WEBVTT - S1 E9: Midnight Climax

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<v Speaker 1>The control group contains scenes of realistic violence and graphic sexuality.

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<v Speaker 1>It is intended for mature listeners. In the field of

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<v Speaker 1>psychiatric medicine, it was an exciting time, a time of

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<v Speaker 1>innovation and discovery, a time when mental health institutions struggled

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<v Speaker 1>to redefine themselves, to become something more than repositories of

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<v Speaker 1>the sick. Un Orthodox methods and aggressive therapies were not

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<v Speaker 1>only permitted, but encouraged. This is a record of that time.

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<v Speaker 1>This is the control group. Oh yeah, you're probably thinking

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<v Speaker 1>to yourself, Dr Hayes, I I've I've done a terrible thing.

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<v Speaker 1>I've I've betrayed the trust of a patient. I've violated

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<v Speaker 1>the hippocratic owth. But did you earn anything? Really, I'm

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<v Speaker 1>I'm asking you. Did you gain any knowledge from the experience? Yes,

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<v Speaker 1>then it was worth it. Why did you do it? Heyes,

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<v Speaker 1>I suppose I would. I was just curious. We place

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<v Speaker 1>a high value on curiosity, scientific, intellectual, morbid, sexual. It

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<v Speaker 1>is curiosity that fuels the learning process. The fact that

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<v Speaker 1>you've left the hospital, that you went there, that you

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<v Speaker 1>penetrated the mystery of that room, that you trusted your

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<v Speaker 1>guts and investigated that lets us know you're our kind

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<v Speaker 1>of man is We would like for you to continue

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<v Speaker 1>to work closely with the society. I think you'll find

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<v Speaker 1>that it would be mutually beneficial. You'll join the ranks

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<v Speaker 1>of some of the most highly regarded scientists in the field.

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<v Speaker 1>You'll be funded well enough that you can leave behind

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<v Speaker 1>the toil of the mental ward and focus on those

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<v Speaker 1>areas of study that bring you more personal satisfaction. How

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<v Speaker 1>does that sound? Are you kidding? Its sounds wonderful. Now,

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<v Speaker 1>before we settle you in, there is a mess here

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<v Speaker 1>that requires some mobbing up. Yeah. Right, in our field,

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<v Speaker 1>this kind of thing is bound to happen every so often,

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<v Speaker 1>and we have a mechanism for dealing with unfortunate situations

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<v Speaker 1>such as this. We are willing to use this mechanism

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<v Speaker 1>as long as we have your complete cooperation and loyalty

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<v Speaker 1>moving forward. You have it without a doubt, then it

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<v Speaker 1>will be taken care of. Worry no more, We will

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<v Speaker 1>handle everything, Doctor Gottfried, Perhaps you should give doctor Hayes

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<v Speaker 1>a brief history of our organization so he has an

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<v Speaker 1>understanding of the scale, the reach, our abilities to keep

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<v Speaker 1>our promises and to make good on our warnings. We

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<v Speaker 1>wouldn't want you to enter into an association with us

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<v Speaker 1>lightly without fully understanding the depth of that commitment. Of course,

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<v Speaker 1>don't mind him. He has an er adolescent fondness for

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<v Speaker 1>the cloak and dagger. Here may I nineteen four nine,

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<v Speaker 1>the cardinal minds into affair. He defiantly opposed communism in Hungary.

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<v Speaker 1>He was arrested, he was tortured, he was persuaded to

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<v Speaker 1>make full, not just full, a confession that was over flowing.

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<v Speaker 1>That's when we knew the Soviets the Chinese had developed

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<v Speaker 1>a program of behavior modification and thought control, brainwashing, brainwashing.

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<v Speaker 1>At that point, the United States, specifically the Office of

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<v Speaker 1>Scientific and Eligence, created a program in response art a joke,

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<v Speaker 1>Art a joke. You peel back the layers, you see.

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<v Speaker 1>We knew we needed to explore methods of interrogation, not

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<v Speaker 1>not torture. Mind, you never torture. We are not barbarians. Science, chemical, psychological, electrical,

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<v Speaker 1>and this this was one of our most promising weapons.

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<v Speaker 1>LSD is surgic acid diathe, the mite. I'd spell it out,

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<v Speaker 1>but that would take some time, and we don't have

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<v Speaker 1>enough chalk. LSD was going to be the magic bullet,

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<v Speaker 1>spent thousands of dollars on it, thought for control of

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<v Speaker 1>the world's supply, successfully spent thousands of man hours. You know,

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<v Speaker 1>I'm still not convinced that it does not have a roll.

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<v Speaker 1>When you are small psychopharmacology, the problem is the effect

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<v Speaker 1>of the drug is diminished when the subject knows they've

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<v Speaker 1>taken it. Their defense mechanisms kicking. They're aware that a

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<v Speaker 1>drug is in their system and can't help but act differently.

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<v Speaker 1>So what do you do. You give someone the drug

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<v Speaker 1>without their knowing it. But how do you do that.

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<v Speaker 1>You can't just walk up to someone on the street.

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<v Speaker 1>So a whole new entity have to be created, defined

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<v Speaker 1>ways to administer the drug. M okay. We brought in magicians, hypnotists,

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<v Speaker 1>card sharps, people who could show us how to slip

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<v Speaker 1>a dose in a dream and continue to study the results.

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<v Speaker 1>But you cannot do this in a laboratory. The moment

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<v Speaker 1>someone steps into a testing room again, they know they

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<v Speaker 1>are being tested. It's got to be in the real world.

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<v Speaker 1>That's where we'll set up our lab, a lab that

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<v Speaker 1>doesn't look anything like a lab, a lab that would

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<v Speaker 1>be comfortable and inviting you know the laboratory we're talking about, Yeah,

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<v Speaker 1>room five, that's right. I'm sorry, but I fail to

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<v Speaker 1>see the connection between testing drugs and a cheek motel.

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<v Speaker 1>And what any of this has to do with me.

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<v Speaker 1>Weapons potential weapons. Everything is a potential weapon, haste everything guns.

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<v Speaker 1>We all know about that money. Anyone can be bought

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<v Speaker 1>or sold at a certain brace LSD once we fully

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<v Speaker 1>understand its properties and how to most effectively blend it

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<v Speaker 1>with other ingredients. Absolutely, let's not forget sex. The Soviets

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<v Speaker 1>have used sex blackmail four. The Reds are way ahead

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<v Speaker 1>of us on this. It's their favorite tool for the

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<v Speaker 1>command of control of strang agents. The race with the

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<v Speaker 1>Russians isn't only happening in outer space. It's also happening

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<v Speaker 1>inside the head. And we're losing that one too. Someone

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<v Speaker 1>followed you. It could be graph. Yeah, miss Burgery, you'd

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<v Speaker 1>best get out of here, go on back up to

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<v Speaker 1>the war where it's safe. No Graph, I'm protecting my patient. Well,

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<v Speaker 1>I've got my orders, and so do I. What you

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<v Speaker 1>eat s teaches in my face because of her almost

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<v Speaker 1>lost an eye. I'm watching her. I'm keeping her here

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<v Speaker 1>until we can all the authorities and let them work.

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<v Speaker 1>All of you have the key. Maybe maybe get your

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<v Speaker 1>hands on her. Don't you touch her, give me the key,

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<v Speaker 1>per tree, you'd be the key Burgery. I won't ask

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<v Speaker 1>you a third time. I have the key. Towsome out

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<v Speaker 1>if you want him coming yet? No, I don't think so,

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<v Speaker 1>and we'll just wait here. I've got a better idea burgery.

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<v Speaker 1>Where did she go? Burgery? Oh, I got my color,

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<v Speaker 1>I got it a gold him. There's another entrance about

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<v Speaker 1>the team finds it really good. Don't over here, grass

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<v Speaker 1>over here, don't come near me. Here as your chad.

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<v Speaker 1>I'm gonna cat soup. We're over here. I'm gonna tell

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<v Speaker 1>your armstp this way. I can't see. He's like, follow me.

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<v Speaker 1>I can hear you. I can value. I'll tell you

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<v Speaker 1>can follow me. Come on. Potential weapons are all around

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<v Speaker 1>us and your reward, for example, we just need to

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<v Speaker 1>learn how to identify them and how to use them

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<v Speaker 1>at the hospital. Shock therapy, sleep therapy, sleep deprivation, sensory deprivation,

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<v Speaker 1>psychic driving, transorbital lobotomy, surgical bacteriology. We don't know. We

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<v Speaker 1>won't know until we explore it. Road tested under a

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<v Speaker 1>variety of conditions. So back to our little laboratory. Co See, mom,

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<v Speaker 1>how do you get people to show up? We called

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<v Speaker 1>in an old friend of ours and the Bureau of

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<v Speaker 1>an arcomus to work in the Bureau, used to work

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<v Speaker 1>in the Bureau of Narcotics. But still well connected and

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<v Speaker 1>wise to every angle that's ever been played. He knows

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<v Speaker 1>every one, all the dope peddlers, the con artist. His

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<v Speaker 1>suggestion was not to use confidence, mental drug pushers, or payment.

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<v Speaker 1>His idea was to use women. His idea was specifically

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<v Speaker 1>to use whores. Think about it, the powers of persuasion.

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<v Speaker 1>People would actually pay us to participate. You see, Dr Hayes.

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<v Speaker 1>We like movies too, Lewis, you want to start the show?

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<v Speaker 1>My favorite part. Look, I'm getting goose bumps. You recognize

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<v Speaker 1>the room? Yes, yeah, but now you are on the

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<v Speaker 1>other side of the glass. Yes. How does that make

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<v Speaker 1>you feel safer? Her? I suppose I'm safer. Yes, but

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<v Speaker 1>some part of you, some part of you wishes it

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<v Speaker 1>was on the other side of the class, doesn't it.

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<v Speaker 1>It's okay, yes, nothing to be ashamed of. It's what

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<v Speaker 1>motivates us. And we're about to see. Ah, yes, she

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<v Speaker 1>is this woman who's that? That's what's her name again?

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<v Speaker 1>Somehow I think that's Candy or is it Cherry? But

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<v Speaker 1>who is she? Well, she's a prostitute, obviously. She is

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<v Speaker 1>a civilian who was recruited to help us in our research,

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<v Speaker 1>your research. And this person we are we don't know

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<v Speaker 1>who that person is. Why don't we call him John?

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<v Speaker 1>He's just a pick up some chumps she found on

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<v Speaker 1>the street or in a cocktail lounge, and from the

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<v Speaker 1>looks of it, he seems to be interested in conducting

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<v Speaker 1>a study of human sexuality. We apologize for the quality

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<v Speaker 1>of the image. It requires so much light to shoot

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<v Speaker 1>through the glass, but you could see. Okay, I can

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<v Speaker 1>stay fine, Shall we listen in? Are you serious? We

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<v Speaker 1>have audio for this real? Yes, yes we do. We'll

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<v Speaker 1>tell him this. What's it all? Louis? Can we get

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<v Speaker 1>sound in here? Yeah? Please? Can you make you a drink?

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<v Speaker 1>What they done? Stuck? All you got? Give? She asks?

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<v Speaker 1>What he wants to drink? Comes towards the camera. Remember

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<v Speaker 1>the piece? Watch carefully, it was there? Are you watching? Yeah?

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<v Speaker 1>Pours a drink? Did you see it? What did you

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<v Speaker 1>see it? He didn't see of course, he didn't see it.

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<v Speaker 1>He was looking at the girl's legs or something. I

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<v Speaker 1>didn't see what the administration of the truck. A toast

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<v Speaker 1>bottoms up, and the wheels of science will now begin

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<v Speaker 1>to turn. She did it so well, didn't she? So?

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<v Speaker 1>Night after night we sit in that darkened room, taking notes,

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<v Speaker 1>taking pictures, taking recordings. But in the end we learned

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<v Speaker 1>very little about the effects of LSD on the subject.

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<v Speaker 1>But it was anything but a failure. We realized that

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<v Speaker 1>we had gained knowledge of a far more valuable and

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<v Speaker 1>practical nature. Think about our operation is what it takes

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<v Speaker 1>to set up a field laboratory like this? How do

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<v Speaker 1>you plant hidden microphones in a room? He can't learn that?

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<v Speaker 1>And workshop it has to happen on the ground in

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<v Speaker 1>the wild. How much light is required to perform camera

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<v Speaker 1>surveillance theror without putting floodlights. All these questions could be

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<v Speaker 1>answered there. But even these things were trivial compared to

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<v Speaker 1>other things. We could observe that the women you see.

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<v Speaker 1>Morgan was right. He knew all along what the secret

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<v Speaker 1>weapon was. It wasn't the drugs, the mirrors, the microphone.

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<v Speaker 1>These women did things that no amount of l s

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<v Speaker 1>D could accomplish. They could seduce a man, coax him

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<v Speaker 1>to spend his money, give up his secrets, things he

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<v Speaker 1>would never tell anyone, especially not his wife. You see

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<v Speaker 1>what is happening. Ah. Yes, Under ordinary circumstances, modesty would

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<v Speaker 1>dictate that we turn away. But in this um, this case,

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<v Speaker 1>it's our obligation to um. It is necessary for the

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<v Speaker 1>women to distract the tests subject for a long enough

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<v Speaker 1>time to allow for the drug to take effect. All

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<v Speaker 1>very scientific and eventually, Ah, there we have it. Midnight

0:16:38.440 --> 0:16:43.680
<v Speaker 1>Climax operation Midnight Climate had the purpose of obfuscation. Every

0:16:43.720 --> 0:16:46.280
<v Speaker 1>operation in this endeavor must have a code name. This

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<v Speaker 1>one needs no explanation. You think we're voyeurs. Maybe, am

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<v Speaker 1>I right? I didn't say that. You'd be amazed at

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<v Speaker 1>the things we see through that class. Not being completely serious,

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<v Speaker 1>Alfred Kinsey would have given his right nut to sit

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<v Speaker 1>behind the glass in that room. I would say that

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<v Speaker 1>we've seen every sexual perversion known to man. But there

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<v Speaker 1>is always something that a modern man could teach craft

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<v Speaker 1>epping a thing instead of relying on dubious interviews and

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<v Speaker 1>second hand information. Here was the opportunity to observe the

0:17:19.600 --> 0:17:24.639
<v Speaker 1>sex habits of the American underworld up close. And vision.

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<v Speaker 1>A zoologist who has only studied wildlife in books and

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<v Speaker 1>in cages, finally able to see nature in the wild,

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<v Speaker 1>a sexual serengetti for behavioral psychologists. It was an unprecedented

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<v Speaker 1>and even today an unparalleled anthropological opportunity. He stop, we're

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<v Speaker 1>missing the movie. So watch the man. Nowadays he's lethargic

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<v Speaker 1>for a variety of reasons. But you can see the

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<v Speaker 1>acid sinking in. Unfortunately, they will not be much to see.

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<v Speaker 1>Some laughed an expression of absolute bliss. It's although tinged

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<v Speaker 1>with guilt over having violated his wedding bells. Eventually he'll

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<v Speaker 1>zip up his pants, put on his jacket and wander

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<v Speaker 1>back into the street. Then what this guy flouted with LSD?

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<v Speaker 1>Not our concern. We're not running at daycarey. If he's

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<v Speaker 1>got nothing more to teach us, he needs to get

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<v Speaker 1>out and make way for the next guy. And there

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<v Speaker 1>he goes. So back to the story. A new scene

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<v Speaker 1>is beginning. But over time LSD wasn't so interesting anymore.

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<v Speaker 1>It really is boring to watch. But the women. We

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<v Speaker 1>could watch the women for hours. One woman in particular, Wait,

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<v Speaker 1>wait two late days look familiar? Can yes? Karen all

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<v Speaker 1>our chemicals, our device is our methods of mind control.

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<v Speaker 1>None of them could accomplish what she could. Yeah, well

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<v Speaker 1>for a while. Anyway, what happened? Along came Ronald Grant?

0:19:22.560 --> 0:19:29.080
<v Speaker 1>You remember Ronald Grant sales paper carton manufacturing in town

0:19:29.119 --> 0:19:32.800
<v Speaker 1>on a business trip from O H ten project o

0:19:33.000 --> 0:19:37.520
<v Speaker 1>H ten? What is that? Ohio? Ronald Grant comes along

0:19:38.080 --> 0:19:43.119
<v Speaker 1>and almost destroys everything that him. That's yeah, son of

0:19:43.160 --> 0:20:02.320
<v Speaker 1>a bitch. M I think it's just say that everything?

0:20:02.680 --> 0:20:12.720
<v Speaker 1>What this thing? M Y? What did I do? You

0:20:12.800 --> 0:20:23.919
<v Speaker 1>wanted to see it? Yes, she's looking right, ass she

0:20:24.040 --> 0:20:28.840
<v Speaker 1>knows we're watching. You were there? No, not this night?

0:20:29.280 --> 0:20:33.440
<v Speaker 1>You know if I had been who was there? Who

0:20:33.520 --> 0:20:38.240
<v Speaker 1>was running the camera? Come? Now? Do you know who

0:20:39.920 --> 0:21:04.040
<v Speaker 1>been speaking? I would like to connect? M M? What's that?

0:21:06.680 --> 0:21:15.360
<v Speaker 1>What ext what's wrong with it? This is the onset

0:21:15.440 --> 0:21:20.720
<v Speaker 1>of the psychotic episode. The sychotic probably not his first,

0:21:21.280 --> 0:21:24.680
<v Speaker 1>but definitely the last. To be fair, he wasn't given

0:21:24.720 --> 0:21:27.680
<v Speaker 1>the usual dosage chemical services, wanted to try a different

0:21:27.720 --> 0:21:31.960
<v Speaker 1>combination of ingredients and well, as you can see, the

0:21:32.080 --> 0:21:38.640
<v Speaker 1>results of this particular cocktail were somewhat extreme and almost instantaneous.

0:21:38.840 --> 0:21:42.480
<v Speaker 1>That's what I don't get it. Shouldn't have happened, couldn't

0:21:42.640 --> 0:21:48.760
<v Speaker 1>have happened this fast. Clearly Grant must have already had it. Yes,

0:21:49.720 --> 0:22:06.520
<v Speaker 1>I'm sporting the movie. You're fine, adds next to dance Kaya,

0:22:09.240 --> 0:22:20.679
<v Speaker 1>Oh Jesus, let me give you adopt the bunny. Dare

0:22:21.200 --> 0:22:27.879
<v Speaker 1>Jesus stop running running there? What's happen is nothing for

0:22:32.720 --> 0:22:37.640
<v Speaker 1>christ Morgan. Morgan called the doctor or company. Really don't

0:22:37.760 --> 0:22:40.560
<v Speaker 1>know when you get down the chair running okay, Well,

0:22:41.680 --> 0:22:47.000
<v Speaker 1>no one's gonna hurt me. Put down the stair, Morgan, Morgan,

0:22:47.040 --> 0:22:51.600
<v Speaker 1>get you're asking, you'll nott me. Morgan's gonna kill her?

0:22:51.760 --> 0:22:56.640
<v Speaker 1>Why does someone stop him? Why? Why you know how

0:22:56.760 --> 0:23:02.880
<v Speaker 1>this ends? He's he doesn't kill her, remember Morgan get

0:23:03.000 --> 0:23:20.080
<v Speaker 1>in here before? Oh Jesus, not that. Well, who is

0:23:20.119 --> 0:23:41.280
<v Speaker 1>wrong with you? Morgan? You're just let him guy? Yeah,

0:23:50.560 --> 0:23:53.879
<v Speaker 1>she never touched him. Nope, she had nothing to do

0:23:54.040 --> 0:23:57.960
<v Speaker 1>with his death. I wouldn't say nothing. But she's innocent.

0:23:58.359 --> 0:24:02.960
<v Speaker 1>Well what is innocent? You have the film, you have

0:24:03.080 --> 0:24:06.080
<v Speaker 1>the proof, yet you allowed her to be arrested. We

0:24:06.200 --> 0:24:10.280
<v Speaker 1>couldn't very well show this to the police. Can you

0:24:10.400 --> 0:24:13.480
<v Speaker 1>imagine you let her go to jail. She didn't go

0:24:13.680 --> 0:24:17.600
<v Speaker 1>to jail. We looked after her. We had her sense

0:24:17.680 --> 0:24:20.639
<v Speaker 1>someplace where she would be put under the care and

0:24:20.800 --> 0:24:26.119
<v Speaker 1>supervision of a person we trusted. We granted her asylum yours.

0:24:26.640 --> 0:24:29.040
<v Speaker 1>We were going to keep her there three weeks, let

0:24:29.119 --> 0:24:31.359
<v Speaker 1>the publicity die down, and then we were going to

0:24:31.440 --> 0:24:35.320
<v Speaker 1>spring her. But then you took an interest in her.

0:24:36.080 --> 0:24:41.000
<v Speaker 1>You started playing detective, prying into her past, trying to

0:24:41.200 --> 0:24:46.800
<v Speaker 1>unlock her secrets, and a new project was born, Operation

0:24:47.640 --> 0:24:52.159
<v Speaker 1>Good Shepherd. And who would have ever guessed where that

0:24:52.359 --> 0:24:57.320
<v Speaker 1>project ended up. You're being rewarded with a prize better

0:24:57.400 --> 0:25:01.440
<v Speaker 1>than the nobel We're offering you seat on the other

0:25:01.520 --> 0:25:06.760
<v Speaker 1>side of the class, a knowledge and a lifetime of power,

0:25:07.160 --> 0:25:10.679
<v Speaker 1>a bribe. You're a way of keeping me quiet now

0:25:10.800 --> 0:25:13.359
<v Speaker 1>that I found the truth. Dr Hayes. If we wanted

0:25:13.400 --> 0:25:16.560
<v Speaker 1>you to be quiet, he wouldn't be making a sound

0:25:16.720 --> 0:25:20.639
<v Speaker 1>right now. Not now. Let's behave like colleagues. If Morgan

0:25:20.800 --> 0:25:26.280
<v Speaker 1>had his way, you would be dead. That's the other option. Okay,

0:25:31.440 --> 0:25:35.040
<v Speaker 1>So what do we do? How do we proceed? How

0:25:35.160 --> 0:25:37.320
<v Speaker 1>soon can you get Charlotte back to her husband? For

0:25:37.440 --> 0:25:39.760
<v Speaker 1>God's sake, you haven't even told me what happened to her.

0:25:39.920 --> 0:25:43.320
<v Speaker 1>We we'll discuss that. I think the first gesture of

0:25:43.440 --> 0:25:49.480
<v Speaker 1>cooperation should come from you or me. Okay, then what

0:25:49.640 --> 0:25:52.560
<v Speaker 1>sort of gesture of cooperation are you looking for? For starters,

0:25:52.960 --> 0:25:56.040
<v Speaker 1>we'd like to get Karen back. I think the coast

0:25:56.119 --> 0:25:58.119
<v Speaker 1>is clear enough for us to repatriate her to the

0:25:58.200 --> 0:26:00.800
<v Speaker 1>ranks of our agents. How soon can you bring it

0:26:00.880 --> 0:26:03.320
<v Speaker 1>to us? When would your life to see her? How

0:26:03.359 --> 0:26:08.560
<v Speaker 1>about midnight? Tonight? Immediately would be better. Look, we're willing

0:26:08.600 --> 0:26:11.520
<v Speaker 1>to give you a little time, but not here away

0:26:11.560 --> 0:26:15.160
<v Speaker 1>from the hospital. Somewhere that old house on the hill.

0:26:15.720 --> 0:26:20.080
<v Speaker 1>What is that the founders mansion? It's abandoned. That would

0:26:20.080 --> 0:26:23.000
<v Speaker 1>be perfect. I can't guarantee that I'll be able to

0:26:23.080 --> 0:26:49.960
<v Speaker 1>no excuses. Either you fail or you succeed. Ah. Oh,

0:26:50.320 --> 0:26:57.359
<v Speaker 1>thank god you're back, miss Surgery. Dr Caes is here, Walter.

0:26:57.560 --> 0:27:02.280
<v Speaker 1>What's happening? Are you okay? Everything's fine. There was a situation,

0:27:02.680 --> 0:27:06.000
<v Speaker 1>but I'm handling it. Virtue. Did you revive Karen? Like

0:27:06.040 --> 0:27:10.399
<v Speaker 1>I asked you to wait, Doctor Hayes, just a minute.

0:27:10.400 --> 0:27:14.200
<v Speaker 1>I wanted where is she? That's what I was trying

0:27:14.280 --> 0:27:17.119
<v Speaker 1>to tell you. There were some complications when we were

0:27:17.160 --> 0:27:18.960
<v Speaker 1>bringing her out of the pheno barb and I thought

0:27:19.000 --> 0:27:21.000
<v Speaker 1>it best. Shut up and tell me where she is.

0:27:21.720 --> 0:27:25.680
<v Speaker 1>No more of your games, no more Florence Nightingale. Bullshit, Burtree.

0:27:26.080 --> 0:27:29.119
<v Speaker 1>I'm I'm asking you where is she? And I'm not

0:27:29.600 --> 0:27:35.040
<v Speaker 1>telling you you've hidden her. I'm not saying anything, Gloria.

0:27:35.480 --> 0:27:37.680
<v Speaker 1>I'm gown upstairs and see if Grat is still on duty,

0:27:37.840 --> 0:27:41.199
<v Speaker 1>if he is bringing back down here stack, what are

0:27:41.240 --> 0:27:43.320
<v Speaker 1>you looking at her for? I'm in charge. Do what

0:27:43.480 --> 0:27:49.800
<v Speaker 1>I tell you too. Grath will find her and he'll

0:27:49.880 --> 0:27:53.359
<v Speaker 1>bring her back, and I shudder to think what kind

0:27:53.400 --> 0:27:56.800
<v Speaker 1>of shape she'll be in when she arrives. Doctor Hayes,

0:27:57.000 --> 0:28:00.720
<v Speaker 1>my only intention to save your breath. You've failed as

0:28:00.800 --> 0:28:06.000
<v Speaker 1>a nurse. You've disappointed me personally. God knows what damage

0:28:06.000 --> 0:28:09.080
<v Speaker 1>you'll be inflicting upon Karen. But as long as you

0:28:09.240 --> 0:28:13.320
<v Speaker 1>think you know best, I know, I do tell me

0:28:13.400 --> 0:28:19.520
<v Speaker 1>where she is. You only know one tiny slice of

0:28:19.600 --> 0:28:22.280
<v Speaker 1>what's going on here right now, Vergerie, you're out of

0:28:22.320 --> 0:28:24.920
<v Speaker 1>your element. You think this is just about Karen, but

0:28:25.040 --> 0:28:34.080
<v Speaker 1>it's much bigger. Charlotte has disappeared from where someone took her,

0:28:34.119 --> 0:28:37.159
<v Speaker 1>abducted her. Who when he has to do with this

0:28:37.280 --> 0:28:40.640
<v Speaker 1>Morgan Hall? Person who who who's been looking for Karen

0:28:41.120 --> 0:28:45.920
<v Speaker 1>and threatening us. Now, I for reasons I can't explain.

0:28:47.920 --> 0:28:53.120
<v Speaker 1>What is it, Dr Hayes. Morgan Hall is here and

0:28:53.200 --> 0:28:55.920
<v Speaker 1>I have reason to believe he has Charlotte with him

0:28:56.280 --> 0:29:01.000
<v Speaker 1>as a sort of hostage. Have you called the police? No? No, no, no,

0:29:01.360 --> 0:29:04.280
<v Speaker 1>this is I'm trying to explain to you. This is

0:29:04.400 --> 0:29:10.680
<v Speaker 1>bigger than the police. This is Karen is a bad person.

0:29:11.600 --> 0:29:15.360
<v Speaker 1>She's done things, much more horrible things than we ever imagined.

0:29:16.560 --> 0:29:20.240
<v Speaker 1>And you're right, she never should have been placed here.

0:29:20.800 --> 0:29:23.280
<v Speaker 1>There was a risk to the patients. It's tall of us.

0:29:24.320 --> 0:29:29.800
<v Speaker 1>This Morgan Hall and other other persons. They're providing us

0:29:29.880 --> 0:29:35.440
<v Speaker 1>with a solution to everything. In order to get Charlotte released,

0:29:36.600 --> 0:29:41.480
<v Speaker 1>I simply need to take Karen to him and then

0:29:41.560 --> 0:29:46.280
<v Speaker 1>we can all go on with our lives. Where at

0:29:46.280 --> 0:29:51.760
<v Speaker 1>the Founder's mansion at midnight, I won't do it. I'll call.

0:29:51.880 --> 0:29:55.360
<v Speaker 1>The phones are shut off, the exits are locked. There's

0:29:55.400 --> 0:29:58.880
<v Speaker 1>no way around it, and I don't want Charlotte to

0:29:58.920 --> 0:30:09.280
<v Speaker 1>be punished for our mistakes. Dr Hayes. Yes, when Graf

0:30:09.520 --> 0:30:13.520
<v Speaker 1>gets here, I'll take him to Carrie. Tell me where

0:30:13.600 --> 0:30:15.240
<v Speaker 1>she is and I'll send him there right now, no,

0:30:17.040 --> 0:30:20.440
<v Speaker 1>I I won't let him hurt her. I'm adamant about that.

0:30:21.280 --> 0:30:23.480
<v Speaker 1>I'll go with him to be sure she isn't harmed

0:30:23.840 --> 0:30:36.520
<v Speaker 1>and we'll bring her back together. Okay, good girl, Virgie. Yeah, okay, Morgan,

0:30:36.640 --> 0:30:42.080
<v Speaker 1>we're on. He's got her. He's got her. He's got her,

0:30:42.560 --> 0:30:45.760
<v Speaker 1>and I get her. As long as you have something

0:30:45.840 --> 0:30:49.320
<v Speaker 1>to trade. Yeah, like that's something to trade, all right,

0:30:49.840 --> 0:30:53.520
<v Speaker 1>So bring her up to Central State Hospital. There's a perimeter,

0:30:53.600 --> 0:30:55.840
<v Speaker 1>but they'll let you through. Up on the hill is

0:30:55.880 --> 0:30:59.560
<v Speaker 1>what they call the Founder's mansion. We'll meet, we'll greet,

0:30:59.640 --> 0:31:03.800
<v Speaker 1>will change gifts. Well, that satisfy you, and she and

0:31:03.880 --> 0:31:08.000
<v Speaker 1>I split If that's what you want, see you in

0:31:08.040 --> 0:31:10.840
<v Speaker 1>a couple of hours, Summer Hill. You're not going to

0:31:10.920 --> 0:31:13.480
<v Speaker 1>pull any tricks. Now, why would you think that we

0:31:14.520 --> 0:31:19.280
<v Speaker 1>you misunderstand. That was not a question. I'm telling you,

0:31:20.480 --> 0:31:24.160
<v Speaker 1>you're not going to pull any tricks or else. What

0:31:24.640 --> 0:31:27.320
<v Speaker 1>you know me fairly? Well, I'm sure you can finish

0:31:27.360 --> 0:31:42.440
<v Speaker 1>this sentence for me. The Control Group is a production

0:31:42.520 --> 0:31:46.080
<v Speaker 1>of How Stuff Works, written and directed by Brett Wood,

0:31:46.840 --> 0:32:01.800
<v Speaker 1>recorded and mixed by Rob Gal and