WEBVTT - Part Four: The Surrealists Were Even Cooler Than You Thought

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<v Speaker 1>Cool Zone Media.

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<v Speaker 2>Hello, and welcome to Devoured by Bugs. It's a podcast

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<v Speaker 2>that isn't called that. I'm your host, Margaret Kiljoy, and

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<v Speaker 2>we're not talking about that, except once again giving you

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<v Speaker 2>strange hints at what we're talking about before we hit record.

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<v Speaker 2>Why do you all care? Why do I think you care?

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<v Speaker 2>Why am our guest today is Caitlin? Aren't they hy? Caitlin?

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<v Speaker 3>Hello? Excuse me? I was burping. We got the drink

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<v Speaker 3>of water that I had alluded to at the end

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<v Speaker 3>of the last episode, or maybe did I say that

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<v Speaker 3>on Mic or off Mike, I don't remember, who knows.

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<v Speaker 3>The point is I needed some water. I brilliantly got

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<v Speaker 3>a can of uh sparkling water.

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<v Speaker 2>Oh, Sophie doesn't let me drink those?

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<v Speaker 3>Yeah, yes, Well it's for good reason, because they will

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<v Speaker 3>make you burp.

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<v Speaker 2>Yeah, which you don't realize talk until your job is

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<v Speaker 2>to talk, you know.

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<v Speaker 3>Yeah, Yeah, so I might be. I'm going to try

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<v Speaker 3>really hard not to audibly because that is gross and

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<v Speaker 3>anyone to hear me do that. So yeah, I'll do

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<v Speaker 3>my best. But now I feel you.

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<v Speaker 2>Know, binary cred? What's that your non binary cred?

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<v Speaker 3>True? Yeah, I think that the burping on air on

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<v Speaker 3>a podcast is defies gender.

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<v Speaker 2>Yeah, I admit I don't like it, but because I'm

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<v Speaker 2>kind of fem.

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<v Speaker 3>Well, I mean so now I'm just gonna not ever

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<v Speaker 3>not I'm gonna I'm gonna burp a lot.

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<v Speaker 2>Yeah, okay, not burp cast with our host Sophie.

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<v Speaker 1>I will also not be green lighting that.

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<v Speaker 2>It's cool people who did cool burps, cool people who

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<v Speaker 2>did cool stuff without burping. M Yeah, we're a burp negative,

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<v Speaker 2>We're a body function negative podcast.

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<v Speaker 3>Now I feel shamed.

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<v Speaker 2>Yeah, well, it's actually how I knew that I was transits,

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<v Speaker 2>that I poop roses.

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<v Speaker 3>That's beautiful.

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<v Speaker 2>This girl's poop roses. I don't know whether I can

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<v Speaker 2>I can't even. Oh god, all right, we're talking about

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<v Speaker 2>surrealis who probably would have. We're gonna talk about some

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<v Speaker 2>people who are into some fucking kind of nasty art

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<v Speaker 2>today in a good way. Oh hell yeah, a little

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<v Speaker 2>bit more in the sex nasty unless the fucking burp

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<v Speaker 2>joke whatever. Sophie's our producer. Hi, Sophie Hey. Ian is

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<v Speaker 2>our audio editor. Hi Ian, Hey Ian. Okay, and we

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<v Speaker 2>can't continue until you say hi to Ian.

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<v Speaker 3>Sorry I was burping again but you didn't hear it.

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<v Speaker 3>So I'm two for two Highen.

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<v Speaker 2>And Unwomen Deserar theme song. This is part four of

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<v Speaker 2>our four part are on the Surrealists, and today we're

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<v Speaker 2>just gonna talk about even more cool anti fascist artists

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<v Speaker 2>and queers because there's just a lot of them. Nice

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<v Speaker 2>I thought there'd be like clog Con would be the

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<v Speaker 2>only specifically fighting against fascist non binary person in the

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<v Speaker 2>surrealist movement because but no, absolutely not. So back to

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<v Speaker 2>the Surrealists. They're just getting started. You all the datas,

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<v Speaker 2>they're like snoweight Now ur surrealis that sounds more fun.

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<v Speaker 2>Andre Berton was a Freudian physician helping soldiers deal with

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<v Speaker 2>shell shock, and he and others folks are like their

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<v Speaker 2>fucking outh automatic. Writing in nineteen twenty four, Breton writes

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<v Speaker 2>Surrealist Manifesto, this doesn't kick things off, It's already been happening,

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<v Speaker 2>but it's the cultural touchstone for everyone except that other

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<v Speaker 2>group from the big split with Zara that where they

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<v Speaker 2>were like fighting each other and shit. They actually put

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<v Speaker 2>out a different Surrealist Manifesto like two weeks earlier, but

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<v Speaker 2>no one remembers it because it's not the one that's stuck.

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<v Speaker 2>I think they got into a fist fight about it,

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<v Speaker 2>about having these two different manifestos. Okay, And in the end,

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<v Speaker 2>Breton's surrealis just kind of outnumbered the other folks.

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<v Speaker 3>It's sort of like when a Bug's Life and Ants

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<v Speaker 3>came out at the same time.

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<v Speaker 2>Yeah, no one remembers Ants.

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<v Speaker 3>No, but people, I do people.

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<v Speaker 2>Okay, Yeah, you probably remember the first Surrealist manifesto too.

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<v Speaker 1>Yeah, we've established I'm a fucking freakazoid.

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<v Speaker 3>I mean I saw Ants, and I remember Woody Allen

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<v Speaker 3>does a voice in it for some reason. And yeah,

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<v Speaker 3>but bugs Life.

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<v Speaker 1>The lesser Woody buzz Life definitely more fun. Couldn't agree more?

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<v Speaker 2>Yeah, yeah, it's exactly like that. So the Bugs Life

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<v Speaker 2>there's more of them and people like it more. And

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<v Speaker 2>the Bug's Life Manifesto is an absurdist document. And it's like,

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<v Speaker 2>we know what surrealism is, but we don't know how

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<v Speaker 2>we're going to get there, and we refused to have

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<v Speaker 2>a set plan. And at the start, they're like art

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<v Speaker 2>kids meeting in cafes and playing games like Exquisite Corps

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<v Speaker 2>and doing automatic drawing and some actually mostly writing. At

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<v Speaker 2>the beginning, it actually starts off more of a literature movement.

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<v Speaker 2>It actually like takes a.

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<v Speaker 3>While that magazine called literature.

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<v Speaker 2>Yeah, yeah, exactly, the well named magazine literature. Some of

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<v Speaker 2>them are rich kids, some of them aren't. Some of

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<v Speaker 2>them are traumatized as fuck by fighting in World War One.

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<v Speaker 2>Kids is the wrong word to use here. You know,

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<v Speaker 2>you can be twenty two years old, but if you

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<v Speaker 2>fought World War One, you're older than me.

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<v Speaker 3>You're yeah, you're a grown ass adult.

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<v Speaker 2>Yeah. Surrealism starts springing up everywhere autonomously, and they're not

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<v Speaker 2>like official chapters. Brussels, which is super nearby, is the first.

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<v Speaker 2>I think. By nineteen twenty nine, they're more political now

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<v Speaker 2>and they write a new manifesto, and this one is like,

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<v Speaker 2>we believe in collective action. We're engaged in all the

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<v Speaker 2>following political things. And by the way, the following specific

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<v Speaker 2>people are specifically not part of our movement anymore because

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<v Speaker 2>we don't like them, because they don't approve of our

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<v Speaker 2>belief in collective action in the following, narrowly defined way.

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<v Speaker 2>Most of these splits which keep happening are fundamentally political. Obviously,

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<v Speaker 2>Dali is run out for being a fascist, but it's

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<v Speaker 2>also like who likes Trotsky and who likes Stalin and

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<v Speaker 2>who likes anarchism and all this shit. But most of

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<v Speaker 2>the people who are expelled don't actually stop being surrealist, right,

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<v Speaker 2>because it's not actually it like claims to weve be

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<v Speaker 2>a member organization. It is not a member organization. Some

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<v Speaker 2>people do leave surrealism, like there's a diehard Stalinist who like,

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<v Speaker 2>there's a bunch of people who are like, actually Stalin

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<v Speaker 2>says that surrealism is bad and only Marxist really or

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<v Speaker 2>whatever the fuck is good and we need to represent

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<v Speaker 2>things in materialism and blah blah blah blah blah, like

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<v Speaker 2>whatever bullshit. Those people stopp being surrealists. Overall, all the

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<v Speaker 2>splits and purges and shit, it's just weird infighting drama

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<v Speaker 2>and not stopping people from looking for the marvelous and

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<v Speaker 2>fighting against miserableism. Then in nineteen thirty six, Friend of

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<v Speaker 2>the Pod, the Spanish Civil War kicks off. Franco is

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<v Speaker 2>a fascist Catholic and he tries and fails to throw

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<v Speaker 2>a coup against the republican government of left leaning Spain,

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<v Speaker 2>and a motley assortment of leftist band together to fight

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<v Speaker 2>him back. Spoiler alert, they lose, but this is a

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<v Speaker 2>huge deal internationally, this whole fight, and it's the first

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<v Speaker 2>war against fascism in history, and the surrealists are all

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<v Speaker 2>about supporting the republic against the fascists. You can hear

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<v Speaker 2>other half of the Bechdel Cast talk about the Spanish

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<v Speaker 2>Civil War on the episode probably called the Spanish Civil

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<v Speaker 2>War with Jamie Loftus. But if you just searched Jamie

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<v Speaker 2>Loftis Spanish Civil War, probably fine.

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<v Speaker 3>I imagine she did at least twenty other podcast about

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<v Speaker 3>that specifically.

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<v Speaker 2>But yeah, yeah, well there was that whole year where

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<v Speaker 2>the Bechdel Cast was just movies about the Spanish Civil War.

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<v Speaker 3>Yeah, you know, Pan's Labyrinth and others.

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<v Speaker 2>I know, a whole bunch, but that's because I'm a nerd. Wait,

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<v Speaker 2>what are some others? Wait, there's this one that's an

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<v Speaker 2>inversion of Pan's Labyrinth. Okay, you know how Pan's Labyrinth

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<v Speaker 2>is like magical realism against fascism and set in the

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<v Speaker 2>Spanish Civil War, like kind of immediately after the Spanish

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<v Speaker 2>Civil War. There's one that's magical realism against four fascism

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<v Speaker 2>set in the Spanish Civil War. It's called ill bosk

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<v Speaker 2>the forest but ill I L I think is maybe

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<v Speaker 2>the Kathalan spelling of it. Okay, yeah, and it is

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<v Speaker 2>pro fascist. It's the other side of the Civil War right,

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<v Speaker 2>and like it comes out kind of a it's like

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<v Speaker 2>ants the bugs life. Yes, it's like a couple of

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<v Speaker 2>years later. Although you know what, I'm not a big

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<v Speaker 2>fan of what are you on? And yeah? No, and

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<v Speaker 2>it's it's fucked up. It's kind of worth watching, just

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<v Speaker 2>as like this like weird, like so what are the

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<v Speaker 2>people who wish that? Who are Glad franco one think

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<v Speaker 2>of all this?

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<v Speaker 3>You know, wait, does the movie take the stance of like, wow,

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<v Speaker 3>fascism is awesome or is it just about those characters

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<v Speaker 3>who feel good?

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<v Speaker 2>The movie is pro fascist? Oh god, it is like

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<v Speaker 2>pro it is anti leftist, is anti the people who

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<v Speaker 2>are fighting against the good, hard working bourgeoisie of rural Catalonia.

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<v Speaker 2>And this was a recent movie, yeah, like ten like

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<v Speaker 2>twenty years or so. Yeah, yeah, maybe ten years ago

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<v Speaker 2>or so. Oh god, okay, so does that one? And

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<v Speaker 2>then there's Libertarios which is awesome, which is about anarchist

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<v Speaker 2>women fighting, and then there's Land Freedom by Ken Loach

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<v Speaker 2>who's like my favorite did he did the Win, the

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<v Speaker 2>Shakes the Barley, So he's like one of my favorite

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<v Speaker 2>directors because he the my favorite movie. But the Irish

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<v Speaker 2>Civil War or Irish Revolution and the Civil War and okay,

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<v Speaker 2>that's it might be all this. I'm sure there's more. Oh,

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<v Speaker 2>the Anarchist Wife, which is the worst name for any movie.

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<v Speaker 2>It's a French movie. Okay, this is not Margaret lists

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<v Speaker 2>all the Spanish Civil War movies. Anyway, I did enjoy

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<v Speaker 2>that very much, though, thanks, We should watch it. I

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<v Speaker 2>would love to see get your take on il Bosky.

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<v Speaker 3>Yeah, I'll watch it, I guess.

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<v Speaker 2>Oh and then wait, there's the zombies one, the recent one.

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<v Speaker 2>It's on Netflix. There's the one where it's a it's

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<v Speaker 2>like anarchists and also some fascists, but like francoists have

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<v Speaker 2>to team up against the Nazis and the zombies. And

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<v Speaker 2>it's called Valley of the Dead on Netflix. All right,

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<v Speaker 2>and that one doesn't take a pro fascist side, takes

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<v Speaker 2>an anti fascist side. Yeah. Anyway, Spanish Civil War, big

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<v Speaker 2>deal in history is the first real war of against

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<v Speaker 2>fascism in history. I already read this part, so at

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<v Speaker 2>least four of the surrealists are like, let's fucking go.

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<v Speaker 2>I think a bunch more did, but like, there's four

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<v Speaker 2>that I've currently tracked down, and there are two couples,

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<v Speaker 2>and it's actually happened a lot like couples would just

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<v Speaker 2>go and join the army together to go fight against

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<v Speaker 2>fight against the shit. Because this is one of the

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<v Speaker 2>also the first times you have organized military forces in

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<v Speaker 2>the Western world that have men and women both fighting

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<v Speaker 2>alongside one another. One couple. They joined the same force

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<v Speaker 2>that George Orwell later joined, called the Poom and these

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<v Speaker 2>are the anti Stalinist Marxists who basically end up allied

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<v Speaker 2>with the anarchists in the Civil War within a civil

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<v Speaker 2>war where Stalin decides to try and kill half of

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<v Speaker 2>his own side to consolidate the other half. The other

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<v Speaker 2>couple they joined the Drudi Column, which is an anarchist unit,

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<v Speaker 2>and I'm one of these people who went to fight.

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<v Speaker 2>I'm going to single out Mary Low because she's sort

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<v Speaker 2>of one of the most interesting. She was born in

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<v Speaker 2>nineteen twelve. She was a British woman and a poet,

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<v Speaker 2>and she became a surrealist. Her partner was a Cuban

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<v Speaker 2>surrealist poet named Juan Bria, who is one of the

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<v Speaker 2>founders of the Cuban Surrealist group, and he kept getting

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<v Speaker 2>arrested everywhere he went for his communist agitation, both in

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<v Speaker 2>Cuba and Spain, and then he kept getting in trouble

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<v Speaker 2>with the communists because he wasn't the right kind of

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<v Speaker 2>communist AKA, he wasn't a Stalinist, because he and Mary

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<v Speaker 2>were both Trotskyists, so they're like less authoritarian communists. Way

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<v Speaker 2>more of the people who end up on this show

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<v Speaker 2>follow the not stalin people will be surprised to know.

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<v Speaker 2>The other couple is a woman named Remedios Varro and

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<v Speaker 2>her partner Benjamin Pere. And Pere, since he's like he's

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<v Speaker 2>like the surrealist founder and the white guy who's fighting

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<v Speaker 2>in the Spanish Civil War, he's often written about as

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<v Speaker 2>the one surrealist who fought in the Spanish Civil War.

0:13:08.559 --> 0:13:12.400
<v Speaker 2>This is just not true. But he's cool as shit

0:13:13.040 --> 0:13:15.360
<v Speaker 2>and he fucking threw down to try and stop fascism

0:13:15.360 --> 0:13:19.440
<v Speaker 2>at the very beginning, so he's great. All four of

0:13:19.480 --> 0:13:22.360
<v Speaker 2>them fight on the Aragon Front against the fascists, all

0:13:22.360 --> 0:13:25.160
<v Speaker 2>while writing about their experiences for various newspapers. Right because

0:13:25.160 --> 0:13:27.360
<v Speaker 2>they're like, well, we're writers and artists and shit, you know,

0:13:27.559 --> 0:13:30.520
<v Speaker 2>so we will use our communication skills the best way

0:13:30.520 --> 0:13:34.080
<v Speaker 2>we can, which involves both shooting guns at fascists is

0:13:34.120 --> 0:13:38.079
<v Speaker 2>a very direct form of communication, and then also speaking

0:13:38.080 --> 0:13:41.319
<v Speaker 2>about these experiences and putting out like radio broadcasts and

0:13:41.360 --> 0:13:46.600
<v Speaker 2>newspapers and stuff. And Mary Lowe she actually funds, like

0:13:47.360 --> 0:13:51.000
<v Speaker 2>she funds the English language version of the pum's paper.

0:13:51.559 --> 0:13:52.959
<v Speaker 2>And at first I was like, oh, she's like a

0:13:53.040 --> 0:13:57.199
<v Speaker 2>rich kid right now. She right before she went to Spain,

0:13:57.320 --> 0:14:02.040
<v Speaker 2>she won a ton of money at while gam Oh nice,

0:14:02.120 --> 0:14:05.319
<v Speaker 2>she just like went and played Roulette ed La Like

0:14:06.640 --> 0:14:09.959
<v Speaker 2>hell yeah, use that money for the revolution by putting

0:14:09.960 --> 0:14:15.160
<v Speaker 2>out the English language paper for her unit, okay, And

0:14:15.480 --> 0:14:18.240
<v Speaker 2>they're also doing radio broadcasts, and Mary does an English

0:14:18.440 --> 0:14:21.440
<v Speaker 2>one and Benjamin does one in Portuguese. He's French, but

0:14:21.480 --> 0:14:26.600
<v Speaker 2>he speaks Portuguese. And then the Stalinists try to force

0:14:26.640 --> 0:14:29.000
<v Speaker 2>everyone into their command structure in the middle of this war,

0:14:29.080 --> 0:14:31.080
<v Speaker 2>and the POM and the anarchists are like, no, you

0:14:31.240 --> 0:14:33.160
<v Speaker 2>just showed up. You can't tell us that you're in charge.

0:14:33.760 --> 0:14:36.600
<v Speaker 2>And so the Stalinists are like torturing and murdering all

0:14:36.600 --> 0:14:40.040
<v Speaker 2>the other leftists and literally flaming people and shit and

0:14:40.080 --> 0:14:44.360
<v Speaker 2>being bad. Jan Bria, the Cuban surrealist. He gets arrested

0:14:44.360 --> 0:14:47.120
<v Speaker 2>twice by the Stalinists in only a few months while

0:14:47.120 --> 0:14:49.520
<v Speaker 2>he's in the middle of trying to fight their common enemy, right,

0:14:50.840 --> 0:14:53.560
<v Speaker 2>and then they try and kill him. A car tries

0:14:53.600 --> 0:14:55.760
<v Speaker 2>to run him down in an alley, and he's like,

0:14:55.800 --> 0:14:58.160
<v Speaker 2>this is a fucking movie. The way he gets out

0:14:58.200 --> 0:15:00.680
<v Speaker 2>of this assassination attempt is he is to literally break

0:15:00.720 --> 0:15:03.440
<v Speaker 2>down a door in the alley to like escape, you know.

0:15:04.520 --> 0:15:07.960
<v Speaker 2>And so the couple flees Barcelona rather than get murdered.

0:15:10.160 --> 0:15:13.240
<v Speaker 2>The other two leave Spain about four months later, I think,

0:15:13.280 --> 0:15:18.280
<v Speaker 2>for more or less the same reasons. And getting back

0:15:18.320 --> 0:15:21.320
<v Speaker 2>to France after this must have fucking sucked, right, because

0:15:21.320 --> 0:15:25.200
<v Speaker 2>this is like revolutionary Spain is like this is it.

0:15:25.240 --> 0:15:27.640
<v Speaker 2>We were doing it right. All of the things we've

0:15:27.720 --> 0:15:32.160
<v Speaker 2>dreamed of, they're actually happening. We're creating a pluralistic like

0:15:32.960 --> 0:15:37.000
<v Speaker 2>leftist revolution. We're collectivizing all these workplaces. We are like

0:15:37.520 --> 0:15:41.600
<v Speaker 2>abortion is legalized, like divorce is legal made easier. I

0:15:41.600 --> 0:15:43.440
<v Speaker 2>don't remember exactly about the divorce. I remember the abortion

0:15:43.520 --> 0:15:47.840
<v Speaker 2>part clearly. They get back to France and everything's starting

0:15:47.880 --> 0:15:50.600
<v Speaker 2>to fall apart, and Benjamin is arrested for distributing anarchist

0:15:50.600 --> 0:15:52.720
<v Speaker 2>literature by the French government and he has to flee

0:15:52.760 --> 0:15:57.400
<v Speaker 2>to Mexico. Right. Mary and Juan they're broke as hell

0:15:57.920 --> 0:15:59.880
<v Speaker 2>and they're watching the Spanish Republic fall to the comb

0:16:00.200 --> 0:16:03.880
<v Speaker 2>forces of Stalin and Franco. They hang around for a while,

0:16:03.880 --> 0:16:06.040
<v Speaker 2>they're just like living, broke as shit, and they write

0:16:06.040 --> 0:16:08.920
<v Speaker 2>a book called The Red Spanish Notebook together. Then they

0:16:08.920 --> 0:16:10.600
<v Speaker 2>go to England and get married, and then they go

0:16:10.640 --> 0:16:11.000
<v Speaker 2>to Qubo.

0:16:11.080 --> 0:16:13.320
<v Speaker 3>It came out at the same exact time as the

0:16:13.320 --> 0:16:14.480
<v Speaker 3>movie The Notebook.

0:16:14.760 --> 0:16:15.000
<v Speaker 1>Yeah.

0:16:15.080 --> 0:16:19.720
<v Speaker 2>Actually, Nicholas Sparks famously fought in the Spanish Civil War.

0:16:21.200 --> 0:16:22.840
<v Speaker 3>For both sides.

0:16:22.880 --> 0:16:25.880
<v Speaker 2>I actually don't know Nicholas's sparks politics. Surprise.

0:16:25.960 --> 0:16:30.600
<v Speaker 3>I think they're not good. I think he's pretty conservative.

0:16:31.040 --> 0:16:35.400
<v Speaker 2>Yeah, and surprised me. I used to have to write

0:16:36.120 --> 0:16:38.840
<v Speaker 2>in Nicholas Sparks style romance books because I used to

0:16:38.880 --> 0:16:41.680
<v Speaker 2>ghost write romance books, and they were like, we want

0:16:41.720 --> 0:16:44.440
<v Speaker 2>you to write. I was not Nicholas Sparks's ghostwriter, but

0:16:44.520 --> 0:16:46.640
<v Speaker 2>I was writing where they were like, look, we're ripping

0:16:46.680 --> 0:16:48.640
<v Speaker 2>off Nicholas sparks. Can you write these books.

0:16:49.880 --> 0:16:50.600
<v Speaker 3>Fascinating?

0:16:50.880 --> 0:16:55.840
<v Speaker 2>Yeah? That was my That was my job when like

0:16:55.960 --> 0:17:01.680
<v Speaker 2>that that saved me from pretty abject poverty at one point. Okay, yeah,

0:17:02.120 --> 0:17:05.520
<v Speaker 2>wild and I signed a non disclosure agreement, so I

0:17:05.560 --> 0:17:06.760
<v Speaker 2>can't say what they are.

0:17:09.520 --> 0:17:13.120
<v Speaker 3>Damn, that's a secret. I would like to know. Are

0:17:13.119 --> 0:17:14.359
<v Speaker 3>they like famous though?

0:17:14.960 --> 0:17:15.600
<v Speaker 1>I guess you know.

0:17:15.920 --> 0:17:19.080
<v Speaker 2>I mean, like, What's Funny is like one of them?

0:17:19.320 --> 0:17:23.520
<v Speaker 2>Until recently, was probably the most red thing I'd ever written. Okay,

0:17:24.040 --> 0:17:28.560
<v Speaker 2>but now, thanks dear listeners, my actual fiction is starting

0:17:28.600 --> 0:17:32.560
<v Speaker 2>to be read more than the absolute garbage that I

0:17:32.640 --> 0:17:35.840
<v Speaker 2>churned out for five thousand dollars a novel when I

0:17:35.920 --> 0:17:38.240
<v Speaker 2>had no money in my van. I lived in a van,

0:17:38.280 --> 0:17:39.840
<v Speaker 2>but my van was broken.

0:17:40.359 --> 0:17:44.119
<v Speaker 3>Is that all the more the ghostwriters get paid?

0:17:45.960 --> 0:17:51.879
<v Speaker 2>Yeah, it's not good. A dire fucking novel for five grand.

0:17:52.160 --> 0:17:54.959
<v Speaker 2>They paid the cover photographer. It was like an Abercrombie

0:17:54.960 --> 0:17:57.480
<v Speaker 2>and Fitch photographer. They paid the photographer the same that

0:17:57.520 --> 0:18:01.440
<v Speaker 2>they paid me to like, I had three weeks to

0:18:01.480 --> 0:18:04.320
<v Speaker 2>write the book, because they this is totally what the

0:18:04.320 --> 0:18:06.640
<v Speaker 2>listeners are here for whatever, I'm gonna finish the story.

0:18:07.359 --> 0:18:08.800
<v Speaker 2>They were like, you have a month to write this,

0:18:08.840 --> 0:18:10.520
<v Speaker 2>and I was like, sure, and the whole thing sounded

0:18:10.560 --> 0:18:13.040
<v Speaker 2>so scammy that I waited for the first check to

0:18:13.080 --> 0:18:16.680
<v Speaker 2>clear before I started writing. And then I had three

0:18:16.720 --> 0:18:20.000
<v Speaker 2>weeks to write the whole thing, and I just hid

0:18:20.080 --> 0:18:25.920
<v Speaker 2>in my partner's apartment while they were teaching and listened

0:18:25.960 --> 0:18:30.959
<v Speaker 2>to Dope Throne by Sleep over and over again and

0:18:31.320 --> 0:18:38.720
<v Speaker 2>wrote terrible, the worst shit I've ever written. I'm saying, yeah, anyway,

0:18:40.280 --> 0:18:42.120
<v Speaker 2>that is like the book that they wrote, the Red

0:18:42.119 --> 0:18:46.840
<v Speaker 2>Spanish Notebook. While they were living also broke. They went

0:18:46.840 --> 0:18:49.439
<v Speaker 2>to England to get married. Oh, I almost went to

0:18:49.560 --> 0:18:51.800
<v Speaker 2>England to marry actually my partner from then, but I didn't.

0:18:52.080 --> 0:18:53.960
<v Speaker 2>They went to Cuba for a while, then they traveled

0:18:54.000 --> 0:18:56.280
<v Speaker 2>around Europe, and then they had to flee the Nazi

0:18:56.280 --> 0:19:00.280
<v Speaker 2>occupation of Prague and literal Nazi custody right, and they

0:19:00.400 --> 0:19:03.040
<v Speaker 2>used the help of some literary friends to get out

0:19:03.040 --> 0:19:06.280
<v Speaker 2>of Nazi custody and got the fuck back to Cuba

0:19:07.680 --> 0:19:10.640
<v Speaker 2>to just follow just close out their story. One died

0:19:10.640 --> 0:19:13.879
<v Speaker 2>of this or that illness in nineteen forty one. Mary

0:19:14.080 --> 0:19:17.320
<v Speaker 2>married another Trotzkist and helped overthrow the Cuban capital's government,

0:19:17.480 --> 0:19:22.680
<v Speaker 2>all while raising a bunch of kids, then fucking Stalinists.

0:19:23.320 --> 0:19:26.440
<v Speaker 2>She'd settled into the Revolutionary society as a professor, being like, hooray,

0:19:26.480 --> 0:19:30.560
<v Speaker 2>we've made a communism. Her husband was a his civil servant,

0:19:30.920 --> 0:19:33.240
<v Speaker 2>and then Castro was like, hey, sorry, I have to

0:19:33.240 --> 0:19:35.960
<v Speaker 2>persecute all the Communish aren't exactly the right kind of communist.

0:19:37.400 --> 0:19:39.639
<v Speaker 2>So the couple had to flee. This time they went

0:19:39.680 --> 0:19:43.040
<v Speaker 2>to Florida. I think Margaret complains about Stalinists. This is

0:19:43.080 --> 0:19:45.720
<v Speaker 2>probably the free space and cool people did cool stuff bingo.

0:19:48.680 --> 0:19:51.040
<v Speaker 2>But Mary lived a long ass time stay in suru

0:19:51.119 --> 0:19:53.320
<v Speaker 2>to or politics right to the end. She died in

0:19:53.320 --> 0:19:55.560
<v Speaker 2>Miami in two thousand and seven at ninety four years old.

0:19:56.200 --> 0:19:58.639
<v Speaker 2>And if you want to live to ninety four years old,

0:20:00.080 --> 0:20:04.040
<v Speaker 2>what are you promising near bag cut supplements? Right? Isn't

0:20:04.040 --> 0:20:05.879
<v Speaker 2>that a thing we should start selling? Is that a

0:20:05.920 --> 0:20:11.720
<v Speaker 2>cool thing? If we could promise people eternal life? Vamporism, Yeah,

0:20:11.720 --> 0:20:12.119
<v Speaker 2>there we go.

0:20:12.200 --> 0:20:13.359
<v Speaker 3>I was gonna say, where's that?

0:20:13.920 --> 0:20:17.600
<v Speaker 1>Say? We try to not do the supplement stuff, and okay, vamporism.

0:20:17.640 --> 0:20:19.600
<v Speaker 1>Most of them give me the grifterick.

0:20:20.800 --> 0:20:24.680
<v Speaker 2>How much would you pay Kaylin Durante to become a vampire?

0:20:25.440 --> 0:20:27.919
<v Speaker 2>Five dollars, ten dollars, one thousand dollars.

0:20:28.920 --> 0:20:33.840
<v Speaker 3>I mean something. I didn't hear the first part of

0:20:33.880 --> 0:20:36.520
<v Speaker 3>your question because I was drinking more of my pur.

0:20:36.920 --> 0:20:39.119
<v Speaker 2>Trying to avoid burpan. How much would you pay to

0:20:39.160 --> 0:20:39.960
<v Speaker 2>become a vampire?

0:20:41.160 --> 0:20:45.199
<v Speaker 3>Oh? Wow? Honestly, here's the thing. I don't want to

0:20:46.520 --> 0:20:51.159
<v Speaker 3>live that long, okay, and I don't want to have

0:20:51.200 --> 0:20:54.640
<v Speaker 3>to eat people, So I would pay zero dollars.

0:20:54.760 --> 0:20:59.600
<v Speaker 2>Okay, So you would choose to not become a vampire? Yeah, yes, Sophie,

0:20:59.640 --> 0:21:00.800
<v Speaker 2>would you become a vampire?

0:21:01.560 --> 0:21:03.560
<v Speaker 1>All I'm saying is there was one time in Los

0:21:03.600 --> 0:21:07.159
<v Speaker 1>Angeles where I ran into the really really really mega

0:21:07.400 --> 0:21:11.440
<v Speaker 1>baybelicious guys who played the vampire in the Vampire Diaries,

0:21:11.480 --> 0:21:15.280
<v Speaker 1>the two brothers. That was really fun for me.

0:21:16.880 --> 0:21:19.160
<v Speaker 2>So you're already a vampires? What you're telling me, That's

0:21:19.160 --> 0:21:21.640
<v Speaker 2>what I'm saying, is do they I've never seen you outside?

0:21:21.720 --> 0:21:24.320
<v Speaker 1>They are they included in the vampires?

0:21:24.520 --> 0:21:26.560
<v Speaker 2>Because that would change my answer.

0:21:28.320 --> 0:21:31.760
<v Speaker 1>So much. Also, I hope that guy's dog.

0:21:31.800 --> 0:21:35.720
<v Speaker 3>Is well, Ah, did you put his dog?

0:21:35.960 --> 0:21:36.160
<v Speaker 1>Oh?

0:21:36.280 --> 0:21:36.800
<v Speaker 2>Yeah, I was.

0:21:36.880 --> 0:21:39.040
<v Speaker 1>I literally ignored the men and just talked to the

0:21:39.040 --> 0:21:41.119
<v Speaker 1>dog the entire times, as you do.

0:21:41.960 --> 0:21:43.680
<v Speaker 3>I was like I would pay a lot of money

0:21:43.680 --> 0:21:44.480
<v Speaker 3>to become a dog.

0:21:45.880 --> 0:21:49.480
<v Speaker 1>Yeah, okay, I'd pay a lot of money become my

0:21:49.640 --> 0:21:52.960
<v Speaker 1>dog has a great.

0:21:52.800 --> 0:21:54.560
<v Speaker 2>Life, yeah, spoiled A spoiled dog.

0:21:55.080 --> 0:21:58.320
<v Speaker 1>Ye a podcast, A podcast dog.

0:21:58.840 --> 0:22:00.600
<v Speaker 2>I would become a vampire. I don't to eat people,

0:22:00.600 --> 0:22:03.760
<v Speaker 2>and I'm squeamish, but I feel like I like owe it,

0:22:04.200 --> 0:22:06.480
<v Speaker 2>you know, like like turning down that much power. That

0:22:06.520 --> 0:22:08.640
<v Speaker 2>could be like, let's do.

0:22:08.600 --> 0:22:11.240
<v Speaker 1>It, magpilots start. Let's start it, all.

0:22:11.200 --> 0:22:15.680
<v Speaker 2>Right, So we are selling vamporism. If you give us

0:22:16.720 --> 0:22:24.480
<v Speaker 2>your first born child? Is that a that's not how still?

0:22:24.880 --> 0:22:28.000
<v Speaker 2>Oh okay, well we'll figure it out and then insert

0:22:28.240 --> 0:22:30.040
<v Speaker 2>the following ad for vamporism.

0:22:30.320 --> 0:22:32.879
<v Speaker 1>You just have to on the vampire diars. You just

0:22:32.920 --> 0:22:36.560
<v Speaker 1>have to somebody. You have to pay somebody who's already

0:22:36.560 --> 0:22:39.280
<v Speaker 1>a vampire to put give you some of their blood

0:22:39.359 --> 0:22:42.840
<v Speaker 1>and then murder you. And then you have to bribe

0:22:42.840 --> 0:22:45.119
<v Speaker 1>a human to give them your blood so that you

0:22:45.240 --> 0:22:53.200
<v Speaker 1>fully are a vampire. You're welcome. I have friends.

0:22:54.800 --> 0:23:00.240
<v Speaker 2>We all do. You're not the main person. I talk

0:23:00.280 --> 0:23:02.359
<v Speaker 2>to you all the time. And what you're talking about.

0:23:03.920 --> 0:23:11.200
<v Speaker 2>Here's ads and we are back and we're talking about

0:23:11.320 --> 0:23:16.880
<v Speaker 2>Prague which is basically the land of vampires. Actually, ironically,

0:23:16.960 --> 0:23:19.160
<v Speaker 2>it'll come up later. One of the reasons that surrealis

0:23:19.160 --> 0:23:21.440
<v Speaker 2>love the Progue surrealists, the prayer of surrealists love the

0:23:21.440 --> 0:23:24.359
<v Speaker 2>prog cerealists, is because they were like your city's so

0:23:24.480 --> 0:23:28.040
<v Speaker 2>like mystical and magical and like anti rationalists and steeped

0:23:28.080 --> 0:23:30.560
<v Speaker 2>in like basically, they're all like vampire fans, you know,

0:23:30.600 --> 0:23:34.680
<v Speaker 2>they're like, this is cool, which I mean. I also

0:23:34.760 --> 0:23:38.440
<v Speaker 2>felt the like week I spent drunk in Prague when

0:23:38.440 --> 0:23:42.840
<v Speaker 2>I was like twenty, so Mary Lowe was. Mary low

0:23:42.880 --> 0:23:44.520
<v Speaker 2>had a much worse time in Prague than I did.

0:23:46.359 --> 0:23:48.800
<v Speaker 2>She was bravely in Prague before it fell to the Nazis.

0:23:49.320 --> 0:23:50.919
<v Speaker 2>While she was there, she was hanging out with the

0:23:50.920 --> 0:23:53.840
<v Speaker 2>Progue surrealists who were cool as fuck. And we're gonna

0:23:53.880 --> 0:23:57.360
<v Speaker 2>use another non binary or trens masculine hero named Toyan

0:23:57.840 --> 0:24:01.720
<v Speaker 2>as our example, and this time I'm gonna use he

0:24:01.840 --> 0:24:04.040
<v Speaker 2>hymn pronouns because I have a bit more evidence that

0:24:04.080 --> 0:24:06.760
<v Speaker 2>this person who's like assigned female at birth would have

0:24:06.840 --> 0:24:10.440
<v Speaker 2>preferred either those or maybe they them. And Toyen also

0:24:10.480 --> 0:24:11.720
<v Speaker 2>is like one of those people who's like I only

0:24:11.720 --> 0:24:13.879
<v Speaker 2>have one name. It's toy In, which is fucking cool.

0:24:15.560 --> 0:24:18.359
<v Speaker 2>Toyen was born in nineteen oh two and when he

0:24:18.400 --> 0:24:19.919
<v Speaker 2>was sixteen, he was kicked out of his house for

0:24:20.000 --> 0:24:23.240
<v Speaker 2>being an anarchist. He started working at a soap factory

0:24:23.280 --> 0:24:25.800
<v Speaker 2>to afford to get to go to art school in Prague,

0:24:26.080 --> 0:24:27.679
<v Speaker 2>which I guess is a thing you can do as

0:24:27.720 --> 0:24:30.080
<v Speaker 2>a runaway in Prague in the late nineteen tens. Is

0:24:30.119 --> 0:24:32.240
<v Speaker 2>go to art school based on working in a factory.

0:24:33.040 --> 0:24:34.960
<v Speaker 2>One of those things that people are like, we've come

0:24:35.040 --> 0:24:40.080
<v Speaker 2>so far, and I'm like, have we He's hanging around

0:24:40.080 --> 0:24:42.080
<v Speaker 2>with all the cool artsy anarchist types and he's going

0:24:42.080 --> 0:24:45.119
<v Speaker 2>to organizing meetings and shit. By nineteen twenty three, he

0:24:45.200 --> 0:24:47.680
<v Speaker 2>changes his name to toy In, which is a play

0:24:47.680 --> 0:24:49.760
<v Speaker 2>on words. He has like a bunch of different It's

0:24:49.760 --> 0:24:52.159
<v Speaker 2>like data where they're like, oh it's this, no, it's that, No,

0:24:52.280 --> 0:24:55.280
<v Speaker 2>it's this other thing, you know, but it probably roughly

0:24:55.359 --> 0:25:00.960
<v Speaker 2>means it is he in check and he refused to

0:25:01.000 --> 0:25:03.920
<v Speaker 2>use feminine endings for words describing himself. And he wore

0:25:03.960 --> 0:25:08.200
<v Speaker 2>men's clothing and he also wore women's clothing. He dated

0:25:08.240 --> 0:25:12.040
<v Speaker 2>mostly women, but had two His like life partners were

0:25:12.240 --> 0:25:20.040
<v Speaker 2>probably platonic art relationships with men m and he also

0:25:20.080 --> 0:25:22.520
<v Speaker 2>once declared that he took his own virginity. I think

0:25:22.520 --> 0:25:25.160
<v Speaker 2>when people were like because everyone was like, well, you're

0:25:25.200 --> 0:25:27.800
<v Speaker 2>a girl, so let's talk about who you fuck. And

0:25:27.840 --> 0:25:33.399
<v Speaker 2>he's like, I fuck myself like that Banks songs and

0:25:33.480 --> 0:25:36.160
<v Speaker 2>it's a pop song and I know it. Maybe it's

0:25:36.160 --> 0:25:37.960
<v Speaker 2>not actually a popular one. Maybe I know it because

0:25:38.000 --> 0:25:42.840
<v Speaker 2>it sounds like a goth song. Anyway, I actually don't

0:25:42.840 --> 0:25:46.560
<v Speaker 2>know this. Wait, it is this this artist Banks, who's

0:25:46.640 --> 0:25:52.280
<v Speaker 2>a pop singer I really like, who has a song

0:25:52.359 --> 0:25:56.400
<v Speaker 2>called like fuck with Myself? Like I fuck with myself

0:25:56.440 --> 0:25:57.520
<v Speaker 2>more than anybody else.

0:25:58.840 --> 0:26:01.920
<v Speaker 3>Nice, Okay, I'll listen to it and I might realize

0:26:02.000 --> 0:26:03.040
<v Speaker 3>I recognize it.

0:26:03.680 --> 0:26:05.760
<v Speaker 2>I learned about it from an article that was like,

0:26:05.920 --> 0:26:08.399
<v Speaker 2>here are pop musicians who make music videos as if

0:26:08.440 --> 0:26:11.080
<v Speaker 2>they are Trent Resoner from nine inch Nails. That's also

0:26:11.080 --> 0:26:15.240
<v Speaker 2>how I learned about shit, what's their name? Fucking most

0:26:15.240 --> 0:26:18.760
<v Speaker 2>popular person in this vein She got famous when she

0:26:18.800 --> 0:26:23.800
<v Speaker 2>was like fifteen and everyone was a creep. Billie Eilish Mmmm. Oh,

0:26:24.600 --> 0:26:26.480
<v Speaker 2>that's also who I learned about from that article that

0:26:26.520 --> 0:26:31.720
<v Speaker 2>I read like ten years ago. Anyway, Toyen mostly drew erotica,

0:26:32.280 --> 0:26:34.600
<v Speaker 2>lots of stuff with like male and female forms all

0:26:34.640 --> 0:26:38.480
<v Speaker 2>mixed up, and he illustrated Marquis de Sad's writing like

0:26:38.480 --> 0:26:42.480
<v Speaker 2>the person the word Sadism comes from. He is like

0:26:43.080 --> 0:26:48.439
<v Speaker 2>very unabashedly into sex and sexual stuff. Right in nineteen

0:26:48.480 --> 0:26:51.879
<v Speaker 2>thirty four, he helped form the Czech Surrealist group, but

0:26:51.920 --> 0:26:53.639
<v Speaker 2>he was also always trying to hustle up money in

0:26:53.680 --> 0:26:57.480
<v Speaker 2>that awesome proletarian artist way, the equivalent of ghostwriting novels.

0:26:58.240 --> 0:27:01.240
<v Speaker 2>He writes a travel guide to pair for Chech speakers.

0:27:01.920 --> 0:27:06.320
<v Speaker 2>He designs fabrics, He designs book covers. Klin, Have you

0:27:06.320 --> 0:27:08.080
<v Speaker 2>had to do weird shit like this for money?

0:27:08.920 --> 0:27:12.640
<v Speaker 3>Oh my gosh. There was a whole I want to say,

0:27:12.680 --> 0:27:17.800
<v Speaker 3>like nine months where I had cobbled together several jobs.

0:27:17.840 --> 0:27:23.760
<v Speaker 3>One of them I was a delivery driver for Hooter's restaurant.

0:27:25.920 --> 0:27:30.320
<v Speaker 3>I was an assistant at the same time, because I

0:27:30.359 --> 0:27:33.080
<v Speaker 3>was like a part time maybe like fifteen hours a

0:27:33.160 --> 0:27:37.000
<v Speaker 3>week kind of thing, because no one ordered Hooter's delivery

0:27:37.040 --> 0:27:38.240
<v Speaker 3>can you imagine.

0:27:37.840 --> 0:27:39.440
<v Speaker 2>Yeah, they're not really known for those food.

0:27:40.040 --> 0:27:40.320
<v Speaker 1>No.

0:27:41.400 --> 0:27:44.840
<v Speaker 3>At the same time, I was an assistant to a

0:27:45.320 --> 0:27:48.080
<v Speaker 3>guy who was like a talent scout, but he specifically

0:27:48.119 --> 0:27:54.560
<v Speaker 3>scouted for men to be in jerk off videos for

0:27:55.560 --> 0:28:00.760
<v Speaker 3>subscription based gay porn websites. Oh yeah, so do.

0:28:00.800 --> 0:28:03.000
<v Speaker 2>You have to like approach guys and be like, hey,

0:28:04.200 --> 0:28:05.359
<v Speaker 2>I'd watch you jerk off.

0:28:07.920 --> 0:28:14.000
<v Speaker 3>No, but that could be considered harassment. Probably wouldn't have

0:28:14.080 --> 0:28:18.919
<v Speaker 3>done it all change in my plans for tomorrow. But

0:28:19.000 --> 0:28:21.840
<v Speaker 3>I did have to field a lot of like email

0:28:21.960 --> 0:28:23.800
<v Speaker 3>responses we got, and I had to write a lot

0:28:23.800 --> 0:28:27.240
<v Speaker 3>of ad copy for ads that we would post on

0:28:27.320 --> 0:28:32.400
<v Speaker 3>Craigslist to be like, hey, we're looking for muscular men

0:28:32.760 --> 0:28:36.000
<v Speaker 3>for a cool opportunity.

0:28:37.280 --> 0:28:39.920
<v Speaker 2>Something you do all the time anyway, Just film.

0:28:39.680 --> 0:28:43.000
<v Speaker 3>It, yeah, exactly, get paid to do it. That was

0:28:43.080 --> 0:28:48.120
<v Speaker 3>literally part of the selling point of our ads. And

0:28:48.120 --> 0:28:50.520
<v Speaker 3>then I had like a bunch of other internships at

0:28:50.520 --> 0:28:53.920
<v Speaker 3>the same time that were weird, but yeah it was

0:28:54.400 --> 0:28:58.240
<v Speaker 3>I've done my fair share of goofy ass jobs.

0:28:58.600 --> 0:29:02.160
<v Speaker 2>Yeah yeah, and I like the like, you know, okay,

0:29:02.240 --> 0:29:05.880
<v Speaker 2>here's the cool, Like eventually he's going to be known

0:29:05.920 --> 0:29:09.880
<v Speaker 2>as like the most famous painter and most famous woman

0:29:09.920 --> 0:29:14.200
<v Speaker 2>painter in twentieth century Progue or Czech Republic. And then

0:29:14.280 --> 0:29:17.040
<v Speaker 2>just like he's like, eh, whatever, you know, writing these

0:29:17.040 --> 0:29:21.320
<v Speaker 2>books that are probably complete garbage. Maybe they're great, actually,

0:29:21.360 --> 0:29:25.560
<v Speaker 2>maybe they're incredible travel guides for Paris for Czech speakers.

0:29:26.320 --> 0:29:30.200
<v Speaker 2>Well never, no, no, Probably someone will know, but it

0:29:30.200 --> 0:29:33.440
<v Speaker 2>won't be me. There was tension in the surrealist movement

0:29:33.480 --> 0:29:36.320
<v Speaker 2>pretty much as soon as the Czech Surrealist group started,

0:29:36.360 --> 0:29:38.800
<v Speaker 2>because all of the political stuff from Paris was starting

0:29:38.800 --> 0:29:43.480
<v Speaker 2>to come to a head around this time, and so

0:29:43.520 --> 0:29:46.840
<v Speaker 2>there's this tension between Stalinism and freedom right in the

0:29:46.880 --> 0:29:51.040
<v Speaker 2>surrealist movement and in Prague. While Breton and some others

0:29:51.080 --> 0:29:54.160
<v Speaker 2>from Paris are visiting visiting the nineteen thirty five because

0:29:54.160 --> 0:29:56.760
<v Speaker 2>they're obsessed with the Czech surrealists, they're like, oh my god,

0:29:56.800 --> 0:29:59.000
<v Speaker 2>you all are so authentic. You're like spooky, you know,

0:29:59.280 --> 0:30:01.800
<v Speaker 2>you live in like this booky city, which is like whatever,

0:30:01.960 --> 0:30:03.680
<v Speaker 2>Like that's how again, that's how I felt when I

0:30:03.720 --> 0:30:06.480
<v Speaker 2>was there. Sure, So while they were there, they got

0:30:06.480 --> 0:30:09.200
<v Speaker 2>into a literal fight in the streets with Soviet delegates

0:30:10.240 --> 0:30:15.520
<v Speaker 2>because the Soviet delegates accused, or a Soviet delegate accused

0:30:15.520 --> 0:30:19.040
<v Speaker 2>the Surrealus of pederasty. And in this case they didn't

0:30:19.080 --> 0:30:21.240
<v Speaker 2>mean we think you have sex with children or promote

0:30:21.280 --> 0:30:25.680
<v Speaker 2>sex with children. It was like, y'all are gay, because

0:30:25.680 --> 0:30:28.760
<v Speaker 2>there was a long period of time where that's coming

0:30:28.800 --> 0:30:31.400
<v Speaker 2>back where you can decide that anyone who's you know,

0:30:31.520 --> 0:30:35.560
<v Speaker 2>it's basically be like your groomors, you know, right. And

0:30:35.600 --> 0:30:37.160
<v Speaker 2>so there's one version where they got into a fist

0:30:37.200 --> 0:30:39.400
<v Speaker 2>fight about it. There's one version where it wasn't like

0:30:39.440 --> 0:30:41.520
<v Speaker 2>a two way fist fight and said Breton slapped the

0:30:41.520 --> 0:30:44.600
<v Speaker 2>Soviet delegate in the face several times, which it does

0:30:44.680 --> 0:30:47.400
<v Speaker 2>hit the point of like you slap someone, You're like, well, one,

0:30:47.440 --> 0:30:49.640
<v Speaker 2>that's not part of my daily life, right, but you're

0:30:49.680 --> 0:30:53.600
<v Speaker 2>like you slap someone several times, it's like it's now

0:30:53.680 --> 0:30:57.600
<v Speaker 2>you're really fucking mad. And there's a couple I've read

0:30:57.600 --> 0:30:59.800
<v Speaker 2>a bunch of different ways of how to interpret this.

0:31:00.120 --> 0:31:04.080
<v Speaker 2>One that I seems to be the most likely is

0:31:04.120 --> 0:31:06.440
<v Speaker 2>basically the surrealis are fighting physically to defend their right

0:31:06.480 --> 0:31:09.160
<v Speaker 2>to include queer artists and queer themes and specifically like

0:31:09.640 --> 0:31:12.640
<v Speaker 2>to not drive out the fact that there's a fuck

0:31:12.720 --> 0:31:18.200
<v Speaker 2>ton of openly gay surrealists at this point, and this

0:31:18.320 --> 0:31:21.760
<v Speaker 2>anti gay repression coming from the proper communist left led

0:31:21.760 --> 0:31:24.920
<v Speaker 2>to the suicide of one gay surrealist named Renee Creval,

0:31:26.440 --> 0:31:29.200
<v Speaker 2>and most of his friends defended him after his death.

0:31:29.200 --> 0:31:31.880
<v Speaker 2>This is like where they're like the kind of like

0:31:31.920 --> 0:31:33.920
<v Speaker 2>splits that sort of are like almost like jokes to

0:31:33.960 --> 0:31:36.280
<v Speaker 2>me in the twenties, right where they're like, oh, well

0:31:36.360 --> 0:31:39.040
<v Speaker 2>you fuck you, no, fuck you. At this point, it's

0:31:39.080 --> 0:31:45.840
<v Speaker 2>like Stalinism has driven this kid to kill themself, right yeah,

0:31:45.960 --> 0:31:48.840
<v Speaker 2>And most people are like, fuck the Communist Party, We're

0:31:48.840 --> 0:31:51.800
<v Speaker 2>getting the fuck out of this nightmare. And others are like, no,

0:31:52.000 --> 0:31:54.760
<v Speaker 2>the immortal science of Marxist Leninism just demands that I

0:31:54.760 --> 0:31:59.840
<v Speaker 2>spit on my gay friend's grave. Fuck those people, because

0:32:00.240 --> 0:32:02.480
<v Speaker 2>and I pay more attention to historical drama than present

0:32:02.520 --> 0:32:03.680
<v Speaker 2>day politics.

0:32:04.320 --> 0:32:09.160
<v Speaker 3>I mean, history repeats itself, so whatever was happening back

0:32:09.200 --> 0:32:11.000
<v Speaker 3>then is basically still happening.

0:32:11.280 --> 0:32:13.000
<v Speaker 2>I know. Like the current version of this is the

0:32:13.040 --> 0:32:15.920
<v Speaker 2>turf stuff. The current version is like, you know, these

0:32:15.960 --> 0:32:18.280
<v Speaker 2>people who are ostensibly on the left talking about like

0:32:18.440 --> 0:32:20.479
<v Speaker 2>throwing half of us out and a group that is

0:32:21.360 --> 0:32:24.160
<v Speaker 2>the reason that transpaport pronos socide is repression. It's like

0:32:24.240 --> 0:32:28.240
<v Speaker 2>the solely there's nothing about who we are. It's not

0:32:28.280 --> 0:32:31.480
<v Speaker 2>that we're like mixed up, it's that we're being told

0:32:31.480 --> 0:32:35.400
<v Speaker 2>we're bad, right, you know. Anyway, this split the hell

0:32:35.440 --> 0:32:38.240
<v Speaker 2>out of the PROG group too, where the confrontation had happened.

0:32:40.520 --> 0:32:43.760
<v Speaker 2>When the Nazis took over in nineteen thirty nine, they

0:32:43.800 --> 0:32:46.840
<v Speaker 2>explicitly ban toy In from presenting his work publicly. They

0:32:46.880 --> 0:32:50.680
<v Speaker 2>were like, you're on the list of degenerates, right, You're

0:32:50.720 --> 0:32:53.880
<v Speaker 2>not Jewish, so we're not going to kill you. But

0:32:54.040 --> 0:32:56.480
<v Speaker 2>unless you step out of line or do anything, which

0:32:56.480 --> 0:32:58.040
<v Speaker 2>case will kill you, but you're.

0:32:57.960 --> 0:32:58.400
<v Speaker 3>Not allowed to.

0:32:58.760 --> 0:33:01.880
<v Speaker 2>So he spends all lot of his time underground, like directly,

0:33:01.920 --> 0:33:04.840
<v Speaker 2>like actually hiding, but since most of his time doing

0:33:04.880 --> 0:33:07.920
<v Speaker 2>his work underground and then living above ground and then

0:33:08.080 --> 0:33:13.160
<v Speaker 2>hiding a bunch of Jewish surrealist and anti fascists, including

0:33:13.240 --> 0:33:17.520
<v Speaker 2>his Jewish partner, like platonic partner. I think they actually

0:33:17.560 --> 0:33:20.600
<v Speaker 2>try to escape when the Nazis first take power. But

0:33:21.240 --> 0:33:24.080
<v Speaker 2>there's this fucking piece of shit who's like robbing people,

0:33:24.120 --> 0:33:26.280
<v Speaker 2>trying to be like, oh I got you, I'll set

0:33:26.360 --> 0:33:29.000
<v Speaker 2>you up, I'll get you out here, and it's just

0:33:29.040 --> 0:33:33.560
<v Speaker 2>like a scam, right, So he hides his Jewish partner,

0:33:33.960 --> 0:33:38.480
<v Speaker 2>and until that Jewish partner died of illness in nineteen

0:33:38.520 --> 0:33:41.360
<v Speaker 2>forty two, so during the occupation, and then hit at

0:33:41.480 --> 0:33:43.960
<v Speaker 2>least one other Jewish anti fascist for the entire course

0:33:43.960 --> 0:33:47.680
<v Speaker 2>of the war, I don't know how many, and then

0:33:47.760 --> 0:33:52.160
<v Speaker 2>also kept organizing surrealist stuff completely illegally, publishing degenerate art

0:33:52.200 --> 0:33:57.920
<v Speaker 2>at great risk, including like our other non binary surrealist

0:33:58.240 --> 0:34:00.680
<v Speaker 2>a bunch of calls for Nazis to defend. This is

0:34:00.720 --> 0:34:03.800
<v Speaker 2>like a huge thing of what surrealists are doing. Is

0:34:04.000 --> 0:34:06.840
<v Speaker 2>like you're clearly on the evil side, Like you're the baddies.

0:34:06.920 --> 0:34:11.719
<v Speaker 2>What are you doing? You know? One Jewish surrealist photographer

0:34:11.719 --> 0:34:16.320
<v Speaker 2>that he hit is named Yindrich Hasler, who developed new

0:34:16.800 --> 0:34:20.880
<v Speaker 2>art techniques like new dioramic techniques of like super macro

0:34:20.920 --> 0:34:24.560
<v Speaker 2>photo close ups and shit like for his art while

0:34:24.600 --> 0:34:28.920
<v Speaker 2>living in Toyen's bathroom. Whoa, which is just like a

0:34:29.000 --> 0:34:31.040
<v Speaker 2>fucking cool way to invent I mean, it's an awful,

0:34:31.200 --> 0:34:33.239
<v Speaker 2>horrible way to invent a new form of art, but

0:34:33.239 --> 0:34:36.680
<v Speaker 2>it's also fucking cool, you know. And apparently this guy,

0:34:36.719 --> 0:34:39.080
<v Speaker 2>the way he would escape from like Nazis they'd come

0:34:39.160 --> 0:34:41.359
<v Speaker 2>by in search everywhere, you know, is that when when

0:34:41.400 --> 0:34:45.160
<v Speaker 2>the Nazis were coming, he'd like gaily skip down the

0:34:45.160 --> 0:34:47.680
<v Speaker 2>front steps and like wave hello and then just like

0:34:47.800 --> 0:34:50.440
<v Speaker 2>head off, you know, like at a jaunt as if

0:34:50.480 --> 0:34:53.799
<v Speaker 2>he's like totally nonplussed about there being Nazis coming, so

0:34:53.840 --> 0:34:55.839
<v Speaker 2>he's not worried at all. So everyone just so they're

0:34:55.880 --> 0:34:58.719
<v Speaker 2>just like hey, I belong see it, you know.

0:34:59.640 --> 0:35:02.880
<v Speaker 3>Yeah, and he that's wild.

0:35:03.480 --> 0:35:08.319
<v Speaker 2>Yeah, And he survives, and Toyan survives, and the other

0:35:10.000 --> 0:35:12.600
<v Speaker 2>his partner doesn't survive. But that well, I'm sure the

0:35:12.680 --> 0:35:16.080
<v Speaker 2>Nazi occupation probably I don't know, if you die because

0:35:16.120 --> 0:35:18.439
<v Speaker 2>you have to live in your partner's bathroom and hide

0:35:18.440 --> 0:35:20.719
<v Speaker 2>from Nazis and you die of illness, I'll put that

0:35:20.760 --> 0:35:21.799
<v Speaker 2>one on the Nazis.

0:35:22.520 --> 0:35:22.880
<v Speaker 3>Yeah.

0:35:23.000 --> 0:35:30.440
<v Speaker 2>Yeah, Fortunately it was liberated. Unfortunately it immediately fell to

0:35:30.480 --> 0:35:35.040
<v Speaker 2>the USSR. Toyen and his partner, his new partner moved

0:35:35.080 --> 0:35:37.480
<v Speaker 2>to Paris, where he spent the rest of his life.

0:35:38.800 --> 0:35:42.200
<v Speaker 2>He has broke as fuck, but the Surrealists support him. Basically,

0:35:42.800 --> 0:35:45.360
<v Speaker 2>they actually are a community and they're actually built on

0:35:45.440 --> 0:35:48.600
<v Speaker 2>mutual aid. They're like, oh, you're toy In, Like yeah,

0:35:48.680 --> 0:35:50.839
<v Speaker 2>Like like Breton's like sure, stay in my apartment as

0:35:50.880 --> 0:35:52.600
<v Speaker 2>long as you want, and like means it literally, and

0:35:52.640 --> 0:35:56.080
<v Speaker 2>like I think he lives Breton for years, you know. Yeah,

0:35:56.120 --> 0:35:58.040
<v Speaker 2>and so like the famous ones, the ones who like

0:35:58.200 --> 0:36:01.040
<v Speaker 2>make it in the art world are like fucking pain.

0:36:01.320 --> 0:36:06.920
<v Speaker 2>Everyone else's rent, you know, fucking rules. Yeah, and he's

0:36:07.120 --> 0:36:09.800
<v Speaker 2>Antoya is fucking weird the whole rest of his life.

0:36:09.880 --> 0:36:13.719
<v Speaker 2>He's so cool. When he's hanging out with people and

0:36:13.719 --> 0:36:16.759
<v Speaker 2>feels that they lack poetry, he just doesn't talk. He's

0:36:16.760 --> 0:36:19.840
<v Speaker 2>just like quiet the whole time. He refers to it

0:36:19.880 --> 0:36:21.279
<v Speaker 2>as putting on his spacesuit.

0:36:22.719 --> 0:36:26.800
<v Speaker 3>Okay, that's wow, what a flex. It's like, you're boring,

0:36:27.200 --> 0:36:32.400
<v Speaker 3>So I'm not even gonna dignify your existence by speaking.

0:36:32.640 --> 0:36:36.160
<v Speaker 2>Yeah, And in his seventies he still made his time,

0:36:36.200 --> 0:36:38.439
<v Speaker 2>made time to go see porn in the theaters every

0:36:38.520 --> 0:36:43.040
<v Speaker 2>day or every week or something nice. He died broke

0:36:43.080 --> 0:36:46.080
<v Speaker 2>in nineteen eighty and is now considered the Czech Republic's

0:36:46.080 --> 0:36:50.680
<v Speaker 2>most important twentieth century quote unquote woman artist. During his life,

0:36:50.719 --> 0:36:53.520
<v Speaker 2>he illustrated five hundred and seventy books and left behind

0:36:53.520 --> 0:36:55.759
<v Speaker 2>dozens of paintings. I really like his art. I know,

0:36:55.800 --> 0:36:59.200
<v Speaker 2>I'm like mostly not talking about these people's art, but

0:36:59.760 --> 0:37:01.400
<v Speaker 2>his some of my favorite.

0:37:01.480 --> 0:37:04.280
<v Speaker 3>Of you spell it. I'm going to do another Google

0:37:04.440 --> 0:37:11.239
<v Speaker 3>image y e n y n okay, yeah, oh, I

0:37:11.360 --> 0:37:17.120
<v Speaker 3>want to describe what you say imagery yeah, and vaginas

0:37:17.440 --> 0:37:25.840
<v Speaker 3>oh yeah, and some other stuff that I can't quite

0:37:27.040 --> 0:37:28.200
<v Speaker 3>put into words.

0:37:28.760 --> 0:37:37.680
<v Speaker 2>That's surrealism, baby. Anyway, After the war, surrealism it seemed

0:37:37.680 --> 0:37:41.239
<v Speaker 2>as like surrealism like kind of goes away during the

0:37:41.280 --> 0:37:43.400
<v Speaker 2>war in most people's mind because it stops being the

0:37:43.520 --> 0:37:46.040
<v Speaker 2>darling of the art world in the same way. But

0:37:46.120 --> 0:37:50.880
<v Speaker 2>it doesn't go away in after the war, surrealism starts

0:37:50.880 --> 0:37:53.600
<v Speaker 2>a more overt association with the Anarchist Federation. They're like,

0:37:53.600 --> 0:37:56.040
<v Speaker 2>we're fucking done with this communist thing like or this

0:37:56.239 --> 0:37:59.439
<v Speaker 2>you know, staliny thing. They start writing for the French

0:37:59.440 --> 0:38:03.480
<v Speaker 2>Anarchists Federation. At this point, they start refusing to take sides.

0:38:03.520 --> 0:38:07.560
<v Speaker 2>They there's growth here. When when the French Anarchists Federation

0:38:07.640 --> 0:38:10.279
<v Speaker 2>keeps having it's it's like dumb splits, the surrealists are like,

0:38:10.840 --> 0:38:13.319
<v Speaker 2>we're not taking sides in any of that shit. We like,

0:38:14.000 --> 0:38:16.120
<v Speaker 2>we're actually all on the same side here. Get the

0:38:16.600 --> 0:38:21.080
<v Speaker 2>grow the fuck up. Surrealism becomes a bigger deal again

0:38:21.120 --> 0:38:24.279
<v Speaker 2>in the sixties, both under the name surrealism, including having

0:38:24.360 --> 0:38:28.680
<v Speaker 2>spread to the US, where like the Chicago Surrealists Group Champions.

0:38:28.680 --> 0:38:31.439
<v Speaker 2>It develops the phrase make Love not War, and threw

0:38:31.520 --> 0:38:34.480
<v Speaker 2>down alongside the students for Democratic Society, who keep showing

0:38:34.520 --> 0:38:37.680
<v Speaker 2>up in a bunch of my episodes, and also through

0:38:37.680 --> 0:38:40.400
<v Speaker 2>its ideological descendants, probably the most famous of which are

0:38:40.440 --> 0:38:46.759
<v Speaker 2>the situationists and situationists in France. But I want to

0:38:46.760 --> 0:38:51.640
<v Speaker 2>cut back in time to before ads. No, this transition

0:38:51.719 --> 0:38:59.640
<v Speaker 2>isn't yeah more or less. Here's where I was gonna say,

0:38:59.640 --> 0:39:02.120
<v Speaker 2>I trying to sell you stuff. But honestly, other people

0:39:02.360 --> 0:39:04.959
<v Speaker 2>use my work to try and sell you stuff, which

0:39:05.040 --> 0:39:06.480
<v Speaker 2>is fine.

0:39:07.400 --> 0:39:08.120
<v Speaker 3>This is what it is.

0:39:08.360 --> 0:39:11.600
<v Speaker 2>Ill gotta eat. My dog is hungry. I'm hungry. I

0:39:11.680 --> 0:39:15.640
<v Speaker 2>keep kind of losing track of things. What's happening.

0:39:16.200 --> 0:39:20.520
<v Speaker 3>Here's here's miserableism at its peak.

0:39:20.719 --> 0:39:29.760
<v Speaker 2>Yeah as really is actually yeah, and we're back, so okay.

0:39:29.760 --> 0:39:31.160
<v Speaker 2>But I'm actually going to cut back in time now

0:39:31.200 --> 0:39:33.000
<v Speaker 2>talk about some other shit that the surrealist got up to,

0:39:34.120 --> 0:39:37.160
<v Speaker 2>some other people that they were inspired by, and some

0:39:37.239 --> 0:39:41.000
<v Speaker 2>other people that they inspired, because I want to tell

0:39:41.040 --> 0:39:46.759
<v Speaker 2>you a story about three different French murderouses. It's one

0:39:46.760 --> 0:39:49.520
<v Speaker 2>of my favorite words. I don't normally like. I know

0:39:49.560 --> 0:39:51.920
<v Speaker 2>that the word for a female actors actor, you know,

0:39:52.560 --> 0:39:53.200
<v Speaker 2>but like right.

0:39:53.160 --> 0:39:57.760
<v Speaker 3>Yeah, like genderize what should just be a gender neutral term.

0:39:57.680 --> 0:40:01.200
<v Speaker 2>And like murderer is that it's core gender neutral term,

0:40:01.280 --> 0:40:03.680
<v Speaker 2>But I like the active feminization of it. I like

0:40:03.800 --> 0:40:09.319
<v Speaker 2>murderous because I will argue that a murderous is, on

0:40:09.360 --> 0:40:13.720
<v Speaker 2>average a different kind of person than a male murderer,

0:40:13.760 --> 0:40:17.759
<v Speaker 2>which we would call, yeah, a ware murderer. Uh probably

0:40:17.800 --> 0:40:22.279
<v Speaker 2>if we're using mister murderer. Yeah, okay, because I'm going

0:40:22.320 --> 0:40:26.800
<v Speaker 2>to go on a tangent. Years ago, I had this friend.

0:40:26.840 --> 0:40:28.880
<v Speaker 2>We all lived in this giant mansion full of depressed

0:40:28.880 --> 0:40:32.480
<v Speaker 2>punks and goths in Nashville, North Carolina. One of my

0:40:32.560 --> 0:40:34.560
<v Speaker 2>roommates lived on the back porch and a coffin that

0:40:34.600 --> 0:40:38.160
<v Speaker 2>she had built. She was another Yeah, she was weird.

0:40:38.239 --> 0:40:40.239
<v Speaker 2>She's another trans woman, though neither of us knew it

0:40:40.239 --> 0:40:42.120
<v Speaker 2>back then. She would have called herself a drag queen

0:40:42.160 --> 0:40:45.080
<v Speaker 2>back then, and I would have called myself repressed. She

0:40:45.160 --> 0:40:47.440
<v Speaker 2>taught me how to shave well enough to pass, oh

0:40:47.600 --> 0:40:52.040
<v Speaker 2>to be twenty two or whatever? Shave right put on

0:40:52.120 --> 0:40:57.600
<v Speaker 2>address anyway. Another roommate lived in an airstream out back

0:40:57.600 --> 0:40:59.840
<v Speaker 2>and had kinky sex so loud we could hear it inside.

0:41:00.920 --> 0:41:02.480
<v Speaker 2>I lived in a loft in the basement where I

0:41:02.480 --> 0:41:04.560
<v Speaker 2>couldn't sit up without hitting my head on pipes covered

0:41:04.560 --> 0:41:08.040
<v Speaker 2>an asbestos. But another roommate, there's an awful lot of

0:41:08.120 --> 0:41:11.719
<v Speaker 2>roommates who lived in this place. Her mom owned a

0:41:11.760 --> 0:41:18.560
<v Speaker 2>costume shop and only hired murderouses because like, after they

0:41:18.600 --> 0:41:22.799
<v Speaker 2>get out of prison, right, not while they're because, as

0:41:22.880 --> 0:41:26.120
<v Speaker 2>she pointed out, they make the best employees. They need work,

0:41:26.560 --> 0:41:30.080
<v Speaker 2>no one will hire them. But a murderous, most murderous

0:41:30.120 --> 0:41:32.560
<v Speaker 2>has just killed some fucking dude who needs a killing.

0:41:33.280 --> 0:41:37.160
<v Speaker 2>Like most are won and done. They're like, my husband

0:41:37.280 --> 0:41:39.520
<v Speaker 2>kept doing horrible things, so now he's dead.

0:41:39.920 --> 0:41:45.719
<v Speaker 3>So now I killed him. Yeah, so they get stuff done. Yeah,

0:41:45.760 --> 0:41:49.480
<v Speaker 3>they see the need for a task, they show initiatives,

0:41:49.520 --> 0:41:50.759
<v Speaker 3>and they get that shit done.

0:41:50.880 --> 0:41:56.080
<v Speaker 2>Yeah. Eventually, unrelated to that, the house mysteriously burned down.

0:41:57.320 --> 0:41:59.400
<v Speaker 2>Oh h, not the costume shop, to the house that

0:41:59.440 --> 0:42:01.680
<v Speaker 2>we all lived in. I didn't live there anymore. I

0:42:01.719 --> 0:42:06.319
<v Speaker 2>couldn't stand I was paying rent where I like three

0:42:06.320 --> 0:42:08.600
<v Speaker 2>months earlier, I'd been living for free in a giant

0:42:08.640 --> 0:42:11.400
<v Speaker 2>mansion of a squat in Amsterdam where there was no asbestos,

0:42:11.440 --> 0:42:13.000
<v Speaker 2>And I was like this is clearly I'm in the

0:42:13.040 --> 0:42:17.560
<v Speaker 2>wrong country and I went back to Amsterdam. But nineteen

0:42:17.560 --> 0:42:22.120
<v Speaker 2>thirties murderesses. On August twenty first, nineteen thirty three, an

0:42:22.160 --> 0:42:27.280
<v Speaker 2>eighteen year old woman named Violet Nozare poisoned her parents,

0:42:27.400 --> 0:42:31.120
<v Speaker 2>slipping them barbituates in their drinks. Her father died, her

0:42:31.120 --> 0:42:34.440
<v Speaker 2>mother survived. She fucked off with some of their money

0:42:34.480 --> 0:42:38.600
<v Speaker 2>and was caught pretty much right away. She confessed, and

0:42:38.640 --> 0:42:41.400
<v Speaker 2>she gave her motive immediately to the officer who arrested her.

0:42:42.080 --> 0:42:45.719
<v Speaker 2>Her father had been sexually assaulting her for six years,

0:42:47.400 --> 0:42:50.560
<v Speaker 2>and the French press rushed to see who could accuse

0:42:50.600 --> 0:42:57.759
<v Speaker 2>her of being a liar. The soonest, odious accusations an

0:42:57.840 --> 0:43:03.239
<v Speaker 2>abominable lie. Are some headlines. The judge opened the case

0:43:03.280 --> 0:43:07.080
<v Speaker 2>by telling the jury quote, remember the defendant is a liar.

0:43:09.320 --> 0:43:12.520
<v Speaker 2>It's not a good way to be a judge.

0:43:13.280 --> 0:43:13.680
<v Speaker 3>Wow.

0:43:14.520 --> 0:43:17.080
<v Speaker 2>The cop who took her confession believed her, so he

0:43:17.160 --> 0:43:22.360
<v Speaker 2>wasn't allowed to testify. Oh my god, after all, she

0:43:22.480 --> 0:43:25.120
<v Speaker 2>is a filthy slut. She took the metro by herself.

0:43:25.320 --> 0:43:28.080
<v Speaker 2>She hung around with bad boys who, according to the paper,

0:43:28.520 --> 0:43:32.000
<v Speaker 2>wore a quote jackets of extremely narrow waist and coat

0:43:32.040 --> 0:43:36.960
<v Speaker 2>hanger shoulders with Mexican style trousers, and the newsapers just

0:43:36.960 --> 0:43:39.319
<v Speaker 2>went on and on. This is like the big thing

0:43:39.360 --> 0:43:43.560
<v Speaker 2>that they're fucking talking about. Also, gasp, she might have

0:43:43.600 --> 0:43:48.799
<v Speaker 2>done sex work. Hating her is all the rage. One

0:43:48.840 --> 0:43:52.120
<v Speaker 2>paper said, quote, she is the inverted muse of youth,

0:43:52.320 --> 0:43:55.759
<v Speaker 2>the scarlet idol of a capsized world, the flower of

0:43:55.840 --> 0:43:58.120
<v Speaker 2>evil of our age.

0:43:58.520 --> 0:43:59.680
<v Speaker 3>Sounds awesome to me.

0:44:00.120 --> 0:44:05.760
<v Speaker 2>I know. Surrealists like this too. Yeah, yeah, like Flooria

0:44:05.840 --> 0:44:08.480
<v Speaker 2>Dumal flower of Evil. That is the name of one

0:44:08.480 --> 0:44:14.440
<v Speaker 2>of their favorite books of poetry by Bold There it's

0:44:14.520 --> 0:44:17.200
<v Speaker 2>nineteen thirty three. So the smart part of the left

0:44:17.239 --> 0:44:18.719
<v Speaker 2>is like, are you fucking kidding me? This is all

0:44:18.719 --> 0:44:20.760
<v Speaker 2>we can talk about. Not I don't know the Nazis

0:44:20.800 --> 0:44:23.359
<v Speaker 2>in the next country over that came to power right now,

0:44:24.960 --> 0:44:27.920
<v Speaker 2>maybe we should do something about that. Other parts of

0:44:27.920 --> 0:44:31.120
<v Speaker 2>the left wanted to condemn her. The Communist Party friend

0:44:31.160 --> 0:44:34.040
<v Speaker 2>of the pod was like, she's hanging out with decadent

0:44:34.160 --> 0:44:37.759
<v Speaker 2>bourgeois students, so she's like bad or whatever, you know,

0:44:38.520 --> 0:44:40.640
<v Speaker 2>And the right is like, fuck her. She's destroying the

0:44:40.719 --> 0:44:45.160
<v Speaker 2>natural social hierarchy of patriarchy and family. She had two

0:44:45.239 --> 0:44:48.680
<v Speaker 2>categories of supporters. She had, the women who wrote the

0:44:48.680 --> 0:44:52.200
<v Speaker 2>papers trying one hundred years too early to be believed

0:44:52.239 --> 0:44:53.799
<v Speaker 2>in kind of like a me too sort of way.

0:44:55.239 --> 0:44:57.719
<v Speaker 2>And then there are the Surrealists, who probably a lot

0:44:57.760 --> 0:44:59.920
<v Speaker 2>of them were women who were writing from a met

0:45:00.080 --> 0:45:05.920
<v Speaker 2>to perspective. Right. The Surrealists wrote endlessly in support of her.

0:45:06.000 --> 0:45:08.160
<v Speaker 2>They published a book of poetry and artwork in her

0:45:08.160 --> 0:45:11.719
<v Speaker 2>honor while the trial was happening. Paul l u Ard,

0:45:11.920 --> 0:45:16.360
<v Speaker 2>a Surrealist poet, wrote in there quote, Violet dreamt of

0:45:16.440 --> 0:45:21.759
<v Speaker 2>undoing and undid the hideous vipers, not of blood connections.

0:45:23.120 --> 0:45:23.239
<v Speaker 1>Who.

0:45:23.800 --> 0:45:27.920
<v Speaker 3>Yeah, I don't know what that means, but it sounds poetic. Yeah.

0:45:28.200 --> 0:45:32.640
<v Speaker 2>In nineteen thirty four, she was convicted and sentenced to death. Ironically,

0:45:32.719 --> 0:45:34.680
<v Speaker 2>she did not get put to death. Ironically, it was

0:45:35.400 --> 0:45:38.560
<v Speaker 2>it was the v She government, the Nazi collaborationist government

0:45:39.160 --> 0:45:42.480
<v Speaker 2>that freedom that set her up to be freed because

0:45:43.480 --> 0:45:47.480
<v Speaker 2>they're super conservative, right, but they're conservative Catholic and she's

0:45:47.520 --> 0:45:50.880
<v Speaker 2>decided to dedicate herself to Catholicism in prison, whether earnestly

0:45:50.960 --> 0:45:54.680
<v Speaker 2>or slyly. And v She France was all conservative Catholics.

0:45:55.640 --> 0:45:58.360
<v Speaker 2>The Nazis hated the Catholics, but the right wing in

0:45:58.360 --> 0:46:02.080
<v Speaker 2>France and Spain fucking loved the Catholic. So here's the

0:46:02.200 --> 0:46:04.840
<v Speaker 2>story of redemption, the fallen woman who found God or

0:46:04.840 --> 0:46:07.720
<v Speaker 2>whatever the fuck, and so her sentences changed to twelve years.

0:46:08.239 --> 0:46:10.400
<v Speaker 2>She gets out in nineteen forty five. She marries a

0:46:10.400 --> 0:46:12.799
<v Speaker 2>middle class dude like a prison clerk, has five kids

0:46:12.800 --> 0:46:16.160
<v Speaker 2>with them, and then diaza cancer in her fifties. But

0:46:16.280 --> 0:46:20.640
<v Speaker 2>she joined the ranks of the surrealist heroines for killing

0:46:20.640 --> 0:46:24.719
<v Speaker 2>her abuser and breaking free of the patriarchal family. And

0:46:24.760 --> 0:46:28.239
<v Speaker 2>this is alongside another scandalous case at the time in

0:46:28.320 --> 0:46:32.040
<v Speaker 2>nineteen thirty three also when two sisters who are servants

0:46:32.080 --> 0:46:34.919
<v Speaker 2>for some rich focks finally they just like can't take

0:46:34.920 --> 0:46:38.640
<v Speaker 2>it anymore and they killed a shit out of they

0:46:39.760 --> 0:46:42.399
<v Speaker 2>They gouge the eyes out and beat to death both

0:46:42.440 --> 0:46:47.759
<v Speaker 2>their mistress and her daughter. Yeah, their case is very

0:46:47.800 --> 0:46:51.040
<v Speaker 2>true crime podcast. There's probably a true crime prodcast about this,

0:46:51.239 --> 0:46:53.880
<v Speaker 2>if not Sophie.

0:46:53.920 --> 0:46:56.720
<v Speaker 3>Now there's another spinoff podcast.

0:46:59.080 --> 0:47:02.560
<v Speaker 2>Cool Times. Actually, I mean this podcast is true crime,

0:47:02.600 --> 0:47:06.160
<v Speaker 2>but in a good way. It's pretty much like some

0:47:06.239 --> 0:47:08.840
<v Speaker 2>of it. Very little of what I talk about is legally.

0:47:09.800 --> 0:47:11.880
<v Speaker 1>Yeah, it's ethically.

0:47:12.280 --> 0:47:17.640
<v Speaker 3>Yeah. Yeah, people who did cool things that boring people

0:47:17.640 --> 0:47:20.640
<v Speaker 3>would consider crime, but it's actually awesome.

0:47:20.760 --> 0:47:24.640
<v Speaker 1>Yeah, totally green lighted title.

0:47:27.200 --> 0:47:29.640
<v Speaker 2>So yeah, it's very true crime podcast. After they killed

0:47:29.680 --> 0:47:33.279
<v Speaker 2>their boss and her daughter, they locked themselves in their room,

0:47:33.400 --> 0:47:35.279
<v Speaker 2>like the room that they stay in it is live

0:47:35.320 --> 0:47:39.400
<v Speaker 2>in servants, you know, and huddle like naked on the

0:47:39.400 --> 0:47:42.279
<v Speaker 2>bed until the police kick in the door. And there's

0:47:42.280 --> 0:47:44.719
<v Speaker 2>lots of like the newspapers are like, oh, it was

0:47:44.800 --> 0:47:49.920
<v Speaker 2>like incest and they'd performed sexual rituals with the bodies,

0:47:50.160 --> 0:47:56.399
<v Speaker 2>and you know what, that's possible. It seems far more

0:47:56.480 --> 0:47:59.000
<v Speaker 2>likely that their version of the story is true, which

0:47:59.040 --> 0:48:03.720
<v Speaker 2>is that it was self defense against a horrible, cruel mistress.

0:48:06.040 --> 0:48:08.600
<v Speaker 2>The second affair was immortalized in a play called The

0:48:08.680 --> 0:48:13.279
<v Speaker 2>Maids by a by a guy named Jean Jannat and

0:48:13.360 --> 0:48:16.440
<v Speaker 2>I want to talk about him in our last little profile.

0:48:16.480 --> 0:48:20.440
<v Speaker 2>In this Exquisite Corpse, get it because there's corpses.

0:48:20.760 --> 0:48:25.839
<v Speaker 3>Oh oh, they killed those people and it's exquisite. I know.

0:48:26.680 --> 0:48:29.240
<v Speaker 2>Okay, there probably is a podcast called the Exquisite Corpse

0:48:29.480 --> 0:48:33.279
<v Speaker 2>that's like a there's so many bad puns I want

0:48:33.280 --> 0:48:39.200
<v Speaker 2>to do with. Okay, anyway, Jean Jonnay is tangential to

0:48:39.239 --> 0:48:41.520
<v Speaker 2>the Surrealists, sort of descended from them as best as

0:48:41.520 --> 0:48:43.880
<v Speaker 2>I can understand. I just think he's really cool, so

0:48:43.880 --> 0:48:47.160
<v Speaker 2>I'm going to talk about him. He was born in

0:48:47.200 --> 0:48:50.719
<v Speaker 2>nineteen ten, and he got going in the arts after

0:48:50.800 --> 0:48:52.520
<v Speaker 2>World War Two, so he wasn't as much a part

0:48:52.560 --> 0:48:55.200
<v Speaker 2>of the Surrealist heyday. Because while this we'll talk about

0:48:55.200 --> 0:48:57.960
<v Speaker 2>what he was doing during the Surrealist heyday, but he

0:48:58.040 --> 0:48:59.720
<v Speaker 2>ends up a part of the theater of the absurd

0:48:59.800 --> 0:49:03.239
<v Speaker 2>that came after the Surrealists. And this guy is the

0:49:03.280 --> 0:49:06.160
<v Speaker 2>opposite of a trust fund kid. This is a very

0:49:06.200 --> 0:49:10.400
<v Speaker 2>crime part that's coming up. Jean Jannat is a thief,

0:49:10.480 --> 0:49:14.160
<v Speaker 2>a sex worker, a vagabond, a queer, and a prisoner.

0:49:15.000 --> 0:49:17.360
<v Speaker 2>Those are his main occupations before he becomes a world

0:49:17.360 --> 0:49:22.520
<v Speaker 2>famous novelist and playwright and pro Palestinian activist. We stand,

0:49:22.560 --> 0:49:24.520
<v Speaker 2>Jean Janet. I promised you I would you stand? In

0:49:24.520 --> 0:49:25.040
<v Speaker 2>the script?

0:49:26.120 --> 0:49:27.160
<v Speaker 3>Yeah, there you go.

0:49:27.280 --> 0:49:31.120
<v Speaker 2>Yeah. He was born in nineteen ten to a sex

0:49:31.160 --> 0:49:33.359
<v Speaker 2>worker who gave him up for adoption before he turned one.

0:49:33.800 --> 0:49:35.719
<v Speaker 2>He was placed with a foster family and he kept

0:49:35.760 --> 0:49:39.279
<v Speaker 2>getting arrested and running away and like spent time in

0:49:39.320 --> 0:49:42.560
<v Speaker 2>like detention centers. When he was like ten, he would

0:49:42.600 --> 0:49:46.640
<v Speaker 2>sneak out at night wearing makeup. He started stealing and

0:49:46.640 --> 0:49:49.080
<v Speaker 2>getting arrested for vagrancy. By the time he was fifteen,

0:49:49.120 --> 0:49:51.279
<v Speaker 2>he was sent to a penal colony, which I thought

0:49:51.320 --> 0:49:54.040
<v Speaker 2>meant like sent to South America, but it actually is

0:49:54.080 --> 0:49:56.560
<v Speaker 2>just sort of a in this case, like a crime

0:49:56.600 --> 0:50:01.040
<v Speaker 2>boarding school whatever. You call those places, A bad prison for.

0:50:01.040 --> 0:50:05.520
<v Speaker 3>Kids, you know, juvenile that's a tension yeah center.

0:50:05.680 --> 0:50:07.399
<v Speaker 2>Yeah. Actual, they don't want to call prison for kids

0:50:07.400 --> 0:50:10.800
<v Speaker 2>for some weird reason. It's nice a ring, it's catchy,

0:50:10.880 --> 0:50:14.360
<v Speaker 2>you know, prison for kids. Why his prison bad? I

0:50:14.400 --> 0:50:16.200
<v Speaker 2>thought it was help to make people better. I don't

0:50:16.239 --> 0:50:17.360
<v Speaker 2>know what you're talking about.

0:50:17.880 --> 0:50:21.239
<v Speaker 3>Right, It's almost as if they know that it's bad.

0:50:21.600 --> 0:50:23.960
<v Speaker 2>Weird anyway.

0:50:24.640 --> 0:50:24.799
<v Speaker 1>Uh.

0:50:25.080 --> 0:50:27.120
<v Speaker 2>He gets out when he's eighteen, I guess because he's

0:50:27.120 --> 0:50:29.799
<v Speaker 2>an adult. Now. He joins the French Foreign Legion, but

0:50:29.840 --> 0:50:33.160
<v Speaker 2>he's pretty much immediately dishonorably discharged for doing some cool

0:50:33.160 --> 0:50:37.399
<v Speaker 2>gay shit like having sex. So he fucks off around

0:50:37.440 --> 0:50:40.520
<v Speaker 2>Europe as a vagabond, sex worker and a thief. In particular,

0:50:40.719 --> 0:50:42.880
<v Speaker 2>he liked to steal rare books and sell them in

0:50:42.920 --> 0:50:46.600
<v Speaker 2>the Shadow of Notre Dame, which is just classy cool.

0:50:48.080 --> 0:50:50.680
<v Speaker 2>He was raised Catholic and he loved all the ceremonies

0:50:50.680 --> 0:50:54.120
<v Speaker 2>and rites, and he despised organized religion. Near the end

0:50:54.120 --> 0:50:55.480
<v Speaker 2>of his life, he's actually he's hanging out in a

0:50:55.480 --> 0:50:57.640
<v Speaker 2>Palestinian refugee camp where he like lives for six months

0:50:57.640 --> 0:50:59.920
<v Speaker 2>and is doing all this work. And they're like, what religion,

0:51:00.360 --> 0:51:06.239
<v Speaker 2>and he's like, none, but if you insist Catholic and

0:51:06.560 --> 0:51:11.480
<v Speaker 2>I really identify with that. So yeah, he spent almost

0:51:11.480 --> 0:51:13.480
<v Speaker 2>all of World War Two in French prison, so he

0:51:13.520 --> 0:51:15.880
<v Speaker 2>wasn't like a political activist, right, He's just a fucking prisoner.

0:51:17.200 --> 0:51:19.560
<v Speaker 2>And he starts writing. He starts writing in prison, and

0:51:19.600 --> 0:51:21.600
<v Speaker 2>he writes stories about all the cool crime stuff he's

0:51:21.640 --> 0:51:23.960
<v Speaker 2>been up to, and he like sexualizes the role of

0:51:24.000 --> 0:51:26.239
<v Speaker 2>the prisoner in society. The only thing I've read by

0:51:26.320 --> 0:51:28.880
<v Speaker 2>him is I've read chunks of the Thieves Journal, and

0:51:28.920 --> 0:51:31.759
<v Speaker 2>it's just like, basically, it's like I adore all of

0:51:31.760 --> 0:51:34.279
<v Speaker 2>these like hyper masculine men in prison who all like

0:51:34.400 --> 0:51:36.120
<v Speaker 2>hide things in their butt and want to have sex

0:51:36.160 --> 0:51:42.799
<v Speaker 2>with me. It's pretty fun. And it's funny because the

0:51:42.840 --> 0:51:45.239
<v Speaker 2>stuff that gets you condemned literally to spend your life

0:51:45.239 --> 0:51:49.000
<v Speaker 2>behind bars. The literary crowd eats up. Not that I

0:51:49.080 --> 0:51:54.560
<v Speaker 2>capitalize off that myself. No, sir, he wasn't a famous

0:51:54.560 --> 0:51:57.120
<v Speaker 2>writer yet. He started his first novel, Our Lady of

0:51:57.160 --> 0:52:00.239
<v Speaker 2>the Flowers, on his like prison job that he was

0:52:00.239 --> 0:52:03.200
<v Speaker 2>supposed to be making paper bags out of like brown paper,

0:52:03.440 --> 0:52:06.120
<v Speaker 2>you know, And so he's like writing his novel on it.

0:52:06.480 --> 0:52:09.080
<v Speaker 2>So they burn his first draft and send him to solitary,

0:52:10.080 --> 0:52:12.200
<v Speaker 2>and he had to rewrite the entire book from memory,

0:52:12.440 --> 0:52:14.200
<v Speaker 2>which he claims he like did it word for word.

0:52:14.200 --> 0:52:19.000
<v Speaker 2>I don't believe him, but I don't care. He got out,

0:52:19.400 --> 0:52:21.879
<v Speaker 2>and he kept getting arrested again, and he was about

0:52:21.880 --> 0:52:24.000
<v Speaker 2>to get a life sentence in nineteen forty nine under

0:52:24.040 --> 0:52:31.480
<v Speaker 2>the notorious ten strikes your outlaw, which is like, I mean, yeah,

0:52:31.880 --> 0:52:32.439
<v Speaker 2>I gu it's fair.

0:52:32.560 --> 0:52:35.600
<v Speaker 3>I mean, say what you will about the prison industrial complex,

0:52:35.680 --> 0:52:37.840
<v Speaker 3>but apparently they give you a lot of chance.

0:52:38.120 --> 0:52:40.920
<v Speaker 2>Yeah, at this particular time and place, I wonder the

0:52:40.920 --> 0:52:43.160
<v Speaker 2>fact that like the government has changed so many times,

0:52:43.200 --> 0:52:45.959
<v Speaker 2>you know. So he's about to get sent to prison

0:52:45.960 --> 0:52:48.600
<v Speaker 2>for the rest of his life. And I mean, I

0:52:48.680 --> 0:52:50.520
<v Speaker 2>actually do think if you're up to like petty crime,

0:52:50.560 --> 0:52:52.520
<v Speaker 2>you should never be whatever. I don't believe we should

0:52:52.480 --> 0:52:55.800
<v Speaker 2>have prisons, but like, if you're doing petty shit, it

0:52:55.840 --> 0:52:58.439
<v Speaker 2>shouldn't be like all the petty equals throw you away

0:52:58.440 --> 0:53:03.040
<v Speaker 2>for life, Like that just doesn't. But the literary world,

0:53:03.120 --> 0:53:05.160
<v Speaker 2>in the art world is like, no, he's our guy,

0:53:05.360 --> 0:53:09.600
<v Speaker 2>and like Sart and Picasso are like, no, police, don't

0:53:09.800 --> 0:53:13.600
<v Speaker 2>imprison him. We're famous and we like him, and they're

0:53:13.640 --> 0:53:15.879
<v Speaker 2>like okay. So he goes free and he actually never

0:53:15.880 --> 0:53:21.000
<v Speaker 2>goes back to prison again. And all this time he's

0:53:21.000 --> 0:53:23.520
<v Speaker 2>sort of obsessively non political, or at least he's read

0:53:23.520 --> 0:53:26.920
<v Speaker 2>that way. I would argue that he's a nihilist. He

0:53:27.000 --> 0:53:30.480
<v Speaker 2>is functionally a nihilist anarchist at this point. He's against politics,

0:53:30.520 --> 0:53:33.120
<v Speaker 2>but he's writing about anti colonialism and anti racism and

0:53:33.160 --> 0:53:36.920
<v Speaker 2>against all institutions of power. He loves all rebels, including

0:53:36.960 --> 0:53:39.719
<v Speaker 2>people doing lots of bad shit too, right, He's just like, oh,

0:53:39.800 --> 0:53:43.000
<v Speaker 2>you're fucking a rebel. I'm like criminal. Queer is its

0:53:43.040 --> 0:53:48.600
<v Speaker 2>own political position, and eventually when he finds like more

0:53:48.640 --> 0:53:54.040
<v Speaker 2>traditional ideological politics, it's somewhere in the anarchist communist spectrum,

0:53:54.239 --> 0:53:57.880
<v Speaker 2>which is in the late sixties. He in the late sixties,

0:53:57.880 --> 0:54:00.279
<v Speaker 2>he gets involved more politically. He spent six months in

0:54:00.440 --> 0:54:03.279
<v Speaker 2>refugee camps. He makes friends with the Black Panthers. He

0:54:03.320 --> 0:54:06.399
<v Speaker 2>starts writing in the Black Panther Papers. He sneaks into

0:54:06.440 --> 0:54:08.880
<v Speaker 2>the US, like multiple times, illegally because the US is like, no,

0:54:08.920 --> 0:54:10.680
<v Speaker 2>you can't come in here. You're just a crime guy.

0:54:11.080 --> 0:54:13.000
<v Speaker 2>And he's like, but I want to come and they're like, no,

0:54:14.000 --> 0:54:15.839
<v Speaker 2>you're a crime man. And he's like, all right, I'll

0:54:15.840 --> 0:54:17.279
<v Speaker 2>go to Canada and then walk over or whatever. I

0:54:17.320 --> 0:54:19.279
<v Speaker 2>don't know how he sneaks in, but he sneaks in

0:54:19.360 --> 0:54:23.680
<v Speaker 2>multiple times. And in France he's getting involved in the

0:54:23.680 --> 0:54:27.680
<v Speaker 2>fight against police brutality of like Algerians, like basically, you know,

0:54:27.760 --> 0:54:30.400
<v Speaker 2>black people in Paris are getting murdered and ship by cops,

0:54:30.400 --> 0:54:34.440
<v Speaker 2>and he's fighting against that. During the uprising in France

0:54:34.480 --> 0:54:37.200
<v Speaker 2>in nineteen sixty eight, he writes one of my favorite

0:54:37.280 --> 0:54:42.719
<v Speaker 2>quotes about revolutionary symbolism that I've ever read, which is, unfortunately,

0:54:43.040 --> 0:54:44.799
<v Speaker 2>I don't think we can win without the red and

0:54:44.840 --> 0:54:49.799
<v Speaker 2>black flags, but they must be destroyed afterwards, which is like,

0:54:51.680 --> 0:54:53.879
<v Speaker 2>I think a really useful way to think about labels, right,

0:54:54.000 --> 0:54:57.759
<v Speaker 2>being like, are these politically useful to us, then we

0:54:57.760 --> 0:55:01.520
<v Speaker 2>should consider them, but they are not our goal, you

0:55:01.560 --> 0:55:04.000
<v Speaker 2>know or not? A goal is not to have a

0:55:04.040 --> 0:55:08.799
<v Speaker 2>specific ideological position, right. Another quote I like by him

0:55:08.800 --> 0:55:10.359
<v Speaker 2>one time he was giving a speech to a Yale

0:55:10.400 --> 0:55:13.960
<v Speaker 2>audience and he his quote was basically like, your universities

0:55:13.960 --> 0:55:18.160
<v Speaker 2>are quote comfortable aquariums where people raise goldfish capable of

0:55:18.200 --> 0:55:20.320
<v Speaker 2>nothing more than blowing bubbles.

0:55:24.239 --> 0:55:24.920
<v Speaker 3>That's awesome.

0:55:25.040 --> 0:55:29.239
<v Speaker 2>Yeah. So he's not a surrealist, but he was inspired

0:55:29.600 --> 0:55:31.680
<v Speaker 2>by them, by like the same shit as them, because

0:55:31.680 --> 0:55:33.920
<v Speaker 2>he writes a play about those maids. He murdered their employers,

0:55:35.360 --> 0:55:37.120
<v Speaker 2>and I only sort of a descendant of them, and

0:55:37.160 --> 0:55:38.919
<v Speaker 2>I just think he's cool, So I want to shoehorn him,

0:55:39.000 --> 0:55:39.719
<v Speaker 2>shoehorn him in.

0:55:40.760 --> 0:55:41.720
<v Speaker 3>Yeah.

0:55:41.760 --> 0:55:43.920
<v Speaker 2>He died at seventy five as one of the most

0:55:43.920 --> 0:55:46.560
<v Speaker 2>acclaimed French writers of the twentieth century, which ain't bad

0:55:46.600 --> 0:55:51.239
<v Speaker 2>for a criminal queer. And that is where derive ends

0:55:51.280 --> 0:55:54.239
<v Speaker 2>for now or are exquisite corpse? It ends with some

0:55:54.280 --> 0:55:59.000
<v Speaker 2>gouged out ladies on the floor, killed by some other ladies.

0:56:00.080 --> 0:56:02.759
<v Speaker 2>There are so many more corpses. I guess they all

0:56:02.760 --> 0:56:04.920
<v Speaker 2>do die. So we're all corps isn't waiting?

0:56:05.360 --> 0:56:09.720
<v Speaker 3>We're all I'm just currently a live corpse.

0:56:09.840 --> 0:56:12.759
<v Speaker 2>Yeah, Britton and Pere are both cool as hell, and

0:56:12.800 --> 0:56:15.719
<v Speaker 2>it didn't get included Max Ernston, Leona Carrington or cool

0:56:15.760 --> 0:56:19.200
<v Speaker 2>as hell. They all ran all over the world, chased

0:56:19.200 --> 0:56:22.040
<v Speaker 2>by this or that oppressive force, with the politics aiming

0:56:22.080 --> 0:56:25.840
<v Speaker 2>further and further towards real liberation, and they inspired people everywhere.

0:56:27.480 --> 0:56:29.359
<v Speaker 2>And I think they're cool. I think the Surrealists were

0:56:30.160 --> 0:56:32.799
<v Speaker 2>even cooler than I already thought they were when I

0:56:32.800 --> 0:56:33.319
<v Speaker 2>started this.

0:56:34.920 --> 0:56:39.879
<v Speaker 3>I agree, and thank you for teaching me all about them.

0:56:40.160 --> 0:56:46.480
<v Speaker 2>Yeah, it's just for you. Actually, this is a secret one.

0:56:45.719 --> 0:56:51.319
<v Speaker 3>Yeah, it's amazing how I'm the only person who will

0:56:51.320 --> 0:56:51.960
<v Speaker 3>ever hear this.

0:56:52.120 --> 0:56:56.360
<v Speaker 2>You know, Sophie's just had headphones like earplugs in the

0:56:56.400 --> 0:56:59.760
<v Speaker 2>whole time too, So's.

0:56:59.440 --> 0:57:01.400
<v Speaker 3>Sophie were on now you can listen.

0:57:02.280 --> 0:57:10.920
<v Speaker 2>What but speaking of ear plugs, what about Caitlin. No,

0:57:11.080 --> 0:57:14.520
<v Speaker 2>that's the worst. No, that's bout that was Actually.

0:57:15.800 --> 0:57:19.920
<v Speaker 3>That was a great transition, great pun. And here are

0:57:19.960 --> 0:57:26.840
<v Speaker 3>my plugs which will go into everyone's ears. Whoa ear plugs.

0:57:28.320 --> 0:57:33.160
<v Speaker 3>You can follow me online if you wish, at Caitlyn Durante.

0:57:33.240 --> 0:57:36.840
<v Speaker 3>You can listen to my podcast, The Bechdel Cast in

0:57:36.880 --> 0:57:41.760
<v Speaker 3>which Jamie Loftus and I and often guests discuss movies

0:57:41.880 --> 0:57:45.440
<v Speaker 3>through an intersectional feminist lens. And we have a live

0:57:45.520 --> 0:57:49.400
<v Speaker 3>show that we are doing in Portland, Oregon, which I

0:57:49.720 --> 0:57:53.040
<v Speaker 3>know is not how you say that, but it's too late,

0:57:53.080 --> 0:57:56.600
<v Speaker 3>and that's how I said it. The show is October sixth,

0:57:57.200 --> 0:57:59.400
<v Speaker 3>which I think is right around the corner of when

0:57:59.400 --> 0:58:02.640
<v Speaker 3>this episode comes out. You can go to link tree

0:58:02.840 --> 0:58:06.840
<v Speaker 3>slash Bechtel Cast to grab tickets if they're not already

0:58:07.360 --> 0:58:12.080
<v Speaker 3>sold out, but I mean brag, they probably will be

0:58:13.720 --> 0:58:18.560
<v Speaker 3>people people you can oh the live stream exactly, so

0:58:18.960 --> 0:58:22.000
<v Speaker 3>oh my gosh, Sophie, you're a genius. If the show

0:58:22.120 --> 0:58:25.120
<v Speaker 3>is sold out the live show, you can live stream

0:58:25.160 --> 0:58:26.960
<v Speaker 3>it from anywhere in the world.

0:58:27.520 --> 0:58:27.680
<v Speaker 1>Uh.

0:58:27.720 --> 0:58:29.680
<v Speaker 3>And if you can't make it to the actual like

0:58:30.680 --> 0:58:33.120
<v Speaker 3>live stream as it's happening, you can still buy a

0:58:33.160 --> 0:58:36.800
<v Speaker 3>live stream ticket and check out the stream for like

0:58:36.920 --> 0:58:40.960
<v Speaker 3>up to a week afterward. So there's ways to see

0:58:41.520 --> 0:58:44.800
<v Speaker 3>Jamie and I talk about the movie say anything. And

0:58:44.800 --> 0:58:47.720
<v Speaker 3>then I'm also doing a bunch of stand up in

0:58:47.880 --> 0:58:50.800
<v Speaker 3>Portland as well as Vancouver, but I think my Vancouver

0:58:50.880 --> 0:58:54.120
<v Speaker 3>shows will already be done. But check out my website

0:58:54.200 --> 0:58:58.920
<v Speaker 3>Caitlinduronta dot com for details about all of those shows.

0:58:59.720 --> 0:59:06.080
<v Speaker 2>Yah yay, I have things. I have a sub stack.

0:59:06.320 --> 0:59:10.120
<v Speaker 2>I post on it every week. Half of them are free.

0:59:10.800 --> 0:59:13.360
<v Speaker 2>If you want to hear the more personal stuff for

0:59:13.520 --> 0:59:15.880
<v Speaker 2>me talking about punk cows as I've lived in that

0:59:15.920 --> 0:59:19.920
<v Speaker 2>have burned down. That's the which I do. Okay, well

0:59:19.920 --> 0:59:23.120
<v Speaker 2>that's the not free half. Although, Caitlin, if you give

0:59:23.160 --> 0:59:24.400
<v Speaker 2>me your email a dress to add you to the

0:59:26.320 --> 0:59:32.120
<v Speaker 2>thank you but not you listener, but half the shit's free.

0:59:32.120 --> 0:59:35.480
<v Speaker 2>I don't feel guilty about this, and it's just like

0:59:35.560 --> 0:59:39.800
<v Speaker 2>literally my more personal shit that isn't And also I

0:59:39.840 --> 0:59:42.480
<v Speaker 2>have a thing that is probably kickstarting as you are

0:59:42.560 --> 0:59:45.640
<v Speaker 2>listening to this called Defenders of the Wild, which has

0:59:46.000 --> 0:59:48.160
<v Speaker 2>is a board game and role playing game, and I've

0:59:48.280 --> 0:59:50.880
<v Speaker 2>been doing some world design on both, but I'm especially

0:59:50.920 --> 0:59:53.880
<v Speaker 2>involved in the tabletop role playing game part of it.

0:59:54.160 --> 0:59:56.000
<v Speaker 2>So if you want to play a game where you

0:59:56.960 --> 0:59:59.800
<v Speaker 2>are a badger, ooh, my favorite character right now is

1:00:00.560 --> 1:00:03.440
<v Speaker 2>is a bear with a frying pan who is really

1:00:03.440 --> 1:00:08.440
<v Speaker 2>at organizing people and fighting machines. And if that sounds

1:00:08.440 --> 1:00:13.400
<v Speaker 2>fun to you, then Defenders of the Wild is on Kickstarter.

1:00:14.240 --> 1:00:16.400
<v Speaker 2>Might the full title of the kickstarters probably defenders the

1:00:16.440 --> 1:00:22.040
<v Speaker 2>wild by outlandish Games. That's it, except for Sophie. What

1:00:22.080 --> 1:00:25.120
<v Speaker 2>do you got Sophie? Well, what do we got? Margaret?

1:00:25.160 --> 1:00:27.880
<v Speaker 1>Happening starting October eighth?

1:00:27.920 --> 1:00:31.680
<v Speaker 2>Do you mean the book club, the Cool Zone book Club?

1:00:32.520 --> 1:00:33.360
<v Speaker 1>I do Magpie.

1:00:33.600 --> 1:00:37.400
<v Speaker 2>Well, every Sunday until the heat Death of the Universe,

1:00:37.520 --> 1:00:40.400
<v Speaker 2>or at least for a little while, we are starting

1:00:40.440 --> 1:00:42.040
<v Speaker 2>a book club. We are starting a book club called

1:00:42.040 --> 1:00:43.480
<v Speaker 2>the Cool Zone book Club. It'll be on the It

1:00:43.480 --> 1:00:46.440
<v Speaker 2>could Happen Here feed that is normally Monday through Friday,

1:00:46.680 --> 1:00:51.360
<v Speaker 2>but now it is Sunday through Friday because on the

1:00:51.440 --> 1:00:52.960
<v Speaker 2>Lord's Day, I will we.

1:00:53.200 --> 1:00:57.400
<v Speaker 1>Should probably drop it in here too. Okay, that sounds great,

1:00:58.200 --> 1:01:01.240
<v Speaker 1>So if you're I'll probably do that, but I'll drop

1:01:01.280 --> 1:01:05.160
<v Speaker 1>it in cool People for people that because obviously people

1:01:05.200 --> 1:01:06.920
<v Speaker 1>who listen to cool people think you're cool.

1:01:07.120 --> 1:01:11.080
<v Speaker 2>Yeah. And it will be me reading new stories sometimes

1:01:11.080 --> 1:01:14.160
<v Speaker 2>some other people reading me stories. We have a couple

1:01:14.160 --> 1:01:15.960
<v Speaker 2>of different ideas of what we're going to do with it,

1:01:16.000 --> 1:01:17.520
<v Speaker 2>and the very first thing we're going to do with

1:01:17.560 --> 1:01:21.920
<v Speaker 2>it is four Sundays in a row, we're going to

1:01:22.000 --> 1:01:25.640
<v Speaker 2>have me reading Robert Evans, my novella The Lamb Will

1:01:25.720 --> 1:01:29.439
<v Speaker 2>Slaughter the Lion, which is more or less about a

1:01:29.480 --> 1:01:31.560
<v Speaker 2>punk house full of weird people that burns down, only

1:01:31.560 --> 1:01:33.960
<v Speaker 2>in this case, it's a squatted punk town that is

1:01:34.040 --> 1:01:37.960
<v Speaker 2>occupied by a three antler demon deer that eats people

1:01:38.040 --> 1:01:45.919
<v Speaker 2>who act irresponsibly. Hell yeah, yeah, so check that out.

1:01:46.760 --> 1:01:50.280
<v Speaker 2>And I'm really excited about it. Yeah, we've been working

1:01:50.280 --> 1:01:53.920
<v Speaker 2>on it for a while. That's what we got. We'll

1:01:53.920 --> 1:01:54.680
<v Speaker 2>see you next week.

1:01:56.200 --> 1:02:02.160
<v Speaker 1>Bye bye. People Who Did Cool Stuff is a production

1:02:02.240 --> 1:02:05.480
<v Speaker 1>of cool Zone Media. For more podcasts from cool Zone Media,

1:02:05.640 --> 1:02:08.880
<v Speaker 1>visit our website Coolzonemedia dot com, or check us out

1:02:08.960 --> 1:02:12.320
<v Speaker 1>on the iHeartRadio app, Apple Podcasts, or wherever you get

1:02:12.360 --> 1:02:13.160
<v Speaker 1>your podcasts.