1 00:00:01,400 --> 00:00:05,640 Speaker 1: The Jubil Show on demand. It's another Jubil phone frame 2 00:00:06,440 --> 00:00:14,080 Speaker 1: Mornings on the twenties. Hey, hello, now tell him, I'll 3 00:00:14,320 --> 00:00:16,200 Speaker 1: I'll get him on the phone later. I tell him 4 00:00:16,200 --> 00:00:18,040 Speaker 1: a call back. Uh. I know he doesn't have much 5 00:00:18,040 --> 00:00:20,000 Speaker 1: time because he's shooting in Canada now, but if you 6 00:00:20,000 --> 00:00:23,160 Speaker 1: can just tell him a callback. Hello, I'm sorry, Hello, Hey, 7 00:00:23,239 --> 00:00:28,600 Speaker 1: I'm sorry. Is this Josh Hi? Yeah speaking, sorry about that, Josh. 8 00:00:28,640 --> 00:00:30,640 Speaker 1: You don't know me. Um, I was just getting bugged 9 00:00:30,640 --> 00:00:32,880 Speaker 1: by my assistant because I guess whenever Channing Tatum calls, 10 00:00:32,920 --> 00:00:36,839 Speaker 1: they gotta just bust in my door. Hey, sorry, Um, 11 00:00:37,040 --> 00:00:39,320 Speaker 1: you don't know me. My name is Tofa Stark, and 12 00:00:39,520 --> 00:00:44,600 Speaker 1: I'm am your producer at Studios, and I happened to 13 00:00:44,680 --> 00:00:47,639 Speaker 1: get a coffee from the coffee shop you work at 14 00:00:47,640 --> 00:00:50,000 Speaker 1: the other day. I liked your look a lot. I 15 00:00:50,040 --> 00:00:51,760 Speaker 1: went back in there and I said, who was the 16 00:00:51,800 --> 00:00:54,080 Speaker 1: guy working and blah blah blah, time whatever, whatever, whatever. 17 00:00:54,440 --> 00:00:56,480 Speaker 1: And they also inform me that you happen to be 18 00:00:56,520 --> 00:01:01,200 Speaker 1: an actor as well. Yeah, yeah, no way, serifully. I 19 00:01:01,240 --> 00:01:02,840 Speaker 1: know it's kind of weird, but that's kind of how 20 00:01:02,840 --> 00:01:04,640 Speaker 1: I saw Some of my talent is out in the 21 00:01:04,720 --> 00:01:07,319 Speaker 1: real world, and they gave me your phone number because 22 00:01:07,319 --> 00:01:10,160 Speaker 1: obviously you're an actor, so that's great. I was like, bonus, 23 00:01:10,560 --> 00:01:13,480 Speaker 1: but yeah, we're making a movie. And I was standing 24 00:01:13,520 --> 00:01:15,399 Speaker 1: there in line and I looked up and I was like, 25 00:01:15,520 --> 00:01:20,360 Speaker 1: holy crap, there is there's the lead role. No, come on, 26 00:01:21,200 --> 00:01:23,640 Speaker 1: but yeah, hey, okay, I'd love to set up a 27 00:01:23,640 --> 00:01:25,640 Speaker 1: time to sit down with you in person and really 28 00:01:25,640 --> 00:01:29,759 Speaker 1: go over things. And you're pretty I mean you're working 29 00:01:29,800 --> 00:01:31,399 Speaker 1: a day job now at the coffee shop, so you're 30 00:01:31,400 --> 00:01:34,280 Speaker 1: pretty free for a you know, a pretty grueling shoot 31 00:01:34,560 --> 00:01:37,399 Speaker 1: and shooting schedule. Yeah. Yeah, no, I keep keep my 32 00:01:37,440 --> 00:01:40,160 Speaker 1: schedule flexible on purpose and my work it's pretty flexible 33 00:01:40,160 --> 00:01:42,720 Speaker 1: at that. You're an actor and a barista. You got 34 00:01:42,760 --> 00:01:45,280 Speaker 1: both the things we need. Hey, also question for you, 35 00:01:45,360 --> 00:01:48,880 Speaker 1: do you think we'd be able to shoot at your establishment? 36 00:01:48,880 --> 00:01:50,400 Speaker 1: Would you be able to talk to the you know 37 00:01:50,520 --> 00:01:54,760 Speaker 1: powers that go? Um wow? I don't know. I'd have 38 00:01:54,800 --> 00:01:56,400 Speaker 1: to talk to the manager. I mean I feel like 39 00:01:56,440 --> 00:01:59,280 Speaker 1: they might be open to that. But you can maybe 40 00:01:59,280 --> 00:02:00,520 Speaker 1: throw me there on some and I could talk to 41 00:02:00,600 --> 00:02:02,840 Speaker 1: him because I mean that was also you know, just 42 00:02:02,880 --> 00:02:06,240 Speaker 1: the look of the place. You behind that counter, that's 43 00:02:06,280 --> 00:02:08,120 Speaker 1: the movie that I want to make. That's exactly what 44 00:02:08,160 --> 00:02:10,480 Speaker 1: I had in my head when I was thinking about it. So, so, 45 00:02:10,680 --> 00:02:13,399 Speaker 1: is this like a documentary kind of thing or no, 46 00:02:13,480 --> 00:02:15,760 Speaker 1: this isn't. It's definitely about real life, but it's it's 47 00:02:15,760 --> 00:02:20,440 Speaker 1: a scripted reality. I guess we'll say hardcore scripted reality. Okay, yeah, yeah, yeah, yeah, okay, 48 00:02:20,560 --> 00:02:22,840 Speaker 1: hardcore scripted reality. I guess that's a good way to 49 00:02:22,840 --> 00:02:28,600 Speaker 1: say it. Yeah, how are you with um nudity? Uh? 50 00:02:29,360 --> 00:02:33,760 Speaker 1: If it's like, just what kind of story? Well, yeah, 51 00:02:33,800 --> 00:02:37,320 Speaker 1: I guess I should have told you that first, right. Yeah, 52 00:02:37,320 --> 00:02:40,440 Speaker 1: So this story, this movie that I'm making, it is 53 00:02:40,600 --> 00:02:44,679 Speaker 1: about a young barista, kind of down on his luck, 54 00:02:44,680 --> 00:02:47,119 Speaker 1: down on his love, looking for love, looking for luck, 55 00:02:48,600 --> 00:02:51,320 Speaker 1: And there's a fire in the back of the coffee shop. 56 00:02:51,440 --> 00:02:54,280 Speaker 1: Low and behold, firefighters actually happened to be there right 57 00:02:54,320 --> 00:02:59,440 Speaker 1: around closing time to be able to put the fire out. Sure, 58 00:03:00,240 --> 00:03:03,240 Speaker 1: how are you planning on filming an actual fire in 59 00:03:03,320 --> 00:03:05,840 Speaker 1: the Oh? Well, you never see. The fire was throw 60 00:03:05,880 --> 00:03:07,760 Speaker 1: a little smoke or something like that. But as a 61 00:03:07,800 --> 00:03:11,520 Speaker 1: way to say thank you, you'll give them some free 62 00:03:11,600 --> 00:03:15,840 Speaker 1: coffee and then you'll lock the door behind you and 63 00:03:15,960 --> 00:03:18,520 Speaker 1: close up the coffee shop with the firefighters still there, 64 00:03:19,080 --> 00:03:24,960 Speaker 1: and then you'll really thank them. I'm I'm so sorry. 65 00:03:24,400 --> 00:03:31,080 Speaker 1: Um okay, so this sounds like like a porn. It 66 00:03:31,160 --> 00:03:34,280 Speaker 1: is what this sounds like. So, Josh, if that's what 67 00:03:34,320 --> 00:03:36,040 Speaker 1: it sounds like to you, I'm just gonna say this. 68 00:03:36,640 --> 00:03:38,440 Speaker 1: If you're walking through the woods and you see something 69 00:03:38,480 --> 00:03:40,200 Speaker 1: you think is a bear, and it looks like a bear, 70 00:03:40,640 --> 00:03:42,400 Speaker 1: it smells like a bear, and it growls like a bear, 71 00:03:42,480 --> 00:03:44,960 Speaker 1: probably a bear. So if that's what you're thinking, you 72 00:03:45,120 --> 00:03:50,040 Speaker 1: might be right. I do not respond to that. No, 73 00:03:50,240 --> 00:03:57,160 Speaker 1: I don't do porn. I don't do firefighter group gang bangs. 74 00:03:57,680 --> 00:04:00,960 Speaker 1: Oh okay, so you don't want one hundred fifty dollars, fine, 75 00:04:01,040 --> 00:04:06,800 Speaker 1: I guess I'll find another barista. Oh and fifty dollars. Yeah, 76 00:04:07,040 --> 00:04:09,120 Speaker 1: you're crazy. Okay, Well, then I'll just tell you that 77 00:04:09,120 --> 00:04:10,680 Speaker 1: this is actually Jewel from The Jewil Show doing a 78 00:04:10,680 --> 00:04:13,120 Speaker 1: phone prank on you and your girlfriend. Samantha set you up, 79 00:04:14,480 --> 00:04:20,160 Speaker 1: got you what she said that you're an actor and 80 00:04:21,480 --> 00:04:23,400 Speaker 1: you always hope that like some movie producer would come 81 00:04:23,400 --> 00:04:28,560 Speaker 1: in there and discover you. And you've been discovered, I mean, 82 00:04:28,560 --> 00:04:31,039 Speaker 1: not fully discovered by the firefighters yet, but you've been discovered. 83 00:04:31,080 --> 00:04:34,880 Speaker 1: We're getting there. The Jewel Show on demand