WEBVTT - Good Luck to You, Leo Grande: Vulnerable & Mars Bar

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio. We are back Baby. Hello.

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<v Speaker 2>Hello, I'm Leanna Holsten, I'm Sianna Jacole, and welcome back

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<v Speaker 2>to Toss Popcorn, the podcast where two idiots watched every

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<v Speaker 2>film on the AFI's one hundred Greatest American Movies of

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<v Speaker 2>All Time, the very slightly less racist tenth Anniversary edition,

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<v Speaker 2>and are now watching films directed by went In.

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<v Speaker 1>Yes, I forgot I have to talk next. I was like,

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<v Speaker 1>she's really taking this time for emphasis. It's awesome. This

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<v Speaker 1>podcast is a safe hotel room for people who don't

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<v Speaker 1>know anything about movies. Today we're watching good Luck to

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<v Speaker 1>You Leo Grant number three. We do a sixty nine,

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<v Speaker 1>if that's what it's still called. I don't know for

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<v Speaker 1>me on Top five talky style, is that right?

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<v Speaker 2>M I don't know if you can say I saw

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<v Speaker 2>your titles on your documents and I loved them.

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<v Speaker 1>I got all the words. Okay, uh warning, there will

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<v Speaker 1>be spoilers about this this recent this recent movie I

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<v Speaker 1>just can't wait to talk about. I don't okay, what

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<v Speaker 1>do we do now?

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<v Speaker 2>Predictions?

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<v Speaker 1>I'm sorry, it's been so long. I've been all across

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<v Speaker 1>all over the world, of Western I've seen so many

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<v Speaker 1>things that's really changed me and.

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<v Speaker 2>Oh my god, well can't talk about that yet. Sienna,

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<v Speaker 2>could please hear your prediction for and what did you think?

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<v Speaker 3>It was?

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<v Speaker 2>Called? Good Luck? Leo Grande?

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<v Speaker 1>Hi, Leanna, this is Sienna, welcome back, thank you of us.

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<v Speaker 1>I'm about to watch good Luck Leo Grand Leo Grande.

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<v Speaker 1>I don't know what this is about, but I did

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<v Speaker 1>while looking it up see that it's uh, it is

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<v Speaker 1>Emma Thompson and then the guy from the young Guy

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<v Speaker 1>from Bad Sisters are together in a movie and they're

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<v Speaker 1>sitting in front of a bed. So I wonder if

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<v Speaker 1>it's gonna be like a what do they call it?

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<v Speaker 1>A winter, a winter spring relationship?

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<v Speaker 2>I didn't know what it was winter winter, two seasons

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<v Speaker 2>right after each other.

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<v Speaker 1>So anyway, I'll be interested in how that is. I

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<v Speaker 1>love you, goodbye.

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<v Speaker 2>Great Well, here's my prediction. What so I'm April in

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<v Speaker 2>your March. That's fine. I don't get it. I don't

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<v Speaker 2>understand it's regular. Okay, ready mm hmmm, hello Sienna, Leanna

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<v Speaker 2>remember me. Yes, I'm about good luck to you, Leo

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<v Speaker 2>grand Grand. I don't know anything about this besides Emma

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<v Speaker 2>Thompson and a little young hobby are in it, and

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<v Speaker 2>I assume they bang and good for her. Yeah, it

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<v Speaker 2>must be nice. Jealous, I predict. Oh, I hope I

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<v Speaker 2>have a fun time. Love you bye. I.

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<v Speaker 1>I guess I'm not talking about it yet. We have

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<v Speaker 1>to wait.

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<v Speaker 2>Mm hmm, all right.

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<v Speaker 1>I just want to know your general vibe, your general

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<v Speaker 1>vibe before we get into it in a bit.

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<v Speaker 2>My general vibe is I have a lot of appreciation

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<v Speaker 2>and time for this film, and I think I'm severely

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<v Speaker 2>sexually repressed, and you.

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<v Speaker 1>I definitely I was waiting for it to become less

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<v Speaker 1>lame at certain times. There's a lot of things I

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<v Speaker 1>really liked for what they were going for, But when

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<v Speaker 1>it got to the very end and then they were

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<v Speaker 1>having a really fun time like doing it, I was like,

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<v Speaker 1>this is what I thought we were going to be

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<v Speaker 1>doing more of the time. So so anyway, I just

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<v Speaker 1>wanted her to be I wanted her to be getting down.

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<v Speaker 1>That's kind of the whole point is that she's talking

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<v Speaker 1>about it for a long time, which I also think

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<v Speaker 1>is great, like the we'll talk about all the conversation

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<v Speaker 1>and stuff I thought were very real, very lovely there

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<v Speaker 1>were certain things that went kind of came back around

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<v Speaker 1>to being not appropriate.

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<v Speaker 2>Uh huh.

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<v Speaker 1>Anyway, all right, all right, general vibes, okay.

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<v Speaker 2>Uh huh, much to discuss my firsty girl, Hey girl,

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<v Speaker 2>welcome back.

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<v Speaker 1>Thanks, welcome back from your grande tour by grande tour

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<v Speaker 1>across the real grande.

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<v Speaker 2>Ooh, oh my god god. And we haven't really spoken.

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<v Speaker 1>No, I've spoken.

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<v Speaker 2>We've handled a few tax things. Oh my god. You

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<v Speaker 2>had coffee with my parents.

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<v Speaker 1>I had.

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<v Speaker 2>You were in my parents'.

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<v Speaker 1>Home with your parents and they're listening right now. Hello,

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<v Speaker 1>Hello to JB and Ann. Thank you so much again

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<v Speaker 1>for hosting me. Your father picked me up and brought

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<v Speaker 1>me back home. It was okay. You've been in my

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<v Speaker 1>dad's car. I've been in your dad's car. I've been

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<v Speaker 1>in that Ford vehicle. I guess not your childhood home

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<v Speaker 1>because you know they're later.

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<v Speaker 2>But I've been all around.

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<v Speaker 1>I've seen all the art.

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<v Speaker 2>Oh yeah, what were your takeaways?

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<v Speaker 1>First impressions, last impressions.

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<v Speaker 2>Let's hear see.

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<v Speaker 1>Some of the color scheme really was very Leanna, and

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<v Speaker 1>I thought that was so cute. There was like a

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<v Speaker 1>boy's edge mm hmm.

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<v Speaker 3>That was nice. Yeah.

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<v Speaker 1>Really that cool kinetic art piece in the bathroom that

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<v Speaker 1>was like a little wooden Oh yeah, did you like

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<v Speaker 1>that guy going like, eh, I loved it. I loved

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<v Speaker 1>that guy.

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<v Speaker 3>Great.

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<v Speaker 1>There was some gorgeous art. There was the the the

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<v Speaker 1>these western landscapes with these little foxes downstairs.

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<v Speaker 2>Oh yeah, loved I think might even be a coyote.

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<v Speaker 1>Coyote makes more sense, coyote.

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<v Speaker 2>Oh how fun.

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<v Speaker 1>Yeah, I had a delightful time.

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<v Speaker 2>There is a lot of art.

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<v Speaker 1>Yeah, you're right, you guys have a lot of art. Yeah, geez,

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<v Speaker 1>it was amazing. It was everything I dreamed.

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<v Speaker 2>Oh my god, that's so how fun. Cianna was passing

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<v Speaker 2>through Denver, Colorado on tour and she went to my parents' house. Yeah,

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<v Speaker 2>I love that.

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<v Speaker 1>It was awesome.

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<v Speaker 2>Can I get something? We need hours to really digest

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<v Speaker 2>the tour. But are there any like big bullet points,

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<v Speaker 2>big highlights? Well, we talked, so everybody survived.

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<v Speaker 1>We survived. To be honest, that like surviving health wise,

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<v Speaker 1>being in the car spending that much time together actually

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<v Speaker 1>went fine. We were in the.

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<v Speaker 2>Car for so long that we tried to learn telepathy. Okay,

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<v Speaker 2>and weirdly like that's the first I've heard of that happening.

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<v Speaker 2>That's not like a like, you know, if a human's

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<v Speaker 2>in a car for a long time. I don't know

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<v Speaker 2>that everybody jumps straight to well time to learn. It's

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<v Speaker 2>been enough hours.

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<v Speaker 1>I can probably podcast going around about kids who are

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<v Speaker 1>like literally telepathic, and we just had all these hours

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<v Speaker 1>to listen to and then we were just sitting in

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<v Speaker 1>the car, so we were trying to do telepathy on ourselves.

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<v Speaker 1>But honestly, it was it was a fun way to

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<v Speaker 1>spend our time. It was very goofy, and I feel

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<v Speaker 1>that I'm leaving the tour much more spiritual, really get ready.

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<v Speaker 1>Oh yeah, well yeah, I just had time. Desert will

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<v Speaker 1>do that to you as well. So it was really

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<v Speaker 1>nice to be in other places. And it was the

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<v Speaker 1>context of what I was doing, Like it was very clear,

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<v Speaker 1>very structured, and we had a very obvious stuff to

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<v Speaker 1>do every day. So I was just focused on the

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<v Speaker 1>show we're going to put on. But uh, there's like

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<v Speaker 1>the urgency. The feeling of urgency in Los Angeles is unparalleled.

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<v Speaker 1>I didn't experience it anywhere else. I'm not saying they

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<v Speaker 1>don't have their own stuff other places, but they like

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<v Speaker 1>must make my things happen now, must figure out what

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<v Speaker 1>they are, must sell myself, must tell everybody. It just

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<v Speaker 1>wasn't the same vibe. People were just coming to our

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<v Speaker 1>shows to have a good time.

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<v Speaker 2>Yes, oh hell nice.

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<v Speaker 1>Yeah. And on the very first day that I went

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<v Speaker 1>to these I was at one of these shows because

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<v Speaker 1>we played there was like three musicians before us, and

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<v Speaker 1>then we performed with a musician during his entire show.

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<v Speaker 1>I realized that I had, in order to survive for

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<v Speaker 1>this month, I had to become extremely zen at live

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<v Speaker 1>music events because normally I'm just waiting till I can

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<v Speaker 1>go home.

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<v Speaker 2>Yes, yes, I understand, but I think.

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<v Speaker 1>This is what I mean about being spiritual is I

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<v Speaker 1>learned that I am more powerful than I think. I

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<v Speaker 1>can sit there for longer than I think I can

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<v Speaker 1>survive sitting in a car for more than I think,

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<v Speaker 1>like a more elastic Wow. I give myself credit for

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<v Speaker 1>so oh my gosh, Yeah, it was actually a really

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<v Speaker 1>good experience to have at this moment of my life.

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<v Speaker 2>Gosh, how very revelatory. Yeah, well I get that anyway.

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<v Speaker 1>So those are some takeaways. Thank you very much for listening.

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<v Speaker 1>We're gonna have to break war down, but to be honest,

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<v Speaker 1>survived better than you would think. The survival.

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<v Speaker 2>I'm so glad to hear it.

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<v Speaker 1>Yeah, I used to being squeezed into small spaces and stuff.

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<v Speaker 1>Just yea, a tall middle child.

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<v Speaker 2>Oh that's just pictured that as the cover of a

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<v Speaker 2>children's book. Just now, that's a tall little child.

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<v Speaker 1>The tall middle child.

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<v Speaker 2>And you're always on a road trip in the back

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<v Speaker 2>of like a subaru, a mid sized sedan of some sort.

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<v Speaker 2>Hey girl, hey girl, Okay, this girl got her visa.

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<v Speaker 1>Yeah, that girl crazy.

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<v Speaker 2>I got my visa this week. We signed a two

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<v Speaker 2>year lease on our of our We renewed our our

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<v Speaker 2>lease on our flat for two more years.

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<v Speaker 1>Right because Eliza also got it right.

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<v Speaker 2>Yes, my flatmate got there visa and thank god it's

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<v Speaker 2>We feel such relief. And I've been experiencing joy over

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<v Speaker 2>the past like three.

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<v Speaker 1>Weeks, which is very odd.

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<v Speaker 2>Feels anachronistic in these times and selfish and also necessary.

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<v Speaker 1>I get it.

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<v Speaker 2>It's confusing, and also you got to take the winds

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<v Speaker 2>where you get them. It's also British summertime.

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<v Speaker 1>Now.

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<v Speaker 2>We did daylight saving this past weekend, so the sun

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<v Speaker 2>is out, the.

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<v Speaker 1>Sun isn't here.

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<v Speaker 2>Oh my goodness, it's crazy. There's something very like ft

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<v Speaker 2>about living in a place that has really dark gray winters. Yeah,

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<v Speaker 2>there's something really eft about how much I like that

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<v Speaker 2>because of the stark relief that it throws the spring

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<v Speaker 2>and summer into when they finally happen.

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<v Speaker 1>I get it. I was thinking the other day about

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<v Speaker 1>how much my life revolves around relief. I love the

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<v Speaker 1>feeling of relief.

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<v Speaker 2>Hey, speaking of can I check in about how the

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<v Speaker 2>fiber coordination went on the tour?

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<v Speaker 1>When I saw my dad, he was like, your listeners

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<v Speaker 1>want to know where you stopped up? Yeah, and the

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<v Speaker 1>coordination was successful. Yes, I had no issues, which, honest,

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<v Speaker 1>my god, I can't.

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<v Speaker 2>That's amazing.

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<v Speaker 1>I really set my mind to it. I got in

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<v Speaker 1>that car the very first day and I was like,

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<v Speaker 1>I just can't let myself become miserable.

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<v Speaker 2>But yeah, I'm just like, well, and oh, right now, currently,

0:12:12.160 --> 0:12:18.560
<v Speaker 2>what's happening? Currently? Right now? I finally allowed myself to

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<v Speaker 2>order hair products online. Wow, instead of making myself go

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<v Speaker 2>to a specific store that would have this specific product

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<v Speaker 2>because in my head, I'm like, well it's more carbon whatever,

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<v Speaker 2>take the bus somewhere whatever, and it's a less wasteful packaging.

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<v Speaker 2>Something I ordered this Thursday night. There was a promo

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<v Speaker 2>code on the website that gave you free delivery, so

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<v Speaker 2>I picked one day delivery. It arrived this afternoon and

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<v Speaker 2>it's in my hair now, and I was like, huh,

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<v Speaker 2>that really was beneficial. My life has benefited from that greatly,

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<v Speaker 2>And that's that's interesting going. These are the products that

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<v Speaker 2>I used to use in La. So I'm having a

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<v Speaker 2>lot of olfactory memory because my hair smells now like

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<v Speaker 2>it did when I lived in La. Wow, Like I

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<v Speaker 2>was ready for us to do a walk around the

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<v Speaker 2>block in West Hollywood to warm up for the pot.

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<v Speaker 2>You know, I might re enter a slut era, which

0:13:19.000 --> 0:13:21.040
<v Speaker 2>I wasn't in in La but I was hoping to

0:13:21.120 --> 0:13:23.880
<v Speaker 2>be at a time when you smelled that you thought

0:13:23.960 --> 0:13:30.400
<v Speaker 2>I'm about to be a slut Yes, genuinely, yes. So

0:13:30.559 --> 0:13:31.240
<v Speaker 2>let's see.

0:13:31.720 --> 0:13:34.439
<v Speaker 1>Let's see that mixed with this movie.

0:13:34.640 --> 0:13:39.240
<v Speaker 2>Mm hmmm. Honestly, I think the two in combo in

0:13:39.400 --> 0:13:43.199
<v Speaker 2>concert with one another, putting them in a dialogue with

0:13:43.280 --> 0:13:48.480
<v Speaker 2>one another. The film and my hair product. It's going

0:13:48.520 --> 0:13:50.960
<v Speaker 2>to launch you, Oh my god. Okay, let's get into it.

0:13:51.040 --> 0:13:54.360
<v Speaker 2>Let's launch into Sienna. Could you please give us a

0:13:54.400 --> 0:13:58.640
<v Speaker 2>synopsis of good luck to you, Leo Grand Grand.

0:13:58.400 --> 0:14:04.280
<v Speaker 1>Yes, good luck to you, Leo Grant. Emma Thompson hires

0:14:04.320 --> 0:14:07.880
<v Speaker 1>a sex worker to learn what more life has to

0:14:07.960 --> 0:14:13.200
<v Speaker 1>offer sexually. She ends up learning a lot more than

0:14:13.240 --> 0:14:16.719
<v Speaker 1>that the end.

0:14:19.480 --> 0:14:24.280
<v Speaker 2>Yeah, okay, the movie takes place pretty much just in

0:14:24.320 --> 0:14:25.040
<v Speaker 2>a hotel room.

0:14:25.240 --> 0:14:27.400
<v Speaker 1>Almost the whole time. The only two characters are these

0:14:27.480 --> 0:14:30.080
<v Speaker 1>guys until sort of the last scene. We don't see

0:14:30.080 --> 0:14:33.200
<v Speaker 1>we're talking to anyone else about anything. They're just having conversations,

0:14:33.840 --> 0:14:36.120
<v Speaker 1>some of which are really interesting and some of which

0:14:37.040 --> 0:14:41.480
<v Speaker 1>I'd say they toggle between interesting and important and preachy

0:14:42.360 --> 0:14:42.760
<v Speaker 1>and a.

0:14:44.280 --> 0:14:44.880
<v Speaker 2>Kind of lame.

0:14:45.200 --> 0:14:45.480
<v Speaker 1>That's what.

0:14:45.560 --> 0:14:52.600
<v Speaker 2>Okay, hmm, it's a very gorgeous Irish man in your

0:14:52.640 --> 0:14:53.440
<v Speaker 2>bed right now.

0:14:55.000 --> 0:14:58.240
<v Speaker 1>You've got three minutes to enjoy that. We'll be right back.

0:15:03.480 --> 0:15:07.040
<v Speaker 2>But okay, let's take Emma Thompson. They could put her

0:15:07.080 --> 0:15:11.360
<v Speaker 2>in anything. Oh, let's do our phone, let's do well, everybody,

0:15:11.440 --> 0:15:13.040
<v Speaker 2>let's talk about the movie.

0:15:13.400 --> 0:15:17.640
<v Speaker 1>If you may remember our podcast Toss Popcorn from Notes,

0:15:17.920 --> 0:15:19.640
<v Speaker 1>this is where we talk about the notes we took

0:15:19.640 --> 0:15:21.200
<v Speaker 1>on our phones while watching the film.

0:15:22.440 --> 0:15:26.200
<v Speaker 2>MMMM, and the film that Sienna in your voice recording

0:15:26.240 --> 0:15:26.960
<v Speaker 2>you called good.

0:15:26.920 --> 0:15:32.200
<v Speaker 1>Luckily, Luckily, O good luck and I love. On a

0:15:32.240 --> 0:15:35.360
<v Speaker 1>great note, you've said, I'm sorry, but a man humming

0:15:35.440 --> 0:15:36.240
<v Speaker 1>is unsettling.

0:15:37.000 --> 0:15:40.600
<v Speaker 2>The film opens in darkness with a man humming quietly

0:15:40.720 --> 0:15:48.120
<v Speaker 2>to himself, and I said, oh, a serial killer. Hmmmmmmmmmmm, yeah,

0:15:48.160 --> 0:15:50.920
<v Speaker 2>that's I don't Why are you humming? It did not

0:15:51.080 --> 0:15:52.640
<v Speaker 2>come up again as a man.

0:15:52.960 --> 0:15:55.680
<v Speaker 1>Why are you humming what you have to hum about

0:15:56.320 --> 0:15:58.640
<v Speaker 1>as a man? Why would you be humming?

0:15:59.200 --> 0:16:01.920
<v Speaker 2>Yeah? I have a big thing about that with as

0:16:01.960 --> 0:16:05.200
<v Speaker 2>a man. Why are you five foot nine? We can't

0:16:05.240 --> 0:16:07.920
<v Speaker 2>be the same height, be something else, be.

0:16:07.920 --> 0:16:13.240
<v Speaker 1>Any other height. I of course disagree, but I can't

0:16:13.240 --> 0:16:17.000
<v Speaker 1>say don't I disagree with that, but of course disagree.

0:16:17.200 --> 0:16:21.280
<v Speaker 1>I think five eight is the perfect height for man

0:16:21.320 --> 0:16:24.040
<v Speaker 1>I want. And I'm happy for you that that's how

0:16:24.080 --> 0:16:26.480
<v Speaker 1>you feel. There are parts of this movie where I

0:16:26.520 --> 0:16:29.160
<v Speaker 1>was just I was. I found myself being disappointed at

0:16:29.160 --> 0:16:31.400
<v Speaker 1>certain things, which I'll comment on your next note. Actually

0:16:31.400 --> 0:16:34.720
<v Speaker 1>that you've said this walked so baby girl could run,

0:16:35.680 --> 0:16:37.320
<v Speaker 1>and I just I was waiting for this movie to

0:16:37.360 --> 0:16:39.280
<v Speaker 1>be more daring. I know that's not what it was,

0:16:39.400 --> 0:16:41.400
<v Speaker 1>but just even a little bit, just a little bit

0:16:41.440 --> 0:16:44.080
<v Speaker 1>more like you know, they don't they show her naked

0:16:44.080 --> 0:16:46.560
<v Speaker 1>at the very last second, and if it's like as

0:16:46.600 --> 0:16:48.880
<v Speaker 1>if it's like a big prize that we all want,

0:16:48.880 --> 0:16:50.600
<v Speaker 1>when I'm like, just show her naked, like, just let

0:16:50.600 --> 0:16:51.560
<v Speaker 1>her be naked.

0:16:51.600 --> 0:16:55.680
<v Speaker 2>But I get this, it's interesting. I get this is Yeah.

0:16:55.800 --> 0:16:59.360
<v Speaker 1>But I will say I loved how Emma Thompson played

0:16:59.400 --> 0:17:01.680
<v Speaker 1>everything because though I think if this had been the

0:17:01.680 --> 0:17:03.360
<v Speaker 1>script had been given to somebody else, it might have

0:17:03.440 --> 0:17:09.040
<v Speaker 1>been quite flat. She she is just such a good actress.

0:17:09.520 --> 0:17:13.080
<v Speaker 1>I really also like her being scared and nervous and

0:17:13.119 --> 0:17:14.959
<v Speaker 1>all the things like that was all very real and

0:17:15.080 --> 0:17:20.919
<v Speaker 1>very like. Yeah, she she portrays those like human The

0:17:20.960 --> 0:17:23.080
<v Speaker 1>stress of wanting to do something but not wanting to

0:17:24.000 --> 0:17:26.800
<v Speaker 1>was like the whole thing. So I did love that.

0:17:27.640 --> 0:17:31.080
<v Speaker 2>Yeah, yeah, I see Ia. You noted. Oh they're sitting

0:17:31.119 --> 0:17:31.600
<v Speaker 2>and talking.

0:17:33.160 --> 0:17:33.400
<v Speaker 1>Hmm.

0:17:33.560 --> 0:17:34.879
<v Speaker 2>I guess this is gonna be the movie.

0:17:37.480 --> 0:17:37.760
<v Speaker 1>You know what?

0:17:37.800 --> 0:17:38.960
<v Speaker 2>Did you think it was just gonna be like a

0:17:38.960 --> 0:17:41.000
<v Speaker 2>two hour fuck fest? Was that what you were thinking?

0:17:41.160 --> 0:17:42.879
<v Speaker 1>I guess I thought it would be. I didn't think much.

0:17:42.920 --> 0:17:44.960
<v Speaker 1>I thought there would be okay, certain scenes I could

0:17:44.960 --> 0:17:46.879
<v Speaker 1>have imagined in this, and I don't want, like, this

0:17:46.960 --> 0:17:48.600
<v Speaker 1>is what it was, so I'm not saying it should

0:17:48.640 --> 0:17:50.360
<v Speaker 1>have done this instead. I just when I was expecting

0:17:50.400 --> 0:17:54.400
<v Speaker 1>it would be more of like, you know, she experiences

0:17:54.440 --> 0:17:56.560
<v Speaker 1>something tastefully, we don't have to see it, but then

0:17:56.560 --> 0:17:59.840
<v Speaker 1>it's her with her girlfriends being like, have you ever

0:17:59.880 --> 0:18:03.680
<v Speaker 1>been eating out before? You wanted it to be sex

0:18:03.720 --> 0:18:07.439
<v Speaker 1>In the city, She and her three other friends are

0:18:07.480 --> 0:18:09.959
<v Speaker 1>sitting at brunch, their normal brunch spot where they meet

0:18:10.040 --> 0:18:12.760
<v Speaker 1>up every episode. They say, have you ever been eaten

0:18:12.840 --> 0:18:14.840
<v Speaker 1>up before? And they all discuss it. One of them

0:18:14.920 --> 0:18:17.000
<v Speaker 1>is roprude about it, yeah, the other does it all

0:18:17.000 --> 0:18:17.399
<v Speaker 1>the time.

0:18:17.840 --> 0:18:21.600
<v Speaker 2>That's what I wanted. And the fourth one's a lesbian.

0:18:22.000 --> 0:18:23.719
<v Speaker 2>Yeah right.

0:18:23.920 --> 0:18:26.280
<v Speaker 1>I literally think that is kind of what I was imagining.

0:18:26.480 --> 0:18:30.520
<v Speaker 1>But I just I guess I'm a little bit. I

0:18:30.600 --> 0:18:34.080
<v Speaker 1>really love what's happening culturally about us, like showing older

0:18:34.119 --> 0:18:37.679
<v Speaker 1>women and talking about what it's like to age and

0:18:37.720 --> 0:18:43.679
<v Speaker 1>still he experienced sexuality, Like how do we show that?

0:18:43.920 --> 0:18:48.960
<v Speaker 1>But like showing it in movies and just the way

0:18:49.000 --> 0:18:50.800
<v Speaker 1>like society treats you, blah blah blah, all this stuff.

0:18:50.800 --> 0:18:56.240
<v Speaker 1>I'm glad that we're we're uh, we are reckoning with

0:18:56.280 --> 0:18:58.639
<v Speaker 1>it now in movies. Yeah, but I just was like,

0:18:58.720 --> 0:19:01.960
<v Speaker 1>it's Emma Thompson. Let her be brave, let her just

0:19:02.080 --> 0:19:07.000
<v Speaker 1>boldly bone, let us see all the like nudity we

0:19:07.040 --> 0:19:09.679
<v Speaker 1>see with older women too. Are that I've been and

0:19:09.840 --> 0:19:12.040
<v Speaker 1>I need to, I haven't. I don't watch I don't

0:19:12.080 --> 0:19:14.040
<v Speaker 1>watch that many nude movies, so maybe I don't know.

0:19:15.160 --> 0:19:18.320
<v Speaker 2>But you know the genre nude movie, they're like they

0:19:18.359 --> 0:19:20.640
<v Speaker 2>only ever showed them where they like look as young

0:19:20.680 --> 0:19:23.359
<v Speaker 2>as possible and stuff. Yeah, I mean when it's like

0:19:23.480 --> 0:19:26.240
<v Speaker 2>Nicole Kidman yeaheah, it's like, okay.

0:19:26.440 --> 0:19:28.560
<v Speaker 1>Great, we've made sure to bring a person who, like

0:19:28.840 --> 0:19:31.080
<v Speaker 1>their entire career, they have to look as young as possible.

0:19:31.200 --> 0:19:33.840
<v Speaker 1>So since she like just looks a little bit more

0:19:33.920 --> 0:19:35.520
<v Speaker 1>her age, and that was like sort of the point,

0:19:36.080 --> 0:19:41.040
<v Speaker 1>just like a little bit episode. Yeah, I'm like, yeah,

0:19:41.200 --> 0:19:44.520
<v Speaker 1>get down to it. But that's like a separate thing

0:19:44.560 --> 0:19:48.320
<v Speaker 1>from who her character is, which is like totally easing in.

0:19:48.680 --> 0:19:51.240
<v Speaker 1>So I was conflicted about that point. I just I

0:19:51.280 --> 0:19:53.320
<v Speaker 1>guess I got bothered when it felt like the movie

0:19:53.320 --> 0:19:58.160
<v Speaker 1>felt whoever put the movie out, like Disney plus felt

0:19:58.160 --> 0:20:00.720
<v Speaker 1>like really proud of itself. You know. That was like,

0:20:02.200 --> 0:20:03.840
<v Speaker 1>let this woman get fingered.

0:20:04.560 --> 0:20:08.040
<v Speaker 2>Oh, my god, that is really interesting. I didn't feel

0:20:08.080 --> 0:20:11.520
<v Speaker 2>any of that at all, really, I really yeah, well,

0:20:11.760 --> 0:20:14.600
<v Speaker 2>I hm. For a lot of it, I was like, oh,

0:20:14.600 --> 0:20:20.280
<v Speaker 2>this is my autobiography, and then watching a biopic like

0:20:20.280 --> 0:20:22.919
<v Speaker 2>looking in the mirror, So I think all of her

0:20:22.960 --> 0:20:32.440
<v Speaker 2>feelings of like fear and shame and not like cowardice,

0:20:32.520 --> 0:20:34.679
<v Speaker 2>but like feeling like she is a coward, and then

0:20:34.760 --> 0:20:37.439
<v Speaker 2>judging herself for that. All of that stuff I was

0:20:37.480 --> 0:20:41.320
<v Speaker 2>really resonating with. Yeah, and just that concept of like

0:20:41.440 --> 0:20:45.040
<v Speaker 2>this thing that you've wanted for so long, but having

0:20:45.080 --> 0:20:51.000
<v Speaker 2>so much fear around it and not even knowing what

0:20:51.040 --> 0:20:53.679
<v Speaker 2>it is that you really want from it, or like

0:20:53.760 --> 0:20:57.640
<v Speaker 2>what aspects of it are the ones that you want. Yeah,

0:20:57.680 --> 0:21:00.199
<v Speaker 2>all of that and so like as a result all

0:21:00.240 --> 0:21:04.280
<v Speaker 2>of the scenes being like nothing actually really happening until

0:21:04.359 --> 0:21:05.600
<v Speaker 2>kind of like the third meeting.

0:21:06.400 --> 0:21:13.760
<v Speaker 3>I was like, yeah, yeah, yeah, I think her behavior

0:21:13.800 --> 0:21:19.800
<v Speaker 3>felt until I would say the third meeting, I think

0:21:19.800 --> 0:21:20.360
<v Speaker 3>her behavior.

0:21:20.400 --> 0:21:22.560
<v Speaker 2>I was like, yes, I think this is exactly what

0:21:22.600 --> 0:21:25.320
<v Speaker 2>I would be doing. Also, particularly when she was like

0:21:25.359 --> 0:21:29.119
<v Speaker 2>my son is so boring. I love that. I love

0:21:29.200 --> 0:21:33.560
<v Speaker 2>how she hated her kids. I was like, man, that

0:21:33.720 --> 0:21:36.520
<v Speaker 2>is how I would feel because I'd be damn sure

0:21:36.600 --> 0:21:40.800
<v Speaker 2>to raise a boy who is not a murderer, Like

0:21:40.880 --> 0:21:43.840
<v Speaker 2>it's just not evil, not an evil man. But as

0:21:43.840 --> 0:21:45.960
<v Speaker 2>a result, he would probably turn out to be pretty boring.

0:21:46.600 --> 0:21:48.600
<v Speaker 1>She's like, I just don't think he's that cool. I

0:21:48.640 --> 0:21:53.200
<v Speaker 1>don't know. Yeah, yeah, there are a lot of things

0:21:53.200 --> 0:21:55.000
<v Speaker 1>like I liked him. I feel like that's a good

0:21:55.040 --> 0:21:59.040
<v Speaker 1>example too, of how that generation got kind of screwed uncertain,

0:22:00.160 --> 0:22:03.119
<v Speaker 1>like she like had to. She might not have wanted

0:22:03.119 --> 0:22:05.760
<v Speaker 1>to be a mom that bad. She doesn't live, you know.

0:22:05.800 --> 0:22:07.159
<v Speaker 1>But she's like, yeah, this is what I was supposed

0:22:07.160 --> 0:22:08.600
<v Speaker 1>to do. I'm supposed to get married, I'm supposed to

0:22:08.600 --> 0:22:10.679
<v Speaker 1>just like be with this man. He got to decide

0:22:10.720 --> 0:22:13.600
<v Speaker 1>what sex was for us. I never really got to

0:22:13.640 --> 0:22:17.480
<v Speaker 1>feel comfortable or safe like exploring anything. I felt like

0:22:17.520 --> 0:22:18.880
<v Speaker 1>that was all really beautiful and real.

0:22:19.119 --> 0:22:20.960
<v Speaker 3>Also, I like.

0:22:21.000 --> 0:22:25.840
<v Speaker 1>That they do even though there was like a few

0:22:25.840 --> 0:22:27.600
<v Speaker 1>things going that's the whole point of the movie. There's

0:22:27.600 --> 0:22:29.080
<v Speaker 1>like many things going on. They talk about sex work,

0:22:29.080 --> 0:22:30.880
<v Speaker 1>they talk about being older, they talk about like being

0:22:30.960 --> 0:22:33.200
<v Speaker 1>scared about sex. They talk about like trying to make

0:22:33.240 --> 0:22:35.320
<v Speaker 1>sex fun and it being hard, and like all this

0:22:36.320 --> 0:22:39.399
<v Speaker 1>very real stuff. I found myself getting mad about some

0:22:39.480 --> 0:22:42.560
<v Speaker 1>of the like be brave about showing older women, but

0:22:44.760 --> 0:22:49.000
<v Speaker 1>at the same time, like the fact that it's just

0:22:49.040 --> 0:22:53.600
<v Speaker 1>a movie that talks about sex is being scary for

0:22:53.680 --> 0:22:56.400
<v Speaker 1>someone who's not just like sixteen and then does it

0:22:56.600 --> 0:22:58.119
<v Speaker 1>in the next episode type of thing, you know what

0:22:58.200 --> 0:23:01.800
<v Speaker 1>I mean. Like, I really appreciated that because it's like

0:23:01.920 --> 0:23:05.199
<v Speaker 1>it is a big it's a big topic with so

0:23:05.280 --> 0:23:06.080
<v Speaker 1>many feelings.

0:23:06.760 --> 0:23:07.920
<v Speaker 2>Yeah, and they just.

0:23:07.960 --> 0:23:09.840
<v Speaker 1>Like regard it as such even though she's like, yeah,

0:23:09.840 --> 0:23:12.679
<v Speaker 1>I've had my life and I've like been doing it

0:23:12.800 --> 0:23:16.120
<v Speaker 1>or whatever, but I still feel like I know nothing totally.

0:23:16.200 --> 0:23:20.040
<v Speaker 2>And I think like the act of it being scary,

0:23:20.080 --> 0:23:23.320
<v Speaker 2>and then also the concept of asking for what you

0:23:23.440 --> 0:23:26.720
<v Speaker 2>want being such a scary thing. And it doesn't have

0:23:26.760 --> 0:23:30.359
<v Speaker 2>to be like specifically sexually, but just that idea of like,

0:23:31.240 --> 0:23:33.359
<v Speaker 2>I do think I want this, This is something I

0:23:33.440 --> 0:23:35.280
<v Speaker 2>need and I would like you to provide that for

0:23:35.320 --> 0:23:40.360
<v Speaker 2>me is something I particularly non men, are so socialized

0:23:40.400 --> 0:23:44.879
<v Speaker 2>into not doing. So it felt groundbreaking in some ways.

0:23:45.000 --> 0:23:51.080
<v Speaker 2>It definitely felt it felt like kind of the beginner

0:23:51.160 --> 0:23:55.120
<v Speaker 2>level of conversation, particularly around sex work. I think, yeah,

0:23:55.119 --> 0:23:58.120
<v Speaker 2>which I feel like it kind of had to be

0:23:58.320 --> 0:24:02.119
<v Speaker 2>like it just was there's no way this was going

0:24:02.200 --> 0:24:04.719
<v Speaker 2>to get like made by a studio without having like

0:24:06.000 --> 0:24:11.240
<v Speaker 2>the entry level very basic, yes convos nothing to advanced,

0:24:11.400 --> 0:24:12.280
<v Speaker 2>you know, which.

0:24:12.040 --> 0:24:15.160
<v Speaker 1>They had about a lot of things, like I called

0:24:15.240 --> 0:24:17.520
<v Speaker 1>all the girls in my class sluts and he was like,

0:24:17.600 --> 0:24:18.560
<v Speaker 1>you shouldn't.

0:24:18.160 --> 0:24:21.040
<v Speaker 2>Do that, and she's like, yeah, well I guess, I

0:24:21.440 --> 0:24:23.280
<v Speaker 2>guess I'm sorry that I called you a slut.

0:24:23.480 --> 0:24:25.520
<v Speaker 1>But yeah, we're thinking that this could appeal to many

0:24:25.600 --> 0:24:28.960
<v Speaker 1>generations of people. This is actually, you know, the beginner

0:24:29.160 --> 0:24:33.920
<v Speaker 1>level should be out there and maybe we don't need

0:24:34.080 --> 0:24:36.640
<v Speaker 1>people getting slammed and pounded the whole time.

0:24:38.160 --> 0:24:41.720
<v Speaker 2>This is so I feel like we've switched getting slammed

0:24:41.720 --> 0:24:42.199
<v Speaker 2>and pounded.

0:24:42.240 --> 0:24:42.879
<v Speaker 1>Isn't that weird?

0:24:43.000 --> 0:24:46.000
<v Speaker 2>I was surprised too. Is this is this because you're

0:24:46.000 --> 0:24:47.040
<v Speaker 2>more spiritual now?

0:24:47.320 --> 0:24:49.920
<v Speaker 1>Yeah, I've become more spiritual, and I just I'm open

0:24:49.960 --> 0:24:53.000
<v Speaker 1>to it. No, It's like I get when when things

0:24:53.000 --> 0:24:55.640
<v Speaker 1>feel really proud of themselves, I like can get really

0:24:55.680 --> 0:24:57.040
<v Speaker 1>turned off. And I'm not saying that's how they were

0:24:57.160 --> 0:24:59.800
<v Speaker 1>the whole time, but like at the end they showed

0:25:00.880 --> 0:25:04.840
<v Speaker 1>and I it was both the moment where she felt

0:25:04.840 --> 0:25:08.639
<v Speaker 1>more free to like try things, which is great. But

0:25:08.800 --> 0:25:12.200
<v Speaker 1>also I felt the movie being like, but you didn't

0:25:12.200 --> 0:25:15.560
<v Speaker 1>think we'd show that, And I was like, you could

0:25:15.600 --> 0:25:21.640
<v Speaker 1>have done it, you could, but but it's just also

0:25:21.680 --> 0:25:23.040
<v Speaker 1>just because I was deciding to be mad at that

0:25:23.240 --> 0:25:23.680
<v Speaker 1>at the time.

0:25:23.880 --> 0:25:28.680
<v Speaker 2>Yeah, yeah, sure, yeah, Oh, ci Ia, you wrote little

0:25:28.720 --> 0:25:30.040
<v Speaker 2>bush foreshadowing.

0:25:31.359 --> 0:25:32.919
<v Speaker 1>Do you remember this at all? I thought of you

0:25:32.960 --> 0:25:35.119
<v Speaker 1>because she said the word bush she was talking about

0:25:35.359 --> 0:25:36.959
<v Speaker 1>she was telling a story. It actually might have been

0:25:36.960 --> 0:25:41.359
<v Speaker 1>the story where she talked about like the sexually exciting.

0:25:41.080 --> 0:25:44.720
<v Speaker 2>Oh yes, in Italy or Greece or wherever, and she

0:25:44.880 --> 0:25:45.919
<v Speaker 2>was by a little bush.

0:25:46.240 --> 0:25:48.000
<v Speaker 1>She was like, that was a little bush.

0:25:48.119 --> 0:25:50.760
<v Speaker 2>And I was like, oh, well, ironically there was no

0:25:50.800 --> 0:25:53.160
<v Speaker 2>bush at the end, I know, and I said, oh

0:25:53.200 --> 0:25:55.800
<v Speaker 2>my god, which I also was, well, well, now I'm

0:25:55.840 --> 0:26:00.680
<v Speaker 2>behind de brave, be brave, let her have a bush.

0:26:00.680 --> 0:26:05.399
<v Speaker 2>But I was surprised. Oh, okay, ci Any, you noted

0:26:05.480 --> 0:26:07.960
<v Speaker 2>I am disturbed by how bright it is at any

0:26:07.960 --> 0:26:10.479
<v Speaker 2>given time feels like a new Hayze code.

0:26:11.600 --> 0:26:13.399
<v Speaker 1>Were you noticing how bright it was?

0:26:14.480 --> 0:26:17.320
<v Speaker 2>I was? I was, And I was confused by that

0:26:18.080 --> 0:26:21.320
<v Speaker 2>because they kept saying tonight, now, in fairness, if this

0:26:21.440 --> 0:26:24.359
<v Speaker 2>was all during the summer, the sun doesn't set until

0:26:24.400 --> 0:26:27.479
<v Speaker 2>like nine pm, so if they're meeting at like seven

0:26:27.920 --> 0:26:31.119
<v Speaker 2>a seven to nine window, it will be pretty bright outside.

0:26:31.880 --> 0:26:35.480
<v Speaker 2>But absolutely no, I feel like it was on purpose

0:26:35.640 --> 0:26:42.119
<v Speaker 2>to kind of like it's it's it's an interestingly unsexy film,

0:26:42.280 --> 0:26:44.520
<v Speaker 2>and that's the point, right, And I feel like it

0:26:44.640 --> 0:26:47.560
<v Speaker 2>not ever having like mood lighted point is part of

0:26:47.600 --> 0:26:49.560
<v Speaker 2>that because it makes it makes all of it feel

0:26:49.600 --> 0:26:52.639
<v Speaker 2>a little You're just less relaxed about it the whole time,

0:26:52.680 --> 0:26:54.720
<v Speaker 2>and it feels a little bit internetle sometimes.

0:26:54.800 --> 0:26:56.240
<v Speaker 1>Yeah, I think it was.

0:26:56.240 --> 0:26:59.359
<v Speaker 2>Was it dark at the end, Yeah, it was darker

0:26:59.359 --> 0:26:59.800
<v Speaker 2>at the end.

0:27:00.200 --> 0:27:05.640
<v Speaker 1>That makes sense. Oh so maybe it was a choice.

0:27:06.520 --> 0:27:11.520
<v Speaker 1>Maybe it was a cinematic choice. I just like never

0:27:11.600 --> 0:27:14.879
<v Speaker 1>grew darker. It made me so uncomfortable. Yeah, but again,

0:27:14.920 --> 0:27:19.439
<v Speaker 1>that's that's actually pretty effective then. Just like what I

0:27:19.480 --> 0:27:21.159
<v Speaker 1>did like about it being bright is that I liked

0:27:21.160 --> 0:27:24.000
<v Speaker 1>the idea that she booked it super super early so

0:27:24.040 --> 0:27:26.000
<v Speaker 1>that they could spend the entire evening, which is good

0:27:26.000 --> 0:27:29.879
<v Speaker 1>because if I were in some sort of sexual situation

0:27:30.080 --> 0:27:32.240
<v Speaker 1>that had a time around it, I would feel so stressed.

0:27:32.680 --> 0:27:35.240
<v Speaker 2>Oh sure, but I wanted to talk about how they

0:27:35.240 --> 0:27:38.960
<v Speaker 2>when we have two hours oh crap. I imagine on

0:27:39.000 --> 0:27:42.560
<v Speaker 2>the first one. God, I'd be under deress. I mean

0:27:42.560 --> 0:27:43.920
<v Speaker 2>the way she made a list and was like, we've

0:27:43.920 --> 0:27:45.240
<v Speaker 2>got a lot to get to me. I love to

0:27:45.280 --> 0:27:46.879
<v Speaker 2>do this than this, than this and this, and she

0:27:46.920 --> 0:27:48.240
<v Speaker 2>was like, I don't want to do it out of order.

0:27:48.280 --> 0:27:50.000
<v Speaker 2>I'd like to do it. There was just so much

0:27:50.000 --> 0:27:53.320
<v Speaker 2>that I was like, uh huh, yeah.

0:27:52.600 --> 0:27:53.280
<v Speaker 1>I love that.

0:27:53.760 --> 0:27:57.080
<v Speaker 2>And she was like achievable goals, Like I'll take something

0:27:57.119 --> 0:27:58.720
<v Speaker 2>off my to do list just because I know I'm

0:27:58.720 --> 0:27:59.800
<v Speaker 2>not going to do it that day.

0:28:00.160 --> 0:28:00.840
<v Speaker 1>Uh huh.

0:28:00.960 --> 0:28:02.920
<v Speaker 2>Yeah, that way, it's not it's not actually on the list.

0:28:03.600 --> 0:28:05.120
<v Speaker 2>I do need to do it still, but I don't

0:28:05.160 --> 0:28:05.800
<v Speaker 2>have to look at it.

0:28:05.960 --> 0:28:08.200
<v Speaker 1>There was some scene where she was giving some impassioned speech,

0:28:08.320 --> 0:28:09.639
<v Speaker 1>like talking about her kids or something, and then she

0:28:09.720 --> 0:28:11.320
<v Speaker 1>puts a cushion on the ground and just gets on

0:28:11.359 --> 0:28:15.480
<v Speaker 1>her knees. She can give you a low job. If

0:28:15.480 --> 0:28:19.119
<v Speaker 1>that really made me a laugh, Yeah, I am a

0:28:19.840 --> 0:28:20.560
<v Speaker 1>I am a turty.

0:28:22.440 --> 0:28:24.960
<v Speaker 2>Oh I am a turt I'm a dirty old PERV

0:28:26.400 --> 0:28:30.160
<v Speaker 2>every now and again. Oh my gosh, great question, Sienna.

0:28:30.200 --> 0:28:32.800
<v Speaker 2>You wrote his mom walked in on him having group

0:28:32.920 --> 0:28:34.880
<v Speaker 2>sex and then she disowned him.

0:28:35.200 --> 0:28:38.960
<v Speaker 1>Okay. I also right, they really lost me with this.

0:28:40.400 --> 0:28:44.560
<v Speaker 2>Meeting number three. I really was like, wait, they.

0:28:44.560 --> 0:28:46.280
<v Speaker 1>Were both being insane.

0:28:46.280 --> 0:28:47.120
<v Speaker 2>She was being insane.

0:28:47.160 --> 0:28:49.360
<v Speaker 1>I literally wrote down she was being insane. Oh yeah,

0:28:49.400 --> 0:28:51.400
<v Speaker 1>like you said to be fair to him, she was

0:28:51.440 --> 0:28:54.120
<v Speaker 1>being insane in that scene when she goes I found you.

0:28:54.800 --> 0:28:56.520
<v Speaker 2>I found you on the when she goes let me

0:28:56.560 --> 0:28:58.720
<v Speaker 2>talk to your mother, let me explain to her. And

0:28:58.760 --> 0:29:01.320
<v Speaker 2>I was like, girl, you're being in that.

0:29:01.320 --> 0:29:08.200
<v Speaker 1>That's not no, Yeah, I found that whole. It was

0:29:08.240 --> 0:29:10.280
<v Speaker 1>a weird thing where they've been talking about sex work

0:29:10.320 --> 0:29:14.360
<v Speaker 1>and stuff the entire time, like being very gentle and

0:29:14.400 --> 0:29:16.760
<v Speaker 1>informative about it to viewers who we know much. But

0:29:16.800 --> 0:29:19.560
<v Speaker 1>then like the fact that this character kind of I

0:29:19.600 --> 0:29:20.840
<v Speaker 1>know that it's supposed to be a big breach of

0:29:20.840 --> 0:29:22.600
<v Speaker 1>trust and they chose the right thing, but I'm not

0:29:22.640 --> 0:29:25.160
<v Speaker 1>even sure they gave the right amount of weight to it.

0:29:25.200 --> 0:29:28.800
<v Speaker 1>The fact that she like completely disregarded his boundaries, which

0:29:28.840 --> 0:29:31.720
<v Speaker 1>are incredibly important in sex work. Something that is like

0:29:31.720 --> 0:29:35.280
<v Speaker 1>can be so safe space, Like to say that you

0:29:35.400 --> 0:29:37.680
<v Speaker 1>found his thing is like he should actually never come

0:29:37.720 --> 0:29:40.959
<v Speaker 1>back ever again. Yeah, because that's just so not okay.

0:29:42.360 --> 0:29:44.880
<v Speaker 2>She's like, what, what's the big jail.

0:29:45.800 --> 0:29:47.720
<v Speaker 1>But anyway, I get why they chose that. I just

0:29:47.720 --> 0:29:48.360
<v Speaker 1>don't know if they.

0:29:50.200 --> 0:29:52.320
<v Speaker 2>I was so problematic about that. I was like, why

0:29:52.320 --> 0:29:54.400
<v Speaker 2>would you put your own name on your company's house? Listen,

0:29:54.440 --> 0:29:55.400
<v Speaker 2>that is your dumb idiot.

0:29:57.120 --> 0:29:59.160
<v Speaker 1>But it's just like that puts him in said, it's

0:29:59.200 --> 0:30:01.960
<v Speaker 1>so creepy. It juststurbed me. That scene really disturbed me.

0:30:02.080 --> 0:30:03.400
<v Speaker 2>It was it was odd.

0:30:03.800 --> 0:30:04.280
<v Speaker 1>It was odd.

0:30:04.320 --> 0:30:06.120
<v Speaker 2>I get that there had to be some sort of

0:30:06.160 --> 0:30:09.080
<v Speaker 2>like conflict, yeah, exactly, Like, wow.

0:30:08.920 --> 0:30:10.840
<v Speaker 1>They chose really like a really tough one.

0:30:10.880 --> 0:30:13.040
<v Speaker 2>It was pretty extreme. Yeah, because what.

0:30:13.000 --> 0:30:14.640
<v Speaker 1>Would be the thing that makes him leave when he's

0:30:14.720 --> 0:30:19.040
<v Speaker 1>like delivering a fantasy and patient if she and he's

0:30:19.960 --> 0:30:25.440
<v Speaker 1>getting paid to be there and be emotionally laboris but uh,

0:30:25.640 --> 0:30:28.520
<v Speaker 1>it would be her literally like breaking the contract basically,

0:30:28.600 --> 0:30:28.920
<v Speaker 1>I guess.

0:30:29.040 --> 0:30:32.280
<v Speaker 2>Yeah. But yeah, that scene didn't didn't quite work for me.

0:30:33.120 --> 0:30:35.360
<v Speaker 1>That was it's like you said, it was like they

0:30:35.440 --> 0:30:37.800
<v Speaker 1>built this perfectly respectful space and they had to figure

0:30:37.800 --> 0:30:39.200
<v Speaker 1>out how to break it, and it just had to

0:30:39.240 --> 0:30:41.200
<v Speaker 1>make both of them be ins.

0:30:40.960 --> 0:30:44.840
<v Speaker 2>Insane, just a little insane. Both went crazy and like

0:30:45.080 --> 0:30:47.440
<v Speaker 2>they both are really goods, so they did their best

0:30:47.480 --> 0:30:48.400
<v Speaker 2>with it. But exactly.

0:30:49.000 --> 0:30:51.840
<v Speaker 1>That's the thing about these British actors sometimes are uh

0:30:52.440 --> 0:30:56.520
<v Speaker 1>or I guess he's careful. These excellent actors, I should say,

0:30:56.560 --> 0:31:00.240
<v Speaker 1>I just associate other places with being better actors. But true, yeah,

0:31:00.720 --> 0:31:04.200
<v Speaker 1>they have to sell it no matter what, even if

0:31:04.200 --> 0:31:09.840
<v Speaker 1>the script didn't give them on the stuff they needed. Yeah,

0:31:09.880 --> 0:31:13.680
<v Speaker 1>are you a dirty old pervert? I bet you're not.

0:31:14.160 --> 0:31:15.920
<v Speaker 1>We talk about that more in a few minutes. We'll

0:31:15.920 --> 0:31:26.280
<v Speaker 1>be right back. Yeah, Leanna, you have said I am

0:31:26.360 --> 0:31:27.560
<v Speaker 1>not appropriate.

0:31:30.280 --> 0:31:33.280
<v Speaker 2>I just was experiencing my own things in that last

0:31:33.280 --> 0:31:37.120
<v Speaker 2>scene where you noted more boning against walls, more of this.

0:31:37.120 --> 0:31:41.280
<v Speaker 2>This should have been the movie. I don't completely agree.

0:31:41.320 --> 0:31:42.600
<v Speaker 2>I was happy it happened. I don't think it.

0:31:42.560 --> 0:31:44.080
<v Speaker 1>Should have been the whole for talking about it. I

0:31:44.120 --> 0:31:46.560
<v Speaker 1>don't agree either, But at.

0:31:46.440 --> 0:31:51.240
<v Speaker 2>The time I was like whoa, yeah, and for the listener,

0:31:51.320 --> 0:31:53.360
<v Speaker 2>she's swinging her arms as if she's about to last

0:31:53.400 --> 0:31:53.920
<v Speaker 2>so something.

0:31:54.240 --> 0:31:57.240
<v Speaker 1>Yeah, I've become very western.

0:31:57.440 --> 0:31:59.640
<v Speaker 2>Yes, well, you of course you've been immersed.

0:32:02.280 --> 0:32:02.560
<v Speaker 1>Yeah.

0:32:02.640 --> 0:32:04.960
<v Speaker 2>I think it was bringing up I just when people

0:32:05.040 --> 0:32:07.680
<v Speaker 2>are freely boning, I'm a little bit like, could stop.

0:32:09.840 --> 0:32:12.920
<v Speaker 2>That's not appropriate, which is my own thing. That's on me.

0:32:13.240 --> 0:32:15.080
<v Speaker 1>Well, the rhythm of the movie was weird. I think

0:32:15.120 --> 0:32:17.720
<v Speaker 1>we both can kind of observed and it was maybe

0:32:18.000 --> 0:32:21.880
<v Speaker 1>by design, but the rhythm was like very uncomfortable, very uncomfortable,

0:32:22.920 --> 0:32:27.000
<v Speaker 1>and then extremely comfortable after being comfortable, completely insane.

0:32:27.360 --> 0:32:31.200
<v Speaker 2>So it I guess they had to like bond over

0:32:31.320 --> 0:32:33.560
<v Speaker 2>being insane and that brought them closer.

0:32:33.920 --> 0:32:37.240
<v Speaker 1>Yeah.

0:32:37.360 --> 0:32:39.520
<v Speaker 2>I was happy for her, though, Damn, I mean, what

0:32:39.600 --> 0:32:42.360
<v Speaker 2>a scene, what a what a montage?

0:32:42.640 --> 0:32:45.320
<v Speaker 1>Yes, we'll have to talk about it in trage is

0:32:45.440 --> 0:32:49.080
<v Speaker 1>my greatest trage for this movie is and this is

0:32:49.080 --> 0:32:50.800
<v Speaker 1>the place. I think they probably did a bunch of

0:32:50.800 --> 0:32:54.040
<v Speaker 1>different versions of the orgasm moment and then edit it.

0:32:54.760 --> 0:32:57.400
<v Speaker 2>Mm hmmm, because I'm just f was edited.

0:32:57.640 --> 0:33:00.640
<v Speaker 1>I'm sure they're like, she should do it herself, and

0:33:00.680 --> 0:33:05.520
<v Speaker 1>I'm like, love, Yeah, I did love that they didn't

0:33:05.720 --> 0:33:07.800
<v Speaker 1>give it enough of a moment for me, And then

0:33:08.160 --> 0:33:10.800
<v Speaker 1>I wish at the end they just like been like

0:33:11.280 --> 0:33:14.920
<v Speaker 1>did you did you? She's like I did, and then

0:33:14.960 --> 0:33:17.959
<v Speaker 1>they're like whoa and dance around.

0:33:18.320 --> 0:33:20.480
<v Speaker 2>That's where I'm like, here's the other thing that you

0:33:20.520 --> 0:33:22.680
<v Speaker 2>have to remember is that she's British and he's Irish.

0:33:22.760 --> 0:33:24.440
<v Speaker 2>They're never gonna exhibit that much emotion.

0:33:25.520 --> 0:33:29.120
<v Speaker 1>I just it was the whole point and they barely

0:33:29.120 --> 0:33:32.600
<v Speaker 1>do it. I was waiting for it to be so fun.

0:33:34.600 --> 0:33:37.640
<v Speaker 2>Anyway, So yes, and now having lived in Britain for

0:33:37.680 --> 0:33:40.440
<v Speaker 2>two years, I was like, yeah, like, there's absolutely no

0:33:40.480 --> 0:33:42.120
<v Speaker 2>way that's about how that would go.

0:33:42.280 --> 0:33:44.960
<v Speaker 1>Yeah, that's so funny. I thought it would be a

0:33:45.080 --> 0:33:49.080
<v Speaker 1>perfect way to kind of close is like, to make

0:33:49.080 --> 0:33:51.320
<v Speaker 1>the point they were trying to make about like, I

0:33:51.360 --> 0:33:55.200
<v Speaker 1>know it's a lot, but you can relax if you want,

0:33:55.240 --> 0:33:57.600
<v Speaker 1>if you feel comfortable and it's nice, it can be fun.

0:33:58.680 --> 0:34:01.120
<v Speaker 1>But the city's like was that and she's like.

0:34:01.960 --> 0:34:08.040
<v Speaker 3>Mm hmm, okay, okay.

0:34:07.440 --> 0:34:09.040
<v Speaker 1>It was such a bummer to me, it was such

0:34:09.040 --> 0:34:10.480
<v Speaker 1>a wow.

0:34:12.440 --> 0:34:14.280
<v Speaker 2>I just did not feel that way. How interesting.

0:34:15.719 --> 0:34:18.200
<v Speaker 1>I'm I'm glad to have discussed it because I do

0:34:18.239 --> 0:34:20.279
<v Speaker 1>feel I still wis they should I still think they

0:34:20.280 --> 0:34:22.320
<v Speaker 1>should have high fived. But that's the American in me.

0:34:23.080 --> 0:34:26.640
<v Speaker 2>Yeah, you were watching this through an American lens. You

0:34:26.680 --> 0:34:28.080
<v Speaker 2>were trying to Americanize this.

0:34:29.320 --> 0:34:35.279
<v Speaker 1>And Americans love high fives. Yeah. Your final note is

0:34:35.320 --> 0:34:38.080
<v Speaker 1>Academy Award for Emma Thompson. Thank you. I agree.

0:34:38.080 --> 0:34:42.400
<v Speaker 2>Okay, let's discuss. Let's discuss the full frontal nudity scene,

0:34:42.400 --> 0:34:45.839
<v Speaker 2>because it seems like you had negative opinions.

0:34:47.280 --> 0:34:54.840
<v Speaker 1>I kind of I was more i'd say disappointed. I

0:34:55.160 --> 0:34:59.399
<v Speaker 1>wasn't mad. I was disappointed, But I don't even want

0:34:59.440 --> 0:35:01.600
<v Speaker 1>to make this wrong of a stance before hearing your

0:35:01.640 --> 0:35:03.560
<v Speaker 1>take on it, because it wasn't It was just like.

0:35:03.440 --> 0:35:05.359
<v Speaker 2>What I want to hear more like when you say,

0:35:05.360 --> 0:35:07.200
<v Speaker 2>like the movie felt like it was proud of itself

0:35:07.239 --> 0:35:09.160
<v Speaker 2>for doing that, Like what gives you that?

0:35:10.480 --> 0:35:10.680
<v Speaker 1>Where?

0:35:10.719 --> 0:35:10.959
<v Speaker 4>Where?

0:35:11.000 --> 0:35:14.600
<v Speaker 1>Where do you get that impression from the fact that they.

0:35:18.200 --> 0:35:18.720
<v Speaker 2>I mean.

0:35:20.040 --> 0:35:22.080
<v Speaker 1>When I step back and really think about it as art,

0:35:22.920 --> 0:35:24.720
<v Speaker 1>because sometimes it does take me a while to process

0:35:24.760 --> 0:35:26.759
<v Speaker 1>movies like this, Like again, it was a choice, like

0:35:28.080 --> 0:35:29.960
<v Speaker 1>even thinking about it now, the idea that she like

0:35:30.920 --> 0:35:33.399
<v Speaker 1>that they didn't, that the movie didn't show stuff at

0:35:33.400 --> 0:35:36.920
<v Speaker 1>first and did it the end could be seen as

0:35:37.840 --> 0:35:42.480
<v Speaker 1>she has finally she finally feels comfortable even looking at herself.

0:35:43.000 --> 0:35:45.759
<v Speaker 1>Hmmmm hmmm, which makes sense. But the way I was

0:35:45.840 --> 0:35:50.040
<v Speaker 1>reading it while watching was that they were like, we

0:35:50.120 --> 0:35:54.840
<v Speaker 1>don't want to scare people off with too much raw

0:35:57.080 --> 0:36:01.200
<v Speaker 1>experience of like a woman's body, so we're going to

0:36:01.239 --> 0:36:03.480
<v Speaker 1>wait till the end and people are going to be wowed.

0:36:04.760 --> 0:36:08.320
<v Speaker 1>That's how I was thinking about it, I think. But now,

0:36:08.400 --> 0:36:10.640
<v Speaker 1>even just like rolling it around in my mind after

0:36:10.680 --> 0:36:13.359
<v Speaker 1>we've discussed this and thinking of it as as if

0:36:13.440 --> 0:36:16.319
<v Speaker 1>none of this is I was really kind of maybe

0:36:16.360 --> 0:36:18.960
<v Speaker 1>because with the music and everything, it did feel like

0:36:19.000 --> 0:36:23.759
<v Speaker 1>sort of a movie that was created really with the

0:36:23.880 --> 0:36:29.480
<v Speaker 1>viewers in mind, more than more than just like art

0:36:29.680 --> 0:36:33.040
<v Speaker 1>for art's sake. It felt like it was Maybe my

0:36:33.120 --> 0:36:36.000
<v Speaker 1>assumption was that it was pandering in some way to something,

0:36:36.760 --> 0:36:38.960
<v Speaker 1>and maybe that's why I'm being so hard on it.

0:36:39.000 --> 0:36:40.799
<v Speaker 1>But thinking about it now is more of like just

0:36:40.880 --> 0:36:43.840
<v Speaker 1>literally if I'm taking it as art from her perspective,

0:36:44.000 --> 0:36:46.640
<v Speaker 1>that's about her. It makes sense that it was bright

0:36:46.680 --> 0:36:49.800
<v Speaker 1>and uncomfortable because she was uncomfortable, and then they didn't

0:36:49.880 --> 0:36:52.640
<v Speaker 1>show her body because she's like, I don't like my body,

0:36:52.880 --> 0:36:55.080
<v Speaker 1>I don't feel comfortable, I don't feel free, and then

0:36:55.120 --> 0:37:00.000
<v Speaker 1>at the end she's finally free. So I've maybe just

0:37:00.120 --> 0:37:03.839
<v Speaker 1>actively changed my tune. It does make more sense, but

0:37:03.840 --> 0:37:06.240
<v Speaker 1>that's okay. Well, that gives a little bit more clarity

0:37:06.320 --> 0:37:09.000
<v Speaker 1>for why I was feeling frustrated. It felt like it

0:37:09.040 --> 0:37:11.960
<v Speaker 1>was like, we're gonna show you at the end. For

0:37:12.000 --> 0:37:14.320
<v Speaker 1>a second, because you guys can't handle seeing a woman's

0:37:14.360 --> 0:37:16.920
<v Speaker 1>body for that long m you know what I mean,

0:37:17.000 --> 0:37:21.719
<v Speaker 1>unless it's like men getting exploitative joy out of it.

0:37:21.719 --> 0:37:27.879
<v Speaker 2>It felt like disappointingly and not disappointing on the film's part,

0:37:27.920 --> 0:37:36.120
<v Speaker 2>but on society's part, uh, groundbreaking because at the very

0:37:36.200 --> 0:37:38.759
<v Speaker 2>end of like she orgasms for the first time, they

0:37:38.760 --> 0:37:41.799
<v Speaker 2>say they're goodbye, he leaves, and then she takes off

0:37:41.800 --> 0:37:43.560
<v Speaker 2>her robe and just looks at her naked body in

0:37:43.600 --> 0:37:46.640
<v Speaker 2>the mirror, and it's like, it's a body. It's just

0:37:46.640 --> 0:37:49.200
<v Speaker 2>a human body. Yeah, it's a human body, but it

0:37:49.200 --> 0:37:51.400
<v Speaker 2>doesn't fit like the exact mold of the bodies that

0:37:51.440 --> 0:37:53.640
<v Speaker 2>we are always seeing on screen, especially for women.

0:37:53.719 --> 0:37:54.479
<v Speaker 1>We see it on screen.

0:37:54.560 --> 0:37:57.319
<v Speaker 2>Yeah, you don't see that. You don't see like a

0:37:57.400 --> 0:38:01.520
<v Speaker 2>body over thirty five. Yeah, you don't see a body

0:38:01.520 --> 0:38:05.440
<v Speaker 2>that's like loose in any way or has been through childbirth.

0:38:05.480 --> 0:38:08.799
<v Speaker 2>Like you just are not seeing those things. And so

0:38:08.880 --> 0:38:10.640
<v Speaker 2>I thought it was like, ugh, I think this word

0:38:10.680 --> 0:38:15.680
<v Speaker 2>is so gross around like the female form. But it

0:38:15.840 --> 0:38:19.160
<v Speaker 2>was brave in that way because it was you're just

0:38:19.160 --> 0:38:22.120
<v Speaker 2>not you don't see that ever. Yeah, it's ever.

0:38:22.640 --> 0:38:25.120
<v Speaker 1>It's really interesting you're saying that and hearing my perspective

0:38:25.120 --> 0:38:30.640
<v Speaker 1>because even though I'm like trying to my anger is

0:38:30.680 --> 0:38:32.600
<v Speaker 1>coming from the same place of like that we don't

0:38:32.600 --> 0:38:34.880
<v Speaker 1>see this very often. I'm like, oh, you think you're brave,

0:38:35.320 --> 0:38:37.279
<v Speaker 1>But the reason i even feel like it's brave is

0:38:37.320 --> 0:38:39.400
<v Speaker 1>because I'm not used to seeing it, you know what

0:38:39.480 --> 0:38:42.200
<v Speaker 1>i mean, So like I'm getting got by the same

0:38:42.239 --> 0:38:44.800
<v Speaker 1>societal like she's just a person looking at her body.

0:38:44.800 --> 0:38:47.280
<v Speaker 1>But it's like, oh, you're doing the brave thing.

0:38:47.160 --> 0:38:48.520
<v Speaker 2>Now, you know.

0:38:49.000 --> 0:38:50.359
<v Speaker 1>It's like it literally just.

0:38:50.480 --> 0:38:52.160
<v Speaker 2>Is the wok left over here?

0:38:52.920 --> 0:38:56.200
<v Speaker 1>Yeah, anyway, it is I see weird that you don't like,

0:38:57.280 --> 0:39:01.480
<v Speaker 1>especially in American film as well. I feel like they're really.

0:39:01.560 --> 0:39:05.760
<v Speaker 2>True any any sort of like what would be perceived

0:39:05.760 --> 0:39:07.200
<v Speaker 2>as imperfection bodies.

0:39:07.239 --> 0:39:09.160
<v Speaker 1>You know, you're used to just seeing at the gym.

0:39:10.080 --> 0:39:11.400
<v Speaker 2>You know they aren't.

0:39:11.680 --> 0:39:15.680
<v Speaker 1>They're everywhere. They're like human bodies, but yeah, never on

0:39:15.840 --> 0:39:17.399
<v Speaker 1>that you never see them on screen, like, and they're

0:39:17.440 --> 0:39:20.080
<v Speaker 1>so surprising to me that I was like, you know,

0:39:20.160 --> 0:39:22.279
<v Speaker 1>felt all these things around it of like are you

0:39:22.360 --> 0:39:25.440
<v Speaker 1>doing this to be to be like because you because

0:39:25.560 --> 0:39:27.319
<v Speaker 1>because you're trying to make a point, or like why

0:39:27.400 --> 0:39:31.000
<v Speaker 1>is this you know that's so interesting too, because I

0:39:31.000 --> 0:39:34.320
<v Speaker 1>feel like it's it's intended to be her.

0:39:35.120 --> 0:39:37.840
<v Speaker 2>She's not like seeing herself. And I watched some interviews

0:39:37.880 --> 0:39:40.640
<v Speaker 2>with Emma Thompson about this movie after it, and she

0:39:40.719 --> 0:39:42.560
<v Speaker 2>talks about that scene and she's like, it's not like

0:39:42.719 --> 0:39:44.600
<v Speaker 2>the character is seeing herself for the first time and

0:39:44.640 --> 0:39:47.440
<v Speaker 2>being like, God, I'm gorgeous. I'm just like, God, I'm

0:39:47.440 --> 0:39:50.600
<v Speaker 2>so gorgeous. She's just like finally kind of accepting her

0:39:50.640 --> 0:39:53.839
<v Speaker 2>body and like at peace with it. And so there's

0:39:53.880 --> 0:39:56.239
<v Speaker 2>a lot of like neutrality in that scene. But it's

0:39:56.320 --> 0:39:59.840
<v Speaker 2>interesting that it causes us to feel so many things.

0:40:00.120 --> 0:40:05.719
<v Speaker 1>Yeah. Yeah, that's such a good point. Anyway, Wow, I'm

0:40:05.719 --> 0:40:08.080
<v Speaker 1>really glad to discussed this film. Oh my gosh, this

0:40:08.239 --> 0:40:10.880
<v Speaker 1>was like a book club. Well the auto. Let's go

0:40:10.880 --> 0:40:14.840
<v Speaker 1>to our badges and trages. Yes, please, My trauges are

0:40:14.880 --> 0:40:18.279
<v Speaker 1>all going to still be about high fiving, which I

0:40:18.360 --> 0:40:19.239
<v Speaker 1>do stand.

0:40:18.960 --> 0:40:23.200
<v Speaker 2>By American trages. Welcome to Badges and Trages. Our segment

0:40:23.239 --> 0:40:29.480
<v Speaker 2>where we award badges for body neutrality. Perhaps we're are

0:40:29.480 --> 0:40:31.600
<v Speaker 2>we at with the body neutrality movement? Are we are?

0:40:31.600 --> 0:40:31.719
<v Speaker 1>We?

0:40:32.280 --> 0:40:34.000
<v Speaker 2>Is that the right one? Okay?

0:40:34.000 --> 0:40:34.879
<v Speaker 1>I think it's the right one.

0:40:35.200 --> 0:40:39.279
<v Speaker 2>I don't the one that we're doing now. But yeah,

0:40:39.280 --> 0:40:41.799
<v Speaker 2>true and trages.

0:40:41.480 --> 0:40:48.760
<v Speaker 1>For trying to adhere to purity culture.

0:40:49.400 --> 0:40:53.320
<v Speaker 2>Oh, I have a badge for ninety seven minutes.

0:40:53.920 --> 0:40:57.680
<v Speaker 1>Badge for that too. Yes, the length of film should

0:40:57.680 --> 0:41:02.919
<v Speaker 1>be I completely agree, like a long episode of television. Yeah.

0:41:04.320 --> 0:41:07.040
<v Speaker 1>Badge for Emma Thompson. I also have a badge for

0:41:07.040 --> 0:41:11.319
<v Speaker 1>Emma Thompson. Yes, she really did a wonderful job. I

0:41:11.360 --> 0:41:16.160
<v Speaker 1>really did enjoy her performance. Oh my gosh, she's so

0:41:16.600 --> 0:41:22.359
<v Speaker 1>human and funny and delightful to watch. Yeah.

0:41:22.440 --> 0:41:25.759
<v Speaker 2>I have a badge for Loel preparing cheek when they

0:41:25.800 --> 0:41:27.600
<v Speaker 2>first meet and he's like, can I kiss you on

0:41:27.640 --> 0:41:30.200
<v Speaker 2>the cheek, And she's like, oh, yes, that would be nice,

0:41:30.239 --> 0:41:33.000
<v Speaker 2>and then she kind of prepares her cheek to receive

0:41:33.000 --> 0:41:33.640
<v Speaker 2>a kiss.

0:41:35.600 --> 0:41:38.719
<v Speaker 1>I loved that. I have a badge for how unenthused

0:41:38.760 --> 0:41:40.800
<v Speaker 1>she is about her kids or talking about them just

0:41:40.960 --> 0:41:44.560
<v Speaker 1>honestly like people. Yeah, she's like, they're the best thing ever.

0:41:44.600 --> 0:41:46.279
<v Speaker 1>She's like, he turned out pretty well, but I don't

0:41:46.320 --> 0:41:47.439
<v Speaker 1>really like hanging out with him.

0:41:47.440 --> 0:41:55.000
<v Speaker 2>He's so land my Oh. My last badge is during

0:41:55.040 --> 0:41:59.439
<v Speaker 2>their their their boning montage at the end when they're

0:41:59.480 --> 0:42:02.040
<v Speaker 2>trying to do kind of like doggy style with like

0:42:02.080 --> 0:42:04.080
<v Speaker 2>a leg up on the bed or something and just

0:42:04.120 --> 0:42:08.760
<v Speaker 2>like I can't balance like this, I can't, this isn't working. Yeah,

0:42:08.920 --> 0:42:12.600
<v Speaker 2>I loved that. I just love those little like real moments.

0:42:13.440 --> 0:42:16.480
<v Speaker 2>This is in between like oh, they're having great sex. Cool,

0:42:16.880 --> 0:42:18.520
<v Speaker 2>but then there are certain things where it's like, oh,

0:42:18.680 --> 0:42:20.759
<v Speaker 2>I have a cramp, like my hip pert like we

0:42:20.800 --> 0:42:22.320
<v Speaker 2>gotta move around.

0:42:22.480 --> 0:42:27.200
<v Speaker 1>Yeah, clunkiness and talking about it is part of it. Uh. Yeah,

0:42:27.239 --> 0:42:29.480
<v Speaker 1>I have a badge for just like the actual issues

0:42:29.520 --> 0:42:31.880
<v Speaker 1>she's talking about beyond just like she has the stuff

0:42:31.880 --> 0:42:33.920
<v Speaker 1>of like being older and feeling like ah, like a

0:42:34.000 --> 0:42:35.920
<v Speaker 1>feeling like I didn't get to be fulfilled in this way,

0:42:36.040 --> 0:42:40.160
<v Speaker 1>but literally simply just like she hasn't had an orgasm. Yeah,

0:42:40.200 --> 0:42:46.720
<v Speaker 1>that's like normal and like hopefully hopefully you definitely want

0:42:46.960 --> 0:42:50.920
<v Speaker 1>with sex with her partner that she'd have been satisfied

0:42:50.960 --> 0:42:52.480
<v Speaker 1>or whatever, but like just the fact that your bodies

0:42:52.480 --> 0:42:54.200
<v Speaker 1>don't always do things that you want them to do,

0:42:54.360 --> 0:42:56.480
<v Speaker 1>or like that people have different experiences and stuff, Like

0:42:58.200 --> 0:43:00.440
<v Speaker 1>I really liked all of that that she or that

0:43:00.480 --> 0:43:03.879
<v Speaker 1>she's had sex for a long time but never done

0:43:03.920 --> 0:43:07.120
<v Speaker 1>a lot of sexual things she wants to do you know, Like,

0:43:07.160 --> 0:43:09.520
<v Speaker 1>I think that's actually a way more common experience than

0:43:09.920 --> 0:43:13.200
<v Speaker 1>people talk about, you know, like there's just a sort

0:43:13.200 --> 0:43:16.480
<v Speaker 1>of like, I don't know, yeah, feeling that like you've

0:43:16.480 --> 0:43:18.520
<v Speaker 1>done it, you've done it all. But I think there's

0:43:18.560 --> 0:43:21.640
<v Speaker 1>a lot more satisfaction exploration to be had, and like

0:43:22.000 --> 0:43:24.880
<v Speaker 1>maybe you're not comfortable about it with everybody, but some people,

0:43:24.880 --> 0:43:26.400
<v Speaker 1>you know, I don't know. I think that the actual

0:43:26.480 --> 0:43:29.640
<v Speaker 1>crux of everything they were talking about was really important

0:43:29.680 --> 0:43:31.440
<v Speaker 1>and awesome because it's so true.

0:43:32.120 --> 0:43:32.520
<v Speaker 2>Mm hmm.

0:43:34.920 --> 0:43:38.799
<v Speaker 1>And then my final badge is it's an orgrasm. It's

0:43:38.800 --> 0:43:39.880
<v Speaker 1>not a Faberge egg.

0:43:42.600 --> 0:43:45.840
<v Speaker 2>That reminded me of I was rewatching White Lotus season

0:43:45.840 --> 0:43:49.000
<v Speaker 2>two on the plane back from my cousin's wedding in

0:43:49.040 --> 0:43:52.080
<v Speaker 2>the States. Uh huh, and the grandfather played by f

0:43:52.120 --> 0:43:56.480
<v Speaker 2>Marie Abraham goes, it's a penis. It's not a sunset.

0:44:00.560 --> 0:44:05.320
<v Speaker 2>That's just a fun structure, so funny. It's an orgasm,

0:44:05.560 --> 0:44:13.799
<v Speaker 2>not a Faberge egg. Tradges, trages. Sorry, my trages are

0:44:13.840 --> 0:44:15.160
<v Speaker 2>going to be some of the lame things I said.

0:44:15.160 --> 0:44:17.560
<v Speaker 2>For example, trage number one, brightest movie of all time.

0:44:17.760 --> 0:44:21.000
<v Speaker 1>I hated that. I did hate it, but I get

0:44:21.360 --> 0:44:23.239
<v Speaker 1>it effectively made me feel uncomfortable.

0:44:23.360 --> 0:44:25.080
<v Speaker 2>I think that's fair. What time of day did you

0:44:25.120 --> 0:44:25.440
<v Speaker 2>watch it?

0:44:26.719 --> 0:44:26.799
<v Speaker 1>Uh?

0:44:27.040 --> 0:44:30.680
<v Speaker 2>Evening and I watched it during the day, like ten ams.

0:44:31.480 --> 0:44:33.719
<v Speaker 2>Sense maybe it just felt they could fit right.

0:44:33.719 --> 0:44:37.520
<v Speaker 1>Instancy of brightness was it felt like it felt like

0:44:37.560 --> 0:44:39.719
<v Speaker 1>severance or something. It's like, what's going on? Oh?

0:44:39.880 --> 0:44:43.359
<v Speaker 2>Interesting? Yes, I have a trage for not the cut

0:44:43.400 --> 0:44:47.719
<v Speaker 2>to batter Sea power Station at their first meeting. At

0:44:47.760 --> 0:44:49.600
<v Speaker 2>the end of it, they kiss and then it kind

0:44:49.600 --> 0:44:51.920
<v Speaker 2>of pans out the window or it cuts straight to

0:44:52.520 --> 0:44:55.760
<v Speaker 2>an exterior shot of batter Sea Power Station in London,

0:44:55.800 --> 0:45:03.080
<v Speaker 2>and I was like, what, huh so strange? Mm hmmm.

0:45:04.239 --> 0:45:11.520
<v Speaker 1>Leanna, oh Lena, Yes, oh Leanna, I have a trage.

0:45:11.920 --> 0:45:13.960
<v Speaker 2>Okay, let's hear it, Sianna.

0:45:13.719 --> 0:45:16.360
<v Speaker 1>I have a trage for. Oh. Their fight where she

0:45:16.400 --> 0:45:20.839
<v Speaker 1>goes insane is actually like really not okay? Yeah, the

0:45:20.880 --> 0:45:25.319
<v Speaker 1>boundary breaks. I was like, no, don't no, no, no, no, no,

0:45:25.520 --> 0:45:28.759
<v Speaker 1>God when she called him Connor, I guess yes, it's

0:45:28.800 --> 0:45:31.640
<v Speaker 1>like that is not appropriate, Emma no.

0:45:31.760 --> 0:45:33.520
<v Speaker 2>And it didn't seem like she was getting it. I mean,

0:45:33.560 --> 0:45:34.880
<v Speaker 2>I think she kind of got it by the end,

0:45:34.920 --> 0:45:37.520
<v Speaker 2>but oh, it's crazy. It was so my next trage,

0:45:37.760 --> 0:45:40.840
<v Speaker 2>I guess, okay, I also had a trage for that.

0:45:40.920 --> 0:45:43.560
<v Speaker 2>I had a trage as well for I think I

0:45:43.600 --> 0:45:46.960
<v Speaker 2>struggled with his character because he just didn't feel like

0:45:46.960 --> 0:45:50.760
<v Speaker 2>a real He felt like an angel he was.

0:45:50.840 --> 0:45:52.920
<v Speaker 1>Which I get. When she was like, you're like a

0:45:53.000 --> 0:45:55.880
<v Speaker 1>sex saint, I was like, yeah, he is what he's like.

0:45:56.600 --> 0:45:58.720
<v Speaker 2>In an interview she was like, he plays a sex worker,

0:45:59.000 --> 0:46:01.600
<v Speaker 2>but he's really more of like a sex car yeah,

0:46:01.600 --> 0:46:03.680
<v Speaker 2>which I thought was kind of a nice like way

0:46:03.719 --> 0:46:05.920
<v Speaker 2>to describe that the work, but.

0:46:07.520 --> 0:46:10.200
<v Speaker 1>I just, yeah, I was like, who is this?

0:46:11.160 --> 0:46:14.239
<v Speaker 2>And I get also, maybe that's just because that's what

0:46:14.280 --> 0:46:16.480
<v Speaker 2>you're supposed to feel, because he's like selling you something.

0:46:16.520 --> 0:46:20.640
<v Speaker 2>He's playing Leo Grand He's not actually like being a

0:46:20.680 --> 0:46:23.080
<v Speaker 2>three dimensional He's not supposed to be that. That's not

0:46:23.239 --> 0:46:28.640
<v Speaker 2>his job in that setting. But then in meeting three,

0:46:29.600 --> 0:46:32.560
<v Speaker 2>when he did become real and was doing his backstory,

0:46:32.600 --> 0:46:35.319
<v Speaker 2>I was like, huh, I.

0:46:35.280 --> 0:46:36.919
<v Speaker 1>Had an orgy and my mother kicked me out.

0:46:38.800 --> 0:46:42.320
<v Speaker 2>She said I was she'd said that's the day I die.

0:46:42.920 --> 0:46:46.080
<v Speaker 1>I do think I think that's a good trag. There's

0:46:46.120 --> 0:46:50.440
<v Speaker 1>something like the fact that this movie's trying to respect

0:46:50.480 --> 0:46:52.759
<v Speaker 1>that his line of work requires him to be some

0:46:52.960 --> 0:46:57.160
<v Speaker 1>level of anonymous. Didn't make it confusing, as they tried

0:46:57.160 --> 0:46:59.880
<v Speaker 1>to also make him like a full person while the

0:47:00.080 --> 0:47:02.279
<v Speaker 1>movie just took place in one room, like they're not

0:47:02.320 --> 0:47:03.759
<v Speaker 1>supposed to tell all about him.

0:47:03.960 --> 0:47:05.799
<v Speaker 2>Oh my gosh, I'm sorry. I do have to give

0:47:05.840 --> 0:47:10.719
<v Speaker 2>another a late badge, a belated badge, uh, for the

0:47:10.719 --> 0:47:12.520
<v Speaker 2>fact that the movie took place all in one room.

0:47:12.760 --> 0:47:14.680
<v Speaker 2>I really like movies where it's like there's two people

0:47:14.719 --> 0:47:14.920
<v Speaker 2>in it.

0:47:15.520 --> 0:47:16.000
<v Speaker 1>Yeah.

0:47:16.360 --> 0:47:19.239
<v Speaker 2>I thought that was really interesting and fun. Yeah, it

0:47:19.280 --> 0:47:21.360
<v Speaker 2>was like a bottle episode, and I hate bottle episodes

0:47:21.400 --> 0:47:23.560
<v Speaker 2>on television. I'm normally like to me, no, I want

0:47:23.560 --> 0:47:26.120
<v Speaker 2>to see the plot progress, please, But if the whole

0:47:26.160 --> 0:47:28.640
<v Speaker 2>thing is bottle, great.

0:47:29.239 --> 0:47:31.920
<v Speaker 1>I have a trudge for I really wish the orgasm

0:47:32.000 --> 0:47:32.960
<v Speaker 1>had been more fun.

0:47:33.120 --> 0:47:34.479
<v Speaker 2>Uh, not the thing.

0:47:34.400 --> 0:47:37.719
<v Speaker 1>Itself, just afterwards. I just because they did a little

0:47:37.800 --> 0:47:40.520
<v Speaker 1>dance scene earlier. I wish they'd been like, yeah, chutchy,

0:47:40.600 --> 0:47:42.360
<v Speaker 1>chutch we did we did. We didn't we did it

0:47:42.480 --> 0:47:44.840
<v Speaker 1>to make it like to have some levity around it,

0:47:44.880 --> 0:47:46.719
<v Speaker 1>when I felt like a big point of the movie

0:47:46.760 --> 0:47:49.360
<v Speaker 1>was to find levity, and I don't expect them to

0:47:49.400 --> 0:47:50.920
<v Speaker 1>like force that but I felt like that would be

0:47:50.920 --> 0:47:54.319
<v Speaker 1>a really non forced moment to just have a like

0:47:55.080 --> 0:47:59.439
<v Speaker 1>cute mmm you know thing. Anyway, that was.

0:47:59.560 --> 0:48:01.719
<v Speaker 2>That's a see my personal taste. Oh, I love that.

0:48:01.719 --> 0:48:02.480
<v Speaker 2>That's so funny.

0:48:03.000 --> 0:48:04.520
<v Speaker 1>It's kind of like me saying like they should have

0:48:04.560 --> 0:48:06.360
<v Speaker 1>eaten a hot dog right after. Like, I understand this

0:48:06.360 --> 0:48:09.640
<v Speaker 1>is a very mean thing. I understand this is very

0:48:09.680 --> 0:48:10.239
<v Speaker 1>memo that I.

0:48:10.320 --> 0:48:15.760
<v Speaker 2>Like you high fiving after sex sometimes. Yeah, okay, that's cool.

0:48:15.880 --> 0:48:19.399
<v Speaker 1>Yeah, I love that team teamwork makes the dream work,

0:48:19.440 --> 0:48:21.920
<v Speaker 1>you know. I know it's very mean to think that

0:48:22.040 --> 0:48:24.080
<v Speaker 1>a high five would be the perfect culmination of a

0:48:24.120 --> 0:48:25.319
<v Speaker 1>would I know that.

0:48:26.239 --> 0:48:29.320
<v Speaker 2>This sixty three year old British woman, this English woman,

0:48:29.800 --> 0:48:31.399
<v Speaker 2>has an orgasm for the first time in her life,

0:48:31.440 --> 0:48:33.880
<v Speaker 2>and naturally the thing she does is go for a

0:48:33.960 --> 0:48:35.160
<v Speaker 2>high five on top.

0:48:36.840 --> 0:48:40.200
<v Speaker 1>I know you're there. I think I'm right.

0:48:42.560 --> 0:48:45.040
<v Speaker 2>I'm gonna let you keep thinking that you are wrong,

0:48:45.120 --> 0:48:47.560
<v Speaker 2>but feel free to keep thinking that it can't be.

0:48:48.040 --> 0:48:52.040
<v Speaker 1>It would have been insane.

0:48:53.280 --> 0:48:55.360
<v Speaker 2>My final trage is a trade for her name is

0:48:55.440 --> 0:48:59.360
<v Speaker 2>Missus Robinson. That was crazy, that made me, That annoyed

0:48:59.400 --> 0:49:02.480
<v Speaker 2>me so much, crazy reveal and I know they like

0:49:02.560 --> 0:49:05.120
<v Speaker 2>pointed out they try to like, oh, missus Robinson cute,

0:49:05.120 --> 0:49:07.640
<v Speaker 2>and I was like, oh, shut up. Also, don't reference

0:49:07.719 --> 0:49:12.520
<v Speaker 2>the graduate during this film where and Bankruft is what

0:49:12.640 --> 0:49:16.399
<v Speaker 2>like thirty nine in that movie, Oh my gosh, yeah yeah,

0:49:16.400 --> 0:49:19.600
<v Speaker 2>and they're like, oh, this ancient woman is old woman.

0:49:19.960 --> 0:49:21.759
<v Speaker 1>She literally just like is from the era where they

0:49:21.760 --> 0:49:30.080
<v Speaker 1>didn't wear sunscreen. She's like twenty nine. Yeah. My final

0:49:30.120 --> 0:49:32.680
<v Speaker 1>trudge was just for the moment where she talks to

0:49:32.719 --> 0:49:35.440
<v Speaker 1>a waiter about how this guy's tongue is is actually

0:49:35.880 --> 0:49:38.600
<v Speaker 1>not appropriate behavior as a client. You have to leave

0:49:38.640 --> 0:49:43.200
<v Speaker 1>the restaurant now, ye have to. You know, it's it's

0:49:43.200 --> 0:49:43.720
<v Speaker 1>a movie.

0:49:44.239 --> 0:49:47.080
<v Speaker 2>It is what it is. That's Amory.

0:49:47.640 --> 0:49:48.200
<v Speaker 1>That's Samory.

0:49:48.680 --> 0:49:52.879
<v Speaker 2>Yeah, lean because we have more, Yes, yeah, we have more.

0:49:52.960 --> 0:49:56.080
<v Speaker 2>There's more podcast. Yes, this is how to pretend you've

0:49:56.120 --> 0:49:56.840
<v Speaker 2>seen this film.

0:49:57.040 --> 0:49:57.880
<v Speaker 1>This is for you.

0:49:58.080 --> 0:50:03.920
<v Speaker 2>Are in a Hilton, a hotel restaurant, and you're you're

0:50:04.120 --> 0:50:07.800
<v Speaker 2>just waiting and trying to think through some stuff, and

0:50:08.320 --> 0:50:10.920
<v Speaker 2>every server in the restaurant keeps coming up to you

0:50:10.960 --> 0:50:13.280
<v Speaker 2>saying do you need anything? Can I get you anything?

0:50:13.640 --> 0:50:15.480
<v Speaker 2>Can I get you anything? I'm okay, sorry, think I'm okay,

0:50:15.960 --> 0:50:17.600
<v Speaker 2>And then seconds later, can I get you anything?

0:50:17.719 --> 0:50:19.239
<v Speaker 1>No no, no, no no, I'm okay. I'm okay. Thank

0:50:19.239 --> 0:50:19.680
<v Speaker 1>you very much.

0:50:19.719 --> 0:50:21.000
<v Speaker 2>Can I get you anything? No? No, no, no no,

0:50:21.080 --> 0:50:21.399
<v Speaker 2>I'm okay.

0:50:21.400 --> 0:50:22.040
<v Speaker 1>I'm okay, okay.

0:50:22.120 --> 0:50:22.920
<v Speaker 2>Can I get you anything?

0:50:23.040 --> 0:50:23.160
<v Speaker 3>Oh?

0:50:23.160 --> 0:50:25.120
<v Speaker 2>You know, while I'm here, this actually is this is

0:50:25.160 --> 0:50:26.919
<v Speaker 2>so funny. This reminds me of a movie I saw.

0:50:27.680 --> 0:50:30.080
<v Speaker 2>It's called good Luck to You, Leo Grand. Let me

0:50:30.200 --> 0:50:33.320
<v Speaker 2>tell you thought, you know, I'm going to get you

0:50:33.360 --> 0:50:34.799
<v Speaker 2>something and also I'm going to tell you all about

0:50:34.840 --> 0:50:36.719
<v Speaker 2>this movie right now.

0:50:37.280 --> 0:50:40.880
<v Speaker 1>And in order to stop, uh, the entire staff of

0:50:41.000 --> 0:50:45.840
<v Speaker 1>this of this hotel from telling you about the film, uh, instead,

0:50:45.960 --> 0:50:47.440
<v Speaker 1>we're going to give you a few things that you

0:50:47.520 --> 0:50:50.560
<v Speaker 1>can say to pretend you've seen the movie good Luck

0:50:50.640 --> 0:50:51.600
<v Speaker 1>to You Leo Grand.

0:50:52.800 --> 0:50:55.680
<v Speaker 2>Yes, wait, staff, I've seen good Luck to You Leo Grand.

0:50:56.760 --> 0:50:59.239
<v Speaker 2>And in order to send you away, I'm gonna say

0:50:59.560 --> 0:51:03.560
<v Speaker 2>some of my favorite lines from their incredibly awkward first encounter.

0:51:04.840 --> 0:51:06.759
<v Speaker 2>To make you feel so uncomfortable that you have to

0:51:06.880 --> 0:51:13.600
<v Speaker 2>leave you Enjoy music by people.

0:51:16.920 --> 0:51:17.799
<v Speaker 1>That is so real.

0:51:18.280 --> 0:51:21.319
<v Speaker 2>I'm gonna say that on my next first day. Enjoy

0:51:21.440 --> 0:51:22.080
<v Speaker 2>music by people.

0:51:22.840 --> 0:51:26.080
<v Speaker 1>Yes, entire weight staff, I have seen the film good

0:51:26.160 --> 0:51:29.920
<v Speaker 1>Luck to You Leo Grand. Here's some fun facts. The

0:51:30.000 --> 0:51:33.520
<v Speaker 1>film was shot within nineteen days, with an average of

0:51:33.600 --> 0:51:36.680
<v Speaker 1>twelve pages per day. Oh my gosh, whoa. It really

0:51:36.760 --> 0:51:40.279
<v Speaker 1>felt like it would be. It was probably a really

0:51:40.400 --> 0:51:42.959
<v Speaker 1>cheap movie to make, except for paying Emma Thompson. Emma,

0:51:45.440 --> 0:51:47.520
<v Speaker 1>but you literally just rent a hotel room and pay

0:51:47.560 --> 0:51:48.600
<v Speaker 1>Emma Thompson.

0:51:50.239 --> 0:51:55.440
<v Speaker 2>Bing bang boom itemized budget done. Yes, Waite staff, I

0:51:55.600 --> 0:51:58.359
<v Speaker 2>have seen good luck to you, Leo Grand and then

0:51:58.360 --> 0:52:00.560
<v Speaker 2>the white staff says to me, let's move to you,

0:52:01.120 --> 0:52:06.239
<v Speaker 2>and I say, okay, Oh god. She's like, tell me

0:52:06.239 --> 0:52:07.840
<v Speaker 2>about yourself. He's like, tell me about you and she's like,

0:52:07.960 --> 0:52:12.080
<v Speaker 2>oh oh no, oh god, oh god, that's so how

0:52:12.120 --> 0:52:12.600
<v Speaker 2>I'm gonna be.

0:52:13.000 --> 0:52:14.800
<v Speaker 1>I loved that her whole vibe.

0:52:15.440 --> 0:52:19.720
<v Speaker 2>Oh god, just panic, no, no, sheer, bloody panic.

0:52:20.120 --> 0:52:23.320
<v Speaker 1>I thought the blowjob thing was all actually really lovely

0:52:23.440 --> 0:52:26.480
<v Speaker 1>and beautiful and yeah, she's like, so like I have

0:52:26.560 --> 0:52:27.880
<v Speaker 1>to do this. He's like, you don't have to. She's like,

0:52:27.920 --> 0:52:28.400
<v Speaker 1>I want to.

0:52:28.760 --> 0:52:31.640
<v Speaker 2>I want to. I have to. I have to because

0:52:31.640 --> 0:52:33.560
<v Speaker 2>I want to, and if I don't a coward.

0:52:33.719 --> 0:52:33.919
<v Speaker 3>Yeah.

0:52:34.280 --> 0:52:36.600
<v Speaker 1>Really nice. It was actually really complex. That was like

0:52:38.200 --> 0:52:39.520
<v Speaker 1>you can try it if you want to, and if

0:52:39.520 --> 0:52:41.000
<v Speaker 1>you don't like it like you don't have to do

0:52:41.120 --> 0:52:43.880
<v Speaker 1>it again, and it's just like there's you have to

0:52:44.080 --> 0:52:46.440
<v Speaker 1>like it when you try it much tied up in

0:52:46.520 --> 0:52:48.360
<v Speaker 1>the fact that it's like you're supposed to like it,

0:52:48.600 --> 0:52:51.319
<v Speaker 1>and there's it's like whatever, And I just I thought

0:52:51.360 --> 0:52:55.439
<v Speaker 1>that was like, I don't know this movie really yeah,

0:52:56.160 --> 0:52:57.080
<v Speaker 1>succeeded in that way.

0:52:58.880 --> 0:53:01.920
<v Speaker 2>Yes, wait, staff, stop coming up to me. Oh you've

0:53:01.960 --> 0:53:03.400
<v Speaker 2>come up so much. I have to I've spilled my

0:53:03.480 --> 0:53:05.920
<v Speaker 2>coffee on my jacket and I have to go change

0:53:06.440 --> 0:53:07.759
<v Speaker 2>and they say, don't change too much.

0:53:08.200 --> 0:53:12.560
<v Speaker 1>Can I say? Oh god, aha, I love that. I

0:53:12.800 --> 0:53:13.320
<v Speaker 1>loved that.

0:53:14.000 --> 0:53:22.319
<v Speaker 2>Oh god, oh god, oh my yeah, oh okay, uh yes,

0:53:22.480 --> 0:53:23.840
<v Speaker 2>wait stuff, I have seen the film.

0:53:24.760 --> 0:53:26.040
<v Speaker 1>I have seen the film.

0:53:28.960 --> 0:53:29.640
<v Speaker 2>Good luck Leo.

0:53:30.320 --> 0:53:33.040
<v Speaker 1>Emma Thompson said that she trimmed her pubic hair in

0:53:33.080 --> 0:53:36.080
<v Speaker 1>preparation for the full frontal nudity scene. She says, I

0:53:36.239 --> 0:53:40.160
<v Speaker 1>greatly regret the demise of the full Bush. She explained,

0:53:40.640 --> 0:53:43.200
<v Speaker 1>I did once do the full thing years and years ago,

0:53:43.560 --> 0:53:47.120
<v Speaker 1>but really I regret it because they've never quite grown

0:53:47.200 --> 0:53:52.759
<v Speaker 1>back to my liking. Whoa, but that's also getting old, okay, Yes,

0:53:52.880 --> 0:53:54.600
<v Speaker 1>Emma Thompson on Bush.

0:53:54.840 --> 0:54:00.239
<v Speaker 2>Full Bush Ambassador Emma Thompson. Well, it must be an

0:54:00.239 --> 0:54:04.040
<v Speaker 2>actor during the two thousands. Oh god, Oh, I can't

0:54:04.080 --> 0:54:07.840
<v Speaker 2>imagine stripped to hell. I mean, if that's what people's

0:54:07.840 --> 0:54:11.720
<v Speaker 2>eyebrows look like today, imagine the bush anyway, fucked.

0:54:12.200 --> 0:54:14.319
<v Speaker 1>The fact that this movie gave me hearing about Emma

0:54:14.360 --> 0:54:16.120
<v Speaker 1>Thompson talking about bush is really a real win.

0:54:16.280 --> 0:54:20.000
<v Speaker 2>In Portante the day passed a road called Holy Bush Lane.

0:54:25.200 --> 0:54:27.200
<v Speaker 1>If you want to hear more about this, go check

0:54:27.200 --> 0:54:28.640
<v Speaker 1>out the trivia because there's actually a lot and it's

0:54:28.640 --> 0:54:29.160
<v Speaker 1>pretty lovely.

0:54:29.800 --> 0:54:33.400
<v Speaker 2>Oh oh, Sienna, let's do should you watch this or

0:54:33.800 --> 0:54:36.560
<v Speaker 2>our segment where we tell the listener if we think

0:54:36.640 --> 0:54:38.239
<v Speaker 2>you should watch this movie or if you should do

0:54:38.280 --> 0:54:41.319
<v Speaker 2>something else with your bush ooh, Leanna, you go first.

0:54:42.400 --> 0:54:45.200
<v Speaker 2>I think this is a worthwhile watch. I think there

0:54:45.239 --> 0:54:47.759
<v Speaker 2>are parts of it that don't completely land, and I

0:54:47.840 --> 0:54:52.200
<v Speaker 2>think meeting number three everybody's being insane during but Emma

0:54:52.280 --> 0:54:55.120
<v Speaker 2>Thompson is just a treat. I think the acting and

0:54:55.160 --> 0:54:57.520
<v Speaker 2>it is really good. I think there's a lot of

0:54:57.680 --> 0:55:02.200
<v Speaker 2>like very beautiful vulnerability and conversations that are not that

0:55:02.320 --> 0:55:04.439
<v Speaker 2>are only just starting to be had. And I think

0:55:04.560 --> 0:55:06.680
<v Speaker 2>this is one of the things that is kickstarting that

0:55:06.880 --> 0:55:09.480
<v Speaker 2>and I really do believe that this movie walked so

0:55:09.600 --> 0:55:13.920
<v Speaker 2>that baby girl could run. Yes, that's what I would say.

0:55:14.160 --> 0:55:16.480
<v Speaker 2>How about you, Siena, I would say.

0:55:17.000 --> 0:55:20.800
<v Speaker 1>You could watch this movie if you are looking for

0:55:20.880 --> 0:55:23.279
<v Speaker 1>all the things that we discussed, which I think is great.

0:55:23.400 --> 0:55:29.080
<v Speaker 1>There were definitely moments I felt let down because I was,

0:55:29.080 --> 0:55:31.480
<v Speaker 1>for some reason expecting something else. So what you could

0:55:31.520 --> 0:55:35.120
<v Speaker 1>do is watch this movie and know that it's its thing,

0:55:36.200 --> 0:55:40.200
<v Speaker 1>which is actually quite lovely and I and I thought

0:55:40.360 --> 0:55:43.719
<v Speaker 1>was pretty special. So I would recommend that. But then also,

0:55:43.800 --> 0:55:46.560
<v Speaker 1>in addition, if you're craving some other thing, watch Sex

0:55:46.600 --> 0:55:49.080
<v Speaker 1>in the City right after, and you'll have the whole

0:55:49.160 --> 0:55:50.000
<v Speaker 1>You'll have the whole thing.

0:55:51.000 --> 0:55:53.520
<v Speaker 2>Yeah, I want you to write a fan fic of

0:55:54.719 --> 0:55:57.360
<v Speaker 2>Nancy from good Luck to Leo Grand going to brunch

0:55:57.400 --> 0:56:00.799
<v Speaker 2>with the girlies I tried to get right after he rendezvous.

0:56:01.040 --> 0:56:06.800
<v Speaker 2>Yeah yeah, Oh, Sianna, what would you rate the film

0:56:06.960 --> 0:56:08.360
<v Speaker 2>good Luck to You Leo Grand.

0:56:09.719 --> 0:56:13.360
<v Speaker 1>I'm gonna give it. Uh, I'll give good Luck to

0:56:13.400 --> 0:56:16.520
<v Speaker 1>you Rio Grand, Rio Grand, Leo Grand.

0:56:18.280 --> 0:56:21.600
<v Speaker 2>It's happened, She's been Western nine.

0:56:22.880 --> 0:56:30.680
<v Speaker 1>I will give it three refrigerated Mars bars out of five.

0:56:32.480 --> 0:56:36.520
<v Speaker 1>The whole time. I was just so I was really

0:56:37.160 --> 0:56:41.120
<v Speaker 1>the brightness got me. Some of the conversations that we

0:56:41.160 --> 0:56:43.399
<v Speaker 1>didn't even talk about. I was like, I don't even

0:56:43.480 --> 0:56:44.680
<v Speaker 1>need to hear that right now, but I get that

0:56:44.719 --> 0:56:46.279
<v Speaker 1>you have to address everything. I felt like they had

0:56:46.280 --> 0:56:48.439
<v Speaker 1>to address so much. But I loved the stuff about

0:56:48.480 --> 0:56:53.840
<v Speaker 1>talking about like sex stress basically, but that was strangely

0:56:53.920 --> 0:56:58.520
<v Speaker 1>to me, not actually the majority of the movie. So

0:56:59.560 --> 0:57:02.160
<v Speaker 1>for me, it's three out of five. But I'm really

0:57:02.200 --> 0:57:04.600
<v Speaker 1>glad we talked about it because I am like taking

0:57:04.680 --> 0:57:08.520
<v Speaker 1>more away now thinking about it. And I love play. Yeah,

0:57:08.520 --> 0:57:11.600
<v Speaker 1>I love her. She did a great job in this role. Leanna,

0:57:11.640 --> 0:57:12.320
<v Speaker 1>what about yourself?

0:57:13.520 --> 0:57:17.080
<v Speaker 2>I will give good luck to you, Leo grand four

0:57:17.320 --> 0:57:20.920
<v Speaker 2>full bushes out of five. There was so much in

0:57:21.000 --> 0:57:23.600
<v Speaker 2>it that I really really resonated with, and I also

0:57:23.720 --> 0:57:29.040
<v Speaker 2>understand that not everybody will, and it's it's conversations I'm

0:57:29.080 --> 0:57:31.480
<v Speaker 2>glad are happening. I thought the full frontal nudity at

0:57:31.480 --> 0:57:36.720
<v Speaker 2>the end was like important and some of it just

0:57:36.800 --> 0:57:39.920
<v Speaker 2>did not work, but a lot of it really did.

0:57:40.440 --> 0:57:42.160
<v Speaker 2>A lot of it really did, and I'm glad that

0:57:42.240 --> 0:57:42.880
<v Speaker 2>it exists.

0:57:43.240 --> 0:57:48.080
<v Speaker 4>Agreed, agreed, Wow, And that's it. That's our review of

0:57:48.240 --> 0:57:52.680
<v Speaker 4>the Rio grand the Rio Grande. Did you see the

0:57:52.720 --> 0:57:54.800
<v Speaker 4>Rio Grande on tour Big River?

0:57:55.040 --> 0:57:55.640
<v Speaker 1>I don't think so.

0:57:56.320 --> 0:57:57.600
<v Speaker 2>I probably saw the Colorado River.

0:57:58.800 --> 0:57:59.240
<v Speaker 1>I don't know.

0:58:00.040 --> 0:58:00.720
<v Speaker 2>Did you see a river?

0:58:02.320 --> 0:58:05.920
<v Speaker 1>Oh? Oh my god, I saw rivers in Austin.

0:58:07.200 --> 0:58:10.520
<v Speaker 2>Hmmm, don't know. Unfamiliar with those. You're just one called

0:58:10.560 --> 0:58:12.640
<v Speaker 2>like the River of America, which is in Sacramento, and

0:58:12.720 --> 0:58:15.480
<v Speaker 2>I'm like, why don't get the American I bet that

0:58:15.600 --> 0:58:17.240
<v Speaker 2>was man made as well. I don't like that at all.

0:58:17.640 --> 0:58:17.840
<v Speaker 1>Yeah.

0:58:18.520 --> 0:58:20.760
<v Speaker 2>Oh, that's been our review of Good luck to you,

0:58:20.880 --> 0:58:23.560
<v Speaker 2>Leo grand Thank you for listening. We are so back.

0:58:24.160 --> 0:58:27.720
<v Speaker 2>We are also on Instagram at tossed Popcorn. We are

0:58:27.760 --> 0:58:30.200
<v Speaker 2>on Patreon where you can see some bonus episodes that

0:58:30.280 --> 0:58:33.400
<v Speaker 2>we put up during the break patreon dot com, slash

0:58:33.480 --> 0:58:37.280
<v Speaker 2>cost Popcorn and join us next week when we will

0:58:37.320 --> 0:58:38.200
<v Speaker 2>be watching.

0:58:39.360 --> 0:58:40.200
<v Speaker 1>After sun.

0:58:41.560 --> 0:58:44.320
<v Speaker 2>I don't know what that is me neither meybe? How

0:58:44.360 --> 0:58:45.240
<v Speaker 2>did it get on this list?

0:58:46.240 --> 0:58:46.479
<v Speaker 1>Hmm?

0:58:47.880 --> 0:58:49.160
<v Speaker 2>Thank you, we love you.

0:58:50.360 --> 0:58:57.800
<v Speaker 1>Bye. You can find us on Instagram as at Sienna

0:58:57.880 --> 0:59:00.840
<v Speaker 1>Jaco and at Leona Holsten. Please check the description for

0:59:00.920 --> 0:59:03.520
<v Speaker 1>the spelling of our dumb names. We put out episodes

0:59:03.560 --> 0:59:05.720
<v Speaker 1>every Tuesday, so make sure to subscribe so that you

0:59:05.840 --> 0:59:09.680
<v Speaker 1>don't miss an episode. See you next week on Tossed Popcorn.

0:59:09.920 --> 0:59:13.000
<v Speaker 1>For more podcasts from iHeartRadio, check the iHeartRadio app.