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Speaker 1: So what do you remember most about nineteen eighty.

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Speaker 2: Six being two years old?

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Speaker 1: Uh?

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Speaker 3: Huh, what do you remember most about eighty six? Walk

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Speaker 3: me through your experience in the middle eighties.

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Speaker 2: In the yeah, the mid eighties.

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Speaker 1: You were born in eighty four.

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Speaker 2: Yeah, oh, sorry old.

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Speaker 1: I just got so old, instantly got so old.

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Speaker 2: Yeah, I don't. I mean I think I was. I

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Speaker 2: don't really were walking walk in. I'm sure as jam in,

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Speaker 2: learning the little bit of dance here and there too.

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Speaker 1: You were dancing already at two.

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Speaker 3: Oh.

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Speaker 4: I've always loved music, so I've always not been able

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Speaker 4: to help myself, but like Baptist songs, and you know.

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Speaker 2: I just was always really like I gravitated towards it

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Speaker 2: a lot.

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Speaker 1: Interesting.

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Speaker 4: Yeah, what do you remember about eighty six?

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Speaker 1: I was ten years old in eighty six. I remember

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Speaker 1: a lot. I was.

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Speaker 3: Uh, that's when I started professionally acting. I was in

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Speaker 3: my first stage play and with Mary McDonald and David

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Speaker 3: Suthen in nineteen eighty six at.

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Speaker 1: A Dollar's House.

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Speaker 3: Oh that's where you know. My career started in eighty six.

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Speaker 3: So eighty six was a big year for me. I

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Speaker 3: think by ten I was I had my first little

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Speaker 3: dirt bike motorcycle. So I started riding around the streets

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Speaker 3: and my dirt bike and it was a laser tag

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Speaker 3: was big.

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Speaker 2: Wait did you wear safety gear?

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Speaker 1: Of course? Oh yeah, yeah, oh you did.

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Speaker 2: Okay.

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Speaker 3: If my parents are attorneys, they weren't going to let

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Speaker 3: me anywhere unless I was covered head to toe.

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Speaker 4: I always just think about now, even just we're getting

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Speaker 4: you know, Monroe her first tricycle or whatever, bicycle and

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Speaker 4: scooter and stuff, and you go on Amazon, the only

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Speaker 4: place to get stuff like that anymore this point, and

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Speaker 4: there's a whole package.

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Speaker 2: You don't just get a helmet.

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Speaker 4: It's risk guards, elbow guard's, knee pads. I'm basically putting

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Speaker 4: it out there.

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Speaker 2: In a bubble wrap.

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Speaker 4: And it's like, I can't imagine that's how it was

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Speaker 4: back in the day. I don't remember having all of

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Speaker 4: that when I was rollerblading for the first time or

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Speaker 4: bicycling regular bicycle.

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Speaker 3: The idea of wearing a helmet in the eighties when

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Speaker 3: you just were on your bike was insane. You'd fall,

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Speaker 3: you'd hit your head, you'd forget that day and you'd

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Speaker 3: start again the next day.

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Speaker 1: That's that's what happened. It's better Now with.

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Speaker 2: That say yes, absolutely, absolutely.

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Speaker 3: Oh, welcome back to Magical Rewind, the show that makes

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Speaker 3: you want to grab your friends, your pjs, and your

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Speaker 3: popcorn and go back to a time when all the

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Speaker 3: houses were smart, the waves, Tsunamis and the high School's musical.

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Speaker 1: I'm Wilford Del.

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Speaker 2: And I'm Sabrina Bryan, and we are talking.

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Speaker 3: About nineteen eighty six for a very good reason. It's

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Speaker 3: because it's time to wrangle the kids and save the orphanage.

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Speaker 3: Because this week we're traveling back to that wonderful year

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Speaker 3: of nineteen eighty six with the Wonderful World of Disney

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Speaker 3: movie The Leftovers. Now, it's a film from Disney's past

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Speaker 3: that has been completely and totally destroyed in Google searches

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Speaker 3: by the much more recent HBO show from Damon Lindelof.

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Speaker 3: It originally aired on Sunday Night on ABC, and it

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Speaker 3: would eventually replay ten times on the Disney Channel in

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Speaker 3: nineteen ninety, which gave it a bit of a second life.

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Speaker 3: It debuted on November sixteenth, nineteen eighty six, and to

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Speaker 3: get ahead of ourselves a little bit here, it stars singer,

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Speaker 3: songwriter and superstar of the time, John Denver, who is

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Speaker 3: one of the best selling artists of the seventies. He

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Speaker 3: sold over thirty three million records Wow and Yeah. And

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Speaker 3: he started his acting during the explosion of his career,

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Speaker 3: breaking out in the nineteen seventy seven movie Blockbuster Movie,

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Speaker 3: great film, George Burns' comedy Oh God, which then had

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Speaker 3: a great sequel, Oh God, You Devil. But then he

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Speaker 3: took almost ten years off from TV and movies, and

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Speaker 3: it was actually this movie, The Leftovers, that brought him

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Speaker 3: back to acting. And not only did it mark the

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Speaker 3: return of the musical phenomenon, it was early in the

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Speaker 3: careers of so many actors.

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Speaker 4: This was so Probably my favorite part of the movie

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Speaker 4: is the first time so many of these very young

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Speaker 4: actors that I had never seen, yeah, acting that young before.

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Speaker 4: You know, at that age again, I was young, really young.

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Speaker 4: This I mean was like ah, I mean, they just

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Speaker 4: kept at the first like ten minutes of the movie,

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Speaker 4: they just kept popping up.

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Speaker 2: In your face and you're like, wait, what, Oh my gosh.

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Speaker 3: You know, there is almost no one in this movie

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Speaker 3: that I don't recognize, from from the bit players to

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Speaker 3: the bigger I mean, it's like one person after another. Yeah,

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Speaker 3: became bigger actors. Character actors went on to star on TV.

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Speaker 3: It is a stacked cast and we will get into

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Speaker 3: that before we do. Though, you can watch the leftovers

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Speaker 3: for the Freeze.

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Speaker 1: That's right.

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Speaker 3: It costs you no money on YouTube, which is on

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Speaker 3: the computer machine, so you can go watch it now

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Speaker 3: if you like or don't.

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Speaker 1: You can only lead a horse to water.

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Speaker 2: Yes.

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Speaker 4: One tidbit though, it the one you want to download

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Speaker 4: from YouTube is the picture with with John Denver, because

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Speaker 4: otherwise when I.

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Speaker 2: First started going, it was part one, ten minutes Part two.

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Speaker 1: I oh, you had one of the broken up ones.

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Speaker 2: Oh no, I couldn't.

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Speaker 4: And then I realized, oh wait, and I found another one,

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Speaker 4: and that's a full.

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Speaker 1: Nice, very the whole movie. It looks great.

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Speaker 3: Yeah, it's actually a John Denver fan page that posted

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Speaker 3: that posted the full movie.

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Speaker 2: That's why I didn't think it was an actual movie.

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Speaker 1: Yeah, I thought it was.

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Speaker 4: I thought it was going to be a montage of

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Speaker 4: all their favorite greats and hits and all that Johnny.

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Speaker 2: So that's a good tipic.

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Speaker 4: Guys, go to the one where it's a nice little

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Speaker 4: album looking picture of him, and that is a full

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Speaker 4: movie for you.

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Speaker 1: That is from beginning to end.

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Speaker 3: Now, one thing I want to talk about right at

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Speaker 3: the beginning here is because you played a very famous

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Speaker 3: foster child in Cheetah Girls. I mean, so another Disney famous,

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Speaker 3: kind of not really famous trope. But I mean a

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Speaker 3: lot of kids movies deal with orphanages or with foster children.

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Speaker 3: So I mean, did you know anything about the leftovers

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Speaker 3: when you film Cheatah Girls? Was this like, I'm going

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Speaker 3: to go watch that movie, now get in character for

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Speaker 3: the Cheater Girls.

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Speaker 4: Well, as a matter of fact, I kept finding myself

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Speaker 4: just because we didn't dive in much after the first

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Speaker 4: movie of being a foster child. That was kind of

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Speaker 4: the big chunk that you got within the three movies.

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Speaker 4: But what it all sets up is kind of more

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Speaker 4: what I feel most movies set it up is not

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Speaker 4: a great place to grow up, not a lot of stuff.

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Speaker 4: And the beginning of the movie, as we're going through it,

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Speaker 4: I don't want to jump ahead too much, but these

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Speaker 4: kids had the biggest rooms, huge homes, giant house.

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Speaker 1: All their stuff, bikes and stuff.

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Speaker 4: Yeah, so this was very different than what we were

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Speaker 4: trying to portray within my character of not having a lot,

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Speaker 4: you know, really struggling having to kind of pick in

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Speaker 4: piece little outfits together for her, you know, cute vibe

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Speaker 4: things like that.

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Speaker 2: This was a little bit different.

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Speaker 3: Yeah, we'll talk about that, because it does seem like

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Speaker 3: the environment they were in did not seem to be

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Speaker 3: very foster. You know, again, I don't know much about

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Speaker 3: the foster care system, but I do not imagine it

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Speaker 3: was much like this right set up that day.

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Speaker 4: At least is how it always played out on the media,

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Speaker 4: you know what I mean, on movies and TVs.

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Speaker 1: Yeah, they really set this one.

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Speaker 2: It was a cool house with some cool crazing.

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Speaker 3: Yes, all right, So before we perform surgery on a

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Speaker 3: dolls broken leg or remove part of its brain, let's

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Speaker 3: get into the synopsis here. The director of a foster

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Speaker 3: home hires a young widow. Weirdly, we'll get into that too,

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Speaker 3: how she just shows up. But the director of foster

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Speaker 3: home hires a young widow to keep house for his

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Speaker 3: family of forgotten orphans, only to find out there's a

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Speaker 3: devious plan set in motion to completely shut down and

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Speaker 3: sell the house right right off the bat. What did

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Speaker 3: you think of the film?

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Speaker 4: So again, one of the things that really first of all,

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Speaker 4: the very first thing I thought was, I asked, Jordan,

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Speaker 4: who work? My husband and I are watching it together,

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Speaker 4: and there's this contraption on a bicycle that flings out

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Speaker 4: her newspapers.

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Speaker 1: Newspaper.

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Speaker 4: Now again, by the time I came around newspapers, someone

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Speaker 4: was driving in a car, maybe throwing them. I don't

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Speaker 4: even really think I ever paid attention to how much

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Speaker 4: how a newspaper came to the door or on the driveway.

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Speaker 2: But this was new to me, and so I'm going, Jordan,

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Speaker 2: is that how he goes? He's younger than me. He's like,

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Speaker 2: I have no idea. I don't know if that's a

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Speaker 2: normal newspaper contraption. I'm like, that thing's kind of cool.

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Speaker 3: Yeah, oh no, oh, so wait you he thought that

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Speaker 3: maybe in the eighties there was an actual newspaper cannon

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Speaker 3: that attached to bikes.

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Speaker 2: Yes, those are cool.

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Speaker 1: What what were the eighties like in your mind? I'm curious,

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Speaker 1: very brief and not really existent.

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Speaker 2: So I had no idea.

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Speaker 3: I think we have to assume that that is her

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Speaker 3: inventor brother.

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Speaker 2: Once I find.

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Speaker 4: Out she's got an inventor brother, and I see all

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Speaker 4: his other gadgets, That's when I said, oh, man, Will's

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Speaker 4: going to.

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Speaker 1: Young people wondering about if we had newspaper launchers attached

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Speaker 1: to the bikes in the eighties.

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Speaker 4: Sorry, I'm sorry, I know, I you know, but it

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Speaker 4: had to be said because it really happened to me

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Speaker 4: while I was watching this movie.

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Speaker 1: Did you like the film overall?

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Speaker 4: I thought there was so many holes and not making

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Speaker 4: sense points and things that I'm excited to kind of

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Speaker 4: dive into. But I did love Again. I loved the

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Speaker 4: young cast. Yeah, and I thought I thought they're little

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Speaker 4: characters and their idea of this close knit family that

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Speaker 4: you again, which is such a great message. You don't

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Speaker 4: always have to be born into this amazing tight knit family.

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Speaker 4: You can create that, you know, and these kids embracing

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Speaker 4: it and him as a as a foster dad for them.

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Speaker 4: He I mean, especially towards the end. And I will

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Speaker 4: say that if in my Sabrina Seaes, if we don't

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Speaker 4: cover I teered up.

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Speaker 2: There was one cut that I teared up.

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Speaker 4: So, I you know, there were quite a few things

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Speaker 4: that were hard to get over. It wasn't I was

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Speaker 4: not excited to jump and watch it for a second time,

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Speaker 4: that's for sure. Yeah, maybe down the line, I will,

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Speaker 4: But it was it was pretty good.

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Speaker 2: It was pretty good.

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Speaker 1: I kind of felt the same way again.

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Speaker 3: The cast stellar great to see all the young talent

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Speaker 3: that was there.

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Speaker 1: Yeah, John Denver.

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Speaker 4: I'm assuming in their like firs first roles to these

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Speaker 4: little kids right by their first opportunity.

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Speaker 3: This was par for the course back in the eighties,

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Speaker 3: especially which was I mean not the newspaper shooters that

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Speaker 3: was a fake thing, but taking a movie like so ABC, NBC, Disney,

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Speaker 3: they would all do this thing where they would take

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Speaker 3: these movies of the week and you would cast it

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Speaker 3: as many people that were big on television at the

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Speaker 3: time as possible, you know, And I think NBC was

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Speaker 3: the one that really started to do it with movies

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Speaker 3: like Poison IVY or High School USA, where they would

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Speaker 3: take Michael J. Fox, they would take cast members from

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Speaker 3: different strokes and they put them all into one kind

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Speaker 3: of movie. So this was a fun version of that

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Speaker 3: where it hadn't it happened without them knowing it, meaning

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Speaker 3: that a bunch of the kids they cast would then.

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Speaker 1: Go on ye incredible career. So I felt the same way.

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Speaker 3: A lot of it made absolutely no sense, It needed

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Speaker 3: a solid rewrite, but it was It was fun for

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Speaker 3: what it was.

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Speaker 4: Yeah.

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Speaker 1: So, yeah, we keep talking about the cast that's stacked.

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Speaker 1: Why don't we get into.

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Speaker 2: The get into it because it's pretty awesome.

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Speaker 1: It really is.

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Speaker 3: So we've already mentioned that the movie stars John Denver.

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Speaker 3: He plays Max Sinclair.

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Speaker 4: Now.

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Speaker 3: John Denver was obviously a singing and songwriting legend who

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Speaker 3: dabbled TV.

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Speaker 1: So the hit songs are one after another.

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Speaker 3: It's Leaving on a jet plane, take Me Home, Country Road,

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Speaker 3: Rocky Mountain High.

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Speaker 1: I mean, just one kind of hit after another.

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Speaker 3: He also became the first American artist to tour the

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Speaker 3: USSR after the Cold War, and it was considered a

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Speaker 3: massive moment in a very tense situation between the two megapowers.

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Speaker 3: He was also the first Western artist to do a

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Speaker 3: multi city tour of mainland China in nineteen ninety two.

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Speaker 3: John Denver was like the guy you called when when

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Speaker 3: a country finally opened up and something western was allowed,

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Speaker 3: we'd send John Denver, Like, there you go, John, take

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Speaker 3: it for us, Golden Boy. He was a huge fan

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Speaker 3: of airplanes. He famously wanted to be one of the

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Speaker 3: first people to go in the Space Shuttle. When he

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Speaker 3: was one of the people considered actually when Kristam Kaliffe,

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Speaker 3: the unfortunate teacher who died in nineteen eighty six on

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Speaker 3: the shuttle Challenger. John Denver was one of the people

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Speaker 3: that was actually considered to go up on the shuttle

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Speaker 3: as well.

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Speaker 1: He loved being a pilot.

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Speaker 3: It was one of his first love's next to music,

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Speaker 3: and unfortunately it cost him his life because he tragically

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Speaker 3: died in nineteen ninety seven while piloting an experimental aircraft

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Speaker 3: above Monterey Bay, and he was only fifty three years old,

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Speaker 3: which is a shame. Second on the call sheet is

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Speaker 3: Cindy Williams, who is another television legend. She is universally

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Speaker 3: beloved as Shirley Feenie, Yes that is her last name,

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Speaker 3: Shirley Feenie in Laverne and Shirley, a sitcom that is

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Speaker 3: still considered one of the greatest ever created. She plays

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Speaker 3: Heather Drew. That's the nanny that's hired and I'm putting

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Speaker 3: hired in quotes. She just shows up, which is really weird,

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Speaker 3: to help at the orphanage in exchange for room board.

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Speaker 3: Williams would also appear in the movies American Graffiti and

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Speaker 3: The Conversation and was working as recently as last year

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Speaker 3: when she.

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Speaker 1: Passed away at the age of seventy five. Very unfortunate.

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Speaker 3: She was a great, great television presence, especially and television legend.

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Speaker 1: And then a friend of mine.

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Speaker 3: Pam Adlon, but credited as Pam Saghal, plays Jesse, the

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Speaker 3: street smart orphan with a strong sense of friendship. Pam

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Speaker 3: has been acting since the age of nine, but it

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Speaker 3: wasn't until her fifties that she became a familiar name

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Speaker 3: in pop culture. She began her career in Greece two

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Speaker 3: and would appear on shows like Facts of Life in

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Speaker 3: Night Court. She was in movies like Say Anything, The

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Speaker 3: Adventures of Ford Fairlane, but it wasn't until thirty years

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Speaker 3: later that her role on Louis and then the spinoff.

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Speaker 3: I guess it's kind of a spinoff, but not really.

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Speaker 3: It's more about her life better things that she'd find

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Speaker 3: herself nominated for six Emmy Awards. She is also, and

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Speaker 3: I can say this, one of the most talented and

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Speaker 3: heralded voice actors of all time. She's best known as

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Speaker 3: Bobby Hill on King of the Hill, a role that

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Speaker 3: she won an Emmy four in two thousand and two.

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Speaker 3: And here's some other things. She's been in of the

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Speaker 3: hundreds of I mean, she's a legend in the animation world.

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Speaker 3: Rick and Morty, Bob's, Burger's, Phineas and ferb Rugrats and

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Speaker 3: Recess where she was Spinelli. She was also my Pumyra

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Speaker 3: to my Liono in ThunderCats and I got to write.

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Speaker 1: I wrote the two episodes she was in. It was

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Speaker 1: really really cool.

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Speaker 2: Wow.

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Speaker 3: And she's the nicest, sweetest. What you see is what

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Speaker 3: you get with Pam. She's so funny and she's was

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Speaker 3: a talented actor even back in the day.

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Speaker 1: It's just some meant to be in this industry.

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Speaker 2: Yes, she was so cute.

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Speaker 1: She is great.

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Speaker 3: And then Friend of Ours, friend of all the podcasts

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Speaker 3: in the world. Andrew Barber plays Zoe, the quirky stuffed

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Speaker 3: animal doctor living in the orphanage Andrews, best known as

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Speaker 3: the iconic Kimmy Gibbler from full and Fuller House.

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Speaker 1: This is well over a year before that.

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Speaker 3: Uh, the audition for full House when she was just

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Speaker 3: little kid was this movie.

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Speaker 1: So she was already rocking it.

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Speaker 2: Wow.

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Speaker 4: So she was even younger than I thought when she

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Speaker 4: did Full House.

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Speaker 3: Yeah, they were that's when we talked to the Full House. Uh,

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Speaker 3: to everybody from Full House. They were all younger than

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Speaker 3: we thought they were. Yeah, I mean you're talking to

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Speaker 3: Jody and everybody there.

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Speaker 1: They were kids. They were like kid kids.

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Speaker 2: Aby started ye yeah gee and.

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Speaker 1: At only six years old.

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Speaker 3: Andrew also appeared in almost one hundred episodes of Days

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Speaker 3: of Our Lives. We talked to her about that. I

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Speaker 3: think she was at Bowen Hope's wedding. Don't get me started.

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Speaker 3: And now while we're talking TGIF, Jalil White played Jake,

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Speaker 3: the culinary and airline friendly young chef of the house.

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Speaker 3: He's another Family TV icon, obviously known as Steve Erkele

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Speaker 3: from Family Matters, a character that would later appear on

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Speaker 3: Full House. So we get a little early sign of

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Speaker 3: the things that are going to come in Hollywood in

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Speaker 3: the Leftovers with Jaliel very very young again, this is

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Speaker 3: only his fifth job in Hollywood at the time. This

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Speaker 3: is nineteen eighty six. And then of course Erkele takes

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Speaker 3: over and becomes an absolute household.

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Speaker 4: He was just meant to be a character actor. And

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Speaker 4: it starts here. There wasn't a whole lot of stuff

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Speaker 4: that you could tell was actually given to him with

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Speaker 4: this character, but he plays it. He was so animated,

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Speaker 4: and I mean he just is just so freaking cute.

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Speaker 1: He just lights up the screen.

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Speaker 3: One of those kids doesn't matter how old you are,

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Speaker 3: that you know what you're born to do, and just

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Speaker 3: absolutely lights up the screen. I mean, I know it's

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Speaker 3: crazy to kind of equate these, but it's like a

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Speaker 3: Shirley Temple where it didn't matter how old they were,

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Speaker 3: you just put them on screen and they light up.

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Speaker 1: They light up everything.

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Speaker 2: You can't take it and easily.

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Speaker 1: And a lot of this cast were those young actors.

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Speaker 1: They really were.

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Speaker 3: Then we've got George Weiner, who plays the evil mister Gladstone,

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Speaker 3: the money hungry owner of the orphanage who doesn't believe

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Speaker 3: in Max's way of running the business and is looking

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Speaker 3: to well sell it all off. Winer is a widely

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Speaker 3: recognizable character actor known for Spaceball's Fletch, not another teenage movie.

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Speaker 3: He is also one of the many people in this

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Speaker 3: movie that was also on Boy Meets World. So there's

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Speaker 3: more to come, but he just covered his episode. He's

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Speaker 3: been in everything, oh wow. And he was so funny

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Speaker 3: in Fletch, but and in Spaceballs. I mean just hysterical.

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Speaker 3: The movie runs ninety four minutes. Again, we're so close,

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Speaker 3: We're four minutes off from our ninety minute mark that

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Speaker 3: we are just trying to hit. Someday, somebody who's gonna

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Speaker 3: make it ninety minute movie. It was directed by Paul Schneider,

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Speaker 3: a veteran of TV movies and TV shows. His resume

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Speaker 3: includes Beverly Hills, nine Ozho two or Zero, Myth Quest,

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Speaker 3: and the movie You Lucky Doug. It's written by and

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Speaker 3: I'm gonna say this name twice because it's spelled g

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Speaker 3: e N, So it's either gen or Jen Leroy, who

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Speaker 3: also wrote the Disney movie Rock and Roll Mom, and

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Speaker 3: Steve Slapkin, who go on to write another kind of

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Speaker 3: Kids Run the Asylum Show Salute Your Shorts. Okay, now

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Speaker 3: we need to save The orphanage trope is very classic

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Speaker 3: and it's a specific trope that dates all the way

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Speaker 3: back to the Three Stooges. Other movies in the genre

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Speaker 3: include sisterrac two, Snowball Express, and Jessica Alba's Honey Never

401
00:18:27,359 --> 00:18:30,160
Speaker 3: Saw That. There are other versions of it as well,

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Speaker 3: you know, obviously Saving the YMCA or an Old Folks Home. Now,

403
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Speaker 3: there are movies that are super important in my life

404
00:18:36,760 --> 00:18:39,800
Speaker 3: when it comes to stuff such as Break into Electric

405
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Speaker 3: Boogloo where Man they had to go save the rec

406
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Speaker 3: Center hugely great film that was very important to my childhood.

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Speaker 3: Or Happy Gilmour uhf another great movie. These are all

408
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Speaker 3: variations of the theme of we've got to save something.

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Speaker 3: So what do you think of this premise as a

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Speaker 3: start for the film? I mean, just basic but good, right.

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Speaker 4: Right, And the way it kind of comes out, I

412
00:19:03,840 --> 00:19:06,680
Speaker 4: felt started to lag a little bit to figure out

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Speaker 4: what their actual mission was going to be, right, that

414
00:19:09,880 --> 00:19:12,040
Speaker 4: got a little murky yeah, kind.

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Speaker 2: Of bounce back and forth. I was waiting for what's

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Speaker 2: the mission? Where are we going?

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Speaker 3: You know?

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Speaker 4: But but other than that, I mean it it's always fun,

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00:19:19,880 --> 00:19:22,520
Speaker 4: especially when you have a young cast, to see how

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Speaker 4: they're going to figure out, you know.

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Speaker 2: I loved that they.

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00:19:26,320 --> 00:19:28,880
Speaker 4: Had to take bikes in the middle of the night, Yes,

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00:19:29,440 --> 00:19:32,359
Speaker 4: jumping in someone's car and having someone drive them, that

424
00:19:32,440 --> 00:19:36,440
Speaker 4: kind of stuff. Having kids figure out fun, interesting ways

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Speaker 4: to complete the mission is.

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Speaker 2: Always always still being kids, Yeah, still being kids.

427
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Speaker 4: Yeah, you know, they're limited, and so they've got to

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Speaker 4: find some fun different ways.

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Speaker 3: So so do you think the fact that they're living

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Speaker 3: in a giant Victorian style house where every kid gets

431
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Speaker 3: a six hundred square foot loft suite of their own. Yeah,

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00:19:57,800 --> 00:20:01,520
Speaker 3: maybe if they just downsize to a regular size house,

433
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Speaker 3: could that have solved all the problem?

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Speaker 4: Yes, probably, you know, maybe sub let it out, let

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Speaker 4: out the upstairs.

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Speaker 2: That's a huge it is giant.

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Speaker 3: I think what they were kind of this is why

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Speaker 3: it's called the leftovers. I think what they're kind of

439
00:20:16,800 --> 00:20:20,080
Speaker 3: trying to insinuate is that it was full of kids.

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00:20:20,200 --> 00:20:22,120
Speaker 2: Multi Yes, that's how I took it too.

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00:20:22,240 --> 00:20:24,840
Speaker 3: Yeah, and they got adopted, and these are the kids

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Speaker 3: that didn't get it. DS are the leftovers, which is

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00:20:26,920 --> 00:20:29,880
Speaker 3: what they're called obviously. But it still seems like, hey,

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00:20:29,920 --> 00:20:33,480
Speaker 3: mister Gladstone, why don't we sell this multi million dollar

445
00:20:33,560 --> 00:20:36,640
Speaker 3: building and move into a smaller place. Then you get

446
00:20:36,640 --> 00:20:39,120
Speaker 3: what you want, I get what I want. Bob's your uncle,

447
00:20:39,200 --> 00:20:42,520
Speaker 3: we're all good to go. That, of course, did not happen,

448
00:20:42,600 --> 00:20:44,480
Speaker 3: but it seemed like an easy way to save the money,

449
00:20:44,760 --> 00:20:47,359
Speaker 3: right speaking of the evil mister Gladstone, or would have

450
00:20:47,400 --> 00:20:50,800
Speaker 3: gotten away with it wasn't for you meddling kids. Right

451
00:20:50,840 --> 00:20:53,960
Speaker 3: off the bat, we learned that he's visiting the orphanage,

452
00:20:54,400 --> 00:20:56,600
Speaker 3: so he's at the start of the movie.

453
00:20:56,600 --> 00:20:57,159
Speaker 1: He's coming in.

454
00:20:57,600 --> 00:20:59,960
Speaker 3: We learn right away that he's an awful human being

455
00:21:00,560 --> 00:21:03,439
Speaker 3: and all the kids and John Denver Max need to

456
00:21:03,440 --> 00:21:05,760
Speaker 3: be on their best behavior while he's there, and so

457
00:21:05,880 --> 00:21:08,119
Speaker 3: Jesse runs around she warns all the kids in the house.

458
00:21:08,640 --> 00:21:15,960
Speaker 3: Zoe has a very, very weird obsession with brutally operating

459
00:21:16,000 --> 00:21:20,480
Speaker 3: on and kind of ripping apart dolls, which I think

460
00:21:20,600 --> 00:21:24,280
Speaker 3: is one of the triads of sociopathy, if I'm not wrong.

461
00:21:24,840 --> 00:21:28,960
Speaker 2: Yeah, it was creepy, but like hilarious I thought.

462
00:21:29,040 --> 00:21:31,600
Speaker 4: I mean, she there's at one point where she doesn't

463
00:21:31,760 --> 00:21:36,119
Speaker 4: she's not using scissors or you know, she's using a

464
00:21:36,160 --> 00:21:40,719
Speaker 4: full blown saw because she saw her doll in half.

465
00:21:41,160 --> 00:21:43,560
Speaker 2: Yeah, you know she's giving it CPR.

466
00:21:44,240 --> 00:21:47,760
Speaker 4: She sleeps with the doll because she's had an emergency

467
00:21:47,800 --> 00:21:49,520
Speaker 4: in the middle of the night. I mean, this kid's

468
00:21:49,840 --> 00:21:54,680
Speaker 4: little brain in her imagination is just wild.

469
00:21:55,000 --> 00:21:58,479
Speaker 2: Every kid's gory, but it's just it's so epic.

470
00:21:58,560 --> 00:22:02,440
Speaker 4: You have to think it's pretty adorable, right when they

471
00:22:02,480 --> 00:22:03,359
Speaker 4: go that far.

472
00:22:03,720 --> 00:22:06,120
Speaker 3: I mean, yeah, I would say it's adorable at this age.

473
00:22:06,119 --> 00:22:08,359
Speaker 3: If she's still ripping apart stuff at eleven or twelve,

474
00:22:08,400 --> 00:22:09,000
Speaker 3: it might be time.

475
00:22:09,280 --> 00:22:13,360
Speaker 4: Yes, she seemed they played her very very young, so

476
00:22:13,760 --> 00:22:15,400
Speaker 4: that made it less.

477
00:22:15,320 --> 00:22:18,000
Speaker 1: Creepy in it they did, which is which works perfect.

478
00:22:18,080 --> 00:22:19,439
Speaker 2: It wasn't the kid in toy story.

479
00:22:19,680 --> 00:22:25,159
Speaker 3: Yeah, except so she's got her her doll hospital. And

480
00:22:25,160 --> 00:22:27,720
Speaker 3: then we've got Julia White's Jake, who's a health food

481
00:22:27,760 --> 00:22:31,439
Speaker 3: obsessed culinary expert. Charlie the science and technology inventor who

482
00:22:31,600 --> 00:22:35,320
Speaker 3: uses the addict to work with gravitational fields and meatball launchers.

483
00:22:35,359 --> 00:22:38,399
Speaker 3: Now the actor for this. The second he popped on screen,

484
00:22:38,400 --> 00:22:40,800
Speaker 3: I was like, oh, yes, his name is Jason Presen

485
00:22:41,520 --> 00:22:43,919
Speaker 3: or Pressin. I think it's pressing. He was also in

486
00:22:43,920 --> 00:22:46,240
Speaker 3: the Disney movie The Brat Patrol from nineteen eighty six,

487
00:22:46,480 --> 00:22:48,400
Speaker 3: which was really really good.

488
00:22:48,800 --> 00:22:52,679
Speaker 1: And he was in another huge movie of my childhood.

489
00:22:52,800 --> 00:22:55,840
Speaker 3: He was in The Explorers with Ethan Hawk and River Phoenix,

490
00:22:55,880 --> 00:22:58,280
Speaker 3: which is just and I don't know if you've ever

491
00:22:58,320 --> 00:22:59,080
Speaker 3: seen this movie.

492
00:22:59,119 --> 00:23:01,920
Speaker 1: It is the great movie in the world. This three

493
00:23:01,960 --> 00:23:02,440
Speaker 1: little kids.

494
00:23:02,440 --> 00:23:05,680
Speaker 3: It's Ethan Hawk at like twelve, River Phoenix at like twelve,

495
00:23:06,080 --> 00:23:09,440
Speaker 3: and then this game Jason Presson and they get these

496
00:23:09,520 --> 00:23:12,119
Speaker 3: dreams from they don't know where they're coming from but

497
00:23:12,240 --> 00:23:14,640
Speaker 3: they use the dreams to build a spaceship and fly

498
00:23:14,800 --> 00:23:17,680
Speaker 3: up and to meet this alien. It is the coolest

499
00:23:17,680 --> 00:23:19,399
Speaker 3: movie when you were a little kid. It is just

500
00:23:19,720 --> 00:23:21,919
Speaker 3: the greatest thing ever. So I'm sorry, I could totally

501
00:23:21,920 --> 00:23:22,440
Speaker 3: go off on.

502
00:23:22,400 --> 00:23:23,240
Speaker 1: The Edgeloorers right now.

503
00:23:23,280 --> 00:23:24,840
Speaker 2: We love a science fiction movie.

504
00:23:25,560 --> 00:23:30,640
Speaker 3: It was so incredible. He hasn't been acting steadily since

505
00:23:30,720 --> 00:23:33,080
Speaker 3: nineteen ninety one. His last gig was nineteen ninety seven,

506
00:23:33,119 --> 00:23:35,119
Speaker 3: so it seems like he still lives in la but

507
00:23:35,600 --> 00:23:38,919
Speaker 3: he just left the industry. But he his resume, especially

508
00:23:38,960 --> 00:23:42,040
Speaker 3: for a young actor, was just so cool.

509
00:23:42,280 --> 00:23:47,880
Speaker 1: So the house is supposed to be kind of crazy.

510
00:23:47,600 --> 00:23:52,600
Speaker 4: Pants, Yeah, just lots of different energy. These kids all

511
00:23:52,720 --> 00:23:58,800
Speaker 4: have very big personalities. Ye're very in depth interests, right.

512
00:23:59,119 --> 00:24:02,440
Speaker 4: Their rooms are just filled with so much that they're

513
00:24:02,480 --> 00:24:03,199
Speaker 4: interested in.

514
00:24:03,440 --> 00:24:05,200
Speaker 2: And it's a lot.

515
00:24:05,480 --> 00:24:08,880
Speaker 1: But there's also two dogs, a snake.

516
00:24:09,080 --> 00:24:13,800
Speaker 3: That was so unnecessary, and for some reason I don't understand,

517
00:24:13,800 --> 00:24:14,240
Speaker 3: a goat.

518
00:24:14,440 --> 00:24:15,359
Speaker 1: There's also a goat.

519
00:24:15,480 --> 00:24:15,919
Speaker 2: The goat.

520
00:24:16,080 --> 00:24:21,520
Speaker 1: Yeah, just so all the kids weren't enough, you also

521
00:24:21,600 --> 00:24:22,840
Speaker 1: needed a snake and a goat.

522
00:24:22,920 --> 00:24:25,400
Speaker 4: And with the goat came with the farming brothers, right,

523
00:24:25,440 --> 00:24:27,440
Speaker 4: the two yes, what they were twins.

524
00:24:27,600 --> 00:24:30,040
Speaker 3: They were twins, right, I think there were twin little

525
00:24:30,080 --> 00:24:33,560
Speaker 3: kids are farmers that wouldn't eat their goat. They just

526
00:24:33,600 --> 00:24:35,719
Speaker 3: want to keep it away from their little sister who

527
00:24:36,080 --> 00:24:37,680
Speaker 3: might take it apart with herself.

528
00:24:37,680 --> 00:24:39,120
Speaker 1: But anyway, the.

529
00:24:39,119 --> 00:24:43,560
Speaker 3: Kids seem like they're pretty self sufficient, especially with Pam

530
00:24:43,600 --> 00:24:47,360
Speaker 3: Adlon's character almost playing Jesse kind of like.

531
00:24:47,320 --> 00:24:51,720
Speaker 1: A mom older sister role. She's definitely how old do

532
00:24:51,720 --> 00:24:53,320
Speaker 1: you think she was supposed to be?

533
00:24:54,560 --> 00:24:57,879
Speaker 2: I would think she was around thirteen or fourteen.

534
00:24:58,119 --> 00:24:59,320
Speaker 1: Okay, that's what I was going to say.

535
00:24:59,320 --> 00:25:01,800
Speaker 3: She obviously she's on the older side, but doesn't drive,

536
00:25:01,840 --> 00:25:05,320
Speaker 3: so I was thinking like fourteen fifteen, yeah, yeah, which

537
00:25:06,280 --> 00:25:10,040
Speaker 3: again she takes on the kind of family role of

538
00:25:11,200 --> 00:25:14,280
Speaker 3: like I said, older sister kind of mom, until Cindy

539
00:25:14,320 --> 00:25:16,879
Speaker 3: Williams shows up for again a really weird reason that

540
00:25:16,880 --> 00:25:20,919
Speaker 3: I do understand. So yeah, the kids are told to

541
00:25:20,960 --> 00:25:24,040
Speaker 3: be on their best behavior and Max says he's got

542
00:25:24,040 --> 00:25:25,200
Speaker 3: to be on his best behavior as well.

543
00:25:25,200 --> 00:25:27,320
Speaker 1: But then mister Gladstone, mean guy comes in.

544
00:25:27,800 --> 00:25:29,720
Speaker 3: He is shocked by the kids behavior, the state of

545
00:25:29,720 --> 00:25:31,080
Speaker 3: the house over the past six years.

546
00:25:31,359 --> 00:25:32,840
Speaker 1: The kids aren't getting adopted at all.

547
00:25:32,880 --> 00:25:35,080
Speaker 3: These these kids that are left which is again what

548
00:25:35,240 --> 00:25:38,639
Speaker 3: they're called the leftovers, and it's he believes it's because

549
00:25:38,680 --> 00:25:42,920
Speaker 3: that Max Sinclair is too picky as a director of

550
00:25:43,000 --> 00:25:47,760
Speaker 3: this orphanage. So the committee has decided to close down

551
00:25:47,800 --> 00:25:50,359
Speaker 3: the home in only five weeks, and they want to

552
00:25:50,440 --> 00:25:51,760
Speaker 3: use a marketing campaign to.

553
00:25:51,680 --> 00:25:53,720
Speaker 1: Make sure that the remaining children are adopted.

554
00:25:54,040 --> 00:25:57,120
Speaker 3: Adopting a foster child is as easy as buying a donut.

555
00:25:57,560 --> 00:26:01,399
Speaker 1: That is actually the statement that the guy uses.

556
00:26:02,440 --> 00:26:06,040
Speaker 4: This is when I was a yelling at the screen, Yes,

557
00:26:07,040 --> 00:26:08,280
Speaker 4: how are you?

558
00:26:08,320 --> 00:26:10,040
Speaker 2: How do you have this job?

559
00:26:10,280 --> 00:26:14,840
Speaker 4: You are so awful the things you were calling these kids,

560
00:26:14,960 --> 00:26:20,359
Speaker 4: the even idea that you're talking about selling them essentially, yes,

561
00:26:20,520 --> 00:26:23,320
Speaker 4: as doughnuts, you know, I mean it just it was

562
00:26:23,480 --> 00:26:27,679
Speaker 4: so bizarre, and you know, everything that ended up happening

563
00:26:27,680 --> 00:26:32,280
Speaker 4: to him was just I loved because he was just awful, awful,

564
00:26:32,720 --> 00:26:33,360
Speaker 4: horrible man.

565
00:26:33,480 --> 00:26:36,000
Speaker 3: I'd also like to point out here that every time

566
00:26:36,040 --> 00:26:38,720
Speaker 3: he gets into the car when he leaves, he has

567
00:26:38,720 --> 00:26:41,359
Speaker 3: an assistant that's in shadow. Keep that in mind, because

568
00:26:41,359 --> 00:26:44,120
Speaker 3: that's going to come back for something very very cool.

569
00:26:44,119 --> 00:26:46,000
Speaker 3: But this assistant is kind of always in shadow when

570
00:26:46,000 --> 00:26:47,920
Speaker 3: he's there. But so, yeah, they're going to shut down

571
00:26:47,920 --> 00:26:50,879
Speaker 3: the home. The kind of unseid issue in the movie

572
00:26:51,280 --> 00:26:53,920
Speaker 3: is that the parents that we do meet that are

573
00:26:53,960 --> 00:26:57,280
Speaker 3: looking to adopt the children also really nice.

574
00:26:57,840 --> 00:26:59,400
Speaker 2: That's the thing the parents.

575
00:26:59,600 --> 00:27:01,800
Speaker 3: Yes, a couple parents come in at the time, and

576
00:27:01,840 --> 00:27:04,199
Speaker 3: they didn't make them these awful people. They made them like,

577
00:27:05,200 --> 00:27:08,199
Speaker 3: I mean, this one couple that comes in want to

578
00:27:08,240 --> 00:27:12,080
Speaker 3: adopt a young girl because they lost their own child, right,

579
00:27:12,760 --> 00:27:15,800
Speaker 3: I mean, it's like, that's that's heartbreaking and horrible.

580
00:27:16,359 --> 00:27:17,560
Speaker 2: I feel what they put.

581
00:27:17,680 --> 00:27:20,600
Speaker 4: First of all, they acted like these two kids standing

582
00:27:20,680 --> 00:27:23,960
Speaker 4: on a dining room table singing. You know what I

583
00:27:23,960 --> 00:27:25,360
Speaker 4: would have done if I walked in it, I would

584
00:27:25,359 --> 00:27:28,439
Speaker 4: have been like, yes, I will also take those too.

585
00:27:29,040 --> 00:27:33,960
Speaker 4: They are so talented and adorable and entertaining. Let's just

586
00:27:34,040 --> 00:27:36,760
Speaker 4: get let's let's keep this party going. They were so

587
00:27:36,960 --> 00:27:38,760
Speaker 4: cute and they were appalled.

588
00:27:38,880 --> 00:27:39,720
Speaker 2: What's going on?

589
00:27:39,800 --> 00:27:42,720
Speaker 4: I mean when she comes in in her witch costume,

590
00:27:42,800 --> 00:27:44,600
Speaker 4: the little guy in the snorkel alpha.

591
00:27:44,440 --> 00:27:48,760
Speaker 2: Yeah, that kind of was weird. But they were just

592
00:27:48,880 --> 00:27:50,080
Speaker 2: kids being kids too.

593
00:27:50,080 --> 00:27:53,000
Speaker 3: Hey, that's the thing. They're just they're yelling, they're dressed

594
00:27:53,000 --> 00:27:56,520
Speaker 3: in costume, they're singing, but this nice. They make them

595
00:27:56,560 --> 00:27:58,520
Speaker 3: the villains of the movie. This nice couple that have

596
00:27:58,600 --> 00:28:01,639
Speaker 3: lost their child and trying to adopt a little girl.

597
00:28:02,320 --> 00:28:03,080
Speaker 1: It's so strange.

598
00:28:03,080 --> 00:28:04,880
Speaker 3: By the way, Uh, the woman, I don't know who

599
00:28:04,920 --> 00:28:07,680
Speaker 3: the man was, but the woman played a reoccurring nurse

600
00:28:07,840 --> 00:28:09,879
Speaker 3: on Mas should of course, I've got to give a

601
00:28:10,160 --> 00:28:13,640
Speaker 3: mash shout out. She played Nurse Bigelow, Nurse Bigelow in many,

602
00:28:13,640 --> 00:28:16,480
Speaker 3: many episodes, thank you very much. But it was so

603
00:28:16,520 --> 00:28:19,840
Speaker 3: strange that you figure they would have made them awful

604
00:28:20,040 --> 00:28:21,800
Speaker 3: or I want these kids to work. I mean, if

605
00:28:21,800 --> 00:28:23,639
Speaker 3: they're going Disney with it, I want these kids to

606
00:28:23,640 --> 00:28:25,920
Speaker 3: work in my factory or somebody, right, But no, there's.

607
00:28:25,760 --> 00:28:29,400
Speaker 1: This nice, loving couple that wanted to finally got their

608
00:28:29,440 --> 00:28:31,359
Speaker 1: hearts open the adopting a child.

609
00:28:31,440 --> 00:28:35,040
Speaker 2: And yeah, I find out it was a little okay.

610
00:28:34,880 --> 00:28:37,639
Speaker 3: It was Yeah, that one was a little like okay,

611
00:28:37,680 --> 00:28:40,760
Speaker 3: So is there a reason Do we ever get into

612
00:28:40,800 --> 00:28:43,880
Speaker 3: why John Denver just doesn't adopt all the kids himself

613
00:28:44,200 --> 00:28:45,800
Speaker 3: and move into another smaller house.

614
00:28:46,240 --> 00:28:47,720
Speaker 1: They never really addressed.

615
00:28:47,320 --> 00:28:48,640
Speaker 2: That, do they They don't.

616
00:28:48,800 --> 00:28:52,160
Speaker 4: I think it was yeah, I think it was assumed

617
00:28:52,280 --> 00:28:55,080
Speaker 4: that it was he did not have the money to

618
00:28:55,160 --> 00:28:55,760
Speaker 4: take over.

619
00:28:56,400 --> 00:28:58,080
Speaker 2: You know, obviously he couldn't.

620
00:28:57,800 --> 00:28:58,640
Speaker 1: Guess it's mentioned.

621
00:28:58,720 --> 00:29:00,320
Speaker 3: Yeah, it's mentioned in the end a little little bit,

622
00:29:00,320 --> 00:29:02,440
Speaker 3: and it's by that point it's too late, so it's.

623
00:29:02,320 --> 00:29:05,080
Speaker 4: Yeah, right, it was, it was mentioned. I guess that

624
00:29:05,160 --> 00:29:08,520
Speaker 4: it was. You know, it's the lawyer. I think when

625
00:29:08,520 --> 00:29:11,520
Speaker 4: he's saying and he has the best list of stuff,

626
00:29:11,760 --> 00:29:16,200
Speaker 4: it's like, you know, Max, they kids need socks, they

627
00:29:16,280 --> 00:29:19,320
Speaker 4: need they need He says, socks is like one of

628
00:29:19,360 --> 00:29:22,760
Speaker 4: the first things they need. Orthodonis, they need moose.

629
00:29:23,240 --> 00:29:25,760
Speaker 2: Yes, that is the worst part about the kid.

630
00:29:26,080 --> 00:29:30,080
Speaker 4: Being a parent myself, the thing, I am just really

631
00:29:30,240 --> 00:29:33,440
Speaker 4: nervous about the day that Ledger needs moose for his hand.

632
00:29:33,480 --> 00:29:35,360
Speaker 1: Well, that's the problem. That's one of the its Like,

633
00:29:35,680 --> 00:29:36,120
Speaker 1: no joke.

634
00:29:36,160 --> 00:29:38,320
Speaker 3: It's probably the main reason I never had children is

635
00:29:38,360 --> 00:29:40,320
Speaker 3: because I knew they needed moose and socks.

636
00:29:40,880 --> 00:29:43,360
Speaker 1: I was like, what am I me?

637
00:29:43,640 --> 00:29:46,720
Speaker 2: Orthodonist? You know, they embraced it. They need to go

638
00:29:46,760 --> 00:29:47,360
Speaker 2: to college.

639
00:29:47,480 --> 00:29:50,920
Speaker 4: Those kinds of bills. I totally understand now with socks

640
00:29:50,960 --> 00:29:51,400
Speaker 4: and moose.

641
00:29:51,440 --> 00:29:52,800
Speaker 1: It's moose and socks.

642
00:29:53,920 --> 00:29:56,000
Speaker 4: My dog stuff is the same price as any of

643
00:29:56,000 --> 00:29:58,080
Speaker 4: that stuff. You know, come on, give me a break.

644
00:29:58,240 --> 00:30:00,240
Speaker 4: This wrist was pretty funny, but yes, that's what he

645
00:30:00,280 --> 00:30:01,840
Speaker 4: was saying. You don't have the money to do this

646
00:30:02,200 --> 00:30:04,360
Speaker 4: and I both know it. So that's I guess the

647
00:30:04,400 --> 00:30:05,160
Speaker 4: biggest reason.

648
00:30:05,400 --> 00:30:07,520
Speaker 3: Okay, well yeah, I mean it's if you can't afford

649
00:30:07,520 --> 00:30:09,080
Speaker 3: moose and socks, forget the orthodontia.

650
00:30:18,200 --> 00:30:21,760
Speaker 1: So we finally then that the reason I.

651
00:30:21,680 --> 00:30:23,560
Speaker 3: Brought it up, because this is where I'm starting the

652
00:30:23,720 --> 00:30:25,760
Speaker 3: Boy Means World thing is we finally get to see

653
00:30:25,760 --> 00:30:28,840
Speaker 3: who his assistant in shadow is, and it's Willie Garson,

654
00:30:29,200 --> 00:30:32,160
Speaker 3: who did many episodes of Boy Means World. God rest him.

655
00:30:32,160 --> 00:30:34,280
Speaker 3: He was such a wonderful god Sex and the City

656
00:30:34,320 --> 00:30:37,720
Speaker 3: and everything else. But he's best known as Stanford on

657
00:30:37,760 --> 00:30:38,400
Speaker 3: Sex and the City.

658
00:30:38,840 --> 00:30:40,959
Speaker 2: Wait, the young guy in the car.

659
00:30:41,320 --> 00:30:46,320
Speaker 4: Yes, no, yes, I sat next to him at a

660
00:30:46,760 --> 00:30:47,880
Speaker 4: Laker game one time.

661
00:30:48,080 --> 00:30:49,960
Speaker 3: He's that was the greatest guy in the world. He

662
00:30:50,080 --> 00:30:54,520
Speaker 3: married Corey and Tipanga. He was did three episodes of

663
00:30:54,560 --> 00:30:56,480
Speaker 3: the show. He was on the set all the time.

664
00:30:56,520 --> 00:30:58,320
Speaker 3: He was a good friend of Michael Jacobs, who created

665
00:30:58,320 --> 00:30:58,600
Speaker 3: the show.

666
00:30:58,680 --> 00:31:01,080
Speaker 2: Didn't even have a line in the movie.

667
00:31:01,520 --> 00:31:05,840
Speaker 1: Maybe it got yeah, but that was willing will And

668
00:31:05,960 --> 00:31:07,360
Speaker 1: if that wasn't cool enough too.

669
00:31:07,520 --> 00:31:12,600
Speaker 3: At the end, when they're now watching the news in

670
00:31:12,640 --> 00:31:15,640
Speaker 3: the garage, is the garage. The guy who runs the

671
00:31:15,680 --> 00:31:19,120
Speaker 3: garage is comedian Domirera, who was just on Podmeets World.

672
00:31:19,160 --> 00:31:20,880
Speaker 1: Because he was also on boy Me Throll. He played

673
00:31:21,000 --> 00:31:22,720
Speaker 1: a great So we just had all these boy Me

674
00:31:22,800 --> 00:31:23,520
Speaker 1: throw people on it.

675
00:31:23,640 --> 00:31:27,720
Speaker 3: I'm wow, Producer Jensen going, that was a young dom Irera.

676
00:31:28,960 --> 00:31:32,440
Speaker 1: So everybody's there. It's great. So yes, we got miss

677
00:31:32,520 --> 00:31:33,200
Speaker 1: Willy all the time.

678
00:31:33,200 --> 00:31:34,640
Speaker 3: And every time I get to see him, I just

679
00:31:34,760 --> 00:31:37,240
Speaker 3: I'm simultaneously so happy and so sad, but it's it

680
00:31:37,320 --> 00:31:40,720
Speaker 3: was wonderful to see him. Great actor, phenomenal and a

681
00:31:40,840 --> 00:31:45,960
Speaker 3: and a great guy too. So he finally reveals to

682
00:31:46,240 --> 00:31:50,680
Speaker 3: Willie Carson's character essentially mister mister bad guy, I need

683
00:31:50,720 --> 00:31:53,280
Speaker 3: the money. I don't care what happens to the kids

684
00:31:53,360 --> 00:31:55,640
Speaker 3: at all. I just want the land. And that's when

685
00:31:55,680 --> 00:31:58,400
Speaker 3: you know we got we got a real battye here.

686
00:31:58,480 --> 00:32:00,560
Speaker 3: This is this is not good, is it?

687
00:32:00,840 --> 00:32:01,560
Speaker 1: So John Denver?

688
00:32:01,640 --> 00:32:04,600
Speaker 3: Of course, then to the rescue. I've got to go

689
00:32:04,600 --> 00:32:06,280
Speaker 3: get I've got to go get money. So he gets

690
00:32:06,280 --> 00:32:13,440
Speaker 3: into the weirdest mode of transportation it's possibly ever put

691
00:32:13,480 --> 00:32:13,960
Speaker 3: on phone.

692
00:32:14,080 --> 00:32:17,000
Speaker 2: Do you equivalentate that van with.

693
00:32:17,240 --> 00:32:19,200
Speaker 1: That goes through his van? Can you walk us through

694
00:32:19,200 --> 00:32:19,920
Speaker 1: his van a little bit.

695
00:32:20,080 --> 00:32:24,640
Speaker 4: It was I mean going back even a longer generation

696
00:32:25,120 --> 00:32:28,239
Speaker 4: farther in front of my time, but it looked like

697
00:32:28,280 --> 00:32:31,880
Speaker 4: a seventies van that was spray painted.

698
00:32:32,520 --> 00:32:33,160
Speaker 2: My guess is.

699
00:32:33,120 --> 00:32:35,920
Speaker 1: Maybe the kids he let the kids painted, is that

700
00:32:35,960 --> 00:32:36,760
Speaker 1: what they were going for?

701
00:32:37,400 --> 00:32:39,080
Speaker 2: Smoked constantly.

702
00:32:39,800 --> 00:32:42,200
Speaker 4: It looked like they had a hard time opening and

703
00:32:42,240 --> 00:32:43,520
Speaker 4: shutting the doors.

704
00:32:43,880 --> 00:32:44,560
Speaker 2: This car.

705
00:32:44,720 --> 00:32:48,320
Speaker 4: You needed to jiggle the ignition key. I mean, this

706
00:32:48,440 --> 00:32:52,600
Speaker 4: thing was a pos. It was not a great car

707
00:32:52,760 --> 00:32:55,400
Speaker 4: to be safely driving.

708
00:32:55,960 --> 00:32:58,040
Speaker 2: Twelve kids in and two dogs.

709
00:32:58,120 --> 00:32:59,800
Speaker 1: They don't bring the do they bring the dog?

710
00:33:00,200 --> 00:33:02,680
Speaker 2: Brought the goat, but for some reason he brings the dogs.

711
00:33:02,680 --> 00:33:06,120
Speaker 2: When he's getting a loan. It just it was then.

712
00:33:05,920 --> 00:33:10,040
Speaker 3: We please talk about this is the holes in the

713
00:33:10,440 --> 00:33:15,000
Speaker 3: plot for yeah, the ridiculousness of the loan scenes. Because yes,

714
00:33:15,480 --> 00:33:18,240
Speaker 3: so he goes to the bank like a loan, like

715
00:33:18,280 --> 00:33:21,480
Speaker 3: a not even a bank, it's like all cash app

716
00:33:21,560 --> 00:33:23,560
Speaker 3: loan kind of place without an app because it's nineteen

717
00:33:23,560 --> 00:33:27,320
Speaker 3: eighty six. But like he's trying to get them at

718
00:33:27,360 --> 00:33:30,200
Speaker 3: the local bank. They give him stuff to fill out

719
00:33:30,280 --> 00:33:30,840
Speaker 3: to get.

720
00:33:30,680 --> 00:33:32,960
Speaker 2: The loan, and he's instantly hungry.

721
00:33:33,240 --> 00:33:35,320
Speaker 1: He's instantly hungry for lunch. It's lunch.

722
00:33:35,400 --> 00:33:38,160
Speaker 3: He knows he's got to sit there, and so his

723
00:33:39,000 --> 00:33:42,520
Speaker 3: foster daughter whatever, Jesse says, I made you a peanut

724
00:33:42,560 --> 00:33:43,120
Speaker 3: butter sandwich.

725
00:33:43,200 --> 00:33:43,600
Speaker 1: Very sweet.

726
00:33:43,680 --> 00:33:45,640
Speaker 3: He opens it up and he pulls it out, and

727
00:33:45,680 --> 00:33:46,959
Speaker 3: it's not a peanut butter sandwich.

728
00:33:47,040 --> 00:33:51,800
Speaker 1: It's one of the doll's brains. But for some reason it's.

729
00:33:51,720 --> 00:33:57,920
Speaker 2: Wet and giant. A giant brain for a doll, I felt.

730
00:33:58,040 --> 00:33:59,400
Speaker 1: But also who puts in?

731
00:34:00,320 --> 00:34:05,000
Speaker 5: What kind of doll had an anatomically correct and wet brain?

732
00:34:05,560 --> 00:34:09,239
Speaker 2: Not none. Those dolls heads are filled with cotton like

733
00:34:09,280 --> 00:34:09,640
Speaker 2: they're not.

734
00:34:10,160 --> 00:34:13,080
Speaker 4: They don't ever have brains. There's no reason for them

735
00:34:13,120 --> 00:34:13,879
Speaker 4: to have them.

736
00:34:13,960 --> 00:34:15,280
Speaker 1: So was it supposed to be a prank?

737
00:34:15,360 --> 00:34:18,000
Speaker 2: You think, like, yes, They talk about it a little

738
00:34:18,040 --> 00:34:18,479
Speaker 2: bit later.

739
00:34:18,560 --> 00:34:21,879
Speaker 4: They refer to it, oh Jesse peanut butter jelly, because

740
00:34:21,880 --> 00:34:24,800
Speaker 4: she does it again when he goes back out, he said,

741
00:34:24,960 --> 00:34:27,000
Speaker 4: They go like, as if this is like kind of

742
00:34:27,040 --> 00:34:28,080
Speaker 4: one of Jesse's things.

743
00:34:28,080 --> 00:34:30,200
Speaker 2: She sort of does pranks, is what I.

744
00:34:29,960 --> 00:34:32,720
Speaker 3: Oh, I thought, she I thought when they said it again,

745
00:34:32,840 --> 00:34:34,880
Speaker 3: it was her going like, I made sure it's actually

746
00:34:34,960 --> 00:34:35,879
Speaker 3: a sandwich this time.

747
00:34:35,920 --> 00:34:38,600
Speaker 1: Because he takes the bag again. It doesn't make any sense.

748
00:34:38,800 --> 00:34:40,160
Speaker 2: No, and he doesn't even check it.

749
00:34:40,160 --> 00:34:42,520
Speaker 4: I would have been like, mm hmm, okay, fine, all right,

750
00:34:42,520 --> 00:34:43,479
Speaker 4: thank you for the brain.

751
00:34:43,680 --> 00:34:47,840
Speaker 1: It falls on the Yanks. The brain falls on the

752
00:34:47,840 --> 00:34:48,520
Speaker 1: ground in.

753
00:34:48,520 --> 00:34:52,120
Speaker 2: The bank, and everyone's horrified, horrified.

754
00:34:51,600 --> 00:34:52,160
Speaker 1: Freaks out.

755
00:34:52,200 --> 00:34:54,560
Speaker 3: He then steps on it or people he's trying to

756
00:34:54,560 --> 00:34:57,880
Speaker 3: find on the ground. So security comes.

757
00:34:58,239 --> 00:35:01,399
Speaker 4: And now he's a psych path who needs to be

758
00:35:01,640 --> 00:35:02,879
Speaker 4: escorted out.

759
00:35:02,760 --> 00:35:08,920
Speaker 3: Of the bank loan center place. Yeah, by the security guard.

760
00:35:09,120 --> 00:35:11,399
Speaker 2: Yes, And he gets thrown out.

761
00:35:11,480 --> 00:35:16,880
Speaker 3: It's literally physically thrown out because of weird anatomically correct

762
00:35:16,880 --> 00:35:17,279
Speaker 3: doll brain.

763
00:35:17,680 --> 00:35:18,120
Speaker 2: Yeah.

764
00:35:18,280 --> 00:35:22,440
Speaker 3: He then tries to go back with a bad mustache

765
00:35:22,440 --> 00:35:25,640
Speaker 3: on and is actually arrested.

766
00:35:25,760 --> 00:35:29,879
Speaker 4: Yeah, for no reason because he went to go get

767
00:35:30,080 --> 00:35:32,799
Speaker 4: water and his mustache.

768
00:35:32,560 --> 00:35:36,520
Speaker 1: Fell off, and then security guard recognized him.

769
00:35:36,680 --> 00:35:38,760
Speaker 2: And then took him out, but then.

770
00:35:38,719 --> 00:35:43,200
Speaker 1: Had him actually arrested. The next scene is his lawyer

771
00:35:43,520 --> 00:35:47,799
Speaker 1: friend about a git. It's like, what was he arrested for?

772
00:35:49,080 --> 00:35:51,239
Speaker 1: I got? I did not get I paused. I was like,

773
00:35:51,280 --> 00:35:53,240
Speaker 1: what am I missing?

774
00:35:53,360 --> 00:35:55,839
Speaker 4: My goodness, the amount of times I could have got

775
00:35:55,920 --> 00:35:59,080
Speaker 4: arrested for some random stuff? Right?

776
00:36:00,000 --> 00:36:03,160
Speaker 1: How many times have you stepped on an anatomically correct dog?

777
00:36:03,239 --> 00:36:03,439
Speaker 4: One?

778
00:36:03,719 --> 00:36:07,239
Speaker 2: Thank god? None but I've I have definitely been where

779
00:36:07,360 --> 00:36:10,640
Speaker 2: my purse balls apart. My stuff lies everywhere, and I'm

780
00:36:10,719 --> 00:36:11,000
Speaker 2: like a.

781
00:36:11,000 --> 00:36:14,600
Speaker 4: Nuisance to the whole room because my lip glosses over there,

782
00:36:14,760 --> 00:36:16,399
Speaker 4: my bones over there.

783
00:36:16,440 --> 00:36:17,520
Speaker 2: I mean, is that all it.

784
00:36:17,480 --> 00:36:19,680
Speaker 4: Took back in the eighties to get arrested?

785
00:36:19,920 --> 00:36:23,040
Speaker 1: Eighties? Serious? And in all fairness, though, I've seen your

786
00:36:23,040 --> 00:36:24,320
Speaker 1: fake mustache. It's awesome.

787
00:36:24,840 --> 00:36:27,480
Speaker 3: So yours looks way better than John Denver's did. And

788
00:36:27,560 --> 00:36:28,960
Speaker 3: I didn't even remember that whole time. I had that

789
00:36:28,960 --> 00:36:32,319
Speaker 3: whole conversation with you.

790
00:36:32,320 --> 00:36:35,920
Speaker 1: No idea, but very very strange.

791
00:36:36,120 --> 00:36:40,200
Speaker 3: So then he's put in jail for no reason, for

792
00:36:40,239 --> 00:36:42,839
Speaker 3: no reason, and the kids, as they're waiting for him

793
00:36:42,880 --> 00:36:45,879
Speaker 3: to come back, I think from lone app attempt number two,

794
00:36:47,120 --> 00:36:51,479
Speaker 3: they see a woman walking up for no reason who

795
00:36:51,640 --> 00:36:54,440
Speaker 3: then is smelling flowers and is attacked by a bee,

796
00:36:54,640 --> 00:36:57,680
Speaker 3: a bee which is never mentioned again or brought up

797
00:36:57,680 --> 00:37:00,520
Speaker 3: in any way, shape or form. She's then just in house.

798
00:37:01,120 --> 00:37:04,040
Speaker 3: Her name is Heather. She finds her way with her

799
00:37:04,040 --> 00:37:05,960
Speaker 3: new baby Katie.

800
00:37:05,920 --> 00:37:08,560
Speaker 4: And okay, wait, I don't I won't cover it in

801
00:37:08,560 --> 00:37:11,040
Speaker 4: Sabranci's there's too many, So we've got to talk about

802
00:37:11,040 --> 00:37:13,400
Speaker 4: this basket that the baby's revealed.

803
00:37:13,040 --> 00:37:15,439
Speaker 2: In she's walking upstairs.

804
00:37:15,840 --> 00:37:19,960
Speaker 4: Yeah, with her suitcase and a weirdly weird I mean

805
00:37:19,960 --> 00:37:21,720
Speaker 4: maybe this was a basket of the eighties.

806
00:37:21,719 --> 00:37:22,960
Speaker 2: Again, I wouldn't know about it.

807
00:37:23,120 --> 00:37:24,280
Speaker 1: Eighties basket who knows.

808
00:37:25,239 --> 00:37:28,600
Speaker 2: It's a very strange shape.

809
00:37:28,719 --> 00:37:31,960
Speaker 4: It looks almost similar to like a longer version of

810
00:37:32,000 --> 00:37:34,680
Speaker 4: what Bell uses while she's in the little town singing,

811
00:37:35,239 --> 00:37:36,800
Speaker 4: and you know, and it's.

812
00:37:36,640 --> 00:37:38,399
Speaker 2: Like, what's in there? What's in there?

813
00:37:38,680 --> 00:37:42,719
Speaker 4: Oh, you're walking around with your child in a in

814
00:37:42,760 --> 00:37:43,640
Speaker 4: a basket?

815
00:37:44,000 --> 00:37:46,200
Speaker 2: Okay, not buckled it.

816
00:37:46,400 --> 00:37:50,440
Speaker 3: You've never heard about eighties basket babies very very very popular,

817
00:37:50,600 --> 00:37:50,880
Speaker 3: very much.

818
00:37:50,920 --> 00:37:52,040
Speaker 2: Are you mean serious?

819
00:37:52,080 --> 00:37:52,520
Speaker 4: Of course?

820
00:37:53,520 --> 00:37:58,600
Speaker 1: What is an eighties basket baby? Wow? You sorious.

821
00:37:58,680 --> 00:38:02,440
Speaker 4: Y'all were crazy and I don't know you got rocket

822
00:38:02,480 --> 00:38:04,200
Speaker 4: launchers for your newspapers.

823
00:38:04,320 --> 00:38:06,680
Speaker 3: Well, the cool thing was the combination of the two.

824
00:38:06,719 --> 00:38:09,040
Speaker 3: We would launch the babies from the front of the bike.

825
00:38:09,160 --> 00:38:12,600
Speaker 2: I've never even seen or heard of someone literally walking.

826
00:38:12,280 --> 00:38:16,520
Speaker 4: Around their child in a basket, not a bassinet, a

827
00:38:16,600 --> 00:38:20,440
Speaker 4: basket of woven little wooden basket thing.

828
00:38:20,520 --> 00:38:22,720
Speaker 2: It was so strange.

829
00:38:23,239 --> 00:38:26,400
Speaker 1: But the kids, the kids first think she's a parent

830
00:38:26,480 --> 00:38:29,000
Speaker 1: trying to adopt them, so they go off on their

831
00:38:29,320 --> 00:38:32,279
Speaker 1: their whole plan being with the plan B, which is

832
00:38:32,400 --> 00:38:35,160
Speaker 1: dressing up in you know, different outfits and stuff like that,

833
00:38:35,160 --> 00:38:36,040
Speaker 1: and then they're like, wait, that.

834
00:38:36,120 --> 00:38:39,440
Speaker 2: Was a tomato plant comedy that was so funny.

835
00:38:39,560 --> 00:38:40,560
Speaker 1: Has a tomato plant.

836
00:38:40,840 --> 00:38:45,080
Speaker 4: It's pretty funny committed to but then they realized that

837
00:38:45,200 --> 00:38:46,359
Speaker 4: she's not there to adopt them.

838
00:38:46,360 --> 00:38:49,000
Speaker 1: She's there to get a job. She's was also an

839
00:38:49,120 --> 00:38:50,279
Speaker 1: orphan growing.

840
00:38:50,080 --> 00:38:55,719
Speaker 4: Up and now is her husband has passed away, she

841
00:38:55,800 --> 00:38:57,080
Speaker 4: now has a young baby to.

842
00:38:57,120 --> 00:38:58,120
Speaker 1: Raise and what was it?

843
00:38:58,239 --> 00:39:02,239
Speaker 3: She saw an old ad for help on like the

844
00:39:02,280 --> 00:39:05,120
Speaker 3: grocery store. They had to explain it because otherwise she

845
00:39:05,200 --> 00:39:06,480
Speaker 3: just shows up at this house and is like.

846
00:39:06,440 --> 00:39:07,000
Speaker 2: Yeah, live here.

847
00:39:07,120 --> 00:39:09,920
Speaker 4: Now he's not Max is not waiting for her. She

848
00:39:10,040 --> 00:39:13,600
Speaker 4: never contacted him. She just literally shows up at this

849
00:39:13,719 --> 00:39:17,880
Speaker 4: house and she and it's briefly talked about. It's pretty

850
00:39:17,920 --> 00:39:21,200
Speaker 4: much one sentence of the movie where she saw this

851
00:39:21,320 --> 00:39:26,160
Speaker 4: ad and just poof made sense on my way.

852
00:39:25,880 --> 00:39:27,839
Speaker 1: And then she's part of their life. That was it.

853
00:39:27,840 --> 00:39:30,840
Speaker 1: It was like they have one small discussion about it.

854
00:39:31,000 --> 00:39:33,600
Speaker 4: Questioned it, yeah, nope, Max questioned it for all of

855
00:39:33,880 --> 00:39:35,640
Speaker 4: twenty seconds.

856
00:39:35,080 --> 00:39:39,360
Speaker 1: Hey, who's this lady with this baby? No background checks.

857
00:39:39,520 --> 00:39:44,200
Speaker 4: Mind you, who's this stranger, this older woman that just

858
00:39:44,280 --> 00:39:48,760
Speaker 4: could never happen in a movie nowadays because stranger danger

859
00:39:48,960 --> 00:39:51,200
Speaker 4: is just too too crazy.

860
00:39:51,320 --> 00:39:54,040
Speaker 3: It was the eighties, no helmets, no background checks, Yes

861
00:39:54,080 --> 00:39:57,320
Speaker 3: it was. So she's just now part of the house.

862
00:39:57,640 --> 00:40:00,480
Speaker 3: She she is now, she's great with the ca she

863
00:40:00,560 --> 00:40:03,080
Speaker 3: does chores. She's like, I will make myself useful.

864
00:40:03,440 --> 00:40:05,799
Speaker 4: Yes, they did say they had a housekeeper of some

865
00:40:05,880 --> 00:40:10,080
Speaker 4: sort that had left or passed away something like that,

866
00:40:10,239 --> 00:40:13,080
Speaker 4: something like that. So she was filling in this spot

867
00:40:13,120 --> 00:40:15,920
Speaker 4: that they needed and didn't need money for it, just

868
00:40:15,920 --> 00:40:16,840
Speaker 4: a place to stay.

869
00:40:17,000 --> 00:40:18,120
Speaker 2: I guess that is what it was.

870
00:40:18,520 --> 00:40:20,920
Speaker 1: So she's now just part of the family.

871
00:40:21,239 --> 00:40:25,280
Speaker 3: And when anytime a possible adopting family calls, we actually

872
00:40:25,280 --> 00:40:27,960
Speaker 3: get to see a little bit of Pam's amazing voiceover

873
00:40:28,000 --> 00:40:30,360
Speaker 3: work already back in the day, picking up the phone,

874
00:40:30,520 --> 00:40:31,640
Speaker 3: changing her voices doing it.

875
00:40:31,800 --> 00:40:34,480
Speaker 4: Yes, she did a great job that. When now that

876
00:40:34,800 --> 00:40:37,719
Speaker 4: I know she was a voice actor, it's like, yeah.

877
00:40:37,600 --> 00:40:39,920
Speaker 1: Oh yeah, oh no, she she kills shells.

878
00:40:40,000 --> 00:40:42,320
Speaker 2: She had a wide range, even a young.

879
00:40:42,120 --> 00:40:44,560
Speaker 3: Young aga, oh yeah she would. Everybody knew what she

880
00:40:44,640 --> 00:40:48,400
Speaker 3: was going to be doing. And so when the family

881
00:40:48,480 --> 00:40:52,319
Speaker 3: does actually visit Uh to come and get Zoe. They're

882
00:40:52,320 --> 00:40:54,200
Speaker 3: looking for a little girl because again this is the

883
00:40:54,280 --> 00:40:58,400
Speaker 3: nice couple who have lost a child and are looking

884
00:40:58,440 --> 00:41:01,560
Speaker 3: to give another child a beautiful, wonderful home.

885
00:41:01,640 --> 00:41:03,480
Speaker 1: So of course the villains.

886
00:41:05,160 --> 00:41:07,319
Speaker 3: They get they walk into what you were talking about,

887
00:41:07,360 --> 00:41:12,040
Speaker 3: Juliel and one of the farming kids doing a pretty

888
00:41:12,080 --> 00:41:15,560
Speaker 3: incredible song on the team.

889
00:41:16,120 --> 00:41:20,759
Speaker 4: Yes, fully decked out costumed electric guitars.

890
00:41:21,160 --> 00:41:27,879
Speaker 1: Just j could play too. He was doing yes, And you.

891
00:41:27,800 --> 00:41:29,880
Speaker 4: Know he did do a little bit of singing and

892
00:41:29,920 --> 00:41:31,240
Speaker 4: stuff within his career.

893
00:41:31,719 --> 00:41:32,560
Speaker 1: Oh that makes sense.

894
00:41:32,719 --> 00:41:35,480
Speaker 4: Yeah, so you know he was a performer for sure.

895
00:41:35,560 --> 00:41:37,440
Speaker 4: And so I thought they were great.

896
00:41:37,800 --> 00:41:38,399
Speaker 1: They were great.

897
00:41:38,480 --> 00:41:40,839
Speaker 3: They they were punk and some of the lyrics they're

898
00:41:40,840 --> 00:41:43,360
Speaker 3: singing are like punk punk, shredding rock and one of

899
00:41:43,400 --> 00:41:45,279
Speaker 3: them is you try and make us go to bed,

900
00:41:45,560 --> 00:41:47,360
Speaker 3: will kick, scream and bite.

901
00:41:48,040 --> 00:41:49,799
Speaker 1: So yeah, they're trying to make it like we're going

902
00:41:49,840 --> 00:41:51,000
Speaker 1: to be the worst people. Anyway.

903
00:41:51,239 --> 00:41:53,880
Speaker 3: They hide Zoe because they don't want her to be

904
00:41:53,880 --> 00:41:57,439
Speaker 3: taken away, and they are trying to get the couple

905
00:41:57,480 --> 00:41:59,319
Speaker 3: to leave. The couple's like, we're not leaving. We're gonna

906
00:41:59,320 --> 00:42:01,120
Speaker 3: go talk to mister Gladstone. We want to talk to

907
00:42:01,160 --> 00:42:04,120
Speaker 3: the kid. They're like, there's no no girl here. We're like, yeah,

908
00:42:04,120 --> 00:42:07,160
Speaker 3: we know there's a girl here. Please, we've lost our child.

909
00:42:07,200 --> 00:42:08,279
Speaker 3: Let us at least see a child.

910
00:42:08,920 --> 00:42:12,520
Speaker 1: Horrible. Uh So they're going to talk to mister Gladstone.

911
00:42:12,719 --> 00:42:16,440
Speaker 4: That's when the mom, the the woman started getting a

912
00:42:16,440 --> 00:42:19,440
Speaker 4: little like, well, I'm going to talk to mister Gladstone.

913
00:42:19,520 --> 00:42:21,560
Speaker 3: Well I would be too, like I drove all the

914
00:42:21,560 --> 00:42:23,560
Speaker 3: way here to see a little kid, But give me,

915
00:42:23,600 --> 00:42:24,279
Speaker 3: where's the kid?

916
00:42:24,360 --> 00:42:26,319
Speaker 1: I want? When we're supposed to adopt. We're trying to

917
00:42:26,320 --> 00:42:27,040
Speaker 1: give this kid a home.

918
00:42:27,360 --> 00:42:31,000
Speaker 3: But if there's an actual villain in this movie, not

919
00:42:31,040 --> 00:42:34,960
Speaker 3: just mister Gladstone, but John Denver eventually runs up the

920
00:42:35,000 --> 00:42:40,120
Speaker 3: old van again and goes to see his aunt Winifred Oh,

921
00:42:40,440 --> 00:42:45,320
Speaker 3: who is uber wealthy, has had the same butler forever

922
00:42:45,400 --> 00:42:47,640
Speaker 3: who helped to raise Max. So they have a kind

923
00:42:47,640 --> 00:42:53,680
Speaker 3: of a wonderful relationship. But she's one step away from

924
00:42:53,880 --> 00:42:58,880
Speaker 3: using baby skin to make a coat. I mean, it's like,

925
00:42:59,000 --> 00:43:01,480
Speaker 3: how bad, how awful was was this woman?

926
00:43:01,960 --> 00:43:09,480
Speaker 4: Yes, she's she's crazy and mean, and it's it's interesting

927
00:43:09,560 --> 00:43:12,960
Speaker 4: to know that he was raised by her when she

928
00:43:13,000 --> 00:43:16,200
Speaker 4: doesn't seem motherly in any sense.

929
00:43:16,520 --> 00:43:18,960
Speaker 3: No, well, I think it's the butler that really raised him,

930
00:43:19,000 --> 00:43:22,320
Speaker 3: that's what they.

931
00:43:21,520 --> 00:43:25,160
Speaker 4: One of the funniest parts of the move happens towards

932
00:43:25,200 --> 00:43:28,080
Speaker 4: the end of it, after she denies him of any money.

933
00:43:28,160 --> 00:43:31,480
Speaker 4: I'm not helping you. You shouldn't be doing this. I

934
00:43:31,520 --> 00:43:32,800
Speaker 4: don't like children. You shouldn't.

935
00:43:32,800 --> 00:43:33,440
Speaker 2: I have told you that.

936
00:43:33,719 --> 00:43:35,279
Speaker 4: She said that he's been doing it for six or

937
00:43:35,280 --> 00:43:38,680
Speaker 4: seven years, and just it's a waste of time, waste

938
00:43:38,719 --> 00:43:39,160
Speaker 4: of money.

939
00:43:39,239 --> 00:43:41,440
Speaker 2: You know, she's just very disappointed.

940
00:43:41,760 --> 00:43:44,440
Speaker 4: I'm assuming she wanted him to get into whatever kind

941
00:43:44,480 --> 00:43:47,359
Speaker 4: of business her family could have offered.

942
00:43:47,080 --> 00:43:49,080
Speaker 1: Money business, whatever money business.

943
00:43:49,600 --> 00:43:53,920
Speaker 4: Yeah, he's heading out with the butler, and the butler

944
00:43:54,080 --> 00:44:01,720
Speaker 4: goes to get his coat, like slammed.

945
00:44:02,719 --> 00:44:05,440
Speaker 3: Yeah, we're gonna need this as our social clip because

946
00:44:05,840 --> 00:44:10,480
Speaker 3: he gets wrestled by this this entire flock.

947
00:44:10,800 --> 00:44:16,520
Speaker 2: He just takes him out, and it was so good, right.

948
00:44:16,400 --> 00:44:18,040
Speaker 1: Off his feet.

949
00:44:18,920 --> 00:44:20,960
Speaker 4: It was so good. I had to watch it a

950
00:44:20,960 --> 00:44:23,680
Speaker 4: couple of times. You know, that is my thing. I

951
00:44:23,719 --> 00:44:28,120
Speaker 4: love seeing people just get wiped out and then so

952
00:44:28,320 --> 00:44:32,480
Speaker 4: much the wear him and Max forget that he doesn't

953
00:44:32,520 --> 00:44:32,960
Speaker 4: need his coat.

954
00:44:33,000 --> 00:44:34,880
Speaker 1: It's so fun.

955
00:44:35,640 --> 00:44:37,480
Speaker 2: It was in one of my Subrita Seas. But it's

956
00:44:37,480 --> 00:44:39,080
Speaker 2: just too good to not say it right from here.

957
00:44:39,800 --> 00:44:40,520
Speaker 3: It was.

958
00:44:41,080 --> 00:44:43,640
Speaker 1: It was so good, it was great.

959
00:44:43,719 --> 00:44:45,560
Speaker 2: And he didn't even get ended up. He didn't even

960
00:44:45,560 --> 00:44:46,359
Speaker 2: get a coat for him.

961
00:44:46,400 --> 00:44:48,680
Speaker 1: He just took him out. He's like, we're good, we're fine.

962
00:44:49,480 --> 00:44:51,919
Speaker 2: You look like you're busy. I'll come get it later.

963
00:44:52,239 --> 00:44:53,880
Speaker 1: I'll be okay, I'll be okay.

964
00:45:01,840 --> 00:45:04,319
Speaker 3: Do you think this movie missed the bar at all

965
00:45:04,400 --> 00:45:06,520
Speaker 3: by not having John Denver sing a single song?

966
00:45:07,800 --> 00:45:09,160
Speaker 2: You know how I feel about that.

967
00:45:09,239 --> 00:45:14,080
Speaker 4: You cannot have a vocal artist who is famous for it, right,

968
00:45:14,160 --> 00:45:14,759
Speaker 4: not just oh.

969
00:45:15,000 --> 00:45:18,000
Speaker 2: I mean, how many actors in la are.

970
00:45:18,239 --> 00:45:19,760
Speaker 1: You know can also sing?

971
00:45:19,840 --> 00:45:23,799
Speaker 4: So it's not that, but somebody who's known, especially on

972
00:45:23,960 --> 00:45:27,799
Speaker 4: this level. I don't know where it would have been,

973
00:45:27,880 --> 00:45:30,600
Speaker 4: to be honest, in the movie, there really wasn't a

974
00:45:30,640 --> 00:45:34,279
Speaker 4: place that was set up for anything like that.

975
00:45:34,640 --> 00:45:36,320
Speaker 3: You have to add a scene where he grabs a

976
00:45:36,360 --> 00:45:38,359
Speaker 3: guitar and he's playing a song to all the kids

977
00:45:38,360 --> 00:45:39,200
Speaker 3: sitting around watching.

978
00:45:39,280 --> 00:45:41,520
Speaker 1: I mean, how do you not add that scene?

979
00:45:41,680 --> 00:45:42,040
Speaker 3: Yeah?

980
00:45:42,120 --> 00:45:44,799
Speaker 4: I guess I just don't know where it would have been.

981
00:45:45,680 --> 00:45:47,719
Speaker 4: There was a lot of chaos constantly.

982
00:45:47,920 --> 00:45:50,600
Speaker 3: Maybe take out the second loan scene with the with

983
00:45:50,680 --> 00:45:53,480
Speaker 3: the fake mustache and put in John denversing.

984
00:45:55,200 --> 00:45:56,080
Speaker 1: That could have worked.

985
00:45:56,120 --> 00:45:58,560
Speaker 4: It could have been part of her falling in love

986
00:45:58,560 --> 00:46:01,600
Speaker 4: with him, because that was really touch. Does that you know,

987
00:46:01,880 --> 00:46:04,640
Speaker 4: like that's a thing they do at night once the

988
00:46:04,719 --> 00:46:05,640
Speaker 4: kids are settled down.

989
00:46:05,800 --> 00:46:08,360
Speaker 1: Great idea something like that, Yeah, great idea.

990
00:46:08,640 --> 00:46:10,920
Speaker 3: Yeah, John Denver singing to send you what come on?

991
00:46:10,960 --> 00:46:14,080
Speaker 3: That's perfect. So while Max fails at getting the loan

992
00:46:14,160 --> 00:46:16,399
Speaker 3: and is actually thrown in jail for it, Zoe ends

993
00:46:16,440 --> 00:46:20,120
Speaker 3: up getting adopted after all. Heather, who's Cindy Williams character,

994
00:46:20,680 --> 00:46:24,560
Speaker 3: she starts weirdly digging deep into She doesn't trust this

995
00:46:24,600 --> 00:46:31,200
Speaker 3: Gladstone character, obviously, and so she starts breaking into his

996
00:46:31,480 --> 00:46:36,719
Speaker 3: office and trying to sneak past his secretary to find

997
00:46:36,719 --> 00:46:40,319
Speaker 3: out what the plan is. And she finds it. Oh

998
00:46:40,320 --> 00:46:41,680
Speaker 3: my god, he's going to sell the land. He doesn't

999
00:46:41,680 --> 00:46:42,520
Speaker 3: care about the kids at all.

1000
00:46:42,560 --> 00:46:43,200
Speaker 1: This is horrible.

1001
00:46:43,719 --> 00:46:47,479
Speaker 3: Yes, Andrea has a heartbreaking scene when she leaves, and

1002
00:46:49,040 --> 00:46:52,040
Speaker 3: it made me wonder And I can't wait because I

1003
00:46:52,040 --> 00:46:52,799
Speaker 3: get to say this now.

1004
00:46:52,840 --> 00:46:56,000
Speaker 1: We get to ask her on our Parkopper.

1005
00:46:55,480 --> 00:46:58,279
Speaker 3: Episode because we are interviewing Andrew Barber, but we get

1006
00:46:58,280 --> 00:47:00,960
Speaker 3: to ask her how she felt about John Denver, because

1007
00:47:00,960 --> 00:47:03,120
Speaker 3: it seemed, I mean, all the acting was great, but

1008
00:47:03,160 --> 00:47:06,960
Speaker 3: they all seem to genuinely really like this guy. Yes,

1009
00:47:07,080 --> 00:47:10,520
Speaker 3: so I'm hoping she remembers what that's like, because I

1010
00:47:10,520 --> 00:47:14,000
Speaker 3: can't wait to hear how that relationship affected the acting,

1011
00:47:14,000 --> 00:47:16,800
Speaker 3: because again, she was great, and he really did seem

1012
00:47:16,840 --> 00:47:18,239
Speaker 3: to care about all the kids, and they really seem

1013
00:47:18,280 --> 00:47:19,799
Speaker 3: to care about him. So I can't wait to talk

1014
00:47:19,840 --> 00:47:21,560
Speaker 3: to her because I want to know what it was

1015
00:47:21,560 --> 00:47:22,600
Speaker 3: like working with John Denver.

1016
00:47:22,920 --> 00:47:26,960
Speaker 2: Yes, I mean John Denver exactly, very cool.

1017
00:47:27,719 --> 00:47:28,480
Speaker 1: Zoe leaves.

1018
00:47:28,840 --> 00:47:31,560
Speaker 3: She was adopted by a wonderful, caring family, so of

1019
00:47:31,600 --> 00:47:36,560
Speaker 3: course let's go get her back. They sneak out under

1020
00:47:36,560 --> 00:47:39,839
Speaker 3: the cover of darkness, They get on their bikes, and

1021
00:47:40,000 --> 00:47:43,920
Speaker 3: they then find out where her home is, her new home,

1022
00:47:44,400 --> 00:47:49,360
Speaker 3: and then they pretend to be capped, and so the nighbor.

1023
00:47:49,480 --> 00:47:53,200
Speaker 3: So then the nice family, the husband and wife, who

1024
00:47:53,480 --> 00:47:56,040
Speaker 3: are probably ecstatic that they finally have somebody in their

1025
00:47:56,080 --> 00:48:01,000
Speaker 3: old daughter's room who was again passed away, start treating

1026
00:48:01,000 --> 00:48:02,880
Speaker 3: them like cats and throwing the I'll do this, and

1027
00:48:02,920 --> 00:48:04,520
Speaker 3: they throw a boot at one of the kids.

1028
00:48:04,520 --> 00:48:06,240
Speaker 1: They splash water on them.

1029
00:48:06,400 --> 00:48:09,360
Speaker 2: Water say they're gonna call out the dogs.

1030
00:48:09,160 --> 00:48:12,080
Speaker 1: And yes, and then the two little tiny dogs run out.

1031
00:48:12,160 --> 00:48:16,120
Speaker 2: Don't forget. They use the newspaper slingshot.

1032
00:48:16,280 --> 00:48:19,440
Speaker 1: They ask the cannon to shoot a grappling hook.

1033
00:48:20,440 --> 00:48:23,720
Speaker 2: Of nails it on the first try.

1034
00:48:23,760 --> 00:48:26,240
Speaker 3: Well, the grappling hooks in the eighties were really well

1035
00:48:26,239 --> 00:48:29,960
Speaker 3: made and are grappling hook launching machines, which everyone happened.

1036
00:48:30,080 --> 00:48:35,680
Speaker 4: Liil obviously has some rope climbing mountain climbing experience. He

1037
00:48:35,760 --> 00:48:38,760
Speaker 4: goes right in, whoop, He goes right to the wall

1038
00:48:39,280 --> 00:48:42,080
Speaker 4: and then struggles getting up it, which was funny.

1039
00:48:42,120 --> 00:48:46,680
Speaker 1: Very funny. They get up there, Zoe's gone, She's already left.

1040
00:48:46,960 --> 00:48:49,600
Speaker 2: He goes directly to that room.

1041
00:48:49,840 --> 00:48:52,520
Speaker 3: Well because they say they they knowed what room she's in,

1042
00:48:52,560 --> 00:48:55,480
Speaker 3: because the family that they have, the parents look over, like, no,

1043
00:48:55,600 --> 00:48:57,560
Speaker 3: her light's already off, so she's asleep.

1044
00:48:57,600 --> 00:49:00,000
Speaker 1: So they're like, Okay, at least we know where she is. Right.

1045
00:49:00,080 --> 00:49:01,600
Speaker 1: So they a lot of breaking and entrying, a lot

1046
00:49:01,600 --> 00:49:02,560
Speaker 1: of b and in this movie.

1047
00:49:02,600 --> 00:49:06,160
Speaker 3: So they break they break in again, and she has

1048
00:49:06,239 --> 00:49:12,160
Speaker 3: left a very badly spelled note and there's an emphasis

1049
00:49:12,360 --> 00:49:14,920
Speaker 3: yes I said that right on how bad her spelling

1050
00:49:15,000 --> 00:49:17,200
Speaker 3: is that's never really paid off.

1051
00:49:17,239 --> 00:49:21,000
Speaker 1: They mentioned it twice, and it also kind of is.

1052
00:49:21,000 --> 00:49:22,000
Speaker 2: Pretty fisted about it.

1053
00:49:22,400 --> 00:49:25,799
Speaker 3: Yeah, but it also leads to hey, maybe this new

1054
00:49:25,800 --> 00:49:30,359
Speaker 3: family would have taught her how to spell. So they

1055
00:49:30,400 --> 00:49:34,200
Speaker 3: finally they find her by singing all the family when

1056
00:49:34,200 --> 00:49:35,640
Speaker 3: they were driving together. And this is one time you

1057
00:49:35,680 --> 00:49:37,080
Speaker 3: did get to see John Denver sing, but it was

1058
00:49:37,080 --> 00:49:40,440
Speaker 3: with everybody was oh my darling Clement time very briefly.

1059
00:49:41,239 --> 00:49:45,799
Speaker 3: So they all start singing that as a like a

1060
00:49:45,920 --> 00:49:48,879
Speaker 3: yelling out of her name. They sing the song. They

1061
00:49:48,920 --> 00:49:51,200
Speaker 3: find her. She's in a playground. Oh thank god, we

1062
00:49:51,200 --> 00:49:53,480
Speaker 3: can bring her home. And they bring her home, and

1063
00:49:53,520 --> 00:49:58,000
Speaker 3: now it's morning. The kids were out all freaking night.

1064
00:49:58,600 --> 00:50:00,960
Speaker 3: That was the thing that amazed me. I was like, oh,

1065
00:50:01,040 --> 00:50:03,279
Speaker 3: this was not an hour long excursion. They've been out

1066
00:50:03,280 --> 00:50:06,040
Speaker 3: for like nine hours and nobody's noticed these kids are gone.

1067
00:50:06,320 --> 00:50:08,440
Speaker 1: Maybe John Denver isn't the person to be raising them.

1068
00:50:08,480 --> 00:50:09,680
Speaker 1: I'm sorry, I'm gonna say it.

1069
00:50:10,600 --> 00:50:14,480
Speaker 2: Well, and heather sneaks out too, for Bna for breaking

1070
00:50:14,520 --> 00:50:15,000
Speaker 2: an entry.

1071
00:50:15,160 --> 00:50:20,919
Speaker 4: Yes, where is your baby? Who is watching your baby? Well,

1072
00:50:20,960 --> 00:50:22,200
Speaker 4: you speak out?

1073
00:50:22,600 --> 00:50:23,600
Speaker 2: Who's watching it?

1074
00:50:23,680 --> 00:50:23,919
Speaker 6: Max?

1075
00:50:24,080 --> 00:50:27,120
Speaker 2: Isn't no that you leave the house. You haven't told him,

1076
00:50:27,160 --> 00:50:28,200
Speaker 2: because you're sneaking out.

1077
00:50:28,080 --> 00:50:29,720
Speaker 1: I was watching her baby.

1078
00:50:29,880 --> 00:50:31,480
Speaker 2: Who's watching your kid?

1079
00:50:32,040 --> 00:50:35,200
Speaker 3: Oh' that's very interesting. I didn't even think about that.

1080
00:50:36,000 --> 00:50:38,719
Speaker 3: Heather though, after again some light be any of her own,

1081
00:50:38,760 --> 00:50:40,880
Speaker 3: gets the documents that she needs to prove two Max

1082
00:50:40,920 --> 00:50:43,359
Speaker 3: that Gladstone has been cooking the books yea to make

1083
00:50:43,360 --> 00:50:45,200
Speaker 3: the home look like it's losing a ton of money.

1084
00:50:45,400 --> 00:50:47,840
Speaker 3: And actually they've been working for a real estate agent

1085
00:50:47,920 --> 00:50:51,640
Speaker 3: for the property. And the client that wants them out

1086
00:50:52,280 --> 00:50:56,399
Speaker 3: is the awful Aunt. It's Winifred good twist. I did

1087
00:50:56,440 --> 00:50:57,320
Speaker 3: not see that filming.

1088
00:50:57,600 --> 00:50:59,919
Speaker 2: I didn't either. I really didn't either.

1089
00:51:00,320 --> 00:51:02,000
Speaker 1: She's the bad guy all along.

1090
00:51:02,000 --> 00:51:06,600
Speaker 4: There also finds that she's got a great talent for

1091
00:51:07,600 --> 00:51:08,640
Speaker 4: unlocking locks.

1092
00:51:08,960 --> 00:51:10,160
Speaker 2: She's a locksmith.

1093
00:51:10,360 --> 00:51:14,120
Speaker 4: Yeah, in the next life, or was in her previous

1094
00:51:14,160 --> 00:51:17,000
Speaker 4: because her talent for just pop.

1095
00:51:16,920 --> 00:51:20,880
Speaker 1: Oh, I'm in, I'm in. She's pretty impressive. But it

1096
00:51:20,960 --> 00:51:21,879
Speaker 1: is a Scooby Doo moment.

1097
00:51:21,880 --> 00:51:23,680
Speaker 3: It is a total Scooby Doo moment when they pull

1098
00:51:23,719 --> 00:51:26,439
Speaker 3: off the But you know, Winnifred I would have gotten

1099
00:51:26,440 --> 00:51:30,879
Speaker 3: away with it. So yeah, so we're at the deadline now,

1100
00:51:31,120 --> 00:51:32,640
Speaker 3: they're still going to lose the house. At this point,

1101
00:51:32,840 --> 00:51:35,279
Speaker 3: We're at the deadline and Gladstone is sending the kids

1102
00:51:35,360 --> 00:51:38,640
Speaker 3: cross country and even has Max arrested again for something

1103
00:51:38,680 --> 00:51:41,200
Speaker 3: now more important than bothering the loan office, which is

1104
00:51:41,280 --> 00:51:44,040
Speaker 3: very strange. Aunt Winnifred is ready to pounce and everyone

1105
00:51:44,120 --> 00:51:46,920
Speaker 3: is packing to make a mad dash. Even his aunt's

1106
00:51:47,040 --> 00:51:49,719
Speaker 3: lifelong assistant is going to be joining Max. He'd rather

1107
00:51:49,800 --> 00:51:52,800
Speaker 3: be with Max and with Winnifred. His dad figure. Max's

1108
00:51:52,840 --> 00:51:55,080
Speaker 3: dad figure is coming with them as well. The family's complete.

1109
00:51:55,120 --> 00:52:03,720
Speaker 3: But in one last interesting hail Mary attempt, the lawyer

1110
00:52:05,320 --> 00:52:11,640
Speaker 3: suggests that if they call the news and Charlie the

1111
00:52:11,840 --> 00:52:16,920
Speaker 3: kid who's also an inventor, shows his anti gravity hat

1112
00:52:17,120 --> 00:52:20,600
Speaker 3: on the news, right, that'll save the home.

1113
00:52:21,280 --> 00:52:28,000
Speaker 4: Yes, But the crazier part is how they get them

1114
00:52:28,080 --> 00:52:31,880
Speaker 4: on it, Like, how where the connection that he has

1115
00:52:31,920 --> 00:52:36,759
Speaker 4: with this news So it's it's his Yes, it's his friend,

1116
00:52:37,239 --> 00:52:41,319
Speaker 4: not so much when we meet the friend and he

1117
00:52:41,360 --> 00:52:47,399
Speaker 4: went to Camp Sakawaukee, they were the two Dans. And

1118
00:52:47,440 --> 00:52:51,720
Speaker 4: then finally the anchor recognizes him because he the lawyer

1119
00:52:51,840 --> 00:52:54,840
Speaker 4: Dan was the Dan that had severe.

1120
00:52:55,280 --> 00:52:56,520
Speaker 1: Poison ie ivy.

1121
00:52:57,400 --> 00:52:59,239
Speaker 2: That's how he got these kids on.

1122
00:52:59,760 --> 00:53:04,040
Speaker 3: Yeah, and the news anchor even goes, oh, you you

1123
00:53:04,120 --> 00:53:07,000
Speaker 3: survived that, like he thought he died at the camp

1124
00:53:07,120 --> 00:53:11,000
Speaker 3: from the poison ivy. But for some reason, this gets

1125
00:53:11,080 --> 00:53:15,280
Speaker 3: the local news to come by to pre empt another story.

1126
00:53:15,600 --> 00:53:20,520
Speaker 3: By the way, yes, to show the anti gravity machine

1127
00:53:20,640 --> 00:53:25,919
Speaker 3: on news. And so that's really just a cruise. Yeah,

1128
00:53:25,920 --> 00:53:28,160
Speaker 3: it wasn't great, but it was just a ruise to

1129
00:53:28,200 --> 00:53:31,520
Speaker 3: then say, hey, yes, while I have invented an anti

1130
00:53:31,560 --> 00:53:34,439
Speaker 3: gravity machine, kind of an important deal. Really, what's what's

1131
00:53:34,480 --> 00:53:37,840
Speaker 3: worse is that we're losing the house because this guy

1132
00:53:38,480 --> 00:53:42,600
Speaker 3: is breaking the law. So it's like they've exposed him

1133
00:53:43,600 --> 00:53:45,880
Speaker 3: on the local news. It was a very kind of

1134
00:53:45,960 --> 00:53:48,040
Speaker 3: this is why I said I need to rewrite very

1135
00:53:48,120 --> 00:53:53,120
Speaker 3: kind of convoluted, weird ending to this to the story.

1136
00:53:53,400 --> 00:53:58,320
Speaker 4: Right, So yeah, there is one part.

1137
00:53:58,480 --> 00:54:00,400
Speaker 2: I don't know if you noticed it. I don't. I

1138
00:54:00,440 --> 00:54:03,120
Speaker 2: have too many Serbia seas and I can't miss that.

1139
00:54:03,920 --> 00:54:07,960
Speaker 4: The Max as he's Max As he's watching the TV

1140
00:54:08,960 --> 00:54:11,919
Speaker 4: because he's our in the gage in the garage, trying

1141
00:54:11,960 --> 00:54:15,239
Speaker 4: to figure out how to with the yes and get

1142
00:54:15,280 --> 00:54:18,160
Speaker 4: this pos van to take him back home.

1143
00:54:18,360 --> 00:54:20,880
Speaker 2: Right, he's still there, he finds he sees it.

1144
00:54:20,920 --> 00:54:23,799
Speaker 4: The butler's watching the TV. He notices what's going on

1145
00:54:24,239 --> 00:54:28,799
Speaker 4: and he says, oh my God. But they totally not

1146
00:54:28,960 --> 00:54:30,200
Speaker 4: even try.

1147
00:54:29,960 --> 00:54:32,880
Speaker 2: To make it look voice over it, oh my gosh.

1148
00:54:32,880 --> 00:54:33,800
Speaker 1: And I went gosh.

1149
00:54:33,960 --> 00:54:36,120
Speaker 2: It just made me think from what we saw in

1150
00:54:36,280 --> 00:54:41,759
Speaker 2: prom Pact twenty three to nineteen eighty.

1151
00:54:41,520 --> 00:54:44,600
Speaker 4: Six, you can't say stopped over God and had to

1152
00:54:44,600 --> 00:54:45,279
Speaker 4: put gosh in.

1153
00:54:45,360 --> 00:54:47,640
Speaker 2: That was a huge, huge distance from it.

1154
00:54:47,719 --> 00:54:48,839
Speaker 1: They used to do that all the time.

1155
00:54:48,880 --> 00:54:51,200
Speaker 3: I remember one of my favorite ones ever was I

1156
00:54:51,239 --> 00:54:54,600
Speaker 3: was watching The Breakfast Club on regular television as a

1157
00:54:54,640 --> 00:54:58,560
Speaker 3: kid and John Bender has a line where he says,

1158
00:54:58,680 --> 00:55:04,560
Speaker 3: eat my yours, and they dub it to where I

1159
00:55:04,600 --> 00:55:06,439
Speaker 3: was watching it, and this is this is not a joke,

1160
00:55:06,480 --> 00:55:10,080
Speaker 3: this is how it sounded. He went eat my socks

1161
00:55:10,800 --> 00:55:13,920
Speaker 3: and it was somebody just it was a different voice entirely.

1162
00:55:14,120 --> 00:55:16,520
Speaker 3: It was the wrong pitch and it was just somebody

1163
00:55:16,520 --> 00:55:18,040
Speaker 3: going socks right over.

1164
00:55:18,080 --> 00:55:20,640
Speaker 1: It was the greatest thing. So they did that stuff

1165
00:55:21,040 --> 00:55:21,680
Speaker 1: all the time.

1166
00:55:21,960 --> 00:55:24,800
Speaker 3: Oh wow, so you're right, it was gosh, God, but

1167
00:55:24,920 --> 00:55:27,359
Speaker 3: they're watching he gets the motorcycle, they go home, Hey,

1168
00:55:27,400 --> 00:55:27,759
Speaker 3: you did it.

1169
00:55:28,000 --> 00:55:30,000
Speaker 2: Motorcycle saved it. So funny.

1170
00:55:30,320 --> 00:55:33,520
Speaker 3: You were now all a family and this Cindy Williams

1171
00:55:33,560 --> 00:55:35,160
Speaker 3: they kiss out of nowhere.

1172
00:55:35,440 --> 00:55:39,680
Speaker 4: Out of nowhere, I mean you saw the Like I said,

1173
00:55:39,719 --> 00:55:42,520
Speaker 4: there could have been one more little tiny.

1174
00:55:42,360 --> 00:55:45,879
Speaker 2: Scene that, yeah, built their relationship up a little bit more.

1175
00:55:46,239 --> 00:55:48,160
Speaker 2: But this kiss comes out of.

1176
00:55:47,880 --> 00:55:51,000
Speaker 3: Nowhere and he's like and she's like, I'm sorry, I

1177
00:55:51,000 --> 00:55:52,920
Speaker 3: shouldn't have done that. He's like, no, I'm I'm on.

1178
00:55:53,120 --> 00:55:58,080
Speaker 3: I'm on a rocky mountain, high lady. So that's it.

1179
00:55:58,160 --> 00:56:00,719
Speaker 1: But did the end work for you? It's seemed very

1180
00:56:00,800 --> 00:56:01,960
Speaker 1: wrapped up very quickly.

1181
00:56:01,960 --> 00:56:04,840
Speaker 2: For me, it did, it wrapped up really quick.

1182
00:56:04,920 --> 00:56:08,640
Speaker 4: I didn't feel like I understood really what ended up

1183
00:56:08,719 --> 00:56:11,440
Speaker 4: happening with the buying of the house.

1184
00:56:11,600 --> 00:56:12,560
Speaker 2: Is the house okay?

1185
00:56:12,640 --> 00:56:12,839
Speaker 3: Now?

1186
00:56:13,320 --> 00:56:15,960
Speaker 2: What happened with the ant? None of that?

1187
00:56:15,360 --> 00:56:17,040
Speaker 1: No, no, no.

1188
00:56:17,640 --> 00:56:20,120
Speaker 4: I also thought the cake cutter was so obvious. I

1189
00:56:20,480 --> 00:56:22,640
Speaker 4: felt it coming when he was asking about it.

1190
00:56:22,680 --> 00:56:23,040
Speaker 1: I knew.

1191
00:56:23,200 --> 00:56:24,919
Speaker 3: I thought it was going to throw on everybody else.

1192
00:56:25,200 --> 00:56:27,000
Speaker 3: I thought everyone was going to get covered in cake.

1193
00:56:27,320 --> 00:56:30,840
Speaker 2: I thought the way he reacted seemed very real.

1194
00:56:31,480 --> 00:56:34,560
Speaker 4: The way maybe yeah, he didn't either he didn't know

1195
00:56:34,640 --> 00:56:37,239
Speaker 4: or it wasn't It wasn't practiced, you know, they just

1196
00:56:37,280 --> 00:56:39,280
Speaker 4: went for like the rehearsal.

1197
00:56:39,840 --> 00:56:44,600
Speaker 2: But yeah, it was very all right, okay, I mean.

1198
00:56:45,000 --> 00:56:49,080
Speaker 1: And then literally movie over, Yeah, which I was.

1199
00:56:49,239 --> 00:56:50,920
Speaker 2: I was kind of ready to be I was.

1200
00:56:50,960 --> 00:56:51,959
Speaker 1: I was too at that point.

1201
00:56:51,960 --> 00:56:55,400
Speaker 3: Again, I loved watching the kids so very funny story,

1202
00:56:55,400 --> 00:56:56,040
Speaker 3: needed to rewrite.

1203
00:56:56,320 --> 00:57:06,320
Speaker 5: Yeah, let's do our real reviews.

1204
00:57:06,520 --> 00:57:09,040
Speaker 3: Yeah, I'll take the one star this time. And this

1205
00:57:09,120 --> 00:57:12,839
Speaker 3: is from It's Either Nita or Nida B and it's

1206
00:57:13,960 --> 00:57:16,440
Speaker 3: I watched it because it starred John Denver. It's not

1207
00:57:16,600 --> 00:57:18,960
Speaker 3: one of his better films. It's okay, more of what

1208
00:57:19,000 --> 00:57:21,960
Speaker 3: they used to call bubble gum. I think that's accurate.

1209
00:57:22,000 --> 00:57:24,360
Speaker 3: If I'm at one star, I think is a bit harsh,

1210
00:57:24,440 --> 00:57:26,000
Speaker 3: but yeah, bubblegum is accurate.

1211
00:57:26,160 --> 00:57:31,840
Speaker 4: Yeah, all right, this five star by Susan H. John Denver,

1212
00:57:32,240 --> 00:57:38,080
Speaker 4: Children and Animals? How could you possibly lose? Great movie

1213
00:57:38,120 --> 00:57:41,280
Speaker 4: for the entire family. Didn't even know it existed until

1214
00:57:41,280 --> 00:57:43,960
Speaker 4: I typed John Denver into the search bar.

1215
00:57:44,240 --> 00:57:46,720
Speaker 2: All right, yep, I am currently.

1216
00:57:46,360 --> 00:57:50,200
Speaker 4: Looking for a movie which John Denver acted in called Savant.

1217
00:57:51,640 --> 00:57:54,600
Speaker 4: All right, this is the best part of this one.

1218
00:57:54,800 --> 00:57:59,120
Speaker 4: It is also I love Amazon, the products, the service,

1219
00:57:59,240 --> 00:58:02,360
Speaker 4: the promptness of the whatever need and not be surpass

1220
00:58:02,440 --> 00:58:03,040
Speaker 4: It's such.

1221
00:58:02,880 --> 00:58:03,959
Speaker 1: A weird way to jump.

1222
00:58:04,000 --> 00:58:06,400
Speaker 3: It's like I'm trying to watch John Denver movie and

1223
00:58:06,440 --> 00:58:10,919
Speaker 3: I love Burger King. It's like you, what's happening here,

1224
00:58:12,760 --> 00:58:15,160
Speaker 3: Susan h We've been playing some wonderful games.

1225
00:58:15,360 --> 00:58:17,520
Speaker 1: I love that, And we've got another one that's a

1226
00:58:17,520 --> 00:58:17,960
Speaker 1: lot of fun.

1227
00:58:18,000 --> 00:58:21,000
Speaker 3: This week it's gonna be a king that's called leftover

1228
00:58:21,760 --> 00:58:24,560
Speaker 3: or left under, and we'll be given again we do

1229
00:58:24,640 --> 00:58:26,720
Speaker 3: not know. We will be given a trivia question and

1230
00:58:26,760 --> 00:58:29,240
Speaker 3: we have to decide whether the real answer is higher

1231
00:58:29,280 --> 00:58:32,400
Speaker 3: than or lower than the number that we have here.

1232
00:58:32,440 --> 00:58:34,760
Speaker 3: So for an example, like how many hosts are on

1233
00:58:34,840 --> 00:58:37,360
Speaker 3: Magical rewind is it higher or lower than one?

1234
00:58:37,480 --> 00:58:40,720
Speaker 1: It's higher? Okay, great, So we got know we do

1235
00:58:40,800 --> 00:58:43,480
Speaker 1: not know these We are usually not very good at

1236
00:58:43,480 --> 00:58:45,760
Speaker 1: this stuff. So here we go.

1237
00:58:46,760 --> 00:58:50,400
Speaker 3: First, Like we told you, Julia White would later become

1238
00:58:50,400 --> 00:58:53,000
Speaker 3: the iconic character Steve Erkle on the show Family Matters,

1239
00:58:53,240 --> 00:58:55,800
Speaker 3: but it wasn't always guaranteed he break out as a star.

1240
00:58:56,600 --> 00:58:59,680
Speaker 3: How many episodes of Family Matters was he originally booked

1241
00:58:59,680 --> 00:59:03,320
Speaker 3: to a piece higher or lower than two?

1242
00:59:04,160 --> 00:59:09,120
Speaker 2: Oh? Oh man, I'm going to go with higher.

1243
00:59:09,440 --> 00:59:10,560
Speaker 1: See I'm going to go with lower.

1244
00:59:10,560 --> 00:59:12,640
Speaker 3: I think he was supposed to be a one off Oh,

1245
00:59:12,760 --> 00:59:16,360
Speaker 3: I think I think he was supposed to come in right,

1246
00:59:16,400 --> 00:59:20,240
Speaker 3: but he wasn't supposed to be so I think maybe

1247
00:59:20,240 --> 00:59:20,880
Speaker 3: they brought him on.

1248
00:59:21,080 --> 00:59:21,760
Speaker 1: It's one thing.

1249
00:59:22,360 --> 00:59:25,240
Speaker 3: It's either a four episode arc or it's a one off.

1250
00:59:25,280 --> 00:59:26,840
Speaker 3: I'm going to say lower, you're going to say higher.

1251
00:59:26,920 --> 00:59:27,880
Speaker 2: Let's higher.

1252
00:59:28,120 --> 00:59:29,640
Speaker 6: It's a one off. It's lower.

1253
00:59:30,440 --> 00:59:31,440
Speaker 1: It was it wasn't on.

1254
00:59:31,520 --> 00:59:33,400
Speaker 3: It's what I figured. He was only supposed to be on.

1255
00:59:33,480 --> 00:59:37,160
Speaker 3: All right, one for me, I actually got one. Here's

1256
00:59:37,160 --> 00:59:40,040
Speaker 3: a second question. John Denver is one of the biggest

1257
00:59:40,080 --> 00:59:42,640
Speaker 3: musicians of all times. So with this in mind, how

1258
00:59:42,640 --> 00:59:45,080
Speaker 3: many number one songs did he have in his career?

1259
00:59:45,120 --> 00:59:47,400
Speaker 3: Is it higher or lower than five?

1260
00:59:48,680 --> 00:59:53,520
Speaker 7: Oh, that's a tough one. Five more than five number

1261
00:59:53,560 --> 01:00:00,840
Speaker 7: one songs? Number one, number one. I'm gonna say hi.

1262
01:00:01,800 --> 01:00:03,120
Speaker 1: I'm going to say lower again.

1263
01:00:03,800 --> 01:00:04,400
Speaker 6: It's lower.

1264
01:00:04,440 --> 01:00:06,880
Speaker 1: It's four four.

1265
01:00:07,360 --> 01:00:10,200
Speaker 6: The songs are sunshining on my shoulders. Any song Thank God,

1266
01:00:10,240 --> 01:00:12,160
Speaker 6: I'm a country Boy and I'm Sorry, which means leaving

1267
01:00:12,160 --> 01:00:13,760
Speaker 6: on a jet plane not a number one.

1268
01:00:14,320 --> 01:00:17,400
Speaker 1: Wait so wait, so Rocky Mountain High wasn't a number one.

1269
01:00:17,480 --> 01:00:18,920
Speaker 6: No, not a number one.

1270
01:00:18,680 --> 01:00:21,200
Speaker 4: Take Me Take Me a Country Road wasn't a number

1271
01:00:21,240 --> 01:00:21,960
Speaker 4: one Country Road.

1272
01:00:21,960 --> 01:00:25,560
Speaker 6: That wasn't number one, No Sunshine my Shoulders any song.

1273
01:00:25,720 --> 01:00:27,600
Speaker 6: Thank God, I'm a country boy and I'm sorry.

1274
01:00:27,880 --> 01:00:33,720
Speaker 3: Wow, that's amazing because I hadn't heard of three of those. Okay,

1275
01:00:33,920 --> 01:00:36,760
Speaker 3: So Cindy Williams stars and leftovers, but it is best

1276
01:00:36,800 --> 01:00:39,720
Speaker 3: known for her time on Laverne and surely widely known

1277
01:00:39,800 --> 01:00:41,960
Speaker 3: as a set with some serious issues. If you ever

1278
01:00:42,000 --> 01:00:44,040
Speaker 3: want to read about Laverne and Suirly, it is a

1279
01:00:44,080 --> 01:00:45,680
Speaker 3: trip to read how this show was made.

1280
01:00:45,880 --> 01:00:46,280
Speaker 2: Wow.

1281
01:00:46,400 --> 01:00:50,120
Speaker 1: Oh, they used to literally, she and Penny Marshall would

1282
01:00:50,160 --> 01:00:52,920
Speaker 1: go into different dressing rooms and count their number of

1283
01:00:53,000 --> 01:00:54,800
Speaker 1: lines and wouldn't come out of the dressing room if

1284
01:00:54,800 --> 01:00:56,560
Speaker 1: one of them had more lines than the other. So

1285
01:00:56,600 --> 01:00:58,280
Speaker 1: they had to write the script where they had an

1286
01:00:58,360 --> 01:01:01,720
Speaker 1: equal number of lines. Very nutty set to beyond.

1287
01:01:02,160 --> 01:01:06,880
Speaker 3: But how many years after Lavernon Shirley was canceled did

1288
01:01:06,880 --> 01:01:09,720
Speaker 3: it take to get Cindy and Penny Marshall to appear

1289
01:01:09,760 --> 01:01:14,720
Speaker 3: on camera together again? Over or under twelve? It's gotta

1290
01:01:14,760 --> 01:01:17,920
Speaker 3: be over twelve, gotta be. I don't think it's for years,

1291
01:01:18,200 --> 01:01:20,800
Speaker 3: for like decades, I don't think they did.

1292
01:01:23,760 --> 01:01:24,880
Speaker 2: I guess I'll stay hired too.

1293
01:01:24,960 --> 01:01:27,240
Speaker 1: I'm gonna say higher, and I'm guessing, waiting for keeping.

1294
01:01:28,760 --> 01:01:29,760
Speaker 1: You'll get one right.

1295
01:01:29,640 --> 01:01:32,640
Speaker 3: Eventually before our producer jumps on, I'm gonna guess it's

1296
01:01:32,680 --> 01:01:33,720
Speaker 3: a lot higher.

1297
01:01:33,760 --> 01:01:36,439
Speaker 1: But let's see if that's right. Okay, go ahead, it's

1298
01:01:36,560 --> 01:01:37,360
Speaker 1: thirty years.

1299
01:01:38,000 --> 01:01:39,120
Speaker 2: Wow.

1300
01:01:39,920 --> 01:01:42,800
Speaker 6: They showed up on Nickelodeon's Salmon Cat as feuding co

1301
01:01:42,920 --> 01:01:47,560
Speaker 6: creators of a seventy sitcom called Salmon Cat Brilliant Brilliant.

1302
01:01:49,640 --> 01:01:51,439
Speaker 1: Both women pass away at the age of seventy five.

1303
01:01:51,480 --> 01:01:52,400
Speaker 1: Too very strange.

1304
01:01:52,800 --> 01:01:55,040
Speaker 2: The anxiety to hold a grudge for thirty years.

1305
01:01:55,040 --> 01:01:56,640
Speaker 1: Oh, I couldn't even imagine.

1306
01:01:56,720 --> 01:01:58,080
Speaker 2: Unreal. I can't do that.

1307
01:01:58,160 --> 01:01:59,280
Speaker 6: I'm planning on doing it with one of you.

1308
01:01:59,280 --> 01:01:59,400
Speaker 3: Two.

1309
01:01:59,440 --> 01:02:00,160
Speaker 6: I don't know which want you.

1310
01:02:00,960 --> 01:02:01,880
Speaker 1: That's fair, that's fair.

1311
01:02:01,880 --> 01:02:03,760
Speaker 4: It's really gonna be me because you always want me

1312
01:02:03,800 --> 01:02:07,520
Speaker 4: to lose on these games, all right.

1313
01:02:08,240 --> 01:02:10,320
Speaker 3: I think I'm four to four at this point, by

1314
01:02:10,360 --> 01:02:15,000
Speaker 3: the way, you are, here's the last question. Michael Eisner

1315
01:02:15,200 --> 01:02:17,480
Speaker 3: would host the Sunday Night Movie, appearing in intros and

1316
01:02:17,480 --> 01:02:20,000
Speaker 3: before commercial breaks from movies like The Leftovers and Our

1317
01:02:20,040 --> 01:02:24,800
Speaker 3: Favorite of Course. But it allegedly We're gonna, We're gonna

1318
01:02:25,560 --> 01:02:29,640
Speaker 3: bracket allegedly for his first introduction. Ever, he required how

1319
01:02:29,680 --> 01:02:33,280
Speaker 3: many takes higher or lower than twelve?

1320
01:02:34,920 --> 01:02:37,840
Speaker 2: Twelve takes is a lot. I'm gonna go lower.

1321
01:02:38,120 --> 01:02:39,440
Speaker 1: I'm gonna say higher again.

1322
01:02:40,200 --> 01:02:46,800
Speaker 6: It's sixty eight. By the way, this is a fact

1323
01:02:46,800 --> 01:02:49,600
Speaker 6: that was in numerous places, not just fu O.

1324
01:02:50,400 --> 01:02:52,960
Speaker 2: My gosh, were you for five?

1325
01:02:53,640 --> 01:02:58,200
Speaker 4: No, I got the first, the third one, I got your.

1326
01:02:57,680 --> 01:03:01,120
Speaker 2: Twelve years geez, gosh.

1327
01:03:01,320 --> 01:03:03,240
Speaker 1: Sixty eight takes.

1328
01:03:04,000 --> 01:03:07,120
Speaker 2: That's a lot. Imagine how long that was.

1329
01:03:07,160 --> 01:03:10,520
Speaker 4: Because the fuzz Bucket one we saw it looked like

1330
01:03:10,560 --> 01:03:12,960
Speaker 4: it was a one, like one long take, like like

1331
01:03:13,000 --> 01:03:14,800
Speaker 4: a monologue that was pretty long.

1332
01:03:14,840 --> 01:03:15,520
Speaker 2: Do you remember that.

1333
01:03:15,880 --> 01:03:19,640
Speaker 4: Yeah, So imagine how long sixty eight takes of something

1334
01:03:19,760 --> 01:03:20,440
Speaker 4: like that would be.

1335
01:03:20,560 --> 01:03:22,560
Speaker 6: Yeah, no one watched. No one watched the fuzz Bucket

1336
01:03:22,560 --> 01:03:24,880
Speaker 6: when it was like, Michael Eisner should be in these movies.

1337
01:03:24,960 --> 01:03:25,680
Speaker 1: Yeah, exactly.

1338
01:03:26,400 --> 01:03:28,560
Speaker 3: In all fairness, it was not Michael Eisner's fault. They

1339
01:03:28,560 --> 01:03:29,960
Speaker 3: were being directed by David Fincher.

1340
01:03:31,160 --> 01:03:33,480
Speaker 6: That's true. A lot of takes, a.

1341
01:03:33,400 --> 01:03:35,800
Speaker 1: Lot of takes. Okay, Well, let's what what do you

1342
01:03:35,800 --> 01:03:41,040
Speaker 1: got left for? Sabrina Ce's did we hit most?

1343
01:03:41,240 --> 01:03:45,120
Speaker 4: Oh man, we hit quite a bit of them. I

1344
01:03:45,200 --> 01:03:47,640
Speaker 4: jumped in with some of them. So, but because there's

1345
01:03:47,720 --> 01:03:48,000
Speaker 4: just so.

1346
01:03:48,040 --> 01:03:51,000
Speaker 2: Many But one thing I thought, I don't know if

1347
01:03:51,000 --> 01:03:51,840
Speaker 2: you picked up on it.

1348
01:03:52,840 --> 01:03:56,560
Speaker 4: This is kind of their only building moment of romance

1349
01:03:56,640 --> 01:04:01,120
Speaker 4: that is built in the movie. It's when outside and

1350
01:04:01,240 --> 01:04:06,240
Speaker 4: they're you know, hanging clothes, which I thought was so funny.

1351
01:04:06,240 --> 01:04:08,280
Speaker 2: I don't know, again, in the eighties.

1352
01:04:07,920 --> 01:04:10,240
Speaker 4: If that was a super normal thing and people didn't

1353
01:04:10,280 --> 01:04:12,400
Speaker 4: have dry washing machine.

1354
01:04:12,040 --> 01:04:15,000
Speaker 1: People stillide not a ton.

1355
01:04:15,120 --> 01:04:16,920
Speaker 2: That was a lot of clothes they had. That was

1356
01:04:17,080 --> 01:04:18,120
Speaker 2: everything that they own.

1357
01:04:18,120 --> 01:04:20,360
Speaker 1: There fourteen orphans members.

1358
01:04:20,040 --> 01:04:20,760
Speaker 2: Of the household.

1359
01:04:21,200 --> 01:04:24,800
Speaker 4: Yeah, so anyway that was I obviously was just you know,

1360
01:04:24,840 --> 01:04:27,440
Speaker 4: I always think that's so cute when when that happens.

1361
01:04:27,480 --> 01:04:28,840
Speaker 2: I love that in movies.

1362
01:04:28,920 --> 01:04:32,040
Speaker 4: But so they are taking their time talking about it,

1363
01:04:32,080 --> 01:04:35,560
Speaker 4: and then as he's he's leaving, she says, oh, Max,

1364
01:04:35,840 --> 01:04:37,240
Speaker 4: you better take an umbrella today.

1365
01:04:37,440 --> 01:04:41,360
Speaker 2: There's forecasts of rain today. And I'm like, then, why

1366
01:04:41,400 --> 01:04:47,520
Speaker 2: did you just hang all this un clothes outside and

1367
01:04:47,560 --> 01:04:49,200
Speaker 2: you're and he's leaving, You're done?

1368
01:04:49,640 --> 01:04:52,240
Speaker 4: What are you So that that was really like a

1369
01:04:52,280 --> 01:04:55,640
Speaker 4: funny little thing that didn't click in with many people

1370
01:04:55,680 --> 01:04:59,800
Speaker 4: on set apparently, And then we mentioned this and I

1371
01:05:00,040 --> 01:05:04,240
Speaker 4: don't want to stop it. Then because I thought I

1372
01:05:04,360 --> 01:05:06,160
Speaker 4: might have. I guess I got it wrong. But the

1373
01:05:06,440 --> 01:05:09,240
Speaker 4: time when we were sitting it says with our stuff

1374
01:05:09,280 --> 01:05:12,720
Speaker 4: with our producers, that Zoe gets adopted. I picked up

1375
01:05:12,760 --> 01:05:15,720
Speaker 4: that she was going for a couple of days to

1376
01:05:15,800 --> 01:05:19,480
Speaker 4: try it out. It wasn't an actual full blown adoption.

1377
01:05:19,680 --> 01:05:21,920
Speaker 4: And he even says, is this legal. I'm like, no,

1378
01:05:22,080 --> 01:05:26,520
Speaker 4: that is not legal. You cannot just like, this isn't

1379
01:05:26,600 --> 01:05:30,360
Speaker 4: a layaway borrow situation with a child. That was so

1380
01:05:30,640 --> 01:05:34,160
Speaker 4: bizarre to me, Like, no, that is not legal. No, Max,

1381
01:05:34,360 --> 01:05:36,800
Speaker 4: do not let her go with them, And she did,

1382
01:05:36,920 --> 01:05:39,080
Speaker 4: and it was sad, it was ridiculous.

1383
01:05:39,160 --> 01:05:42,480
Speaker 3: I'm still just now because you said it's terribly worried

1384
01:05:42,520 --> 01:05:48,560
Speaker 3: for Cindy Williams baby.

1385
01:05:45,640 --> 01:05:49,600
Speaker 2: My gosh.

1386
01:05:51,840 --> 01:05:54,280
Speaker 4: So then the last one I'm gonna do because this

1387
01:05:54,520 --> 01:05:57,280
Speaker 4: I believe, and honestly, I don't know if it's true,

1388
01:05:57,280 --> 01:06:01,320
Speaker 4: but it's it definitely looks like it is incorrect. There's

1389
01:06:01,360 --> 01:06:04,640
Speaker 4: two of them in the very first scene when Jesse's

1390
01:06:04,720 --> 01:06:08,680
Speaker 4: on her her bike with this awesome eighties contraption that.

1391
01:06:08,640 --> 01:06:09,840
Speaker 1: Sent everybody's harpers.

1392
01:06:10,880 --> 01:06:15,200
Speaker 4: She's riding along and all of a sudden wipes it

1393
01:06:15,320 --> 01:06:18,640
Speaker 4: looked like the dog there was a dog that came

1394
01:06:18,720 --> 01:06:23,240
Speaker 4: out and it almost looked like the dog wasn't supposed

1395
01:06:23,280 --> 01:06:26,480
Speaker 4: to do that kind of thing, and she wiggled and

1396
01:06:26,520 --> 01:06:27,560
Speaker 4: then just kept riding and.

1397
01:06:27,520 --> 01:06:28,040
Speaker 2: They kept it.

1398
01:06:28,120 --> 01:06:30,120
Speaker 4: She took her hands off, Yeah, she took her hands on,

1399
01:06:30,160 --> 01:06:31,480
Speaker 4: and then the dog freaking to.

1400
01:06:31,480 --> 01:06:34,080
Speaker 3: Be like hey, and then she like like almost wiped

1401
01:06:34,080 --> 01:06:34,640
Speaker 3: out on the bike.

1402
01:06:34,680 --> 01:06:36,560
Speaker 1: I saw that it was that.

1403
01:06:36,880 --> 01:06:40,160
Speaker 4: And then the second one again I think, because that

1404
01:06:40,280 --> 01:06:42,880
Speaker 4: could have easily been something that wasn't meant to happen,

1405
01:06:43,040 --> 01:06:45,280
Speaker 4: and then they just kept in because they liked the

1406
01:06:45,320 --> 01:06:48,560
Speaker 4: dog and added a you know, voysilver or whatever. And

1407
01:06:48,600 --> 01:06:50,320
Speaker 4: then the next one I think could have been the

1408
01:06:50,360 --> 01:06:52,880
Speaker 4: same way because it was kind of funny. It was

1409
01:06:52,920 --> 01:06:56,480
Speaker 4: a little mishap when mister Gladstone's coming back into the

1410
01:06:56,520 --> 01:07:00,320
Speaker 4: car the last time and we see your friend his

1411
01:07:00,360 --> 01:07:05,480
Speaker 4: assistants in there, and he's flabbergasted talking about firing Max.

1412
01:07:05,520 --> 01:07:07,720
Speaker 2: He's out of here, blah blah blah blah blah, and

1413
01:07:07,920 --> 01:07:11,280
Speaker 2: he kind of looks like he forgot to shut the door.

1414
01:07:11,400 --> 01:07:14,000
Speaker 4: And then he tells the driver and he says, what

1415
01:07:14,080 --> 01:07:16,520
Speaker 4: are you in Acoma? And then you see the actor

1416
01:07:16,560 --> 01:07:20,000
Speaker 4: that's next to him kind of like, you know, gesture

1417
01:07:20,040 --> 01:07:21,560
Speaker 4: to the door and then he shut the.

1418
01:07:21,520 --> 01:07:24,440
Speaker 2: Door and they fly off. Don't you think they could.

1419
01:07:24,240 --> 01:07:27,960
Speaker 4: Have something that was just a mistake. But it was

1420
01:07:28,040 --> 01:07:30,360
Speaker 4: funny and they kept it going and did not.

1421
01:07:30,600 --> 01:07:33,040
Speaker 1: And that's what I still didn't know. It was Willy, Like, oh,

1422
01:07:33,080 --> 01:07:34,760
Speaker 1: it's I didn't either.

1423
01:07:34,920 --> 01:07:37,280
Speaker 2: He only comes up one time after Willy.

1424
01:07:37,640 --> 01:07:38,040
Speaker 1: That's good.

1425
01:07:38,400 --> 01:07:41,240
Speaker 2: He had three small little scenes and that's so.

1426
01:07:41,440 --> 01:07:42,600
Speaker 1: And I don't think he had a line or he

1427
01:07:42,640 --> 01:07:43,920
Speaker 1: had one in the whole movie.

1428
01:07:44,200 --> 01:07:45,240
Speaker 2: So that's it for me.

1429
01:07:45,520 --> 01:07:48,640
Speaker 1: My great Sabrina sees as always.

1430
01:07:48,680 --> 01:07:51,520
Speaker 3: And now we have to rate our movie one out

1431
01:07:51,520 --> 01:07:54,600
Speaker 3: of ten, one of course being bad, ten being amazing.

1432
01:07:55,400 --> 01:07:56,440
Speaker 1: What should do one out of ten?

1433
01:07:56,640 --> 01:08:03,160
Speaker 3: Pet goats, stuffed animal surgeries, beat up hippie vans, awful.

1434
01:08:02,920 --> 01:08:05,640
Speaker 1: Aunts or anti gravity hats? What do you think? I'm

1435
01:08:05,680 --> 01:08:06,760
Speaker 1: also gonna add.

1436
01:08:08,320 --> 01:08:13,920
Speaker 3: Eighties newspaper cannons, which of course everybody had back in the.

1437
01:08:13,880 --> 01:08:14,440
Speaker 1: Day, the eighties.

1438
01:08:16,600 --> 01:08:20,720
Speaker 7: Terrible uh, terrible baby baskets or terrible baby baskets.

1439
01:08:20,960 --> 01:08:24,080
Speaker 2: Yeah, let's do the eighties. What did you call it?

1440
01:08:24,720 --> 01:08:29,200
Speaker 1: Eighties newspaper cannons? Okay, perfect, So out of out of

1441
01:08:29,280 --> 01:08:32,280
Speaker 1: ten eighties newspaper canons. How many do you give this one?

1442
01:08:32,479 --> 01:08:34,640
Speaker 2: Oh? Man? You know was?

1443
01:08:35,680 --> 01:08:39,400
Speaker 4: I did like a lot of it again the young cast, yep,

1444
01:08:39,640 --> 01:08:40,000
Speaker 4: but I.

1445
01:08:40,000 --> 01:08:43,760
Speaker 2: Didn't love there was too many what wait? What what?

1446
01:08:43,920 --> 01:08:44,080
Speaker 3: You know?

1447
01:08:44,160 --> 01:08:46,280
Speaker 4: It's just kind of all over. Like I said, a

1448
01:08:46,320 --> 01:08:49,160
Speaker 4: lot of it was a little spastic.

1449
01:08:48,560 --> 01:08:50,559
Speaker 2: For me and at a lot of times.

1450
01:08:50,600 --> 01:08:53,040
Speaker 4: So I think this is not going to be one

1451
01:08:53,080 --> 01:08:54,960
Speaker 4: of my better ones. I'm gonna go.

1452
01:08:54,920 --> 01:08:58,720
Speaker 2: With six eighties newspaper cannons.

1453
01:08:59,280 --> 01:09:01,120
Speaker 3: You know what's funny, it's exactly the number I'm going

1454
01:09:01,160 --> 01:09:03,400
Speaker 3: to give it. It would be a much lower number

1455
01:09:03,400 --> 01:09:06,160
Speaker 3: for me if not for the cast. Yeah, the cast

1456
01:09:06,240 --> 01:09:06,519
Speaker 3: was great.

1457
01:09:06,640 --> 01:09:07,960
Speaker 1: The cast was great, and.

1458
01:09:07,880 --> 01:09:09,599
Speaker 2: It was really fun to see.

1459
01:09:09,960 --> 01:09:14,320
Speaker 4: Obviously the older actors were more well known, but it

1460
01:09:14,360 --> 01:09:17,559
Speaker 4: was really cool to see these young actors in a

1461
01:09:17,640 --> 01:09:20,120
Speaker 4: job that you just know was one of their very

1462
01:09:20,200 --> 01:09:21,200
Speaker 4: first things that they.

1463
01:09:21,040 --> 01:09:23,280
Speaker 3: Were doing, and they were great for early in their career.

1464
01:09:23,360 --> 01:09:26,439
Speaker 3: An awesome cast that saved it for me. So I'm

1465
01:09:26,479 --> 01:09:29,160
Speaker 3: also giving it six eighties newspaper cannons.

1466
01:09:29,160 --> 01:09:29,680
Speaker 1: Well that's it.

1467
01:09:29,720 --> 01:09:32,240
Speaker 3: Thank you so much for joining us for this episode

1468
01:09:32,320 --> 01:09:34,800
Speaker 3: of Magical Rewind. It was a fun watch again, go

1469
01:09:34,880 --> 01:09:36,360
Speaker 3: check it out if you want to or don't totally

1470
01:09:36,400 --> 01:09:36,600
Speaker 3: up to you.

1471
01:09:36,680 --> 01:09:38,240
Speaker 1: This is America.

1472
01:09:38,280 --> 01:09:40,960
Speaker 3: The next movie we're going to be doing is from

1473
01:09:41,120 --> 01:09:44,840
Speaker 3: the two thousand is The Color of Friendship, which everybody

1474
01:09:45,000 --> 01:09:45,720
Speaker 3: loves this movie.

1475
01:09:45,800 --> 01:09:47,560
Speaker 1: I know nothing about this movie.

1476
01:09:47,880 --> 01:09:50,439
Speaker 4: I haven't seen it in so long. I am so

1477
01:09:50,720 --> 01:09:51,479
Speaker 4: excited for this.

1478
01:09:51,600 --> 01:09:54,880
Speaker 3: Okay, good, I know nothing about this movie, literally nothing.

1479
01:09:54,920 --> 01:09:55,920
Speaker 2: Such a great movie.

1480
01:09:56,080 --> 01:09:58,400
Speaker 3: Oh I'm okay good. Oh I'm very very excited. And

1481
01:09:58,400 --> 01:10:00,559
Speaker 3: if you want to watch it beforehand, it is available

1482
01:10:00,600 --> 01:10:01,880
Speaker 3: to view on Disney Plus.

1483
01:10:01,920 --> 01:10:03,000
Speaker 1: So go and check it out and.

1484
01:10:02,920 --> 01:10:05,160
Speaker 3: Remember to subscribe to our feed and you can follow

1485
01:10:05,240 --> 01:10:07,719
Speaker 3: us at the Magical rewind Pod on the Instagram Machine.

1486
01:10:07,720 --> 01:10:09,240
Speaker 3: Thank you so much for joining us, and don't forget

1487
01:10:09,240 --> 01:10:11,040
Speaker 3: in our Park Copper episode, we're gonna be talking to

1488
01:10:11,080 --> 01:10:12,720
Speaker 3: Andrea Barber. It's gonna be so much fun. We have

1489
01:10:12,720 --> 01:10:16,519
Speaker 3: so many questions, like whatever happened to that baby? Because

1490
01:10:16,560 --> 01:10:20,040
Speaker 3: that's yikes. That poor kid seen again, I've never seen again.

1491
01:10:20,880 --> 01:10:22,280
Speaker 3: Check out a clip because it's a great interview.

1492
01:10:23,880 --> 01:10:25,479
Speaker 1: Like everybody in it went on to do.

1493
01:10:25,800 --> 01:10:28,160
Speaker 3: It was either huge in television or went on to

1494
01:10:28,160 --> 01:10:29,040
Speaker 3: be huge in television.

1495
01:10:29,080 --> 01:10:30,160
Speaker 1: Basically the entire.

1496
01:10:29,960 --> 01:10:32,639
Speaker 4: Cast it was like a training ground for like future

1497
01:10:32,720 --> 01:10:35,240
Speaker 4: child stars and like big actor names.

1498
01:10:35,400 --> 01:10:36,840
Speaker 2: It was great, you know it was.

1499
01:10:38,320 --> 01:10:39,640
Speaker 4: We had no idea at the time, Like I had

1500
01:10:39,680 --> 01:10:42,439
Speaker 4: no idea who these people were, you know, like.

1501
01:10:42,439 --> 01:10:44,400
Speaker 2: Jaliel wasn't even Rkle yet.

1502
01:10:44,439 --> 01:10:46,559
Speaker 4: Like we went on to be the annoying neighbors on

1503
01:10:46,640 --> 01:10:49,240
Speaker 4: our respective sitcoms.

1504
01:10:48,120 --> 01:10:51,280
Speaker 2: So great, so cool.

1505
01:10:53,479 --> 01:10:55,800
Speaker 1: Thanks so much everybody, and we will see you next time.

1506
01:10:55,920 --> 01:11:02,880
Speaker 1: Bye bye

1507
01:11:04,520 --> 01:11:04,720
Speaker 5: Sl