1 00:00:00,520 --> 00:00:10,000 Speaker 1: M h. Hello everybody, Welcome back to WWF Wrestling with Freddy. 2 00:00:10,160 --> 00:00:13,320 Speaker 1: I'm your host, Freddie Prince Jr. And uh, thanks for 3 00:00:13,400 --> 00:00:15,640 Speaker 1: coming back to here another episode. We've had a couple 4 00:00:15,640 --> 00:00:18,240 Speaker 1: of guests that I believe I have shown you guys 5 00:00:18,720 --> 00:00:22,919 Speaker 1: wrestlers are people too. Um No, they're actually nerds and 6 00:00:23,000 --> 00:00:25,200 Speaker 1: giant dorks. But I love them because I happen to 7 00:00:25,239 --> 00:00:27,640 Speaker 1: be one two. If you haven't heard the other episodes 8 00:00:27,680 --> 00:00:29,040 Speaker 1: in you're new to it, go back. We've had a 9 00:00:29,040 --> 00:00:30,880 Speaker 1: couple of guests and I tell a lot of stories 10 00:00:30,920 --> 00:00:34,360 Speaker 1: about my time at the w w E. I was 11 00:00:34,400 --> 00:00:37,640 Speaker 1: there post Get the f Out and uh, I hope 12 00:00:37,640 --> 00:00:40,720 Speaker 1: you guys enjoyed today's episode because today is all about 13 00:00:41,120 --> 00:00:45,919 Speaker 1: the w w E plane, gorgeous black with the red stripe. 14 00:00:46,040 --> 00:00:48,320 Speaker 1: But we're gonna talk about stories on the plane today 15 00:00:48,840 --> 00:00:51,160 Speaker 1: and I'll probably get sidetracked a little bit as well, 16 00:00:51,200 --> 00:00:54,000 Speaker 1: and we'll talk about other random stuff. But without any 17 00:00:54,080 --> 00:00:58,080 Speaker 1: further delays, let's start the show now. Stumping up to 18 00:00:58,120 --> 00:01:04,760 Speaker 1: the mic, the host for Wrestling with Freddy, Freddy jun, Yeah, 19 00:01:06,000 --> 00:01:08,920 Speaker 1: aren't you guys. So to start this episode, we have 20 00:01:09,000 --> 00:01:12,400 Speaker 1: to talk about Scooby Doo. I had to go to 21 00:01:12,480 --> 00:01:15,039 Speaker 1: a press thing. The cast of Scoop, the whole cast 22 00:01:15,080 --> 00:01:18,160 Speaker 1: had to go, and they flew us to Cancun, Mexico. 23 00:01:18,840 --> 00:01:23,559 Speaker 1: And the international rules dictate that whatever state in America 24 00:01:23,760 --> 00:01:27,479 Speaker 1: you crossed the border on on an international flight, you 25 00:01:27,520 --> 00:01:31,720 Speaker 1: have to land at the nearest airport to go through customs. 26 00:01:31,760 --> 00:01:34,039 Speaker 1: So for a private jet, and this was I think 27 00:01:34,120 --> 00:01:39,560 Speaker 1: Kevin Costner's jet and Kevin Costner's pilot, our closest from 28 00:01:39,560 --> 00:01:42,880 Speaker 1: there was some small town in Texas, South Texas from Cancun. 29 00:01:43,480 --> 00:01:48,160 Speaker 1: So we're coming in and it is turbulent is not 30 00:01:48,240 --> 00:01:52,080 Speaker 1: the word. The winds are crazy. This plane is We 31 00:01:52,160 --> 00:01:55,720 Speaker 1: felt like the Gilligan's Island ship, like the Chinese ship 32 00:01:55,880 --> 00:01:59,320 Speaker 1: was that was us. So we're literally swerving back and 33 00:01:59,400 --> 00:02:02,920 Speaker 1: forth like the Viking ship at the State Fair, and 34 00:02:03,560 --> 00:02:07,120 Speaker 1: you can't see anything out the window. Sarah's hand is 35 00:02:07,160 --> 00:02:10,520 Speaker 1: on my hand and it's gripped tight like nails through skin. 36 00:02:11,160 --> 00:02:13,440 Speaker 1: My left hand, I'm in the window seat on the 37 00:02:13,520 --> 00:02:17,000 Speaker 1: left side, is gripped to the arm rest, my nails 38 00:02:17,000 --> 00:02:20,200 Speaker 1: into its poor skin, and I'm looking out the window 39 00:02:20,760 --> 00:02:23,639 Speaker 1: and all of a sudden I see the ground except 40 00:02:24,360 --> 00:02:29,040 Speaker 1: not beneath me. I'm looking directly at the ground. The 41 00:02:29,120 --> 00:02:32,560 Speaker 1: plane is about to land sideways on the left wing, 42 00:02:33,280 --> 00:02:35,880 Speaker 1: and my face is about to go through the tarmatic. 43 00:02:36,720 --> 00:02:39,519 Speaker 1: And at the last second, I'm not exaggerating at I 44 00:02:39,520 --> 00:02:41,640 Speaker 1: don't even I've never even told the story. At the 45 00:02:41,720 --> 00:02:44,880 Speaker 1: last second, the plane corrects itself. This pilot was a 46 00:02:45,000 --> 00:02:49,320 Speaker 1: jet corrects itself. And we were coming in hot. We 47 00:02:49,400 --> 00:02:52,760 Speaker 1: came in, We came in hot, and we're sliding and 48 00:02:52,800 --> 00:02:58,639 Speaker 1: slipping and the plane lands, no damage, no anything outside 49 00:02:58,639 --> 00:03:00,600 Speaker 1: of you know, the six and a half years it 50 00:03:00,680 --> 00:03:03,600 Speaker 1: took off my life from the scarring of my heart. 51 00:03:04,440 --> 00:03:08,079 Speaker 1: So we have to get off the plane. Everybody's freaked out, 52 00:03:08,760 --> 00:03:10,960 Speaker 1: and now we have to get right back on the plane, 53 00:03:11,560 --> 00:03:14,800 Speaker 1: take off through this weather, and and get back to 54 00:03:15,000 --> 00:03:17,040 Speaker 1: l A. So I'm freaking out, like, yeah, I mean, 55 00:03:17,040 --> 00:03:19,720 Speaker 1: I trust the pilot now more than any human, more 56 00:03:19,720 --> 00:03:24,760 Speaker 1: than my wife. But still like we almost died. So 57 00:03:25,000 --> 00:03:27,440 Speaker 1: we get back on the plane. We made it through customs, 58 00:03:27,440 --> 00:03:30,120 Speaker 1: by the way, we were totally legit and totally legal, 59 00:03:30,800 --> 00:03:35,320 Speaker 1: and we land in Los Angeles and I vow to 60 00:03:35,400 --> 00:03:38,480 Speaker 1: never fly on a small plane again. It's just life 61 00:03:38,520 --> 00:03:41,760 Speaker 1: is too precious. So a few months later, I get 62 00:03:41,800 --> 00:03:45,480 Speaker 1: this job at w W E. The very first plane 63 00:03:45,880 --> 00:03:48,280 Speaker 1: that I have to get on isn't Vince's. I hadn't 64 00:03:48,280 --> 00:03:51,400 Speaker 1: earned that that seat yet, right, But it's a tiny 65 00:03:51,480 --> 00:03:54,240 Speaker 1: ass plane. I'm sitting on it and all I can 66 00:03:54,320 --> 00:03:59,800 Speaker 1: see is the tarmac of I don't Laredo, Texas, whatever 67 00:04:00,000 --> 00:04:02,840 Speaker 1: airport it was, and I see my death and I 68 00:04:02,920 --> 00:04:06,120 Speaker 1: legit get up and there's other employees w W employees 69 00:04:06,120 --> 00:04:07,640 Speaker 1: on this plane. I was like, yeah, I'm not taking 70 00:04:07,640 --> 00:04:09,640 Speaker 1: this plane. I'm gonna take a train and I'm gonna 71 00:04:09,640 --> 00:04:12,040 Speaker 1: see you guys there. I'm out, and I d boarded 72 00:04:12,040 --> 00:04:13,560 Speaker 1: the plane got off and they were like, yo, are 73 00:04:13,560 --> 00:04:16,240 Speaker 1: you seriously? Like, I'm out. I'm not gonna be late 74 00:04:16,360 --> 00:04:18,880 Speaker 1: the shows tomorrow. I'm not getting on this airplane. I 75 00:04:18,880 --> 00:04:20,760 Speaker 1: don't tell anyone the story I just told you guys, 76 00:04:20,920 --> 00:04:23,440 Speaker 1: because I'm not trying to be on this coffin with 77 00:04:23,520 --> 00:04:28,359 Speaker 1: wings for another second. So I get off, take a 78 00:04:28,400 --> 00:04:32,239 Speaker 1: train from Grand Central Terminal, not Grand Central Station, Grand 79 00:04:32,279 --> 00:04:35,960 Speaker 1: Central Terminal, and uh. I take the train to Virginia 80 00:04:36,400 --> 00:04:39,040 Speaker 1: and we do our Monday night raw and everything's cool. 81 00:04:39,120 --> 00:04:43,000 Speaker 1: The train ride goes so well that within three months 82 00:04:43,000 --> 00:04:45,359 Speaker 1: of me doing this, there's an entire new plan in 83 00:04:45,360 --> 00:04:47,840 Speaker 1: the writer's room where all East Coast trips, where the 84 00:04:47,880 --> 00:04:50,680 Speaker 1: train right is four hours or less, the writers are 85 00:04:50,720 --> 00:04:53,520 Speaker 1: gonna take a train. Uh that was me that pulled 86 00:04:53,520 --> 00:04:56,000 Speaker 1: that off. I love trains, I always have, and all 87 00:04:56,000 --> 00:04:58,400 Speaker 1: the writers did too, because you have way more room 88 00:04:58,880 --> 00:05:02,799 Speaker 1: to work when you're on the road. You're writing all 89 00:05:03,200 --> 00:05:06,800 Speaker 1: the time, you're rewriting promos at two in the morning. 90 00:05:07,120 --> 00:05:09,120 Speaker 1: You guys are writing in a laptop. They were not 91 00:05:09,200 --> 00:05:11,920 Speaker 1: high tech back then. They were ghetto. I worked there, 92 00:05:11,920 --> 00:05:16,200 Speaker 1: I think and oh oh nine oh seven something like that, 93 00:05:16,480 --> 00:05:18,800 Speaker 1: so you get the idea of technology was not what 94 00:05:18,920 --> 00:05:22,760 Speaker 1: it is now, and it's brutal. When you're on the train. 95 00:05:23,080 --> 00:05:26,120 Speaker 1: You got a table. Forget that you have room and comfort, 96 00:05:26,160 --> 00:05:29,279 Speaker 1: you have a table to work at. So all the 97 00:05:29,279 --> 00:05:32,839 Speaker 1: writers loved it and they stayed committed to it. And 98 00:05:32,839 --> 00:05:36,360 Speaker 1: then my ask got promoted to the jet, which isn't promotion, 99 00:05:36,480 --> 00:05:39,279 Speaker 1: but isn't because it's crazy on the jet too. So 100 00:05:39,400 --> 00:05:41,960 Speaker 1: I got off the train and they said you're gonna 101 00:05:41,960 --> 00:05:44,120 Speaker 1: fly on the jet and I'm sweating when they tell me, 102 00:05:44,160 --> 00:05:46,480 Speaker 1: they go vince. Once you're on the jet, it's like, 103 00:05:46,560 --> 00:05:50,840 Speaker 1: oh man, all right, okay, and just my my arm 104 00:05:50,839 --> 00:05:52,479 Speaker 1: pits are sweating right now. And I ain't even afraid 105 00:05:52,480 --> 00:05:54,640 Speaker 1: of flying anymore thanks to Vince. Actually, you just kept 106 00:05:54,640 --> 00:05:56,400 Speaker 1: making me do it till I wasn't scared of it anymore. 107 00:05:56,800 --> 00:05:59,880 Speaker 1: So I get on the jet and the first thing 108 00:06:00,040 --> 00:06:03,240 Speaker 1: Vin says to me when he gets on, he says, 109 00:06:03,320 --> 00:06:05,039 Speaker 1: I heard you had a bit of a problem on 110 00:06:05,080 --> 00:06:07,800 Speaker 1: the last plane, with a smirk like, yeah, man, I'm 111 00:06:07,839 --> 00:06:10,600 Speaker 1: not I'm not big on planes. And this is who 112 00:06:10,680 --> 00:06:12,960 Speaker 1: I tell this story too, and he goes, I don't worry. 113 00:06:13,000 --> 00:06:18,080 Speaker 1: I got a better pilot than him anyway. So he uh, 114 00:06:18,320 --> 00:06:22,400 Speaker 1: he's very much long before the pandemic, very anti germ. 115 00:06:22,480 --> 00:06:26,000 Speaker 1: And there's more hand sanitizer on this airplane than there 116 00:06:26,040 --> 00:06:30,520 Speaker 1: are bottles of water. So everyone's sanitizing their hands and 117 00:06:30,720 --> 00:06:34,320 Speaker 1: Vince finishes his and he holds out the sanitizer for 118 00:06:34,320 --> 00:06:36,920 Speaker 1: me to sanitize my hands, and I go, oh, that's nice, 119 00:06:36,960 --> 00:06:39,280 Speaker 1: and I put my hands out and he just starts 120 00:06:39,320 --> 00:06:42,920 Speaker 1: squeezing the damn bottle and doesn't stop, and it's just 121 00:06:43,680 --> 00:06:47,040 Speaker 1: it's just ounce after olence after ounce, and I'm looking 122 00:06:47,080 --> 00:06:49,719 Speaker 1: at him and I'm not gonna move my hands, because 123 00:06:49,760 --> 00:06:52,240 Speaker 1: I can't have him dump crap all over his plane 124 00:06:52,279 --> 00:06:55,360 Speaker 1: held get mad. So I just sit there and eyeball him. 125 00:06:55,400 --> 00:06:57,360 Speaker 1: I don't even look in my hands. I just eyeball 126 00:06:57,440 --> 00:07:00,400 Speaker 1: him the whole time until he finally goes uh and 127 00:07:00,440 --> 00:07:03,280 Speaker 1: it's out. It's one of those small like pure l bottles. Right, 128 00:07:03,560 --> 00:07:07,000 Speaker 1: It's finally out, and I have this huge glob of 129 00:07:07,000 --> 00:07:09,200 Speaker 1: of sanitizer in my hand. So I walked back to 130 00:07:09,240 --> 00:07:12,520 Speaker 1: the bathroom, slopping into the sink. I come back and 131 00:07:12,600 --> 00:07:15,080 Speaker 1: he's chuckling, and he's just doing that to help me 132 00:07:15,160 --> 00:07:18,239 Speaker 1: relax and uh, not worry so much about the flight. 133 00:07:18,440 --> 00:07:20,280 Speaker 1: I see him side on me a couple of times 134 00:07:20,280 --> 00:07:22,520 Speaker 1: on the takeoff and landing and just kind of nod. 135 00:07:22,800 --> 00:07:24,840 Speaker 1: It was really good to me. They were all really 136 00:07:24,840 --> 00:07:28,080 Speaker 1: good to me. So we land and where I think 137 00:07:28,080 --> 00:07:33,720 Speaker 1: it was probably Cleveland. This is during the Misses push. 138 00:07:33,920 --> 00:07:35,800 Speaker 1: The stories I'm gonna tell you today are during the 139 00:07:35,840 --> 00:07:39,480 Speaker 1: Misses push to his first w w E Championship at 140 00:07:39,480 --> 00:07:44,160 Speaker 1: WrestleMania in Atlanta, where they did the giant white letters 141 00:07:44,320 --> 00:07:47,880 Speaker 1: all awesome for his for his entrance. He may have 142 00:07:47,920 --> 00:07:51,640 Speaker 1: already been champ at WrestleMania or that was where he wanted. 143 00:07:51,680 --> 00:07:54,360 Speaker 1: You'll you guys will remember, you have better You're better 144 00:07:54,440 --> 00:07:58,480 Speaker 1: historians than I am. So we're flying to U. We're 145 00:07:58,520 --> 00:08:02,360 Speaker 1: flying to Cleveland. I lived, thankfully. I'm here now talking 146 00:08:02,400 --> 00:08:05,120 Speaker 1: to you, and I'm starting to relax a little bit. 147 00:08:05,160 --> 00:08:08,560 Speaker 1: And the plane is no joke. It's it's work all 148 00:08:08,600 --> 00:08:11,360 Speaker 1: the time. I mean all the time. I remember once 149 00:08:12,000 --> 00:08:15,720 Speaker 1: I opened my laptop and I had downloaded one of 150 00:08:15,800 --> 00:08:19,080 Speaker 1: Richard Pryor's specials, Richard Pryor Live on the Sunset Strip. 151 00:08:19,640 --> 00:08:23,000 Speaker 1: This was after his accident. He had been humbled big time. 152 00:08:23,560 --> 00:08:26,440 Speaker 1: And most comics when they record a special, they do 153 00:08:26,480 --> 00:08:28,480 Speaker 1: it two nights in a row, and they'll edit between 154 00:08:28,520 --> 00:08:31,200 Speaker 1: the two or just choose the best one. The first 155 00:08:31,200 --> 00:08:36,280 Speaker 1: one Richard did side Quest. It bombed. He for whatever reason. 156 00:08:36,480 --> 00:08:39,520 Speaker 1: My dad's manager was Richard's manager. So that's why I 157 00:08:39,520 --> 00:08:41,800 Speaker 1: know this story. I knew Richard very well, not very well, 158 00:08:41,840 --> 00:08:45,840 Speaker 1: but I knew him. So it died and he was 159 00:08:45,880 --> 00:08:48,680 Speaker 1: okay with it, but he was nervous. And they came 160 00:08:48,720 --> 00:08:50,960 Speaker 1: out and did the second one, and it's the red 161 00:08:51,040 --> 00:08:55,440 Speaker 1: suit that even jokes about. And he does the match, 162 00:08:56,280 --> 00:08:58,120 Speaker 1: he lights the match, he goes, what's that Richard b 163 00:08:58,360 --> 00:09:00,960 Speaker 1: running down the street that it's that special, and he 164 00:09:01,080 --> 00:09:04,000 Speaker 1: just kills it the second night, and that was a 165 00:09:04,040 --> 00:09:06,000 Speaker 1: way for me to just kind of like deal with 166 00:09:06,640 --> 00:09:09,280 Speaker 1: the airplane because I didn't enjoy being on a coffin 167 00:09:09,320 --> 00:09:12,719 Speaker 1: with wings. So I open it up. I'm watching my 168 00:09:12,840 --> 00:09:16,440 Speaker 1: ten minutes in and I feel this like firm thump 169 00:09:16,520 --> 00:09:19,040 Speaker 1: on my shoulder and I turned around and Vince goes, 170 00:09:19,040 --> 00:09:21,720 Speaker 1: what are you doing? What you mean I'm watching? Richard 171 00:09:21,720 --> 00:09:26,400 Speaker 1: Perry goes, why we're watching WrestleMania. Yeah, from last year. Man, 172 00:09:27,120 --> 00:09:29,559 Speaker 1: I saw it. He goes, yeah, well he's seeing that too. 173 00:09:29,760 --> 00:09:32,120 Speaker 1: I go, yeah, this makes me laugh. He goes, come on, 174 00:09:32,200 --> 00:09:34,920 Speaker 1: watch WrestleMania. So I legit have to turn off my 175 00:09:35,000 --> 00:09:40,480 Speaker 1: laptop and watch WrestleMania from a year ago with with it. 176 00:09:40,559 --> 00:09:42,800 Speaker 1: Nobody else is watching it. He's making me watch it. 177 00:09:42,840 --> 00:09:46,040 Speaker 1: So I turn it off and I watch it with him, 178 00:09:46,120 --> 00:09:48,400 Speaker 1: and uh, we end up getting back and this is this, 179 00:09:48,400 --> 00:09:50,120 Speaker 1: This is it every time, like he'll go over the 180 00:09:50,160 --> 00:09:53,760 Speaker 1: Monday Night Raw script. Never never the smack Down. He 181 00:09:53,800 --> 00:09:55,840 Speaker 1: wouldn't even I don't think he read it until the 182 00:09:55,880 --> 00:09:59,240 Speaker 1: morning of SmackDown if he read it. But I will 183 00:09:59,280 --> 00:10:01,400 Speaker 1: say this. I know a lot of actors who do, 184 00:10:01,679 --> 00:10:04,360 Speaker 1: like TV actors who don't read their scripts. They just 185 00:10:04,400 --> 00:10:07,120 Speaker 1: read their dialogue memorize it. There's literally a saying in 186 00:10:07,240 --> 00:10:09,880 Speaker 1: l A that goes, bullshit, bullshit, my line, my line, bullshit. 187 00:10:10,080 --> 00:10:13,280 Speaker 1: I've heard it since the nineties. So not every It's 188 00:10:13,280 --> 00:10:16,079 Speaker 1: not just Vince that does that. There's plenty of successful 189 00:10:16,120 --> 00:10:18,280 Speaker 1: people that, God, I know what I'm doing, don't worry 190 00:10:18,280 --> 00:10:30,480 Speaker 1: about it. We would always go over the raw promos 191 00:10:30,559 --> 00:10:32,640 Speaker 1: everything he didn't like. And now you're rewriting on a 192 00:10:32,760 --> 00:10:35,800 Speaker 1: jet and it's not like it's a train. You don't 193 00:10:35,800 --> 00:10:38,640 Speaker 1: have a table to work at, like everybody's bunched up together. 194 00:10:38,720 --> 00:10:40,839 Speaker 1: They squeeze as many as you're legally allowed to get 195 00:10:40,840 --> 00:10:43,800 Speaker 1: on the plane, and we all these massive laptops because 196 00:10:43,840 --> 00:10:46,120 Speaker 1: it wasn't like it is now, and we're trying to, 197 00:10:46,160 --> 00:10:49,280 Speaker 1: you know, rewrite promos. So I did not It's not 198 00:10:49,880 --> 00:10:52,400 Speaker 1: the experience that you think it's gonna that you think 199 00:10:52,400 --> 00:10:57,480 Speaker 1: it's gonna be. So we uh we land and I 200 00:10:57,480 --> 00:10:59,880 Speaker 1: started talking to to Roddy because I'm just when I 201 00:11:00,000 --> 00:11:03,040 Speaker 1: as a kid, I just loved him so much, and 202 00:11:03,640 --> 00:11:06,040 Speaker 1: we're chatting about life in the business, and he says, oh, 203 00:11:06,080 --> 00:11:09,040 Speaker 1: your your dad was a stand up comedian. I oh yeah, 204 00:11:09,040 --> 00:11:11,280 Speaker 1: he was Freddie Prinzi goes get the hell, and then 205 00:11:11,280 --> 00:11:13,360 Speaker 1: he was oh, of course sorry, so oh yeah, yeah 206 00:11:13,440 --> 00:11:15,880 Speaker 1: your name. And he starts talking to about my pops 207 00:11:15,960 --> 00:11:19,400 Speaker 1: and his love for stand up comedy. So he starts 208 00:11:19,440 --> 00:11:23,400 Speaker 1: talking to me about how he compares doing a promo 209 00:11:23,480 --> 00:11:26,199 Speaker 1: in the ring to stand up comedy, and he starts 210 00:11:26,200 --> 00:11:29,040 Speaker 1: talking about Andy Kaufman, and he starts talking at which 211 00:11:29,240 --> 00:11:32,240 Speaker 1: oh side quest check this out. My pops is the 212 00:11:32,280 --> 00:11:34,880 Speaker 1: only dude to ever get Andy Kaufman to break character 213 00:11:34,920 --> 00:11:37,680 Speaker 1: while he was in character. So this is the seventies. 214 00:11:37,679 --> 00:11:39,280 Speaker 1: If you don't know who he is, looking up. Jim 215 00:11:39,320 --> 00:11:41,120 Speaker 1: Carey made a movie about him called Man in the Moon. 216 00:11:41,559 --> 00:11:44,280 Speaker 1: There's probably some biographies that are more accurate. Jim Carrey 217 00:11:44,360 --> 00:11:45,880 Speaker 1: is awesome though in the movie, if you want to 218 00:11:45,960 --> 00:11:48,000 Speaker 1: check it out. But he did a lot of like 219 00:11:48,280 --> 00:11:51,120 Speaker 1: risk ay comedy where he would just abuse people in 220 00:11:51,200 --> 00:11:55,040 Speaker 1: the audience and be totally rude and disrespectful and say 221 00:11:55,080 --> 00:11:57,560 Speaker 1: the most crass things and the people in the audience 222 00:11:57,600 --> 00:12:00,080 Speaker 1: will get out. And this woman slapped him dead in 223 00:12:00,080 --> 00:12:03,000 Speaker 1: the face and he drops dead. On the floor and 224 00:12:03,040 --> 00:12:05,840 Speaker 1: that's when the audience realizes the girl was a plant 225 00:12:06,040 --> 00:12:08,480 Speaker 1: and she's in on the joke, and that's why he 226 00:12:08,640 --> 00:12:11,400 Speaker 1: sold the slap so hard. And when unconscious and then 227 00:12:11,400 --> 00:12:13,679 Speaker 1: he pops up and the crowd would just die laughing, 228 00:12:13,720 --> 00:12:16,520 Speaker 1: and he owned them and he Andy had a great 229 00:12:16,640 --> 00:12:19,439 Speaker 1: run with Jerry Lawler back in the early eighties I 230 00:12:19,520 --> 00:12:23,000 Speaker 1: think it was, and they just crushed it. They drew 231 00:12:23,120 --> 00:12:26,720 Speaker 1: huge numbers, huge money. People loved watching it because Andy 232 00:12:26,800 --> 00:12:30,440 Speaker 1: was They thought he was legit crazy. So the Melrose 233 00:12:30,480 --> 00:12:37,000 Speaker 1: improv in Los Angeles, California. It's seventy four or five, 234 00:12:37,160 --> 00:12:41,280 Speaker 1: I believe five, and Andy's on stage and he's tearing 235 00:12:41,320 --> 00:12:44,160 Speaker 1: into this girl, I mean, just calling her every name 236 00:12:44,200 --> 00:12:46,480 Speaker 1: in the book and just be rating her. And the 237 00:12:46,520 --> 00:12:49,079 Speaker 1: crowd's getting hot. They're like, you know, getting mad at 238 00:12:49,120 --> 00:12:52,520 Speaker 1: my dad, who was he had a father, but he 239 00:12:52,600 --> 00:12:56,960 Speaker 1: was basically raised by by I don't want to disparage 240 00:12:56,960 --> 00:13:00,120 Speaker 1: my grandfather, but basically a single woman, all right, So 241 00:13:00,200 --> 00:13:03,480 Speaker 1: he wasn't around very much. Shout out Carl brutal. But 242 00:13:04,960 --> 00:13:08,480 Speaker 1: so my dad gets crazy angry. He looks in the 243 00:13:08,720 --> 00:13:10,920 Speaker 1: in the room and he sees Andy just tearing the 244 00:13:10,960 --> 00:13:13,760 Speaker 1: scroll apart, and he wasn't familiar with Andy's act, and 245 00:13:13,840 --> 00:13:16,520 Speaker 1: my dad goes up on stage in the middle of 246 00:13:16,559 --> 00:13:20,720 Speaker 1: his bit, grabs Andy and just shakes the shift out 247 00:13:20,720 --> 00:13:23,559 Speaker 1: of him, and Andy starts screaming, Friday, Friday, Friday, It's 248 00:13:23,600 --> 00:13:25,679 Speaker 1: just a bit. She's no, she's with me, She's with me, 249 00:13:25,720 --> 00:13:28,120 Speaker 1: and she's with me. And my dad like freaked out 250 00:13:28,120 --> 00:13:31,680 Speaker 1: and he realized he just ruined a set and then 251 00:13:32,040 --> 00:13:35,600 Speaker 1: literally goes to let go Andy, and Andy smashes himself 252 00:13:35,600 --> 00:13:39,760 Speaker 1: into the fake brick wall and slides down onto the floor. 253 00:13:39,920 --> 00:13:44,199 Speaker 1: My dad looks back and his buddy Tim Thomason tells 254 00:13:44,200 --> 00:13:46,920 Speaker 1: me your dad's thought was, oh my god, I just 255 00:13:47,000 --> 00:13:49,960 Speaker 1: killed Andy Kaufman. And then Andy popped up and got 256 00:13:50,000 --> 00:13:53,080 Speaker 1: my pops and uh, which made my dad laugh but 257 00:13:53,120 --> 00:13:56,280 Speaker 1: also pissed and uh, that was so anyway, that was 258 00:13:56,679 --> 00:13:59,760 Speaker 1: the side quest. Hey, you just leveled up. But Rowdy's 259 00:13:59,760 --> 00:14:04,160 Speaker 1: telling in me how comedy is is a promo in 260 00:14:04,160 --> 00:14:06,000 Speaker 1: the ring and Rowdy if you don't know who Rowdy 261 00:14:06,040 --> 00:14:09,440 Speaker 1: Roddy Piper is. Hey, you should be ashamed of yourselves. 262 00:14:10,440 --> 00:14:13,959 Speaker 1: Be you should seriously be ashamed of yourselves and see 263 00:14:14,440 --> 00:14:17,800 Speaker 1: YouTube or just watch a cool John Carpenter freaky sci 264 00:14:17,880 --> 00:14:22,000 Speaker 1: fi corporation Aliens take over the World kind of movie. 265 00:14:22,080 --> 00:14:25,720 Speaker 1: It's called They Live. It's with him and get Here's 266 00:14:25,760 --> 00:14:28,000 Speaker 1: how small the World is. And the other actor in 267 00:14:28,040 --> 00:14:30,720 Speaker 1: it is Keith David, this black dude who was the 268 00:14:30,800 --> 00:14:34,000 Speaker 1: voice of Spawn on the HBO animated series. That was 269 00:14:34,040 --> 00:14:36,360 Speaker 1: my dad's best friend. In high school. They went to 270 00:14:36,440 --> 00:14:39,200 Speaker 1: that fake that Fame High school. I said fake because 271 00:14:39,200 --> 00:14:42,680 Speaker 1: it's gonna have real classes. My wife went there the 272 00:14:42,760 --> 00:14:46,080 Speaker 1: Fame High School Performing Arts whatever it's called in New York. 273 00:14:46,440 --> 00:14:49,920 Speaker 1: They were doing, uh, you guys got two side quests. 274 00:14:50,000 --> 00:14:52,520 Speaker 1: They were doing a performance of of Mice and Men. 275 00:14:53,720 --> 00:14:57,720 Speaker 1: Lenny and I was gonna say, Liney and Bruce. That's Lenny, Bruce, 276 00:14:58,040 --> 00:15:02,320 Speaker 1: Lenny and whatever. George and my dad was talking about 277 00:15:02,320 --> 00:15:04,120 Speaker 1: making I'm about to make it, man, I'm about to 278 00:15:04,120 --> 00:15:06,480 Speaker 1: break big. Keith David's our David. Keith is telling me 279 00:15:06,520 --> 00:15:10,200 Speaker 1: this story and he has that great low voice, and 280 00:15:10,200 --> 00:15:13,400 Speaker 1: he says, one day, your father didn't show up for 281 00:15:12,800 --> 00:15:15,840 Speaker 1: her for school, and then he didn't show up for rehearsal, 282 00:15:16,000 --> 00:15:17,760 Speaker 1: and that's when we all knew your dad made it 283 00:15:18,160 --> 00:15:20,080 Speaker 1: and it was true. It was my dad got this 284 00:15:20,120 --> 00:15:24,360 Speaker 1: gig in Chicago, and Richard Pryor saw my dad perform. 285 00:15:24,600 --> 00:15:27,520 Speaker 1: Richard Prior discovered my father, by the way, and told 286 00:15:28,040 --> 00:15:30,120 Speaker 1: his manager at the time, you know, you got to 287 00:15:30,160 --> 00:15:32,480 Speaker 1: sign this kid, or you're an idiot. And so he 288 00:15:32,520 --> 00:15:35,440 Speaker 1: signed him and the rest was history. So I tell 289 00:15:35,480 --> 00:15:40,160 Speaker 1: you this story because Rowdy in like the next part 290 00:15:40,160 --> 00:15:43,120 Speaker 1: of his life, or that final chapter of his life, 291 00:15:43,160 --> 00:15:45,240 Speaker 1: I should say, because he's no longer with us rest 292 00:15:45,280 --> 00:15:51,200 Speaker 1: and power. He became a stand up comedian and he 293 00:15:51,240 --> 00:15:54,600 Speaker 1: would do listen. He only had about five minutes of 294 00:15:54,640 --> 00:15:58,440 Speaker 1: material that would that would get you. He would do 295 00:15:58,640 --> 00:16:03,360 Speaker 1: ten sometimes well, so you know, he didn't get a 296 00:16:03,400 --> 00:16:06,600 Speaker 1: lot of you know, comedy love from the clubs because 297 00:16:06,640 --> 00:16:08,440 Speaker 1: it just wasn't at the level that you know, a 298 00:16:08,520 --> 00:16:10,520 Speaker 1: lot of the other people were doing it. But he 299 00:16:10,560 --> 00:16:14,040 Speaker 1: would catch you with like two or three stories, and 300 00:16:14,080 --> 00:16:17,080 Speaker 1: even if the crowd wasn't a wrestling fan, if if 301 00:16:17,960 --> 00:16:20,840 Speaker 1: there could have been none in there, but he was 302 00:16:20,880 --> 00:16:24,680 Speaker 1: such a beautiful storyteller that he would grab you and 303 00:16:24,680 --> 00:16:27,760 Speaker 1: he would do these voices and he could own that 304 00:16:27,880 --> 00:16:30,360 Speaker 1: crowd for a couple of minutes. And I went to 305 00:16:30,360 --> 00:16:32,200 Speaker 1: see him one night with a buddy of mine. And 306 00:16:32,200 --> 00:16:34,960 Speaker 1: it was actually at the Improv which my dad helped 307 00:16:35,120 --> 00:16:39,120 Speaker 1: open back when when it first came out here in 308 00:16:39,160 --> 00:16:43,920 Speaker 1: Los Angeles. I'm sitting there with this executive producer from 309 00:16:43,920 --> 00:16:47,160 Speaker 1: the Conan O'Brien show who loved wrestling and love comedy 310 00:16:47,200 --> 00:16:48,840 Speaker 1: just like me. So we've gotten to a lot of 311 00:16:48,960 --> 00:16:52,840 Speaker 1: both types of shows together. And uh, We're sitting there 312 00:16:52,840 --> 00:16:57,200 Speaker 1: and we're watching him, and I'm almost crying. And it's 313 00:16:57,200 --> 00:16:59,760 Speaker 1: not because it was so funny or so bad. It 314 00:16:59,880 --> 00:17:07,200 Speaker 1: was just to see him doing what he didn't think 315 00:17:07,240 --> 00:17:10,160 Speaker 1: he could do, but respected so much to the point 316 00:17:10,280 --> 00:17:13,399 Speaker 1: that he compared it to what he did. That's just 317 00:17:13,520 --> 00:17:19,520 Speaker 1: one more person that that Rowdy Piper whose life Rowdy 318 00:17:19,560 --> 00:17:22,280 Speaker 1: Piper touched, and not just as a kid, but as 319 00:17:22,320 --> 00:17:25,440 Speaker 1: an adult too. And that's what these wrestlers are there artists. 320 00:17:25,440 --> 00:17:29,560 Speaker 1: For me, it's it's it's the literal I've said this before, 321 00:17:30,040 --> 00:17:35,240 Speaker 1: the literal blood, sweat, and tears on a literal canvas. 322 00:17:35,640 --> 00:17:42,000 Speaker 1: And that's a massive sacrifice. Man. Guys like Mankind, Cactus Jack, 323 00:17:42,960 --> 00:17:45,280 Speaker 1: you guys always McK foley probably. I mean, that type 324 00:17:45,280 --> 00:17:49,280 Speaker 1: of sacrifice is wild and for some people they can't 325 00:17:49,280 --> 00:17:53,200 Speaker 1: watch it right. Meryl Street hates the UFC. She doesn't 326 00:17:53,280 --> 00:17:56,560 Speaker 1: understand it's mixed martial arts and there's an art and 327 00:17:56,600 --> 00:18:00,520 Speaker 1: there's a beauty to a perfectly executed technique. You're just 328 00:18:00,600 --> 00:18:03,280 Speaker 1: either hip to that form of art or you are 329 00:18:03,400 --> 00:18:06,560 Speaker 1: not hip to that form of art. I like She Devil. 330 00:18:06,640 --> 00:18:09,080 Speaker 1: I thought Meryl Streep was great in it. No one 331 00:18:09,119 --> 00:18:11,919 Speaker 1: else did. Nobody saw that movie. So which one of 332 00:18:12,000 --> 00:18:15,120 Speaker 1: us is wrong? You know what I mean? Nobody? They're 333 00:18:15,240 --> 00:18:18,199 Speaker 1: picassos that IM like. It's that doesn't really do anything 334 00:18:18,240 --> 00:18:21,640 Speaker 1: for me? How dare you sorry? I like Modri anymore. 335 00:18:22,200 --> 00:18:25,679 Speaker 1: So that was sort of the the impetus is that 336 00:18:25,720 --> 00:18:28,000 Speaker 1: the right word for me to even do the podcast is? 337 00:18:28,040 --> 00:18:31,760 Speaker 1: I really wanted to showcase what I learned about the 338 00:18:31,760 --> 00:18:34,560 Speaker 1: wrestling business, and what I loved most about the wrestling 339 00:18:34,600 --> 00:18:38,720 Speaker 1: business was that it's all art. It's not always it's 340 00:18:38,760 --> 00:18:41,480 Speaker 1: not always good. But I've seen episodes of Law in 341 00:18:41,560 --> 00:18:43,960 Speaker 1: Order where I was like, I've seen movies where I 342 00:18:43,960 --> 00:18:46,680 Speaker 1: was like, yeah, I wouldn't ever watch that again. I've 343 00:18:46,680 --> 00:18:51,200 Speaker 1: walked out of movies. You have to so careful with 344 00:18:51,280 --> 00:18:54,280 Speaker 1: your criticism, although a lot of it is valid. I'm 345 00:18:54,320 --> 00:18:58,720 Speaker 1: just saying careful, So I'm riding on the airplane now, 346 00:18:59,320 --> 00:19:01,679 Speaker 1: and give me a day off. By the way, I 347 00:19:01,720 --> 00:19:04,040 Speaker 1: got raw off so that I could uh just kind 348 00:19:04,040 --> 00:19:05,960 Speaker 1: of deal with my own crap. So I get back 349 00:19:06,000 --> 00:19:12,240 Speaker 1: in the office and wait, can I even tek? Okay? 350 00:19:12,280 --> 00:19:16,320 Speaker 1: I can talk? So free Bird calls me into his office. 351 00:19:16,359 --> 00:19:22,639 Speaker 1: Michael hayes, I can tell it, and he says, uh, Freddy, 352 00:19:22,640 --> 00:19:25,800 Speaker 1: I gotta ask you a question, and he looks concerned. 353 00:19:25,920 --> 00:19:28,959 Speaker 1: I go, what's up? Man? He goes, you didn't, uh, 354 00:19:29,520 --> 00:19:31,480 Speaker 1: you didn't take a poop on Vincus plane, did you? 355 00:19:32,320 --> 00:19:34,200 Speaker 1: I said, what are you talking about? He says, there's 356 00:19:34,200 --> 00:19:36,480 Speaker 1: no poops on the plane. I said, of course I didn't. 357 00:19:36,480 --> 00:19:37,879 Speaker 1: What are you talking about, man, I didn't even use 358 00:19:37,880 --> 00:19:41,240 Speaker 1: the restroom. He goes, well, someone did, and I have 359 00:19:41,359 --> 00:19:43,800 Speaker 1: to find out who. And he's not laughing when he 360 00:19:43,840 --> 00:19:45,879 Speaker 1: says that. Okay, he's piste off, Like what kind of 361 00:19:45,960 --> 00:19:47,960 Speaker 1: job assignment is that? I gotta find out who took 362 00:19:47,960 --> 00:19:52,000 Speaker 1: a ship on my boss's plane. Freaking the best agent 363 00:19:52,000 --> 00:19:54,680 Speaker 1: in the company. I come up with the greatest finishes. 364 00:19:55,040 --> 00:19:57,520 Speaker 1: At least when I was there, all the fans favorite 365 00:19:57,520 --> 00:20:01,200 Speaker 1: finishes were either free Birds or belle ages and usually 366 00:20:01,200 --> 00:20:04,520 Speaker 1: it was a combination of both, and it wasn't anyone else's. 367 00:20:04,560 --> 00:20:06,520 Speaker 1: And he's having to find out who took a poop 368 00:20:06,560 --> 00:20:09,240 Speaker 1: on the plane. Now we'll say this. He never found 369 00:20:09,280 --> 00:20:13,119 Speaker 1: out who it was. But I did I know exactly 370 00:20:13,119 --> 00:20:16,199 Speaker 1: who it was because the dude ratted himself out in 371 00:20:16,280 --> 00:20:18,840 Speaker 1: my hotel room where a group of writers were all 372 00:20:18,880 --> 00:20:21,840 Speaker 1: hanging out and a couple of wrestlers, and literally as 373 00:20:21,880 --> 00:20:23,600 Speaker 1: soon as he said it, two of the other writers 374 00:20:23,600 --> 00:20:25,200 Speaker 1: were in there, and he jumped up and he goes, 375 00:20:25,359 --> 00:20:28,720 Speaker 1: if you tell anyone, anyone, I swear to God. And 376 00:20:28,760 --> 00:20:31,480 Speaker 1: we all had a good laugh. So remember there's no 377 00:20:31,520 --> 00:20:44,639 Speaker 1: poops on the plate. I've been there, and uh, I'm writing. 378 00:20:44,840 --> 00:20:47,879 Speaker 1: And there was this other writer next to me who 379 00:20:47,920 --> 00:20:49,680 Speaker 1: I didn't talk to about this episode, so I won't 380 00:20:49,680 --> 00:20:54,199 Speaker 1: say his name. And he's talking about this show and 381 00:20:54,320 --> 00:20:56,280 Speaker 1: I looked over at him and he goes, yeah, man, 382 00:20:56,320 --> 00:20:59,280 Speaker 1: I love this show. I can't even say the name 383 00:20:59,280 --> 00:21:01,560 Speaker 1: of the show. You'll know in a second. And I said, dude, 384 00:21:01,600 --> 00:21:05,080 Speaker 1: I I wrote that. He said what. I go, yeah, man, 385 00:21:05,119 --> 00:21:07,639 Speaker 1: I wrote that episode. He was no, you didn't. I 386 00:21:07,880 --> 00:21:09,680 Speaker 1: probably swear to god I didn't I didn't write it 387 00:21:09,800 --> 00:21:12,920 Speaker 1: under my name. It's called ghostwriting. And he goes, what 388 00:21:13,000 --> 00:21:14,520 Speaker 1: are you talking about? I go, where you make more 389 00:21:14,520 --> 00:21:16,960 Speaker 1: money ghostwriting than selling your own damn scripts some of 390 00:21:17,000 --> 00:21:19,399 Speaker 1: the time. I said, I literally the only reason I 391 00:21:19,440 --> 00:21:21,479 Speaker 1: know this. I don't know the show. I've never seen it, 392 00:21:21,640 --> 00:21:24,719 Speaker 1: but the episode you're describing is literally the episode that 393 00:21:24,760 --> 00:21:26,920 Speaker 1: I wrote. He said, what the hell are you talking about? 394 00:21:26,920 --> 00:21:28,760 Speaker 1: I said, I wrote under a ghost name. It is 395 00:21:28,760 --> 00:21:32,359 Speaker 1: called William Ramirez. William Ramirez was my Papu's name in 396 00:21:32,760 --> 00:21:35,119 Speaker 1: Puerto Rico, and he was I think I've told you 397 00:21:35,119 --> 00:21:37,119 Speaker 1: about him before. He was big, like a pro wrestler, 398 00:21:37,240 --> 00:21:40,320 Speaker 1: was a butcher in San Juan, and nobody wanted to 399 00:21:40,440 --> 00:21:43,160 Speaker 1: I was writing these scripts and I couldn't even get 400 00:21:43,200 --> 00:21:48,679 Speaker 1: him read because of like the businesses perspective on Scooby Doo. Right, 401 00:21:48,760 --> 00:21:50,480 Speaker 1: a lot of you saw Scooby Doo and you loved 402 00:21:50,480 --> 00:21:55,080 Speaker 1: it kids, but the studios they looked at it much different. Right. 403 00:21:55,200 --> 00:21:58,399 Speaker 1: It was the original script. I got in trouble for 404 00:21:58,440 --> 00:22:01,240 Speaker 1: saying this a while ago, and then James and echoed 405 00:22:01,280 --> 00:22:03,400 Speaker 1: it a few years later, and everyone was like, oh, 406 00:22:03,440 --> 00:22:08,120 Speaker 1: the courage. So the first script was very much PG. 407 00:22:08,240 --> 00:22:13,480 Speaker 1: Thirteen for Scooby side quests and uh, and that's what 408 00:22:13,560 --> 00:22:16,880 Speaker 1: got everybody excited about it. A lot of the innuendo 409 00:22:17,320 --> 00:22:20,840 Speaker 1: and the hints that were there over the years, they 410 00:22:21,280 --> 00:22:23,560 Speaker 1: James wrote them in in a very slick way, right. 411 00:22:24,040 --> 00:22:27,320 Speaker 1: And then the studio wanted to make the movie g 412 00:22:27,560 --> 00:22:32,560 Speaker 1: rated to allow or pig, to allow all kids to 413 00:22:32,640 --> 00:22:35,119 Speaker 1: go without any like parents freaking out and stuff. And 414 00:22:35,119 --> 00:22:40,199 Speaker 1: they were worried about drug references and and homosexual references 415 00:22:40,240 --> 00:22:44,000 Speaker 1: and things like that. So as a publicly traded company, 416 00:22:44,040 --> 00:22:46,280 Speaker 1: I guess it's a legitimate concern that the w W 417 00:22:46,440 --> 00:22:50,160 Speaker 1: has never feared it. But we all land in Australia 418 00:22:51,400 --> 00:22:52,960 Speaker 1: and all of a sudden we have a different script, 419 00:22:53,560 --> 00:22:55,200 Speaker 1: and I'm gonna say oho, A couple of the actors 420 00:22:55,240 --> 00:22:58,119 Speaker 1: were like yo, Well one of them was me, I 421 00:22:58,119 --> 00:22:59,760 Speaker 1: want to say. The other one was was like, yo, 422 00:23:00,040 --> 00:23:02,679 Speaker 1: is in what I sawt en up for? And uh, 423 00:23:02,800 --> 00:23:05,679 Speaker 1: we were good soldiers and and we did our we 424 00:23:05,760 --> 00:23:08,679 Speaker 1: did our thing. But because of that, after that movie, 425 00:23:09,440 --> 00:23:11,959 Speaker 1: a lot of people were interested in my scripts before it, 426 00:23:12,160 --> 00:23:14,480 Speaker 1: and then afterwards they were like, I just does kids 427 00:23:14,560 --> 00:23:16,240 Speaker 1: movies now, we don't want to read it. So I 428 00:23:16,400 --> 00:23:20,240 Speaker 1: legit used a fake name, William Ramirez, and I sold 429 00:23:20,240 --> 00:23:23,440 Speaker 1: like three scripts in one year, and that I put 430 00:23:23,480 --> 00:23:25,440 Speaker 1: my name by the way, one of the deals went 431 00:23:25,480 --> 00:23:28,000 Speaker 1: away when they found out that it was me. All 432 00:23:28,000 --> 00:23:29,760 Speaker 1: of a sudden, they had all these notes that they 433 00:23:29,760 --> 00:23:32,679 Speaker 1: didn't have the week before because the guy from Scooby 434 00:23:32,680 --> 00:23:35,280 Speaker 1: wouldn't know how to write a script. So anyway, I'm 435 00:23:35,280 --> 00:23:38,840 Speaker 1: sitting there and I'm writing this segment and its first 436 00:23:38,880 --> 00:23:43,120 Speaker 1: SmackDown and he goes, what are you writing? And I said, 437 00:23:43,840 --> 00:23:48,159 Speaker 1: I'm doing this thing for for Jeff Hardy And he 438 00:23:48,200 --> 00:23:51,080 Speaker 1: said what is it? And I said, I was told 439 00:23:51,119 --> 00:23:54,560 Speaker 1: not to say anything. So Freebird had come up to 440 00:23:54,560 --> 00:24:00,000 Speaker 1: me a couple, uh, probably weeks prior, and he said, uh, 441 00:24:00,240 --> 00:24:02,399 Speaker 1: DJ has an idea, wants to try to make Jeff 442 00:24:02,720 --> 00:24:06,040 Speaker 1: Champ talking about Jeff Hardy and it's not gonna happen. 443 00:24:06,160 --> 00:24:10,920 Speaker 1: They have to understand Michael brought Matt and Jeff Hardy 444 00:24:10,960 --> 00:24:15,480 Speaker 1: into the w W E. They're his boy, they're his babies. Okay. 445 00:24:15,680 --> 00:24:19,600 Speaker 1: He has fought for them. I mean he fought for 446 00:24:19,640 --> 00:24:22,160 Speaker 1: them every damn day that I was there, and from 447 00:24:22,160 --> 00:24:23,880 Speaker 1: what I was told, he fought for them every damn 448 00:24:23,960 --> 00:24:28,080 Speaker 1: day before and after. He loves those guys. He would 449 00:24:28,160 --> 00:24:29,760 Speaker 1: kill for those guys. He would lie in court. Will 450 00:24:29,800 --> 00:24:31,320 Speaker 1: he probably in court for any of us, but he 451 00:24:31,320 --> 00:24:34,119 Speaker 1: would like in court for those guys. And a loyal 452 00:24:34,600 --> 00:24:41,480 Speaker 1: freebird is the baddest bird owner. Okay, so he's telling me, look, 453 00:24:41,480 --> 00:24:44,560 Speaker 1: it's not gonna happen. But a lot of my promos 454 00:24:44,640 --> 00:24:46,960 Speaker 1: had been getting over with the boss, and he thought 455 00:24:47,359 --> 00:24:49,639 Speaker 1: maybe I would have the best shot at getting a 456 00:24:49,720 --> 00:24:55,119 Speaker 1: Jeff Hardy Championship story to fruition. I tried to take 457 00:24:56,600 --> 00:24:59,679 Speaker 1: the more understanding approach that I had on my father 458 00:25:00,320 --> 00:25:03,119 Speaker 1: at the age I was then and apply it to 459 00:25:03,200 --> 00:25:05,440 Speaker 1: Jeff so to get into that when I was young, 460 00:25:06,640 --> 00:25:09,200 Speaker 1: I hated my dad like I would get so mad 461 00:25:09,240 --> 00:25:11,680 Speaker 1: at him for the choices he made. He did drugs, 462 00:25:12,119 --> 00:25:15,960 Speaker 1: screwed around on my mom, messed up a lot in 463 00:25:16,080 --> 00:25:19,280 Speaker 1: every aspect of life, and then on my mother's birthday, 464 00:25:19,920 --> 00:25:22,680 Speaker 1: but a gun to his head and the courts ruled 465 00:25:22,680 --> 00:25:25,199 Speaker 1: it an accidental shooting. A lot of people call it 466 00:25:25,240 --> 00:25:29,399 Speaker 1: a suicide. Um. Some people have said that there was 467 00:25:29,440 --> 00:25:31,480 Speaker 1: a note, even though there wasn't a note, But that's 468 00:25:31,520 --> 00:25:33,600 Speaker 1: just how these stories kind of take on the life 469 00:25:33,600 --> 00:25:36,240 Speaker 1: of their own um, and the courts ruled it what 470 00:25:36,280 --> 00:25:42,840 Speaker 1: they ruled it. The point is I didn't want I 471 00:25:42,840 --> 00:25:47,720 Speaker 1: didn't want to understand my father at all. And then 472 00:25:47,760 --> 00:25:52,359 Speaker 1: I met this woman who is still one of the 473 00:25:52,400 --> 00:25:55,280 Speaker 1: most influential people I've ever met in my life as 474 00:25:55,320 --> 00:25:57,679 Speaker 1: far as the effect she had on me. And her 475 00:25:57,760 --> 00:26:00,520 Speaker 1: name is Pam Greer, and if you don't know who PAYM. 476 00:26:00,520 --> 00:26:04,080 Speaker 1: Greer is, you need to google her. In the seventies, 477 00:26:05,160 --> 00:26:08,760 Speaker 1: as far as the power of beauty went, she had 478 00:26:08,800 --> 00:26:10,840 Speaker 1: more of it than any other woman on the planet. 479 00:26:12,280 --> 00:26:17,160 Speaker 1: Every man loved her. That wasn't racist, and even though 480 00:26:17,359 --> 00:26:21,720 Speaker 1: probably did, and every woman respected her because she portrayed strength. 481 00:26:22,800 --> 00:26:25,040 Speaker 1: If you've read her biography, If you haven't, you should. 482 00:26:26,080 --> 00:26:27,679 Speaker 1: She talks about my father a lot, and it she 483 00:26:27,720 --> 00:26:30,120 Speaker 1: talks about Richard Bryor and Kareem Abdul Jabbar, the three 484 00:26:30,119 --> 00:26:32,840 Speaker 1: loves of her life. I started to speak to her 485 00:26:33,080 --> 00:26:35,800 Speaker 1: and I learned a lot more about who my father was. 486 00:26:36,480 --> 00:26:40,639 Speaker 1: My family, of course, would try to protect the child 487 00:26:40,840 --> 00:26:43,120 Speaker 1: right and when you're a junior, you have to remember 488 00:26:44,359 --> 00:26:47,560 Speaker 1: you basically exist as a statue to honor that which 489 00:26:47,600 --> 00:26:51,080 Speaker 1: walked before you. It's very difficult any junior out there 490 00:26:51,119 --> 00:26:55,320 Speaker 1: can relate. You usually are pushed or leaned somehow into 491 00:26:55,359 --> 00:27:00,240 Speaker 1: your predecessor's profession. You're compared to the value of the 492 00:27:00,320 --> 00:27:03,280 Speaker 1: name that came before you all the time. And I 493 00:27:03,320 --> 00:27:06,040 Speaker 1: think Pam knew that. And instead of protecting me, she 494 00:27:06,119 --> 00:27:09,080 Speaker 1: was very honest, and she told me about how much 495 00:27:09,080 --> 00:27:11,960 Speaker 1: she loved my father, why she loved my father. She 496 00:27:12,040 --> 00:27:14,800 Speaker 1: talked about what a fool he was with money, the 497 00:27:14,840 --> 00:27:17,480 Speaker 1: types of choices and mistakes he made. And in the seventies, 498 00:27:17,480 --> 00:27:20,159 Speaker 1: a lot of people made those choices and mistakes, but 499 00:27:20,200 --> 00:27:22,560 Speaker 1: a lot of them are just choices. The great M. V. 500 00:27:22,640 --> 00:27:26,400 Speaker 1: P Will tell you that choice is not mistakes. First 501 00:27:26,400 --> 00:27:28,640 Speaker 1: of all, just meeting Pam Greer, and I'm not trying 502 00:27:28,640 --> 00:27:31,480 Speaker 1: to be funny, but any man will understand this. I 503 00:27:31,520 --> 00:27:35,040 Speaker 1: was like, yeah, I mean, it's so he's you know, 504 00:27:35,440 --> 00:27:38,080 Speaker 1: so he so he fooled around, you know, it's Pam Greer. 505 00:27:38,560 --> 00:27:40,119 Speaker 1: And I'm not trying to be a jerk about it, 506 00:27:40,160 --> 00:27:43,240 Speaker 1: but there's just something amazing about her, you know, there's 507 00:27:43,240 --> 00:27:46,919 Speaker 1: just something captivating about her. And they were also they 508 00:27:46,960 --> 00:27:49,400 Speaker 1: had a relationship before he even knew my mother as well. 509 00:27:50,240 --> 00:27:53,399 Speaker 1: So she starts breaking it down, and she breaks down 510 00:27:54,000 --> 00:27:58,080 Speaker 1: the need for artists to medicate. You just have to 511 00:27:58,119 --> 00:28:01,600 Speaker 1: hope they find the right medicine. And your father never did. 512 00:28:02,640 --> 00:28:08,960 Speaker 1: And that hit hard, so hard that I wanted to 513 00:28:09,000 --> 00:28:16,080 Speaker 1: write it into a wrestling storyline, but I did, And 514 00:28:18,240 --> 00:28:21,720 Speaker 1: it started off with a number between him and m 515 00:28:21,800 --> 00:28:25,280 Speaker 1: v P, who's uh still a dear friend of mine 516 00:28:25,720 --> 00:28:27,520 Speaker 1: to this day, and I hope to have mine as 517 00:28:27,520 --> 00:28:28,880 Speaker 1: a guest. So I don't want to share too many 518 00:28:28,960 --> 00:28:31,640 Speaker 1: MVP stories because I'd rather him tell him, because he's 519 00:28:31,640 --> 00:28:34,840 Speaker 1: just he's a better storyteller than I am. You know, 520 00:28:34,960 --> 00:28:37,600 Speaker 1: people think I made movies in the nineties and oh 521 00:28:37,600 --> 00:28:39,720 Speaker 1: how cool this and that. You know, I had two 522 00:28:39,760 --> 00:28:44,200 Speaker 1: friends in high school too, okay, not three, not five, 523 00:28:44,320 --> 00:28:47,720 Speaker 1: not two, and a bunch of acquaintances. Two friends. I 524 00:28:47,880 --> 00:28:50,520 Speaker 1: was a dork. I didn't know who I was. I 525 00:28:50,520 --> 00:28:53,560 Speaker 1: didn't have girlfriend. I didn't I broke up with a 526 00:28:53,600 --> 00:28:55,360 Speaker 1: girl in the sixth grade because she kissed me on 527 00:28:55,400 --> 00:28:57,960 Speaker 1: the cheek. That's how I called her. Name was Laura Eichelberger. 528 00:28:58,160 --> 00:29:00,920 Speaker 1: Shout out, Laura, we love you girl, Um, sorry for 529 00:29:01,000 --> 00:29:03,680 Speaker 1: breaking up with you. That was me, not you. But 530 00:29:03,840 --> 00:29:06,600 Speaker 1: I was not I'm still not cool. I mean, I'm 531 00:29:06,640 --> 00:29:08,720 Speaker 1: just lucky that Sarah laughs in my stories. That's the 532 00:29:08,800 --> 00:29:11,360 Speaker 1: only reason she keeps me around. But if you think 533 00:29:11,400 --> 00:29:14,840 Speaker 1: about it, the two guests I've had so far both 534 00:29:14,840 --> 00:29:18,160 Speaker 1: played Dungeons and Dragons. One of them is a psychopath 535 00:29:18,200 --> 00:29:20,520 Speaker 1: about it, and one of them loves it more than 536 00:29:20,760 --> 00:29:24,200 Speaker 1: anything on earth. So do I you can. I gonna 537 00:29:24,200 --> 00:29:26,200 Speaker 1: have more guests you can find out played d D 538 00:29:26,240 --> 00:29:32,040 Speaker 1: two and they're gigantic, beautiful, awesome professional wrestlers. But a 539 00:29:32,120 --> 00:29:35,760 Speaker 1: lot of artists are the outcasts. I think there was 540 00:29:35,800 --> 00:29:39,720 Speaker 1: a line in a Robert Downey Jr. Movie that f 541 00:29:39,880 --> 00:29:42,440 Speaker 1: Gary Gray directed, and I can't remember the name, but 542 00:29:42,520 --> 00:29:46,880 Speaker 1: he said, it's like someone on the East Coast grabbed 543 00:29:46,920 --> 00:29:49,239 Speaker 1: it by the edge, shook the ship out of it, 544 00:29:49,320 --> 00:29:52,160 Speaker 1: and all the insecure, weak people ended up in Los Angeles. 545 00:29:52,920 --> 00:29:56,760 Speaker 1: And that's true because it's a city of dreamers. So 546 00:29:56,800 --> 00:30:00,320 Speaker 1: it's all the dreamers from these small towns that feel 547 00:30:00,400 --> 00:30:04,160 Speaker 1: that they need something bigger than that. It's all these 548 00:30:04,240 --> 00:30:07,760 Speaker 1: dreamers from other places that go Hollywood's or New York 549 00:30:07,880 --> 00:30:09,960 Speaker 1: Is where my dreams can come true and they have 550 00:30:10,040 --> 00:30:13,000 Speaker 1: the guts and the courage to go after that. That's 551 00:30:13,040 --> 00:30:15,720 Speaker 1: the wrestler's life. Now it's a little different with n 552 00:30:15,840 --> 00:30:18,880 Speaker 1: x T. You're getting paid to learn how to wrestle. 553 00:30:19,280 --> 00:30:21,880 Speaker 1: Now that's a that's a privilege. Okay, I'm not getting 554 00:30:21,880 --> 00:30:24,440 Speaker 1: paid to go on auditions to act, and a lot 555 00:30:24,480 --> 00:30:27,560 Speaker 1: of wrestlers aren't getting paid to go, you know, on 556 00:30:27,600 --> 00:30:31,160 Speaker 1: the road, drive eight hours to get somewhere to do 557 00:30:31,200 --> 00:30:33,000 Speaker 1: a match. That won't pay for the gas that they 558 00:30:33,080 --> 00:30:35,040 Speaker 1: used to get there. But they need the work, they 559 00:30:35,040 --> 00:30:40,040 Speaker 1: need the experience that that takes courage. It takes courage 560 00:30:40,120 --> 00:30:44,400 Speaker 1: to express yourself honestly or going personally. Now to express 561 00:30:44,440 --> 00:30:49,360 Speaker 1: yourself honestly, um a lot personally, but to have the 562 00:30:49,400 --> 00:30:51,840 Speaker 1: courage to do that is really hard. I'm telling you. 563 00:30:51,840 --> 00:30:57,760 Speaker 1: Earlier in my career I didn't. I still I look 564 00:30:57,840 --> 00:31:00,560 Speaker 1: back on my career and I've only seen three things 565 00:31:00,600 --> 00:31:03,360 Speaker 1: I've done because I don't like watching movies when I 566 00:31:03,400 --> 00:31:06,040 Speaker 1: know the end and I've already read the script. But 567 00:31:06,080 --> 00:31:08,040 Speaker 1: I wish I could change every single moment in it. 568 00:31:08,680 --> 00:31:11,160 Speaker 1: Even if people love it. It still makes me mad 569 00:31:11,160 --> 00:31:13,360 Speaker 1: because I became a better actor the older I got, 570 00:31:13,760 --> 00:31:16,360 Speaker 1: the more of my baggage I let go. And it's 571 00:31:16,360 --> 00:31:18,360 Speaker 1: the same thing in the wrestling business. That's what the 572 00:31:18,360 --> 00:31:22,080 Speaker 1: promo classes were all about. Fail here and wake up 573 00:31:22,080 --> 00:31:24,880 Speaker 1: the next day, Okay, and know that I still love 574 00:31:24,920 --> 00:31:26,760 Speaker 1: you and I'm still going to write for you. And 575 00:31:26,800 --> 00:31:29,480 Speaker 1: I didn't send a video of your of your bad 576 00:31:29,560 --> 00:31:33,280 Speaker 1: take to the boss. Everything's cool, and it allows you 577 00:31:33,560 --> 00:31:36,320 Speaker 1: to fail less when the pressure is on. Like we 578 00:31:36,360 --> 00:31:39,160 Speaker 1: said with with Xavier Woods, there's no such thing as luck. 579 00:31:39,480 --> 00:31:41,880 Speaker 1: There's no such thing as luck. It's just about being 580 00:31:42,120 --> 00:31:45,680 Speaker 1: prepared when the opportunity presents itself. And the people that 581 00:31:45,760 --> 00:31:48,480 Speaker 1: went out and party the night before and at ten 582 00:31:48,520 --> 00:31:51,760 Speaker 1: a m. The next day they were still in bed. Well, 583 00:31:52,200 --> 00:31:54,120 Speaker 1: that's how I booked a lot of my movies, was 584 00:31:54,160 --> 00:31:56,600 Speaker 1: waiting for that actor to not show up and lie 585 00:31:56,640 --> 00:31:59,640 Speaker 1: about my name. But yet that's me. Yes, I'm Ryan Philippie. 586 00:31:59,800 --> 00:32:02,560 Speaker 1: They you very much. Sometimes it worked, sometimes it didn't. 587 00:32:02,600 --> 00:32:05,160 Speaker 1: But you gotta take a shot. That's the more of 588 00:32:05,280 --> 00:32:07,600 Speaker 1: today's episode. You gotta take a shot. I hope you 589 00:32:07,600 --> 00:32:10,000 Speaker 1: guys like listening, but I'll speak to you guys soon. 590 00:32:10,680 --> 00:32:13,480 Speaker 1: H This was a very like heartwarming episode, not one 591 00:32:13,520 --> 00:32:15,520 Speaker 1: of our funnier ones, but I hope it was still 592 00:32:16,440 --> 00:32:18,240 Speaker 1: meaningful to you and I hope it connected to you 593 00:32:18,280 --> 00:32:20,920 Speaker 1: in some way, and if it did, you're a wrestling 594 00:32:20,960 --> 00:32:23,560 Speaker 1: fan because wrestling just connected with you. So thanks for 595 00:32:23,600 --> 00:32:28,880 Speaker 1: listening to Wrestling with Freddie. This has been a production 596 00:32:28,920 --> 00:32:32,120 Speaker 1: of I Hearts Michael podcast Network. For more podcasts for 597 00:32:32,200 --> 00:32:35,480 Speaker 1: My Heart Radio, visit the I Heart Radio app, Apple Podcasts, 598 00:32:35,600 --> 00:32:41,480 Speaker 1: or wherever you listen to your favorite shows. H