WEBVTT - The Sunshine

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<v Speaker 1>Family Secrets is a production of iHeartRadio. If I ever

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<v Speaker 1>ran into my father, would either of us recognize each other?

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<v Speaker 1>If I saw someone who I was positive was him,

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<v Speaker 1>would I approach him or would I let it go

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<v Speaker 1>in order to save myself the humiliation of not being

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<v Speaker 1>recognized or a brief, hurried encounter. There was always the

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<v Speaker 1>chance that I'd catch him at the perfect time when

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<v Speaker 1>he was available and interested, even if only for a

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<v Speaker 1>few minutes.

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<v Speaker 2>That's Nobile Airs, music industry entrepreneur, podcast host, musician and

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<v Speaker 2>author of the recent memoir My Life in the Sunshine.

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<v Speaker 2>Nobiles is a story full of grace and grit and

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<v Speaker 2>talent and the many ways longing can shape us over

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<v Speaker 2>the course of a lifetime. I'm Danny Shapiro, and this

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<v Speaker 2>is family Secrets, the secrets that are kept from us,

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<v Speaker 2>the secrets we keep from others, and the secrets we

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<v Speaker 2>keep from ourselves. So I usually begin by asking my

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<v Speaker 2>guest to describe the landscape of her childhood, but in

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<v Speaker 2>your case, I'm actually going to start by asking about

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<v Speaker 2>the landscape of your mother's life in the couple of

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<v Speaker 2>years before you were born.

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<v Speaker 1>Yeah, that's an interesting way to look at it. I've

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<v Speaker 1>learned so much about it in recent years. She would

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<v Speaker 1>say that she had a fairly unhappy childhood. She was

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<v Speaker 1>a you know, on paper two parents, a father was

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<v Speaker 1>a lawyer in New York City that lived in Long Island,

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<v Speaker 1>had a younger brother, you know, very sort of picture perfect.

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<v Speaker 1>But I think she just had a hard time as

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<v Speaker 1>a teenage ballet answer who had her teacher who you know,

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<v Speaker 1>as I think, physically abusive. I think would hit her

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<v Speaker 1>with the yardstick that stuff that she wanted to do,

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<v Speaker 1>but that didn't turn out the way she wanted. And

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<v Speaker 1>when soon as she was eighteen, moved to New York City,

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<v Speaker 1>and this is nineteen sixty nine, kind of an incredible

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<v Speaker 1>time to be able to do that, you know, by

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<v Speaker 1>yourself as a teenager, and had an apartment in Greentted Village.

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<v Speaker 1>She's very close with her younger brother. My uncle Alan

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<v Speaker 1>was two years younger, so he would come visit her.

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<v Speaker 1>So I think the way she describes those years is

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<v Speaker 1>that she was kind of lost, just had sort of

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<v Speaker 1>you know, normal jobs. They worked in movie theaters. So

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<v Speaker 1>she had a great apartment in a great neighborhood and

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<v Speaker 1>was just trying to figure out what to do and

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<v Speaker 1>didn't really feel any direction. Was done with dancing, kind

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<v Speaker 1>of retired already, and the way she divisited, really wanted

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<v Speaker 1>to give someone a better childhood than she had and

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<v Speaker 1>wanted a best friend. In this park Ampton Square and

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<v Speaker 1>still there in Grantwich Village, and she would walk by

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<v Speaker 1>and see kids and see parents playing with those kids,

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<v Speaker 1>and she said to herself, Wow, I really want to

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<v Speaker 1>be a young single mother, and I want to give

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<v Speaker 1>somebody a really great life, and I want to have

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<v Speaker 1>a best friend. So that was the sort of seed

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<v Speaker 1>that she planted, and that kind of became what her

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<v Speaker 1>life was about. But she wasn't looking. She wasn't actively

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<v Speaker 1>looking for a father or me or a husband. I

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<v Speaker 1>think she wasn't even concerned with a relationship at the time.

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<v Speaker 1>And she was nineteen twenty. And when she was twenty one,

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<v Speaker 1>she was at a jazz club, the Village Gate, very

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<v Speaker 1>famous jazz club with my uncle who was a jazz musician,

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<v Speaker 1>and they ran into Roy Ayers, who at the time

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<v Speaker 1>was already pretty well known jazz musician, and Alan met

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<v Speaker 1>him a few times. I think they've even played together.

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<v Speaker 1>So they were talking and my mother's words are that

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<v Speaker 1>the second she saw him, she just thought, that's him.

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<v Speaker 1>This is the person I'm going to have my child with,

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<v Speaker 1>and very clearly not this is the person I want

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<v Speaker 1>to marry, or this is the person that I want

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<v Speaker 1>to be with. But really like she saw the father

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<v Speaker 1>of her child and that is where things kind of

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<v Speaker 1>changed for her.

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<v Speaker 2>It's such an extraordinary thing, and I think it really

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<v Speaker 2>bears talking about how incredibly unusual that would have been

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<v Speaker 2>for a young, middle class Jewish young woman in nineteen

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<v Speaker 2>sixty nine to sort of have that vision for her life.

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<v Speaker 1>Right right, Yeah, I mean, what's funny, It didn't seem

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<v Speaker 1>that strange to me. I always knew that story until

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<v Speaker 1>I finally really sat down and started getting more details

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<v Speaker 1>and learning more about her her mindset at the time.

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<v Speaker 1>So only recently did I even consider, wow, that's wild.

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<v Speaker 2>You know, well, I think we almost never think that

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<v Speaker 2>about our own lives or our own childhoods, maybe until

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<v Speaker 2>we get old enough to have some perspective on them

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<v Speaker 2>in sort of the wider world. But you know, my

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<v Speaker 2>senses that she was she had such certainty about what

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<v Speaker 2>she was doing. So she and Roy have you know,

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<v Speaker 2>something of a relationship. I mean, they see each other

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<v Speaker 2>on and off right.

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<v Speaker 1>Yeah, I think barely. I think I think three times

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<v Speaker 1>over the course of a year or so, like really

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<v Speaker 1>not dating, and she would say that she was, she

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<v Speaker 1>was in love with them at the time, but she

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<v Speaker 1>was also very very aware that that's not where he was.

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<v Speaker 1>I think he was very upfront about it. You know,

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<v Speaker 1>he's a bit older at the time. If she was

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<v Speaker 1>twenty one, I think he was about thirty. His star

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<v Speaker 1>was really rising, he was touring, he was doing all

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<v Speaker 1>these things, and I think he was very clear that

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<v Speaker 1>he wasn't looking for a relationship. I wondered if maybe

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<v Speaker 1>she would have been more into it had he been

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<v Speaker 1>into it, But it didn't change the fact that there

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<v Speaker 1>was one thing that she wanted from him, and it

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<v Speaker 1>was a child. The story is that she and my

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<v Speaker 1>uncle left an event one night and she realized, oh,

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<v Speaker 1>I'm really close to Roe's apartment. I wonder if he's home,

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<v Speaker 1>I'm going to get pregnant tonight.

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<v Speaker 2>Noabille's mom's plan worked. She indeed got pregnant that very night,

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<v Speaker 2>and Nabil was born in New York City in nineteen

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<v Speaker 2>seventy two.

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<v Speaker 1>He lived on Downing Street in Greenwich Village. I know

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<v Speaker 1>the exact building. We walk by it all the time now,

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<v Speaker 1>which is great. And then when I was one, I

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<v Speaker 1>think we moved to Boston or Cambridge, Massachusetts. My uncle

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<v Speaker 1>Alan was going to Berkeley School of Music. He was

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<v Speaker 1>in college at this point, so we moved there to

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<v Speaker 1>be with him and so he could kind of help

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<v Speaker 1>with me. There's lots of pictures some then, but I

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<v Speaker 1>don't remember that. But what I do think, I remember

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<v Speaker 1>I was always into music. I mean, at a very

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<v Speaker 1>young age, there were always records on. We were always

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<v Speaker 1>hanging out with musicians. I saw live music certainly before

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<v Speaker 1>I can remember. We know I was at concerts as

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<v Speaker 1>a baby. So I was playing drums a lot, on

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<v Speaker 1>pots and pants and on like a big African drum

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<v Speaker 1>that the friend gave us. And so my uncle Alan

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<v Speaker 1>bought me a drum set when I was two and

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<v Speaker 1>a half years old. But this is like a real

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<v Speaker 1>drum set, not like a kid's drum set. It was

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<v Speaker 1>a full sized adult drum set that was really beat

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<v Speaker 1>up and had some sharp edges and it was kind

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<v Speaker 1>of rough. But I remember him. We had a basement

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<v Speaker 1>apartment and I remember him walking the drums down the

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<v Speaker 1>stairs one at a time, putting them on the ground

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<v Speaker 1>and be hitting them. And I have a memory of

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<v Speaker 1>what one of the symbols sounded like because I was

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<v Speaker 1>so surprised when I hit it, and it was so

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<v Speaker 1>loud and it really scared me and it created this

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<v Speaker 1>kind of ringing in my ear. And that was, I mean,

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<v Speaker 1>even at two and a half, a turning point in

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<v Speaker 1>my life, and that, you know, established who I was.

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<v Speaker 1>And if anything, he didn't do it to make me

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<v Speaker 1>a drummer. He knew that it was already happening. I

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<v Speaker 1>think he did it to sort of facilitate what existed.

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<v Speaker 2>I love that and it makes me laugh because in

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<v Speaker 2>many other families, the idea of you know, an uncle

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<v Speaker 2>bringing a drum set to a two and a half

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<v Speaker 2>year old child.

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<v Speaker 1>Thanks thanks uncle, Thanks so.

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<v Speaker 2>Much, uncle, Alan. But your mother was it, doesn't It

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<v Speaker 2>sounds like she was completely on board.

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<v Speaker 1>She was completely loved it. It would always encourage me

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<v Speaker 1>to play. It didn't again. Another one of those things

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<v Speaker 1>that in my mind doesn't seem strange at all until

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<v Speaker 1>I really look back and think about it. Decades later.

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<v Speaker 2>When no Bille is a child in Cambridge, his mom

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<v Speaker 2>attends community college. She's dedicated to giving her son the

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<v Speaker 2>best life possible. She's determined to secure a more stable

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<v Speaker 2>financial future for them, so they moved to Amherst, where

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<v Speaker 2>she finishes her undergraduate degree at UMass and then gets

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<v Speaker 2>her MBA. Nabiel calls these the golden years. His beloved

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<v Speaker 2>uncle Allan has relocated to New York, but Nabil and

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<v Speaker 2>his mom still get to see him regularly. They travel

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<v Speaker 2>back and forest into New York City as much as possible,

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<v Speaker 2>And keep in mind, this is the seventies and New

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<v Speaker 2>York City is a particularly cool place to be, but

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<v Speaker 2>Amherst is a great place to be too. Nabil goes

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<v Speaker 2>to an incredibly diverse and wonderful public school, and though

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<v Speaker 2>he and his mom are on welfare eating off food stamps,

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<v Speaker 2>to Nobiel, it never feels like they're poor. To Nabiel,

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<v Speaker 2>it feels rich, golden.

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<v Speaker 1>We lived in this development called North Village Departments, which

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<v Speaker 1>was UMass sort of university funded student housing. So it

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<v Speaker 1>was maybe one hundred and fifty or two hundred of

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<v Speaker 1>these like almost like barracks. I think, you know, we

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<v Speaker 1>would call them projects now, but it didn't feel like

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<v Speaker 1>projects because they weren't tall, brick buildings. They were single story,

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<v Speaker 1>kind of connected at the sides. It almost looked like

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<v Speaker 1>condos really not quite as nice with big shared backyards.

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<v Speaker 1>And the only people who could live there were either

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<v Speaker 1>students at UMAs or professors at UMAs or someone who

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<v Speaker 1>had something to do with the university, and you had

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<v Speaker 1>to have children. So it was sort of this wild

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<v Speaker 1>free for all again seventies, no bike helmets, no you know,

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<v Speaker 1>no police, no concerns about anything. No one got hurt,

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<v Speaker 1>nothing bad was happening, So it was amazing. There was

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<v Speaker 1>children of all races, of all religions. It was so

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<v Speaker 1>truly diverse in every way, and so many kids who

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<v Speaker 1>had single parents who were going back to school. So

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<v Speaker 1>it was weird for me as a kid. For you know,

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<v Speaker 1>I'd be seven years old and amrist with a single

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<v Speaker 1>white mother who was still in her twenties and on

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<v Speaker 1>welfare and a black father who wasn't in the picture.

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<v Speaker 1>And I was a totally normal kid. I knew kids.

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<v Speaker 1>So with the worst situation, there were kids who's you know,

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<v Speaker 1>whose dads were in prison and that's why the mom

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<v Speaker 1>was there. Like it was really it was so unique

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<v Speaker 1>and that our situations were all different but we were

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<v Speaker 1>all similar in that we all had weird situations and

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<v Speaker 1>so everyone it wasn't weird at all. I was totally

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<v Speaker 1>a normal kid and loved it. So it never even

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<v Speaker 1>occurred to me that, yeah, everyone else has a father,

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<v Speaker 1>and look at you know, look at Joey out there

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<v Speaker 1>playing baseball with his dad like that. I mean, of

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<v Speaker 1>course I still thought about my father occasionally, but he

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<v Speaker 1>was never We had a few of his records. This

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<v Speaker 1>biggest record came out in nineteen seventy six, and now

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<v Speaker 1>I think we moved to Amherst in seventy seven, so

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<v Speaker 1>even he played there once and that's the first time

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<v Speaker 1>I remember meeting him. My mother took me. He played

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<v Speaker 1>at the huge football stadium that's still there at UMass.

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<v Speaker 1>It was Grateful Dead, Patti Smith and Roy Yers. That

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<v Speaker 1>was the concert was the spring concert in May of

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<v Speaker 1>nineteen seventy nine. And what's funny is I remember the concert,

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<v Speaker 1>but I don't remember the other parts of it, which

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<v Speaker 1>my mother later told me. But we went early and

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<v Speaker 1>tried to go backstage. You know, this is Roy's son,

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<v Speaker 1>and we want to talk to him. My mother is

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<v Speaker 1>very good at being pushy and getting what she wants

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<v Speaker 1>New Yorker and they let us in, and I don't

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<v Speaker 1>remember that. And so she said that we talked to

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<v Speaker 1>him for a while, that he was really nice and

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<v Speaker 1>really friendly, and over the years, and there'd been a

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<v Speaker 1>couple other times we ran into him on the street

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<v Speaker 1>in New York and we had talked to him for

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<v Speaker 1>you know, thirty seconds or one minute. But I think

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<v Speaker 1>I even then might have realized what she was doing

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<v Speaker 1>was showing him that she did it and that we

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<v Speaker 1>were in good shape, and that not that he didn't

0:11:29.400 --> 0:11:31.160
<v Speaker 1>need to worry, because I don't think she thought he

0:11:31.240 --> 0:11:34.000
<v Speaker 1>was worried, but more that that thing, you know, that

0:11:34.040 --> 0:11:35.679
<v Speaker 1>she said to him, I want to have a child.

0:11:35.800 --> 0:11:37.440
<v Speaker 1>I want you to be the father. You don't need

0:11:37.480 --> 0:11:39.719
<v Speaker 1>to be involved. I think as much as he was

0:11:39.800 --> 0:11:41.960
<v Speaker 1>keeping his end of the deal, which was pretty easy,

0:11:42.120 --> 0:11:44.160
<v Speaker 1>I think she wanted to show that she was keeping

0:11:44.200 --> 0:11:46.160
<v Speaker 1>her end and she was doing a really good job

0:11:46.280 --> 0:11:48.040
<v Speaker 1>and that maybe it wasn't as easy.

0:11:49.640 --> 0:11:52.760
<v Speaker 2>Yeah, there's there's something that's really moving about that that

0:11:53.600 --> 0:11:57.280
<v Speaker 2>throughout it, it feels like both you and your mother

0:11:57.800 --> 0:12:00.760
<v Speaker 2>when it comes to Roy, there's this sense of look

0:12:00.800 --> 0:12:03.199
<v Speaker 2>how it turned out, Look how it turned out?

0:12:03.240 --> 0:12:07.199
<v Speaker 3>And you could be proud. We're proud, all right.

0:12:10.640 --> 0:12:12.720
<v Speaker 2>No Bil is seven years old when he and his

0:12:12.760 --> 0:12:15.720
<v Speaker 2>mom go to that concert, and even though he didn't

0:12:15.760 --> 0:12:19.360
<v Speaker 2>retain much memory about the encounter, there is a memento

0:12:19.480 --> 0:12:22.440
<v Speaker 2>of that concert that he or perhaps his mom kept

0:12:22.480 --> 0:12:26.280
<v Speaker 2>for years, tucked away in a photo album, a backstage

0:12:26.400 --> 0:12:29.800
<v Speaker 2>pass on which no Bil evaluated the performers. In his

0:12:29.840 --> 0:12:33.920
<v Speaker 2>Little Boy script, next to Patti Smith and The Grateful Dead,

0:12:34.120 --> 0:12:38.520
<v Speaker 2>he wrote boo, and next to Roy Ayer's name, na

0:12:38.559 --> 0:12:40.120
<v Speaker 2>Bil wrote, yay.

0:12:41.160 --> 0:12:43.560
<v Speaker 1>That's such a funny detail to look at years later.

0:12:43.559 --> 0:12:47.680
<v Speaker 1>I mean, obviously, when I sort of tried to convince

0:12:47.720 --> 0:12:50.959
<v Speaker 1>myself that actually I had a great childhood and it

0:12:51.000 --> 0:12:52.800
<v Speaker 1>didn't feel like he was missing, and all these things

0:12:52.840 --> 0:12:55.679
<v Speaker 1>that said for so long, that is this weird little

0:12:55.760 --> 0:12:59.000
<v Speaker 1>bit of you know, three letter proof. That's at least

0:12:59.000 --> 0:13:01.720
<v Speaker 1>how I felt, whether it's true. The fact that I

0:13:01.720 --> 0:13:04.480
<v Speaker 1>wrote yeah next to his name meant he's on my

0:13:04.520 --> 0:13:06.319
<v Speaker 1>team or I'm on his team, and those other two

0:13:06.320 --> 0:13:09.120
<v Speaker 1>teams are the opposing teams and a child brain.

0:13:12.080 --> 0:13:14.320
<v Speaker 2>The following year, Nobul is eight when he sees his

0:13:14.320 --> 0:13:18.199
<v Speaker 2>father again. Alan knows Roy a bit, and he brings

0:13:18.240 --> 0:13:22.760
<v Speaker 2>Nobile to Electric Lady Recording studio where Roy's recording. This time,

0:13:22.800 --> 0:13:24.559
<v Speaker 2>the visit leaves more of an impression.

0:13:26.240 --> 0:13:28.400
<v Speaker 1>I can see it so well, I can smell it,

0:13:28.440 --> 0:13:31.000
<v Speaker 1>I can really remember it. Between seven and eight was

0:13:31.040 --> 0:13:34.080
<v Speaker 1>when my brain developed in such a way that memories

0:13:34.080 --> 0:13:36.720
<v Speaker 1>are different or emotions are different. The UMass thing was

0:13:36.800 --> 0:13:38.920
<v Speaker 1>no big deal. It was fun to see. I don't

0:13:38.920 --> 0:13:41.640
<v Speaker 1>even remember talking to him, which I apparently did. But

0:13:41.760 --> 0:13:44.120
<v Speaker 1>one year later, I was with Alan in New York Allan,

0:13:44.160 --> 0:13:46.640
<v Speaker 1>I guess ran into Roy on the street and happened

0:13:46.640 --> 0:13:48.520
<v Speaker 1>to mention that I was in town, and Roy said, oh,

0:13:48.559 --> 0:13:52.160
<v Speaker 1>I'm recording an Electric Lady. Bring him by. So one

0:13:52.240 --> 0:13:54.400
<v Speaker 1>night we just showed up. I was so excited because

0:13:54.400 --> 0:13:56.680
<v Speaker 1>I was so into music. I was eight years old,

0:13:56.679 --> 0:13:58.760
<v Speaker 1>so I was a huge Kiss fan. This is you know,

0:13:58.840 --> 0:14:01.079
<v Speaker 1>if you were a boy in the music in the seventies.

0:14:01.559 --> 0:14:03.319
<v Speaker 1>That was my band and all of their albums. So

0:14:03.400 --> 0:14:05.640
<v Speaker 1>maybe not all of them, but definitely those early seventies

0:14:05.640 --> 0:14:08.000
<v Speaker 1>albums were recorded electric ly. They said so on the

0:14:08.040 --> 0:14:12.400
<v Speaker 1>album covers. So I was going in. I was not thinking, oh,

0:14:12.440 --> 0:14:13.840
<v Speaker 1>this is such a big deal. I'm going to meet

0:14:13.880 --> 0:14:16.520
<v Speaker 1>my father. It was nothing like that because my mother

0:14:16.640 --> 0:14:18.440
<v Speaker 1>Alan never made it a big deal because I think

0:14:18.480 --> 0:14:20.640
<v Speaker 1>they didn't want it to be. So I remember being

0:14:21.120 --> 0:14:24.240
<v Speaker 1>so nervous that I might meet Kiss, Like, surely they're here.

0:14:24.280 --> 0:14:26.600
<v Speaker 1>They just work here, right, all their albums say so,

0:14:27.160 --> 0:14:29.360
<v Speaker 1>and I didn't. But we walked into this room, into

0:14:29.480 --> 0:14:31.960
<v Speaker 1>one of the studios, and there's kind of a lounge outside,

0:14:32.800 --> 0:14:35.160
<v Speaker 1>and it's like a classic and I guess the recording studio.

0:14:35.200 --> 0:14:36.680
<v Speaker 1>I mean, it's one of the most famous in the world,

0:14:36.760 --> 0:14:38.560
<v Speaker 1>but something you would see in a movie where you

0:14:38.720 --> 0:14:40.520
<v Speaker 1>go into this lounge and you can see the mixing

0:14:40.520 --> 0:14:43.080
<v Speaker 1>board and then there's this huge wall of kind of

0:14:43.080 --> 0:14:46.320
<v Speaker 1>soundproof glass. So there's music happening there but I can't

0:14:46.320 --> 0:14:49.560
<v Speaker 1>hear it. But I see Roy in there with headphones on,

0:14:49.640 --> 0:14:53.600
<v Speaker 1>singing into a microphone. I'm so excited again, more about

0:14:53.760 --> 0:14:55.880
<v Speaker 1>the music in the fact of that where we are

0:14:56.040 --> 0:14:58.840
<v Speaker 1>and what's happening. That's the thing at that point. But

0:14:58.880 --> 0:15:01.920
<v Speaker 1>when he comes out, it's no big deal. There's lots

0:15:01.960 --> 0:15:04.160
<v Speaker 1>of people there, people from his band. They're all super

0:15:04.200 --> 0:15:07.480
<v Speaker 1>cool and I'm sure talented. It feels very like sort

0:15:07.480 --> 0:15:10.360
<v Speaker 1>of special charismatic room, and he kind of just like

0:15:10.440 --> 0:15:14.120
<v Speaker 1>points to everyone. They're obviously ordering dinner, and he points

0:15:14.160 --> 0:15:16.280
<v Speaker 1>at me and he says, do you want some tempora?

0:15:17.000 --> 0:15:19.200
<v Speaker 1>And I remember him pointing at me, and I just

0:15:19.280 --> 0:15:21.480
<v Speaker 1>remember thinking, like you know that feeling, and like you

0:15:21.600 --> 0:15:24.920
<v Speaker 1>end up in a conversation with someone and you feel like, wait,

0:15:24.960 --> 0:15:27.360
<v Speaker 1>did I forget that we've already been introduced and all

0:15:27.400 --> 0:15:29.360
<v Speaker 1>these things have already happened. How is this person so

0:15:29.480 --> 0:15:33.000
<v Speaker 1>far ahead in the conversation? And that's what I remember feeling, like,

0:15:33.160 --> 0:15:36.960
<v Speaker 1>just thinking like, well, do do you even know who

0:15:36.960 --> 0:15:38.720
<v Speaker 1>I am? Or should I know who you are? You're

0:15:38.720 --> 0:15:41.120
<v Speaker 1>just asking me if I want tempora? And I said no,

0:15:41.520 --> 0:15:43.440
<v Speaker 1>and then he kind of just bounced around. He's, you know,

0:15:43.880 --> 0:15:47.640
<v Speaker 1>very charismatic center of attention, especially at his recording session,

0:15:48.280 --> 0:15:51.280
<v Speaker 1>and I remember not speaking to him anymore, and eventually

0:15:51.320 --> 0:15:54.440
<v Speaker 1>with Alan just leaving, and much like my mother the

0:15:54.440 --> 0:15:57.920
<v Speaker 1>times we met him, it wasn't a big deal to Alan.

0:15:58.080 --> 0:16:01.120
<v Speaker 1>He never there was no like so sorry, I wish

0:16:01.160 --> 0:16:03.880
<v Speaker 1>your father was more interested in your life. There's never

0:16:03.960 --> 0:16:06.200
<v Speaker 1>anything like that. It was really just like cool, that

0:16:06.280 --> 0:16:07.520
<v Speaker 1>was fun. What do you want to eat? Or where

0:16:07.520 --> 0:16:09.720
<v Speaker 1>do you want to go? I think everyone was sort

0:16:09.760 --> 0:16:14.880
<v Speaker 1>of careful to not let me be disappointed, but still

0:16:14.960 --> 0:16:18.040
<v Speaker 1>let me kind of have whatever limited window I could

0:16:18.200 --> 0:16:20.840
<v Speaker 1>into my father's life. But I do remember that feeling

0:16:20.880 --> 0:16:24.840
<v Speaker 1>disappointing or at least very confusing, like knowing, well, he

0:16:24.920 --> 0:16:28.080
<v Speaker 1>invited me here, but he didn't seem at all interested

0:16:28.120 --> 0:16:30.920
<v Speaker 1>in talking to me. That's very strange, and that felt

0:16:30.960 --> 0:16:32.680
<v Speaker 1>like a lot to process for an eight year old.

0:16:34.240 --> 0:16:37.200
<v Speaker 3>Yeah, huge, and you know he doesn't even say.

0:16:36.960 --> 0:16:42.280
<v Speaker 1>Hello, right exactly. It's a big word to miss.

0:16:42.880 --> 0:16:46.960
<v Speaker 2>Do you think that Alan and your mother that either

0:16:47.000 --> 0:16:50.080
<v Speaker 2>of them or both of them felt, you know, privately

0:16:50.120 --> 0:16:54.000
<v Speaker 2>felt like, oh, that's fucked up, but wouldn't want you

0:16:54.200 --> 0:16:57.560
<v Speaker 2>to experience them feeling that way, or do you think

0:16:57.560 --> 0:16:58.680
<v Speaker 2>that they didn't feel that way.

0:16:59.680 --> 0:17:01.880
<v Speaker 1>I think I thought it was fucked up. I think

0:17:02.120 --> 0:17:06.880
<v Speaker 1>my mother maybe felt a little more in disbelief that

0:17:06.920 --> 0:17:12.360
<v Speaker 1>he wouldn't be more interested because I'm so fascinating, I'm

0:17:12.400 --> 0:17:17.200
<v Speaker 1>telling you her, but I think that's what she felt.

0:17:17.240 --> 0:17:19.480
<v Speaker 1>Necessarily mad or not that it was crazy, but just

0:17:19.480 --> 0:17:22.280
<v Speaker 1>just like really, yeah, disbelief is the word, Like, don't

0:17:22.280 --> 0:17:24.439
<v Speaker 1>you get this, this thing that you helped to make

0:17:24.520 --> 0:17:27.479
<v Speaker 1>is sitting here like you should be more engaged and

0:17:27.520 --> 0:17:30.159
<v Speaker 1>I think Alan, he's not like this, But I mean

0:17:30.200 --> 0:17:34.240
<v Speaker 1>he is lifelong used to musicians, and a lot of

0:17:34.280 --> 0:17:36.200
<v Speaker 1>them are narcissists, and a lot of them are only

0:17:37.000 --> 0:17:41.120
<v Speaker 1>doing the thing that progresses their thing, And so to him,

0:17:41.200 --> 0:17:44.000
<v Speaker 1>I think that's just who he was, and he wasn't

0:17:44.000 --> 0:17:46.400
<v Speaker 1>surprised by that, and even knew that before it existed.

0:17:48.600 --> 0:17:52.120
<v Speaker 2>It seems like it contributed to some really healthy bedrock

0:17:52.840 --> 0:17:54.200
<v Speaker 2>of for you.

0:17:54.800 --> 0:17:57.520
<v Speaker 1>Yeah, I never ever heard a bad word about my father.

0:17:57.640 --> 0:18:00.800
<v Speaker 1>There was never like, oh, he doesn't send money, and

0:18:00.840 --> 0:18:03.359
<v Speaker 1>if your father weren't around, we could have a better house.

0:18:03.400 --> 0:18:05.720
<v Speaker 1>Like There's just nothing like that. All the things that

0:18:05.800 --> 0:18:08.800
<v Speaker 1>I think people think I was feeling or hearing this

0:18:08.840 --> 0:18:11.199
<v Speaker 1>didn't exist. And the rare instances that he did come

0:18:11.280 --> 0:18:15.000
<v Speaker 1>up in conversation, my mother or uncle would say things like, oh, yeah,

0:18:15.040 --> 0:18:19.000
<v Speaker 1>he's the talented, wonderful, charismatic guy who helped bring you

0:18:19.040 --> 0:18:19.560
<v Speaker 1>into the world.

0:18:22.080 --> 0:18:25.000
<v Speaker 2>When Nabile is nine, he and his mom moved back

0:18:25.000 --> 0:18:28.600
<v Speaker 2>to New York City with her newly minted MBA. She

0:18:28.640 --> 0:18:32.480
<v Speaker 2>gets a job at American Express, and when Nobile is ten,

0:18:33.200 --> 0:18:36.000
<v Speaker 2>his mom takes him to hear Roy play at the Village.

0:18:36.040 --> 0:18:40.160
<v Speaker 1>Gate was really close to where we lived, so we

0:18:40.240 --> 0:18:43.040
<v Speaker 1>just went there early, thinking of course he'll be there early.

0:18:43.520 --> 0:18:47.080
<v Speaker 1>And we were inside the club. There's nobody there. The

0:18:47.080 --> 0:18:49.639
<v Speaker 1>club was empty, maybe they were just practicing or sound checking.

0:18:49.680 --> 0:18:52.600
<v Speaker 1>And ran right into Roy and a woman who I

0:18:52.640 --> 0:18:54.880
<v Speaker 1>think we assume was his wife. He was married soon

0:18:54.920 --> 0:18:57.440
<v Speaker 1>after I was born, and they're still together, but I

0:18:57.480 --> 0:18:59.600
<v Speaker 1>don't know for sure who that was, but it seemed

0:18:59.640 --> 0:19:02.920
<v Speaker 1>like it, and it was this really quick moment just

0:19:02.960 --> 0:19:05.679
<v Speaker 1>said hi, didn't introduce us to the woman. It very

0:19:05.760 --> 0:19:07.720
<v Speaker 1>now I'm remembering then too. At the times I talked

0:19:07.720 --> 0:19:10.080
<v Speaker 1>to him, it felt very much like I'm really busy,

0:19:10.160 --> 0:19:12.919
<v Speaker 1>I'm doing a lot, I gotta go. Always felt like that, like,

0:19:12.960 --> 0:19:15.560
<v Speaker 1>even if he was charming and felt sort of present,

0:19:15.640 --> 0:19:17.520
<v Speaker 1>it always felt like he had one foot out the

0:19:17.560 --> 0:19:19.560
<v Speaker 1>door while you were talking to him, you know. And

0:19:19.600 --> 0:19:22.119
<v Speaker 1>that was probably a few hours before he actually played.

0:19:22.960 --> 0:19:24.679
<v Speaker 1>And I don't remember this part of it, but this

0:19:24.720 --> 0:19:27.000
<v Speaker 1>is what my mother told me that, you know. Later on,

0:19:27.160 --> 0:19:29.280
<v Speaker 1>I was like, let's just go home, and she said, wait,

0:19:29.320 --> 0:19:32.399
<v Speaker 1>don't you want to stay and see him play? And

0:19:32.440 --> 0:19:34.719
<v Speaker 1>I said something like, well, he didn't have time for us,

0:19:34.760 --> 0:19:37.560
<v Speaker 1>so why would I have time for him, which is

0:19:37.600 --> 0:19:42.040
<v Speaker 1>definitely obviously another look into me being another year or

0:19:42.040 --> 0:19:46.040
<v Speaker 1>two older and starting to feel the idea that, you know,

0:19:46.359 --> 0:19:49.359
<v Speaker 1>this guy's never been missing. But the more I'm exposed

0:19:49.400 --> 0:19:52.120
<v Speaker 1>to him, the more I realized that something feels off

0:19:52.160 --> 0:19:52.600
<v Speaker 1>about it.

0:19:56.440 --> 0:19:59.679
<v Speaker 2>And then another New York run in, not just with

0:19:59.800 --> 0:20:03.879
<v Speaker 2>Roy this time, but also with his children. Now Bale's

0:20:04.000 --> 0:20:04.800
<v Speaker 2>have siblings.

0:20:07.320 --> 0:20:09.800
<v Speaker 1>So my mother had never driven in her life, was

0:20:09.840 --> 0:20:12.520
<v Speaker 1>taking driving lessons in New York City, which is I

0:20:12.600 --> 0:20:15.200
<v Speaker 1>just can't imagine doing that as like, you know, thirty

0:20:15.280 --> 0:20:18.320
<v Speaker 1>year old or something. And so sometimes we would have

0:20:18.359 --> 0:20:21.160
<v Speaker 1>the instructor wherever we felt like going. I would come along,

0:20:21.200 --> 0:20:23.560
<v Speaker 1>of course, because I went to everything, and the lesson

0:20:23.560 --> 0:20:26.280
<v Speaker 1>would end at some destination since we had a car.

0:20:26.640 --> 0:20:29.000
<v Speaker 1>So we lived in the village of just Way downtown,

0:20:29.080 --> 0:20:32.520
<v Speaker 1>and we had friends, my mother's friend Jenny and her

0:20:32.600 --> 0:20:34.840
<v Speaker 1>daughter around my age, and they lived on the Upper

0:20:34.880 --> 0:20:36.840
<v Speaker 1>West Side, which you know, was not terribly far. It's

0:20:36.840 --> 0:20:38.840
<v Speaker 1>a subway right away, but we got a car for

0:20:38.880 --> 0:20:41.440
<v Speaker 1>a minute, so we had the instructor drop us off there,

0:20:41.520 --> 0:20:44.520
<v Speaker 1>and I think her daughter went to the same school

0:20:44.560 --> 0:20:46.399
<v Speaker 1>as Roy's kids, who are all We're all around the

0:20:46.400 --> 0:20:48.400
<v Speaker 1>same age, as kids are maybe two or four years

0:20:48.440 --> 0:20:50.439
<v Speaker 1>younger than me. And she said, there's this, you know,

0:20:50.480 --> 0:20:52.840
<v Speaker 1>this great fair at the school on a Saturday afternoon's

0:20:52.920 --> 0:20:55.320
<v Speaker 1>let's all go there. And so we went. And it

0:20:55.400 --> 0:20:57.280
<v Speaker 1>was this very sunny day and kind of lots of

0:20:57.359 --> 0:21:00.360
<v Speaker 1>kids and people around and you know, food and all

0:21:00.400 --> 0:21:02.880
<v Speaker 1>that kind of stuff, music, and we were walking down

0:21:02.920 --> 0:21:05.920
<v Speaker 1>this kind of sunny trail and I remember we stopped,

0:21:06.640 --> 0:21:07.919
<v Speaker 1>and of course I didn't know why. I mean, my

0:21:07.960 --> 0:21:11.000
<v Speaker 1>mother ran into someone, and she's so social and so gregarious,

0:21:11.000 --> 0:21:14.320
<v Speaker 1>and so she was just talking. But I realized it's like, oh,

0:21:14.400 --> 0:21:17.280
<v Speaker 1>this is this is Roy, who's with a woman and

0:21:17.320 --> 0:21:19.840
<v Speaker 1>two kids. And I think, you know, just a couple

0:21:19.960 --> 0:21:22.840
<v Speaker 1>hours earlier, it had been casually dropped that his kids

0:21:22.880 --> 0:21:24.840
<v Speaker 1>went to the same school. So I think I pretty

0:21:24.880 --> 0:21:27.800
<v Speaker 1>quickly put it all together. And I remember being a

0:21:27.840 --> 0:21:30.560
<v Speaker 1>little taller than those kids and Roy and my mother

0:21:30.640 --> 0:21:34.360
<v Speaker 1>talking briefly, and her sort of I could tell even then,

0:21:34.400 --> 0:21:38.520
<v Speaker 1>I remember her voice did this thing. It's just a

0:21:38.560 --> 0:21:41.080
<v Speaker 1>sort of it's a slightly I want to impress you thing.

0:21:41.720 --> 0:21:43.400
<v Speaker 1>I could just tell the difference in the tone we're

0:21:43.440 --> 0:21:46.320
<v Speaker 1>talking to somebody who she thinks is important or something

0:21:46.359 --> 0:21:48.479
<v Speaker 1>like that. I could just I remember feeling that at

0:21:48.520 --> 0:21:50.920
<v Speaker 1>the same time, I remember these two kids and kind

0:21:50.920 --> 0:21:55.480
<v Speaker 1>of looking at them and them I can't imagine having

0:21:55.520 --> 0:21:57.800
<v Speaker 1>any idea who I might be, but me having some

0:21:58.000 --> 0:22:02.119
<v Speaker 1>idea who they were, just my two half siblings, and

0:22:02.240 --> 0:22:05.520
<v Speaker 1>just thinking, this is very strange to be standing here

0:22:06.480 --> 0:22:09.760
<v Speaker 1>doing this, not really knowing what to think still as

0:22:09.800 --> 0:22:11.879
<v Speaker 1>a nine or ten year old, but just being again

0:22:11.960 --> 0:22:15.520
<v Speaker 1>at this position where this you know, it's so strange

0:22:15.560 --> 0:22:17.960
<v Speaker 1>how easy it still is in New York. You run

0:22:17.960 --> 0:22:20.359
<v Speaker 1>into people, but it's really weird. But it's your father

0:22:20.400 --> 0:22:22.440
<v Speaker 1>who you don't know. And it happens all the time.

0:22:22.800 --> 0:22:24.280
<v Speaker 1>They're seemingly all the time.

0:22:24.240 --> 0:22:30.320
<v Speaker 2>And once again there's no hello, like there's no introduction. Now,

0:22:30.600 --> 0:22:33.560
<v Speaker 2>not that it would have been really likely or feasible

0:22:33.600 --> 0:22:35.720
<v Speaker 2>for him to say, you know, this is not he's

0:22:35.720 --> 0:22:40.760
<v Speaker 2>your half brother, but no, just absolutely no, you know,

0:22:41.000 --> 0:22:42.520
<v Speaker 2>no need to make everybody comfortable.

0:22:43.000 --> 0:22:46.600
<v Speaker 1>No. And I remember my mother complimenting him and him

0:22:46.840 --> 0:22:50.800
<v Speaker 1>sort of doubling down more like, you know, it's like

0:22:50.840 --> 0:22:53.040
<v Speaker 1>the equivalent of her saying, well, you look great, and

0:22:53.119 --> 0:22:54.840
<v Speaker 1>him saying, like, I know I looked great, don't I

0:22:54.880 --> 0:22:56.680
<v Speaker 1>look great and tell me more about how great I look.

0:22:56.720 --> 0:22:58.399
<v Speaker 1>That's what it felt like. That's what it felt like.

0:22:58.440 --> 0:23:01.080
<v Speaker 1>The conversation was not like, oh, so do you what

0:23:01.160 --> 0:23:03.400
<v Speaker 1>if you went up to It wasn't reciprocal in that way.

0:23:05.560 --> 0:23:09.920
<v Speaker 2>So shortly thereafter you and your mom moved to Salt

0:23:10.000 --> 0:23:14.240
<v Speaker 2>Lake City. Yeah, and that was precipitated by a job

0:23:14.359 --> 0:23:16.679
<v Speaker 2>for her and also kind of a desire to get

0:23:16.720 --> 0:23:17.320
<v Speaker 2>out of the city.

0:23:18.440 --> 0:23:20.359
<v Speaker 1>Yeah, that was the big thing. I think she know,

0:23:20.440 --> 0:23:22.479
<v Speaker 1>she got her MBA. She did everything she was supposed to.

0:23:22.520 --> 0:23:24.960
<v Speaker 1>She had not she wasn't rich, but like, you know,

0:23:25.119 --> 0:23:27.800
<v Speaker 1>a much more high paying job in New York. We

0:23:27.840 --> 0:23:29.639
<v Speaker 1>had a great apartment in the village. I went to

0:23:29.760 --> 0:23:33.720
<v Speaker 1>Little at Schoolhouse. This an incredible liberal private school. So,

0:23:33.800 --> 0:23:36.080
<v Speaker 1>you know, we were doing it. Four years ago we'd

0:23:36.080 --> 0:23:37.760
<v Speaker 1>been on welfare and now we're living in New York

0:23:37.800 --> 0:23:41.320
<v Speaker 1>City doing everything. But she really hated American Express. She

0:23:41.400 --> 0:23:44.040
<v Speaker 1>was not built for corporate life and was wearing suits

0:23:44.040 --> 0:23:46.160
<v Speaker 1>every day, and it was very high pressure and people

0:23:46.200 --> 0:23:48.719
<v Speaker 1>worked late, and everyone was trying to get ahead and

0:23:48.760 --> 0:23:50.760
<v Speaker 1>she wasn't. She just wanted to have a job and

0:23:50.960 --> 0:23:54.040
<v Speaker 1>got paid and come home. So they moved a big

0:23:54.080 --> 0:23:56.040
<v Speaker 1>part of the company to Salt Lake City and sort

0:23:56.040 --> 0:23:58.359
<v Speaker 1>of offered anyone who was willing to go. This is

0:23:58.600 --> 0:24:02.320
<v Speaker 1>great incentive. I think it was the same or more

0:24:02.359 --> 0:24:04.600
<v Speaker 1>money in a city that at the time probably cost

0:24:04.800 --> 0:24:07.959
<v Speaker 1>significantly less to live in and the kind of the

0:24:08.000 --> 0:24:11.400
<v Speaker 1>most family city in America. So the promise of like true,

0:24:11.560 --> 0:24:14.600
<v Speaker 1>nine to five people leave work. It's very family based.

0:24:14.680 --> 0:24:17.680
<v Speaker 1>So we went and visited, and I remember that took

0:24:17.800 --> 0:24:19.600
<v Speaker 1>very well, and I really surprised to how much we

0:24:19.720 --> 0:24:22.280
<v Speaker 1>liked it. So we moved there, which was a crazy,

0:24:22.600 --> 0:24:25.160
<v Speaker 1>crazy thing to do for our you know, for who

0:24:25.200 --> 0:24:27.399
<v Speaker 1>we were and what our life was. To pick up

0:24:27.440 --> 0:24:29.200
<v Speaker 1>and move to Salt Lake City in nineteen eighty two

0:24:29.280 --> 0:24:30.800
<v Speaker 1>is just a massive change.

0:24:31.880 --> 0:24:33.840
<v Speaker 2>That's something that really struck me, you know, when I

0:24:33.880 --> 0:24:38.159
<v Speaker 2>think about what you were talking about about Amherston and

0:24:38.240 --> 0:24:42.560
<v Speaker 2>the way that you grew up until age seven in

0:24:42.600 --> 0:24:50.640
<v Speaker 2>this world where you didn't have any concerns about being different,

0:24:51.000 --> 0:24:57.520
<v Speaker 2>or about racial identity, or about kids don't really as

0:24:57.560 --> 0:25:00.600
<v Speaker 2>a rule want to be seen as as different or

0:25:00.640 --> 0:25:02.560
<v Speaker 2>even special, you know, just they just don't want that.

0:25:02.960 --> 0:25:05.480
<v Speaker 2>And that was so foundational for you getting all the

0:25:05.520 --> 0:25:08.960
<v Speaker 2>way to age seven, really in this kind of weird utopia.

0:25:09.520 --> 0:25:09.920
<v Speaker 1>Yeah.

0:25:09.920 --> 0:25:10.720
<v Speaker 3>And then you.

0:25:10.720 --> 0:25:12.399
<v Speaker 2>Get to Salt Lake City, which has got to be

0:25:12.440 --> 0:25:15.520
<v Speaker 2>one of the whitest places on that on the planet.

0:25:16.119 --> 0:25:19.240
<v Speaker 1>Yeah, and even more than that, so not only one

0:25:19.240 --> 0:25:21.720
<v Speaker 1>of the whitest places, but I mean truly the most

0:25:21.760 --> 0:25:25.359
<v Speaker 1>family places because of the Mormon Church. So everybody had

0:25:25.359 --> 0:25:27.440
<v Speaker 1>a mother and a father, and lots of people had

0:25:27.680 --> 0:25:31.479
<v Speaker 1>three or four siblings and so that so it wasn't

0:25:31.560 --> 0:25:35.119
<v Speaker 1>just the having the black father thing, but also just

0:25:35.200 --> 0:25:37.000
<v Speaker 1>having one parent, just the two of us. That was

0:25:37.080 --> 0:25:40.000
<v Speaker 1>really I feel like we stood out just by existing

0:25:40.160 --> 0:25:42.240
<v Speaker 1>anywhere in the grocery store, at the bank, you know,

0:25:42.320 --> 0:25:43.879
<v Speaker 1>it was really so different.

0:25:45.160 --> 0:25:49.480
<v Speaker 2>So was that a change for you, like emotionally and

0:25:49.720 --> 0:25:52.040
<v Speaker 2>you know, sort of interest in the realm of feeling,

0:25:52.119 --> 0:25:55.000
<v Speaker 2>you know, going from you'd been in amatest, you'd been

0:25:55.000 --> 0:25:56.000
<v Speaker 2>in New York City.

0:25:56.440 --> 0:25:58.680
<v Speaker 3>Both were places that made a lot more sense.

0:25:59.400 --> 0:26:02.960
<v Speaker 2>Yeah, and now you're in this place where you you know,

0:26:03.000 --> 0:26:05.800
<v Speaker 2>you really have to kind of fight to belong.

0:26:07.000 --> 0:26:11.080
<v Speaker 1>Uh huh. Yeah, it definitely was. And I don't know

0:26:11.119 --> 0:26:14.040
<v Speaker 1>where this instinct came from. If it's from my mother,

0:26:14.160 --> 0:26:16.600
<v Speaker 1>if it's somehow genetically from my father, if it's from

0:26:16.600 --> 0:26:20.080
<v Speaker 1>my uncle. But I think I'm because I never thought

0:26:20.080 --> 0:26:22.440
<v Speaker 1>about these things and amhers and even New York, of course,

0:26:22.560 --> 0:26:24.720
<v Speaker 1>was totally very diverse, and there are lots of kids

0:26:24.720 --> 0:26:29.520
<v Speaker 1>so single parents, and suddenly I definitely noticed I was different.

0:26:29.520 --> 0:26:32.080
<v Speaker 1>I mean simply visually, my skin was darker. I had

0:26:32.119 --> 0:26:33.800
<v Speaker 1>a pretty big afro at the time, so it was

0:26:33.960 --> 0:26:37.000
<v Speaker 1>much more I think, noticeably black than I am now,

0:26:37.080 --> 0:26:41.800
<v Speaker 1>where I'm largely balding in my fifties. It was very obvious.

0:26:41.840 --> 0:26:43.800
<v Speaker 1>And then, of course my name Deal, which is Arabic

0:26:43.840 --> 0:26:45.639
<v Speaker 1>and has nothing to do with my race, but the

0:26:45.680 --> 0:26:48.320
<v Speaker 1>assumption is constantly there. So you know, you have this

0:26:48.320 --> 0:26:50.520
<v Speaker 1>ten year old kid from New York with darker skin

0:26:50.640 --> 0:26:53.840
<v Speaker 1>and afro and an exotic name. To my mother's credit,

0:26:54.200 --> 0:26:55.840
<v Speaker 1>we were in the best place you could be in

0:26:55.880 --> 0:26:58.440
<v Speaker 1>Salt Lake City, the best neighborhood, really close to the

0:26:58.520 --> 0:27:01.359
<v Speaker 1>University of Utah. That there's anything wrong with the Mormon

0:27:01.440 --> 0:27:04.359
<v Speaker 1>churchs I had incredible experiences with all my Mormon friends,

0:27:04.400 --> 0:27:07.080
<v Speaker 1>but the least Mormon part of the state that you know,

0:27:07.160 --> 0:27:09.760
<v Speaker 1>where eventually there was an openly gay mayor and the

0:27:09.800 --> 0:27:11.680
<v Speaker 1>sort of you know, the blue dot in the Red

0:27:11.720 --> 0:27:13.560
<v Speaker 1>state is exactly where we were. We were in the

0:27:13.640 --> 0:27:17.760
<v Speaker 1>right place. But kids would just ask me things that

0:27:17.800 --> 0:27:19.320
<v Speaker 1>didn't feel like they were making fun of me. It

0:27:19.320 --> 0:27:22.199
<v Speaker 1>didn't feel malicious, but they were so curious because I

0:27:22.320 --> 0:27:24.520
<v Speaker 1>was so exotic, and this is, you know, again like

0:27:24.600 --> 0:27:28.000
<v Speaker 1>before the internet, before so many things, So where's your father?

0:27:28.200 --> 0:27:30.879
<v Speaker 1>Can I touch your afro? What's your name mean? And

0:27:30.960 --> 0:27:34.800
<v Speaker 1>I just, amazingly was never used to those questions at

0:27:34.840 --> 0:27:36.880
<v Speaker 1>ten years old. No one was really asking me those

0:27:36.920 --> 0:27:40.760
<v Speaker 1>things because it wasn't special, and I loved that. So

0:27:41.600 --> 0:27:44.879
<v Speaker 1>suddenly I realized, Okay, no one's being mean to me,

0:27:45.240 --> 0:27:48.640
<v Speaker 1>but they're really curious. So I was always open about

0:27:48.680 --> 0:27:50.520
<v Speaker 1>my race. I would say my father's black and my

0:27:50.560 --> 0:27:55.199
<v Speaker 1>mother's white. I definitely said that they're divorced, which of

0:27:55.240 --> 0:27:58.119
<v Speaker 1>course wasn't true. They were never married, they were never together,

0:27:58.680 --> 0:28:00.600
<v Speaker 1>and I think even at that age, it felt like

0:28:00.640 --> 0:28:02.959
<v Speaker 1>a betrayal to my mother. I felt terrible saying that,

0:28:03.000 --> 0:28:06.359
<v Speaker 1>because she'd done such an incredible job and carried through

0:28:06.400 --> 0:28:09.879
<v Speaker 1>with everything she'd planned with flying colors. Felt like, this

0:28:09.960 --> 0:28:12.800
<v Speaker 1>feels bad that I have to say this thing that's

0:28:12.880 --> 0:28:16.399
<v Speaker 1>not true, that is so much less impressive than proof.

0:28:16.960 --> 0:28:20.080
<v Speaker 1>But it was the easiest way to stop the conversation,

0:28:20.280 --> 0:28:22.000
<v Speaker 1>and that was the goal at ten years old, not

0:28:22.080 --> 0:28:24.840
<v Speaker 1>to explain, you know, it was my whole life story,

0:28:25.600 --> 0:28:28.679
<v Speaker 1>So divorce shut it down. No one would ask questions

0:28:28.680 --> 0:28:30.720
<v Speaker 1>about that because as a kid in the eighties, people

0:28:30.720 --> 0:28:32.640
<v Speaker 1>were at least sort of used to divorce. They fell

0:28:32.720 --> 0:28:35.800
<v Speaker 1>bad for you, and they moved on. So that's kind

0:28:35.840 --> 0:28:37.439
<v Speaker 1>of it was the first time in my life when

0:28:37.480 --> 0:28:39.840
<v Speaker 1>I sort of found myself, you know, sort of lying

0:28:39.880 --> 0:28:43.000
<v Speaker 1>about who I was to shut down the conversations. What

0:28:43.080 --> 0:28:44.800
<v Speaker 1>was so fun is that Alan would come visit us

0:28:44.800 --> 0:28:46.320
<v Speaker 1>all the time in Salt Lake and I would go

0:28:46.360 --> 0:28:48.120
<v Speaker 1>to New York all the time to visit him. That

0:28:48.160 --> 0:28:50.560
<v Speaker 1>was sort of part of the deal when my mother

0:28:50.600 --> 0:28:53.880
<v Speaker 1>and I moved there and I would go to New York,

0:28:54.440 --> 0:28:56.360
<v Speaker 1>I don't know, sometimes four or five times a year,

0:28:56.400 --> 0:28:58.680
<v Speaker 1>I feel like. And it was so fun because then

0:28:58.760 --> 0:29:00.440
<v Speaker 1>it was like, Wow, there were these move movies that

0:29:00.480 --> 0:29:02.240
<v Speaker 1>haven't even opened in Salt Lake that I can see.

0:29:02.280 --> 0:29:04.520
<v Speaker 1>There are bands that I can see. That was such

0:29:04.560 --> 0:29:07.080
<v Speaker 1>a huge thing, and that's a lot of I think

0:29:07.160 --> 0:29:09.720
<v Speaker 1>how I got along in Salt Lake City, which I

0:29:09.760 --> 0:29:11.720
<v Speaker 1>really did. I really liked it and had friends and

0:29:11.840 --> 0:29:13.480
<v Speaker 1>was happy there. But a lot of it was that

0:29:13.640 --> 0:29:15.800
<v Speaker 1>I was the kid who went to New York all

0:29:15.840 --> 0:29:18.160
<v Speaker 1>the time, who had a record collection, who knew things

0:29:18.200 --> 0:29:20.400
<v Speaker 1>people didn't know, who could talk about dans, who had

0:29:20.400 --> 0:29:23.320
<v Speaker 1>a drum set. Like That's who I became, and that

0:29:23.440 --> 0:29:26.360
<v Speaker 1>was really what I leaned into. And I let that

0:29:26.440 --> 0:29:29.120
<v Speaker 1>make me more unique than my name or my hair

0:29:29.240 --> 0:29:31.320
<v Speaker 1>or anything like that. And I don't think I got

0:29:31.320 --> 0:29:33.600
<v Speaker 1>that then, but it's definitely what I was doing, and

0:29:33.640 --> 0:29:36.280
<v Speaker 1>I'm really glad I had all the tools to do it.

0:29:37.040 --> 0:29:40.200
<v Speaker 1>So as I got older in high school, I wanted

0:29:40.200 --> 0:29:42.080
<v Speaker 1>to get a job so I could make money to

0:29:42.080 --> 0:29:44.240
<v Speaker 1>buy drums and buy records and all the things I loved.

0:29:44.280 --> 0:29:46.640
<v Speaker 1>And so Alan said, come to New York for the summer.

0:29:47.280 --> 0:29:49.520
<v Speaker 1>I'll find your job. My friend is a lawyer. He

0:29:50.000 --> 0:29:52.680
<v Speaker 1>wants a messenger at his law firm, which is amazing.

0:29:52.720 --> 0:29:54.760
<v Speaker 1>So I had this crazy job for two summers, the

0:29:54.800 --> 0:29:58.200
<v Speaker 1>summer between sophomore and junior and junior and senior year,

0:29:58.800 --> 0:30:01.680
<v Speaker 1>where I would stay my uncle's apartment in Chelsea and

0:30:02.040 --> 0:30:04.600
<v Speaker 1>would go to work every day from nine to five

0:30:04.680 --> 0:30:07.120
<v Speaker 1>at this sort of fancy law office in Midtown. It

0:30:07.200 --> 0:30:08.920
<v Speaker 1>was really small, firms to a couple of people in

0:30:08.960 --> 0:30:11.160
<v Speaker 1>the office, and I would sit at the front desk

0:30:11.240 --> 0:30:13.040
<v Speaker 1>until they needed me to do something. And when they

0:30:13.040 --> 0:30:15.360
<v Speaker 1>did a run around the city, I'd get some papers

0:30:15.400 --> 0:30:18.680
<v Speaker 1>and you have to run them downtown to some other offices.

0:30:18.840 --> 0:30:21.000
<v Speaker 1>And I just really got a different look at the

0:30:21.040 --> 0:30:23.680
<v Speaker 1>city than when I lived there, when I even visited,

0:30:23.720 --> 0:30:26.600
<v Speaker 1>because you know, we just lived in cool neighborhoods and

0:30:26.680 --> 0:30:29.360
<v Speaker 1>went to the same place. But this was New York City.

0:30:29.400 --> 0:30:31.840
<v Speaker 1>This is you know, running up and down crazy streets

0:30:31.840 --> 0:30:34.360
<v Speaker 1>and elevators and office buildings. So I really started to

0:30:34.400 --> 0:30:36.960
<v Speaker 1>see this thing. This is the late eighties. You know,

0:30:37.120 --> 0:30:40.720
<v Speaker 1>I grew up in these these very racially diverse places

0:30:40.720 --> 0:30:43.520
<v Speaker 1>where everyone did everything. Now I live in Salt Lake City,

0:30:43.840 --> 0:30:47.560
<v Speaker 1>which is extremely white. But now these summers, I'm in

0:30:47.600 --> 0:30:50.320
<v Speaker 1>New York, where there's still a mix, but there's obviously

0:30:50.560 --> 0:30:53.880
<v Speaker 1>roles for each of the different races. And I started

0:30:53.880 --> 0:30:56.200
<v Speaker 1>to notice that all the people I was delivering papers

0:30:56.200 --> 0:30:58.960
<v Speaker 1>to and taking papers from were white, and they were

0:30:58.960 --> 0:31:01.800
<v Speaker 1>in a nice air condition offices, and they were wearing suits,

0:31:01.960 --> 0:31:04.080
<v Speaker 1>and they were never friendly to me. They wouldn't even

0:31:04.120 --> 0:31:06.479
<v Speaker 1>look at me. But the people who were friendly were

0:31:06.480 --> 0:31:08.400
<v Speaker 1>the people who held the doors open. They are the

0:31:08.440 --> 0:31:10.800
<v Speaker 1>people who you know, worked on the streets, and those

0:31:10.880 --> 0:31:12.760
<v Speaker 1>are the black and brown people. And I was I

0:31:12.840 --> 0:31:15.360
<v Speaker 1>really every day would just see it as I walk

0:31:15.440 --> 0:31:17.280
<v Speaker 1>down the street in New York. It was just it

0:31:17.320 --> 0:31:21.400
<v Speaker 1>was impossible for me to not see this really obvious

0:31:21.480 --> 0:31:24.160
<v Speaker 1>division that I still see there and I still see

0:31:24.160 --> 0:31:26.040
<v Speaker 1>in tons of cities. But that was the summer I

0:31:26.160 --> 0:31:29.680
<v Speaker 1>really noticed it and realize, I, now, this is this

0:31:29.800 --> 0:31:31.800
<v Speaker 1>is kind of what the world is like. Salt Lake

0:31:31.920 --> 0:31:34.520
<v Speaker 1>is not what the world is like, and unfortunately Amherst

0:31:34.680 --> 0:31:35.480
<v Speaker 1>is not either.

0:31:36.600 --> 0:31:40.440
<v Speaker 2>And you also promised yourself that you weren't going to

0:31:40.440 --> 0:31:43.120
<v Speaker 2>be like that when you became successful.

0:31:43.800 --> 0:31:46.000
<v Speaker 1>It was just like I wasn't visible. I was just

0:31:46.640 --> 0:31:48.840
<v Speaker 1>the person holding the paper that needed to be signed.

0:31:48.840 --> 0:31:51.080
<v Speaker 1>But you know, I would get to some hot shot

0:31:51.080 --> 0:31:52.960
<v Speaker 1>and they would sign the papers, but they wouldn't look

0:31:52.960 --> 0:31:55.000
<v Speaker 1>at me, they wouldn't say hello, they wouldn't do anything.

0:31:55.000 --> 0:31:56.680
<v Speaker 1>And I just thought like, this is so weird. Why

0:31:56.680 --> 0:31:59.800
<v Speaker 1>wouldn't you I'm standing here, can you say hi? Or

0:32:00.480 --> 0:32:02.720
<v Speaker 1>or something like that? And it, yeah, it really did

0:32:02.760 --> 0:32:04.560
<v Speaker 1>sort of create this feeling and be like, well, I'm

0:32:04.920 --> 0:32:07.000
<v Speaker 1>never gonna do that. That's such an easy thing to do.

0:32:08.080 --> 0:32:11.280
<v Speaker 2>There's this echo there of I mean, who else who

0:32:11.280 --> 0:32:14.040
<v Speaker 2>else didn't say hello? And who else was like, you know,

0:32:14.400 --> 0:32:16.600
<v Speaker 2>I gotta go, I gotta go, you know, and didn't

0:32:16.600 --> 0:32:19.400
<v Speaker 2>look you in the eye. So it's interesting, like you were,

0:32:19.680 --> 0:32:21.840
<v Speaker 2>you're kind of continuing to play that out in a

0:32:21.880 --> 0:32:22.720
<v Speaker 2>totally different way.

0:32:23.400 --> 0:32:25.479
<v Speaker 1>Yeah, it is really easy to see that parallel. I mean,

0:32:25.480 --> 0:32:28.600
<v Speaker 1>these are very They all sort of become big moments

0:32:28.600 --> 0:32:30.400
<v Speaker 1>that have something to do with each other, even though

0:32:30.600 --> 0:32:32.920
<v Speaker 1>you know, one person is my father and other people

0:32:32.960 --> 0:32:36.239
<v Speaker 1>are completely faithless. It's a kind of similar feeling. And

0:32:36.280 --> 0:32:40.160
<v Speaker 1>it's weird because it's not it's not necessarily a feeling

0:32:40.200 --> 0:32:42.920
<v Speaker 1>like I'm super important, don't you see me. It's just

0:32:42.960 --> 0:32:45.760
<v Speaker 1>a feeling of like, don't be an asshole, I'm here.

0:32:50.520 --> 0:33:07.400
<v Speaker 2>We'll be back in a moment with more family secrets.

0:33:09.520 --> 0:33:12.480
<v Speaker 2>As Nobille nears the end of high school, his mom

0:33:12.560 --> 0:33:15.600
<v Speaker 2>suggests to him he might want to change his last name.

0:33:16.400 --> 0:33:20.280
<v Speaker 2>She's recently changed hers from Brausman to Blair.

0:33:23.320 --> 0:33:26.280
<v Speaker 1>She was working at I Think Fidelity Investments. She moved

0:33:26.280 --> 0:33:27.960
<v Speaker 1>around to jobs in Salt Lake, but was working in

0:33:28.160 --> 0:33:30.560
<v Speaker 1>HR and I think was doing a lot of exit

0:33:30.600 --> 0:33:33.040
<v Speaker 1>interviews with people at layoffs. They would lay them off

0:33:33.040 --> 0:33:35.920
<v Speaker 1>and realize like, oh, I don't like everyone who just

0:33:35.960 --> 0:33:39.560
<v Speaker 1>got fired knowing my name potentially coming after me, which

0:33:39.600 --> 0:33:41.320
<v Speaker 1>is you know, some New York street smarts. So she

0:33:41.400 --> 0:33:43.720
<v Speaker 1>just started using a fake name for fun, and Blair

0:33:43.760 --> 0:33:44.920
<v Speaker 1>sounded like a soap opera star.

0:33:45.640 --> 0:33:50.080
<v Speaker 2>So why did she think that you should change your surname.

0:33:50.480 --> 0:33:52.440
<v Speaker 1>I was born to Bill Braufman, so that was, yeah,

0:33:52.480 --> 0:33:54.760
<v Speaker 1>that was my name till I was seventeen, and I remember,

0:33:54.760 --> 0:33:56.760
<v Speaker 1>of course it was hard to spell. Always be r

0:33:56.840 --> 0:34:00.720
<v Speaker 1>au f as in frank m a n. Still, you know,

0:34:00.760 --> 0:34:02.320
<v Speaker 1>it took three times to get through that, and I

0:34:02.320 --> 0:34:05.240
<v Speaker 1>think when she changed it to Blair, even fictitiously, she

0:34:05.320 --> 0:34:08.080
<v Speaker 1>realized like, oh, wow, you say it. No one even

0:34:08.120 --> 0:34:10.040
<v Speaker 1>asks how to spell it, let alone. You know what

0:34:10.239 --> 0:34:13.640
<v Speaker 1>makes you repeat it? It was she realized how hard her

0:34:13.719 --> 0:34:15.960
<v Speaker 1>real name was when she started using a fake name.

0:34:16.000 --> 0:34:17.960
<v Speaker 1>And so that was right around the time I got

0:34:17.960 --> 0:34:20.680
<v Speaker 1>accepted to college outside of Seattle. I was planning to

0:34:20.719 --> 0:34:22.720
<v Speaker 1>move and a place where I really didn't know anybody.

0:34:22.960 --> 0:34:24.600
<v Speaker 1>I was kind of in a way starting a new life,

0:34:24.600 --> 0:34:26.600
<v Speaker 1>and she just said, you know, you should think about this.

0:34:27.480 --> 0:34:30.239
<v Speaker 1>It's been really great for me. Your life could be

0:34:30.320 --> 0:34:32.680
<v Speaker 1>much easier. You're going someplace where you don't know anyone,

0:34:32.760 --> 0:34:35.839
<v Speaker 1>it's a totally clean slate. What do you think? And

0:34:36.080 --> 0:34:38.040
<v Speaker 1>I was open to the idea, and I remember thinking

0:34:38.080 --> 0:34:41.240
<v Speaker 1>about making up names and thinking like, huh, well, Airs,

0:34:41.640 --> 0:34:44.960
<v Speaker 1>I like it sounds really good. I remember very specifically,

0:34:45.000 --> 0:34:47.520
<v Speaker 1>thinking sort of mathematically, which is the way my brain is.

0:34:47.560 --> 0:34:49.799
<v Speaker 1>My first name is Nippil, it's five letters. My middle

0:34:49.880 --> 0:34:53.120
<v Speaker 1>name mall that's five letters, and Airs is five letters.

0:34:53.160 --> 0:34:55.359
<v Speaker 1>So I thought, well, that's kind of cool, five five

0:34:55.400 --> 0:34:58.319
<v Speaker 1>and five. And of course it's the only name that

0:34:58.360 --> 0:35:02.560
<v Speaker 1>there actually is a connection. But it wasn't to actually

0:35:02.560 --> 0:35:05.000
<v Speaker 1>connect myself to my father. I mean, in nineteen eighty

0:35:05.239 --> 0:35:09.160
<v Speaker 1>eight or eighty nine in Salt Lake City, he was invisible.

0:35:09.239 --> 0:35:11.680
<v Speaker 1>He did not play there. There wasn't a huge jazz

0:35:11.680 --> 0:35:13.399
<v Speaker 1>scene in Salt Lake. I'm sure a few people knew

0:35:13.400 --> 0:35:15.480
<v Speaker 1>who he was, but nobody ever asked me about it.

0:35:15.480 --> 0:35:17.200
<v Speaker 1>You know, he was not part of my life in

0:35:17.200 --> 0:35:19.799
<v Speaker 1>Salt Lake. He was almost forty then, so as someone

0:35:19.840 --> 0:35:22.080
<v Speaker 1>who was into music and was a teenager, in my mind,

0:35:22.440 --> 0:35:24.399
<v Speaker 1>I would have thought like, wow, well, forty, his career

0:35:24.480 --> 0:35:27.200
<v Speaker 1>is obviously over. It beaked in the seventies. I had

0:35:27.239 --> 0:35:30.280
<v Speaker 1>no idea how much bigger he'd become, So it wasn't

0:35:30.440 --> 0:35:33.120
<v Speaker 1>at all, Oh, well, people will know that I'm his son,

0:35:33.239 --> 0:35:34.600
<v Speaker 1>That's why I want to do this. In fact, I

0:35:34.640 --> 0:35:36.719
<v Speaker 1>assumed that had nothing to do with it. No one

0:35:36.719 --> 0:35:38.839
<v Speaker 1>would ever know who he was. He was done. It

0:35:38.880 --> 0:35:41.520
<v Speaker 1>was really just that it sounded good and I liked it,

0:35:41.560 --> 0:35:44.480
<v Speaker 1>and I trusted my mother. The way I remember it

0:35:44.560 --> 0:35:49.400
<v Speaker 1>was so simple and felt so transactional as opposed to emotional.

0:35:49.400 --> 0:35:52.640
<v Speaker 1>It really felt like, this is easy, this makes sense,

0:35:53.000 --> 0:35:56.360
<v Speaker 1>and there's no risk, so sure, let's do it, I

0:35:56.400 --> 0:35:58.800
<v Speaker 1>think at that time and the last time I actually

0:35:59.040 --> 0:36:01.400
<v Speaker 1>encountered him in person very soon after we moved to

0:36:01.400 --> 0:36:05.040
<v Speaker 1>Salt Lake when I was still ten, and now I'm seventeen.

0:36:05.160 --> 0:36:06.920
<v Speaker 1>I definitely have not run into him in New York

0:36:06.960 --> 0:36:09.520
<v Speaker 1>this whole time. Don't hear his music in Salt Lake

0:36:09.560 --> 0:36:12.080
<v Speaker 1>City like he really Seven years is a long time

0:36:12.080 --> 0:36:14.239
<v Speaker 1>for a seventeen year old from ten to seventeen, so

0:36:14.400 --> 0:36:16.960
<v Speaker 1>in my mind, he was pretty non existent.

0:36:19.160 --> 0:36:22.239
<v Speaker 2>When Nabil is away at college, his mom falls in

0:36:22.280 --> 0:36:25.400
<v Speaker 2>love with a man named Jim She hadn't been dating

0:36:25.640 --> 0:36:29.040
<v Speaker 2>or prioritizing her personal life over the years, but now

0:36:29.040 --> 0:36:32.720
<v Speaker 2>that Nobil has grown, it's her turn. At their wedding,

0:36:33.120 --> 0:36:38.239
<v Speaker 2>an unexpected feeling overcomes Nobil. I wish Roy could see this.

0:36:38.440 --> 0:36:42.080
<v Speaker 2>He thinks. He doesn't really wish that Roy were there

0:36:42.280 --> 0:36:45.719
<v Speaker 2>per se, but he does wish Roy could see how

0:36:45.760 --> 0:36:48.879
<v Speaker 2>happy his mother is, how happy they both are, how

0:36:48.920 --> 0:36:53.200
<v Speaker 2>well they're doing. Of course, Nobil is reminded that this

0:36:53.280 --> 0:36:56.720
<v Speaker 2>is just what his mother had always done too, wanting

0:36:56.760 --> 0:37:00.400
<v Speaker 2>to prove to Roy somehow that life had marched tolly

0:37:00.440 --> 0:37:05.400
<v Speaker 2>on without him. After the wedding, life continues to march on.

0:37:06.320 --> 0:37:10.400
<v Speaker 2>Nabielle finishes school, he plays and tours with successful bands.

0:37:11.040 --> 0:37:14.800
<v Speaker 2>He opens his own record store in Seattle, Sonic Boom Records,

0:37:15.080 --> 0:37:19.719
<v Speaker 2>which becomes a big deal. Things are really taking off now.

0:37:19.760 --> 0:37:22.759
<v Speaker 2>Bille registers that he has a very strong drive to

0:37:22.800 --> 0:37:27.400
<v Speaker 2>succeed creatively, to make things happen, and he finds himself

0:37:27.440 --> 0:37:31.840
<v Speaker 2>wondering where does it come from. His mother and Alan

0:37:32.160 --> 0:37:35.560
<v Speaker 2>had been ambitious in their own ways, but this propulsive

0:37:35.680 --> 0:37:37.320
<v Speaker 2>energy is something different.

0:37:38.840 --> 0:37:41.520
<v Speaker 1>As I get into my thirties, I guess even the

0:37:41.560 --> 0:37:43.560
<v Speaker 1>late twenties to think I start to realize, like, wow,

0:37:43.600 --> 0:37:45.120
<v Speaker 1>I'm at a point in my career, in my life

0:37:45.120 --> 0:37:47.360
<v Speaker 1>too where a lot of people are asking or commenting

0:37:47.480 --> 0:37:49.160
<v Speaker 1>saying the sort of how do you do all these

0:37:49.200 --> 0:37:51.520
<v Speaker 1>different things? And to me, it never felt like I

0:37:51.560 --> 0:37:53.440
<v Speaker 1>was doing a lot of different things. It always feels

0:37:53.440 --> 0:37:55.279
<v Speaker 1>like these are all the same thing. There's just these

0:37:55.760 --> 0:37:58.520
<v Speaker 1>different facets of it, are different versions. But for a

0:37:58.520 --> 0:38:02.240
<v Speaker 1>long time I coloonna record store my friend and business partner, Jason,

0:38:02.280 --> 0:38:04.080
<v Speaker 1>and that was great and I loved it, and that

0:38:04.200 --> 0:38:05.839
<v Speaker 1>was I guess what I would call my real job

0:38:05.880 --> 0:38:09.560
<v Speaker 1>at the time. But also played in bands and always

0:38:09.600 --> 0:38:12.120
<v Speaker 1>toured and loved doing that and that was the really

0:38:12.320 --> 0:38:14.279
<v Speaker 1>fun part of things, being able to leave town for

0:38:14.360 --> 0:38:16.840
<v Speaker 1>a month and drive around the country and play drums

0:38:16.880 --> 0:38:18.840
<v Speaker 1>and come back and still have a job. And I

0:38:18.920 --> 0:38:21.000
<v Speaker 1>was also I started my own record label, so I

0:38:21.000 --> 0:38:23.239
<v Speaker 1>was putting out records by other bands that I liked,

0:38:23.239 --> 0:38:25.360
<v Speaker 1>and it was all to me, it's all this music.

0:38:25.400 --> 0:38:27.880
<v Speaker 1>These are just three different things, three different departments. This

0:38:27.920 --> 0:38:32.480
<v Speaker 1>is one thing. But I definitely just started to feel

0:38:33.880 --> 0:38:36.000
<v Speaker 1>and maybe even recognized that I didn't know a lot

0:38:36.080 --> 0:38:37.480
<v Speaker 1>of other people who had it, because to me, it

0:38:37.480 --> 0:38:40.160
<v Speaker 1>didn't feel unique or special or different, but just this

0:38:40.400 --> 0:38:46.440
<v Speaker 1>absolute internal drive and push and momentum that whatever I did,

0:38:46.680 --> 0:38:48.960
<v Speaker 1>I just really wanted to be all in. Even if

0:38:48.960 --> 0:38:51.840
<v Speaker 1>it was several different things, they were all really important.

0:38:51.920 --> 0:38:53.919
<v Speaker 1>That's why I was doing them. I wasn't doing them

0:38:53.960 --> 0:38:57.239
<v Speaker 1>to havelf do them. And I think around that time

0:38:57.280 --> 0:39:00.600
<v Speaker 1>and my father had not only never stopped too but

0:39:01.239 --> 0:39:04.439
<v Speaker 1>sort of picked up more. In the nineties, hip hop

0:39:04.480 --> 0:39:06.440
<v Speaker 1>obviously became a big thing, and so many of his

0:39:06.560 --> 0:39:09.520
<v Speaker 1>songs were sampled so many times, so he started to

0:39:09.520 --> 0:39:11.560
<v Speaker 1>have a resurgence. He was also still putting out new

0:39:11.600 --> 0:39:14.360
<v Speaker 1>music and touring, and I noticed that I paid attention

0:39:14.400 --> 0:39:16.040
<v Speaker 1>to it. That was in the business. And of course

0:39:16.280 --> 0:39:18.520
<v Speaker 1>now that I had his name, people would often ask

0:39:18.560 --> 0:39:20.799
<v Speaker 1>me if there was any relation, or you look like him?

0:39:20.840 --> 0:39:22.520
<v Speaker 1>All these things started to come up, the stuff that

0:39:22.560 --> 0:39:25.239
<v Speaker 1>I never thought would happen when I chose that name.

0:39:25.840 --> 0:39:28.880
<v Speaker 1>So to me, it was logical. I'm watching this guy who's,

0:39:28.880 --> 0:39:31.279
<v Speaker 1>you know, in his fifties and sixties, which again, when

0:39:31.320 --> 0:39:34.960
<v Speaker 1>I'm twenty eight, still seems pretty old, watching him continue

0:39:35.040 --> 0:39:38.640
<v Speaker 1>to tour the world, and I'm I'm feeling this really

0:39:38.680 --> 0:39:41.480
<v Speaker 1>intense push and pull and not seeing it and the

0:39:41.520 --> 0:39:43.879
<v Speaker 1>people I'm closest to and sort of, yeah, I think

0:39:43.880 --> 0:39:46.120
<v Speaker 1>come to the conclusion that it had to be from him.

0:39:46.160 --> 0:39:47.240
<v Speaker 1>There has to be some connection.

0:39:47.960 --> 0:39:51.160
<v Speaker 2>There's also this great irony that happens a little bit later,

0:39:51.640 --> 0:39:54.880
<v Speaker 2>which is that as you become more and more successful

0:39:55.200 --> 0:39:57.800
<v Speaker 2>and you do have the Air's last name, and people

0:39:58.000 --> 0:40:00.520
<v Speaker 2>you know know or assume that he's your father, of

0:40:00.600 --> 0:40:03.040
<v Speaker 2>people thinking that there was nepotism involved.

0:40:03.520 --> 0:40:06.000
<v Speaker 1>Yeah, That's the funny thing that there are points when

0:40:06.000 --> 0:40:10.720
<v Speaker 1>I've never been as upfront and truthful about the story

0:40:10.760 --> 0:40:13.880
<v Speaker 1>with my mother and my father, simply to defend anyone

0:40:13.920 --> 0:40:16.360
<v Speaker 1>thinking like, oh, oh, your job in the music business,

0:40:16.400 --> 0:40:20.040
<v Speaker 1>right your father's Oh no, no, it has nothing to

0:40:20.040 --> 0:40:25.879
<v Speaker 1>do with it. Yeah.

0:40:25.960 --> 0:40:28.400
<v Speaker 2>When Nobil is in his mid thirties, he starts to

0:40:28.440 --> 0:40:31.880
<v Speaker 2>see a therapist to help him unpack the myriad layers

0:40:31.880 --> 0:40:33.640
<v Speaker 2>of life.

0:40:34.239 --> 0:40:36.120
<v Speaker 1>My mother was in therapy for a long time when

0:40:36.120 --> 0:40:37.600
<v Speaker 1>I was growing up, the whole time we were in

0:40:37.600 --> 0:40:40.360
<v Speaker 1>Salt Lake and I was and this is in the eighties,

0:40:40.360 --> 0:40:42.719
<v Speaker 1>this is before everyone was in therapy. And she was

0:40:42.800 --> 0:40:44.759
<v Speaker 1>very open about it, and I think it helped her.

0:40:44.800 --> 0:40:47.239
<v Speaker 1>And so I was always kind of fascinated by it

0:40:48.040 --> 0:40:50.879
<v Speaker 1>and sort of wanted to do it. And I don't

0:40:50.920 --> 0:40:54.560
<v Speaker 1>know if it's because I'm not the most sort of

0:40:54.680 --> 0:40:56.760
<v Speaker 1>vocal emotional person. I mean, a lot of the stuff

0:40:56.760 --> 0:40:59.000
<v Speaker 1>that we're talking about is not telling people in my

0:40:59.040 --> 0:41:01.760
<v Speaker 1>life story for life of reasons, kind of protecting myself

0:41:02.200 --> 0:41:05.040
<v Speaker 1>and having this mother who is so so open, sometimes

0:41:05.080 --> 0:41:07.120
<v Speaker 1>too open for me. Sometimes it tries to me crazy,

0:41:07.520 --> 0:41:09.160
<v Speaker 1>and so in some ways I think I'm trying to

0:41:09.160 --> 0:41:10.760
<v Speaker 1>be the opposite of her, like a lot of people

0:41:10.800 --> 0:41:13.520
<v Speaker 1>do with their parents. But when I was thirty four,

0:41:13.640 --> 0:41:16.520
<v Speaker 1>I went through a big breakup, and I'd been a

0:41:16.560 --> 0:41:20.080
<v Speaker 1>littleman for a long time. This breakup just's felt like, huh,

0:41:20.280 --> 0:41:22.600
<v Speaker 1>maybe I should try therapy. That's the kind of thing

0:41:22.640 --> 0:41:24.200
<v Speaker 1>you do when you go through a breakup.

0:41:24.560 --> 0:41:27.480
<v Speaker 2>Well, and as is the case with any therapist, your

0:41:27.560 --> 0:41:30.840
<v Speaker 2>father's story would be total catnip for a therapist who

0:41:31.280 --> 0:41:34.840
<v Speaker 2>would want to dig into what that felt like for you.

0:41:35.120 --> 0:41:38.880
<v Speaker 1>Yeah, right, exactly. Session one minute, one second one was

0:41:40.040 --> 0:41:42.360
<v Speaker 1>let's talk about your father. As soon as I started

0:41:42.360 --> 0:41:44.799
<v Speaker 1>doing it, and I assume that that's so we del

0:41:44.880 --> 0:41:47.680
<v Speaker 1>at the same time. It was, you know, I wasn't

0:41:47.719 --> 0:41:49.200
<v Speaker 1>like no, I don't want to talk about that. I

0:41:49.200 --> 0:41:53.640
<v Speaker 1>think I was interested in again this very positive idea

0:41:53.760 --> 0:41:55.560
<v Speaker 1>of therapy. It didn't mean anything was wrong with me.

0:41:55.640 --> 0:41:57.760
<v Speaker 1>It was a place to safely talk about the things

0:41:57.800 --> 0:42:01.120
<v Speaker 1>I've never felt safe talking about, and that's top of lists.

0:42:01.120 --> 0:42:04.680
<v Speaker 1>So my therapist getting into that felt like, oh, wow,

0:42:04.719 --> 0:42:07.840
<v Speaker 1>this is interesting. I can finally talk about this. It's safe.

0:42:08.200 --> 0:42:12.200
<v Speaker 1>There won't be judgment, I think, and it definitely it

0:42:12.239 --> 0:42:14.240
<v Speaker 1>didn't change my mind about things, but it was interesting

0:42:14.280 --> 0:42:16.000
<v Speaker 1>to just at least be talking about it on a

0:42:16.040 --> 0:42:18.920
<v Speaker 1>regular basis, and I think it led me to wanting

0:42:18.920 --> 0:42:19.480
<v Speaker 1>to meet him.

0:42:20.160 --> 0:42:25.320
<v Speaker 2>So then you hear that Roy's playing in Seattle at

0:42:25.600 --> 0:42:28.360
<v Speaker 2>the Triple Door. It also occurs to you that you know,

0:42:28.400 --> 0:42:31.640
<v Speaker 2>you're you're in your mid thirties, he's nearing seventy, okay,

0:42:31.880 --> 0:42:33.759
<v Speaker 2>and there's a little bit of a feeling I think of,

0:42:34.560 --> 0:42:35.640
<v Speaker 2>you know, if not now when?

0:42:36.640 --> 0:42:38.400
<v Speaker 1>Yeah, that was it. I mean, he would play in

0:42:38.400 --> 0:42:40.839
<v Speaker 1>Seattle pretty much every year, as I recall, I would

0:42:40.880 --> 0:42:43.160
<v Speaker 1>see it listed in the in the paper. Sometimes people

0:42:43.160 --> 0:42:45.239
<v Speaker 1>would say something, you know, oh, I see your dad's

0:42:45.239 --> 0:42:47.560
<v Speaker 1>playing again. I own a record store. All I'd do

0:42:47.800 --> 0:42:50.560
<v Speaker 1>all day long is talk to people customers, regulars who

0:42:50.600 --> 0:42:53.080
<v Speaker 1>come in. So it's not like I was hanging out

0:42:53.120 --> 0:42:54.960
<v Speaker 1>in the law firm hearing these things. Like I was

0:42:55.160 --> 0:42:57.239
<v Speaker 1>in the place where people are going to talk about it,

0:42:57.800 --> 0:42:59.600
<v Speaker 1>and every time it didn't. I don't remember it really

0:42:59.640 --> 0:43:01.480
<v Speaker 1>even if acting me, I just remember thinking, Oh, yeah,

0:43:01.480 --> 0:43:03.840
<v Speaker 1>he's coming to town again. He does it every year.

0:43:04.040 --> 0:43:06.680
<v Speaker 1>I never really seriously thought about going to see him.

0:43:06.880 --> 0:43:09.600
<v Speaker 1>I think I would sometimes deliberately be out of town,

0:43:09.960 --> 0:43:12.920
<v Speaker 1>which is obviously something to sort of protect myself or

0:43:12.960 --> 0:43:15.759
<v Speaker 1>to at least maybe even to just say to people like, oh,

0:43:15.800 --> 0:43:17.200
<v Speaker 1>I'm going to be out of town. I think I

0:43:17.239 --> 0:43:19.360
<v Speaker 1>would actually book a trip just to make it easier.

0:43:19.840 --> 0:43:23.160
<v Speaker 1>So obviously the therapy dug up all of this, and

0:43:23.480 --> 0:43:26.239
<v Speaker 1>pretty soon in I saw the listing or someone told

0:43:26.280 --> 0:43:28.560
<v Speaker 1>me that he's coming, and for some reason, when she

0:43:28.640 --> 0:43:30.640
<v Speaker 1>said that it was someone in the store, it just

0:43:30.760 --> 0:43:33.080
<v Speaker 1>hit me differently. All these new thoughts came up, and

0:43:33.280 --> 0:43:35.200
<v Speaker 1>it wasn't like, oh I better book a trip out

0:43:35.200 --> 0:43:38.319
<v Speaker 1>of town or I don't care. It was huh, I

0:43:38.400 --> 0:43:41.520
<v Speaker 1>need to figure out how to see him. It totally flipped.

0:43:41.560 --> 0:43:43.480
<v Speaker 1>It was one eighty. Definitely part of it was the

0:43:43.520 --> 0:43:46.319
<v Speaker 1>age thing that he was nearing seventy. It's sure he

0:43:46.360 --> 0:43:48.080
<v Speaker 1>comes back every year, but one of these years he

0:43:48.160 --> 0:43:51.040
<v Speaker 1>might not. And it wasn't even necessarily he's going to die,

0:43:51.120 --> 0:43:53.840
<v Speaker 1>but it was seventy, like, certainly he might not tour

0:43:53.920 --> 0:43:57.880
<v Speaker 1>again next year. That's getting pretty old. So I decide

0:43:57.960 --> 0:44:02.200
<v Speaker 1>it's time. And it's very easy to sort of justify

0:44:02.440 --> 0:44:06.440
<v Speaker 1>my need or my want by the very pragmatic logical stuff.

0:44:06.480 --> 0:44:09.000
<v Speaker 1>My thinking was, you know, every time I go to

0:44:09.040 --> 0:44:11.440
<v Speaker 1>a doctor and he asks about my family history, I

0:44:11.480 --> 0:44:13.719
<v Speaker 1>can't tell him anything about my father's side. And now

0:44:13.760 --> 0:44:15.840
<v Speaker 1>I'm thirty five, and these are things I'm going to

0:44:15.880 --> 0:44:18.840
<v Speaker 1>want to know someday. So for those reasons alone, it

0:44:18.880 --> 0:44:20.239
<v Speaker 1>would be great to talk to him and try to

0:44:20.239 --> 0:44:22.840
<v Speaker 1>get some medical history and family history. So that was

0:44:22.880 --> 0:44:26.760
<v Speaker 1>at least the easy thing to tell myself, and probably

0:44:26.760 --> 0:44:28.759
<v Speaker 1>not tell other people, because I definitely I'm not that

0:44:28.840 --> 0:44:30.840
<v Speaker 1>kind of person. I doubt I told anyone I was trying,

0:44:30.880 --> 0:44:33.360
<v Speaker 1>because that would make me feel bad if I didn't

0:44:33.360 --> 0:44:36.600
<v Speaker 1>see him, to have to tell people that. But I

0:44:36.680 --> 0:44:39.280
<v Speaker 1>decided to try to reach him, and I told my mother.

0:44:39.480 --> 0:44:41.680
<v Speaker 1>We still talked all the time, and we still do now,

0:44:42.040 --> 0:44:46.120
<v Speaker 1>and I'd never heard her. She turned into a totally

0:44:46.160 --> 0:44:49.880
<v Speaker 1>different person. She was so worried and so protective and

0:44:50.080 --> 0:44:52.399
<v Speaker 1>warned me of so many different things, and like she's

0:44:52.480 --> 0:44:55.320
<v Speaker 1>been hiding all this stuff for thirty five years waiting

0:44:55.360 --> 0:44:59.200
<v Speaker 1>for this moment, which was just like, Oh, why are

0:44:59.200 --> 0:45:01.040
<v Speaker 1>you going to do that? I put yourself out there

0:45:01.080 --> 0:45:02.920
<v Speaker 1>like that, even if you get a hold of him,

0:45:02.960 --> 0:45:05.359
<v Speaker 1>he's not going to show up. He's so flaky, You're

0:45:05.400 --> 0:45:07.879
<v Speaker 1>really setting yourself up. It was I could really hear

0:45:07.920 --> 0:45:10.520
<v Speaker 1>in her voice how scared she was for what I

0:45:10.600 --> 0:45:13.319
<v Speaker 1>was going to encounter. And she definitely always talked about

0:45:13.400 --> 0:45:15.840
<v Speaker 1>him as like he's a musician, he's kind of flaky.

0:45:15.880 --> 0:45:17.840
<v Speaker 1>He was always hard to pin down. But it really

0:45:17.880 --> 0:45:20.200
<v Speaker 1>came out in a much much stronger way on this

0:45:20.320 --> 0:45:22.000
<v Speaker 1>phone call when I decided I wanted to.

0:45:21.920 --> 0:45:24.319
<v Speaker 3>Meet him, because she was protective of you.

0:45:24.880 --> 0:45:28.839
<v Speaker 1>So protective. It was so obvious, and it also then

0:45:28.920 --> 0:45:32.080
<v Speaker 1>really just colored in for me a bit more about

0:45:32.080 --> 0:45:34.920
<v Speaker 1>her relationship with him, and maybe I remember thinking, oh,

0:45:34.960 --> 0:45:37.120
<v Speaker 1>I think maybe she was a little bit more into

0:45:37.200 --> 0:45:39.840
<v Speaker 1>him than she kind of led on. But regardless, I

0:45:39.920 --> 0:45:42.799
<v Speaker 1>just said I think I actually told her not so

0:45:42.880 --> 0:45:45.279
<v Speaker 1>much because I wanted her to know but because I

0:45:45.320 --> 0:45:46.600
<v Speaker 1>wanted to know if she knew how to get a

0:45:46.600 --> 0:45:49.160
<v Speaker 1>hold of him, and she was the logical first step,

0:45:49.160 --> 0:45:52.360
<v Speaker 1>and she said no, I found his booking agent online

0:45:52.400 --> 0:45:56.040
<v Speaker 1>and email and sent this sort of very safe email,

0:45:56.280 --> 0:45:58.120
<v Speaker 1>knowing that if he saw it, he would know who

0:45:58.200 --> 0:46:00.600
<v Speaker 1>I was. I said, you know, my name's Nabia. My

0:46:00.640 --> 0:46:02.759
<v Speaker 1>mother was Louise. She used to know Roy back in

0:46:02.760 --> 0:46:04.640
<v Speaker 1>the early seventies, and they were kind of dropped all

0:46:04.680 --> 0:46:06.919
<v Speaker 1>these clues, but that's it, and just said, I see

0:46:06.960 --> 0:46:08.840
<v Speaker 1>he's coming to town soon. I'd love to get together.

0:46:09.200 --> 0:46:11.720
<v Speaker 1>Can you give him my number or whatever. I didn't

0:46:11.719 --> 0:46:14.840
<v Speaker 1>hear back, but I mean the feeling of sending that

0:46:14.920 --> 0:46:17.680
<v Speaker 1>email was just like, I can't I mean, I remember

0:46:17.760 --> 0:46:20.000
<v Speaker 1>my heart was racing. I can't believe I just sent

0:46:20.040 --> 0:46:23.200
<v Speaker 1>it and now, and I was so nervous right after

0:46:23.280 --> 0:46:25.480
<v Speaker 1>I sent it, of all the things that might happen,

0:46:26.320 --> 0:46:28.160
<v Speaker 1>and the biggest of which what my mother won me,

0:46:28.239 --> 0:46:32.359
<v Speaker 1>of setting something up but him not following through and

0:46:32.400 --> 0:46:35.200
<v Speaker 1>me standing there, you know, waiting for him, or something

0:46:35.239 --> 0:46:37.480
<v Speaker 1>like that. I really really felt terrible, and I was

0:46:37.520 --> 0:46:39.760
<v Speaker 1>angry at myself for trying. Why did you put yourself

0:46:39.800 --> 0:46:41.560
<v Speaker 1>out there so much. What do you open to get?

0:46:41.600 --> 0:46:43.279
<v Speaker 1>All this stuff was going through my head to the

0:46:43.320 --> 0:46:46.480
<v Speaker 1>point where when I hadn't heard back, maybe even the

0:46:46.480 --> 0:46:49.520
<v Speaker 1>next day, the first thing I did was email my

0:46:49.600 --> 0:46:51.560
<v Speaker 1>friend who was the promoter at the show at the

0:46:51.560 --> 0:46:54.160
<v Speaker 1>Triple Door, and I just said, you know, spilled this

0:46:54.239 --> 0:46:55.480
<v Speaker 1>out an email. I was like, I don't know if

0:46:55.480 --> 0:46:57.600
<v Speaker 1>you know this. Roy is my father. The show is happening.

0:46:57.640 --> 0:47:00.560
<v Speaker 1>I tried his booking agent, but if that doesn't work now,

0:47:00.560 --> 0:47:02.759
<v Speaker 1>I'm at a point where I can't reel it back

0:47:02.800 --> 0:47:04.640
<v Speaker 1>and I need to just show up. Will you let

0:47:04.680 --> 0:47:08.360
<v Speaker 1>me backstage in three months or It was so unnecessarily early,

0:47:08.800 --> 0:47:11.319
<v Speaker 1>but I was just so so I had so much

0:47:11.320 --> 0:47:12.920
<v Speaker 1>anxiety about it. And he said sure, he can come

0:47:12.960 --> 0:47:14.520
<v Speaker 1>backstage at the show. And there was this thing in

0:47:14.560 --> 0:47:17.359
<v Speaker 1>my head that was, unless I hear back from him,

0:47:17.600 --> 0:47:19.520
<v Speaker 1>I'm going to show up that night and walk right

0:47:19.560 --> 0:47:22.480
<v Speaker 1>in and say hi, and that's going to be really,

0:47:22.760 --> 0:47:25.120
<v Speaker 1>really difficult, and I really don't want to do that.

0:47:27.000 --> 0:47:29.839
<v Speaker 1>So I had a little bit of time, and maybe

0:47:29.840 --> 0:47:32.240
<v Speaker 1>a week later, I just emailed the booking agent again

0:47:32.920 --> 0:47:35.400
<v Speaker 1>and said, Okay, that last email was kind of soft.

0:47:35.600 --> 0:47:38.880
<v Speaker 1>Roy is my father. I haven't seen him in however long,

0:47:39.440 --> 0:47:41.200
<v Speaker 1>I am going to this show no matter what, and

0:47:41.239 --> 0:47:42.880
<v Speaker 1>I'm going to talk to him. It would be a

0:47:42.920 --> 0:47:46.839
<v Speaker 1>lot easier if you could help facilitate that, like kind

0:47:46.840 --> 0:47:49.480
<v Speaker 1>of threatening email something that is really not my style,

0:47:49.520 --> 0:47:52.040
<v Speaker 1>but it was so it was just weighing on me

0:47:52.080 --> 0:47:55.000
<v Speaker 1>so heavily, and I was so scared for you know,

0:47:55.080 --> 0:47:57.640
<v Speaker 1>I'd rather send a threatening email than show up and

0:47:58.120 --> 0:48:01.600
<v Speaker 1>risk who knows what. And the agent replied right away

0:48:01.600 --> 0:48:03.960
<v Speaker 1>and said, yeah, yeah, I'm forwarding this to Roy, like

0:48:04.560 --> 0:48:07.480
<v Speaker 1>my female and I was like, oh god, okay, And

0:48:07.520 --> 0:48:09.360
<v Speaker 1>so at least that to me sort of put it

0:48:09.360 --> 0:48:10.719
<v Speaker 1>out of my head. And I was going to the

0:48:10.719 --> 0:48:13.399
<v Speaker 1>therapist too. But to me, however far away, the show

0:48:13.480 --> 0:48:16.360
<v Speaker 1>was still weeks away. There's nothing to do now, this

0:48:16.440 --> 0:48:19.239
<v Speaker 1>guy's forwarding it to Roy, my friend's getting me backstage.

0:48:19.480 --> 0:48:22.120
<v Speaker 1>There's nothing for me to do until that day, either

0:48:22.160 --> 0:48:23.640
<v Speaker 1>I hear from him or I don't. But you know,

0:48:23.800 --> 0:48:27.080
<v Speaker 1>there's no reason to make myself sick every day. And

0:48:27.200 --> 0:48:30.400
<v Speaker 1>out of the blue, one day, I wake up to

0:48:30.440 --> 0:48:32.520
<v Speaker 1>a voicemail from a New York number and I'm like, oh,

0:48:32.520 --> 0:48:34.200
<v Speaker 1>I wonder what that is. And I listened to it

0:48:34.239 --> 0:48:37.040
<v Speaker 1>and it's him. It's Roy, my father. The first time,

0:48:37.080 --> 0:48:39.360
<v Speaker 1>of course he's ever called me, and maybe even the

0:48:39.360 --> 0:48:41.719
<v Speaker 1>first time I've heard him say my name, which I

0:48:41.719 --> 0:48:45.280
<v Speaker 1>thought was interesting, and he has this very like, calm,

0:48:45.400 --> 0:48:47.480
<v Speaker 1>nice voice, and he just I can't believe I didn't

0:48:47.520 --> 0:48:52.040
<v Speaker 1>save this voicemail, just thinking myself, but but he just says, Hey,

0:48:52.040 --> 0:48:54.000
<v Speaker 1>it's Roy. I hear you're in Seattle. I'm gonna be

0:48:54.000 --> 0:48:57.160
<v Speaker 1>there soon, you know, Okay, call me back, like really,

0:48:57.280 --> 0:48:59.839
<v Speaker 1>like as if we were buddies, or as if we'd

0:49:00.120 --> 0:49:02.680
<v Speaker 1>out last year, like very sort of but in a nice,

0:49:02.760 --> 0:49:07.560
<v Speaker 1>not hurried, like very welcoming voicemail. And I listened to

0:49:07.600 --> 0:49:11.640
<v Speaker 1>it several times. I was so happy, and I can't

0:49:11.680 --> 0:49:14.880
<v Speaker 1>tell if the happiness was wow, my father called me

0:49:14.920 --> 0:49:17.160
<v Speaker 1>and said my name and was nice, or if the

0:49:17.200 --> 0:49:20.319
<v Speaker 1>happiness was, man, I'm so glad I don't have to

0:49:20.360 --> 0:49:22.799
<v Speaker 1>go crash his backstage, which and I'm sure it was

0:49:22.800 --> 0:49:26.600
<v Speaker 1>a combination, but it was just sort of relief and

0:49:26.680 --> 0:49:28.680
<v Speaker 1>a bit of acceptance and all this stuff at the

0:49:28.719 --> 0:49:32.200
<v Speaker 1>same time. It was really a really intense morning. I

0:49:32.200 --> 0:49:35.040
<v Speaker 1>remember really clearing my head for some reason, thinking like,

0:49:35.600 --> 0:49:37.279
<v Speaker 1>when I call him, it needs to be perfect I

0:49:37.320 --> 0:49:39.040
<v Speaker 1>can't just like call him right back right now. I

0:49:39.080 --> 0:49:41.399
<v Speaker 1>need to go to work, look at the numbers from

0:49:41.440 --> 0:49:44.160
<v Speaker 1>last night, drink my coffee, do my little morning routine,

0:49:44.200 --> 0:49:46.520
<v Speaker 1>and then call him when my brain's kind of clear.

0:49:46.600 --> 0:49:48.960
<v Speaker 1>And I do and he picks up, and it's just

0:49:49.000 --> 0:49:51.440
<v Speaker 1>as wonderful as the voicemail is super friendly, and it

0:49:51.480 --> 0:49:53.360
<v Speaker 1>turns into you know, great, I'll pick you up at

0:49:53.360 --> 0:49:55.120
<v Speaker 1>your hotel the day of the show. We'll go to

0:49:55.200 --> 0:49:57.480
<v Speaker 1>lunch and I'll see you then. And it's in a

0:49:57.480 --> 0:49:59.600
<v Speaker 1>week or something. And I call my mother all excited,

0:49:59.680 --> 0:50:02.799
<v Speaker 1>you know, kind of a nicer version of you know,

0:50:02.840 --> 0:50:04.719
<v Speaker 1>everything you're worried about is not going to happen. He's

0:50:04.760 --> 0:50:07.480
<v Speaker 1>so great, and she's just like, he's not gonna come.

0:50:08.000 --> 0:50:09.719
<v Speaker 1>And this is, you know, this is not who my

0:50:09.760 --> 0:50:12.200
<v Speaker 1>mother is. This is not me with like god, Mom,

0:50:12.239 --> 0:50:15.239
<v Speaker 1>you always do that. It's the opposite of that. So

0:50:15.360 --> 0:50:18.000
<v Speaker 1>it still really shakes me, just that, just about this

0:50:18.040 --> 0:50:21.600
<v Speaker 1>specific thing and a specific person, how little she believes

0:50:21.600 --> 0:50:24.239
<v Speaker 1>in him and how worried she is about me. But

0:50:24.880 --> 0:50:28.319
<v Speaker 1>he does. And I remember weirdly pulling up to the

0:50:28.320 --> 0:50:31.160
<v Speaker 1>hotel and thinking I should be so nervous right now,

0:50:31.160 --> 0:50:33.480
<v Speaker 1>but I'm not even a little bit nervous, and maybe

0:50:33.520 --> 0:50:35.560
<v Speaker 1>it was because of the ease of those phone calls,

0:50:35.600 --> 0:50:39.000
<v Speaker 1>but I just parked the car, walked in and saw

0:50:39.040 --> 0:50:41.960
<v Speaker 1>this guy who was obviously him, and we both kind

0:50:42.000 --> 0:50:45.040
<v Speaker 1>of smiled and pointed each other out, and just like

0:50:45.160 --> 0:50:49.960
<v Speaker 1>immediately it was easy. It just it really did feel natural,

0:50:50.000 --> 0:50:52.040
<v Speaker 1>as if we'd talked before, or as if we'd hung

0:50:52.080 --> 0:50:55.760
<v Speaker 1>out before, and this was a continuation of something something recent.

0:50:55.920 --> 0:50:58.319
<v Speaker 1>There was no like, God, I can't believe him looking

0:50:58.360 --> 0:51:02.080
<v Speaker 1>at you. It just wasn't that at all, very unique, weird,

0:51:02.200 --> 0:51:05.960
<v Speaker 1>special experience. He said he wanted sushi, So there's lots

0:51:05.960 --> 0:51:07.960
<v Speaker 1>of great sushi in Seattle, but we were supposed to

0:51:08.000 --> 0:51:09.640
<v Speaker 1>go to my favorite place. We pulled up and it

0:51:09.680 --> 0:51:11.640
<v Speaker 1>was closed on whatever day of the week that was,

0:51:11.680 --> 0:51:14.600
<v Speaker 1>and I remember feeling so like I was trying to

0:51:14.640 --> 0:51:17.759
<v Speaker 1>impress him, you know, with great sushi in Seattle. Now

0:51:17.800 --> 0:51:19.480
<v Speaker 1>I have to go to this other place that's still

0:51:19.560 --> 0:51:22.640
<v Speaker 1>really good, but not as good. So definitely these funny

0:51:22.640 --> 0:51:25.520
<v Speaker 1>things of like do I care that he's my father

0:51:25.640 --> 0:51:27.800
<v Speaker 1>or do I not? I'm not sure, But to me

0:51:28.080 --> 0:51:30.000
<v Speaker 1>that was a moment of me caring that I was

0:51:30.000 --> 0:51:33.680
<v Speaker 1>trying to impress my father, and we so we have sushi,

0:51:33.760 --> 0:51:38.040
<v Speaker 1>and I just kind of launch in till I mean,

0:51:38.080 --> 0:51:39.840
<v Speaker 1>I brought a notebook and I said, you know, do

0:51:39.840 --> 0:51:41.000
<v Speaker 1>you mind if I take some notes. I have a

0:51:41.040 --> 0:51:42.759
<v Speaker 1>lot of questions. He was like, yeah, that's fine. He

0:51:42.840 --> 0:51:45.520
<v Speaker 1>was very calm, very present, didn't feel like he wanted

0:51:45.560 --> 0:51:49.000
<v Speaker 1>to leave or had to leave. And I asked about family,

0:51:49.040 --> 0:51:51.480
<v Speaker 1>and I asked about medical history, and he told me everything,

0:51:51.520 --> 0:51:53.360
<v Speaker 1>told me about his three sisters and as much as

0:51:53.360 --> 0:51:56.280
<v Speaker 1>he could about his parents, and I was furiously writing.

0:51:56.880 --> 0:51:58.920
<v Speaker 1>And also when I would look at him, it was

0:51:59.120 --> 0:52:02.200
<v Speaker 1>just so intense to sit across the table from this

0:52:02.239 --> 0:52:04.439
<v Speaker 1>person who looked so much like me. He was thirty

0:52:04.520 --> 0:52:07.640
<v Speaker 1>years older, but he would like even just like scratch

0:52:07.680 --> 0:52:10.600
<v Speaker 1>his eye or laugh or make some kind of gesture,

0:52:10.600 --> 0:52:12.520
<v Speaker 1>and it was seriously like looking into a mirror. And

0:52:12.520 --> 0:52:16.080
<v Speaker 1>I just couldn't believe for how little time we'd spent together,

0:52:16.120 --> 0:52:19.600
<v Speaker 1>which was seriously, what maybe five minutes of my life

0:52:19.640 --> 0:52:22.600
<v Speaker 1>in five different spurts up to that point, to look

0:52:22.640 --> 0:52:25.920
<v Speaker 1>at him and see how insanely much not looked, but

0:52:25.960 --> 0:52:28.839
<v Speaker 1>how much he felt like me, and how wild it

0:52:28.960 --> 0:52:31.920
<v Speaker 1>was to see that, and feel that it was really

0:52:31.920 --> 0:52:34.719
<v Speaker 1>intense and incredible and really cool. And I think he

0:52:34.800 --> 0:52:36.520
<v Speaker 1>noticed it too, and he pointed at me and he's like,

0:52:36.520 --> 0:52:39.239
<v Speaker 1>oh you got He pointed to his head and he's like,

0:52:39.280 --> 0:52:41.200
<v Speaker 1>oh you got You lost your hair before I did,

0:52:41.239 --> 0:52:44.440
<v Speaker 1>said things like that. But also what was happening He

0:52:44.480 --> 0:52:46.319
<v Speaker 1>pointed to his cheek bones, He's like, oh, you got

0:52:46.320 --> 0:52:48.960
<v Speaker 1>these two Native American blood. So what was happening for

0:52:49.040 --> 0:52:52.480
<v Speaker 1>me was not just the connection thing, but he was

0:52:52.920 --> 0:52:57.920
<v Speaker 1>absolutely confirming that I was his son, which I didn't doubt,

0:52:58.160 --> 0:53:01.160
<v Speaker 1>but I wondered if he doubted. And the fact that

0:53:01.200 --> 0:53:03.000
<v Speaker 1>he was saying, oh, you got this from me, you

0:53:03.040 --> 0:53:05.800
<v Speaker 1>got this from me, and surely saw the same manners

0:53:05.800 --> 0:53:08.319
<v Speaker 1>and things that I saw, I think made it undeniable.

0:53:08.760 --> 0:53:12.040
<v Speaker 1>And he was just very obviously you know, knew it.

0:53:12.120 --> 0:53:14.920
<v Speaker 1>And so those things were great. I mean I really

0:53:15.040 --> 0:53:17.439
<v Speaker 1>was trying to drag out the lunch. It was only lunch,

0:53:17.480 --> 0:53:19.120
<v Speaker 1>but they were like, do you want dessert or coffee?

0:53:19.160 --> 0:53:20.799
<v Speaker 1>And I would you know, at a meal like that,

0:53:20.880 --> 0:53:22.440
<v Speaker 1>you look at the other person and say, I don't know,

0:53:22.440 --> 0:53:23.960
<v Speaker 1>what do you think? I was just like, yes, yes,

0:53:24.360 --> 0:53:27.200
<v Speaker 1>you know. I keep bringing us things because I need

0:53:27.200 --> 0:53:29.799
<v Speaker 1>to take this longer. Can you take a while, because

0:53:29.840 --> 0:53:33.240
<v Speaker 1>I just wanted more information, and at the time, even

0:53:33.280 --> 0:53:36.319
<v Speaker 1>though I wanted it to happen more, I think I

0:53:36.440 --> 0:53:40.000
<v Speaker 1>knew this is it. This is never happening again. I

0:53:40.080 --> 0:53:42.280
<v Speaker 1>really felt like that, like I have to get everything

0:53:42.280 --> 0:53:45.160
<v Speaker 1>I can right now, because no matter how natural and

0:53:45.280 --> 0:53:47.880
<v Speaker 1>great and this feels, and how much it feels like,

0:53:48.520 --> 0:53:50.239
<v Speaker 1>I'll be able to do this from now on, I

0:53:50.280 --> 0:53:53.040
<v Speaker 1>don't think that's true. I think I knew that, and

0:53:53.120 --> 0:53:55.200
<v Speaker 1>so I was just trying to get it all in.

0:53:55.280 --> 0:53:57.479
<v Speaker 1>And there's a moment towards the end where he looked

0:53:57.480 --> 0:54:00.000
<v Speaker 1>at me and he said, you know, I'm proud of you.

0:54:00.440 --> 0:54:03.680
<v Speaker 1>And it really hit me in the wrong way. It

0:54:03.680 --> 0:54:06.279
<v Speaker 1>didn't hit me, especially after everything I was feeling and

0:54:06.760 --> 0:54:10.239
<v Speaker 1>feeling connected and seeing are similar mannerisms and everything. It

0:54:10.520 --> 0:54:14.520
<v Speaker 1>just went through my brain too quickly. It went right

0:54:14.560 --> 0:54:16.239
<v Speaker 1>to the other side. It didn't go to my heart.

0:54:16.280 --> 0:54:18.799
<v Speaker 1>It went to my brain. And I didn't say this,

0:54:18.880 --> 0:54:21.160
<v Speaker 1>of course, but what I thought was, Oh, you should

0:54:21.160 --> 0:54:23.040
<v Speaker 1>really just say you're proud of yourself, because you're just

0:54:23.080 --> 0:54:24.880
<v Speaker 1>looking at me thinking you did a good job and

0:54:24.920 --> 0:54:27.840
<v Speaker 1>you got away with a lot. That's what it felt like,

0:54:28.480 --> 0:54:29.680
<v Speaker 1>but I didn't say that. Of course.

0:54:30.880 --> 0:54:34.320
<v Speaker 2>Well, it's so interesting because you know, for your whole life,

0:54:34.760 --> 0:54:37.560
<v Speaker 2>when it came to your father, both for you and

0:54:37.600 --> 0:54:40.279
<v Speaker 2>your mother, there always was this feeling of, you know,

0:54:40.719 --> 0:54:43.120
<v Speaker 2>wanting him to see, look how well we did. But

0:54:43.200 --> 0:54:46.720
<v Speaker 2>it didn't have the quality of so that you'll be proud,

0:54:46.840 --> 0:54:51.200
<v Speaker 2>like it's actually not about you, right, So it was

0:54:51.239 --> 0:54:53.600
<v Speaker 2>more like you and your mom. It was about your

0:54:53.640 --> 0:55:00.000
<v Speaker 2>mom saying or showing that she had done this amazing thing.

0:55:00.160 --> 0:55:01.799
<v Speaker 2>She had had this vision for the way she wanted

0:55:01.840 --> 0:55:03.879
<v Speaker 2>to live her life and what she wanted to do

0:55:03.920 --> 0:55:06.880
<v Speaker 2>that was very much out of step with the times

0:55:06.880 --> 0:55:09.319
<v Speaker 2>that she was living in, and she did it. So

0:55:09.440 --> 0:55:12.000
<v Speaker 2>for him to turn to you and say I'm proud

0:55:12.000 --> 0:55:15.719
<v Speaker 2>of you almost has like a whiff of ownership exactly.

0:55:15.760 --> 0:55:18.560
<v Speaker 1>That's exactly what it felt like. And my initial knee

0:55:18.600 --> 0:55:20.719
<v Speaker 1>jerk was you don't get to take any of this.

0:55:25.760 --> 0:55:26.600
<v Speaker 3>We'll be right back.

0:55:39.280 --> 0:55:44.239
<v Speaker 2>This lunch strikes another sour note when Nabil's have siblings

0:55:44.760 --> 0:55:47.880
<v Speaker 2>and to May and Ayana come up in conversation.

0:55:50.120 --> 0:55:54.040
<v Speaker 1>That's the first moment where I feel sort of non openness.

0:55:54.080 --> 0:55:55.880
<v Speaker 1>I suppose everything else I've asked you know, tell me

0:55:55.920 --> 0:55:57.960
<v Speaker 1>about your mother, tell me about how you got into music.

0:55:57.960 --> 0:55:59.520
<v Speaker 1>It was really just like an interview, and he just

0:55:59.719 --> 0:56:02.600
<v Speaker 1>mat went into it, told me everything, and I asked

0:56:02.640 --> 0:56:04.759
<v Speaker 1>about family. Another kid, you know, one is in North

0:56:04.760 --> 0:56:06.920
<v Speaker 1>Carolina in two May, and so I wasn't as focused

0:56:06.960 --> 0:56:08.560
<v Speaker 1>on him because I've lived in Seattle and I was

0:56:08.560 --> 0:56:10.839
<v Speaker 1>in New York a lot. And Iana is in New York.

0:56:10.880 --> 0:56:12.200
<v Speaker 1>And I said, wow, I'd love to meet her. I'm

0:56:12.200 --> 0:56:14.440
<v Speaker 1>in New York all the time. And he sort of

0:56:14.480 --> 0:56:17.560
<v Speaker 1>physically I could see it, like, you know, that's that

0:56:17.680 --> 0:56:19.799
<v Speaker 1>was the first thing I said that just gave him

0:56:19.800 --> 0:56:22.719
<v Speaker 1>some reservation, and he kind of he said something I

0:56:22.760 --> 0:56:24.680
<v Speaker 1>don't remember exactly what, but it's something like, oh, that

0:56:24.760 --> 0:56:26.840
<v Speaker 1>might take some time, or something that was, you know,

0:56:26.920 --> 0:56:30.200
<v Speaker 1>a bit political and not no and maybe even reasonable too.

0:56:30.560 --> 0:56:31.960
<v Speaker 1>But it was just the first thing that I'd sort

0:56:32.000 --> 0:56:34.640
<v Speaker 1>of felt like, oh, Okay, I'm definitely not just getting everything

0:56:34.640 --> 0:56:36.680
<v Speaker 1>I want from sitting here for an hour an hour

0:56:36.680 --> 0:56:39.239
<v Speaker 1>and a half. And I really loved the idea of

0:56:39.520 --> 0:56:41.359
<v Speaker 1>my half siblings, so that was disappointing.

0:56:43.120 --> 0:56:46.800
<v Speaker 2>Later that evening, Roy plays his show No Bill attends

0:56:47.080 --> 0:56:50.319
<v Speaker 2>but doesn't go backstage after all. He goes right home

0:56:50.400 --> 0:56:54.279
<v Speaker 2>after the performance, feeling content he'd asked enough of the

0:56:54.400 --> 0:56:57.840
<v Speaker 2>day and of his father. Things had mostly gone so

0:56:57.960 --> 0:57:01.399
<v Speaker 2>well at lunch, Why risk heaven another interaction that might

0:57:01.480 --> 0:57:06.640
<v Speaker 2>not go as smoothly, But quickly after this connective day

0:57:06.640 --> 0:57:11.920
<v Speaker 2>with Roy, a tidal wave of longing comes crashing into nubil.

0:57:13.000 --> 0:57:17.200
<v Speaker 2>That long, friendly lunch had unleashed something in him that

0:57:17.360 --> 0:57:21.160
<v Speaker 2>was either really buried or not previously there at all,

0:57:21.800 --> 0:57:24.440
<v Speaker 2>a longing for a relationship with his father.

0:57:25.800 --> 0:57:28.720
<v Speaker 1>I was in New York easily five or six times

0:57:28.760 --> 0:57:32.400
<v Speaker 1>probably that year, and so there was absolutely just like, wow,

0:57:32.480 --> 0:57:34.240
<v Speaker 1>I need to not only do I want to meet

0:57:34.440 --> 0:57:36.880
<v Speaker 1>my sister, but I would like to sit with him again.

0:57:36.960 --> 0:57:40.480
<v Speaker 1>I want to learn more. And there weren't specific unanswered questions.

0:57:40.480 --> 0:57:43.480
<v Speaker 1>I think I got everything specific in that one interview.

0:57:43.520 --> 0:57:45.600
<v Speaker 1>It would have been very easy to say I did it.

0:57:46.080 --> 0:57:48.360
<v Speaker 1>I don't need anything more. I have all the information

0:57:48.400 --> 0:57:50.200
<v Speaker 1>I'm going to get. I met him, we connected, It

0:57:50.520 --> 0:57:53.600
<v Speaker 1>was positive the end, and I know maybe I should

0:57:53.640 --> 0:57:56.360
<v Speaker 1>have done that because what happened was, and I think

0:57:56.360 --> 0:57:57.760
<v Speaker 1>I said to him at that lunch like I'm in

0:57:57.760 --> 0:57:59.920
<v Speaker 1>New York all the time. It would be great to

0:58:00.200 --> 0:58:03.600
<v Speaker 1>like get coffee, and really, what I was saying was like, look,

0:58:03.760 --> 0:58:07.080
<v Speaker 1>I'm thirty five, you met me. I'm not crazy, I'm

0:58:07.120 --> 0:58:09.440
<v Speaker 1>making you look good. I'm not asking for money. I'm

0:58:09.480 --> 0:58:13.840
<v Speaker 1>not asking for anything. You got office Scott free let me,

0:58:14.000 --> 0:58:15.640
<v Speaker 1>you know, hang out with me once in a while

0:58:15.680 --> 0:58:17.760
<v Speaker 1>and give me some more information. That's I think what

0:58:17.880 --> 0:58:20.800
<v Speaker 1>I was saying pretty plainly, and he said yeah, of course,

0:58:21.280 --> 0:58:23.120
<v Speaker 1>And so to me, I was like, Wow, this will

0:58:23.160 --> 0:58:24.920
<v Speaker 1>be cool. I'll get coffee with him again in New

0:58:25.000 --> 0:58:26.640
<v Speaker 1>York and maybe I'll learn some more and maybe I'll

0:58:26.680 --> 0:58:30.120
<v Speaker 1>eventually meet my half siblings, and connecting with him might

0:58:30.200 --> 0:58:33.400
<v Speaker 1>be part of that, because really my target was the siblings.

0:58:34.120 --> 0:58:36.240
<v Speaker 1>And so every time I went to New York, I

0:58:36.240 --> 0:58:38.760
<v Speaker 1>would email him first, I would call him. I was

0:58:38.800 --> 0:58:40.480
<v Speaker 1>really always trying to set it up, like are you

0:58:40.520 --> 0:58:42.920
<v Speaker 1>in town, And that's when it kind of turned into

0:58:43.680 --> 0:58:45.320
<v Speaker 1>he never emailed me that so I was like, Okay,

0:58:45.320 --> 0:58:47.000
<v Speaker 1>if he's not good on email, that's fine. I would

0:58:47.080 --> 0:58:50.000
<v Speaker 1>call or text and sometimes he would pick up and

0:58:50.040 --> 0:58:52.560
<v Speaker 1>I would have to explain who I was. And that

0:58:52.760 --> 0:58:55.680
<v Speaker 1>was maybe the worst feeling of all the bad feelings.

0:58:55.720 --> 0:58:57.840
<v Speaker 1>It was felt more like being a kid at elected

0:58:57.920 --> 0:59:01.560
<v Speaker 1>Lady or someplace where you know, it's hey, it's no Bill,

0:59:02.400 --> 0:59:04.560
<v Speaker 1>and he'd say who is this? And I should just

0:59:04.560 --> 0:59:07.520
<v Speaker 1>feel like the logical thing would be to say the

0:59:07.600 --> 0:59:10.240
<v Speaker 1>Bill your son, but I was never gonna say that

0:59:10.360 --> 0:59:13.000
<v Speaker 1>because that's not what I felt like, and so I

0:59:13.000 --> 0:59:16.320
<v Speaker 1>would say the bille in Seattle or like in the

0:59:16.400 --> 0:59:20.920
<v Speaker 1>Bille Louise's, like, you know, anything but your son. That'd

0:59:20.960 --> 0:59:24.040
<v Speaker 1>have to do this weird, weird dance to try to explain,

0:59:24.120 --> 0:59:25.720
<v Speaker 1>and then he'd be like, oh, yeah, yeah, yeah, how's

0:59:25.720 --> 0:59:28.600
<v Speaker 1>it going, you know, And it always really quick, always

0:59:28.600 --> 0:59:30.560
<v Speaker 1>felt like he was doing seven other things at once,

0:59:30.640 --> 0:59:32.560
<v Speaker 1>and it didn't even feel personal. It just felt like,

0:59:32.640 --> 0:59:34.400
<v Speaker 1>this is what I'm like on the phone. I'm busy,

0:59:35.360 --> 0:59:37.680
<v Speaker 1>and so I was always so nervous. I'd have to Rushian's,

0:59:37.720 --> 0:59:39.000
<v Speaker 1>you know, I'm gonna be in New York next week,

0:59:39.640 --> 0:59:41.520
<v Speaker 1>I'm playing or I can come meet somewhere and he'd

0:59:41.520 --> 0:59:43.960
<v Speaker 1>be like, oh, oh, I'm gonna be in Russia and

0:59:44.080 --> 0:59:46.760
<v Speaker 1>be like what, And then we'd hang up and I

0:59:46.760 --> 0:59:48.600
<v Speaker 1>would go to Royers dot com and I would see

0:59:48.600 --> 0:59:50.920
<v Speaker 1>who was playing Saint Petersburg next week, And so it

0:59:50.960 --> 0:59:52.880
<v Speaker 1>was almost this thing where I felt like he was

0:59:52.920 --> 0:59:56.320
<v Speaker 1>being dishonest because these crazy stories, except he was actually

0:59:56.360 --> 0:59:59.920
<v Speaker 1>being honest. So sometimes it was true, but other time

1:00:00.240 --> 1:00:02.320
<v Speaker 1>it was just like, Okay, call me when you get

1:00:02.360 --> 1:00:03.960
<v Speaker 1>to town or something like that. But it was always

1:00:04.000 --> 1:00:07.680
<v Speaker 1>a kind of brush off and it never culminated in anything.

1:00:07.760 --> 1:00:10.800
<v Speaker 1>And every time on those trips I was thinking about

1:00:10.880 --> 1:00:13.880
<v Speaker 1>him definitely sort of reverted it to a needy kid

1:00:14.160 --> 1:00:16.400
<v Speaker 1>in some ways for the first time in my thirties.

1:00:16.880 --> 1:00:21.360
<v Speaker 1>And eventually, almost exactly a year after that first Seattle night,

1:00:22.080 --> 1:00:24.120
<v Speaker 1>I see that he's playing in Seattle again, and it's

1:00:24.160 --> 1:00:26.240
<v Speaker 1>at a different club. It's one block from my apartment.

1:00:26.320 --> 1:00:28.520
<v Speaker 1>So in my head, I'm like, Okay, let's reset everything.

1:00:29.200 --> 1:00:31.440
<v Speaker 1>Maybe he's just not good when he's home. He travels

1:00:31.440 --> 1:00:32.960
<v Speaker 1>a lot. It's been too much to try to do

1:00:33.000 --> 1:00:34.960
<v Speaker 1>all these New York things. I'm just going to try

1:00:34.960 --> 1:00:38.280
<v Speaker 1>to recreate last year because that works so well. So

1:00:38.280 --> 1:00:40.600
<v Speaker 1>so I called him and said, you know, I live

1:00:40.640 --> 1:00:42.920
<v Speaker 1>a block from the venue you're playing in Seattle. It

1:00:42.920 --> 1:00:44.440
<v Speaker 1>would be great to see you that night. Maybe the

1:00:44.440 --> 1:00:46.280
<v Speaker 1>whole band come up, come up, and I'll make dinner

1:00:46.320 --> 1:00:47.840
<v Speaker 1>for everybody. And I was just thinking about how to

1:00:47.880 --> 1:00:49.720
<v Speaker 1>make it easy and how to make something work. And

1:00:50.400 --> 1:00:52.760
<v Speaker 1>he was very short, just kind of like, oh, that's

1:00:52.840 --> 1:00:54.360
<v Speaker 1>kind of a crazy night, you know, to just come

1:00:54.400 --> 1:00:55.960
<v Speaker 1>to the show. Just come to the show. I remember

1:00:55.960 --> 1:00:58.120
<v Speaker 1>that's how the call ended exactly. He said that twice

1:00:58.400 --> 1:00:59.800
<v Speaker 1>and I don't know if he hung up on me,

1:00:59.840 --> 1:01:03.240
<v Speaker 1>but that's how it ended. And so, still being a

1:01:03.240 --> 1:01:05.040
<v Speaker 1>person in the band, I was giving him credit. I

1:01:05.040 --> 1:01:07.240
<v Speaker 1>thought like, Okay, you know, some people don't like to

1:01:07.280 --> 1:01:09.560
<v Speaker 1>eat before concerts, some people don't like to make plans

1:01:09.600 --> 1:01:12.760
<v Speaker 1>before concerts. All this. Come to the show as he suggested,

1:01:13.360 --> 1:01:15.960
<v Speaker 1>and I did, but I didn't feel good at it.

1:01:16.000 --> 1:01:18.680
<v Speaker 1>And I remember it sort of manifesting itself musically at

1:01:18.720 --> 1:01:21.760
<v Speaker 1>the first pil concert. I loved the music. I was

1:01:21.800 --> 1:01:24.120
<v Speaker 1>so amazed. I had so much fun watching the audience

1:01:24.200 --> 1:01:26.600
<v Speaker 1>love it. I felt connected to it. And I think

1:01:26.640 --> 1:01:29.439
<v Speaker 1>it's partially because I felt connected to him that day.

1:01:30.040 --> 1:01:32.840
<v Speaker 1>And a year later, I was watching it and I

1:01:32.920 --> 1:01:35.040
<v Speaker 1>just wanted it to end, and I remember thinking, man,

1:01:35.120 --> 1:01:37.080
<v Speaker 1>is this the same band they felt sound as good?

1:01:37.120 --> 1:01:39.480
<v Speaker 1>They're playing this song too fast, They're playing this song

1:01:39.520 --> 1:01:43.080
<v Speaker 1>too slow. This crowd looks weird. Who are these people

1:01:43.160 --> 1:01:46.120
<v Speaker 1>like that everything felt negative about the concert, and I'm

1:01:46.120 --> 1:01:49.120
<v Speaker 1>sure it's because of my mindset and when it ended.

1:01:49.160 --> 1:01:50.800
<v Speaker 1>This is more of a kind of small club. The

1:01:50.840 --> 1:01:54.160
<v Speaker 1>other place was a theater. The band walked off the stage,

1:01:54.200 --> 1:01:56.520
<v Speaker 1>and I had this terrible feeling like this is the

1:01:56.560 --> 1:01:58.240
<v Speaker 1>only chance I'm going to get to talk to him.

1:01:58.560 --> 1:02:01.120
<v Speaker 1>He might be walking into a backstae, but he also

1:02:01.200 --> 1:02:03.360
<v Speaker 1>might be walking straight out to a car and that's it.

1:02:03.680 --> 1:02:05.520
<v Speaker 1>So I thought that would be the only chance I

1:02:05.600 --> 1:02:06.960
<v Speaker 1>had to talk to him. I didn't want to wait

1:02:06.960 --> 1:02:08.640
<v Speaker 1>and see if he left and find out he did.

1:02:08.720 --> 1:02:11.040
<v Speaker 1>So I touched his shoulder and he looked at me

1:02:11.080 --> 1:02:14.800
<v Speaker 1>and I said, hey, wrong, it's no bill, and he said, hey,

1:02:14.920 --> 1:02:19.000
<v Speaker 1>how you doing. I gotta go, and he pointed, you know, anywhere,

1:02:19.360 --> 1:02:21.200
<v Speaker 1>and then just kind of walked off. And I remember

1:02:21.240 --> 1:02:23.440
<v Speaker 1>the feeling. It felt like a movie. The way my

1:02:23.520 --> 1:02:26.040
<v Speaker 1>hand felt and his shoulder left it. It was really

1:02:26.080 --> 1:02:29.200
<v Speaker 1>just like that's it. That was like, that was the

1:02:29.240 --> 1:02:32.120
<v Speaker 1>moment I get And I looked around with my two friends.

1:02:32.160 --> 1:02:34.200
<v Speaker 1>So I'd brought my bandmate and his girlfriend. They knew

1:02:34.200 --> 1:02:37.320
<v Speaker 1>the whole story, and they just had these really devastated

1:02:37.320 --> 1:02:41.080
<v Speaker 1>faces on, which made me feel even worse, and that

1:02:41.240 --> 1:02:48.320
<v Speaker 1>was it. That's the last time I saw him.

1:02:48.480 --> 1:02:51.360
<v Speaker 2>Over the next several years now, Biale's life continues to

1:02:51.400 --> 1:02:55.160
<v Speaker 2>evolve in wonderful ways. He moves back to New York,

1:02:55.600 --> 1:02:58.560
<v Speaker 2>finds a place in Fort Greene, a neighborhood he loves.

1:02:59.480 --> 1:03:02.400
<v Speaker 2>In two thousand nine, he takes a job as general

1:03:02.480 --> 1:03:05.720
<v Speaker 2>manager of a UK record label called four AD, and

1:03:05.760 --> 1:03:08.520
<v Speaker 2>eventually the label becomes part of a larger company with

1:03:08.640 --> 1:03:13.280
<v Speaker 2>multiple record labels, and Nabil becomes us president of Beakers Group.

1:03:14.680 --> 1:03:18.200
<v Speaker 2>All the success is the backdrop to a random voicemail

1:03:18.240 --> 1:03:22.200
<v Speaker 2>one day, when Nabil is least expecting it, a message

1:03:22.320 --> 1:03:26.440
<v Speaker 2>from Roy just calling to say, hey, thinking about you.

1:03:27.800 --> 1:03:29.880
<v Speaker 1>It didn't make me feel good, and I'm sure that

1:03:30.080 --> 1:03:32.640
<v Speaker 1>was how he thought it would make me feel, but

1:03:32.720 --> 1:03:35.480
<v Speaker 1>it really immediately made me feel like maybe he just

1:03:35.560 --> 1:03:38.040
<v Speaker 1>had some guilt and hadn't called me back. And there's

1:03:38.160 --> 1:03:41.240
<v Speaker 1>no part of me wanted to call him and risk

1:03:41.320 --> 1:03:43.800
<v Speaker 1>getting him at the wrong time, which was always be

1:03:43.880 --> 1:03:46.479
<v Speaker 1>most of the time now and trying to make things worse.

1:03:46.600 --> 1:03:48.680
<v Speaker 1>I think I decided to just leave that one as

1:03:48.720 --> 1:03:51.560
<v Speaker 1>it was and not make any action. And there was

1:03:51.600 --> 1:03:54.000
<v Speaker 1>no invitation. It didn't say call me or let's do something.

1:03:54.000 --> 1:03:55.400
<v Speaker 1>It was just thinking about you.

1:03:57.480 --> 1:03:59.680
<v Speaker 2>Though there's no part of Nabil that wants to call

1:03:59.720 --> 1:04:03.200
<v Speaker 2>his and risk getting him at the wrong time. There's

1:04:03.240 --> 1:04:06.320
<v Speaker 2>still the matter of his two half siblings, M two

1:04:06.400 --> 1:04:10.040
<v Speaker 2>May and Ayana. Now Bil reaches out a number of

1:04:10.040 --> 1:04:13.520
<v Speaker 2>times to Ayana, but she doesn't respond. He does meet

1:04:13.680 --> 1:04:16.959
<v Speaker 2>M two May and finds himself thinking more deeply about

1:04:17.000 --> 1:04:20.880
<v Speaker 2>what makes a family a family. Is it shared history,

1:04:21.440 --> 1:04:25.680
<v Speaker 2>is it jeanes, Why does it matter or what really matters?

1:04:25.760 --> 1:04:29.360
<v Speaker 2>And why he wants to know more so he sends

1:04:29.400 --> 1:04:31.040
<v Speaker 2>away for a DNA test.

1:04:33.480 --> 1:04:35.520
<v Speaker 1>The twenty three and me thing was so fascinating. I

1:04:35.520 --> 1:04:38.800
<v Speaker 1>think it came from obviously it sort of failed attempts

1:04:38.840 --> 1:04:42.360
<v Speaker 1>to connect further with my father, failed attempts to connect

1:04:42.360 --> 1:04:44.080
<v Speaker 1>with my sister who just never got back to me.

1:04:44.200 --> 1:04:46.080
<v Speaker 1>And then I did meet with him to May. He

1:04:46.160 --> 1:04:48.720
<v Speaker 1>was actually quite open and we had lunch, and I

1:04:48.720 --> 1:04:50.720
<v Speaker 1>think it was actually just the idea that we got

1:04:50.720 --> 1:04:53.480
<v Speaker 1>along fine and he was very nice. I didn't feel

1:04:53.520 --> 1:04:56.320
<v Speaker 1>like a connection, and that really surprised me, and so

1:04:56.720 --> 1:04:59.120
<v Speaker 1>I kind of felt like, so that's it, that's everyone

1:04:59.200 --> 1:05:01.280
<v Speaker 1>I'm ever going to meet, and everything I'm ever going

1:05:01.360 --> 1:05:04.400
<v Speaker 1>to know about that side of my family. That seems impossible.

1:05:04.680 --> 1:05:07.120
<v Speaker 1>And I know so much about my mother's side, she's

1:05:07.160 --> 1:05:09.920
<v Speaker 1>so good at keeping track. I have pictures, family trees,

1:05:10.440 --> 1:05:13.680
<v Speaker 1>and my father's side. That's it. So let's try twenty

1:05:13.680 --> 1:05:16.080
<v Speaker 1>three in me this thing that everyone's doing, just to

1:05:16.120 --> 1:05:19.479
<v Speaker 1>see what happens. It wasn't an actual goal. It wasn't

1:05:19.520 --> 1:05:22.000
<v Speaker 1>let me find out about this person. It was really

1:05:22.040 --> 1:05:25.600
<v Speaker 1>just like, let's see what it yields. And I did

1:05:25.600 --> 1:05:27.600
<v Speaker 1>it and got the sort of grid back and the

1:05:28.120 --> 1:05:31.200
<v Speaker 1>graph and everything telling me that I was fifty one

1:05:31.200 --> 1:05:34.600
<v Speaker 1>percent Ashkenazi Jewish, which was pretty fascinating and which means

1:05:34.640 --> 1:05:39.000
<v Speaker 1>my mother is like one hundred two percent. Yes, And

1:05:39.640 --> 1:05:42.520
<v Speaker 1>you know, nothing surprising at all, nothing that interesting. It

1:05:42.600 --> 1:05:45.600
<v Speaker 1>was like, ah, this is fun. And then got a message.

1:05:45.600 --> 1:05:47.400
<v Speaker 1>Of course, I turned on the messaging thing because I'm

1:05:47.400 --> 1:05:50.400
<v Speaker 1>trying to find people. Got a message from a guy saying,

1:05:50.520 --> 1:05:52.880
<v Speaker 1>you know, we're distant cousins. It wasn't like a huge deal,

1:05:52.960 --> 1:05:54.840
<v Speaker 1>but he said, I have an heirs family tree you

1:05:54.920 --> 1:05:57.840
<v Speaker 1>might want to see. Do you want it? He emailed

1:05:57.840 --> 1:06:01.120
<v Speaker 1>me this document and it was incredible. Guy Samuel Ayres

1:06:01.400 --> 1:06:04.400
<v Speaker 1>wrote it in nineteen sixty three. He's my great uncle.

1:06:04.840 --> 1:06:06.800
<v Speaker 1>And I immediately kind of flipped through it. It was

1:06:07.400 --> 1:06:10.040
<v Speaker 1>a scan of what was a sort of loosely printed

1:06:10.040 --> 1:06:11.840
<v Speaker 1>book it looked like, and so I scrolled to the

1:06:11.960 --> 1:06:14.080
<v Speaker 1>end to look at the actual tree part, and I

1:06:14.160 --> 1:06:18.480
<v Speaker 1>saw Roy, and I saw his three sisters, and I

1:06:18.520 --> 1:06:21.120
<v Speaker 1>saw his parents' names. All of that match the NFL

1:06:21.160 --> 1:06:24.600
<v Speaker 1>had given me. So I immediately, you know, assumed, wow,

1:06:24.640 --> 1:06:26.840
<v Speaker 1>this is incredible, this is authentic, this is it, and

1:06:26.880 --> 1:06:29.600
<v Speaker 1>then read the whole thing, and it starts with one

1:06:29.600 --> 1:06:32.280
<v Speaker 1>man who was enslaved in eighteen twenty four. He was

1:06:32.280 --> 1:06:35.479
<v Speaker 1>born in eighteen twenty four, Isaac Ayres. And it goes

1:06:35.520 --> 1:06:38.280
<v Speaker 1>through everybody, and it goes through all these branches that

1:06:38.320 --> 1:06:41.640
<v Speaker 1>tells stories about people, it has their photographs. It's this

1:06:41.800 --> 1:06:45.360
<v Speaker 1>incredible document and it just blows my mind that this

1:06:45.440 --> 1:06:49.040
<v Speaker 1>has just been sitting probably lots of places, and this

1:06:49.120 --> 1:06:51.760
<v Speaker 1>guy was nice enough to see me connect and send

1:06:51.760 --> 1:06:54.080
<v Speaker 1>it to me, and so that just sent me down

1:06:54.080 --> 1:06:56.440
<v Speaker 1>this even I'm already being kind of relentless, but just

1:06:56.480 --> 1:07:00.160
<v Speaker 1>this even more relentless search where I realized, well, now,

1:07:00.200 --> 1:07:02.120
<v Speaker 1>I mean, now I have to research more about these

1:07:02.160 --> 1:07:05.680
<v Speaker 1>people and it's so hard to research and slaved Americans.

1:07:05.680 --> 1:07:07.800
<v Speaker 1>I can't get anything else. But what I can get

1:07:07.920 --> 1:07:11.600
<v Speaker 1>is information on the slaveholder who is mentioned as a

1:07:11.680 --> 1:07:14.520
<v Speaker 1>doctor in this town of Ashland, Mississippi, which is a

1:07:14.520 --> 1:07:17.280
<v Speaker 1>small town. It's really easy to find stuff on him.

1:07:17.520 --> 1:07:20.440
<v Speaker 1>And on this website find a grave. I'm looking at

1:07:20.440 --> 1:07:23.439
<v Speaker 1>his gravestone and there's a note from a woman named

1:07:23.520 --> 1:07:27.360
<v Speaker 1>Karen saying, you know, bless our ancestors or something like that.

1:07:27.400 --> 1:07:30.800
<v Speaker 1>And Karen's email is sitting there, so I email her

1:07:31.240 --> 1:07:34.400
<v Speaker 1>and it's a weird, crazy email to right saying, you know,

1:07:34.600 --> 1:07:38.120
<v Speaker 1>I think I think your ancestors owned mine. I'm not

1:07:38.240 --> 1:07:42.680
<v Speaker 1>after anything, just information. I have a job. Whatever the

1:07:42.680 --> 1:07:45.439
<v Speaker 1>things you say, you can relate all the things that say,

1:07:45.520 --> 1:07:48.240
<v Speaker 1>I really don't want anything. And then even more with

1:07:48.320 --> 1:07:50.600
<v Speaker 1>the slaverything. I'm not coming after you. I'm not going

1:07:50.680 --> 1:07:52.520
<v Speaker 1>to murder you, I'm not going to out you. I

1:07:52.720 --> 1:07:56.280
<v Speaker 1>just want information. And sent that just thinking like wow,

1:07:56.400 --> 1:07:58.080
<v Speaker 1>I mean I'm never going to hear from her, but

1:07:58.120 --> 1:08:00.600
<v Speaker 1>I had to send it. And the next day it

1:08:00.680 --> 1:08:04.320
<v Speaker 1>was incredibly open welcoming email from the so MA named

1:08:04.360 --> 1:08:07.760
<v Speaker 1>Karen saying, wow, you know that's an incredible story. I

1:08:07.840 --> 1:08:10.280
<v Speaker 1>happened to be a hobby genealogist. I know a lot

1:08:10.280 --> 1:08:12.600
<v Speaker 1>about those times and those people, and I'm happy to

1:08:12.600 --> 1:08:17.879
<v Speaker 1>share information. And that just turned into this long email

1:08:17.880 --> 1:08:20.719
<v Speaker 1>for it. We never spoke emailed constantly and it would

1:08:20.720 --> 1:08:24.200
<v Speaker 1>be half very specific here's some documents from the farm

1:08:24.240 --> 1:08:26.960
<v Speaker 1>in eighteen sixty that I found, and then half really

1:08:27.200 --> 1:08:30.000
<v Speaker 1>simple personal stuff about her and her husband and what

1:08:30.040 --> 1:08:31.840
<v Speaker 1>they were making for dinner that night, and then I

1:08:31.880 --> 1:08:34.640
<v Speaker 1>would respond the same way. And the day that I

1:08:34.760 --> 1:08:37.599
<v Speaker 1>bought my wife her wedding ring, I got an email

1:08:37.640 --> 1:08:40.519
<v Speaker 1>from Karen and had my reply, you know whatever, thanks

1:08:40.520 --> 1:08:43.000
<v Speaker 1>for the information about the farm. By the way, I'm

1:08:43.000 --> 1:08:45.400
<v Speaker 1>so excited I just bought a ring I'm proposing to Aja.

1:08:45.520 --> 1:08:48.960
<v Speaker 1>It became this really incredible thing where she felt so

1:08:48.960 --> 1:08:51.719
<v Speaker 1>so close in so many ways, and it was really

1:08:51.800 --> 1:08:54.200
<v Speaker 1>fun to get that ring and think, wow, I can't

1:08:54.200 --> 1:08:57.479
<v Speaker 1>wait for Karen to know about this. Really, we developed

1:08:57.479 --> 1:09:00.320
<v Speaker 1>this deep important connection and I'd never even spoke into

1:09:00.360 --> 1:09:00.839
<v Speaker 1>this person.

1:09:01.960 --> 1:09:05.400
<v Speaker 2>It's so extraordinary and like it so underscores the whole

1:09:05.400 --> 1:09:09.000
<v Speaker 2>idea of you know, what is family? Who do we

1:09:09.000 --> 1:09:13.200
<v Speaker 2>connect to and why? I mean the connection that you

1:09:13.280 --> 1:09:16.360
<v Speaker 2>had with Karen, is that, as you said, her ancestors

1:09:16.400 --> 1:09:20.800
<v Speaker 2>owned your ancestors, and then all of these generations later

1:09:20.960 --> 1:09:25.920
<v Speaker 2>because of generosity of spirit and curiosity and openness, it

1:09:25.960 --> 1:09:29.920
<v Speaker 2>becomes a completely different thing. Yeah, and you know, and

1:09:29.960 --> 1:09:33.880
<v Speaker 2>then you describe your meeting your half brother and not

1:09:34.040 --> 1:09:37.400
<v Speaker 2>feeling a connection, you know, which is your story is

1:09:37.439 --> 1:09:41.280
<v Speaker 2>so much about how DNA matters and doesn't matter, and

1:09:41.360 --> 1:09:44.200
<v Speaker 2>it really just basically depends on who the people are,

1:09:44.520 --> 1:09:47.080
<v Speaker 2>what they're bringing to the table, what they're looking for,

1:09:47.200 --> 1:09:49.479
<v Speaker 2>and whether they connect or they don't connect.

1:09:50.800 --> 1:09:54.400
<v Speaker 1>Yeah, that's exactly it. And that's that's really where I've landed.

1:09:54.439 --> 1:09:56.479
<v Speaker 1>And then, you know, when my book came out in

1:09:56.560 --> 1:09:58.720
<v Speaker 1>June twenty twenty two, and I did a lot of

1:09:58.760 --> 1:10:00.680
<v Speaker 1>book to her in because I'm a and person and

1:10:00.760 --> 1:10:02.719
<v Speaker 1>really wanted to do that. I wanted to meet people,

1:10:02.760 --> 1:10:05.680
<v Speaker 1>and it was fascinating when you know, sometimes I'd meet

1:10:05.720 --> 1:10:08.160
<v Speaker 1>someone who was a cousin, which was great. Sometimes I'd

1:10:08.160 --> 1:10:10.360
<v Speaker 1>meet someone who was in my father's band and just

1:10:10.479 --> 1:10:13.800
<v Speaker 1>came to tell me some story from him about the seventies.

1:10:13.800 --> 1:10:17.440
<v Speaker 1>And all of these people felt like really strong connections,

1:10:17.439 --> 1:10:20.600
<v Speaker 1>and it's because they found out about my story and

1:10:20.640 --> 1:10:23.360
<v Speaker 1>they came to sort of help me or to give

1:10:23.400 --> 1:10:26.160
<v Speaker 1>me something, or even sometimes it felt like seriously, to

1:10:26.240 --> 1:10:28.920
<v Speaker 1>like give me a little piece of myself. They read

1:10:28.920 --> 1:10:31.919
<v Speaker 1>this thing that sort of talked about what I'm missing,

1:10:32.400 --> 1:10:34.160
<v Speaker 1>and they thought, well, I have some of that. So

1:10:34.160 --> 1:10:36.360
<v Speaker 1>I'm going to go to this book talk in topio

1:10:36.880 --> 1:10:38.920
<v Speaker 1>and tell this guy about what it was like when

1:10:38.920 --> 1:10:41.720
<v Speaker 1>I recorded the keyboards on that song in nineteen seventy two.

1:10:41.880 --> 1:10:45.320
<v Speaker 1>It's really fascinating to have a stack of these stories.

1:10:45.360 --> 1:10:49.519
<v Speaker 2>Now, that's so beautiful, Nobil. The idea that people were

1:10:49.600 --> 1:10:53.320
<v Speaker 2>showing up to give you little pieces of your life

1:10:53.520 --> 1:10:56.519
<v Speaker 2>or your history, like to sort of, yeah, to gift

1:10:56.560 --> 1:11:00.679
<v Speaker 2>you with these memories and these moments. But it also

1:11:01.120 --> 1:11:04.439
<v Speaker 2>comes from having done the writing, you know, having put

1:11:04.479 --> 1:11:07.000
<v Speaker 2>the story out there in the world so that that

1:11:07.000 --> 1:11:10.200
<v Speaker 2>would be possible. You have all these relatives who come

1:11:10.200 --> 1:11:12.719
<v Speaker 2>out of the woodwork, who find you, who read something

1:11:12.760 --> 1:11:16.240
<v Speaker 2>of yours, and you know, word spreads, and the ones

1:11:16.240 --> 1:11:20.840
<v Speaker 2>who reach out to you are incredibly embracing of you

1:11:21.520 --> 1:11:27.280
<v Speaker 2>and embracing of you as Roy's son, embracing of you

1:11:27.520 --> 1:11:31.439
<v Speaker 2>as their relatives, their nephew, their cousin.

1:11:32.240 --> 1:11:35.360
<v Speaker 1>Yeah. So as a result of the family tree in

1:11:35.400 --> 1:11:38.439
<v Speaker 1>the Karen story. I wrote the story for NPR code

1:11:38.439 --> 1:11:41.120
<v Speaker 1>Switch that they published on Thanksgiving, and that got kind

1:11:41.120 --> 1:11:44.800
<v Speaker 1>of shared and some cousins read it. And these are

1:11:44.960 --> 1:11:48.320
<v Speaker 1>very close cousins. This is Roy's sister's daughter, so my

1:11:48.479 --> 1:11:51.439
<v Speaker 1>first cousin, and she messaged me on Facebook saying, this

1:11:51.520 --> 1:11:54.160
<v Speaker 1>is amazing. We're cousins. Let's talk. And even just that

1:11:54.320 --> 1:11:57.400
<v Speaker 1>idea was so sort of a lightning bolt, like, wait

1:11:57.439 --> 1:12:00.599
<v Speaker 1>a minute, I have close relatives who are interested and connecting,

1:12:00.640 --> 1:12:03.479
<v Speaker 1>and so we immediately got on this phone call, taught

1:12:03.479 --> 1:12:06.000
<v Speaker 1>for a while, connected so much. They live in Los Angeles,

1:12:06.080 --> 1:12:08.400
<v Speaker 1>and at the end of the call, she said, oh,

1:12:08.400 --> 1:12:10.559
<v Speaker 1>by the way, you should call your aunt, michelle A.

1:12:11.320 --> 1:12:13.040
<v Speaker 1>She wants to meet you. And I thought that all

1:12:13.080 --> 1:12:15.640
<v Speaker 1>three of my father's sisters had passed, but michell A

1:12:15.800 --> 1:12:18.960
<v Speaker 1>was still alive. So I call her immediately, and this

1:12:19.120 --> 1:12:21.439
<v Speaker 1>is my father's sister, my aunt. This is as close

1:12:21.439 --> 1:12:24.680
<v Speaker 1>as it gets. And this woman is just wonderful, so delightful,

1:12:24.720 --> 1:12:28.760
<v Speaker 1>so many questions. Really immediately feels like my aunt. I

1:12:28.800 --> 1:12:32.000
<v Speaker 1>go to La Fast for a work trip and have

1:12:32.160 --> 1:12:34.240
<v Speaker 1>lunch with her, and I mean she's in her seventies.

1:12:34.240 --> 1:12:36.960
<v Speaker 1>She shows up with this heavy bag full of photos,

1:12:37.000 --> 1:12:40.959
<v Speaker 1>photos of my grandparents, photos of them as kids, family photos,

1:12:41.960 --> 1:12:45.519
<v Speaker 1>really incredible stuff. And you know, she unfortunately passed away

1:12:45.840 --> 1:12:48.639
<v Speaker 1>last year, but I got to have a few great

1:12:48.720 --> 1:12:50.479
<v Speaker 1>days with her, one of which is a big part

1:12:50.520 --> 1:12:52.240
<v Speaker 1>of the book. But I said, you know, I would

1:12:52.280 --> 1:12:55.360
<v Speaker 1>love to go to the cemetery sometime and see my

1:12:55.479 --> 1:12:59.160
<v Speaker 1>grandparents grave, your parents, And she takes me to the

1:12:59.160 --> 1:13:02.360
<v Speaker 1>cemetery in England would and it was just this incredible

1:13:02.360 --> 1:13:04.280
<v Speaker 1>moment where the two of us we walked there kind

1:13:04.280 --> 1:13:06.400
<v Speaker 1>of she's old and needed help walking, so we were

1:13:06.479 --> 1:13:09.960
<v Speaker 1>kind of locked arms and stood over my grandparents grave

1:13:10.000 --> 1:13:12.760
<v Speaker 1>and she just introduced me to my grandmother as if

1:13:12.760 --> 1:13:15.360
<v Speaker 1>my grandmother was standing there, and said these really nice

1:13:15.360 --> 1:13:18.240
<v Speaker 1>things about me, and again just sort of legitimize, like

1:13:18.880 --> 1:13:22.040
<v Speaker 1>you know, I am your daughter and this is my nephew,

1:13:22.160 --> 1:13:24.519
<v Speaker 1>and we are all related and all connected. And it

1:13:24.560 --> 1:13:27.040
<v Speaker 1>was very powerful, incredible experience.

1:13:31.720 --> 1:13:36.400
<v Speaker 2>Here's Nobiel reading one last passage from his remarkable memoir

1:13:36.920 --> 1:13:38.200
<v Speaker 2>My Life in the Sunshine.

1:13:42.200 --> 1:13:45.880
<v Speaker 1>Beloved father and mother lay below airs. Their names and

1:13:45.960 --> 1:13:49.320
<v Speaker 1>dates were below that roy E nineteen oh five to

1:13:49.400 --> 1:13:53.080
<v Speaker 1>nineteen sixty nine and Ruby m nineteen oh seven to

1:13:53.160 --> 1:13:56.439
<v Speaker 1>nineteen eighty five. They were close in age, I thought

1:13:56.439 --> 1:14:00.599
<v Speaker 1>to myself, But Ruby outlived Roy by a long time years.

1:14:01.520 --> 1:14:04.400
<v Speaker 1>As if at a ceremony, Michelle and I stood naturally

1:14:04.680 --> 1:14:08.800
<v Speaker 1>facing the grave, looking down with her arms still linked. Hi, mamma,

1:14:09.200 --> 1:14:11.120
<v Speaker 1>she spoke, in a voice similar to the one she

1:14:11.240 --> 1:14:13.920
<v Speaker 1>used with her husband' z, but less as an equal,

1:14:14.320 --> 1:14:16.360
<v Speaker 1>more with the tone of a daughter than a wife.

1:14:16.920 --> 1:14:20.840
<v Speaker 1>This is your grandson, Nebille, she spoke, slowly, allowing the

1:14:20.880 --> 1:14:24.240
<v Speaker 1>moment of my introduction to hang a bit longer. It

1:14:24.320 --> 1:14:27.559
<v Speaker 1>was moments like these, the moments of affirmation that I

1:14:27.640 --> 1:14:31.120
<v Speaker 1>cherished the most. Rory staring at me and saying she's

1:14:31.160 --> 1:14:35.200
<v Speaker 1>looking at family, and now Michelle telling my grandmother that

1:14:35.320 --> 1:14:40.240
<v Speaker 1>I was her grandson. When I hear everybody loves the sunshine,

1:14:40.280 --> 1:14:43.599
<v Speaker 1>which happens more often than ever, the opening chords still

1:14:43.600 --> 1:14:47.400
<v Speaker 1>catch me off guard, but now the lazy synthesizer melody

1:14:47.439 --> 1:14:50.200
<v Speaker 1>allows me to relax. I hear and feel it with

1:14:50.240 --> 1:14:53.120
<v Speaker 1>a new sense of appreciation, a new sense of connection.

1:14:53.800 --> 1:14:56.479
<v Speaker 1>As my father's voice shoots out from the speakers and

1:14:56.560 --> 1:15:00.120
<v Speaker 1>into the warm light, I smile and quietly sing along

1:15:00.960 --> 1:15:16.120
<v Speaker 1>my Life, My Life, My Life, My Life. In the Sunshine.

1:15:16.240 --> 1:15:20.280
<v Speaker 2>Family Secrets is a production of iHeartRadio. Molly Zacour is

1:15:20.320 --> 1:15:23.479
<v Speaker 2>the story editor and Dylan Fagan is the executive producer.

1:15:24.760 --> 1:15:25.320
<v Speaker 3>If you have a.

1:15:25.240 --> 1:15:27.800
<v Speaker 2>Family secret you'd like to share, please leave us a

1:15:27.840 --> 1:15:30.719
<v Speaker 2>voicemail and your story could appear on an upcoming episode.

1:15:31.240 --> 1:15:35.160
<v Speaker 2>Our number is one eight eight eight Secret zero. That's

1:15:35.160 --> 1:15:38.960
<v Speaker 2>the number zero. You can also find me on Instagram

1:15:39.200 --> 1:15:48.000
<v Speaker 2>at Danny Ryder. And if you'd like to know more

1:15:48.000 --> 1:15:50.880
<v Speaker 2>about the story that inspired this podcast, check out my

1:15:50.920 --> 1:15:52.280
<v Speaker 2>memoir Inheritance.

1:16:03.160 --> 1:16:05.759
<v Speaker 3>For more podcasts from iHeartRadio, visit the iHeart