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Speaker 1: The control group contains scenes of realistic violence and graphic sexuality.

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Speaker 1: It is intended for mature listeners. In the field of

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Speaker 1: psychiatric medicine, it was an exciting time, a time of

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Speaker 1: innovation and discovery, a time when mental health institutions struggled

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Speaker 1: to redefine themselves, to become something more than repositories of

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Speaker 1: the sick. Un Orthodox methods and aggressive therapies were not

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Speaker 1: only permitted, but encouraged. This is a record of that time.

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Speaker 1: This is the control group. Oh yeah, you're probably thinking

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Speaker 1: to yourself, Dr Hayes, I I've I've done a terrible thing.

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Speaker 1: I've I've betrayed the trust of a patient. I've violated

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Speaker 1: the hippocratic owth. But did you earn anything? Really, I'm

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Speaker 1: I'm asking you. Did you gain any knowledge from the experience? Yes,

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Speaker 1: then it was worth it. Why did you do it? Heyes,

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Speaker 1: I suppose I would. I was just curious. We place

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Speaker 1: a high value on curiosity, scientific, intellectual, morbid, sexual. It

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Speaker 1: is curiosity that fuels the learning process. The fact that

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Speaker 1: you've left the hospital, that you went there, that you

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Speaker 1: penetrated the mystery of that room, that you trusted your

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Speaker 1: guts and investigated that lets us know you're our kind

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Speaker 1: of man is We would like for you to continue

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Speaker 1: to work closely with the society. I think you'll find

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Speaker 1: that it would be mutually beneficial. You'll join the ranks

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Speaker 1: of some of the most highly regarded scientists in the field.

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Speaker 1: You'll be funded well enough that you can leave behind

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Speaker 1: the toil of the mental ward and focus on those

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Speaker 1: areas of study that bring you more personal satisfaction. How

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Speaker 1: does that sound? Are you kidding? Its sounds wonderful. Now,

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Speaker 1: before we settle you in, there is a mess here

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Speaker 1: that requires some mobbing up. Yeah. Right, in our field,

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Speaker 1: this kind of thing is bound to happen every so often,

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Speaker 1: and we have a mechanism for dealing with unfortunate situations

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Speaker 1: such as this. We are willing to use this mechanism

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Speaker 1: as long as we have your complete cooperation and loyalty

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Speaker 1: moving forward. You have it without a doubt, then it

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Speaker 1: will be taken care of. Worry no more, We will

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Speaker 1: handle everything, Doctor Gottfried, Perhaps you should give doctor Hayes

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Speaker 1: a brief history of our organization so he has an

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Speaker 1: understanding of the scale, the reach, our abilities to keep

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Speaker 1: our promises and to make good on our warnings. We

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Speaker 1: wouldn't want you to enter into an association with us

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Speaker 1: lightly without fully understanding the depth of that commitment. Of course,

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Speaker 1: don't mind him. He has an er adolescent fondness for

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Speaker 1: the cloak and dagger. Here may I nineteen four nine,

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Speaker 1: the cardinal minds into affair. He defiantly opposed communism in Hungary.

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Speaker 1: He was arrested, he was tortured, he was persuaded to

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Speaker 1: make full, not just full, a confession that was over flowing.

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Speaker 1: That's when we knew the Soviets the Chinese had developed

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Speaker 1: a program of behavior modification and thought control, brainwashing, brainwashing.

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Speaker 1: At that point, the United States, specifically the Office of

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Speaker 1: Scientific and Eligence, created a program in response art a joke,

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Speaker 1: Art a joke. You peel back the layers, you see.

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Speaker 1: We knew we needed to explore methods of interrogation, not

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Speaker 1: not torture. Mind, you never torture. We are not barbarians. Science, chemical, psychological, electrical,

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Speaker 1: and this this was one of our most promising weapons.

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Speaker 1: LSD is surgic acid diathe, the mite. I'd spell it out,

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Speaker 1: but that would take some time, and we don't have

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Speaker 1: enough chalk. LSD was going to be the magic bullet,

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Speaker 1: spent thousands of dollars on it, thought for control of

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Speaker 1: the world's supply, successfully spent thousands of man hours. You know,

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Speaker 1: I'm still not convinced that it does not have a roll.

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Speaker 1: When you are small psychopharmacology, the problem is the effect

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Speaker 1: of the drug is diminished when the subject knows they've

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Speaker 1: taken it. Their defense mechanisms kicking. They're aware that a

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Speaker 1: drug is in their system and can't help but act differently.

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Speaker 1: So what do you do. You give someone the drug

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Speaker 1: without their knowing it. But how do you do that.

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Speaker 1: You can't just walk up to someone on the street.

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Speaker 1: So a whole new entity have to be created, defined

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Speaker 1: ways to administer the drug. M okay. We brought in magicians, hypnotists,

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Speaker 1: card sharps, people who could show us how to slip

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Speaker 1: a dose in a dream and continue to study the results.

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Speaker 1: But you cannot do this in a laboratory. The moment

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Speaker 1: someone steps into a testing room again, they know they

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Speaker 1: are being tested. It's got to be in the real world.

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Speaker 1: That's where we'll set up our lab, a lab that

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Speaker 1: doesn't look anything like a lab, a lab that would

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Speaker 1: be comfortable and inviting you know the laboratory we're talking about, Yeah,

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Speaker 1: room five, that's right. I'm sorry, but I fail to

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Speaker 1: see the connection between testing drugs and a cheek motel.

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Speaker 1: And what any of this has to do with me.

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Speaker 1: Weapons potential weapons. Everything is a potential weapon, haste everything guns.

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Speaker 1: We all know about that money. Anyone can be bought

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Speaker 1: or sold at a certain brace LSD once we fully

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Speaker 1: understand its properties and how to most effectively blend it

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Speaker 1: with other ingredients. Absolutely, let's not forget sex. The Soviets

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Speaker 1: have used sex blackmail four. The Reds are way ahead

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Speaker 1: of us on this. It's their favorite tool for the

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Speaker 1: command of control of strang agents. The race with the

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Speaker 1: Russians isn't only happening in outer space. It's also happening

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Speaker 1: inside the head. And we're losing that one too. Someone

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Speaker 1: followed you. It could be graph. Yeah, miss Burgery, you'd

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Speaker 1: best get out of here, go on back up to

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Speaker 1: the war where it's safe. No Graph, I'm protecting my patient. Well,

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Speaker 1: I've got my orders, and so do I. What you

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Speaker 1: eat s teaches in my face because of her almost

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Speaker 1: lost an eye. I'm watching her. I'm keeping her here

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Speaker 1: until we can all the authorities and let them work.

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Speaker 1: All of you have the key. Maybe maybe get your

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Speaker 1: hands on her. Don't you touch her, give me the key,

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Speaker 1: per tree, you'd be the key Burgery. I won't ask

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Speaker 1: you a third time. I have the key. Towsome out

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Speaker 1: if you want him coming yet? No, I don't think so,

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Speaker 1: and we'll just wait here. I've got a better idea burgery.

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Speaker 1: Where did she go? Burgery? Oh, I got my color,

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Speaker 1: I got it a gold him. There's another entrance about

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Speaker 1: the team finds it really good. Don't over here, grass

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Speaker 1: over here, don't come near me. Here as your chad.

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Speaker 1: I'm gonna cat soup. We're over here. I'm gonna tell

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Speaker 1: your armstp this way. I can't see. He's like, follow me.

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Speaker 1: I can hear you. I can value. I'll tell you

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Speaker 1: can follow me. Come on. Potential weapons are all around

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Speaker 1: us and your reward, for example, we just need to

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Speaker 1: learn how to identify them and how to use them

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Speaker 1: at the hospital. Shock therapy, sleep therapy, sleep deprivation, sensory deprivation,

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Speaker 1: psychic driving, transorbital lobotomy, surgical bacteriology. We don't know. We

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Speaker 1: won't know until we explore it. Road tested under a

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Speaker 1: variety of conditions. So back to our little laboratory. Co See, mom,

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Speaker 1: how do you get people to show up? We called

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Speaker 1: in an old friend of ours and the Bureau of

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Speaker 1: an arcomus to work in the Bureau, used to work

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Speaker 1: in the Bureau of Narcotics. But still well connected and

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Speaker 1: wise to every angle that's ever been played. He knows

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Speaker 1: every one, all the dope peddlers, the con artist. His

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Speaker 1: suggestion was not to use confidence, mental drug pushers, or payment.

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Speaker 1: His idea was to use women. His idea was specifically

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Speaker 1: to use whores. Think about it, the powers of persuasion.

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Speaker 1: People would actually pay us to participate. You see, Dr Hayes.

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Speaker 1: We like movies too, Lewis, you want to start the show?

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Speaker 1: My favorite part. Look, I'm getting goose bumps. You recognize

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Speaker 1: the room? Yes, yeah, but now you are on the

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Speaker 1: other side of the glass. Yes. How does that make

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Speaker 1: you feel safer? Her? I suppose I'm safer. Yes, but

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Speaker 1: some part of you, some part of you wishes it

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Speaker 1: was on the other side of the class, doesn't it.

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Speaker 1: It's okay, yes, nothing to be ashamed of. It's what

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Speaker 1: motivates us. And we're about to see. Ah, yes, she

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Speaker 1: is this woman who's that? That's what's her name again?

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Speaker 1: Somehow I think that's Candy or is it Cherry? But

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Speaker 1: who is she? Well, she's a prostitute, obviously. She is

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Speaker 1: a civilian who was recruited to help us in our research,

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Speaker 1: your research. And this person we are we don't know

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Speaker 1: who that person is. Why don't we call him John?

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Speaker 1: He's just a pick up some chumps she found on

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Speaker 1: the street or in a cocktail lounge, and from the

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Speaker 1: looks of it, he seems to be interested in conducting

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Speaker 1: a study of human sexuality. We apologize for the quality

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Speaker 1: of the image. It requires so much light to shoot

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Speaker 1: through the glass, but you could see. Okay, I can

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Speaker 1: stay fine, Shall we listen in? Are you serious? We

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Speaker 1: have audio for this real? Yes, yes we do. We'll

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Speaker 1: tell him this. What's it all? Louis? Can we get

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Speaker 1: sound in here? Yeah? Please? Can you make you a drink?

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Speaker 1: What they done? Stuck? All you got? Give? She asks?

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Speaker 1: What he wants to drink? Comes towards the camera. Remember

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Speaker 1: the piece? Watch carefully, it was there? Are you watching? Yeah?

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Speaker 1: Pours a drink? Did you see it? What did you

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Speaker 1: see it? He didn't see of course, he didn't see it.

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Speaker 1: He was looking at the girl's legs or something. I

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Speaker 1: didn't see what the administration of the truck. A toast

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Speaker 1: bottoms up, and the wheels of science will now begin

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Speaker 1: to turn. She did it so well, didn't she? So?

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Speaker 1: Night after night we sit in that darkened room, taking notes,

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Speaker 1: taking pictures, taking recordings. But in the end we learned

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Speaker 1: very little about the effects of LSD on the subject.

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Speaker 1: But it was anything but a failure. We realized that

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Speaker 1: we had gained knowledge of a far more valuable and

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Speaker 1: practical nature. Think about our operation is what it takes

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Speaker 1: to set up a field laboratory like this? How do

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Speaker 1: you plant hidden microphones in a room? He can't learn that?

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Speaker 1: And workshop it has to happen on the ground in

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Speaker 1: the wild. How much light is required to perform camera

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Speaker 1: surveillance theror without putting floodlights. All these questions could be

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Speaker 1: answered there. But even these things were trivial compared to

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Speaker 1: other things. We could observe that the women you see.

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Speaker 1: Morgan was right. He knew all along what the secret

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Speaker 1: weapon was. It wasn't the drugs, the mirrors, the microphone.

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Speaker 1: These women did things that no amount of l s

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Speaker 1: D could accomplish. They could seduce a man, coax him

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Speaker 1: to spend his money, give up his secrets, things he

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Speaker 1: would never tell anyone, especially not his wife. You see

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Speaker 1: what is happening. Ah. Yes, Under ordinary circumstances, modesty would

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Speaker 1: dictate that we turn away. But in this um, this case,

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Speaker 1: it's our obligation to um. It is necessary for the

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Speaker 1: women to distract the tests subject for a long enough

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Speaker 1: time to allow for the drug to take effect. All

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Speaker 1: very scientific and eventually, Ah, there we have it. Midnight

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Speaker 1: Climax operation Midnight Climate had the purpose of obfuscation. Every

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Speaker 1: operation in this endeavor must have a code name. This

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Speaker 1: one needs no explanation. You think we're voyeurs. Maybe, am

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Speaker 1: I right? I didn't say that. You'd be amazed at

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Speaker 1: the things we see through that class. Not being completely serious,

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Speaker 1: Alfred Kinsey would have given his right nut to sit

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Speaker 1: behind the glass in that room. I would say that

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Speaker 1: we've seen every sexual perversion known to man. But there

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Speaker 1: is always something that a modern man could teach craft

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Speaker 1: epping a thing instead of relying on dubious interviews and

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Speaker 1: second hand information. Here was the opportunity to observe the

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Speaker 1: sex habits of the American underworld up close. And vision.

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Speaker 1: A zoologist who has only studied wildlife in books and

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Speaker 1: in cages, finally able to see nature in the wild,

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Speaker 1: a sexual serengetti for behavioral psychologists. It was an unprecedented

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Speaker 1: and even today an unparalleled anthropological opportunity. He stop, we're

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Speaker 1: missing the movie. So watch the man. Nowadays he's lethargic

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Speaker 1: for a variety of reasons. But you can see the

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Speaker 1: acid sinking in. Unfortunately, they will not be much to see.

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Speaker 1: Some laughed an expression of absolute bliss. It's although tinged

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Speaker 1: with guilt over having violated his wedding bells. Eventually he'll

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Speaker 1: zip up his pants, put on his jacket and wander

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Speaker 1: back into the street. Then what this guy flouted with LSD?

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Speaker 1: Not our concern. We're not running at daycarey. If he's

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Speaker 1: got nothing more to teach us, he needs to get

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Speaker 1: out and make way for the next guy. And there

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Speaker 1: he goes. So back to the story. A new scene

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Speaker 1: is beginning. But over time LSD wasn't so interesting anymore.

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Speaker 1: It really is boring to watch. But the women. We

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Speaker 1: could watch the women for hours. One woman in particular, Wait,

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Speaker 1: wait two late days look familiar? Can yes? Karen all

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Speaker 1: our chemicals, our device is our methods of mind control.

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Speaker 1: None of them could accomplish what she could. Yeah, well

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Speaker 1: for a while. Anyway, what happened? Along came Ronald Grant?

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Speaker 1: You remember Ronald Grant sales paper carton manufacturing in town

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Speaker 1: on a business trip from O H ten project o

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Speaker 1: H ten? What is that? Ohio? Ronald Grant comes along

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Speaker 1: and almost destroys everything that him. That's yeah, son of

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Speaker 1: a bitch. M I think it's just say that everything?

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Speaker 1: What this thing? M Y? What did I do? You

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Speaker 1: wanted to see it? Yes, she's looking right, ass she

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Speaker 1: knows we're watching. You were there? No, not this night?

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Speaker 1: You know if I had been who was there? Who

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Speaker 1: was running the camera? Come? Now? Do you know who

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Speaker 1: been speaking? I would like to connect? M M? What's that?

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Speaker 1: What ext what's wrong with it? This is the onset

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Speaker 1: of the psychotic episode. The sychotic probably not his first,

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Speaker 1: but definitely the last. To be fair, he wasn't given

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Speaker 1: the usual dosage chemical services, wanted to try a different

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Speaker 1: combination of ingredients and well, as you can see, the

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Speaker 1: results of this particular cocktail were somewhat extreme and almost instantaneous.

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Speaker 1: That's what I don't get it. Shouldn't have happened, couldn't

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Speaker 1: have happened this fast. Clearly Grant must have already had it. Yes,

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Speaker 1: I'm sporting the movie. You're fine, adds next to dance Kaya,

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Speaker 1: Oh Jesus, let me give you adopt the bunny. Dare

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Speaker 1: Jesus stop running running there? What's happen is nothing for

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Speaker 1: christ Morgan. Morgan called the doctor or company. Really don't

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Speaker 1: know when you get down the chair running okay, Well,

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Speaker 1: no one's gonna hurt me. Put down the stair, Morgan, Morgan,

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Speaker 1: get you're asking, you'll nott me. Morgan's gonna kill her?

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Speaker 1: Why does someone stop him? Why? Why you know how

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Speaker 1: this ends? He's he doesn't kill her, remember Morgan get

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Speaker 1: in here before? Oh Jesus, not that. Well, who is

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Speaker 1: wrong with you? Morgan? You're just let him guy? Yeah,

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Speaker 1: she never touched him. Nope, she had nothing to do

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Speaker 1: with his death. I wouldn't say nothing. But she's innocent.

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Speaker 1: Well what is innocent? You have the film, you have

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Speaker 1: the proof, yet you allowed her to be arrested. We

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Speaker 1: couldn't very well show this to the police. Can you

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Speaker 1: imagine you let her go to jail. She didn't go

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Speaker 1: to jail. We looked after her. We had her sense

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Speaker 1: someplace where she would be put under the care and

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Speaker 1: supervision of a person we trusted. We granted her asylum yours.

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Speaker 1: We were going to keep her there three weeks, let

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Speaker 1: the publicity die down, and then we were going to

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Speaker 1: spring her. But then you took an interest in her.

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Speaker 1: You started playing detective, prying into her past, trying to

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Speaker 1: unlock her secrets, and a new project was born, Operation

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Speaker 1: Good Shepherd. And who would have ever guessed where that

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Speaker 1: project ended up. You're being rewarded with a prize better

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Speaker 1: than the nobel We're offering you seat on the other

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Speaker 1: side of the class, a knowledge and a lifetime of power,

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Speaker 1: a bribe. You're a way of keeping me quiet now

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Speaker 1: that I found the truth. Dr Hayes. If we wanted

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Speaker 1: you to be quiet, he wouldn't be making a sound

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Speaker 1: right now. Not now. Let's behave like colleagues. If Morgan

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Speaker 1: had his way, you would be dead. That's the other option. Okay,

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Speaker 1: So what do we do? How do we proceed? How

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Speaker 1: soon can you get Charlotte back to her husband? For

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Speaker 1: God's sake, you haven't even told me what happened to her.

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Speaker 1: We we'll discuss that. I think the first gesture of

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Speaker 1: cooperation should come from you or me. Okay, then what

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Speaker 1: sort of gesture of cooperation are you looking for? For starters,

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Speaker 1: we'd like to get Karen back. I think the coast

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Speaker 1: is clear enough for us to repatriate her to the

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Speaker 1: ranks of our agents. How soon can you bring it

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Speaker 1: to us? When would your life to see her? How

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Speaker 1: about midnight? Tonight? Immediately would be better. Look, we're willing

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Speaker 1: to give you a little time, but not here away

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Speaker 1: from the hospital. Somewhere that old house on the hill.

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Speaker 1: What is that the founders mansion? It's abandoned. That would

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Speaker 1: be perfect. I can't guarantee that I'll be able to

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Speaker 1: no excuses. Either you fail or you succeed. Ah. Oh,

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Speaker 1: thank god you're back, miss Surgery. Dr Caes is here, Walter.

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Speaker 1: What's happening? Are you okay? Everything's fine. There was a situation,

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Speaker 1: but I'm handling it. Virtue. Did you revive Karen? Like

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Speaker 1: I asked you to wait, Doctor Hayes, just a minute.

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Speaker 1: I wanted where is she? That's what I was trying

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Speaker 1: to tell you. There were some complications when we were

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Speaker 1: bringing her out of the pheno barb and I thought

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Speaker 1: it best. Shut up and tell me where she is.

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Speaker 1: No more of your games, no more Florence Nightingale. Bullshit, Burtree.

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Speaker 1: I'm I'm asking you where is she? And I'm not

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Speaker 1: telling you you've hidden her. I'm not saying anything, Gloria.

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Speaker 1: I'm gown upstairs and see if Grat is still on duty,

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Speaker 1: if he is bringing back down here stack, what are

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Speaker 1: you looking at her for? I'm in charge. Do what

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Speaker 1: I tell you too. Grath will find her and he'll

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Speaker 1: bring her back, and I shudder to think what kind

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Speaker 1: of shape she'll be in when she arrives. Doctor Hayes,

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Speaker 1: my only intention to save your breath. You've failed as

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Speaker 1: a nurse. You've disappointed me personally. God knows what damage

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Speaker 1: you'll be inflicting upon Karen. But as long as you

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Speaker 1: think you know best, I know, I do tell me

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Speaker 1: where she is. You only know one tiny slice of

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Speaker 1: what's going on here right now, Vergerie, you're out of

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Speaker 1: your element. You think this is just about Karen, but

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Speaker 1: it's much bigger. Charlotte has disappeared from where someone took her,

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Speaker 1: abducted her. Who when he has to do with this

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Speaker 1: Morgan Hall? Person who who who's been looking for Karen

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Speaker 1: and threatening us. Now, I for reasons I can't explain.

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Speaker 1: What is it, Dr Hayes. Morgan Hall is here and

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Speaker 1: I have reason to believe he has Charlotte with him

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Speaker 1: as a sort of hostage. Have you called the police? No? No, no, no,

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Speaker 1: this is I'm trying to explain to you. This is

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Speaker 1: bigger than the police. This is Karen is a bad person.

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Speaker 1: She's done things, much more horrible things than we ever imagined.

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Speaker 1: And you're right, she never should have been placed here.

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Speaker 1: There was a risk to the patients. It's tall of us.

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Speaker 1: This Morgan Hall and other other persons. They're providing us

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Speaker 1: with a solution to everything. In order to get Charlotte released,

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Speaker 1: I simply need to take Karen to him and then

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Speaker 1: we can all go on with our lives. Where at

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Speaker 1: the Founder's mansion at midnight, I won't do it. I'll call.

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Speaker 1: The phones are shut off, the exits are locked. There's

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Speaker 1: no way around it, and I don't want Charlotte to

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Speaker 1: be punished for our mistakes. Dr Hayes. Yes, when Graf

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Speaker 1: gets here, I'll take him to Carrie. Tell me where

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Speaker 1: she is and I'll send him there right now, no,

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Speaker 1: I I won't let him hurt her. I'm adamant about that.

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Speaker 1: I'll go with him to be sure she isn't harmed

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Speaker 1: and we'll bring her back together. Okay, good girl, Virgie. Yeah, okay, Morgan,

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Speaker 1: we're on. He's got her. He's got her. He's got her,

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Speaker 1: and I get her. As long as you have something

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Speaker 1: to trade. Yeah, like that's something to trade, all right,

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Speaker 1: So bring her up to Central State Hospital. There's a perimeter,

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Speaker 1: but they'll let you through. Up on the hill is

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Speaker 1: what they call the Founder's mansion. We'll meet, we'll greet,

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Speaker 1: will change gifts. Well, that satisfy you, and she and

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Speaker 1: I split If that's what you want, see you in

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Speaker 1: a couple of hours, Summer Hill. You're not going to

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Speaker 1: pull any tricks. Now, why would you think that we

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Speaker 1: you misunderstand. That was not a question. I'm telling you,

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Speaker 1: you're not going to pull any tricks or else. What

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Speaker 1: you know me fairly? Well, I'm sure you can finish

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Speaker 1: this sentence for me. The Control Group is a production

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Speaker 1: of How Stuff Works, written and directed by Brett Wood,

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Speaker 1: recorded and mixed by Rob Gal and