WEBVTT - The Leftovers

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<v Speaker 1>So what do you remember most about nineteen eighty.

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<v Speaker 2>Six being two years old?

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<v Speaker 1>Uh?

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<v Speaker 3>Huh, what do you remember most about eighty six? Walk

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<v Speaker 3>me through your experience in the middle eighties.

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<v Speaker 2>In the yeah, the mid eighties.

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<v Speaker 1>You were born in eighty four.

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<v Speaker 2>Yeah, oh, sorry old.

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<v Speaker 1>I just got so old, instantly got so old.

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<v Speaker 2>Yeah, I don't. I mean I think I was. I

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<v Speaker 2>don't really were walking walk in. I'm sure as jam in,

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<v Speaker 2>learning the little bit of dance here and there too.

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<v Speaker 1>You were dancing already at two.

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<v Speaker 3>Oh.

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<v Speaker 4>I've always loved music, so I've always not been able

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<v Speaker 4>to help myself, but like Baptist songs, and you know.

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<v Speaker 2>I just was always really like I gravitated towards it

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<v Speaker 2>a lot.

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<v Speaker 1>Interesting.

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<v Speaker 4>Yeah, what do you remember about eighty six?

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<v Speaker 1>I was ten years old in eighty six. I remember

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<v Speaker 1>a lot. I was.

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<v Speaker 3>Uh, that's when I started professionally acting. I was in

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<v Speaker 3>my first stage play and with Mary McDonald and David

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<v Speaker 3>Suthen in nineteen eighty six at.

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<v Speaker 1>A Dollar's House.

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<v Speaker 3>Oh that's where you know. My career started in eighty six.

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<v Speaker 3>So eighty six was a big year for me. I

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<v Speaker 3>think by ten I was I had my first little

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<v Speaker 3>dirt bike motorcycle. So I started riding around the streets

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<v Speaker 3>and my dirt bike and it was a laser tag

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<v Speaker 3>was big.

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<v Speaker 2>Wait did you wear safety gear?

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<v Speaker 1>Of course? Oh yeah, yeah, oh you did.

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<v Speaker 2>Okay.

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<v Speaker 3>If my parents are attorneys, they weren't going to let

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<v Speaker 3>me anywhere unless I was covered head to toe.

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<v Speaker 4>I always just think about now, even just we're getting

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<v Speaker 4>you know, Monroe her first tricycle or whatever, bicycle and

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<v Speaker 4>scooter and stuff, and you go on Amazon, the only

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<v Speaker 4>place to get stuff like that anymore this point, and

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<v Speaker 4>there's a whole package.

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<v Speaker 2>You don't just get a helmet.

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<v Speaker 4>It's risk guards, elbow guard's, knee pads. I'm basically putting

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<v Speaker 4>it out there.

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<v Speaker 2>In a bubble wrap.

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<v Speaker 4>And it's like, I can't imagine that's how it was

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<v Speaker 4>back in the day. I don't remember having all of

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<v Speaker 4>that when I was rollerblading for the first time or

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<v Speaker 4>bicycling regular bicycle.

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<v Speaker 3>The idea of wearing a helmet in the eighties when

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<v Speaker 3>you just were on your bike was insane. You'd fall,

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<v Speaker 3>you'd hit your head, you'd forget that day and you'd

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<v Speaker 3>start again the next day.

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<v Speaker 1>That's that's what happened. It's better Now with.

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<v Speaker 2>That say yes, absolutely, absolutely.

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<v Speaker 3>Oh, welcome back to Magical Rewind, the show that makes

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<v Speaker 3>you want to grab your friends, your pjs, and your

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<v Speaker 3>popcorn and go back to a time when all the

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<v Speaker 3>houses were smart, the waves, Tsunamis and the high School's musical.

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<v Speaker 1>I'm Wilford Del.

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<v Speaker 2>And I'm Sabrina Bryan, and we are talking.

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<v Speaker 3>About nineteen eighty six for a very good reason. It's

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<v Speaker 3>because it's time to wrangle the kids and save the orphanage.

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<v Speaker 3>Because this week we're traveling back to that wonderful year

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<v Speaker 3>of nineteen eighty six with the Wonderful World of Disney

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<v Speaker 3>movie The Leftovers. Now, it's a film from Disney's past

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<v Speaker 3>that has been completely and totally destroyed in Google searches

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<v Speaker 3>by the much more recent HBO show from Damon Lindelof.

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<v Speaker 3>It originally aired on Sunday Night on ABC, and it

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<v Speaker 3>would eventually replay ten times on the Disney Channel in

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<v Speaker 3>nineteen ninety, which gave it a bit of a second life.

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<v Speaker 3>It debuted on November sixteenth, nineteen eighty six, and to

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<v Speaker 3>get ahead of ourselves a little bit here, it stars singer,

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<v Speaker 3>songwriter and superstar of the time, John Denver, who is

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<v Speaker 3>one of the best selling artists of the seventies. He

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<v Speaker 3>sold over thirty three million records Wow and Yeah. And

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<v Speaker 3>he started his acting during the explosion of his career,

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<v Speaker 3>breaking out in the nineteen seventy seven movie Blockbuster Movie,

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<v Speaker 3>great film, George Burns' comedy Oh God, which then had

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<v Speaker 3>a great sequel, Oh God, You Devil. But then he

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<v Speaker 3>took almost ten years off from TV and movies, and

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<v Speaker 3>it was actually this movie, The Leftovers, that brought him

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<v Speaker 3>back to acting. And not only did it mark the

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<v Speaker 3>return of the musical phenomenon, it was early in the

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<v Speaker 3>careers of so many actors.

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<v Speaker 4>This was so Probably my favorite part of the movie

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<v Speaker 4>is the first time so many of these very young

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<v Speaker 4>actors that I had never seen, yeah, acting that young before.

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<v Speaker 4>You know, at that age again, I was young, really young.

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<v Speaker 4>This I mean was like ah, I mean, they just

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<v Speaker 4>kept at the first like ten minutes of the movie,

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<v Speaker 4>they just kept popping up.

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<v Speaker 2>In your face and you're like, wait, what, Oh my gosh.

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<v Speaker 3>You know, there is almost no one in this movie

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<v Speaker 3>that I don't recognize, from from the bit players to

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<v Speaker 3>the bigger I mean, it's like one person after another. Yeah,

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<v Speaker 3>became bigger actors. Character actors went on to star on TV.

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<v Speaker 3>It is a stacked cast and we will get into

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<v Speaker 3>that before we do. Though, you can watch the leftovers

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<v Speaker 3>for the Freeze.

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<v Speaker 1>That's right.

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<v Speaker 3>It costs you no money on YouTube, which is on

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<v Speaker 3>the computer machine, so you can go watch it now

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<v Speaker 3>if you like or don't.

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<v Speaker 1>You can only lead a horse to water.

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<v Speaker 2>Yes.

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<v Speaker 4>One tidbit though, it the one you want to download

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<v Speaker 4>from YouTube is the picture with with John Denver, because

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<v Speaker 4>otherwise when I.

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<v Speaker 2>First started going, it was part one, ten minutes Part two.

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<v Speaker 1>I oh, you had one of the broken up ones.

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<v Speaker 2>Oh no, I couldn't.

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<v Speaker 4>And then I realized, oh wait, and I found another one,

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<v Speaker 4>and that's a full.

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<v Speaker 1>Nice, very the whole movie. It looks great.

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<v Speaker 3>Yeah, it's actually a John Denver fan page that posted

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<v Speaker 3>that posted the full movie.

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<v Speaker 2>That's why I didn't think it was an actual movie.

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<v Speaker 1>Yeah, I thought it was.

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<v Speaker 4>I thought it was going to be a montage of

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<v Speaker 4>all their favorite greats and hits and all that Johnny.

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<v Speaker 2>So that's a good tipic.

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<v Speaker 4>Guys, go to the one where it's a nice little

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<v Speaker 4>album looking picture of him, and that is a full

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<v Speaker 4>movie for you.

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<v Speaker 1>That is from beginning to end.

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<v Speaker 3>Now, one thing I want to talk about right at

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<v Speaker 3>the beginning here is because you played a very famous

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<v Speaker 3>foster child in Cheetah Girls. I mean, so another Disney famous,

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<v Speaker 3>kind of not really famous trope. But I mean a

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<v Speaker 3>lot of kids movies deal with orphanages or with foster children.

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<v Speaker 3>So I mean, did you know anything about the leftovers

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<v Speaker 3>when you film Cheatah Girls? Was this like, I'm going

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<v Speaker 3>to go watch that movie, now get in character for

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<v Speaker 3>the Cheater Girls.

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<v Speaker 4>Well, as a matter of fact, I kept finding myself

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<v Speaker 4>just because we didn't dive in much after the first

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<v Speaker 4>movie of being a foster child. That was kind of

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<v Speaker 4>the big chunk that you got within the three movies.

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<v Speaker 4>But what it all sets up is kind of more

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<v Speaker 4>what I feel most movies set it up is not

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<v Speaker 4>a great place to grow up, not a lot of stuff.

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<v Speaker 4>And the beginning of the movie, as we're going through it,

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<v Speaker 4>I don't want to jump ahead too much, but these

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<v Speaker 4>kids had the biggest rooms, huge homes, giant house.

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<v Speaker 1>All their stuff, bikes and stuff.

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<v Speaker 4>Yeah, so this was very different than what we were

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<v Speaker 4>trying to portray within my character of not having a lot,

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<v Speaker 4>you know, really struggling having to kind of pick in

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<v Speaker 4>piece little outfits together for her, you know, cute vibe

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<v Speaker 4>things like that.

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<v Speaker 2>This was a little bit different.

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<v Speaker 3>Yeah, we'll talk about that, because it does seem like

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<v Speaker 3>the environment they were in did not seem to be

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<v Speaker 3>very foster. You know, again, I don't know much about

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<v Speaker 3>the foster care system, but I do not imagine it

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<v Speaker 3>was much like this right set up that day.

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<v Speaker 4>At least is how it always played out on the media,

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<v Speaker 4>you know what I mean, on movies and TVs.

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<v Speaker 1>Yeah, they really set this one.

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<v Speaker 2>It was a cool house with some cool crazing.

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<v Speaker 3>Yes, all right, So before we perform surgery on a

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<v Speaker 3>dolls broken leg or remove part of its brain, let's

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<v Speaker 3>get into the synopsis here. The director of a foster

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<v Speaker 3>home hires a young widow. Weirdly, we'll get into that too,

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<v Speaker 3>how she just shows up. But the director of foster

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<v Speaker 3>home hires a young widow to keep house for his

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<v Speaker 3>family of forgotten orphans, only to find out there's a

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<v Speaker 3>devious plan set in motion to completely shut down and

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<v Speaker 3>sell the house right right off the bat. What did

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<v Speaker 3>you think of the film?

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<v Speaker 4>So again, one of the things that really first of all,

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<v Speaker 4>the very first thing I thought was, I asked, Jordan,

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<v Speaker 4>who work? My husband and I are watching it together,

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<v Speaker 4>and there's this contraption on a bicycle that flings out

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<v Speaker 4>her newspapers.

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<v Speaker 1>Newspaper.

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<v Speaker 4>Now again, by the time I came around newspapers, someone

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<v Speaker 4>was driving in a car, maybe throwing them. I don't

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<v Speaker 4>even really think I ever paid attention to how much

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<v Speaker 4>how a newspaper came to the door or on the driveway.

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<v Speaker 2>But this was new to me, and so I'm going, Jordan,

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<v Speaker 2>is that how he goes? He's younger than me. He's like,

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<v Speaker 2>I have no idea. I don't know if that's a

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<v Speaker 2>normal newspaper contraption. I'm like, that thing's kind of cool.

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<v Speaker 3>Yeah, oh no, oh, so wait you he thought that

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<v Speaker 3>maybe in the eighties there was an actual newspaper cannon

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<v Speaker 3>that attached to bikes.

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<v Speaker 2>Yes, those are cool.

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<v Speaker 1>What what were the eighties like in your mind? I'm curious,

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<v Speaker 1>very brief and not really existent.

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<v Speaker 2>So I had no idea.

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<v Speaker 3>I think we have to assume that that is her

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<v Speaker 3>inventor brother.

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<v Speaker 2>Once I find.

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<v Speaker 4>Out she's got an inventor brother, and I see all

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<v Speaker 4>his other gadgets, That's when I said, oh, man, Will's

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<v Speaker 4>going to.

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<v Speaker 1>Young people wondering about if we had newspaper launchers attached

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<v Speaker 1>to the bikes in the eighties.

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<v Speaker 4>Sorry, I'm sorry, I know, I you know, but it

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<v Speaker 4>had to be said because it really happened to me

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<v Speaker 4>while I was watching this movie.

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<v Speaker 1>Did you like the film overall?

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<v Speaker 4>I thought there was so many holes and not making

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<v Speaker 4>sense points and things that I'm excited to kind of

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<v Speaker 4>dive into. But I did love Again. I loved the

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<v Speaker 4>young cast. Yeah, and I thought I thought they're little

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<v Speaker 4>characters and their idea of this close knit family that

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<v Speaker 4>you again, which is such a great message. You don't

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<v Speaker 4>always have to be born into this amazing tight knit family.

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<v Speaker 4>You can create that, you know, and these kids embracing

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<v Speaker 4>it and him as a as a foster dad for them.

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<v Speaker 4>He I mean, especially towards the end. And I will

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<v Speaker 4>say that if in my Sabrina Seaes, if we don't

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<v Speaker 4>cover I teered up.

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<v Speaker 2>There was one cut that I teared up.

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<v Speaker 4>So, I you know, there were quite a few things

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<v Speaker 4>that were hard to get over. It wasn't I was

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<v Speaker 4>not excited to jump and watch it for a second time,

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<v Speaker 4>that's for sure. Yeah, maybe down the line, I will,

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<v Speaker 4>But it was it was pretty good.

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<v Speaker 2>It was pretty good.

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<v Speaker 1>I kind of felt the same way again.

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<v Speaker 3>The cast stellar great to see all the young talent

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<v Speaker 3>that was there.

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<v Speaker 1>Yeah, John Denver.

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<v Speaker 4>I'm assuming in their like firs first roles to these

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<v Speaker 4>little kids right by their first opportunity.

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<v Speaker 3>This was par for the course back in the eighties,

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<v Speaker 3>especially which was I mean not the newspaper shooters that

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<v Speaker 3>was a fake thing, but taking a movie like so ABC, NBC, Disney,

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<v Speaker 3>they would all do this thing where they would take

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<v Speaker 3>these movies of the week and you would cast it

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<v Speaker 3>as many people that were big on television at the

0:11:00.360 --> 0:11:03.079
<v Speaker 3>time as possible, you know, And I think NBC was

0:11:03.080 --> 0:11:05.080
<v Speaker 3>the one that really started to do it with movies

0:11:05.120 --> 0:11:08.000
<v Speaker 3>like Poison IVY or High School USA, where they would

0:11:08.000 --> 0:11:10.120
<v Speaker 3>take Michael J. Fox, they would take cast members from

0:11:10.360 --> 0:11:12.280
<v Speaker 3>different strokes and they put them all into one kind

0:11:12.280 --> 0:11:14.720
<v Speaker 3>of movie. So this was a fun version of that

0:11:14.840 --> 0:11:18.920
<v Speaker 3>where it hadn't it happened without them knowing it, meaning

0:11:18.960 --> 0:11:21.520
<v Speaker 3>that a bunch of the kids they cast would then.

0:11:21.440 --> 0:11:26.480
<v Speaker 1>Go on ye incredible career. So I felt the same way.

0:11:26.679 --> 0:11:29.720
<v Speaker 3>A lot of it made absolutely no sense, It needed

0:11:29.720 --> 0:11:34.160
<v Speaker 3>a solid rewrite, but it was It was fun for

0:11:35.160 --> 0:11:35.720
<v Speaker 3>what it was.

0:11:36.080 --> 0:11:36.320
<v Speaker 4>Yeah.

0:11:36.520 --> 0:11:47.040
<v Speaker 1>So, yeah, we keep talking about the cast that's stacked.

0:11:47.040 --> 0:11:47.880
<v Speaker 1>Why don't we get into.

0:11:47.720 --> 0:11:50.640
<v Speaker 2>The get into it because it's pretty awesome.

0:11:50.960 --> 0:11:51.600
<v Speaker 1>It really is.

0:11:51.960 --> 0:11:54.520
<v Speaker 3>So we've already mentioned that the movie stars John Denver.

0:11:54.600 --> 0:11:56.119
<v Speaker 3>He plays Max Sinclair.

0:11:56.200 --> 0:11:56.400
<v Speaker 4>Now.

0:11:56.520 --> 0:11:59.560
<v Speaker 3>John Denver was obviously a singing and songwriting legend who

0:11:59.600 --> 0:12:00.400
<v Speaker 3>dabbled TV.

0:12:00.920 --> 0:12:02.960
<v Speaker 1>So the hit songs are one after another.

0:12:03.040 --> 0:12:06.520
<v Speaker 3>It's Leaving on a jet plane, take Me Home, Country Road,

0:12:06.600 --> 0:12:07.400
<v Speaker 3>Rocky Mountain High.

0:12:07.440 --> 0:12:09.920
<v Speaker 1>I mean, just one kind of hit after another.

0:12:10.240 --> 0:12:13.080
<v Speaker 3>He also became the first American artist to tour the

0:12:13.280 --> 0:12:16.839
<v Speaker 3>USSR after the Cold War, and it was considered a

0:12:16.880 --> 0:12:19.719
<v Speaker 3>massive moment in a very tense situation between the two megapowers.

0:12:19.720 --> 0:12:22.080
<v Speaker 3>He was also the first Western artist to do a

0:12:22.120 --> 0:12:25.280
<v Speaker 3>multi city tour of mainland China in nineteen ninety two.

0:12:25.440 --> 0:12:28.920
<v Speaker 3>John Denver was like the guy you called when when

0:12:29.280 --> 0:12:32.840
<v Speaker 3>a country finally opened up and something western was allowed,

0:12:32.840 --> 0:12:35.480
<v Speaker 3>we'd send John Denver, Like, there you go, John, take

0:12:35.520 --> 0:12:39.640
<v Speaker 3>it for us, Golden Boy. He was a huge fan

0:12:39.920 --> 0:12:42.839
<v Speaker 3>of airplanes. He famously wanted to be one of the

0:12:42.880 --> 0:12:44.680
<v Speaker 3>first people to go in the Space Shuttle. When he

0:12:44.800 --> 0:12:47.760
<v Speaker 3>was one of the people considered actually when Kristam Kaliffe,

0:12:47.920 --> 0:12:50.719
<v Speaker 3>the unfortunate teacher who died in nineteen eighty six on

0:12:50.880 --> 0:12:53.080
<v Speaker 3>the shuttle Challenger. John Denver was one of the people

0:12:53.080 --> 0:12:55.280
<v Speaker 3>that was actually considered to go up on the shuttle

0:12:55.280 --> 0:12:55.640
<v Speaker 3>as well.

0:12:55.840 --> 0:12:57.520
<v Speaker 1>He loved being a pilot.

0:12:57.559 --> 0:12:59.240
<v Speaker 3>It was one of his first love's next to music,

0:12:59.240 --> 0:13:02.080
<v Speaker 3>and unfortunately it cost him his life because he tragically

0:13:02.080 --> 0:13:05.440
<v Speaker 3>died in nineteen ninety seven while piloting an experimental aircraft

0:13:05.440 --> 0:13:08.280
<v Speaker 3>above Monterey Bay, and he was only fifty three years old,

0:13:08.360 --> 0:13:11.160
<v Speaker 3>which is a shame. Second on the call sheet is

0:13:11.200 --> 0:13:15.600
<v Speaker 3>Cindy Williams, who is another television legend. She is universally

0:13:15.640 --> 0:13:19.199
<v Speaker 3>beloved as Shirley Feenie, Yes that is her last name,

0:13:19.240 --> 0:13:21.679
<v Speaker 3>Shirley Feenie in Laverne and Shirley, a sitcom that is

0:13:21.679 --> 0:13:24.120
<v Speaker 3>still considered one of the greatest ever created. She plays

0:13:24.200 --> 0:13:27.280
<v Speaker 3>Heather Drew. That's the nanny that's hired and I'm putting

0:13:27.320 --> 0:13:29.920
<v Speaker 3>hired in quotes. She just shows up, which is really weird,

0:13:30.280 --> 0:13:32.559
<v Speaker 3>to help at the orphanage in exchange for room board.

0:13:33.000 --> 0:13:35.439
<v Speaker 3>Williams would also appear in the movies American Graffiti and

0:13:35.480 --> 0:13:37.959
<v Speaker 3>The Conversation and was working as recently as last year

0:13:38.000 --> 0:13:38.319
<v Speaker 3>when she.

0:13:38.280 --> 0:13:41.079
<v Speaker 1>Passed away at the age of seventy five. Very unfortunate.

0:13:41.160 --> 0:13:45.520
<v Speaker 3>She was a great, great television presence, especially and television legend.

0:13:45.760 --> 0:13:47.080
<v Speaker 1>And then a friend of mine.

0:13:47.120 --> 0:13:51.080
<v Speaker 3>Pam Adlon, but credited as Pam Saghal, plays Jesse, the

0:13:51.080 --> 0:13:53.839
<v Speaker 3>street smart orphan with a strong sense of friendship. Pam

0:13:53.840 --> 0:13:55.720
<v Speaker 3>has been acting since the age of nine, but it

0:13:55.760 --> 0:13:58.080
<v Speaker 3>wasn't until her fifties that she became a familiar name

0:13:58.120 --> 0:14:00.839
<v Speaker 3>in pop culture. She began her career in Greece two

0:14:00.960 --> 0:14:02.880
<v Speaker 3>and would appear on shows like Facts of Life in

0:14:02.960 --> 0:14:05.520
<v Speaker 3>Night Court. She was in movies like Say Anything, The

0:14:05.559 --> 0:14:08.640
<v Speaker 3>Adventures of Ford Fairlane, but it wasn't until thirty years

0:14:08.720 --> 0:14:13.400
<v Speaker 3>later that her role on Louis and then the spinoff.

0:14:13.480 --> 0:14:15.400
<v Speaker 3>I guess it's kind of a spinoff, but not really.

0:14:15.480 --> 0:14:17.839
<v Speaker 3>It's more about her life better things that she'd find

0:14:17.840 --> 0:14:20.880
<v Speaker 3>herself nominated for six Emmy Awards. She is also, and

0:14:20.920 --> 0:14:23.560
<v Speaker 3>I can say this, one of the most talented and

0:14:23.640 --> 0:14:26.320
<v Speaker 3>heralded voice actors of all time. She's best known as

0:14:26.320 --> 0:14:28.200
<v Speaker 3>Bobby Hill on King of the Hill, a role that

0:14:28.200 --> 0:14:29.880
<v Speaker 3>she won an Emmy four in two thousand and two.

0:14:30.360 --> 0:14:32.640
<v Speaker 3>And here's some other things. She's been in of the

0:14:33.200 --> 0:14:36.960
<v Speaker 3>hundreds of I mean, she's a legend in the animation world.

0:14:37.040 --> 0:14:39.760
<v Speaker 3>Rick and Morty, Bob's, Burger's, Phineas and ferb Rugrats and

0:14:39.800 --> 0:14:43.440
<v Speaker 3>Recess where she was Spinelli. She was also my Pumyra

0:14:44.040 --> 0:14:46.960
<v Speaker 3>to my Liono in ThunderCats and I got to write.

0:14:47.160 --> 0:14:48.640
<v Speaker 1>I wrote the two episodes she was in. It was

0:14:48.680 --> 0:14:49.360
<v Speaker 1>really really cool.

0:14:49.680 --> 0:14:50.120
<v Speaker 2>Wow.

0:14:50.760 --> 0:14:54.440
<v Speaker 3>And she's the nicest, sweetest. What you see is what

0:14:54.520 --> 0:14:57.520
<v Speaker 3>you get with Pam. She's so funny and she's was

0:14:57.640 --> 0:14:59.480
<v Speaker 3>a talented actor even back in the day.

0:14:59.480 --> 0:15:01.880
<v Speaker 1>It's just some meant to be in this industry.

0:15:02.000 --> 0:15:03.880
<v Speaker 2>Yes, she was so cute.

0:15:03.920 --> 0:15:04.480
<v Speaker 1>She is great.

0:15:04.880 --> 0:15:07.760
<v Speaker 3>And then Friend of Ours, friend of all the podcasts

0:15:07.800 --> 0:15:11.600
<v Speaker 3>in the world. Andrew Barber plays Zoe, the quirky stuffed

0:15:11.600 --> 0:15:14.560
<v Speaker 3>animal doctor living in the orphanage Andrews, best known as

0:15:14.600 --> 0:15:18.000
<v Speaker 3>the iconic Kimmy Gibbler from full and Fuller House.

0:15:18.840 --> 0:15:22.000
<v Speaker 1>This is well over a year before that.

0:15:22.320 --> 0:15:24.320
<v Speaker 3>Uh, the audition for full House when she was just

0:15:24.360 --> 0:15:25.720
<v Speaker 3>little kid was this movie.

0:15:25.760 --> 0:15:26.920
<v Speaker 1>So she was already rocking it.

0:15:26.960 --> 0:15:27.480
<v Speaker 2>Wow.

0:15:27.640 --> 0:15:30.000
<v Speaker 4>So she was even younger than I thought when she

0:15:30.160 --> 0:15:31.160
<v Speaker 4>did Full House.

0:15:31.280 --> 0:15:33.800
<v Speaker 3>Yeah, they were that's when we talked to the Full House. Uh,

0:15:33.920 --> 0:15:36.280
<v Speaker 3>to everybody from Full House. They were all younger than

0:15:36.280 --> 0:15:38.400
<v Speaker 3>we thought they were. Yeah, I mean you're talking to

0:15:38.520 --> 0:15:39.440
<v Speaker 3>Jody and everybody there.

0:15:39.480 --> 0:15:41.000
<v Speaker 1>They were kids. They were like kid kids.

0:15:41.120 --> 0:15:43.560
<v Speaker 2>Aby started ye yeah gee and.

0:15:43.480 --> 0:15:45.000
<v Speaker 1>At only six years old.

0:15:45.040 --> 0:15:48.160
<v Speaker 3>Andrew also appeared in almost one hundred episodes of Days

0:15:48.200 --> 0:15:49.920
<v Speaker 3>of Our Lives. We talked to her about that. I

0:15:49.920 --> 0:15:52.360
<v Speaker 3>think she was at Bowen Hope's wedding. Don't get me started.

0:15:53.800 --> 0:15:57.920
<v Speaker 3>And now while we're talking TGIF, Jalil White played Jake,

0:15:58.160 --> 0:16:01.280
<v Speaker 3>the culinary and airline friendly young chef of the house.

0:16:01.520 --> 0:16:04.840
<v Speaker 3>He's another Family TV icon, obviously known as Steve Erkele

0:16:04.880 --> 0:16:07.240
<v Speaker 3>from Family Matters, a character that would later appear on

0:16:07.280 --> 0:16:11.720
<v Speaker 3>Full House. So we get a little early sign of

0:16:11.760 --> 0:16:15.120
<v Speaker 3>the things that are going to come in Hollywood in

0:16:15.160 --> 0:16:19.200
<v Speaker 3>the Leftovers with Jaliel very very young again, this is

0:16:19.240 --> 0:16:22.080
<v Speaker 3>only his fifth job in Hollywood at the time. This

0:16:22.120 --> 0:16:24.160
<v Speaker 3>is nineteen eighty six. And then of course Erkele takes

0:16:24.160 --> 0:16:27.160
<v Speaker 3>over and becomes an absolute household.

0:16:27.400 --> 0:16:30.040
<v Speaker 4>He was just meant to be a character actor. And

0:16:30.080 --> 0:16:32.600
<v Speaker 4>it starts here. There wasn't a whole lot of stuff

0:16:32.600 --> 0:16:34.520
<v Speaker 4>that you could tell was actually given to him with

0:16:34.560 --> 0:16:38.680
<v Speaker 4>this character, but he plays it. He was so animated,

0:16:38.800 --> 0:16:41.840
<v Speaker 4>and I mean he just is just so freaking cute.

0:16:42.080 --> 0:16:43.320
<v Speaker 1>He just lights up the screen.

0:16:44.000 --> 0:16:45.920
<v Speaker 3>One of those kids doesn't matter how old you are,

0:16:46.080 --> 0:16:48.440
<v Speaker 3>that you know what you're born to do, and just

0:16:48.520 --> 0:16:51.960
<v Speaker 3>absolutely lights up the screen. I mean, I know it's

0:16:52.000 --> 0:16:55.600
<v Speaker 3>crazy to kind of equate these, but it's like a

0:16:55.640 --> 0:16:57.840
<v Speaker 3>Shirley Temple where it didn't matter how old they were,

0:16:58.040 --> 0:17:00.640
<v Speaker 3>you just put them on screen and they light up.

0:17:00.680 --> 0:17:01.480
<v Speaker 1>They light up everything.

0:17:01.480 --> 0:17:03.320
<v Speaker 2>You can't take it and easily.

0:17:03.480 --> 0:17:06.280
<v Speaker 1>And a lot of this cast were those young actors.

0:17:06.280 --> 0:17:06.840
<v Speaker 1>They really were.

0:17:07.600 --> 0:17:11.480
<v Speaker 3>Then we've got George Weiner, who plays the evil mister Gladstone,

0:17:11.520 --> 0:17:14.119
<v Speaker 3>the money hungry owner of the orphanage who doesn't believe

0:17:14.119 --> 0:17:16.320
<v Speaker 3>in Max's way of running the business and is looking

0:17:16.359 --> 0:17:18.760
<v Speaker 3>to well sell it all off. Winer is a widely

0:17:18.760 --> 0:17:23.240
<v Speaker 3>recognizable character actor known for Spaceball's Fletch, not another teenage movie.

0:17:23.720 --> 0:17:26.920
<v Speaker 3>He is also one of the many people in this

0:17:27.080 --> 0:17:29.720
<v Speaker 3>movie that was also on Boy Meets World. So there's

0:17:29.720 --> 0:17:32.520
<v Speaker 3>more to come, but he just covered his episode. He's

0:17:32.600 --> 0:17:35.480
<v Speaker 3>been in everything, oh wow. And he was so funny

0:17:35.480 --> 0:17:38.240
<v Speaker 3>in Fletch, but and in Spaceballs. I mean just hysterical.

0:17:39.119 --> 0:17:41.760
<v Speaker 3>The movie runs ninety four minutes. Again, we're so close,

0:17:41.840 --> 0:17:45.439
<v Speaker 3>We're four minutes off from our ninety minute mark that

0:17:45.480 --> 0:17:47.760
<v Speaker 3>we are just trying to hit. Someday, somebody who's gonna

0:17:47.760 --> 0:17:50.520
<v Speaker 3>make it ninety minute movie. It was directed by Paul Schneider,

0:17:50.560 --> 0:17:54.000
<v Speaker 3>a veteran of TV movies and TV shows. His resume

0:17:54.080 --> 0:17:56.359
<v Speaker 3>includes Beverly Hills, nine Ozho two or Zero, Myth Quest,

0:17:56.440 --> 0:17:59.320
<v Speaker 3>and the movie You Lucky Doug. It's written by and

0:17:59.359 --> 0:18:01.560
<v Speaker 3>I'm gonna say this name twice because it's spelled g

0:18:01.720 --> 0:18:05.200
<v Speaker 3>e N, So it's either gen or Jen Leroy, who

0:18:05.280 --> 0:18:08.200
<v Speaker 3>also wrote the Disney movie Rock and Roll Mom, and

0:18:08.280 --> 0:18:10.879
<v Speaker 3>Steve Slapkin, who go on to write another kind of

0:18:10.960 --> 0:18:14.760
<v Speaker 3>Kids Run the Asylum Show Salute Your Shorts. Okay, now

0:18:15.640 --> 0:18:18.040
<v Speaker 3>we need to save The orphanage trope is very classic

0:18:18.119 --> 0:18:19.960
<v Speaker 3>and it's a specific trope that dates all the way

0:18:19.960 --> 0:18:22.280
<v Speaker 3>back to the Three Stooges. Other movies in the genre

0:18:22.400 --> 0:18:27.360
<v Speaker 3>include sisterrac two, Snowball Express, and Jessica Alba's Honey Never

0:18:27.359 --> 0:18:30.160
<v Speaker 3>Saw That. There are other versions of it as well,

0:18:30.200 --> 0:18:33.000
<v Speaker 3>you know, obviously Saving the YMCA or an Old Folks Home. Now,

0:18:33.040 --> 0:18:36.680
<v Speaker 3>there are movies that are super important in my life

0:18:36.760 --> 0:18:39.800
<v Speaker 3>when it comes to stuff such as Break into Electric

0:18:39.800 --> 0:18:42.200
<v Speaker 3>Boogloo where Man they had to go save the rec

0:18:42.240 --> 0:18:46.000
<v Speaker 3>Center hugely great film that was very important to my childhood.

0:18:46.200 --> 0:18:49.320
<v Speaker 3>Or Happy Gilmour uhf another great movie. These are all

0:18:49.400 --> 0:18:52.600
<v Speaker 3>variations of the theme of we've got to save something.

0:18:53.880 --> 0:18:55.679
<v Speaker 3>So what do you think of this premise as a

0:18:55.680 --> 0:18:59.120
<v Speaker 3>start for the film? I mean, just basic but good, right.

0:18:59.320 --> 0:19:03.800
<v Speaker 4>Right, And the way it kind of comes out, I

0:19:03.840 --> 0:19:06.680
<v Speaker 4>felt started to lag a little bit to figure out

0:19:06.680 --> 0:19:09.840
<v Speaker 4>what their actual mission was going to be, right, that

0:19:09.880 --> 0:19:12.040
<v Speaker 4>got a little murky yeah, kind.

0:19:11.840 --> 0:19:14.640
<v Speaker 2>Of bounce back and forth. I was waiting for what's

0:19:14.680 --> 0:19:16.080
<v Speaker 2>the mission? Where are we going?

0:19:16.200 --> 0:19:16.399
<v Speaker 3>You know?

0:19:16.560 --> 0:19:19.800
<v Speaker 4>But but other than that, I mean it it's always fun,

0:19:19.880 --> 0:19:22.520
<v Speaker 4>especially when you have a young cast, to see how

0:19:22.600 --> 0:19:24.600
<v Speaker 4>they're going to figure out, you know.

0:19:24.800 --> 0:19:26.240
<v Speaker 2>I loved that they.

0:19:26.320 --> 0:19:28.880
<v Speaker 4>Had to take bikes in the middle of the night, Yes,

0:19:29.440 --> 0:19:32.359
<v Speaker 4>jumping in someone's car and having someone drive them, that

0:19:32.440 --> 0:19:36.440
<v Speaker 4>kind of stuff. Having kids figure out fun, interesting ways

0:19:36.560 --> 0:19:38.879
<v Speaker 4>to complete the mission is.

0:19:38.880 --> 0:19:41.800
<v Speaker 2>Always always still being kids, Yeah, still being kids.

0:19:41.840 --> 0:19:43.840
<v Speaker 4>Yeah, you know, they're limited, and so they've got to

0:19:43.880 --> 0:19:46.000
<v Speaker 4>find some fun different ways.

0:19:46.040 --> 0:19:48.760
<v Speaker 3>So so do you think the fact that they're living

0:19:48.800 --> 0:19:53.240
<v Speaker 3>in a giant Victorian style house where every kid gets

0:19:53.240 --> 0:19:57.440
<v Speaker 3>a six hundred square foot loft suite of their own. Yeah,

0:19:57.800 --> 0:20:01.520
<v Speaker 3>maybe if they just downsize to a regular size house,

0:20:01.680 --> 0:20:03.439
<v Speaker 3>could that have solved all the problem?

0:20:03.680 --> 0:20:08.840
<v Speaker 4>Yes, probably, you know, maybe sub let it out, let

0:20:08.880 --> 0:20:10.160
<v Speaker 4>out the upstairs.

0:20:10.240 --> 0:20:12.840
<v Speaker 2>That's a huge it is giant.

0:20:13.080 --> 0:20:14.560
<v Speaker 3>I think what they were kind of this is why

0:20:14.600 --> 0:20:16.800
<v Speaker 3>it's called the leftovers. I think what they're kind of

0:20:16.800 --> 0:20:20.080
<v Speaker 3>trying to insinuate is that it was full of kids.

0:20:20.200 --> 0:20:22.120
<v Speaker 2>Multi Yes, that's how I took it too.

0:20:22.240 --> 0:20:24.840
<v Speaker 3>Yeah, and they got adopted, and these are the kids

0:20:24.880 --> 0:20:26.879
<v Speaker 3>that didn't get it. DS are the leftovers, which is

0:20:26.920 --> 0:20:29.880
<v Speaker 3>what they're called obviously. But it still seems like, hey,

0:20:29.920 --> 0:20:33.480
<v Speaker 3>mister Gladstone, why don't we sell this multi million dollar

0:20:33.560 --> 0:20:36.640
<v Speaker 3>building and move into a smaller place. Then you get

0:20:36.640 --> 0:20:39.120
<v Speaker 3>what you want, I get what I want. Bob's your uncle,

0:20:39.200 --> 0:20:42.520
<v Speaker 3>we're all good to go. That, of course, did not happen,

0:20:42.600 --> 0:20:44.480
<v Speaker 3>but it seemed like an easy way to save the money,

0:20:44.760 --> 0:20:47.359
<v Speaker 3>right speaking of the evil mister Gladstone, or would have

0:20:47.400 --> 0:20:50.800
<v Speaker 3>gotten away with it wasn't for you meddling kids. Right

0:20:50.840 --> 0:20:53.960
<v Speaker 3>off the bat, we learned that he's visiting the orphanage,

0:20:54.400 --> 0:20:56.600
<v Speaker 3>so he's at the start of the movie.

0:20:56.600 --> 0:20:57.159
<v Speaker 1>He's coming in.

0:20:57.600 --> 0:20:59.960
<v Speaker 3>We learn right away that he's an awful human being

0:21:00.560 --> 0:21:03.439
<v Speaker 3>and all the kids and John Denver Max need to

0:21:03.440 --> 0:21:05.760
<v Speaker 3>be on their best behavior while he's there, and so

0:21:05.880 --> 0:21:08.119
<v Speaker 3>Jesse runs around she warns all the kids in the house.

0:21:08.640 --> 0:21:15.960
<v Speaker 3>Zoe has a very, very weird obsession with brutally operating

0:21:16.000 --> 0:21:20.480
<v Speaker 3>on and kind of ripping apart dolls, which I think

0:21:20.600 --> 0:21:24.280
<v Speaker 3>is one of the triads of sociopathy, if I'm not wrong.

0:21:24.840 --> 0:21:28.960
<v Speaker 2>Yeah, it was creepy, but like hilarious I thought.

0:21:29.040 --> 0:21:31.600
<v Speaker 4>I mean, she there's at one point where she doesn't

0:21:31.760 --> 0:21:36.119
<v Speaker 4>she's not using scissors or you know, she's using a

0:21:36.160 --> 0:21:40.719
<v Speaker 4>full blown saw because she saw her doll in half.

0:21:41.160 --> 0:21:43.560
<v Speaker 2>Yeah, you know she's giving it CPR.

0:21:44.240 --> 0:21:47.760
<v Speaker 4>She sleeps with the doll because she's had an emergency

0:21:47.800 --> 0:21:49.520
<v Speaker 4>in the middle of the night. I mean, this kid's

0:21:49.840 --> 0:21:54.680
<v Speaker 4>little brain in her imagination is just wild.

0:21:55.000 --> 0:21:58.479
<v Speaker 2>Every kid's gory, but it's just it's so epic.

0:21:58.560 --> 0:22:02.440
<v Speaker 4>You have to think it's pretty adorable, right when they

0:22:02.480 --> 0:22:03.359
<v Speaker 4>go that far.

0:22:03.720 --> 0:22:06.120
<v Speaker 3>I mean, yeah, I would say it's adorable at this age.

0:22:06.119 --> 0:22:08.359
<v Speaker 3>If she's still ripping apart stuff at eleven or twelve,

0:22:08.400 --> 0:22:09.000
<v Speaker 3>it might be time.

0:22:09.280 --> 0:22:13.360
<v Speaker 4>Yes, she seemed they played her very very young, so

0:22:13.760 --> 0:22:15.400
<v Speaker 4>that made it less.

0:22:15.320 --> 0:22:18.000
<v Speaker 1>Creepy in it they did, which is which works perfect.

0:22:18.080 --> 0:22:19.439
<v Speaker 2>It wasn't the kid in toy story.

0:22:19.680 --> 0:22:25.159
<v Speaker 3>Yeah, except so she's got her her doll hospital. And

0:22:25.160 --> 0:22:27.720
<v Speaker 3>then we've got Julia White's Jake, who's a health food

0:22:27.760 --> 0:22:31.439
<v Speaker 3>obsessed culinary expert. Charlie the science and technology inventor who

0:22:31.600 --> 0:22:35.320
<v Speaker 3>uses the addict to work with gravitational fields and meatball launchers.

0:22:35.359 --> 0:22:38.399
<v Speaker 3>Now the actor for this. The second he popped on screen,

0:22:38.400 --> 0:22:40.800
<v Speaker 3>I was like, oh, yes, his name is Jason Presen

0:22:41.520 --> 0:22:43.919
<v Speaker 3>or Pressin. I think it's pressing. He was also in

0:22:43.920 --> 0:22:46.240
<v Speaker 3>the Disney movie The Brat Patrol from nineteen eighty six,

0:22:46.480 --> 0:22:48.400
<v Speaker 3>which was really really good.

0:22:48.800 --> 0:22:52.679
<v Speaker 1>And he was in another huge movie of my childhood.

0:22:52.800 --> 0:22:55.840
<v Speaker 3>He was in The Explorers with Ethan Hawk and River Phoenix,

0:22:55.880 --> 0:22:58.280
<v Speaker 3>which is just and I don't know if you've ever

0:22:58.320 --> 0:22:59.080
<v Speaker 3>seen this movie.

0:22:59.119 --> 0:23:01.920
<v Speaker 1>It is the great movie in the world. This three

0:23:01.960 --> 0:23:02.440
<v Speaker 1>little kids.

0:23:02.440 --> 0:23:05.680
<v Speaker 3>It's Ethan Hawk at like twelve, River Phoenix at like twelve,

0:23:06.080 --> 0:23:09.440
<v Speaker 3>and then this game Jason Presson and they get these

0:23:09.520 --> 0:23:12.119
<v Speaker 3>dreams from they don't know where they're coming from but

0:23:12.240 --> 0:23:14.640
<v Speaker 3>they use the dreams to build a spaceship and fly

0:23:14.800 --> 0:23:17.680
<v Speaker 3>up and to meet this alien. It is the coolest

0:23:17.680 --> 0:23:19.399
<v Speaker 3>movie when you were a little kid. It is just

0:23:19.720 --> 0:23:21.919
<v Speaker 3>the greatest thing ever. So I'm sorry, I could totally

0:23:21.920 --> 0:23:22.440
<v Speaker 3>go off on.

0:23:22.400 --> 0:23:23.240
<v Speaker 1>The Edgeloorers right now.

0:23:23.280 --> 0:23:24.840
<v Speaker 2>We love a science fiction movie.

0:23:25.560 --> 0:23:30.640
<v Speaker 3>It was so incredible. He hasn't been acting steadily since

0:23:30.720 --> 0:23:33.080
<v Speaker 3>nineteen ninety one. His last gig was nineteen ninety seven,

0:23:33.119 --> 0:23:35.119
<v Speaker 3>so it seems like he still lives in la but

0:23:35.600 --> 0:23:38.919
<v Speaker 3>he just left the industry. But he his resume, especially

0:23:38.960 --> 0:23:42.040
<v Speaker 3>for a young actor, was just so cool.

0:23:42.280 --> 0:23:47.880
<v Speaker 1>So the house is supposed to be kind of crazy.

0:23:47.600 --> 0:23:52.600
<v Speaker 4>Pants, Yeah, just lots of different energy. These kids all

0:23:52.720 --> 0:23:58.800
<v Speaker 4>have very big personalities. Ye're very in depth interests, right.

0:23:59.119 --> 0:24:02.440
<v Speaker 4>Their rooms are just filled with so much that they're

0:24:02.480 --> 0:24:03.199
<v Speaker 4>interested in.

0:24:03.440 --> 0:24:05.200
<v Speaker 2>And it's a lot.

0:24:05.480 --> 0:24:08.880
<v Speaker 1>But there's also two dogs, a snake.

0:24:09.080 --> 0:24:13.800
<v Speaker 3>That was so unnecessary, and for some reason I don't understand,

0:24:13.800 --> 0:24:14.240
<v Speaker 3>a goat.

0:24:14.440 --> 0:24:15.359
<v Speaker 1>There's also a goat.

0:24:15.480 --> 0:24:15.919
<v Speaker 2>The goat.

0:24:16.080 --> 0:24:21.520
<v Speaker 1>Yeah, just so all the kids weren't enough, you also

0:24:21.600 --> 0:24:22.840
<v Speaker 1>needed a snake and a goat.

0:24:22.920 --> 0:24:25.400
<v Speaker 4>And with the goat came with the farming brothers, right,

0:24:25.440 --> 0:24:27.440
<v Speaker 4>the two yes, what they were twins.

0:24:27.600 --> 0:24:30.040
<v Speaker 3>They were twins, right, I think there were twin little

0:24:30.080 --> 0:24:33.560
<v Speaker 3>kids are farmers that wouldn't eat their goat. They just

0:24:33.600 --> 0:24:35.719
<v Speaker 3>want to keep it away from their little sister who

0:24:36.080 --> 0:24:37.680
<v Speaker 3>might take it apart with herself.

0:24:37.680 --> 0:24:39.120
<v Speaker 1>But anyway, the.

0:24:39.119 --> 0:24:43.560
<v Speaker 3>Kids seem like they're pretty self sufficient, especially with Pam

0:24:43.600 --> 0:24:47.360
<v Speaker 3>Adlon's character almost playing Jesse kind of like.

0:24:47.320 --> 0:24:51.720
<v Speaker 1>A mom older sister role. She's definitely how old do

0:24:51.720 --> 0:24:53.320
<v Speaker 1>you think she was supposed to be?

0:24:54.560 --> 0:24:57.879
<v Speaker 2>I would think she was around thirteen or fourteen.

0:24:58.119 --> 0:24:59.320
<v Speaker 1>Okay, that's what I was going to say.

0:24:59.320 --> 0:25:01.800
<v Speaker 3>She obviously she's on the older side, but doesn't drive,

0:25:01.840 --> 0:25:05.320
<v Speaker 3>so I was thinking like fourteen fifteen, yeah, yeah, which

0:25:06.280 --> 0:25:10.040
<v Speaker 3>again she takes on the kind of family role of

0:25:11.200 --> 0:25:14.280
<v Speaker 3>like I said, older sister kind of mom, until Cindy

0:25:14.320 --> 0:25:16.879
<v Speaker 3>Williams shows up for again a really weird reason that

0:25:16.880 --> 0:25:20.919
<v Speaker 3>I do understand. So yeah, the kids are told to

0:25:20.960 --> 0:25:24.040
<v Speaker 3>be on their best behavior and Max says he's got

0:25:24.040 --> 0:25:25.200
<v Speaker 3>to be on his best behavior as well.

0:25:25.200 --> 0:25:27.320
<v Speaker 1>But then mister Gladstone, mean guy comes in.

0:25:27.800 --> 0:25:29.720
<v Speaker 3>He is shocked by the kids behavior, the state of

0:25:29.720 --> 0:25:31.080
<v Speaker 3>the house over the past six years.

0:25:31.359 --> 0:25:32.840
<v Speaker 1>The kids aren't getting adopted at all.

0:25:32.880 --> 0:25:35.080
<v Speaker 3>These these kids that are left which is again what

0:25:35.240 --> 0:25:38.639
<v Speaker 3>they're called the leftovers, and it's he believes it's because

0:25:38.680 --> 0:25:42.920
<v Speaker 3>that Max Sinclair is too picky as a director of

0:25:43.000 --> 0:25:47.760
<v Speaker 3>this orphanage. So the committee has decided to close down

0:25:47.800 --> 0:25:50.359
<v Speaker 3>the home in only five weeks, and they want to

0:25:50.440 --> 0:25:51.760
<v Speaker 3>use a marketing campaign to.

0:25:51.680 --> 0:25:53.720
<v Speaker 1>Make sure that the remaining children are adopted.

0:25:54.040 --> 0:25:57.120
<v Speaker 3>Adopting a foster child is as easy as buying a donut.

0:25:57.560 --> 0:26:01.399
<v Speaker 1>That is actually the statement that the guy uses.

0:26:02.440 --> 0:26:06.040
<v Speaker 4>This is when I was a yelling at the screen, Yes,

0:26:07.040 --> 0:26:08.280
<v Speaker 4>how are you?

0:26:08.320 --> 0:26:10.040
<v Speaker 2>How do you have this job?

0:26:10.280 --> 0:26:14.840
<v Speaker 4>You are so awful the things you were calling these kids,

0:26:14.960 --> 0:26:20.359
<v Speaker 4>the even idea that you're talking about selling them essentially, yes,

0:26:20.520 --> 0:26:23.320
<v Speaker 4>as doughnuts, you know, I mean it just it was

0:26:23.480 --> 0:26:27.679
<v Speaker 4>so bizarre, and you know, everything that ended up happening

0:26:27.680 --> 0:26:32.280
<v Speaker 4>to him was just I loved because he was just awful, awful,

0:26:32.720 --> 0:26:33.360
<v Speaker 4>horrible man.

0:26:33.480 --> 0:26:36.000
<v Speaker 3>I'd also like to point out here that every time

0:26:36.040 --> 0:26:38.720
<v Speaker 3>he gets into the car when he leaves, he has

0:26:38.720 --> 0:26:41.359
<v Speaker 3>an assistant that's in shadow. Keep that in mind, because

0:26:41.359 --> 0:26:44.120
<v Speaker 3>that's going to come back for something very very cool.

0:26:44.119 --> 0:26:46.000
<v Speaker 3>But this assistant is kind of always in shadow when

0:26:46.000 --> 0:26:47.920
<v Speaker 3>he's there. But so, yeah, they're going to shut down

0:26:47.920 --> 0:26:50.879
<v Speaker 3>the home. The kind of unseid issue in the movie

0:26:51.280 --> 0:26:53.920
<v Speaker 3>is that the parents that we do meet that are

0:26:53.960 --> 0:26:57.280
<v Speaker 3>looking to adopt the children also really nice.

0:26:57.840 --> 0:26:59.400
<v Speaker 2>That's the thing the parents.

0:26:59.600 --> 0:27:01.800
<v Speaker 3>Yes, a couple parents come in at the time, and

0:27:01.840 --> 0:27:04.199
<v Speaker 3>they didn't make them these awful people. They made them like,

0:27:05.200 --> 0:27:08.199
<v Speaker 3>I mean, this one couple that comes in want to

0:27:08.240 --> 0:27:12.080
<v Speaker 3>adopt a young girl because they lost their own child, right,

0:27:12.760 --> 0:27:15.800
<v Speaker 3>I mean, it's like, that's that's heartbreaking and horrible.

0:27:16.359 --> 0:27:17.560
<v Speaker 2>I feel what they put.

0:27:17.680 --> 0:27:20.600
<v Speaker 4>First of all, they acted like these two kids standing

0:27:20.680 --> 0:27:23.960
<v Speaker 4>on a dining room table singing. You know what I

0:27:23.960 --> 0:27:25.360
<v Speaker 4>would have done if I walked in it, I would

0:27:25.359 --> 0:27:28.439
<v Speaker 4>have been like, yes, I will also take those too.

0:27:29.040 --> 0:27:33.960
<v Speaker 4>They are so talented and adorable and entertaining. Let's just

0:27:34.040 --> 0:27:36.760
<v Speaker 4>get let's let's keep this party going. They were so

0:27:36.960 --> 0:27:38.760
<v Speaker 4>cute and they were appalled.

0:27:38.880 --> 0:27:39.720
<v Speaker 2>What's going on?

0:27:39.800 --> 0:27:42.720
<v Speaker 4>I mean when she comes in in her witch costume,

0:27:42.800 --> 0:27:44.600
<v Speaker 4>the little guy in the snorkel alpha.

0:27:44.440 --> 0:27:48.760
<v Speaker 2>Yeah, that kind of was weird. But they were just

0:27:48.880 --> 0:27:50.080
<v Speaker 2>kids being kids too.

0:27:50.080 --> 0:27:53.000
<v Speaker 3>Hey, that's the thing. They're just they're yelling, they're dressed

0:27:53.000 --> 0:27:56.520
<v Speaker 3>in costume, they're singing, but this nice. They make them

0:27:56.560 --> 0:27:58.520
<v Speaker 3>the villains of the movie. This nice couple that have

0:27:58.600 --> 0:28:01.639
<v Speaker 3>lost their child and trying to adopt a little girl.

0:28:02.320 --> 0:28:03.080
<v Speaker 1>It's so strange.

0:28:03.080 --> 0:28:04.880
<v Speaker 3>By the way, Uh, the woman, I don't know who

0:28:04.920 --> 0:28:07.680
<v Speaker 3>the man was, but the woman played a reoccurring nurse

0:28:07.840 --> 0:28:09.879
<v Speaker 3>on Mas should of course, I've got to give a

0:28:10.160 --> 0:28:13.640
<v Speaker 3>mash shout out. She played Nurse Bigelow, Nurse Bigelow in many,

0:28:13.640 --> 0:28:16.480
<v Speaker 3>many episodes, thank you very much. But it was so

0:28:16.520 --> 0:28:19.840
<v Speaker 3>strange that you figure they would have made them awful

0:28:20.040 --> 0:28:21.800
<v Speaker 3>or I want these kids to work. I mean, if

0:28:21.800 --> 0:28:23.639
<v Speaker 3>they're going Disney with it, I want these kids to

0:28:23.640 --> 0:28:25.920
<v Speaker 3>work in my factory or somebody, right, But no, there's.

0:28:25.760 --> 0:28:29.400
<v Speaker 1>This nice, loving couple that wanted to finally got their

0:28:29.440 --> 0:28:31.359
<v Speaker 1>hearts open the adopting a child.

0:28:31.440 --> 0:28:35.040
<v Speaker 2>And yeah, I find out it was a little okay.

0:28:34.880 --> 0:28:37.639
<v Speaker 3>It was Yeah, that one was a little like okay,

0:28:37.680 --> 0:28:40.760
<v Speaker 3>So is there a reason Do we ever get into

0:28:40.800 --> 0:28:43.880
<v Speaker 3>why John Denver just doesn't adopt all the kids himself

0:28:44.200 --> 0:28:45.800
<v Speaker 3>and move into another smaller house.

0:28:46.240 --> 0:28:47.720
<v Speaker 1>They never really addressed.

0:28:47.320 --> 0:28:48.640
<v Speaker 2>That, do they They don't.

0:28:48.800 --> 0:28:52.160
<v Speaker 4>I think it was yeah, I think it was assumed

0:28:52.280 --> 0:28:55.080
<v Speaker 4>that it was he did not have the money to

0:28:55.160 --> 0:28:55.760
<v Speaker 4>take over.

0:28:56.400 --> 0:28:58.080
<v Speaker 2>You know, obviously he couldn't.

0:28:57.800 --> 0:28:58.640
<v Speaker 1>Guess it's mentioned.

0:28:58.720 --> 0:29:00.320
<v Speaker 3>Yeah, it's mentioned in the end a little little bit,

0:29:00.320 --> 0:29:02.440
<v Speaker 3>and it's by that point it's too late, so it's.

0:29:02.320 --> 0:29:05.080
<v Speaker 4>Yeah, right, it was, it was mentioned. I guess that

0:29:05.160 --> 0:29:08.520
<v Speaker 4>it was. You know, it's the lawyer. I think when

0:29:08.520 --> 0:29:11.520
<v Speaker 4>he's saying and he has the best list of stuff,

0:29:11.760 --> 0:29:16.200
<v Speaker 4>it's like, you know, Max, they kids need socks, they

0:29:16.280 --> 0:29:19.320
<v Speaker 4>need they need He says, socks is like one of

0:29:19.360 --> 0:29:22.760
<v Speaker 4>the first things they need. Orthodonis, they need moose.

0:29:23.240 --> 0:29:25.760
<v Speaker 2>Yes, that is the worst part about the kid.

0:29:26.080 --> 0:29:30.080
<v Speaker 4>Being a parent myself, the thing, I am just really

0:29:30.240 --> 0:29:33.440
<v Speaker 4>nervous about the day that Ledger needs moose for his hand.

0:29:33.480 --> 0:29:35.360
<v Speaker 1>Well, that's the problem. That's one of the its Like,

0:29:35.680 --> 0:29:36.120
<v Speaker 1>no joke.

0:29:36.160 --> 0:29:38.320
<v Speaker 3>It's probably the main reason I never had children is

0:29:38.360 --> 0:29:40.320
<v Speaker 3>because I knew they needed moose and socks.

0:29:40.880 --> 0:29:43.360
<v Speaker 1>I was like, what am I me?

0:29:43.640 --> 0:29:46.720
<v Speaker 2>Orthodonist? You know, they embraced it. They need to go

0:29:46.760 --> 0:29:47.360
<v Speaker 2>to college.

0:29:47.480 --> 0:29:50.920
<v Speaker 4>Those kinds of bills. I totally understand now with socks

0:29:50.960 --> 0:29:51.400
<v Speaker 4>and moose.

0:29:51.440 --> 0:29:52.800
<v Speaker 1>It's moose and socks.

0:29:53.920 --> 0:29:56.000
<v Speaker 4>My dog stuff is the same price as any of

0:29:56.000 --> 0:29:58.080
<v Speaker 4>that stuff. You know, come on, give me a break.

0:29:58.240 --> 0:30:00.240
<v Speaker 4>This wrist was pretty funny, but yes, that's what he

0:30:00.280 --> 0:30:01.840
<v Speaker 4>was saying. You don't have the money to do this

0:30:02.200 --> 0:30:04.360
<v Speaker 4>and I both know it. So that's I guess the

0:30:04.400 --> 0:30:05.160
<v Speaker 4>biggest reason.

0:30:05.400 --> 0:30:07.520
<v Speaker 3>Okay, well yeah, I mean it's if you can't afford

0:30:07.520 --> 0:30:09.080
<v Speaker 3>moose and socks, forget the orthodontia.

0:30:18.200 --> 0:30:21.760
<v Speaker 1>So we finally then that the reason I.

0:30:21.680 --> 0:30:23.560
<v Speaker 3>Brought it up, because this is where I'm starting the

0:30:23.720 --> 0:30:25.760
<v Speaker 3>Boy Means World thing is we finally get to see

0:30:25.760 --> 0:30:28.840
<v Speaker 3>who his assistant in shadow is, and it's Willie Garson,

0:30:29.200 --> 0:30:32.160
<v Speaker 3>who did many episodes of Boy Means World. God rest him.

0:30:32.160 --> 0:30:34.280
<v Speaker 3>He was such a wonderful god Sex and the City

0:30:34.320 --> 0:30:37.720
<v Speaker 3>and everything else. But he's best known as Stanford on

0:30:37.760 --> 0:30:38.400
<v Speaker 3>Sex and the City.

0:30:38.840 --> 0:30:40.959
<v Speaker 2>Wait, the young guy in the car.

0:30:41.320 --> 0:30:46.320
<v Speaker 4>Yes, no, yes, I sat next to him at a

0:30:46.760 --> 0:30:47.880
<v Speaker 4>Laker game one time.

0:30:48.080 --> 0:30:49.960
<v Speaker 3>He's that was the greatest guy in the world. He

0:30:50.080 --> 0:30:54.520
<v Speaker 3>married Corey and Tipanga. He was did three episodes of

0:30:54.560 --> 0:30:56.480
<v Speaker 3>the show. He was on the set all the time.

0:30:56.520 --> 0:30:58.320
<v Speaker 3>He was a good friend of Michael Jacobs, who created

0:30:58.320 --> 0:30:58.600
<v Speaker 3>the show.

0:30:58.680 --> 0:31:01.080
<v Speaker 2>Didn't even have a line in the movie.

0:31:01.520 --> 0:31:05.840
<v Speaker 1>Maybe it got yeah, but that was willing will And

0:31:05.960 --> 0:31:07.360
<v Speaker 1>if that wasn't cool enough too.

0:31:07.520 --> 0:31:12.600
<v Speaker 3>At the end, when they're now watching the news in

0:31:12.640 --> 0:31:15.640
<v Speaker 3>the garage, is the garage. The guy who runs the

0:31:15.680 --> 0:31:19.120
<v Speaker 3>garage is comedian Domirera, who was just on Podmeets World.

0:31:19.160 --> 0:31:20.880
<v Speaker 1>Because he was also on boy Me Throll. He played

0:31:21.000 --> 0:31:22.720
<v Speaker 1>a great So we just had all these boy Me

0:31:22.800 --> 0:31:23.520
<v Speaker 1>throw people on it.

0:31:23.640 --> 0:31:27.720
<v Speaker 3>I'm wow, Producer Jensen going, that was a young dom Irera.

0:31:28.960 --> 0:31:32.440
<v Speaker 1>So everybody's there. It's great. So yes, we got miss

0:31:32.520 --> 0:31:33.200
<v Speaker 1>Willy all the time.

0:31:33.200 --> 0:31:34.640
<v Speaker 3>And every time I get to see him, I just

0:31:34.760 --> 0:31:37.240
<v Speaker 3>I'm simultaneously so happy and so sad, but it's it

0:31:37.320 --> 0:31:40.720
<v Speaker 3>was wonderful to see him. Great actor, phenomenal and a

0:31:40.840 --> 0:31:45.960
<v Speaker 3>and a great guy too. So he finally reveals to

0:31:46.240 --> 0:31:50.680
<v Speaker 3>Willie Carson's character essentially mister mister bad guy, I need

0:31:50.720 --> 0:31:53.280
<v Speaker 3>the money. I don't care what happens to the kids

0:31:53.360 --> 0:31:55.640
<v Speaker 3>at all. I just want the land. And that's when

0:31:55.680 --> 0:31:58.400
<v Speaker 3>you know we got we got a real battye here.

0:31:58.480 --> 0:32:00.560
<v Speaker 3>This is this is not good, is it?

0:32:00.840 --> 0:32:01.560
<v Speaker 1>So John Denver?

0:32:01.640 --> 0:32:04.600
<v Speaker 3>Of course, then to the rescue. I've got to go

0:32:04.600 --> 0:32:06.280
<v Speaker 3>get I've got to go get money. So he gets

0:32:06.280 --> 0:32:13.440
<v Speaker 3>into the weirdest mode of transportation it's possibly ever put

0:32:13.480 --> 0:32:13.960
<v Speaker 3>on phone.

0:32:14.080 --> 0:32:17.000
<v Speaker 2>Do you equivalentate that van with.

0:32:17.240 --> 0:32:19.200
<v Speaker 1>That goes through his van? Can you walk us through

0:32:19.200 --> 0:32:19.920
<v Speaker 1>his van a little bit.

0:32:20.080 --> 0:32:24.640
<v Speaker 4>It was I mean going back even a longer generation

0:32:25.120 --> 0:32:28.239
<v Speaker 4>farther in front of my time, but it looked like

0:32:28.280 --> 0:32:31.880
<v Speaker 4>a seventies van that was spray painted.

0:32:32.520 --> 0:32:33.160
<v Speaker 2>My guess is.

0:32:33.120 --> 0:32:35.920
<v Speaker 1>Maybe the kids he let the kids painted, is that

0:32:35.960 --> 0:32:36.760
<v Speaker 1>what they were going for?

0:32:37.400 --> 0:32:39.080
<v Speaker 2>Smoked constantly.

0:32:39.800 --> 0:32:42.200
<v Speaker 4>It looked like they had a hard time opening and

0:32:42.240 --> 0:32:43.520
<v Speaker 4>shutting the doors.

0:32:43.880 --> 0:32:44.560
<v Speaker 2>This car.

0:32:44.720 --> 0:32:48.320
<v Speaker 4>You needed to jiggle the ignition key. I mean, this

0:32:48.440 --> 0:32:52.600
<v Speaker 4>thing was a pos. It was not a great car

0:32:52.760 --> 0:32:55.400
<v Speaker 4>to be safely driving.

0:32:55.960 --> 0:32:58.040
<v Speaker 2>Twelve kids in and two dogs.

0:32:58.120 --> 0:32:59.800
<v Speaker 1>They don't bring the do they bring the dog?

0:33:00.200 --> 0:33:02.680
<v Speaker 2>Brought the goat, but for some reason he brings the dogs.

0:33:02.680 --> 0:33:06.120
<v Speaker 2>When he's getting a loan. It just it was then.

0:33:05.920 --> 0:33:10.040
<v Speaker 3>We please talk about this is the holes in the

0:33:10.440 --> 0:33:15.000
<v Speaker 3>plot for yeah, the ridiculousness of the loan scenes. Because yes,

0:33:15.480 --> 0:33:18.240
<v Speaker 3>so he goes to the bank like a loan, like

0:33:18.280 --> 0:33:21.480
<v Speaker 3>a not even a bank, it's like all cash app

0:33:21.560 --> 0:33:23.560
<v Speaker 3>loan kind of place without an app because it's nineteen

0:33:23.560 --> 0:33:27.320
<v Speaker 3>eighty six. But like he's trying to get them at

0:33:27.360 --> 0:33:30.200
<v Speaker 3>the local bank. They give him stuff to fill out

0:33:30.280 --> 0:33:30.840
<v Speaker 3>to get.

0:33:30.680 --> 0:33:32.960
<v Speaker 2>The loan, and he's instantly hungry.

0:33:33.240 --> 0:33:35.320
<v Speaker 1>He's instantly hungry for lunch. It's lunch.

0:33:35.400 --> 0:33:38.160
<v Speaker 3>He knows he's got to sit there, and so his

0:33:39.000 --> 0:33:42.520
<v Speaker 3>foster daughter whatever, Jesse says, I made you a peanut

0:33:42.560 --> 0:33:43.120
<v Speaker 3>butter sandwich.

0:33:43.200 --> 0:33:43.600
<v Speaker 1>Very sweet.

0:33:43.680 --> 0:33:45.640
<v Speaker 3>He opens it up and he pulls it out, and

0:33:45.680 --> 0:33:46.959
<v Speaker 3>it's not a peanut butter sandwich.

0:33:47.040 --> 0:33:51.800
<v Speaker 1>It's one of the doll's brains. But for some reason it's.

0:33:51.720 --> 0:33:57.920
<v Speaker 2>Wet and giant. A giant brain for a doll, I felt.

0:33:58.040 --> 0:33:59.400
<v Speaker 1>But also who puts in?

0:34:00.320 --> 0:34:05.000
<v Speaker 5>What kind of doll had an anatomically correct and wet brain?

0:34:05.560 --> 0:34:09.239
<v Speaker 2>Not none. Those dolls heads are filled with cotton like

0:34:09.280 --> 0:34:09.640
<v Speaker 2>they're not.

0:34:10.160 --> 0:34:13.080
<v Speaker 4>They don't ever have brains. There's no reason for them

0:34:13.120 --> 0:34:13.879
<v Speaker 4>to have them.

0:34:13.960 --> 0:34:15.280
<v Speaker 1>So was it supposed to be a prank?

0:34:15.360 --> 0:34:18.000
<v Speaker 2>You think, like, yes, They talk about it a little

0:34:18.040 --> 0:34:18.479
<v Speaker 2>bit later.

0:34:18.560 --> 0:34:21.879
<v Speaker 4>They refer to it, oh Jesse peanut butter jelly, because

0:34:21.880 --> 0:34:24.800
<v Speaker 4>she does it again when he goes back out, he said,

0:34:24.960 --> 0:34:27.000
<v Speaker 4>They go like, as if this is like kind of

0:34:27.040 --> 0:34:28.080
<v Speaker 4>one of Jesse's things.

0:34:28.080 --> 0:34:30.200
<v Speaker 2>She sort of does pranks, is what I.

0:34:29.960 --> 0:34:32.720
<v Speaker 3>Oh, I thought, she I thought when they said it again,

0:34:32.840 --> 0:34:34.880
<v Speaker 3>it was her going like, I made sure it's actually

0:34:34.960 --> 0:34:35.879
<v Speaker 3>a sandwich this time.

0:34:35.920 --> 0:34:38.600
<v Speaker 1>Because he takes the bag again. It doesn't make any sense.

0:34:38.800 --> 0:34:40.160
<v Speaker 2>No, and he doesn't even check it.

0:34:40.160 --> 0:34:42.520
<v Speaker 4>I would have been like, mm hmm, okay, fine, all right,

0:34:42.520 --> 0:34:43.479
<v Speaker 4>thank you for the brain.

0:34:43.680 --> 0:34:47.840
<v Speaker 1>It falls on the Yanks. The brain falls on the

0:34:47.840 --> 0:34:48.520
<v Speaker 1>ground in.

0:34:48.520 --> 0:34:52.120
<v Speaker 2>The bank, and everyone's horrified, horrified.

0:34:51.600 --> 0:34:52.160
<v Speaker 1>Freaks out.

0:34:52.200 --> 0:34:54.560
<v Speaker 3>He then steps on it or people he's trying to

0:34:54.560 --> 0:34:57.880
<v Speaker 3>find on the ground. So security comes.

0:34:58.239 --> 0:35:01.399
<v Speaker 4>And now he's a psych path who needs to be

0:35:01.640 --> 0:35:02.879
<v Speaker 4>escorted out.

0:35:02.760 --> 0:35:08.920
<v Speaker 3>Of the bank loan center place. Yeah, by the security guard.

0:35:09.120 --> 0:35:11.399
<v Speaker 2>Yes, And he gets thrown out.

0:35:11.480 --> 0:35:16.880
<v Speaker 3>It's literally physically thrown out because of weird anatomically correct

0:35:16.880 --> 0:35:17.279
<v Speaker 3>doll brain.

0:35:17.680 --> 0:35:18.120
<v Speaker 2>Yeah.

0:35:18.280 --> 0:35:22.440
<v Speaker 3>He then tries to go back with a bad mustache

0:35:22.440 --> 0:35:25.640
<v Speaker 3>on and is actually arrested.

0:35:25.760 --> 0:35:29.879
<v Speaker 4>Yeah, for no reason because he went to go get

0:35:30.080 --> 0:35:32.799
<v Speaker 4>water and his mustache.

0:35:32.560 --> 0:35:36.520
<v Speaker 1>Fell off, and then security guard recognized him.

0:35:36.680 --> 0:35:38.760
<v Speaker 2>And then took him out, but then.

0:35:38.719 --> 0:35:43.200
<v Speaker 1>Had him actually arrested. The next scene is his lawyer

0:35:43.520 --> 0:35:47.799
<v Speaker 1>friend about a git. It's like, what was he arrested for?

0:35:49.080 --> 0:35:51.239
<v Speaker 1>I got? I did not get I paused. I was like,

0:35:51.280 --> 0:35:53.240
<v Speaker 1>what am I missing?

0:35:53.360 --> 0:35:55.839
<v Speaker 4>My goodness, the amount of times I could have got

0:35:55.920 --> 0:35:59.080
<v Speaker 4>arrested for some random stuff? Right?

0:36:00.000 --> 0:36:03.160
<v Speaker 1>How many times have you stepped on an anatomically correct dog?

0:36:03.239 --> 0:36:03.439
<v Speaker 4>One?

0:36:03.719 --> 0:36:07.239
<v Speaker 2>Thank god? None but I've I have definitely been where

0:36:07.360 --> 0:36:10.640
<v Speaker 2>my purse balls apart. My stuff lies everywhere, and I'm

0:36:10.719 --> 0:36:11.000
<v Speaker 2>like a.

0:36:11.000 --> 0:36:14.600
<v Speaker 4>Nuisance to the whole room because my lip glosses over there,

0:36:14.760 --> 0:36:16.399
<v Speaker 4>my bones over there.

0:36:16.440 --> 0:36:17.520
<v Speaker 2>I mean, is that all it.

0:36:17.480 --> 0:36:19.680
<v Speaker 4>Took back in the eighties to get arrested?

0:36:19.920 --> 0:36:23.040
<v Speaker 1>Eighties? Serious? And in all fairness, though, I've seen your

0:36:23.040 --> 0:36:24.320
<v Speaker 1>fake mustache. It's awesome.

0:36:24.840 --> 0:36:27.480
<v Speaker 3>So yours looks way better than John Denver's did. And

0:36:27.560 --> 0:36:28.960
<v Speaker 3>I didn't even remember that whole time. I had that

0:36:28.960 --> 0:36:32.319
<v Speaker 3>whole conversation with you.

0:36:32.320 --> 0:36:35.920
<v Speaker 1>No idea, but very very strange.

0:36:36.120 --> 0:36:40.200
<v Speaker 3>So then he's put in jail for no reason, for

0:36:40.239 --> 0:36:42.839
<v Speaker 3>no reason, and the kids, as they're waiting for him

0:36:42.880 --> 0:36:45.879
<v Speaker 3>to come back, I think from lone app attempt number two,

0:36:47.120 --> 0:36:51.479
<v Speaker 3>they see a woman walking up for no reason who

0:36:51.640 --> 0:36:54.440
<v Speaker 3>then is smelling flowers and is attacked by a bee,

0:36:54.640 --> 0:36:57.680
<v Speaker 3>a bee which is never mentioned again or brought up

0:36:57.680 --> 0:37:00.520
<v Speaker 3>in any way, shape or form. She's then just in house.

0:37:01.120 --> 0:37:04.040
<v Speaker 3>Her name is Heather. She finds her way with her

0:37:04.040 --> 0:37:05.960
<v Speaker 3>new baby Katie.

0:37:05.920 --> 0:37:08.560
<v Speaker 4>And okay, wait, I don't I won't cover it in

0:37:08.560 --> 0:37:11.040
<v Speaker 4>Sabranci's there's too many, So we've got to talk about

0:37:11.040 --> 0:37:13.400
<v Speaker 4>this basket that the baby's revealed.

0:37:13.040 --> 0:37:15.439
<v Speaker 2>In she's walking upstairs.

0:37:15.840 --> 0:37:19.960
<v Speaker 4>Yeah, with her suitcase and a weirdly weird I mean

0:37:19.960 --> 0:37:21.720
<v Speaker 4>maybe this was a basket of the eighties.

0:37:21.719 --> 0:37:22.960
<v Speaker 2>Again, I wouldn't know about it.

0:37:23.120 --> 0:37:24.280
<v Speaker 1>Eighties basket who knows.

0:37:25.239 --> 0:37:28.600
<v Speaker 2>It's a very strange shape.

0:37:28.719 --> 0:37:31.960
<v Speaker 4>It looks almost similar to like a longer version of

0:37:32.000 --> 0:37:34.680
<v Speaker 4>what Bell uses while she's in the little town singing,

0:37:35.239 --> 0:37:36.800
<v Speaker 4>and you know, and it's.

0:37:36.640 --> 0:37:38.399
<v Speaker 2>Like, what's in there? What's in there?

0:37:38.680 --> 0:37:42.719
<v Speaker 4>Oh, you're walking around with your child in a in

0:37:42.760 --> 0:37:43.640
<v Speaker 4>a basket?

0:37:44.000 --> 0:37:46.200
<v Speaker 2>Okay, not buckled it.

0:37:46.400 --> 0:37:50.440
<v Speaker 3>You've never heard about eighties basket babies very very very popular,

0:37:50.600 --> 0:37:50.880
<v Speaker 3>very much.

0:37:50.920 --> 0:37:52.040
<v Speaker 2>Are you mean serious?

0:37:52.080 --> 0:37:52.520
<v Speaker 4>Of course?

0:37:53.520 --> 0:37:58.600
<v Speaker 1>What is an eighties basket baby? Wow? You sorious.

0:37:58.680 --> 0:38:02.440
<v Speaker 4>Y'all were crazy and I don't know you got rocket

0:38:02.480 --> 0:38:04.200
<v Speaker 4>launchers for your newspapers.

0:38:04.320 --> 0:38:06.680
<v Speaker 3>Well, the cool thing was the combination of the two.

0:38:06.719 --> 0:38:09.040
<v Speaker 3>We would launch the babies from the front of the bike.

0:38:09.160 --> 0:38:12.600
<v Speaker 2>I've never even seen or heard of someone literally walking.

0:38:12.280 --> 0:38:16.520
<v Speaker 4>Around their child in a basket, not a bassinet, a

0:38:16.600 --> 0:38:20.440
<v Speaker 4>basket of woven little wooden basket thing.

0:38:20.520 --> 0:38:22.720
<v Speaker 2>It was so strange.

0:38:23.239 --> 0:38:26.400
<v Speaker 1>But the kids, the kids first think she's a parent

0:38:26.480 --> 0:38:29.000
<v Speaker 1>trying to adopt them, so they go off on their

0:38:29.320 --> 0:38:32.279
<v Speaker 1>their whole plan being with the plan B, which is

0:38:32.400 --> 0:38:35.160
<v Speaker 1>dressing up in you know, different outfits and stuff like that,

0:38:35.160 --> 0:38:36.040
<v Speaker 1>and then they're like, wait, that.

0:38:36.120 --> 0:38:39.440
<v Speaker 2>Was a tomato plant comedy that was so funny.

0:38:39.560 --> 0:38:40.560
<v Speaker 1>Has a tomato plant.

0:38:40.840 --> 0:38:45.080
<v Speaker 4>It's pretty funny committed to but then they realized that

0:38:45.200 --> 0:38:46.359
<v Speaker 4>she's not there to adopt them.

0:38:46.360 --> 0:38:49.000
<v Speaker 1>She's there to get a job. She's was also an

0:38:49.120 --> 0:38:50.279
<v Speaker 1>orphan growing.

0:38:50.080 --> 0:38:55.719
<v Speaker 4>Up and now is her husband has passed away, she

0:38:55.800 --> 0:38:57.080
<v Speaker 4>now has a young baby to.

0:38:57.120 --> 0:38:58.120
<v Speaker 1>Raise and what was it?

0:38:58.239 --> 0:39:02.239
<v Speaker 3>She saw an old ad for help on like the

0:39:02.280 --> 0:39:05.120
<v Speaker 3>grocery store. They had to explain it because otherwise she

0:39:05.200 --> 0:39:06.480
<v Speaker 3>just shows up at this house and is like.

0:39:06.440 --> 0:39:07.000
<v Speaker 2>Yeah, live here.

0:39:07.120 --> 0:39:09.920
<v Speaker 4>Now he's not Max is not waiting for her. She

0:39:10.040 --> 0:39:13.600
<v Speaker 4>never contacted him. She just literally shows up at this

0:39:13.719 --> 0:39:17.880
<v Speaker 4>house and she and it's briefly talked about. It's pretty

0:39:17.920 --> 0:39:21.200
<v Speaker 4>much one sentence of the movie where she saw this

0:39:21.320 --> 0:39:26.160
<v Speaker 4>ad and just poof made sense on my way.

0:39:25.880 --> 0:39:27.839
<v Speaker 1>And then she's part of their life. That was it.

0:39:27.840 --> 0:39:30.840
<v Speaker 1>It was like they have one small discussion about it.

0:39:31.000 --> 0:39:33.600
<v Speaker 4>Questioned it, yeah, nope, Max questioned it for all of

0:39:33.880 --> 0:39:35.640
<v Speaker 4>twenty seconds.

0:39:35.080 --> 0:39:39.360
<v Speaker 1>Hey, who's this lady with this baby? No background checks.

0:39:39.520 --> 0:39:44.200
<v Speaker 4>Mind you, who's this stranger, this older woman that just

0:39:44.280 --> 0:39:48.760
<v Speaker 4>could never happen in a movie nowadays because stranger danger

0:39:48.960 --> 0:39:51.200
<v Speaker 4>is just too too crazy.

0:39:51.320 --> 0:39:54.040
<v Speaker 3>It was the eighties, no helmets, no background checks, Yes

0:39:54.080 --> 0:39:57.320
<v Speaker 3>it was. So she's just now part of the house.

0:39:57.640 --> 0:40:00.480
<v Speaker 3>She she is now, she's great with the ca she

0:40:00.560 --> 0:40:03.080
<v Speaker 3>does chores. She's like, I will make myself useful.

0:40:03.440 --> 0:40:05.799
<v Speaker 4>Yes, they did say they had a housekeeper of some

0:40:05.880 --> 0:40:10.080
<v Speaker 4>sort that had left or passed away something like that,

0:40:10.239 --> 0:40:13.080
<v Speaker 4>something like that. So she was filling in this spot

0:40:13.120 --> 0:40:15.920
<v Speaker 4>that they needed and didn't need money for it, just

0:40:15.920 --> 0:40:16.840
<v Speaker 4>a place to stay.

0:40:17.000 --> 0:40:18.120
<v Speaker 2>I guess that is what it was.

0:40:18.520 --> 0:40:20.920
<v Speaker 1>So she's now just part of the family.

0:40:21.239 --> 0:40:25.280
<v Speaker 3>And when anytime a possible adopting family calls, we actually

0:40:25.280 --> 0:40:27.960
<v Speaker 3>get to see a little bit of Pam's amazing voiceover

0:40:28.000 --> 0:40:30.360
<v Speaker 3>work already back in the day, picking up the phone,

0:40:30.520 --> 0:40:31.640
<v Speaker 3>changing her voices doing it.

0:40:31.800 --> 0:40:34.480
<v Speaker 4>Yes, she did a great job that. When now that

0:40:34.800 --> 0:40:37.719
<v Speaker 4>I know she was a voice actor, it's like, yeah.

0:40:37.600 --> 0:40:39.920
<v Speaker 1>Oh yeah, oh no, she she kills shells.

0:40:40.000 --> 0:40:42.320
<v Speaker 2>She had a wide range, even a young.

0:40:42.120 --> 0:40:44.560
<v Speaker 3>Young aga, oh yeah she would. Everybody knew what she

0:40:44.640 --> 0:40:48.400
<v Speaker 3>was going to be doing. And so when the family

0:40:48.480 --> 0:40:52.319
<v Speaker 3>does actually visit Uh to come and get Zoe. They're

0:40:52.320 --> 0:40:54.200
<v Speaker 3>looking for a little girl because again this is the

0:40:54.280 --> 0:40:58.400
<v Speaker 3>nice couple who have lost a child and are looking

0:40:58.440 --> 0:41:01.560
<v Speaker 3>to give another child a beautiful, wonderful home.

0:41:01.640 --> 0:41:03.480
<v Speaker 1>So of course the villains.

0:41:05.160 --> 0:41:07.319
<v Speaker 3>They get they walk into what you were talking about,

0:41:07.360 --> 0:41:12.040
<v Speaker 3>Juliel and one of the farming kids doing a pretty

0:41:12.080 --> 0:41:15.560
<v Speaker 3>incredible song on the team.

0:41:16.120 --> 0:41:20.759
<v Speaker 4>Yes, fully decked out costumed electric guitars.

0:41:21.160 --> 0:41:27.879
<v Speaker 1>Just j could play too. He was doing yes, And you.

0:41:27.800 --> 0:41:29.880
<v Speaker 4>Know he did do a little bit of singing and

0:41:29.920 --> 0:41:31.240
<v Speaker 4>stuff within his career.

0:41:31.719 --> 0:41:32.560
<v Speaker 1>Oh that makes sense.

0:41:32.719 --> 0:41:35.480
<v Speaker 4>Yeah, so you know he was a performer for sure.

0:41:35.560 --> 0:41:37.440
<v Speaker 4>And so I thought they were great.

0:41:37.800 --> 0:41:38.399
<v Speaker 1>They were great.

0:41:38.480 --> 0:41:40.839
<v Speaker 3>They they were punk and some of the lyrics they're

0:41:40.840 --> 0:41:43.360
<v Speaker 3>singing are like punk punk, shredding rock and one of

0:41:43.400 --> 0:41:45.279
<v Speaker 3>them is you try and make us go to bed,

0:41:45.560 --> 0:41:47.360
<v Speaker 3>will kick, scream and bite.

0:41:48.040 --> 0:41:49.799
<v Speaker 1>So yeah, they're trying to make it like we're going

0:41:49.840 --> 0:41:51.000
<v Speaker 1>to be the worst people. Anyway.

0:41:51.239 --> 0:41:53.880
<v Speaker 3>They hide Zoe because they don't want her to be

0:41:53.880 --> 0:41:57.439
<v Speaker 3>taken away, and they are trying to get the couple

0:41:57.480 --> 0:41:59.319
<v Speaker 3>to leave. The couple's like, we're not leaving. We're gonna

0:41:59.320 --> 0:42:01.120
<v Speaker 3>go talk to mister Gladstone. We want to talk to

0:42:01.160 --> 0:42:04.120
<v Speaker 3>the kid. They're like, there's no no girl here. We're like, yeah,

0:42:04.120 --> 0:42:07.160
<v Speaker 3>we know there's a girl here. Please, we've lost our child.

0:42:07.200 --> 0:42:08.279
<v Speaker 3>Let us at least see a child.

0:42:08.920 --> 0:42:12.520
<v Speaker 1>Horrible. Uh So they're going to talk to mister Gladstone.

0:42:12.719 --> 0:42:16.440
<v Speaker 4>That's when the mom, the the woman started getting a

0:42:16.440 --> 0:42:19.440
<v Speaker 4>little like, well, I'm going to talk to mister Gladstone.

0:42:19.520 --> 0:42:21.560
<v Speaker 3>Well I would be too, like I drove all the

0:42:21.560 --> 0:42:23.560
<v Speaker 3>way here to see a little kid, But give me,

0:42:23.600 --> 0:42:24.279
<v Speaker 3>where's the kid?

0:42:24.360 --> 0:42:26.319
<v Speaker 1>I want? When we're supposed to adopt. We're trying to

0:42:26.320 --> 0:42:27.040
<v Speaker 1>give this kid a home.

0:42:27.360 --> 0:42:31.000
<v Speaker 3>But if there's an actual villain in this movie, not

0:42:31.040 --> 0:42:34.960
<v Speaker 3>just mister Gladstone, but John Denver eventually runs up the

0:42:35.000 --> 0:42:40.120
<v Speaker 3>old van again and goes to see his aunt Winifred Oh,

0:42:40.440 --> 0:42:45.320
<v Speaker 3>who is uber wealthy, has had the same butler forever

0:42:45.400 --> 0:42:47.640
<v Speaker 3>who helped to raise Max. So they have a kind

0:42:47.640 --> 0:42:53.680
<v Speaker 3>of a wonderful relationship. But she's one step away from

0:42:53.880 --> 0:42:58.880
<v Speaker 3>using baby skin to make a coat. I mean, it's like,

0:42:59.000 --> 0:43:01.480
<v Speaker 3>how bad, how awful was was this woman?

0:43:01.960 --> 0:43:09.480
<v Speaker 4>Yes, she's she's crazy and mean, and it's it's interesting

0:43:09.560 --> 0:43:12.960
<v Speaker 4>to know that he was raised by her when she

0:43:13.000 --> 0:43:16.200
<v Speaker 4>doesn't seem motherly in any sense.

0:43:16.520 --> 0:43:18.960
<v Speaker 3>No, well, I think it's the butler that really raised him,

0:43:19.000 --> 0:43:22.320
<v Speaker 3>that's what they.

0:43:21.520 --> 0:43:25.160
<v Speaker 4>One of the funniest parts of the move happens towards

0:43:25.200 --> 0:43:28.080
<v Speaker 4>the end of it, after she denies him of any money.

0:43:28.160 --> 0:43:31.480
<v Speaker 4>I'm not helping you. You shouldn't be doing this. I

0:43:31.520 --> 0:43:32.800
<v Speaker 4>don't like children. You shouldn't.

0:43:32.800 --> 0:43:33.440
<v Speaker 2>I have told you that.

0:43:33.719 --> 0:43:35.279
<v Speaker 4>She said that he's been doing it for six or

0:43:35.280 --> 0:43:38.680
<v Speaker 4>seven years, and just it's a waste of time, waste

0:43:38.719 --> 0:43:39.160
<v Speaker 4>of money.

0:43:39.239 --> 0:43:41.440
<v Speaker 2>You know, she's just very disappointed.

0:43:41.760 --> 0:43:44.440
<v Speaker 4>I'm assuming she wanted him to get into whatever kind

0:43:44.480 --> 0:43:47.359
<v Speaker 4>of business her family could have offered.

0:43:47.080 --> 0:43:49.080
<v Speaker 1>Money business, whatever money business.

0:43:49.600 --> 0:43:53.920
<v Speaker 4>Yeah, he's heading out with the butler, and the butler

0:43:54.080 --> 0:44:01.720
<v Speaker 4>goes to get his coat, like slammed.

0:44:02.719 --> 0:44:05.440
<v Speaker 3>Yeah, we're gonna need this as our social clip because

0:44:05.840 --> 0:44:10.480
<v Speaker 3>he gets wrestled by this this entire flock.

0:44:10.800 --> 0:44:16.520
<v Speaker 2>He just takes him out, and it was so good, right.

0:44:16.400 --> 0:44:18.040
<v Speaker 1>Off his feet.

0:44:18.920 --> 0:44:20.960
<v Speaker 4>It was so good. I had to watch it a

0:44:20.960 --> 0:44:23.680
<v Speaker 4>couple of times. You know, that is my thing. I

0:44:23.719 --> 0:44:28.120
<v Speaker 4>love seeing people just get wiped out and then so

0:44:28.320 --> 0:44:32.480
<v Speaker 4>much the wear him and Max forget that he doesn't

0:44:32.520 --> 0:44:32.960
<v Speaker 4>need his coat.

0:44:33.000 --> 0:44:34.880
<v Speaker 1>It's so fun.

0:44:35.640 --> 0:44:37.480
<v Speaker 2>It was in one of my Subrita Seas. But it's

0:44:37.480 --> 0:44:39.080
<v Speaker 2>just too good to not say it right from here.

0:44:39.800 --> 0:44:40.520
<v Speaker 3>It was.

0:44:41.080 --> 0:44:43.640
<v Speaker 1>It was so good, it was great.

0:44:43.719 --> 0:44:45.560
<v Speaker 2>And he didn't even get ended up. He didn't even

0:44:45.560 --> 0:44:46.359
<v Speaker 2>get a coat for him.

0:44:46.400 --> 0:44:48.680
<v Speaker 1>He just took him out. He's like, we're good, we're fine.

0:44:49.480 --> 0:44:51.919
<v Speaker 2>You look like you're busy. I'll come get it later.

0:44:52.239 --> 0:44:53.880
<v Speaker 1>I'll be okay, I'll be okay.

0:45:01.840 --> 0:45:04.319
<v Speaker 3>Do you think this movie missed the bar at all

0:45:04.400 --> 0:45:06.520
<v Speaker 3>by not having John Denver sing a single song?

0:45:07.800 --> 0:45:09.160
<v Speaker 2>You know how I feel about that.

0:45:09.239 --> 0:45:14.080
<v Speaker 4>You cannot have a vocal artist who is famous for it, right,

0:45:14.160 --> 0:45:14.759
<v Speaker 4>not just oh.

0:45:15.000 --> 0:45:18.000
<v Speaker 2>I mean, how many actors in la are.

0:45:18.239 --> 0:45:19.760
<v Speaker 1>You know can also sing?

0:45:19.840 --> 0:45:23.799
<v Speaker 4>So it's not that, but somebody who's known, especially on

0:45:23.960 --> 0:45:27.799
<v Speaker 4>this level. I don't know where it would have been,

0:45:27.880 --> 0:45:30.600
<v Speaker 4>to be honest, in the movie, there really wasn't a

0:45:30.640 --> 0:45:34.279
<v Speaker 4>place that was set up for anything like that.

0:45:34.640 --> 0:45:36.320
<v Speaker 3>You have to add a scene where he grabs a

0:45:36.360 --> 0:45:38.359
<v Speaker 3>guitar and he's playing a song to all the kids

0:45:38.360 --> 0:45:39.200
<v Speaker 3>sitting around watching.

0:45:39.280 --> 0:45:41.520
<v Speaker 1>I mean, how do you not add that scene?

0:45:41.680 --> 0:45:42.040
<v Speaker 3>Yeah?

0:45:42.120 --> 0:45:44.799
<v Speaker 4>I guess I just don't know where it would have been.

0:45:45.680 --> 0:45:47.719
<v Speaker 4>There was a lot of chaos constantly.

0:45:47.920 --> 0:45:50.600
<v Speaker 3>Maybe take out the second loan scene with the with

0:45:50.680 --> 0:45:53.480
<v Speaker 3>the fake mustache and put in John denversing.

0:45:55.200 --> 0:45:56.080
<v Speaker 1>That could have worked.

0:45:56.120 --> 0:45:58.560
<v Speaker 4>It could have been part of her falling in love

0:45:58.560 --> 0:46:01.600
<v Speaker 4>with him, because that was really touch. Does that you know,

0:46:01.880 --> 0:46:04.640
<v Speaker 4>like that's a thing they do at night once the

0:46:04.719 --> 0:46:05.640
<v Speaker 4>kids are settled down.

0:46:05.800 --> 0:46:08.360
<v Speaker 1>Great idea something like that, Yeah, great idea.

0:46:08.640 --> 0:46:10.920
<v Speaker 3>Yeah, John Denver singing to send you what come on?

0:46:10.960 --> 0:46:14.080
<v Speaker 3>That's perfect. So while Max fails at getting the loan

0:46:14.160 --> 0:46:16.399
<v Speaker 3>and is actually thrown in jail for it, Zoe ends

0:46:16.440 --> 0:46:20.120
<v Speaker 3>up getting adopted after all. Heather, who's Cindy Williams character,

0:46:20.680 --> 0:46:24.560
<v Speaker 3>she starts weirdly digging deep into She doesn't trust this

0:46:24.600 --> 0:46:31.200
<v Speaker 3>Gladstone character, obviously, and so she starts breaking into his

0:46:31.480 --> 0:46:36.719
<v Speaker 3>office and trying to sneak past his secretary to find

0:46:36.719 --> 0:46:40.319
<v Speaker 3>out what the plan is. And she finds it. Oh

0:46:40.320 --> 0:46:41.680
<v Speaker 3>my god, he's going to sell the land. He doesn't

0:46:41.680 --> 0:46:42.520
<v Speaker 3>care about the kids at all.

0:46:42.560 --> 0:46:43.200
<v Speaker 1>This is horrible.

0:46:43.719 --> 0:46:47.479
<v Speaker 3>Yes, Andrea has a heartbreaking scene when she leaves, and

0:46:49.040 --> 0:46:52.040
<v Speaker 3>it made me wonder And I can't wait because I

0:46:52.040 --> 0:46:52.799
<v Speaker 3>get to say this now.

0:46:52.840 --> 0:46:56.000
<v Speaker 1>We get to ask her on our Parkopper.

0:46:55.480 --> 0:46:58.279
<v Speaker 3>Episode because we are interviewing Andrew Barber, but we get

0:46:58.280 --> 0:47:00.960
<v Speaker 3>to ask her how she felt about John Denver, because

0:47:00.960 --> 0:47:03.120
<v Speaker 3>it seemed, I mean, all the acting was great, but

0:47:03.160 --> 0:47:06.960
<v Speaker 3>they all seem to genuinely really like this guy. Yes,

0:47:07.080 --> 0:47:10.520
<v Speaker 3>so I'm hoping she remembers what that's like, because I

0:47:10.520 --> 0:47:14.000
<v Speaker 3>can't wait to hear how that relationship affected the acting,

0:47:14.000 --> 0:47:16.800
<v Speaker 3>because again, she was great, and he really did seem

0:47:16.840 --> 0:47:18.239
<v Speaker 3>to care about all the kids, and they really seem

0:47:18.280 --> 0:47:19.799
<v Speaker 3>to care about him. So I can't wait to talk

0:47:19.840 --> 0:47:21.560
<v Speaker 3>to her because I want to know what it was

0:47:21.560 --> 0:47:22.600
<v Speaker 3>like working with John Denver.

0:47:22.920 --> 0:47:26.960
<v Speaker 2>Yes, I mean John Denver exactly, very cool.

0:47:27.719 --> 0:47:28.480
<v Speaker 1>Zoe leaves.

0:47:28.840 --> 0:47:31.560
<v Speaker 3>She was adopted by a wonderful, caring family, so of

0:47:31.600 --> 0:47:36.560
<v Speaker 3>course let's go get her back. They sneak out under

0:47:36.560 --> 0:47:39.839
<v Speaker 3>the cover of darkness, They get on their bikes, and

0:47:40.000 --> 0:47:43.920
<v Speaker 3>they then find out where her home is, her new home,

0:47:44.400 --> 0:47:49.360
<v Speaker 3>and then they pretend to be capped, and so the nighbor.

0:47:49.480 --> 0:47:53.200
<v Speaker 3>So then the nice family, the husband and wife, who

0:47:53.480 --> 0:47:56.040
<v Speaker 3>are probably ecstatic that they finally have somebody in their

0:47:56.080 --> 0:48:01.000
<v Speaker 3>old daughter's room who was again passed away, start treating

0:48:01.000 --> 0:48:02.880
<v Speaker 3>them like cats and throwing the I'll do this, and

0:48:02.920 --> 0:48:04.520
<v Speaker 3>they throw a boot at one of the kids.

0:48:04.520 --> 0:48:06.240
<v Speaker 1>They splash water on them.

0:48:06.400 --> 0:48:09.360
<v Speaker 2>Water say they're gonna call out the dogs.

0:48:09.160 --> 0:48:12.080
<v Speaker 1>And yes, and then the two little tiny dogs run out.

0:48:12.160 --> 0:48:16.120
<v Speaker 2>Don't forget. They use the newspaper slingshot.

0:48:16.280 --> 0:48:19.440
<v Speaker 1>They ask the cannon to shoot a grappling hook.

0:48:20.440 --> 0:48:23.720
<v Speaker 2>Of nails it on the first try.

0:48:23.760 --> 0:48:26.240
<v Speaker 3>Well, the grappling hooks in the eighties were really well

0:48:26.239 --> 0:48:29.960
<v Speaker 3>made and are grappling hook launching machines, which everyone happened.

0:48:30.080 --> 0:48:35.680
<v Speaker 4>Liil obviously has some rope climbing mountain climbing experience. He

0:48:35.760 --> 0:48:38.760
<v Speaker 4>goes right in, whoop, He goes right to the wall

0:48:39.280 --> 0:48:42.080
<v Speaker 4>and then struggles getting up it, which was funny.

0:48:42.120 --> 0:48:46.680
<v Speaker 1>Very funny. They get up there, Zoe's gone, She's already left.

0:48:46.960 --> 0:48:49.600
<v Speaker 2>He goes directly to that room.

0:48:49.840 --> 0:48:52.520
<v Speaker 3>Well because they say they they knowed what room she's in,

0:48:52.560 --> 0:48:55.480
<v Speaker 3>because the family that they have, the parents look over, like, no,

0:48:55.600 --> 0:48:57.560
<v Speaker 3>her light's already off, so she's asleep.

0:48:57.600 --> 0:49:00.000
<v Speaker 1>So they're like, Okay, at least we know where she is. Right.

0:49:00.080 --> 0:49:01.600
<v Speaker 1>So they a lot of breaking and entrying, a lot

0:49:01.600 --> 0:49:02.560
<v Speaker 1>of b and in this movie.

0:49:02.600 --> 0:49:06.160
<v Speaker 3>So they break they break in again, and she has

0:49:06.239 --> 0:49:12.160
<v Speaker 3>left a very badly spelled note and there's an emphasis

0:49:12.360 --> 0:49:14.920
<v Speaker 3>yes I said that right on how bad her spelling

0:49:15.000 --> 0:49:17.200
<v Speaker 3>is that's never really paid off.

0:49:17.239 --> 0:49:21.000
<v Speaker 1>They mentioned it twice, and it also kind of is.

0:49:21.000 --> 0:49:22.000
<v Speaker 2>Pretty fisted about it.

0:49:22.400 --> 0:49:25.799
<v Speaker 3>Yeah, but it also leads to hey, maybe this new

0:49:25.800 --> 0:49:30.359
<v Speaker 3>family would have taught her how to spell. So they

0:49:30.400 --> 0:49:34.200
<v Speaker 3>finally they find her by singing all the family when

0:49:34.200 --> 0:49:35.640
<v Speaker 3>they were driving together. And this is one time you

0:49:35.680 --> 0:49:37.080
<v Speaker 3>did get to see John Denver sing, but it was

0:49:37.080 --> 0:49:40.440
<v Speaker 3>with everybody was oh my darling Clement time very briefly.

0:49:41.239 --> 0:49:45.799
<v Speaker 3>So they all start singing that as a like a

0:49:45.920 --> 0:49:48.879
<v Speaker 3>yelling out of her name. They sing the song. They

0:49:48.920 --> 0:49:51.200
<v Speaker 3>find her. She's in a playground. Oh thank god, we

0:49:51.200 --> 0:49:53.480
<v Speaker 3>can bring her home. And they bring her home, and

0:49:53.520 --> 0:49:58.000
<v Speaker 3>now it's morning. The kids were out all freaking night.

0:49:58.600 --> 0:50:00.960
<v Speaker 3>That was the thing that amazed me. I was like, oh,

0:50:01.040 --> 0:50:03.279
<v Speaker 3>this was not an hour long excursion. They've been out

0:50:03.280 --> 0:50:06.040
<v Speaker 3>for like nine hours and nobody's noticed these kids are gone.

0:50:06.320 --> 0:50:08.440
<v Speaker 1>Maybe John Denver isn't the person to be raising them.

0:50:08.480 --> 0:50:09.680
<v Speaker 1>I'm sorry, I'm gonna say it.

0:50:10.600 --> 0:50:14.480
<v Speaker 2>Well, and heather sneaks out too, for Bna for breaking

0:50:14.520 --> 0:50:15.000
<v Speaker 2>an entry.

0:50:15.160 --> 0:50:20.919
<v Speaker 4>Yes, where is your baby? Who is watching your baby? Well,

0:50:20.960 --> 0:50:22.200
<v Speaker 4>you speak out?

0:50:22.600 --> 0:50:23.600
<v Speaker 2>Who's watching it?

0:50:23.680 --> 0:50:23.919
<v Speaker 6>Max?

0:50:24.080 --> 0:50:27.120
<v Speaker 2>Isn't no that you leave the house. You haven't told him,

0:50:27.160 --> 0:50:28.200
<v Speaker 2>because you're sneaking out.

0:50:28.080 --> 0:50:29.720
<v Speaker 1>I was watching her baby.

0:50:29.880 --> 0:50:31.480
<v Speaker 2>Who's watching your kid?

0:50:32.040 --> 0:50:35.200
<v Speaker 3>Oh' that's very interesting. I didn't even think about that.

0:50:36.000 --> 0:50:38.719
<v Speaker 3>Heather though, after again some light be any of her own,

0:50:38.760 --> 0:50:40.880
<v Speaker 3>gets the documents that she needs to prove two Max

0:50:40.920 --> 0:50:43.359
<v Speaker 3>that Gladstone has been cooking the books yea to make

0:50:43.360 --> 0:50:45.200
<v Speaker 3>the home look like it's losing a ton of money.

0:50:45.400 --> 0:50:47.840
<v Speaker 3>And actually they've been working for a real estate agent

0:50:47.920 --> 0:50:51.640
<v Speaker 3>for the property. And the client that wants them out

0:50:52.280 --> 0:50:56.399
<v Speaker 3>is the awful Aunt. It's Winifred good twist. I did

0:50:56.440 --> 0:50:57.320
<v Speaker 3>not see that filming.

0:50:57.600 --> 0:50:59.919
<v Speaker 2>I didn't either. I really didn't either.

0:51:00.320 --> 0:51:02.000
<v Speaker 1>She's the bad guy all along.

0:51:02.000 --> 0:51:06.600
<v Speaker 4>There also finds that she's got a great talent for

0:51:07.600 --> 0:51:08.640
<v Speaker 4>unlocking locks.

0:51:08.960 --> 0:51:10.160
<v Speaker 2>She's a locksmith.

0:51:10.360 --> 0:51:14.120
<v Speaker 4>Yeah, in the next life, or was in her previous

0:51:14.160 --> 0:51:17.000
<v Speaker 4>because her talent for just pop.

0:51:16.920 --> 0:51:20.880
<v Speaker 1>Oh, I'm in, I'm in. She's pretty impressive. But it

0:51:20.960 --> 0:51:21.879
<v Speaker 1>is a Scooby Doo moment.

0:51:21.880 --> 0:51:23.680
<v Speaker 3>It is a total Scooby Doo moment when they pull

0:51:23.719 --> 0:51:26.439
<v Speaker 3>off the But you know, Winnifred I would have gotten

0:51:26.440 --> 0:51:30.879
<v Speaker 3>away with it. So yeah, so we're at the deadline now,

0:51:31.120 --> 0:51:32.640
<v Speaker 3>they're still going to lose the house. At this point,

0:51:32.840 --> 0:51:35.279
<v Speaker 3>We're at the deadline and Gladstone is sending the kids

0:51:35.360 --> 0:51:38.640
<v Speaker 3>cross country and even has Max arrested again for something

0:51:38.680 --> 0:51:41.200
<v Speaker 3>now more important than bothering the loan office, which is

0:51:41.280 --> 0:51:44.040
<v Speaker 3>very strange. Aunt Winnifred is ready to pounce and everyone

0:51:44.120 --> 0:51:46.920
<v Speaker 3>is packing to make a mad dash. Even his aunt's

0:51:47.040 --> 0:51:49.719
<v Speaker 3>lifelong assistant is going to be joining Max. He'd rather

0:51:49.800 --> 0:51:52.800
<v Speaker 3>be with Max and with Winnifred. His dad figure. Max's

0:51:52.840 --> 0:51:55.080
<v Speaker 3>dad figure is coming with them as well. The family's complete.

0:51:55.120 --> 0:52:03.720
<v Speaker 3>But in one last interesting hail Mary attempt, the lawyer

0:52:05.320 --> 0:52:11.640
<v Speaker 3>suggests that if they call the news and Charlie the

0:52:11.840 --> 0:52:16.920
<v Speaker 3>kid who's also an inventor, shows his anti gravity hat

0:52:17.120 --> 0:52:20.600
<v Speaker 3>on the news, right, that'll save the home.

0:52:21.280 --> 0:52:28.000
<v Speaker 4>Yes, But the crazier part is how they get them

0:52:28.080 --> 0:52:31.880
<v Speaker 4>on it, Like, how where the connection that he has

0:52:31.920 --> 0:52:36.759
<v Speaker 4>with this news So it's it's his Yes, it's his friend,

0:52:37.239 --> 0:52:41.319
<v Speaker 4>not so much when we meet the friend and he

0:52:41.360 --> 0:52:47.399
<v Speaker 4>went to Camp Sakawaukee, they were the two Dans. And

0:52:47.440 --> 0:52:51.720
<v Speaker 4>then finally the anchor recognizes him because he the lawyer

0:52:51.840 --> 0:52:54.840
<v Speaker 4>Dan was the Dan that had severe.

0:52:55.280 --> 0:52:56.520
<v Speaker 1>Poison ie ivy.

0:52:57.400 --> 0:52:59.239
<v Speaker 2>That's how he got these kids on.

0:52:59.760 --> 0:53:04.040
<v Speaker 3>Yeah, and the news anchor even goes, oh, you you

0:53:04.120 --> 0:53:07.000
<v Speaker 3>survived that, like he thought he died at the camp

0:53:07.120 --> 0:53:11.000
<v Speaker 3>from the poison ivy. But for some reason, this gets

0:53:11.080 --> 0:53:15.280
<v Speaker 3>the local news to come by to pre empt another story.

0:53:15.600 --> 0:53:20.520
<v Speaker 3>By the way, yes, to show the anti gravity machine

0:53:20.640 --> 0:53:25.919
<v Speaker 3>on news. And so that's really just a cruise. Yeah,

0:53:25.920 --> 0:53:28.160
<v Speaker 3>it wasn't great, but it was just a ruise to

0:53:28.200 --> 0:53:31.520
<v Speaker 3>then say, hey, yes, while I have invented an anti

0:53:31.560 --> 0:53:34.439
<v Speaker 3>gravity machine, kind of an important deal. Really, what's what's

0:53:34.480 --> 0:53:37.840
<v Speaker 3>worse is that we're losing the house because this guy

0:53:38.480 --> 0:53:42.600
<v Speaker 3>is breaking the law. So it's like they've exposed him

0:53:43.600 --> 0:53:45.880
<v Speaker 3>on the local news. It was a very kind of

0:53:45.960 --> 0:53:48.040
<v Speaker 3>this is why I said I need to rewrite very

0:53:48.120 --> 0:53:53.120
<v Speaker 3>kind of convoluted, weird ending to this to the story.

0:53:53.400 --> 0:53:58.320
<v Speaker 4>Right, So yeah, there is one part.

0:53:58.480 --> 0:54:00.400
<v Speaker 2>I don't know if you noticed it. I don't. I

0:54:00.440 --> 0:54:03.120
<v Speaker 2>have too many Serbia seas and I can't miss that.

0:54:03.920 --> 0:54:07.960
<v Speaker 4>The Max as he's Max As he's watching the TV

0:54:08.960 --> 0:54:11.919
<v Speaker 4>because he's our in the gage in the garage, trying

0:54:11.960 --> 0:54:15.239
<v Speaker 4>to figure out how to with the yes and get

0:54:15.280 --> 0:54:18.160
<v Speaker 4>this pos van to take him back home.

0:54:18.360 --> 0:54:20.880
<v Speaker 2>Right, he's still there, he finds he sees it.

0:54:20.920 --> 0:54:23.799
<v Speaker 4>The butler's watching the TV. He notices what's going on

0:54:24.239 --> 0:54:28.799
<v Speaker 4>and he says, oh my God. But they totally not

0:54:28.960 --> 0:54:30.200
<v Speaker 4>even try.

0:54:29.960 --> 0:54:32.880
<v Speaker 2>To make it look voice over it, oh my gosh.

0:54:32.880 --> 0:54:33.800
<v Speaker 1>And I went gosh.

0:54:33.960 --> 0:54:36.120
<v Speaker 2>It just made me think from what we saw in

0:54:36.280 --> 0:54:41.759
<v Speaker 2>prom Pact twenty three to nineteen eighty.

0:54:41.520 --> 0:54:44.600
<v Speaker 4>Six, you can't say stopped over God and had to

0:54:44.600 --> 0:54:45.279
<v Speaker 4>put gosh in.

0:54:45.360 --> 0:54:47.640
<v Speaker 2>That was a huge, huge distance from it.

0:54:47.719 --> 0:54:48.839
<v Speaker 1>They used to do that all the time.

0:54:48.880 --> 0:54:51.200
<v Speaker 3>I remember one of my favorite ones ever was I

0:54:51.239 --> 0:54:54.600
<v Speaker 3>was watching The Breakfast Club on regular television as a

0:54:54.640 --> 0:54:58.560
<v Speaker 3>kid and John Bender has a line where he says,

0:54:58.680 --> 0:55:04.560
<v Speaker 3>eat my yours, and they dub it to where I

0:55:04.600 --> 0:55:06.439
<v Speaker 3>was watching it, and this is this is not a joke,

0:55:06.480 --> 0:55:10.080
<v Speaker 3>this is how it sounded. He went eat my socks

0:55:10.800 --> 0:55:13.920
<v Speaker 3>and it was somebody just it was a different voice entirely.

0:55:14.120 --> 0:55:16.520
<v Speaker 3>It was the wrong pitch and it was just somebody

0:55:16.520 --> 0:55:18.040
<v Speaker 3>going socks right over.

0:55:18.080 --> 0:55:20.640
<v Speaker 1>It was the greatest thing. So they did that stuff

0:55:21.040 --> 0:55:21.680
<v Speaker 1>all the time.

0:55:21.960 --> 0:55:24.800
<v Speaker 3>Oh wow, so you're right, it was gosh, God, but

0:55:24.920 --> 0:55:27.359
<v Speaker 3>they're watching he gets the motorcycle, they go home, Hey,

0:55:27.400 --> 0:55:27.759
<v Speaker 3>you did it.

0:55:28.000 --> 0:55:30.000
<v Speaker 2>Motorcycle saved it. So funny.

0:55:30.320 --> 0:55:33.520
<v Speaker 3>You were now all a family and this Cindy Williams

0:55:33.560 --> 0:55:35.160
<v Speaker 3>they kiss out of nowhere.

0:55:35.440 --> 0:55:39.680
<v Speaker 4>Out of nowhere, I mean you saw the Like I said,

0:55:39.719 --> 0:55:42.520
<v Speaker 4>there could have been one more little tiny.

0:55:42.360 --> 0:55:45.879
<v Speaker 2>Scene that, yeah, built their relationship up a little bit more.

0:55:46.239 --> 0:55:48.160
<v Speaker 2>But this kiss comes out of.

0:55:47.880 --> 0:55:51.000
<v Speaker 3>Nowhere and he's like and she's like, I'm sorry, I

0:55:51.000 --> 0:55:52.920
<v Speaker 3>shouldn't have done that. He's like, no, I'm I'm on.

0:55:53.120 --> 0:55:58.080
<v Speaker 3>I'm on a rocky mountain, high lady. So that's it.

0:55:58.160 --> 0:56:00.719
<v Speaker 1>But did the end work for you? It's seemed very

0:56:00.800 --> 0:56:01.960
<v Speaker 1>wrapped up very quickly.

0:56:01.960 --> 0:56:04.840
<v Speaker 2>For me, it did, it wrapped up really quick.

0:56:04.920 --> 0:56:08.640
<v Speaker 4>I didn't feel like I understood really what ended up

0:56:08.719 --> 0:56:11.440
<v Speaker 4>happening with the buying of the house.

0:56:11.600 --> 0:56:12.560
<v Speaker 2>Is the house okay?

0:56:12.640 --> 0:56:12.839
<v Speaker 3>Now?

0:56:13.320 --> 0:56:15.960
<v Speaker 2>What happened with the ant? None of that?

0:56:15.360 --> 0:56:17.040
<v Speaker 1>No, no, no.

0:56:17.640 --> 0:56:20.120
<v Speaker 4>I also thought the cake cutter was so obvious. I

0:56:20.480 --> 0:56:22.640
<v Speaker 4>felt it coming when he was asking about it.

0:56:22.680 --> 0:56:23.040
<v Speaker 1>I knew.

0:56:23.200 --> 0:56:24.919
<v Speaker 3>I thought it was going to throw on everybody else.

0:56:25.200 --> 0:56:27.000
<v Speaker 3>I thought everyone was going to get covered in cake.

0:56:27.320 --> 0:56:30.840
<v Speaker 2>I thought the way he reacted seemed very real.

0:56:31.480 --> 0:56:34.560
<v Speaker 4>The way maybe yeah, he didn't either he didn't know

0:56:34.640 --> 0:56:37.239
<v Speaker 4>or it wasn't It wasn't practiced, you know, they just

0:56:37.280 --> 0:56:39.280
<v Speaker 4>went for like the rehearsal.

0:56:39.840 --> 0:56:44.600
<v Speaker 2>But yeah, it was very all right, okay, I mean.

0:56:45.000 --> 0:56:49.080
<v Speaker 1>And then literally movie over, Yeah, which I was.

0:56:49.239 --> 0:56:50.920
<v Speaker 2>I was kind of ready to be I was.

0:56:50.960 --> 0:56:51.959
<v Speaker 1>I was too at that point.

0:56:51.960 --> 0:56:55.400
<v Speaker 3>Again, I loved watching the kids so very funny story,

0:56:55.400 --> 0:56:56.040
<v Speaker 3>needed to rewrite.

0:56:56.320 --> 0:57:06.320
<v Speaker 5>Yeah, let's do our real reviews.

0:57:06.520 --> 0:57:09.040
<v Speaker 3>Yeah, I'll take the one star this time. And this

0:57:09.120 --> 0:57:12.839
<v Speaker 3>is from It's Either Nita or Nida B and it's

0:57:13.960 --> 0:57:16.440
<v Speaker 3>I watched it because it starred John Denver. It's not

0:57:16.600 --> 0:57:18.960
<v Speaker 3>one of his better films. It's okay, more of what

0:57:19.000 --> 0:57:21.960
<v Speaker 3>they used to call bubble gum. I think that's accurate.

0:57:22.000 --> 0:57:24.360
<v Speaker 3>If I'm at one star, I think is a bit harsh,

0:57:24.440 --> 0:57:26.000
<v Speaker 3>but yeah, bubblegum is accurate.

0:57:26.160 --> 0:57:31.840
<v Speaker 4>Yeah, all right, this five star by Susan H. John Denver,

0:57:32.240 --> 0:57:38.080
<v Speaker 4>Children and Animals? How could you possibly lose? Great movie

0:57:38.120 --> 0:57:41.280
<v Speaker 4>for the entire family. Didn't even know it existed until

0:57:41.280 --> 0:57:43.960
<v Speaker 4>I typed John Denver into the search bar.

0:57:44.240 --> 0:57:46.720
<v Speaker 2>All right, yep, I am currently.

0:57:46.360 --> 0:57:50.200
<v Speaker 4>Looking for a movie which John Denver acted in called Savant.

0:57:51.640 --> 0:57:54.600
<v Speaker 4>All right, this is the best part of this one.

0:57:54.800 --> 0:57:59.120
<v Speaker 4>It is also I love Amazon, the products, the service,

0:57:59.240 --> 0:58:02.360
<v Speaker 4>the promptness of the whatever need and not be surpass

0:58:02.440 --> 0:58:03.040
<v Speaker 4>It's such.

0:58:02.880 --> 0:58:03.959
<v Speaker 1>A weird way to jump.

0:58:04.000 --> 0:58:06.400
<v Speaker 3>It's like I'm trying to watch John Denver movie and

0:58:06.440 --> 0:58:10.919
<v Speaker 3>I love Burger King. It's like you, what's happening here,

0:58:12.760 --> 0:58:15.160
<v Speaker 3>Susan h We've been playing some wonderful games.

0:58:15.360 --> 0:58:17.520
<v Speaker 1>I love that, And we've got another one that's a

0:58:17.520 --> 0:58:17.960
<v Speaker 1>lot of fun.

0:58:18.000 --> 0:58:21.000
<v Speaker 3>This week it's gonna be a king that's called leftover

0:58:21.760 --> 0:58:24.560
<v Speaker 3>or left under, and we'll be given again we do

0:58:24.640 --> 0:58:26.720
<v Speaker 3>not know. We will be given a trivia question and

0:58:26.760 --> 0:58:29.240
<v Speaker 3>we have to decide whether the real answer is higher

0:58:29.280 --> 0:58:32.400
<v Speaker 3>than or lower than the number that we have here.

0:58:32.440 --> 0:58:34.760
<v Speaker 3>So for an example, like how many hosts are on

0:58:34.840 --> 0:58:37.360
<v Speaker 3>Magical rewind is it higher or lower than one?

0:58:37.480 --> 0:58:40.720
<v Speaker 1>It's higher? Okay, great, So we got know we do

0:58:40.800 --> 0:58:43.480
<v Speaker 1>not know these We are usually not very good at

0:58:43.480 --> 0:58:45.760
<v Speaker 1>this stuff. So here we go.

0:58:46.760 --> 0:58:50.400
<v Speaker 3>First, Like we told you, Julia White would later become

0:58:50.400 --> 0:58:53.000
<v Speaker 3>the iconic character Steve Erkle on the show Family Matters,

0:58:53.240 --> 0:58:55.800
<v Speaker 3>but it wasn't always guaranteed he break out as a star.

0:58:56.600 --> 0:58:59.680
<v Speaker 3>How many episodes of Family Matters was he originally booked

0:58:59.680 --> 0:59:03.320
<v Speaker 3>to a piece higher or lower than two?

0:59:04.160 --> 0:59:09.120
<v Speaker 2>Oh? Oh man, I'm going to go with higher.

0:59:09.440 --> 0:59:10.560
<v Speaker 1>See I'm going to go with lower.

0:59:10.560 --> 0:59:12.640
<v Speaker 3>I think he was supposed to be a one off Oh,

0:59:12.760 --> 0:59:16.360
<v Speaker 3>I think I think he was supposed to come in right,

0:59:16.400 --> 0:59:20.240
<v Speaker 3>but he wasn't supposed to be so I think maybe

0:59:20.240 --> 0:59:20.880
<v Speaker 3>they brought him on.

0:59:21.080 --> 0:59:21.760
<v Speaker 1>It's one thing.

0:59:22.360 --> 0:59:25.240
<v Speaker 3>It's either a four episode arc or it's a one off.

0:59:25.280 --> 0:59:26.840
<v Speaker 3>I'm going to say lower, you're going to say higher.

0:59:26.920 --> 0:59:27.880
<v Speaker 2>Let's higher.

0:59:28.120 --> 0:59:29.640
<v Speaker 6>It's a one off. It's lower.

0:59:30.440 --> 0:59:31.440
<v Speaker 1>It was it wasn't on.

0:59:31.520 --> 0:59:33.400
<v Speaker 3>It's what I figured. He was only supposed to be on.

0:59:33.480 --> 0:59:37.160
<v Speaker 3>All right, one for me, I actually got one. Here's

0:59:37.160 --> 0:59:40.040
<v Speaker 3>a second question. John Denver is one of the biggest

0:59:40.080 --> 0:59:42.640
<v Speaker 3>musicians of all times. So with this in mind, how

0:59:42.640 --> 0:59:45.080
<v Speaker 3>many number one songs did he have in his career?

0:59:45.120 --> 0:59:47.400
<v Speaker 3>Is it higher or lower than five?

0:59:48.680 --> 0:59:53.520
<v Speaker 7>Oh, that's a tough one. Five more than five number

0:59:53.560 --> 1:00:00.840
<v Speaker 7>one songs? Number one, number one. I'm gonna say hi.

1:00:01.800 --> 1:00:03.120
<v Speaker 1>I'm going to say lower again.

1:00:03.800 --> 1:00:04.400
<v Speaker 6>It's lower.

1:00:04.440 --> 1:00:06.880
<v Speaker 1>It's four four.

1:00:07.360 --> 1:00:10.200
<v Speaker 6>The songs are sunshining on my shoulders. Any song Thank God,

1:00:10.240 --> 1:00:12.160
<v Speaker 6>I'm a country Boy and I'm Sorry, which means leaving

1:00:12.160 --> 1:00:13.760
<v Speaker 6>on a jet plane not a number one.

1:00:14.320 --> 1:00:17.400
<v Speaker 1>Wait so wait, so Rocky Mountain High wasn't a number one.

1:00:17.480 --> 1:00:18.920
<v Speaker 6>No, not a number one.

1:00:18.680 --> 1:00:21.200
<v Speaker 4>Take Me Take Me a Country Road wasn't a number

1:00:21.240 --> 1:00:21.960
<v Speaker 4>one Country Road.

1:00:21.960 --> 1:00:25.560
<v Speaker 6>That wasn't number one, No Sunshine my Shoulders any song.

1:00:25.720 --> 1:00:27.600
<v Speaker 6>Thank God, I'm a country boy and I'm sorry.

1:00:27.880 --> 1:00:33.720
<v Speaker 3>Wow, that's amazing because I hadn't heard of three of those. Okay,

1:00:33.920 --> 1:00:36.760
<v Speaker 3>So Cindy Williams stars and leftovers, but it is best

1:00:36.800 --> 1:00:39.720
<v Speaker 3>known for her time on Laverne and surely widely known

1:00:39.800 --> 1:00:41.960
<v Speaker 3>as a set with some serious issues. If you ever

1:00:42.000 --> 1:00:44.040
<v Speaker 3>want to read about Laverne and Suirly, it is a

1:00:44.080 --> 1:00:45.680
<v Speaker 3>trip to read how this show was made.

1:00:45.880 --> 1:00:46.280
<v Speaker 2>Wow.

1:00:46.400 --> 1:00:50.120
<v Speaker 1>Oh, they used to literally, she and Penny Marshall would

1:00:50.160 --> 1:00:52.920
<v Speaker 1>go into different dressing rooms and count their number of

1:00:53.000 --> 1:00:54.800
<v Speaker 1>lines and wouldn't come out of the dressing room if

1:00:54.800 --> 1:00:56.560
<v Speaker 1>one of them had more lines than the other. So

1:00:56.600 --> 1:00:58.280
<v Speaker 1>they had to write the script where they had an

1:00:58.360 --> 1:01:01.720
<v Speaker 1>equal number of lines. Very nutty set to beyond.

1:01:02.160 --> 1:01:06.880
<v Speaker 3>But how many years after Lavernon Shirley was canceled did

1:01:06.880 --> 1:01:09.720
<v Speaker 3>it take to get Cindy and Penny Marshall to appear

1:01:09.760 --> 1:01:14.720
<v Speaker 3>on camera together again? Over or under twelve? It's gotta

1:01:14.760 --> 1:01:17.920
<v Speaker 3>be over twelve, gotta be. I don't think it's for years,

1:01:18.200 --> 1:01:20.800
<v Speaker 3>for like decades, I don't think they did.

1:01:23.760 --> 1:01:24.880
<v Speaker 2>I guess I'll stay hired too.

1:01:24.960 --> 1:01:27.240
<v Speaker 1>I'm gonna say higher, and I'm guessing, waiting for keeping.

1:01:28.760 --> 1:01:29.760
<v Speaker 1>You'll get one right.

1:01:29.640 --> 1:01:32.640
<v Speaker 3>Eventually before our producer jumps on, I'm gonna guess it's

1:01:32.680 --> 1:01:33.720
<v Speaker 3>a lot higher.

1:01:33.760 --> 1:01:36.439
<v Speaker 1>But let's see if that's right. Okay, go ahead, it's

1:01:36.560 --> 1:01:37.360
<v Speaker 1>thirty years.

1:01:38.000 --> 1:01:39.120
<v Speaker 2>Wow.

1:01:39.920 --> 1:01:42.800
<v Speaker 6>They showed up on Nickelodeon's Salmon Cat as feuding co

1:01:42.920 --> 1:01:47.560
<v Speaker 6>creators of a seventy sitcom called Salmon Cat Brilliant Brilliant.

1:01:49.640 --> 1:01:51.439
<v Speaker 1>Both women pass away at the age of seventy five.

1:01:51.480 --> 1:01:52.400
<v Speaker 1>Too very strange.

1:01:52.800 --> 1:01:55.040
<v Speaker 2>The anxiety to hold a grudge for thirty years.

1:01:55.040 --> 1:01:56.640
<v Speaker 1>Oh, I couldn't even imagine.

1:01:56.720 --> 1:01:58.080
<v Speaker 2>Unreal. I can't do that.

1:01:58.160 --> 1:01:59.280
<v Speaker 6>I'm planning on doing it with one of you.

1:01:59.280 --> 1:01:59.400
<v Speaker 3>Two.

1:01:59.440 --> 1:02:00.160
<v Speaker 6>I don't know which want you.

1:02:00.960 --> 1:02:01.880
<v Speaker 1>That's fair, that's fair.

1:02:01.880 --> 1:02:03.760
<v Speaker 4>It's really gonna be me because you always want me

1:02:03.800 --> 1:02:07.520
<v Speaker 4>to lose on these games, all right.

1:02:08.240 --> 1:02:10.320
<v Speaker 3>I think I'm four to four at this point, by

1:02:10.360 --> 1:02:15.000
<v Speaker 3>the way, you are, here's the last question. Michael Eisner

1:02:15.200 --> 1:02:17.480
<v Speaker 3>would host the Sunday Night Movie, appearing in intros and

1:02:17.480 --> 1:02:20.000
<v Speaker 3>before commercial breaks from movies like The Leftovers and Our

1:02:20.040 --> 1:02:24.800
<v Speaker 3>Favorite of Course. But it allegedly We're gonna, We're gonna

1:02:25.560 --> 1:02:29.640
<v Speaker 3>bracket allegedly for his first introduction. Ever, he required how

1:02:29.680 --> 1:02:33.280
<v Speaker 3>many takes higher or lower than twelve?

1:02:34.920 --> 1:02:37.840
<v Speaker 2>Twelve takes is a lot. I'm gonna go lower.

1:02:38.120 --> 1:02:39.440
<v Speaker 1>I'm gonna say higher again.

1:02:40.200 --> 1:02:46.800
<v Speaker 6>It's sixty eight. By the way, this is a fact

1:02:46.800 --> 1:02:49.600
<v Speaker 6>that was in numerous places, not just fu O.

1:02:50.400 --> 1:02:52.960
<v Speaker 2>My gosh, were you for five?

1:02:53.640 --> 1:02:58.200
<v Speaker 4>No, I got the first, the third one, I got your.

1:02:57.680 --> 1:03:01.120
<v Speaker 2>Twelve years geez, gosh.

1:03:01.320 --> 1:03:03.240
<v Speaker 1>Sixty eight takes.

1:03:04.000 --> 1:03:07.120
<v Speaker 2>That's a lot. Imagine how long that was.

1:03:07.160 --> 1:03:10.520
<v Speaker 4>Because the fuzz Bucket one we saw it looked like

1:03:10.560 --> 1:03:12.960
<v Speaker 4>it was a one, like one long take, like like

1:03:13.000 --> 1:03:14.800
<v Speaker 4>a monologue that was pretty long.

1:03:14.840 --> 1:03:15.520
<v Speaker 2>Do you remember that.

1:03:15.880 --> 1:03:19.640
<v Speaker 4>Yeah, So imagine how long sixty eight takes of something

1:03:19.760 --> 1:03:20.440
<v Speaker 4>like that would be.

1:03:20.560 --> 1:03:22.560
<v Speaker 6>Yeah, no one watched. No one watched the fuzz Bucket

1:03:22.560 --> 1:03:24.880
<v Speaker 6>when it was like, Michael Eisner should be in these movies.

1:03:24.960 --> 1:03:25.680
<v Speaker 1>Yeah, exactly.

1:03:26.400 --> 1:03:28.560
<v Speaker 3>In all fairness, it was not Michael Eisner's fault. They

1:03:28.560 --> 1:03:29.960
<v Speaker 3>were being directed by David Fincher.

1:03:31.160 --> 1:03:33.480
<v Speaker 6>That's true. A lot of takes, a.

1:03:33.400 --> 1:03:35.800
<v Speaker 1>Lot of takes. Okay, Well, let's what what do you

1:03:35.800 --> 1:03:41.040
<v Speaker 1>got left for? Sabrina Ce's did we hit most?

1:03:41.240 --> 1:03:45.120
<v Speaker 4>Oh man, we hit quite a bit of them. I

1:03:45.200 --> 1:03:47.640
<v Speaker 4>jumped in with some of them. So, but because there's

1:03:47.720 --> 1:03:48.000
<v Speaker 4>just so.

1:03:48.040 --> 1:03:51.000
<v Speaker 2>Many But one thing I thought, I don't know if

1:03:51.000 --> 1:03:51.840
<v Speaker 2>you picked up on it.

1:03:52.840 --> 1:03:56.560
<v Speaker 4>This is kind of their only building moment of romance

1:03:56.640 --> 1:04:01.120
<v Speaker 4>that is built in the movie. It's when outside and

1:04:01.240 --> 1:04:06.240
<v Speaker 4>they're you know, hanging clothes, which I thought was so funny.

1:04:06.240 --> 1:04:08.280
<v Speaker 2>I don't know, again, in the eighties.

1:04:07.920 --> 1:04:10.240
<v Speaker 4>If that was a super normal thing and people didn't

1:04:10.280 --> 1:04:12.400
<v Speaker 4>have dry washing machine.

1:04:12.040 --> 1:04:15.000
<v Speaker 1>People stillide not a ton.

1:04:15.120 --> 1:04:16.920
<v Speaker 2>That was a lot of clothes they had. That was

1:04:17.080 --> 1:04:18.120
<v Speaker 2>everything that they own.

1:04:18.120 --> 1:04:20.360
<v Speaker 1>There fourteen orphans members.

1:04:20.040 --> 1:04:20.760
<v Speaker 2>Of the household.

1:04:21.200 --> 1:04:24.800
<v Speaker 4>Yeah, so anyway that was I obviously was just you know,

1:04:24.840 --> 1:04:27.440
<v Speaker 4>I always think that's so cute when when that happens.

1:04:27.480 --> 1:04:28.840
<v Speaker 2>I love that in movies.

1:04:28.920 --> 1:04:32.040
<v Speaker 4>But so they are taking their time talking about it,

1:04:32.080 --> 1:04:35.560
<v Speaker 4>and then as he's he's leaving, she says, oh, Max,

1:04:35.840 --> 1:04:37.240
<v Speaker 4>you better take an umbrella today.

1:04:37.440 --> 1:04:41.360
<v Speaker 2>There's forecasts of rain today. And I'm like, then, why

1:04:41.400 --> 1:04:47.520
<v Speaker 2>did you just hang all this un clothes outside and

1:04:47.560 --> 1:04:49.200
<v Speaker 2>you're and he's leaving, You're done?

1:04:49.640 --> 1:04:52.240
<v Speaker 4>What are you So that that was really like a

1:04:52.280 --> 1:04:55.640
<v Speaker 4>funny little thing that didn't click in with many people

1:04:55.680 --> 1:04:59.800
<v Speaker 4>on set apparently, And then we mentioned this and I

1:05:00.040 --> 1:05:04.240
<v Speaker 4>don't want to stop it. Then because I thought I

1:05:04.360 --> 1:05:06.160
<v Speaker 4>might have. I guess I got it wrong. But the

1:05:06.440 --> 1:05:09.240
<v Speaker 4>time when we were sitting it says with our stuff

1:05:09.280 --> 1:05:12.720
<v Speaker 4>with our producers, that Zoe gets adopted. I picked up

1:05:12.760 --> 1:05:15.720
<v Speaker 4>that she was going for a couple of days to

1:05:15.800 --> 1:05:19.480
<v Speaker 4>try it out. It wasn't an actual full blown adoption.

1:05:19.680 --> 1:05:21.920
<v Speaker 4>And he even says, is this legal. I'm like, no,

1:05:22.080 --> 1:05:26.520
<v Speaker 4>that is not legal. You cannot just like, this isn't

1:05:26.600 --> 1:05:30.360
<v Speaker 4>a layaway borrow situation with a child. That was so

1:05:30.640 --> 1:05:34.160
<v Speaker 4>bizarre to me, Like, no, that is not legal. No, Max,

1:05:34.360 --> 1:05:36.800
<v Speaker 4>do not let her go with them, And she did,

1:05:36.920 --> 1:05:39.080
<v Speaker 4>and it was sad, it was ridiculous.

1:05:39.160 --> 1:05:42.480
<v Speaker 3>I'm still just now because you said it's terribly worried

1:05:42.520 --> 1:05:48.560
<v Speaker 3>for Cindy Williams baby.

1:05:45.640 --> 1:05:49.600
<v Speaker 2>My gosh.

1:05:51.840 --> 1:05:54.280
<v Speaker 4>So then the last one I'm gonna do because this

1:05:54.520 --> 1:05:57.280
<v Speaker 4>I believe, and honestly, I don't know if it's true,

1:05:57.280 --> 1:06:01.320
<v Speaker 4>but it's it definitely looks like it is incorrect. There's

1:06:01.360 --> 1:06:04.640
<v Speaker 4>two of them in the very first scene when Jesse's

1:06:04.720 --> 1:06:08.680
<v Speaker 4>on her her bike with this awesome eighties contraption that.

1:06:08.640 --> 1:06:09.840
<v Speaker 1>Sent everybody's harpers.

1:06:10.880 --> 1:06:15.200
<v Speaker 4>She's riding along and all of a sudden wipes it

1:06:15.320 --> 1:06:18.640
<v Speaker 4>looked like the dog there was a dog that came

1:06:18.720 --> 1:06:23.240
<v Speaker 4>out and it almost looked like the dog wasn't supposed

1:06:23.280 --> 1:06:26.480
<v Speaker 4>to do that kind of thing, and she wiggled and

1:06:26.520 --> 1:06:27.560
<v Speaker 4>then just kept riding and.

1:06:27.520 --> 1:06:28.040
<v Speaker 2>They kept it.

1:06:28.120 --> 1:06:30.120
<v Speaker 4>She took her hands off, Yeah, she took her hands on,

1:06:30.160 --> 1:06:31.480
<v Speaker 4>and then the dog freaking to.

1:06:31.480 --> 1:06:34.080
<v Speaker 3>Be like hey, and then she like like almost wiped

1:06:34.080 --> 1:06:34.640
<v Speaker 3>out on the bike.

1:06:34.680 --> 1:06:36.560
<v Speaker 1>I saw that it was that.

1:06:36.880 --> 1:06:40.160
<v Speaker 4>And then the second one again I think, because that

1:06:40.280 --> 1:06:42.880
<v Speaker 4>could have easily been something that wasn't meant to happen,

1:06:43.040 --> 1:06:45.280
<v Speaker 4>and then they just kept in because they liked the

1:06:45.320 --> 1:06:48.560
<v Speaker 4>dog and added a you know, voysilver or whatever. And

1:06:48.600 --> 1:06:50.320
<v Speaker 4>then the next one I think could have been the

1:06:50.360 --> 1:06:52.880
<v Speaker 4>same way because it was kind of funny. It was

1:06:52.920 --> 1:06:56.480
<v Speaker 4>a little mishap when mister Gladstone's coming back into the

1:06:56.520 --> 1:07:00.320
<v Speaker 4>car the last time and we see your friend his

1:07:00.360 --> 1:07:05.480
<v Speaker 4>assistants in there, and he's flabbergasted talking about firing Max.

1:07:05.520 --> 1:07:07.720
<v Speaker 2>He's out of here, blah blah blah blah blah, and

1:07:07.920 --> 1:07:11.280
<v Speaker 2>he kind of looks like he forgot to shut the door.

1:07:11.400 --> 1:07:14.000
<v Speaker 4>And then he tells the driver and he says, what

1:07:14.080 --> 1:07:16.520
<v Speaker 4>are you in Acoma? And then you see the actor

1:07:16.560 --> 1:07:20.000
<v Speaker 4>that's next to him kind of like, you know, gesture

1:07:20.040 --> 1:07:21.560
<v Speaker 4>to the door and then he shut the.

1:07:21.520 --> 1:07:24.440
<v Speaker 2>Door and they fly off. Don't you think they could.

1:07:24.240 --> 1:07:27.960
<v Speaker 4>Have something that was just a mistake. But it was

1:07:28.040 --> 1:07:30.360
<v Speaker 4>funny and they kept it going and did not.

1:07:30.600 --> 1:07:33.040
<v Speaker 1>And that's what I still didn't know. It was Willy, Like, oh,

1:07:33.080 --> 1:07:34.760
<v Speaker 1>it's I didn't either.

1:07:34.920 --> 1:07:37.280
<v Speaker 2>He only comes up one time after Willy.

1:07:37.640 --> 1:07:38.040
<v Speaker 1>That's good.

1:07:38.400 --> 1:07:41.240
<v Speaker 2>He had three small little scenes and that's so.

1:07:41.440 --> 1:07:42.600
<v Speaker 1>And I don't think he had a line or he

1:07:42.640 --> 1:07:43.920
<v Speaker 1>had one in the whole movie.

1:07:44.200 --> 1:07:45.240
<v Speaker 2>So that's it for me.

1:07:45.520 --> 1:07:48.640
<v Speaker 1>My great Sabrina sees as always.

1:07:48.680 --> 1:07:51.520
<v Speaker 3>And now we have to rate our movie one out

1:07:51.520 --> 1:07:54.600
<v Speaker 3>of ten, one of course being bad, ten being amazing.

1:07:55.400 --> 1:07:56.440
<v Speaker 1>What should do one out of ten?

1:07:56.640 --> 1:08:03.160
<v Speaker 3>Pet goats, stuffed animal surgeries, beat up hippie vans, awful.

1:08:02.920 --> 1:08:05.640
<v Speaker 1>Aunts or anti gravity hats? What do you think? I'm

1:08:05.680 --> 1:08:06.760
<v Speaker 1>also gonna add.

1:08:08.320 --> 1:08:13.920
<v Speaker 3>Eighties newspaper cannons, which of course everybody had back in the.

1:08:13.880 --> 1:08:14.440
<v Speaker 1>Day, the eighties.

1:08:16.600 --> 1:08:20.720
<v Speaker 7>Terrible uh, terrible baby baskets or terrible baby baskets.

1:08:20.960 --> 1:08:24.080
<v Speaker 2>Yeah, let's do the eighties. What did you call it?

1:08:24.720 --> 1:08:29.200
<v Speaker 1>Eighties newspaper cannons? Okay, perfect, So out of out of

1:08:29.280 --> 1:08:32.280
<v Speaker 1>ten eighties newspaper canons. How many do you give this one?

1:08:32.479 --> 1:08:34.640
<v Speaker 2>Oh? Man? You know was?

1:08:35.680 --> 1:08:39.400
<v Speaker 4>I did like a lot of it again the young cast, yep,

1:08:39.640 --> 1:08:40.000
<v Speaker 4>but I.

1:08:40.000 --> 1:08:43.760
<v Speaker 2>Didn't love there was too many what wait? What what?

1:08:43.920 --> 1:08:44.080
<v Speaker 3>You know?

1:08:44.160 --> 1:08:46.280
<v Speaker 4>It's just kind of all over. Like I said, a

1:08:46.320 --> 1:08:49.160
<v Speaker 4>lot of it was a little spastic.

1:08:48.560 --> 1:08:50.559
<v Speaker 2>For me and at a lot of times.

1:08:50.600 --> 1:08:53.040
<v Speaker 4>So I think this is not going to be one

1:08:53.080 --> 1:08:54.960
<v Speaker 4>of my better ones. I'm gonna go.

1:08:54.920 --> 1:08:58.720
<v Speaker 2>With six eighties newspaper cannons.

1:08:59.280 --> 1:09:01.120
<v Speaker 3>You know what's funny, it's exactly the number I'm going

1:09:01.160 --> 1:09:03.400
<v Speaker 3>to give it. It would be a much lower number

1:09:03.400 --> 1:09:06.160
<v Speaker 3>for me if not for the cast. Yeah, the cast

1:09:06.240 --> 1:09:06.519
<v Speaker 3>was great.

1:09:06.640 --> 1:09:07.960
<v Speaker 1>The cast was great, and.

1:09:07.880 --> 1:09:09.599
<v Speaker 2>It was really fun to see.

1:09:09.960 --> 1:09:14.320
<v Speaker 4>Obviously the older actors were more well known, but it

1:09:14.360 --> 1:09:17.559
<v Speaker 4>was really cool to see these young actors in a

1:09:17.640 --> 1:09:20.120
<v Speaker 4>job that you just know was one of their very

1:09:20.200 --> 1:09:21.200
<v Speaker 4>first things that they.

1:09:21.040 --> 1:09:23.280
<v Speaker 3>Were doing, and they were great for early in their career.

1:09:23.360 --> 1:09:26.439
<v Speaker 3>An awesome cast that saved it for me. So I'm

1:09:26.479 --> 1:09:29.160
<v Speaker 3>also giving it six eighties newspaper cannons.

1:09:29.160 --> 1:09:29.680
<v Speaker 1>Well that's it.

1:09:29.720 --> 1:09:32.240
<v Speaker 3>Thank you so much for joining us for this episode

1:09:32.320 --> 1:09:34.800
<v Speaker 3>of Magical Rewind. It was a fun watch again, go

1:09:34.880 --> 1:09:36.360
<v Speaker 3>check it out if you want to or don't totally

1:09:36.400 --> 1:09:36.600
<v Speaker 3>up to you.

1:09:36.680 --> 1:09:38.240
<v Speaker 1>This is America.

1:09:38.280 --> 1:09:40.960
<v Speaker 3>The next movie we're going to be doing is from

1:09:41.120 --> 1:09:44.840
<v Speaker 3>the two thousand is The Color of Friendship, which everybody

1:09:45.000 --> 1:09:45.720
<v Speaker 3>loves this movie.

1:09:45.800 --> 1:09:47.560
<v Speaker 1>I know nothing about this movie.

1:09:47.880 --> 1:09:50.439
<v Speaker 4>I haven't seen it in so long. I am so

1:09:50.720 --> 1:09:51.479
<v Speaker 4>excited for this.

1:09:51.600 --> 1:09:54.880
<v Speaker 3>Okay, good, I know nothing about this movie, literally nothing.

1:09:54.920 --> 1:09:55.920
<v Speaker 2>Such a great movie.

1:09:56.080 --> 1:09:58.400
<v Speaker 3>Oh I'm okay good. Oh I'm very very excited. And

1:09:58.400 --> 1:10:00.559
<v Speaker 3>if you want to watch it beforehand, it is available

1:10:00.600 --> 1:10:01.880
<v Speaker 3>to view on Disney Plus.

1:10:01.920 --> 1:10:03.000
<v Speaker 1>So go and check it out and.

1:10:02.920 --> 1:10:05.160
<v Speaker 3>Remember to subscribe to our feed and you can follow

1:10:05.240 --> 1:10:07.719
<v Speaker 3>us at the Magical rewind Pod on the Instagram Machine.

1:10:07.720 --> 1:10:09.240
<v Speaker 3>Thank you so much for joining us, and don't forget

1:10:09.240 --> 1:10:11.040
<v Speaker 3>in our Park Copper episode, we're gonna be talking to

1:10:11.080 --> 1:10:12.720
<v Speaker 3>Andrea Barber. It's gonna be so much fun. We have

1:10:12.720 --> 1:10:16.519
<v Speaker 3>so many questions, like whatever happened to that baby? Because

1:10:16.560 --> 1:10:20.040
<v Speaker 3>that's yikes. That poor kid seen again, I've never seen again.

1:10:20.880 --> 1:10:22.280
<v Speaker 3>Check out a clip because it's a great interview.

1:10:23.880 --> 1:10:25.479
<v Speaker 1>Like everybody in it went on to do.

1:10:25.800 --> 1:10:28.160
<v Speaker 3>It was either huge in television or went on to

1:10:28.160 --> 1:10:29.040
<v Speaker 3>be huge in television.

1:10:29.080 --> 1:10:30.160
<v Speaker 1>Basically the entire.

1:10:29.960 --> 1:10:32.639
<v Speaker 4>Cast it was like a training ground for like future

1:10:32.720 --> 1:10:35.240
<v Speaker 4>child stars and like big actor names.

1:10:35.400 --> 1:10:36.840
<v Speaker 2>It was great, you know it was.

1:10:38.320 --> 1:10:39.640
<v Speaker 4>We had no idea at the time, Like I had

1:10:39.680 --> 1:10:42.439
<v Speaker 4>no idea who these people were, you know, like.

1:10:42.439 --> 1:10:44.400
<v Speaker 2>Jaliel wasn't even Rkle yet.

1:10:44.439 --> 1:10:46.559
<v Speaker 4>Like we went on to be the annoying neighbors on

1:10:46.640 --> 1:10:49.240
<v Speaker 4>our respective sitcoms.

1:10:48.120 --> 1:10:51.280
<v Speaker 2>So great, so cool.

1:10:53.479 --> 1:10:55.800
<v Speaker 1>Thanks so much everybody, and we will see you next time.

1:10:55.920 --> 1:11:02.880
<v Speaker 1>Bye bye

1:11:04.520 --> 1:11:04.720
<v Speaker 5>Sl