> 00:31:51,720
Speaker 1: theater is gonna be like the ballet in that there's

633
00:31:51,760 --> 00:31:54,719
Speaker 1: a select group of people that love it and adore

634
00:31:54,720 --> 00:31:59,240
Speaker 1: it and go. But it's it's not going to be

635
00:31:59,280 --> 00:32:03,680
Speaker 1: the norm for the viewing experience. And that maybe sound

636
00:32:03,760 --> 00:32:07,800
Speaker 1: very dire, but it's kind of happening. Of Course, there's Barbie.

637
00:32:07,840 --> 00:32:10,880
Speaker 1: Of course, there's top Gun. Of course there's Oppenheimer. There

638
00:32:10,880 --> 00:32:13,600
Speaker 1: are I'm not saying there won't always be these giant winds.

639
00:32:14,320 --> 00:32:16,479
Speaker 1: But if you look at the Macro, you know when

640
00:32:16,560 --> 00:32:19,840
Speaker 1: when Garden State came out of Sundance, there was there

641
00:32:19,880 --> 00:32:22,440
Speaker 1: was just a you went to go see what was

642
00:32:22,480 --> 00:32:24,360
Speaker 1: the cool movies that came out of Sundance. That was

643
00:32:24,400 --> 00:32:26,280
Speaker 1: a thing, right, you know, because they weren't going to

644
00:32:26,360 --> 00:32:29,280
Speaker 1: be on your TV forever and then you're gonna have

645
00:32:29,280 --> 00:32:32,000
Speaker 1: to buy them on Blu Ray or whatever it was.

646
00:32:32,040 --> 00:32:35,200
Speaker 1: The collection Now we haven't made that yet. I hope

647
00:32:35,240 --> 00:32:36,800
Speaker 1: that we're about to be twenty years. I'm hoping they

648
00:32:36,840 --> 00:32:40,600
Speaker 1: honor us with But anyway, my point is is just

649
00:32:40,640 --> 00:32:43,680
Speaker 1: that now what Donald's saying, you know, people, it's it's

650
00:32:43,720 --> 00:32:48,520
Speaker 1: it's the movie going experience is reserved for Obviously, you

651
00:32:48,640 --> 00:32:51,320
Speaker 1: take your kids to something that's kid friendly. Horror does

652
00:32:51,360 --> 00:32:54,360
Speaker 1: extraordinarily well still because people want to experience that in

653
00:32:54,360 --> 00:32:57,640
Speaker 1: the theater. Obviously, the big tempole movies, obviously the big

654
00:32:57,680 --> 00:33:00,479
Speaker 1: action movies. But I don't know that the indie the

655
00:33:00,520 --> 00:33:05,000
Speaker 1: indie drama has a theatrical life for much longer. Joelle,

656
00:33:05,000 --> 00:33:06,479
Speaker 1: I don't know what your thoughts on this as our

657
00:33:06,520 --> 00:33:07,320
Speaker 1: cultural reporter.

658
00:33:07,960 --> 00:33:09,880
Speaker 6: Sure, I think if you talk to a lot of

659
00:33:09,920 --> 00:33:12,120
Speaker 6: people who have worked at movie theaters for a long time,

660
00:33:12,200 --> 00:33:14,160
Speaker 6: time your twenty plus years. What they'll tell you is

661
00:33:14,160 --> 00:33:15,800
Speaker 6: there used to be folks who would come to the

662
00:33:15,800 --> 00:33:18,800
Speaker 6: movie every weekend. It didn't matter what was playing. They

663
00:33:18,800 --> 00:33:21,280
Speaker 6: would come on Friday nights and see the new releases.

664
00:33:21,640 --> 00:33:24,560
Speaker 6: They said, those people are not coming around so much anymore.

665
00:33:24,560 --> 00:33:27,280
Speaker 6: It used to be an affordable thing retirees could do.

666
00:33:27,360 --> 00:33:29,320
Speaker 6: It's a lot more expensive to go see a movie.

667
00:33:29,320 --> 00:33:32,640
Speaker 6: Even if you have an AMC like subs card where

668
00:33:32,640 --> 00:33:34,560
Speaker 6: you pay your twenty five dollars a month, you always

669
00:33:34,560 --> 00:33:38,280
Speaker 6: get three tickets a week. And so I definitely think

670
00:33:38,360 --> 00:33:42,360
Speaker 6: that it's changing. It'll be interesting even teenagers, you know.

671
00:33:42,400 --> 00:33:44,120
Speaker 6: I think typically that was like when I was a kid,

672
00:33:44,200 --> 00:33:46,000
Speaker 6: that was like our hangout spot, Like you went to

673
00:33:46,040 --> 00:33:46,880
Speaker 6: the movies.

674
00:33:46,600 --> 00:33:47,360
Speaker 5: On the weekends.

675
00:33:47,440 --> 00:33:47,960
Speaker 3: It was cheap.

676
00:33:48,720 --> 00:33:51,120
Speaker 6: Every town I grew up in a very small town.

677
00:33:51,640 --> 00:33:55,760
Speaker 6: Every local community had like its movie theater. I think

678
00:33:56,200 --> 00:33:58,160
Speaker 6: it's definitely going to change. It'll be interesting to see

679
00:33:58,160 --> 00:34:01,480
Speaker 6: how which I think with your Alamo draft houses and such,

680
00:34:01,520 --> 00:34:03,680
Speaker 6: it'll I think perhaps that will be where you're indie

681
00:34:03,720 --> 00:34:06,920
Speaker 6: movies go to get their special screamings things like that.

682
00:34:07,360 --> 00:34:09,319
Speaker 6: So we'll have to see. I'm looking forward to more

683
00:34:09,440 --> 00:34:12,880
Speaker 6: thirty five millimeters, Prince. Let's do it film happening?

684
00:34:13,160 --> 00:34:16,279
Speaker 1: Well, yeah, don't kill my dreams, talk about it, talk

685
00:34:16,320 --> 00:34:22,600
Speaker 1: about the Ballet's right, that's like a special ballet.

686
00:34:23,480 --> 00:34:26,280
Speaker 3: Let's go back to film. Let's yeah it all again.

687
00:34:28,080 --> 00:34:29,200
Speaker 3: Let's make it.

688
00:34:29,000 --> 00:34:32,840
Speaker 1: Only certain matters, only certain people get to shoot film,

689
00:34:33,040 --> 00:34:35,920
Speaker 1: and that that list is shrinking and shrinking.

690
00:34:36,200 --> 00:34:38,440
Speaker 3: It's true, it's tough, all right.

691
00:34:38,480 --> 00:34:40,960
Speaker 1: Should we we take a break? I soon, and then

692
00:34:41,040 --> 00:34:43,480
Speaker 1: we're going to talk about this very bizarre episode of

693
00:34:43,480 --> 00:34:45,160
Speaker 1: Scrubs exact?

694
00:34:45,440 --> 00:34:47,840
Speaker 3: Should we five six, seven eight? There you go? Please?

695
00:34:47,880 --> 00:34:50,399
Speaker 1: Donald, I think I just did.

696
00:34:51,120 --> 00:34:52,480
Speaker 3: Should I do it again? Yeah?

697
00:34:52,600 --> 00:34:54,840
Speaker 1: Give me a real to it? Yeah, yeah, yeah. We

698
00:34:55,680 --> 00:34:58,840
Speaker 1: haven't been here in forever. Don't yell because there's women nursing,

699
00:34:58,920 --> 00:35:00,400
Speaker 1: but you know, give us a good one.

700
00:35:00,480 --> 00:35:02,319
Speaker 3: All right. For those of you who are nursing, now

701
00:35:02,440 --> 00:35:08,240
Speaker 3: might be the time to cover the movie times stories.

702
00:35:09,040 --> 00:35:13,719
Speaker 4: I'm not sure we made about a bunch of docs.

703
00:35:13,360 --> 00:35:18,239
Speaker 5: And nurses, he said, here's the stories.

704
00:35:21,440 --> 00:35:31,359
Speaker 4: So YadA here, yeah here, all right.

705
00:35:31,440 --> 00:35:34,120
Speaker 1: Welcome to Fake Doctor's real friends. We're running out of

706
00:35:34,280 --> 00:35:38,320
Speaker 1: Scrubs episodes, but fear not we uh we We really

707
00:35:38,320 --> 00:35:40,239
Speaker 1: love doing the show and we're gonna keep doing it.

708
00:35:41,120 --> 00:35:43,040
Speaker 1: Are we due for a break because we've been talking

709
00:35:43,080 --> 00:35:46,160
Speaker 1: for a while, right, Daniel, Joelle? Are you just gonna

710
00:35:46,160 --> 00:35:48,959
Speaker 1: put a fake one in there? I might put one

711
00:35:49,000 --> 00:35:51,600
Speaker 1: in the in the the the pre intro, but I

712
00:35:51,640 --> 00:35:53,480
Speaker 1: feel like that would be silly. I mean, I don't know.

713
00:35:53,520 --> 00:35:55,920
Speaker 1: Maybe we'll just very short breaks in the after, so

714
00:35:55,960 --> 00:35:57,279
Speaker 1: don't worry about it. We'll take one in like time.

715
00:35:57,360 --> 00:35:58,759
Speaker 3: You know, it would be really cool as if we

716
00:35:58,800 --> 00:36:01,680
Speaker 3: went five, six, seven and then went right to break.

717
00:36:04,280 --> 00:36:05,520
Speaker 1: I don't think that's good TV.

718
00:36:06,360 --> 00:36:10,920
Speaker 3: Russia, no pro pecia.

719
00:36:13,080 --> 00:36:15,040
Speaker 1: It starts to we don't do propecia.

720
00:36:15,440 --> 00:36:16,719
Speaker 3: I don't know. I'm making ship up.

721
00:36:16,880 --> 00:36:19,640
Speaker 1: You know what we do better help? Donald and I

722
00:36:19,680 --> 00:36:22,919
Speaker 1: have a secret project we're very excited about. We can't

723
00:36:22,960 --> 00:36:25,839
Speaker 1: tell you about. But or we could do the thing

724
00:36:25,960 --> 00:36:27,319
Speaker 1: where we beep it. Should we do that?

725
00:36:27,360 --> 00:36:28,640
Speaker 2: Donald, please.

726
00:36:32,120 --> 00:36:35,560
Speaker 1: Go, let's go and.

727
00:36:39,920 --> 00:36:42,520
Speaker 2: Beep that ship too, amazy boo.

728
00:36:43,480 --> 00:36:47,080
Speaker 1: So fans you will know what we're deeped very soon.

729
00:36:47,719 --> 00:36:49,640
Speaker 1: It's not a Scrubs reboot yet. I don't want to

730
00:36:49,640 --> 00:36:52,960
Speaker 1: get everyone peeked about that. Although Donald, you're on a

731
00:36:53,040 --> 00:36:54,400
Speaker 1: head show. I don't think you can even do a

732
00:36:54,440 --> 00:36:55,160
Speaker 1: Scrubs rebot.

733
00:36:56,360 --> 00:36:57,759
Speaker 3: You don't know what the fuck I can do. You

734
00:36:57,760 --> 00:36:58,920
Speaker 3: don't know what my contracts.

735
00:36:59,120 --> 00:37:02,040
Speaker 1: You don't know my life. I don't know my life. Yo,

736
00:37:04,360 --> 00:37:06,600
Speaker 1: well you have a high class problem that you're on

737
00:37:06,640 --> 00:37:07,200
Speaker 1: a hit show.

738
00:37:07,719 --> 00:37:09,399
Speaker 3: I just listen. I'm gonna tell you something right now.

739
00:37:09,400 --> 00:37:11,799
Speaker 3: I'm happy that we're back right now doing this because

740
00:37:11,840 --> 00:37:14,239
Speaker 3: we haven't done this since so long, and we get

741
00:37:14,239 --> 00:37:17,080
Speaker 3: to talk about such a great show. I know you're

742
00:37:17,080 --> 00:37:19,080
Speaker 3: going to say it's weird because you weren't in it.

743
00:37:19,320 --> 00:37:21,000
Speaker 1: No, I have more to say than it's weird the

744
00:37:21,120 --> 00:37:22,600
Speaker 1: fact that it wasn't in it. I think that the

745
00:37:22,600 --> 00:37:25,480
Speaker 1: good news for the audience is this is the last

746
00:37:25,719 --> 00:37:28,359
Speaker 1: what the fuck is this episode? Because next we're going

747
00:37:28,440 --> 00:37:32,440
Speaker 1: to go into Bahamas Part one two, and then we

748
00:37:32,520 --> 00:37:35,440
Speaker 1: go into My Finale parts one and two. So this

749
00:37:35,520 --> 00:37:36,960
Speaker 1: is the last one. I imagine.

750
00:37:37,040 --> 00:37:39,920
Speaker 3: I did not like this? Did you not like this episode?

751
00:37:40,040 --> 00:37:41,359
Speaker 1: Not at all?

752
00:37:41,680 --> 00:37:45,200
Speaker 3: And I'm not saying that because I, dude, I love

753
00:37:45,280 --> 00:37:46,120
Speaker 3: this episode.

754
00:37:46,320 --> 00:37:50,360
Speaker 1: You did? Yeah, this episode is so weird, and I

755
00:37:50,360 --> 00:37:52,759
Speaker 1: have a theory why it's so weird. I think they

756
00:37:52,760 --> 00:37:57,680
Speaker 1: were saving money for the Bahamas episodes. So they did

757
00:37:57,680 --> 00:38:00,399
Speaker 1: a bottle episode, which is when all takes place one set.

758
00:38:00,440 --> 00:38:03,200
Speaker 1: This all takes place in the ICU, the only and

759
00:38:03,239 --> 00:38:05,080
Speaker 1: I'm not just seeing you. You're obviously always funny, but

760
00:38:05,120 --> 00:38:11,960
Speaker 1: it's only Donald Sarah the interns, right, h. The rest

761
00:38:12,000 --> 00:38:14,160
Speaker 1: of the cast is not Dent Todd. The rest of

762
00:38:14,200 --> 00:38:17,000
Speaker 1: the cast is not in it. So that's a bottle episode.

763
00:38:17,040 --> 00:38:18,759
Speaker 1: And I think they were saving money to do the

764
00:38:18,800 --> 00:38:19,960
Speaker 1: Bahamas whatever.

765
00:38:20,080 --> 00:38:24,080
Speaker 3: I think this is what Bill had in mind for

766
00:38:24,640 --> 00:38:30,360
Speaker 3: what Scrubs could be after we left, After everyone left,

767
00:38:30,840 --> 00:38:34,359
Speaker 3: it could still be in the same area. It could

768
00:38:34,400 --> 00:38:41,160
Speaker 3: still have familiar faces and just new interns with different problems.

769
00:38:41,560 --> 00:38:45,480
Speaker 3: Like this story could have been told by any mixture

770
00:38:45,960 --> 00:38:49,439
Speaker 3: of the original of the of the cast, is how

771
00:38:49,480 --> 00:38:53,000
Speaker 3: I look at it. It could have been Elliott and JD.

772
00:38:53,680 --> 00:38:56,279
Speaker 3: It could have been Carla and Elliott. It could have

773
00:38:56,320 --> 00:38:59,080
Speaker 3: been you know what I mean. It's the mentors looking

774
00:38:59,120 --> 00:39:01,840
Speaker 3: out for the new people and all of the things

775
00:39:01,880 --> 00:39:04,600
Speaker 3: that that's, you know, That was how I looked at it.

776
00:39:04,880 --> 00:39:08,160
Speaker 3: I laughed really hard at the he went to Disneyland

777
00:39:08,200 --> 00:39:11,240
Speaker 3: without me. That laughed so hard.

778
00:39:11,600 --> 00:39:13,919
Speaker 1: Yeah, they got roller coasters. The roller coaster in the dark.

779
00:39:14,440 --> 00:39:16,480
Speaker 3: I laughed real hard at that. I laughed at the

780
00:39:16,520 --> 00:39:21,279
Speaker 3: heavy the heavy, I laughed real hard.

781
00:39:21,560 --> 00:39:24,040
Speaker 1: They should have cut through the heavy. That was so cringe.

782
00:39:24,920 --> 00:39:27,440
Speaker 1: I thought that was wild and cringe and should be

783
00:39:27,440 --> 00:39:28,160
Speaker 1: cut for future.

784
00:39:28,200 --> 00:39:30,799
Speaker 3: Do you know it was cringe? I don't do no jap,

785
00:39:31,280 --> 00:39:38,799
Speaker 3: I'm not doing my That was that was obercrint that.

786
00:39:38,880 --> 00:39:39,440
Speaker 3: I was like that.

787
00:39:39,520 --> 00:39:41,920
Speaker 1: Should you know how they took some ship out? Like

788
00:39:42,840 --> 00:39:44,200
Speaker 1: you know, they should have taken that one.

789
00:39:44,440 --> 00:39:49,120
Speaker 3: That's one of them. Oh my, yesh, let's take a break.

790
00:39:49,160 --> 00:39:59,359
Speaker 1: We'll be right back after these fine words. First of all,

791
00:39:59,480 --> 00:40:02,760
Speaker 1: the show episode makes absolute no sense. There's no voiceover.

792
00:40:02,800 --> 00:40:04,440
Speaker 1: At least they should have had one of you do

793
00:40:04,560 --> 00:40:07,400
Speaker 1: voice overs. No voiceover in the whole episode and then

794
00:40:07,520 --> 00:40:11,000
Speaker 1: also the end. But that's not a voiceover. Sarah's telling

795
00:40:11,040 --> 00:40:14,040
Speaker 1: you a story. It's not like it takes place just

796
00:40:14,080 --> 00:40:17,440
Speaker 1: in her head. You have one fantasy. It's just sloppy

797
00:40:17,520 --> 00:40:20,279
Speaker 1: to me, I mean, no offense to everyone. I think

798
00:40:20,320 --> 00:40:22,160
Speaker 1: what it was was a saving money.

799
00:40:22,239 --> 00:40:22,600
Speaker 3: Loved it.

800
00:40:23,480 --> 00:40:25,560
Speaker 1: I can't believe you loved this episode. Did you love

801
00:40:25,560 --> 00:40:26,200
Speaker 1: this episode?

802
00:40:26,239 --> 00:40:26,759
Speaker 5: I did not.

803
00:40:27,000 --> 00:40:28,759
Speaker 3: Do you know why I loved it? I loved it

804
00:40:28,800 --> 00:40:31,440
Speaker 3: because Sarah's monologue at the end. I thought it was

805
00:40:31,480 --> 00:40:34,520
Speaker 3: phenomenal what she says and why she would walk away

806
00:40:34,520 --> 00:40:37,000
Speaker 3: from it all. I thought that was dope. I thought

807
00:40:37,040 --> 00:40:40,440
Speaker 3: it was a really interesting thing to talk about, Like

808
00:40:40,760 --> 00:40:44,440
Speaker 3: we don't talk about disease and viruses and stuff like that.

809
00:40:44,560 --> 00:40:47,879
Speaker 3: We barely talk about viruses nowadays, you know what I mean,

810
00:40:48,080 --> 00:40:50,680
Speaker 3: you talk about COVID and shit like that. Motherfuckers are like, y'all,

811
00:40:50,680 --> 00:40:53,200
Speaker 3: I don't really you know, we still don't. That shit's

812
00:40:53,200 --> 00:40:56,040
Speaker 3: still prevalent, you know what I mean, That shit's still there.

813
00:40:56,200 --> 00:40:58,920
Speaker 3: All of these things are still there, HIV still that

814
00:40:58,960 --> 00:41:02,359
Speaker 3: we talked about something that's taboo. It was something that

815
00:41:02,560 --> 00:41:05,920
Speaker 3: they blamed homosexuals for first, you know what I mean, Like,

816
00:41:06,239 --> 00:41:08,440
Speaker 3: you know what I'm saying, Like this was a and

817
00:41:08,480 --> 00:41:11,799
Speaker 3: this is in the early two thousands. Also, like I'm

818
00:41:11,840 --> 00:41:13,000
Speaker 3: just saying, man, I just I'm not.

819
00:41:13,000 --> 00:41:16,080
Speaker 6: Saying there's nothing to love about this episode. I actually

820
00:41:16,239 --> 00:41:21,279
Speaker 6: really did joy Sarah's storyline overall. Like her patient comes

821
00:41:21,320 --> 00:41:24,640
Speaker 6: in and she's been interactionally, but she's like, I'm recovered

822
00:41:24,680 --> 00:41:26,719
Speaker 6: and serious, like the stuff on the chart is not

823
00:41:27,400 --> 00:41:29,560
Speaker 6: matching what you're telling me. And she's like I promise

824
00:41:29,640 --> 00:41:31,600
Speaker 6: him telling you the truth, and it really causes her

825
00:41:31,600 --> 00:41:32,880
Speaker 6: as a doctor to be like, let me take a

826
00:41:32,880 --> 00:41:34,960
Speaker 6: step back and consider. I thought all of that worked

827
00:41:35,000 --> 00:41:36,920
Speaker 6: really well, and I did like her monologue at the end.

828
00:41:37,400 --> 00:41:39,160
Speaker 6: To me, the problem comes, I don't care about any

829
00:41:39,200 --> 00:41:40,000
Speaker 6: of the interns.

830
00:41:40,239 --> 00:41:41,080
Speaker 5: I just don't.

831
00:41:41,239 --> 00:41:44,919
Speaker 6: And it's hard to connect or care about that.

832
00:41:44,920 --> 00:41:46,640
Speaker 3: That's a tough all right, Well, that's a tough shob

833
00:41:46,680 --> 00:41:49,680
Speaker 3: because that's you know, how does the show evolve? Then

834
00:41:49,840 --> 00:41:54,839
Speaker 3: you know what I mean? If that's the case, doesn't Well,

835
00:41:54,840 --> 00:41:56,960
Speaker 3: if we do, if there's a reboot, what is a

836
00:41:57,000 --> 00:41:59,600
Speaker 3: reboot then us as old people. People want to see

837
00:41:59,680 --> 00:42:00,560
Speaker 3: us as old people?

838
00:42:01,040 --> 00:42:06,000
Speaker 1: Yes, oh yeah, they want to see us as old people.

839
00:42:06,000 --> 00:42:07,399
Speaker 1: To do they want to see you think we're gonna

840
00:42:07,600 --> 00:42:09,800
Speaker 1: when we do a reboot, it's gonna be about fucking interns.

841
00:42:09,800 --> 00:42:11,759
Speaker 1: For damn sure, it's not gonna be about it. No one,

842
00:42:11,960 --> 00:42:14,640
Speaker 1: we have a fucking You have evidence here, no one

843
00:42:14,680 --> 00:42:18,200
Speaker 1: gave a fuck about. With all due respect to all

844
00:42:18,239 --> 00:42:20,839
Speaker 1: of the talent, no one gave a fuck, no doubt,

845
00:42:21,360 --> 00:42:23,080
Speaker 1: And I agree with you, and I agree with Joel.

846
00:42:23,080 --> 00:42:25,960
Speaker 1: They're all wonderful actors. But you just didn't care. You

847
00:42:26,040 --> 00:42:28,960
Speaker 1: were so invested people, the audience, and I'm sure people

848
00:42:28,960 --> 00:42:33,160
Speaker 1: listening fell in love with these roughly eight people who

849
00:42:33,160 --> 00:42:36,040
Speaker 1: are the leads of the show and wanted to watch

850
00:42:36,080 --> 00:42:38,959
Speaker 1: them and keep watching them. And obviously you can see

851
00:42:38,960 --> 00:42:41,439
Speaker 1: what this episode is trying to do is tiptoe out

852
00:42:41,520 --> 00:42:44,759
Speaker 1: and tiptoe the interns forward, because that's what the by

853
00:42:44,840 --> 00:42:46,880
Speaker 1: now they obviously know that's what season nine is going

854
00:42:46,960 --> 00:42:49,080
Speaker 1: to be. And if this was like a little like

855
00:42:49,680 --> 00:42:52,400
Speaker 1: dip your toe in the water test, I agree with Joel.

856
00:42:52,480 --> 00:42:53,680
Speaker 1: It's like, I don't care.

857
00:42:54,640 --> 00:42:56,680
Speaker 3: I wish there was a way to monetize that then

858
00:42:56,960 --> 00:42:58,799
Speaker 3: back then, you know what, I mean, to figure that

859
00:42:58,840 --> 00:43:02,360
Speaker 3: out back then, because this airs during the seat, during

860
00:43:02,440 --> 00:43:06,080
Speaker 3: our final season, and I'm happy for the experience and

861
00:43:06,160 --> 00:43:07,239
Speaker 3: being able to work for.

862
00:43:07,560 --> 00:43:09,959
Speaker 1: Of course, But I'm just talking about I'm not about

863
00:43:09,960 --> 00:43:13,960
Speaker 1: the experiment, which was you know, they honored A Gray's

864
00:43:13,960 --> 00:43:17,520
Speaker 1: anatomy last night at the Emmys being twenty years or

865
00:43:17,520 --> 00:43:18,120
Speaker 1: something like that.

866
00:43:18,640 --> 00:43:20,680
Speaker 3: I would like to run like that, That's what I'm

867
00:43:20,719 --> 00:43:21,400
Speaker 3: trying to say.

868
00:43:21,560 --> 00:43:24,800
Speaker 1: And I you know, they in a different way figured

869
00:43:24,800 --> 00:43:28,000
Speaker 1: out how to keep replacing casts and keep and obviously

870
00:43:28,120 --> 00:43:30,480
Speaker 1: an er obviously and I think in the spirit of

871
00:43:31,840 --> 00:43:35,080
Speaker 1: that it was it was a total It makes total

872
00:43:35,160 --> 00:43:38,200
Speaker 1: sense that Bill and the network would be like, let's

873
00:43:38,239 --> 00:43:40,080
Speaker 1: try and do that. Why would we not try? It

874
00:43:40,080 --> 00:43:43,400
Speaker 1: works on other shows. I just think in this unique case,

875
00:43:44,080 --> 00:43:45,280
Speaker 1: the audience has spoken.

876
00:43:45,400 --> 00:43:48,399
Speaker 6: They spend so much time with y'all, whereas like Gray's

877
00:43:48,400 --> 00:43:52,560
Speaker 6: Anatomy starts introducing new interns that like season two or three,

878
00:43:53,120 --> 00:43:55,759
Speaker 6: and like with er to like, the new doctors are

879
00:43:55,760 --> 00:43:58,360
Speaker 6: constantly coming in and so it feels much less jarring.

880
00:43:58,480 --> 00:43:59,319
Speaker 5: I think on.

881
00:43:59,440 --> 00:44:04,040
Speaker 6: Your dramatic medical show to see new faces come in

882
00:44:04,160 --> 00:44:07,080
Speaker 6: as opposed to this is a comedy family that's so

883
00:44:07,280 --> 00:44:10,239
Speaker 6: well oiled, where you're all's jokes were and timing were

884
00:44:10,280 --> 00:44:12,680
Speaker 6: so on point. I think to try to bring in

885
00:44:13,239 --> 00:44:15,120
Speaker 6: four or five new people who could bring that same

886
00:44:15,200 --> 00:44:17,880
Speaker 6: level of energy, it's a huge ask of any group.

887
00:44:17,640 --> 00:44:19,440
Speaker 1: Of Yes, I agree.

888
00:44:19,840 --> 00:44:22,160
Speaker 3: So you're saying with the right with the right group

889
00:44:22,200 --> 00:44:23,680
Speaker 3: of people, it would it could work.

890
00:44:23,719 --> 00:44:26,560
Speaker 6: Then No, I'm saying it would take a miracle of

891
00:44:26,760 --> 00:44:30,879
Speaker 6: writer actor combination on high that then also all your

892
00:44:30,920 --> 00:44:32,959
Speaker 6: fans would connect with It would be such a high

893
00:44:33,000 --> 00:44:35,360
Speaker 6: bar to clear. I think it would be really challenging

894
00:44:35,400 --> 00:44:37,200
Speaker 6: and as proof. I think it was challenging to do.

895
00:44:37,960 --> 00:44:39,920
Speaker 1: Think of like Friends, right, Okay, let's just think of

896
00:44:39,960 --> 00:44:42,200
Speaker 1: like one of the most watched shows of all time.

897
00:44:42,520 --> 00:44:45,960
Speaker 1: If Little by Little they start introducing new young friends

898
00:44:47,120 --> 00:44:51,239
Speaker 1: and Little by Little the hero six of them or

899
00:44:51,320 --> 00:44:52,960
Speaker 1: seven of them start tiptoeing out.

900
00:44:53,040 --> 00:44:55,440
Speaker 3: They didn't do that, but they did introduce new friends,

901
00:44:55,480 --> 00:44:56,839
Speaker 3: just like we introduced new friends.

902
00:44:56,880 --> 00:45:01,480
Speaker 6: They introduce partners. They introduced like it's a girl friend

903
00:45:01,560 --> 00:45:02,080
Speaker 6: and stuff.

904
00:45:02,200 --> 00:45:02,879
Speaker 5: Yeah.

905
00:45:02,960 --> 00:45:05,080
Speaker 3: I don't know, man, I don't know, man. I just

906
00:45:05,120 --> 00:45:08,319
Speaker 3: think I think there's always a way to Maybe it's

907
00:45:08,360 --> 00:45:11,239
Speaker 3: a break that's needed. Frasier's having had a great cup,

908
00:45:11,320 --> 00:45:13,480
Speaker 3: you know, the Connors is doing, of.

909
00:45:13,440 --> 00:45:16,040
Speaker 1: Course, But also you're talking about if we have if

910
00:45:16,040 --> 00:45:18,719
Speaker 1: and when we do a reboot of any kind, it's

911
00:45:18,840 --> 00:45:22,040
Speaker 1: we're going to bring the seven core people back, and

912
00:45:22,080 --> 00:45:25,000
Speaker 1: it's going to be about the seven core people, absolutely,

913
00:45:25,080 --> 00:45:27,360
Speaker 1: and of course there'll be guest stars and supporting stars

914
00:45:27,360 --> 00:45:29,360
Speaker 1: and all that stuff. But the people listening to this

915
00:45:29,440 --> 00:45:33,600
Speaker 1: podcast right now, they would tune in because they they

916
00:45:33,800 --> 00:45:37,480
Speaker 1: loved that group, they loved hanging out with that group,

917
00:45:37,640 --> 00:45:40,359
Speaker 1: and if they're going to tune in for anything new,

918
00:45:40,840 --> 00:45:42,520
Speaker 1: they want to see Oh, how are they now? What

919
00:45:42,560 --> 00:45:43,880
Speaker 1: are they like? What's their lives like?

920
00:45:43,960 --> 00:45:47,000
Speaker 3: Now? How long is that interesting for? You know what

921
00:45:47,080 --> 00:45:47,399
Speaker 3: I mean?

922
00:45:47,520 --> 00:45:49,800
Speaker 1: If it's well written, it could be you know, I

923
00:45:49,800 --> 00:45:53,520
Speaker 1: don't know handful of seasons. Who knows movie eight seasons

924
00:45:53,520 --> 00:45:55,280
Speaker 1: in a movie.

925
00:45:54,600 --> 00:45:57,359
Speaker 3: Right, no doubt. It's also interesting if you introduce new

926
00:45:57,640 --> 00:46:01,680
Speaker 3: new aspects to it, like JD and Turk and Carla

927
00:46:01,760 --> 00:46:03,360
Speaker 3: and Elliott all have kids.

928
00:46:03,719 --> 00:46:05,000
Speaker 1: Yeah, how many kids do they have?

929
00:46:06,120 --> 00:46:07,759
Speaker 3: You know what I mean? And those these kids are

930
00:46:07,760 --> 00:46:09,719
Speaker 3: now grown. This was a long time ago, you know

931
00:46:09,760 --> 00:46:10,240
Speaker 3: what I'm saying.

932
00:46:11,160 --> 00:46:14,640
Speaker 1: Yeah, and uh, and our JD and Elliott still together?

933
00:46:15,880 --> 00:46:17,200
Speaker 1: I hope so. I would hope so.

934
00:46:17,960 --> 00:46:20,719
Speaker 3: Has Turks diabetes got the best of them and killed him.

935
00:46:21,000 --> 00:46:23,520
Speaker 1: Oh god, Oh, I think Turk will be alive unless

936
00:46:23,520 --> 00:46:31,480
Speaker 1: he's on a hit unless he's on a hit comedy network. Sorry, uh,

937
00:46:31,719 --> 00:46:34,720
Speaker 1: Turk's on a hit comedy another network. Guys, He's dead.

938
00:46:38,200 --> 00:46:41,200
Speaker 1: It was the diabetes.

939
00:46:44,600 --> 00:46:45,280
Speaker 3: No what other.

940
00:46:45,200 --> 00:46:49,800
Speaker 1: Questions, I mean, you know, like they'd have to find

941
00:46:49,880 --> 00:46:52,840
Speaker 1: summer reason why we all still work at the same hospital.

942
00:46:52,880 --> 00:46:55,400
Speaker 1: But I think we'll just have to let the audience

943
00:46:55,440 --> 00:46:58,239
Speaker 1: go like somewhere about it. Okay, guys, you guys want

944
00:46:58,280 --> 00:47:00,239
Speaker 1: this right, all right, so this some bullshit reason we

945
00:47:00,280 --> 00:47:01,320
Speaker 1: all still work at the same ADELA.

946
00:47:01,880 --> 00:47:04,880
Speaker 3: You know, I'm one that believes that this would have

947
00:47:04,920 --> 00:47:08,440
Speaker 3: been a great adult cartoon, you know what I mean,

948
00:47:08,719 --> 00:47:11,120
Speaker 3: like the Simpsons or like Family Guy. I mean, you

949
00:47:11,120 --> 00:47:12,960
Speaker 3: could still still do all of the fantasy.

950
00:47:13,200 --> 00:47:15,359
Speaker 1: Like the comp the comp for what you're talking about

951
00:47:15,440 --> 00:47:18,040
Speaker 1: is Scott Pilgrim, which I think is doing quite well. Right,

952
00:47:18,040 --> 00:47:19,040
Speaker 1: there's a Scott.

953
00:47:20,600 --> 00:47:23,000
Speaker 5: Oh God, really loved it.

954
00:47:23,400 --> 00:47:26,760
Speaker 3: They did a Scott Pilgrim Saves the World animated series, Yes.

955
00:47:27,200 --> 00:47:27,759
Speaker 2: Yeah, they did.

956
00:47:27,840 --> 00:47:31,239
Speaker 6: So it's like an anime on Netflix, and it's like

957
00:47:31,280 --> 00:47:33,799
Speaker 6: an allt you. So the very first episode is like

958
00:47:33,880 --> 00:47:35,839
Speaker 6: the first like the first act of the movie, where

959
00:47:35,840 --> 00:47:38,800
Speaker 6: you're like, oh, are they just making the movie animated?

960
00:47:38,840 --> 00:47:40,040
Speaker 5: That's kind of strange.

961
00:47:40,080 --> 00:47:42,760
Speaker 6: And then at the last minute plot twist, what if

962
00:47:42,800 --> 00:47:45,400
Speaker 6: Scott Pilgrim didn't win the first battle but he died.

963
00:47:45,719 --> 00:47:47,200
Speaker 5: What's Romona Flowers journey?

964
00:47:47,800 --> 00:47:50,560
Speaker 3: Then? So he's not in the movie at all, he's

965
00:47:50,560 --> 00:47:51,399
Speaker 3: not in the show at all.

966
00:47:51,840 --> 00:47:53,920
Speaker 6: He comes back later, but I want to spoil it,

967
00:47:55,800 --> 00:47:59,160
Speaker 6: and it's all the entire original cast of Scott Pilgrim,

968
00:47:59,200 --> 00:48:02,360
Speaker 6: all of the actors came back, and everybody came Chris

969
00:48:02,440 --> 00:48:05,440
Speaker 6: is bad, Like literally every single person came back to

970
00:48:05,520 --> 00:48:08,640
Speaker 6: voice themselves, and it's so funny. They correct some of

971
00:48:08,680 --> 00:48:11,880
Speaker 6: their you know, the movie is not necessarily one hundred

972
00:48:11,880 --> 00:48:14,120
Speaker 6: in PC, it's very of its time, so they make

973
00:48:14,200 --> 00:48:17,120
Speaker 6: some of the corrections. Their knives gets a much bigger

974
00:48:17,360 --> 00:48:20,240
Speaker 6: like arc as a character, which is really satisfying.

975
00:48:20,560 --> 00:48:23,520
Speaker 5: It was delightful. I love the animates. I love every

976
00:48:23,560 --> 00:48:25,120
Speaker 5: iteration of Scott program so good.

977
00:48:25,680 --> 00:48:28,560
Speaker 3: I really did like the movie. I thought that was

978
00:48:29,160 --> 00:48:32,040
Speaker 3: a lot of fun to watch totally, So I'm excited

979
00:48:32,040 --> 00:48:32,480
Speaker 3: to watch this.

980
00:48:32,680 --> 00:48:36,480
Speaker 1: Uh yeah, well, we'll love to see. I think that

981
00:48:36,560 --> 00:48:39,520
Speaker 1: if there, if, and when there's a Scrubs reboot, it

982
00:48:39,520 --> 00:48:42,239
Speaker 1: would be fun to daydream about. First of all, it

983
00:48:42,239 --> 00:48:44,480
Speaker 1: would be fucking hilarious just to get the gang back

984
00:48:44,520 --> 00:48:48,040
Speaker 1: together and laugh and and and I mean laughing with

985
00:48:48,080 --> 00:48:51,200
Speaker 1: you after all these years, getting back together and laughing

986
00:48:51,360 --> 00:48:53,640
Speaker 1: and being our silly selves would be so much fun.

987
00:48:54,360 --> 00:48:57,000
Speaker 1: They would have to crack the reason, you know, why,

988
00:48:57,040 --> 00:49:00,719
Speaker 1: why why are we all back together? Or you just

989
00:49:00,719 --> 00:49:03,440
Speaker 1: say fuck it? Like in this world, no one leaves

990
00:49:03,440 --> 00:49:04,680
Speaker 1: hospitals and moves away.

991
00:49:04,719 --> 00:49:13,440
Speaker 3: Everybody still The Janitor Season nine was a freaking alternate universe.

992
00:49:13,760 --> 00:49:16,359
Speaker 3: Is yeah, it's just continuously like this.

993
00:49:16,640 --> 00:49:19,960
Speaker 1: I was thinking in during one of my tough experiences that,

994
00:49:20,160 --> 00:49:24,640
Speaker 1: uh that, uh it's a fantasy, right and JD, so

995
00:49:24,719 --> 00:49:29,759
Speaker 1: the the you how do I describe this? You? You

996
00:49:30,080 --> 00:49:34,839
Speaker 1: realize that JD is imagine, nothing has changed, Everything's back

997
00:49:34,880 --> 00:49:36,719
Speaker 1: to normal. We're all older obviously and have kids in

998
00:49:36,760 --> 00:49:40,600
Speaker 1: the whole thing. But you realize that JD, this is

999
00:49:40,640 --> 00:49:45,040
Speaker 1: all in JD's imagination and his real life. He's like unhappy,

1000
00:49:45,840 --> 00:49:49,400
Speaker 1: maybe he's gotten divorced, he has he has some medical

1001
00:49:49,440 --> 00:49:53,280
Speaker 1: practice that's unfulfilling, and you realize that the new season

1002
00:49:53,480 --> 00:49:56,120
Speaker 1: is all JD remembering how happy he was, and it's

1003
00:49:56,160 --> 00:49:59,320
Speaker 1: all in his mind of living his dream with his friends.

1004
00:50:00,120 --> 00:50:02,919
Speaker 6: Oh that's cute, but also said, I don't want Jadie

1005
00:50:02,960 --> 00:50:03,800
Speaker 6: to have a bad life.

1006
00:50:04,160 --> 00:50:06,040
Speaker 1: No, I mean then then then it would break out

1007
00:50:06,040 --> 00:50:07,840
Speaker 1: of that and he would he would he would realize

1008
00:50:07,840 --> 00:50:10,719
Speaker 1: that he needed to take action and stand up and

1009
00:50:11,080 --> 00:50:13,840
Speaker 1: manifest having the life he wants. This isn't going to

1010
00:50:13,880 --> 00:50:16,480
Speaker 1: be it, guys, don't worry. It's it's too I.

1011
00:50:16,440 --> 00:50:19,280
Speaker 3: Would say, it's very much like the who Shot Jr.

1012
00:50:19,400 --> 00:50:22,879
Speaker 3: Situation or like just where the dude died and then

1013
00:50:23,040 --> 00:50:25,640
Speaker 3: out of nowhere it was a dream type ship. Or

1014
00:50:26,160 --> 00:50:28,640
Speaker 3: if you read, if you're a kick ass comic book reader,

1015
00:50:30,400 --> 00:50:33,439
Speaker 3: the whole ship is because this dude that one time

1016
00:50:33,480 --> 00:50:35,360
Speaker 3: he gets beat up in the beginning of the movie.

1017
00:50:35,360 --> 00:50:40,080
Speaker 3: He's been in a coma the whole the whole series,

1018
00:50:40,120 --> 00:50:41,879
Speaker 3: and he's imagined the whole thing.

1019
00:50:42,600 --> 00:50:45,520
Speaker 1: Okay, all right, we should talk a little about this episode.

1020
00:50:45,680 --> 00:50:47,040
Speaker 1: Let's take it that break first.

1021
00:50:47,560 --> 00:50:50,400
Speaker 3: How about the farts so stupid? Let's take it.

1022
00:50:50,480 --> 00:50:51,200
Speaker 1: Let me tell you something.

1023
00:50:51,239 --> 00:50:53,400
Speaker 3: If you take a break, let's take it.

1024
00:50:53,600 --> 00:50:55,279
Speaker 1: We come back. We're going to talk about how if

1025
00:50:55,320 --> 00:51:03,000
Speaker 1: you're a writer, don't write about farts. We'll be right back.

1026
00:51:08,400 --> 00:51:09,879
Speaker 1: If you're sitting there writing and.

1027
00:51:10,080 --> 00:51:12,280
Speaker 3: Make fart jokes all the time, that's sign.

1028
00:51:12,640 --> 00:51:14,960
Speaker 1: In your private life and with your friends.

1029
00:51:15,080 --> 00:51:18,280
Speaker 3: Nothing like that joke on television just recently.

1030
00:51:18,560 --> 00:51:20,600
Speaker 1: I'm sorry to diss you and your writers, but listen.

1031
00:51:20,640 --> 00:51:23,520
Speaker 1: If you're I didn't make it up. Jerry O'Connell made

1032
00:51:23,520 --> 00:51:26,040
Speaker 1: it up. If you're a writer and you're sitting there

1033
00:51:26,040 --> 00:51:28,239
Speaker 1: and you're staring at the blinkoln cursor and something in

1034
00:51:28,280 --> 00:51:32,120
Speaker 1: your mind says, what if it's a fart joke? Stop

1035
00:51:33,480 --> 00:51:34,760
Speaker 1: put the computer to sleep.

1036
00:51:35,000 --> 00:51:38,120
Speaker 3: Wow, must must explain, must explain.

1037
00:51:38,560 --> 00:51:41,360
Speaker 1: It's just such a low bar. We all left at farts,

1038
00:51:41,360 --> 00:51:45,520
Speaker 1: farts and silly a fart noisy jokes. I just think,

1039
00:51:45,680 --> 00:51:48,399
Speaker 1: I just think I always find don't get me wrong,

1040
00:51:48,400 --> 00:51:51,360
Speaker 1: there's an occasional one that will make me giggle. Obviously

1041
00:51:51,360 --> 00:51:54,040
Speaker 1: in life when someone farts it's funny, but like, this

1042
00:51:54,160 --> 00:52:00,840
Speaker 1: episode has like six references to a fart. It's embarrassing, Joelle,

1043
00:52:00,880 --> 00:52:01,360
Speaker 1: your thoughts.

1044
00:52:01,600 --> 00:52:04,080
Speaker 5: It's an entire sea plot and it's much too much.

1045
00:52:04,680 --> 00:52:06,640
Speaker 5: It's like one point they just pan back to the girl.

1046
00:52:06,680 --> 00:52:08,520
Speaker 6: They're like, she fart yet, Nope, okay next to you,

1047
00:52:08,520 --> 00:52:10,399
Speaker 6: And I was like, why don't we do Yeah.

1048
00:52:10,480 --> 00:52:12,920
Speaker 3: The only time I got, really, the only time where

1049
00:52:12,920 --> 00:52:14,360
Speaker 3: I was like this is too much is when she

1050
00:52:14,480 --> 00:52:17,680
Speaker 3: was like, it's stunk really bad and then smelled like

1051
00:52:17,719 --> 00:52:18,320
Speaker 3: hot dogs.

1052
00:52:18,480 --> 00:52:20,799
Speaker 5: You mean the punchline of the entire joke.

1053
00:52:21,640 --> 00:52:23,840
Speaker 3: That was when I was like, by the.

1054
00:52:23,840 --> 00:52:25,720
Speaker 1: Way, by the way, let me just give the audience

1055
00:52:26,560 --> 00:52:29,880
Speaker 1: what happens. Okay, So the woman, the woman farts in

1056
00:52:29,920 --> 00:52:34,719
Speaker 1: an ICU isolated room. Then the young doctor Sonny comes out,

1057
00:52:34,840 --> 00:52:39,520
Speaker 1: and all of the doctors are commenting that she smells

1058
00:52:39,880 --> 00:52:43,319
Speaker 1: personally like the woman's fart. And then she says, I've

1059
00:52:43,360 --> 00:52:47,759
Speaker 1: taken several bad showers already since since this occurred, and

1060
00:52:47,840 --> 00:52:50,239
Speaker 1: I still smell like it. And then they say, yeah,

1061
00:52:50,280 --> 00:52:54,080
Speaker 1: you still smell like her fart that happened clearly over

1062
00:52:54,120 --> 00:52:56,520
Speaker 1: an hour ago. And she says, now I'm gonna take

1063
00:52:56,520 --> 00:53:00,879
Speaker 1: a bath in tomato juice. I mean, it's just really bad.

1064
00:53:01,080 --> 00:53:03,040
Speaker 1: I'm sorry, Donald didn't hit.

1065
00:53:03,239 --> 00:53:04,319
Speaker 5: It did not hit for me.

1066
00:53:05,400 --> 00:53:10,640
Speaker 3: That is hilarious to me. But well, there you go

1067
00:53:10,719 --> 00:53:14,799
Speaker 3: to some sitting on a toilet and the ship come

1068
00:53:14,920 --> 00:53:18,400
Speaker 3: halfway out your ass. They crawl back up in that motherfucker.

1069
00:53:20,840 --> 00:53:22,200
Speaker 1: You're a bit or a comedians bit.

1070
00:53:22,440 --> 00:53:25,200
Speaker 3: This is freaking Eddie Murphy doing Richard Pryor when he

1071
00:53:25,239 --> 00:53:25,760
Speaker 3: was a kid.

1072
00:53:26,000 --> 00:53:29,319
Speaker 1: Oh okay, I'm sorry. I guess I'm just not into

1073
00:53:29,440 --> 00:53:32,319
Speaker 1: I'm not into schotological humor and just not for me.

1074
00:53:33,320 --> 00:53:38,560
Speaker 3: Okay, Well, look, I thought it was hilarious. I would

1075
00:53:38,600 --> 00:53:41,799
Speaker 3: like to give all of the interns their props for

1076
00:53:42,360 --> 00:53:44,320
Speaker 3: putting on such an entertaining show.

1077
00:53:44,520 --> 00:53:46,480
Speaker 1: I want to repeat over and over again in case,

1078
00:53:46,800 --> 00:53:49,160
Speaker 1: in case any of those wonderful actors. Listen to this.

1079
00:53:49,320 --> 00:53:52,799
Speaker 1: They're all wonderfully talented. I'm not missing them. I'm just

1080
00:53:52,920 --> 00:53:57,600
Speaker 1: saying the writing I think was on its last legs.

1081
00:53:58,239 --> 00:54:01,719
Speaker 3: Clearly it's the season, and it's season eight.

1082
00:54:02,200 --> 00:54:03,279
Speaker 1: But don't worry this again.

1083
00:54:03,480 --> 00:54:05,600
Speaker 3: And as I told you, trying to get the fuck out.

1084
00:54:05,960 --> 00:54:08,600
Speaker 3: And you know what it's like at the end.

1085
00:54:09,080 --> 00:54:11,560
Speaker 1: Yeah, it's like someone who's running a marathon and they're

1086
00:54:11,560 --> 00:54:13,920
Speaker 1: at mile twenty five point nine.

1087
00:54:16,400 --> 00:54:19,320
Speaker 3: It's all of a sudden gets way harder to break story.

1088
00:54:20,160 --> 00:54:22,040
Speaker 1: Yeah, what if it's a fart joke for a fucking

1089
00:54:22,080 --> 00:54:22,600
Speaker 1: a third.

1090
00:54:22,440 --> 00:54:24,680
Speaker 3: Of the episode.

1091
00:54:26,120 --> 00:54:28,759
Speaker 1: Are you sure we should make eight fart jokes. I'm

1092
00:54:28,840 --> 00:54:30,600
Speaker 1: sure we're going for it.

1093
00:54:30,640 --> 00:54:32,080
Speaker 3: Fuck it, I think we could get away with it.

1094
00:54:32,120 --> 00:54:35,239
Speaker 1: So you're saying, after she showers three times, that means

1095
00:54:35,280 --> 00:54:38,359
Speaker 1: she showered once, came out still smelled like that woman's fart,

1096
00:54:38,600 --> 00:54:42,200
Speaker 1: showered again, came out still smelled like the woman's fart,

1097
00:54:42,440 --> 00:54:45,680
Speaker 1: showered a third time, scrubbing, probably this time with great

1098
00:54:45,760 --> 00:54:50,839
Speaker 1: rigor because of the other times, and blue dryer hair

1099
00:54:50,920 --> 00:54:53,960
Speaker 1: the whole thing. Probably put perfume on because of the problem,

1100
00:54:54,320 --> 00:54:57,479
Speaker 1: put makeup back, and we did her makeup everything changed.

1101
00:54:57,480 --> 00:55:02,160
Speaker 1: Her scrubs clearly that she still smells like a little, quick,

1102
00:55:02,200 --> 00:55:04,919
Speaker 1: little fart that this old woman had, And now she's

1103
00:55:04,920 --> 00:55:06,240
Speaker 1: gonna go get tomato juice.

1104
00:55:06,440 --> 00:55:10,040
Speaker 3: Okay, but let me explain, go ahead, it's because she

1105
00:55:10,080 --> 00:55:13,440
Speaker 3: had been holding it for decades. Decades.

1106
00:55:13,480 --> 00:55:15,440
Speaker 1: It's impossible. Everyone farts all day long.

1107
00:55:15,520 --> 00:55:18,600
Speaker 3: This whole show shows the joke. The joke's impossible, dude,

1108
00:55:18,840 --> 00:55:21,480
Speaker 3: the jokes. You're gonna try and hit me with logic.

1109
00:55:22,120 --> 00:55:24,439
Speaker 1: Well, don't you how many times the average human farts

1110
00:55:24,440 --> 00:55:24,719
Speaker 1: a day?

1111
00:55:24,800 --> 00:55:25,080
Speaker 3: You don't.

1112
00:55:25,080 --> 00:55:27,239
Speaker 1: You can't control it. You fart all day long?

1113
00:55:27,680 --> 00:55:31,280
Speaker 3: Noren't. There'sn't a there's a certain amount that's excessive.

1114
00:55:31,600 --> 00:55:34,040
Speaker 1: I've seen this, of course, if you if you, if

1115
00:55:34,080 --> 00:55:36,239
Speaker 1: your stomach's fucked up and you eat bad food. But

1116
00:55:36,440 --> 00:55:40,680
Speaker 1: I'm saying, like the average person farts X amount of

1117
00:55:40,760 --> 00:55:43,360
Speaker 1: day times a day. I've seen it. What's that number?

1118
00:55:43,360 --> 00:55:44,399
Speaker 1: What do you think it is? What do you think

1119
00:55:44,400 --> 00:55:46,520
Speaker 1: it is? Before she pulls it out, I would say

1120
00:55:46,560 --> 00:55:50,800
Speaker 1: it's probably forty forty twelve twelve, Yeah, not like you noticed.

1121
00:55:50,960 --> 00:55:52,480
Speaker 1: By the way, A lot of times you don't notice it.

1122
00:55:52,520 --> 00:55:54,600
Speaker 1: You're just releasing air from your aus. It's not like

1123
00:55:54,600 --> 00:55:56,760
Speaker 1: it's like you meane a noise or you smelled something.

1124
00:55:57,080 --> 00:55:59,600
Speaker 3: I said twelve. I said twelve is excessive.

1125
00:55:59,800 --> 00:56:01,000
Speaker 1: I would say yes.

1126
00:56:02,040 --> 00:56:06,240
Speaker 6: The humans past gas between thirteen to twenty one times.

1127
00:56:06,480 --> 00:56:08,240
Speaker 3: Oh I was off, I was close.

1128
00:56:08,600 --> 00:56:11,960
Speaker 1: I was closer now thirteen to twenty one. And that's

1129
00:56:12,000 --> 00:56:14,160
Speaker 1: so whenever you think people don't far, when you're looking

1130
00:56:14,200 --> 00:56:16,680
Speaker 1: at that really hot guy or that really hot girl

1131
00:56:16,719 --> 00:56:19,120
Speaker 1: and you're like, oh my god, know that that person

1132
00:56:19,280 --> 00:56:23,600
Speaker 1: is farting. They fart twenty times a day.

1133
00:56:22,640 --> 00:56:26,239
Speaker 6: Travel six point eight miles per hour or ten feet

1134
00:56:26,360 --> 00:56:28,799
Speaker 6: per second random.

1135
00:56:28,480 --> 00:56:29,319
Speaker 5: Firefacs for you.

1136
00:56:32,440 --> 00:56:35,400
Speaker 1: They don't all smell, they just hear. Anus is releasing

1137
00:56:35,680 --> 00:56:36,680
Speaker 1: like a valve. It's going.

1138
00:56:37,840 --> 00:56:39,320
Speaker 3: So here's the question.

1139
00:56:40,160 --> 00:56:44,319
Speaker 1: Yeah, go ahead, can you make a whole episode about it?

1140
00:56:44,920 --> 00:56:46,360
Speaker 3: And this is going to get a little weird.

1141
00:56:46,680 --> 00:56:50,000
Speaker 1: Oh b here we go weirder. Are you on? Are

1142
00:56:50,080 --> 00:56:51,239
Speaker 1: you on Ganja now or not?

1143
00:56:51,520 --> 00:56:52,680
Speaker 3: I'm still smoking Ganja?

1144
00:56:52,920 --> 00:56:54,480
Speaker 1: Okay, I just need to know. Go ahead.

1145
00:56:54,800 --> 00:56:56,920
Speaker 3: There's certain things that you have to do to leave

1146
00:56:56,960 --> 00:57:01,120
Speaker 3: a hospital. Sometimes it's go to the bathroom. Sometimes it's

1147
00:57:01,320 --> 00:57:05,040
Speaker 3: pass gas. Right, And this is the this is what

1148
00:57:05,160 --> 00:57:08,000
Speaker 3: the whole story is based on. It wouldn't be based

1149
00:57:08,040 --> 00:57:11,040
Speaker 3: on It's not necessarily based on the fact that her

1150
00:57:11,200 --> 00:57:13,759
Speaker 3: fart stinks. It's the fact that to leave a hospital

1151
00:57:14,200 --> 00:57:15,160
Speaker 3: you have to fart.

1152
00:57:15,560 --> 00:57:17,800
Speaker 1: They wanted it, they wanted her to make a bowel movement,

1153
00:57:17,840 --> 00:57:20,600
Speaker 1: but she said she was a nervous poorer like Elliott.

1154
00:57:20,840 --> 00:57:25,920
Speaker 1: So Elliott said, I'll wait until you pass gas. Why

1155
00:57:25,960 --> 00:57:27,480
Speaker 1: couldn't this woman just be like, hey, you guys are

1156
00:57:27,480 --> 00:57:29,040
Speaker 1: out of the room. I just ripped the giant fark,

1157
00:57:29,120 --> 00:57:29,640
Speaker 1: I go home.

1158
00:57:34,200 --> 00:57:35,840
Speaker 5: She could have just lied to her doctors.

1159
00:57:35,920 --> 00:57:41,160
Speaker 1: Yees, could have just.

1160
00:57:44,360 --> 00:57:47,800
Speaker 3: That would have been so much easier, right, Yeah, no,

1161
00:57:47,800 --> 00:57:51,520
Speaker 3: but no, My question is like, isn't aren't there certain

1162
00:57:51,560 --> 00:57:55,680
Speaker 3: things that just have to be let go of? You

1163
00:57:55,680 --> 00:57:58,160
Speaker 3: know what I mean? It was clear that she does fart,

1164
00:57:58,320 --> 00:57:59,720
Speaker 3: you know what I mean, There's no way she holds

1165
00:57:59,720 --> 00:58:01,880
Speaker 3: it for decades and everything like that. She's doing it

1166
00:58:01,920 --> 00:58:05,360
Speaker 3: because she's trying to be looking at it as a Yeah,

1167
00:58:05,520 --> 00:58:07,160
Speaker 3: she's trying to be looked at it as proper.

1168
00:58:07,560 --> 00:58:09,760
Speaker 6: They were trying to make sure she wasn't impacted though.

1169
00:58:09,960 --> 00:58:12,040
Speaker 6: It is what take said at the top.

1170
00:58:12,800 --> 00:58:14,640
Speaker 3: Yeah, so why would it stink for so long? And

1171
00:58:14,640 --> 00:58:15,920
Speaker 3: then if that's the case.

1172
00:58:15,680 --> 00:58:18,400
Speaker 6: And I mean again, the joke has there's zero logic

1173
00:58:18,440 --> 00:58:21,640
Speaker 6: within the joke, but the reasoning, the reasoning behind wind

1174
00:58:21,720 --> 00:58:22,480
Speaker 6: heper around.

1175
00:58:22,680 --> 00:58:24,200
Speaker 1: All right, let's just go through and see if there's

1176
00:58:24,240 --> 00:58:24,680
Speaker 1: anything else.

1177
00:58:24,720 --> 00:58:29,400
Speaker 3: Let's talk about the doctor who thought people had catgrass syndrome.

1178
00:58:29,600 --> 00:58:30,560
Speaker 1: Yeah, that's a real thing.

1179
00:58:31,160 --> 00:58:33,680
Speaker 3: Yeah that was shit. Had me rolling. I thought that

1180
00:58:33,800 --> 00:58:34,240
Speaker 3: was funny.

1181
00:58:34,400 --> 00:58:36,680
Speaker 1: Do you think people that you know in your life

1182
00:58:36,680 --> 00:58:38,280
Speaker 1: are imposters? That's a real thing.

1183
00:58:38,760 --> 00:58:40,160
Speaker 3: Invasion of a body snatchers.

1184
00:58:41,160 --> 00:58:42,880
Speaker 1: No, it's just a it's a it's a it's a

1185
00:58:42,960 --> 00:58:46,560
Speaker 1: mental uh disorder where you, even though you know the person,

1186
00:58:46,600 --> 00:58:48,600
Speaker 1: well it could be your wife, it could be you,

1187
00:58:48,880 --> 00:58:53,040
Speaker 1: you're convinced that they're impostors. And often times they have

1188
00:58:53,120 --> 00:58:56,360
Speaker 1: to do something like like this young intern tried to do,

1189
00:58:56,880 --> 00:58:59,840
Speaker 1: where they'll come they'll literally just be outside the door

1190
00:59:00,640 --> 00:59:06,400
Speaker 1: and and uh and say like oh oh, hey, some

1191
00:59:06,520 --> 00:59:09,400
Speaker 1: somebody who looks like me just left, like people around

1192
00:59:09,440 --> 00:59:13,400
Speaker 1: them have to do these elaborate things to try and

1193
00:59:14,320 --> 00:59:16,720
Speaker 1: you know, get past this this problem that they have.

1194
00:59:16,840 --> 00:59:18,800
Speaker 1: I know someone whose parents.

1195
00:59:18,600 --> 00:59:22,840
Speaker 3: Have dealt with it. Really. Yeah, that's crazy, that's really

1196
00:59:22,920 --> 00:59:25,200
Speaker 3: I don't mean to say that to be dismissive about it.

1197
00:59:25,240 --> 00:59:27,440
Speaker 3: But that's fucking that's wow.

1198
00:59:27,800 --> 00:59:29,160
Speaker 1: It's horrible, it's horrible.

1199
00:59:29,200 --> 00:59:29,960
Speaker 3: It sounds horrible.

1200
00:59:30,680 --> 00:59:32,560
Speaker 1: I want to say that the young woman, I want

1201
00:59:32,600 --> 00:59:35,160
Speaker 1: to pull up her name because she was talented, who

1202
00:59:35,160 --> 00:59:35,680
Speaker 1: played Robin.

1203
00:59:35,920 --> 00:59:39,000
Speaker 3: Very good final scene, Oh my gosh.

1204
00:59:38,880 --> 00:59:41,840
Speaker 1: Very good actress. I'm gonna yeah, my name everybody, Her

1205
00:59:41,920 --> 00:59:48,800
Speaker 1: name is drum Roll, Daniel Karina Chase did a fantastic

1206
00:59:48,920 --> 00:59:53,800
Speaker 1: job as the patient Robin, wonderful. I thought was very good.

1207
00:59:55,480 --> 00:59:57,680
Speaker 1: And then Elliott, you know I read on Scrubs wiki.

1208
00:59:57,720 --> 01:00:00,120
Speaker 1: I just want to say, you want to hear what

1209
01:00:00,160 --> 01:00:05,200
Speaker 1: SCRUBSWICKI has to say. Zachgraft, Judy Raised, Johnald and Johnson mcginny,

1210
01:00:05,280 --> 01:00:07,640
Speaker 1: Neil Flenn, Ken Jenks do not appear in this episode,

1211
01:00:07,720 --> 01:00:10,240
Speaker 1: making it the episode with the lowest number of series

1212
01:00:10,360 --> 01:00:14,040
Speaker 1: regulars to ever appear. The episode is also the first

1213
01:00:14,040 --> 01:00:17,360
Speaker 1: to not have a narrator. The title my suggests JD

1214
01:00:17,480 --> 01:00:20,560
Speaker 1: would narrate, but Zachgraft did not appear. There was some

1215
01:00:20,720 --> 01:00:23,480
Speaker 1: this is interesting. There was some controversy over Elliott's statement

1216
01:00:23,520 --> 01:00:25,400
Speaker 1: that she might leave medicine if she ever got married

1217
01:00:25,400 --> 01:00:28,040
Speaker 1: and had kids, which was perceived by some fans as

1218
01:00:28,120 --> 01:00:31,760
Speaker 1: anti feminist, although it was based on the actual life

1219
01:00:31,840 --> 01:00:34,760
Speaker 1: of the show's medical consultant, Dolly clock.

1220
01:00:35,960 --> 01:00:37,200
Speaker 5: Also, I think it's unfair.

1221
01:00:37,440 --> 01:00:39,240
Speaker 6: I feel like that a man or woman could have

1222
01:00:39,280 --> 01:00:41,680
Speaker 6: given that statement because it's not so much that she

1223
01:00:41,720 --> 01:00:43,880
Speaker 6: wants to leave because she has kids, but because she

1224
01:00:43,920 --> 01:00:47,480
Speaker 6: thinks her children might bring her joy, whereas doing this

1225
01:00:47,560 --> 01:00:50,320
Speaker 6: work is no longer bringing Elliott any kind of happiness.

1226
01:00:50,600 --> 01:00:54,960
Speaker 6: She's like, it's so fleeting, and I feel sad that

1227
01:00:55,000 --> 01:00:56,680
Speaker 6: I wasn't able to help fix their problem. All I

1228
01:00:56,680 --> 01:00:58,640
Speaker 6: could do is diagnose it.

1229
01:00:58,640 --> 01:01:00,959
Speaker 3: It's going back to exact same thing that I said

1230
01:01:00,960 --> 01:01:02,920
Speaker 3: in the beginning of this whole thing. I wanted to

1231
01:01:02,920 --> 01:01:05,440
Speaker 3: be in my kids basketball game. It's not that I

1232
01:01:05,480 --> 01:01:09,160
Speaker 3: don't enjoy my job and want to enjoy the things

1233
01:01:09,200 --> 01:01:11,480
Speaker 3: that I do and stuff like that, but that brings

1234
01:01:11,520 --> 01:01:15,360
Speaker 3: me way more happiness than sitting in an awards show

1235
01:01:15,400 --> 01:01:21,720
Speaker 3: audience watching people receive fucking trophies because you know, somebody

1236
01:01:21,760 --> 01:01:24,760
Speaker 3: said they liked their show. You know what I mean, Like,

1237
01:01:25,120 --> 01:01:26,920
Speaker 3: at the end of the day, what are we really doing?

1238
01:01:27,120 --> 01:01:30,400
Speaker 3: What makes you happy is what makes you happy.

1239
01:01:30,520 --> 01:01:34,200
Speaker 1: Right, And I think Dolly Clark, who was married to

1240
01:01:34,480 --> 01:01:36,960
Speaker 1: the real GD and they were both our medical consultants.

1241
01:01:36,960 --> 01:01:39,640
Speaker 1: I think this was her honest story and her honest

1242
01:01:39,640 --> 01:01:42,360
Speaker 1: thinking about it, and in actuality, I don't think she

1243
01:01:42,480 --> 01:01:44,760
Speaker 1: practices medicine anymore. I think she moved on to being

1244
01:01:44,800 --> 01:01:50,400
Speaker 1: in working with adolescents and being an advocate for kids

1245
01:01:50,520 --> 01:01:57,000
Speaker 1: and helping parents to understand yeah, their children and you know,

1246
01:01:57,080 --> 01:02:00,600
Speaker 1: so she really moved on to something that wasn't having

1247
01:02:00,600 --> 01:02:03,120
Speaker 1: to tell people they have HIV because I think for

1248
01:02:03,200 --> 01:02:07,160
Speaker 1: her personally it was it was too soul crushing and

1249
01:02:07,240 --> 01:02:10,680
Speaker 1: she wanted to find a way to be so it

1250
01:02:10,720 --> 01:02:11,880
Speaker 1: was somebody's real story.

1251
01:02:11,920 --> 01:02:13,960
Speaker 3: We should have her back on the show, bro for.

1252
01:02:13,960 --> 01:02:16,840
Speaker 1: Real, Okay, Joelle, let's heaven.

1253
01:02:17,480 --> 01:02:19,720
Speaker 3: I mean, we're talking to so many interesting people. This

1254
01:02:19,880 --> 01:02:23,160
Speaker 3: is definitely right up our Yeah.

1255
01:02:23,800 --> 01:02:26,840
Speaker 1: Actually do yeah, especially because I think what she's dealing

1256
01:02:26,840 --> 01:02:31,280
Speaker 1: with too is children and drugs and helping parents to

1257
01:02:31,400 --> 01:02:34,880
Speaker 1: make sure their children don't go down the rabbit hole drugs.

1258
01:02:34,880 --> 01:02:36,160
Speaker 1: She could be a great guest.

1259
01:02:36,400 --> 01:02:37,520
Speaker 3: It's a good conversation.

1260
01:02:38,480 --> 01:02:41,320
Speaker 1: JD is mentioned in the episode twice, when Elliott tells

1261
01:02:41,360 --> 01:02:44,280
Speaker 1: Turkey and Sam went to Disneyland, and when Elliott and

1262
01:02:44,360 --> 01:02:49,760
Speaker 1: Turk mock JD's post Fantasy Voice. With JD's absence, no

1263
01:02:49,960 --> 01:02:54,320
Speaker 1: character has appeared in every episode of the show. Jad

1264
01:02:54,480 --> 01:02:59,000
Speaker 1: previously did not appear in Quote my Absence, but is

1265
01:02:59,040 --> 01:03:02,560
Speaker 1: still heard involved in the plot via cell phone, making

1266
01:03:02,600 --> 01:03:05,560
Speaker 1: this episode his first true absence.

1267
01:03:06,720 --> 01:03:08,840
Speaker 3: Do you know how pissed off I would get when

1268
01:03:08,880 --> 01:03:10,440
Speaker 3: you would go to Disneyland without me?

1269
01:03:11,240 --> 01:03:13,440
Speaker 1: I feel like you'd still get mad at me if

1270
01:03:13,440 --> 01:03:14,080
Speaker 1: I did today?

1271
01:03:14,480 --> 01:03:18,080
Speaker 3: If you went to Disneyland without me, yeah, I probably

1272
01:03:18,120 --> 01:03:21,800
Speaker 3: would get Listen to this day, it is still one

1273
01:03:21,880 --> 01:03:23,320
Speaker 3: of my favorite places to go.

1274
01:03:23,520 --> 01:03:25,840
Speaker 1: Yeah, you love it. By the way, are we outing scrub?

1275
01:03:26,000 --> 01:03:29,720
Speaker 1: We've always joked about where it is Sacred Heart take place.

1276
01:03:29,760 --> 01:03:32,960
Speaker 1: Aren't we really saying it's fully southern California now because.

1277
01:03:32,760 --> 01:03:37,520
Speaker 3: These people Florida? Yeah?

1278
01:03:37,640 --> 01:03:40,000
Speaker 1: Yeah, I think the cat's out of the bag that

1279
01:03:40,040 --> 01:03:41,640
Speaker 1: it takes place in southern California.

1280
01:03:42,040 --> 01:03:44,680
Speaker 3: I want to go to Disneyland Japan. You see that

1281
01:03:44,720 --> 01:03:48,200
Speaker 3: ship that should look fire. I don't know if they

1282
01:03:48,200 --> 01:03:49,760
Speaker 3: still got it in China. Are we allowed to go

1283
01:03:49,800 --> 01:03:51,280
Speaker 3: to China still? Yeah?

1284
01:03:51,320 --> 01:03:53,720
Speaker 5: They have the Seven Seas.

1285
01:03:53,920 --> 01:03:55,440
Speaker 3: I just want to know where are we allowed to

1286
01:03:55,480 --> 01:03:59,040
Speaker 3: go to Disneyland with the Okay? Cool?

1287
01:03:59,120 --> 01:04:01,400
Speaker 1: You can go to Paris.

1288
01:04:01,880 --> 01:04:04,680
Speaker 5: Mm hmm, there's there's one tokyo.

1289
01:04:04,800 --> 01:04:10,200
Speaker 3: There's tokyo. Looks dope, it looks fire. S a Let's

1290
01:04:10,200 --> 01:04:10,720
Speaker 3: take a break.

1291
01:04:10,800 --> 01:04:21,720
Speaker 1: We'll be right back after these fine words. Turk says,

1292
01:04:21,760 --> 01:04:23,560
Speaker 1: Elliott's booty is too tiny.

1293
01:04:24,640 --> 01:04:28,200
Speaker 3: Bullshit, that's that's a lie. You put meat, but you

1294
01:04:28,240 --> 01:04:31,360
Speaker 3: do like a large eat that ship. You do. You

1295
01:04:31,400 --> 01:04:34,600
Speaker 3: do a large told me, my wife told me straight

1296
01:04:34,680 --> 01:04:36,760
Speaker 3: up in the beginning of our day. And you put

1297
01:04:36,840 --> 01:04:39,640
Speaker 3: meat in front of a dog, he's gonna eat it,

1298
01:04:40,400 --> 01:04:41,960
Speaker 3: all right. That's just that simple.

1299
01:04:42,360 --> 01:04:43,880
Speaker 1: Can I ask you a question.

1300
01:04:43,760 --> 01:04:45,440
Speaker 3: That booty could be non existent?

1301
01:04:45,960 --> 01:04:47,760
Speaker 1: That's not true. I don't think you're attracted to a

1302
01:04:47,800 --> 01:04:51,000
Speaker 1: non existent flat bot. You liked some sort of bubble.

1303
01:04:52,640 --> 01:04:54,320
Speaker 3: I think we all like that pressure.

1304
01:04:59,480 --> 01:05:03,720
Speaker 1: By the way, Sarah has Sarah Elliott has a small butt,

1305
01:05:03,720 --> 01:05:05,000
Speaker 1: but it's very cute.

1306
01:05:05,320 --> 01:05:09,479
Speaker 3: She has a very cute booty. I love that nice

1307
01:05:09,480 --> 01:05:12,720
Speaker 3: little booty. I love that, you know, but she's got

1308
01:05:12,720 --> 01:05:14,000
Speaker 3: a little booty.

1309
01:05:14,680 --> 01:05:17,480
Speaker 1: In the spirit of Sarah always having something go wrong

1310
01:05:18,160 --> 01:05:20,120
Speaker 1: every single time I talked to her on the phone,

1311
01:05:20,400 --> 01:05:23,400
Speaker 1: there's another long Sarah story. And we a was on

1312
01:05:23,440 --> 01:05:25,919
Speaker 1: a group. Were you on the group? Chaine chat when

1313
01:05:25,960 --> 01:05:27,600
Speaker 1: she said she's coming to town and she tried to

1314
01:05:27,680 --> 01:05:28,320
Speaker 1: organize a dinner.

1315
01:05:28,440 --> 01:05:30,840
Speaker 3: She was supposed to come by the show and hang out,

1316
01:05:30,960 --> 01:05:31,760
Speaker 3: and then she gets.

1317
01:05:31,920 --> 01:05:34,600
Speaker 1: Even Sarah coming to town from Canada and trying to

1318
01:05:34,720 --> 01:05:38,360
Speaker 1: organize the dinner with all of us. She's like, She's like, okay, sorry,

1319
01:05:38,440 --> 01:05:40,680
Speaker 1: you don't My flight got delayed. Every everything has to

1320
01:05:40,680 --> 01:05:44,040
Speaker 1: be canceled. I'm sorry. There's always drama there.

1321
01:05:44,440 --> 01:05:47,040
Speaker 3: That's what she should be. Drama. That should be her nickname,

1322
01:05:47,160 --> 01:05:48,440
Speaker 3: Sarah Drama.

1323
01:05:48,480 --> 01:05:50,880
Speaker 1: I don't want to walk near it's for it. I'm

1324
01:05:50,880 --> 01:05:52,560
Speaker 1: getting hit by lightning if I hang out.

1325
01:05:52,400 --> 01:05:54,720
Speaker 3: With Oh, she's too much fun to get hit.

1326
01:05:55,160 --> 01:05:58,760
Speaker 1: She's hilarious, but dude, ship always goes wrong. I go,

1327
01:05:58,800 --> 01:06:00,520
Speaker 1: why do you miss your flight? And she was like, wow,

1328
01:06:00,800 --> 01:06:03,360
Speaker 1: you're not. You wouldn't believe this. I got card, it

1329
01:06:03,400 --> 01:06:05,800
Speaker 1: got caught on it. I think it was something like

1330
01:06:05,840 --> 01:06:07,320
Speaker 1: my kids. I got all the way to the airport

1331
01:06:07,560 --> 01:06:10,240
Speaker 1: and my kid's hockey gear was in the car. And

1332
01:06:10,320 --> 01:06:12,880
Speaker 1: of course she has a major tournament. So what am

1333
01:06:12,920 --> 01:06:14,400
Speaker 1: I gonna do? I have to figure out. Am I

1334
01:06:14,440 --> 01:06:16,560
Speaker 1: gonna make the fight? Am I gonna get her hockey gear?

1335
01:06:23,760 --> 01:06:28,800
Speaker 3: That's a pretty good, Sarah. My wife was bummed though,

1336
01:06:28,840 --> 01:06:31,880
Speaker 3: because you know, my wife loves hanging out with Sarah.

1337
01:06:32,120 --> 01:06:33,800
Speaker 1: I mean, you guys don't have to leave that house

1338
01:06:33,800 --> 01:06:35,880
Speaker 1: to other You guys don't leave the house. Getting you

1339
01:06:35,920 --> 01:06:38,160
Speaker 1: guys leave the house is impossible. You go to your

1340
01:06:38,200 --> 01:06:41,560
Speaker 1: son's sports matches, you go to WIT's.

1341
01:06:41,480 --> 01:06:42,800
Speaker 3: The wrap party for my show.

1342
01:06:43,120 --> 01:06:46,800
Speaker 1: Okay, that's related to here. In your family, you go

1343
01:06:47,160 --> 01:06:50,560
Speaker 1: outside of your son's, your kids' activities, and your job.

1344
01:06:51,840 --> 01:06:54,360
Speaker 3: Listen, I want to get out more. I'm not gonna lie.

1345
01:06:54,560 --> 01:06:58,560
Speaker 3: I truly do. I really really do. But by seven

1346
01:06:58,760 --> 01:07:02,600
Speaker 3: thirty eight o'clock, I don't anymore, you know what I mean. Like,

1347
01:07:02,680 --> 01:07:05,440
Speaker 3: that's just how it is. Like that's one hundred.

1348
01:07:05,640 --> 01:07:07,480
Speaker 1: What about a day hangout? Can you hang out in

1349
01:07:07,520 --> 01:07:09,800
Speaker 1: the days.

1350
01:07:09,800 --> 01:07:12,480
Speaker 3: During the day. I could totally hang out during the day.

1351
01:07:12,640 --> 01:07:17,000
Speaker 3: But okay, look, here's the honesty, goodness true. I truly

1352
01:07:17,040 --> 01:07:19,760
Speaker 3: love hanging out with my family, you know what I mean.

1353
01:07:19,880 --> 01:07:22,440
Speaker 3: I don't know how much longer any of us are

1354
01:07:22,440 --> 01:07:25,200
Speaker 3: going to be on this planet together for I want

1355
01:07:25,200 --> 01:07:27,400
Speaker 3: to build memories with them. I spend a lot of

1356
01:07:27,440 --> 01:07:32,600
Speaker 3: time focusing on myself. I still do, but in this way,

1357
01:07:32,720 --> 01:07:35,360
Speaker 3: it's me focusing on myself because I want to spend

1358
01:07:35,400 --> 01:07:38,960
Speaker 3: time with my family. Uh, that's just honestly what it is.

1359
01:07:40,200 --> 01:07:41,960
Speaker 1: I hear you well, I miss you.

1360
01:07:42,480 --> 01:07:44,439
Speaker 3: I miss you. I miss you. I want to hang out.

1361
01:07:44,480 --> 01:07:45,520
Speaker 3: I want to go to so much.

1362
01:07:46,480 --> 01:07:47,720
Speaker 1: I don't want to go to the Clerb. I just

1363
01:07:47,720 --> 01:07:48,520
Speaker 1: miss you so much.

1364
01:07:48,360 --> 01:07:49,760
Speaker 3: It hurt sometimes, Dude, you don't want to go to

1365
01:07:49,760 --> 01:07:51,920
Speaker 3: the Clerb. No, interesting, I'd want to go to the

1366
01:07:51,920 --> 01:07:52,600
Speaker 3: clurb sometimes.

1367
01:07:52,800 --> 01:07:55,920
Speaker 1: Although my running joke with Donald is like and I

1368
01:07:56,280 --> 01:07:58,720
Speaker 1: stop texting it see you because sometimes he doesn't even reply.

1369
01:07:58,880 --> 01:08:00,720
Speaker 1: But back in the day day when we were going

1370
01:08:00,720 --> 01:08:03,720
Speaker 1: out and being crazy, there was a club called Joseph's,

1371
01:08:03,960 --> 01:08:08,000
Speaker 1: and I'm like, just randomly like like a time. First

1372
01:08:08,000 --> 01:08:10,720
Speaker 1: of all, we don't go to clubs anymore, period, but

1373
01:08:10,720 --> 01:08:12,400
Speaker 1: but it's just randomly like you ain't trying to go

1374
01:08:12,400 --> 01:08:17,439
Speaker 1: to Joseph's tonight, And it always just makes me laugh,

1375
01:08:17,560 --> 01:08:19,240
Speaker 1: like the idea that we're going to go to like

1376
01:08:19,360 --> 01:08:23,960
Speaker 1: a Hollywood nightclub. But he he doesn't reply, so I

1377
01:08:23,960 --> 01:08:24,920
Speaker 1: stopped making the joke.

1378
01:08:25,439 --> 01:08:29,800
Speaker 3: Do you remember those There was Joseph's Poor Nani po

1379
01:08:29,880 --> 01:08:32,519
Speaker 3: Nani was the one, but Joseph's was the one. What

1380
01:08:32,600 --> 01:08:33,360
Speaker 3: was the other one though?

1381
01:08:33,439 --> 01:08:33,559
Speaker 4: Hi?

1382
01:08:33,960 --> 01:08:39,800
Speaker 3: Hi, Hide, that's right, yeah, Hide. There was Dublin's.

1383
01:08:40,080 --> 01:08:42,880
Speaker 1: There was what's the one where you met Casey or

1384
01:08:42,920 --> 01:08:44,400
Speaker 1: we'll not where you met her, but the one where

1385
01:08:44,960 --> 01:08:50,760
Speaker 1: Teddy's Teddy's Teddy's if those walls could talk. Teddy's is

1386
01:08:50,760 --> 01:08:52,479
Speaker 1: the one where she said when I trying to be

1387
01:08:52,520 --> 01:08:55,520
Speaker 1: a wingman and she goes, doesn't he have like non keys.

1388
01:08:55,720 --> 01:08:58,719
Speaker 3: Teddy's where we hung out with Prints and Casey?

1389
01:08:59,360 --> 01:09:03,599
Speaker 1: M anyway, I mean trying to go to Joseph's.

1390
01:09:04,760 --> 01:09:06,479
Speaker 3: But you ain't trying to go to Joseph tonight.

1391
01:09:06,560 --> 01:09:08,160
Speaker 1: Is what I text him, like, what you're trying to

1392
01:09:08,160 --> 01:09:10,400
Speaker 1: get into? Hold on here? Well hold on me, hit

1393
01:09:10,400 --> 01:09:10,760
Speaker 1: my button?

1394
01:09:10,760 --> 01:09:11,200
Speaker 3: Where is it?

1395
01:09:11,240 --> 01:09:14,320
Speaker 1: I'm rusty, you guys, I'm rusty what you're trying to

1396
01:09:14,360 --> 01:09:18,040
Speaker 1: get into? One day or shown what you're trying to do.

1397
01:09:18,560 --> 01:09:20,720
Speaker 1: So I'll text him be like, yo, you're trying to

1398
01:09:20,720 --> 01:09:22,479
Speaker 1: get it. What you're trying to get into? And then

1399
01:09:22,560 --> 01:09:24,160
Speaker 1: one time I wrote him it just feels like you're

1400
01:09:24,160 --> 01:09:28,880
Speaker 1: not trying to get into nothing. I meanwhile, I know

1401
01:09:28,920 --> 01:09:35,560
Speaker 1: the dude, Day's Pj's fucking animating. You're not going to Joseph's.

1402
01:09:35,840 --> 01:09:38,880
Speaker 3: The Todd has a good, very good running before we

1403
01:09:38,920 --> 01:09:40,679
Speaker 3: get out of here, The Todd has a very good

1404
01:09:40,760 --> 01:09:45,000
Speaker 3: running joke about people high fiving when he's not around,

1405
01:09:45,479 --> 01:09:48,439
Speaker 3: and he's serious about it. He's so serious about it

1406
01:09:48,479 --> 01:09:54,040
Speaker 3: that he he he doesn't take the opportunity to he

1407
01:09:54,160 --> 01:09:58,320
Speaker 3: renigs on an opportunity to make a sexual joke because

1408
01:09:58,840 --> 01:10:01,760
Speaker 3: he's too serious about high fives.

1409
01:10:02,080 --> 01:10:04,960
Speaker 1: Yeah. First he says that that what's his name can

1410
01:10:05,040 --> 01:10:07,920
Speaker 1: high five when he's not around, but then he yeah,

1411
01:10:07,960 --> 01:10:09,479
Speaker 1: he says he's not comfortable with it.

1412
01:10:09,760 --> 01:10:11,240
Speaker 3: No, I on it.

1413
01:10:15,080 --> 01:10:18,600
Speaker 1: Now to do this, Well, that's the show, guys. The

1414
01:10:18,640 --> 01:10:22,720
Speaker 1: good news is we have four really good episodes coming up.

1415
01:10:22,760 --> 01:10:27,320
Speaker 1: We have two episodes of the Bahamas, and then we

1416
01:10:27,400 --> 01:10:31,000
Speaker 1: have two episodes of the finale, what everyone truly believes

1417
01:10:31,000 --> 01:10:34,559
Speaker 1: is the real finale of the television show Scrubs. And

1418
01:10:34,600 --> 01:10:37,880
Speaker 1: then we're going to launch into uh season nine, which

1419
01:10:37,920 --> 01:10:38,920
Speaker 1: I've never seen.

1420
01:10:39,720 --> 01:10:42,559
Speaker 3: I've never watched a single episode of season by.

1421
01:10:42,439 --> 01:10:44,120
Speaker 1: The way, I honestly don't think I've ever seen the

1422
01:10:44,120 --> 01:10:47,040
Speaker 1: episode this episode before, So there you go.

1423
01:10:47,800 --> 01:10:51,840
Speaker 3: You know me, We've talked about this before. I've watched

1424
01:10:51,960 --> 01:10:54,280
Speaker 3: very little Scrubs.

1425
01:10:55,000 --> 01:10:57,080
Speaker 1: Yeah, we know the audience knows.

1426
01:10:57,400 --> 01:10:57,599
Speaker 3: Yes.

1427
01:10:57,960 --> 01:11:00,080
Speaker 6: Well, Zach and I were talking about season nine and

1428
01:11:00,400 --> 01:11:03,120
Speaker 6: since it's the last recap season, you know, what could

1429
01:11:03,160 --> 01:11:05,240
Speaker 6: we do to make it special? And one of the

1430
01:11:05,280 --> 01:11:09,480
Speaker 6: things that came up with was what if Season nine fanatics,

1431
01:11:09,640 --> 01:11:12,439
Speaker 6: people who are like, no, this episode see the nine

1432
01:11:12,600 --> 01:11:15,240
Speaker 6: is really bomb? Yeah, there's an up those season nine

1433
01:11:15,280 --> 01:11:19,960
Speaker 6: you love write us at scrubsiheart at gmail dot com

1434
01:11:20,360 --> 01:11:23,240
Speaker 6: and tell us why you love the episode. If you

1435
01:11:23,360 --> 01:11:26,720
Speaker 6: really hate the episode, you can also call in.

1436
01:11:26,840 --> 01:11:27,040
Speaker 4: You can.

1437
01:11:27,400 --> 01:11:29,000
Speaker 5: I really like the voicemails. I think those are cute,

1438
01:11:29,000 --> 01:11:29,519
Speaker 5: but I'll also.

1439
01:11:29,439 --> 01:11:31,559
Speaker 6: Read your letters and just tell us either why this

1440
01:11:31,640 --> 01:11:33,920
Speaker 6: is a great episode or why damn it? And we'll

1441
01:11:33,920 --> 01:11:36,160
Speaker 6: read your guys's letters we get to the episode.

1442
01:11:36,400 --> 01:11:38,280
Speaker 1: What I'd like to do is, Joel, I think I

1443
01:11:38,360 --> 01:11:40,200
Speaker 1: gave you that idea and then you ran with it.

1444
01:11:40,240 --> 01:11:42,840
Speaker 1: But anyway, and what I want to say is I

1445
01:11:42,960 --> 01:11:46,439
Speaker 1: liked where I thought you were going, which was if

1446
01:11:46,479 --> 01:11:49,800
Speaker 1: you really really love an episode of season nine and

1447
01:11:49,840 --> 01:11:54,040
Speaker 1: you're listening, leave Joelle, you know, a two minute max

1448
01:11:54,840 --> 01:11:59,840
Speaker 1: voicemomer emailer and explain why and if you really fucking

1449
01:12:00,120 --> 01:12:03,519
Speaker 1: hate it, same thing, and then we'll have you both

1450
01:12:03,600 --> 01:12:06,200
Speaker 1: on and we'll do like a ten minute segment where

1451
01:12:06,200 --> 01:12:09,439
Speaker 1: you debate the pros and the cons of the episode.

1452
01:12:09,600 --> 01:12:12,439
Speaker 3: Yeah, yeah, but I can't be hitting below the belt.

1453
01:12:12,479 --> 01:12:15,240
Speaker 3: This ship can't be like, no, no, you can't be

1454
01:12:15,280 --> 01:12:17,600
Speaker 3: me presidential debate. We're all of a sudden, you just

1455
01:12:17,720 --> 01:12:18,280
Speaker 3: dont no.

1456
01:12:18,320 --> 01:12:20,040
Speaker 1: They're not going to interrupt the other. One's going to

1457
01:12:20,080 --> 01:12:22,200
Speaker 1: present their side, and the other is going to present

1458
01:12:22,280 --> 01:12:25,320
Speaker 1: the other side. And obviously you don't be mean to anyone.

1459
01:12:25,360 --> 01:12:29,439
Speaker 1: It's just about the merits of the episode, right, don't

1460
01:12:29,439 --> 01:12:31,519
Speaker 1: you think that's a good idea, Joe? I love it,

1461
01:12:31,720 --> 01:12:33,920
Speaker 1: And if we don't get enough people doing it, then

1462
01:12:33,960 --> 01:12:36,040
Speaker 1: we'll then we'll then we'll just do one or the

1463
01:12:36,080 --> 01:12:39,040
Speaker 1: other and talk about it. But so you're going to

1464
01:12:39,120 --> 01:12:41,240
Speaker 1: send that, you're going to send that to?

1465
01:12:41,560 --> 01:12:43,720
Speaker 3: Are we mediators? What we in this?

1466
01:12:43,960 --> 01:12:48,439
Speaker 1: We're we're we're like the commentators on the news who

1467
01:12:48,680 --> 01:12:51,719
Speaker 1: listen to their points and then and then talk about them.

1468
01:12:52,200 --> 01:12:54,680
Speaker 3: Do we come up with the conclusion at the.

1469
01:12:54,720 --> 01:12:57,360
Speaker 1: End, No, because we know it's not a good show.

1470
01:13:07,200 --> 01:13:11,040
Speaker 3: What a way to advertise a podcast. You're gonna listen

1471
01:13:11,080 --> 01:13:13,000
Speaker 3: to it because we know it's not a good show.

1472
01:13:13,040 --> 01:13:15,679
Speaker 1: Well, I have a feeling that people who were listening

1473
01:13:15,720 --> 01:13:18,960
Speaker 1: to this podcast, like the four of us sitting around

1474
01:13:19,000 --> 01:13:21,439
Speaker 1: shooting the ship and uh, and that's what we're going

1475
01:13:21,479 --> 01:13:22,599
Speaker 1: to continue to do for y'all.

1476
01:13:23,080 --> 01:13:25,840
Speaker 3: Right, Hey, yeah, we're going to talk about Scrubs still.

1477
01:13:26,280 --> 01:13:27,960
Speaker 3: Of course we are just season nine.

1478
01:13:28,680 --> 01:13:31,920
Speaker 1: Yeah, and so if you want to do that, email

1479
01:13:32,080 --> 01:13:38,120
Speaker 1: to Scrubs. iHeart all one word at gmail dot com.

1480
01:13:38,760 --> 01:13:41,400
Speaker 1: And we should have Shae Serrano back.

1481
01:13:41,680 --> 01:13:45,599
Speaker 3: Jason come on season nine. I got nothing.

1482
01:13:45,880 --> 01:13:48,240
Speaker 1: Well, I think we should ask Shaye. Joelle asked Shay

1483
01:13:48,240 --> 01:13:50,600
Speaker 1: to be like, hey, you know, we've always dissed this

1484
01:13:50,720 --> 01:13:53,679
Speaker 1: season A large percentage of the fans of this the season.

1485
01:13:53,800 --> 01:13:58,200
Speaker 1: What are your Scrubs expert mind thoughts on it? And

1486
01:13:58,960 --> 01:14:02,639
Speaker 1: he'll have smart things to say, And we should book

1487
01:14:02,720 --> 01:14:04,360
Speaker 1: Bill obviously for season nine.

1488
01:14:05,040 --> 01:14:07,160
Speaker 3: He had nothing to do with it, you know, but

1489
01:14:07,240 --> 01:14:10,840
Speaker 3: he could, he could, He had zero and he was on.

1490
01:14:11,240 --> 01:14:12,280
Speaker 1: So you don't want to have you don't want to

1491
01:14:12,320 --> 01:14:13,479
Speaker 1: have Bill on to talk about.

1492
01:14:13,479 --> 01:14:15,120
Speaker 3: I want to have Bill on it just to talk

1493
01:14:15,160 --> 01:14:17,880
Speaker 3: about all of the other wonderful things that's going on

1494
01:14:17,960 --> 01:14:19,320
Speaker 3: in his life. I don't want to have him want

1495
01:14:19,360 --> 01:14:22,160
Speaker 3: to sit here and be like you fucking abandoned us,

1496
01:14:22,320 --> 01:14:24,719
Speaker 3: and this is what we got season nine.

1497
01:14:26,000 --> 01:14:28,040
Speaker 1: No, I don't. That wasn't gonna be the tenor of

1498
01:14:28,080 --> 01:14:36,160
Speaker 1: my course. All right, what else can we tell you?

1499
01:14:36,200 --> 01:14:39,519
Speaker 1: Watch Donald's new show, everybody, please do. It's great to

1500
01:14:39,560 --> 01:14:41,559
Speaker 1: watch with your kids. There's no there's no there's no

1501
01:14:41,560 --> 01:14:43,719
Speaker 1: one you know, having sex against the door.

1502
01:14:46,000 --> 01:14:48,400
Speaker 3: There's no Listen, these are things that you will not

1503
01:14:48,479 --> 01:14:52,760
Speaker 3: find on my show. There's no nudity.

1504
01:14:52,720 --> 01:14:54,320
Speaker 1: Yeah, it's very very G.

1505
01:14:55,200 --> 01:14:57,519
Speaker 3: Yes, well no it's not G. It's PG, but it's

1506
01:14:57,560 --> 01:14:58,120
Speaker 3: not really.

1507
01:14:58,200 --> 01:15:00,400
Speaker 1: What's the dirtiest joke that's been on the show so far?

1508
01:15:01,640 --> 01:15:01,760
Speaker 6: Oh?

1509
01:15:01,800 --> 01:15:04,080
Speaker 1: I saw something. There was something about footprints on the

1510
01:15:04,120 --> 01:15:04,960
Speaker 1: wall because.

1511
01:15:05,720 --> 01:15:09,920
Speaker 3: It's PG, but it's television that you can watch with

1512
01:15:09,960 --> 01:15:10,519
Speaker 3: your family.

1513
01:15:10,680 --> 01:15:15,240
Speaker 1: I saw signory. You know, you saw that there were

1514
01:15:15,320 --> 01:15:20,040
Speaker 1: footprints on the wall from when your fiance and her

1515
01:15:20,120 --> 01:15:23,720
Speaker 1: husband were banging. And so there were footprints on the.

1516
01:15:23,680 --> 01:15:27,280
Speaker 3: Wall many years ago after a wine festival, right, and

1517
01:15:27,640 --> 01:15:30,599
Speaker 3: you didn't like that, and so I painted the room.

1518
01:15:30,920 --> 01:15:33,920
Speaker 1: It reminded me of I want some sub letted my

1519
01:15:33,920 --> 01:15:37,800
Speaker 1: my room in Manhattan so I could come be in

1520
01:15:37,920 --> 01:15:42,240
Speaker 1: l A for a while, and I sub let it

1521
01:15:41,920 --> 01:15:49,400
Speaker 1: to a young woman. And and and when I came back,

1522
01:15:49,600 --> 01:15:54,040
Speaker 1: after however long I was gone, my bed was backed

1523
01:15:54,080 --> 01:15:55,680
Speaker 1: into a corner. It was a queen size bed, and

1524
01:15:55,720 --> 01:15:58,599
Speaker 1: it was in a corner. And there were handprints, small

1525
01:15:59,040 --> 01:16:04,400
Speaker 1: hand prints, her hand prints, all over the back wall.

1526
01:16:04,400 --> 01:16:06,240
Speaker 3: Getting it was.

1527
01:16:06,800 --> 01:16:09,160
Speaker 1: It was clear that my bed had been used for

1528
01:16:09,280 --> 01:16:11,360
Speaker 1: copulation many many, many times.

1529
01:16:11,680 --> 01:16:14,240
Speaker 3: That sounds like a pounding. She needed the wall.

1530
01:16:15,120 --> 01:16:17,719
Speaker 1: She was holding on to the wall. It wasn't it.

1531
01:16:18,320 --> 01:16:23,320
Speaker 1: They weren't just making slow love. She was gripping the wall.

1532
01:16:23,760 --> 01:16:28,360
Speaker 3: Yes, they could have started off slow, which is fine.

1533
01:16:28,439 --> 01:16:34,679
Speaker 1: I didn't. I didn't sublet. I didn't. I didn't say

1534
01:16:34,960 --> 01:16:38,519
Speaker 1: in the in the sublet agreement, please don't get taken

1535
01:16:38,560 --> 01:16:41,280
Speaker 1: from behind? And that does my mom gave me but.

1536
01:16:47,320 --> 01:16:47,559
Speaker 4: Ship.

1537
01:16:50,240 --> 01:16:54,559
Speaker 3: Yeah, but it's a good question. It's a good question

1538
01:16:54,680 --> 01:16:56,960
Speaker 3: to ask, Like what do you do when that happens?

1539
01:16:56,960 --> 01:16:59,040
Speaker 3: What do you do when you find out that your

1540
01:16:59,120 --> 01:17:04,599
Speaker 3: ex actually did have sex with their partners before you?

1541
01:17:04,600 --> 01:17:07,200
Speaker 3: You know what I mean? Like, how do you respond

1542
01:17:07,240 --> 01:17:10,120
Speaker 3: to that? I don't respond, Well, I'm sorry, Like I

1543
01:17:10,160 --> 01:17:13,680
Speaker 3: don't think I'm sure she did, but I don't want

1544
01:17:13,680 --> 01:17:15,240
Speaker 3: to meet the guy. It's not like I want to

1545
01:17:15,640 --> 01:17:18,200
Speaker 3: shake hands with the motherfucker and be like, yeah, man,

1546
01:17:19,000 --> 01:17:22,040
Speaker 3: we've got something in common, you know what I mean, Like,

1547
01:17:22,120 --> 01:17:25,160
Speaker 3: that's not my goal in life. My golden life is

1548
01:17:25,200 --> 01:17:26,040
Speaker 3: to enjoy it.

1549
01:17:26,479 --> 01:17:29,479
Speaker 1: And that just makes you listen. You have to be

1550
01:17:29,520 --> 01:17:33,720
Speaker 1: grateful to all the partners she had because she's we

1551
01:17:33,840 --> 01:17:37,719
Speaker 1: know from the show that she's a wonderful lover and it's.

1552
01:17:37,600 --> 01:17:39,719
Speaker 3: Not because of them. Fuck you, man, it's not because

1553
01:17:39,760 --> 01:17:41,479
Speaker 3: of them. Fuck that.

1554
01:17:42,280 --> 01:17:44,439
Speaker 1: I'm just saying. I don't mean to trigger you. I'm

1555
01:17:44,439 --> 01:17:45,280
Speaker 1: just saying that.

1556
01:17:45,400 --> 01:17:50,040
Speaker 3: I'm not triggered. I'm just saying. I'm just saying, motherfucker.

1557
01:17:50,439 --> 01:18:01,639
Speaker 2: I'm just saying, we know from the program that she's

1558
01:18:01,640 --> 01:18:02,120
Speaker 2: a gifted.

1559
01:18:02,920 --> 01:18:08,040
Speaker 1: We know she's a boy. All right, we should probably

1560
01:18:08,040 --> 01:18:09,320
Speaker 1: wrap up on this note.

1561
01:18:09,640 --> 01:18:11,160
Speaker 3: Dude, guys, I fucking missed this.

1562
01:18:11,320 --> 01:18:14,759
Speaker 1: Man. Yeah, I love you guys. I love you guys, audience,

1563
01:18:14,760 --> 01:18:17,800
Speaker 1: Thank you so much for always tuning in and and

1564
01:18:17,840 --> 01:18:22,360
Speaker 1: for listening to us just ramble. I'm excited to talk

1565
01:18:22,400 --> 01:18:25,120
Speaker 1: about future episodes coming up. It's gonna be so much fun.

1566
01:18:25,479 --> 01:18:31,000
Speaker 3: Getting into stories.

1567
01:18:31,720 --> 01:18:36,000
Speaker 4: I'm not sure we made about a bunch of talks

1568
01:18:36,040 --> 01:18:40,400
Speaker 4: and nurses said, here's the stories.

1569
01:18:41,200 --> 01:18:48,840
Speaker 3: Net so yeah here yeah here, but