WEBVTT - Melissa Etheridge Has Been on a Hero’s Journey All Her Own

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<v Speaker 1>Cancer Straight Talk is a podcast for memorial Sloan Kettering

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<v Speaker 1>exercise and diet, the power of gratitude, and more. I

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<v Speaker 1>Straight Talk. You'll learn so much. Hi everyone, I'm Kitty

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<v Speaker 1>Kuric and this is next question. Melissa Ethridge has written

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<v Speaker 1>not one, but two memoirs, and her new one is

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<v Speaker 1>called Talking to My Angels and Wow, so much has

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<v Speaker 1>happened between forty when she wrote her first one and

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<v Speaker 1>sixty plus two. She talked with me about a definitive

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<v Speaker 1>spiritual experience thanks to what she calls a hero dose

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<v Speaker 1>of cannabis. Wow sounds intense. That really separated her life

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<v Speaker 1>into before and after. Now on the other side, Melissa

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<v Speaker 1>finds herself happier and I think, more centered than ever,

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<v Speaker 1>and she'll walk us through how she found that piece.

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<v Speaker 1>But she also has an amazing capacity to learn from

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<v Speaker 1>the not so peaceful events in her life. And of

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<v Speaker 1>course music is the thrumbing through line underpinning everything in

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<v Speaker 1>her life. So there's a little of that in this

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<v Speaker 1>interview as well. Hope you all enjoy my conversation with

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<v Speaker 1>Melissa Ethriche. Melissa, Gosh, we have so much to talk

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<v Speaker 1>about because you have so much going on, But one

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<v Speaker 1>of the main reasons you're here is to talk about

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<v Speaker 1>your new memoir, which is your second memoir. How can

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<v Speaker 1>you possibly write too.

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<v Speaker 2>Well when you write one at the age of forty.

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<v Speaker 2>At forty, you think, oh my gosh, I've lived so

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<v Speaker 2>much life. But then when you turn sixty, you're like,

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<v Speaker 2>I was just getting started, you know, because so much

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<v Speaker 2>happens from in my life. So much happened from forty

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<v Speaker 2>to sixty that really makes up so much more of

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<v Speaker 2>what I am now. And you know, the first part

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<v Speaker 2>was just kind of the history, you know, the growing

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<v Speaker 2>up and how did I, you know, make it and

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<v Speaker 2>that sort of thing, and this one is how did

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<v Speaker 2>I survive? You know?

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<v Speaker 1>In fact, I know that your first memoir was called

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<v Speaker 1>The Truth Is, and that was, as you mentioned, released

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<v Speaker 1>in two thousand and one, so twenty two years ago.

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<v Speaker 1>And you say you've come around to a different kind

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<v Speaker 1>of understanding in the second part of life. So let's

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<v Speaker 1>start there, specifically with what happened to you one summer

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<v Speaker 1>night back in two thousand and three, You say that

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<v Speaker 1>you had an experience that jump started I guess the

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<v Speaker 1>spiritual awakening for you. So what happened, Melissa? Is everything

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<v Speaker 1>sort of in your life before this and after it?

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<v Speaker 1>Do you use it to delen ate your life in

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<v Speaker 1>some ways?

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<v Speaker 2>Yes? And because it was so close to my cancer diagnosis,

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<v Speaker 2>both of those things, one right after the other, is

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<v Speaker 2>what really divides my early life and then the rest

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<v Speaker 2>of my life. And now now that again, now that

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<v Speaker 2>I'm in my sixties, I think that all of us

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<v Speaker 2>sort of have a spirit awakening, you know, they're they're

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<v Speaker 2>a soul awakening. And all of us that I think

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<v Speaker 2>up to, you know, up till your forties, you're you know,

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<v Speaker 2>working and trying to make it, and you're physically, you know,

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<v Speaker 2>action oriented. And then you complete some journeys, you actually

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<v Speaker 2>get some places and you start realizing, wait, it's not

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<v Speaker 2>really about the thing or the the place. It's about

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<v Speaker 2>the feeling and it's all the all the interesting things

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<v Speaker 2>that happened to me along the way. It's the journey.

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<v Speaker 2>And so how I lived my life, how I thought

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<v Speaker 2>of my life really changed and my awakening came through

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<v Speaker 2>plant spirit and it doesn't doesn't or plant medicine, and

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<v Speaker 2>it doesn't. You know, it's different for everyone. This that's

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<v Speaker 2>not the only way. There's all kinds of ways people

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<v Speaker 2>can can have an awakening in their life. And mind

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<v Speaker 2>just happened to be through an unintentional heroic dose of cannabis,

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<v Speaker 2>and it was it was, you know, mind shattering to me.

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<v Speaker 1>In fact, it really kind of set you off on

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<v Speaker 1>this kind of psychedelic journey, if you will. You say,

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<v Speaker 1>I then received a kind of download of information and

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<v Speaker 1>the arrival of a new understanding. And that understanding, well,

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<v Speaker 1>you tell me what was that understanding?

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<v Speaker 2>A lot of people talk about how it feels like

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<v Speaker 2>a download of information. It feels it's it's very uh.

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<v Speaker 2>That's a common description of a moment. Sometimes it happens

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<v Speaker 2>when a near death experience or or something will sort

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<v Speaker 2>of put this off. But the understanding is it's so

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<v Speaker 2>it's so hard to describe because it's I tell people

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<v Speaker 2>it cannot be taught, it can only be learned. And

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<v Speaker 2>you know, words don't teach, but I'll do my best.

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<v Speaker 2>Sound it, Okay, it is it's an understanding of a

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<v Speaker 2>of a certain oneness of humanity, of a of a

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<v Speaker 2>common a commonality between everyone, where uh, you know, you

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<v Speaker 2>can say we I mean, I could say it's it's

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<v Speaker 2>all love, and that's a really simple thing to say,

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<v Speaker 2>but to me, that is the truth. It's all everything

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<v Speaker 2>is love, and everything is made up of love, and

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<v Speaker 2>love is what I described the the particles. You can

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<v Speaker 2>you can go into a quantum physics and they're saying

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<v Speaker 2>the same thing. They're just saying it scientifically. I'm saying

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<v Speaker 2>it from a more spiritual, sort of esoteric way. Everyone's

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<v Speaker 2>made up of the same particles and how they're put

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<v Speaker 2>together is up to us in our minds. Our minds

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<v Speaker 2>are so much more powerful than we know, and you

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<v Speaker 2>can find it. There's a lot of teachings, you know,

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<v Speaker 2>there's a lot of modern day teaching, so this and

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<v Speaker 2>a lot of uh, you know, ancient teachings that sort

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<v Speaker 2>of speak to the very same thing.

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<v Speaker 1>How did it change you, Melissa? I mean, if it's

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<v Speaker 1>all about love and we're all kind of connected and

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<v Speaker 1>particles and all the things you just described change, did

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<v Speaker 1>it change you as a person? Did it make you

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<v Speaker 1>relate to other people differently? Did it make you less angry.

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<v Speaker 1>I mean, how does that manifest itself in daily behavior?

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<v Speaker 1>And can I get me some of that cannabis?

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<v Speaker 2>Oh? Yes, well new York it's legal now. So although

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<v Speaker 2>California makes the best lead, but it changed me and

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<v Speaker 2>my relationship to me. And that's the That's the first

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<v Speaker 2>and really most important relationship is how I'm what I'm

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<v Speaker 2>thinking about me, how I'm connect to me, meaning that

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<v Speaker 2>inner being that we have, that that that thing that

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<v Speaker 2>we say is either you know, critiquing us or or

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<v Speaker 2>you know, all those things in our mind that we

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<v Speaker 2>walk with every day. That relationship changes. You stop blaming

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<v Speaker 2>things outside of you, when you no longer take the

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<v Speaker 2>manifested world personally, when you don't think something or someone's

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<v Speaker 2>after you, when you realize, oh, I'm I'm creating this

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<v Speaker 2>myself every day, and I have a choice how I'm

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<v Speaker 2>going to respond to it. Am I just going somebody

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<v Speaker 2>pushes me, Am I just going to push back and

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<v Speaker 2>then you create that energy. Or if someone pushes me,

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<v Speaker 2>am I going to see it more through an eye

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<v Speaker 2>of love and go, Wow, that person must really be

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<v Speaker 2>having a bad day. And I, you know, I'm really

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<v Speaker 2>grateful that I'm not having a bad day and I'm grateful,

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<v Speaker 2>and you just sort of channel your thought into more appreciation,

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<v Speaker 2>more gratitude. You know, you hear these things all the time.

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<v Speaker 2>You know they're all la la, but the truthful, truthfully,

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<v Speaker 2>if you practice these things on a real practical level,

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<v Speaker 2>they can make a real, big, large difference in your life.

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<v Speaker 1>Do you ever slip up? Do you ever want to

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<v Speaker 1>push that person back? I mean, I'm fascinated by this.

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<v Speaker 1>How do you discipline yourself or how do you get

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<v Speaker 1>yourself in the mindset every day that I am going

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<v Speaker 1>to see things through a prism of love. I'm going

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<v Speaker 1>to try to seek understanding and I'm not gonna I'm

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<v Speaker 1>not going to have this short fuse or I'm not

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<v Speaker 1>gonna take ill of people, all the things that bring

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<v Speaker 1>out the worst in us.

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<v Speaker 2>Well, first I realized it's an understanding. That this is

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<v Speaker 2>not sort of like a college degree where you get

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<v Speaker 2>there and you're there that you know and you have

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<v Speaker 2>it forever and ever. This it's a practice. It's like yoga.

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<v Speaker 2>It's like, you know, you start yoga, you can barely

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<v Speaker 2>bend over, and then after a while you can bend.

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<v Speaker 2>But there's no end to yoga. There's nobody that finishes

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<v Speaker 2>yoga and I've done it, and that's it. Now I'm

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<v Speaker 2>yogi or something that that that you It's just a

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<v Speaker 2>practice you do every day and this is the same thing.

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<v Speaker 2>And there are little little things that you can do

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<v Speaker 2>that helps you because by the time you get something

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<v Speaker 2>from someone in the outside world, the momentum that you've

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<v Speaker 2>had going during the day is one of oh, this

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<v Speaker 2>is a bad day, I'm having a bad Oh you know,

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<v Speaker 2>Oh I stubbed my toe. Oh now it's you know,

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<v Speaker 2>and things grow. That momentum grows, and if somebody pushes you,

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<v Speaker 2>you bet I'm going to shove them back at that

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<v Speaker 2>point because I've let it grow. You you go back

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<v Speaker 2>to the your beginning of your day and the very

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<v Speaker 2>moment you wake up. If you can just find something

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<v Speaker 2>in that moment to be grateful for, for just you know,

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<v Speaker 2>just a half a minute, then that can grow a

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<v Speaker 2>little bit more and you might you might get ten, fifteen,

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<v Speaker 2>twenty minutes before you read an email and it sends

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<v Speaker 2>you back into a bad place. But the more well

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<v Speaker 2>you've heard the you know, the better it gets. The

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<v Speaker 2>better it gets because it's it's it is a it's

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<v Speaker 2>it's I'm sure you've also heard of the law of attraction.

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<v Speaker 2>This is sort of what it's. This is on is

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<v Speaker 2>you get what you're going to put out, So it's

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<v Speaker 2>up to you. I realize I can't change anyone or anything,

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<v Speaker 2>and once you give that up, then you're just working

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<v Speaker 2>on yourself. Going all I can do is work on

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<v Speaker 2>the way I feel, and I can be pointed towards happiness.

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<v Speaker 2>So it's just it's just a practice every day, and

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<v Speaker 2>you don't. Yeah, there are times I had a horrible

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<v Speaker 2>day yesterday my show last night. I'm glad you weren't there.

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<v Speaker 2>It wasn't it wasn't horrible, but for me it was.

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<v Speaker 2>You know, ah, this happened, I said, the drums fell over,

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<v Speaker 2>this sort of thing. You know, it's just that kind

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<v Speaker 2>of day. I was having that day. Today I'm not,

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<v Speaker 2>I'm speaking to you. I'm having a much better day.

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<v Speaker 2>It's going to be a great show tonight.

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<v Speaker 1>Well, it seems like you let things roll off your

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<v Speaker 1>back too a lot more, and you don't let things

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<v Speaker 1>fester and you kind of release them out into the

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<v Speaker 1>universe because it doesn't help to hold it in. Right.

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<v Speaker 2>Yeah, there's a great book Don Miguel Rui's a lot

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<v Speaker 2>of people know this book. The four agreements and the

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<v Speaker 2>real simple You don't take things personally. You don't assume.

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<v Speaker 2>You do the best you can, and you are impeccable

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<v Speaker 2>with your word. And those four things go very deeply.

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<v Speaker 2>If you read the book and see it's a very

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<v Speaker 2>short book and it's really just amazing, and you just

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<v Speaker 2>the less you take personally in the world or assume.

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<v Speaker 2>I used to always assume I knew what everyone was thinking,

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<v Speaker 2>and I was going to make everything in the room

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<v Speaker 2>okay before I got there, before anybody else could say anything.

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<v Speaker 2>You really have to let that go. There's a lot

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<v Speaker 2>of wasted energy.

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<v Speaker 1>I'd interviewed Jada Pinkett Smith. She wrote a memo more

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<v Speaker 1>called Worthy, and she talks about a similar spiritual awakening,

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<v Speaker 1>which was interesting, and you both write about your experiences

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<v Speaker 1>with ayahuasca, and I'm curious what that journey was like

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<v Speaker 1>for you. I do know friends who have done this.

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<v Speaker 1>I'm afraid to do something like that, like, I don't know,

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<v Speaker 1>first of all, do you have to do it in

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<v Speaker 1>those really hot tents and everything.

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<v Speaker 2>New? I actually did it in my home, so.

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<v Speaker 1>Okay, because a lot of people, you know, what do

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<v Speaker 1>they do that in those sweat lodges And that just

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<v Speaker 1>sounds that sounds miserable to me.

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<v Speaker 2>And no, no, first off, to really sort of listen

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<v Speaker 2>to yourself. And there's people that are like, oh yeah,

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<v Speaker 2>give me that you know, and we'll go and do it.

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<v Speaker 2>And there's people I've met many people have come up

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<v Speaker 2>and go and set the exact thing. I'm just afraid

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<v Speaker 2>because it is it is a very different experience. And

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<v Speaker 2>I would not advise someone to just, oh, just go

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<v Speaker 2>to ayahuasca because it's gonna rock your world. It's it

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<v Speaker 2>is not something to do recreationally. It's not fun if

0:13:06.120 --> 0:13:08.280
<v Speaker 2>you are in a place. And like I said, this

0:13:08.400 --> 0:13:11.640
<v Speaker 2>is not for everyone. This is some people come to there.

0:13:11.840 --> 0:13:15.560
<v Speaker 2>It just just go through life very easily. And I

0:13:15.559 --> 0:13:18.839
<v Speaker 2>mean we have things that happen, we lose people, and

0:13:19.120 --> 0:13:21.920
<v Speaker 2>you understand, life is full of loss and and everything,

0:13:21.960 --> 0:13:25.800
<v Speaker 2>and it's I would suggest it for anyone who's who

0:13:25.920 --> 0:13:28.480
<v Speaker 2>is having a very hard time, like it's very good

0:13:28.520 --> 0:13:32.320
<v Speaker 2>for drug abuse, it's very good for people who are

0:13:32.360 --> 0:13:36.480
<v Speaker 2>having hard time letting go of grief or something. If

0:13:36.520 --> 0:13:40.120
<v Speaker 2>you're really searching, this is a great answer and you know,

0:13:40.320 --> 0:13:44.720
<v Speaker 2>it suits people and some people it doesn't. Myself, I

0:13:44.920 --> 0:13:47.680
<v Speaker 2>was searching, I was looking. I was I had already

0:13:47.679 --> 0:13:52.440
<v Speaker 2>had this unintentional, huge journey, and I wasn't as afraid

0:13:52.440 --> 0:13:57.160
<v Speaker 2>of it anymore. It does help help people. It helped

0:13:57.200 --> 0:14:01.240
<v Speaker 2>me get over my sense of fear of death, and

0:14:01.280 --> 0:14:05.520
<v Speaker 2>sometimes the fear of death can really rule a person's life.

0:14:06.000 --> 0:14:09.079
<v Speaker 2>And when you go on an ayahuasca journey and ceremony,

0:14:09.320 --> 0:14:13.280
<v Speaker 2>you realize that we are not our bodies, we are

0:14:13.360 --> 0:14:17.840
<v Speaker 2>eternal beings inside here. And our bodies, yeah, they're going

0:14:17.880 --> 0:14:21.880
<v Speaker 2>to expire someday because they're just meat suits. But we

0:14:21.960 --> 0:14:24.200
<v Speaker 2>are eternal. And when you kind of feel, when you

0:14:24.280 --> 0:14:28.440
<v Speaker 2>get the sense of our eternalness, then it's that's a

0:14:28.480 --> 0:14:30.600
<v Speaker 2>gift because you live your life differently.

0:14:31.280 --> 0:14:34.400
<v Speaker 1>I've heard people tell me what they experienced when they

0:14:34.640 --> 0:14:38.040
<v Speaker 1>did ayahuasca or whatever, and I'm curious, what was it like?

0:14:38.160 --> 0:14:40.560
<v Speaker 1>Can you just tell me, like what it was like

0:14:40.680 --> 0:14:41.080
<v Speaker 1>for you?

0:14:42.040 --> 0:14:47.000
<v Speaker 2>Well, it was in a house. It was with a

0:14:47.080 --> 0:14:51.160
<v Speaker 2>shaman who had been in Peru for twenty years, who

0:14:51.280 --> 0:14:54.360
<v Speaker 2>was taught by the original shamans down there, who had

0:14:54.400 --> 0:14:58.200
<v Speaker 2>been passed from generation to generation. And you know, for

0:14:58.400 --> 0:15:02.440
<v Speaker 2>thousands of years. It's an ancient medicine that they boil

0:15:02.560 --> 0:15:05.560
<v Speaker 2>down from a vine and a leaf, and the vine

0:15:05.680 --> 0:15:09.920
<v Speaker 2>has the DMT in it, which is what all of us,

0:15:10.160 --> 0:15:14.000
<v Speaker 2>every living thing has DMT in it. It's sort of

0:15:14.040 --> 0:15:18.120
<v Speaker 2>the it's been called the spirit molecule. And the vine

0:15:18.320 --> 0:15:22.760
<v Speaker 2>that they brew it up with has the enzyme that

0:15:22.920 --> 0:15:26.400
<v Speaker 2>helps our own body. If we were to just take

0:15:26.600 --> 0:15:30.280
<v Speaker 2>the vine, our own enzymes would block the DMT from

0:15:30.360 --> 0:15:32.640
<v Speaker 2>doing anything and it would go through us. But the

0:15:32.760 --> 0:15:39.840
<v Speaker 2>vine suppresses our own body's enzyme and allows the DMT

0:15:39.960 --> 0:15:43.800
<v Speaker 2>to interact with our own DMT that's in our pineal

0:15:43.880 --> 0:15:46.320
<v Speaker 2>gland back in the back of our head. And that

0:15:46.520 --> 0:15:50.080
<v Speaker 2>is the only times that it occurs naturally that we

0:15:50.160 --> 0:15:53.760
<v Speaker 2>know of, is at birth and at death. So this

0:15:54.920 --> 0:15:59.320
<v Speaker 2>is released, and you, your spirit, not your body, but

0:15:59.360 --> 0:16:03.720
<v Speaker 2>your spirit goes on. Your soul goes to that place

0:16:03.920 --> 0:16:07.600
<v Speaker 2>of oneness where we all come from, that the non physical,

0:16:08.360 --> 0:16:12.040
<v Speaker 2>whatever you want to call it, you are. You know

0:16:12.120 --> 0:16:15.000
<v Speaker 2>that you're still in a house, in a room. You

0:16:15.280 --> 0:16:19.320
<v Speaker 2>understand you don't go anywhere, but you also understand that

0:16:19.440 --> 0:16:24.640
<v Speaker 2>your mind, your understanding of it, is all different. You're

0:16:25.040 --> 0:16:30.240
<v Speaker 2>disconnected from your body. You often you throw up, you purge,

0:16:30.800 --> 0:16:33.440
<v Speaker 2>not so much the other stuff, but sometimes that happens,

0:16:33.560 --> 0:16:37.880
<v Speaker 2>and then again there's a feeling of a download. There's

0:16:37.920 --> 0:16:42.120
<v Speaker 2>a lot of visuals that are different with with with

0:16:42.320 --> 0:16:49.040
<v Speaker 2>different people. Some people visualize actual spirit, they see large beings,

0:16:49.080 --> 0:16:53.080
<v Speaker 2>they see things that it can be fearful. Sometimes it

0:16:53.200 --> 0:16:55.760
<v Speaker 2>sort of depends on the person mind. I've had bad

0:16:55.960 --> 0:16:58.000
<v Speaker 2>what I would call a bad experience, but it was

0:16:58.040 --> 0:16:59.400
<v Speaker 2>a very learning experience.

0:17:00.000 --> 0:17:03.120
<v Speaker 1>Do you see things that happened in your life, do

0:17:03.200 --> 0:17:09.920
<v Speaker 1>you kind of reconcile with hurts or traumas or relationships

0:17:09.960 --> 0:17:10.920
<v Speaker 1>that have gone wrong.

0:17:11.760 --> 0:17:17.480
<v Speaker 2>It is not a review in your mind, No, it

0:17:17.520 --> 0:17:25.560
<v Speaker 2>is a way of understanding that those things were necessary

0:17:26.400 --> 0:17:28.480
<v Speaker 2>to be who you are. And you come out of

0:17:28.520 --> 0:17:30.440
<v Speaker 2>it and you go, oh, I'm not going to hold

0:17:30.440 --> 0:17:33.840
<v Speaker 2>onto those traumas anymore. Those traumas don't affect me anymore

0:17:33.880 --> 0:17:36.960
<v Speaker 2>because I'm grateful they were a part of my life

0:17:37.720 --> 0:17:40.480
<v Speaker 2>that helped me ask for more so that I could

0:17:40.560 --> 0:17:43.119
<v Speaker 2>bring that in so that I could bring better into

0:17:43.160 --> 0:17:45.840
<v Speaker 2>my life. An understanding I got through all this is

0:17:45.840 --> 0:17:49.320
<v Speaker 2>that we live in a dualistic world. There's good and bad,

0:17:49.400 --> 0:17:52.400
<v Speaker 2>there's light and dark. There's up and down. Everything has

0:17:52.400 --> 0:17:56.440
<v Speaker 2>an opposite. There's wanted and the lack of it. And

0:17:56.960 --> 0:17:59.560
<v Speaker 2>every time we want something, we also bring that lack

0:17:59.720 --> 0:18:03.080
<v Speaker 2>of it with us. There will always be rich and poor.

0:18:03.080 --> 0:18:06.560
<v Speaker 2>There will always be that, because you can't be one

0:18:06.640 --> 0:18:13.040
<v Speaker 2>without the other. And to then inside be okay with that,

0:18:13.119 --> 0:18:17.440
<v Speaker 2>to understand that that is how this existence is and

0:18:17.720 --> 0:18:22.200
<v Speaker 2>outside of this reality is a oneness, is a fairness,

0:18:22.280 --> 0:18:27.920
<v Speaker 2>is a is pure joy. And so you go, oh,

0:18:28.040 --> 0:18:31.800
<v Speaker 2>the only way I can, the only way we were

0:18:31.640 --> 0:18:35.800
<v Speaker 2>are are here to create and move what we call

0:18:35.920 --> 0:18:41.520
<v Speaker 2>the us here on the bleeding edge of creation is

0:18:41.560 --> 0:18:45.800
<v Speaker 2>to experience this light and dark. So there's there's a

0:18:45.880 --> 0:18:48.840
<v Speaker 2>kind of an understanding. You don't you don't work anything out.

0:18:49.040 --> 0:18:51.960
<v Speaker 2>It's not here to you know, work it out, and

0:18:52.040 --> 0:18:55.360
<v Speaker 2>what's good or bad that that it's all oneness. It's

0:18:55.359 --> 0:18:57.480
<v Speaker 2>all that sort of yin and yang symbol. That's the

0:18:57.520 --> 0:19:01.840
<v Speaker 2>reason that that symbol is is is it's you get

0:19:01.840 --> 0:19:04.800
<v Speaker 2>the whole by having both the light and the dark.

0:19:04.920 --> 0:19:07.800
<v Speaker 1>That makes sense, Yeah, I mean it does. I just

0:19:07.800 --> 0:19:08.960
<v Speaker 1>think I'm not that deep.

0:19:09.440 --> 0:19:12.480
<v Speaker 2>I'm like, you don't have to be you really don't know.

0:19:12.600 --> 0:19:14.920
<v Speaker 2>This is not something that everyone has to be this.

0:19:14.920 --> 0:19:17.320
<v Speaker 2>This is what it took for me to be that way,

0:19:17.560 --> 0:19:21.080
<v Speaker 2>to need to find peace. You find your piece the

0:19:21.119 --> 0:19:24.560
<v Speaker 2>way you do, and a lot of us, especially women,

0:19:24.600 --> 0:19:27.719
<v Speaker 2>a lot of us don't have to Our left brains

0:19:27.760 --> 0:19:30.760
<v Speaker 2>don't have to read it all and figure it all out.

0:19:30.760 --> 0:19:34.000
<v Speaker 2>Our right brains just know it instinctively. It's you know,

0:19:34.040 --> 0:19:37.680
<v Speaker 2>that's the intuitive part. And you've seen enough of the world,

0:19:37.760 --> 0:19:40.440
<v Speaker 2>I'm sure, and talk to enough people to kind of understand.

0:19:41.040 --> 0:19:43.879
<v Speaker 2>I'm sure you don't have a false thought about celebrity.

0:19:43.880 --> 0:19:47.560
<v Speaker 2>You understand the people are people, and so there's probably

0:19:47.920 --> 0:19:50.440
<v Speaker 2>you probably don't need that sort of thing.

0:19:52.320 --> 0:19:54.440
<v Speaker 3>We're going to take a quick break. When we come back,

0:19:54.520 --> 0:19:57.120
<v Speaker 3>we'll hear from Melissa on how her spiritual progress has

0:19:57.119 --> 0:19:58.440
<v Speaker 3>affected her relationships.

0:20:03.520 --> 0:20:05.600
<v Speaker 1>If you want to get smarter every morning with a

0:20:05.640 --> 0:20:08.919
<v Speaker 1>breakdown of the news and fascinating takes on health and

0:20:08.960 --> 0:20:12.320
<v Speaker 1>wellness and pop culture, sign up for our daily newsletter,

0:20:12.400 --> 0:20:15.960
<v Speaker 1>wake Upcall by going to Katiecuric dot com. I want

0:20:15.960 --> 0:20:18.760
<v Speaker 1>to tell you all about the cancer Straight Talk podcast

0:20:18.800 --> 0:20:23.240
<v Speaker 1>from Memorial Sloan Cattering Cancer Center with MSK oncologist doctor

0:20:23.280 --> 0:20:26.080
<v Speaker 1>Diane Reedy Lagunis. I was a guest, and we had

0:20:26.080 --> 0:20:30.320
<v Speaker 1>a totally candid conversation about my family's experiences with cancer,

0:20:30.680 --> 0:20:34.440
<v Speaker 1>including my husband's illness, my own treatment for breast cancer,

0:20:34.680 --> 0:20:37.520
<v Speaker 1>and of course, that time I got a colonoscopy. On TV,

0:20:38.000 --> 0:20:41.919
<v Speaker 1>Cancer Straight Talk features life affirming conversations with experts and

0:20:42.000 --> 0:20:46.880
<v Speaker 1>patients alike about topics affecting everyone touched by cancer. If

0:20:46.880 --> 0:20:49.560
<v Speaker 1>that includes you, I hope you'll listen to my episode

0:20:49.600 --> 0:20:52.440
<v Speaker 1>and every episode of Cancer Straight Talk.

0:20:59.200 --> 0:21:00.880
<v Speaker 3>We're back with Alyssa Athriage.

0:21:02.600 --> 0:21:06.120
<v Speaker 1>Would you say you're now a much happier person, Melissa?

0:21:06.240 --> 0:21:10.040
<v Speaker 1>Do you feel settled and happy because you have been

0:21:10.119 --> 0:21:12.719
<v Speaker 1>through a lot. You've had a lot of turmoil in

0:21:12.760 --> 0:21:16.080
<v Speaker 1>your life, you lost your son, you had a very

0:21:16.119 --> 0:21:19.520
<v Speaker 1>distant mom. It made me so sad about what you

0:21:19.560 --> 0:21:21.960
<v Speaker 1>wrote about your mom. I'm going to read this. You

0:21:22.080 --> 0:21:24.760
<v Speaker 1>described your dad as a nice guy and fun parent,

0:21:24.840 --> 0:21:28.080
<v Speaker 1>but your mom seemed pretty unhappy and you were determined

0:21:28.080 --> 0:21:31.399
<v Speaker 1>not to be like her. And you write as I

0:21:31.440 --> 0:21:33.919
<v Speaker 1>grew up, what became clear was my mother's lack of

0:21:34.080 --> 0:21:37.800
<v Speaker 1>enthusiasm for her life. She didn't want anything more than

0:21:37.880 --> 0:21:40.760
<v Speaker 1>to go through the motions of work, to come home,

0:21:40.840 --> 0:21:43.400
<v Speaker 1>get dinner on the table, with a sigh and very

0:21:43.440 --> 0:21:46.960
<v Speaker 1>little eye contact, and then get lost inside one of

0:21:46.960 --> 0:21:50.440
<v Speaker 1>her many classics books that transported her out of her life.

0:21:51.000 --> 0:21:53.560
<v Speaker 1>When I pull from my memories, I see my mother

0:21:53.680 --> 0:21:56.800
<v Speaker 1>sitting in her favorite living room chair, angle down toward

0:21:56.840 --> 0:22:00.119
<v Speaker 1>her book, a glass of something at her side. I

0:22:00.200 --> 0:22:02.440
<v Speaker 1>love this line by the way that I'm about to read.

0:22:02.920 --> 0:22:07.320
<v Speaker 1>The tableau carries with it an untouchable and loneeness, an

0:22:07.359 --> 0:22:11.080
<v Speaker 1>image bringing into high relief the signal radiating off of

0:22:11.119 --> 0:22:14.639
<v Speaker 1>her telling me she didn't want to be approached or interrupted.

0:22:15.760 --> 0:22:18.720
<v Speaker 2>Yeah, there you go, And you know what, I'm grateful,

0:22:19.359 --> 0:22:23.000
<v Speaker 2>I truly am because of that. I was sent on

0:22:23.040 --> 0:22:27.840
<v Speaker 2>a journey of looking for that comfort outside of myself.

0:22:28.080 --> 0:22:32.399
<v Speaker 2>I went through some heavy relationships because of that, because

0:22:32.400 --> 0:22:35.199
<v Speaker 2>I wanted that person to fill that up, but not

0:22:35.359 --> 0:22:38.359
<v Speaker 2>until I realized it's up to me to fill that

0:22:38.480 --> 0:22:41.920
<v Speaker 2>part of me up, to love me. And then once

0:22:41.960 --> 0:22:45.480
<v Speaker 2>I once I could do that, once I started doing

0:22:45.560 --> 0:22:48.000
<v Speaker 2>then I have a relationship now where I don't need

0:22:48.080 --> 0:22:51.240
<v Speaker 2>that person to do that. And it's the most loving

0:22:51.280 --> 0:22:55.440
<v Speaker 2>relationship I've ever had because we both are coming from

0:22:55.440 --> 0:23:01.160
<v Speaker 2>a place of nurturing ourselves. And I know that I'm

0:23:01.160 --> 0:23:04.800
<v Speaker 2>more available to my children. And because of that, because

0:23:04.840 --> 0:23:06.000
<v Speaker 2>I don't have that.

0:23:06.440 --> 0:23:08.880
<v Speaker 1>Do you understand your mom better today?

0:23:09.400 --> 0:23:10.440
<v Speaker 2>Oh? Oh yes?

0:23:10.720 --> 0:23:13.520
<v Speaker 1>And what made her that way? Do you think, Melissa?

0:23:13.800 --> 0:23:16.240
<v Speaker 2>Well can you? I mean, I don't know about your mother,

0:23:16.359 --> 0:23:19.440
<v Speaker 2>but remember them growing up in the thirties and forties

0:23:19.440 --> 0:23:23.000
<v Speaker 2>and fifties, and they come of age in the fifties

0:23:23.000 --> 0:23:26.760
<v Speaker 2>and sixties. And my mother was extremely intelligent. She really was.

0:23:26.800 --> 0:23:29.640
<v Speaker 2>She started as a as a secretary just to make

0:23:29.680 --> 0:23:32.080
<v Speaker 2>extra money because my father was a teacher and unfortunately

0:23:32.080 --> 0:23:35.480
<v Speaker 2>we don't pay our teachers here, and so she started

0:23:35.480 --> 0:23:38.880
<v Speaker 2>making extra money. And it was the time when computers

0:23:39.480 --> 0:23:42.960
<v Speaker 2>were just being made, and she was hired by Booz Allen,

0:23:43.080 --> 0:23:45.640
<v Speaker 2>the financial company or whatever it was in Kansas City,

0:23:46.320 --> 0:23:50.480
<v Speaker 2>and she was one hundred percent hidden figures. They sent

0:23:50.520 --> 0:23:52.800
<v Speaker 2>her in because she could understand how to program the

0:23:53.240 --> 0:23:55.199
<v Speaker 2>She used to tell me when computers were as big

0:23:55.280 --> 0:23:58.679
<v Speaker 2>as whole rooms and she would she would do that

0:23:59.080 --> 0:23:59.880
<v Speaker 2>and she got really good.

0:24:00.280 --> 0:24:03.719
<v Speaker 1>I remember that. I remember seeing those ads. Remember they

0:24:03.760 --> 0:24:06.959
<v Speaker 1>were just like wall to wall, big massive things.

0:24:07.040 --> 0:24:12.000
<v Speaker 2>Yes, And so she could understand it. And she was

0:24:12.080 --> 0:24:15.760
<v Speaker 2>hired by the army base that we had Levenworth and

0:24:15.800 --> 0:24:19.680
<v Speaker 2>fort Levenworth, and they hired her and she started. She

0:24:19.720 --> 0:24:24.880
<v Speaker 2>worked in wargames and scenarios, and she would do all

0:24:24.920 --> 0:24:29.439
<v Speaker 2>these computer computations and the generals would take them and

0:24:29.560 --> 0:24:32.200
<v Speaker 2>take all the credit, and she would get paid half

0:24:32.240 --> 0:24:36.120
<v Speaker 2>of what everyone else was paying. And I don't know

0:24:36.160 --> 0:24:40.800
<v Speaker 2>how else she was treated, but she was just angry

0:24:40.920 --> 0:24:43.439
<v Speaker 2>the whole time because she got no credit and no

0:24:43.600 --> 0:24:47.920
<v Speaker 2>money for what she did. And yeah, I'd be a

0:24:47.920 --> 0:24:50.879
<v Speaker 2>little cranky too at the end of the day, you know.

0:24:51.080 --> 0:24:54.800
<v Speaker 2>And so I do understand. I understand that women back

0:24:54.840 --> 0:24:59.560
<v Speaker 2>then were highly underused, underappreciated, and you know she was.

0:24:59.600 --> 0:25:00.960
<v Speaker 2>She was absolutely part of that.

0:25:01.760 --> 0:25:07.840
<v Speaker 1>You also write about your older sister Jenny. Yeah, gosh, Melissa.

0:25:07.800 --> 0:25:12.240
<v Speaker 2>It's well, look, there are people that have had worse lives,

0:25:12.560 --> 0:25:13.199
<v Speaker 2>you know than me.

0:25:13.800 --> 0:25:16.480
<v Speaker 1>No, no, I know that, but this was this was

0:25:16.560 --> 0:25:20.919
<v Speaker 1>like she sexually abused you. Yeah, from the age of

0:25:21.000 --> 0:25:22.679
<v Speaker 1>six or seven.

0:25:22.880 --> 0:25:27.040
<v Speaker 2>Yeah, it's about seven or eight, I think, and till

0:25:27.080 --> 0:25:30.199
<v Speaker 2>about when I was twelve and went no, stop, you know,

0:25:30.400 --> 0:25:33.800
<v Speaker 2>and and it's you know, you know, that's again no

0:25:33.920 --> 0:25:36.359
<v Speaker 2>fun as a as a kid, and you kind of

0:25:36.359 --> 0:25:38.520
<v Speaker 2>it can mess you up a little bit. But I'm

0:25:38.560 --> 0:25:42.399
<v Speaker 2>again I'm not going to be, you know, tethered to that.

0:25:42.640 --> 0:25:46.879
<v Speaker 2>I freed myself from that. I I went on from that.

0:25:46.960 --> 0:25:50.240
<v Speaker 2>It became you know that that's so far distant from

0:25:50.240 --> 0:25:53.560
<v Speaker 2>me that it's almost funny talking about it, you know,

0:25:53.600 --> 0:25:56.480
<v Speaker 2>and her life. She was just miserable. She just had

0:25:56.520 --> 0:25:59.959
<v Speaker 2>a miserable life, and you know, still kind of is.

0:26:00.080 --> 0:26:02.760
<v Speaker 2>But we you know, I don't, we don't talk. We

0:26:02.840 --> 0:26:07.359
<v Speaker 2>just it's just a fine understanding that, you know, we

0:26:07.400 --> 0:26:08.760
<v Speaker 2>just were two people that happened to be in the

0:26:08.800 --> 0:26:09.960
<v Speaker 2>same family together.

0:26:10.800 --> 0:26:13.480
<v Speaker 1>How strange, though, you know, I haven't heard of a

0:26:13.600 --> 0:26:19.119
<v Speaker 1>sister really sexually abusing another sister that often. Is that unusual?

0:26:19.359 --> 0:26:23.280
<v Speaker 2>No, yeah, I think it is. I think she was

0:26:23.359 --> 0:26:27.600
<v Speaker 2>being sexually abused somehow, not from my parents, but somehow

0:26:27.640 --> 0:26:30.719
<v Speaker 2>in the in the family system. I think it was happening.

0:26:30.760 --> 0:26:33.280
<v Speaker 2>I don't know where. I long time ago. I tried

0:26:33.280 --> 0:26:34.679
<v Speaker 2>to talk to her about it, and it was just

0:26:34.800 --> 0:26:38.399
<v Speaker 2>she was just kind of disconnected from it. So, you know,

0:26:38.440 --> 0:26:40.880
<v Speaker 2>I think it was happening to her because children act

0:26:40.920 --> 0:26:46.280
<v Speaker 2>out what's happening to them, so you know, there you go.

0:26:47.160 --> 0:26:49.719
<v Speaker 1>You know, it seems to me that music sort of

0:26:49.960 --> 0:26:54.439
<v Speaker 1>was your lifeline I mean, you're an incredible lyricist and

0:26:54.560 --> 0:27:00.120
<v Speaker 1>obviously musician, but I have to believe that all these

0:27:00.200 --> 0:27:04.520
<v Speaker 1>traumas and all these kind of feeling unlove by your mother,

0:27:04.680 --> 0:27:07.800
<v Speaker 1>all these things fed into your music, oh as well

0:27:07.840 --> 0:27:10.960
<v Speaker 1>as your relationship with your father, because you write about

0:27:11.640 --> 0:27:15.439
<v Speaker 1>music being the communication between the two of you. So

0:27:15.600 --> 0:27:18.080
<v Speaker 1>can you just talk about that a little bit, Melissa,

0:27:18.080 --> 0:27:22.240
<v Speaker 1>and how that music fed your soul at a time

0:27:22.280 --> 0:27:24.840
<v Speaker 1>where your soul needed feeding so much.

0:27:25.320 --> 0:27:27.600
<v Speaker 2>Well, yeah, when you're in a situation that is not

0:27:28.640 --> 0:27:31.560
<v Speaker 2>feeding you, not giving you the energy you're looking for,

0:27:31.640 --> 0:27:34.119
<v Speaker 2>you're going to go. I always call it the kids

0:27:34.160 --> 0:27:37.159
<v Speaker 2>go where it's warm. They just naturally are going to

0:27:37.240 --> 0:27:40.439
<v Speaker 2>go there. My father was very warm, He was very fun,

0:27:40.480 --> 0:27:44.520
<v Speaker 2>He was understanding, was he wasn't the smartest guy, but

0:27:44.600 --> 0:27:49.520
<v Speaker 2>he was clever, and he loved music. He didn't play music,

0:27:50.880 --> 0:27:53.720
<v Speaker 2>but he loved it. He played the records all the time,

0:27:53.760 --> 0:27:56.240
<v Speaker 2>and the radio was on, and so it filled my

0:27:56.280 --> 0:27:58.840
<v Speaker 2>life and it lifted sort of the heaviness that was

0:27:58.840 --> 0:28:01.080
<v Speaker 2>in our house. You know, you grew up in the

0:28:01.119 --> 0:28:04.119
<v Speaker 2>sixties and seventies, and yeah, you know a lot of

0:28:04.200 --> 0:28:06.200
<v Speaker 2>us we just it was like we're just supposed to

0:28:06.240 --> 0:28:09.440
<v Speaker 2>pretend everything's okay, and you're like, yeah, but my sister

0:28:09.520 --> 0:28:12.080
<v Speaker 2>is really losing it here. But you're all pretending that

0:28:12.119 --> 0:28:15.199
<v Speaker 2>everything's okay, and that sort of messes you up for

0:28:15.240 --> 0:28:19.600
<v Speaker 2>that tension that can build. Music released it, and I

0:28:19.600 --> 0:28:21.880
<v Speaker 2>would love nothing more than to grab my guitar and

0:28:22.000 --> 0:28:24.600
<v Speaker 2>go into a room by myself and play. That made

0:28:24.640 --> 0:28:27.680
<v Speaker 2>me very happy. It pushed all of that. I didn't

0:28:27.680 --> 0:28:30.040
<v Speaker 2>have to worry about any of that outside of me,

0:28:30.440 --> 0:28:33.480
<v Speaker 2>and it just grew from there. My father he was

0:28:33.560 --> 0:28:36.840
<v Speaker 2>never one to say, oh, Melissa, you're really good, You're

0:28:36.920 --> 0:28:39.360
<v Speaker 2>going to be big, you know. He never said anything

0:28:39.400 --> 0:28:44.200
<v Speaker 2>like that. He just never said you can't do it.

0:28:45.080 --> 0:28:47.760
<v Speaker 2>He was like, oh, you need a ride, I'll take

0:28:47.800 --> 0:28:50.000
<v Speaker 2>you there. I will take you here, I will I

0:28:50.040 --> 0:28:53.480
<v Speaker 2>will do that. He was available, and just that availability

0:28:54.160 --> 0:28:59.320
<v Speaker 2>enabled me to grow my musical career.

0:29:00.160 --> 0:29:03.920
<v Speaker 1>I'm trying to picture you as a young girl sitting

0:29:04.160 --> 0:29:08.120
<v Speaker 1>on your bean back chair listening to your dad put

0:29:08.200 --> 0:29:11.360
<v Speaker 1>record after record on the turntable, and I'm wondering what

0:29:11.440 --> 0:29:13.000
<v Speaker 1>kind of music he played.

0:29:13.600 --> 0:29:18.720
<v Speaker 2>He loved Neil Diamond, so he loved he loved singer songwriters,

0:29:18.880 --> 0:29:21.320
<v Speaker 2>which really, you know, affected me I listened to a

0:29:21.320 --> 0:29:25.160
<v Speaker 2>lot of Paul Simon, Simon and Garfunkel, Neil Diamond. I

0:29:25.240 --> 0:29:29.160
<v Speaker 2>remember him playing me one of Neil Diamond's albums and

0:29:29.240 --> 0:29:32.680
<v Speaker 2>he Neil Diamond covered a song by Randy Newman. It

0:29:32.720 --> 0:29:36.240
<v Speaker 2>was called I Think It's going to rain today, beautiful song,

0:29:36.400 --> 0:29:39.720
<v Speaker 2>and he one of the lines was Scarecrow's dressed in

0:29:39.720 --> 0:29:43.800
<v Speaker 2>the latest styles, broken smiles, that chase love away, human

0:29:43.920 --> 0:29:46.719
<v Speaker 2>kindness is overflowing, and I think It's going to rain today,

0:29:47.520 --> 0:29:50.640
<v Speaker 2>And he said, you see how he writes that, and

0:29:51.440 --> 0:29:55.440
<v Speaker 2>you know he's he's describing, you know, metaphors and things

0:29:55.480 --> 0:29:57.840
<v Speaker 2>and how they work to me and how you know,

0:29:57.880 --> 0:30:01.920
<v Speaker 2>he's talking about people walking down the street and human

0:30:02.000 --> 0:30:05.600
<v Speaker 2>kindness is overflowing. Isn't is an overstatement? It's it's you know,

0:30:05.640 --> 0:30:10.360
<v Speaker 2>it's And he's showing me how to write and what

0:30:10.520 --> 0:30:13.400
<v Speaker 2>moves people in the mind when you're writing. And I'm

0:30:13.480 --> 0:30:16.840
<v Speaker 2>so grateful for that. It was like a class in songwriting.

0:30:17.560 --> 0:30:19.520
<v Speaker 1>Was your dad telling you that or were you just

0:30:19.600 --> 0:30:22.239
<v Speaker 1>learning this from Neil Diamond and the other artists your

0:30:22.320 --> 0:30:23.680
<v Speaker 1>dad loved well.

0:30:23.680 --> 0:30:26.840
<v Speaker 2>He would he would just play me a line and go, gosh,

0:30:26.960 --> 0:30:29.080
<v Speaker 2>isn't that great? I knew that he would love it,

0:30:29.480 --> 0:30:31.280
<v Speaker 2>and so I would pick it apart and go, oh,

0:30:31.320 --> 0:30:33.680
<v Speaker 2>my gosh, what is it that's so great about this?

0:30:33.760 --> 0:30:34.960
<v Speaker 2>And I would listen to them.

0:30:34.840 --> 0:30:39.760
<v Speaker 1>Oh, how cool. Yeah. So that was obviously incredibly formative

0:30:39.840 --> 0:30:43.400
<v Speaker 1>for you as a songwriter, and you realized after a

0:30:43.440 --> 0:30:46.920
<v Speaker 1>talent show when you're eleven years old, hey, I'm going

0:30:47.000 --> 0:30:48.400
<v Speaker 1>to be a famous musician.

0:30:49.240 --> 0:30:53.600
<v Speaker 2>We yes from Kansas, a woman rockstar. There is none,

0:30:53.640 --> 0:30:55.640
<v Speaker 2>but I'm going to do that. Yeah.

0:30:55.680 --> 0:30:57.880
<v Speaker 1>Take us back to that Talent show and what you

0:30:58.040 --> 0:30:59.760
<v Speaker 1>played and how it clicked.

0:31:00.080 --> 0:31:01.800
<v Speaker 2>I can't wait for you to come see the Broadway

0:31:01.840 --> 0:31:04.280
<v Speaker 2>show because this is you know, some of these parts

0:31:04.480 --> 0:31:07.080
<v Speaker 2>you know play in the show. I actually talk about

0:31:07.520 --> 0:31:09.800
<v Speaker 2>the guy who put the Talent show together. He was

0:31:09.800 --> 0:31:12.360
<v Speaker 2>from like Philadelphia, it was just passing through. He's sort

0:31:12.360 --> 0:31:14.360
<v Speaker 2>of like the music man kind of guy. He was

0:31:14.400 --> 0:31:19.360
<v Speaker 2>a ventriloquist and he you know, this is nineteen seventy

0:31:19.520 --> 0:31:21.160
<v Speaker 2>two or something or seventy.

0:31:20.880 --> 0:31:23.360
<v Speaker 1>Three, sounds like Professor Harold Hill.

0:31:23.680 --> 0:31:26.800
<v Speaker 2>Exactly, and put he took all the things from the

0:31:26.840 --> 0:31:29.680
<v Speaker 2>Talent Show, all the acts, and he made a variety

0:31:29.760 --> 0:31:33.520
<v Speaker 2>show and we would go around to old folks homes

0:31:33.560 --> 0:31:37.040
<v Speaker 2>and the prisons in Leavenworth, you know, in prisons.

0:31:37.080 --> 0:31:37.360
<v Speaker 1>Wow.

0:31:37.400 --> 0:31:40.800
<v Speaker 2>And yeah, we would play for real audiences, and I'm

0:31:40.880 --> 0:31:43.560
<v Speaker 2>twelve years old thinking this is awesome, you know. And

0:31:44.480 --> 0:31:47.040
<v Speaker 2>it gave me a chance to play in front of people,

0:31:47.120 --> 0:31:50.720
<v Speaker 2>to start writing songs and consider, you know, oh, I've

0:31:50.720 --> 0:31:53.160
<v Speaker 2>got to write this for our next thing. And from

0:31:53.200 --> 0:31:56.160
<v Speaker 2>there I found a band that was playing around town

0:31:56.280 --> 0:31:58.720
<v Speaker 2>and my whole career just grew from there.

0:31:59.200 --> 0:32:02.040
<v Speaker 1>And did you just sort of were you a natural

0:32:02.360 --> 0:32:05.920
<v Speaker 1>born singer? Did people say, wow, Melissa, You've got an

0:32:05.960 --> 0:32:09.920
<v Speaker 1>incredible I mean, your voice is so unique and so special.

0:32:10.000 --> 0:32:13.280
<v Speaker 1>Did people say wow this you know, you've got a

0:32:13.320 --> 0:32:16.479
<v Speaker 1>particular sound. And I know you say that you've always

0:32:16.480 --> 0:32:18.640
<v Speaker 1>wanted to sing like Carol King, And I think it's

0:32:18.680 --> 0:32:23.160
<v Speaker 1>interesting because you do have similarities I think in your voices.

0:32:23.560 --> 0:32:25.560
<v Speaker 2>Yeah. I listened to Tapestry a lot because she was

0:32:25.600 --> 0:32:29.280
<v Speaker 2>a singer songwriter. And actually Tapestry was the first album

0:32:29.320 --> 0:32:32.880
<v Speaker 2>that my father ever got for just for me on Christmas.

0:32:33.080 --> 0:32:36.360
<v Speaker 1>I listened to that album eight trillion.

0:32:35.960 --> 0:32:37.680
<v Speaker 2>Times, Yes, over and over.

0:32:38.120 --> 0:32:40.400
<v Speaker 1>You must have been in like fourth or fifth grade

0:32:40.440 --> 0:32:43.320
<v Speaker 1>when it came out, maybe fourth, because I think it

0:32:43.400 --> 0:32:45.920
<v Speaker 1>came out when I was in seventh grade that I'm

0:32:45.920 --> 0:32:47.200
<v Speaker 1>four years older than you.

0:32:47.120 --> 0:32:49.960
<v Speaker 2>Are, right, Yeah, so it was that time, and you know,

0:32:50.080 --> 0:32:52.040
<v Speaker 2>the music that was out there just delicious.

0:32:52.200 --> 0:32:58.080
<v Speaker 1>Oh so you're traveling around Kansas, you're performing, do people say, wow, girl,

0:32:58.200 --> 0:32:59.360
<v Speaker 1>you know you've got it.

0:33:00.000 --> 0:33:01.880
<v Speaker 2>When I was in a choir, I was in a

0:33:02.000 --> 0:33:07.200
<v Speaker 2>church choir first, and would sing. The choir director would

0:33:07.200 --> 0:33:09.920
<v Speaker 2>put me in the back row because my voice was

0:33:09.960 --> 0:33:14.680
<v Speaker 2>so strange and I shouldn't have been like a tenor

0:33:14.800 --> 0:33:17.440
<v Speaker 2>or a baritone singing with the boys. But they weren't

0:33:17.440 --> 0:33:20.920
<v Speaker 2>going to do that with me, you know. And later

0:33:21.120 --> 0:33:25.800
<v Speaker 2>as I as I started singing in bands, I was told, hey,

0:33:25.880 --> 0:33:27.480
<v Speaker 2>you know, I like your voice because I was able

0:33:27.480 --> 0:33:29.960
<v Speaker 2>to sing kind of popular songs. But when I was

0:33:30.000 --> 0:33:32.840
<v Speaker 2>in school and stuff, people were kind of like, what's

0:33:32.880 --> 0:33:35.080
<v Speaker 2>that voice? It sort of stood out, and it was

0:33:35.120 --> 0:33:37.160
<v Speaker 2>not a pleasant standing out.

0:33:37.560 --> 0:33:40.160
<v Speaker 1>Well, it's so different, I think, you know, it's sort

0:33:40.200 --> 0:33:44.800
<v Speaker 1>of raspy and strong, and you know, I think of

0:33:44.880 --> 0:33:50.120
<v Speaker 1>people like Janice Joplin, right, and Carol King with this

0:33:50.560 --> 0:33:51.800
<v Speaker 1>very unique sound.

0:33:52.120 --> 0:33:54.640
<v Speaker 2>Everyone kind of assumed that I drank a lot of

0:33:54.640 --> 0:33:57.600
<v Speaker 2>whiskey and smoked a lot of cigarettes, and I didn't.

0:33:57.680 --> 0:34:00.200
<v Speaker 2>I was in those places where people were doing that,

0:34:00.240 --> 0:34:04.160
<v Speaker 2>but I didn't. I just my father. The one thing,

0:34:04.240 --> 0:34:06.720
<v Speaker 2>the only thing he ever really told me, is kind

0:34:06.760 --> 0:34:09.960
<v Speaker 2>of a a not a critique but advice. He was like,

0:34:10.200 --> 0:34:13.120
<v Speaker 2>don't sing through your nose. He used to say that,

0:34:13.520 --> 0:34:15.480
<v Speaker 2>and I didn't know quite what he meant. So I

0:34:15.600 --> 0:34:18.880
<v Speaker 2>kept pushing all my sound into my chest, you know,

0:34:18.920 --> 0:34:22.960
<v Speaker 2>and everything was really big so that I wouldn't sing

0:34:23.040 --> 0:34:25.640
<v Speaker 2>through my nose. And so I think that I sort

0:34:25.640 --> 0:34:30.240
<v Speaker 2>of trained my voice to be this kind of large sound.

0:34:30.640 --> 0:34:33.920
<v Speaker 1>You write about in the book Dealing with Your Sexuality,

0:34:34.120 --> 0:34:37.400
<v Speaker 1>And you know, sometimes I think about, and again, because

0:34:37.440 --> 0:34:42.560
<v Speaker 1>we're contemporaries, what it was like for gay people when

0:34:42.719 --> 0:34:45.640
<v Speaker 1>we were little kids, and I grew up in Virginia,

0:34:45.800 --> 0:34:49.960
<v Speaker 1>you're in Kansas, and how much has changed now, And

0:34:51.200 --> 0:34:56.160
<v Speaker 1>it's just remarkable to me, how much I hope, and

0:34:56.239 --> 0:34:58.319
<v Speaker 1>I don't know if you agree with me, how much

0:34:58.360 --> 0:35:01.160
<v Speaker 1>progress has been made, how much more acceptance there is,

0:35:01.560 --> 0:35:05.480
<v Speaker 1>you know. I mean, I remember my gym teacher thinking, oh,

0:35:05.840 --> 0:35:08.319
<v Speaker 1>miss miss Beats and Miss so and so live in

0:35:08.400 --> 0:35:12.839
<v Speaker 1>the same house, Like what's that about? But we never

0:35:13.040 --> 0:35:17.080
<v Speaker 1>kind of even you know, I remember my dad talking

0:35:17.120 --> 0:35:20.760
<v Speaker 1>about somebody he worked with who he thought was gay.

0:35:20.840 --> 0:35:23.400
<v Speaker 1>And I don't think my dad even used the word gay,

0:35:23.400 --> 0:35:25.920
<v Speaker 1>you know, I don't know how he described him. But

0:35:26.360 --> 0:35:33.560
<v Speaker 1>it was so so secretive and such a subculture, and

0:35:34.320 --> 0:35:37.840
<v Speaker 1>it must have been really hard. I mean, how hard

0:35:37.960 --> 0:35:38.200
<v Speaker 1>was it?

0:35:38.280 --> 0:35:42.560
<v Speaker 2>Yeah? How hard was it? Yeah? To go through adolescence.

0:35:43.200 --> 0:35:47.440
<v Speaker 2>And there there was a knowing that started happening around

0:35:47.800 --> 0:35:51.440
<v Speaker 2>eighth or ninth grade, when all my girlfriends were ah,

0:35:51.560 --> 0:35:56.000
<v Speaker 2>isn't Bobby so cute? Isn't Mark so cute? And I'd go,

0:35:57.200 --> 0:36:00.040
<v Speaker 2>I don't know, you know, what do you mean? And

0:36:00.040 --> 0:36:03.040
<v Speaker 2>and and then I would like watch you know, the

0:36:03.040 --> 0:36:06.640
<v Speaker 2>Bionic Woman and go, oh, isn't Listening Wagoner so beautiful?

0:36:06.680 --> 0:36:09.279
<v Speaker 2>You know, there's something like that, you know, And and

0:36:09.280 --> 0:36:11.800
<v Speaker 2>and then I started feeling this way about maybe certain

0:36:11.800 --> 0:36:14.359
<v Speaker 2>girls in school, and I'd go, well, that's you know,

0:36:14.640 --> 0:36:19.040
<v Speaker 2>what's what's that? And then I remember, in about eighth grade,

0:36:19.480 --> 0:36:21.960
<v Speaker 2>is someone in in gym class or something going oh,

0:36:22.000 --> 0:36:25.280
<v Speaker 2>she's a lezie. I was like, what's a what's a lezie?

0:36:25.320 --> 0:36:27.720
<v Speaker 2>I didn't know. Oh, that's a girl that likes other girls.

0:36:27.719 --> 0:36:31.359
<v Speaker 2>And I went, oh, there's there's something wrong with this, oh,

0:36:31.440 --> 0:36:33.520
<v Speaker 2>this is and and the first thing, you know, when

0:36:33.560 --> 0:36:34.239
<v Speaker 2>the first say you.

0:36:34.160 --> 0:36:35.560
<v Speaker 1>Hear they weren't talking about you.

0:36:35.600 --> 0:36:39.440
<v Speaker 2>They were doing somebody else. Yeah who was not you know,

0:36:39.480 --> 0:36:43.040
<v Speaker 2>they were just calling somebody names. And you realize, oh,

0:36:43.080 --> 0:36:46.239
<v Speaker 2>there's this. This is a bad thing, this is a

0:36:46.640 --> 0:36:48.520
<v Speaker 2>this is a thing that you call somebody else. And

0:36:48.560 --> 0:36:52.239
<v Speaker 2>then and then you have that deep sinking feeling, Oh

0:36:52.280 --> 0:36:56.400
<v Speaker 2>maybe that's me, Maybe I am and And you know,

0:36:56.440 --> 0:36:58.080
<v Speaker 2>you go through high school. I tried, I had a

0:36:58.080 --> 0:37:01.719
<v Speaker 2>boyfriend and tried, and was I like this guy as

0:37:01.760 --> 0:37:05.080
<v Speaker 2>a person. But there's I just I feel nothing else.

0:37:05.200 --> 0:37:08.359
<v Speaker 2>I feel nothing else after that, and then the first

0:37:08.360 --> 0:37:10.000
<v Speaker 2>time I ever kissed a girl, you know, it just

0:37:10.040 --> 0:37:13.600
<v Speaker 2>blew my mind. And you just realize that, you know,

0:37:14.040 --> 0:37:17.280
<v Speaker 2>even though it wasn't spoken about, it was not in

0:37:17.600 --> 0:37:21.040
<v Speaker 2>popular culture, there was nothing. The first thing I ever

0:37:21.080 --> 0:37:23.719
<v Speaker 2>saw was the Billy Jean King and the trouble she

0:37:23.840 --> 0:37:25.839
<v Speaker 2>got into. That was the first thing I ever saw

0:37:25.840 --> 0:37:27.719
<v Speaker 2>in the newspapers. And I remember standing there looking at

0:37:27.760 --> 0:37:31.760
<v Speaker 2>it thinking, oh, you get in trouble when when this happens?

0:37:32.480 --> 0:37:35.040
<v Speaker 2>And so you you know, you keep it to yourself.

0:37:35.080 --> 0:37:37.080
<v Speaker 2>This is a this is a deep, dark seeker because

0:37:37.080 --> 0:37:39.920
<v Speaker 2>you're going to and then once you kind of turned eighteen,

0:37:39.960 --> 0:37:41.319
<v Speaker 2>the first thing you think is, I got to get

0:37:41.320 --> 0:37:43.920
<v Speaker 2>it out of this small town and go to a

0:37:43.960 --> 0:37:47.399
<v Speaker 2>bigger city where there's more of us that gather. And

0:37:47.440 --> 0:37:50.760
<v Speaker 2>that's why the bars used to be such a safe place,

0:37:50.800 --> 0:37:52.759
<v Speaker 2>because you know, you could go there, you could meet

0:37:52.800 --> 0:37:57.040
<v Speaker 2>other people, and community was very important. Then then in

0:37:57.080 --> 0:38:04.480
<v Speaker 2>the eighties, when when AIDS came, those communities became politically active.

0:38:04.520 --> 0:38:08.319
<v Speaker 2>We realized we were dying and nobody cared and it

0:38:08.440 --> 0:38:12.120
<v Speaker 2>really affected us. And some of the smartest and strongest

0:38:12.160 --> 0:38:15.400
<v Speaker 2>of our leaders got together. And those are the people

0:38:15.440 --> 0:38:18.600
<v Speaker 2>that I knew back in the late eighties and early

0:38:18.719 --> 0:38:23.239
<v Speaker 2>nineties that when I finally said, look, this is who

0:38:23.280 --> 0:38:25.279
<v Speaker 2>I am and I came out and started talking about it,

0:38:25.320 --> 0:38:29.160
<v Speaker 2>I was already very educated, and I had been within

0:38:29.200 --> 0:38:33.160
<v Speaker 2>this community for ten years and had learned the importance

0:38:33.360 --> 0:38:37.279
<v Speaker 2>of people seeing someone gay. And I still to this

0:38:37.440 --> 0:38:40.120
<v Speaker 2>day people will come to me and say, you know,

0:38:40.160 --> 0:38:42.000
<v Speaker 2>you got me through my childhood. You were the only

0:38:42.080 --> 0:38:45.279
<v Speaker 2>other person I knew that was gay, And it means

0:38:45.280 --> 0:38:47.759
<v Speaker 2>so much to me to see artists now who just

0:38:48.160 --> 0:38:50.920
<v Speaker 2>are gay and it doesn't matter this is a part

0:38:50.960 --> 0:38:54.040
<v Speaker 2>of who they are and it's okay, and that this

0:38:54.320 --> 0:38:56.520
<v Speaker 2>just brings me so much joy. And all the other

0:38:56.560 --> 0:39:00.000
<v Speaker 2>mishigosh that's going on in our politics is just they

0:39:01.000 --> 0:39:05.800
<v Speaker 2>of division, and no matter what, we are definitely definitely

0:39:05.840 --> 0:39:07.400
<v Speaker 2>getting better. It's getting better.

0:39:08.520 --> 0:39:11.920
<v Speaker 1>You talk about a relationship you had, You're first with

0:39:12.000 --> 0:39:14.920
<v Speaker 1>the woman Jane, the colonel's daughter. You call her and

0:39:14.960 --> 0:39:17.439
<v Speaker 1>you say that this set up a pattern for you

0:39:17.840 --> 0:39:21.920
<v Speaker 1>that would repeat itself in future relationships. What happened with

0:39:22.200 --> 0:39:25.799
<v Speaker 1>Jane and how did it keep manifesting itself over and

0:39:25.840 --> 0:39:26.400
<v Speaker 1>over again?

0:39:26.680 --> 0:39:29.520
<v Speaker 2>Well, I wouldn't blame it on Jane. It was the

0:39:29.640 --> 0:39:32.040
<v Speaker 2>dynamics that came from my mother and my sister, that

0:39:32.200 --> 0:39:38.360
<v Speaker 2>sort of you know, messed upness with them, the unavailable,

0:39:38.400 --> 0:39:43.759
<v Speaker 2>the coldness, and the sort of psychoticness, you know, it combined,

0:39:44.000 --> 0:39:48.680
<v Speaker 2>you know, that sort of troubled person. Oh that's attractive

0:39:48.760 --> 0:39:51.080
<v Speaker 2>to me, you know, let's you know, you find yourself

0:39:51.120 --> 0:39:54.759
<v Speaker 2>being attracted to sort of that situation. And so the

0:39:54.800 --> 0:39:57.560
<v Speaker 2>more I as we started a conversation with the more

0:39:57.600 --> 0:40:00.800
<v Speaker 2>I was looking for it outside of myself to fix

0:40:00.920 --> 0:40:04.000
<v Speaker 2>the emptiness inside of me, the more I was going

0:40:04.080 --> 0:40:06.719
<v Speaker 2>to get that trouble, and that was the first, you know,

0:40:06.800 --> 0:40:10.880
<v Speaker 2>couple serious relationships in my life. We're looking for, Oh,

0:40:10.960 --> 0:40:15.719
<v Speaker 2>I need someone who is really interesting and dark and

0:40:17.160 --> 0:40:20.879
<v Speaker 2>gorgeous and beautiful because I'm not and you know these

0:40:20.920 --> 0:40:23.200
<v Speaker 2>things that you think, Okay, this person is going to

0:40:23.239 --> 0:40:28.360
<v Speaker 2>fill that up in me and then me the pleaser.

0:40:28.440 --> 0:40:30.920
<v Speaker 2>I'm going to make the world all right for you.

0:40:31.000 --> 0:40:33.319
<v Speaker 2>I you know, I held back the world for you.

0:40:33.600 --> 0:40:35.400
<v Speaker 2>I did this. I'm going to do everything so that

0:40:35.440 --> 0:40:36.080
<v Speaker 2>you will love me.

0:40:36.200 --> 0:40:37.920
<v Speaker 1>It's just a.

0:40:37.280 --> 0:40:42.120
<v Speaker 2>Really dangerous hole to dig yourself in. It will give

0:40:42.160 --> 0:40:42.760
<v Speaker 2>you cancer.

0:40:43.040 --> 0:40:45.239
<v Speaker 1>That well, we'll talk about that in a moment. But

0:40:45.280 --> 0:40:49.080
<v Speaker 1>that's why that line in Jerry Maguire was so dangerous. Yes,

0:40:49.160 --> 0:40:52.640
<v Speaker 1>and such a bad, you know, sort of way to

0:40:52.680 --> 0:40:56.560
<v Speaker 1>go through life. You complete me? Yeah, and I think

0:40:56.600 --> 0:41:01.200
<v Speaker 1>that it's better to say you. What would be a

0:41:01.200 --> 0:41:02.440
<v Speaker 1>better word than complete?

0:41:02.840 --> 0:41:07.960
<v Speaker 2>You? You delight me? You you boy. There's a word

0:41:08.000 --> 0:41:10.520
<v Speaker 2>that we're both looking for. But between our.

0:41:10.440 --> 0:41:12.080
<v Speaker 1>Brain I know what is that word? Wait?

0:41:12.239 --> 0:41:13.719
<v Speaker 2>Wait, what is that you?

0:41:13.880 --> 0:41:14.040
<v Speaker 1>Oh?

0:41:14.080 --> 0:41:14.560
<v Speaker 2>Thank you?

0:41:14.680 --> 0:41:17.200
<v Speaker 1>I just thought of it too. Yes, you compliment me?

0:41:17.400 --> 0:41:19.320
<v Speaker 2>Yes, right, it works together?

0:41:19.480 --> 0:41:24.640
<v Speaker 1>Yes, right, well we could between the two of us,

0:41:24.680 --> 0:41:27.279
<v Speaker 1>we actually came up with it. You know, I have

0:41:27.360 --> 0:41:30.240
<v Speaker 1>to ask you about your relationship with Julie Cipher because

0:41:30.280 --> 0:41:32.680
<v Speaker 1>you were together for more than ten years, you had

0:41:32.680 --> 0:41:36.880
<v Speaker 1>two kids, bothered by of course, David Crosby pretty famously,

0:41:37.719 --> 0:41:42.120
<v Speaker 1>and you split up in nineteen ninety nine, and there

0:41:42.200 --> 0:41:45.280
<v Speaker 1>must have been a lot of pressure on you, Melissa,

0:41:45.480 --> 0:41:48.879
<v Speaker 1>because I know breaking up with Julie made you feel

0:41:48.920 --> 0:41:51.919
<v Speaker 1>like you were letting down the gate community, oh very much.

0:41:51.960 --> 0:41:54.759
<v Speaker 2>So I felt like, you know, I had gone out

0:41:54.800 --> 0:41:58.480
<v Speaker 2>to be this you know, famously out person with a

0:41:58.600 --> 0:42:03.839
<v Speaker 2>famously you know family, being one of the first you know,

0:42:03.960 --> 0:42:06.920
<v Speaker 2>out families of the gay community and it's okay to

0:42:06.960 --> 0:42:09.640
<v Speaker 2>be you know, gay and have children, and back then

0:42:09.760 --> 0:42:14.479
<v Speaker 2>that was really really not okay to a lot.

0:42:14.360 --> 0:42:16.960
<v Speaker 1>Of right right, that was you were one of the

0:42:16.960 --> 0:42:20.840
<v Speaker 1>first public gay companies and to then you were raising

0:42:20.840 --> 0:42:22.960
<v Speaker 1>a family like and.

0:42:22.640 --> 0:42:26.200
<v Speaker 2>Then two years later go, yeah, we're our family's broken now.

0:42:26.320 --> 0:42:29.759
<v Speaker 2>It just it it hurt even more than the getting out,

0:42:29.800 --> 0:42:32.640
<v Speaker 2>because the getting out was good for me. I needed

0:42:32.680 --> 0:42:34.520
<v Speaker 2>to find my happiness. I was not happy. It was

0:42:34.560 --> 0:42:37.560
<v Speaker 2>not a healthy relationship, so you know, that was good

0:42:37.640 --> 0:42:42.800
<v Speaker 2>for me, but the feeling of shame of letting everyone

0:42:42.960 --> 0:42:46.160
<v Speaker 2>down was really dark, very much.

0:42:46.200 --> 0:42:49.000
<v Speaker 1>So what do you think that you were looking for

0:42:49.040 --> 0:42:52.000
<v Speaker 1>her to complete? You were the same dynamics playing over

0:42:52.120 --> 0:42:53.280
<v Speaker 1>with that relationship.

0:42:53.600 --> 0:42:56.040
<v Speaker 2>Yes, I think one of the It's so funny because

0:42:56.040 --> 0:42:57.840
<v Speaker 2>I look back now and I just think I was

0:42:57.920 --> 0:43:01.200
<v Speaker 2>just so crazy and so stupid just to believe that

0:43:01.320 --> 0:43:06.000
<v Speaker 2>I wasn't attractive. There's a this this neat. It came

0:43:06.040 --> 0:43:08.799
<v Speaker 2>with the wanting to be, you know, famous and a

0:43:08.880 --> 0:43:11.680
<v Speaker 2>rock star, and I want to be in the public eye.

0:43:11.760 --> 0:43:14.440
<v Speaker 2>I want to give my music and have people listen,

0:43:14.600 --> 0:43:17.880
<v Speaker 2>and then I'm going to be a very visual person,

0:43:18.040 --> 0:43:21.960
<v Speaker 2>especially in the eighties and nineties when that was everything

0:43:22.120 --> 0:43:24.279
<v Speaker 2>was was the cover of the magazine and how we

0:43:24.320 --> 0:43:28.960
<v Speaker 2>looked and it was and music videos. Music videos were huge,

0:43:29.640 --> 0:43:32.600
<v Speaker 2>and I was not a fashionable person at all. I

0:43:32.680 --> 0:43:34.799
<v Speaker 2>was most comfortable in my jeans and T shirts, which

0:43:35.760 --> 0:43:38.120
<v Speaker 2>I should have just stayed with. But you know, you

0:43:39.120 --> 0:43:41.400
<v Speaker 2>try to please you, and you think you have to

0:43:41.440 --> 0:43:45.319
<v Speaker 2>be something else than what you are to make it,

0:43:45.360 --> 0:43:48.080
<v Speaker 2>and you hire someone else to do it. So, oh,

0:43:48.120 --> 0:43:53.280
<v Speaker 2>if I have this really attractive, dark, gorgeous wife, then

0:43:53.680 --> 0:43:57.000
<v Speaker 2>they'll think I'm attractive somehow. So that was so much

0:43:57.040 --> 0:43:59.160
<v Speaker 2>a part of it, which is so shallow when I

0:43:59.239 --> 0:44:03.800
<v Speaker 2>say it, it's like God, but so true. The insecurity

0:44:03.960 --> 0:44:07.200
<v Speaker 2>was really there, and it tortured me for a long time.

0:44:07.200 --> 0:44:09.600
<v Speaker 2>And you know, now I look back and go, I

0:44:09.640 --> 0:44:11.600
<v Speaker 2>do I think I'm just so ridiculous. I think I

0:44:11.719 --> 0:44:14.680
<v Speaker 2>was very attractive when I was younger, and I just

0:44:14.840 --> 0:44:15.799
<v Speaker 2>never ever saw it.

0:44:16.480 --> 0:44:19.399
<v Speaker 1>We just waste so much time worrying about this and

0:44:19.480 --> 0:44:23.239
<v Speaker 1>comparing ourselves to other people, and it, you know, is

0:44:23.920 --> 0:44:28.040
<v Speaker 1>it is such a fool's errand to be full of

0:44:28.080 --> 0:44:31.719
<v Speaker 1>self loathing and to feel like you're less than. But

0:44:31.840 --> 0:44:36.680
<v Speaker 1>society really pushes us to think that way. Yeah, and

0:44:37.360 --> 0:44:40.960
<v Speaker 1>you know what society values, what images we are costed

0:44:41.000 --> 0:44:44.879
<v Speaker 1>by on a regular basis. So I mean, I want

0:44:44.880 --> 0:44:49.480
<v Speaker 1>to say it's not necessarily your fault or my fault

0:44:49.560 --> 0:44:53.000
<v Speaker 1>when I would be critical or never think I was

0:44:53.040 --> 0:44:55.520
<v Speaker 1>thin enough, or you never thought you were pretty enough?

0:44:55.680 --> 0:45:02.160
<v Speaker 2>You know. Yeah, I mean, now, yeah, I look back

0:45:02.200 --> 0:45:04.880
<v Speaker 2>and know that, Oh, it was so much of it

0:45:04.920 --> 0:45:07.000
<v Speaker 2>was what I was saying where I was at, and

0:45:07.000 --> 0:45:09.959
<v Speaker 2>and just the lack of the kind of support either

0:45:10.320 --> 0:45:14.919
<v Speaker 2>family support or you know, peer support of no, you're

0:45:15.040 --> 0:45:18.160
<v Speaker 2>you know, we're all fine. And that's why I really

0:45:18.160 --> 0:45:20.360
<v Speaker 2>look actually back then, Well, when I look at the

0:45:20.360 --> 0:45:24.279
<v Speaker 2>younger generations, the millennials that you know, jen zd or

0:45:24.280 --> 0:45:28.040
<v Speaker 2>whatever they are now, and it's like, oh no, they're

0:45:28.280 --> 0:45:30.919
<v Speaker 2>they're going to be okay because there's so many different looks.

0:45:30.960 --> 0:45:34.880
<v Speaker 2>There's so much there's not just this one idealized look

0:45:35.080 --> 0:45:36.840
<v Speaker 2>that you know you have to be. It's it's just

0:45:37.640 --> 0:45:40.960
<v Speaker 2>being who you are. Being the more individual is actually celebrated.

0:45:42.400 --> 0:45:45.360
<v Speaker 1>You know. It makes me think of what David Cassidy

0:45:45.440 --> 0:45:49.200
<v Speaker 1>said on his deathbed, which wasn't really about caring about

0:45:49.200 --> 0:45:53.600
<v Speaker 1>his appearances, but it was about not repairing his relationships.

0:45:53.920 --> 0:45:57.640
<v Speaker 1>Do you know what he said? No? What so much

0:45:57.719 --> 0:46:02.480
<v Speaker 1>wasted time? That makes me so sad, But it also

0:46:02.600 --> 0:46:04.160
<v Speaker 1>makes me think about things.

0:46:04.600 --> 0:46:08.400
<v Speaker 2>Yes, getting back to ayahuasca, that's the sort of knowledge

0:46:08.400 --> 0:46:10.279
<v Speaker 2>you come back with and you don't have to be

0:46:10.400 --> 0:46:14.000
<v Speaker 2>dying because, like I said, it's the same sort of

0:46:14.080 --> 0:46:17.440
<v Speaker 2>experience when you realize, oh, oh no, why did I

0:46:17.480 --> 0:46:20.160
<v Speaker 2>waste all that time thinking I wasn't enough, I wasn't

0:46:20.160 --> 0:46:23.680
<v Speaker 2>good enough? When those thoughts don't serve anything. If I

0:46:23.800 --> 0:46:27.080
<v Speaker 2>just looked up and looked out, I could have seen,

0:46:27.360 --> 0:46:32.800
<v Speaker 2>oh this is this is delicious. I can enjoy this more.

0:46:32.840 --> 0:46:36.600
<v Speaker 2>We are here to enjoy things. We really are and

0:46:36.640 --> 0:46:38.400
<v Speaker 2>we put ourselves through so much.

0:46:40.640 --> 0:46:43.600
<v Speaker 3>We'll be right back after this shortbreak. When we come back,

0:46:43.960 --> 0:46:46.680
<v Speaker 3>Melissa talks about her cancer diagnosis and what it was

0:46:46.760 --> 0:46:48.680
<v Speaker 3>like undergoing treatment in the public.

0:46:48.400 --> 0:46:54.879
<v Speaker 1>Eye with no fees or minimums. Banking with Capital one

0:46:55.040 --> 0:46:58.359
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0:46:58.400 --> 0:47:01.239
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0:47:01.280 --> 0:47:04.960
<v Speaker 1>favorite podcast, and with no overdraft fees? Is it even

0:47:05.000 --> 0:47:10.040
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0:47:10.080 --> 0:47:14.319
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0:47:14.719 --> 0:47:15.920
<v Speaker 1>member FDIC.

0:47:21.640 --> 0:47:23.400
<v Speaker 3>We're back with Melissa Etheridge.

0:47:25.480 --> 0:47:27.359
<v Speaker 1>You know I have to ask you about your breast

0:47:27.440 --> 0:47:30.520
<v Speaker 1>cancer because we talked a little bit about this with

0:47:30.640 --> 0:47:34.239
<v Speaker 1>Andy Cohen, which was a funny setting to talk about it.

0:47:34.320 --> 0:47:37.680
<v Speaker 1>But any any setting, honestly, is an important setting, I

0:47:37.719 --> 0:47:40.040
<v Speaker 1>think to get it out in the open. And you

0:47:40.120 --> 0:47:42.480
<v Speaker 1>were diagnosed in two thousand and formalists, so you were

0:47:42.520 --> 0:47:46.680
<v Speaker 1>just forty three years old, and I know you decided

0:47:46.719 --> 0:47:50.160
<v Speaker 1>to stop chemo when you decided to perform at the Grammys.

0:47:50.560 --> 0:47:53.680
<v Speaker 1>Bald is a cue ball because you went through a lumpectomy,

0:47:53.800 --> 0:47:56.640
<v Speaker 1>but also because you had a lot in your lymph nodes,

0:47:57.160 --> 0:48:03.040
<v Speaker 1>you also needed to get chemotherapy and radiation and it

0:48:03.320 --> 0:48:07.680
<v Speaker 1>took its toll. But tell me about performing at the

0:48:07.719 --> 0:48:11.799
<v Speaker 1>Grammys when you were balled as a cue ball and

0:48:11.920 --> 0:48:15.320
<v Speaker 1>you sang this incredible tribute to Janice Joplin.

0:48:16.080 --> 0:48:20.000
<v Speaker 2>Well, it was after I had decided to stop my

0:48:20.200 --> 0:48:23.120
<v Speaker 2>chemo treatment. So I'd been through a I'd just been

0:48:23.120 --> 0:48:25.520
<v Speaker 2>through that spiritual thing and understanding about my body, and

0:48:25.560 --> 0:48:26.880
<v Speaker 2>I thought, you know what, give me, give me a

0:48:26.920 --> 0:48:28.640
<v Speaker 2>little I'm going to try to do it this one.

0:48:28.640 --> 0:48:31.560
<v Speaker 2>I'm trying to really heal myself from the inside out.

0:48:32.239 --> 0:48:35.520
<v Speaker 2>And I was going to walk a different path, less stress, less,

0:48:35.719 --> 0:48:39.600
<v Speaker 2>self loathing, all those things. And so I really was.

0:48:39.880 --> 0:48:42.360
<v Speaker 2>So I stopped. I was still doing radiation, and I

0:48:43.160 --> 0:48:45.480
<v Speaker 2>went to radiation that morning of the show. I hadn't

0:48:45.480 --> 0:48:48.680
<v Speaker 2>been out in public at all for three months, about

0:48:48.680 --> 0:48:53.200
<v Speaker 2>three almost four months. I hadn't been out, and I

0:48:53.200 --> 0:48:56.719
<v Speaker 2>I got radiation that morning. I told my radiologist and

0:48:56.800 --> 0:48:58.279
<v Speaker 2>what I was doing, I'm going to be on the

0:48:58.320 --> 0:49:01.320
<v Speaker 2>Grammy tonight, you know, watch me. I had no idea

0:49:02.000 --> 0:49:05.440
<v Speaker 2>what the response would be. I really didn't. I was.

0:49:05.480 --> 0:49:07.920
<v Speaker 2>I was backstage with my band and Josh Stone. She

0:49:08.040 --> 0:49:11.799
<v Speaker 2>also sang we sang together Janis Joplin song. She sang

0:49:11.840 --> 0:49:14.480
<v Speaker 2>cry Baby, and I sang Piece of My Part, and

0:49:14.560 --> 0:49:16.080
<v Speaker 2>Josh was back there and she was a big fan,

0:49:16.160 --> 0:49:18.839
<v Speaker 2>and she was really sweet, and I was telling her

0:49:18.880 --> 0:49:20.600
<v Speaker 2>she'd never been on the Grammys, and I was doing

0:49:20.640 --> 0:49:23.800
<v Speaker 2>the old veteran thing of saying, well, you know, nobody,

0:49:24.400 --> 0:49:26.800
<v Speaker 2>you know, the Grammys are the worst audience to perform for.

0:49:27.040 --> 0:49:29.320
<v Speaker 2>They don't they just sit there, they don't give you anything.

0:49:29.360 --> 0:49:31.680
<v Speaker 2>They're all just, you know, concerned about how they look.

0:49:32.400 --> 0:49:36.640
<v Speaker 1>And so if you know, don't have low expectations, have

0:49:36.840 --> 0:49:40.600
<v Speaker 1>low expectations, don't think that anything's you know, going to happen.

0:49:41.040 --> 0:49:42.960
<v Speaker 2>And my guitar player walks over to me and he

0:49:42.960 --> 0:49:45.399
<v Speaker 2>looks at me, goes, Melissa, you don't know what you're

0:49:45.400 --> 0:49:49.080
<v Speaker 2>about to do, do you? And I looked at him

0:49:49.080 --> 0:49:51.000
<v Speaker 2>and went, huh, you know, what are you saying? And

0:49:51.040 --> 0:49:55.680
<v Speaker 2>then once I took the stage and the reception I got,

0:49:55.880 --> 0:49:58.080
<v Speaker 2>I mean, it still brings I still get choked up

0:49:58.120 --> 0:50:05.640
<v Speaker 2>about it, The hugely warm reception I got singing and

0:50:05.719 --> 0:50:08.000
<v Speaker 2>even though I was really weak. That was probably the

0:50:08.040 --> 0:50:10.640
<v Speaker 2>weakest I've ever been when I was singing. I remember

0:50:10.840 --> 0:50:13.439
<v Speaker 2>I was singing the song and thinking, wow, I got

0:50:13.440 --> 0:50:18.640
<v Speaker 2>to save my energy for that scream at the end.

0:50:18.960 --> 0:50:21.400
<v Speaker 2>There's the big Joplin scream I was going to do

0:50:21.440 --> 0:50:23.879
<v Speaker 2>at the end, and so I just sort of stood there,

0:50:23.880 --> 0:50:26.520
<v Speaker 2>which I think made the performance on camera better because

0:50:26.520 --> 0:50:28.479
<v Speaker 2>they were able to just focus on me. I didn't

0:50:28.560 --> 0:50:32.080
<v Speaker 2>kind of move around and stuff, and I let out

0:50:32.080 --> 0:50:37.120
<v Speaker 2>the scream. I finished the song. The crowd went crazy.

0:50:37.160 --> 0:50:39.840
<v Speaker 2>I was so one hundred percent wrong about the crowd right.

0:50:39.760 --> 0:50:42.719
<v Speaker 1>And I'm sure Josh Stone was saying that bitch just

0:50:42.760 --> 0:50:43.520
<v Speaker 1>set me up.

0:50:45.800 --> 0:50:50.200
<v Speaker 2>No, Josh is beautiful. She was wonderful, was very very great.

0:50:50.200 --> 0:50:53.480
<v Speaker 2>But I was like, oh, I was wrong, sorry, and

0:50:55.040 --> 0:50:57.319
<v Speaker 2>I just I went home and I didn't think about it.

0:50:57.360 --> 0:51:00.400
<v Speaker 2>There was no you know, there was a really social

0:51:00.440 --> 0:51:03.560
<v Speaker 2>media back then, not really and so it wasn't until

0:51:03.600 --> 0:51:05.440
<v Speaker 2>a couple of days later because I went home and

0:51:05.480 --> 0:51:08.480
<v Speaker 2>I went to bed. I just went to sleep, and

0:51:08.520 --> 0:51:11.399
<v Speaker 2>that my best friend, now my wife called me and said,

0:51:11.440 --> 0:51:13.520
<v Speaker 2>oh my god, You're all over everywhere. You're all over

0:51:13.560 --> 0:51:17.880
<v Speaker 2>the news. People are having discussions about you and baldness

0:51:17.920 --> 0:51:19.840
<v Speaker 2>and cancer, and I was like, what what are you

0:51:19.880 --> 0:51:22.600
<v Speaker 2>talking about? And it just it just blew up. And

0:51:23.080 --> 0:51:26.279
<v Speaker 2>still to this day, I still get people. I met

0:51:26.680 --> 0:51:28.799
<v Speaker 2>a little girl at a bookstore. She was in a

0:51:28.800 --> 0:51:31.600
<v Speaker 2>wheelchair and she was bald. I'm like, oh, she's in treatment,

0:51:31.680 --> 0:51:34.440
<v Speaker 2>and I just feel so much for the young ones

0:51:34.480 --> 0:51:37.160
<v Speaker 2>that are going through it. And I just approached her

0:51:37.160 --> 0:51:40.400
<v Speaker 2>and her father was talking to somebody and I just said, oh,

0:51:40.480 --> 0:51:42.279
<v Speaker 2>you know, I just want to say I went through this.

0:51:42.400 --> 0:51:45.760
<v Speaker 2>And the father looks down, she goes, oh, honey, remember

0:51:45.760 --> 0:51:49.440
<v Speaker 2>that video I showed you. This is the woman. Ah,

0:51:49.640 --> 0:51:52.560
<v Speaker 2>you know, so it's still it still touches me all

0:51:52.560 --> 0:51:53.000
<v Speaker 2>the time.

0:51:53.960 --> 0:51:57.719
<v Speaker 1>I'm sure. Well. It was such a memorable and the

0:51:58.080 --> 0:52:03.120
<v Speaker 1>visual of it, Melissa, was just so dramatic, coupled with

0:52:03.160 --> 0:52:06.520
<v Speaker 1>this voice, the powerful voice you were able to summon,

0:52:07.280 --> 0:52:10.719
<v Speaker 1>probably propelled by all the love you felt in that room.

0:52:11.320 --> 0:52:13.840
<v Speaker 2>Yeah, there's a lot of that, a lot of that.

0:52:14.480 --> 0:52:17.080
<v Speaker 1>You dedicate the book to your son, Beckett, and as

0:52:17.120 --> 0:52:20.600
<v Speaker 1>I said, you know, I just marvel at your resilience,

0:52:20.719 --> 0:52:23.440
<v Speaker 1>but the roller coaster ride that has been your life

0:52:23.680 --> 0:52:28.040
<v Speaker 1>and you lost your son, and it's so upsetting because

0:52:28.080 --> 0:52:32.120
<v Speaker 1>I know, he started taking vicodin after a snowboarding accident. Yeah,

0:52:32.680 --> 0:52:36.240
<v Speaker 1>and like so many people in this country, became addicted

0:52:36.280 --> 0:52:41.160
<v Speaker 1>to opioids, which is just so infuriating.

0:52:42.040 --> 0:52:46.239
<v Speaker 2>Yeah, his life before he started vicodin, he was he

0:52:46.400 --> 0:52:49.560
<v Speaker 2>was not in a I wouldn't call him a happy individual.

0:52:49.680 --> 0:52:53.000
<v Speaker 2>He was one that sort of had a hard time.

0:52:53.160 --> 0:52:59.719
<v Speaker 2>He had a hard time finding happiness. And so it's

0:52:59.719 --> 0:53:03.399
<v Speaker 2>that sort of personality, that sort of individual that can then, man,

0:53:03.440 --> 0:53:05.320
<v Speaker 2>if you give them something that not only takes the

0:53:05.320 --> 0:53:13.000
<v Speaker 2>physical pain away, but nums that that dissonance inside of them, Yeah,

0:53:13.120 --> 0:53:15.759
<v Speaker 2>that's that's gonna be addictive. And then physically if you

0:53:15.760 --> 0:53:18.960
<v Speaker 2>don't take it, you're gonna feel bad. Then you're stuck.

0:53:19.080 --> 0:53:23.040
<v Speaker 2>You don't have the the will well willpower, you don't

0:53:23.040 --> 0:53:25.800
<v Speaker 2>have the ability, you don't have the tools at all

0:53:25.840 --> 0:53:27.719
<v Speaker 2>to get out of it. And we you know, he

0:53:27.800 --> 0:53:31.560
<v Speaker 2>went in and out of rehabs and the tools of

0:53:31.840 --> 0:53:34.240
<v Speaker 2>just don't do it. And here's therapy to talk about

0:53:34.239 --> 0:53:37.680
<v Speaker 2>all the bad things you went through. Is not really working.

0:53:38.160 --> 0:53:42.640
<v Speaker 2>It's it's it's not and and that's that's why uh

0:53:42.880 --> 0:53:48.960
<v Speaker 2>I started the Etharge Foundation. It it raises money to

0:53:49.080 --> 0:53:53.760
<v Speaker 2>provide research into plant medicines and psychedelics that are helping

0:53:54.760 --> 0:53:59.000
<v Speaker 2>with this. It's directly to help with opioid use disorder,

0:53:59.680 --> 0:54:01.920
<v Speaker 2>but there's so many there's so much other research. You

0:54:03.040 --> 0:54:05.799
<v Speaker 2>hear about psilocybin and cancer, you know, people that have

0:54:06.160 --> 0:54:11.439
<v Speaker 2>cancer and the what is it when hospice hospice, Yeah,

0:54:11.480 --> 0:54:13.759
<v Speaker 2>you know helps with people that are at the end

0:54:13.800 --> 0:54:14.560
<v Speaker 2>of life and.

0:54:14.440 --> 0:54:17.560
<v Speaker 1>Also with PTSD, all kinds of all these.

0:54:17.400 --> 0:54:20.640
<v Speaker 2>Things that it helps so much. So let's and and

0:54:20.719 --> 0:54:23.799
<v Speaker 2>it's still these are still schedule one, which is saying

0:54:23.800 --> 0:54:27.080
<v Speaker 2>there's no medical you know, there's no medical data that

0:54:27.400 --> 0:54:30.719
<v Speaker 2>it's any good. So we are providing the research and

0:54:30.760 --> 0:54:32.960
<v Speaker 2>the medical data so that we can come and change

0:54:32.960 --> 0:54:36.200
<v Speaker 2>this so these things can't be available. And that that

0:54:36.640 --> 0:54:39.600
<v Speaker 2>makes me feel like I'm doing something to move this forward.

0:54:40.080 --> 0:54:43.840
<v Speaker 1>There are so many exciting developments in this area of research.

0:54:43.960 --> 0:54:47.440
<v Speaker 1>I think we just scratched the surface, and I think

0:54:47.520 --> 0:54:52.319
<v Speaker 1>it's really really fascinating and it's changing lives for a

0:54:52.320 --> 0:54:56.319
<v Speaker 1>lot of people. You live streamed a concert that you

0:54:56.480 --> 0:55:00.800
<v Speaker 1>called the heel Emy Concert, and in that you sang

0:55:01.080 --> 0:55:02.160
<v Speaker 1>something to your son.

0:55:04.400 --> 0:55:10.759
<v Speaker 2>It was you are my Sunshine, right, Yeah, that's that's

0:55:10.760 --> 0:55:12.840
<v Speaker 2>a song. I used to always sing to my kids,

0:55:13.000 --> 0:55:15.520
<v Speaker 2>you know, to put you know, as lullabies when when

0:55:15.520 --> 0:55:16.960
<v Speaker 2>it was time to go to bed. I would just

0:55:17.000 --> 0:55:19.520
<v Speaker 2>sing a few songs to them, as one that I

0:55:19.600 --> 0:55:22.280
<v Speaker 2>sang because it's such a sweet melody. But I would

0:55:22.320 --> 0:55:24.680
<v Speaker 2>sing it and it would I would try not to

0:55:24.719 --> 0:55:27.760
<v Speaker 2>make it so sad, because it's actually a very sad song.

0:55:28.239 --> 0:55:30.320
<v Speaker 2>You know, the second verse, you know, the other night, DearS,

0:55:30.360 --> 0:55:32.279
<v Speaker 2>I lay sleeping, I dreamed I held you in my arms.

0:55:32.320 --> 0:55:34.680
<v Speaker 2>When I woke, I was mistaken, and I hung my

0:55:34.719 --> 0:55:36.320
<v Speaker 2>head and cried. It's the second version.

0:55:36.560 --> 0:55:37.960
<v Speaker 1>I know, I forgot about that.

0:55:38.800 --> 0:55:41.680
<v Speaker 2>It's so it's like I would only try to sing

0:55:41.760 --> 0:55:43.480
<v Speaker 2>like the first verse over and over. But it was

0:55:43.520 --> 0:55:46.640
<v Speaker 2>a you know, it was something I sang all the

0:55:46.680 --> 0:55:47.880
<v Speaker 2>time to all of my children.

0:55:48.680 --> 0:55:52.479
<v Speaker 1>Let's talk about the show, Melissa Ethridge My Window, which

0:55:52.520 --> 0:55:56.400
<v Speaker 1>The New York Times describes as a rock concert, splice

0:55:56.480 --> 0:56:00.880
<v Speaker 1>with memoir. So what made you want to do abroad show? Melissa?

0:56:00.880 --> 0:56:03.440
<v Speaker 1>I mean, you're like, I've done this, I've done that,

0:56:03.600 --> 0:56:04.800
<v Speaker 1>why not go to Broadway?

0:56:05.280 --> 0:56:09.719
<v Speaker 2>Well, I've deeply loved Broadway from as a child. I

0:56:09.719 --> 0:56:14.480
<v Speaker 2>mean I just adored Barber Streissan and everything she did,

0:56:15.040 --> 0:56:16.799
<v Speaker 2>and it sort of went from there to things like

0:56:16.840 --> 0:56:19.800
<v Speaker 2>Godspell and Jesus Cresh Superstar and hair. I just love

0:56:20.000 --> 0:56:22.279
<v Speaker 2>that sort of stuff, and Broadway was always this very

0:56:22.320 --> 0:56:28.000
<v Speaker 2>magical place that to me was a step, let's just say,

0:56:28.040 --> 0:56:30.960
<v Speaker 2>apart from sort of popular music and the way you

0:56:30.960 --> 0:56:34.520
<v Speaker 2>can manipulate pop music, you can't manipulate someone standing on

0:56:34.560 --> 0:56:38.760
<v Speaker 2>a stage singing to you. That's real. That's raw talent

0:56:39.320 --> 0:56:42.560
<v Speaker 2>and the writing and the gathering and moving a live

0:56:42.719 --> 0:56:45.520
<v Speaker 2>audience with story like that. There's just nothing else and

0:56:45.800 --> 0:56:48.719
<v Speaker 2>there never will be. It's such a pure form of entertainment.

0:56:49.280 --> 0:56:51.600
<v Speaker 2>And my wife and I for years, even before we

0:56:51.600 --> 0:56:54.319
<v Speaker 2>were together, we were working to We were always trying

0:56:54.360 --> 0:56:58.319
<v Speaker 2>to create something for television or Broadway. And when this opportunity,

0:56:58.360 --> 0:57:03.080
<v Speaker 2>when I actually saw Bruce the Springsteen do his thing,

0:57:03.360 --> 0:57:06.520
<v Speaker 2>I went, Okay, there's a door that now I can

0:57:06.560 --> 0:57:08.560
<v Speaker 2>go in. I can say, look, Bruce did this. I

0:57:08.600 --> 0:57:11.799
<v Speaker 2>want to do sort of amalgamation of what he did

0:57:11.880 --> 0:57:14.359
<v Speaker 2>and a Broadway show. I want to create a rock

0:57:14.440 --> 0:57:20.800
<v Speaker 2>concert memoir. It's a linear story of my songs, of me,

0:57:21.280 --> 0:57:23.320
<v Speaker 2>of my life, of the book you just read, you know,

0:57:23.360 --> 0:57:26.600
<v Speaker 2>it's the whole it's you know, it's that in two

0:57:26.640 --> 0:57:27.520
<v Speaker 2>hours and.

0:57:28.160 --> 0:57:34.280
<v Speaker 1>Must have been so fun to combine those two creative exercises,

0:57:34.320 --> 0:57:37.120
<v Speaker 1>you know, writing and you're beautiful writer, which isn't a

0:57:37.200 --> 0:57:40.440
<v Speaker 1>surprise when you listen to your lyrics, but you're writing

0:57:40.480 --> 0:57:46.280
<v Speaker 1>and your musicality and have them marry in this production, right,

0:57:46.320 --> 0:57:48.520
<v Speaker 1>I mean, that's a pretty cool thing to be able

0:57:48.560 --> 0:57:51.200
<v Speaker 1>to do. What's your favorite moment in the show.

0:57:51.760 --> 0:57:54.640
<v Speaker 2>Oh, there's so many. There's so many that I didn't

0:57:54.680 --> 0:57:56.880
<v Speaker 2>know would be my favorite until the audience got there

0:57:56.880 --> 0:57:58.520
<v Speaker 2>and I was like, oh, they're having so much fun.

0:57:59.320 --> 0:58:03.160
<v Speaker 2>One is where the theater I'm in is called is

0:58:03.200 --> 0:58:07.760
<v Speaker 2>circle in the square and it's almost in the round.

0:58:07.960 --> 0:58:11.160
<v Speaker 2>I'm able to go into the audience, and there's a

0:58:11.160 --> 0:58:13.680
<v Speaker 2>couple of times that I do that are so much fun.

0:58:14.200 --> 0:58:17.919
<v Speaker 2>So when I do the song, I want to come over.

0:58:18.440 --> 0:58:21.280
<v Speaker 2>It's just ridiculous. The whole audience is with me, you know,

0:58:21.960 --> 0:58:24.920
<v Speaker 2>really understanding every line now a little better because I've

0:58:24.920 --> 0:58:26.800
<v Speaker 2>given them the background on what's happening.

0:58:26.840 --> 0:58:29.760
<v Speaker 1>Oh that's cool, that's right, and sort of the life

0:58:29.800 --> 0:58:33.160
<v Speaker 1>experiences that have informed your lyrics, where you were, what

0:58:33.240 --> 0:58:36.160
<v Speaker 1>you were thinking. I love stuff like that. Because I

0:58:36.280 --> 0:58:39.439
<v Speaker 1>love to understand the genesis of a song and why

0:58:39.440 --> 0:58:42.960
<v Speaker 1>did they write this? What was happening? And I'm really

0:58:43.000 --> 0:58:46.400
<v Speaker 1>excited about it. Before we go, I know, Andy, and

0:58:46.520 --> 0:58:49.640
<v Speaker 1>you and I talked about the fact that you are not,

0:58:50.800 --> 0:58:53.560
<v Speaker 1>sadly in the rock and roll Hall of Fame. I

0:58:53.600 --> 0:58:56.320
<v Speaker 1>hope you are at some point. You've won two Grammys,

0:58:56.360 --> 0:58:59.440
<v Speaker 1>an Academy Award. Maybe you'll be up for a Tony

0:58:59.560 --> 0:59:03.440
<v Speaker 1>after this Broadway show. And you said whatever, But Andy

0:59:04.080 --> 0:59:07.160
<v Speaker 1>referred to Jan Wenner's quote, and I just want to

0:59:07.200 --> 0:59:12.320
<v Speaker 1>read it because it's so annoying that he said this.

0:59:13.120 --> 0:59:17.160
<v Speaker 1>He okay. He obviously is the founder of Rolling Stone magazine.

0:59:17.280 --> 0:59:21.760
<v Speaker 1>He wrote a new book about his interviews, and he's

0:59:21.800 --> 0:59:25.320
<v Speaker 1>facing criticism for saying that black and female musicians were

0:59:25.320 --> 0:59:28.760
<v Speaker 1>not articulate enough to be included. In his new book,

0:59:28.800 --> 0:59:32.800
<v Speaker 1>which features seven interviews with white male rock and roll icons.

0:59:33.120 --> 0:59:37.200
<v Speaker 1>Winner said the many interviewed were kind of philosophers of

0:59:37.320 --> 0:59:41.960
<v Speaker 1>rock and that no female musicians were quote as articulate

0:59:42.080 --> 0:59:46.040
<v Speaker 1>enough on this intellectual level as the men. And I'm

0:59:46.080 --> 0:59:51.360
<v Speaker 1>thinking what And he even said Joni Mitchell was not

0:59:51.440 --> 0:59:55.040
<v Speaker 1>a philosopher of rock and roll, and I was just like,

0:59:55.560 --> 1:00:00.880
<v Speaker 1>what was he smoking when he made these insane idiotic

1:00:02.080 --> 1:00:05.640
<v Speaker 1>like tone deaf and I mean even if he thinks it,

1:00:05.920 --> 1:00:07.320
<v Speaker 1>the fact that he said.

1:00:07.080 --> 1:00:10.200
<v Speaker 2>It, I know, and you know what, it really set

1:00:10.280 --> 1:00:12.840
<v Speaker 2>me free. It really did, because I used to be

1:00:12.880 --> 1:00:17.360
<v Speaker 2>a little tortured about, you know, in the nineties thinking,

1:00:17.440 --> 1:00:19.400
<v Speaker 2>I mean, you know, I was on the cover once,

1:00:19.560 --> 1:00:22.520
<v Speaker 2>but they didn't they they never gave me a favorable

1:00:22.560 --> 1:00:25.720
<v Speaker 2>review except for The Awakening. That was the one album,

1:00:25.760 --> 1:00:28.800
<v Speaker 2>which is like barely anybody knows about that album that

1:00:28.840 --> 1:00:33.000
<v Speaker 2>I made, but they didn't even review. Yes, I am,

1:00:33.040 --> 1:00:35.640
<v Speaker 2>they didn't think it was good enough to even review.

1:00:36.560 --> 1:00:39.720
<v Speaker 2>And I kept taking it so personally. This was back

1:00:39.760 --> 1:00:42.480
<v Speaker 2>in the days when I took it personally, and because

1:00:42.600 --> 1:00:46.760
<v Speaker 2>Rolling Stone, to someone like me who followed rock and roll,

1:00:46.840 --> 1:00:50.120
<v Speaker 2>followed music, that was the voice in which, you know,

1:00:50.680 --> 1:00:53.040
<v Speaker 2>it told us what was good?

1:00:53.720 --> 1:00:56.880
<v Speaker 1>Right, you knew you made it? I mean, there's even

1:00:56.960 --> 1:00:58.040
<v Speaker 1>who wrote that song.

1:00:57.880 --> 1:01:01.920
<v Speaker 2>Thote doctor Hooken, you know, the Medicine show. Yeah, and

1:01:02.240 --> 1:01:06.840
<v Speaker 2>to realize, oh my god, I was trying to join

1:01:06.960 --> 1:01:11.520
<v Speaker 2>this club where the men hated women in blacks, you know,

1:01:11.680 --> 1:01:14.080
<v Speaker 2>and how am I wait a minute, you know, I.

1:01:14.440 --> 1:01:16.520
<v Speaker 1>Do I really want to be a member of that club?

1:01:16.840 --> 1:01:19.080
<v Speaker 2>Do I really want to be a member of that club?

1:01:19.080 --> 1:01:21.720
<v Speaker 2>And it set me free. It's like, oh and he

1:01:21.720 --> 1:01:24.160
<v Speaker 2>He also is on the founding board of the Rock

1:01:24.160 --> 1:01:26.880
<v Speaker 2>and Roll Hall of Fame, which has been criticized for

1:01:26.960 --> 1:01:29.479
<v Speaker 2>years over not you know, over just being of white.

1:01:29.480 --> 1:01:33.040
<v Speaker 2>They kicked him off, they did, so who maybe we'll

1:01:33.040 --> 1:01:36.680
<v Speaker 2>see different now, but it just, uh, it really freed

1:01:36.720 --> 1:01:39.680
<v Speaker 2>me to go, Okay, right, No, I'm just I can't

1:01:39.720 --> 1:01:44.680
<v Speaker 2>look again, I can't look outside of myself for that acceptance.

1:01:44.720 --> 1:01:48.000
<v Speaker 2>I have to know that my music has changed lives,

1:01:48.000 --> 1:01:51.240
<v Speaker 2>that it has touched people. And every time an audience

1:01:51.280 --> 1:01:53.560
<v Speaker 2>comes to see me, there are people there who who

1:01:53.880 --> 1:01:56.480
<v Speaker 2>love this music, who cherish it. And that's all. And

1:01:56.520 --> 1:01:59.720
<v Speaker 2>that's that's that's my success and and and that really

1:01:59.720 --> 1:02:03.520
<v Speaker 2>helps me sleep at night. And yeah, oh yeah, what's thinking?

1:02:03.960 --> 1:02:04.840
<v Speaker 2>What do you think?

1:02:05.480 --> 1:02:07.840
<v Speaker 1>I know? I keep saying before we go, But I

1:02:07.920 --> 1:02:10.560
<v Speaker 1>realized I didn't ask you about the title of this

1:02:10.640 --> 1:02:12.920
<v Speaker 1>new book, talking to My Angels.

1:02:13.320 --> 1:02:16.400
<v Speaker 2>Well, one of the songs on my sim album is

1:02:16.480 --> 1:02:18.760
<v Speaker 2>talking to My Angel and I wrote it after my

1:02:18.800 --> 1:02:21.400
<v Speaker 2>father died, and my father was very close to me,

1:02:21.520 --> 1:02:26.440
<v Speaker 2>so I it's about leaving say, it's about change. It's

1:02:26.440 --> 1:02:30.280
<v Speaker 2>about keeping that that person, even though they're not physically

1:02:30.280 --> 1:02:35.120
<v Speaker 2>with you there and being able to to draw on

1:02:35.160 --> 1:02:40.240
<v Speaker 2>it and get you know, warmth and comfort from them.

1:02:40.760 --> 1:02:44.680
<v Speaker 2>And so having lost my father, having lost my son,

1:02:44.920 --> 1:02:47.400
<v Speaker 2>and understanding that he's in that place now of no pain,

1:02:48.120 --> 1:02:52.400
<v Speaker 2>of a non physical where if I'm joyous and happy,

1:02:52.440 --> 1:02:55.200
<v Speaker 2>then I can connect with him because he is too.

1:02:55.280 --> 1:02:58.959
<v Speaker 2>And so it's it's it's that song, and it's it's

1:02:59.080 --> 1:03:02.000
<v Speaker 2>just explaining that That's what I'm doing is talking to

1:03:02.000 --> 1:03:02.560
<v Speaker 2>my angels.

1:03:03.720 --> 1:03:06.480
<v Speaker 1>Well, Melissa, it's been so fun talking to you.

1:03:06.960 --> 1:03:08.040
<v Speaker 2>Thank you so much, Ken.

1:03:08.040 --> 1:03:17.760
<v Speaker 1>Thanks Melissa, thanks for listening. Everyone. If you have a

1:03:17.840 --> 1:03:20.600
<v Speaker 1>question for me, a subject you want us to cover,

1:03:21.000 --> 1:03:23.240
<v Speaker 1>or you want to share your thoughts about how you

1:03:23.360 --> 1:03:26.760
<v Speaker 1>navigate this crazy world, reach out. You can leave a

1:03:26.800 --> 1:03:30.200
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1:03:33.040 --> 1:03:36.360
<v Speaker 1>on Instagram. I would love to hear from you. Next

1:03:36.440 --> 1:03:40.160
<v Speaker 1>Question is a production of iHeartMedia and Katie Kuric Media.

1:03:40.600 --> 1:03:44.200
<v Speaker 1>The executive producers are Me, Katie Kuric, and Courtney Ltz.

1:03:44.600 --> 1:03:48.880
<v Speaker 1>Our supervising producer is Ryan Martz and Our producers are

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<v Speaker 1>Adriana Fazzio and Meredith Barnes. Julian Weller composed our theme music.

1:03:55.560 --> 1:03:58.640
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<v Speaker 1>even a decision that's banking reimagined? What's in your wallet?

1:04:39.520 --> 1:04:43.760
<v Speaker 1>Terms apply? See capitlwe dot com, slash bank Capital one

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<v Speaker 1>NA member FDIC