WEBVTT - Questlove Supreme: Bilal

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. Ladies and gentlemen,

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<v Speaker 1>Welcome to another episode of Quest Love Supreme. I'm your

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<v Speaker 1>host Questlove with Me. Today is the Team Supreme family,

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<v Speaker 1>featuring our newly minted Gotta operatee Sugar Steve.

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<v Speaker 2>I'm the New York.

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<v Speaker 1>How was the Steve?

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<v Speaker 2>And you know it was really a joke, Like I mean,

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<v Speaker 2>it was supposed to get a joke.

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<v Speaker 3>Me just campaigned to try to get on the float,

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<v Speaker 3>and then you got me on the float, and then

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<v Speaker 3>it was a matter of like sort of figuring out

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<v Speaker 3>what the hell was going on that day it was

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<v Speaker 3>pouring rain, and it just ended up, long story short,

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<v Speaker 3>just ended up being so much more enjoyable and so

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<v Speaker 3>much more heartwarming than I thought my heart could get.

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<v Speaker 3>You know, like, I'm so jaded at this point. And

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<v Speaker 3>you know, being from New York, you never think you

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<v Speaker 3>can see uh, you're supposed to be Jaden new right,

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<v Speaker 3>you know.

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<v Speaker 2>Just yeah, and I'm there.

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<v Speaker 3>I was, and I was just just waving at kids

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<v Speaker 3>and just taking it all in. Seeing the city from

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<v Speaker 3>that perspective, it was just it was kind of magic.

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<v Speaker 1>Yeah. I have to say that if you're a generation

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<v Speaker 1>person raised on like faris Muler's day off. I highly

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<v Speaker 1>recommend getting in a parade by hook or crook.

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<v Speaker 3>Yeah, so now I'm just looking around for people with parades,

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<v Speaker 3>you know, So if you know.

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<v Speaker 1>You're available for parades, good birthday boy, Bill Houses, sir,

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<v Speaker 1>how are you great?

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<v Speaker 4>I'm so jada. I don't even go to the parade anymore.

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<v Speaker 4>How about that? That's like next level jadedness that anyway.

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<v Speaker 5>You once got me on a parade float.

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<v Speaker 4>Honestly, my favorite part about the parade every year is

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<v Speaker 4>seeing you guys, because you always are the float that's

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<v Speaker 4>right next to the same street float, and so there's

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<v Speaker 4>always like something, there's always something happening. But then one

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<v Speaker 4>year you were on ours, which is like a weird

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<v Speaker 4>kids Midtie meeting of all the worlds, which is super cool.

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<v Speaker 1>My favorite part of being on your float was that

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<v Speaker 1>was Carol Spinny's last time being on a float. Carol Spinny,

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<v Speaker 1>who played Big Bird Spending at the time, was like

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<v Speaker 1>at least eighty eighty eight, right, so still playing Big Bird,

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<v Speaker 1>and they were concerned that him being inside that hot

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<v Speaker 1>ass costume would be too much for him to handle

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<v Speaker 1>at eighty eight years old.

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<v Speaker 5>And so he was like, nah, I'll do it.

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<v Speaker 1>I'll do it, and then maybe like two hours in

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<v Speaker 1>he was sort of like, Okay, I need some mayor.

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<v Speaker 1>And I know that one of the main things that

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<v Speaker 1>you guys are vigilant about is not letting kids see

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<v Speaker 1>a lifeless muppet, because the second that the characters out

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<v Speaker 1>of him, it just looks dead like. And so the

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<v Speaker 1>way that they had to cover this entire bird, this

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<v Speaker 1>eight foot bird, so that he could unzip himself and

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<v Speaker 1>get some breath was hilarious because they didn't do it

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<v Speaker 1>all the way. So there's like people on his on

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<v Speaker 1>the west side of the float that could clearly see

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<v Speaker 1>a slumped over, dead big bird light yep, and.

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<v Speaker 5>There was like one or two kids like but that

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<v Speaker 5>was the most.

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<v Speaker 1>Hilarious thing ever dream crushed. How was your vacation, your

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<v Speaker 1>your Thanksgiving?

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<v Speaker 6>Oh it was good, Yo. I just gotta say, I'm

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<v Speaker 6>so proud of y'all. Y'all talk about people being off

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<v Speaker 6>floats like this is a regular person thing, like on

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<v Speaker 6>your be on my float, on your float, like it's

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<v Speaker 6>a moment chill, but like, uh, and to really celebrate

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<v Speaker 6>all of y'all, that's really dope. But plans was great.

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<v Speaker 6>It was DC, it was great. Now I'm in Cardagena, Colombia.

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<v Speaker 1>You're in Columbia right now, Jesus. I was like, man,

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<v Speaker 1>I'm not even going to talk about her house because

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<v Speaker 1>I was like, that's the room I've never seen before.

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<v Speaker 6>Said yeah, yeah, yeah, yeah, y'all got to get into this.

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<v Speaker 6>I'm like, Colombia is a beautiful place.

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<v Speaker 1>So, ladies and gentlemen, I would like to say, our

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<v Speaker 1>guest needs no introduction. Yes, but I also write, I

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<v Speaker 1>also realize that whenever you have such a unique talent,

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<v Speaker 1>oftentimes that particular being might be the favorite of your

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<v Speaker 1>favorite singer. This might be one of the rare situations

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<v Speaker 1>in which our guest today might be the favorite singer

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<v Speaker 1>of your favorite singer's favorite singer, Like.

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<v Speaker 2>Your favorite singer's mama likes this guy too.

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<v Speaker 1>Yes, you know, I'm working on less hyperbole, but having

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<v Speaker 1>been a witness to our guest today some twenty five

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<v Speaker 1>twenty six years ago in my living room, like I've

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<v Speaker 1>never had someone literally like you remember the moment and

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<v Speaker 1>back to the future when Martin McFly starts doing a

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<v Speaker 1>modern guitar solo and nineteen fifties and you know, the

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<v Speaker 1>entire band stops playing Johnny be Good and they're like, oh,

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<v Speaker 1>I've never had a musician literally stopped me in my tracks.

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<v Speaker 1>I remember we were playing in my living room and

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<v Speaker 1>I think Anthony Tidd was next to me, and I

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<v Speaker 1>was just like, yo, who. The only time I ever

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<v Speaker 1>said like yo, who the fuck is that? Is usually

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<v Speaker 1>like some girl that blows my mind. I've never had

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<v Speaker 1>an artist just make me like what the hell is this?

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<v Speaker 1>And more than that, how can I be down? And

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<v Speaker 1>I'd stay consistent in saying that I absolutely squander no

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<v Speaker 1>time to collaborate or work with this artist simply because

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<v Speaker 1>like it gives me the best seat in the house

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<v Speaker 1>sometimes just to really display a level of performance that

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<v Speaker 1>you rarely, rarely truly get to see. Where we are

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<v Speaker 1>and this sort of well rehearsed, well curated, instagram filtered

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<v Speaker 1>perfected kind of creative cycle that we're in in which

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<v Speaker 1>you know, you're not allowed to see any of the

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<v Speaker 1>flaws or the bendit notes or whatever, and we're here

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<v Speaker 1>to celebrate, of course, is his latest album of Just

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<v Speaker 1>Brightness really is the entire history, Ladies and Gentlemen, one

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<v Speaker 1>of my favorite. It's almost a disservice to call him

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<v Speaker 1>a performance artist, because I can't say a singer.

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<v Speaker 5>I can't say an artist.

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<v Speaker 3>I can't even say people are beings like exotic answer, Maybe.

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<v Speaker 1>May we all truly channel in our creative energy. I

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<v Speaker 1>have not even channeled in half the creative energy that

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<v Speaker 1>our guest today has displayed.

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<v Speaker 5>Please welcome belowd.

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<v Speaker 7>Thank you very much.

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<v Speaker 6>Can we say our favorite sick? Our favorite?

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<v Speaker 1>Yes? I felt bad making this personal introduction like it

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<v Speaker 1>was just about me. Yes, but this far beyond giving

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<v Speaker 1>you your flowers. My voice has been shot for the

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<v Speaker 1>last like nine days. I assume that, yes, when you

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<v Speaker 1>sing it's zero to one thousand on the autobond. As

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<v Speaker 1>far as dynamics and wherever you think your voice should

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<v Speaker 1>go at that particular moment, do you have a ritual

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<v Speaker 1>to take care of your voice? Like how do you

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<v Speaker 1>prevent what you're hearing right now?

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<v Speaker 7>Me talking like I don't usually get vorse like that,

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<v Speaker 7>but I've got different concoctions that I made to stop it,

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<v Speaker 7>like different teas like when I'm on the road, I

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<v Speaker 7>got to tea it I make every time because it's

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<v Speaker 7>like I can be good all the way up until

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<v Speaker 7>like maybe if I'm on the road for like a month.

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<v Speaker 7>The last eat I start. It's not that I'm getting

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<v Speaker 7>a horse, but I get like that. Uh. I can't

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<v Speaker 7>sing soft no more, and I like to sing soft,

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<v Speaker 7>so it's like I can't do nothing soft. I'm just

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<v Speaker 7>straight power. But I boil Ginger, Limon and Kanye and

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<v Speaker 7>Pepper got it, got it yeah, and the honey, Yeah

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<v Speaker 7>for sure. When I'm mad horse, I put garlic in

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<v Speaker 7>there and it works. Sometimes it works every time, like

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<v Speaker 7>brand new voice.

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<v Speaker 5>Damn.

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<v Speaker 7>That's like if I'm horse and I don't have no voice.

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<v Speaker 7>But if I'm like good, I still got my voice.

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<v Speaker 7>Just the Kanye, Pepper, Ginger, Lemon things, got it ended

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<v Speaker 7>up just making perfect. But if I sound like you,

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<v Speaker 7>I put like a big ass piece of garlic in there,

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<v Speaker 7>but a little bit of garlic in Man.

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<v Speaker 1>Everyone tells me garlic a reguano, But I'm so anti

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<v Speaker 1>bad breath, i'd really suffer.

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<v Speaker 6>No.

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<v Speaker 7>No, But it's it's like a tea, so it's not

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<v Speaker 7>like you're eating it, so it's like you had something,

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<v Speaker 7>some superor something.

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<v Speaker 1>It's always the next day, man, I wake up with

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<v Speaker 1>the dragon.

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<v Speaker 7>So I'll never eat gard like in my life.

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<v Speaker 1>I'm that serious. So like the next day, the dragon just.

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<v Speaker 7>Completely I completely understand. I mean I grew up with

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<v Speaker 7>the name Beloud when they had the movie A House

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<v Speaker 7>Pardon and Right, and Martin was Stank breath Aloud, So

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<v Speaker 7>like umble fifth grade to eighth grade, I was Bank

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<v Speaker 7>breath Aloud and I was the singer. So like every

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<v Speaker 7>time I sang, the whole auditorium was like, oh, I'll

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<v Speaker 7>just smell it. It was just a movie. It like

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<v Speaker 7>ruined my life till high school.

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<v Speaker 1>All right. So for the benefit of audience members that

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<v Speaker 1>don't know anything about your history, I'm gonna ask you

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<v Speaker 1>some basic questions. Could you please tell us the glorious

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<v Speaker 1>city what you first came to this earth?

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<v Speaker 7>Philadelphia? Of course, yeah, German can't.

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<v Speaker 5>I can't do the siren noise?

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<v Speaker 1>Thank you. What was your first musical memory?

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<v Speaker 7>First musical memory is probably in my pops house acting

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<v Speaker 7>out Thriller, but shortly after that, like that's just me

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<v Speaker 7>acting out music by myself. The Sterly used to always

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<v Speaker 7>kind of scare me a little bit, but the video

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<v Speaker 7>video scared and Ship, but also the album itself who

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<v Speaker 7>all of that kind of Ship used to scare me.

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<v Speaker 7>My pops used to play it. It kind of scooped

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<v Speaker 7>me out.

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<v Speaker 1>I was wondering when the fact did that song have

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<v Speaker 1>on kids, Like at a young age when my dad

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<v Speaker 1>used to always play Curtis Mayfield's If There's Hell below,

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<v Speaker 1>We're all going to go Oh Yeah, which is essentially

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<v Speaker 1>just a bunch of psychedelic echoes and yelling like I

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<v Speaker 1>We're in hell. But to this day it scares me,

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<v Speaker 1>you know what I mean? Like I always wondered if

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<v Speaker 1>Thriller truly scared people to that level where they just

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<v Speaker 1>don't want to because also Michael Jackson makes it appear

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<v Speaker 1>like fun, like hey, zombies are fun, But you know.

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<v Speaker 7>No, that's scared. That's all scared me. Before the video

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<v Speaker 7>came up. I was just that whole talking part in

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<v Speaker 7>the intro. Scared needed to scare me and my brother

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<v Speaker 7>ski the hell out of it. It's like my first musical,

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<v Speaker 7>like early music memory. But then I've been singing shortly

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<v Speaker 7>after that, like on a church choir, Like I've been

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<v Speaker 7>singing on church choir since a really long like little kid,

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<v Speaker 7>like maybe four years old.

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<v Speaker 6>So when did they hear it in you? When did

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<v Speaker 6>everybody else go wait minute? What's that your family?

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<v Speaker 7>Every I think I got like the lead vocal. Like

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<v Speaker 7>the day I joined the choir, I went to a

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<v Speaker 7>church where everybody in my family had to be on fire.

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<v Speaker 7>Like the whole church was my family. Anyway, Like what

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<v Speaker 7>church is this? There was a second Baptist church in

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<v Speaker 7>Franklin and it was just a little church. And I

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<v Speaker 7>would say on the other side of Brower Street toward

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<v Speaker 7>there because you go keep going down. But literally, everybody

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<v Speaker 7>in the church is my family. My grandmam had thirteen kids,

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<v Speaker 7>so I got a big ass family. And everybody in

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<v Speaker 7>the church around that time, like the eighties, you know,

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<v Speaker 7>everybody went to.

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<v Speaker 1>Church around there had to go to church.

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<v Speaker 7>Yeah, like everybody had to go church or passed through there.

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<v Speaker 7>Like the only person that didn't go to the church

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<v Speaker 7>was my uncle, and he was always like he was

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<v Speaker 7>like the black Panther. He was Nation of Islam. I

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<v Speaker 7>mean really, nobody messed with him on that. But yeah,

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<v Speaker 7>I was on a Sunbeam choir since four years old.

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<v Speaker 6>So if everybody could sing, then the family wasn't easily

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<v Speaker 6>impressed by your voice. Then everybody was like.

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<v Speaker 7>No, everybody couldn't say okay. It was just on the choir.

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<v Speaker 7>You had to be on the choir even if you suck.

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<v Speaker 1>Just so that adults would know where you were twenty

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<v Speaker 1>four to seven or Okay, So you mentioned Thriller, which, incidentally,

0:13:58.480 --> 0:14:02.400
<v Speaker 1>by the way, as of this recording, today is the

0:14:02.440 --> 0:14:08.600
<v Speaker 1>forty first anniversary of Thriller debuting on MTV, and also

0:14:08.800 --> 0:14:13.200
<v Speaker 1>today's the forty second anniversary of Thriller the album. Well

0:14:13.240 --> 0:14:17.840
<v Speaker 1>technically some say November thirtieth, some state December first, but yeah,

0:14:17.880 --> 0:14:25.080
<v Speaker 1>we're Thriller's almost fifty, a full grown adult with some kids.

0:14:25.520 --> 0:14:25.840
<v Speaker 7>Wow.

0:14:26.960 --> 0:14:30.840
<v Speaker 1>But the thing that you mentioned now my church experience,

0:14:31.560 --> 0:14:37.120
<v Speaker 1>especially in nineteen eighty three, that was the period where

0:14:38.200 --> 0:14:42.240
<v Speaker 1>kind of two years after Ronald Reagan's kind of very

0:14:42.280 --> 0:14:48.640
<v Speaker 1>conservative America agenda was really settling in. You know, a

0:14:48.640 --> 0:14:54.560
<v Speaker 1>lot of the hedonistic seventies adults were air quote atoning

0:14:54.560 --> 0:14:57.760
<v Speaker 1>for their sins by becoming bored against Christians. So I

0:14:57.840 --> 0:15:02.160
<v Speaker 1>once went to a church in which, like he had

0:15:02.320 --> 0:15:05.600
<v Speaker 1>copies of Thriller in nineteen ninety nine and saying this

0:15:05.760 --> 0:15:08.160
<v Speaker 1>demonic music you're letting your kids listen to, and.

0:15:08.200 --> 0:15:09.440
<v Speaker 5>Da da da da da.

0:15:09.720 --> 0:15:13.240
<v Speaker 1>So you grew up in a church heavy household and

0:15:13.400 --> 0:15:15.800
<v Speaker 1>which secular music was allowed.

0:15:16.720 --> 0:15:19.400
<v Speaker 7>Well, my pops was Muslim, so when I went to

0:15:19.480 --> 0:15:22.480
<v Speaker 7>visit my pops, I was just listening to his but

0:15:22.800 --> 0:15:27.760
<v Speaker 7>mom around my mom, she listened to everything. Even though

0:15:28.320 --> 0:15:31.040
<v Speaker 7>we was going to church. I wouldn't say my mom

0:15:31.240 --> 0:15:35.360
<v Speaker 7>was like even to this day, even though she's like Christian,

0:15:35.480 --> 0:15:39.520
<v Speaker 7>she was, she was never like super heavy in the

0:15:39.640 --> 0:15:45.000
<v Speaker 7>church like that. She got into the church heavy because

0:15:45.240 --> 0:15:48.240
<v Speaker 7>you know, I started to sing on everybody until at

0:15:48.240 --> 0:15:51.960
<v Speaker 7>a certain point I was just in the church sing

0:15:52.120 --> 0:15:56.040
<v Speaker 7>in Philly. So my mom was like she became Joe

0:15:56.160 --> 0:15:56.920
<v Speaker 7>Jackson after that.

0:15:58.800 --> 0:16:04.200
<v Speaker 1>So you have one siblings I got, You're for Philadelphia,

0:16:04.240 --> 0:16:05.920
<v Speaker 1>so I know some are on the books and off

0:16:05.960 --> 0:16:06.440
<v Speaker 1>the books.

0:16:06.480 --> 0:16:11.000
<v Speaker 7>So yeah, like from my mother, there's my older brother

0:16:11.160 --> 0:16:15.840
<v Speaker 7>and my my younger sister, my cops. Uh. I got

0:16:15.840 --> 0:16:18.800
<v Speaker 7>a few brothers and sisters all right.

0:16:18.880 --> 0:16:22.400
<v Speaker 1>But in general, and I guess you could even count

0:16:22.440 --> 0:16:25.640
<v Speaker 1>your cousins as whatever. I had cousins that were just

0:16:25.680 --> 0:16:28.160
<v Speaker 1>as close to me and siblings.

0:16:28.920 --> 0:16:31.960
<v Speaker 5>Was it pretty clear cut that.

0:16:33.320 --> 0:16:37.520
<v Speaker 1>You had a gift that was beyond what the other

0:16:38.560 --> 0:16:42.400
<v Speaker 1>kids of your ilk or age had mm hmm.

0:16:42.640 --> 0:16:46.200
<v Speaker 7>Yeah. From early on, like as soon as I started

0:16:46.240 --> 0:16:50.800
<v Speaker 7>to get in and on acchore by by the time

0:16:50.880 --> 0:16:56.040
<v Speaker 7>I was and I was directed acquire yes.

0:16:57.960 --> 0:17:02.640
<v Speaker 1>Me, Like, how did you discover you had this voice

0:17:02.640 --> 0:17:05.640
<v Speaker 1>where you just always crying with someone notating a note

0:17:05.640 --> 0:17:08.399
<v Speaker 1>to you, He's like.

0:17:09.240 --> 0:17:14.200
<v Speaker 7>I don't know, I just it became apparent in church

0:17:14.280 --> 0:17:18.159
<v Speaker 7>that I could, like, I guess I could really sing

0:17:18.280 --> 0:17:20.639
<v Speaker 7>or like do leaves and stuff when I was good.

0:17:21.560 --> 0:17:26.800
<v Speaker 7>But before, man, I don't know, I was just always

0:17:27.040 --> 0:17:31.200
<v Speaker 7>the weird one. My little sister is a musician, and

0:17:31.440 --> 0:17:36.000
<v Speaker 7>my brother he's he does he's just I would say gifted,

0:17:36.440 --> 0:17:40.240
<v Speaker 7>But I don't know. I was always called like the

0:17:40.320 --> 0:17:45.520
<v Speaker 7>weird cousin. I guess he's out. I always had that.

0:17:47.080 --> 0:17:50.200
<v Speaker 1>It's the thing often, especially in the seventies and eighties,

0:17:50.200 --> 0:17:56.720
<v Speaker 1>at least my observation and my personal experience. Usually you know,

0:17:57.480 --> 0:18:04.200
<v Speaker 1>if you display a gift, you're automatically ostracized, and depending

0:18:04.359 --> 0:18:13.600
<v Speaker 1>on your kind of your capacity to withstand attention, it's

0:18:13.600 --> 0:18:15.680
<v Speaker 1>sort of up in the air of how it develops.

0:18:15.960 --> 0:18:19.399
<v Speaker 1>Like for me, I would pretty much say, like, up

0:18:19.480 --> 0:18:22.080
<v Speaker 1>until the age of seven, I was a well rounded

0:18:22.200 --> 0:18:26.320
<v Speaker 1>artistic person. Like first of all, like before they taught

0:18:26.320 --> 0:18:28.040
<v Speaker 1>me to play drums, I had to learn to tap

0:18:28.119 --> 0:18:32.560
<v Speaker 1>dance and like all this other stuff. But when it

0:18:32.600 --> 0:18:35.640
<v Speaker 1>came to singing, yeah, I could tap my ass off,

0:18:35.680 --> 0:18:36.040
<v Speaker 1>like I.

0:18:36.040 --> 0:18:36.360
<v Speaker 7>Was like.

0:18:39.760 --> 0:18:45.760
<v Speaker 6>Us too, yeah killing oh tap dancing really okay?

0:18:46.240 --> 0:18:49.320
<v Speaker 1>Right, But the thing was is that I could sing.

0:18:50.119 --> 0:18:58.159
<v Speaker 1>But then just because I got relentlessly ostracized for artistic ability,

0:18:58.960 --> 0:19:02.879
<v Speaker 1>I tried to squash it or as we say today,

0:19:03.040 --> 0:19:07.480
<v Speaker 1>like you dim your light. So the one thing that

0:19:07.560 --> 0:19:11.679
<v Speaker 1>I sacrificed on the altar was my singing voice, which

0:19:12.520 --> 0:19:16.040
<v Speaker 1>I believe that I could have been. Probably singing would

0:19:16.080 --> 0:19:18.960
<v Speaker 1>have been my north star, but I was like, okay,

0:19:19.000 --> 0:19:22.919
<v Speaker 1>I got drums well, but I think by eight I

0:19:23.400 --> 0:19:28.200
<v Speaker 1>psychologically killed my voice. I'm I can hold a tune.

0:19:28.240 --> 0:19:32.199
<v Speaker 1>But being the oddball cousin of the black Sheep, how

0:19:32.240 --> 0:19:35.840
<v Speaker 1>did you handle it? Or were you just like breakout

0:19:35.840 --> 0:19:38.600
<v Speaker 1>in song? And I don't give a fuck I can sing.

0:19:39.800 --> 0:19:44.359
<v Speaker 7>It was my cousins who everybody kind of didd like

0:19:44.440 --> 0:19:48.560
<v Speaker 7>my brothers. The thing was to be able to dance

0:19:48.640 --> 0:19:52.120
<v Speaker 7>real good, and I couldn't dance. I sucked. I could

0:19:52.160 --> 0:19:55.919
<v Speaker 7>never like really dance well. So my brothers were the

0:19:55.960 --> 0:19:59.920
<v Speaker 7>super stars because they can fucking dance all the dance

0:20:00.160 --> 0:20:02.800
<v Speaker 7>is the running Man the wip like they would go

0:20:02.840 --> 0:20:05.120
<v Speaker 7>to the parties and kill it, and I would always

0:20:05.200 --> 0:20:09.359
<v Speaker 7>like clam up. So it's like the only time people

0:20:09.480 --> 0:20:11.800
<v Speaker 7>even knew I could do anything was when we was

0:20:11.880 --> 0:20:15.000
<v Speaker 7>in church, like that's where I was shying. But when

0:20:15.080 --> 0:20:18.240
<v Speaker 7>we would go out and we was just kids, like

0:20:19.080 --> 0:20:21.840
<v Speaker 7>it never it never really stood out. I could never

0:20:21.880 --> 0:20:24.360
<v Speaker 7>really get it out or if somebody would be like, hey,

0:20:24.359 --> 0:20:26.760
<v Speaker 7>you sing for me, I couldn't like do it like

0:20:27.160 --> 0:20:31.159
<v Speaker 7>if it's just us like as kids, you know, even

0:20:31.200 --> 0:20:33.680
<v Speaker 7>when like a song would come on, I had aunts

0:20:33.680 --> 0:20:36.760
<v Speaker 7>that would just be like, oh, hey, boy, dance you

0:20:36.800 --> 0:20:40.760
<v Speaker 7>know what I mean? Should I would even clam up

0:20:40.800 --> 0:20:43.480
<v Speaker 7>in front of them, you know, But my brothers would

0:20:43.480 --> 0:20:46.880
<v Speaker 7>push me aside and do all the moves they could sing,

0:20:47.040 --> 0:20:50.480
<v Speaker 7>do all the Michael Jackson shit. I was always shy.

0:20:50.560 --> 0:20:53.800
<v Speaker 7>I don't know I could. It could only come out

0:20:53.840 --> 0:20:57.119
<v Speaker 7>when it was like a real audience, and then I

0:20:57.280 --> 0:21:00.360
<v Speaker 7>was just like I felt like I was pretending or

0:21:00.440 --> 0:21:02.760
<v Speaker 7>like escaping even though I was doing it.

0:21:02.880 --> 0:21:04.720
<v Speaker 1>What is your go to song that you would sing?

0:21:05.000 --> 0:21:07.800
<v Speaker 1>If adults made you, hey, sing something bloud?

0:21:07.920 --> 0:21:10.720
<v Speaker 7>Like it would be like some Michael Jackson shit.

0:21:11.680 --> 0:21:17.159
<v Speaker 1>You know from four to seven or eight? Who were

0:21:17.200 --> 0:21:18.639
<v Speaker 1>your north stars?

0:21:19.280 --> 0:21:23.840
<v Speaker 7>Four to seven? I think I'm By then, I was

0:21:23.920 --> 0:21:26.760
<v Speaker 7>just listening to pop music shit, Like I was just

0:21:26.800 --> 0:21:30.679
<v Speaker 7>watching him TV and whatever was on TV. You know,

0:21:30.720 --> 0:21:33.959
<v Speaker 7>I didn't really have like a I would say, Michael

0:21:34.080 --> 0:21:38.679
<v Speaker 7>Jackson and French you know, okay, or like whatever. I

0:21:38.760 --> 0:21:43.040
<v Speaker 7>wasn't really I wouldn't say I was like so into

0:21:43.280 --> 0:21:46.359
<v Speaker 7>music until like it really didn't hit me until I

0:21:46.359 --> 0:21:50.600
<v Speaker 7>would say, like around seven. But by then I was

0:21:50.600 --> 0:21:55.840
<v Speaker 7>like deep into church, like singing on white Like by

0:21:55.880 --> 0:21:59.080
<v Speaker 7>the time I got to ten years old, I think

0:21:59.160 --> 0:22:03.800
<v Speaker 7>that's fifth grade, right, yeah. Yeah. By the time I

0:22:03.880 --> 0:22:06.359
<v Speaker 7>went to fifth grade, I had started to go to

0:22:06.720 --> 0:22:11.040
<v Speaker 7>a Catholic school, and so I was just that was it.

0:22:11.160 --> 0:22:14.840
<v Speaker 7>I went to Saint Maleky's right over there by break

0:22:14.960 --> 0:22:18.639
<v Speaker 7>Brighthole Baptist Church, and I had this lady come into

0:22:18.680 --> 0:22:21.359
<v Speaker 7>my like mother Brown and Mother Brown.

0:22:21.560 --> 0:22:27.040
<v Speaker 8>She was the one that was like this motherfucker can say, like,

0:22:27.200 --> 0:22:32.600
<v Speaker 8>you know, do.

0:22:32.560 --> 0:22:33.680
<v Speaker 6>You remember would you preach them?

0:22:33.760 --> 0:22:38.560
<v Speaker 7>Oh my god, come on, please obey your parents. Now.

0:22:38.680 --> 0:22:40.919
<v Speaker 7>I don't know. I was just trying to work it

0:22:40.960 --> 0:22:43.080
<v Speaker 7>all up to the park where you get to the

0:22:43.119 --> 0:22:49.440
<v Speaker 7>bluesy part and the ogan gott to join in.

0:22:53.320 --> 0:22:55.520
<v Speaker 1>If social media was out, then you would have been

0:22:55.640 --> 0:22:58.640
<v Speaker 1>like one of these kids. I would have been liking,

0:22:59.119 --> 0:23:07.359
<v Speaker 1>hell yeah, is there any documentation of you? Pretend like

0:23:07.480 --> 0:23:09.520
<v Speaker 1>on taple or yo?

0:23:09.800 --> 0:23:12.040
<v Speaker 7>Yeah. I was just at a concert the other day.

0:23:12.240 --> 0:23:15.399
<v Speaker 7>I played at the Kimbel Center with Lauren Evans, a

0:23:15.560 --> 0:23:20.719
<v Speaker 7>big band, and a lady came backstage was like, yo,

0:23:21.280 --> 0:23:23.680
<v Speaker 7>I got a video tape, but you I think you're

0:23:23.800 --> 0:23:28.639
<v Speaker 7>like nine years old, look oh younger singing that some

0:23:29.040 --> 0:23:32.200
<v Speaker 7>church you was like so just like you do now.

0:23:32.960 --> 0:23:35.439
<v Speaker 7>I was like, I need to fucking get that tape.

0:23:35.640 --> 0:23:39.960
<v Speaker 7>It's like it's so hilarious. Yeah.

0:23:40.000 --> 0:23:46.399
<v Speaker 1>So the way that I think I first heard of you,

0:23:47.600 --> 0:23:50.919
<v Speaker 1>there was a girl that I was seeing and she

0:23:51.240 --> 0:23:56.360
<v Speaker 1>might have graduated Kappa before your time, and maybe her

0:23:56.400 --> 0:24:00.480
<v Speaker 1>younger sister went there. Whatever the case, was about the

0:24:00.520 --> 0:24:02.919
<v Speaker 1>point when I had your demo and I was playing

0:24:02.920 --> 0:24:08.320
<v Speaker 1>it in her car and never wanted to like people

0:24:08.400 --> 0:24:11.119
<v Speaker 1>love their opportunity to dunk on me, like if I

0:24:11.160 --> 0:24:14.520
<v Speaker 1>don't know something about music, and her dunk was like

0:24:15.080 --> 0:24:19.040
<v Speaker 1>I know that out And the next week she brought

0:24:19.119 --> 0:24:23.800
<v Speaker 1>in a cassette of you singing back when you were

0:24:23.840 --> 0:24:26.480
<v Speaker 1>like ten years old or whatever. And the thing was

0:24:26.520 --> 0:24:29.920
<v Speaker 1>that there wasn't a difference in I was like, there's

0:24:29.920 --> 0:24:32.280
<v Speaker 1>no way you're telling me this person's ten eleven years old,

0:24:32.320 --> 0:24:36.800
<v Speaker 1>Like he sounds like a fully formed range, like I

0:24:36.840 --> 0:24:41.280
<v Speaker 1>hear three to four octaves already. And she was like, yes,

0:24:41.320 --> 0:24:43.800
<v Speaker 1>he goes to my church. I wish I remembered her name,

0:24:44.000 --> 0:24:51.280
<v Speaker 1>but for you, like poor girl, I wish I remember

0:24:51.359 --> 0:24:51.680
<v Speaker 1>her name.

0:24:53.600 --> 0:24:56.480
<v Speaker 5>Yeah, for you? Was there any other option?

0:24:56.600 --> 0:24:58.960
<v Speaker 1>Did you have any other desire to do something in

0:24:59.000 --> 0:25:01.280
<v Speaker 1>life besides singing?

0:25:02.200 --> 0:25:05.840
<v Speaker 7>Yeah, I wanted to be an architect. I liked to

0:25:05.960 --> 0:25:09.280
<v Speaker 7>draw cars as low as a little kids, So I

0:25:09.320 --> 0:25:12.320
<v Speaker 7>wanted to be some type of life building. But it

0:25:12.440 --> 0:25:18.119
<v Speaker 7>was always on the creative side. But yeah, I wanted

0:25:18.160 --> 0:25:19.760
<v Speaker 7>to make cars.

0:25:20.400 --> 0:25:24.840
<v Speaker 1>So Blau, what was the first creative project that you.

0:25:26.480 --> 0:25:29.199
<v Speaker 5>Worked on the outside of the church, Like.

0:25:29.359 --> 0:25:31.359
<v Speaker 7>As far as like the recording or.

0:25:31.520 --> 0:25:34.600
<v Speaker 1>Just well, yeah, I mean as far as recordings concerned,

0:25:34.680 --> 0:25:36.800
<v Speaker 1>or like just outside of church.

0:25:37.520 --> 0:25:41.040
<v Speaker 7>I broke out at church, like I started breaking out

0:25:41.080 --> 0:25:46.160
<v Speaker 7>of church. And hind not to mention, my pops always

0:25:46.640 --> 0:25:47.560
<v Speaker 7>hated the fact that I.

0:25:47.480 --> 0:25:49.240
<v Speaker 6>Was about to say, when did your daddy be like,

0:25:49.760 --> 0:25:50.280
<v Speaker 6>this is enough.

0:25:50.480 --> 0:25:54.439
<v Speaker 7>Dad always hated the fact that I was going to

0:25:54.520 --> 0:25:59.160
<v Speaker 7>church and my dad's best friend is mister Ben buying

0:25:59.240 --> 0:26:05.760
<v Speaker 7>them from down the hole zanzer bar ship. I've been

0:26:05.800 --> 0:26:11.920
<v Speaker 7>grew up in there and yeah when when when Willhelmina's

0:26:12.000 --> 0:26:16.000
<v Speaker 7>used to be zanza bar blue. I grew up in

0:26:16.080 --> 0:26:19.200
<v Speaker 7>that one when it was like two different floors and ship.

0:26:19.920 --> 0:26:22.960
<v Speaker 7>But my dad used to take me there. She's just

0:26:23.119 --> 0:26:27.000
<v Speaker 7>kind of getting me out of the hole going to

0:26:27.119 --> 0:26:29.560
<v Speaker 7>church ship because he just always felt like that was

0:26:29.680 --> 0:26:35.159
<v Speaker 7>just not the thing, right, you know. So he wanted

0:26:35.160 --> 0:26:37.800
<v Speaker 7>me to see jazz. He was like, this is music

0:26:37.920 --> 0:26:41.640
<v Speaker 7>that ships just hollered and hollered, but then he would

0:26:41.640 --> 0:26:44.840
<v Speaker 7>wind up saying calling some of the cats at the

0:26:45.400 --> 0:26:52.760
<v Speaker 7>zazeb hollering. He hated holler. To this day, my papa

0:26:52.800 --> 0:26:55.040
<v Speaker 7>has never been in not one of my contints, Like,

0:26:55.119 --> 0:26:58.639
<v Speaker 7>I don't think he ever never, like.

0:26:59.359 --> 0:27:00.520
<v Speaker 1>Your dad would you do?

0:27:01.040 --> 0:27:02.920
<v Speaker 7>He knows what I do, but he ain't never heard

0:27:02.920 --> 0:27:05.600
<v Speaker 7>of shit. I ain't never seen him at a concert ever.

0:27:06.119 --> 0:27:08.080
<v Speaker 5>Are you fine with that?

0:27:08.720 --> 0:27:11.520
<v Speaker 7>My papa say, is an eccentric guy like me, So

0:27:11.760 --> 0:27:17.160
<v Speaker 7>whatever he does, I'm just like I remember one time

0:27:17.640 --> 0:27:20.600
<v Speaker 7>My papa was so pissed at me singing in church.

0:27:20.760 --> 0:27:24.960
<v Speaker 7>He literally came into church and like I was singing

0:27:25.119 --> 0:27:28.480
<v Speaker 7>and took the mic and picked me up like and

0:27:28.560 --> 0:27:32.919
<v Speaker 7>my mom was like, no, Melvine, no, and my papa

0:27:33.040 --> 0:27:36.400
<v Speaker 7>was like, my son ain't gonna be gay. My son

0:27:36.400 --> 0:27:44.080
<v Speaker 7>ain't gonna be gay. I'm like, ah, it was embarrassing, man,

0:27:44.359 --> 0:27:47.600
<v Speaker 7>Like I think the keyboard player from Philly Meetzsche was

0:27:47.720 --> 0:27:51.680
<v Speaker 7>the playing. It was like one of those workshop type

0:27:51.680 --> 0:27:54.679
<v Speaker 7>things where you gotta pay to be in it. And

0:27:54.760 --> 0:27:58.960
<v Speaker 7>my mom so high school, my papa was very happy

0:27:59.359 --> 0:28:02.560
<v Speaker 7>that I had met he's cats, and so I went

0:28:02.680 --> 0:28:07.000
<v Speaker 7>to Philadelphia Clup Club high school. Because all of my

0:28:07.119 --> 0:28:15.160
<v Speaker 7>friends went to Clup Club, Jill jiel Shaw, George Burton,

0:28:17.400 --> 0:28:20.879
<v Speaker 7>Lowie brothers. They all told me if I wanted to

0:28:20.880 --> 0:28:24.679
<v Speaker 7>hang with them, I needed to learn jazz theory and

0:28:25.600 --> 0:28:29.040
<v Speaker 7>I need to learn chords and play piano because they

0:28:29.040 --> 0:28:31.960
<v Speaker 7>didn't want to hear me sing. I went to the

0:28:32.040 --> 0:28:35.240
<v Speaker 7>clup Club to learn piano and chords.

0:28:34.800 --> 0:28:41.320
<v Speaker 1>And ship and at the time was the instructor was yeah, yeah,

0:28:41.440 --> 0:28:44.200
<v Speaker 1>love it, Hans Okay, he was my instructor too. It's

0:28:44.240 --> 0:28:48.320
<v Speaker 1>where you said that because we as people have a

0:28:48.320 --> 0:28:55.320
<v Speaker 1>hard time expressing emotions that there's such a vulnerability in singing,

0:28:56.720 --> 0:29:00.960
<v Speaker 1>that there's a certain level of generally on people that

0:29:01.680 --> 0:29:06.520
<v Speaker 1>I feel like singing is such a soft.

0:29:07.800 --> 0:29:08.320
<v Speaker 7>Experience.

0:29:08.400 --> 0:29:12.280
<v Speaker 1>But yet we love Eddie Kendricks, we love Smoking Robinson,

0:29:12.320 --> 0:29:17.040
<v Speaker 1>we love printing. Maybe I kind of sense that too,

0:29:17.560 --> 0:29:21.800
<v Speaker 1>like because I definitely know that there was a period

0:29:21.920 --> 0:29:28.680
<v Speaker 1>between like seventy four and eighty four where like if

0:29:28.680 --> 0:29:34.680
<v Speaker 1>you sang, then you were just ridiculed, like you know,

0:29:35.560 --> 0:29:38.880
<v Speaker 1>like you couldn't have a beautiful voice and surviving the

0:29:38.920 --> 0:29:42.760
<v Speaker 1>hood like you soft because you you sing beautiful, which

0:29:43.640 --> 0:29:44.120
<v Speaker 1>wasn't how.

0:29:44.040 --> 0:29:46.000
<v Speaker 6>It was in our parents' time. In our parents' time,

0:29:46.120 --> 0:29:50.800
<v Speaker 6>he were singing duo on the side. So something happened

0:29:50.920 --> 0:29:51.640
<v Speaker 6>at disconnect.

0:29:51.720 --> 0:29:56.000
<v Speaker 7>That's sweet. The hardest singers was joonas that.

0:29:56.480 --> 0:30:00.520
<v Speaker 1>In school, were you trying to start like groups with

0:30:00.600 --> 0:30:02.120
<v Speaker 1>people or were you just like.

0:30:02.240 --> 0:30:05.200
<v Speaker 7>Oh yeah, yeah, yeah. I went through phases, Like my

0:30:06.120 --> 0:30:09.840
<v Speaker 7>freshman year I was in a singing group. It was

0:30:09.880 --> 0:30:13.480
<v Speaker 7>a gospel group with the singers. I was like hardcour

0:30:13.720 --> 0:30:17.760
<v Speaker 7>in the vocal department everybody because this is the same ship.

0:30:17.840 --> 0:30:21.320
<v Speaker 7>She was saying, that's breaking out singing and up, you know,

0:30:21.480 --> 0:30:23.840
<v Speaker 7>in the hallway and ship. And I was in the

0:30:23.880 --> 0:30:30.560
<v Speaker 7>gospel group and I switched sophomore year and I started

0:30:30.680 --> 0:30:35.680
<v Speaker 7>trying to be in a jazz group. So I started

0:30:35.760 --> 0:30:40.600
<v Speaker 7>going to jam sessions. I got my first gig as

0:30:40.600 --> 0:30:45.240
<v Speaker 7>a vocalist Orn Evans band, the Blue Note or the

0:30:45.280 --> 0:30:47.640
<v Speaker 7>Blue Moon. There was this club called the Blue Moon

0:30:48.480 --> 0:30:53.000
<v Speaker 7>in Philly, and he used to do gigs. He had

0:30:53.160 --> 0:30:59.440
<v Speaker 7>just graduated, but we he would hire, you know, he

0:30:59.520 --> 0:31:02.640
<v Speaker 7>was still cats that was still in high school. So

0:31:03.240 --> 0:31:07.400
<v Speaker 7>I played in his and like I did like one

0:31:07.800 --> 0:31:12.520
<v Speaker 7>or two gigs then, and I shortly after that started

0:31:12.520 --> 0:31:16.320
<v Speaker 7>trying to like make my own dad. But it was

0:31:16.360 --> 0:31:19.160
<v Speaker 7>like a jazz trio. Like I from there, I got

0:31:19.200 --> 0:31:22.200
<v Speaker 7>the jazz bub Like I didn't even want to sing,

0:31:22.280 --> 0:31:27.280
<v Speaker 7>no other style of music until like maybe I got signed,

0:31:27.720 --> 0:31:31.520
<v Speaker 7>Like I was hard for wanted to be the next

0:31:31.880 --> 0:31:33.240
<v Speaker 7>Bobby McFerrin.

0:31:32.920 --> 0:31:35.400
<v Speaker 6>Or some ship you got sign singing No R and

0:31:35.440 --> 0:31:36.840
<v Speaker 6>b Copter No.

0:31:37.360 --> 0:31:40.000
<v Speaker 7>When I first met in teammate, I was in a

0:31:40.080 --> 0:31:43.680
<v Speaker 7>singing group because it was I was in the singing

0:31:43.680 --> 0:31:49.800
<v Speaker 7>group in high school. My cousin dated dodmu uh In

0:31:50.000 --> 0:31:54.240
<v Speaker 7>two Ma's son, and she would always talk about me

0:31:55.200 --> 0:31:59.480
<v Speaker 7>to him. And at the time, they was doing that

0:31:59.640 --> 0:32:06.480
<v Speaker 7>show New York Undercover, New York Undercover and yeah, and

0:32:06.640 --> 0:32:10.080
<v Speaker 7>they would do the music stuff. So it got out

0:32:10.120 --> 0:32:13.560
<v Speaker 7>that Tunes was looking for a group. So I put

0:32:13.560 --> 0:32:17.600
<v Speaker 7>a group together just to go up there, and uh,

0:32:18.280 --> 0:32:22.360
<v Speaker 7>Tunes didn't like the cats, but he liked my voice.

0:32:22.560 --> 0:32:24.760
<v Speaker 7>So that was like the second time I put a

0:32:24.800 --> 0:32:29.720
<v Speaker 7>group together. And I think I put another group together

0:32:29.760 --> 0:32:33.400
<v Speaker 7>to try and win a competition one but it was

0:32:33.440 --> 0:32:34.240
<v Speaker 7>like a jazz man.

0:32:34.600 --> 0:32:37.960
<v Speaker 1>I gotta get to the moment where I discover you

0:32:38.000 --> 0:32:39.560
<v Speaker 1>and I forget Amir.

0:32:39.640 --> 0:32:41.920
<v Speaker 6>You say human saxophone. That was a part of the story.

0:32:41.960 --> 0:32:43.880
<v Speaker 6>I remember you told me that that wasn't a part

0:32:43.920 --> 0:32:45.960
<v Speaker 6>of the story too, the human Saxophone game.

0:32:46.800 --> 0:32:52.240
<v Speaker 5>No, Like I believe James, he had me a cassette.

0:32:53.400 --> 0:33:01.240
<v Speaker 1>And for him, besides the fact that he knew Bloo's

0:33:01.280 --> 0:33:05.320
<v Speaker 1>voice was gonna blow my mind, there was one thing

0:33:06.360 --> 0:33:12.680
<v Speaker 1>that was slightly more mind blowing about this cassette I

0:33:12.720 --> 0:33:17.120
<v Speaker 1>was listening to, and Bloo's voice was the second thing

0:33:17.200 --> 0:33:20.680
<v Speaker 1>that was mind blowing. The first thing he said to

0:33:20.720 --> 0:33:24.520
<v Speaker 1>me was like, dude, the motherfucker from the Spin Doctors

0:33:25.600 --> 0:33:29.959
<v Speaker 1>co produced this and he put it on and I

0:33:30.000 --> 0:33:32.160
<v Speaker 1>was like, wait a minute, you trying to tell me

0:33:33.160 --> 0:33:39.480
<v Speaker 1>the band of the stupid Just go ahead, now that's

0:33:39.520 --> 0:33:45.160
<v Speaker 1>been Doctors. And he's like, yeah, that's been Doctors. It

0:33:45.280 --> 0:33:48.160
<v Speaker 1>was almost like it was a party trick. I was like, yo,

0:33:49.080 --> 0:33:53.760
<v Speaker 1>listen to this demo. Guess who produced this? And they

0:33:53.880 --> 0:33:56.040
<v Speaker 1>just run out of shit, and you know, they would

0:33:56.040 --> 0:33:58.840
<v Speaker 1>thinking like, oh, it's some d'angelo's working on this new

0:33:58.840 --> 0:34:01.600
<v Speaker 1>group and that it and I was like, yo, let's

0:34:01.560 --> 0:34:03.720
<v Speaker 1>spend Doctors produced this, and then it was like, well,

0:34:03.720 --> 0:34:09.920
<v Speaker 1>who's that singer? So next to some village is fantastic demo?

0:34:11.040 --> 0:34:14.160
<v Speaker 1>Blaud was in second place for like the demo. I

0:34:14.160 --> 0:34:17.440
<v Speaker 1>would just make people listen to twenty four to seven

0:34:18.560 --> 0:34:21.759
<v Speaker 1>and then like, guess who produced this? And then it

0:34:22.000 --> 0:34:24.840
<v Speaker 1>went to like hey, make me a copy, make a copy,

0:34:24.920 --> 0:34:28.440
<v Speaker 1>make me a copy. So can you tell the story

0:34:28.440 --> 0:34:31.920
<v Speaker 1>of how that demo came to be and how that

0:34:32.160 --> 0:34:34.160
<v Speaker 1>just started making the rounds.

0:34:34.600 --> 0:34:38.080
<v Speaker 7>I met Aaron at the News School.

0:34:38.800 --> 0:34:45.839
<v Speaker 1>Okay, he played Aaron Cornests, right, Yeah, yeah, he.

0:34:46.520 --> 0:34:49.319
<v Speaker 7>Was going to the News School because he he had

0:34:50.040 --> 0:34:52.960
<v Speaker 7>came back to like get he wanted to get his

0:34:53.160 --> 0:34:57.440
<v Speaker 7>jazz shops better, and he wanted to get this. He

0:34:57.520 --> 0:35:00.600
<v Speaker 7>always wanted to go back to school to get you know, hire,

0:35:01.200 --> 0:35:04.680
<v Speaker 7>learn or whatever. He got hired by the guy that

0:35:04.840 --> 0:35:08.480
<v Speaker 7>started our school. His name is slipping my mind. I

0:35:08.480 --> 0:35:11.520
<v Speaker 7>don't know why, but he started the New Street. He

0:35:11.719 --> 0:35:16.080
<v Speaker 7>passed away recently, but he would get students to play

0:35:16.719 --> 0:35:19.279
<v Speaker 7>a gig. Probably not hear no more about the other

0:35:19.400 --> 0:35:22.839
<v Speaker 7>side Start Walk Cafe or some shit like that. But

0:35:23.239 --> 0:35:29.320
<v Speaker 7>our gig started at two o'clock in the morning and

0:35:29.840 --> 0:35:32.839
<v Speaker 7>we would play from two to five. This was back

0:35:32.880 --> 0:35:37.719
<v Speaker 7>when Club Jazzbuk stayed open like ever you know. Yeah,

0:35:37.880 --> 0:35:40.520
<v Speaker 7>the only cats I would see at these ships was

0:35:40.600 --> 0:35:44.120
<v Speaker 7>like ironically enough was like Rod harbro Ward harborow Never

0:35:44.640 --> 0:35:47.839
<v Speaker 7>he would go to every game. I should always play, right,

0:35:47.960 --> 0:35:54.880
<v Speaker 7>But he hired me while Aaron Coolness and I forget

0:35:54.880 --> 0:35:58.960
<v Speaker 7>who was playing these but we we could never say

0:35:59.080 --> 0:36:02.560
<v Speaker 7>up to get to the gig. So we would either

0:36:02.640 --> 0:36:05.520
<v Speaker 7>go to a bunch of other clubs until it was

0:36:05.560 --> 0:36:08.560
<v Speaker 7>time for us to play, or we would.

0:36:09.000 --> 0:36:14.200
<v Speaker 1>And this is coming from Philadelphia or like your student

0:36:14.239 --> 0:36:15.000
<v Speaker 1>at the New School.

0:36:15.200 --> 0:36:18.920
<v Speaker 7>So I lived in Brooklyn and everybody else stayed at

0:36:18.920 --> 0:36:20.880
<v Speaker 7>the dorm. So I didn't like to go all the

0:36:20.880 --> 0:36:24.080
<v Speaker 7>way to Brooklyn, so I would just I wounded up

0:36:24.160 --> 0:36:28.319
<v Speaker 7>staying at the dorm at Rob's dorm because I think

0:36:28.360 --> 0:36:31.759
<v Speaker 7>the dude that he shared the room with was on

0:36:31.840 --> 0:36:35.520
<v Speaker 7>some type of MTV show MT Road Rules or some

0:36:35.560 --> 0:36:39.120
<v Speaker 7>shit like that. He had got accepted to do that,

0:36:39.280 --> 0:36:41.600
<v Speaker 7>so he was never a school he was a superstar.

0:36:42.080 --> 0:36:46.120
<v Speaker 7>We would just hang at rob spot, and we found

0:36:46.160 --> 0:36:50.600
<v Speaker 7>out that Aaron had a full blown studio at his

0:36:50.719 --> 0:36:55.879
<v Speaker 7>house in the basement, and we started hanging out there

0:36:56.400 --> 0:36:59.759
<v Speaker 7>till it was time to go do that gig. And

0:37:01.440 --> 0:37:03.719
<v Speaker 7>when I found out that he had that shit in there,

0:37:03.840 --> 0:37:06.680
<v Speaker 7>I used to go to the practice rooms at school

0:37:06.719 --> 0:37:10.719
<v Speaker 7>and just write blute ideas to try and record at

0:37:10.760 --> 0:37:13.960
<v Speaker 7>his studio. And that's where that demo came from.

0:37:14.719 --> 0:37:18.480
<v Speaker 1>As far as I know, I believe that When Will

0:37:18.520 --> 0:37:25.280
<v Speaker 1>You Call and Queen of Sanity are those actual demos.

0:37:25.360 --> 0:37:27.480
<v Speaker 1>I know that James and I replayed the drums and

0:37:27.880 --> 0:37:31.239
<v Speaker 1>the keyboards for Queen of Sanity, but that vocal take

0:37:31.400 --> 0:37:32.560
<v Speaker 1>is from that actual demo.

0:37:32.600 --> 0:37:34.879
<v Speaker 7>Correct, yep.

0:37:35.320 --> 0:37:39.920
<v Speaker 1>So here's the thing, Like, instantly when I hear that

0:37:40.000 --> 0:37:44.920
<v Speaker 1>first verse, like you kind of displayed a nuanced range

0:37:45.000 --> 0:37:51.279
<v Speaker 1>of singing that, especially during that time period, a lot

0:37:51.320 --> 0:37:55.160
<v Speaker 1>of R and B singing was sort of post Stevie Wonder,

0:37:56.120 --> 0:38:00.680
<v Speaker 1>like Stevie Wonder begats Charlie Wilson who begats Aaron Hall

0:38:00.800 --> 0:38:05.160
<v Speaker 1>who begats R Kelly who begats Casey? And Jojo like

0:38:05.719 --> 0:38:13.000
<v Speaker 1>this level of h oh type of pos Stevie I

0:38:13.080 --> 0:38:18.800
<v Speaker 1>call it him like R and B sto of which

0:38:19.480 --> 0:38:24.080
<v Speaker 1>you really didn't approach that And not since Prince have

0:38:24.239 --> 0:38:30.960
<v Speaker 1>I heard a primitive screamer on a record like do

0:38:31.040 --> 0:38:34.560
<v Speaker 1>it in a way that wasn't like HR from Bad

0:38:34.640 --> 0:38:36.360
<v Speaker 1>Brains or like punk rock related.

0:38:37.520 --> 0:38:42.440
<v Speaker 5>So is anyone M two may or whoever is an authority?

0:38:42.520 --> 0:38:46.000
<v Speaker 1>Is anyone like telling you, like, hey, tone it down

0:38:46.040 --> 0:38:48.759
<v Speaker 1>a little bit, Like why don't you just sing nuanced

0:38:48.760 --> 0:38:52.200
<v Speaker 1>and discipline and leave all that crazy stuff because that's

0:38:52.239 --> 0:38:54.200
<v Speaker 1>not going to get you a hit? Like what are

0:38:54.320 --> 0:38:58.480
<v Speaker 1>people telling you during this phase before you figure out

0:38:58.520 --> 0:39:00.759
<v Speaker 1>who you really are, before your first album comes out?

0:39:01.640 --> 0:39:03.920
<v Speaker 7>I was always told the dumb it down, even as

0:39:03.960 --> 0:39:08.200
<v Speaker 7>a little kid, so I just was just like I

0:39:08.280 --> 0:39:12.799
<v Speaker 7>never really knew how to dumb ship down. But I

0:39:13.040 --> 0:39:17.360
<v Speaker 7>think around this phase it was just they were trying

0:39:17.400 --> 0:39:22.080
<v Speaker 7>a lot of things. It was mostly getting me to

0:39:22.440 --> 0:39:26.160
<v Speaker 7>learn songwriting with other people, and then it was me

0:39:26.640 --> 0:39:31.200
<v Speaker 7>trying to always fit what I was learning at school

0:39:32.239 --> 0:39:36.960
<v Speaker 7>into a modern thing, you know, because I always wanted

0:39:37.000 --> 0:39:39.640
<v Speaker 7>to get signed a blue note or something for single jazz,

0:39:39.800 --> 0:39:45.040
<v Speaker 7>because it became a discussion it's mad old people in

0:39:45.040 --> 0:39:48.800
<v Speaker 7>the audience like we ain't gonna never get chicks or jets.

0:39:49.080 --> 0:39:53.600
<v Speaker 7>It sucks, you know. And literally we used to go

0:39:54.400 --> 0:39:58.239
<v Speaker 7>to y'all's jam session that y'all used to deal with

0:39:58.280 --> 0:40:02.160
<v Speaker 7>at the Wetlands come Back, and we would see cats

0:40:02.239 --> 0:40:05.120
<v Speaker 7>like Kareen Riggins there, like see, now that's the jazz

0:40:05.160 --> 0:40:10.080
<v Speaker 7>we see. We always considered what y'all was doing as jazz,

0:40:10.760 --> 0:40:13.239
<v Speaker 7>so we'd be like, that's the ship, Like we need

0:40:13.239 --> 0:40:16.040
<v Speaker 7>to do some ship more in that kind of fucking thing,

0:40:16.760 --> 0:40:20.880
<v Speaker 7>but add our core changes and ship because we're just

0:40:20.960 --> 0:40:26.400
<v Speaker 7>gonna be dating old chicks for the rest of our lives.

0:40:26.520 --> 0:40:29.080
<v Speaker 7>Like we gotta be modern, like we gotta go to

0:40:29.160 --> 0:40:32.720
<v Speaker 7>herbiejing Cock route like you know what I mean? So right, Okay,

0:40:32.960 --> 0:40:37.000
<v Speaker 7>that kind of like shifted everything to where I was like,

0:40:37.200 --> 0:40:41.759
<v Speaker 7>we got Aaron studio less experiment.

0:40:46.200 --> 0:40:50.879
<v Speaker 1>What's the path that leads to your actual record deal,

0:40:50.960 --> 0:40:55.440
<v Speaker 1>Like how many labels did you see? How many showcases

0:40:55.480 --> 0:40:58.600
<v Speaker 1>did you have to do? How many close with no cigars?

0:40:59.160 --> 0:41:02.440
<v Speaker 7>I want need to get signed to Peter R. Massenbird

0:41:02.880 --> 0:41:07.120
<v Speaker 7>because I always felt like I didn't think he was

0:41:07.239 --> 0:41:09.480
<v Speaker 7>doing me on soul, but I was like, that feels

0:41:09.520 --> 0:41:13.920
<v Speaker 7>like we want to do And I always felt like

0:41:14.400 --> 0:41:19.200
<v Speaker 7>that would be a way to kind of infuse other

0:41:20.200 --> 0:41:21.960
<v Speaker 7>our jazz.

0:41:21.760 --> 0:41:24.960
<v Speaker 6>Ship, you know, modernized it a little bit, but still

0:41:25.400 --> 0:41:25.759
<v Speaker 6>keep it.

0:41:25.840 --> 0:41:29.600
<v Speaker 7>Hard, right right right, like we could fit it in.

0:41:30.280 --> 0:41:33.640
<v Speaker 7>And then we would start to notice like samples and

0:41:33.760 --> 0:41:36.520
<v Speaker 7>be like, yo, that's the actual they sampled the actual

0:41:36.600 --> 0:41:40.279
<v Speaker 7>album that we love, Like that's the actually jazz I

0:41:40.480 --> 0:41:44.239
<v Speaker 7>know that song, you know. So I always saw what

0:41:44.400 --> 0:41:49.120
<v Speaker 7>y'all was doing there like the gateway into like still

0:41:49.200 --> 0:41:53.120
<v Speaker 7>being a jazz musician in the vein of that, but

0:41:53.760 --> 0:41:56.360
<v Speaker 7>being more modern and kind of really like growing. And

0:41:56.400 --> 0:41:59.680
<v Speaker 7>then once I met y'all, I was like, I can

0:42:00.120 --> 0:42:03.239
<v Speaker 7>and ease things more and kind of take it to

0:42:03.360 --> 0:42:06.080
<v Speaker 7>a different level to where I don't even think of

0:42:06.120 --> 0:42:09.440
<v Speaker 7>myself as a jazz musician anymore. It's just music, you

0:42:09.520 --> 0:42:12.160
<v Speaker 7>know what I mean? But it was a whole catalyst

0:42:12.840 --> 0:42:16.319
<v Speaker 7>from going in them jam sessions at will of meanings.

0:42:16.719 --> 0:42:19.960
<v Speaker 1>All right, When I DJ, I don't look at the

0:42:20.000 --> 0:42:22.600
<v Speaker 1>audience and I think that, you know, it's like a

0:42:23.200 --> 0:42:25.640
<v Speaker 1>there's somewhat of a fear because I know that I'm

0:42:25.719 --> 0:42:30.640
<v Speaker 1>doing something different and my whole thing is like, you know,

0:42:30.880 --> 0:42:33.240
<v Speaker 1>force you to my will, to my side of the street.

0:42:33.719 --> 0:42:37.520
<v Speaker 1>I'm not gonna play with on radio, but I'm gonna

0:42:37.600 --> 0:42:40.359
<v Speaker 1>trick you into dancing to music that you might not know,

0:42:40.480 --> 0:42:44.040
<v Speaker 1>but I'm gonna make it sound good and artistic. Are

0:42:44.080 --> 0:42:47.600
<v Speaker 1>you channeled into the energy of the audience, because for me,

0:42:48.960 --> 0:42:52.439
<v Speaker 1>it's one thing to see a Blouse show when I'm

0:42:52.640 --> 0:42:56.200
<v Speaker 1>drumming with you, but it's a whole nother. I feel

0:42:56.239 --> 0:42:59.560
<v Speaker 1>like the very first time I saw a Blouse show

0:43:01.040 --> 0:43:04.320
<v Speaker 1>in terms of to see how he does in the world,

0:43:05.120 --> 0:43:06.280
<v Speaker 1>it was a teachable lesson.

0:43:06.360 --> 0:43:08.280
<v Speaker 5>So do you remember the run that you did?

0:43:09.040 --> 0:43:12.360
<v Speaker 1>You and music Soul Child did a series of shows together,

0:43:13.040 --> 0:43:16.000
<v Speaker 1>like in two thousand, slightly.

0:43:15.680 --> 0:43:16.839
<v Speaker 5>Before your album came out.

0:43:17.120 --> 0:43:21.480
<v Speaker 1>He was pretty much established by then, and for me,

0:43:22.680 --> 0:43:24.880
<v Speaker 1>I was there and I was really excited to see

0:43:25.760 --> 0:43:33.520
<v Speaker 1>how would a quasi mainstream audience take to you. I

0:43:33.560 --> 0:43:36.680
<v Speaker 1>can say this in shinsight twenty five years later, like,

0:43:36.840 --> 0:43:40.200
<v Speaker 1>much to my chagrine, they were frozen.

0:43:41.360 --> 0:43:43.799
<v Speaker 5>And it was so jarring to.

0:43:43.719 --> 0:43:49.319
<v Speaker 9>Them that, like, you know, I was trying to figure out, like, well, wait,

0:43:49.560 --> 0:43:52.879
<v Speaker 9>how come they didn't get the elation magic I felt

0:43:52.880 --> 0:43:54.040
<v Speaker 9>when I first heard his voice.

0:43:54.960 --> 0:43:57.200
<v Speaker 1>And then I started like, ah, man, people are just dumb.

0:43:57.200 --> 0:43:59.000
<v Speaker 1>They don't know what real art is and d they

0:43:59.120 --> 0:44:01.200
<v Speaker 1>just want the hits. Like I was in a mind

0:44:01.239 --> 0:44:08.960
<v Speaker 1>state of really not understanding subculture mainstream and you can't

0:44:09.040 --> 0:44:10.600
<v Speaker 1>do what I did for at least the first ten

0:44:10.680 --> 0:44:14.239
<v Speaker 1>years and really have a knowledge of the science of

0:44:14.280 --> 0:44:14.600
<v Speaker 1>it all.

0:44:14.920 --> 0:44:17.279
<v Speaker 6>I remember those shows on the flip side was too

0:44:17.600 --> 0:44:20.040
<v Speaker 6>from an artist's respective, it seemed like I don't know

0:44:20.040 --> 0:44:21.959
<v Speaker 6>how to say this politically correctly, so I'm just saying

0:44:21.960 --> 0:44:25.200
<v Speaker 6>what it felt like. It felt like music was a

0:44:25.200 --> 0:44:26.440
<v Speaker 6>little intimidated.

0:44:26.560 --> 0:44:30.160
<v Speaker 1>I knew he respected it, but it was for me.

0:44:30.360 --> 0:44:35.120
<v Speaker 1>I was more mad that the audience didn't instantaneously have

0:44:35.200 --> 0:44:38.000
<v Speaker 1>the same reaction I did, and it made me doubt myself.

0:44:37.680 --> 0:44:40.200
<v Speaker 6>Like it was a shock, but still not like it

0:44:40.239 --> 0:44:44.160
<v Speaker 6>was bad. It was just like whoa, whoa.

0:44:44.880 --> 0:44:47.640
<v Speaker 1>With you though, And I seen like four of those

0:44:47.640 --> 0:44:50.600
<v Speaker 1>shows in a row, like during that month. Either we

0:44:50.600 --> 0:44:52.239
<v Speaker 1>were like on the same circuit or you just did

0:44:52.239 --> 0:44:56.000
<v Speaker 1>a lot of shows in LA and each show you

0:44:56.000 --> 0:45:02.160
<v Speaker 1>would get even more intense or like you didn't shie

0:45:02.200 --> 0:45:05.440
<v Speaker 1>away from it, whereas like I would have instantly chicken

0:45:05.480 --> 0:45:08.879
<v Speaker 1>shit it and brought it down like Okay, they don't

0:45:08.880 --> 0:45:11.319
<v Speaker 1>feel this, let me let me sneak this on you.

0:45:12.160 --> 0:45:15.640
<v Speaker 1>And your reaction was the exact opposite, like, oh really,

0:45:16.120 --> 0:45:19.840
<v Speaker 1>now I'm really show y'all motherfuckers was up? And so

0:45:20.080 --> 0:45:24.160
<v Speaker 1>how aware are you or can I ask sort of

0:45:24.200 --> 0:45:31.680
<v Speaker 1>in hindsight, did you have a conscious fear of rejection

0:45:31.880 --> 0:45:36.359
<v Speaker 1>and your main reaction is, well, let me triple down

0:45:36.400 --> 0:45:39.880
<v Speaker 1>on this ship and show y'all mother because you know

0:45:40.120 --> 0:45:42.879
<v Speaker 1>I was. I was Michael Jackson popcorn Jiff all day,

0:45:43.000 --> 0:45:45.840
<v Speaker 1>Like the crazy you are, the more I love it, Like,

0:45:45.920 --> 0:45:48.640
<v Speaker 1>oh my god, he's he's this, this.

0:45:48.640 --> 0:45:51.080
<v Speaker 5>Is the greatest shit ever. What was in your head

0:45:51.080 --> 0:45:52.040
<v Speaker 5>at that time period.

0:45:53.000 --> 0:45:57.200
<v Speaker 7>I came from just street just being an artist, and

0:45:57.280 --> 0:46:00.279
<v Speaker 7>I thought, if I don't get in the applau, as

0:46:00.280 --> 0:46:04.200
<v Speaker 7>long as I get a shot, it's it don't matter,

0:46:04.360 --> 0:46:05.760
<v Speaker 7>you know, Sony.

0:46:06.160 --> 0:46:08.560
<v Speaker 1>Any reaction is better than no reaction.

0:46:09.680 --> 0:46:11.879
<v Speaker 7>I looked at it like, oh man, they fucked up.

0:46:13.520 --> 0:46:15.960
<v Speaker 6>That's what it was. That's exactly what it was.

0:46:16.200 --> 0:46:19.040
<v Speaker 7>I was always like looked at as, oh man, this

0:46:19.120 --> 0:46:21.080
<v Speaker 7>ship is out. Even when I was in the choir,

0:46:21.239 --> 0:46:24.400
<v Speaker 7>like I would lose solos because casts would be like,

0:46:24.480 --> 0:46:26.880
<v Speaker 7>you know, singing the straight way. I've never sang ship

0:46:26.960 --> 0:46:30.560
<v Speaker 7>the straight way, so I'm used to just doing ship

0:46:31.080 --> 0:46:34.279
<v Speaker 7>even at church up to them where people get like

0:46:34.320 --> 0:46:38.560
<v Speaker 7>what the fuck and even singing jazz, I was scatting

0:46:38.760 --> 0:46:44.200
<v Speaker 7>more so than even singing. So I always saw that this.

0:46:45.680 --> 0:46:47.880
<v Speaker 6>You've always been a proud weird though, like, and I

0:46:47.920 --> 0:46:48.839
<v Speaker 6>love that because I.

0:46:48.920 --> 0:46:51.400
<v Speaker 7>Always I always looked out the audience and saw this

0:46:51.560 --> 0:46:54.759
<v Speaker 7>like I was like, ah, they got they get it.

0:46:55.360 --> 0:46:59.359
<v Speaker 10>I guess I'm misconstrued you effect when I.

0:46:59.320 --> 0:47:02.279
<v Speaker 7>Started thinking that was the that was the smile that

0:47:02.440 --> 0:47:04.600
<v Speaker 7>was on the other side.

0:47:05.360 --> 0:47:07.200
<v Speaker 6>Is that insulting to say you've always been a proud

0:47:07.239 --> 0:47:09.160
<v Speaker 6>weirdo to me? Like, because I'm a weirdo too in

0:47:09.200 --> 0:47:13.520
<v Speaker 6>a way, So it's crazy. Yeah, yeah, fuck it, like

0:47:13.560 --> 0:47:16.080
<v Speaker 6>you want it anyway. They just don't know what they want.

0:47:16.600 --> 0:47:20.400
<v Speaker 7>Yeah, I'm just like I always liked the black sheeps

0:47:20.480 --> 0:47:23.400
<v Speaker 7>or the cast that was being out Like I remember

0:47:23.880 --> 0:47:26.560
<v Speaker 7>reading Miles Davis books and him being like, man, I

0:47:26.719 --> 0:47:28.200
<v Speaker 7>just got to a point I was like, fuck it,

0:47:28.360 --> 0:47:32.320
<v Speaker 7>not just we're doing the whole show with my ass

0:47:32.320 --> 0:47:34.480
<v Speaker 7>to the crowd. Fuck this ship, like you know what

0:47:34.560 --> 0:47:36.960
<v Speaker 7>I mean? So I guess I could get into us.

0:47:37.120 --> 0:47:40.320
<v Speaker 7>Sometimes I can't get into a place like fuck this

0:47:40.400 --> 0:47:43.280
<v Speaker 7>ship and going inside and perform.

0:47:43.440 --> 0:47:46.800
<v Speaker 1>You know, is there a memory of a show in

0:47:46.880 --> 0:47:49.200
<v Speaker 1>which you might have felt you took it too far

0:47:50.080 --> 0:47:51.160
<v Speaker 1>that you recall.

0:47:51.640 --> 0:47:52.799
<v Speaker 6>And what Jack?

0:47:53.719 --> 0:47:56.880
<v Speaker 7>Oh yeah, singing with fucking Jack.

0:47:57.400 --> 0:48:01.920
<v Speaker 11>Oh my god, that's a jack Jack will go. She's

0:48:01.960 --> 0:48:05.880
<v Speaker 11>a shop job too. So it was like almost trying

0:48:05.880 --> 0:48:07.799
<v Speaker 11>to see in my head. I was like, let me

0:48:07.800 --> 0:48:13.440
<v Speaker 11>see how far she'll go. I guess in her.

0:48:13.360 --> 0:48:16.920
<v Speaker 7>Mind she's like, let me see how it was like,

0:48:17.160 --> 0:48:18.759
<v Speaker 7>oh ship, all right?

0:48:18.800 --> 0:48:23.799
<v Speaker 1>So let me ask this question then, So, when you

0:48:24.040 --> 0:48:31.040
<v Speaker 1>know you are headed to a jam session, are you

0:48:32.320 --> 0:48:37.759
<v Speaker 1>thinking this is about to be like gladiator wartime? Like

0:48:38.280 --> 0:48:43.480
<v Speaker 1>it's going to be an arm wrestling match? And who

0:48:43.520 --> 0:48:45.719
<v Speaker 1>can I outdo? Who can I?

0:48:45.880 --> 0:48:46.120
<v Speaker 5>Son?

0:48:47.320 --> 0:48:53.919
<v Speaker 1>Can I? There was moments where like again Michael Jackson, Popcorn, Jeff,

0:48:54.040 --> 0:49:01.279
<v Speaker 1>where it's just like what's going to happen tonight? Like no,

0:49:01.400 --> 0:49:03.800
<v Speaker 1>I mean and shout out to all of them, especially

0:49:04.360 --> 0:49:07.239
<v Speaker 1>I remember coming home from tour, honest to God, and

0:49:07.440 --> 0:49:12.799
<v Speaker 1>you know, frightened of Fategene in Asia, like somehow they

0:49:13.480 --> 0:49:18.200
<v Speaker 1>they whooped that Toy Story band into shape in the

0:49:18.239 --> 0:49:22.480
<v Speaker 1>summer of two thousand and one, like you know, and

0:49:22.520 --> 0:49:25.600
<v Speaker 1>then it was like, oh shit, we gotta come. I

0:49:25.600 --> 0:49:28.399
<v Speaker 1>remember having a conversation with the Roots like the last

0:49:28.400 --> 0:49:30.799
<v Speaker 1>two minutes of their show, we gotta get to that

0:49:30.920 --> 0:49:33.239
<v Speaker 1>level and shit. So I was feeling the pressure. But

0:49:33.480 --> 0:49:37.680
<v Speaker 1>would you often go especially during the period between ninety

0:49:37.719 --> 0:49:41.400
<v Speaker 1>seven and two thousand and five, when black little like

0:49:41.440 --> 0:49:45.640
<v Speaker 1>these jam sessions are happening, are you thinking in terms

0:49:45.680 --> 0:49:52.080
<v Speaker 1>of like hmm, battle or just like it's how you

0:49:52.120 --> 0:49:53.160
<v Speaker 1>feel at that moment.

0:49:54.160 --> 0:49:56.399
<v Speaker 7>I just know wanted to get up there and make

0:49:56.440 --> 0:49:59.719
<v Speaker 7>it state. You know what I'm saying. I knew that,

0:50:00.239 --> 0:50:03.000
<v Speaker 7>Oh man, I hope I get up here tonight, like

0:50:03.080 --> 0:50:04.680
<v Speaker 7>I had that feeling like this.

0:50:05.760 --> 0:50:10.520
<v Speaker 1>Okay, so John Legend back, I means John Stevens, not

0:50:10.680 --> 0:50:13.520
<v Speaker 1>knowing he was in the audience at for a majority

0:50:13.560 --> 0:50:17.759
<v Speaker 1>of these jam sessions. We're basically just say that you know,

0:50:18.080 --> 0:50:20.680
<v Speaker 1>whenever Black would come on, then it'd be like, uh huh,

0:50:21.520 --> 0:50:22.479
<v Speaker 1>I'll do it next week.

0:50:23.120 --> 0:50:24.120
<v Speaker 5>I'll come back next week.

0:50:24.320 --> 0:50:25.239
<v Speaker 7>I'll come back next week.

0:50:25.760 --> 0:50:28.160
<v Speaker 1>I'll come back. One of my one of my favorite

0:50:28.200 --> 0:50:34.240
<v Speaker 1>moments of yours is in Dallas where we're doing Erica's

0:50:34.239 --> 0:50:39.759
<v Speaker 1>birthday and yo, look, this is a very this is

0:50:39.800 --> 0:50:44.120
<v Speaker 1>a very old reference. But if our listeners could pause

0:50:44.160 --> 0:50:48.920
<v Speaker 1>the podcast and go to YouTube and watch Ralph Carter

0:50:49.640 --> 0:50:54.399
<v Speaker 1>aka Michael Evans of Good Times Fame sing when You're

0:50:54.560 --> 0:50:58.840
<v Speaker 1>Young and in Love at a rent party for Helen

0:50:59.120 --> 0:51:06.360
<v Speaker 1>and Helen on Town, and every line James Evans is

0:51:06.440 --> 0:51:08.759
<v Speaker 1>the audience like, that's my boy, that's you know, like

0:51:09.000 --> 0:51:13.160
<v Speaker 1>that person. Because the way that Prince would often enter

0:51:13.280 --> 0:51:17.359
<v Speaker 1>our lives, you know, by this point in his thirtieth year,

0:51:17.520 --> 0:51:23.279
<v Speaker 1>Prince knows the myth of Prince is a thing, and

0:51:24.280 --> 0:51:27.239
<v Speaker 1>you know, he would just appeer out of nowhere, and

0:51:28.360 --> 0:51:30.319
<v Speaker 1>I knew he was there simply because I know the

0:51:30.360 --> 0:51:34.359
<v Speaker 1>size of his bodyguard. So even though you're watching silhouettes,

0:51:35.239 --> 0:51:38.560
<v Speaker 1>there's a point where you know, Prince enters the nightclub

0:51:39.960 --> 0:51:41.720
<v Speaker 1>and in my head.

0:51:41.560 --> 0:51:44.640
<v Speaker 5>I'm looking at Shames.

0:51:43.440 --> 0:51:48.040
<v Speaker 1>Like, yeah, we about to show him what's up? And

0:51:49.120 --> 0:51:51.160
<v Speaker 1>I'm looking based on where Prince is sitting, I can

0:51:51.160 --> 0:51:52.319
<v Speaker 1>see the bodyguards way in.

0:51:52.280 --> 0:51:56.440
<v Speaker 5>The back and Omar just finishing it.

0:51:56.480 --> 0:52:00.759
<v Speaker 1>And I think Omar did a Little Boys Saturdays and

0:52:00.800 --> 0:52:07.600
<v Speaker 1>he did a cover of Golden Brown, and then Bloud

0:52:07.680 --> 0:52:11.799
<v Speaker 1>comes up. I knew I wanted to start with Soul

0:52:11.880 --> 0:52:16.680
<v Speaker 1>Sister first and then warm him up, and then I

0:52:16.760 --> 0:52:21.080
<v Speaker 1>knew when Sometimes comes, it's gonna be on. And sure

0:52:21.160 --> 0:52:24.680
<v Speaker 1>enough we did a very nuanced Soul Sister. You know,

0:52:24.960 --> 0:52:27.399
<v Speaker 1>this isn't a bag watching. And then when we get

0:52:27.440 --> 0:52:33.359
<v Speaker 1>to Sometimes Dog, it's like Prince levitated. It was in

0:52:33.440 --> 0:52:38.480
<v Speaker 1>the front row. Now I know that game because he

0:52:38.560 --> 0:52:44.080
<v Speaker 1>did it once to another singer where this other singer

0:52:44.320 --> 0:52:48.040
<v Speaker 1>was giving a concert in his hometown and there was

0:52:48.200 --> 0:52:54.400
<v Speaker 1>very strict instructions, like you know, like no distractions, no whatever. Prince,

0:52:54.560 --> 0:52:58.800
<v Speaker 1>knowing who the fuck he is, decides I'm gonna stand

0:52:59.000 --> 0:53:01.600
<v Speaker 1>right in the wings and watch you.

0:53:02.520 --> 0:53:04.239
<v Speaker 5>And sure enough, you know, the singer like.

0:53:04.200 --> 0:53:09.919
<v Speaker 1>Looks to the laugh and gets paralyzed and literally freaks out,

0:53:09.960 --> 0:53:12.160
<v Speaker 1>even though you know, he goes through the song and

0:53:12.239 --> 0:53:15.799
<v Speaker 1>walks off stage screams at the staff like get rid

0:53:15.840 --> 0:53:17.200
<v Speaker 1>of him, Get rid of him, you know that sort

0:53:17.239 --> 0:53:22.640
<v Speaker 1>of thing, and I could tell, uh, this is a

0:53:22.719 --> 0:53:23.239
<v Speaker 1>flex thing.

0:53:23.600 --> 0:53:27.760
<v Speaker 5>But again, Bloud never.

0:53:27.800 --> 0:53:31.960
<v Speaker 1>Cowers to any He's one of the most fearless performers.

0:53:32.000 --> 0:53:32.319
<v Speaker 7>I know.

0:53:34.000 --> 0:53:36.759
<v Speaker 1>He just he was in the front row without the

0:53:36.760 --> 0:53:40.600
<v Speaker 1>bodyguards and belowd him back down. He just went even crazier.

0:53:41.280 --> 0:53:42.719
<v Speaker 1>Do you remember that moment at all?

0:53:43.760 --> 0:53:47.680
<v Speaker 7>I do. I don't remember the performance, but I remember

0:53:49.320 --> 0:53:52.120
<v Speaker 7>coming off the stage and you coming over and sing

0:53:52.719 --> 0:53:55.120
<v Speaker 7>we got him and you didn't need to let him

0:53:55.120 --> 0:53:58.680
<v Speaker 7>come up on stage. Man, And I was like, what

0:53:58.719 --> 0:54:02.560
<v Speaker 7>are you talking about? And he was like, France was

0:54:02.600 --> 0:54:04.520
<v Speaker 7>at the front and you didn't even let him come

0:54:04.600 --> 0:54:06.680
<v Speaker 7>up on stage. I think he wanted to come up

0:54:06.680 --> 0:54:10.680
<v Speaker 7>and jam with us, and you just ignored them. Bro.

0:54:10.960 --> 0:54:15.080
<v Speaker 7>That was awesome, y'all. I felt like shit. I was

0:54:15.120 --> 0:54:17.360
<v Speaker 7>like I was. That was the one time I was

0:54:17.440 --> 0:54:18.399
<v Speaker 7>too doled out.

0:54:18.920 --> 0:54:20.560
<v Speaker 6>I know you made up for I know, y'all, y'all

0:54:20.560 --> 0:54:21.480
<v Speaker 6>sell each other again.

0:54:23.880 --> 0:54:27.360
<v Speaker 7>It was weird.

0:54:28.200 --> 0:54:30.160
<v Speaker 1>I want you to tell this version of the story,

0:54:31.280 --> 0:54:33.400
<v Speaker 1>all right, And I apologize listeners.

0:54:33.440 --> 0:54:33.680
<v Speaker 7>I know.

0:54:35.120 --> 0:54:37.279
<v Speaker 1>I feel like there's a group disgusting more than it is.

0:54:37.320 --> 0:54:39.240
<v Speaker 6>Like it was not because Loud did so much stuff

0:54:39.280 --> 0:54:41.120
<v Speaker 6>after Prince died and stuff and did a lot of

0:54:41.120 --> 0:54:43.520
<v Speaker 6>performances and older him. So no, this makes this is good? Please,

0:54:43.560 --> 0:54:43.960
<v Speaker 6>I want to know.

0:54:44.480 --> 0:54:47.480
<v Speaker 1>So all right. One of my favorite moments, I believe

0:54:47.520 --> 0:54:52.960
<v Speaker 1>allows in town when the finishing touches on. Jimmy was

0:54:52.960 --> 0:54:57.640
<v Speaker 1>a rock star and star sixty nine at Electric Lady

0:54:57.640 --> 0:55:01.479
<v Speaker 1>for it, Common some Electric Circus album and this back

0:55:01.480 --> 0:55:04.319
<v Speaker 1>when it was just Mammoth twenty four hours, like you know,

0:55:04.560 --> 0:55:07.680
<v Speaker 1>and Steve can also attest to this. Like usually vocals,

0:55:07.719 --> 0:55:11.240
<v Speaker 1>Common would do vocals like in the day eleven am

0:55:11.440 --> 0:55:15.440
<v Speaker 1>till yeah to three or something, and then like Al

0:55:15.520 --> 0:55:18.080
<v Speaker 1>Mousey and James comes in, we'll work on some music

0:55:18.960 --> 0:55:21.839
<v Speaker 1>and then Colin thumbs up thumbs down it, and we'll

0:55:21.840 --> 0:55:23.880
<v Speaker 1>create the music at night, and then he'll work on

0:55:23.920 --> 0:55:25.239
<v Speaker 1>the song on the day right to it and all

0:55:25.280 --> 0:55:29.560
<v Speaker 1>that stuff. So I knew that Blaal was doing his vocals,

0:55:30.120 --> 0:55:33.920
<v Speaker 1>and we decided to take a dinner break. And it's

0:55:33.960 --> 0:55:37.040
<v Speaker 1>two thousand and two, so kind of the this is

0:55:37.080 --> 0:55:40.920
<v Speaker 1>the beginning of the nariety of everything catching on, like

0:55:41.080 --> 0:55:44.840
<v Speaker 1>we're no longer these unknown, obscure underground artists, like everyone's

0:55:44.840 --> 0:55:48.880
<v Speaker 1>going golden platinum, and with that you get invited to

0:55:49.239 --> 0:55:54.880
<v Speaker 1>industry events. So the first like major thing that we

0:55:55.000 --> 0:55:58.720
<v Speaker 1>go to is somewhere like I think the Apollo Theater

0:55:58.760 --> 0:56:04.480
<v Speaker 1>had a nightclub attached to it, and Kelly Clarkson and

0:56:04.600 --> 0:56:07.520
<v Speaker 1>what's the old boy's name with a bro justin.

0:56:09.280 --> 0:56:09.440
<v Speaker 7>Right.

0:56:10.840 --> 0:56:12.960
<v Speaker 1>So it was like the first year of American Idol

0:56:13.000 --> 0:56:15.839
<v Speaker 1>and those two were kind of doing like a tour.

0:56:15.840 --> 0:56:17.360
<v Speaker 5>I don't know what project they had.

0:56:17.320 --> 0:56:22.239
<v Speaker 1>Was justin Loves they had a movie ye, yeah, like

0:56:22.520 --> 0:56:23.280
<v Speaker 1>they were there.

0:56:23.040 --> 0:56:23.920
<v Speaker 5>To promote something.

0:56:24.840 --> 0:56:27.560
<v Speaker 1>And so they invited us to like come up to

0:56:27.600 --> 0:56:32.439
<v Speaker 1>the Apollo and and we went there for a bit

0:56:33.560 --> 0:56:36.800
<v Speaker 1>and then it was me Common and blau Steve.

0:56:36.840 --> 0:56:37.759
<v Speaker 5>What did you roll with us?

0:56:37.800 --> 0:56:37.960
<v Speaker 7>Then?

0:56:38.440 --> 0:56:39.520
<v Speaker 5>I think you were part of this.

0:56:40.320 --> 0:56:41.919
<v Speaker 2>Yeah, hang out at the Apollo all the time.

0:56:43.560 --> 0:56:46.120
<v Speaker 1>It was Apollo was like it was like a club

0:56:46.200 --> 0:56:47.680
<v Speaker 1>next to it, like Club Apollo.

0:56:47.920 --> 0:56:49.600
<v Speaker 5>But whatever the case was.

0:56:50.760 --> 0:56:55.360
<v Speaker 1>This was also the period in which Prince was indeed

0:56:55.360 --> 0:57:01.920
<v Speaker 1>deep and it's Jehovah's witness phase and and that's the

0:57:02.120 --> 0:57:08.520
<v Speaker 1>Prince that I'd like to avoid because he would do

0:57:08.560 --> 0:57:13.680
<v Speaker 1>nothing but preach at you for hours. And so someone

0:57:13.680 --> 0:57:16.680
<v Speaker 1>comes up and says, oh, Prince is on his way

0:57:16.720 --> 0:57:20.560
<v Speaker 1>there and that was literally like our check please moment.

0:57:21.040 --> 0:57:23.280
<v Speaker 1>I never thought I'd run away from my idol the

0:57:23.280 --> 0:57:25.880
<v Speaker 1>way we did. Like we are like, hey, let's get

0:57:25.880 --> 0:57:27.600
<v Speaker 1>out here because he's just going to keep us here

0:57:27.600 --> 0:57:30.440
<v Speaker 1>all night and talk about God. So let's go.

0:57:31.120 --> 0:57:32.600
<v Speaker 5>So we snuck out.

0:57:32.920 --> 0:57:35.880
<v Speaker 1>We snuck out, the bat got back to Electric Lady

0:57:35.920 --> 0:57:40.720
<v Speaker 1>Studios to start mixing Jimmy was a rock Star and

0:57:40.760 --> 0:57:41.800
<v Speaker 1>then the phone rings.

0:57:42.080 --> 0:57:43.880
<v Speaker 5>Brand new receptionist.

0:57:43.200 --> 0:57:50.800
<v Speaker 1>Says, Amir, there's someone named Prince asking for Prince and

0:57:50.840 --> 0:57:54.680
<v Speaker 1>I was like, what someone from named Prince asking for Prince?

0:57:55.320 --> 0:57:58.840
<v Speaker 1>And I pick up the phone and he says hello,

0:57:59.840 --> 0:58:04.480
<v Speaker 1>and I'm like, hello, this is Prince. I said, huh,

0:58:05.400 --> 0:58:10.760
<v Speaker 1>I'm speaking to Prince. I said, a mere meets Prince.

0:58:11.120 --> 0:58:13.560
<v Speaker 1>So he would always do that game with me, and

0:58:13.600 --> 0:58:15.560
<v Speaker 1>he's like, how long will you guys be down there?

0:58:16.440 --> 0:58:19.040
<v Speaker 1>And I'm like trying to think of a lie, but

0:58:19.160 --> 0:58:22.160
<v Speaker 1>you know, he makes me. We're yeah. But we were

0:58:22.200 --> 0:58:25.600
<v Speaker 1>mixing the song, so I was like, yeah, we're here

0:58:25.640 --> 0:58:27.080
<v Speaker 1>all night, meet me sure.

0:58:28.000 --> 0:58:29.040
<v Speaker 5>So Prince shows.

0:58:28.880 --> 0:58:31.240
<v Speaker 2>Up, did he knock?

0:58:33.480 --> 0:58:34.960
<v Speaker 5>Yeah, a puffa smoke.

0:58:35.040 --> 0:58:37.480
<v Speaker 1>He shows up at two thirty of the morning, and

0:58:37.520 --> 0:58:40.959
<v Speaker 1>we're mixing Jimmy was a rock Star was a very

0:58:41.080 --> 0:58:44.560
<v Speaker 1>very intricate song, and we play it for him and

0:58:44.600 --> 0:58:46.440
<v Speaker 1>his mind is blown, Like he gives us all the

0:58:46.480 --> 0:58:48.920
<v Speaker 1>praise and like, wow, he really likes it. And by

0:58:48.920 --> 0:58:52.240
<v Speaker 1>the way, Prince is on Star sixty nine. He's playing

0:58:52.280 --> 0:58:54.760
<v Speaker 1>keyboards all over it. So him in Common like had

0:58:54.760 --> 0:58:58.360
<v Speaker 1>a really good relationship. Anyway, it's a point where he's like,

0:58:59.200 --> 0:59:02.120
<v Speaker 1>I want to talk to you guys, and it's like

0:59:02.720 --> 0:59:06.040
<v Speaker 1>it's a fourth person and it's not Erica and it's

0:59:06.080 --> 0:59:08.000
<v Speaker 1>not Steve Rush.

0:59:08.600 --> 0:59:12.920
<v Speaker 5>Maybe it was glassper It was a fourth person with us.

0:59:13.440 --> 0:59:15.480
<v Speaker 1>But the only way I could describe it is if

0:59:15.520 --> 0:59:19.439
<v Speaker 1>you google the album cover to the who's the kids?

0:59:19.440 --> 0:59:22.360
<v Speaker 1>All right? You know they're all sleeping like on each

0:59:22.360 --> 0:59:29.440
<v Speaker 1>other's shoulders. It became a religious battle, and all I

0:59:29.520 --> 0:59:33.120
<v Speaker 1>remember was like Blow was basically going toe to toe

0:59:33.160 --> 0:59:33.640
<v Speaker 1>with Prince.

0:59:34.440 --> 0:59:42.920
<v Speaker 12>Oh Christianity, dude, me Common and whoever the third person

0:59:43.000 --> 0:59:47.440
<v Speaker 12>is just sitting on the floor sleep on each other's shoulders.

0:59:47.480 --> 0:59:48.840
<v Speaker 6>Good for you, Good for you?

0:59:49.160 --> 0:59:49.760
<v Speaker 7>Remember that?

0:59:50.400 --> 0:59:54.240
<v Speaker 1>And I just wake up occasionally and bloud prints are

0:59:54.440 --> 0:59:57.800
<v Speaker 1>just do you remember battling him at all? Like just

0:59:57.880 --> 1:00:01.200
<v Speaker 1>with theology, Like it was a two hour comed was just.

1:00:01.200 --> 1:00:04.960
<v Speaker 7>He was saying, uh, he had different takes on versus

1:00:04.960 --> 1:00:07.560
<v Speaker 7>from the Bible, and I think I was just trying

1:00:07.600 --> 1:00:11.480
<v Speaker 7>to relate to him and I was like, oh you know,

1:00:11.760 --> 1:00:16.880
<v Speaker 7>oh that's in the Qur'an too, And I was trying

1:00:16.880 --> 1:00:20.280
<v Speaker 7>to have a conversation with him, but I don't think

1:00:20.320 --> 1:00:21.280
<v Speaker 7>it was working out.

1:00:21.880 --> 1:00:26.000
<v Speaker 10>I just remember you going behind. You kept going behind

1:00:26.040 --> 1:00:32.680
<v Speaker 10>and been going stop and I was like, I'm trying

1:00:32.760 --> 1:00:35.960
<v Speaker 10>to stop. If he had a question, oh yeah, well

1:00:35.960 --> 1:00:38.480
<v Speaker 10>what about this? And I would just be like, ah.

1:00:41.600 --> 1:00:43.640
<v Speaker 6>That was a long time before he passed. So like

1:00:43.800 --> 1:00:45.560
<v Speaker 6>y'all kept seeing each other throughout the years. I mean

1:00:45.600 --> 1:00:47.760
<v Speaker 6>the meror I know y'all did y'all have a whole relationship,

1:00:47.760 --> 1:00:51.000
<v Speaker 6>But what about you and Frience? Like how did that

1:00:51.000 --> 1:00:53.400
<v Speaker 6>that one conversation kind of evolved or did it?

1:00:54.120 --> 1:00:57.800
<v Speaker 7>No? It was just like a he evolved into. I

1:00:57.800 --> 1:00:59.640
<v Speaker 7>think the way I broke out of it was I

1:00:59.680 --> 1:01:02.400
<v Speaker 7>started asking him about his shoes because he had on

1:01:02.720 --> 1:01:07.480
<v Speaker 7>dope ass white shoes that the zipper was diamonds Like,

1:01:07.600 --> 1:01:10.280
<v Speaker 7>the zipper was full on dim It looked like a

1:01:10.320 --> 1:01:13.320
<v Speaker 7>diamond ring, but it was the zipper was made out

1:01:13.320 --> 1:01:16.840
<v Speaker 7>of diamonds. So I just started talking to him about that.

1:01:17.200 --> 1:01:19.120
<v Speaker 2>Sounds like a very religious man him.

1:01:22.920 --> 1:01:26.560
<v Speaker 7>His boots. And then then we kind of like skip

1:01:26.680 --> 1:01:31.040
<v Speaker 7>skipped everything. Yeah, I think what stopped? Did D'Angelo come

1:01:31.080 --> 1:01:33.480
<v Speaker 7>in or something? No, something happened.

1:01:33.560 --> 1:01:38.240
<v Speaker 1>Well, well no, I said, basically like Russell, because we

1:01:38.240 --> 1:01:43.400
<v Speaker 1>were mixing Jimmy on forty eight tracks and it was

1:01:43.520 --> 1:01:46.520
<v Speaker 1>very old school. Of course, now twenty five years later,

1:01:47.080 --> 1:01:50.240
<v Speaker 1>you can do everything on your computer. Things are remembered.

1:01:50.400 --> 1:01:53.600
<v Speaker 1>But if you're working on like an old school SSL board,

1:01:54.320 --> 1:01:56.880
<v Speaker 1>a guy like Steve has to it'll take him like

1:01:57.520 --> 1:02:02.160
<v Speaker 1>three hours to notate everything that we did on the mix.

1:02:02.880 --> 1:02:04.400
<v Speaker 1>Like you just can't go to the studio and be

1:02:04.520 --> 1:02:08.040
<v Speaker 1>like they put my song up, like Steve, we'll have

1:02:08.160 --> 1:02:11.200
<v Speaker 1>to take you know, an hour to two hours of

1:02:11.320 --> 1:02:17.280
<v Speaker 1>readjusting all mix. It's called it's called recalling a mix.

1:02:17.360 --> 1:02:20.160
<v Speaker 2>Correct, correct, you're absolutely correct.

1:02:21.080 --> 1:02:24.360
<v Speaker 6>Fantasy. And my whole like thought of Prince being like, oh,

1:02:24.440 --> 1:02:29.680
<v Speaker 6>but you you the next I can see and said.

1:02:29.600 --> 1:02:32.960
<v Speaker 7>Well he said, yo, you're the black Bet. You remind

1:02:33.000 --> 1:02:36.320
<v Speaker 7>me of Bet. And I was like that, don't meet

1:02:36.360 --> 1:02:43.080
<v Speaker 7>your hair and I was like, don't be I was like,

1:02:43.320 --> 1:02:45.840
<v Speaker 7>Beck like you gotta. He's like, you got a little bit.

1:02:46.120 --> 1:02:48.400
<v Speaker 7>You could go wop if you want to. You could

1:02:48.600 --> 1:02:53.160
<v Speaker 7>bring that sensibility into your stay away from guess. But

1:02:53.200 --> 1:02:56.360
<v Speaker 7>I was like totally like that. He was like, you

1:02:56.440 --> 1:02:59.720
<v Speaker 7>know your you mean? But I was like, I don't.

1:03:01.520 --> 1:03:07.880
<v Speaker 1>Look man begs my boy. I respect that he calmed down.

1:03:08.440 --> 1:03:11.880
<v Speaker 1>He calmed down, like as with most people, and maybe

1:03:11.920 --> 1:03:14.840
<v Speaker 1>this will happened to me too, like after you do

1:03:14.960 --> 1:03:19.000
<v Speaker 1>like seven years of your spirituality phase or your religious phase,

1:03:20.680 --> 1:03:22.960
<v Speaker 1>urs back into your regular self.

1:03:23.040 --> 1:03:25.520
<v Speaker 5>Sown two thousand and seventy calmed down a lot.

1:03:25.680 --> 1:03:29.560
<v Speaker 1>But I do remember saying, like, yo, we gotta wrap

1:03:29.600 --> 1:03:32.200
<v Speaker 1>this mix up. When he left, it was like five

1:03:32.360 --> 1:03:37.000
<v Speaker 1>thirty in the morning, and you're not really supposed to

1:03:37.160 --> 1:03:43.160
<v Speaker 1>mix when you're tired. So kind of the the radical

1:03:44.080 --> 1:03:48.560
<v Speaker 1>drawing way that song sounds to me is sort of

1:03:48.640 --> 1:03:52.160
<v Speaker 1>indicative of the night we had to endure of that

1:03:52.520 --> 1:03:56.560
<v Speaker 1>two and a half hour preaching that that that's ceremony

1:03:56.640 --> 1:04:05.280
<v Speaker 1>or whatever. So what were your expectations with firstborn second one?

1:04:05.400 --> 1:04:08.560
<v Speaker 1>Why did you name it firstborn second and did you

1:04:08.600 --> 1:04:10.080
<v Speaker 1>have expectations for it?

1:04:10.560 --> 1:04:14.320
<v Speaker 7>I named it firstborn second that was my second name.

1:04:14.400 --> 1:04:18.160
<v Speaker 7>I was just trying to do like a weird name.

1:04:18.840 --> 1:04:22.720
<v Speaker 7>So I think it was called uh hot class of

1:04:23.520 --> 1:04:26.320
<v Speaker 7>or a cold glass of hell fire and change Haiti.

1:04:27.160 --> 1:04:29.000
<v Speaker 7>So I was like, I want something this kind of

1:04:29.840 --> 1:04:32.360
<v Speaker 7>double line condre or whatever. I don't even think that's

1:04:32.400 --> 1:04:34.160
<v Speaker 7>what it was. I was just like, I want to

1:04:34.200 --> 1:04:36.760
<v Speaker 7>be out and he's like, that don't even make sense.

1:04:37.320 --> 1:04:41.000
<v Speaker 7>So I was I'm my mom's second child, so I

1:04:41.080 --> 1:04:45.880
<v Speaker 7>was like, this is my first album, second job, got it.

1:04:47.160 --> 1:04:53.240
<v Speaker 7>He was like, that's weird. But alright, you know, was.

1:04:53.200 --> 1:04:56.760
<v Speaker 5>The title track biographical the closing.

1:04:56.480 --> 1:04:59.440
<v Speaker 7>Song, No, yeah, it was just some wild shit. It

1:04:59.520 --> 1:05:05.760
<v Speaker 7>wasn't order biography. It was writing something wild, something strange.

1:05:05.800 --> 1:05:08.760
<v Speaker 7>I guess he always had like a rock wildness to

1:05:08.840 --> 1:05:09.280
<v Speaker 7>our ship.

1:05:10.080 --> 1:05:13.920
<v Speaker 1>Right, this is where become professional. I'm totally skipping the

1:05:13.960 --> 1:05:16.160
<v Speaker 1>sometimes story because I don't think I could tell that

1:05:16.200 --> 1:05:20.360
<v Speaker 1>story better than I told it at the Glasshouse Live

1:05:20.440 --> 1:05:21.520
<v Speaker 1>the Glasshouse album.

1:05:21.720 --> 1:05:22.840
<v Speaker 7>But you did a good job.

1:05:22.880 --> 1:05:24.720
<v Speaker 6>You left something out though, because I did hear you

1:05:24.720 --> 1:05:26.439
<v Speaker 6>tell the story, because I don't want you to skip

1:05:26.480 --> 1:05:28.480
<v Speaker 6>this sometimes just in the sense of like since we

1:05:28.520 --> 1:05:31.120
<v Speaker 6>talked about it. No, no, you didn't skip nothing in

1:05:31.160 --> 1:05:33.960
<v Speaker 6>the sense of how it came together. However, y'all did

1:05:34.000 --> 1:05:35.480
<v Speaker 6>skip on the sense of like how this is the

1:05:35.520 --> 1:05:39.320
<v Speaker 6>most beloved Blouse song and like it never became a

1:05:39.360 --> 1:05:41.640
<v Speaker 6>single off that album, and why that was a thing.

1:05:42.000 --> 1:05:45.680
<v Speaker 7>It was almost a single. It was almost as it

1:05:45.760 --> 1:05:49.720
<v Speaker 7>was like the last shot. They wanted to make it

1:05:49.760 --> 1:05:53.840
<v Speaker 7>a single for starting on a new album. I think

1:05:53.880 --> 1:05:59.520
<v Speaker 7>it was yes, met she Stout wanted to do a

1:05:59.640 --> 1:06:02.000
<v Speaker 7>video and he was like, this is the we needed

1:06:02.040 --> 1:06:05.680
<v Speaker 7>to do on this, But I think he picked.

1:06:05.400 --> 1:06:08.600
<v Speaker 6>Fast Lading but loud. I remember being a radio and

1:06:08.640 --> 1:06:11.000
<v Speaker 6>I was like, this is really because of doctor Dress.

1:06:11.200 --> 1:06:13.919
<v Speaker 1>Stout went on record to say on this podcast that

1:06:14.880 --> 1:06:18.880
<v Speaker 1>he really regrets kind of how the ball got dropped

1:06:18.880 --> 1:06:22.960
<v Speaker 1>with you, because you know, he felt that you were

1:06:24.000 --> 1:06:28.560
<v Speaker 1>that supernova figure that really you know, and I hate

1:06:28.560 --> 1:06:32.280
<v Speaker 1>that whole could have been a contenter talk because you know,

1:06:32.520 --> 1:06:34.600
<v Speaker 1>for a lot of artists that do get to the mountaintop,

1:06:35.280 --> 1:06:39.680
<v Speaker 1>we see what happens to them. From my perspective, when

1:06:39.800 --> 1:06:42.600
<v Speaker 1>when I did this record, I wanted to be a

1:06:42.680 --> 1:06:46.520
<v Speaker 1>part of the filler cuts because I feel that the

1:06:46.560 --> 1:06:49.880
<v Speaker 1>mark of a great artist like Stevie Wonder, like Prince.

1:06:50.520 --> 1:06:54.240
<v Speaker 1>I don't like the singles like Prince Singles, Delirious, Let's

1:06:54.240 --> 1:06:54.800
<v Speaker 1>go Crazy.

1:06:55.280 --> 1:06:57.240
<v Speaker 5>Now I'm gonna listen to Dorothy Parker, Like.

1:06:57.160 --> 1:06:59.840
<v Speaker 6>For me, great tradition, Why does singles? I gotta be

1:07:00.080 --> 1:07:02.280
<v Speaker 6>that way Like I've been I've been screaming this to

1:07:02.320 --> 1:07:04.200
<v Speaker 6>you for years about these singles, like.

1:07:04.600 --> 1:07:08.040
<v Speaker 1>I just don't pick the It was hardcore, but I

1:07:08.080 --> 1:07:11.520
<v Speaker 1>feel like the margaret artist is who has the best

1:07:11.520 --> 1:07:15.320
<v Speaker 1>feller like and to me, a lot of our favorite

1:07:15.360 --> 1:07:18.400
<v Speaker 1>songs on this record are the outcuts.

1:07:18.640 --> 1:07:21.720
<v Speaker 6>The radio songs were fast Lane, Soul Sister, and Love

1:07:22.440 --> 1:07:25.560
<v Speaker 6>Love It. But we was on Queen of Sanity sometimes

1:07:25.760 --> 1:07:26.680
<v Speaker 6>when would you talk.

1:07:26.640 --> 1:07:31.000
<v Speaker 1>Like because you're a different mind state, Like I was working.

1:07:30.800 --> 1:07:32.760
<v Speaker 6>Urban radio at the time, and I was like, y'all

1:07:32.800 --> 1:07:35.120
<v Speaker 6>are not listening to the women. All the men are

1:07:35.120 --> 1:07:38.840
<v Speaker 6>making songs. I'm making these decisions about the doctor.

1:07:38.920 --> 1:07:40.160
<v Speaker 5>Dre had something to do with it.

1:07:40.560 --> 1:07:46.000
<v Speaker 7>Yeah, I'm saying that was Interscope Records. Like I that's

1:07:46.000 --> 1:07:50.880
<v Speaker 7>why I wanted to be signed to UH. Initially I

1:07:50.960 --> 1:07:54.680
<v Speaker 7>wanted to be signed to Kadar because I wanted the

1:07:54.720 --> 1:07:58.040
<v Speaker 7>core of the album was songs like this and then

1:07:58.520 --> 1:08:02.200
<v Speaker 7>the singles we did after everything was done, you know,

1:08:03.360 --> 1:08:05.800
<v Speaker 7>I was happy to work with Drado, you know, so

1:08:05.920 --> 1:08:09.040
<v Speaker 7>I didn't really have no complaints us doctor.

1:08:09.520 --> 1:08:10.120
<v Speaker 1>What was all right?

1:08:10.160 --> 1:08:15.360
<v Speaker 5>So can you describe that process? Like how do you

1:08:15.440 --> 1:08:17.360
<v Speaker 5>meet doctor Dre, how do you work with him?

1:08:17.439 --> 1:08:17.559
<v Speaker 7>Like?

1:08:17.760 --> 1:08:18.160
<v Speaker 1>What was it?

1:08:18.280 --> 1:08:18.439
<v Speaker 5>Like?

1:08:19.080 --> 1:08:23.360
<v Speaker 7>It was polarizing, Like, uh, one minute we just in

1:08:23.560 --> 1:08:27.200
<v Speaker 7>Jimmy's offices and the next day we're riding up to

1:08:27.360 --> 1:08:29.920
<v Speaker 7>like this place don't even look like a studio though,

1:08:30.720 --> 1:08:33.559
<v Speaker 7>and just like some geek but it was back and

1:08:33.600 --> 1:08:36.439
<v Speaker 7>it's like all these dope bass cars. We go in there,

1:08:36.680 --> 1:08:38.840
<v Speaker 7>and that was the first time I saw that maybe

1:08:38.960 --> 1:08:44.320
<v Speaker 7>speakers in the studio and it was like six speakers,

1:08:44.360 --> 1:08:47.240
<v Speaker 7>like six up, like it was like three at the top,

1:08:48.080 --> 1:08:50.519
<v Speaker 7>three wolfers at the bottom. And then he had to

1:08:51.360 --> 1:08:55.880
<v Speaker 7>I've never seen anybody turn the console all the way

1:08:55.960 --> 1:08:59.120
<v Speaker 7>up to eleven, and he turned it all the way

1:08:59.200 --> 1:09:03.960
<v Speaker 7>up playing I think fascinating was the first joint he did.

1:09:05.080 --> 1:09:07.880
<v Speaker 7>And it was the loudest shit I've ever heard in

1:09:07.920 --> 1:09:11.600
<v Speaker 7>my life. But it's nothing that broke, nothing in the

1:09:11.680 --> 1:09:18.599
<v Speaker 7>speaker's crackle. It was amazing, but it was painful at

1:09:18.640 --> 1:09:21.880
<v Speaker 7>the same time. That was when I noticed he was

1:09:21.880 --> 1:09:25.480
<v Speaker 7>the only one in the studio that didn't have earbudd

1:09:25.560 --> 1:09:29.000
<v Speaker 7>and here everybody that was working there had it like

1:09:29.040 --> 1:09:31.720
<v Speaker 7>they knew what was up. But I didn't want to

1:09:31.720 --> 1:09:34.120
<v Speaker 7>tell him to turn it down? Was that doctor Drake?

1:09:34.280 --> 1:09:40.400
<v Speaker 7>So might he has to? Because that was the loudest

1:09:40.400 --> 1:09:44.240
<v Speaker 7>shit I've heard about, Like it was stadium loud but

1:09:44.439 --> 1:09:45.559
<v Speaker 7>in a small room.

1:09:46.400 --> 1:09:48.759
<v Speaker 2>Soon we're going to have a hearing age by Drake.

1:09:51.880 --> 1:09:55.360
<v Speaker 1>So I will get murdered if I do not ask

1:09:55.439 --> 1:09:59.519
<v Speaker 1>this question. Can you tell us where in the hell

1:10:00.240 --> 1:10:04.559
<v Speaker 1>is the Love for Sale album? This is probably of

1:10:04.680 --> 1:10:10.840
<v Speaker 1>all Soul Quarium related projects, not related to is this

1:10:10.960 --> 1:10:15.800
<v Speaker 1>the year that makes a record your fan base? I

1:10:15.840 --> 1:10:18.360
<v Speaker 1>almost feel like you should never release Love for Sale

1:10:18.479 --> 1:10:21.479
<v Speaker 1>or whatever, because it's like the legend of.

1:10:21.400 --> 1:10:22.840
<v Speaker 5>It is.

1:10:24.560 --> 1:10:28.760
<v Speaker 1>More than what it will equal. But what is What

1:10:28.880 --> 1:10:31.200
<v Speaker 1>is the story of Love for Sale? Just never coming.

1:10:31.000 --> 1:10:36.160
<v Speaker 13>Out tied up in a bunch of shit with Inner

1:10:36.160 --> 1:10:43.599
<v Speaker 13>School and Loyol and change Past and go moved past,

1:10:43.760 --> 1:10:48.720
<v Speaker 13>And that was their label. So it got shifted over

1:10:48.760 --> 1:10:50.479
<v Speaker 13>to Faulu, who's the brother.

1:10:52.000 --> 1:10:55.960
<v Speaker 7>And for a long time I had I didn't even

1:10:56.000 --> 1:11:00.200
<v Speaker 7>know where the files were, but I think Fad as

1:11:00.240 --> 1:11:04.120
<v Speaker 7>the files now, so right now he might have got

1:11:04.240 --> 1:11:06.880
<v Speaker 7>we might have gotten we might have gotten the files

1:11:06.960 --> 1:11:11.439
<v Speaker 7>from after movecast. He got his hands on it or something.

1:11:11.520 --> 1:11:14.280
<v Speaker 7>But I know file has the files.

1:11:14.280 --> 1:11:16.000
<v Speaker 6>I got his fingers on a lot of things because

1:11:16.000 --> 1:11:19.400
<v Speaker 6>I'm like, man, those two past all that.

1:11:19.439 --> 1:11:25.599
<v Speaker 7>History, but the inner schoope, I think in school booms.

1:11:27.120 --> 1:11:29.800
<v Speaker 7>But we had the files, we have the mix because

1:11:29.800 --> 1:11:30.839
<v Speaker 7>everything was mixed.

1:11:31.320 --> 1:11:35.720
<v Speaker 1>Do you have a desire to see you through or

1:11:35.720 --> 1:11:36.240
<v Speaker 1>release it?

1:11:36.360 --> 1:11:40.000
<v Speaker 7>Or I did at one time, but they're not. Just

1:11:40.920 --> 1:11:45.040
<v Speaker 7>every time I put my mind into wanting to release it,

1:11:45.080 --> 1:11:47.920
<v Speaker 7>it just kind of like doesn't work out. I was

1:11:47.960 --> 1:11:51.800
<v Speaker 7>trying to get it. He had came up to try

1:11:51.840 --> 1:11:54.800
<v Speaker 7>and release it again. I remember I was talking to

1:11:54.960 --> 1:11:59.360
<v Speaker 7>Naim from Universal and there he said that there was

1:11:59.720 --> 1:12:06.200
<v Speaker 7>me an interest, but I'm just on this thing where

1:12:06.280 --> 1:12:09.559
<v Speaker 7>it happened, and it happened, you know, it was already

1:12:10.760 --> 1:12:13.559
<v Speaker 7>a lot of people claiming it and having claims to

1:12:13.640 --> 1:12:19.600
<v Speaker 7>it anyway, so right, not just fucking while It was

1:12:19.640 --> 1:12:21.760
<v Speaker 7>so funny because while I was doing this ship, the

1:12:21.800 --> 1:12:24.680
<v Speaker 7>people that want to hold on to it didn't like it.

1:12:27.960 --> 1:12:30.120
<v Speaker 1>I don't think I've heard it. So I was going

1:12:30.200 --> 1:12:33.160
<v Speaker 1>to say, what direction was it that made it so jarring?

1:12:33.240 --> 1:12:36.280
<v Speaker 1>Like people know what they're getting when they get with you, correct,

1:12:36.600 --> 1:12:37.439
<v Speaker 1>I would think, But.

1:12:37.680 --> 1:12:40.960
<v Speaker 7>I mean around the time that I started doing it,

1:12:41.280 --> 1:12:44.679
<v Speaker 7>I was kind of full on, like that was pile

1:12:44.840 --> 1:12:49.599
<v Speaker 7>and spas I was in. I was heavy and drinking,

1:12:50.080 --> 1:12:54.880
<v Speaker 7>you know, just I wasn't the easiest to kind of

1:12:54.960 --> 1:12:58.360
<v Speaker 7>work with. So I think that kind of lent itself

1:12:58.439 --> 1:13:02.800
<v Speaker 7>to what where it happened and WHYTT never went out.

1:13:02.920 --> 1:13:05.560
<v Speaker 7>And then towards the end, I just went on strikers

1:13:05.760 --> 1:13:09.439
<v Speaker 7>showing up to make wait, year is this yan.

1:13:10.120 --> 1:13:16.760
<v Speaker 1>Jude two thousand and three, two thousand and three, I

1:13:16.840 --> 1:13:21.920
<v Speaker 1>was gonna say, I just doing this last run of Detroit.

1:13:22.000 --> 1:13:27.439
<v Speaker 1>I did in the summer, to my pleasant surprise, heard

1:13:27.560 --> 1:13:32.439
<v Speaker 1>like five to six other j Dilla collapsed that I

1:13:32.479 --> 1:13:34.920
<v Speaker 1>didn't realize that you did, like.

1:13:35.400 --> 1:13:38.200
<v Speaker 7>Because Dyla was going to They had agreed to let

1:13:38.240 --> 1:13:41.360
<v Speaker 7>me produce half and then let Dyla produce the other half.

1:13:41.920 --> 1:13:45.080
<v Speaker 7>But then Dyla started getting sick. I was going out

1:13:45.080 --> 1:13:49.080
<v Speaker 7>there to the Detroit. He was working happy. That's what Duke.

1:13:49.200 --> 1:13:52.759
<v Speaker 7>That was my vision for the record to have Bylla

1:13:52.960 --> 1:13:55.920
<v Speaker 7>like executive produced, but just let me get get my

1:13:56.040 --> 1:13:58.200
<v Speaker 7>get my ship off and then him come in and

1:13:58.320 --> 1:14:01.080
<v Speaker 7>kind of like dollar, because I was like, I've led

1:14:01.160 --> 1:14:04.400
<v Speaker 7>Dylar dollar back because it'll still be a little bit out.

1:14:07.120 --> 1:14:09.920
<v Speaker 7>And then he had brought James and so I was like,

1:14:10.000 --> 1:14:12.360
<v Speaker 7>it's in good hands. But then he had started to

1:14:12.400 --> 1:14:16.240
<v Speaker 7>get sick, so that kind of threw me into a loop,

1:14:16.280 --> 1:14:19.680
<v Speaker 7>and I started drinking more, just upset and shit and

1:14:19.680 --> 1:14:25.559
<v Speaker 7>then just arguing with everybody about it and just trying

1:14:25.560 --> 1:14:30.720
<v Speaker 7>to keep the vision of what I wanted alive, but

1:14:31.080 --> 1:14:35.240
<v Speaker 7>like not knowing how to finish his tubes, you know,

1:14:36.080 --> 1:14:39.160
<v Speaker 7>and Dyla has started making some out shit for me

1:14:39.240 --> 1:14:42.320
<v Speaker 7>to do, Like he did this one track. I just

1:14:42.320 --> 1:14:44.800
<v Speaker 7>didn't even know how to put it together because it was.

1:14:44.760 --> 1:14:48.280
<v Speaker 1>So out I know exactly what about.

1:14:48.320 --> 1:14:50.839
<v Speaker 7>I was like, he's the only one that can fucking

1:14:50.920 --> 1:14:53.120
<v Speaker 7>help me. What am I going to do?

1:14:53.640 --> 1:14:57.200
<v Speaker 1>Like yeah, I didn't know whether he programmed it in

1:14:57.240 --> 1:14:59.840
<v Speaker 1>his NBC and I didn't know where the one was.

1:15:00.560 --> 1:15:07.760
<v Speaker 14>And he would be like, Yo, you can't understand this

1:15:07.960 --> 1:15:10.439
<v Speaker 14>is quite here and you would have to be in

1:15:10.520 --> 1:15:14.599
<v Speaker 14>the book, like and what And I'm like God, So

1:15:15.000 --> 1:15:17.080
<v Speaker 14>like when he passed, I was like, that's it.

1:15:17.120 --> 1:15:21.639
<v Speaker 7>I'm lost. Fun. I hear that date to this day

1:15:21.680 --> 1:15:25.600
<v Speaker 7>because randomly I don't know who played me.

1:15:26.200 --> 1:15:28.479
<v Speaker 1>I found that beat, and to this day, I don't

1:15:28.520 --> 1:15:30.840
<v Speaker 1>know where the one is and I'm the king of

1:15:31.720 --> 1:15:34.080
<v Speaker 1>be rating someone for not knowing where the one is.

1:15:34.240 --> 1:15:39.000
<v Speaker 5>And yeah, so for you now.

1:15:40.040 --> 1:15:43.559
<v Speaker 1>And I guess that this could also tie into I

1:15:43.600 --> 1:15:49.000
<v Speaker 1>love surreal and also air tight and in another life

1:15:49.120 --> 1:15:54.519
<v Speaker 1>like this period especially you kind of leaving them two

1:15:54.520 --> 1:15:59.840
<v Speaker 1>maate organization and whatnot, and like how do you how

1:15:59.880 --> 1:16:03.080
<v Speaker 1>do did you manage to kind of on your own

1:16:04.280 --> 1:16:08.160
<v Speaker 1>figure out how to navigate with you kind of at

1:16:08.200 --> 1:16:11.360
<v Speaker 1>the driver's seat, whereas you would have a team in

1:16:11.479 --> 1:16:14.479
<v Speaker 1>management and people to make decisions for you. But as

1:16:14.520 --> 1:16:17.840
<v Speaker 1>an indie artist, like what were your basic plans like

1:16:17.880 --> 1:16:20.200
<v Speaker 1>in terms of getting your art out there?

1:16:20.960 --> 1:16:25.760
<v Speaker 7>I didn't really have a plan. I had went just

1:16:25.800 --> 1:16:28.640
<v Speaker 7>for a long time after that album got bootleg, and

1:16:28.880 --> 1:16:31.479
<v Speaker 7>I didn't have a plan. It was just hanging out

1:16:31.520 --> 1:16:36.880
<v Speaker 7>at my girl's house, making shit up on the roget

1:16:37.320 --> 1:16:40.040
<v Speaker 7>not really knowing what was going on, like syn to

1:16:40.479 --> 1:16:44.080
<v Speaker 7>if I was still signed, if I wasn't. If I

1:16:44.240 --> 1:16:47.479
<v Speaker 7>wasn't signed, you know, if I was able to kind

1:16:47.479 --> 1:16:50.880
<v Speaker 7>of get a record deal people that I would. I

1:16:50.880 --> 1:16:56.559
<v Speaker 7>had fell out of contact with the Jumys, So I

1:16:56.560 --> 1:17:01.320
<v Speaker 7>didn't know what the hell was going on. And my

1:17:01.439 --> 1:17:06.719
<v Speaker 7>boy Steve McKee, he was fielding the studio in Philly,

1:17:07.000 --> 1:17:09.360
<v Speaker 7>so I just I started going there because he knew

1:17:09.520 --> 1:17:11.760
<v Speaker 7>like whenever we would do shows, I would just be

1:17:11.880 --> 1:17:14.640
<v Speaker 7>in my hotel room making beats on my garage band. Right,

1:17:14.800 --> 1:17:17.680
<v Speaker 7>So he was like, I got the studio, played me

1:17:17.760 --> 1:17:20.479
<v Speaker 7>the shit that you've been doing on your garage gand

1:17:20.760 --> 1:17:23.120
<v Speaker 7>and I played him with shit and that turned into

1:17:23.479 --> 1:17:27.000
<v Speaker 7>every Tice revenge. But I was just making sh up

1:17:27.000 --> 1:17:30.840
<v Speaker 7>on my computer, just waiting around to know when we

1:17:30.880 --> 1:17:35.040
<v Speaker 7>could get back in and then you know, to deal

1:17:35.160 --> 1:17:37.800
<v Speaker 7>all that shit fill the parcel. I was kind of

1:17:37.920 --> 1:17:41.360
<v Speaker 7>like self conscious, but I can go into my head

1:17:41.439 --> 1:17:45.160
<v Speaker 7>and just entertain myself at any point. So like that's

1:17:45.160 --> 1:17:50.080
<v Speaker 7>what I just did, you know. And then from doing that,

1:17:50.320 --> 1:17:54.400
<v Speaker 7>I started hanging out and I became friends with Cyro

1:17:54.560 --> 1:18:03.040
<v Speaker 7>Creative partners working on their stuff, and Feet was introduced

1:18:03.080 --> 1:18:08.280
<v Speaker 7>me to Andrew Maharo, who works with Adrian Young now,

1:18:08.439 --> 1:18:12.280
<v Speaker 7>but he's had this small label that he was putting

1:18:12.479 --> 1:18:17.599
<v Speaker 7>Shot Feat's records out and Shot Feet. I was like, man,

1:18:17.640 --> 1:18:20.320
<v Speaker 7>your ship is funky, but it's Electronic and they're letting

1:18:20.360 --> 1:18:22.599
<v Speaker 7>you do whatever you want. And we just hanging out

1:18:22.640 --> 1:18:26.600
<v Speaker 7>with Flying Lotus and just that whole crew. I was like,

1:18:26.720 --> 1:18:31.800
<v Speaker 7>y'all remind me of the New York Crew, but I'll

1:18:31.840 --> 1:18:36.040
<v Speaker 7>here in LA and Plug Research cast was like, we's

1:18:36.080 --> 1:18:38.960
<v Speaker 7>sign what you doing? And you know, I had this

1:18:39.040 --> 1:18:40.880
<v Speaker 7>ship that I was you know, shit, I was just

1:18:40.920 --> 1:18:44.080
<v Speaker 7>working out on at Steve's studio and they dug it,

1:18:44.439 --> 1:18:47.519
<v Speaker 7>you know. So I was like, I don't know if

1:18:47.520 --> 1:18:50.200
<v Speaker 7>I'm still signed. I don't know if I put ship

1:18:50.240 --> 1:18:53.360
<v Speaker 7>out of whatever. Fuck it, Let's get sued so we

1:18:53.400 --> 1:18:55.920
<v Speaker 7>could find out where I'm at.

1:18:58.200 --> 1:19:00.799
<v Speaker 5>So what happened, like business plans.

1:19:02.240 --> 1:19:06.320
<v Speaker 7>Well, nothing happened, you know, nothing happened. So it was like, oh,

1:19:06.840 --> 1:19:07.800
<v Speaker 7>let's got going.

1:19:12.760 --> 1:19:16.120
<v Speaker 1>So for a lot of people, especially gen Z and

1:19:16.439 --> 1:19:20.880
<v Speaker 1>Jen Alpha, they got the new ones. Hud Alpha's Jen Alpha.

1:19:20.960 --> 1:19:22.840
<v Speaker 1>You gotta start back after gen Z, you gotta start

1:19:22.880 --> 1:19:25.720
<v Speaker 1>to the letter. Ay, yeah, the new ones. Your work

1:19:25.760 --> 1:19:32.200
<v Speaker 1>with Kensick Lamar is kind of their introduction or your

1:19:32.280 --> 1:19:37.680
<v Speaker 1>your reintroduction. How deep involved were you with the Pimple Butterfly, Like,

1:19:38.320 --> 1:19:40.240
<v Speaker 1>were you guys as always? Was it like a second

1:19:40.240 --> 1:19:42.719
<v Speaker 1>coming up? So aquariums where you're just always on standby,

1:19:42.960 --> 1:19:46.160
<v Speaker 1>or were you there to just specifically work for one song.

1:19:47.000 --> 1:19:50.439
<v Speaker 7>Yeah, I just came to the first I did like

1:19:50.520 --> 1:19:55.000
<v Speaker 7>a few sessions, but I came in at the last

1:19:55.040 --> 1:19:58.320
<v Speaker 7>half of the record, like they are already butt Ler

1:19:58.439 --> 1:20:04.000
<v Speaker 7>Roy had already wrote the chorus for that song these Walls.

1:20:04.040 --> 1:20:06.800
<v Speaker 7>I just came in to do that and I kind

1:20:06.800 --> 1:20:11.479
<v Speaker 7>of recorded it so fast that Keintrick was like, oh, well,

1:20:11.720 --> 1:20:13.479
<v Speaker 7>throw this up, put this up, put this up. Let

1:20:13.479 --> 1:20:15.439
<v Speaker 7>me see what you can do. And it kind of

1:20:15.520 --> 1:20:16.559
<v Speaker 7>just turned into that.

1:20:17.800 --> 1:20:20.640
<v Speaker 1>And uh, was he familiar with you or was it

1:20:20.760 --> 1:20:23.400
<v Speaker 1>just like ar boys things like how much did he

1:20:23.439 --> 1:20:24.360
<v Speaker 1>know about you?

1:20:24.000 --> 1:20:26.639
<v Speaker 7>No, he had wanted me to be on the first album,

1:20:27.120 --> 1:20:29.720
<v Speaker 7>but I don't know what happened. It didn't work out

1:20:29.720 --> 1:20:34.439
<v Speaker 7>in time, And so we had always said that we

1:20:34.479 --> 1:20:40.720
<v Speaker 7>wanted because he's cool with the whole SOB creative partners, right,

1:20:41.400 --> 1:20:45.240
<v Speaker 7>So I knew from then and then Fly Low and

1:20:45.720 --> 1:20:51.680
<v Speaker 7>of course Thundercat so and Kerris Martin like those are

1:20:51.720 --> 1:20:53.559
<v Speaker 7>all my cats. I've known him for years.

1:20:53.600 --> 1:20:56.080
<v Speaker 6>So did they recognize you in a way of like, yo,

1:20:56.560 --> 1:20:59.120
<v Speaker 6>so I can blow And that's because you're older A

1:20:59.160 --> 1:21:04.120
<v Speaker 6>couple of years older than these folks, right, not wrong,

1:21:05.240 --> 1:21:08.599
<v Speaker 6>talk about uh Ken drum about to Leroy.

1:21:13.120 --> 1:21:17.360
<v Speaker 7>Ironically they thought I was their age. I don't know.

1:21:20.160 --> 1:21:24.120
<v Speaker 1>When you're youngest, like even now, like you look the

1:21:24.160 --> 1:21:27.960
<v Speaker 1>same way you did. Mine's the dreadlocks like this, this

1:21:28.040 --> 1:21:29.760
<v Speaker 1>is like talking to you back in the day.

1:21:29.840 --> 1:21:31.880
<v Speaker 6>So and being a weirdo will keep you fresh and

1:21:31.920 --> 1:21:33.759
<v Speaker 6>open a new thing. So that keeps you young.

1:21:33.680 --> 1:21:37.000
<v Speaker 7>Too, Yeah, I guess so.

1:21:37.000 --> 1:21:41.200
<v Speaker 1>So now now that you're in a space where like

1:21:42.120 --> 1:21:45.559
<v Speaker 1>your your level of artistry and I'm talking about like

1:21:45.680 --> 1:21:47.840
<v Speaker 1>even the stuff that's happened in Australia right now, like

1:21:48.320 --> 1:21:52.160
<v Speaker 1>with like uh you know, like Hiatus Coyote and you know,

1:21:52.280 --> 1:21:57.160
<v Speaker 1>like do you now feel as though the world has

1:21:57.240 --> 1:21:59.840
<v Speaker 1>caught up to you and you're able to like for

1:21:59.880 --> 1:22:03.439
<v Speaker 1>you you where is your market at? Like who what

1:22:03.640 --> 1:22:05.400
<v Speaker 1>marketplace embraces you the most?

1:22:06.439 --> 1:22:07.759
<v Speaker 7>I don't know.

1:22:10.400 --> 1:22:15.480
<v Speaker 1>You're a pure artist, like and I think it's important.

1:22:15.120 --> 1:22:19.800
<v Speaker 7>To every tour, every tour, different audience shows up.

1:22:19.840 --> 1:22:24.400
<v Speaker 6>It's we like we just know that's a blessing.

1:22:24.720 --> 1:22:26.400
<v Speaker 7>We still get the cats that show up that I

1:22:26.479 --> 1:22:33.560
<v Speaker 7>want to hear the the first album and more and

1:22:33.800 --> 1:22:37.479
<v Speaker 7>more like cats than what a year the newer stuff,

1:22:37.520 --> 1:22:45.600
<v Speaker 7>and they don't necessarily look like the first album audience

1:22:45.840 --> 1:22:48.719
<v Speaker 7>per se, you know, so it's kind of a mix.

1:22:48.840 --> 1:22:51.919
<v Speaker 7>I never know. If I knew, I would be probably

1:22:53.000 --> 1:22:53.799
<v Speaker 7>further along.

1:22:54.720 --> 1:22:58.200
<v Speaker 1>Kimber told me that, well, the way that radio is

1:22:58.200 --> 1:23:01.799
<v Speaker 1>in Australia, like the way that your radio show was Laya,

1:23:03.080 --> 1:23:10.559
<v Speaker 1>that is actually mainstream radio in Australia, which really explains well, yeah,

1:23:10.600 --> 1:23:14.639
<v Speaker 1>but the thing is is like over in Australia you

1:23:14.720 --> 1:23:19.280
<v Speaker 1>can still hear Balal and then they'll put on Sabrina

1:23:19.320 --> 1:23:23.760
<v Speaker 1>Carpenter and then they'll put on Charlie xx and then

1:23:23.800 --> 1:23:28.760
<v Speaker 1>they'll put on Hiatu's kind of right, which is I mean, shit,

1:23:28.880 --> 1:23:32.640
<v Speaker 1>we're doing our New Year's Christmas shit over there in

1:23:32.840 --> 1:23:37.360
<v Speaker 1>very big venues because Australia hasn't fallen under the way

1:23:37.400 --> 1:23:41.240
<v Speaker 1>of like where Clear Channel takes over radio and segregates

1:23:41.280 --> 1:23:44.599
<v Speaker 1>it and makes you a niche artist. For you now though,

1:23:45.040 --> 1:23:49.920
<v Speaker 1>especially with the Just Brightness project, do you feel like

1:23:49.960 --> 1:23:53.960
<v Speaker 1>people are slowly now coming around after having you know,

1:23:54.040 --> 1:23:56.160
<v Speaker 1>been on this journey for twenty five years.

1:23:56.840 --> 1:24:04.000
<v Speaker 7>Yeah, people are has happened where you know. It's the

1:24:04.120 --> 1:24:06.639
<v Speaker 7>thing that I'm doing is starting to settle. I feel

1:24:06.680 --> 1:24:11.040
<v Speaker 7>that a little yeah, And I've been a little bit

1:24:11.760 --> 1:24:16.200
<v Speaker 7>of getting a little bit more grounding on the on

1:24:16.240 --> 1:24:19.000
<v Speaker 7>the business side too. So you know, for a long time,

1:24:19.040 --> 1:24:20.960
<v Speaker 7>I didn't really give a shit about the business ship.

1:24:21.160 --> 1:24:24.240
<v Speaker 7>I just wanted to make enough money to smoke leed

1:24:24.520 --> 1:24:27.680
<v Speaker 7>and you know they rent. Then you had kids, so

1:24:27.920 --> 1:24:31.439
<v Speaker 7>a lot of ship changed. I got kids, like you know.

1:24:32.920 --> 1:24:34.839
<v Speaker 5>Right, yeah, you got children.

1:24:35.600 --> 1:24:36.400
<v Speaker 7>My approaches.

1:24:38.400 --> 1:24:40.559
<v Speaker 1>You've done so much work with so many other people.

1:24:40.640 --> 1:24:43.479
<v Speaker 1>I gotta ask you about like some of our favorites.

1:24:45.200 --> 1:24:47.599
<v Speaker 1>One of the last complete albums of a hip hop

1:24:47.640 --> 1:24:51.000
<v Speaker 1>group that I totally love was Hell Half the Fury,

1:24:51.760 --> 1:24:54.280
<v Speaker 1>and I didn't look on the credits to know that

1:24:54.360 --> 1:24:58.040
<v Speaker 1>you were singing on Nightmares a Sergey voice, Like, wait

1:24:58.080 --> 1:25:02.519
<v Speaker 1>a minute, that's how did you hook up with the

1:25:02.520 --> 1:25:04.120
<v Speaker 1>clips for Hell Have No Fury?

1:25:05.040 --> 1:25:09.559
<v Speaker 7>I was down there working on my record they Want

1:25:10.080 --> 1:25:13.280
<v Speaker 7>with the Neptunes. Yeah, I went through this. I went

1:25:13.280 --> 1:25:19.799
<v Speaker 7>through had me working with everybody. So it was why

1:25:19.960 --> 1:25:25.040
<v Speaker 7>after he did the record for Justin Timberley, you know,

1:25:25.120 --> 1:25:30.200
<v Speaker 7>he was doing it just banger after banger, and so

1:25:31.800 --> 1:25:33.960
<v Speaker 7>every time I would get into a room with with

1:25:33.960 --> 1:25:35.880
<v Speaker 7>with cats on that well.

1:25:35.680 --> 1:25:38.640
<v Speaker 1>Talk about your working relationship with Beyonce.

1:25:39.120 --> 1:25:42.320
<v Speaker 6>And the Fight in Temptations collaborations at all.

1:25:43.160 --> 1:25:47.920
<v Speaker 7>Oh, that was dope. I think she she she asked

1:25:48.200 --> 1:25:50.760
<v Speaker 7>for me to be a part of that, so that

1:25:50.880 --> 1:25:54.599
<v Speaker 7>was dope. I didn't even I think they had in

1:25:54.680 --> 1:25:58.600
<v Speaker 7>mind it to be something else, but she she like

1:25:58.680 --> 1:26:02.120
<v Speaker 7>specifically has for me to join that joint, which is dope.

1:26:02.280 --> 1:26:05.000
<v Speaker 7>You know. Yeah, I think I always thought she was

1:26:05.040 --> 1:26:10.760
<v Speaker 7>ill and just such a student of the music, you know.

1:26:11.040 --> 1:26:14.639
<v Speaker 6>I mean, y'all that in the studio together. We all

1:26:14.640 --> 1:26:15.559
<v Speaker 6>recorded it together.

1:26:15.720 --> 1:26:18.840
<v Speaker 7>Yeah, yeah, yeah, she was there with with Jimmy jam

1:26:19.520 --> 1:26:22.439
<v Speaker 7>and Cherry Lewis. They wrote the song, so we we

1:26:22.560 --> 1:26:25.400
<v Speaker 7>all was in the studio working on it. That was

1:26:25.439 --> 1:26:32.920
<v Speaker 7>a learning experience too, because they are very like particular

1:26:33.840 --> 1:26:39.200
<v Speaker 7>about what they want, very particular. And I'm like, I

1:26:39.360 --> 1:26:41.240
<v Speaker 7>half the time don't know what I'm doing. I like

1:26:41.320 --> 1:26:48.000
<v Speaker 7>to make what I call beautiful mistakes, and they're like, no,

1:26:49.160 --> 1:26:51.240
<v Speaker 7>you gotta do it, like yeah, you gotta do it

1:26:51.320 --> 1:26:55.040
<v Speaker 7>like this or you know. And every time they would

1:26:55.080 --> 1:26:56.799
<v Speaker 7>tell me to do something, I would do it different,

1:26:56.880 --> 1:26:58.920
<v Speaker 7>like I wouldn't even know what I'm doing, you know.

1:26:59.439 --> 1:27:01.640
<v Speaker 7>They're like, dude, that again. I'm like, I don't know

1:27:01.840 --> 1:27:05.240
<v Speaker 7>you did you record it? I hear it?

1:27:05.600 --> 1:27:07.559
<v Speaker 1>What was one of the hardest sessions you have to do?

1:27:08.400 --> 1:27:12.599
<v Speaker 7>That was probably one of the hardest sessions because Beyonce

1:27:12.800 --> 1:27:16.120
<v Speaker 7>is like a professional in the studio. She just she's

1:27:16.160 --> 1:27:19.040
<v Speaker 7>got her Her studio technique is ill, you know what

1:27:19.040 --> 1:27:21.519
<v Speaker 7>I mean. She can knock shout out nose all right,

1:27:21.600 --> 1:27:23.800
<v Speaker 7>put this on through this double it, you know. And

1:27:23.840 --> 1:27:27.400
<v Speaker 7>I was just in there, like I said, making beautiful mistakes.

1:27:27.400 --> 1:27:28.559
<v Speaker 7>So everybody was just.

1:27:28.479 --> 1:27:37.360
<v Speaker 1>Like, didn't Jermaine to pre produce you on Jay's Falling?

1:27:37.920 --> 1:27:38.160
<v Speaker 15>Yep?

1:27:38.680 --> 1:27:40.559
<v Speaker 7>Yeah, how did that come to be?

1:27:41.400 --> 1:27:43.080
<v Speaker 1>That was an American gangster?

1:27:43.280 --> 1:27:43.479
<v Speaker 14>Yeah?

1:27:43.520 --> 1:27:46.639
<v Speaker 7>That was a random phone call and it was like, hello,

1:27:46.760 --> 1:27:48.720
<v Speaker 7>is this allowed Jay Z would like for you to

1:27:48.760 --> 1:27:52.559
<v Speaker 7>come to the studio and this is the address, and

1:27:52.720 --> 1:27:57.600
<v Speaker 7>then randomly I showed her. I got there. It's like

1:27:57.720 --> 1:28:02.040
<v Speaker 7>some random building. You go up and kay Z and

1:28:02.080 --> 1:28:05.040
<v Speaker 7>Beyonce was in the studio waiting for me, like hello.

1:28:05.200 --> 1:28:08.040
<v Speaker 7>I was like, what it's like being summoned by the

1:28:08.120 --> 1:28:09.080
<v Speaker 7>president or something.

1:28:10.680 --> 1:28:12.160
<v Speaker 6>Put the bug in his eir.

1:28:12.000 --> 1:28:16.200
<v Speaker 7>Like I don't know, maybe, but when I got there,

1:28:16.280 --> 1:28:18.920
<v Speaker 7>he knew everything. He wanted me to do. He was

1:28:19.000 --> 1:28:21.519
<v Speaker 7>kind of he knew what he was looking for me

1:28:21.560 --> 1:28:24.800
<v Speaker 7>to do. I was like, man, I didn't even know

1:28:24.840 --> 1:28:28.280
<v Speaker 7>you knew about my ship like that, But wait a.

1:28:28.320 --> 1:28:32.040
<v Speaker 1>Minute, didn't Did I not use you once for any

1:28:32.080 --> 1:28:35.880
<v Speaker 1>of those Jay Giggs? Yeah, I was about to say,

1:28:35.920 --> 1:28:38.840
<v Speaker 1>I think he came aboard for Carnegie Hall, but I

1:28:38.880 --> 1:28:43.160
<v Speaker 1>think this was before that. Okay, okay, it was Carnekie.

1:28:43.520 --> 1:28:45.960
<v Speaker 7>The Carnegie Hall thing happened after that.

1:28:46.200 --> 1:28:49.120
<v Speaker 1>But I definitely remember he asked for you. You know,

1:28:49.560 --> 1:28:51.639
<v Speaker 1>I know for the fact that those two were big

1:28:51.640 --> 1:28:56.960
<v Speaker 1>expearens of yours. Did you have any clue whatsoever? But

1:28:57.040 --> 1:29:02.000
<v Speaker 1>at the time, when you're recording Master Teacher with its

1:29:02.200 --> 1:29:08.040
<v Speaker 1>infamous hook, I stay woke. Did you have any idea

1:29:08.960 --> 1:29:15.240
<v Speaker 1>about how you singing that hook would wind up almost

1:29:15.240 --> 1:29:18.439
<v Speaker 1>being like kind of the zeitgeist of where we are

1:29:18.560 --> 1:29:19.680
<v Speaker 1>right now politically?

1:29:21.960 --> 1:29:24.599
<v Speaker 7>Nah, that was.

1:29:25.080 --> 1:29:27.400
<v Speaker 1>Like talking about Master Teacher because it's one of my

1:29:27.479 --> 1:29:32.960
<v Speaker 1>favorite songs on New America, but it also it's just

1:29:33.000 --> 1:29:35.960
<v Speaker 1>such a beautiful mess of a song, like I don't

1:29:35.960 --> 1:29:41.400
<v Speaker 1>know where the hook starts. I don't know. Georgia Georgia

1:29:41.439 --> 1:29:46.320
<v Speaker 1>had Matt, Yeah, what does she like to work with

1:29:46.400 --> 1:29:48.840
<v Speaker 1>because I was such a fan of herse but I've

1:29:48.920 --> 1:29:51.880
<v Speaker 1>never really got to chop it up in a way

1:29:52.080 --> 1:29:52.800
<v Speaker 1>that I wanted to.

1:29:53.479 --> 1:29:55.920
<v Speaker 5>I've never got to watch her make beats or anything.

1:29:56.080 --> 1:30:02.480
<v Speaker 7>She is a genius. Georgia is a genius, incredible, incredible musician.

1:30:04.000 --> 1:30:12.560
<v Speaker 15>And nasty beat maker. Like wow, yes she's dirty, like

1:30:13.280 --> 1:30:14.679
<v Speaker 15>so working with hers dope.

1:30:14.720 --> 1:30:16.040
<v Speaker 7>You know, she went to the New School.

1:30:16.880 --> 1:30:18.200
<v Speaker 5>What year did you first go there?

1:30:19.280 --> 1:30:28.080
<v Speaker 7>Ninety I went there from ninety seven to like ninety

1:30:28.240 --> 1:30:30.000
<v Speaker 7>like the end of ninety eight.

1:30:31.240 --> 1:30:33.880
<v Speaker 1>So the weird thing is that had I did what

1:30:33.880 --> 1:30:36.559
<v Speaker 1>my dad wanted me to do, I would have been

1:30:36.600 --> 1:30:40.200
<v Speaker 1>a senior because you know, I took years off to

1:30:41.760 --> 1:30:43.639
<v Speaker 1>I called myself paying for the Roots Demo. My dad

1:30:43.680 --> 1:30:45.280
<v Speaker 1>thought I was saving up for college. Really I was

1:30:45.280 --> 1:30:49.160
<v Speaker 1>saving up for the Roots Demo. So you know, by

1:30:49.280 --> 1:30:51.679
<v Speaker 1>ninety four, I was like, all right, I gotta get

1:30:51.680 --> 1:30:54.000
<v Speaker 1>into a college. Like I let four years go by.

1:30:54.920 --> 1:30:57.600
<v Speaker 1>So I'm either it was cheaper to go to the

1:30:57.640 --> 1:31:01.000
<v Speaker 1>New School than it was the Juilliard. So if there

1:31:01.080 --> 1:31:03.120
<v Speaker 1>wasn't a record deal in my future, I would have

1:31:03.240 --> 1:31:07.479
<v Speaker 1>probably started going to the New School from ninety three

1:31:08.640 --> 1:31:11.519
<v Speaker 1>to ninety seven. So somehow our our paths would a

1:31:11.600 --> 1:31:15.960
<v Speaker 1>quasi crossed for sure had I done that? But who

1:31:15.960 --> 1:31:19.320
<v Speaker 1>else was there besides you and glaspar Was Chris there

1:31:19.360 --> 1:31:19.760
<v Speaker 1>as well?

1:31:19.960 --> 1:31:25.160
<v Speaker 7>Or no, Chris wasn't there? Cedric Mitchell was there, Kean

1:31:25.280 --> 1:31:31.960
<v Speaker 7>Harrold Marcus and E. J. Strickland brothers saxophone cat they

1:31:32.080 --> 1:31:32.639
<v Speaker 7>was there?

1:31:33.439 --> 1:31:35.760
<v Speaker 5>Is this under Ellie Howe's tutelage.

1:31:36.200 --> 1:31:46.240
<v Speaker 7>Yep, okay, y know, shout out Ksey Benjamin, it's there, rust.

1:31:46.160 --> 1:31:47.280
<v Speaker 5>Pe Case Benjamin.

1:31:49.640 --> 1:31:50.640
<v Speaker 6>I wonder y'all are So?

1:31:51.520 --> 1:31:53.720
<v Speaker 1>Were they all as advanced as now?

1:31:53.880 --> 1:31:57.280
<v Speaker 5>Or is it just like mm hmm? Was it intimidating?

1:31:57.720 --> 1:32:00.519
<v Speaker 7>I wasn't intimidating. I was. It was just right back

1:32:00.560 --> 1:32:04.120
<v Speaker 7>to high school though, Like I always felt like as

1:32:04.160 --> 1:32:06.559
<v Speaker 7>the singer, just trying to prove myself to be around

1:32:06.600 --> 1:32:10.040
<v Speaker 7>the bad cats, you know what I mean? Like, oh

1:32:10.360 --> 1:32:14.519
<v Speaker 7>you know, hey, what about that suspended forth? Huhuh?

1:32:23.840 --> 1:32:25.320
<v Speaker 5>You got their respect?

1:32:25.640 --> 1:32:29.599
<v Speaker 7>Oh yeah? Well yeah, because Rob was the first one

1:32:29.640 --> 1:32:31.880
<v Speaker 7>to be like this shit is dope. He's dope, y'all,

1:32:32.320 --> 1:32:35.240
<v Speaker 7>you know. But he his mother was a vocalist, so

1:32:35.760 --> 1:32:38.880
<v Speaker 7>he kind of like warmed them up to me. But

1:32:40.360 --> 1:32:42.400
<v Speaker 7>I was kind of the weird though, because I really

1:32:42.479 --> 1:32:45.000
<v Speaker 7>didn't fit in with the singers either, because I was

1:32:45.600 --> 1:32:49.519
<v Speaker 7>I'm still had PTSD from high school. So I came

1:32:49.640 --> 1:32:54.959
<v Speaker 7>to jazz school just scatting, nothing but scatting.

1:32:55.040 --> 1:32:59.679
<v Speaker 1>Like, So, how confident were you in your scatting skills?

1:32:59.720 --> 1:33:01.280
<v Speaker 5>Like did you first adapt to.

1:33:01.280 --> 1:33:03.840
<v Speaker 7>I was mad by then. I was mad confident because

1:33:03.880 --> 1:33:08.200
<v Speaker 7>I started to learn all the store like I had

1:33:08.280 --> 1:33:13.200
<v Speaker 7>learned all Lee Morgan solos. I learned all fucking Miles Davis's.

1:33:13.280 --> 1:33:17.760
<v Speaker 7>So what I remember I had? I had them on memory, like.

1:33:18.400 --> 1:33:19.920
<v Speaker 5>Yeah, but I didn't know he was the outcasts.

1:33:21.600 --> 1:33:23.600
<v Speaker 7>That was my way, that was my way in. I

1:33:23.640 --> 1:33:25.720
<v Speaker 7>had to like I had to like go to the

1:33:25.800 --> 1:33:30.320
<v Speaker 7>jam sessions and just battle trade trade bars with these cats.

1:33:30.880 --> 1:33:33.320
<v Speaker 7>And I had learned changes by then, So I was

1:33:33.439 --> 1:33:35.160
<v Speaker 7>I was cutting some of them cats back then.

1:33:35.640 --> 1:33:36.400
<v Speaker 5>So did you?

1:33:36.600 --> 1:33:40.080
<v Speaker 1>Of course I couldn't now, but so, but did you

1:33:40.400 --> 1:33:44.080
<v Speaker 1>have to like did you subscribe to the John Hendricks

1:33:44.280 --> 1:33:48.920
<v Speaker 1>Vocalist House?

1:33:49.320 --> 1:33:54.280
<v Speaker 5>Wait, you knew Hendricks?

1:33:54.960 --> 1:33:55.760
<v Speaker 7>Yeah, because I was.

1:33:55.840 --> 1:33:57.240
<v Speaker 1>I had tried to talk about that.

1:33:57.880 --> 1:33:58.599
<v Speaker 5>Y'allknew each other.

1:33:59.400 --> 1:34:01.720
<v Speaker 7>Yeah, I try right out for the Manhattan transfer in

1:34:01.840 --> 1:34:05.320
<v Speaker 7>college and me and me and Rob used to go

1:34:05.400 --> 1:34:09.960
<v Speaker 7>over to John Hendrick's house and jam with him. Oh

1:34:10.000 --> 1:34:13.759
<v Speaker 7>my god, he used to cut both me and Rob

1:34:13.840 --> 1:34:16.960
<v Speaker 7>whistling and I would be in there scatting all my

1:34:17.120 --> 1:34:20.040
<v Speaker 7>scatting shit and he would just whistle some of the

1:34:20.080 --> 1:34:23.000
<v Speaker 7>baddest shit. But yeah, that would go over his house

1:34:23.040 --> 1:34:26.040
<v Speaker 7>and do duo all the time. That was a cool

1:34:26.080 --> 1:34:28.920
<v Speaker 7>thing about the News School because they could get in

1:34:29.040 --> 1:34:32.479
<v Speaker 7>contact with whoever they knew if they had it in

1:34:32.520 --> 1:34:34.679
<v Speaker 7>the rollo decks, and then they would just ask them

1:34:34.880 --> 1:34:36.800
<v Speaker 7>right out. You know, we got a young cat that

1:34:36.960 --> 1:34:43.440
<v Speaker 7>just wants to chill with I was like, John Hendricks,

1:34:43.720 --> 1:34:44.920
<v Speaker 7>what all right?

1:34:45.000 --> 1:34:47.480
<v Speaker 1>So for our listeners, let me explain for our listeners.

1:34:47.960 --> 1:34:51.800
<v Speaker 1>In the jazz world, there's a thing called technical vocalist,

1:34:51.960 --> 1:34:55.080
<v Speaker 1>which is basically it's kind of version of we invented

1:34:55.080 --> 1:34:58.200
<v Speaker 1>the remix where they were taking established If a song

1:34:58.240 --> 1:35:02.120
<v Speaker 1>becomes an established standards and it was just traditionally jazz,

1:35:02.840 --> 1:35:08.040
<v Speaker 1>then a figure like Eddie Jefferson or John Hendricks or

1:35:08.080 --> 1:35:12.880
<v Speaker 1>his other group Lambert Hendricks and Ross. Yeah, they would

1:35:13.000 --> 1:35:17.519
<v Speaker 1>add lyrics to these songs. But the thing was you

1:35:17.560 --> 1:35:21.760
<v Speaker 1>had to be faithful to the definitive solo. So for

1:35:21.800 --> 1:35:27.080
<v Speaker 1>a great example, listen to John Hendricks Freddy Freeloader with

1:35:28.080 --> 1:35:33.439
<v Speaker 1>Bobby McFerrin, Aljiou, George Benson and John Hendricks, in which the.

1:35:33.439 --> 1:35:37.599
<v Speaker 5>Four of them note for note nail.

1:35:38.160 --> 1:35:44.439
<v Speaker 1>Miles Adderley's like all the solos on the original, and

1:35:44.560 --> 1:35:47.800
<v Speaker 1>I just to me, it just seems so intimidating one

1:35:47.880 --> 1:35:51.840
<v Speaker 1>to study a solo, but then to memorize it. So

1:35:52.760 --> 1:35:55.320
<v Speaker 1>like as a singer, am I able to put like

1:35:55.360 --> 1:35:58.160
<v Speaker 1>a fake book in front of you? Fake book is

1:35:58.320 --> 1:36:01.200
<v Speaker 1>a jazz bible. To put a fake book in front

1:36:01.200 --> 1:36:03.920
<v Speaker 1>of you and you instantly read the note to notate

1:36:04.000 --> 1:36:06.479
<v Speaker 1>and know exactly where to go, or do you have

1:36:06.479 --> 1:36:07.759
<v Speaker 1>a listen and study the song?

1:36:08.680 --> 1:36:12.760
<v Speaker 7>And back then I could now no. Ever since I

1:36:12.800 --> 1:36:15.240
<v Speaker 7>got signed, I fucking forgot everything but.

1:36:15.160 --> 1:36:18.360
<v Speaker 5>Back then, and I'm glad you did.

1:36:19.360 --> 1:36:22.439
<v Speaker 7>Back then, I played enough piano. I was on All

1:36:22.560 --> 1:36:26.760
<v Speaker 7>City Jazz band as piano in Philly. What they had

1:36:27.200 --> 1:36:31.080
<v Speaker 7>they had beaten, beat me over the head to the

1:36:31.120 --> 1:36:33.320
<v Speaker 7>point where I was reading charts in the big band.

1:36:34.920 --> 1:36:39.520
<v Speaker 7>I forgot all that shit though. But yeah, in college,

1:36:39.680 --> 1:36:42.320
<v Speaker 7>I didn't want to study with none of the vocalists,

1:36:42.360 --> 1:36:45.360
<v Speaker 7>so I studied with Reggie Workman, the bass player for

1:36:45.360 --> 1:36:51.680
<v Speaker 7>for training. I studied Reggie Reggie Workman, and I studied

1:36:51.720 --> 1:36:56.840
<v Speaker 7>with his guitar player, uh arm and arming the Danilian.

1:36:56.960 --> 1:37:01.120
<v Speaker 7>But he's like a jazz virtuo so guitar player, but

1:37:01.760 --> 1:37:05.800
<v Speaker 7>his whole shit was, man, you gotta ear like him.

1:37:05.840 --> 1:37:09.479
<v Speaker 7>And Reggie would always say, you gotta ear like a musician,

1:37:09.640 --> 1:37:14.479
<v Speaker 7>so you should lean into that, like just hearing things

1:37:15.080 --> 1:37:19.280
<v Speaker 7>as a musician. And from then on, like I, they

1:37:19.320 --> 1:37:24.000
<v Speaker 7>had me buying saxophone concerto books and learning the concerto

1:37:24.120 --> 1:37:29.360
<v Speaker 7>the saxophone concertos, and then Arman introduced me to Robbie

1:37:29.360 --> 1:37:33.680
<v Speaker 7>Shankar's music, and then we just started learning all of

1:37:33.720 --> 1:37:36.760
<v Speaker 7>the Middle Eastern scales and all of that. And by

1:37:36.800 --> 1:37:39.800
<v Speaker 7>then I was just on a whole nother level as

1:37:39.800 --> 1:37:44.479
<v Speaker 7>far as just hearing shit and scatting to where the

1:37:44.600 --> 1:37:47.160
<v Speaker 7>cast I was hanging with. They saw me as a

1:37:47.240 --> 1:37:53.120
<v Speaker 7>musician right when that around, I would say like yeah,

1:37:53.200 --> 1:37:55.320
<v Speaker 7>by the time I got to college, like I wasn't

1:37:55.320 --> 1:38:00.240
<v Speaker 7>intimidated by that anybody, no more, especially a musician like

1:38:00.280 --> 1:38:03.519
<v Speaker 7>I was just I heard just like a musician, like

1:38:03.720 --> 1:38:04.679
<v Speaker 7>I heard everything.

1:38:05.640 --> 1:38:10.840
<v Speaker 1>Now I believe that you are the last anointed vocalist,

1:38:11.360 --> 1:38:16.479
<v Speaker 1>just in terms of the Masters of the sixties who

1:38:17.080 --> 1:38:21.280
<v Speaker 1>wrote the blueprint, like you're you're naming people whom like

1:38:22.320 --> 1:38:24.639
<v Speaker 1>you know I find in Dyla's record collection.

1:38:25.640 --> 1:38:28.240
<v Speaker 6>In terms of sampling, he said he tried off with

1:38:28.280 --> 1:38:31.960
<v Speaker 6>a Manhattan Transfer, is what he said. You said he

1:38:32.000 --> 1:38:33.880
<v Speaker 6>tried off with a Manhattan Transfer. That's what he said.

1:38:36.360 --> 1:38:39.880
<v Speaker 1>Is there a project that you long to do that

1:38:41.040 --> 1:38:44.680
<v Speaker 1>you haven't done yet? Like Manhattan Transfer type groups like uh,

1:38:45.680 --> 1:38:49.720
<v Speaker 1>the boy the their their counterpart group voices.

1:38:50.960 --> 1:38:52.960
<v Speaker 5>I forget no, no, no, not.

1:38:52.920 --> 1:38:56.080
<v Speaker 7>Them, not like Take six or.

1:38:56.600 --> 1:38:59.600
<v Speaker 1>Well, I mean that, but there's there's another group that

1:38:59.680 --> 1:39:00.800
<v Speaker 1>I'm I'm I'm forgetting.

1:39:00.560 --> 1:39:04.400
<v Speaker 6>Right now and transfer don't talk about.

1:39:05.280 --> 1:39:06.200
<v Speaker 5>That's what I'm do.

1:39:06.240 --> 1:39:08.479
<v Speaker 1>You have a desire to ever put a vocal group

1:39:08.520 --> 1:39:14.360
<v Speaker 1>together to try some ship out or hm hmmm. See

1:39:14.439 --> 1:39:16.439
<v Speaker 1>he lives in the present. You didn't think about that

1:39:16.479 --> 1:39:18.320
<v Speaker 1>once in your thirty year a journey.

1:39:18.000 --> 1:39:21.719
<v Speaker 7>Did you? No? No, I did it one time with Erica,

1:39:21.880 --> 1:39:26.880
<v Speaker 7>just on like a skit. We was playing around and

1:39:26.880 --> 1:39:29.280
<v Speaker 7>in electric lead, and we did it sometimes I'm happy

1:39:30.040 --> 1:39:36.479
<v Speaker 7>by king pleasure, okay, And we did sometimes in that

1:39:36.680 --> 1:39:41.080
<v Speaker 7>bame and we wrote out the harmonies and did it.

1:39:41.160 --> 1:39:45.960
<v Speaker 7>But I never thought that would be cool. Though. I

1:39:46.080 --> 1:39:49.640
<v Speaker 7>was seriously a jazz hit before I got signed, Like

1:39:50.520 --> 1:39:54.360
<v Speaker 7>I got talked into like doing R and B and

1:39:54.439 --> 1:39:57.320
<v Speaker 7>ship from like the two and to make brothers Like

1:39:57.560 --> 1:40:02.160
<v Speaker 7>I was really wanted to be like Kirk Elling or

1:40:02.280 --> 1:40:04.519
<v Speaker 7>some ship. Steve, guess what time it is going to

1:40:04.600 --> 1:40:07.599
<v Speaker 7>be kir Elling a record project?

1:40:08.120 --> 1:40:09.000
<v Speaker 2>Jam my time?

1:40:09.080 --> 1:40:12.479
<v Speaker 1>Yeah, all right, we always say this twenty twenty five,

1:40:13.439 --> 1:40:15.120
<v Speaker 1>A real project, twenty twenty.

1:40:14.920 --> 1:40:18.240
<v Speaker 6>Five black, real black projects.

1:40:18.560 --> 1:40:21.240
<v Speaker 5>Yes, I want to do that.

1:40:22.040 --> 1:40:25.360
<v Speaker 6>What is so great about working with Robert glassper Did

1:40:25.400 --> 1:40:26.200
<v Speaker 6>y'all work together?

1:40:26.560 --> 1:40:26.720
<v Speaker 7>Say?

1:40:26.760 --> 1:40:28.360
<v Speaker 5>We never mentioned Glass properly?

1:40:29.960 --> 1:40:32.400
<v Speaker 6>Yes? Please tell me about this this working relationship that

1:40:32.439 --> 1:40:34.360
<v Speaker 6>you guys have and why it just works well.

1:40:35.960 --> 1:40:39.800
<v Speaker 7>Robert, it is like it feels like it feels like

1:40:39.840 --> 1:40:44.320
<v Speaker 7>I'm working with my like with myself, because he we

1:40:44.360 --> 1:40:47.519
<v Speaker 7>have the same kind of thoughts on music, on how

1:40:47.560 --> 1:40:51.439
<v Speaker 7>to blend the genres and kind of like I have

1:40:51.960 --> 1:40:55.439
<v Speaker 7>the same sensibility of jazz but go anywhere with it,

1:40:55.520 --> 1:40:58.960
<v Speaker 7>you know. So that's like my musical brother. A lot

1:40:58.960 --> 1:41:02.240
<v Speaker 7>of times when we were we're not even we don't

1:41:02.240 --> 1:41:05.120
<v Speaker 7>even if it's not even planned, you know, it's just

1:41:05.600 --> 1:41:09.960
<v Speaker 7>once again, like these just cool mistakes and in the

1:41:10.000 --> 1:41:12.840
<v Speaker 7>middle of the mistake, we make it mean something, you know,

1:41:13.920 --> 1:41:14.479
<v Speaker 7>but uh.

1:41:14.720 --> 1:41:16.200
<v Speaker 6>It's a beautiful mistakes.

1:41:16.680 --> 1:41:19.280
<v Speaker 7>Yeah, when I work a rob I don't even it's

1:41:19.320 --> 1:41:23.360
<v Speaker 7>so home, you know what I mean, where I don't

1:41:23.360 --> 1:41:27.680
<v Speaker 7>really I don't really think too much while I'm doing it.

1:41:28.120 --> 1:41:31.080
<v Speaker 1>I think that's how it has to be, like again

1:41:31.120 --> 1:41:33.519
<v Speaker 1>when I say in the present, it's how you feel

1:41:33.520 --> 1:41:38.440
<v Speaker 1>at that moment with your children, as has the epigenetic

1:41:38.439 --> 1:41:43.360
<v Speaker 1>effect happened? Like are they singers as well? Do they

1:41:43.360 --> 1:41:47.000
<v Speaker 1>have musical talent? What do they think when they watch you? Before?

1:41:47.640 --> 1:41:51.840
<v Speaker 7>My kids think I'm an odd bird. None of them

1:41:51.880 --> 1:41:56.600
<v Speaker 7>are are musicians, even though I've tried my best. You know,

1:41:56.760 --> 1:42:01.519
<v Speaker 7>they've been in piano and drums and everything. But my

1:42:01.600 --> 1:42:06.439
<v Speaker 7>kids like art, they like all things, are all things anime.

1:42:07.640 --> 1:42:11.519
<v Speaker 7>They're in that kind of a world. So I think

1:42:11.920 --> 1:42:16.240
<v Speaker 7>they could possibly maybe raped Like when they were little kids.

1:42:16.240 --> 1:42:20.640
<v Speaker 7>They used to represent ta live Quali's son Amani. We

1:42:20.840 --> 1:42:23.280
<v Speaker 7>lived across the hall from I lived across the hall

1:42:23.360 --> 1:42:26.040
<v Speaker 7>from from Tai lived for for a while and his

1:42:26.120 --> 1:42:30.679
<v Speaker 7>son Amani used to watch my kids. And I think

1:42:30.760 --> 1:42:34.640
<v Speaker 7>that's another way that I got into learning these the

1:42:34.760 --> 1:42:37.960
<v Speaker 7>young kids like Pink Seafood or Live and all these

1:42:38.080 --> 1:42:41.400
<v Speaker 7>young musicians out today because they would always hang out

1:42:41.479 --> 1:42:45.000
<v Speaker 7>at Amani's house and they had my kids rapping like

1:42:45.080 --> 1:42:48.320
<v Speaker 7>as little kids. So I know they have the skill

1:42:48.439 --> 1:42:52.080
<v Speaker 7>to rap, but they want to be like anime cats.

1:42:52.720 --> 1:42:53.080
<v Speaker 1>Okay.

1:42:53.160 --> 1:42:56.680
<v Speaker 7>My wife says that my son Paris can sing, but

1:42:56.840 --> 1:43:00.640
<v Speaker 7>he's very secretive with his town. It's like he did

1:43:00.760 --> 1:43:03.599
<v Speaker 7>you know, he's shy about it. I don't know why.

1:43:04.760 --> 1:43:06.800
<v Speaker 1>There's one of the fruit falling far from the tree

1:43:06.840 --> 1:43:10.200
<v Speaker 1>moments where I'm like, I know that one of them

1:43:10.240 --> 1:43:11.200
<v Speaker 1>has a voice in them.

1:43:11.240 --> 1:43:15.600
<v Speaker 7>But you know, I was the only musician in my

1:43:15.720 --> 1:43:19.000
<v Speaker 7>family though, you know that kind of like made this

1:43:19.920 --> 1:43:23.400
<v Speaker 7>step to be a musician. Like my only musician in

1:43:23.479 --> 1:43:27.960
<v Speaker 7>my family. Everybody else is like my sister is an electrician,

1:43:28.320 --> 1:43:33.840
<v Speaker 7>my brother does construction, like my my father does construction.

1:43:34.439 --> 1:43:37.160
<v Speaker 7>Come from a family construction workers, really want to be

1:43:37.240 --> 1:43:40.880
<v Speaker 7>an architect. Wow. Yeah, I'm like the only one that

1:43:40.960 --> 1:43:44.400
<v Speaker 7>kind of like leaned into music. I don't come from

1:43:44.439 --> 1:43:47.280
<v Speaker 7>like a musical family or anything like that. So like

1:43:47.800 --> 1:43:50.800
<v Speaker 7>everything that I do, I kind of like or maybe

1:43:50.800 --> 1:43:52.320
<v Speaker 7>all the talent.

1:43:53.920 --> 1:43:56.640
<v Speaker 3>You do and inherited a lot of people ask me

1:43:57.160 --> 1:44:00.120
<v Speaker 3>what are my favorite sessions have been over the years,

1:44:00.200 --> 1:44:03.120
<v Speaker 3>and a lot of times I'll talk about Hard Groove,

1:44:03.160 --> 1:44:06.240
<v Speaker 3>the Roy Hargrove album with Russ at Electrical Lydy and

1:44:06.240 --> 1:44:09.640
<v Speaker 3>that whole amazing record. And then I also mentioned my

1:44:09.760 --> 1:44:12.240
<v Speaker 3>time with Bellile up in studio see at Electrical Lyady

1:44:12.320 --> 1:44:15.080
<v Speaker 3>working on I Guess Are We?

1:44:15.600 --> 1:44:18.200
<v Speaker 2>Is it called Love for Sale? The album that we

1:44:18.200 --> 1:44:21.840
<v Speaker 2>were working on. Yeah, those sessions just.

1:44:22.479 --> 1:44:24.479
<v Speaker 7>Mandar a lot of that shit.

1:44:25.520 --> 1:44:28.519
<v Speaker 3>You were the first artist who really gave me just

1:44:28.720 --> 1:44:34.519
<v Speaker 3>complete freedom in the studio to experiment and to you know,

1:44:34.560 --> 1:44:37.120
<v Speaker 3>we'd lay stuff down during the day and then I'd

1:44:37.120 --> 1:44:39.439
<v Speaker 3>stay late and come in early and sort of do

1:44:39.520 --> 1:44:42.280
<v Speaker 3>rough mixes for you and just you just let me

1:44:42.320 --> 1:44:45.240
<v Speaker 3>do whatever. We were doing some some real experimental stuff,

1:44:45.280 --> 1:44:47.040
<v Speaker 3>and I wanted to thank you for that because that

1:44:47.120 --> 1:44:50.839
<v Speaker 3>was really when I first started to feel my own voice,

1:44:50.920 --> 1:44:54.320
<v Speaker 3>I guess as an engineer and producer and stuff like that. Also,

1:44:54.479 --> 1:44:58.519
<v Speaker 3>if anybody is am I the second, yeah you're somewhere

1:44:58.800 --> 1:45:04.639
<v Speaker 3>down the list, but yeah, yeah, But if anyone's out

1:45:04.640 --> 1:45:07.040
<v Speaker 3>there looking for a Bloo song that they've probably never

1:45:07.120 --> 1:45:10.360
<v Speaker 3>heard before, check out Black Coffee and bed A Squeeze

1:45:10.400 --> 1:45:15.719
<v Speaker 3>song that blows gracious enough to sign with Nikki Jean.

1:45:16.240 --> 1:45:18.440
<v Speaker 5>Yeah, it's just it's forty.

1:45:18.120 --> 1:45:21.720
<v Speaker 2>Five right, yeah, yeah, it's how you can stream it.

1:45:21.800 --> 1:45:24.000
<v Speaker 7>Black Coffee and Bed.

1:45:24.680 --> 1:45:28.679
<v Speaker 2>Thank you for that. That was a big, big song. Yep.

1:45:29.400 --> 1:45:32.680
<v Speaker 7>Yeah, we just some real experimental ship. Those were the days.

1:45:33.000 --> 1:45:34.920
<v Speaker 2>Yeah, those were the days. Yeah.

1:45:34.960 --> 1:45:40.800
<v Speaker 1>Well look, man, this being our first professional interview with you. Look, man,

1:45:40.840 --> 1:45:43.680
<v Speaker 1>what more can I say? You're still one of my

1:45:43.800 --> 1:45:51.160
<v Speaker 1>favorite creative humans. Uh And oftentimes I have many what

1:45:51.240 --> 1:45:56.120
<v Speaker 1>will Blow do moment when it comes to figuring out

1:45:56.240 --> 1:46:00.719
<v Speaker 1>what daredevil artistry I want to leash on my audience,

1:46:00.920 --> 1:46:04.680
<v Speaker 1>like from my DJ gigs to like a lot of my.

1:46:05.040 --> 1:46:09.880
<v Speaker 5>Boulder the hell is he doing what I think he's doing?

1:46:10.960 --> 1:46:13.320
<v Speaker 1>Any any of those times where people have asked that,

1:46:14.360 --> 1:46:19.360
<v Speaker 1>usually the green light starts with kind of what would

1:46:19.360 --> 1:46:22.400
<v Speaker 1>Blau do? So you're you're literally like, I know people

1:46:22.439 --> 1:46:24.799
<v Speaker 1>think of North Stars as a person in the past

1:46:24.800 --> 1:46:28.920
<v Speaker 1>who's like died and you're holding something, but you know,

1:46:29.000 --> 1:46:34.200
<v Speaker 1>you're you're really an exemplary fearless performance artist. Even Howard

1:46:34.280 --> 1:46:37.479
<v Speaker 1>Stern says you're one of his favorite singers and he

1:46:37.520 --> 1:46:42.240
<v Speaker 1>had no clue why so we did a tribute to

1:46:42.320 --> 1:46:46.080
<v Speaker 1>John Lennon and Steve had introduced a song to me

1:46:47.439 --> 1:46:54.800
<v Speaker 1>called Mother that you know, Yoko Ono kind of got

1:46:54.920 --> 1:46:57.879
<v Speaker 1>John Lennon too. He didn't want to go to therapy,

1:46:58.040 --> 1:47:01.760
<v Speaker 1>so he went to screaming therapy. And if you listen

1:47:01.800 --> 1:47:06.360
<v Speaker 1>to the song Mother, that's kind of where the anger

1:47:07.160 --> 1:47:11.360
<v Speaker 1>of being an orphan really comes out. Starts very gentle,

1:47:11.439 --> 1:47:16.759
<v Speaker 1>but by the end John Lennon start raging mad about

1:47:16.800 --> 1:47:22.479
<v Speaker 1>his childhood. And I knew that if we got if

1:47:22.520 --> 1:47:24.679
<v Speaker 1>we were given permission to do that song at Madison

1:47:24.760 --> 1:47:28.360
<v Speaker 1>Square Garden for the John Lennon tribute, we would steal

1:47:28.400 --> 1:47:32.880
<v Speaker 1>the show. And if you listen to the Stern show

1:47:32.920 --> 1:47:36.240
<v Speaker 1>the day after that concert, he didn't know you by name,

1:47:37.360 --> 1:47:41.479
<v Speaker 1>but he's like, there's a singer with Jimmy Fallon's band

1:47:42.280 --> 1:47:46.200
<v Speaker 1>who just absolutely stole you know, people correct him, that

1:47:46.200 --> 1:47:47.840
<v Speaker 1>was the Roots, That was the Roots, and he's just like,

1:47:48.960 --> 1:47:50.720
<v Speaker 1>you know, at first he was like, what are these

1:47:50.720 --> 1:47:52.559
<v Speaker 1>guys doing on the stage and they're gonna rap, like

1:47:52.600 --> 1:47:58.479
<v Speaker 1>give visa chance, and you know, you absolutely floored him.

1:47:58.479 --> 1:48:00.599
<v Speaker 7>So yeah, that's what's up.

1:48:00.760 --> 1:48:01.439
<v Speaker 5>Keep going, man.

1:48:01.760 --> 1:48:04.439
<v Speaker 1>I appreciate your artistry and thank you very much for

1:48:04.520 --> 1:48:05.760
<v Speaker 1>doing our podcast.

1:48:06.080 --> 1:48:08.320
<v Speaker 7>Thank you for having me. Jay, You're one of my

1:48:08.479 --> 1:48:14.599
<v Speaker 7>biggest inspirations and reasons I'm here. You know I appreciate

1:48:14.720 --> 1:48:15.800
<v Speaker 7>early champions.

1:48:16.120 --> 1:48:18.120
<v Speaker 5>Thank you for the honor of that man. I appreciate it.

1:48:18.720 --> 1:48:21.880
<v Speaker 1>Yes, Sir, I want to be having Layah and Bill

1:48:22.080 --> 1:48:26.439
<v Speaker 1>and Steve this Quest though signing out this Quest Love Supreme,

1:48:26.880 --> 1:48:29.479
<v Speaker 1>but the one only below. We'll see you next time.

1:48:29.520 --> 1:48:34.240
<v Speaker 4>Thank you, Thank you for listening to Quest Love Supreme.

1:48:34.320 --> 1:48:37.000
<v Speaker 4>This podcast is hosted by a Mere Quest Love Thompson,

1:48:37.320 --> 1:48:41.639
<v Speaker 4>Liyah Saint, Clair Sugar, Steve Vandel, and myself unpaid Bill Sherman.

1:48:41.840 --> 1:48:45.080
<v Speaker 4>The executive producers are Mere just walked into the goddamn

1:48:45.160 --> 1:48:49.679
<v Speaker 4>room Thompson, Sean g and Brian Calhoun. Produced by Brittany Benjamin,

1:48:49.760 --> 1:48:53.000
<v Speaker 4>Jake Paine and Liah Sinclair. Edited by Alex Conroy I

1:48:53.040 --> 1:48:56.640
<v Speaker 4>know Alex Conray. Produced for iHeart by Noel Brown.

1:48:58.000 --> 1:49:05.320
<v Speaker 1>West Love Supreme is a production of iHeartRadio. For more

1:49:05.360 --> 1:49:09.840
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1:49:09.840 --> 1:49:11.519
<v Speaker 1>wherever you listen to your favorite shows.