WEBVTT - The Fifth Passenger

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<v Speaker 1>Family Secrets is a production of I Heart Radio. People

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<v Speaker 1>came racing out of their houses in their backyards, and

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<v Speaker 1>these are all people who knew everyone involved and saw

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<v Speaker 1>these children. I mean young teenagers children. My sister was

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<v Speaker 1>told my brother was fourteen in the street, you know,

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<v Speaker 1>essentially dead. This is Joanna Raykoff. Joanna is a novelist

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<v Speaker 1>and memoirist who lives in Cambridge, Massachusetts. Picture a woman

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<v Speaker 1>with dark, curly hair, lively eyes, an easy smile, a

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<v Speaker 1>woman you might pass on the cobblestone streets of Cambridge

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<v Speaker 1>and imagine that she has had a simple, lovely life.

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<v Speaker 1>But Joanna's life has been shaped by an enormous secret.

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<v Speaker 1>It a family tragedy that she was shielded from until

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<v Speaker 1>well into adulthood, a secret that cast a long, sad

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<v Speaker 1>shadow over her childhood. I'm Danny Shapiro, and this is

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<v Speaker 1>family secrets. The secrets that are kept from us, the

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<v Speaker 1>secrets we keep from others, and the secrets we keep

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<v Speaker 1>from ourselves. I was born in the Hudson River Valley

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<v Speaker 1>in a town that a lot of people know. It's

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<v Speaker 1>sort of a popular town outside the city called Nayak.

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<v Speaker 1>So Nayak sits on the river sits on the Hudson River.

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<v Speaker 1>It's a very beautiful, beautiful place. It's a place that

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<v Speaker 1>you know, Manhattan Night's like to come visit for the day.

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<v Speaker 1>There are wonderful restaurants and beautiful shops and lovely walks

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<v Speaker 1>along the river, seafood restaurants, boats, that kind of thing.

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<v Speaker 1>It's a lovely place to live. Kids all walked to

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<v Speaker 1>school there at sort of a utopian place. So I

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<v Speaker 1>was born in this town and my father had a

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<v Speaker 1>dental practice in the town. And when I was about three,

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<v Speaker 1>for reasons that were were not quite clear to me,

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<v Speaker 1>my family moved to a few towns over. We moved

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<v Speaker 1>to a very different place. We moved inland to the

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<v Speaker 1>kind of mountains a few miles up from nyack Um

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<v Speaker 1>to a very very tiny town called Pomona that was

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<v Speaker 1>more a very new town. It was kind of a

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<v Speaker 1>fake town that catered to people fleeing the city as

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<v Speaker 1>they did in the seventies, and was filled with brand new,

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<v Speaker 1>modern glass houses. We moved to one of these houses,

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<v Speaker 1>a very large house that was kind of surrounded by forest.

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<v Speaker 1>It couldn't have been more different than nyak which was

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<v Speaker 1>this tiny The ancient town where the houses are very

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<v Speaker 1>close together, and we knew all our neighbors and kind

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<v Speaker 1>of ran back and forth between their houses and this

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<v Speaker 1>new town Pomona, the houses were sent much farther away,

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<v Speaker 1>and you couldn't see your neighbors. And in retrospect, I

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<v Speaker 1>realized that was what my parents wanted. They wanted privacy,

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<v Speaker 1>they wanted to be anonymous in this town. At the time,

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<v Speaker 1>I didn't understand it, And what I did understand was

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<v Speaker 1>that this felt like a kind of scary, strange place

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<v Speaker 1>to me. And I also understood that my mother was

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<v Speaker 1>sort of unhappy in this place, and I didn't understand why.

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<v Speaker 1>You know, I would walk into the kitchen and find

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<v Speaker 1>my mother crying, or I would do some small thing

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<v Speaker 1>that didn't seem at all like a big deal to me,

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<v Speaker 1>like take my security blanket out of the dryer on

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<v Speaker 1>my own, or said this this really happened, um, and

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<v Speaker 1>my mother would you know, go crazy and start screaming

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<v Speaker 1>at me in this sort of hysterical way and grow

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<v Speaker 1>so angry at me that I truly couldn't understand it. Um,

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<v Speaker 1>you know, screaming get away from me. I can't look

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<v Speaker 1>at you, I can't see you get away from me,

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<v Speaker 1>and as a small child, I spent a lot more

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<v Speaker 1>time with my father. There's a way in which, you know,

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<v Speaker 1>some people maybe are just by nature kid people, and

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<v Speaker 1>some people are not. And my father just was a

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<v Speaker 1>kid person, and he just loved doing stuff with me.

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<v Speaker 1>And so my childhood, when I think back on it,

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<v Speaker 1>and as I as I experienced it at the time

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<v Speaker 1>as well, had these kind of polarities to it. I

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<v Speaker 1>have such vivid memories of being of kind of trapsing

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<v Speaker 1>around this giant cold house, not quite knowing what to

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<v Speaker 1>do with myself, or sitting by myself playing with my

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<v Speaker 1>million barbie dolls, um wishing that my mom would sit

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<v Speaker 1>on the floor and play with me. And then also

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<v Speaker 1>have these memories of going to the park with my dad,

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<v Speaker 1>going to this lake nearby and feeding duck. Joanna has

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<v Speaker 1>a much older sister, Amy, who no longer lives at home.

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<v Speaker 1>By the time Joanna is a toddler, this is familiar

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<v Speaker 1>to me. I grew up that way too, the feeling

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<v Speaker 1>on the one hand of having a sister and on

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<v Speaker 1>the other of being alone, surrounded by the eyes of

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<v Speaker 1>all your toy animals, your barbies, staring back at you,

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<v Speaker 1>I had those barbies to army of barbies, army of

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<v Speaker 1>barbies who are like your friends and only friends or

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<v Speaker 1>so would feels exactly making up stories for them and

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<v Speaker 1>so Um. Yes, So I did grow up feeling like

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<v Speaker 1>an only child. So I had an older sister who

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<v Speaker 1>was eighteen years my elder, Amy. I didn't really understand

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<v Speaker 1>where she lived or what she did. Amy Um basically

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<v Speaker 1>graduated from college by the time I was born, and

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<v Speaker 1>in a way, the role she played in my life

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<v Speaker 1>was more of an aunt, a kind of fond but

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<v Speaker 1>distant aunt. She would occasionally come to our house on

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<v Speaker 1>my birthday, you know, give me a little present. She

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<v Speaker 1>would often show up at her house unexpected. So I

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<v Speaker 1>didn't I just didn't understand. And I think, if I'm

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<v Speaker 1>really honest, which I'm sorry, I often try to kind of,

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<v Speaker 1>I will be honest here and say I really often

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<v Speaker 1>try to sugarcoat our life and make excuses for everyone.

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<v Speaker 1>But the truth is I'm sort of struggling that to

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<v Speaker 1>cry here. You know, I I was just filled with longing.

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<v Speaker 1>I wanted I so badly, just wanted her to be

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<v Speaker 1>a sister, sister too, despite her age to come back

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<v Speaker 1>and live with us and be there every day. We're

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<v Speaker 1>going to take a quick break, we'll be back in

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<v Speaker 1>a moment. What Joanna didn't realize was that there was

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<v Speaker 1>an entire tragic history surrounding her sister Amy. Sometimes Joanna

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<v Speaker 1>would walk in on her mother crying or looking horribly sad,

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<v Speaker 1>and she would ask what was wrong, because Joanna presumed

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<v Speaker 1>that she she must have done something wrong that her

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<v Speaker 1>mother's sadness had to do with her. In general, I

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<v Speaker 1>knew not to ask anything of more depth than what's wrong,

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<v Speaker 1>you know, to not kind of probe at all. And

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<v Speaker 1>as an adult it's actually been I'm forty six years old,

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<v Speaker 1>and it's still very very hard for me to probe deeply,

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<v Speaker 1>to ask my mother difficult questions or to tell my

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<v Speaker 1>mother difficult things. But it also is difficult for me

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<v Speaker 1>to talk I realized to talk to other people, to

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<v Speaker 1>kind of probe deeply into other people's lives, and it's

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<v Speaker 1>affected my friendships. There's this way in which I was

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<v Speaker 1>kind of raised in this environment of just pretending that

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<v Speaker 1>everything is fine. This is the work of a lifetime,

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<v Speaker 1>isn't it. Sometimes we're able to look back, or we're

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<v Speaker 1>forced to look back. And see all the ways in

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<v Speaker 1>which our childhood selves have formed the adults we've become.

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<v Speaker 1>Especially when we discover a secret that has been kept

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<v Speaker 1>from us, we can look back and see the isolation,

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<v Speaker 1>the loneliness, the walking on eggshells that we once had

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<v Speaker 1>to do. And finally we understand all the ways we

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<v Speaker 1>were shaped by the unsaid. Because here's the thing. We

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<v Speaker 1>feel the things that are hidden from us, they live

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<v Speaker 1>in our bodies, in our bones, but as children we

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<v Speaker 1>don't understand. It's only later that the piece has fallen

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<v Speaker 1>a place. And for Joanna, one of those pieces was

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<v Speaker 1>a trio of portraits that hung in her childhood home.

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<v Speaker 1>One was a boy, dark hair in a style that

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<v Speaker 1>dated the portraits, neatly parted on the side and kind

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<v Speaker 1>of brushed to the side. It was sort of nineteen

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<v Speaker 1>fifties look, though I didn't quite understand that. I just

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<v Speaker 1>knew that this was a different thing from a different era.

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<v Speaker 1>And then there were two girls who did not look

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<v Speaker 1>like at all. One girl had dark brown hair and

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<v Speaker 1>bright green eyes and kind of olive skin, and um

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<v Speaker 1>was looking at the artist in a very kind of

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<v Speaker 1>I don't want to say ferocious because that's too extreme,

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<v Speaker 1>but a kind of bold way and smiling, but not

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<v Speaker 1>a smile of joy, a kind of smile of engagement.

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<v Speaker 1>More and um an intelligence. There was a fierce intelligence

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<v Speaker 1>to this girl, really captivating. And then the third one

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<v Speaker 1>was also a girl younger who had beautiful blonde hair,

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<v Speaker 1>kind of ash blonde um that kind of curled softly

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<v Speaker 1>to her shoulders, and bright blue eyes and a much

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<v Speaker 1>kind of softer expression on her face. She looked kind

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<v Speaker 1>of shy, almost kind of bashfulled. Both girls were matching

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<v Speaker 1>blue ribbons in their hair. The children were of indeterminate age,

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<v Speaker 1>like it wasn't quite clear to me. Maybe the older

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<v Speaker 1>girl was on the cusp of adolescence, like ten or eleven,

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<v Speaker 1>maybe twelve. The other two kids, it wasn't clear. Um,

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<v Speaker 1>they weren't little kids, but nor were they teenagers. So

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<v Speaker 1>these portraits um sort of gazed down at me for

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<v Speaker 1>a lot of my day as I watched TV, as

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<v Speaker 1>I did everything, and I had no idea who they

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<v Speaker 1>were of I honestly thought that they were art. We

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<v Speaker 1>had a lot of art in her house, uh, you know,

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<v Speaker 1>a lot of original art of all from all different eras,

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<v Speaker 1>all different types. I told myself that these were just

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<v Speaker 1>beautiful paintings, and so what did I do with this?

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<v Speaker 1>I I loved them, and I would gaze at them.

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<v Speaker 1>I would sit there on the sofa. I was a

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<v Speaker 1>huge reader, and I spent a lot of time just

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<v Speaker 1>lying on the sofa eating an apple, and I would

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<v Speaker 1>kind of gaze at them and make up stories about

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<v Speaker 1>them in my head. And I would when I read books,

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<v Speaker 1>I would kind of imagine the characters as as looking

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<v Speaker 1>like these kids. Joanna also recalls a mysterious photograph in

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<v Speaker 1>a home that has no family photos at all. There's

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<v Speaker 1>one picture in Joanna's dad's office, a place he retreats

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<v Speaker 1>to to smoke his pipe and do paperwork, of a family,

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<v Speaker 1>but whose family. These people are strangers to her still,

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<v Speaker 1>they pull her in and she knows in a bone

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<v Speaker 1>shaking way that she'd better not ask about it. But

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<v Speaker 1>when she's about ten years old, her need to know

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<v Speaker 1>wins out. So finally, one day, after contemplating it for

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<v Speaker 1>a very long time, I said, who are these people

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<v Speaker 1>in the photo? And my father said, you you really

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<v Speaker 1>don't know who these people are? And I said no,

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<v Speaker 1>But I felt there's a horrible guilt, This horrible guilt

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<v Speaker 1>because and I thought, I guess I should know who

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<v Speaker 1>they are. And he he said, even sort of incredulous,

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<v Speaker 1>and he took the photo from me, and he pointed

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<v Speaker 1>to the woman in it and he said, that's your mother.

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<v Speaker 1>And then he pointed to the man in the photo,

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<v Speaker 1>who was also smiling and laughing and looked very happy,

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<v Speaker 1>and he said, you and that handsome devil is me.

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<v Speaker 1>And then he pointed to the teenagers, the children in

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<v Speaker 1>the photo, and he said, this boy right here is

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<v Speaker 1>your brother Mark. And so one of the people in

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<v Speaker 1>the photo who I had perceived as being a girl,

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<v Speaker 1>was a boy who had very long hair and you know,

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<v Speaker 1>kind of delicate features. Um, and I suddenly went the

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<v Speaker 1>minute he said boy, I realized, oh my gosh, that

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<v Speaker 1>is a boy. I hadn't realized it, but in my

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<v Speaker 1>mind was reeling because of course I didn't know that

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<v Speaker 1>I had a brother. And then he went on and said,

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<v Speaker 1>in this girl right here, that's your sister Amy. You

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<v Speaker 1>know your sister Amy, And I said yes. And then

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<v Speaker 1>he pointed too the other girl, the third girl who

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<v Speaker 1>had could have blond, curly hair, and he said, and

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<v Speaker 1>this beautiful girl is your sister Anita. And his voice broke,

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<v Speaker 1>and it never seen my father cry and all my

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<v Speaker 1>father was always happy, and it just kind of held

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<v Speaker 1>me close to him, and you, I just said oh.

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<v Speaker 1>And he helped me for a long time, and then

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<v Speaker 1>I it was my bedtime and I said good night

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<v Speaker 1>and I left. So in all the years between that

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<v Speaker 1>first conversation Joanna and her father had in which he

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<v Speaker 1>told her of her brother and sister, those pastel portraits

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<v Speaker 1>on the family room wall, they never again spoke of

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<v Speaker 1>her siblings, Anita and Mark. If people asked Joanna if

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<v Speaker 1>she was an only child, she would respond that she

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<v Speaker 1>had one sister, a much older sister. She just didn't

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<v Speaker 1>allow herself to go there. In a way, she unconsciously

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<v Speaker 1>conspired with her parents to allow the secret to go

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<v Speaker 1>back into its hiding place. After all, this is a

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<v Speaker 1>secret kept not only by Joanna's parents, but by her

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<v Speaker 1>entire large extended family. If you think about it, it's

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<v Speaker 1>kind of amazing Joanna never learned more about her siblings.

0:15:14.880 --> 0:15:18.120
<v Speaker 1>Think of the many many cousins of Joanna's, the aunts

0:15:18.120 --> 0:15:22.280
<v Speaker 1>and uncles, the satyrs, the thanksgivings, the reunions, the Mother's

0:15:22.320 --> 0:15:26.120
<v Speaker 1>day lunches. Not one mention of her vanished brother and sister.

0:15:27.680 --> 0:15:31.320
<v Speaker 1>Was it a conspiracy of silence? Did my parents ay

0:15:32.000 --> 0:15:35.680
<v Speaker 1>to my whole family, we don't want Joanna to grow

0:15:35.800 --> 0:15:40.480
<v Speaker 1>up with the specter of the lost children? Is that

0:15:40.520 --> 0:15:47.520
<v Speaker 1>what happened? Or was it just kind of an unspoken

0:15:47.800 --> 0:15:53.200
<v Speaker 1>rule in my family, a very talkative, kind of stereotypical

0:15:53.360 --> 0:15:56.920
<v Speaker 1>Woody Allen movie Jewish family in which people were always

0:15:56.960 --> 0:16:00.600
<v Speaker 1>talking and arguing. Was it just an uns oken rule

0:16:00.720 --> 0:16:02.560
<v Speaker 1>that no one was ever going to talk to me

0:16:02.600 --> 0:16:06.360
<v Speaker 1>about this? I still don't know. It's one of the

0:16:06.400 --> 0:16:09.400
<v Speaker 1>things I'm struggling to find out. I know my mother

0:16:10.400 --> 0:16:12.440
<v Speaker 1>very much did not want me to be tainted by

0:16:12.480 --> 0:16:16.040
<v Speaker 1>this tragedy or to feel like a replacement child in

0:16:16.080 --> 0:16:18.720
<v Speaker 1>any way. She's told me this explicitly, that she didn't

0:16:18.720 --> 0:16:21.960
<v Speaker 1>want me to be known as the girl whose brother

0:16:22.000 --> 0:16:24.160
<v Speaker 1>and sister died, or the girl whose parents had this

0:16:24.240 --> 0:16:26.960
<v Speaker 1>horrible tragedy happened to them. She wanted me to be

0:16:27.040 --> 0:16:31.640
<v Speaker 1>my own person, free from the burden of this tragedy.

0:16:31.680 --> 0:16:35.120
<v Speaker 1>And I really I respect her so much for that.

0:16:35.200 --> 0:16:40.560
<v Speaker 1>I understand that I do, I really really do. The

0:16:40.680 --> 0:16:42.880
<v Speaker 1>only clues that Joanna has as to the fate of

0:16:42.880 --> 0:16:46.040
<v Speaker 1>her siblings is when as a child she eavesdrops on

0:16:46.080 --> 0:16:51.040
<v Speaker 1>her mother's telephone conversations. My mother, almost every evening, like

0:16:51.120 --> 0:16:54.320
<v Speaker 1>so many mothers of her generation, would spend the evening

0:16:54.400 --> 0:16:56.480
<v Speaker 1>talking on the phone to her friends and so. Then

0:16:56.480 --> 0:16:58.760
<v Speaker 1>she would sit in her bedroom using her blue rotary

0:16:58.800 --> 0:17:01.960
<v Speaker 1>dial phone talking dif friends, and I would be reading

0:17:02.040 --> 0:17:05.800
<v Speaker 1>or watching QV and I would catch these glimpses of

0:17:05.920 --> 0:17:08.639
<v Speaker 1>the subject. I would hear these these little bits and

0:17:08.680 --> 0:17:12.040
<v Speaker 1>pieces of things. And one of the things that would

0:17:12.080 --> 0:17:15.040
<v Speaker 1>often jump out at me, probably because the tone of

0:17:15.040 --> 0:17:19.280
<v Speaker 1>her voice changed, would be this term the accident. So

0:17:19.520 --> 0:17:22.520
<v Speaker 1>she would say, you know, oh, we weren't at that

0:17:22.560 --> 0:17:26.840
<v Speaker 1>wedding that was right after the accident, or oh, I

0:17:26.920 --> 0:17:30.439
<v Speaker 1>didn't do X y Z, you know with the synagogue

0:17:30.480 --> 0:17:32.359
<v Speaker 1>that was right after the accident. I just couldn't do

0:17:32.400 --> 0:17:36.240
<v Speaker 1>anything at that time, or oh I lost touch with

0:17:36.359 --> 0:17:40.000
<v Speaker 1>so and so after the accident, I just couldn't see

0:17:40.040 --> 0:17:44.200
<v Speaker 1>her anymore. So my child brain started to realize that

0:17:44.280 --> 0:17:46.840
<v Speaker 1>there had been there the accident meant something to do

0:17:46.920 --> 0:17:49.480
<v Speaker 1>with my brother and sister. It took some time, but

0:17:49.560 --> 0:17:52.960
<v Speaker 1>I made the association, though I was, of course afraid

0:17:53.200 --> 0:17:58.320
<v Speaker 1>to ask what the accident was, and I developed a

0:17:58.359 --> 0:18:02.360
<v Speaker 1>whole story in my head it which was that my

0:18:02.440 --> 0:18:07.600
<v Speaker 1>parents had been driving a car. I imagined it as

0:18:07.600 --> 0:18:09.440
<v Speaker 1>the car that we had at that point, which may

0:18:09.440 --> 0:18:14.439
<v Speaker 1>have been a giant chevery cabrief classic um. And it

0:18:14.520 --> 0:18:16.960
<v Speaker 1>had been snowing, and they had been in an accident

0:18:17.000 --> 0:18:21.000
<v Speaker 1>on the highway and something had happened. I couldn't envision

0:18:21.720 --> 0:18:24.800
<v Speaker 1>the actual accident, but I would lie in bed at

0:18:24.920 --> 0:18:29.359
<v Speaker 1>night and kind of run through this scenario, the story

0:18:29.440 --> 0:18:31.720
<v Speaker 1>of my parents driving the car in the snow and

0:18:31.840 --> 0:18:36.320
<v Speaker 1>some sort of accident happening that resulted in my brother

0:18:36.359 --> 0:18:42.240
<v Speaker 1>and sister somehow dying. Um. And it would somehow simultaneously

0:18:42.359 --> 0:18:45.240
<v Speaker 1>terrify me so that I couldn't fall asleep, but also

0:18:45.320 --> 0:18:48.240
<v Speaker 1>comfort me so that I could. But I of course

0:18:48.320 --> 0:18:53.959
<v Speaker 1>never asked what the accident was. Imagine growing up without

0:18:54.040 --> 0:18:58.719
<v Speaker 1>critical information about your family. Imagine creating your own story,

0:18:59.200 --> 0:19:04.119
<v Speaker 1>one that feels satisfying enough and survives into adulthood until

0:19:04.200 --> 0:19:08.399
<v Speaker 1>someone shatters that story. That is exactly what happened in

0:19:08.440 --> 0:19:12.040
<v Speaker 1>two thousand ten. Joanna is married and the mother of

0:19:12.080 --> 0:19:15.480
<v Speaker 1>two young kids. Her first book, a novel, is about

0:19:15.520 --> 0:19:17.840
<v Speaker 1>to come out and paperback and one of her first

0:19:17.880 --> 0:19:21.840
<v Speaker 1>events is at a small independent bookstore in Maplewood, New Jersey.

0:19:22.240 --> 0:19:26.119
<v Speaker 1>When she gets there, the audience is packed a great thing, obviously,

0:19:26.720 --> 0:19:28.840
<v Speaker 1>and there are quite a few staff members lined up

0:19:28.880 --> 0:19:33.280
<v Speaker 1>to greet her. So I was going down the line

0:19:33.280 --> 0:19:35.040
<v Speaker 1>as if I were at a wedding, shaking their hands.

0:19:35.200 --> 0:19:40.840
<v Speaker 1>And I get to this one particular man and he

0:19:41.800 --> 0:19:45.639
<v Speaker 1>shake my hand and tears welled up in his eyes,

0:19:46.000 --> 0:19:49.800
<v Speaker 1>and he, with his voice breaking, said to me, can

0:19:49.960 --> 0:19:51.879
<v Speaker 1>get very nervously. Can you do you come with me?

0:19:52.119 --> 0:19:54.000
<v Speaker 1>Could you? Could you come with me for a second.

0:19:54.000 --> 0:19:55.439
<v Speaker 1>Could you just come to the office for a second.

0:19:55.880 --> 0:19:58.600
<v Speaker 1>So I went with him, and we got to the

0:19:58.680 --> 0:20:02.080
<v Speaker 1>office and he was actually sweat adding really profusely, and

0:20:02.640 --> 0:20:05.760
<v Speaker 1>he handed me some water and was kind of hunting

0:20:05.760 --> 0:20:11.320
<v Speaker 1>and hawing, and then finally he said, I'm Jonah Zimless,

0:20:11.680 --> 0:20:15.480
<v Speaker 1>and he sort of looked at me. I'm not really conveying.

0:20:15.480 --> 0:20:18.240
<v Speaker 1>He said it to me in this kind of pretendous way,

0:20:18.520 --> 0:20:20.399
<v Speaker 1>you presuming that I would know who he was, but

0:20:20.440 --> 0:20:23.560
<v Speaker 1>I did not. And and then he said I'm the

0:20:23.600 --> 0:20:26.840
<v Speaker 1>owner of this bookshop. And I thought, oh no, this

0:20:26.880 --> 0:20:28.600
<v Speaker 1>is going to be a terrible thing about my book

0:20:28.640 --> 0:20:31.000
<v Speaker 1>he's telling me he's the owner of the bookshop, and

0:20:31.080 --> 0:20:34.159
<v Speaker 1>all of these thoughts were raising through my mind. But

0:20:34.200 --> 0:20:35.879
<v Speaker 1>then he sort of looked perplexed, and he said, you

0:20:36.400 --> 0:20:37.880
<v Speaker 1>don't know my name. You don't know who I am.

0:20:38.000 --> 0:20:42.080
<v Speaker 1>And I said, no, I'm you know, I'm sorry. He

0:20:42.200 --> 0:20:48.640
<v Speaker 1>said I was your brother Mark's best friend. And that

0:20:48.680 --> 0:20:51.960
<v Speaker 1>was when sort of the tears really let loose, and

0:20:52.000 --> 0:20:54.959
<v Speaker 1>he said, my family lived, we were neighbors in Nayak.

0:20:55.359 --> 0:20:57.240
<v Speaker 1>I was your brother Mark's best friend, and I was

0:20:57.280 --> 0:20:59.399
<v Speaker 1>in love with your sister Anita. And then he just

0:20:59.520 --> 0:21:03.479
<v Speaker 1>fawn started crying and we sort of sat there. I

0:21:03.520 --> 0:21:06.800
<v Speaker 1>started crying too. I had never met anyone who knew

0:21:06.800 --> 0:21:09.000
<v Speaker 1>my brother and sister, because of course I did. All

0:21:09.000 --> 0:21:12.160
<v Speaker 1>my cousins, my aunts, and uncle's family friends, they all did,

0:21:12.200 --> 0:21:14.359
<v Speaker 1>but they didn't speak of them to me. So I

0:21:14.359 --> 0:21:17.080
<v Speaker 1>had never been in this situation before with someone who

0:21:17.119 --> 0:21:22.160
<v Speaker 1>was a peer of my brother and sister and knew

0:21:22.200 --> 0:21:25.160
<v Speaker 1>them really well, and for who like who had sort

0:21:25.160 --> 0:21:27.639
<v Speaker 1>of suffered a loss himself, you know, to use the

0:21:27.680 --> 0:21:33.639
<v Speaker 1>contemporary parliance. And he just started talking about the accident,

0:21:33.880 --> 0:21:37.360
<v Speaker 1>about our town, Nayak, and how the accident had affected

0:21:37.359 --> 0:21:40.840
<v Speaker 1>our town, but he I didn't understand anything that he

0:21:40.920 --> 0:21:46.240
<v Speaker 1>was saying. He was naming people's names and discussing repercussions

0:21:46.240 --> 0:21:49.399
<v Speaker 1>and all sorts of things, but I didn't know any

0:21:49.440 --> 0:21:52.119
<v Speaker 1>of this. And he kept saying, I know you know this,

0:21:52.280 --> 0:21:55.119
<v Speaker 1>and I knew you knew this, and I finally said,

0:21:55.600 --> 0:21:58.119
<v Speaker 1>I just I I need to tell you something. I

0:21:58.200 --> 0:22:01.439
<v Speaker 1>actually don't know anything. And he looked at me a

0:22:01.480 --> 0:22:04.880
<v Speaker 1>little bit like I was crazy, and I explained, I said,

0:22:04.920 --> 0:22:07.520
<v Speaker 1>you know, I know that I have his brother and sister,

0:22:07.640 --> 0:22:14.480
<v Speaker 1>but my parents have never ever talked to me about them.

0:22:14.520 --> 0:22:19.000
<v Speaker 1>And I don't even know what happened. I I sort

0:22:19.040 --> 0:22:20.800
<v Speaker 1>of know that there was an accident, but I don't

0:22:20.840 --> 0:22:25.679
<v Speaker 1>know what that accident was. And he was so stunned,

0:22:25.720 --> 0:22:28.680
<v Speaker 1>I mean, his jaw dropped open, and he just kind

0:22:28.720 --> 0:22:32.160
<v Speaker 1>of stared at me for a very long time. And

0:22:32.280 --> 0:22:34.720
<v Speaker 1>you know, then he of course said what I guess

0:22:34.760 --> 0:22:38.879
<v Speaker 1>any empathic, normal person would say, which was he was like,

0:22:38.880 --> 0:22:42.480
<v Speaker 1>oh god, oh God, And he felt horrible, and it

0:22:42.560 --> 0:22:45.600
<v Speaker 1>was clear that he didn't know how much to say

0:22:45.600 --> 0:22:47.399
<v Speaker 1>to me, like he wanted to talk to me about

0:22:47.400 --> 0:22:51.040
<v Speaker 1>all this, but he didn't necessarily feel that it was

0:22:51.160 --> 0:22:54.600
<v Speaker 1>his place to tell me about this horrible tragedy in

0:22:54.640 --> 0:22:57.800
<v Speaker 1>my own family. He basically said, you know, this was

0:22:57.840 --> 0:23:01.320
<v Speaker 1>a tragedy for the whole town. The whole town was

0:23:01.359 --> 0:23:04.520
<v Speaker 1>in mourning, the whole town was affected by it. And

0:23:04.560 --> 0:23:06.360
<v Speaker 1>then he said, you know, I know there was obviously

0:23:06.359 --> 0:23:09.040
<v Speaker 1>a tragedy for your family. I'm not in any way

0:23:09.040 --> 0:23:12.240
<v Speaker 1>comparing our grief and sorrow to your family is. I'm not.

0:23:12.640 --> 0:23:18.480
<v Speaker 1>Please don't think that I am. This conversation between Joanna

0:23:18.600 --> 0:23:21.320
<v Speaker 1>and Jonah is the first of several talks they have

0:23:21.880 --> 0:23:24.639
<v Speaker 1>in which the horrific truth of the accident that killed

0:23:24.640 --> 0:23:30.160
<v Speaker 1>her siblings slowly reveals itself. On that first evening, she's

0:23:30.200 --> 0:23:32.439
<v Speaker 1>so shaken by the conversation that she sits in the

0:23:32.480 --> 0:23:37.119
<v Speaker 1>office of his bookstore sobbing. Later, he contacts her again

0:23:37.520 --> 0:23:40.040
<v Speaker 1>and makes himself available to her should she want to

0:23:40.040 --> 0:23:44.440
<v Speaker 1>know more. Jonah also asks Joanna if he can put

0:23:44.440 --> 0:23:47.120
<v Speaker 1>her in touch with others, some people from Nayak who

0:23:47.119 --> 0:23:50.600
<v Speaker 1>want to connect with her. It turns out that there

0:23:50.640 --> 0:23:54.240
<v Speaker 1>was a world of people affected by this accident. They've

0:23:54.240 --> 0:23:58.200
<v Speaker 1>spent their lives devastated by it talking about it all

0:23:58.240 --> 0:24:02.439
<v Speaker 1>the while. Joanna's family moved into their glasshouse and lived

0:24:02.840 --> 0:24:09.800
<v Speaker 1>in complete silence. We're going to take a quick break.

0:24:12.880 --> 0:24:15.399
<v Speaker 1>Here are the bare bones of what happened. In June

0:24:15.440 --> 0:24:20.879
<v Speaker 1>of nine, the year before Joanna's birth, her parents went

0:24:20.920 --> 0:24:24.280
<v Speaker 1>on a vacation to Grand Bahama Island to celebrate their anniversary.

0:24:25.000 --> 0:24:27.280
<v Speaker 1>It was not a trip Joanna's mom wanted to make,

0:24:27.680 --> 0:24:29.560
<v Speaker 1>but her dad convinced her that it would be fun.

0:24:30.440 --> 0:24:34.399
<v Speaker 1>They left Mark and Anita, both middle schoolers, along with Amy,

0:24:34.480 --> 0:24:38.119
<v Speaker 1>a high school student, in the care of their maternal grandmother, Pearl,

0:24:38.600 --> 0:24:42.240
<v Speaker 1>a sweet, sweet person, but not someone who could necessarily

0:24:42.280 --> 0:24:47.879
<v Speaker 1>control teenagers. Before their trip, Amy had turned seventeen and

0:24:47.920 --> 0:24:50.879
<v Speaker 1>they had given her a car, a red Mustang convertible.

0:24:51.760 --> 0:24:54.840
<v Speaker 1>Amy decided to take her younger siblings, along with a

0:24:54.880 --> 0:24:58.639
<v Speaker 1>family friend named Rachel Finer, to the beach in Westchester

0:24:59.160 --> 0:25:01.880
<v Speaker 1>and then passa blee to a rickety old amusement park

0:25:02.119 --> 0:25:09.680
<v Speaker 1>called Ride plain Land. So this was a Sunday night

0:25:10.080 --> 0:25:12.080
<v Speaker 1>at the end of June. It was a beautiful day

0:25:12.119 --> 0:25:15.280
<v Speaker 1>out and you know, it got dark very late at

0:25:15.280 --> 0:25:18.520
<v Speaker 1>that point. Nayak is a pedestrian town. It's a real,

0:25:19.080 --> 0:25:23.399
<v Speaker 1>as I said, utopian, old fashioned American town where kids

0:25:23.480 --> 0:25:26.040
<v Speaker 1>play in the streets. There's not a lot of traffic.

0:25:27.119 --> 0:25:29.200
<v Speaker 1>There were tons of families and kids in the town,

0:25:29.920 --> 0:25:34.159
<v Speaker 1>and at this time, there were all of these kids

0:25:34.280 --> 0:25:39.600
<v Speaker 1>playing on their lawns, you know, having barbecues, all sorts

0:25:39.640 --> 0:25:43.400
<v Speaker 1>of stuff was happening. As Amy and the kids drove

0:25:43.440 --> 0:25:47.080
<v Speaker 1>along Broadway, a large sedan that had gotten off the

0:25:47.160 --> 0:25:50.040
<v Speaker 1>thru away from a different exit, crashed into the convertible.

0:25:50.880 --> 0:25:54.639
<v Speaker 1>Joanna researches the coroner's report and discovers that the kids

0:25:54.840 --> 0:26:00.359
<v Speaker 1>weren't killed on impact, but were gravely injured. So this accident,

0:26:01.560 --> 0:26:05.040
<v Speaker 1>you know, which was just brutal, it was loud, you know,

0:26:05.160 --> 0:26:08.560
<v Speaker 1>the impact was heard literally throughout the town. That's not

0:26:09.160 --> 0:26:10.840
<v Speaker 1>just a kind of thing to say like, it was

0:26:10.920 --> 0:26:14.679
<v Speaker 1>actually heard throughout the whole town. And people came racing

0:26:14.680 --> 0:26:18.560
<v Speaker 1>out of their houses in their backyards. And and these

0:26:18.560 --> 0:26:25.040
<v Speaker 1>are all people who knew everyone involved and saw these children,

0:26:25.160 --> 0:26:28.359
<v Speaker 1>I mean young teenagers, children. My sister was child, my

0:26:28.400 --> 0:26:32.600
<v Speaker 1>brother was fourteen, as was Rachel in the street, you know,

0:26:33.880 --> 0:26:38.720
<v Speaker 1>essentially dead and um, the finders who lived right there,

0:26:39.760 --> 0:26:44.240
<v Speaker 1>it's so horrible. They were waiting for Rachel to come home,

0:26:44.800 --> 0:26:48.840
<v Speaker 1>waiting for her, getting angry. You know the parents were

0:26:48.840 --> 0:26:51.440
<v Speaker 1>getting angry, thinking where is she, Why isn't she home yet?

0:26:51.480 --> 0:26:54.359
<v Speaker 1>Why isn't she home yet? What's wrong? They thought she

0:26:54.440 --> 0:26:56.359
<v Speaker 1>was going to be back butch earlier, and they heard

0:26:56.400 --> 0:27:00.280
<v Speaker 1>the accident and they went running out into the street. Yeah,

0:27:02.160 --> 0:27:06.000
<v Speaker 1>there are some secrets that, even when revealed, unpacked, understood,

0:27:06.480 --> 0:27:10.240
<v Speaker 1>will never fully be put to rest. How can a loss,

0:27:10.400 --> 0:27:14.119
<v Speaker 1>this violent and profound, one that affected an entire town

0:27:14.280 --> 0:27:19.800
<v Speaker 1>and devastated two families ever be made Okay, time heals

0:27:19.880 --> 0:27:23.199
<v Speaker 1>all wounds, it is said, or God doesn't give us

0:27:23.200 --> 0:27:27.000
<v Speaker 1>more than we can handle, or my personal favorite, everything

0:27:27.040 --> 0:27:30.480
<v Speaker 1>happens for a reason. These are the things well meaning

0:27:30.520 --> 0:27:33.760
<v Speaker 1>people say to those who are grieving. We don't like

0:27:33.880 --> 0:27:36.800
<v Speaker 1>to acknowledge that there are some wounds that will always

0:27:36.840 --> 0:27:40.440
<v Speaker 1>remain at least somewhat open, that it is our job

0:27:40.520 --> 0:27:44.600
<v Speaker 1>to bear them, to transform them slowly over time by

0:27:44.640 --> 0:27:48.119
<v Speaker 1>making meaning out of them, something Joanna is doing. And

0:27:48.200 --> 0:27:51.320
<v Speaker 1>the writing, research and reporting of this story she has

0:27:51.359 --> 0:27:54.639
<v Speaker 1>never known, and it haunted her all the more because

0:27:54.640 --> 0:28:00.119
<v Speaker 1>of not knowing. Healing all of us back as in

0:28:01.480 --> 0:28:07.760
<v Speaker 1>honestly pretty unbearable. I have three kids now. They are fourteen,

0:28:08.680 --> 0:28:16.679
<v Speaker 1>ten and three and it's simultaneously is causing me to

0:28:16.840 --> 0:28:21.919
<v Speaker 1>remember so much about my own childhood, which then of

0:28:21.960 --> 0:28:25.560
<v Speaker 1>course forces me to think about how I am as

0:28:25.600 --> 0:28:30.800
<v Speaker 1>a mother and makes me so conscious of every choice

0:28:30.880 --> 0:28:36.119
<v Speaker 1>that I make while simultaneously feeling strangely vulnerable, you know,

0:28:36.160 --> 0:28:41.400
<v Speaker 1>sort of remembering all of these moments from my own

0:28:41.480 --> 0:28:46.120
<v Speaker 1>childhood when I felt so alone and afraid, or confused

0:28:46.680 --> 0:28:51.280
<v Speaker 1>or sometimes happy. Honestly, just but just remembering my way

0:28:51.320 --> 0:28:55.440
<v Speaker 1>back into my childhood is a really profound thing to

0:28:55.480 --> 0:28:59.200
<v Speaker 1>do as a parent, particularly a parent with kids at

0:28:59.200 --> 0:29:04.680
<v Speaker 1>these very developmental ages. Also my son and daughter being

0:29:04.720 --> 0:29:08.920
<v Speaker 1>about the ages that my siblings were when they were killed.

0:29:09.960 --> 0:29:17.760
<v Speaker 1>I have been doing this research very very slowly, because

0:29:17.800 --> 0:29:23.360
<v Speaker 1>each time I uncover something, it just eviscerats me in

0:29:23.440 --> 0:29:26.760
<v Speaker 1>a matter that I was not prepared for. You know,

0:29:26.920 --> 0:29:31.200
<v Speaker 1>I have a history as a journalist or reporter. You know,

0:29:31.240 --> 0:29:34.800
<v Speaker 1>I've done a huge amount of research for you know,

0:29:34.840 --> 0:29:38.080
<v Speaker 1>fiction projects, for my last memoir project, and I thought,

0:29:38.440 --> 0:29:42.200
<v Speaker 1>I'm ready for this. I'm ready to to sort of

0:29:42.280 --> 0:29:45.320
<v Speaker 1>lay bare these secrets. I'm ready to kind of talk

0:29:45.360 --> 0:29:49.479
<v Speaker 1>about all this with my family. But maybe you're never ready.

0:29:52.200 --> 0:29:54.520
<v Speaker 1>Can you imagine a world in which you had never

0:29:55.880 --> 0:30:01.720
<v Speaker 1>known this, where the secret remained very in those portraits

0:30:01.720 --> 0:30:04.280
<v Speaker 1>on the wall. You know, imagine a past in which

0:30:04.280 --> 0:30:06.600
<v Speaker 1>you would never ask the question. I mean, do you

0:30:06.880 --> 0:30:09.560
<v Speaker 1>in any way I wish that you didn't know this?

0:30:12.360 --> 0:30:14.920
<v Speaker 1>Maybe a little part of me does and wishes that

0:30:15.080 --> 0:30:18.000
<v Speaker 1>my relationship with my mother and my sister could be

0:30:18.400 --> 0:30:23.200
<v Speaker 1>less complicated. You know that, because my relationship with my mother,

0:30:24.000 --> 0:30:27.480
<v Speaker 1>whom I love dearly and I love like in this

0:30:27.720 --> 0:30:31.719
<v Speaker 1>animal love, and you also feel so protective of in

0:30:31.800 --> 0:30:34.880
<v Speaker 1>so many ways, But my relationship with her is very fraught,

0:30:35.560 --> 0:30:38.480
<v Speaker 1>and I just wish that it could be less complicated.

0:30:39.320 --> 0:30:41.120
<v Speaker 1>So it's not so much that you wish you didn't

0:30:41.120 --> 0:30:43.400
<v Speaker 1>know the secret as that you wish the secret had

0:30:43.440 --> 0:30:47.120
<v Speaker 1>never existed. Yeah, I either wish I had never existed,

0:30:47.200 --> 0:30:57.200
<v Speaker 1>or I wish that maybe they had. But the truth

0:30:57.320 --> 0:31:03.240
<v Speaker 1>is you can never truly shut the door. Right. Here's

0:31:03.280 --> 0:31:08.280
<v Speaker 1>Joanna reading from the manuscript of her upcoming memoir. Where

0:31:08.280 --> 0:31:12.640
<v Speaker 1>do I start? How do I begin? How do I

0:31:12.720 --> 0:31:16.520
<v Speaker 1>tell a story that begins before my birth? Or rather

0:31:16.720 --> 0:31:20.880
<v Speaker 1>I should say the story that resulted, grim and improbable

0:31:20.960 --> 0:31:25.160
<v Speaker 1>as it sounds, in my existence, it's a story that

0:31:25.480 --> 0:31:29.280
<v Speaker 1>now I'm called upon to tell this explanation of my life,

0:31:29.280 --> 0:31:31.600
<v Speaker 1>of my family, of how I came to be. Nearly

0:31:31.680 --> 0:31:35.840
<v Speaker 1>every day, every time someone innocently asks do you have

0:31:35.920 --> 0:31:38.520
<v Speaker 1>brothers and sisters? Or are you from a big family?

0:31:39.440 --> 0:31:42.840
<v Speaker 1>But there's no easy answer, no response that won't lead

0:31:42.880 --> 0:31:46.840
<v Speaker 1>to further questions at best, or at worst make the

0:31:46.880 --> 0:31:51.880
<v Speaker 1>inquirer uncomfortable or horrified, or sad or filled with regret

0:31:51.960 --> 0:31:55.600
<v Speaker 1>that she'd brought up such painful memories. There's no answer

0:31:55.600 --> 0:31:58.520
<v Speaker 1>that won't lead to an awkward social moment, a tragic

0:31:58.600 --> 0:32:03.080
<v Speaker 1>silence within a gay part, and after the shockwas off,

0:32:03.480 --> 0:32:07.880
<v Speaker 1>there will still always be more questions, questions I can't

0:32:07.920 --> 0:32:21.040
<v Speaker 1>necessarily answer. I'd like to thank my guest, Joanna Raykoff.

0:32:21.520 --> 0:32:23.920
<v Speaker 1>You can find out more about Joanna and her books

0:32:24.280 --> 0:32:28.600
<v Speaker 1>at Joanna Rakoff dot com. Family Secrets is an I

0:32:28.720 --> 0:32:33.240
<v Speaker 1>Heart media production. Dylan Fagan is a supervising producer, Lowell

0:32:33.240 --> 0:32:36.520
<v Speaker 1>Brolante is the audio engineer, and Julie Douglas is the

0:32:36.520 --> 0:32:39.960
<v Speaker 1>executive producer. If you have a family secret you'd like

0:32:40.040 --> 0:32:42.440
<v Speaker 1>to share with us, you can get in touch at

0:32:42.480 --> 0:32:46.160
<v Speaker 1>listener mail at Family Secrets podcast dot com, and you

0:32:46.200 --> 0:32:49.800
<v Speaker 1>can also find us on Instagram at Danny Ryder, and

0:32:49.880 --> 0:32:54.360
<v Speaker 1>Facebook at Family Secrets Pod and Twitter at fami Secrets Pod.

0:32:54.960 --> 0:32:58.600
<v Speaker 1>For more about my book, Inheritance, visit Danny Shapiro dot

0:32:58.640 --> 0:33:21.160
<v Speaker 1>com For more podcasts. For my heart Radio, visit the

0:33:21.160 --> 0:33:24.240
<v Speaker 1>I Heart Radio app, Apple podcast, or wherever you listen

0:33:24.320 --> 0:33:25.240
<v Speaker 1>to your favorite shows,