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Speaker 1: Hi.

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Speaker 2: I'm Kristin Davis, and I want to know, are you

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Speaker 2: a Charlotte? Hi?

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Speaker 1: Hi, Hi rach Children. Hello, so exciting me too. Nice

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Speaker 1: to see you.

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Speaker 3: We are here at Are you a Charlotte? Thanks for

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Speaker 3: listening and watching or whatever you're doing.

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Speaker 1: You guys, It's.

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Speaker 3: Good to be here. Rachel is here.

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Speaker 2: We have a couple things to talk about, but technically

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Speaker 2: we are here to rewatch an episode of Sex and

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Speaker 2: the City from season two, so kind of back in

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Speaker 2: the day. It is called was It Good for You?

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Speaker 2: It's a very interesting episode. But also those of you

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Speaker 2: who watch all the shows would know that Rachel joined

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Speaker 2: us on and just like that, which was really really fun.

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Speaker 2: She was in the episode bomb Cyclone, which was a

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Speaker 2: cool episode Cynthia directed.

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Speaker 1: Yes, and let me just say it was like it

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Speaker 1: was one of those most like, I mean, I watched

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Speaker 1: Sex and the City back it was my Sunday night ritual,

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Speaker 1: so I mean, I love did and still do. But

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Speaker 1: so then when I got the call that I was

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Speaker 1: gonna be that was like a moment that was I

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Speaker 1: hate the term bucket list, but it was. It was

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Speaker 1: a bucket list moment until then when I walked in

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Speaker 1: to the read through. I mean you don't understand. Maybe

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Speaker 1: you do because maybe everyone that comes in is like this,

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Speaker 1: but I was just like I was having a ton

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Speaker 1: I was like, there's everybody, there's all the cast and

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Speaker 1: it was right, yeah, but I mean it was like

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Speaker 1: in the most fun way good. Everyone was really friendly.

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Speaker 1: But it was also just like anytime you're on something

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Speaker 1: that you used to watch before you ever like you know,

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Speaker 1: dreamed of making it. But anyways, so yes, that was

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Speaker 1: it's hard to it's hard for us.

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Speaker 2: I mean people do say this and it's super interesting.

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Speaker 2: I mean for me and you come from Saturday Night Live,

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Speaker 2: which to me, there's nothing more intimidating or frightening or

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Speaker 2: scary or like, I literally don't know how you guys

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Speaker 2: do it, Like I mean I technically know how you

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Speaker 2: do it, but the idea of that pressure, you know,

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Speaker 2: like like wow, wow wow, and the you know, every

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Speaker 2: week creating that show and not knowing like having to

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Speaker 2: prove yourself and you know, not get cut the skin

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Speaker 2: and the like.

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Speaker 3: Oh lord, lord lord.

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Speaker 2: But the read throughs are the closest that we come

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Speaker 2: because Michael Patrick is old school. You know, he came

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Speaker 2: from old school sitcoms. Right, so, especially back in the

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Speaker 2: day of for instance, this this particular episode we're going

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Speaker 2: to talk about was in.

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Speaker 3: Nineteen ninety nine, which is kind of funny to say, right,

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Speaker 3: like like a long time ago. He would We would

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Speaker 3: have our read.

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Speaker 2: Throughs back then, and they were have you shot at

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Speaker 2: Silver Cup? Yeah, it's so durable and like weirdly old fashioned.

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Speaker 1: Yeah.

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Speaker 3: We would have them in a like a room probably

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Speaker 3: this size, like.

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Speaker 2: A much smaller room back then, and if you didn't

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Speaker 2: land a joke, you know, in the read through, that

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Speaker 2: joke would get.

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Speaker 3: Cut right, you know.

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Speaker 1: Yeah, and once we.

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Speaker 3: Then did it and just like that, we were often

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Speaker 3: just this huge room I mean so many people.

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Speaker 2: Yeah, and we would have the iPad so that everyone

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Speaker 2: back in La at HBO could be watching. Did you

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Speaker 2: notice that there were iPads set up like this, like

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Speaker 2: semi innocuously, you know what I mean, But they're filming

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Speaker 2: you for for everyone back.

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Speaker 3: In La La Land to be watching, which was interesting.

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Speaker 2: And then there'd be like just like so so so

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Speaker 2: many people at those read throughs, And I would say

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Speaker 2: to my younger pretend children, you know on the show.

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Speaker 4: Like you guys like really like he your like maybe

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Speaker 4: like what do you mean, because.

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Speaker 3: You know it's a different world now, right.

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Speaker 1: Right right, and just be like so quiet over there

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Speaker 1: and the read through like yeah yeah yeah, don't get

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Speaker 1: cut yeah right right.

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Speaker 2: Yeah, but it's it's obviously you were fully on and wonderful,

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Speaker 2: but like they want to see it, yeah, you know,

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Speaker 2: they want to see it.

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Speaker 1: I didn't even realize that we were being watched from Afar,

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Speaker 1: but I know makes.

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Speaker 2: I know, right, the new the new technology is interesting,

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Speaker 2: but it's better than having like even more.

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Speaker 1: People in the room, right, that's true.

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Speaker 2: Yeah, but if does have like almost like a live

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Speaker 2: theater element, yes, read throughs.

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Speaker 3: Yeah, it's so much fun.

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Speaker 1: Yes, oh well that was my you know dream come true.

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Speaker 1: Then I was when I was in I was in

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Speaker 1: a scene with SJP. Can I call you that?

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Speaker 4: You know?

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Speaker 1: I was in a scene with Sarah Jessica Parker. I'm like,

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Speaker 1: I need to say this because it's kind of unprofessional,

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Speaker 1: but like while I was in the scene, like I

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Speaker 1: was in the scene, but then there was also like

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Speaker 1: the other Rachel, like I'm in the scene with Sara,

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Speaker 1: So I was like fangirling and trying to act a

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Speaker 1: but it was super fun though, yeah.

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Speaker 3: And then you went for a drink? Is this right?

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Speaker 1: This is so funny. So we were shooting in the

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Speaker 1: hotel because this big like you know, conference was the scene.

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Speaker 1: And so then it was the end of the day

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Speaker 1: and Cynthia was directing and Sarah Jessica Parker was like, well,

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Speaker 1: I'm gonna go get go get a drink at the

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Speaker 1: bar like end of the day, and she's like, do

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Speaker 1: you want anything? And I was first of I was

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Speaker 1: like because I got very like shy around my idols,

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Speaker 1: like right now. But anyways, so she's like, do you

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Speaker 1: want to drink? And I was like, oh, sure, I'll

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Speaker 1: have a margarita because that's my usual go to. And

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Speaker 1: then she was like, well, I'm going to get a cosmo.

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Speaker 1: And then I was like, oh, I have to get

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Speaker 1: the cosmo. It was like make a wish like wow,

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Speaker 1: some auction item, like have a cosmo. So I was like,

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Speaker 1: I'll have a cosmo. Since she came up with these

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Speaker 1: styrofoam cups over the bar, I don't know why, but whatever,

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Speaker 1: it was like the take away something. But then the

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Speaker 1: funny thing is like Cynthia, who I also you know,

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Speaker 1: don't know well at all, like who is the director?

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Speaker 1: Like there I am on the set at the end

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Speaker 1: of the day, it was like boozing it up, and

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Speaker 1: I wanted to be like, I've never done this because

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Speaker 1: it seemed I still holding my object.

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Speaker 2: I know, we put that down, that's right now, But

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Speaker 2: Jessica gave you the go ahead, you're not.

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Speaker 1: But I was a little bit like I'm drinking on

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Speaker 1: the job kind of. But I did get to have

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Speaker 1: a cosmo with.

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Speaker 4: Love.

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Speaker 1: It was a big moment, right And.

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Speaker 3: What was it like having Cynthia direct? Was that bizarre?

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Speaker 1: I mean, like I don't know how the show usually works,

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Speaker 1: so it was just you know, she was a good

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Speaker 1: director and she was give me good notes and but

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Speaker 1: you know, nothing to like intrusive. So she did a

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Speaker 1: great job in my opinion. But you know, I didn't

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Speaker 1: know if she was directing there all the time, Like

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Speaker 1: I didn't know if that was her first time, because

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Speaker 1: you know, you're just like when you come into someone's set,

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Speaker 1: you're just sort of like, I'll go where they tell me.

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Speaker 1: Of course, of course, of course, was that your first

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Speaker 1: time director?

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Speaker 2: No bomb cyclone was not her first time directing. She

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Speaker 2: directed the episode where she has a experience with Chay

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Speaker 2: in Carrie's apartment.

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Speaker 1: In the kitchen.

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Speaker 3: Yes, she directed herself can you Believe?

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Speaker 2: And then the next episode where I find out about

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Speaker 2: it in the park and I yell at her, she

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Speaker 2: also directed that can you believe that?

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Speaker 1: I mean directing your own sex scene. I know that's

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Speaker 1: a whole it's situation, situation, right, Wow, I know she's

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Speaker 1: so brave. It would be difficult.

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Speaker 3: I know she did so great though, so great.

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Speaker 2: Now Michael Patrick was also around because when we went

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Speaker 2: to the scene.

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Speaker 3: First of all, this is something that.

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Speaker 2: That happens frequently to me, which is bizarre. I would

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Speaker 2: read a script and we would do the read through,

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Speaker 2: of course, and I would perceive it as happening one

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Speaker 2: certain way, like for me, And this is more to

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Speaker 2: do with me than to do with the script.

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Speaker 3: I thought that scene where she has an interview with Chay.

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Speaker 2: And Carrie is in the bed because she's had her

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Speaker 2: hip replacement thing or whatever it was.

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Speaker 3: It is a hip replace right, Okay.

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Speaker 2: I thought it was going to be funny, but it

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Speaker 2: really really wasn't like, it really really was.

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Speaker 1: Very intense and scary. I mean, like scare a lot

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Speaker 1: of sounds from what I recall.

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Speaker 3: Sounds and then like Carrie is so stressed, right, and

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Speaker 3: then she has to pee in a Snapple bottle? Do

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Speaker 3: you remember, right? See, when I read that, that seemed

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Speaker 3: comic to me.

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Speaker 1: I could see that, yeah, you know, So.

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Speaker 3: Then when it came out, I was like, WHOA.

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Speaker 1: That's interesting right now, that could have been a comic thing, right.

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Speaker 3: And then when the scene comes in the park where

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Speaker 3: I find out and I'm talking about ships sailing.

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Speaker 2: For some reason, I don't know why, I can't remember

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Speaker 2: you remember weird things about your acting.

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Speaker 1: Yeah, it's true for you. I can remember things.

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Speaker 2: That aren't necessarily the most important thing, right, Right. So

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Speaker 2: there's we're outside where Battery park and there are ships

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Speaker 2: out in the ocean, and I'm comparing something to ships sailing.

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Speaker 3: I don't know what.

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Speaker 2: Maybe her and and Eigenberg slash Steve I don't know,

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Speaker 2: meaning Miranda and Steve, and it's Michael Patrick's there.

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Speaker 3: Cynthia is technically directing, so she.

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Speaker 2: Set up the shot, she's set up the blocking, We've

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Speaker 2: rehearsed all that stuff.

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Speaker 3: I think it's kind of a Charlotte scene where I'm like,

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Speaker 3: I mean.

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Speaker 2: You know, you're attracted to a non binary person.

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Speaker 1: It's a moment.

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Speaker 2: It's not a big deal, like I thought it was

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Speaker 2: like that like Charlotte being like, oh.

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Speaker 3: You know, it's fine.

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Speaker 1: No.

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Speaker 3: He comes to me, Michael Patrick, and he's like yell

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Speaker 3: at her. Oh oh, and he goes, you are the

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Speaker 3: moral compass here. I was like, oh, I'm the moral compass.

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Speaker 1: Oh my gosh. Oh so you had to be all

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Speaker 1: stern or something. I had to really for this, like

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Speaker 1: in this much detail.

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Speaker 3: But I know which is fine. I supposed to.

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Speaker 1: Have a card kettle.

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Speaker 3: No, no, no, no.

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Speaker 2: It came to me because I was thinking about her directing, right,

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Speaker 2: and then it's so interesting because she was in the scene.

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Speaker 3: Right, and I don't know in the scene.

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Speaker 2: If she would have told me to shout at her

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Speaker 2: Sarah right. But Michael was like just kind of whispering

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Speaker 2: in my ear, like you have to carry the way

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Speaker 2: of the moral reality that she has now kind of

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Speaker 2: irrevocably broken her marriage to Steve.

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Speaker 3: Wow.

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Speaker 1: I know, I was not looking at it with this

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Speaker 1: like people for me, Okay, So like it's just one.

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Speaker 2: Of those interesting things where like, yes, she was directing,

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Speaker 2: but she was also in that scene. So he was

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Speaker 2: kind of like the little birdy in my ear to

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Speaker 2: kind of in a way enlive in that scene for her,

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Speaker 2: you know what I'm saying, In a way where when

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Speaker 2: you're directing yourself, you can't necessarily do though she probably

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Speaker 2: would have done that because this is the thing that

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Speaker 2: I remember and bomb Cyclone definitely, So that was Bomb Cyclone.

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Speaker 3: She directed the second season.

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Speaker 2: She wasn't able to direct the third season because she

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Speaker 2: was doing Gilded Age and just like that at the

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Speaker 2: same time, which was insanity. But she's amazing obviously and

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Speaker 2: can handle all of it. She really wanted to direct,

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Speaker 2: and they were like, no, you're you know, there's not

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Speaker 2: enough of you bomb Cyclone. I remember, she really she was.

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Speaker 2: She didn't have a a huge storyline for herself in

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Speaker 2: that and so she directed us.

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Speaker 3: A lot, like a lot. Yeah.

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Speaker 2: I was like, Cynthia, it's so many notes. I can't remember.

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Speaker 2: I can't remember. But you were perfect in the read through.

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Speaker 2: I remember that, so you didn't need any notes.

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Speaker 1: Well, I had kind of a goofy part, so that

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Speaker 1: was good for me. I didn't have to have an

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Speaker 1: interlude in the kitchen, so I mean, I few intimacy

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Speaker 1: coordinator needed, Noah, but I love the.

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Speaker 2: Whole, the whole, like you know, what is your take

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Speaker 2: on the character that you played, which is you know, this.

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Speaker 1: Is kind of funny, Like so I just saw her

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Speaker 1: as this. So I played this like event planner for

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Speaker 1: Carrie's book tour and I had set up. But then

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Speaker 1: I come in and we had worked together, like work

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Speaker 1: together long ago. We had tried to write a screenplay

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Speaker 1: together that never got off the ground. But anyway, I

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Speaker 1: come in like remember me, and like, so I just

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Speaker 1: saw myself as a pest. So that's why I just

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Speaker 1: saw myself as But then the funny and I kept

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Speaker 1: you that word in my mind and I'm a pest.

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Speaker 1: Then the cool thing is when I came in for

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Speaker 1: my costume fitting, they had earrings for me there were

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Speaker 1: house flies, because you know how they go, so I mean,

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Speaker 1: you know, yeah, they wacky. I guess what they take

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Speaker 1: the costumes, but they were they were house flies and

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Speaker 1: they also had a big insect necklace.

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Speaker 2: Wow, And I was like, this is so like I know, Moll,

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Speaker 2: Molly and Danny are like on another level of communication.

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Speaker 1: Who you knew there were house fly earrings? I mean

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Speaker 1: I feel that I can look very closely my ears

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Speaker 1: and that scene and I will say.

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Speaker 3: It so much.

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Speaker 2: And so you your character is named Carrie.

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Speaker 1: But I used to be named Karen. But I said,

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Speaker 1: not a good time for white women named Karen. So

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Speaker 1: I go by I go by Carrie now like k

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Speaker 1: E R R. Wife. It was like carry cars to

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Speaker 1: really trying to like make the connection. Yeah, with Carrie.

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Speaker 3: It was too funny. It was too funny. I'm so glad.

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Speaker 3: I think that they I.

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Speaker 2: Don't know the details because I'm not in the writer's room,

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Speaker 2: but I think they wrote that hoping that.

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Speaker 1: You would do Oh yeah, I'll just believe that to

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Speaker 1: be true. No, that was so fun I'm so there's

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Speaker 1: some things like that, you know, wish you could be

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Speaker 1: on a certain show. And I never even dreamed of it.

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Speaker 1: So that was a good call to get. Yeah, yeah,

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Speaker 1: you know how you.

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Speaker 2: Guys used to spoof used on Saturday Night're like, oh, yeah,

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Speaker 2: there was me.

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Speaker 1: No, it was so I played Okay, I did a

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Speaker 1: horrible Christina Aguilera was the host, and I don't know

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Speaker 1: when she played Samanthamanda and I got sort of.

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Speaker 3: A sis played me.

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Speaker 1: Who did Kristen Wig? No, she wasn't. She was on

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Speaker 1: yet she played me later, but I was not too

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Speaker 1: good impression. No, I mean, I'm just gonna be honest

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Speaker 1: my impressions. Like if I see someone like, oh I

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Speaker 1: could do that, that's one thing. But if you just

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Speaker 1: get told like you're doing Cynthenix, I just wasn't, you know,

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Speaker 1: I don't have that savant thing. So I just threw

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Speaker 1: on the red wig and crossed my fingers.

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Speaker 5: But I forget who played I forget who played me too,

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Speaker 5: because I feel.

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Speaker 3: Like it happened more than once that they poof.

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Speaker 2: They probably knew guys, and I mean it was like

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Speaker 2: such a kind of an honor really to get spoofed,

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Speaker 2: you know what I mean.

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Speaker 3: And at one point someone spoofed me.

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Speaker 2: Wearing poke it out like a poke it up pussy bow,

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Speaker 2: and I was like, well, that's all you have to

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Speaker 2: do is just put on the blouse side, right, It's fine.

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Speaker 1: I mean, I'm sure they've done many over the years. Yeah,

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Speaker 1: like maybe after I was there too, but that's the

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Speaker 1: one I remember that Christina, Oh, she was like she

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Speaker 1: just said, like I think she came in like well

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Speaker 1: I can do these people, and so like that. So

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Speaker 1: then they write the scene. Yeah, that's that's how that works.

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Speaker 1: I said it scooped.

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Speaker 3: That's cool. I love it. I love it. I love it.

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Speaker 2: So this is my other thing I want to ask you.

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Speaker 2: So when you say that it was kind of amazing

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Speaker 2: and interesting to come on a show you'd already watched,

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Speaker 2: what was your experience of watching, Like when did you start?

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Speaker 1: Oh, oh, my gosh, well I remember I remember the

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Speaker 1: Fall of ninety nine. It was my first season on

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Speaker 1: sn olt. Oh, and so I just had this like

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Speaker 1: little apartment on the Upper West Side, and like there

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Speaker 1: was a while where I had no furniture because the

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Speaker 1: movers like lost my When I first got the job,

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Speaker 1: You're like so excited, and I remember like in this

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Speaker 1: little apartment with like just sitting on this little like you, Matt,

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Speaker 1: but I had the TV and that was my Sunday night, Rachel. Like,

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Speaker 1: I like, as soon as you hear that HB like ard, yeah,

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Speaker 1: that chord, it just gives me a good feeling. And

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Speaker 1: then like the opening music of it, like it just

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Speaker 1: I feel like it's just so encapsulated, you know, life

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Speaker 1: in your thirties, trying to make it in wherever New

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Speaker 1: York or wherever you know. Yeah, So it was definitely

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Speaker 1: my like appointment television, but I can't. I must have

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Speaker 1: watched when it first came out, too, but I mean I've.

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Speaker 3: Only been this is. I think we came out in

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Speaker 3: ninety eight.

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Speaker 2: It's the second season, so I mean, and they were

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Speaker 2: only thirteen in the first season, and then we just

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Speaker 2: like started just bam bam bam, trying to get it,

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Speaker 2: get them made because people were watching, right, didn't really

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Speaker 2: at this point. People keep coming to my podcast and

351
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Speaker 2: telling me like.

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Speaker 3: It was the biggest hit. I'm like, no, second season

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Speaker 3: was not the biggest yet.

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Speaker 2: I mean it was it was for us great, right

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Speaker 2: because we didn't really ever perceive what was coming, you

356
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Speaker 2: know who could, right? But then to me, third season

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Speaker 2: it was kind of like bumped up.

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Speaker 1: Okay, Okay.

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Speaker 3: It took time.

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Speaker 2: Because HBO was kind of new to original programming and whatnot, you.

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Speaker 3: Know what I mean. So I think like like.

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Speaker 2: Women were like quietly watching it, you know what I mean,

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Speaker 2: And then it just kind of building built the built,

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Speaker 2: the built, and we were just talking to any press

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Speaker 2: people who would ever talk to us, Like we were

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Speaker 2: just like begging people like will you please talk to us?

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Speaker 2: Which is I need to think about now wow, yeah,

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Speaker 2: in the olden day media.

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Speaker 1: Because I just I was telling you, I just watched

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Speaker 1: like eight of them in a row on a plane,

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Speaker 1: and some of them, like they're very poignant, like so

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Speaker 1: they really get you, but they're also funny. Like that's

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Speaker 1: what I love. I mean, I love anything that's like

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Speaker 1: both things.

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Speaker 2: I agree because it's very hard to do ye, so

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Speaker 2: hard to do this, and I don't think people necessarily realize.

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Speaker 3: Not should they. I guess it's not their job, right,

378
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Speaker 3: but like to.

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Speaker 2: Be able, and I love that they allowed us to

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Speaker 2: try to do all the different things.

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Speaker 1: Yeah, you know, and when.

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Speaker 2: You look back, especially in the beginning, well, in the

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Speaker 2: beginning beginning, there's just darkness, like the men are just

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Speaker 2: like Okay, I mean I felt when I watched it

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Speaker 2: at least, I mean, it really took me back in

386
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Speaker 2: a bad way.

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Speaker 3: In the nineties.

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Speaker 2: Okay, Yeah, I'm talking about the very beginning. It was

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Speaker 2: really based on Candace's column, and as Candace told me

390
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Speaker 2: when she came on, that was really based on people

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Speaker 2: just telling her, like people would come up to parties

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Speaker 2: and be like I did, yeah, like kind of cool,

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Speaker 2: kind of scared.

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Speaker 1: Yeah, the specifics yes, you guys all hit on like

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Speaker 1: you know the guy who this and the guy that

396
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Speaker 1: you could tell that was someone's real story. Fun.

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Speaker 2: Yes, yeah, yes, So once we veer off from Kansas's

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Speaker 2: own column, it's our writers' stories or people they know.

399
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Speaker 2: So there was a rule that had to be only

400
00:18:12,800 --> 00:18:16,200
Speaker 2: once removed. It couldn't be like someone heard something from someone.

401
00:18:16,240 --> 00:18:18,679
Speaker 2: That had to be like my friend and blah blah blah,

402
00:18:18,960 --> 00:18:19,800
Speaker 2: this happened to my friend.

403
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Speaker 3: Yeah, which is everyone thought it was our stories. Thank god.

404
00:18:22,359 --> 00:18:24,600
Speaker 2: No, it would very hard to act your own stories,

405
00:18:25,119 --> 00:18:26,000
Speaker 2: you know, that would.

406
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Speaker 3: Be very weird, thank god, But we did.

407
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Speaker 2: There was a time where I remember we would you know,

408
00:18:31,480 --> 00:18:33,240
Speaker 2: you're just sitting there for so long on a set

409
00:18:33,280 --> 00:18:35,280
Speaker 2: like blah blah blah blah blah, and at a certain point

410
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Speaker 2: the writers would walk up.

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Speaker 3: We just stopped talking. Scared.

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Speaker 1: Wait say that again.

413
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Speaker 3: I didn't say what we stopped when the writers came. Oh,

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Speaker 3: we didn't want them to hear us saying anything.

415
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Speaker 1: I thought you were being told to be quiet on

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Speaker 1: the set. I mean sometimes.

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Speaker 3: Probably we were.

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Speaker 1: Probably we weren't chattering, but you.

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Speaker 3: Know what I mean, we were chatting a lot. But

420
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Speaker 3: if the writers came.

421
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Speaker 1: We would just be like, oh god, we don't want this.

422
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Speaker 3: We don't want them to be hearing it. It's important,

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Speaker 3: stop stop talking. But it really was not us.

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Speaker 2: Okay, okay, let's talk about this episode because this episode

425
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Speaker 2: very interesting. As I was telling you when we walked in,

426
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Speaker 2: there's some episodes I watch and I remember so much.

427
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Speaker 2: There's some episodes I watch and I remember almost nothing.

428
00:19:16,560 --> 00:19:20,000
Speaker 2: This is close to almost nothing. And I think it's

429
00:19:20,040 --> 00:19:23,600
Speaker 2: because it's towards this end of the season and you're

430
00:19:23,680 --> 00:19:26,680
Speaker 2: so exhausted, and we would work all night long untill

431
00:19:26,680 --> 00:19:30,240
Speaker 2: the sun came up. So many days a week, yes,

432
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Speaker 2: like certainly Thursday, Friday, and yeah, Saturday morning, but then

433
00:19:34,359 --> 00:19:36,560
Speaker 2: we would start Monday at five am. So it was

434
00:19:36,800 --> 00:19:39,880
Speaker 2: you were just trying to turn your sleep around. That's

435
00:19:39,920 --> 00:19:42,280
Speaker 2: all you were trying to do, right, and like take

436
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Speaker 2: care of your feet, you know, oh.

437
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Speaker 1: In those heels. Yeah, Oh my gosh.

438
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Speaker 3: There's a lot.

439
00:19:47,560 --> 00:19:50,200
Speaker 2: So this episode is called was It Good for You?

440
00:19:51,080 --> 00:19:54,320
Speaker 2: And it's directed by Dan Allgrahant, which is also really interesting.

441
00:19:54,359 --> 00:19:55,800
Speaker 3: He was a like a.

442
00:19:55,480 --> 00:19:58,480
Speaker 2: Indie filmmaker friend of Sara Jessica somehow, which I need

443
00:19:58,480 --> 00:20:01,159
Speaker 2: to ask her how I think this might be his

444
00:20:01,760 --> 00:20:05,679
Speaker 2: second episode, which is cool, or third, And Michael Patrick

445
00:20:05,760 --> 00:20:08,280
Speaker 2: King wrote this one, which is so nice. So he

446
00:20:08,320 --> 00:20:10,680
Speaker 2: had come on first season, and then he's like writing

447
00:20:10,720 --> 00:20:12,920
Speaker 2: more and directing more as time goes on, and at

448
00:20:12,920 --> 00:20:17,280
Speaker 2: some point he basically takes over and so many, so

449
00:20:17,440 --> 00:20:19,960
Speaker 2: many manner ins I'm not even gonna name them.

450
00:20:20,040 --> 00:20:21,600
Speaker 3: Well, name them when we get to them.

451
00:20:21,960 --> 00:20:24,560
Speaker 2: So this whole episode is so sad and I didn't

452
00:20:24,600 --> 00:20:27,440
Speaker 2: remember the storyline at all. This is a very sad

453
00:20:27,440 --> 00:20:31,840
Speaker 2: storyline us Charlotte, because the whole episode starts with Charlotte

454
00:20:31,880 --> 00:20:34,960
Speaker 2: having sex with some guy we've never seen in her bed.

455
00:20:35,720 --> 00:20:41,440
Speaker 2: Turns out he's asleep. He falls asleep when they are

456
00:20:41,480 --> 00:20:42,159
Speaker 2: having sex.

457
00:20:42,920 --> 00:20:46,280
Speaker 3: What on earth? I mean, I was shocked.

458
00:20:46,680 --> 00:20:49,320
Speaker 1: Do you remember this well? I don't remember seeing this

459
00:20:49,400 --> 00:20:52,639
Speaker 1: one back when, but I did my homework, thank you,

460
00:20:53,240 --> 00:20:55,280
Speaker 1: thank you ages, but I didn't remember.

461
00:20:56,119 --> 00:20:57,320
Speaker 3: I don't remember this either.

462
00:20:57,520 --> 00:21:02,200
Speaker 2: I mean, wow, sad, yeah, and and and sad for Charlotte.

463
00:21:02,560 --> 00:21:02,840
Speaker 1: Yes.

464
00:21:03,200 --> 00:21:04,480
Speaker 3: And then very soon we.

465
00:21:04,480 --> 00:21:07,000
Speaker 2: See Charlotte just having like a whole little breakdown and

466
00:21:07,040 --> 00:21:10,960
Speaker 2: Carrie's apartment and Carrie trying to be so nice and

467
00:21:11,040 --> 00:21:11,560
Speaker 2: saying like.

468
00:21:11,640 --> 00:21:14,480
Speaker 3: Oh, you know, was he just you know, and also

469
00:21:15,080 --> 00:21:15,760
Speaker 3: the guy.

470
00:21:16,160 --> 00:21:19,480
Speaker 2: So I'm i'm I'm like making little sexy noises whatever,

471
00:21:19,560 --> 00:21:21,359
Speaker 2: and then I'm like, uh, what's his name?

472
00:21:21,680 --> 00:21:23,160
Speaker 3: Kevin Flynn? Is his real name?

473
00:21:23,240 --> 00:21:29,080
Speaker 1: Brahma Walker, doctor Brahma, the orthopedist, the orthopedic surgeon.

474
00:21:29,240 --> 00:21:32,239
Speaker 2: Yes, yes, and that's his whole thing he's saying is

475
00:21:32,520 --> 00:21:35,159
Speaker 2: I was up at five in the morning, have a

476
00:21:35,240 --> 00:21:37,960
Speaker 2: very hard job. At some point, he says he had

477
00:21:38,000 --> 00:21:40,800
Speaker 2: three carpal tunnel syndrome, you.

478
00:21:40,760 --> 00:21:44,320
Speaker 1: Know, surgery, surgery, thank you, that's the word.

479
00:21:44,680 --> 00:21:46,920
Speaker 2: And then someone else wrote in my notes that they

480
00:21:46,960 --> 00:21:50,159
Speaker 2: take like twenty minutes, which is kind of funny.

481
00:21:50,440 --> 00:21:55,080
Speaker 5: But he anyway, he's falling asleep, which really I cannot

482
00:21:55,200 --> 00:21:58,840
Speaker 5: really actually imagine that this, that this could happen, but

483
00:21:58,920 --> 00:22:00,560
Speaker 5: I guess it must have happened somebody.

484
00:22:00,720 --> 00:22:02,760
Speaker 3: Yes, And if that has happened to you out there,

485
00:22:02,800 --> 00:22:03,560
Speaker 3: I'm really sorry.

486
00:22:03,600 --> 00:22:07,280
Speaker 2: I feel like that really would be painful to one's ego.

487
00:22:07,920 --> 00:22:09,600
Speaker 3: Don't you think I would imagine?

488
00:22:09,640 --> 00:22:12,159
Speaker 1: So, yes, right, it can't even it's weird.

489
00:22:12,320 --> 00:22:14,720
Speaker 3: It's interesting. I mean, it must have happened to someone

490
00:22:14,840 --> 00:22:15,880
Speaker 3: because it ended up in here.

491
00:22:16,200 --> 00:22:18,720
Speaker 1: It's funny because when I was watching this, I wasn't

492
00:22:18,720 --> 00:22:20,679
Speaker 1: even thinking of it. It's so bad because in the

493
00:22:20,720 --> 00:22:24,119
Speaker 1: context of the like everything that happens on the show,

494
00:22:24,720 --> 00:22:27,120
Speaker 1: this seemed like, No, that's a little more tame.

495
00:22:27,359 --> 00:22:29,000
Speaker 3: That's a good point. That's a good point. It is

496
00:22:29,040 --> 00:22:30,640
Speaker 3: a little bit innocent in a way.

497
00:22:30,760 --> 00:22:33,400
Speaker 1: Yeah, that's true. But Charlotte was upset.

498
00:22:33,600 --> 00:22:34,720
Speaker 3: Well, yes, I.

499
00:22:34,680 --> 00:22:36,600
Speaker 2: Mean, it's just hard to like, if you really think

500
00:22:36,640 --> 00:22:41,399
Speaker 2: about it, it's hard to really imagine this happening.

501
00:22:41,800 --> 00:22:44,600
Speaker 3: Like it would be weird. I feel like you'd be like.

502
00:22:45,680 --> 00:22:47,320
Speaker 1: I mean, I guess it would depend if it was

503
00:22:47,359 --> 00:22:50,359
Speaker 1: like a one time thing or a constant thing, and

504
00:22:50,400 --> 00:22:52,920
Speaker 1: then you would be a little more concerned.

505
00:22:52,480 --> 00:22:53,000
Speaker 3: That's for sure.

506
00:22:53,040 --> 00:22:55,480
Speaker 2: I also want to choose their dating, right, Like, it's

507
00:22:55,520 --> 00:22:57,960
Speaker 2: not even like when you've been in a relationship for

508
00:22:58,000 --> 00:22:59,080
Speaker 2: a lot of time.

509
00:22:59,000 --> 00:23:04,320
Speaker 3: Right, exciting? Yes, right, theoretic theoretically it should be exciting.

510
00:23:04,520 --> 00:23:07,199
Speaker 2: Yeah, But so what I this is one of the

511
00:23:07,200 --> 00:23:09,280
Speaker 2: things I love when I'm rewatching. I just like to

512
00:23:09,320 --> 00:23:11,919
Speaker 2: carry a storyline through, right, rather than switching back and

513
00:23:11,960 --> 00:23:14,120
Speaker 2: forth like how this show does so one of the things.

514
00:23:14,119 --> 00:23:17,480
Speaker 3: So we cut to Carrie what's my name?

515
00:23:17,600 --> 00:23:21,960
Speaker 2: Charlotte's telling Carrie about it, and crying like so upset,

516
00:23:22,000 --> 00:23:25,280
Speaker 2: you know, very Charlotte, and Carrie's being so sweet, like

517
00:23:25,320 --> 00:23:28,840
Speaker 2: her little sweet you know, when people talk about this

518
00:23:28,880 --> 00:23:31,760
Speaker 2: whole thing that happened really during COVID, I think about, like,

519
00:23:31,760 --> 00:23:33,720
Speaker 2: Carrie's not a good friend, Carrie's a narcissist.

520
00:23:34,000 --> 00:23:36,480
Speaker 1: I feel that. Yeah, And I was like, I never

521
00:23:36,560 --> 00:23:37,240
Speaker 1: bought into that.

522
00:23:37,359 --> 00:23:38,400
Speaker 3: Me neither me neither.

523
00:23:38,400 --> 00:23:39,360
Speaker 1: I'm team Carrie.

524
00:23:39,400 --> 00:23:39,840
Speaker 3: Me too.

525
00:23:40,040 --> 00:23:41,320
Speaker 1: Yeah, I didn't even get that.

526
00:23:41,640 --> 00:23:42,920
Speaker 5: I know, I.

527
00:23:42,840 --> 00:23:46,320
Speaker 2: Agree, it seemed really odd to me. I mean, do

528
00:23:46,359 --> 00:23:48,760
Speaker 2: you think too, like the Internet is its own animal

529
00:23:48,880 --> 00:23:51,600
Speaker 2: and for sure just does some weird stuff sometimes.

530
00:23:51,800 --> 00:23:53,920
Speaker 1: Yeah, right, yeah.

531
00:23:53,680 --> 00:23:56,560
Speaker 3: And then they all everyone jumps.

532
00:23:56,280 --> 00:24:00,000
Speaker 1: In Yeah, I don't. I don't get how that came up.

533
00:24:00,200 --> 00:24:02,560
Speaker 2: Neither, because like in this particular scene, like there's so

534
00:24:02,640 --> 00:24:06,000
Speaker 2: many instances, especially way back where I mean, she's such

535
00:24:06,040 --> 00:24:08,600
Speaker 2: a sweet friend, like she's just trying to make me

536
00:24:08,640 --> 00:24:11,080
Speaker 2: feel better, trying to make me tea she didn't know

537
00:24:11,119 --> 00:24:11,840
Speaker 2: what else to do.

538
00:24:12,280 --> 00:24:14,880
Speaker 3: And then I say, did anyone ever fall asleep having

539
00:24:14,920 --> 00:24:18,680
Speaker 3: sex with you? And she's like, well, well no, it's

540
00:24:18,800 --> 00:24:19,600
Speaker 3: so sweet.

541
00:24:20,080 --> 00:24:22,320
Speaker 2: And then the thing that I really love and I

542
00:24:22,359 --> 00:24:27,760
Speaker 2: do remember this part is that Charlotte's solution or you know,

543
00:24:27,880 --> 00:24:30,639
Speaker 2: plan for this is that she needs to take a

544
00:24:30,760 --> 00:24:34,800
Speaker 2: tantric sex classes, right, And I do remember in the

545
00:24:34,880 --> 00:24:38,600
Speaker 2: nineties there was a fair amount of conversation about tantric sex.

546
00:24:38,640 --> 00:24:41,000
Speaker 3: Do you remember this, I don't know, I mean not.

547
00:24:41,080 --> 00:24:43,720
Speaker 1: What I mean is like not particular the nineties, like

548
00:24:43,760 --> 00:24:49,040
Speaker 1: I've heard this time contempt. Yes, yeah, got it.

549
00:24:49,119 --> 00:24:50,919
Speaker 2: I remember in the nineties, I think because also I

550
00:24:50,960 --> 00:24:54,560
Speaker 2: was in La right ww yoga okay, yeah, was booming,

551
00:24:54,600 --> 00:24:57,000
Speaker 2: and so the tantric sex kind of comes out of yoga.

552
00:24:57,200 --> 00:25:01,280
Speaker 1: Yeah. So I remember hearing sting practices this.

553
00:25:01,240 --> 00:25:05,360
Speaker 3: One hundred That was a big no. But I think

554
00:25:05,480 --> 00:25:11,640
Speaker 3: that's how most people know. Yeah, very impressively. Dang man,

555
00:25:12,160 --> 00:25:12,879
Speaker 3: we're impressed.

556
00:25:13,000 --> 00:25:17,200
Speaker 2: Okay, no, not at all, interrupted anytime you want.

557
00:25:17,200 --> 00:25:19,920
Speaker 3: I think that's how people know about tantric sex. Was stinky,

558
00:25:20,119 --> 00:25:22,720
Speaker 3: you know what I mean, which I feel like was later,

559
00:25:22,800 --> 00:25:24,400
Speaker 3: but who knows. I think it was all.

560
00:25:24,800 --> 00:25:27,760
Speaker 2: I mean, I knew people who I don't know if

561
00:25:27,960 --> 00:25:29,440
Speaker 2: I'm not going to say their name, but I knew.

562
00:25:29,600 --> 00:25:31,720
Speaker 3: I trained as a yoga teacher in the nineties.

563
00:25:31,720 --> 00:25:35,560
Speaker 2: Ok yeah, yoga works when there was only one yoga

564
00:25:35,600 --> 00:25:36,920
Speaker 2: works on Montana.

565
00:25:37,280 --> 00:25:39,160
Speaker 1: Did you ever go there, No, I went to one here.

566
00:25:39,400 --> 00:25:42,440
Speaker 3: Yeah, because now they're everywhere. Okay, they're everywhere, which is amazing.

567
00:25:42,840 --> 00:25:45,160
Speaker 2: But this is back in the nineties. It was before

568
00:25:45,560 --> 00:25:47,760
Speaker 2: I started working a lot. I was auditioning a lot,

569
00:25:47,800 --> 00:25:51,840
Speaker 2: which is really hard, obviously, and my solution to the

570
00:25:51,920 --> 00:25:54,080
Speaker 2: stress of that was to go to yoga every morning.

571
00:25:54,200 --> 00:25:57,360
Speaker 3: That was like, my that's good, you know, like how

572
00:25:57,400 --> 00:25:58,120
Speaker 3: to get through it.

573
00:25:58,520 --> 00:26:00,600
Speaker 2: And then I thought, well, gosh, you know, maybe I

574
00:26:00,640 --> 00:26:02,440
Speaker 2: should just do this because I loved it. But at

575
00:26:02,480 --> 00:26:05,280
Speaker 2: that point in time, this was early nineties, people thought

576
00:26:05,280 --> 00:26:07,560
Speaker 2: the yoga was a religion. Like they still didn't really

577
00:26:07,560 --> 00:26:09,639
Speaker 2: realize now it's something that you can just do for

578
00:26:09,720 --> 00:26:13,320
Speaker 2: your body and your mind and it's not a religion religion,

579
00:26:14,680 --> 00:26:17,480
Speaker 2: you know, there's still kind of woo to use your word.

580
00:26:20,520 --> 00:26:22,840
Speaker 2: I told Sarah Jessica that you're coming on and that

581
00:26:23,040 --> 00:26:25,280
Speaker 2: you had a podcast, and she said, what's it gold

582
00:26:25,280 --> 00:26:27,240
Speaker 2: And I said, I think it's called the Woo or

583
00:26:27,240 --> 00:26:29,000
Speaker 2: maybe it's woo woo woo.

584
00:26:29,480 --> 00:26:30,960
Speaker 6: Yeah.

585
00:26:31,080 --> 00:26:35,400
Speaker 1: Whether it was wooo, it's woo woo woo woo. Yeah,

586
00:26:35,400 --> 00:26:35,800
Speaker 1: I love it.

587
00:26:35,840 --> 00:26:38,480
Speaker 2: I love it because I am the Queen of the

588
00:26:38,520 --> 00:26:39,600
Speaker 2: Woo Woo ool.

589
00:26:39,920 --> 00:26:41,840
Speaker 3: Oh yeah, yeah, yeah, I've done all this.

590
00:26:41,960 --> 00:26:44,240
Speaker 1: By the way, I noticed it on your Wikipedia the

591
00:26:44,240 --> 00:26:46,720
Speaker 1: your pie season. Your birthday's a day after mind, but

592
00:26:46,720 --> 00:26:47,800
Speaker 1: we'll talk about that later.

593
00:26:48,240 --> 00:26:54,280
Speaker 6: Yeah, I'm really taking you off topic in many ways, Rachel,

594
00:26:54,320 --> 00:26:57,280
Speaker 6: I look it go off okay, and Drew Barrymore cho Yes,

595
00:26:57,280 --> 00:26:58,280
Speaker 6: she and I have the same bird.

596
00:26:58,400 --> 00:27:02,560
Speaker 3: Oh my god, amazing, yeah, amazing. I love it.

597
00:27:02,880 --> 00:27:03,480
Speaker 1: I love it.

598
00:27:03,760 --> 00:27:04,680
Speaker 3: Pisces queens.

599
00:27:04,920 --> 00:27:08,200
Speaker 1: We all need to do woo woo things. That's why

600
00:27:08,240 --> 00:27:12,439
Speaker 1: we're very wo right. We just got it.

601
00:27:12,520 --> 00:27:15,920
Speaker 2: Is the most sign without a doubt, without a doubt,

602
00:27:16,320 --> 00:27:18,239
Speaker 2: and you know what, I'm proud of it.

603
00:27:18,359 --> 00:27:21,480
Speaker 3: I don't must be right.

604
00:27:21,840 --> 00:27:23,960
Speaker 1: Yeah, yay, Okay, I'm so glad.

605
00:27:24,040 --> 00:27:26,359
Speaker 3: I'm so glad. Okay, we got that done. Okay. Back

606
00:27:26,400 --> 00:27:28,199
Speaker 3: to the so I always wondered.

607
00:27:28,359 --> 00:27:30,680
Speaker 2: I remember when this was happening, and I wondered because

608
00:27:30,680 --> 00:27:33,960
Speaker 2: also we would all sometimes do yoga in scenes.

609
00:27:34,040 --> 00:27:36,640
Speaker 3: Do you remember those episodes? Yeah, there's one where all

610
00:27:36,680 --> 00:27:38,920
Speaker 3: four of us are doing yoga. There's one where Kerrie

611
00:27:38,960 --> 00:27:40,760
Speaker 3: and I are doing yoga. And I don't know if

612
00:27:40,760 --> 00:27:42,280
Speaker 3: that was me related.

613
00:27:41,840 --> 00:27:44,360
Speaker 2: Because I think I did talk about it kind of incessantly,

614
00:27:44,680 --> 00:27:46,879
Speaker 2: but also It was very much like the new thing

615
00:27:47,119 --> 00:27:49,640
Speaker 2: at the time, you know, so.

616
00:27:49,600 --> 00:27:52,680
Speaker 3: The tantric sex thing. I remember this part.

617
00:27:52,560 --> 00:27:56,040
Speaker 2: Because it was one of those scenes where we're just like,

618
00:27:56,240 --> 00:27:58,680
Speaker 2: oh my god, how are we ever going to get

619
00:27:58,760 --> 00:28:02,600
Speaker 2: through this? Charlotte signs all the girls up to go.

620
00:28:03,160 --> 00:28:05,280
Speaker 2: It's not their idea, it's her idea, and I have

621
00:28:05,320 --> 00:28:07,560
Speaker 2: to beg them at the coffee shop, like please come,

622
00:28:07,960 --> 00:28:11,119
Speaker 2: and even Samantha agrees to come, and they come and

623
00:28:11,160 --> 00:28:12,800
Speaker 2: there's this lovely yes.

624
00:28:12,840 --> 00:28:13,280
Speaker 1: Oh my god.

625
00:28:13,280 --> 00:28:13,359
Speaker 3: No.

626
00:28:13,440 --> 00:28:16,200
Speaker 1: The casting on the People was so perfect.

627
00:28:16,280 --> 00:28:17,359
Speaker 3: It was so good right.

628
00:28:18,080 --> 00:28:23,200
Speaker 1: It was like chef's kiss, perfect and not easy to do, though.

629
00:28:23,520 --> 00:28:27,560
Speaker 4: I remember the stress of like who is going to

630
00:28:27,680 --> 00:28:32,240
Speaker 4: be teaching and who's going to be receiving or whatever

631
00:28:32,280 --> 00:28:36,400
Speaker 4: you want to call it, demonstrating to oh my god,

632
00:28:36,480 --> 00:28:39,560
Speaker 4: that guy was like the perfectly cast I know.

633
00:28:39,640 --> 00:28:40,880
Speaker 1: And I remember New York.

634
00:28:42,240 --> 00:28:46,880
Speaker 3: At the time. I am like, we are all so mortified.

635
00:28:47,000 --> 00:28:51,400
Speaker 2: They're just so mortified that these people, these older actors,

636
00:28:51,440 --> 00:28:53,720
Speaker 2: have come onto our show to do.

637
00:28:53,600 --> 00:28:54,640
Speaker 3: This insane thing.

638
00:28:54,920 --> 00:28:59,160
Speaker 2: When I watch it now, I really enjoyed watching it,

639
00:28:59,200 --> 00:29:02,479
Speaker 2: partly because I know I remember that we could barely

640
00:29:02,480 --> 00:29:03,920
Speaker 2: get through it, like it's one of those things you

641
00:29:03,920 --> 00:29:04,960
Speaker 2: can barely get through.

642
00:29:05,000 --> 00:29:07,840
Speaker 3: Like Sir Jessica is laughing her real self.

643
00:29:07,880 --> 00:29:10,040
Speaker 1: Oh I love that, Yes.

644
00:29:09,880 --> 00:29:12,960
Speaker 2: Me too, And I am trying to be my best

645
00:29:13,040 --> 00:29:13,760
Speaker 2: Charlotte self.

646
00:29:14,160 --> 00:29:16,640
Speaker 3: I'm taking those notes. Man, I'm like.

647
00:29:16,800 --> 00:29:18,720
Speaker 2: In it to win it, you know what I'm saying,

648
00:29:19,000 --> 00:29:22,280
Speaker 2: which I love. Like to me, that's very kind of

649
00:29:22,480 --> 00:29:25,640
Speaker 2: quintessential Charlotte. I'm also telling them to be quiet, which

650
00:29:25,680 --> 00:29:26,320
Speaker 2: I love so much.

651
00:29:26,360 --> 00:29:29,280
Speaker 3: I'm like, yeah, which is really enjoyable.

652
00:29:30,480 --> 00:29:32,680
Speaker 2: And they're all over there like cooking up, and you know,

653
00:29:32,800 --> 00:29:35,440
Speaker 2: the lady has to tell them to stop laughing. And

654
00:29:35,480 --> 00:29:38,880
Speaker 2: Samantha is also so sweetly because of her own storyline,

655
00:29:38,920 --> 00:29:41,400
Speaker 2: which we'll get to in a second, She's so sweetly

656
00:29:41,480 --> 00:29:45,520
Speaker 2: kind of engaged in like rooting for them in a way.

657
00:29:45,680 --> 00:29:48,840
Speaker 2: And then Sir Jesics like Harry is just laughing her head.

658
00:29:49,240 --> 00:29:56,280
Speaker 3: And then Cynthia you know this, My producers reminded me

659
00:29:56,320 --> 00:29:57,080
Speaker 3: that we did.

660
00:29:56,920 --> 00:30:00,160
Speaker 2: You ever know that Michael Patrick did it Writers Podcast,

661
00:30:00,760 --> 00:30:01,760
Speaker 2: And just like that, Well.

662
00:30:01,600 --> 00:30:03,360
Speaker 1: I heard. I haven't listened to it, but I've heard that

663
00:30:03,440 --> 00:30:03,760
Speaker 1: it does.

664
00:30:03,840 --> 00:30:06,400
Speaker 2: Yeah, it's really good, and it's very in depth in

665
00:30:06,520 --> 00:30:09,280
Speaker 2: terms of the writer's room and what they were thinking

666
00:30:09,360 --> 00:30:11,200
Speaker 2: more for and just like that, it didn't do one

667
00:30:11,200 --> 00:30:12,120
Speaker 2: for Sex and the City.

668
00:30:11,920 --> 00:30:12,800
Speaker 3: Though I wish they would.

669
00:30:12,800 --> 00:30:16,320
Speaker 2: Exac'd be super interesting, and we went on when it

670
00:30:16,480 --> 00:30:20,000
Speaker 2: was the twenty fifth anniversary, I think of the show, Sarah,

671
00:30:20,040 --> 00:30:24,520
Speaker 2: Cynthia and I went on his podcast and we relived

672
00:30:24,560 --> 00:30:25,120
Speaker 2: the scene.

673
00:30:25,600 --> 00:30:27,600
Speaker 3: I don't know why it came.

674
00:30:27,520 --> 00:30:31,080
Speaker 2: Up random, really random, but one of the reasons that

675
00:30:31,160 --> 00:30:33,479
Speaker 2: came up, I think was like, there haven't been that

676
00:30:33,520 --> 00:30:38,200
Speaker 2: many times where different people have consistently broken, right, Like

677
00:30:38,240 --> 00:30:41,560
Speaker 2: for Sarah Jessica to break, it's very rare, very very rare, right,

678
00:30:41,960 --> 00:30:44,200
Speaker 2: and this was one of those times, like she could.

679
00:30:44,080 --> 00:30:46,880
Speaker 3: Not stop, Oh my god. And then Cynthia has to

680
00:30:46,960 --> 00:30:49,440
Speaker 3: have the yes.

681
00:30:50,480 --> 00:30:54,600
Speaker 1: The substance, well maybe not the substance.

682
00:30:54,920 --> 00:30:58,280
Speaker 3: Substance, so what should we say, I don't know.

683
00:31:09,200 --> 00:31:12,480
Speaker 2: We go to the tentric sect class, which we think,

684
00:31:12,600 --> 00:31:15,760
Speaker 2: I believe, is just going to be this lady describing

685
00:31:15,840 --> 00:31:18,360
Speaker 2: things to us, and she does do that, but then

686
00:31:18,400 --> 00:31:20,600
Speaker 2: at a certain point she brings out her husband, who

687
00:31:20,680 --> 00:31:26,160
Speaker 2: is this ponytailed, you know, lovely older man, and he

688
00:31:26,280 --> 00:31:28,600
Speaker 2: lays on a pillow in front of us and she

689
00:31:28,800 --> 00:31:33,760
Speaker 2: does the Lingham massage. I believe she calls it, and

690
00:31:33,880 --> 00:31:38,520
Speaker 2: which is like whoo, and our heads very carefully. At

691
00:31:38,520 --> 00:31:40,800
Speaker 2: one point my booklet that I'm taking my notes in

692
00:31:40,880 --> 00:31:44,600
Speaker 2: blocks there's a very creative blocking of any kind of

693
00:31:44,680 --> 00:31:47,800
Speaker 2: private parts, which I remember was a lot of the

694
00:31:47,840 --> 00:31:51,560
Speaker 2: stress of filming that, you know, separate from the fact

695
00:31:51,560 --> 00:31:55,560
Speaker 2: that we couldn't stop laughing. But then so it's the

696
00:31:56,080 --> 00:31:59,160
Speaker 2: massage goes on for quite some time, I mean quite

697
00:31:59,160 --> 00:32:02,360
Speaker 2: some time, right, and we're all doing our different you know.

698
00:32:02,440 --> 00:32:04,560
Speaker 2: Charlotte's taking notes and trying to figure out what the

699
00:32:04,640 --> 00:32:08,440
Speaker 2: lady's doing, and Samantha's like, oh girl, you know, and

700
00:32:08,520 --> 00:32:11,880
Speaker 2: Carrie's laughing, and Miranda's leaning forward like well, this is

701
00:32:11,960 --> 00:32:17,480
Speaker 2: very interesting. And then all of a sudden the man comes.

702
00:32:17,880 --> 00:32:19,760
Speaker 2: I guess I can say that, I can say whatever

703
00:32:19,800 --> 00:32:22,200
Speaker 2: I want. I guess we could bleep it and uh.

704
00:32:22,640 --> 00:32:26,080
Speaker 3: It hits Miranda in the face. And it was a

705
00:32:26,240 --> 00:32:28,640
Speaker 3: very kind of one of those very.

706
00:32:28,480 --> 00:32:31,920
Speaker 2: Low tech but also precise prop type situations.

707
00:32:32,120 --> 00:32:35,200
Speaker 1: Yeah right, well yeah, what was that set up?

708
00:32:35,240 --> 00:32:36,760
Speaker 3: It's Jurgen's low.

709
00:32:36,640 --> 00:32:40,040
Speaker 1: Show, okay, And there was someone there with like a

710
00:32:40,320 --> 00:32:46,040
Speaker 1: I don't know, more of like a nerve gun situation

711
00:32:46,160 --> 00:32:46,440
Speaker 1: or something.

712
00:32:46,560 --> 00:32:50,000
Speaker 3: It was anyway, okay flung and he was under the camera.

713
00:32:50,040 --> 00:32:53,520
Speaker 2: It was Travis or incredible prop guy who really just

714
00:32:53,600 --> 00:32:56,600
Speaker 2: kept our lives together at that point in time. And

715
00:32:56,640 --> 00:32:58,840
Speaker 2: he's like under the camera and he hasked to just

716
00:32:58,960 --> 00:33:03,560
Speaker 2: aim the spoon just right at Cynthia's head, God love him,

717
00:33:03,880 --> 00:33:07,160
Speaker 2: and it hit her hair and her nose and she

718
00:33:07,480 --> 00:33:08,640
Speaker 2: did not break.

719
00:33:09,120 --> 00:33:10,120
Speaker 3: Wow at all.

720
00:33:10,200 --> 00:33:14,880
Speaker 1: Wow that's a professional, right, I mean, you all are professionals,

721
00:33:14,880 --> 00:33:20,120
Speaker 1: but coming from someone who breaks, I don't know what

722
00:33:20,240 --> 00:33:23,080
Speaker 1: I would do in that. But but wow, honestly, I

723
00:33:23,120 --> 00:33:23,600
Speaker 1: don't know.

724
00:33:23,480 --> 00:33:24,840
Speaker 3: What I would do in that either.

725
00:33:25,360 --> 00:33:27,680
Speaker 2: And I remember the stress of it all right, like

726
00:33:27,760 --> 00:33:31,080
Speaker 2: the stress of having to theoretically watch this and this

727
00:33:31,240 --> 00:33:33,880
Speaker 2: man is laying there and just the obviously he wasn't

728
00:33:33,920 --> 00:33:36,239
Speaker 2: doing what he's pretending to do, but it was just

729
00:33:36,560 --> 00:33:39,200
Speaker 2: very stressful and I feel like we were there for

730
00:33:39,280 --> 00:33:40,160
Speaker 2: a while.

731
00:33:40,040 --> 00:33:41,480
Speaker 3: Doing oh wow, you know what I mean.

732
00:33:41,880 --> 00:33:44,520
Speaker 2: But the thing that I love, also, just to finish

733
00:33:44,520 --> 00:33:48,360
Speaker 2: this storyline, and I've fully forgotten this, is that then

734
00:33:48,440 --> 00:33:52,080
Speaker 2: when Miranda is back at home, she's bought these beautiful

735
00:33:52,120 --> 00:33:55,320
Speaker 2: sheets that were really expensive. Yeah, and she's sitting there

736
00:33:55,320 --> 00:33:57,800
Speaker 2: reading a book and there's all these tissues next to her,

737
00:33:57,880 --> 00:34:01,280
Speaker 2: and Carrie's voiceover just says something like back at Miranda's,

738
00:34:02,240 --> 00:34:05,520
Speaker 2: you know things were going going better because well whatever,

739
00:34:05,560 --> 00:34:09,000
Speaker 2: she says, think things were nice on her nice sheets, And.

740
00:34:08,880 --> 00:34:11,320
Speaker 3: You're like, what are all those tissues doing? Is she crying?

741
00:34:11,360 --> 00:34:13,800
Speaker 3: I thought? Is she reading a sad book? Is she crying?

742
00:34:14,239 --> 00:34:19,120
Speaker 2: No, she's dabbing her hair and her nose still.

743
00:34:19,840 --> 00:34:22,719
Speaker 1: Just in case, just in case, remind you.

744
00:34:22,800 --> 00:34:24,280
Speaker 3: Yeah, I'm sure she showered.

745
00:34:25,000 --> 00:34:28,880
Speaker 2: She's still just like multiple dabbing, which is so adorable.

746
00:34:28,920 --> 00:34:30,040
Speaker 3: I'd forgotten all that.

747
00:34:30,280 --> 00:34:34,280
Speaker 2: I only really remember out of this whole episode us

748
00:34:34,560 --> 00:34:37,200
Speaker 2: with the with the couple at the Tantric sex, which

749
00:34:37,320 --> 00:34:39,680
Speaker 2: then also really reminds me. And I'm just going to

750
00:34:39,719 --> 00:34:42,160
Speaker 2: go out of order because it's fine. These two gay

751
00:34:42,200 --> 00:34:45,680
Speaker 2: men want to have sex with Samantha because they've never

752
00:34:45,760 --> 00:34:48,440
Speaker 2: done it, and they think she's the hottest, most youthful

753
00:34:48,680 --> 00:34:50,879
Speaker 2: straight woman they know, and they want to have sex

754
00:34:50,920 --> 00:34:51,440
Speaker 2: with her.

755
00:34:51,480 --> 00:34:54,480
Speaker 3: Which is adorable. So she's walking on the street, she's

756
00:34:54,520 --> 00:34:55,759
Speaker 3: talking to Carry about.

757
00:34:55,520 --> 00:34:59,560
Speaker 2: It, and Carrie's like, but they're gay, you know, very Carrie,

758
00:34:59,680 --> 00:35:03,560
Speaker 2: And basically Samantha says to her, you know, for a

759
00:35:03,600 --> 00:35:05,640
Speaker 2: sex columnist, you are not.

760
00:35:05,840 --> 00:35:08,400
Speaker 3: Very progressive, which is true.

761
00:35:09,120 --> 00:35:10,640
Speaker 1: Then she says something.

762
00:35:10,440 --> 00:35:12,719
Speaker 3: Like, you are not with the times.

763
00:35:12,960 --> 00:35:16,160
Speaker 2: You know, the future of sexuality is that everyone will

764
00:35:16,200 --> 00:35:19,520
Speaker 2: be pens sexual, right, isn't that amazing?

765
00:35:19,640 --> 00:35:19,799
Speaker 4: Yeah?

766
00:35:19,880 --> 00:35:20,040
Speaker 2: Yeah?

767
00:35:20,120 --> 00:35:22,839
Speaker 3: In nineteen ninety nine, she says that, yeah, isn't that

768
00:35:22,920 --> 00:35:23,640
Speaker 3: kind of true?

769
00:35:23,800 --> 00:35:26,360
Speaker 1: Yeah, it seems to be, right, Yeah.

770
00:35:26,360 --> 00:35:28,239
Speaker 3: Like we've come a long long way.

771
00:35:28,520 --> 00:35:31,640
Speaker 2: Yeah, Like the whole dichotomy gay straight, like that's pretty

772
00:35:31,680 --> 00:35:34,040
Speaker 2: much done right, Like there's many options right.

773
00:35:34,160 --> 00:35:36,440
Speaker 3: Right, you know, which I think there should be.

774
00:35:37,040 --> 00:35:40,000
Speaker 2: Even though in certain ways our culture is not moving

775
00:35:40,040 --> 00:35:44,520
Speaker 2: forward in that way, it seems to be potentially moving forward.

776
00:35:44,600 --> 00:35:47,680
Speaker 1: Yeah, do you think, Yes, I mean Samantha was on it. Yeah,

777
00:35:48,000 --> 00:35:50,800
Speaker 1: I was, you would hear now, Yeah.

778
00:35:50,560 --> 00:35:53,319
Speaker 3: I mean I was very impressed. But it doesn't go

779
00:35:53,480 --> 00:35:55,399
Speaker 3: so great with the gay men, No.

780
00:35:55,440 --> 00:36:03,520
Speaker 1: It doesn't. They lose their will too with a lady

781
00:36:03,600 --> 00:36:05,439
Speaker 1: and the thing that really made me laugh.

782
00:36:05,760 --> 00:36:09,160
Speaker 2: So here we have this like tantric sex thing where

783
00:36:09,200 --> 00:36:12,000
Speaker 2: our heads are all very carefully blocking you know, the

784
00:36:12,040 --> 00:36:15,959
Speaker 2: private parts. But then in the scene where Samantha does

785
00:36:16,080 --> 00:36:19,759
Speaker 2: go to potentially have sex with the two gay men,

786
00:36:19,800 --> 00:36:21,880
Speaker 2: even though she's very on the fence about it, But

787
00:36:21,920 --> 00:36:26,640
Speaker 2: then they're so complimentary and like you're amazing, You're amazing,

788
00:36:26,680 --> 00:36:30,200
Speaker 2: You're amazing. She's like okay, and then they kiss her

789
00:36:30,360 --> 00:36:32,600
Speaker 2: on the neck and everything is going fine, and then

790
00:36:32,640 --> 00:36:34,080
Speaker 2: they very very.

791
00:36:33,920 --> 00:36:35,280
Speaker 3: Delicately go down her body.

792
00:36:35,280 --> 00:36:41,520
Speaker 2: But he's wearing this nightgown and it's extremely like almost conservative.

793
00:36:41,560 --> 00:36:42,719
Speaker 3: The way they filmed.

794
00:36:42,400 --> 00:36:46,960
Speaker 2: It, that's true, right, because in reality they get to

795
00:36:47,000 --> 00:36:51,239
Speaker 2: the private parts and they're like no, like right, they're

796
00:36:51,280 --> 00:36:54,319
Speaker 2: like I can't do this. No, They're like no, that's

797
00:36:54,360 --> 00:36:58,279
Speaker 2: not for us. But they don't show, of course anything

798
00:36:58,600 --> 00:37:01,799
Speaker 2: like thing. You have to just fill it in.

799
00:37:01,719 --> 00:37:06,000
Speaker 3: With your mind what's happening, you know, which I thought

800
00:37:06,080 --> 00:37:09,000
Speaker 3: thought was interesting, But I also feel like, if you

801
00:37:09,600 --> 00:37:12,600
Speaker 3: know it, it was a lot.

802
00:37:13,200 --> 00:37:15,200
Speaker 1: I think the way they filmed it made it seem

803
00:37:15,480 --> 00:37:19,799
Speaker 1: it almost made it seem more like psychological than like physical,

804
00:37:20,320 --> 00:37:25,000
Speaker 1: even though the implication was it was like we were

805
00:37:25,040 --> 00:37:27,880
Speaker 1: backing out of this right general are.

806
00:37:30,160 --> 00:37:32,040
Speaker 3: And I think it could also have been.

807
00:37:33,320 --> 00:37:35,640
Speaker 2: I mean, I don't know what the writers were thinking,

808
00:37:35,640 --> 00:37:39,160
Speaker 2: but like, you know, we don't want to offend our.

809
00:37:39,520 --> 00:37:43,239
Speaker 1: Viewers, yeah, you know what I mean, Yeah.

810
00:37:43,160 --> 00:37:45,839
Speaker 2: Like we want to be tasteful, you know, in that

811
00:37:45,880 --> 00:37:47,960
Speaker 2: way at least right, and I mean I felt like

812
00:37:48,000 --> 00:37:48,479
Speaker 2: it was.

813
00:37:48,600 --> 00:37:51,520
Speaker 1: And that that was kind of comical too, Like the

814
00:37:51,520 --> 00:37:55,080
Speaker 1: way that those guys acted was I thought they were

815
00:37:55,080 --> 00:37:55,640
Speaker 1: pretty funny.

816
00:37:55,719 --> 00:37:56,800
Speaker 3: They were pretty funny.

817
00:37:56,880 --> 00:37:59,040
Speaker 1: Their whole like I can't do this was pretty funny.

818
00:37:59,040 --> 00:38:00,719
Speaker 2: It was pretty funny because they wanted them to get

819
00:38:00,760 --> 00:38:02,880
Speaker 2: on their clothes and go get food or whatever. It

820
00:38:02,960 --> 00:38:06,040
Speaker 2: was cute for those really cute. And they also kind

821
00:38:06,040 --> 00:38:07,480
Speaker 2: of look weirdly like twins.

822
00:38:07,520 --> 00:38:07,960
Speaker 3: They did.

823
00:38:08,080 --> 00:38:11,360
Speaker 2: They look so similar, right, yes, which I'm sure was

824
00:38:11,360 --> 00:38:11,920
Speaker 2: on purpose.

825
00:38:12,000 --> 00:38:13,000
Speaker 1: Yes, it had to be.

826
00:38:13,239 --> 00:38:15,920
Speaker 3: Yeah, and I feel somehow.

827
00:38:17,000 --> 00:38:19,279
Speaker 2: That we've run into one of them, like I think

828
00:38:19,360 --> 00:38:21,120
Speaker 2: one of them is a friend of somebody's or something,

829
00:38:21,360 --> 00:38:24,080
Speaker 2: because I feel like sometimes they talk about it either

830
00:38:24,440 --> 00:38:28,759
Speaker 2: either let's see Sean or Brad have so many men,

831
00:38:28,920 --> 00:38:31,640
Speaker 2: so many men are listed as guest stars, which is

832
00:38:31,680 --> 00:38:35,200
Speaker 2: pretty common. But I feel, yes, they look very familiar.

833
00:38:35,239 --> 00:38:37,360
Speaker 2: Though I didn't remember the storyline. I mean, this was

834
00:38:37,360 --> 00:38:39,560
Speaker 2: a fun episode because I was like, what's going to happen?

835
00:38:40,120 --> 00:38:42,560
Speaker 3: I don't know. I like it.

836
00:38:42,840 --> 00:38:45,600
Speaker 2: I like to have that, you know, it's funny to

837
00:38:45,680 --> 00:38:48,040
Speaker 2: think that my body and my spirit in my mind

838
00:38:48,120 --> 00:38:51,719
Speaker 2: or whatever was there. But I don't remember right, it's

839
00:38:51,800 --> 00:38:55,000
Speaker 2: kind of scary but interesting. You guys, this is so

840
00:38:55,120 --> 00:38:56,640
Speaker 2: much fun that we are going to have to have

841
00:38:56,680 --> 00:38:58,799
Speaker 2: a part two, so join us later in the week

842
00:38:58,840 --> 00:38:59,960
Speaker 2: on Are You a Charlotte?

843
00:39:00,520 --> 00:39:03,640
Speaker 1: The son of the strict Papa