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Speaker 1: Air show. Plane flies a blimp. Yep, not just one.

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Speaker 1: Me and Mark small air show then, yes it was.

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Speaker 1: I was there with Mark McGrath. Yes. And so we're watching.

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Speaker 1: We're having the like the nicest time. We had not

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Speaker 1: met them, No, we hadn't met each other. Yes, yes,

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Speaker 1: had met the blimp. And then we're watching and this

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Speaker 1: one plane shows up that just sucks so bad and

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Speaker 1: it just flies and it's like, what's up? And it's

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Speaker 1: like you can tell just from its flying that it

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Speaker 1: doesn't know that it just like is so shitty, right,

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Speaker 1: and it's just like it's so pathetic. Uh huh. And

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Speaker 1: so everyone's watching it, look at each other and being

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Speaker 1: like holy shit.

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Speaker 2: It's like this loser US plane. It's going like hey,

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Speaker 2: you guys want to see me fly.

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Speaker 1: It's like so excited and we're like, oh my gosh,

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Speaker 1: check it out, barrel roll. But it's not doing it,

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Speaker 1: and you're like, what do I say? You're not? Oh

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Speaker 1: you didn't. And then uh, Denza Caduro starts playing you

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Speaker 1: know that song? Yeah? Yeah, sing it for me. I

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Speaker 1: don't really know the way I think so if it's

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Speaker 1: a Portuguese yeah yeah, And then there's uh yeah yo,

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Speaker 1: yo yo, and then the plane is just like kind

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Speaker 1: of flying back and forth a little bit to the song,

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Speaker 1: just a little just a stiff little yeah, oh shoulder road,

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Speaker 1: and everyone's like, can we go? Some people did were

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Speaker 1: smart enough to like leave really fast, so then you

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Speaker 1: turn around and you're like, well, now I can't leave.

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Speaker 2: And McGrath must have been a little like, what is

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Speaker 2: it one of my songs playing?

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Speaker 1: Yeah, that was weird. They can see me. That was weird,

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Speaker 1: and it feels like your show music to me. But

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Speaker 1: I think it was like when I just want to fly.

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Speaker 1: That would have been really good. That would have been

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Speaker 1: really good. Yeah, or even.

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Speaker 2: Every morning Halo hanging on the Honah planes Fham post Plane.

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Speaker 1: A parody song.

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Speaker 2: Yeah, yeah, I assume there's microphones and stuff. Anyone could

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Speaker 2: get in and start doing it.

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Speaker 1: Let's do let's do that, let's just chef doing it. Yes,

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Speaker 1: Welcome to Hollywood Handbooks. Yeah, this show is an insider

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Speaker 1: sky to kicking button dropping names in the red carpet

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Speaker 1: lineback hallways of this industry we call showbiz.

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Speaker 2: And before we even start to my guests, who I

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Speaker 2: love having here, I am strictly here to observe today.

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Speaker 1: This is from Earwolf Corporate. This is top down. They

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Speaker 1: want me to take a step back and listen.

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Speaker 2: Yes, to take a step back and listen. And I

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Speaker 2: am so willing to comply. So for today, have fun,

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Speaker 2: do a great show. I'm looking to laugh and learn

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Speaker 2: and I'm just observed.

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Speaker 3: So our metro and I doing our show under your

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Speaker 3: super vision.

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Speaker 1: This is sort of.

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Speaker 2: It's going in our feed so we're not on the

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Speaker 2: hook for anything else, right, I know that.

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Speaker 1: We're doing these you do these feed swaps, yet ever

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Speaker 1: do these?

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Speaker 3: Well, we're brand new, we're brand's making news, so we

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Speaker 3: don't know anything about it. Never feeds, well, we don't

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Speaker 3: know what anything podcasts where other than being guessed.

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Speaker 1: And that is so refreshing to see. Yeah, like everyone's

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Speaker 1: coming in here, like all these new shows, and there

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Speaker 1: are so many a lot that are coming in and

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Speaker 1: being like in host mode, like they just like show

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Speaker 1: up and you're they're like, I'm the host, and you're like,

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Speaker 1: you guys are saying like basically, we don't know how

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Speaker 1: to do that. We don't know show.

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Speaker 4: We just stepped off the bus.

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Speaker 3: Stepped off the bus from you know, three bucks, two backs,

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Speaker 3: one me or to me.

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Speaker 2: I guess podcasts have felt too and professional for so long.

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Speaker 1: What do you mean? What's that? What is that that?

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Speaker 1: You just said? Three bucks two backs on me? Yes?

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Speaker 1: What is to me? That is a very like famous reference,

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Speaker 1: super famous?

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Speaker 4: What is it?

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Speaker 1: You know? The reference?

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Speaker 4: I will say. I also don't.

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Speaker 1: Three bags two bucks won me? Yeah, yeah, it's a

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Speaker 1: buck cherry song.

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Speaker 3: Yeah, it's from an the start starter guys. Oh okay,

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Speaker 3: bucks two bags. But in this case it's to me, to.

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Speaker 4: Me luggage, to me luggage.

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Speaker 1: That's what the bag.

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Speaker 3: And we have a special offer for all our listeners

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Speaker 3: if you want fifty nine percent off.

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Speaker 1: Your to me luggage backslash Urgent See I always wait

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Speaker 1: till there is urgent. It is urgent because our podcast

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Speaker 1: name is urgent care. I don't know. I think, what

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Speaker 1: are you a funnier? It's not funny.

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Speaker 4: Well, we weren't consulted.

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Speaker 1: Yeah, we didn't come up with you so I didn't

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Speaker 1: want this to be like all about like teaching you

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Speaker 1: guys stuff. But you cannot wait to be consulted on

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Speaker 1: these things. You have to force the issue. They are

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Speaker 1: just like doing stuff and like and they like they

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Speaker 1: just like they will not ask you, so, where do

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Speaker 1: we have to walk in here? On weekdays? You have

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Speaker 1: to be here all the time.

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Speaker 2: You gotta just lean up against Colin's desk until he

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Speaker 2: notices you.

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Speaker 1: You have to be watching Colin's screen. Okay, I see

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Speaker 1: he types the code like, he's like.

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Speaker 3: Yes, as he's like, he's so executive producer of ear Wolf.

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Speaker 1: He's the one who decides all of the code. The code.

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Speaker 1: The codes are what makes this place run. This this

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Speaker 1: this office, this is code. Money. You're talking into a

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Speaker 1: code right now. I'm sitting at a code. What's your code?

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Speaker 1: The boys? The boys, Yeah, we got that.

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Speaker 4: I want to sell hanbook.

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Speaker 1: Yeah that's too long, ro Hollywood hand good viral marketing

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Speaker 1: for us? Yeah yeah, we love it. Too long? But

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Speaker 1: marketing for us, Well, what can it.

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Speaker 3: Be that would be shorter, that would still direct traffic

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Speaker 3: to your podcast instead of ours.

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Speaker 1: You what you do is you don't come up with

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Speaker 1: it yourself. You just let them pitch a bunch of

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Speaker 1: versions and then you kind of like don't respond or

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Speaker 1: cy yeah when you are getting ones that you don't like.

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Speaker 1: So you watch Colin type in like urgent, and you're like, oh.

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Speaker 4: Wow, oh no, that's really good.

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Speaker 5: I like it.

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Speaker 1: If it's like urgent care. What if it's like who cares? Yeah?

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Speaker 1: What if that who cares? Yeah? What if it's yeah?

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Speaker 1: What if it's pathetic loser?

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Speaker 4: What if it's like ugly person inside and out?

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Speaker 3: Better Hell dot com slash ugly person inside and out?

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Speaker 1: Do you feel good about that? Do you feel good

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Speaker 1: about your life yet? That's funny?

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Speaker 6: Oh?

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Speaker 1: What if it's dumpster fire?

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Speaker 4: Oh like PRESIDENTO?

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Speaker 1: Like, oh how about how about how about betterhelp dot com?

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Speaker 1: Black backspast? Ma'am, this is a Wendy's.

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Speaker 6: Okay, I'm getting a discount now, thank you and laughing

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Speaker 6: my fucking ass off Wendy's what, No, it's not.

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Speaker 1: No, let's talk. Why would you say all that in

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Speaker 1: line at Wendy sir? That's crazy. I do want to

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Speaker 1: talk about the show. I want to find out what

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Speaker 1: it is and and Sean will be paying attention, like

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Speaker 1: we'll be observing and watching.

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Speaker 2: But I've been getting texts already from some of the

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Speaker 2: Dana keeps texting me and saying like, hey, I thought

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Speaker 2: we agreed.

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Speaker 1: And it's like we haven't really started yet, but now

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Speaker 1: Seaun can come. None of this is going to go

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Speaker 1: on the pop Yeah, yea, And Jordan's here.

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Speaker 4: I Hey, what's up?

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Speaker 1: What's up? Jordan?

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Speaker 7: I was telling Kevin that between I and Matro where

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Speaker 7: you are the best laughers for Hollywood Handbook.

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Speaker 1: Just for us? Ye oh wow, Jordan's wearing her boss

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Speaker 1: and hat today. She does prefer to go by Dropkick

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Speaker 1: Murphy today. Wow. Yeah, that's the name. That's me, Jordan,

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Speaker 1: the ras of Hollywood Handbook. Yeah.

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Speaker 3: Yeah, to this sort of mecca Fraser Crane that you

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Speaker 3: guys combined make.

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Speaker 1: I'm Crane, yeah, and I and I'm sure and I'm Bulldog.

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Speaker 1: Who's that you don't you're not Fraser heads? Yeah he's

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Speaker 1: a sports guy, yeah, exactly. Yeah. Is he bulldog?

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Speaker 3: Yeah, he's bulldog, bulldog and he fus Ros up the ass.

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Speaker 2: I don't remember that scene, obviously, it's subtext in the show.

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Speaker 1: Did you say you think that's sweet?

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Speaker 4: You said I think it's sweet?

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Speaker 1: What?

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Speaker 6: No?

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Speaker 1: I just was wondering. I didn't know if you were

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Speaker 1: talking about something else.

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Speaker 4: No, I think it's sweet that Fraser Crane Fox ros.

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Speaker 1: No bulldog fucks Ross?

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Speaker 4: Oh my god?

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Speaker 1: Like, who is this dog? Do not Raisure Maris?

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Speaker 4: Oh my god?

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Speaker 1: I know, I get it, but like, who is Martin Craze?

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Speaker 4: All of these names make me sick.

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Speaker 1: There bad names. Why is Fraser British but his dad

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Speaker 1: is not. He's He's not British, he's fancy, he's just rich.

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Speaker 1: Right wait, he just has manners. They're not, no, but

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Speaker 1: Niles is definitely British.

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Speaker 4: I think they're both just like arrogant.

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Speaker 3: Yeah, they have British accent. They listen again, show.

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Speaker 2: They have an Atlantic accent. It's a rich people accent

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Speaker 2: native to rich people in.

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Speaker 3: America that Niles and Daphne get together because of their

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Speaker 3: shared heritage.

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Speaker 2: They got raised by their freaking fancy mom and their

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Speaker 2: dad can't stand that ship and he just wants to

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Speaker 2: whack it out of them. I mean, that's the story

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Speaker 2: of the show. He sits on his chair and he

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Speaker 2: fantasizes about giving his son phrase a pounding.

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Speaker 1: That's the fucking much like Bulldog gave it to Rob.

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Speaker 2: This is exactly why I was supposed to observe today

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Speaker 2: because this always happens when I get involved. What you

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Speaker 2: wish part of this We're always talking about ros taking

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Speaker 2: it into the tailpipe, and that's not what this show

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Speaker 2: is supposed to.

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Speaker 1: You didn't break that out. It was kind of your

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Speaker 1: presence that made joeld it never happens if I'm not here.

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Speaker 8: Well, when you're here, people feel safe to say the

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Speaker 8: kind of twisted, fucked up shit that lives in the

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Speaker 8: dark recesses of their messed up brains.

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Speaker 2: Let's face it, My head's a bad neighborhood. You don't

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Speaker 2: want to be caught in there alone at night. Unfortunately.

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Speaker 1: Uh, I am the owner, so you own the neighborhood. Yeah,

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Speaker 1: how are you a slum lord?

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Speaker 2: Oh I'm a slum lord all right, Yeah, and rentalate.

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Speaker 2: Guess what I go in there with the freaking power drill,

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Speaker 2: turn the lights out for good on just different sections

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Speaker 2: of your brain, on parts.

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Speaker 1: Of my brain lobotomy?

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Speaker 4: Cool?

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Speaker 1: Yeah, Hey, rather I have a front of the boomy

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Speaker 1: that a bottle in front of me? You'd rather have that?

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Speaker 1: Usually it's the reverse order? Is that how you've vert it? Hey?

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Speaker 6: Man?

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Speaker 1: Do you rather different different folks for show too? And

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Speaker 1: what is your show? Speaking of show, what is it?

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Speaker 1: What are the show doing?

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Speaker 4: So we have shows, we have.

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Speaker 1: Show on ear Wolf. It's mostly a platform for us

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Speaker 1: to talk.

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Speaker 3: About betterhelp dot com and sort of skill share and

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Speaker 3: square space and.

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Speaker 8: Then have sort of absolute strangers call us and tell

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Speaker 8: us what the kind of fucked up ship that's going

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Speaker 8: on in their lives.

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Speaker 3: And it is a little bit of a narrative podcast

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Speaker 3: on top because of Metron's relationship, there's like an underlying story.

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Speaker 3: It's a it's it's sort of the first hybrid narrative

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Speaker 3: call call in advice show, narrative sponsor content where there's

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Speaker 3: like there's sort of a mythology behind me tranized.

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Speaker 4: Every show is a hero's journey.

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Speaker 1: Every every episode is a.

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Speaker 3: Full Every episode is a little bit Harry Potter, inspired.

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Speaker 8: By, of course, Movie Life Itself, where the journey the

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Speaker 8: creator where Olivia Wild this is uh, this is us

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Speaker 8: Movie Life Itself is doing her thesis and then she goes, oh,

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Speaker 8: the hero's.

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Speaker 1: Journey Joseph Cammell miss made.

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Speaker 8: Joseph Campbell, of course is a huge part of it

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Speaker 8: because he found the Big Plate and so he he

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Speaker 8: made Mormons, he'd made Utah and then we sort of that's.

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Speaker 2: A huge part of our No wonder that Joe Campbell

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Speaker 2: I wanted to create a hero with a thousand faces

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Speaker 2: because his face if you remember did look.

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Speaker 1: Like a way you have big wing?

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Speaker 3: Wait, are we talking about Joe Cambill, Camel, Joseph Cammel,

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Speaker 3: Joseph Campbell, the Cigarette Matt Joseph Campill, the creator We.

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Speaker 1: Here with a thousand faces?

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Speaker 4: No, Matt Rushmore.

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Speaker 3: I think he look cool because he's wearing the leather

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Speaker 3: jacket and sunglasses, and that is the epitome of cool.

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Speaker 8: So this is all sort of what takes place in

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Speaker 8: the first episode of our podcast.

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Speaker 1: We can do it then, We've got that's all. It's

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Speaker 1: the can so far. We can do a demo though. Okay, okay,

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Speaker 1: Okayana is here. I'm sure she loved that. Does she

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Speaker 1: produce your shower or something? Yeah? She does. Okay, And

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Speaker 1: what's her function here today? I think she's just she's

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Speaker 1: reviewing you. She's the clean dog Wrangler. Okay.

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Speaker 8: We requested her presence for us to come back because

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Speaker 8: of some of the fucked up ship that you guys

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Speaker 8: said to us outside of the podcast.

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Speaker 2: I have an electronic knee brace that Dana is zapping

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Speaker 2: me every so often when she sees me lean towards

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Speaker 2: the mic.

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Speaker 1: It's on your knee. Yeah, never heard of that kind. Well,

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Speaker 1: it's helping it probably a little bit. Oh I need it. Yeah, okay,

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Speaker 1: let's do a demo. But someone has to call. Okay,

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Speaker 1: well one of you can, Dana Carr.

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Speaker 3: Or actually Kevin Ken Kevin, somebody call Kevin ship Wait

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Speaker 3: are you you don't actually have to use the phone for.

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Speaker 1: This, Kevin. They can't see it. The listeners can't see it. Kevin,

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Speaker 1: Kevin Kelly. Maybe Kevin Kevin call me maybe Kevin. Ring ring, Okay,

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Speaker 1: don't pick up on the first ring, ring ring, get

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Speaker 1: it ring hillo. Hey, chef Kevin here, Hi, che I welcome.

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Speaker 1: I'm David, not Chef Kevin.

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Speaker 3: Well, unfortunately, we can't edit. This is a live show,

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Speaker 3: this is radio. So you fucked up. And that's the

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Speaker 3: first thing. I mean, we see what the problem is

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Speaker 3: already hang up on this joker. Okay, bye, goodbye.

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Speaker 1: Okay. There literally is no.

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Speaker 6: Net.

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Speaker 1: There is no way to edit anything I create it,

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Speaker 1: which is why it's so difficult to make. So someone

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Speaker 1: has a call and be David and so like Jordan's

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Speaker 1: Jordan's ring ring, do you want to get this one?

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Speaker 6: Ring?

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Speaker 3: Ring?

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Speaker 1: Hello? Hello, Hi, this is hi. Hello. What's your name?

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Speaker 1: My name is start there you David. My name is David.

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Speaker 1: Another David, another David.

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Speaker 4: Wow, with the sky opened up, it's raining, David.

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Speaker 1: What's your problem, David?

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Speaker 4: My problem is that there's something.

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Speaker 3: And remember you're on live radio, so don't be like

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Speaker 3: the last one.

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Speaker 4: Well, now I have to revisit my question.

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Speaker 1: I have a picture for you. You say your name

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Speaker 1: is Chip chipping up to Boston.

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Speaker 8: Okay, so we're all giving advice to hang up on

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Speaker 8: this collar. All right, we're hanging up on this caller.

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Speaker 8: Thank you so much. Feel free to call back anytime.

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Speaker 8: But yeah, we're hanging up on this collar.

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Speaker 1: The show, yes, the calls are really sure to get about.

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Speaker 1: Have you heard of quibi? Okay, yeah you are, so,

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Speaker 1: I am collecting.

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Speaker 3: We found that people's attention spans are pretty short, Like

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Speaker 3: I actually believe most people who listen to this podcast

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Speaker 3: turn tune out after the first three to four minutes.

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Speaker 4: And I actually don't know where I am right now.

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Speaker 1: So we want to keep things for it.

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Speaker 3: That's sort of the the ethos of our podcast is

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Speaker 3: to keep it short.

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Speaker 4: Each episode is fourteen seconds long.

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Speaker 1: Wow.

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Speaker 5: Okay, snack side, but that's so much for the it's

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Speaker 5: for the commute.

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Speaker 3: You know because we're also we come out three times

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Speaker 3: a day.

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Speaker 8: Well, we want to figure out a way to fill

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Speaker 8: that sort of liminal space when you're walking from your

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Speaker 8: desk to the bathroom at work, but not actually in

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Speaker 8: the bathroom, because we know you're going to be scrolling

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Speaker 8: on your phone.

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Speaker 4: But what about that space.

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Speaker 1: In between, from dust to the bound.

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Speaker 4: From desk to piss, We are that.

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Speaker 1: From dusk to piss, we are that. And then once

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Speaker 1: you're once you are actually peeing, it's too loud.

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Speaker 4: It's so here, those herds are dropping.

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Speaker 3: And I don't know about you, but it takes a

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Speaker 3: lot of concentration for me once I'm in the bathroom

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Speaker 3: to keep my hands off myself.

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Speaker 1: Yes, like it takes all the fucking energy. It's right there, And.

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Speaker 2: This is the kind of thing that I would normally

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Speaker 2: get involved with this kind of conversation. But again, Dana,

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Speaker 2: I want you to notice I'm staying.

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Speaker 1: Out of it. You would probably sad describe it. You

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Speaker 1: would probably sing a little of Selena Gomez is can't

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Speaker 1: keep my hands myself like that. That's the kind of

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Speaker 1: mental connection that Sean would make in this moment.

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Speaker 2: Everything music is the fabric of my life and everything

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Speaker 2: is just kicking off another synepse to another beautiful song

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Speaker 2: that I could sing one line of and then move on.

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Speaker 4: Right while making eye contact with someone.

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Speaker 1: Of course, I'd be looking straight down the barrel.

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Speaker 3: And maybe even maybe adding a layer of parody on

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Speaker 3: top of it, like you did with.

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Speaker 1: Dude with the plane. You remember that was before the show.

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Speaker 1: Who would have heard.

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Speaker 2: This, but before we started. I was doing something with

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Speaker 2: the plane.

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Speaker 1: Something really interesting with that.

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Speaker 3: You were doing something really interesting with that, and it's

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Speaker 3: a shame that people didn't get to hear it.

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Speaker 2: Oh god, yeah, no, that was one of my best

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Speaker 2: things I've ever done.

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Speaker 1: This conversation is making me have to go pee. Uh,

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Speaker 1: and it is I have the same problem, which is

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Speaker 1: like what do you listen to? Yes, exactly what do

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Speaker 1: you listen to to distract yourself? Also, because like, you

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Speaker 1: do have to take your pants fully off if you're

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Speaker 1: doing this and shirt, yes you have to.

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Speaker 8: If you're a girl, you have to take shirt off too, Yeah,

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Speaker 8: all of your private.

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Speaker 1: Thank you for that lived experience.

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Speaker 8: And that's sort of what I offer as the woman

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Speaker 8: on this podcast is I actually have to take my

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Speaker 8: top off too, because when you piss all privates must

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Speaker 8: be exposed.

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Speaker 2: Podcasts have been a masculine enterprise to date, and we

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Speaker 2: want to change that today and talk about how your

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Speaker 2: shirt could fall into toilet if you're a girl going pee.

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Speaker 4: Well that's why they have those big hooks.

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Speaker 8: And so the girl's bathroom has actually in the front, well,

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Speaker 8: there's hooks on the girl's clothes. Obviously every girl sort

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Speaker 8: of has a bunch of little buttons and hooks and

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Speaker 8: stuff like that. But then also in the girl's bathroom

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Speaker 8: and the stalls when you take your shit and piss

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Speaker 8: and you get your shirt off to take your shit

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Speaker 8: and piss, there's a bunch of hooks all around so

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Speaker 8: that you can put all your stuff because you have.

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Speaker 4: All your layers.

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Speaker 1: It sounds like hell Raiser in there.

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Speaker 8: It's really nice, actually, it's really good, and it's the

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Speaker 8: only place where I feel really safe and contemplative.

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Speaker 1: So we have hooks on the door too that we

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Speaker 1: use too. So we are of course peeing with just

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Speaker 1: our T shirt on, but we will hang our T

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Speaker 1: shirt from the hook so we're still wearing it so

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Speaker 1: we can sort of dangle from the air. Nothing no

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Speaker 1: pe gets on our feet because we can sort of

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Speaker 1: like lift them up like and just sort of dangle

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Speaker 1: that way.

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Speaker 8: Well, and girls, of of course fully straddling facing the wall,

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Speaker 8: so you don't because there's that little space in between

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Speaker 8: the door and like the door the thing that hooks

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Speaker 8: on you can kind of see people walking. So normally

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Speaker 8: I will straddle facing the wall. When I shoot my

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Speaker 8: piss and drop my.

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Speaker 2: Pa, I will stretch out my arms against the stall

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Speaker 2: door and my feet against the back wall and kind

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Speaker 2: of walk backwards up so that I'm suspended and then

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Speaker 2: pe straight down park.

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Speaker 1: Oh see, I do it sort of because.

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Speaker 3: I am, of course rock hard the whole time it's happening.

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Speaker 3: So for me, I'm hanging out of the back of

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Speaker 3: the door. I'm hanging off the back of the door,

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Speaker 3: and I'm sort of wearing like a full singlet, and

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Speaker 3: so I'm doing I have like it's a ceremonial sort

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Speaker 3: of underwear, and I'm sitting my dick is shooting straight up,

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Speaker 3: and so I have to actually do a sort of

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Speaker 3: calculus in my head of the angle.

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Speaker 1: I'm sort of like dead shot, you know, it's like

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Speaker 1: a full you're a dead shot from Suicide's one that

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Speaker 1: is like that's cool. That's an iconic.

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Speaker 8: That's what I was saying, and I stopped myself.

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Speaker 3: That's kind of the references that I'm bringing to the

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Speaker 3: table comedic of course.

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Speaker 8: If you if you want to know who just spends

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Speaker 8: sixty dollars in twenty nineteen on a full Harley Quinn costume,

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Speaker 8: look no further I did two days ago.

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Speaker 1: Spoiler alert, new birds are or original Harley.

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Speaker 4: This is birds. I didn't want to wear the shorts.

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Speaker 8: Kay Harley, I wish it's so twisted.

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Speaker 4: How all of Kayley Cuoco's dogs keep dying.

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Speaker 3: And that's also the other sort of topic of our pocket.

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Speaker 3: We are sort of a where is Richard Simmons cereal?

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Speaker 8: Her and Julian Huff Julien Huffs dogs died on the

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Speaker 8: same day to what is happening? All these blonde, beautiful

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Speaker 8: women keep killing their dogs and no one lead.

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Speaker 1: Yeah hamduckly hand Bock Harley's bat says good night on it.

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Speaker 1: Speaking of good night, my issue here this is some

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Speaker 1: advice you can give me. I will be hanging by

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Speaker 1: the hook and the bathroom stall, and I will often

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Speaker 1: fall asleep because my T shirt is kind of being

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Speaker 1: pulled against my neck. A little bit and that yes, yes, Uh.

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Speaker 1: And the next person comes into the bathroom and opens

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Speaker 1: the stall door and I am just kind of hanging there.

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Speaker 3: Uh.

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Speaker 1: And I have the appearance of being dead, and I

444
00:23:05,960 --> 00:23:09,240
Speaker 1: basically provide a jump scare to this person. And it's

445
00:23:09,359 --> 00:23:15,160
Speaker 1: very difficult to for a relationship to develop from there

446
00:23:15,320 --> 00:23:16,199
Speaker 1: of any kind.

447
00:23:16,440 --> 00:23:19,560
Speaker 8: Okay, Ellen, got so exactly you are doing make it

448
00:23:20,200 --> 00:23:21,680
Speaker 8: I took the words right now of your make it

449
00:23:21,680 --> 00:23:22,280
Speaker 8: a prank show.

450
00:23:22,560 --> 00:23:24,720
Speaker 4: Ellen, set up cameras and then it's funny.

451
00:23:25,040 --> 00:23:28,320
Speaker 3: You gotta Ellen, you gotta Ellen. Okay, you got an

452
00:23:28,320 --> 00:23:29,960
Speaker 3: Ellen put a camera.

453
00:23:29,680 --> 00:23:32,679
Speaker 8: In the bathroom, a camera in the bathroom, three sixty

454
00:23:32,760 --> 00:23:35,120
Speaker 8: view cameras and the camera.

455
00:23:36,440 --> 00:23:38,920
Speaker 4: Camera VR v R yeah.

456
00:23:38,800 --> 00:23:42,480
Speaker 3: V R Ellen. That's what people are clamoring for, v R. Ellen.

457
00:23:42,560 --> 00:23:45,159
Speaker 3: They want the full three sixty Ellen experience.

458
00:23:45,240 --> 00:23:47,600
Speaker 2: And if you accidentally end up getting to watch a

459
00:23:47,600 --> 00:23:51,600
Speaker 2: football game with George Bush, not too chevy.

460
00:23:51,119 --> 00:23:55,320
Speaker 1: Because I'm hanging out with her also like afterwards, or

461
00:23:55,359 --> 00:23:58,720
Speaker 1: I'm just saying becoming I mean, this.

462
00:23:58,760 --> 00:24:01,960
Speaker 2: Day are prank bathroom experience goes as viral as we

463
00:24:02,040 --> 00:24:05,680
Speaker 2: all agree it probably will. I think you're going to

464
00:24:05,760 --> 00:24:08,560
Speaker 2: be getting some invites that you have not gotten.

465
00:24:09,000 --> 00:24:13,400
Speaker 1: And is the person wearing the VR goggles. I guess

466
00:24:13,480 --> 00:24:17,200
Speaker 1: they aren't the person walking into the bathroom that they

467
00:24:17,960 --> 00:24:25,199
Speaker 1: are the tolet. They are the toilet. Any questions like

468
00:24:25,320 --> 00:24:26,560
Speaker 1: David Pupkins.

469
00:24:28,880 --> 00:24:35,720
Speaker 3: This all week costume, Harley s Pumpkins. Wow, Harley, Wow,

470
00:24:36,240 --> 00:24:38,760
Speaker 3: Harley Pumpkins Pumpkins.

471
00:24:39,119 --> 00:24:46,560
Speaker 1: Yeah, you have to you have what I'm saying. You

472
00:24:46,680 --> 00:24:49,560
Speaker 1: have to be Harley as pump quill. I know you

473
00:24:49,800 --> 00:24:50,640
Speaker 1: have to do it.

474
00:24:50,800 --> 00:24:51,359
Speaker 3: I will.

475
00:24:52,680 --> 00:24:54,360
Speaker 4: I spent a lot of money.

476
00:24:54,600 --> 00:24:57,359
Speaker 8: I walked into the Halloween store knowing what I wanted,

477
00:24:57,359 --> 00:24:58,280
Speaker 8: and then I ended.

478
00:24:58,119 --> 00:24:59,160
Speaker 4: Up with that stuff.

479
00:24:59,359 --> 00:25:02,640
Speaker 3: I'm going into the lipraate of tar pits, ah, which,

480
00:25:02,680 --> 00:25:05,240
Speaker 3: by the way, were my idea, the.

481
00:25:05,040 --> 00:25:08,879
Speaker 1: Tar pits, that was your idea idea? Are you going

482
00:25:08,920 --> 00:25:12,560
Speaker 1: to offer people a magic tarpet ride? What would that

483
00:25:12,600 --> 00:25:16,320
Speaker 1: even fucking mean? Weren't you supposed to be quiet? What

484
00:25:16,320 --> 00:25:17,440
Speaker 1: the fuck would that even mean?

485
00:25:17,520 --> 00:25:17,600
Speaker 6: That?

486
00:25:17,800 --> 00:25:22,240
Speaker 2: My knee is going crazy right now, I'm getting zapped

487
00:25:22,440 --> 00:25:24,960
Speaker 2: to ship, there's smoke coming out of it.

488
00:25:25,720 --> 00:25:31,200
Speaker 1: What would it even mean? It felt pretty aggressive. Yeah,

489
00:25:31,440 --> 00:25:33,639
Speaker 1: I'm going to back off it. I'll tell you what.

490
00:25:35,240 --> 00:25:35,919
Speaker 1: I'll tell you what.

491
00:25:38,160 --> 00:25:42,600
Speaker 2: I'm going to leave the room, and when I come back,

492
00:25:44,480 --> 00:25:46,480
Speaker 2: if there's still a podcast going on, feel free to

493
00:25:46,560 --> 00:25:47,080
Speaker 2: keep it going.

494
00:25:48,119 --> 00:25:49,880
Speaker 4: Please be a character when you come back.

495
00:25:50,320 --> 00:25:53,159
Speaker 1: Really, who would I even be? I mean, all they

496
00:25:53,200 --> 00:25:55,719
Speaker 1: said was that Sean couldn't be on the show today.

497
00:25:56,680 --> 00:25:59,480
Speaker 8: Okay, I think I smell a LFE back.

498
00:26:00,520 --> 00:26:03,040
Speaker 1: Oh, okay, Pinky's up.

499
00:26:03,040 --> 00:26:04,000
Speaker 4: I smell a life bag.

500
00:26:04,640 --> 00:26:16,920
Speaker 1: Okay, minds up? Okay, okay, life hack mode Life bye bye.

501
00:26:17,840 --> 00:26:22,000
Speaker 4: All right, Sean is leaving Sean? Are we going to

502
00:26:22,080 --> 00:26:24,600
Speaker 4: see I'm so excited.

503
00:26:24,280 --> 00:26:31,440
Speaker 1: Mister math bugs bunny. That water is too high. It's

504
00:26:31,480 --> 00:26:34,720
Speaker 1: too high to the top of the glass. Oh, that's

505
00:26:34,840 --> 00:26:36,240
Speaker 1: so nasty.

506
00:26:36,240 --> 00:26:37,199
Speaker 4: Do you need advice on it?

507
00:26:37,400 --> 00:26:40,840
Speaker 1: Now? And I told you I had to pay And

508
00:26:40,880 --> 00:26:44,440
Speaker 1: I told you that do I need advice? You're saying

509
00:26:44,440 --> 00:26:47,960
Speaker 1: that in a way that suggested I didn't already ask

510
00:26:48,080 --> 00:26:51,000
Speaker 1: a question. What question did you like? Do you need

511
00:26:51,040 --> 00:27:00,359
Speaker 1: advice anything? Yeah? It was about going okay for sho. Sorry,

512
00:27:00,560 --> 00:27:03,840
Speaker 1: someone has entered the room. This be doing a purely

513
00:27:03,920 --> 00:27:12,800
Speaker 1: physical Hey, so this is like call my bank by stuff. Okay,

514
00:27:12,840 --> 00:27:15,520
Speaker 1: let's try this. Okay, Hey, like, who are what are

515
00:27:15,520 --> 00:27:17,200
Speaker 1: you doing here? You're not supposed to be here. We're

516
00:27:17,200 --> 00:27:19,120
Speaker 1: trying to do a normal podcast.

517
00:27:19,160 --> 00:27:20,640
Speaker 4: Sorry, we're just getting real.

518
00:27:22,520 --> 00:27:30,960
Speaker 1: Hi wow, okay and transformative. You've got a fire extinguisher. Yeah,

519
00:27:31,000 --> 00:27:34,400
Speaker 1: it's me Fire Marshall Sean.

520
00:27:36,040 --> 00:27:37,680
Speaker 4: So with a different job.

521
00:27:40,920 --> 00:27:43,639
Speaker 1: Let me show you something. What are you gonna show

522
00:27:43,720 --> 00:27:49,080
Speaker 1: us the fire extinguisher. I've never seen one before.

523
00:27:49,840 --> 00:27:55,600
Speaker 4: Okay, I am really scared that it will happen.

524
00:27:55,640 --> 00:27:56,199
Speaker 1: I don't like that.

525
00:27:57,320 --> 00:28:03,480
Speaker 3: We don't want in my mouth here, right, Okay.

526
00:28:04,560 --> 00:28:06,440
Speaker 1: It feels like you should know that is it feels

527
00:28:06,440 --> 00:28:07,360
Speaker 1: like we're teaching you.

528
00:28:08,520 --> 00:28:14,600
Speaker 9: Yeah, yeah, okay, Well why are you fucking this up

529
00:28:14,760 --> 00:28:22,199
Speaker 9: so much? I'm actually, oh, I'm gonna leave again, or

530
00:28:22,280 --> 00:28:23,880
Speaker 9: I'll be leaving for the first time.

531
00:28:24,080 --> 00:28:27,320
Speaker 4: But all right, I wonder what job you'll have when.

532
00:28:28,320 --> 00:28:31,040
Speaker 1: And I just want to say, Dana looks really suspicious.

533
00:28:31,520 --> 00:28:38,600
Speaker 1: Uh huh yeah, I think Dana is starting to suspect. Yeah. Yeah, no,

534
00:28:41,240 --> 00:28:44,720
Speaker 1: I'm sorry about all this. Quick, I'll not I'll distract Dana.

535
00:28:44,800 --> 00:28:50,160
Speaker 8: You figure out, okay, okay, So Joel distracting Dana and

536
00:28:50,200 --> 00:28:53,080
Speaker 8: then hayes, I guess just tuned advice.

537
00:28:56,760 --> 00:28:59,120
Speaker 1: Yeah, I can think of some uh stuff that I

538
00:28:59,200 --> 00:28:59,880
Speaker 1: need help with.

539
00:29:00,040 --> 00:29:02,680
Speaker 4: Well, we talked about piss not yet not yet ship.

540
00:29:03,320 --> 00:29:08,400
Speaker 1: Yes, we haven't talked about anything about poop ever. So

541
00:29:08,960 --> 00:29:14,720
Speaker 1: I guess my question is, so, say the seat is

542
00:29:14,800 --> 00:29:18,360
Speaker 1: fully up and you start to go, you start to

543
00:29:18,360 --> 00:29:21,200
Speaker 1: sit down, but you want you want it to look

544
00:29:21,240 --> 00:29:23,160
Speaker 1: like it was on purpose, okay, and so you want

545
00:29:23,160 --> 00:29:23,880
Speaker 1: to settle down.

546
00:29:27,920 --> 00:29:30,960
Speaker 8: You guys, I can't oh, holding a guitar but miming

547
00:29:31,040 --> 00:29:33,440
Speaker 8: playing guitar keeping?

548
00:29:36,640 --> 00:29:37,280
Speaker 1: Who could this be?

549
00:29:38,200 --> 00:29:38,280
Speaker 6: Me?

550
00:29:38,480 --> 00:29:38,800
Speaker 1: Brent?

551
00:29:39,040 --> 00:29:46,680
Speaker 3: Okay, tells us everything we need to know. All like

552
00:29:46,760 --> 00:29:50,320
Speaker 3: the Beatles, we don't. We don't know who those the

553
00:29:50,680 --> 00:29:53,959
Speaker 3: Beatles are. We don't The Beatles don't exist in this world.

554
00:29:54,640 --> 00:29:57,960
Speaker 3: Oh okay, you must have woken up in a world

555
00:29:58,320 --> 00:30:01,640
Speaker 3: where a band you like it suddenly doesn't exist.

556
00:30:02,080 --> 00:30:08,760
Speaker 1: Okay, maybe during the blackout last night, were you drilling

557
00:30:08,800 --> 00:30:15,080
Speaker 1: your brain with our drill? What time was the blackout?

558
00:30:16,640 --> 00:30:18,760
Speaker 1: It was like a really long time. It was for

559
00:30:18,920 --> 00:30:20,800
Speaker 1: like four or five hours long time.

560
00:30:20,920 --> 00:30:25,920
Speaker 3: Then, yes, I didn't even need the point of the

561
00:30:25,960 --> 00:30:27,800
Speaker 3: day it was. Actually it was strange because it was

562
00:30:27,800 --> 00:30:29,400
Speaker 3: the middle of the day blackout. So we don't know

563
00:30:29,400 --> 00:30:30,880
Speaker 3: why we called it that was it?

564
00:30:31,000 --> 00:30:31,440
Speaker 1: Okay?

565
00:30:32,440 --> 00:30:32,640
Speaker 2: Then?

566
00:30:32,720 --> 00:30:35,720
Speaker 1: Yes, okay, do you want to play play us a song?

567
00:30:36,600 --> 00:30:38,560
Speaker 1: So play us a battles song.

568
00:30:38,960 --> 00:30:42,040
Speaker 2: Sure, hang on, let me get the mic down here.

569
00:30:44,760 --> 00:30:45,440
Speaker 2: Can you hear that?

570
00:30:45,720 --> 00:30:47,640
Speaker 1: Yeah?

571
00:30:47,960 --> 00:30:54,360
Speaker 2: Okay, every morning, there's a halo here around the corner

572
00:30:54,520 --> 00:30:56,800
Speaker 2: of my plane's four posts plane.

573
00:30:57,160 --> 00:31:00,440
Speaker 1: Oh my god, this is amazing. I should land in

574
00:31:00,480 --> 00:31:03,920
Speaker 1: the hangar and keep it there. Julia, need to fly

575
00:31:04,080 --> 00:31:08,920
Speaker 1: it again. I'm at the air show and I.

576
00:31:09,000 --> 00:31:12,800
Speaker 2: Have before post plane the plane is friends with me.

577
00:31:14,040 --> 00:31:14,560
Speaker 1: Wow.

578
00:31:15,800 --> 00:31:18,280
Speaker 3: I mean even though that I had the same melody

579
00:31:18,320 --> 00:31:22,000
Speaker 3: throughout the entire thing, I was sort of blown. I'm

580
00:31:22,120 --> 00:31:26,680
Speaker 3: really touched. I've never heard anything like that before.

581
00:31:26,960 --> 00:31:28,479
Speaker 1: Thank you, I've never sang it before.

582
00:31:29,240 --> 00:31:29,560
Speaker 4: Really.

583
00:31:30,040 --> 00:31:34,080
Speaker 8: Yeah, Okay, Brett out, Oh bye, Brett.

584
00:31:34,640 --> 00:31:36,240
Speaker 3: I was gonna ask Bread if you wanted to open

585
00:31:36,320 --> 00:31:37,160
Speaker 3: for us on tour.

586
00:31:38,320 --> 00:31:39,880
Speaker 1: And I think that was really nice because I think

587
00:31:39,960 --> 00:31:42,840
Speaker 1: Dana was sort of reminded about what she fell for

588
00:31:42,880 --> 00:31:49,200
Speaker 1: in the first place. Like, I think that actually did

589
00:31:49,240 --> 00:31:52,400
Speaker 1: a lot of good for uh, for for the Dana

590
00:31:52,440 --> 00:31:55,920
Speaker 1: Brett relationship. That's really good to see him in action

591
00:31:56,560 --> 00:31:56,920
Speaker 1: like that.

592
00:31:57,160 --> 00:31:59,880
Speaker 8: It is so damaged and it's really hard to imagine

593
00:32:00,640 --> 00:32:02,800
Speaker 8: it being repaired in any way, but it is nice

594
00:32:02,840 --> 00:32:03,440
Speaker 8: to kind of.

595
00:32:03,760 --> 00:32:09,320
Speaker 1: Damaged, kind of like your boyfriend's forehead oh yeah, the joker.

596
00:32:09,760 --> 00:32:12,840
Speaker 8: Yeah, it is sort of damaged, like my boyfriend's forehead.

597
00:32:13,000 --> 00:32:19,960
Speaker 8: And because you're you're Harley Harley, Quinny Harley.

598
00:32:21,520 --> 00:32:24,080
Speaker 1: You have to be ready to like get questions like

599
00:32:24,120 --> 00:32:26,640
Speaker 1: that in character, to be like, oh, your boyfriend's the

600
00:32:26,720 --> 00:32:38,240
Speaker 1: jokers you have? Who is this? All these crazy characters

601
00:32:38,320 --> 00:32:46,240
Speaker 1: keep coming into our studio. We're trying to do a podcast. Hello, hey, guys,

602
00:32:46,280 --> 00:32:51,880
Speaker 1: Chef Kevin here. Okay, Chef Kevin carry is his signatured

603
00:32:52,520 --> 00:32:53,520
Speaker 1: Tom Tom drum?

604
00:32:53,880 --> 00:32:58,280
Speaker 3: Why are you dressed like that? That's really offensive. It's

605
00:32:58,360 --> 00:33:00,120
Speaker 3: really not okay, Chef Kevin.

606
00:33:00,440 --> 00:33:04,160
Speaker 2: My friend you song picked out my outfit today. Listen

607
00:33:04,200 --> 00:33:06,760
Speaker 2: to our podcast. Baby, don't.

608
00:33:08,160 --> 00:33:11,000
Speaker 1: Tell me about like what what what are you doing today?

609
00:33:11,040 --> 00:33:12,320
Speaker 1: What are you doing with a drum?

610
00:33:12,680 --> 00:33:18,600
Speaker 2: Oh? Well, I guess I'm gonna hug my drum and

611
00:33:18,640 --> 00:33:22,280
Speaker 2: give it a kiss, and then I'm gonna hold Conan's

612
00:33:22,280 --> 00:33:24,160
Speaker 2: coat for him while he does push ups.

613
00:33:34,400 --> 00:33:36,840
Speaker 1: He can't do push ups with a coat on because

614
00:33:37,080 --> 00:33:44,120
Speaker 1: the muscles will split. Dangerous. It's dangerous. Pea coat.

615
00:33:44,360 --> 00:33:45,200
Speaker 4: It must be leather.

616
00:33:45,840 --> 00:33:47,160
Speaker 1: It's a leather pea coat.

617
00:33:47,800 --> 00:33:50,600
Speaker 4: Awesome. So I got a steampunk dust.

618
00:33:50,440 --> 00:33:52,880
Speaker 8: Sort of like the matrix like he just that is

619
00:33:53,000 --> 00:33:55,760
Speaker 8: so badass. So that guy rides away on a motorcycle,

620
00:33:55,840 --> 00:33:59,960
Speaker 8: no doubt. It's from the movie Jonah Hex. It's Joe

621
00:34:00,080 --> 00:34:04,080
Speaker 8: shot Bro it's jonah Hex's dust, jonah Hex's duster. Yeah,

622
00:34:04,200 --> 00:34:07,320
Speaker 8: he bought it at auction. Whoa, Yeah, I heard that

623
00:34:07,360 --> 00:34:09,760
Speaker 8: thing sold for like two hundred and fifty thousand dollars.

624
00:34:10,120 --> 00:34:11,279
Speaker 1: Yeah. I heard the same thing.

625
00:34:11,320 --> 00:34:13,440
Speaker 3: Well, you're not walking out of the Jonah Hex's auction

626
00:34:13,719 --> 00:34:18,480
Speaker 3: without spending at least two That sounds like a steal

627
00:34:18,560 --> 00:34:21,360
Speaker 3: to me to get the jonah Hex's dust leather duster.

628
00:34:21,520 --> 00:34:23,560
Speaker 4: Yeah, a house or a duster. I'm choosing the mystery.

629
00:34:23,680 --> 00:34:26,160
Speaker 2: Yeah, no, he said it. You need to bring some

630
00:34:26,280 --> 00:34:28,160
Speaker 2: serious coin if you're going to go to a Jonah

631
00:34:28,239 --> 00:34:32,000
Speaker 2: Hex's auction. He said it to someone else. He doesn't

632
00:34:32,000 --> 00:34:32,879
Speaker 2: talk directly to me.

633
00:34:39,719 --> 00:34:40,200
Speaker 1: Anyway.

634
00:34:40,440 --> 00:34:43,239
Speaker 2: Uh, that's it for old drum thumps here.

635
00:34:44,160 --> 00:34:45,160
Speaker 4: Thanks for stopping moment.

636
00:34:45,200 --> 00:34:48,799
Speaker 1: Thanks you for having me. Oh c.

637
00:34:50,480 --> 00:34:53,400
Speaker 8: Hamdock Hamdock.

638
00:34:55,000 --> 00:34:57,840
Speaker 1: Wow, it's just like a parade of crazy characters in

639
00:34:57,920 --> 00:34:58,960
Speaker 1: this in this office.

640
00:34:59,040 --> 00:35:01,040
Speaker 4: It's exciting that anything can happen.

641
00:35:02,480 --> 00:35:04,319
Speaker 8: You know, now that I've lived in la for like

642
00:35:04,400 --> 00:35:06,640
Speaker 8: eight months, I started to believe that there was no

643
00:35:06,719 --> 00:35:09,239
Speaker 8: such thing as hope or possibility or anything like that.

644
00:35:09,320 --> 00:35:12,560
Speaker 8: But now that I'm on Hollywood Hambock with so many

645
00:35:12,600 --> 00:35:13,640
Speaker 8: people today, I.

646
00:35:15,280 --> 00:35:16,080
Speaker 4: Have dreams again.

647
00:35:16,239 --> 00:35:19,680
Speaker 1: You are giving up hope living in Los Angeles? Yeah,

648
00:35:19,760 --> 00:35:25,400
Speaker 1: because what is Yeah? You only got one show and

649
00:35:25,520 --> 00:35:29,040
Speaker 1: a podcast. You only got one only one podcast show

650
00:35:29,080 --> 00:35:31,960
Speaker 1: and one television show in how long eight months?

651
00:35:31,960 --> 00:35:32,239
Speaker 4: I know.

652
00:35:33,280 --> 00:35:37,719
Speaker 8: I'm sweety sweety sweety nose.

653
00:35:38,040 --> 00:35:41,919
Speaker 1: What are you doing? Oh? No, no, what'd you do?

654
00:35:42,120 --> 00:35:46,000
Speaker 1: It's me Tom Purell. Wash your hands.

655
00:35:46,840 --> 00:35:51,399
Speaker 8: Tom Pirell, of the Purels character.

656
00:35:51,120 --> 00:35:52,279
Speaker 4: We've gotten so far.

657
00:35:55,320 --> 00:35:56,799
Speaker 1: He wants you to wash your hands.

658
00:35:58,320 --> 00:36:01,719
Speaker 2: As Tom Purell, I got to tell you my product

659
00:36:02,040 --> 00:36:04,239
Speaker 2: is a sham.

660
00:36:04,719 --> 00:36:06,240
Speaker 1: You gotta wash your hands.

661
00:36:06,400 --> 00:36:08,759
Speaker 3: I feel like Tom Purrell is running for president, isn't

662
00:36:08,800 --> 00:36:10,480
Speaker 3: he one of the DEM nominees.

663
00:36:10,600 --> 00:36:14,520
Speaker 10: Oh yeah, yeah, I'm just there to keep Clobe honest,

664
00:36:18,239 --> 00:36:20,359
Speaker 10: just getting, you know, rattle our cage a little bit

665
00:36:21,000 --> 00:36:23,800
Speaker 10: before she goes on to hold the highest office in

666
00:36:23,840 --> 00:36:24,360
Speaker 10: the country.

667
00:36:25,000 --> 00:36:25,800
Speaker 1: Got my vote?

668
00:36:26,120 --> 00:36:29,360
Speaker 4: Oh Clob does, yes, of course, clobtar.

669
00:36:29,480 --> 00:36:32,759
Speaker 1: And you're old, You're like an old guy, and you're rich.

670
00:36:33,480 --> 00:36:38,560
Speaker 2: I'm uh, you know, it's it's impolite in to talk

671
00:36:38,560 --> 00:36:39,160
Speaker 2: about money.

672
00:36:39,160 --> 00:36:44,799
Speaker 3: But I isn't it aren't you dying? And and isn't

673
00:36:44,880 --> 00:36:45,840
Speaker 3: we're dying?

674
00:36:45,960 --> 00:36:48,920
Speaker 1: You're hosting. You're hosting like sort.

675
00:36:48,760 --> 00:36:56,600
Speaker 11: Of like yo, we're all dying, right, But you're deciding

676
00:36:56,640 --> 00:36:59,480
Speaker 11: who gets your fortune by who has the cleanest hands.

677
00:37:00,120 --> 00:37:00,640
Speaker 1: That's right.

678
00:37:00,800 --> 00:37:03,040
Speaker 2: If you can put your full hand in my mouth,

679
00:37:03,160 --> 00:37:05,360
Speaker 2: remove it and I don't taste anything.

680
00:37:05,080 --> 00:37:09,239
Speaker 1: Then I will. I will leave you the entire rest

681
00:37:09,239 --> 00:37:13,080
Speaker 1: of my fortune I want. That is the Purel product

682
00:37:13,160 --> 00:37:17,440
Speaker 1: sort of based around taste. Yeah, it was you can

683
00:37:17,520 --> 00:37:19,120
Speaker 1: taste it or you can't.

684
00:37:18,920 --> 00:37:20,360
Speaker 4: Taste, so you're not eating purel.

685
00:37:21,400 --> 00:37:23,839
Speaker 1: Look, it's no secret. I'm a big fans the question

686
00:37:23,920 --> 00:37:26,879
Speaker 1: like when you are when you put a big gab

687
00:37:26,880 --> 00:37:29,680
Speaker 1: of Purel in your hand and you just like take

688
00:37:29,719 --> 00:37:33,080
Speaker 1: it straight to the dough. Yeah, Are you eating or drinking?

689
00:37:33,920 --> 00:37:37,840
Speaker 1: You know? Is that a weird question? Is hot dog sandwich?

690
00:37:38,160 --> 00:37:39,080
Speaker 1: Is it? Is it?

691
00:37:39,160 --> 00:37:41,680
Speaker 3: Are you pooping or peeing it? That's the question. That's

692
00:37:41,680 --> 00:37:44,320
Speaker 3: what you know, because when you drink something, you pee it.

693
00:37:44,360 --> 00:37:45,600
Speaker 3: When you eat something, you poop it.

694
00:37:45,840 --> 00:37:48,640
Speaker 2: I feel like I'm back in the Purel factory because

695
00:37:48,680 --> 00:37:50,680
Speaker 2: this is what we talk about all day there.

696
00:37:51,040 --> 00:37:53,040
Speaker 8: It's hard to know because when I eat purel, it

697
00:37:53,080 --> 00:37:55,719
Speaker 8: burns when it comes out both holes, so it's hard

698
00:37:55,719 --> 00:37:56,040
Speaker 8: to say.

699
00:37:56,120 --> 00:37:58,320
Speaker 3: Well, then I think, you know, maybe it's not a binary.

700
00:37:58,440 --> 00:38:02,680
Speaker 3: Maybe you know if you do it right up.

701
00:38:03,320 --> 00:38:05,600
Speaker 1: When I'm hanging on the door, my t shirt is

702
00:38:05,680 --> 00:38:07,640
Speaker 1: kind of pulling my chin up, so I'm looking at

703
00:38:07,640 --> 00:38:09,759
Speaker 1: the ceiling and so it's I don't know what is

704
00:38:09,840 --> 00:38:13,000
Speaker 1: happening down there, right and you're so so you never

705
00:38:13,080 --> 00:38:15,720
Speaker 1: know whether you're pooping or it does hurt. It does burn,

706
00:38:15,880 --> 00:38:18,359
Speaker 1: it hurts, but like I can't. I can use other

707
00:38:19,200 --> 00:38:22,279
Speaker 1: senses to like guess what's happening, but not sight.

708
00:38:22,520 --> 00:38:26,799
Speaker 3: Wait, so how are you using your other senses? What

709
00:38:26,880 --> 00:38:28,839
Speaker 3: are the other senses? First of all, touch me.

710
00:38:29,239 --> 00:38:31,759
Speaker 1: Let's name them. Ye, the stuff you know, it's like

711
00:38:31,840 --> 00:38:36,160
Speaker 1: it is touching the sides of my wag and my

712
00:38:36,239 --> 00:38:38,880
Speaker 1: butt as it's coming out, So touching the sides of

713
00:38:38,920 --> 00:38:42,680
Speaker 1: your wing, the inner the inner sides, the inner side,

714
00:38:42,760 --> 00:38:43,640
Speaker 1: but you're holding it.

715
00:38:43,719 --> 00:38:46,000
Speaker 2: You're holding a dinner plate right against the hole as well,

716
00:38:46,040 --> 00:38:47,680
Speaker 2: so it's getting on the sides.

717
00:38:49,360 --> 00:38:50,960
Speaker 4: What you're not eating when you're peeing.

718
00:38:51,360 --> 00:38:54,400
Speaker 3: Yeah, you gotta fill up the tank as you're empty.

719
00:38:54,520 --> 00:38:56,319
Speaker 8: Well, if I don't eat a full meal while I

720
00:38:56,360 --> 00:38:58,520
Speaker 8: pissing shit, then I black out because there's nothing in

721
00:38:58,560 --> 00:38:59,120
Speaker 8: me anymore.

722
00:38:59,640 --> 00:39:01,520
Speaker 4: That's there's no nutrients to power my.

723
00:39:01,560 --> 00:39:05,040
Speaker 1: You become hollow man, I do empty. And then the

724
00:39:05,080 --> 00:39:08,160
Speaker 1: other senses are says that we got touch. There's smell.

725
00:39:08,239 --> 00:39:10,680
Speaker 1: I don't really think I have to explain that one. Oh,

726
00:39:10,719 --> 00:39:13,800
Speaker 1: actually I think I would love if you did. Okay, uh,

727
00:39:13,960 --> 00:39:18,319
Speaker 1: it smells stinky and nasty. Stinky and nasty.

728
00:39:18,480 --> 00:39:20,960
Speaker 3: That's actually the other That was the title of our

729
00:39:21,719 --> 00:39:24,799
Speaker 3: advice podcast.

730
00:39:23,480 --> 00:39:33,239
Speaker 1: Okay, it's a good code. Pretend I did this a

731
00:39:33,280 --> 00:39:36,200
Speaker 1: minute ago. Did somebody say, hollow.

732
00:39:35,840 --> 00:39:42,200
Speaker 3: Man, Kevin Bacon, why is everything invisible but your penis?

733
00:39:42,600 --> 00:39:45,080
Speaker 1: Why are you doing that? That's what he does because

734
00:39:45,120 --> 00:39:48,759
Speaker 1: that's the hollow sound I make. Oh you're hollow inside.

735
00:39:48,920 --> 00:39:51,279
Speaker 1: That's you wrapping on your head. I guess I could

736
00:39:51,480 --> 00:39:51,879
Speaker 1: use this.

737
00:39:54,080 --> 00:39:55,160
Speaker 4: And that's the other side of your head.

738
00:39:55,200 --> 00:40:01,480
Speaker 1: Hey, don't touch that. Oh sorry, show code. This is

739
00:40:01,480 --> 00:40:03,719
Speaker 1: really good. This is the kind of stuff. What if

740
00:40:03,800 --> 00:40:06,279
Speaker 1: like your show instead of like people like calling in

741
00:40:06,360 --> 00:40:09,359
Speaker 1: just like normal people and stuff, funny characters come in

742
00:40:09,960 --> 00:40:13,080
Speaker 1: and there and they like have questions and stuff about.

743
00:40:13,239 --> 00:40:14,799
Speaker 1: I guess you don't want to have to ask for that.

744
00:40:14,840 --> 00:40:16,319
Speaker 1: You're just sort of hoping that they do came.

745
00:40:16,400 --> 00:40:18,960
Speaker 8: Oh my god, if we could get some people who

746
00:40:18,960 --> 00:40:21,640
Speaker 8: are just so random, that would be awesome.

747
00:40:22,520 --> 00:40:25,959
Speaker 1: It really should be. Scott won't just like spread the love?

748
00:40:26,840 --> 00:40:29,600
Speaker 1: How many bang bang And it's only freaking Geno or

749
00:40:29,640 --> 00:40:34,880
Speaker 1: whatever is walking into his show And we have done

750
00:40:35,120 --> 00:40:37,959
Speaker 1: We've done three hundred plus episodes. Yeah, and the door

751
00:40:38,040 --> 00:40:42,759
Speaker 1: has not opened. And Gino or like the all the

752
00:40:42,840 --> 00:40:44,000
Speaker 1: crazy characters.

753
00:40:44,120 --> 00:40:46,480
Speaker 2: Literally think about the crazy characters that have been on

754
00:40:46,480 --> 00:40:46,920
Speaker 2: that show.

755
00:40:47,560 --> 00:40:50,560
Speaker 3: I actually think about it. Nothing could be better for me.

756
00:40:50,640 --> 00:40:53,160
Speaker 3: Tre and I show if we are phone lines were

757
00:40:53,200 --> 00:40:56,320
Speaker 3: clogged with improvisers who wanted to run bits.

758
00:40:56,200 --> 00:40:59,279
Speaker 8: Well, then I can find out who to date next.

759
00:41:00,080 --> 00:41:02,320
Speaker 3: Know, Actually the only reason we don't want that to

760
00:41:02,320 --> 00:41:04,879
Speaker 3: happen is we just be too horny the whole time.

761
00:41:06,840 --> 00:41:11,759
Speaker 2: What is it about random comedy that makes you so

762
00:41:12,000 --> 00:41:13,000
Speaker 2: charged up sexually?

763
00:41:13,640 --> 00:41:14,480
Speaker 4: I think it's.

764
00:41:15,800 --> 00:41:19,640
Speaker 8: I think for me, when when when a guy can

765
00:41:19,680 --> 00:41:23,160
Speaker 8: be so random.

766
00:41:22,120 --> 00:41:24,120
Speaker 1: Like Skittle's commercial level random.

767
00:41:24,280 --> 00:41:27,520
Speaker 4: Yeah, like Skittle's level commercial random. It's like like like

768
00:41:27,680 --> 00:41:30,840
Speaker 4: Geico random. Okay, that actually is too random for me

769
00:41:30,880 --> 00:41:31,719
Speaker 4: and that sort of is like.

770
00:41:31,680 --> 00:41:34,160
Speaker 3: The wet of live in this sort of liberal space

771
00:41:34,200 --> 00:41:37,560
Speaker 3: between Plow and the guy get go.

772
00:41:39,640 --> 00:41:42,319
Speaker 8: So for me, it's just seeing that someone is so

773
00:41:42,520 --> 00:41:45,920
Speaker 8: brave that they won't actually they will never write material,

774
00:41:46,120 --> 00:41:49,160
Speaker 8: but they will they will do random material.

775
00:41:50,239 --> 00:41:54,120
Speaker 1: Yeah, who do you see of flows? Possible replacements winning

776
00:41:54,160 --> 00:41:57,440
Speaker 1: the game of flowns?

777
00:42:01,239 --> 00:42:05,160
Speaker 3: Is it that one guy that's the one guy wants

778
00:42:05,200 --> 00:42:05,480
Speaker 3: to be.

779
00:42:07,400 --> 00:42:12,200
Speaker 1: It? Really he wants do they want you to think?

780
00:42:12,239 --> 00:42:16,080
Speaker 4: Like, well, you definitely got so fucking thirsty. I'm sad

781
00:42:16,120 --> 00:42:16,520
Speaker 4: for him.

782
00:42:16,600 --> 00:42:18,680
Speaker 1: And it used to be he was like the fourth guy,

783
00:42:18,760 --> 00:42:20,279
Speaker 1: but now he's like the main guy.

784
00:42:20,360 --> 00:42:22,520
Speaker 8: Oh yeah, I mean he's coming in. He's whining and

785
00:42:22,600 --> 00:42:24,960
Speaker 8: dining Flow. He is taking her out to eat every

786
00:42:25,120 --> 00:42:32,480
Speaker 8: single day. She chooses, she choose, she choose at a chateau.

787
00:42:32,880 --> 00:42:36,040
Speaker 1: She choose that chateau. They go to a chateau and

788
00:42:36,080 --> 00:42:40,080
Speaker 1: the wine every single That's just what I've heard a

789
00:42:40,200 --> 00:42:46,120
Speaker 1: flot see. I can do that I can't do, but

790
00:42:46,239 --> 00:42:53,399
Speaker 1: I guess there a place that doesn't rhyme with flo.

791
00:42:57,440 --> 00:43:00,359
Speaker 1: I can do improv too. What time does your show

792
00:43:00,400 --> 00:43:01,719
Speaker 1: come out?

793
00:43:01,960 --> 00:43:02,759
Speaker 4: Probably come out.

794
00:43:03,080 --> 00:43:09,520
Speaker 1: I'm thirty crime the podcast until nine to thirty and fifteen.

795
00:43:09,120 --> 00:43:14,759
Speaker 3: Seconds, okay, and your piece accordingly, that is.

796
00:43:14,719 --> 00:43:17,000
Speaker 1: An interesting time to have to go pee. I don't

797
00:43:17,000 --> 00:43:20,000
Speaker 1: think I've ever really had to at that time at

798
00:43:20,080 --> 00:43:24,719
Speaker 1: nine to thirty. That's that's sad, that's crazy. It's time time.

799
00:43:24,800 --> 00:43:26,480
Speaker 1: So I'm never going to be able to hear the

800
00:43:26,520 --> 00:43:27,400
Speaker 1: show I did.

801
00:43:27,480 --> 00:43:29,560
Speaker 4: Yeah, it's blink and you miss it.

802
00:43:30,280 --> 00:43:32,719
Speaker 3: And that's what people want. That's what we sort of

803
00:43:32,960 --> 00:43:35,560
Speaker 3: have learned, is that people really want that.

804
00:43:37,680 --> 00:43:39,600
Speaker 1: Are you like nice on the show? Are you like

805
00:43:39,760 --> 00:43:42,279
Speaker 1: getting real? Sometimes? What do you mean? Are you like

806
00:43:42,360 --> 00:43:44,600
Speaker 1: nice doing on the show? What's going on? What are

807
00:43:44,680 --> 00:43:45,200
Speaker 1: you fucking?

808
00:43:45,440 --> 00:43:45,640
Speaker 11: Wait?

809
00:43:45,680 --> 00:43:46,600
Speaker 1: Who? What?

810
00:43:47,160 --> 00:43:47,600
Speaker 4: Who's here?

811
00:43:47,800 --> 00:43:54,160
Speaker 1: You actually did disappear? No, what are you doing on

812
00:43:54,200 --> 00:43:55,880
Speaker 1: the show? Which say it?

813
00:43:57,120 --> 00:44:00,560
Speaker 3: Who are we talking to yourself?

814
00:44:04,080 --> 00:44:06,160
Speaker 4: Which one of us? Who are you being?

815
00:44:06,760 --> 00:44:14,320
Speaker 5: I'm I'm but a mirror okay to society? Yes, reflect

816
00:44:14,360 --> 00:44:17,840
Speaker 5: anxiety back to itself. Who are you on the show?

817
00:44:18,160 --> 00:44:21,520
Speaker 5: What are you doing? What's happening? Are you getting real?

818
00:44:22,680 --> 00:44:24,200
Speaker 5: Are you giving real advice?

819
00:44:24,920 --> 00:44:25,439
Speaker 4: Kind of?

820
00:44:26,480 --> 00:44:37,560
Speaker 1: Okay, it sounds really good. How do you end it?

821
00:44:38,120 --> 00:44:42,800
Speaker 1: We sort of ended with a song every time. Okay,

822
00:44:42,880 --> 00:44:48,480
Speaker 1: we could try doing that, and it's an improv song. No, Okay,

823
00:44:48,600 --> 00:44:51,840
Speaker 1: I wrote parent song. It's no, it's a song that

824
00:44:51,880 --> 00:44:52,280
Speaker 1: we wrote.

825
00:44:52,320 --> 00:44:53,360
Speaker 4: It's really sincere.

826
00:44:53,440 --> 00:44:56,359
Speaker 1: Oh it's getting real okay, so yes. The answer before

827
00:44:56,520 --> 00:44:58,279
Speaker 1: was yes, oh good, we got there.

828
00:44:58,400 --> 00:45:01,000
Speaker 4: Well, we're trying to turn this in to a music career.

829
00:45:01,560 --> 00:45:04,560
Speaker 1: Can I turn into your.

830
00:45:06,160 --> 00:45:17,080
Speaker 7: Hoping hoping I can't let go

831
00:45:24,600 --> 00:45:24,839
Speaker 1: Hamp