WEBVTT - Ep 91: Ed O'Brien, Radiohead

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<v Speaker 1>I love being in Radiohead and contributing stuff like that,

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<v Speaker 1>but if I'm really really honest, for me, there was

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<v Speaker 1>something that's just missing Evening everyone.

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<v Speaker 2>I hope wherever you're listening to this, you are staying

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<v Speaker 2>safe and staying sane. Tonight's episode of the podcast was

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<v Speaker 2>recorded in the second week of January, which, with everything

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<v Speaker 2>going on I'm sure you'll agree now feels like a

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<v Speaker 2>lifetime ago, given that we're now into April and a

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<v Speaker 2>huge chunk of the world's population is living in lockdown.

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<v Speaker 2>Ed O'Brien from Radiohead is my guest this evening, and

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<v Speaker 2>in recent weeks Ed has been unwell with what he

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<v Speaker 2>suspects was coronavirus. He had the symptoms. I was very

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<v Speaker 2>pleased and relieved to watch a video that he posted

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<v Speaker 2>on social media at the end of March saying that

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<v Speaker 2>he'd recovered and was feeling much better. So sending my

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<v Speaker 2>best wish to Ed and everyone else in fact who's

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<v Speaker 2>been affected by what's going on right now. Like I said,

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<v Speaker 2>this midnight chat was done before most of us had

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<v Speaker 2>even heard of social distancing. Recorded early in this new decade,

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<v Speaker 2>the very beginning of twenty twenty, Ed has made a

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<v Speaker 2>solo album under the name Eob. It's called Earth and

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<v Speaker 2>comes out on the seventeenth of April. We talk a

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<v Speaker 2>bit about why he's chosen, now thirty odd years into

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<v Speaker 2>the career of Radiohead to share this debut and so

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<v Speaker 2>much more. Thank you to Ed for being so immediately

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<v Speaker 2>warm and open, especially talking about his experiences with depression

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<v Speaker 2>and self confidence. I'm sure lots of big Radiohead fans

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<v Speaker 2>will be tuning into this, and Ed was forthcoming talking

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<v Speaker 2>about the band, but also I hope you'll get something

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<v Speaker 2>out of this, even if you're not. Ed Sheeran, Glastonbury,

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<v Speaker 2>male rock star cliches, and the age of authenticity. There

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<v Speaker 2>are his thoughts on lots of other topics during our chat.

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<v Speaker 2>If you're a first time listener to Midnight Chats, please

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<v Speaker 2>do subscribe wherever you're listening to this to get all

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<v Speaker 2>of the new conversations we put out. It's great when

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<v Speaker 2>people share links and review the podcast. Normally i'd stick

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<v Speaker 2>a plug in here for Loud and Quiet, the music magazine,

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<v Speaker 2>a website we make alongside this, But right now, like

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<v Speaker 2>so many of us small businesses, we are spending a

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<v Speaker 2>bit of time just figuring out what the hell we're

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<v Speaker 2>going to do so. In the meantime, there is now

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<v Speaker 2>a donate button on the website Loud and Quiet dot

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<v Speaker 2>com if you do want to support what we do.

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<v Speaker 2>But on with tonight's podcast. This is episode ninety one

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<v Speaker 2>of Midnight Chats with Ed O'Brien. Ed, Welcome to Midnight Chats.

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<v Speaker 2>It's a pleasure to have you on.

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<v Speaker 3>Thank you.

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<v Speaker 2>How has twenty twenty started for you? Has it started

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<v Speaker 2>in relaxed fashion or has it been busy from the outset?

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<v Speaker 1>Started off? It was a good Christmas. I if I'm honest,

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<v Speaker 1>I struggled as we entered this new decade. I went

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<v Speaker 1>through one of my kind of quite rare patches of

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<v Speaker 1>being sort of feeling quite despondent about it all. I mean,

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<v Speaker 1>and now I feel much better, And I don't know,

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<v Speaker 1>maybe that's also you know, when you feel crap, that

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<v Speaker 1>can also be you've eaten too much at Christmas. But

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<v Speaker 1>I definitely felt you know, usually when you enter a

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<v Speaker 1>new decade, there's a big fanfare, isn't There's a lot

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<v Speaker 1>of the years ahead, but there's nothing of this, and

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<v Speaker 1>I think, you know, I'm definitely feeling what a lot

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<v Speaker 1>of people feel apprehensive, nervous, unsure. It's been a balance.

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<v Speaker 2>Come on, talking about the album that you're releasing, it's

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<v Speaker 2>actually full of quite a lot of optimism generally speaking.

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<v Speaker 2>But when you're going through a period like that, do

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<v Speaker 2>you have any kind of rituals to just get yourself

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<v Speaker 2>to sort of think more optimistically, kind of get yourself

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<v Speaker 2>out of that FuG that kind of negative thought cycle.

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<v Speaker 1>Well, I mean, I do a lot of things. I've

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<v Speaker 1>been doing a lot of things for quite a long

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<v Speaker 1>time that really really helped me. So for instance, a

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<v Speaker 1>big thing for me that I started seventeen eighteen years

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<v Speaker 1>ago as meditation, So that's kind of I have things

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<v Speaker 1>like that, and I ran and do exercise, and I

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<v Speaker 1>tried to eat while I've tried to eliminate sugars. There

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<v Speaker 1>are all these things that you know, twenty years ago,

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<v Speaker 1>for a long time, I suffered from depression, and I

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<v Speaker 1>realized that it wasn't like a chronic depression, but it

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<v Speaker 1>was like this low level depression. And I took out

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<v Speaker 1>a lot of stuff and that's when I gave up

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<v Speaker 1>drinking about seventeen eighteen years ago. That was the first

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<v Speaker 1>thing you got, Oh god, I feel so much better

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<v Speaker 1>already and then suddenly like, ah, certain foods and taking

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<v Speaker 1>out sugars was a massive thing for me. I had

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<v Speaker 1>this thing called Candida, which some of your listers might

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<v Speaker 1>know about or not have, and it's it's pretty that's

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<v Speaker 1>big links to depression there as well. So it's kind

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<v Speaker 1>of rare that it hits. So when it hits, and

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<v Speaker 1>it was, it was like going back, it's just And

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<v Speaker 1>so I think I've got to the stage now where

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<v Speaker 1>I think it's important, you know, to be a human

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<v Speaker 1>being on this planet. I think if I was to

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<v Speaker 1>go around going, oh, well, you know, it's all okay,

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<v Speaker 1>it's all going to be okay, it's like you're not

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<v Speaker 1>really feeling it, you know, and it is hard, and

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<v Speaker 1>it doesn't matter. Listen, and I keep on saying this,

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<v Speaker 1>you know, my life and the life that I lived,

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<v Speaker 1>I've won the lottery, you know, But I do say this,

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<v Speaker 1>if I'm feeling it, Christ knows what other people who

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<v Speaker 1>don't have the good fortune that I have and the

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<v Speaker 1>life that I've lived and the you know. And also

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<v Speaker 1>it goes back to the other thing. We are all

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<v Speaker 1>connected in this. It doesn't matter how you know, how

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<v Speaker 1>comfortable your life is, well, we're all connected to what's

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<v Speaker 1>going on, and there's no doubt that what's going on is.

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<v Speaker 3>A huge change.

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<v Speaker 1>There's a massive This period in history will be looked

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<v Speaker 1>at as a pivotal point in the history of humanity,

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<v Speaker 1>no doubt about it. And so you need to feel

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<v Speaker 1>And for me, it was just like, okay, I need

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<v Speaker 1>to feel like, I need to feel this. I am

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<v Speaker 1>genuinely and generally an optimistic person. I do have incredible

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<v Speaker 1>faith in humanity human beings. However, there are times when

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<v Speaker 1>it just seems overwhelmingly shit and sorry to get so heavy,

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<v Speaker 1>I have to be honest about this, and it's kind

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<v Speaker 1>of it, but I think it's important because it's important

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<v Speaker 1>to feel that. I think only through that can you

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<v Speaker 1>be empathetic and have compassion for people genuinely if you

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<v Speaker 1>feel that. So when you get this periods, that for

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<v Speaker 1>me is the moment to try and go for walks,

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<v Speaker 1>just simplify, you know, sit by a fire, read a book, bok.

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<v Speaker 1>I read an amazing book. I was very lucky I've been.

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<v Speaker 1>It's a book called The Over Story by Richard Powers,

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<v Speaker 1>which is the best book I've read for years, and

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<v Speaker 1>it's so prescient it's so now. And that was again

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<v Speaker 1>the timing of that was absolutely perfect. And I've sort

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<v Speaker 1>of finished the book, and as I finished the book,

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<v Speaker 1>my sort of the darkness left. When you say what

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<v Speaker 1>are the things? There are many things, and there are

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<v Speaker 1>many things that I do to stay optimistic, to stay

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<v Speaker 1>just to stay hopeful, because I think again being hopeful

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<v Speaker 1>at this time is a really really important thing. Hope

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<v Speaker 1>is what we need because hope inspires you, It motivates you,

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<v Speaker 1>doesn't it.

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<v Speaker 2>I think it's interesting what you're saying about how you

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<v Speaker 2>have to engage, because not engaging and kind of pretending

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<v Speaker 2>it's not happening is to not be part of the

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<v Speaker 2>solution or move things forward. So what do you do

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<v Speaker 2>in those periods? Do you kind of do you find

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<v Speaker 2>you do have to back away from watching the evening

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<v Speaker 2>news or going on Twitter for a couple of days,

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<v Speaker 2>or just to sort of have this momentary quiet and

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<v Speaker 2>then jump back into it.

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<v Speaker 1>Yeah, I think you have to be good, as they say,

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<v Speaker 1>good gatekeeper. I mean I avoid Twitter anyway. I mean

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<v Speaker 1>I've got a starting a presence, but I first, for instance,

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<v Speaker 1>if it's social media, it would be Instagram. It just

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<v Speaker 1>seems to be the energy that it seems to be nicer.

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<v Speaker 1>So Twitter is a bit of a shit fest, and

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<v Speaker 1>I just I avoid it and the evening news and

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<v Speaker 1>the papers. So read the papers, I don't read it,

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<v Speaker 1>don't read them during the week. I might hear the

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<v Speaker 1>news on the radio. Again, you have to be careful.

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<v Speaker 1>And I went through a period when I realized this

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<v Speaker 1>sort of twenty odd years ago that I had this

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<v Speaker 1>depression that had been and it got quite a cute

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<v Speaker 1>around the time of after you know, the touring of

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<v Speaker 1>Okay Computer and it was as much as well, it

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<v Speaker 1>was a crisis in the way I was living my

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<v Speaker 1>life and all that stuff. And these things can be

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<v Speaker 1>I look at them as opportunities as well, Like when

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<v Speaker 1>you hit a crisis, well, it usually means that there's

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<v Speaker 1>a reason you got You've got to change what's doing

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<v Speaker 1>so and I learned then to be a good gatekeeper.

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<v Speaker 1>I mean, for five six years in the sort of

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<v Speaker 1>the early noughties, I didn't read a paper, I didn't

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<v Speaker 1>see any news because it all became too much. And

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<v Speaker 1>i'd been sort of, you know, not a heavy activist,

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<v Speaker 1>but mild activism based to have gone the may daw rallies

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<v Speaker 1>and I think it was the two thousand and three

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<v Speaker 1>Iraq war that was sort of the It was around

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<v Speaker 1>that time that that was the sort of a watershed

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<v Speaker 1>moment for me, because there's a time when I gave

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<v Speaker 1>up drinking. It was a time when I had to

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<v Speaker 1>and I realized, you know, we'd had the whole nine

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<v Speaker 1>to eleven thing, and I realized how upset and disappointed

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<v Speaker 1>I was with our young government at the time and

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<v Speaker 1>the politicians and our political and business elites. That everybody

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<v Speaker 1>at that time, two million of us all and plus

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<v Speaker 1>those who didn't march, all knew what was going on

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<v Speaker 1>about that Iraq invasion, the potential invasion, and the Prime

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<v Speaker 1>minister at the time, Blair and his inner cabal decided

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<v Speaker 1>that they'd already aligned with George Bush and we all know,

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<v Speaker 1>we know the story, despite his protestations, they declared. And

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<v Speaker 1>for me, and I'm a student as well, I studied

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<v Speaker 1>politics and economics at university, so I had a great

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<v Speaker 1>interest in politics and stuff like that. And after that, I

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<v Speaker 1>was just like, this is shit, this is absolutely bollocked.

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<v Speaker 3>So I stopped.

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<v Speaker 1>So again, I digressed slightly. I had a great trainer

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<v Speaker 1>about ten years ago and he said, Listen, you don't

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<v Speaker 1>help the world by going down your if your energy

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<v Speaker 1>is crap and you think you don't help the world,

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<v Speaker 1>So you have to do You have to pull yourself

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<v Speaker 1>out and do those things that make you more buoyant,

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<v Speaker 1>make you a human being that can help this planet

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<v Speaker 1>and where we are.

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<v Speaker 2>What kind of hopeful things are you concentrating on? Then?

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<v Speaker 2>Is that things like looking at the young people around

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<v Speaker 2>me and you've got a young family, Like looking at

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<v Speaker 2>school children protesting against climate change and hitting the streets

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<v Speaker 2>of London in the autumn last year, you kind of

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<v Speaker 2>do do you zone in one of those things and think, no,

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<v Speaker 2>I'm going to positive, My positive energy is going to

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<v Speaker 2>join their positive edgy.

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<v Speaker 1>That's how I'm feeling, totally, boy, and lots of things.

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<v Speaker 1>Black lives matter me too. I mean, for all the

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<v Speaker 1>crap that's happening, and this is the thing that I

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<v Speaker 1>and this and it's not and this is the thing,

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<v Speaker 1>it's not holding onto it. What seems to be what

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<v Speaker 1>I think, But what seems to be happening is we're

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<v Speaker 1>going through this huge moment of change and this system

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<v Speaker 1>that we're all part of, you know, this current economic

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<v Speaker 1>structure and I'm not going to stay capitalism because that

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<v Speaker 1>immediately puts in the anti capitalism. You know, it's not socialism,

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<v Speaker 1>not this economic structure which socialism has been a part

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<v Speaker 1>of as well as well as capitalism. It doesn't work.

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<v Speaker 1>This is the thing that people realize. It's it doesn't

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<v Speaker 1>serve ninety nine percent of humanity, and it certainly doesn't

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<v Speaker 1>serve the planet. So I think what's happening is this

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<v Speaker 1>is the moment that it's breaking up. So that's why

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<v Speaker 1>you've got all this change and all this chaos and stuff.

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<v Speaker 1>But there are amazing things like the Me Too movement,

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<v Speaker 1>like Black Lives Matter, like Greta Turnberg, like the schools,

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<v Speaker 1>these things, and this is powerful stuff, and it's got

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<v Speaker 1>a different energy from say when I was a student.

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<v Speaker 1>When I was a student, you know, in the eighties,

0:12:25.840 --> 0:12:27.400
<v Speaker 1>it was on the back of things like the minor

0:12:27.480 --> 0:12:30.000
<v Speaker 1>strike eighty four. I went to the university in Manchester

0:12:30.000 --> 0:12:33.360
<v Speaker 1>eighty seven. It was quite a politicized environment, but it

0:12:33.440 --> 0:12:36.679
<v Speaker 1>was all about the energy. It was really interesting and

0:12:36.720 --> 0:12:38.000
<v Speaker 1>it was what I grew up. It was all about

0:12:38.000 --> 0:12:40.560
<v Speaker 1>a fight. It's all about the struggle. And you know,

0:12:40.600 --> 0:12:43.680
<v Speaker 1>I used to go on these demos and anti war marches,

0:12:43.720 --> 0:12:47.120
<v Speaker 1>and you know, I remember great Clause twenty eight march

0:12:47.160 --> 0:12:51.200
<v Speaker 1>in Manchester, which was the government was going to stop

0:12:51.320 --> 0:12:54.120
<v Speaker 1>teaching or I can't even remember, but I knew, well,

0:12:54.160 --> 0:12:57.000
<v Speaker 1>I knew it was anti it was anti gay. So

0:12:57.040 --> 0:12:59.080
<v Speaker 1>it's I got to stand up for you know, our

0:12:59.120 --> 0:13:02.840
<v Speaker 1>brothers and sisters, that community. And I think the difference

0:13:02.920 --> 0:13:05.000
<v Speaker 1>is now that the energy is different. I mean it's

0:13:05.040 --> 0:13:07.760
<v Speaker 1>different times, but it was always a fight. And I

0:13:07.760 --> 0:13:10.760
<v Speaker 1>think when you meet force with force, I've learnt this

0:13:10.840 --> 0:13:14.120
<v Speaker 1>in life. If you go into a situation and you say,

0:13:14.760 --> 0:13:17.600
<v Speaker 1>fuck you, I'm going to fight you, all you do

0:13:17.840 --> 0:13:22.360
<v Speaker 1>is you cause more you meet that other force and

0:13:22.440 --> 0:13:26.240
<v Speaker 1>it just gets bigger and bigger, and it then becomes

0:13:26.280 --> 0:13:30.079
<v Speaker 1>all about it's about how how much force have you gotten?

0:13:30.280 --> 0:13:31.880
<v Speaker 1>You know, if you've got the if you're the government

0:13:31.960 --> 0:13:34.440
<v Speaker 1>or your paws me, you've got more force. So that's

0:13:34.480 --> 0:13:39.320
<v Speaker 1>how it always ends. So after the march on Iraq,

0:13:39.559 --> 0:13:42.400
<v Speaker 1>I sort of I didn't. In fact, this year with

0:13:43.080 --> 0:13:46.600
<v Speaker 1>extinction Rebellum was the first time. So however many years,

0:13:46.720 --> 0:13:50.319
<v Speaker 1>what sixteen years, the first time i'd sort of gone

0:13:50.360 --> 0:13:53.400
<v Speaker 1>out and gone out on the streets because again I

0:13:53.480 --> 0:13:56.520
<v Speaker 1>was like, antie this thing, and what did that achieve?

0:13:56.559 --> 0:14:00.320
<v Speaker 1>What did that march achieve? Absolutely nothing? Absolutely nothing, a

0:14:00.400 --> 0:14:03.560
<v Speaker 1>moment of solidarity with a lot of people. I read

0:14:03.559 --> 0:14:06.360
<v Speaker 1>this quote and it was from Mother Teresa and she said,

0:14:07.280 --> 0:14:10.000
<v Speaker 1>and it's a very subtle thing, and she said, I

0:14:10.000 --> 0:14:12.560
<v Speaker 1>won't go on any anti war march, but I'll go

0:14:12.600 --> 0:14:16.400
<v Speaker 1>on every pro peace march. And I was like, Oh,

0:14:16.600 --> 0:14:19.920
<v Speaker 1>what's the difference. No, there's actually a big difference, because

0:14:19.960 --> 0:14:24.480
<v Speaker 1>one is by antis meeting forces force That's where I'd

0:14:24.520 --> 0:14:27.840
<v Speaker 1>come from. The pro piece thing is no, this is

0:14:27.840 --> 0:14:29.920
<v Speaker 1>the vision, this is the thing that I want, This

0:14:30.000 --> 0:14:32.080
<v Speaker 1>is the and that's the energy that I'm going to direct.

0:14:32.080 --> 0:14:36.200
<v Speaker 1>Does that make sense? And then I'm like, oh, and

0:14:36.280 --> 0:14:39.720
<v Speaker 1>I think that's what the new. So when I I

0:14:39.760 --> 0:14:42.920
<v Speaker 1>went last year, I was like extinction of bell and

0:14:42.920 --> 0:14:44.760
<v Speaker 1>I this is it, this is and the way they're

0:14:44.760 --> 0:14:47.400
<v Speaker 1>doing it was beautiful and brilliant and it was I

0:14:47.440 --> 0:14:50.920
<v Speaker 1>went to see some of them in their offices that

0:14:51.040 --> 0:14:52.840
<v Speaker 1>were offices, you know, their rooms.

0:14:53.360 --> 0:14:54.280
<v Speaker 3>It was really interesting.

0:14:54.320 --> 0:14:58.600
<v Speaker 1>The energy was so different and very lots and lots

0:14:58.760 --> 0:15:01.720
<v Speaker 1>of kind of if I can say, female energy, which

0:15:02.280 --> 0:15:05.360
<v Speaker 1>a lot of the old activism seemed to be very

0:15:05.440 --> 0:15:09.040
<v Speaker 1>male and it was stuck in that kind of again

0:15:09.680 --> 0:15:13.680
<v Speaker 1>struggle fight, and it's different these I think what's really

0:15:13.720 --> 0:15:17.440
<v Speaker 1>interesting now is the is the activism is taking a

0:15:17.520 --> 0:15:20.440
<v Speaker 1>far more enlightened form. And you know, and I think

0:15:20.520 --> 0:15:24.640
<v Speaker 1>the emergence of again fam to what I'm trying to find,

0:15:24.680 --> 0:15:28.360
<v Speaker 1>but that feminine energy, it's like it's more enlightened. The

0:15:28.400 --> 0:15:30.840
<v Speaker 1>guys tend to result to, you know, that kind of

0:15:31.320 --> 0:15:33.040
<v Speaker 1>you know, again, you look at all the crap that's

0:15:33.080 --> 0:15:35.200
<v Speaker 1>going on in the world. You know, it's a very

0:15:35.200 --> 0:15:37.800
<v Speaker 1>basic thing. If you do statistics, it's all young men.

0:15:38.400 --> 0:15:41.200
<v Speaker 1>It's fucking all men, you know, I mean, you know,

0:15:41.320 --> 0:15:43.120
<v Speaker 1>I know it's a really obvious thing to say, but

0:15:43.320 --> 0:15:46.400
<v Speaker 1>you know, after years of studying politics and you look

0:15:46.440 --> 0:15:50.000
<v Speaker 1>at it, it's usually men. You know that what's going on?

0:15:50.560 --> 0:15:54.400
<v Speaker 1>That general who was just blitz by an American cruise

0:15:54.400 --> 0:15:58.640
<v Speaker 1>missile or whatever or drone, he was a warmongering Iran engin,

0:15:58.960 --> 0:16:01.360
<v Speaker 1>Who's the presents a man. I don't want to get

0:16:01.400 --> 0:16:05.360
<v Speaker 1>too much into it, but I am hopeful because I think, actually,

0:16:05.400 --> 0:16:09.920
<v Speaker 1>again another bigger pictures, the world needs more females. It

0:16:10.000 --> 0:16:13.040
<v Speaker 1>needs more, you know, it needs more you know, and

0:16:13.320 --> 0:16:15.720
<v Speaker 1>it has been a patriarchy for thousands of years, there's

0:16:15.760 --> 0:16:17.960
<v Speaker 1>no doubt about it. But for me, it feels like

0:16:18.040 --> 0:16:21.480
<v Speaker 1>it's changing and people are waking up to that.

0:16:21.720 --> 0:16:23.520
<v Speaker 2>These are causes. Some of the causes that have kind

0:16:23.560 --> 0:16:27.600
<v Speaker 2>of almost come into that have developed into bigger conversations,

0:16:27.640 --> 0:16:29.960
<v Speaker 2>say the last couple of years, we're talking about climate change,

0:16:29.960 --> 0:16:35.400
<v Speaker 2>for example, music declares emergency, extinction, rebellion. These are topics.

0:16:35.400 --> 0:16:37.880
<v Speaker 2>These are areas that you've kind of been banging the

0:16:37.920 --> 0:16:40.400
<v Speaker 2>drum for for quite a long time, like in terms

0:16:40.400 --> 0:16:42.280
<v Speaker 2>of your own activism and radio head as well in

0:16:42.320 --> 0:16:44.440
<v Speaker 2>terms of the charities and people that you've chosen to

0:16:44.480 --> 0:16:46.720
<v Speaker 2>work with over the years. So in that sense, you

0:16:47.880 --> 0:16:49.880
<v Speaker 2>just please to see some of this rise to the

0:16:49.920 --> 0:16:52.200
<v Speaker 2>surface and just see some encouraging signs on that front

0:16:52.200 --> 0:16:54.160
<v Speaker 2>because you were out there on your own, perhaps doing

0:16:54.160 --> 0:16:54.720
<v Speaker 2>it for a while.

0:16:54.840 --> 0:16:56.720
<v Speaker 1>You know, I don't think we were out there on

0:16:56.760 --> 0:17:00.480
<v Speaker 1>our own. I think it was just bloody obvious. It's

0:17:00.560 --> 0:17:02.920
<v Speaker 1>just like you just have to have an like make

0:17:03.000 --> 0:17:06.120
<v Speaker 1>trade fair and all this stuff and green peace, and

0:17:06.200 --> 0:17:09.720
<v Speaker 1>it's just it's not rocket science. I mean, we didn't

0:17:09.720 --> 0:17:12.399
<v Speaker 1>discover this stuff. We were just reading about it, and

0:17:12.440 --> 0:17:14.320
<v Speaker 1>we you know, and you notice what's going on in

0:17:14.400 --> 0:17:17.800
<v Speaker 1>the world, and you go, this needs to be changed.

0:17:17.840 --> 0:17:21.480
<v Speaker 1>This seems incredibly unfair, This seems unbalanced, This doesn't seem right.

0:17:21.560 --> 0:17:24.720
<v Speaker 1>So I don't think we were particularly No, I just

0:17:24.760 --> 0:17:28.160
<v Speaker 1>think it's I know, I just feel like, I don't

0:17:28.160 --> 0:17:32.360
<v Speaker 1>know whether I'm happy. I'm just I think it's inspiring

0:17:32.480 --> 0:17:36.080
<v Speaker 1>to see so many young people. And I think that

0:17:36.280 --> 0:17:39.399
<v Speaker 1>is the big thing this generation, the millennials, even in

0:17:39.520 --> 0:17:42.359
<v Speaker 1>the Generation z's as they call them, and then the

0:17:42.440 --> 0:17:45.920
<v Speaker 1>kids to follow. They're different and they're you know, and

0:17:46.000 --> 0:17:48.159
<v Speaker 1>you hear all these cliches about people like saying, oh

0:17:48.200 --> 0:17:51.080
<v Speaker 1>the kids are they're in But I think there's so

0:17:51.200 --> 0:17:51.879
<v Speaker 1>much truth in that.

0:17:51.960 --> 0:17:52.720
<v Speaker 3>I really do.

0:17:53.240 --> 0:17:56.080
<v Speaker 1>They're different and maybe you know, we grew up so

0:17:56.160 --> 0:17:59.320
<v Speaker 1>I was born in sixty eight. Britain in the seventies

0:17:59.400 --> 0:18:01.600
<v Speaker 1>was a pretty you know, even I grew up in

0:18:01.600 --> 0:18:04.600
<v Speaker 1>middle class Oxford, it was there was a lot of darkness.

0:18:05.119 --> 0:18:05.320
<v Speaker 3>You know.

0:18:05.359 --> 0:18:08.399
<v Speaker 1>You might you know, you might have you had material company,

0:18:08.520 --> 0:18:10.320
<v Speaker 1>like there was food on your plane and stuff like that,

0:18:10.720 --> 0:18:14.680
<v Speaker 1>but you didn't have I think emotionally, as a society

0:18:15.359 --> 0:18:19.879
<v Speaker 1>we've developed a lot more kids weren't your emotional needs

0:18:19.920 --> 0:18:23.800
<v Speaker 1>weren't met. I came from a split family. Nowadays, if

0:18:23.880 --> 0:18:28.520
<v Speaker 1>you had split family, there would be concern about the kids,

0:18:28.560 --> 0:18:30.520
<v Speaker 1>and the kids might even have someone to talk to.

0:18:31.280 --> 0:18:33.639
<v Speaker 1>Back in seventy eight, when my parents split up, I

0:18:33.680 --> 0:18:35.840
<v Speaker 1>had one uncle who gave me twenty quid.

0:18:35.640 --> 0:18:38.359
<v Speaker 3>And said, I feel you feel for you, Eddie. So

0:18:39.200 --> 0:18:40.639
<v Speaker 3>I think it was.

0:18:41.080 --> 0:18:43.760
<v Speaker 1>But I think the kids nowadays, you know, obviously there

0:18:43.760 --> 0:18:45.560
<v Speaker 1>are a lot of kids who have a lot of shit,

0:18:45.640 --> 0:18:49.320
<v Speaker 1>and particularly in the cities and particularly on you know,

0:18:49.359 --> 0:18:51.960
<v Speaker 1>the ones living below the poverty. But in terms the

0:18:52.000 --> 0:18:55.280
<v Speaker 1>middle classes, I think their emotional needs are a lot

0:18:55.400 --> 0:18:59.119
<v Speaker 1>better met. Parents give kids a lot more attention now is,

0:18:59.119 --> 0:19:01.800
<v Speaker 1>and I think that means that they grow up having

0:19:01.840 --> 0:19:04.399
<v Speaker 1>a sense of self and knowing and feels feelings secure

0:19:04.440 --> 0:19:07.680
<v Speaker 1>in themselves, which we never did. And they don't spend

0:19:08.200 --> 0:19:11.159
<v Speaker 1>the first thirty years of their lives going around like

0:19:11.160 --> 0:19:13.040
<v Speaker 1>headless chickens like we are, like fuck, I'm fuck, I'm

0:19:13.040 --> 0:19:15.240
<v Speaker 1>gonna drink'm gonna drugs, you know what, to fill a

0:19:15.320 --> 0:19:18.360
<v Speaker 1>kind of an emotional hole, whereas kids now like go, yeah,

0:19:18.400 --> 0:19:20.199
<v Speaker 1>I don't need I feel good, I'm pretty, you know,

0:19:20.760 --> 0:19:23.239
<v Speaker 1>and that's great, and that's really good. So I think

0:19:23.280 --> 0:19:25.000
<v Speaker 1>there's a I think that's a big change. And it

0:19:25.040 --> 0:19:28.920
<v Speaker 1>was interesting when when the occupy stuff happened. My wife

0:19:28.960 --> 0:19:30.920
<v Speaker 1>and I used to we had little kids, so we

0:19:30.960 --> 0:19:33.480
<v Speaker 1>couldn't you know, but you know, got to know someone

0:19:33.480 --> 0:19:34.920
<v Speaker 1>and said how can we help? Well, we took down

0:19:34.960 --> 0:19:38.000
<v Speaker 1>some calor gas gas canisters for their cooking down to

0:19:39.080 --> 0:19:41.159
<v Speaker 1>where they were down in Saint Paul's. And what was

0:19:41.200 --> 0:19:43.639
<v Speaker 1>really interesting like the woman that I got to know,

0:19:43.720 --> 0:19:46.359
<v Speaker 1>she's like twenty seven twenty eight, and the relationship and

0:19:46.400 --> 0:19:49.880
<v Speaker 1>she was so cool and and like a millennial and

0:19:50.000 --> 0:19:52.800
<v Speaker 1>like really like again her energized like it was like

0:19:53.400 --> 0:19:55.200
<v Speaker 1>you know that horrible thing that people say you seem

0:19:55.240 --> 0:19:57.920
<v Speaker 1>wise beyond your years. Well, I knew very few people

0:19:58.000 --> 0:19:59.920
<v Speaker 1>twenty seven twenty eight who had her kind of wiz

0:20:00.040 --> 0:20:02.600
<v Speaker 1>to them and her kind of but it was interesting

0:20:02.640 --> 0:20:05.160
<v Speaker 1>because she has an amazing relationship with her parents where

0:20:05.680 --> 0:20:08.160
<v Speaker 1>and I talked to about it and she'd go like, well, mean, yeah,

0:20:08.240 --> 0:20:12.080
<v Speaker 1>like they take an interest in my emotions that like, ah,

0:20:12.160 --> 0:20:15.640
<v Speaker 1>maybe there's this correlation. I'm you know, amateur psychology.

0:20:15.640 --> 0:20:17.199
<v Speaker 2>There the fact that we're going to talk about a

0:20:17.240 --> 0:20:19.800
<v Speaker 2>new album that you're releasing is not even connected. But

0:20:19.840 --> 0:20:21.880
<v Speaker 2>it's not all the stuff that we just talked about,

0:20:21.920 --> 0:20:25.320
<v Speaker 2>because thematically there are many levels to it. There is

0:20:25.320 --> 0:20:27.720
<v Speaker 2>the personal, but there's also this very much the sense

0:20:27.880 --> 0:20:30.560
<v Speaker 2>of the bigger picture. I mean, the album's called Earth, right, yeah,

0:20:30.800 --> 0:20:34.199
<v Speaker 2>so the minute shy of kind of human relationships and

0:20:34.400 --> 0:20:35.879
<v Speaker 2>the things that are close to you on a day

0:20:35.920 --> 0:20:38.439
<v Speaker 2>to day basis, and then something much bigger. There's a

0:20:38.440 --> 0:20:40.880
<v Speaker 2>sense of something much bigger going on, which is exactly

0:20:40.880 --> 0:20:42.840
<v Speaker 2>what we've just been talking about, isn't it. I suppose

0:20:42.840 --> 0:20:44.600
<v Speaker 2>the first question on the subject of the album is

0:20:44.680 --> 0:20:47.280
<v Speaker 2>kind of an obvious one that you know, having been

0:20:47.280 --> 0:20:49.640
<v Speaker 2>in the band, haven't been in Radiohead for thirty five

0:20:49.680 --> 0:20:53.479
<v Speaker 2>odd years now, nine albums done? Why now to release

0:20:53.760 --> 0:20:55.040
<v Speaker 2>your debut? So no record.

0:20:55.680 --> 0:20:58.640
<v Speaker 1>That's a good question because it doesn't make a lot

0:20:58.680 --> 0:21:01.200
<v Speaker 1>of sense. It should be the kind of thing you're

0:21:01.200 --> 0:21:03.480
<v Speaker 1>doing like I was doing twenty years ago. I think

0:21:04.119 --> 0:21:09.440
<v Speaker 1>partly because so I started it back in really twenty thirteen.

0:21:10.200 --> 0:21:12.480
<v Speaker 1>My kids were born in two thousand and four, two

0:21:12.560 --> 0:21:17.159
<v Speaker 1>thousand and six, and those initial years of parenthood with

0:21:17.280 --> 0:21:20.119
<v Speaker 1>the band, I had no other time, and I was very,

0:21:20.359 --> 0:21:23.399
<v Speaker 1>very very again. Because I mentioned I came from a

0:21:23.400 --> 0:21:28.119
<v Speaker 1>split family. I wanted to be There were periods of

0:21:28.119 --> 0:21:30.639
<v Speaker 1>time that I was away obviously with Radiohead quite a

0:21:30.680 --> 0:21:33.520
<v Speaker 1>lot of time. So when I was home, I wanted

0:21:33.560 --> 0:21:35.840
<v Speaker 1>to be home. I wanted to be really present and

0:21:35.920 --> 0:21:38.880
<v Speaker 1>I wanted to I wanted to roll my sleeves up.

0:21:38.920 --> 0:21:42.359
<v Speaker 1>I wanted to really do it because for me, when

0:21:42.560 --> 0:21:44.919
<v Speaker 1>when my son was born, it's like the love bomb

0:21:44.960 --> 0:21:47.200
<v Speaker 1>going off. It's like everything changes.

0:21:47.320 --> 0:21:47.880
<v Speaker 3>I mean it was.

0:21:48.000 --> 0:21:50.800
<v Speaker 1>It was just so huge. And also this whole other

0:21:50.840 --> 0:21:53.679
<v Speaker 1>thing kicked in. It was just like, ah, this fucking

0:21:54.119 --> 0:21:57.600
<v Speaker 1>music thing. I mean, small potatoes compared to parent And

0:21:57.920 --> 0:22:01.600
<v Speaker 1>this is my purpose. My purpose is to raise these

0:22:01.680 --> 0:22:05.520
<v Speaker 1>children so that they leave our house and they can

0:22:05.600 --> 0:22:10.960
<v Speaker 1>be positive, good members of the human race. And literally

0:22:10.960 --> 0:22:14.159
<v Speaker 1>it's that and that thing, and it's like that's nature

0:22:14.240 --> 0:22:20.800
<v Speaker 1>kicked in totally. Twenty twelve, so my daughter was she

0:22:20.960 --> 0:22:24.600
<v Speaker 1>was six, my son was eight. Suddenly you're no longer.

0:22:24.680 --> 0:22:27.879
<v Speaker 1>It's not so much hands on. We were very lucky.

0:22:27.880 --> 0:22:30.640
<v Speaker 1>After we toured what was it, the album called King

0:22:30.680 --> 0:22:34.040
<v Speaker 1>of Limbs. After we talked King of Limbs, I'd said

0:22:34.040 --> 0:22:37.000
<v Speaker 1>previously five years to the guys, I said, I want

0:22:37.000 --> 0:22:39.399
<v Speaker 1>to go and live in Brazil with my family. My

0:22:39.440 --> 0:22:42.600
<v Speaker 1>wife's mother's from Guyana. Wife and I have traveled in Brazil.

0:22:42.640 --> 0:22:44.800
<v Speaker 1>We had a such in South America, and we had

0:22:44.960 --> 0:22:49.280
<v Speaker 1>such a love for Brazilian music and Brazilian culture and

0:22:49.320 --> 0:22:52.639
<v Speaker 1>Brazilian the emotion of being in Brazil and the you know,

0:22:52.720 --> 0:22:56.280
<v Speaker 1>being in this incredible country it light and shade. You know,

0:22:56.400 --> 0:23:00.680
<v Speaker 1>there's there's a lot of darkness there. And so we

0:23:00.720 --> 0:23:05.840
<v Speaker 1>went out and lived there and life was reduced to

0:23:06.119 --> 0:23:08.800
<v Speaker 1>We were living in a sort of a small kind

0:23:08.800 --> 0:23:12.280
<v Speaker 1>of adobe house that wasn't much bigger than this room squash,

0:23:12.400 --> 0:23:14.879
<v Speaker 1>but living next to waterfall, and it was really a

0:23:14.920 --> 0:23:17.719
<v Speaker 1>diyllic and there was no mobile phone, and there was

0:23:17.760 --> 0:23:21.280
<v Speaker 1>a signal on there's there was internet Wi Fi, very

0:23:21.359 --> 0:23:25.760
<v Speaker 1>very slow, like you know circuit ninety ye, yeah exactly.

0:23:26.280 --> 0:23:29.199
<v Speaker 1>That was about a ten minute walk away. And suddenly

0:23:29.240 --> 0:23:30.879
<v Speaker 1>there was all this time and the kids went to

0:23:30.880 --> 0:23:34.040
<v Speaker 1>the little village school. I had this itch that I

0:23:34.080 --> 0:23:37.959
<v Speaker 1>wanted to scratch. I knew there was something always missing

0:23:39.040 --> 0:23:41.040
<v Speaker 1>when I look back on it, like, you know, I

0:23:41.080 --> 0:23:43.760
<v Speaker 1>love being in really head and you know, contributing stuff

0:23:43.800 --> 0:23:47.560
<v Speaker 1>like that, but if I'm really really honest for me,

0:23:48.320 --> 0:23:53.480
<v Speaker 1>there was something that's just missing. And I realized once

0:23:53.520 --> 0:23:56.080
<v Speaker 1>I got into the whole songwriting things like, oh my god,

0:23:56.400 --> 0:23:59.920
<v Speaker 1>this is it. This is you know. I'd written bits

0:24:00.080 --> 0:24:03.840
<v Speaker 1>and pieces, but not lyrics. I'd written some music, and

0:24:03.880 --> 0:24:05.840
<v Speaker 1>I kind of got into it more around the time

0:24:05.880 --> 0:24:09.200
<v Speaker 1>of Okay Computer and I was building up a few tunes,

0:24:09.200 --> 0:24:12.960
<v Speaker 1>but you know, no lyrics as such. And then around

0:24:12.960 --> 0:24:15.800
<v Speaker 1>the time of kid A that's when I read my

0:24:15.840 --> 0:24:18.000
<v Speaker 1>life reached the sort of crisis with depression stuff like that,

0:24:18.040 --> 0:24:22.080
<v Speaker 1>and everything just shuts down. So and that was about

0:24:22.280 --> 0:24:26.879
<v Speaker 1>so ninety nine, two thousand, so twenty twelve comes out

0:24:26.920 --> 0:24:28.439
<v Speaker 1>and I suddenly go, I've got this time, and I

0:24:28.480 --> 0:24:31.359
<v Speaker 1>start getting into rhythm of it and I find a

0:24:31.359 --> 0:24:32.960
<v Speaker 1>way to write. That's the other thing. I didn't know

0:24:33.000 --> 0:24:35.840
<v Speaker 1>how to write music, you know, I didn't know. I

0:24:35.880 --> 0:24:38.520
<v Speaker 1>didn't find a method that worked for me. And I

0:24:38.600 --> 0:24:39.280
<v Speaker 1>found a method.

0:24:39.400 --> 0:24:42.320
<v Speaker 2>Is that because it had always been a collaborative thing.

0:24:42.359 --> 0:24:44.879
<v Speaker 2>You'd never really spent time away on your own building

0:24:44.880 --> 0:24:45.800
<v Speaker 2>something up from scratch.

0:24:46.080 --> 0:24:48.120
<v Speaker 1>Yeah, And I'd never seen the process that Tom had

0:24:48.119 --> 0:24:51.280
<v Speaker 1>got to when he presented a song to the band

0:24:51.680 --> 0:24:57.760
<v Speaker 1>that sometimes needed no arrangement. Other times we would hammer

0:24:57.800 --> 0:25:00.480
<v Speaker 1>out arrangements and parts and stuff like that. I never

0:25:00.960 --> 0:25:05.040
<v Speaker 1>saw the process that he'd undergone, like maybe he'd started

0:25:05.040 --> 0:25:08.199
<v Speaker 1>a song three with a RIF three years previously, and

0:25:08.359 --> 0:25:10.840
<v Speaker 1>just the process of just going back to something.

0:25:10.880 --> 0:25:11.640
<v Speaker 3>Oh I like that.

0:25:12.240 --> 0:25:15.280
<v Speaker 1>So that one of the things I read like there

0:25:15.280 --> 0:25:17.280
<v Speaker 1>were use There's lots of good books stuff. There's this

0:25:17.359 --> 0:25:19.680
<v Speaker 1>book called The Artist's Way, which was actually someone gave

0:25:19.680 --> 0:25:22.320
<v Speaker 1>that to me and it was really helpful. And the

0:25:22.359 --> 0:25:26.240
<v Speaker 1>big thing for me was that initial stage of creativity

0:25:26.400 --> 0:25:28.960
<v Speaker 1>when you're in the flow and it's almost like a

0:25:29.000 --> 0:25:31.920
<v Speaker 1>semi meditative state and you're there and stuff is coming out.

0:25:32.160 --> 0:25:35.560
<v Speaker 1>What I learned was that's not the time to get

0:25:35.600 --> 0:25:40.280
<v Speaker 1>your editorial heading, because if you start judging at the time,

0:25:40.440 --> 0:25:42.520
<v Speaker 1>you'll go this is shit, this is shit, this is shit.

0:25:42.560 --> 0:25:44.680
<v Speaker 1>And that's what I did constantly for years. This is shit,

0:25:44.760 --> 0:25:46.359
<v Speaker 1>this is not your shit, this is no good, this

0:25:46.480 --> 0:25:49.240
<v Speaker 1>is shit. What I learned to do was like that

0:25:49.320 --> 0:25:53.879
<v Speaker 1>initial flurry, I was just whatever I enjoyed, whatever moved me. Bang,

0:25:54.720 --> 0:25:57.040
<v Speaker 1>then you can edit, you let edit. At the later

0:25:57.160 --> 0:25:59.040
<v Speaker 1>stage you go back to you and go, oh, I like

0:25:59.119 --> 0:26:01.040
<v Speaker 1>that bit, like oh, work on that so you then

0:26:01.359 --> 0:26:03.280
<v Speaker 1>kind of get back into that state and work on

0:26:03.320 --> 0:26:05.720
<v Speaker 1>it again. And it was it was a process of

0:26:06.480 --> 0:26:10.639
<v Speaker 1>discovery for me, and I mean it was completely intoxicating.

0:26:10.840 --> 0:26:15.000
<v Speaker 1>Once I started. It was I love that moment and

0:26:15.160 --> 0:26:17.199
<v Speaker 1>I'm not experiencing this, so I'm looking forward to the

0:26:17.200 --> 0:26:19.760
<v Speaker 1>next time this. You know this, but that the moment

0:26:19.840 --> 0:26:23.159
<v Speaker 1>when a song or this thing comes to you and

0:26:23.160 --> 0:26:26.080
<v Speaker 1>it is like it comes through I'm sure every all

0:26:26.160 --> 0:26:29.000
<v Speaker 1>musicians say this. Once you learn to let go and

0:26:29.040 --> 0:26:32.119
<v Speaker 1>you it comes through you and it's kind of like

0:26:32.240 --> 0:26:36.639
<v Speaker 1>this thing, this dream happens and it's like the potential

0:26:36.680 --> 0:26:39.800
<v Speaker 1>of the song or what you're doing. You suddenly go, wow,

0:26:39.880 --> 0:26:43.399
<v Speaker 1>it could be like this, and that's such an amazing

0:26:43.480 --> 0:26:45.280
<v Speaker 1>feeling because that's like dreaming it up.

0:26:45.400 --> 0:26:49.359
<v Speaker 3>It's like wow. The hard part is.

0:26:49.520 --> 0:26:55.080
<v Speaker 1>Realizing that potential and fulfilling it. And that's that's I

0:26:55.080 --> 0:26:58.840
<v Speaker 1>guess the craft, the easier part is, or the most

0:26:59.119 --> 0:27:02.080
<v Speaker 1>you know, the most way you're fully kind of emotionally

0:27:02.240 --> 0:27:05.280
<v Speaker 1>charged up. Are those initial stages for me at least,

0:27:05.880 --> 0:27:08.199
<v Speaker 1>and actually the latter stages when when the dream is

0:27:08.200 --> 0:27:10.040
<v Speaker 1>being realized, it's the bits in the middle and you're

0:27:10.040 --> 0:27:11.800
<v Speaker 1>going like how the fuck are you going to get here?

0:27:12.000 --> 0:27:12.919
<v Speaker 3>You know? And you do?

0:27:13.040 --> 0:27:15.320
<v Speaker 1>You go, well, you know my record, I went into

0:27:15.359 --> 0:27:18.840
<v Speaker 1>the sonic trenches big time and No. Five six weeks

0:27:18.880 --> 0:27:22.560
<v Speaker 1>and it's like it's like it's that wading through mud.

0:27:22.600 --> 0:27:26.720
<v Speaker 1>It's like lack of clarity. Oh, but that's that's the journey.

0:27:30.880 --> 0:27:33.120
<v Speaker 2>You mentioned there. You've always been quite hard on yourself.

0:27:33.200 --> 0:27:36.680
<v Speaker 2>There's a sort of self depreciating quote that comes with

0:27:36.520 --> 0:27:40.240
<v Speaker 2>the album where you mentioned that Tom's obviously made solo music,

0:27:40.640 --> 0:27:43.520
<v Speaker 2>Philip and Johnny as well, and you say the world

0:27:43.520 --> 0:27:45.960
<v Speaker 2>doesn't or the world didn't need a shit solo record

0:27:46.000 --> 0:27:48.720
<v Speaker 2>from me, So like would you just never had the

0:27:48.720 --> 0:27:51.280
<v Speaker 2>confidence to sort of to do it? Like what was

0:27:51.320 --> 0:27:52.520
<v Speaker 2>probably holding you back?

0:27:52.680 --> 0:27:53.520
<v Speaker 3>Probably a bit of that.

0:27:53.840 --> 0:27:56.359
<v Speaker 1>I didn't have the confidence, that's for sure. If you

0:27:56.400 --> 0:27:57.879
<v Speaker 1>don't have the confidence, then you're not going to be

0:27:57.920 --> 0:27:59.560
<v Speaker 1>able to do it. I didn't think it was my

0:27:59.680 --> 0:28:03.480
<v Speaker 1>play to be singing and writing lyrics. I didn't think

0:28:03.480 --> 0:28:06.000
<v Speaker 1>I was cape. I didn't think I could I could

0:28:06.000 --> 0:28:10.320
<v Speaker 1>do it, and I was aware that, you know, there

0:28:10.320 --> 0:28:13.639
<v Speaker 1>can be a trend of people in bands like Radiohead,

0:28:14.440 --> 0:28:16.080
<v Speaker 1>everybody has solo projects.

0:28:16.920 --> 0:28:19.280
<v Speaker 3>I really really love.

0:28:19.119 --> 0:28:23.119
<v Speaker 1>And respect what Tom, Johnny and Philip have done, you know,

0:28:23.320 --> 0:28:26.080
<v Speaker 1>and you know how amazing is the drummer of band

0:28:26.119 --> 0:28:28.760
<v Speaker 1>like Radiohead. You know, he's working with a rom bear back.

0:28:28.840 --> 0:28:31.480
<v Speaker 1>I mean, it's just it's phenomenal. I mean it's a

0:28:31.520 --> 0:28:34.680
<v Speaker 1>completely different head for him as well, you know, going

0:28:34.680 --> 0:28:37.280
<v Speaker 1>from behind the drum kit to do it. So I

0:28:37.359 --> 0:28:39.800
<v Speaker 1>was so in respect and in a way I didn't

0:28:39.840 --> 0:28:42.440
<v Speaker 1>want to kind of I thought, oh well, if I

0:28:42.520 --> 0:28:45.960
<v Speaker 1>brought something out, I fucking taint the legacy of not

0:28:46.040 --> 0:28:48.560
<v Speaker 1>only Radiohead but them. So I was just like, the

0:28:48.560 --> 0:28:51.000
<v Speaker 1>world doesn't need a shit record for me. So that

0:28:51.080 --> 0:28:53.880
<v Speaker 1>kind of held me back for a long time, and

0:28:53.960 --> 0:28:57.240
<v Speaker 1>I had very, very very little self confidence in that regard.

0:28:57.720 --> 0:28:58.840
<v Speaker 1>I mean, I'm still not.

0:28:59.000 --> 0:28:59.880
<v Speaker 3>I'm not. You know.

0:29:01.240 --> 0:29:04.640
<v Speaker 1>A big thing for me was lack of confidence. Is

0:29:05.960 --> 0:29:10.040
<v Speaker 1>it's a funny thing because too much lack of confidence

0:29:10.080 --> 0:29:13.800
<v Speaker 1>is debilitating. But I also think that humility is a

0:29:13.800 --> 0:29:16.240
<v Speaker 1>good thing as well. I'm a real believer. I think

0:29:16.280 --> 0:29:19.320
<v Speaker 1>I really think that it's you know, all the twets

0:29:19.320 --> 0:29:22.240
<v Speaker 1>that I met have never been humble, and all the

0:29:22.280 --> 0:29:25.640
<v Speaker 1>good people. For me, it was suddenly like these songs

0:29:25.640 --> 0:29:28.960
<v Speaker 1>started coming and I was like we left Brazil with

0:29:29.080 --> 0:29:30.680
<v Speaker 1>come back to Britain. I was in my shed in

0:29:30.720 --> 0:29:33.680
<v Speaker 1>the gardeners. I was like, oh my god, I'm feeling

0:29:33.680 --> 0:29:36.080
<v Speaker 1>this and then it's a process. I then went and

0:29:36.120 --> 0:29:41.120
<v Speaker 1>demoed with there Wonderfully in Davenport who works with gas

0:29:41.200 --> 0:29:44.200
<v Speaker 1>coombs and stuff like in Courtyard Studio in Oxyordshire, and

0:29:44.240 --> 0:29:45.160
<v Speaker 1>we demoed him and he.

0:29:45.160 --> 0:29:46.880
<v Speaker 3>Was like this is good man.

0:29:46.920 --> 0:29:49.040
<v Speaker 1>I'm really and it's a little bit different, you know,

0:29:49.160 --> 0:29:52.000
<v Speaker 1>bringing the whole Brazil and he said you can sing this.

0:29:52.120 --> 0:29:53.520
<v Speaker 1>I was like, Nana, I can't sing it. You know,

0:29:53.720 --> 0:29:56.000
<v Speaker 1>I'll get someone. And he kept on saying it over

0:29:56.040 --> 0:29:59.080
<v Speaker 1>a two year period and then finally the session before

0:30:00.040 --> 0:30:03.200
<v Speaker 1>I had a week in demoing before we went in

0:30:03.360 --> 0:30:06.880
<v Speaker 1>a sort of so we're talking September twenty fourteen, the

0:30:06.920 --> 0:30:10.320
<v Speaker 1>week before Radio had reconvened to make a moon Shape pool.

0:30:11.080 --> 0:30:13.400
<v Speaker 1>I went in and there was a moment I heard

0:30:13.400 --> 0:30:15.320
<v Speaker 1>something in my vocals. I was just like, oh, I

0:30:15.400 --> 0:30:17.320
<v Speaker 1>like that, and I said yeah, and he said, I've

0:30:17.320 --> 0:30:20.560
<v Speaker 1>been telling you for two years. I needed to believe it.

0:30:20.600 --> 0:30:23.120
<v Speaker 1>But for me it was the music and then just

0:30:23.200 --> 0:30:25.160
<v Speaker 1>doing it. You just have to do it. It's like

0:30:25.200 --> 0:30:29.280
<v Speaker 1>I'm apprehensive about going out there and playing live. But

0:30:29.440 --> 0:30:32.600
<v Speaker 1>if it's anything like the way that it's been, you've

0:30:32.640 --> 0:30:34.560
<v Speaker 1>just got to do it, you know, you just got

0:30:34.560 --> 0:30:36.960
<v Speaker 1>to jump in there full and you have to understand

0:30:37.000 --> 0:30:39.320
<v Speaker 1>that it's a process. And for me, the thing that

0:30:39.360 --> 0:30:42.600
<v Speaker 1>I've sort of held on to, it's like it's the start.

0:30:43.040 --> 0:30:45.080
<v Speaker 1>I remember what the start was like with radio Head.

0:30:45.480 --> 0:30:48.960
<v Speaker 1>Our first album, apart from one song, maybe half a song,

0:30:49.040 --> 0:30:52.080
<v Speaker 1>was shit. Pablo Honey wasn't a very good album. The

0:30:52.120 --> 0:30:56.160
<v Speaker 1>Benz was a good album, you know, much stronger. But

0:30:56.280 --> 0:30:59.080
<v Speaker 1>the way that you can evolve, and that for me

0:30:59.200 --> 0:31:02.080
<v Speaker 1>is just like I stopped being so hard on myself.

0:31:02.120 --> 0:31:04.720
<v Speaker 1>I stopped saying I wanted I wanted. I mean the

0:31:04.720 --> 0:31:06.880
<v Speaker 1>hard part was I wanted to realize the potential that

0:31:06.920 --> 0:31:10.400
<v Speaker 1>I felt about these songs. But I also was like,

0:31:11.080 --> 0:31:16.160
<v Speaker 1>don't stay tinkering away for five six years in a

0:31:16.240 --> 0:31:19.360
<v Speaker 1>studio to get what you think is perfect. Get what

0:31:19.400 --> 0:31:20.840
<v Speaker 1>you think is what moves you.

0:31:21.440 --> 0:31:21.760
<v Speaker 3>Move on.

0:31:21.880 --> 0:31:24.480
<v Speaker 1>And I'm lucky because I got to state an album

0:31:24.520 --> 0:31:26.400
<v Speaker 1>and I really liked it. I really loved it, and

0:31:26.400 --> 0:31:28.360
<v Speaker 1>it's like, okay, great, I can move on from that.

0:31:28.600 --> 0:31:31.880
<v Speaker 1>So I got that place and the fact Okay, this

0:31:32.040 --> 0:31:35.240
<v Speaker 1>is I'm really happy with this. Took a while to

0:31:35.280 --> 0:31:40.800
<v Speaker 1>get there, so yeah, I think I was desperately unconfident.

0:31:41.280 --> 0:31:43.480
<v Speaker 2>If you played the album to the rest of the

0:31:43.480 --> 0:31:43.960
<v Speaker 2>band now.

0:31:44.040 --> 0:31:49.400
<v Speaker 1>No, because I well, partly because you know, we're we're

0:31:49.480 --> 0:31:53.280
<v Speaker 1>all in different places now. We occasionally get together for meetings,

0:31:53.280 --> 0:31:57.680
<v Speaker 1>but everybody's doing stuff. So Philip asked he wanted to

0:31:57.840 --> 0:32:00.720
<v Speaker 1>he wanted to hear it, so I sent him sentim

0:32:00.720 --> 0:32:04.240
<v Speaker 1>a copy. You know, everybody's doing their thing, and it's

0:32:04.600 --> 0:32:06.760
<v Speaker 1>it's great, and it's all very different as well. I mean,

0:32:06.760 --> 0:32:10.360
<v Speaker 1>I think what's interesting probably for people who like Radiohead,

0:32:10.400 --> 0:32:15.080
<v Speaker 1>and everybody's stuff is really quite different, and I think

0:32:15.400 --> 0:32:18.240
<v Speaker 1>that reflects how different we all are within the space

0:32:18.280 --> 0:32:21.320
<v Speaker 1>of Radiohead. And I think Radioheaded as a filter for

0:32:21.720 --> 0:32:24.280
<v Speaker 1>if all five of us, the management always used to

0:32:24.320 --> 0:32:27.160
<v Speaker 1>say this years and years ago, this will all five

0:32:27.200 --> 0:32:30.360
<v Speaker 1>of you happy? Really all five of you, not just three,

0:32:30.480 --> 0:32:32.880
<v Speaker 1>not just one five, And if all five of us

0:32:32.920 --> 0:32:33.280
<v Speaker 1>is a well.

0:32:33.280 --> 0:32:33.680
<v Speaker 3>That's right.

0:32:34.240 --> 0:32:36.360
<v Speaker 2>It's interesting because I think through the solo projects in

0:32:36.400 --> 0:32:38.880
<v Speaker 2>a weird way, when you it's almost like deconstructing radio

0:32:38.920 --> 0:32:43.200
<v Speaker 2>Head because you can hear people's contributions to the the

0:32:43.240 --> 0:32:46.040
<v Speaker 2>whole that becomes ahead eventually, and I think that's certainly

0:32:46.080 --> 0:32:48.240
<v Speaker 2>the case. Now this is the opportunity for people to

0:32:48.280 --> 0:32:52.240
<v Speaker 2>hear your contribution to Radiohead because through this record, I'm like, oh,

0:32:52.360 --> 0:32:54.240
<v Speaker 2>clearly that's something that Ed brings when they.

0:32:54.320 --> 0:32:57.840
<v Speaker 1>Used to get Can you feel like that's interesting in terms.

0:32:57.720 --> 0:32:59.040
<v Speaker 2>Of like filling in the gaps on me about the

0:32:59.040 --> 0:33:02.000
<v Speaker 2>stuff we've just spoken. So you moved to Brazil with

0:33:02.040 --> 0:33:04.520
<v Speaker 2>your family. That was a big moment for the sort

0:33:04.520 --> 0:33:07.720
<v Speaker 2>of crystallization and the beginnings of these ideas. You came home,

0:33:08.640 --> 0:33:11.240
<v Speaker 2>how did you go about I mean this was worked

0:33:11.280 --> 0:33:13.840
<v Speaker 2>on part recorded written in between sessions for a moon

0:33:13.920 --> 0:33:17.600
<v Speaker 2>Shape Paul. Yeah, So the gap between basically twenty fourteen

0:33:17.680 --> 0:33:21.760
<v Speaker 2>and twenty nineteen, what happened? Where were you and how

0:33:21.760 --> 0:33:25.000
<v Speaker 2>did you go about assembling the people that have worked

0:33:25.000 --> 0:33:25.959
<v Speaker 2>with you on this record?

0:33:26.240 --> 0:33:28.880
<v Speaker 1>So twenty fourteen it was kind of like down tools

0:33:28.880 --> 0:33:32.959
<v Speaker 1>because I'm mentoring a Radiohead cycle. So we started in

0:33:33.040 --> 0:33:39.040
<v Speaker 1>September twenty fourteen. That record was finished January twenty sixteen.

0:33:39.600 --> 0:33:40.880
<v Speaker 3>We go out on tour.

0:33:41.840 --> 0:33:44.840
<v Speaker 1>Spring twenty sixteen, and the tour takes us through to

0:33:46.160 --> 0:33:50.360
<v Speaker 1>twenty well twenty nineteen. It was going to be twenty eighteen,

0:33:50.480 --> 0:33:52.080
<v Speaker 1>and that's when I said I was going to start.

0:33:52.960 --> 0:33:55.720
<v Speaker 1>I was then going to do the album. But then, Yeah,

0:33:55.760 --> 0:33:58.240
<v Speaker 1>what happened was that everybody wanted to do a tour

0:33:58.600 --> 0:34:00.000
<v Speaker 1>and I said all right, and I had to say

0:34:00.000 --> 0:34:02.760
<v Speaker 1>stopped making my album to go out. So I got

0:34:02.800 --> 0:34:04.200
<v Speaker 1>to the stage with a lot of the songs they

0:34:04.200 --> 0:34:05.960
<v Speaker 1>were all ready to go into, ready to be recorded

0:34:06.000 --> 0:34:08.719
<v Speaker 1>twenty fourteen, but there was no chance. You know, it's

0:34:08.760 --> 0:34:11.000
<v Speaker 1>a different head as well. You know, for me being

0:34:11.040 --> 0:34:13.760
<v Speaker 1>in radihead and doing my thing, it's very very different space,

0:34:13.800 --> 0:34:18.600
<v Speaker 1>and it's not I wasn't able to find that. To

0:34:18.680 --> 0:34:20.920
<v Speaker 1>bounce between the two didn't feel possible. You had to

0:34:20.960 --> 0:34:23.839
<v Speaker 1>be all in with each one. Different energies, very very

0:34:24.080 --> 0:34:26.560
<v Speaker 1>I think that's the main thing. Very different energies that

0:34:26.640 --> 0:34:30.200
<v Speaker 1>are entering two totally different worlds. For me, what I

0:34:30.280 --> 0:34:32.600
<v Speaker 1>decided to do in that paid Okay, So I can't record,

0:34:32.640 --> 0:34:35.839
<v Speaker 1>what can I do? I can start dreaming up? Gain

0:34:35.920 --> 0:34:38.160
<v Speaker 1>my team together. So the first thing I wanted to

0:34:38.200 --> 0:34:45.360
<v Speaker 1>do was producer. Who's my favorite producer in the world, Flood? Well,

0:34:45.520 --> 0:34:48.160
<v Speaker 1>aren't I lucky? Because Flood's kids are at the same school,

0:34:48.920 --> 0:34:52.640
<v Speaker 1>and our wives got to know one another on they

0:34:52.640 --> 0:34:55.520
<v Speaker 1>were trying to the food at the school was atrocious

0:34:55.560 --> 0:34:58.520
<v Speaker 1>for the kids, and they were like there were four

0:34:58.600 --> 0:35:02.040
<v Speaker 1>or five of them who were this sort of talking

0:35:02.080 --> 0:35:04.160
<v Speaker 1>to the school about come on, we need to engage

0:35:04.200 --> 0:35:07.520
<v Speaker 1>with this. So Susan, my wife, was just like, you know,

0:35:08.040 --> 0:35:11.040
<v Speaker 1>you know a guy called Flood. I said, well, no,

0:35:11.239 --> 0:35:14.240
<v Speaker 1>but I mean he's only my favorite fucking record producer.

0:35:15.040 --> 0:35:16.200
<v Speaker 3>And it was great.

0:35:16.360 --> 0:35:18.879
<v Speaker 2>And I love that this basically started by all school

0:35:18.960 --> 0:35:20.200
<v Speaker 2>the School Gates totally.

0:35:20.239 --> 0:35:22.319
<v Speaker 1>I love it and to me, this is and I

0:35:22.360 --> 0:35:24.520
<v Speaker 1>want it. I'm glad you pick up. I love the

0:35:24.560 --> 0:35:26.959
<v Speaker 1>fact it starts school Gates because you know, like I said,

0:35:27.000 --> 0:35:29.560
<v Speaker 1>my family's so important. I come from this thing, and

0:35:30.200 --> 0:35:33.880
<v Speaker 1>I wanted this thing. The energy of this record and

0:35:33.880 --> 0:35:36.319
<v Speaker 1>the energy we made it to be inclusive. It's not

0:35:36.360 --> 0:35:40.240
<v Speaker 1>an exclusive boys club, it's an inclusive it's it's love centered,

0:35:40.280 --> 0:35:43.120
<v Speaker 1>it's heart based. So it starts at the school Gates.

0:35:43.160 --> 0:35:47.360
<v Speaker 1>And he like the Foles record. So this is twenty thirteen.

0:35:47.920 --> 0:35:51.160
<v Speaker 1>The Foles record has been holy Fire come out and

0:35:51.200 --> 0:35:53.880
<v Speaker 1>I love that record. And I said to him, and

0:35:53.880 --> 0:35:56.320
<v Speaker 1>I was a little bit nervous again I said, I said,

0:35:56.400 --> 0:35:59.560
<v Speaker 1>someone introduced me and said this is flood and this

0:35:59.640 --> 0:36:04.040
<v Speaker 1>is it. Oh hi, I said, listen fucking love holy fire.

0:36:04.080 --> 0:36:06.839
<v Speaker 1>And he always like, well, it's just pop music in it.

0:36:07.239 --> 0:36:10.520
<v Speaker 1>And we started this conversation and this friendship to her

0:36:10.560 --> 0:36:13.120
<v Speaker 1>and our families. We went on holiday to Greece together

0:36:13.760 --> 0:36:17.719
<v Speaker 1>and he became a really good friend. Our friendship blossomed

0:36:17.800 --> 0:36:23.799
<v Speaker 1>so quickly, and it was great having somebody who I mean,

0:36:23.840 --> 0:36:25.000
<v Speaker 1>he's a sonic genius.

0:36:25.040 --> 0:36:25.359
<v Speaker 3>The guy.

0:36:25.400 --> 0:36:27.480
<v Speaker 1>I mean, I like, you know, that's a whole other thing.

0:36:27.760 --> 0:36:30.839
<v Speaker 1>Like he's he's on a level of sonics I've never

0:36:30.920 --> 0:36:35.480
<v Speaker 1>met in anybody else. It's it's almost he's so so talented.

0:36:36.000 --> 0:36:38.359
<v Speaker 1>So he's got this incredible gift that I've never met

0:36:38.360 --> 0:36:41.520
<v Speaker 1>anybody who's like that. But anyway, he to be able

0:36:41.560 --> 0:36:44.359
<v Speaker 1>to talk to him about, you know, about life and

0:36:44.480 --> 0:36:48.640
<v Speaker 1>family and music and studios and recordings and bands, and

0:36:48.680 --> 0:36:51.319
<v Speaker 1>I mean, it's like it's like the perfect friendship, right,

0:36:52.560 --> 0:36:54.719
<v Speaker 1>you know, And we'd be they would come to New Year,

0:36:54.760 --> 0:36:56.520
<v Speaker 1>to our house in Wales and we were down by

0:36:56.560 --> 0:37:00.759
<v Speaker 1>the river talking as the dust stuttled, talking about in

0:37:00.840 --> 0:37:04.160
<v Speaker 1>telling me about certain sessions that he's done and not.

0:37:04.520 --> 0:37:05.880
<v Speaker 1>You know, We've got a lot of stories. There's a

0:37:05.920 --> 0:37:08.439
<v Speaker 1>lot of history, and we did a lot of comparing

0:37:08.600 --> 0:37:12.800
<v Speaker 1>about the positive aspects and the negative aspects of music

0:37:12.840 --> 0:37:16.400
<v Speaker 1>and the industry and everything. So he became a great friend.

0:37:16.920 --> 0:37:18.560
<v Speaker 1>First of all, I wanted to know what he thought

0:37:18.560 --> 0:37:20.879
<v Speaker 1>about the demos that I've been doing. So I went

0:37:20.920 --> 0:37:23.960
<v Speaker 1>to Assaultant Battery in the summer, I think it was

0:37:24.000 --> 0:37:27.960
<v Speaker 1>twenty fifteen. I was nervous, you know, and sat there

0:37:28.120 --> 0:37:31.360
<v Speaker 1>and after about four songs he turned around. I said,

0:37:31.440 --> 0:37:33.279
<v Speaker 1>he said, do you want me to work with this?

0:37:33.440 --> 0:37:34.640
<v Speaker 3>And I was like, fuck yeah.

0:37:34.800 --> 0:37:37.239
<v Speaker 1>I didn't even have to kind of like ask him.

0:37:37.560 --> 0:37:39.239
<v Speaker 1>He said, would you like me to work on this?

0:37:39.600 --> 0:37:43.520
<v Speaker 1>And then boom we were locked in And so went

0:37:43.520 --> 0:37:46.000
<v Speaker 1>from there. I mean, the other thing was the personnel.

0:37:46.320 --> 0:37:48.120
<v Speaker 2>There was effectively a kind of house band that you

0:37:48.160 --> 0:37:50.799
<v Speaker 2>put together. Yeah, and then beyond that, well let's start

0:37:50.840 --> 0:37:52.160
<v Speaker 2>with that. But I do want to ask you about

0:37:52.200 --> 0:37:54.400
<v Speaker 2>the fact that there's a couple of other voices, a

0:37:54.400 --> 0:37:56.520
<v Speaker 2>couple of other contributors to the album as well.

0:37:56.800 --> 0:38:01.400
<v Speaker 1>When I was demoing in twenty thirteen, I think Random

0:38:01.440 --> 0:38:05.440
<v Speaker 1>Access Memories staff Punk to come out, and obviously, you know,

0:38:05.480 --> 0:38:08.400
<v Speaker 1>all the tunes on that particularly, you know, get Lucky

0:38:08.520 --> 0:38:12.439
<v Speaker 1>was everybody loves an incredible song. You know, obviously Narl

0:38:12.480 --> 0:38:16.520
<v Speaker 1>Rogers is a big part of that. However, I saw

0:38:16.600 --> 0:38:20.040
<v Speaker 1>that the Grammy. Someone showed me the Grammy rehearsal footage

0:38:20.040 --> 0:38:24.040
<v Speaker 1>of them. There's Stevie Wondon, there's Pharrell, and there's the Robots,

0:38:24.080 --> 0:38:27.719
<v Speaker 1>and there's Nar Rogers. But like, oh my god, that's

0:38:27.719 --> 0:38:30.480
<v Speaker 1>on my hockey mo drums and Nathan East on base.

0:38:30.600 --> 0:38:32.520
<v Speaker 1>So like in my head when I was demoing, I like,

0:38:33.440 --> 0:38:36.520
<v Speaker 1>I wanted those guys. They're the best at what they do,

0:38:36.680 --> 0:38:41.359
<v Speaker 1>that they are, and I wanted that energy, that joy, Yeah,

0:38:41.400 --> 0:38:45.160
<v Speaker 1>that energy and that obviously supreme musicians, but with people

0:38:45.280 --> 0:38:48.080
<v Speaker 1>like that they bring in this history, but this.

0:38:48.360 --> 0:38:49.879
<v Speaker 3>Energy, it's really deep.

0:38:50.480 --> 0:38:52.480
<v Speaker 1>And so they were on my wish list and I kept,

0:38:52.719 --> 0:38:55.279
<v Speaker 1>you know, my natural self deprecating self at termes that

0:38:55.360 --> 0:38:57.759
<v Speaker 1>I'm not worthy, no, and then I just turned around.

0:38:57.760 --> 0:38:59.480
<v Speaker 1>I was like, hang, I was that whoa wha, wha, wha,

0:38:59.520 --> 0:39:01.640
<v Speaker 1>whoa whoa. It's a bit like going to Brazil for

0:39:01.680 --> 0:39:06.279
<v Speaker 1>seven months. It's like you're in this incredible situation. You're

0:39:06.280 --> 0:39:12.440
<v Speaker 1>in this band radio Head, and sometimes you forget like

0:39:12.840 --> 0:39:15.800
<v Speaker 1>how people perceive radio.

0:39:15.920 --> 0:39:17.760
<v Speaker 3>So just ask.

0:39:17.920 --> 0:39:20.880
<v Speaker 1>They're not gonna, you know, you find out the manager's number.

0:39:21.040 --> 0:39:22.920
<v Speaker 1>They're not going to turn you way and go fuck off.

0:39:22.960 --> 0:39:25.920
<v Speaker 1>They're going to like, oh, you're the guy you're playing radio?

0:39:26.000 --> 0:39:29.880
<v Speaker 1>Oh well yeah sure. I phoned up Omar we were

0:39:29.880 --> 0:39:31.480
<v Speaker 1>on tour, and I remember we were on tour in

0:39:31.680 --> 0:39:35.480
<v Speaker 1>New Orleans and I think it was twenty sixteen, and

0:39:35.560 --> 0:39:37.799
<v Speaker 1>I talked to him. I said, I wanted to want

0:39:37.840 --> 0:39:40.160
<v Speaker 1>to record I had and I talked to Flood about this.

0:39:40.239 --> 0:39:41.640
<v Speaker 1>I said, we want to start. I want to start

0:39:41.680 --> 0:39:44.400
<v Speaker 1>the record off in Wales because Wales been a place

0:39:44.480 --> 0:39:46.840
<v Speaker 1>after come back from Brazil. That's a place that I

0:39:46.880 --> 0:39:49.359
<v Speaker 1>would go off and write and I found it incredibly

0:39:49.440 --> 0:39:53.560
<v Speaker 1>fertile place. I mean it's mid Wales where Robert Plants

0:39:54.000 --> 0:39:58.320
<v Speaker 1>has written a lot. So there's something magical about that land.

0:39:58.440 --> 0:40:01.000
<v Speaker 1>And we've got a lot of friends there now as well.

0:40:01.360 --> 0:40:05.080
<v Speaker 1>Going back there and Omer said, he said, like I said,

0:40:05.080 --> 0:40:08.960
<v Speaker 1>three weeks, I want to get Nathan. Another guy called

0:40:09.000 --> 0:40:11.560
<v Speaker 1>David Akuma and he said, okay, it sounds that he

0:40:11.640 --> 0:40:14.880
<v Speaker 1>was intrigued. Nathan was the same and obviously the last

0:40:15.080 --> 0:40:16.719
<v Speaker 1>not the last person but he was actually the first

0:40:16.800 --> 0:40:21.600
<v Speaker 1>on my lists was David Akumu and who's an extraordinary musician,

0:40:22.120 --> 0:40:25.480
<v Speaker 1>human being light and he was the first name on

0:40:25.520 --> 0:40:27.920
<v Speaker 1>the list. Is that I thought, I need David. He's

0:40:27.960 --> 0:40:31.960
<v Speaker 1>an extraordinary you know, his producer, singer, everything. I need

0:40:32.000 --> 0:40:36.360
<v Speaker 1>somebody like that, who knows where I come from. That

0:40:36.560 --> 0:40:39.279
<v Speaker 1>was the thing that really intrigued me. Was like, if

0:40:39.320 --> 0:40:42.759
<v Speaker 1>you had a rhythm section like Nathan and Omar and

0:40:43.360 --> 0:40:45.799
<v Speaker 1>you met it which is a very you know, very

0:40:45.840 --> 0:40:50.480
<v Speaker 1>African American, very American, very African American background, and you

0:40:50.560 --> 0:40:53.920
<v Speaker 1>meet that with this European sonic sensibility, That's the place

0:40:53.960 --> 0:40:57.200
<v Speaker 1>that I was really interested in. Yeah, and we had

0:40:57.239 --> 0:41:01.200
<v Speaker 1>three weeks in we had a mobile set up in

0:41:01.360 --> 0:41:03.640
<v Speaker 1>the autumn of October twenty eighteen.

0:41:04.000 --> 0:41:06.040
<v Speaker 2>There are some other people that contributed to the record.

0:41:06.239 --> 0:41:08.320
<v Speaker 2>The album starts with a track called Shangri La that

0:41:08.320 --> 0:41:09.759
<v Speaker 2>I want to ask you about in a moment, But

0:41:10.320 --> 0:41:13.680
<v Speaker 2>it closes with a track that is a ultimately a

0:41:13.719 --> 0:41:17.320
<v Speaker 2>duet between yourself and Laura Marlin. Why did you approach

0:41:17.520 --> 0:41:18.480
<v Speaker 2>Laura Marlin.

0:41:18.239 --> 0:41:20.640
<v Speaker 1>Because she's the best I mean, and like the mantra

0:41:20.719 --> 0:41:24.040
<v Speaker 1>became like when I was just like when I had

0:41:24.040 --> 0:41:27.759
<v Speaker 1>the Dreamist and Omar and David and Nathan were on board,

0:41:27.800 --> 0:41:30.640
<v Speaker 1>I'm like, well, and that's the other thing, Flood. I

0:41:30.680 --> 0:41:34.560
<v Speaker 1>had Flood, and I realized, like, why would I not

0:41:34.880 --> 0:41:37.880
<v Speaker 1>ask the best? So again I was on tour, I

0:41:37.920 --> 0:41:40.360
<v Speaker 1>sent an email to Laura. I didn't didn't know. I

0:41:40.400 --> 0:41:43.560
<v Speaker 1>loved her music and I love watching her as an artist.

0:41:44.280 --> 0:41:47.560
<v Speaker 1>And she was so young when she started fifteen sixteen,

0:41:47.680 --> 0:41:51.440
<v Speaker 1>absolutely and she's made six albums, right, I mean, it's extraordinary.

0:41:52.160 --> 0:41:53.200
<v Speaker 3>And then so I met.

0:41:53.080 --> 0:41:57.160
<v Speaker 1>Up with her, just talked about the idea, and she

0:41:57.200 --> 0:41:59.520
<v Speaker 1>seemed to be into the idea. It was just a

0:41:59.520 --> 0:42:01.960
<v Speaker 1>great arm afternoon. She knew Katherine as well a bit

0:42:02.360 --> 0:42:05.480
<v Speaker 1>Catherine Marx, who was also a very important part of

0:42:05.520 --> 0:42:08.719
<v Speaker 1>the record. I wanted to bring the team together that

0:42:08.800 --> 0:42:11.960
<v Speaker 1>had kind of done Holy Fire, so Catherine and Flood

0:42:12.400 --> 0:42:16.160
<v Speaker 1>and Alan Mulder mixing well, Alan co produced and mixed

0:42:16.160 --> 0:42:19.760
<v Speaker 1>and stuff, Katherine and Cecil who also engineered the record.

0:42:19.960 --> 0:42:23.239
<v Speaker 1>Catherine knew Laura. Laura came in for an afternoon and

0:42:23.280 --> 0:42:27.320
<v Speaker 1>she did some backing vocals on Mass, but on Cloak

0:42:27.360 --> 0:42:29.719
<v Speaker 1>of the Night it was and for me, that was

0:42:29.760 --> 0:42:33.759
<v Speaker 1>the most nerve wracking part of the record because I've

0:42:33.760 --> 0:42:35.799
<v Speaker 1>got to sing. I'm singing and playing it up with

0:42:36.040 --> 0:42:37.040
<v Speaker 1>Laura Marlay.

0:42:36.840 --> 0:42:39.360
<v Speaker 2>Because of it always like intimidating vocal ability.

0:42:39.560 --> 0:42:41.640
<v Speaker 3>Oh my god, I mean, she can do it. She

0:42:41.760 --> 0:42:42.279
<v Speaker 3>just does it.

0:42:42.360 --> 0:42:46.040
<v Speaker 1>I'm I'm a novice. I'm an absolute novice at this game.

0:42:46.160 --> 0:42:49.040
<v Speaker 1>So you know, she's done years and years of singing

0:42:49.120 --> 0:42:53.800
<v Speaker 1>and doing this. I in that stage. I'm still learning

0:42:53.840 --> 0:42:56.200
<v Speaker 1>about my voice. My voice, you know, needs to go

0:42:56.280 --> 0:42:57.759
<v Speaker 1>out on the road. I haven't been out on the

0:42:57.840 --> 0:43:00.560
<v Speaker 1>road doing that. So in the studio it was kind

0:43:00.600 --> 0:43:02.680
<v Speaker 1>of like a bit hit and miss for me.

0:43:03.239 --> 0:43:05.080
<v Speaker 3>I think it was good that I was nervous. There's

0:43:05.080 --> 0:43:05.759
<v Speaker 3>a there's a.

0:43:05.719 --> 0:43:09.239
<v Speaker 1>Fragility to what I certainly what I'm singing, and I

0:43:09.280 --> 0:43:13.040
<v Speaker 1>think the strength and the two voices. I had the

0:43:13.040 --> 0:43:17.040
<v Speaker 1>words and I had my vocal vocal line and the

0:43:17.080 --> 0:43:20.319
<v Speaker 1>guitar that I was playing, and just said, you know,

0:43:20.400 --> 0:43:22.560
<v Speaker 1>let's just see what happens. And she immediately sort of

0:43:23.160 --> 0:43:26.239
<v Speaker 1>hit a seam and it's just it's just such a

0:43:26.480 --> 0:43:28.800
<v Speaker 1>I mean, it's again so intoxicating to be able to

0:43:28.840 --> 0:43:31.719
<v Speaker 1>sing with somebody like that. It's like, wow, you know,

0:43:31.760 --> 0:43:34.359
<v Speaker 1>it makes you sound better. It's like they say about

0:43:34.400 --> 0:43:36.360
<v Speaker 1>great actors. You work with a great actor or whatever

0:43:36.400 --> 0:43:38.640
<v Speaker 1>is and they said, they make you better, they make

0:43:38.719 --> 0:43:39.400
<v Speaker 1>you look better.

0:43:39.760 --> 0:43:42.279
<v Speaker 2>It's definitely like an impressive team that you put together

0:43:42.280 --> 0:43:44.240
<v Speaker 2>to make the album, because it sounds like everybody brought

0:43:44.280 --> 0:43:47.719
<v Speaker 2>something different that created the hole in the end. Obviously. Yeah,

0:43:47.920 --> 0:43:51.400
<v Speaker 2>the album opens with Shangola. People are kind of familiar.

0:43:51.400 --> 0:43:54.000
<v Speaker 2>You know, maybe if people's minds wander immediately to shangle

0:43:54.040 --> 0:43:56.719
<v Speaker 2>Ou at Glastonbury Festival, there is a direct connection. Tell

0:43:56.760 --> 0:43:58.560
<v Speaker 2>me a little bit about how and when you wrote

0:43:58.600 --> 0:44:00.720
<v Speaker 2>that song, and it was pretty much after you headline

0:44:00.719 --> 0:44:02.720
<v Speaker 2>Glastmary in twenty seventeen, right.

0:44:02.960 --> 0:44:06.000
<v Speaker 1>Well, it wasn't headlined, it was I think it was

0:44:07.239 --> 0:44:11.520
<v Speaker 1>twenty fourteen. We went to Glastonbury and had a we

0:44:11.560 --> 0:44:14.280
<v Speaker 1>hadn't played, but you know, it just had a glassome

0:44:14.400 --> 0:44:17.960
<v Speaker 1>is a really important porn a few days for me

0:44:18.000 --> 0:44:19.920
<v Speaker 1>and my wife and our friends, and it feels like

0:44:20.040 --> 0:44:23.719
<v Speaker 1>you reconnect with your tribe. That's I'm never happier than

0:44:23.760 --> 0:44:26.839
<v Speaker 1>four o'clock in Shangri La and it's And I came

0:44:26.840 --> 0:44:30.239
<v Speaker 1>back and I was I was so inspired by I

0:44:30.320 --> 0:44:33.560
<v Speaker 1>was still I was so inspired by being there that

0:44:33.960 --> 0:44:38.440
<v Speaker 1>I wanted to write about that feeling, but I wanted

0:44:38.440 --> 0:44:41.600
<v Speaker 1>to write about also, it's not just about that. It's

0:44:41.600 --> 0:44:46.160
<v Speaker 1>about a personal journey. It's about leaving the shit behind.

0:44:46.360 --> 0:44:49.840
<v Speaker 1>It's moving forward, however hard that might be, finding the people,

0:44:49.920 --> 0:44:53.080
<v Speaker 1>finding the tribe, finding the people that you resonate with.

0:44:53.800 --> 0:44:54.000
<v Speaker 3>You know.

0:44:54.120 --> 0:44:56.440
<v Speaker 1>That felt like that idea, and in my mind I

0:44:56.480 --> 0:44:59.719
<v Speaker 1>had a it is. I mean, it is like finding

0:45:00.160 --> 0:45:02.600
<v Speaker 1>the ultimate part of your tribe, your people in the

0:45:02.600 --> 0:45:04.680
<v Speaker 1>middle of the woods. It's a bit like you know,

0:45:05.239 --> 0:45:09.440
<v Speaker 1>that whole acid house thing had a profound effect on

0:45:09.760 --> 0:45:13.680
<v Speaker 1>my generation, me and stuff like that, and I suppose

0:45:13.719 --> 0:45:16.480
<v Speaker 1>it's sort of it's kind of there as well. I

0:45:16.520 --> 0:45:20.440
<v Speaker 1>know it's easy to remember the darker aspects of it,

0:45:20.480 --> 0:45:24.480
<v Speaker 1>but it was such a profoundly important moment in social

0:45:25.080 --> 0:45:29.040
<v Speaker 1>history of this country. So I wanted to somehow get

0:45:29.080 --> 0:45:31.640
<v Speaker 1>that spirit in the music. And the music was quite easy.

0:45:31.640 --> 0:45:33.600
<v Speaker 1>It was just like it needed to be groove based.

0:45:33.640 --> 0:45:36.160
<v Speaker 1>And what was great again about that talking about people

0:45:36.239 --> 0:45:38.200
<v Speaker 1>came to play on when we went to record it.

0:45:39.080 --> 0:45:42.560
<v Speaker 1>So after three weeks, David, Omaron Nathan it was then

0:45:42.680 --> 0:45:46.640
<v Speaker 1>down to me and Laura came in in February. The

0:45:46.680 --> 0:45:51.360
<v Speaker 1>following February, and also Glen Kotchi, who's a Drummond Wilco

0:45:51.880 --> 0:45:54.200
<v Speaker 1>beautifully came and helped us out and did some stuff

0:45:54.320 --> 0:45:57.000
<v Speaker 1>wonderful playing. And the other person who helped us who

0:45:57.040 --> 0:45:58.920
<v Speaker 1>I was, I was getting bored with my guitar player.

0:45:58.920 --> 0:46:02.000
<v Speaker 1>I was like, I need another flavor, Adrian Utley. And

0:46:02.040 --> 0:46:05.640
<v Speaker 1>Adrian is such a you know, an old compadre porter said,

0:46:05.680 --> 0:46:09.279
<v Speaker 1>and radioheader, you know, of the same era, and a

0:46:09.360 --> 0:46:12.960
<v Speaker 1>huge amount of love and respect. I think goes definitely

0:46:13.040 --> 0:46:14.680
<v Speaker 1>goes from must towards them, and I think it goes

0:46:14.800 --> 0:46:20.040
<v Speaker 1>both ways. And he's such a phenomenal player, and it

0:46:20.160 --> 0:46:22.760
<v Speaker 1>was just great. We did a second stint Flood Cecil

0:46:23.120 --> 0:46:26.320
<v Speaker 1>Richie the other engineer, and I had a second stint

0:46:26.360 --> 0:46:29.800
<v Speaker 1>in whales in this house and I found out Adrian,

0:46:30.200 --> 0:46:31.799
<v Speaker 1>do you want to come for the night and have

0:46:31.920 --> 0:46:35.319
<v Speaker 1>some good food and just try some guitar and and

0:46:35.440 --> 0:46:37.120
<v Speaker 1>it was great. He did some guitar and then him

0:46:37.160 --> 0:46:39.640
<v Speaker 1>Flood and I just natted into the early hours about

0:46:40.160 --> 0:46:41.320
<v Speaker 1>you know, about all sorts.

0:46:41.480 --> 0:46:43.799
<v Speaker 2>You mentioned earlier, the fact that you are going to

0:46:43.800 --> 0:46:45.360
<v Speaker 2>be taken out on the road and playing some shows

0:46:45.400 --> 0:46:47.719
<v Speaker 2>in North America and February. I saw the other day

0:46:47.719 --> 0:46:49.240
<v Speaker 2>that you'd announced that you were going to be playing

0:46:49.480 --> 0:46:51.239
<v Speaker 2>Bonnaru in the summer. I'm sure there's more to come.

0:46:51.400 --> 0:46:52.000
<v Speaker 3>There's a lot smart.

0:46:52.000 --> 0:46:54.680
<v Speaker 1>I mean, basically, it's it's proper touring, Okay, yeah, I

0:46:54.719 --> 0:46:57.280
<v Speaker 1>mean they just get, you know, tour over here Europe.

0:46:57.480 --> 0:46:59.680
<v Speaker 2>You know who's in the band. And how are you

0:46:59.719 --> 0:47:03.399
<v Speaker 2>feeling about I mean, I'm sure you've started rehearsals already.

0:47:04.200 --> 0:47:05.799
<v Speaker 3>I start rehearsals next week.

0:47:05.880 --> 0:47:07.600
<v Speaker 2>Okay, so how are you feeling about it? Broadly? And

0:47:07.680 --> 0:47:08.600
<v Speaker 2>Yeaho's coming with you.

0:47:08.680 --> 0:47:11.000
<v Speaker 1>So the keyboard player I've got is Hanako and Maury.

0:47:11.800 --> 0:47:14.920
<v Speaker 1>She's been playing with Kate. She's phenomenal. I've got an

0:47:15.000 --> 0:47:20.160
<v Speaker 1>amazing guitarist called Ross Chapman who has deputies for Alex

0:47:20.320 --> 0:47:24.280
<v Speaker 1>and everything, everything my rhythm section. I've got a bass player,

0:47:24.520 --> 0:47:28.879
<v Speaker 1>dil Shan Abrahams. He's an incredible player as well. He's

0:47:28.920 --> 0:47:31.800
<v Speaker 1>come from but he's done some big stuff, big pop stuff.

0:47:31.840 --> 0:47:34.680
<v Speaker 1>You mean, he was Kylie's Kylie Minogue's bass player for years.

0:47:35.360 --> 0:47:40.080
<v Speaker 1>And then this drummer from New Orleans called Alvin Ford Junior,

0:47:40.719 --> 0:47:44.720
<v Speaker 1>and he is steeped to New Orleans. His father's gospel drummer.

0:47:45.520 --> 0:47:47.920
<v Speaker 1>I'm really excited. I mean, I'm nervous as well, because

0:47:47.920 --> 0:47:50.960
<v Speaker 1>again for me, it's it's different type of gig. I'm

0:47:51.000 --> 0:47:52.360
<v Speaker 1>going to be at the front man, how do I

0:47:52.440 --> 0:47:54.719
<v Speaker 1>do that? But again it's the start, and I'm just

0:47:54.760 --> 0:47:57.200
<v Speaker 1>gonna What I really want to do is rather than

0:47:57.200 --> 0:47:59.920
<v Speaker 1>get nervous about it, and I just I want to

0:48:00.080 --> 0:48:02.080
<v Speaker 1>enjoy every moment. I want to enjoy the nerves, I

0:48:02.120 --> 0:48:05.680
<v Speaker 1>want to enjoy the insecurity because I also think what's

0:48:05.760 --> 0:48:08.359
<v Speaker 1>really great about this time is, you know, you look

0:48:08.360 --> 0:48:10.000
<v Speaker 1>at a lot of the musicians. I feel like it's

0:48:10.040 --> 0:48:13.719
<v Speaker 1>a real age of authenticity. The biggest start either the

0:48:13.760 --> 0:48:17.080
<v Speaker 1>biggest musician or one of them. The biggest grossest act

0:48:17.120 --> 0:48:20.040
<v Speaker 1>on the planet is Ed Sheeran. And if you'd said

0:48:20.040 --> 0:48:22.399
<v Speaker 1>this twenty years ago that a guy could go out

0:48:22.400 --> 0:48:26.239
<v Speaker 1>with just his guitar and be the biggest live act

0:48:26.280 --> 0:48:29.680
<v Speaker 1>in the world, and the kind of the demeanor that

0:48:29.719 --> 0:48:32.040
<v Speaker 1>he has, it's not like he's Dave garn or Bono.

0:48:32.520 --> 0:48:35.520
<v Speaker 1>It's very different. And I've got a lot of respect

0:48:35.520 --> 0:48:38.279
<v Speaker 1>for him. I mean, and I think what's really interesting

0:48:38.320 --> 0:48:41.359
<v Speaker 1>and seeing Adele's performance of Glasphemy, what I loved about

0:48:41.360 --> 0:48:44.239
<v Speaker 1>that headline slot was, Wow, we're living in an age

0:48:44.239 --> 0:48:48.200
<v Speaker 1>of authenticity. People can be themselves and I think that's

0:48:48.360 --> 0:48:50.880
<v Speaker 1>really really important. When we were starting with the Radiohead,

0:48:50.960 --> 0:48:53.120
<v Speaker 1>it was almost like it was like the Wizard of Oz.

0:48:53.160 --> 0:48:55.400
<v Speaker 1>You had to put on a front, you had to

0:48:55.880 --> 0:48:59.520
<v Speaker 1>your frontman. Ideally was some kind of composite of Bono,

0:48:59.800 --> 0:49:04.520
<v Speaker 1>my Stipe, Morrissey, Dave garn all of those. There was

0:49:04.560 --> 0:49:08.080
<v Speaker 1>a classic. And I feel like it's different now and

0:49:08.120 --> 0:49:12.080
<v Speaker 1>I think it's a really I actually think in Britain

0:49:12.080 --> 0:49:14.080
<v Speaker 1>it feels like a really exciting time in music.

0:49:14.120 --> 0:49:14.479
<v Speaker 3>I really.

0:49:14.560 --> 0:49:17.040
<v Speaker 1>I mean the things that I really that make me

0:49:17.200 --> 0:49:20.520
<v Speaker 1>really happy about the current music scene. And I'm not

0:49:20.560 --> 0:49:22.680
<v Speaker 1>in any way a part of it, but it's the

0:49:22.760 --> 0:49:25.879
<v Speaker 1>whole black British scene. It's like the Storm Sea, It's

0:49:25.880 --> 0:49:28.640
<v Speaker 1>the Little Sims, It's Dave, all these people, it's like

0:49:29.520 --> 0:49:31.920
<v Speaker 1>Green Tea Pain. It's like that to me, is like,

0:49:32.320 --> 0:49:34.359
<v Speaker 1>oh wow, this is this is what makes it. This

0:49:34.400 --> 0:49:36.080
<v Speaker 1>is what makes it exciting. And I think it kind

0:49:36.120 --> 0:49:39.160
<v Speaker 1>of it broadens it and it makes it. Yeah, I

0:49:39.239 --> 0:49:41.480
<v Speaker 1>just feel like everything's just more open now. I may

0:49:41.480 --> 0:49:42.680
<v Speaker 1>be completely wrong.

0:49:42.600 --> 0:49:44.600
<v Speaker 2>No, No, it's definitely a lot of the kind of

0:49:45.640 --> 0:49:48.359
<v Speaker 2>old artificts and the things that the kind of the

0:49:48.360 --> 0:49:49.040
<v Speaker 2>cliches and.

0:49:49.120 --> 0:49:52.000
<v Speaker 1>The male it's boring. I mean, I know we kind

0:49:52.000 --> 0:49:54.640
<v Speaker 1>of reacted against that anyway. And I'm not saying all

0:49:54.680 --> 0:49:58.279
<v Speaker 1>those people that I've mentioned are extraordinary front man, you know,

0:49:58.680 --> 0:50:02.640
<v Speaker 1>and Michael was, they're all brilliant, but I think I

0:50:02.680 --> 0:50:06.920
<v Speaker 1>think they exhausted that generation. Certainly our generation exhausted that possibility.

0:50:06.960 --> 0:50:09.319
<v Speaker 1>I just find that whole notion and I think we

0:50:09.480 --> 0:50:13.239
<v Speaker 1>sort of finished it off. Our generation finished off Oasis

0:50:13.280 --> 0:50:17.320
<v Speaker 1>and Blur. It's just kind of boring. Now guys and bands.

0:50:17.440 --> 0:50:20.239
<v Speaker 1>I mean, I'm sure they'll be a renaissance, but what

0:50:20.280 --> 0:50:24.040
<v Speaker 1>I'm saying is maybe the expectations of how you should

0:50:24.040 --> 0:50:26.080
<v Speaker 1>be or what you the front that you put on

0:50:26.239 --> 0:50:28.920
<v Speaker 1>that's boring people in bands making music is not more

0:50:28.960 --> 0:50:31.480
<v Speaker 1>in whether it's guys. You know, there is great great music,

0:50:31.480 --> 0:50:32.080
<v Speaker 1>great bands.

0:50:32.120 --> 0:50:32.279
<v Speaker 3>You know.

0:50:32.920 --> 0:50:35.600
<v Speaker 1>I just think that that front. I think that's what

0:50:35.640 --> 0:50:38.840
<v Speaker 1>I'm trying to get out. It's the front. It's trying

0:50:38.880 --> 0:50:41.680
<v Speaker 1>to be something that you're not, or putting a front

0:50:41.719 --> 0:50:43.920
<v Speaker 1>on and saying, you know, I'm like this, I'm this

0:50:44.040 --> 0:50:46.080
<v Speaker 1>perfect human being and we're gonna market you in a

0:50:46.080 --> 0:50:49.319
<v Speaker 1>way that makes you It's like, I'm not interested in that.

0:50:49.360 --> 0:50:51.759
<v Speaker 1>And maybe it's because I'm older, but I also genuinely

0:50:51.760 --> 0:50:54.880
<v Speaker 1>feel like when you see people like Adele and you know,

0:50:55.000 --> 0:50:59.120
<v Speaker 1>you see Storms you talk or Sims or Ed Sheeran

0:50:59.560 --> 0:51:02.279
<v Speaker 1>or anyone, people are themselves.

0:51:03.080 --> 0:51:03.839
<v Speaker 3>I love that.

0:51:04.120 --> 0:51:07.319
<v Speaker 1>And maybe it's because the audience is now they can

0:51:07.360 --> 0:51:18.600
<v Speaker 1>sniff in authenticity and bullshit a lot better. Anyway, good Night,