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Speaker 1: Welcome to Drink Champs, the production of The Black Effect

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Speaker 1: and I Heart Radio and his Drink Chas motherfucking podcast.

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Speaker 1: He's a legendary queen's rapper. He's like, that's your boy

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Speaker 1: in R. He's a Miami hippoper pioneer. Up is d

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Speaker 1: j e f N. Together they drinking up with some

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Speaker 1: of the biggest players in the most professional, unprofessional podcast

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Speaker 1: and yet number one source for drunk fast drinks motherfuckings

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Speaker 1: New year' z that time Drink Champs trink Up, motherfuck up?

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Speaker 1: Would it could be hoping you would it? Shoot me?

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Speaker 1: This is your boy in o R? What up is

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Speaker 1: d J E f And this militatement, motherfucking Drink Champs

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Speaker 1: crazy hood, motherfucking happy hour, Minute to love. And when

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Speaker 1: we started this show if and we said we wanted

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Speaker 1: to give people their flowers. People who is tycoon's and

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Speaker 1: monumental figures who have moved the culture in many ways.

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Speaker 1: This man. If it wasn't for this man, there wouldn't

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Speaker 1: be a lot of m c s out here. Included

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Speaker 1: nas As Kabar including Marb Deep including Component Noriega including

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Speaker 1: Corp Mega, including Nature including Tragedy, Caddafi included so on

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Speaker 1: and so on and so on and so forth. When

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Speaker 1: you say the godfather of Queen's Bridge, you don't mention him,

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Speaker 1: because when you say the father of Queen's Bridge, you

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Speaker 1: mentioned him. The man's monuments. We've been trying to get

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Speaker 1: him for six years. We've been doing crossing paths. But

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Speaker 1: guess what today we went all out. We're giving this

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Speaker 1: man his flowers. And guess what, We're not only giving

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Speaker 1: him his flowers by ourselves. We got some people that

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Speaker 1: is corner come to give their flowers as well. Because

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Speaker 1: this is long overdue to the one. The only motherfucker

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Speaker 1: didn't see ship. But there I'm telling you, tell me

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Speaker 1: you haven't heard of his as I go, that's your man,

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Speaker 1: the one after your mom's top is Soldy's gonna standing

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Speaker 1: between you and success and the norri Show mother. Right.

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Speaker 1: But one thing I got to say, No, you gave

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Speaker 1: me too many flowers, brother, No, guess what, guess what

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Speaker 1: it's gonna be more flower. Let me just ask you.

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Speaker 1: Last night, I've seen you walking down the South Beach.

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Speaker 1: When's the last time you walked down South? Because you

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Speaker 1: haven't been out here is the pandemic? Correct? No? I

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Speaker 1: haven't nowhere I've been, but but it was easier for

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Speaker 1: me because you know, I'm kiding of the broken niggers.

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Speaker 1: I ain't. I got a little all v that I'm

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Speaker 1: boy used right, So during the pandemic, I was always out.

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Speaker 1: I took my kids to the mountains and all kind

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Speaker 1: of things where we can stay six ft from the

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Speaker 1: next to us. The pandemic really didn't hit me and

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Speaker 1: my family like that, so we were just out doing things.

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Speaker 1: So you live in Atlanta right close side. I didn't go.

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Speaker 1: I'm not y'are lucky. I ain't bring my mask in here.

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Speaker 1: I got my qbterre weird, you know what I'm saying.

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Speaker 1: But you know it was it was all right, you

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Speaker 1: know it wasn't. It wasn't bad for me. I'm glad

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Speaker 1: that I'm still here, and each and every day that

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Speaker 1: I wake up, I'm just happy my eyes open. You

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Speaker 1: never catch me in a bad move, although it may

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Speaker 1: come across on my Instagram that he's a grouchet, you

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Speaker 1: know what I'm saying, But that's not the case. So

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Speaker 1: let me ask you. Because when we first announced that

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Speaker 1: we finally locked you in, I believe it was Master

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Speaker 1: eight or Master eight people who reached up. It was Master,

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Speaker 1: and Master said, action, what is his problem with the

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Speaker 1: Juice Crew. I was not aware. I don't have a

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Speaker 1: problem with He just wanted okay, but I'm gonna add

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Speaker 1: to your question. It's just just that the underlinks are

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Speaker 1: trying to check over and don't ask the case some

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Speaker 1: some asa spade. We got that for you. Check your

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Speaker 1: whistle with me up now, don't Now. He's like, yo,

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Speaker 1: you know he some big boy drinks. I'm gonna have

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Speaker 1: you k on the side. No, no, no, no, I'm

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Speaker 1: gonna I'm gonna mess with you. What are you talking to?

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Speaker 1: You gotta just when you really some motherfucker set me up.

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Speaker 1: Juice Crew, Juice Juice Crew. It's like this age has

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Speaker 1: a prolem don't come. Yeah, I'm sorry, I'm sorry. It's

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Speaker 1: the rules of the game. Yeah, So MASSI the only

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Speaker 1: way mass Ace really got a spot in the way

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Speaker 1: called you. There was a lot of artists that came

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Speaker 1: through Cold Chilling that weren't actually Juice Crew, right, and

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Speaker 1: we said cold Chilling to my coaching. There there was

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Speaker 1: y Z, there was a whole bunch and if Magic

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Speaker 1: my man, Mr Magic Magic, Happy Birthday, your magic rest

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Speaker 1: in peace. If magic didn't say you was in the

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Speaker 1: juice creup, you wasn't in the juice crew. And now

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Speaker 1: remember so I had to see once why as got

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Speaker 1: in my mouth because he put my name in his mouth.

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Speaker 1: Don't tell people about how Sham was getting stifles from

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Speaker 1: cold chilling. Don't talk about my pocket, my man, I

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Speaker 1: don't talk about yours. And so if you want to,

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Speaker 1: really I'm not. It's not my business to tell how

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Speaker 1: he got damned, but the way that he got able

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Speaker 1: to do that. When Molly was gonna do the symphony,

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Speaker 1: we was at the what's it was in control, We

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Speaker 1: was at the end port with you know, all of us,

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Speaker 1: and Molly already did this. Molly made Molly scratch. I

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Speaker 1: didn't get paid, and so I knew the game already.

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Speaker 1: We're going to make a mix tape and I knew

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Speaker 1: that it was gonna be a record, and so they

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Speaker 1: went and tape back then. No, it was just it

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Speaker 1: was that was it was. It wasn't had to give

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Speaker 1: giving in terms that these you knew what, So Molly

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Speaker 1: made that and I'm like, I'm not getting paid. I

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Speaker 1: went home. We got some pussy funk all that y'all

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Speaker 1: never go ryn for Hold up, now, how you gonna

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Speaker 1: split down all those writers on there? How much you

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Speaker 1: really getting all? You're getting there to say I was

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Speaker 1: on the symphony. You want to know what I get

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Speaker 1: asked more why you wasn't on the symphony as if

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Speaker 1: I was on it? So that's what gave aces spot

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Speaker 1: because I didn't go versus um came went against Chris.

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Speaker 1: No, no no, no, no, you're talking about Synod Deberchia rack.

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Speaker 1: I'm not ready, I'm sevenol Diersier. Okay, that's what we're

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Speaker 1: talking about. The check us out used to hip hop

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Speaker 1: Serino Dibersia, I rack not only y'all your floes, but

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Speaker 1: your words and whack. Get just stepping Chris because ain't

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Speaker 1: no calf because it ain't that robust in your vote,

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Speaker 1: cam nigger, Okay, get that lay. So let me ask you.

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Speaker 1: Let me ask you, Decane, because it would have made

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Speaker 1: sense like for the rebuttal record soon this care arrest

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Speaker 1: does the south bronx. So he did um the bridges

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Speaker 1: over for you for you to come out right there

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Speaker 1: d the brick of bridge. Did Caine not give you

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Speaker 1: that call? Or well, Kane and them was boys. I

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Speaker 1: never looked at the Juice crew to have my back.

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Speaker 1: You think what I'm saying. They got the story. Camel

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Speaker 1: Cane helped care arrest, carriers from care arrests help Kane.

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Speaker 1: But it was never a thing that I looked at

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Speaker 1: the Juice crew to have my back. I was always

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Speaker 1: a solo go get whatever. You know what I'm saying.

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Speaker 1: So asking that I stay, man, I don't get down

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Speaker 1: like that. But this is this is a battle. Why

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Speaker 1: why do you think he didn't like utilize you? Did you?

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Speaker 1: How about this? Let me ask even better question, did

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Speaker 1: you reach out to Kane when you once you knew

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Speaker 1: that they was bat Now this goes back, and I

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Speaker 1: know where you're getting at. Where came Kane said that

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Speaker 1: time came to time came to Kane, to ChIL Kane.

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Speaker 1: Oh can you calm that down? Like I was some

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Speaker 1: punk ass. No, that did never happen. Okay. So, and

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Speaker 1: now when people would say that I was hating on

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Speaker 1: Kane right because I called him the new Nigga, what

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Speaker 1: people don't understand that everybody in the Juice Core was

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Speaker 1: a new nigga. Oh, the new Nigga ship right now,

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Speaker 1: the new nigga ship. But now people say I was

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Speaker 1: hating on Kane for that, right, but I'm giving my

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Speaker 1: brother big Now. What happened is if people say I'm

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Speaker 1: hating on Kane, kane first record came out because of me,

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Speaker 1: all right. When the Warner Brothers deal came down, it

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Speaker 1: was because Sham was doing so independently with down by

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Speaker 1: Lord that we had the first you know, independent major distribution.

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Speaker 1: Why did it happen because that nigga Shan was doing

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Speaker 1: that down by Lord ship. That to pull my nigger up,

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Speaker 1: I'm saying. So I came to me and say, yo, Shan,

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Speaker 1: since you you you ain't got an album ready because

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Speaker 1: we put Kane out. So I said, god, hey, that's

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Speaker 1: my brother. Now. The payback was how we used to

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Speaker 1: carry each other like you on tour, you're doing nice,

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Speaker 1: you bring your man, so he stay up. Now when

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Speaker 1: he got to stay, he was supposed to take me

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Speaker 1: on tour with him. I'm not drunk yet, I'm getting

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Speaker 1: all right, I'm not drunk yet, I'm getting it. But

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Speaker 1: he was supposed to take me on tour with him,

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Speaker 1: but he went on a deaf jam toll. But that's

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Speaker 1: no animosity against him. Kane is one of the greatest entertainers.

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Speaker 1: And I'm gonna say this on your show, Chris is

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Speaker 1: one of the greatest entertainers. That Niggle cheered me up

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Speaker 1: on the fucking stage any fucking day because I'm not

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Speaker 1: that nigga. But when it comes to lyrics, I can't

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Speaker 1: fault with me. Son, it's the first who got who

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Speaker 1: got the When you keep when you you keep saying

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Speaker 1: tied for people who don't know, does that mean to

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Speaker 1: cold children? What's that? Who's tied? He's the He's make

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Speaker 1: an owner of creamer the planet cold chilling. You know

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Speaker 1: what I'm saying to fly THI, he talked to you nice,

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Speaker 1: fly I talk to you nice. And when they say

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Speaker 1: to you I talked to you nice, I mean, And

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Speaker 1: then you bet watch the next day she said that

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Speaker 1: you might not get a deal, you know, but fly

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Speaker 1: t I was the instrumental thing that put all the

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Speaker 1: cold chilling. See the Juice Crew. People think that the

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Speaker 1: Juice Crew, did you see is the first juice crew.

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Speaker 1: It's not. It's not sal Avatello and the Fever and

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Speaker 1: Curtis blowing all those Bronx casts. They had a Juice

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Speaker 1: Crew already and it was not related Juice Crew, but

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Speaker 1: not related, not related. Mr Grandma's I said that right

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Speaker 1: now Magic had a juice ring. Magic he's radio dude.

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Speaker 1: So Magic decide he gonna I'm gonna make my own

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Speaker 1: juice Crew, which was me, Sean Chay and everything that

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Speaker 1: came up that now anything, Bis was the last one

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Speaker 1: that came in like normal, you know, Bis bringing swans.

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Speaker 1: Anything after Bis that you see on coach chilling the

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Speaker 1: canes and bids bring them in, but bisiness bringing in

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Speaker 1: fire folks. Bis. I love you my name. I'm trying

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Speaker 1: to want to show you want to y'all. Y'all called

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Speaker 1: me a kind of city or whatever, but that's how

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Speaker 1: I love my brother, Yo, I love you. We got foundation,

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Speaker 1: it's instability. Shan is a structural foundational piece of queen Bridge.

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Speaker 1: With one record, he talked to New York City having

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Speaker 1: projects into the most popular having projects in rapid history.

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Speaker 1: His influence inspired of plethora of artists, including my Shoes,

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Speaker 1: the pig word Punker. I remember I used to see

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Speaker 1: Shan sitting on twelve three with infinite and hard can

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Speaker 1: and I've seen shan't even a fish Samwich and I

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Speaker 1: started fishing after that because my style comes from Shannon.

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Speaker 1: So when they speak of the greatness of Queensbridge to now,

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Speaker 1: I mentioned Shannon's blasphemy. And there's not really much that

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Speaker 1: I can say right now that I haven't said to him. Shadow.

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Speaker 1: I love was shandow I look up to him and

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Speaker 1: he knows like I respect his legacy, So well I

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Speaker 1: can say now and then this is um enjoy yourself

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Speaker 1: out there. Man, I'm letting nor you gets you too

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Speaker 1: drop talking to It's more it's Mort's mos up like

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Speaker 1: Cold Mega. It's like I feel I should have seen

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Speaker 1: Cold Megauer talk about me to meld my man. And

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Speaker 1: like I say, right now I'm doing right now, you

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Speaker 1: have inspired me to do something else. So right now

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Speaker 1: I'm filming a show called no Room Service and service

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Speaker 1: he was he was scarred because she's sucking cheating. She's

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Speaker 1: sucking cheated. Okay, okay, now I'm on Calen niggers downstairs

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Speaker 1: in the hotel. You can't let no motherfucker off. They

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Speaker 1: ain't gotta keep dirt floor shut off. Let's do one more,

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Speaker 1: Just do one more. Hold on because we called just

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Speaker 1: keep hold on, hold on, just keep it. Just Queen's man.

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Speaker 1: All right, MC ship out of here, no man, and

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Speaker 1: all that one about him too. You know he tried

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Speaker 1: her aunt back in the days. But all good energy,

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Speaker 1: you know what I'm saying. All for the love of

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Speaker 1: the culture, All for the love of hip hop, you

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Speaker 1: know what I'm saying. Congratulations on on the fact that

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Speaker 1: you're continuing to walk your walk. Man, you know what

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Speaker 1: I'm saying. It's standing your I love you boy, stay strong, yo.

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Speaker 1: I'm older than him and I called him uncle. I

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Speaker 1: ain't got a bit well I heard I heard one

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Speaker 1: night you and I was beefing your mom. Ain't treated

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Speaker 1: your mother so good? You couldn't make a disrecord, I know, yeah, yeah, yo,

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Speaker 1: even after beat biter we went. When you get there,

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Speaker 1: hold on cold on. I'm sorry to cut you off

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Speaker 1: to your ship today. And I forget what the record

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Speaker 1: it was? It was and I love? Who was the

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Speaker 1: record that he'd been over you? Was it love? And

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Speaker 1: that was that was lonely. I had no mean to

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Speaker 1: rock the bells. He stole my beat, So that's what, Yeah,

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Speaker 1: that's what. It's not him. But because now now we

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Speaker 1: get to how he asked me how I didn't come

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Speaker 1: with another record after Chris back in the days. Now,

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Speaker 1: y'all little young motherfucker's can go. No, I'm calling you,

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Speaker 1: actually no, you just asked me something. Who you just said?

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Speaker 1: Someone asked why you didn't come with the record after question? No, no, no,

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Speaker 1: I said, I think this one question right later. But

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Speaker 1: you really think they stole to beat the Yeah, I'm

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Speaker 1: gonna tell you how if you want, I'm gonna show you.

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Speaker 1: We was up in Syracuse. Man, l had battles going right,

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Speaker 1: and I got on stage and I had Molly cut

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Speaker 1: the records back to back. You know, beach what the

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Speaker 1: DJ yall know rock the bells. Let's just sen Mr DJ.

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Speaker 1: Motherfucker's I and so when I know, it's funny how

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Speaker 1: that ship came about. Man, we was on this tool,

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Speaker 1: Chris was on this tool to the Jerry Freshen tool

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Speaker 1: came in. Them used to roast him, call him so, No,

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Speaker 1: you couldn't funk around on the bus. We was on

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Speaker 1: the bus and we used to do the rhyme game.

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Speaker 1: Nobody could fun with the juice cool. You already knew

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Speaker 1: that ship. And I ain't telling nothing that you know

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Speaker 1: what I'm saying. And so at the end of the day.

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Speaker 1: Hel came. He said, Yo, I got record. I want

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Speaker 1: you to hear. So ma'am, I'm sucking geese supping nigger.

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Speaker 1: My kango was swollen like a motherfucker. Not heard the joint.

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Speaker 1: But I never you know, I never pieced together at

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Speaker 1: the time that he was playing me rock the bells,

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Speaker 1: you did what I'm saying. So after he played it,

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Speaker 1: I'm like, fun my hat too big, and every look

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Speaker 1: at Norris trying to set me up. He's trying to

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Speaker 1: get rid of niggas without no mo. So he played

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Speaker 1: me that and it was like I was so like

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Speaker 1: I said, I had a big ain't yo put a

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Speaker 1: small head. But it turned out to be rocked the bells.

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Speaker 1: And back then we didn't steal anybody's rhymes. We didn't

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Speaker 1: see anything, you know, how it was or you don't

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Speaker 1: say nothing close, So we like, but it wasn't him.

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Speaker 1: He didn't know that right, He didn't know it. He

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Speaker 1: just knew that, Yo, it was hot and blah blah blah.

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Speaker 1: But Rick Rubin did it. But my fucking m c mind, nigger,

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Speaker 1: you rocked the bells, but you stole my beat. But

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Speaker 1: so that was what it was. And now I'm gonna

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Speaker 1: say this. L L never responded, all right, but now

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Speaker 1: this should equate to the ship that this Sereno nigga.

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Speaker 1: The Sereno nigga been pumping for thirty years telling y'all

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Speaker 1: he beat me, he whooped my and you ain't never

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Speaker 1: did nothing where no, no, listen any great battle that

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Speaker 1: you ever had. There's a cassette of it. There's a

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Speaker 1: tape over the something. Right now, I'm gonna put your

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Speaker 1: money on the line, y'all, nigga, show a tape that

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Speaker 1: the fucking got Chris fucking me up, nor You're gonna

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Speaker 1: get you a hundred thousand. I'm telling you so. For

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Speaker 1: thirty years he's been talking out. You know what I'm saying.

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Speaker 1: But I'm just here to say, yo, homie, stop saying

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Speaker 1: that yo. And every time like inen, I w won

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Speaker 1: against him, like you know you were gonna into that leader. Okay, okay,

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Speaker 1: you say some some suck ship, motherfuck you and the

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Speaker 1: fans that you funk with, nig do your fans another one?

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Speaker 1: I got more? Oh for here, I could go, oh day,

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Speaker 1: y'all said, no cigarettes here right? Yeah? You know I'm smoking.

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Speaker 1: Ask the focus and I can't get my nicotine, did

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Speaker 1: I just get? Let me all right, and you'll check

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Speaker 1: this out, y'all. Regards todos. Now you already know how

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Speaker 1: to go your boy Nature queen salute about about your

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Speaker 1: mother godfather right here, mc shan, understand you will always

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Speaker 1: be the motherfucking man, a legend in my eyes. You

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Speaker 1: know what I'm saying, A true rappers rapper nation right

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Speaker 1: now that we could call hey, shut that shut off,

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Speaker 1: shut that shut off, because I don't say, y'all straight up,

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Speaker 1: you're gonna say that ship right now, they're gonna hear.

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Speaker 1: Y'all love your nation. You know how good we are.

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Speaker 1: Let me take you back in the days, y'all remember,

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Speaker 1: and you might remember Antonio and Salty. There was a

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Speaker 1: clothing line called Antonio and Salty, right and Tonio say,

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Speaker 1: ye know, Shan, I want you to be in the

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Speaker 1: picture with Nation. Nature looked at me, he said, Yo, Shan,

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Speaker 1: I don't want to be the picture with you. I

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Speaker 1: need this right now. I couldn't understand what the funk

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Speaker 1: he was saying. You need this right now. If you're

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Speaker 1: getting a picture with me, I'm gonna bring you the

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Speaker 1: bump status. Okay. So just like hot Day, Hot Day.

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Speaker 1: You see me, right, I'm giving Norio package. Hot Day

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Speaker 1: sent me a package with a national shirt, and I

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Speaker 1: don't just respect Nation. I love you, but he sent

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Speaker 1: me a shirt with nasal on it. Right, gave it

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Speaker 1: to my daughter and they ain't nobody ever gonna see

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Speaker 1: that ship. Motherfucking remember, I need this right now. I

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Speaker 1: need this right now, So come bick to haunt you

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Speaker 1: fifty years later. But I still fucking love you. I'm

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Speaker 1: drinking with I'm not driving, got nigger driving. Yeah, I'm

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Speaker 1: dreaming my bus now. He was ill. Look on the block.

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Speaker 1: Boom wanted to security out frame over the fun say

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Speaker 1: Parker over, I ain't missed to We didn't have a where.

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Speaker 1: They came with a buckle that he had eighteen calls behind,

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Speaker 1: and he was like, what the fund? We don't getting

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Speaker 1: no Norri status, nigga. Let but na, I love you,

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Speaker 1: but funk that. There ain't no like I ever see

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Speaker 1: that fucking shirt. People, good people, nigga. If y'all understand me,

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Speaker 1: these are my folks. I love him to funk with him.

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Speaker 1: If I ain't know you, I talked to you just

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Speaker 1: the same way. If you don't like it, what the

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Speaker 1: fun does she just chisel? You know what I'm saying,

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Speaker 1: there's no harm and what I say, I'm doing what

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Speaker 1: I do and I'm not gonna come to no react

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Speaker 1: like some new nigga, because all y'all niggers be like,

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Speaker 1: look at that nigger shin and I'm gonna figures who yo?

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Speaker 1: Peace nor the check in. Last about some words about

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Speaker 1: mc shan. Definitely, No. Shan was always like the prophet

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Speaker 1: of Queen's Bridge. To me, No, it was back in

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Speaker 1: the mid eighties to the late eighties when you were

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Speaker 1: soaking out living in the world the hip hop and

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Speaker 1: that's what we're doing now. Man, it's like one of

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Speaker 1: the most influential cultures around the world. Word. Then you

354
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Speaker 1: even take it to the first words of Queen's Bridge

355
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Speaker 1: where you say they love to hear the story again

356
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Speaker 1: and again, and it's like that's that's the thing in

357
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Speaker 1: hip hop now. It's like everyone telling their story again

358
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Speaker 1: and again. Word man. So Sham was always like the prophet.

359
00:23:42,560 --> 00:23:45,320
Speaker 1: It always said Sham was the prophet of Queen's Bridge

360
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Speaker 1: and trash with the heart. You know, it was a

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Speaker 1: funny story like back when they had the big day

362
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Speaker 1: phone books. You know, you would look at the records

363
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Speaker 1: and you know it normally had dudes government names on

364
00:23:59,320 --> 00:24:05,439
Speaker 1: it and so like like looked in the phone if

365
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Speaker 1: his number was published, and sure enough it was. So

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00:24:09,400 --> 00:24:12,000
Speaker 1: we used to call like, yo, can we literally can

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00:24:12,000 --> 00:24:15,360
Speaker 1: we talk to mc shan, you know? And Shan used

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Speaker 1: to pick up the phone like, Yo, what's up? Man?

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Speaker 1: What's up? What we're talking about? Like yo, funk that

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00:24:21,400 --> 00:24:24,399
Speaker 1: ship keep repperd queens like, yo, funk that ship. The

371
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Speaker 1: niggas like all that while ship and Shan was right

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Speaker 1: there with us, man like that property. I had the

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Speaker 1: privilege to have a record produced by Lodge Professor And

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Speaker 1: there was a Schistel symphony is called Penal Reunion where

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Speaker 1: it had me g rapped Diesel. It had Nick. You know, Nick,

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Speaker 1: you know what I'm saying. I got a family to

377
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Speaker 1: live where you come from. You know what I'm saying.

378
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Speaker 1: My roche and Tanya. I don't know, but see Tanya

379
00:24:58,400 --> 00:25:02,800
Speaker 1: and you was getting money back there. I love. Give

380
00:25:02,840 --> 00:25:05,560
Speaker 1: me tell y'all to split the pole. Guys, all right,

381
00:25:05,560 --> 00:25:07,320
Speaker 1: that's not the cool list, that's what it's him, that's

382
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Speaker 1: my cousin, Like, yeah, that's what the dns. It's not

383
00:25:12,040 --> 00:25:17,120
Speaker 1: hire yeah funk that that's called the waste of motherfucking alcohol.

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Speaker 1: That's striking ship. So you know you give me purfect

385
00:25:30,440 --> 00:25:33,560
Speaker 1: much given some mu's love you that like you realize

386
00:25:33,720 --> 00:25:36,000
Speaker 1: yet it's gonna keep going. All right, Well look look

387
00:25:36,920 --> 00:25:39,200
Speaker 1: my whole fingers. I'm so down to earth that I

388
00:25:39,200 --> 00:25:41,840
Speaker 1: don't give a funk about that hip hop ship. You

389
00:25:42,280 --> 00:25:47,800
Speaker 1: can give I love. I love love. That's what I

390
00:25:47,960 --> 00:25:50,800
Speaker 1: love about it. That right, that's what I love about it.

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Speaker 1: It's the hip hop that brought me this slove. But

392
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Speaker 1: it's just the way that hip hop street old school

393
00:25:55,800 --> 00:26:00,240
Speaker 1: motherfucker's right now, I don't like that. I like the

394
00:26:00,280 --> 00:26:03,600
Speaker 1: word o G. Let you. I'm cool with o G.

395
00:26:04,520 --> 00:26:07,239
Speaker 1: Sometimes they call you o G, but they don't. They

396
00:26:07,359 --> 00:26:09,679
Speaker 1: just called you old. They try to read it between

397
00:26:09,760 --> 00:26:13,560
Speaker 1: it bless that they both check out. But let's just

398
00:26:13,840 --> 00:26:16,639
Speaker 1: a's come out from honory. When they call you o G,

399
00:26:17,200 --> 00:26:19,080
Speaker 1: it's a bad word. No, it's not a bad word.

400
00:26:19,200 --> 00:26:22,160
Speaker 1: Motherfucking you tell them niggers. I hope you live. It's

401
00:26:22,200 --> 00:26:29,080
Speaker 1: not of the bitch, mother you. When they called me

402
00:26:29,200 --> 00:26:32,560
Speaker 1: an old head rock, I called out a term of engeerment.

403
00:26:33,119 --> 00:26:35,119
Speaker 1: Are you calling me an old head nigger. You might

404
00:26:35,160 --> 00:26:37,520
Speaker 1: be dead next week. I hope you get what the

405
00:26:37,600 --> 00:26:40,960
Speaker 1: funk I'm at ship. Hope somebody call your old head

406
00:26:41,680 --> 00:26:47,080
Speaker 1: who got surprised. Here you go. Let's call the main

407
00:26:47,240 --> 00:26:52,320
Speaker 1: purpose of the story to read your goldst not walking

408
00:26:52,400 --> 00:26:54,800
Speaker 1: through light as if you were blind. You should reach

409
00:26:54,880 --> 00:27:02,480
Speaker 1: for your goals. Yeah, man, major major salute and boomerang

410
00:27:02,560 --> 00:27:06,200
Speaker 1: and mc shan for making that national anthem. That's queens

411
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Speaker 1: Bridges national anthem. That gave a young fellow like me

412
00:27:09,040 --> 00:27:11,359
Speaker 1: coming up a lot of hope, a lot of sparks,

413
00:27:11,440 --> 00:27:14,160
Speaker 1: and a lot of motivation. Man, made me feel proud

414
00:27:14,240 --> 00:27:16,159
Speaker 1: to be from Queensbridge. And I still am and I

415
00:27:16,240 --> 00:27:19,240
Speaker 1: love it man. Thanks San, I love you, big Brook.

416
00:27:19,760 --> 00:27:22,600
Speaker 1: Talking to the motherfucking talking to the iPad again. They're

417
00:27:22,680 --> 00:27:27,040
Speaker 1: I'm gonna stop drinking. Yea though I didn't say no,

418
00:27:28,280 --> 00:27:52,200
Speaker 1: but look now, see yeah, yeah, give your flowers. Man. Listen, No, no,

419
00:27:52,320 --> 00:28:00,080
Speaker 1: don't listen. Listen. Listen this y'all giving me because is

420
00:28:00,080 --> 00:28:03,760
Speaker 1: they're gonna laugh forever to do that. He wasn't gonna

421
00:28:03,920 --> 00:28:06,440
Speaker 1: laugh for fucking that way, motherfucker. Give you a ruse

422
00:28:06,520 --> 00:28:08,560
Speaker 1: that ship on a dive. But when the motherfucker gave

423
00:28:08,600 --> 00:28:11,800
Speaker 1: you some drink, champ MSG shamship like this, it's gonna

424
00:28:11,920 --> 00:28:17,399
Speaker 1: laugh forever and Trash. So I was getting ready to

425
00:28:17,480 --> 00:28:25,280
Speaker 1: MOBI and talking about this thing. What y'all gotta understand

426
00:28:25,560 --> 00:28:29,879
Speaker 1: is Trag just wanted the original original Juice Crew. Now

427
00:28:29,960 --> 00:28:32,440
Speaker 1: y'all got believe it. When he told me that, Yeah,

428
00:28:33,920 --> 00:28:37,800
Speaker 1: you didn't tell me. I thought he was original je Crew.

429
00:28:38,160 --> 00:28:41,000
Speaker 1: Now here's what happened to Trash. Trash was so Joe

430
00:28:41,720 --> 00:28:44,920
Speaker 1: and his life was going through certain changes and things

431
00:28:45,320 --> 00:28:52,440
Speaker 1: that he had to do. College chime at fourteen, Remember

432
00:28:52,520 --> 00:29:10,240
Speaker 1: his voice was there, we got no yeah, the conversation

433
00:29:10,640 --> 00:29:18,000
Speaker 1: and now you ain't seeing my ship. I got glasses too.

434
00:29:18,040 --> 00:29:19,680
Speaker 1: You wanna put your shirt on a shame they got

435
00:29:19,720 --> 00:29:27,080
Speaker 1: on the said I can't do that, can't do I'm

436
00:29:27,160 --> 00:29:33,520
Speaker 1: selling my hands chell, y'all, I don't see me watching

437
00:29:34,080 --> 00:29:39,960
Speaker 1: for glasses right, there's sorry. But at the end of

438
00:29:40,040 --> 00:29:42,880
Speaker 1: the day, Shrage is one of them Juice Cool members

439
00:29:42,880 --> 00:29:45,200
Speaker 1: that he had to go do some college time. Now

440
00:29:45,280 --> 00:29:48,120
Speaker 1: this nick is sitting in college choke him out. Oh shit,

441
00:29:48,280 --> 00:29:55,400
Speaker 1: I see, because when he was yeah, you're always telling

442
00:29:55,440 --> 00:29:59,440
Speaker 1: me that. Now you believe him I believe that, believe

443
00:29:59,440 --> 00:30:08,920
Speaker 1: that that ain't dragged. I'm just saying, you gotta get

444
00:30:09,000 --> 00:30:12,880
Speaker 1: some chill. Let me drink with your big what you're

445
00:30:12,960 --> 00:30:28,800
Speaker 1: drinking a little time, my best special shammage. I'm trying

446
00:30:28,800 --> 00:30:30,600
Speaker 1: to give me drunk. I don't know what I'm saying.

447
00:30:30,600 --> 00:30:34,600
Speaker 1: I'm trying to get your flowers. Don't. You don't need

448
00:30:34,640 --> 00:30:39,320
Speaker 1: to drinks. I don't need it that way. You've been

449
00:30:39,360 --> 00:30:41,440
Speaker 1: trying to connect with you for almost six years, and

450
00:30:41,520 --> 00:30:44,720
Speaker 1: I know the timing, and then COVID hit and so

451
00:30:45,160 --> 00:30:47,560
Speaker 1: it was almost like the right time because you know,

452
00:30:47,600 --> 00:30:49,560
Speaker 1: I wouldn't allowed to get these drops. I weren't allowed

453
00:30:49,560 --> 00:30:52,240
Speaker 1: to call these people that it is busy and you

454
00:30:52,320 --> 00:30:54,040
Speaker 1: know saying, Yo, listen, man, I need you to take

455
00:30:54,120 --> 00:30:57,680
Speaker 1: five minutes to give mc shan his motherfucking flowers. Not

456
00:30:57,840 --> 00:30:59,880
Speaker 1: only me, not only if Fenn, but I wanted to

457
00:31:00,440 --> 00:31:05,320
Speaker 1: from other legends, other pioneers and tycoons and stakements in

458
00:31:05,360 --> 00:31:20,520
Speaker 1: this game. Yeah. So you just see to say shout

459
00:31:20,560 --> 00:31:28,720
Speaker 1: out to Snow and put this together. The second second ship. Yeah,

460
00:31:30,200 --> 00:31:33,880
Speaker 1: y'all see, I keep sticking up ships and you'll check

461
00:31:33,920 --> 00:31:36,200
Speaker 1: this out. You already know what it is, man, have

462
00:31:36,360 --> 00:31:39,400
Speaker 1: you represend the infamous small deep Right now, I'm dropping

463
00:31:39,480 --> 00:31:45,000
Speaker 1: in to give a special man I don't want about

464
00:31:45,040 --> 00:31:49,600
Speaker 1: my pot and made me proud to be. Well, man,

465
00:31:50,040 --> 00:31:53,680
Speaker 1: I don't you know, I don't really get opportunity for

466
00:31:53,960 --> 00:31:59,080
Speaker 1: a lot of the times. And sho yo, like man,

467
00:31:59,560 --> 00:32:02,640
Speaker 1: you made proud to be I was from QB. You

468
00:32:02,720 --> 00:32:05,120
Speaker 1: gave me the heart to become. You know what I'm saying.

469
00:32:05,160 --> 00:32:07,600
Speaker 1: The artists that I am today, you know what I'm saying.

470
00:32:08,200 --> 00:32:10,800
Speaker 1: And um, you know we all we all looked up

471
00:32:10,840 --> 00:32:12,440
Speaker 1: to you. You know what I'm saying, We still do.

472
00:32:13,320 --> 00:32:15,840
Speaker 1: You know the O G. I remember you coming through

473
00:32:15,880 --> 00:32:19,000
Speaker 1: the projects with the different color pumas and you know

474
00:32:19,200 --> 00:32:22,440
Speaker 1: saying the energy that we would feel when you would

475
00:32:22,480 --> 00:32:24,720
Speaker 1: come back through the hood. You know what I'm saying,

476
00:32:24,880 --> 00:32:26,840
Speaker 1: or something like. You know what I mean. You you

477
00:32:27,040 --> 00:32:31,160
Speaker 1: you Mr q B, Mr Queen's Ridge man, and you know,

478
00:32:31,440 --> 00:32:35,160
Speaker 1: like I said, I can't thank you enough. You know, uh,

479
00:32:35,480 --> 00:32:37,680
Speaker 1: the inspiration that you know what I'm saying, You gave

480
00:32:37,840 --> 00:32:40,320
Speaker 1: so many of us in the hood. You know, looking

481
00:32:40,360 --> 00:32:45,360
Speaker 1: at you doing your thing, you know inspired us. You

482
00:32:45,400 --> 00:32:48,120
Speaker 1: know what I'm saying. As as as young boys, and

483
00:32:49,640 --> 00:32:51,600
Speaker 1: I want to give you your roses. Man. You know

484
00:32:51,640 --> 00:32:57,920
Speaker 1: what I'm saying, Um, forever gonna have a profound love

485
00:32:58,080 --> 00:33:01,400
Speaker 1: for the things that you did for us. Man, and Yo,

486
00:33:03,200 --> 00:33:07,200
Speaker 1: I love baby, and sing what I'm saying. But you

487
00:33:07,280 --> 00:33:13,880
Speaker 1: know what it is then alright, yeah, closer to town

488
00:33:13,960 --> 00:33:19,880
Speaker 1: because I can't see ship he loved. I say, what's

489
00:33:19,920 --> 00:33:27,040
Speaker 1: your ship? What's hold right down? You know something? Got

490
00:33:27,120 --> 00:33:31,280
Speaker 1: a bar your ship? To look at this ship. You's

491
00:33:31,280 --> 00:33:34,320
Speaker 1: got a story about having like he forgot the part

492
00:33:35,040 --> 00:33:37,640
Speaker 1: oh ware Havoc was at the top and the height

493
00:33:37,720 --> 00:33:40,760
Speaker 1: of his game. And you know that motherfucking drinking and

494
00:33:40,880 --> 00:33:44,960
Speaker 1: ja and all that ship them easy Jesus right, he

495
00:33:45,120 --> 00:33:47,360
Speaker 1: would got to say. The time just Shan came to

496
00:33:47,480 --> 00:33:49,560
Speaker 1: my house like eight o'clock in the morning, binging on

497
00:33:49,680 --> 00:33:52,440
Speaker 1: one door like yo, have it, Yo, I need you

498
00:33:52,520 --> 00:33:57,480
Speaker 1: to do this whole my nigger. So he came downstairs,

499
00:33:57,680 --> 00:34:00,600
Speaker 1: opened his door, took me in the basement, and I said,

500
00:34:00,640 --> 00:34:02,200
Speaker 1: you're all I need you to do is say this.

501
00:34:04,320 --> 00:34:07,640
Speaker 1: He get it, no fucking problem, eight o'clock in the morning.

502
00:34:08,440 --> 00:34:10,960
Speaker 1: Not because that's one of these things I always said

503
00:34:10,960 --> 00:34:13,440
Speaker 1: about that dude. We're doing l A l A. Remember

504
00:34:13,520 --> 00:34:17,680
Speaker 1: he was knocked out drunker wolcome up. He did it first, perfect,

505
00:34:17,719 --> 00:34:23,400
Speaker 1: it fell back down perfect. So you just confirmed this

506
00:34:25,239 --> 00:34:27,120
Speaker 1: last night eight o'clock in the morning. Come to this

507
00:34:27,520 --> 00:34:30,800
Speaker 1: and and the song is on my album call Balls

508
00:34:30,840 --> 00:34:34,200
Speaker 1: Over Bullshit that I put out seventeen. Y'all, mother focused

509
00:34:34,239 --> 00:34:37,320
Speaker 1: it out here be talking about oh we support here pop. Motherfucker.

510
00:34:37,320 --> 00:34:39,799
Speaker 1: I put out a free album in seventeen. I still

511
00:34:39,840 --> 00:34:46,279
Speaker 1: ain't got twenty six hits. Fuck y'all niggers, who who stop?

512
00:34:46,440 --> 00:34:49,200
Speaker 1: Right there? That's the same right there? Oh my pa,

513
00:34:50,480 --> 00:34:52,799
Speaker 1: Oh my pa. That's the black white cover. Right it's

514
00:34:52,800 --> 00:34:55,000
Speaker 1: a black and white cover. It's got just a microphone.

515
00:34:55,040 --> 00:35:01,479
Speaker 1: I always want to show my face school the old

516
00:35:01,520 --> 00:35:08,359
Speaker 1: school year. And you didn't recognize that superman literary you man.

517
00:35:08,560 --> 00:35:12,040
Speaker 1: Let her know that microphone has said motherfucking balls over bullshit.

518
00:35:12,320 --> 00:35:14,480
Speaker 1: Now let me tell you that balls and bullshit right

519
00:35:15,000 --> 00:35:18,360
Speaker 1: says motherfucker. Keep talking about old Christal. I'll challenge that.

520
00:35:18,440 --> 00:35:21,360
Speaker 1: Nigga said, Yo, fuck you nigga, your last digital album

521
00:35:21,400 --> 00:35:24,480
Speaker 1: against my last dig album. You got twenty four albums.

522
00:35:24,600 --> 00:35:33,080
Speaker 1: Quantity quality over quantity, all right. All I'm saying is

523
00:35:33,160 --> 00:35:35,799
Speaker 1: like I say, yo, here, this was when when when

524
00:35:36,160 --> 00:35:39,719
Speaker 1: niggas was doing versus from home, but alright, they were

525
00:35:39,760 --> 00:35:42,120
Speaker 1: doing verses from home. I say, yo, let's go. You

526
00:35:42,200 --> 00:35:45,319
Speaker 1: could do all the hits later, but let me show

527
00:35:45,360 --> 00:35:49,280
Speaker 1: you how much of a lyrical beasts during the pandemic,

528
00:35:49,560 --> 00:35:51,920
Speaker 1: I was calling christof for six months he hit from me.

529
00:35:52,320 --> 00:35:55,440
Speaker 1: I don't care whether funk anybody who's on this in Instagram?

530
00:35:55,520 --> 00:35:58,680
Speaker 1: And see I was calling Chris out every other week, like, nigga,

531
00:35:58,719 --> 00:36:00,800
Speaker 1: let's do this. They got that verse shoot on Instagram.

532
00:36:01,160 --> 00:36:02,520
Speaker 1: It could be home. I could be home. I'm on

533
00:36:02,600 --> 00:36:07,080
Speaker 1: that Corona ship too. You know what I'm saying. And

534
00:36:07,440 --> 00:36:09,400
Speaker 1: what I did was I broke it down. Yeah, we

535
00:36:09,480 --> 00:36:12,200
Speaker 1: could do those hits afterwards, but I said, let me

536
00:36:12,320 --> 00:36:15,839
Speaker 1: do my last digital album against yours when I wasn't

537
00:36:15,880 --> 00:36:18,279
Speaker 1: thinking about you, you wasn't thinking about me. And let's

538
00:36:18,280 --> 00:36:20,560
Speaker 1: see who that lyrical nigga is. Okay, hold on, if

539
00:36:20,600 --> 00:36:23,640
Speaker 1: we're gonna get into that d going there, we gotta

540
00:36:23,640 --> 00:36:38,480
Speaker 1: be the last because I don't breaking speaking of right

541
00:36:39,239 --> 00:36:41,360
Speaker 1: proud as he passed, we all know that. And it

542
00:36:41,480 --> 00:36:44,480
Speaker 1: was a very famous incident that happened in Queen's Bridge

543
00:36:44,760 --> 00:36:48,080
Speaker 1: where people painted his memorial and then someone painted over

544
00:36:48,160 --> 00:36:51,320
Speaker 1: his memorial. Then someone came back and fixed him. You

545
00:36:51,360 --> 00:37:01,719
Speaker 1: heard him say, and then this back in your path,

546
00:37:01,960 --> 00:37:06,520
Speaker 1: disrespected the memorial again. And what was your What was

547
00:37:06,560 --> 00:37:09,600
Speaker 1: your thoughts when you heard that? What was my thoughts

548
00:37:09,719 --> 00:37:12,520
Speaker 1: when I heard I see sometime you talk about motherfucker's

549
00:37:12,560 --> 00:37:15,240
Speaker 1: you need to keep your mouth shut. I'll give him props,

550
00:37:15,320 --> 00:37:16,759
Speaker 1: I give him more, you know what I'm saying. But

551
00:37:16,920 --> 00:37:19,640
Speaker 1: sometimes nigger, you can't be talking about motherfucker's and then

552
00:37:19,719 --> 00:37:23,240
Speaker 1: still be trying to Now they're gonna put your mural

553
00:37:23,400 --> 00:37:26,239
Speaker 1: up in the in the hood right where you know,

554
00:37:26,719 --> 00:37:29,200
Speaker 1: did dirt to the niggas. You ain't even really from here.

555
00:37:29,560 --> 00:37:31,480
Speaker 1: And this is what I always tell the again. Product

556
00:37:31,520 --> 00:37:34,760
Speaker 1: you hung out in Queensbridge, but he's not from Queen's Bridge.

557
00:37:35,320 --> 00:37:38,239
Speaker 1: I love him for representing all that ship, but in

558
00:37:38,360 --> 00:37:41,239
Speaker 1: the end of the day, it's like he was having man.

559
00:37:41,520 --> 00:37:43,520
Speaker 1: Only reason why he was able to come to Queen's

560
00:37:43,520 --> 00:37:45,560
Speaker 1: Bridge because he was having his man. You know what

561
00:37:45,600 --> 00:37:47,640
Speaker 1: I'm saying, you'll be talking about niggers. I'll see you,

562
00:37:47,760 --> 00:37:49,760
Speaker 1: nigga said, Yo, if you want to do some dirt,

563
00:37:50,040 --> 00:38:09,320
Speaker 1: you go to Queen's Bridge. I see you, right but

564
00:38:09,520 --> 00:38:11,800
Speaker 1: but it was. It was interesting to me because and

565
00:38:11,880 --> 00:38:13,600
Speaker 1: I said, I don't know if, but let me get

566
00:38:13,600 --> 00:38:15,920
Speaker 1: to the story where I fucking see this is like

567
00:38:16,040 --> 00:38:19,719
Speaker 1: the second time, and no, I love this man. You

568
00:38:19,760 --> 00:38:22,960
Speaker 1: can't keeping the subjing change the subthing. But I meant

569
00:38:23,160 --> 00:38:25,400
Speaker 1: drinking you can't keep because it's what I'm gonna say.

570
00:38:25,400 --> 00:38:30,200
Speaker 1: That's what I'm saying. It was shocking to me because

571
00:38:30,520 --> 00:38:35,120
Speaker 1: the thing is, most people if it wasn't discrepancy with Pete,

572
00:38:35,160 --> 00:38:37,560
Speaker 1: but prior to this book coming out, it should have

573
00:38:37,640 --> 00:38:41,200
Speaker 1: been handled. Do you can't charming on that? A lot

574
00:38:41,239 --> 00:38:44,040
Speaker 1: of things come to him. A lot of things shouldn't

575
00:38:44,040 --> 00:38:47,040
Speaker 1: have been written about that put it that way. I

576
00:38:47,120 --> 00:38:51,359
Speaker 1: love in the room, I love in the world written

577
00:38:51,440 --> 00:38:54,879
Speaker 1: but it's not. It's not my time. Like I said,

578
00:38:54,880 --> 00:38:57,600
Speaker 1: a lot of ships shouldn't have been written about. It

579
00:38:57,800 --> 00:38:59,680
Speaker 1: is what it is. And now how we always want

580
00:38:59,680 --> 00:39:02,040
Speaker 1: to say, real nigga, real nigga, real nigga, don't keep

581
00:39:02,480 --> 00:39:05,880
Speaker 1: real nigga, don't fucking snitch. That's try snitching to me.

582
00:39:06,560 --> 00:39:08,279
Speaker 1: And so in the end of the day, that don't

583
00:39:08,320 --> 00:39:10,560
Speaker 1: represent the place that I come from. I love you

584
00:39:10,760 --> 00:39:12,759
Speaker 1: Pee and all that ship, But nigger you don't did

585
00:39:12,760 --> 00:39:14,640
Speaker 1: a lot of dirt. And now I'm gonna tell you

586
00:39:14,680 --> 00:39:21,279
Speaker 1: about this motherfucker right here, say about this right one day,

587
00:39:21,400 --> 00:39:30,920
Speaker 1: y'all niggas, you probably was definitely all right, easy, we're

588
00:39:31,040 --> 00:39:34,480
Speaker 1: filling some ship by the pub right, some movie or

589
00:39:34,640 --> 00:39:41,000
Speaker 1: video singer chicken out. But now Nory, like, yo, what

590
00:39:41,120 --> 00:39:43,040
Speaker 1: I'm seeing out you know it was giving me love?

591
00:39:43,160 --> 00:39:46,040
Speaker 1: Is your men doing what they did, right. But I

592
00:39:46,200 --> 00:39:48,520
Speaker 1: looked up and I looked. I said, yo, I gotta

593
00:39:48,520 --> 00:39:50,600
Speaker 1: get the funk out of you, because the niggas probably

594
00:39:50,640 --> 00:40:03,680
Speaker 1: go shooting each other. That I was way here, so

595
00:40:03,800 --> 00:40:05,799
Speaker 1: that had we want to mess him measuring people's name

596
00:40:05,840 --> 00:40:17,719
Speaker 1: were on the bus, right, So so trans better. I'm

597
00:40:17,760 --> 00:40:19,919
Speaker 1: gonna sucking live by that ship to this day. Show.

598
00:40:20,560 --> 00:40:22,480
Speaker 1: I just didn't bring bad you talk because I'm back

599
00:40:22,480 --> 00:40:25,080
Speaker 1: gonna talking me out of that though, tell us who

600
00:40:25,120 --> 00:40:28,200
Speaker 1: talk me out that I love you for that. I

601
00:40:28,320 --> 00:40:30,239
Speaker 1: love you for that? Right then? All right, but you

602
00:40:30,320 --> 00:40:33,200
Speaker 1: see something the best that he was the only one

603
00:40:33,239 --> 00:40:35,520
Speaker 1: at that point they could do that to me. I see,

604
00:40:35,600 --> 00:40:40,719
Speaker 1: I told how close he can't know he's cat curious. Look,

605
00:40:41,320 --> 00:40:44,040
Speaker 1: I know, I'm pretty can't appreciate you for that. Tool.

606
00:40:44,480 --> 00:40:53,399
Speaker 1: You look down in a drunk unn she can't tell

607
00:40:53,440 --> 00:40:56,640
Speaker 1: what up she played phone, staying footing for the second

608
00:40:57,040 --> 00:41:07,279
Speaker 1: out of here. I want to love nah small deep,

609
00:41:07,360 --> 00:41:09,800
Speaker 1: all of us that came from behind you. Man. I

610
00:41:09,920 --> 00:41:13,759
Speaker 1: remember the blue AUTI with the with the Gucci rag

611
00:41:14,000 --> 00:41:15,839
Speaker 1: on it. Man, he pulling up on the hill. Man,

612
00:41:15,920 --> 00:41:19,279
Speaker 1: I was a little kid punk jaz despite you know

613
00:41:19,800 --> 00:41:21,640
Speaker 1: me to do me. You know what I'm saying. So

614
00:41:21,680 --> 00:41:23,719
Speaker 1: I just want to say shack. I'm gonna get your

615
00:41:23,760 --> 00:41:26,600
Speaker 1: flowers right now. Bro. You inspire the whole generation a

616
00:41:26,680 --> 00:41:29,480
Speaker 1: qubing artists. Man, we thank you, we love you, we

617
00:41:29,600 --> 00:41:32,960
Speaker 1: appreciate you. You're gonna always be the representative the bridge

618
00:41:33,400 --> 00:41:42,640
Speaker 1: you made us salute. Who let me let me tell

619
00:41:42,680 --> 00:41:48,000
Speaker 1: you something about the bridge. It's my bridge, owners, it's

620
00:41:48,160 --> 00:42:04,400
Speaker 1: my it's my bridge. Master to the next drop. I

621
00:42:04,480 --> 00:42:08,800
Speaker 1: noticed that the cliche type of question, right, But you

622
00:42:08,880 --> 00:42:10,839
Speaker 1: ever thought the hip hop and making this far fun

623
00:42:11,040 --> 00:42:14,840
Speaker 1: hip hop? You know what did you ever think create

624
00:42:14,960 --> 00:42:18,719
Speaker 1: Queensbridge after the legacy that you let down? You ever

625
00:42:18,800 --> 00:42:20,840
Speaker 1: thought like this is one of the most famous, Like

626
00:42:20,920 --> 00:42:23,520
Speaker 1: I go to London, I go to Germany and people

627
00:42:23,560 --> 00:42:25,200
Speaker 1: like I want to go to Queensbrid I'm like from

628
00:42:25,280 --> 00:42:28,399
Speaker 1: left right, we're like one of the quebridge. I was like, Hi, cool,

629
00:42:28,640 --> 00:42:30,480
Speaker 1: you know what I'm saying. So this is one of

630
00:42:30,480 --> 00:42:34,840
Speaker 1: the most famous projects in the world and it's because

631
00:42:34,880 --> 00:42:38,360
Speaker 1: of you. Did you ever thought like it is what

632
00:42:38,480 --> 00:42:40,759
Speaker 1: it is? I ain't look it is what it is,

633
00:42:42,600 --> 00:42:52,279
Speaker 1: like checker, you don't this many years later you'd be

634
00:42:52,320 --> 00:42:55,560
Speaker 1: sitting here still talking. You want to know why, because

635
00:42:55,640 --> 00:42:57,920
Speaker 1: back when we were doing this ship, none of us

636
00:42:58,000 --> 00:43:00,160
Speaker 1: thought that we was gonna be here right now out.

637
00:43:00,640 --> 00:43:03,400
Speaker 1: We didn't look at we was having fun. And you

638
00:43:03,480 --> 00:43:05,279
Speaker 1: know what when they said, oh you can have fun

639
00:43:05,360 --> 00:43:07,239
Speaker 1: and get a check out this ship, oh he was

640
00:43:07,400 --> 00:43:10,040
Speaker 1: definitely with it. But then these new nigga started getting

641
00:43:10,080 --> 00:43:13,919
Speaker 1: three hundred thousand for fucking just saying yeah, oh oh yeah,

642
00:43:14,040 --> 00:43:16,800
Speaker 1: nor let me chase something I gotta give you. Motherfucking

643
00:43:16,920 --> 00:43:21,800
Speaker 1: frock man just stick right here individually by his motherfuck

644
00:43:21,880 --> 00:43:25,200
Speaker 1: herself changed the game. But they didn't understand the greatness

645
00:43:25,320 --> 00:43:29,040
Speaker 1: that you had. No, they didn't let me say you

646
00:43:29,200 --> 00:43:33,800
Speaker 1: have no remember nor so what what what? What? What?

647
00:43:34,280 --> 00:43:37,640
Speaker 1: And the way you did that soul sory, the way

648
00:43:37,920 --> 00:43:39,600
Speaker 1: I heard the story of how that ship, with the

649
00:43:39,680 --> 00:43:43,800
Speaker 1: way you counted your balls. That was fucking genus nigger.

650
00:43:43,840 --> 00:43:48,840
Speaker 1: He used to make sure all right, but he just

651
00:43:48,840 --> 00:43:50,640
Speaker 1: to make sure that he never went to the studio.

652
00:43:50,800 --> 00:43:54,080
Speaker 1: Let's rhymes. Well but we didn't. We didn't waste no

653
00:43:54,239 --> 00:43:58,640
Speaker 1: fucking studio time. But that was not funk my trash

654
00:43:58,719 --> 00:44:20,359
Speaker 1: talking about I'm talking to this ship saying carry off. Yeah, yeah,

655
00:44:21,120 --> 00:44:24,400
Speaker 1: so did you ever recalled a power? I'm trying to

656
00:44:24,440 --> 00:44:27,640
Speaker 1: get off of your motherfucker. No, I'm still on your

657
00:44:27,680 --> 00:44:32,759
Speaker 1: story that we'll see these new niggers. They didn't understand

658
00:44:32,840 --> 00:44:35,839
Speaker 1: that motherfucker that one word hook that was so ill

659
00:44:35,880 --> 00:44:39,680
Speaker 1: LISTI made it so ill. These niggas start going, yeah,

660
00:44:42,480 --> 00:44:51,640
Speaker 1: y'all nigga saying this, this is just but I nigger

661
00:44:51,719 --> 00:44:56,919
Speaker 1: super Dug. Y'all heard the super dog. That's totally super dog.

662
00:44:57,920 --> 00:45:19,000
Speaker 1: That niggas Doug that road like this, He's like, you

663
00:45:19,080 --> 00:45:23,000
Speaker 1: don't that ship him? And it was like catchin a

664
00:45:23,200 --> 00:45:26,399
Speaker 1: natural performer. A natural performance just caters to the room.

665
00:45:26,760 --> 00:45:34,120
Speaker 1: You see how he's doing. He's something quick wits a

666
00:45:35,000 --> 00:45:38,520
Speaker 1: Some people really don't know that. One of the first

667
00:45:38,680 --> 00:45:40,920
Speaker 1: and this came by way of Joe Fat I wasn't there.

668
00:45:41,000 --> 00:45:45,239
Speaker 1: He told me it's my sound. Listen fact mixed the

669
00:45:45,320 --> 00:45:48,200
Speaker 1: first ever be a Rocky Ricky. Yeah, I recorded Rocky

670
00:45:48,400 --> 00:45:51,560
Speaker 1: kill me here that story start and that's the funny

671
00:45:51,640 --> 00:45:59,000
Speaker 1: ones because story short. He was told recording yeah, but

672
00:45:59,160 --> 00:46:03,560
Speaker 1: Molly Kim had a strange style that we were laughing

673
00:46:03,600 --> 00:46:06,320
Speaker 1: at every time he would do it. First, go to

674
00:46:06,400 --> 00:46:10,719
Speaker 1: the style right, Look, I'll record the version I'm going

675
00:46:10,760 --> 00:46:14,680
Speaker 1: to mean Molly laugh. He said, come on and say, Yo,

676
00:46:14,760 --> 00:46:18,680
Speaker 1: tell rock him to do this now, imagining rock Him's voice. Yo, golf,

677
00:46:19,480 --> 00:46:22,200
Speaker 1: anybody tell you how to do your ship right? But

678
00:46:22,320 --> 00:46:24,400
Speaker 1: he's gonna do He's it to me, I said. I

679
00:46:24,440 --> 00:46:26,719
Speaker 1: looked at him and said, you know what you write

680
00:46:26,760 --> 00:46:30,239
Speaker 1: golf in? This is before he's big too, so he's yeah,

681
00:46:30,320 --> 00:46:33,800
Speaker 1: this is played the keyboards on the ship with a

682
00:46:33,840 --> 00:46:53,719
Speaker 1: tissue at man like the past of game. Yeah, so

683
00:46:53,880 --> 00:46:57,520
Speaker 1: you rock him recorded him and he says, ain't nobody

684
00:46:57,640 --> 00:47:01,120
Speaker 1: tells but you. And it wasn't able, Yo, golf, not

685
00:47:01,280 --> 00:47:07,319
Speaker 1: just think I think you're recording him though? Right? Did

686
00:47:07,800 --> 00:47:10,279
Speaker 1: it because Molly and we thought that he was came

687
00:47:10,360 --> 00:47:13,000
Speaker 1: with Eric B. Molly didn't think. I didn't think that

688
00:47:13,200 --> 00:47:15,560
Speaker 1: rock himself up. But I gotta look at it like, yo,

689
00:47:15,680 --> 00:47:17,799
Speaker 1: I don't know that I'm one of those that came

690
00:47:17,840 --> 00:47:21,080
Speaker 1: in with that all of this beat simm round anything

691
00:47:21,239 --> 00:47:30,000
Speaker 1: before me, Nickas was yelling, you know what rock so

692
00:47:30,160 --> 00:47:32,600
Speaker 1: anything before me? Now I come with the smooth ass

693
00:47:32,960 --> 00:47:35,399
Speaker 1: all of this beat. I opened the doors for rock

694
00:47:35,520 --> 00:47:38,120
Speaker 1: campers and canes and the smooth niggers have come through

695
00:47:38,160 --> 00:47:40,239
Speaker 1: and beat. I'm so smooth, you know what I'm saying.

696
00:47:41,000 --> 00:47:44,160
Speaker 1: And so but I didn't recognize rock him she has

697
00:47:44,200 --> 00:47:47,120
Speaker 1: at that point, and it wasn't my place even think

698
00:47:47,160 --> 00:47:50,000
Speaker 1: about it. Just pressed the button. Nigger, ain't show motherfucker's

699
00:47:50,000 --> 00:47:56,959
Speaker 1: way above your pay scale. I'm like that page anything would.

700
00:47:56,960 --> 00:47:58,560
Speaker 1: A lot of people don't know real quick is that

701
00:47:59,400 --> 00:48:01,960
Speaker 1: it was used to be assession for Freddie Fox and

702
00:48:02,000 --> 00:48:04,960
Speaker 1: he didn't show up. I didn't know that part. I

703
00:48:05,000 --> 00:48:09,799
Speaker 1: didn't even know that he makes the first rocking Yes,

704
00:48:10,239 --> 00:48:12,399
Speaker 1: and then you want to know how I fish my mix,

705
00:48:12,520 --> 00:48:18,480
Speaker 1: because if you hear the echoes all funked up, you

706
00:48:18,600 --> 00:48:22,360
Speaker 1: get hit back action. And that's what I'm saying, and

707
00:48:22,480 --> 00:48:24,600
Speaker 1: that's what we get back to that what what what

708
00:48:25,280 --> 00:48:27,759
Speaker 1: I'm nega, We don't know what's gonna become a hit

709
00:48:27,840 --> 00:48:31,560
Speaker 1: because what you fucking said. You said, nigger, that's the

710
00:48:31,640 --> 00:48:35,239
Speaker 1: way I counted my boss. So something that you you

711
00:48:35,520 --> 00:48:38,000
Speaker 1: just to count your balls to come a fucking great

712
00:48:38,160 --> 00:48:41,600
Speaker 1: hit like you made money. We never know what the

713
00:48:41,680 --> 00:48:43,880
Speaker 1: fucking hits record is gonna be, so let's go with

714
00:48:44,040 --> 00:48:53,880
Speaker 1: your heart. And didn't get to a disrespect for me

715
00:48:54,000 --> 00:48:56,279
Speaker 1: saying no, he changed the game. He changed the game,

716
00:48:56,320 --> 00:48:58,720
Speaker 1: and he's stupid. Motherfucker's ain't know what the fucking genius

717
00:48:58,800 --> 00:49:04,920
Speaker 1: he was on. I saw, yo sham, what's up? This

718
00:49:05,120 --> 00:49:07,320
Speaker 1: is all? And Mr put it in your mouth. You

719
00:49:07,440 --> 00:49:10,080
Speaker 1: are now the world famous kicking of diamonds. I'm all

720
00:49:10,160 --> 00:49:13,440
Speaker 1: the way in Atlanta from Queens. You made crowd to

721
00:49:13,560 --> 00:49:17,239
Speaker 1: be from Queens. Queens representative. You made the song called

722
00:49:17,280 --> 00:49:19,879
Speaker 1: the Bridge has had everybody from Queens feeling like, yes,

723
00:49:20,200 --> 00:49:22,400
Speaker 1: we was here, we loved you, we respect you for that.

724
00:49:22,719 --> 00:49:24,799
Speaker 1: I watched what you did with snow from that orders

725
00:49:24,840 --> 00:49:27,440
Speaker 1: from the beginning. I love that work there and inspired

726
00:49:27,520 --> 00:49:30,520
Speaker 1: us to go take chances. Kings from Queens. From Queens

727
00:49:30,600 --> 00:49:34,000
Speaker 1: comes kings. Yes, mc sham, we love you. Work them up.

728
00:49:34,000 --> 00:49:36,399
Speaker 1: I got King of Diamonds. If Carros weren't coming here,

729
00:49:36,480 --> 00:49:38,239
Speaker 1: I still might just check him twice that work from

730
00:49:38,280 --> 00:49:40,560
Speaker 1: other check frist s poppers twice. Make sure you ain't

731
00:49:40,600 --> 00:49:42,800
Speaker 1: got nothing on him, just because I'm wanting. I love you,

732
00:49:42,960 --> 00:49:47,040
Speaker 1: Chris Noriega, Drake Champs. Yes, we're here. Remember you could

733
00:49:47,040 --> 00:49:48,440
Speaker 1: have been anywhere in the world, but you're here with

734
00:49:48,560 --> 00:49:50,960
Speaker 1: us tonight. Fellas. Don't get too close to the ladies

735
00:49:51,120 --> 00:49:55,120
Speaker 1: or you will pay child support. Mc shan the bridge queens,

736
00:49:55,200 --> 00:49:58,239
Speaker 1: we're here, yes now, Mr put it in your mouth

737
00:49:58,320 --> 00:50:04,239
Speaker 1: from we out? How say you're gonna put it in

738
00:50:04,360 --> 00:50:16,279
Speaker 1: everybody else's I love you? This makes it noise? Now?

739
00:50:16,800 --> 00:50:19,120
Speaker 1: How did how did you lincome with this crazy motherfucker?

740
00:50:19,560 --> 00:50:22,120
Speaker 1: How how did that one tell you that? How about

741
00:50:22,160 --> 00:50:32,440
Speaker 1: link up with him? The whistless money? This is the

742
00:50:32,520 --> 00:50:35,319
Speaker 1: holy motherfucker yo, yo, nor let me take your king

743
00:50:35,400 --> 00:50:43,920
Speaker 1: the bridge. Yeah, to tell you something about this man,

744
00:50:44,040 --> 00:50:47,120
Speaker 1: you know, nigger from the projects. Right, how many motherfuckers

745
00:50:47,160 --> 00:50:50,920
Speaker 1: you know got banned from countries, so you had to

746
00:50:50,960 --> 00:50:54,320
Speaker 1: think that this motherfucker's been banned from several countries, countries,

747
00:50:54,560 --> 00:50:59,759
Speaker 1: countries royal like some taking ship. No like niggers would say,

748
00:51:00,200 --> 00:51:03,680
Speaker 1: he go do snows, he gonna do a fucking informer show, right,

749
00:51:04,280 --> 00:51:06,239
Speaker 1: and then motherfucker be like, yo, you can't come in

750
00:51:06,280 --> 00:51:10,000
Speaker 1: the country. And now I won't know how I met him.

751
00:51:10,640 --> 00:51:12,880
Speaker 1: It was like around the time. Now remember I was

752
00:51:12,920 --> 00:51:14,719
Speaker 1: supposed to be Will Smith. We're gonna get to the

753
00:51:14,760 --> 00:51:18,680
Speaker 1: ship right now. I sup right, I was saying that boy,

754
00:51:18,760 --> 00:51:26,120
Speaker 1: that motherfucker's motherfucker God damn leave me alone silent. He's

755
00:51:26,120 --> 00:51:27,960
Speaker 1: just like cut us off. Said wait, wait, I just

756
00:51:28,360 --> 00:51:33,600
Speaker 1: I just did that power off pie. I got, I got,

757
00:51:33,640 --> 00:51:35,400
Speaker 1: I got to do my coach, so I could just

758
00:51:35,480 --> 00:51:41,080
Speaker 1: shut the funk up right. But their motherfuckers say they

759
00:51:41,200 --> 00:51:43,120
Speaker 1: put me to Steve Martin movie. I was the way

760
00:51:43,160 --> 00:51:44,920
Speaker 1: I say, negger, you see what we can do for you.

761
00:51:46,400 --> 00:51:49,800
Speaker 1: Right now, Benny mcgino all of a sudden came along

762
00:51:49,920 --> 00:51:51,440
Speaker 1: and we're like, I mean, he was all of a sudden.

763
00:51:51,520 --> 00:51:55,439
Speaker 1: My my producers, my executive producers, and they're talking about

764
00:51:55,440 --> 00:51:59,880
Speaker 1: we want to make you Will Smith and data. I'm like, okay,

765
00:52:00,480 --> 00:52:03,600
Speaker 1: they put me in the in the fucking Steve Martin movie.

766
00:52:03,920 --> 00:52:05,400
Speaker 1: And then they wanted to talk to me and they

767
00:52:05,480 --> 00:52:09,280
Speaker 1: pulled out the can of Greece. I said, fuck you, niggas,

768
00:52:09,320 --> 00:52:11,520
Speaker 1: I don't go that way. That's why my career, motherfucker

769
00:52:11,600 --> 00:52:14,239
Speaker 1: went way. But he was the way that in Steve Martin,

770
00:52:14,360 --> 00:52:15,960
Speaker 1: I was the way to having because he was he

771
00:52:16,040 --> 00:52:18,960
Speaker 1: was breaking down the menu, right See. That was the

772
00:52:19,000 --> 00:52:21,120
Speaker 1: way that I'm saying, Oh you're on Warner, Brothers, this

773
00:52:21,239 --> 00:52:23,560
Speaker 1: is what we can do for you. You know what

774
00:52:23,640 --> 00:52:26,399
Speaker 1: I'm saying. And Betty wanted me to be the fresh

775
00:52:26,520 --> 00:52:29,560
Speaker 1: Prince of bel Air. People saying I'm fucking lying when

776
00:52:29,560 --> 00:52:33,360
Speaker 1: I said I gotta put fucking Will Smith in my story, niggas. No,

777
00:52:33,480 --> 00:52:35,479
Speaker 1: it's not my problem that you part of my story.

778
00:52:35,719 --> 00:52:37,920
Speaker 1: But I love Will Smith because he's got history with

779
00:52:38,040 --> 00:52:41,440
Speaker 1: me too. You and y'all call him first South to Limo.

780
00:52:41,920 --> 00:52:44,239
Speaker 1: Call that nigger. You and oh you talk to Sham.

781
00:52:45,040 --> 00:52:48,719
Speaker 1: That's my motherfucking partner, you know you. Will Smith was

782
00:52:48,760 --> 00:52:53,759
Speaker 1: one nigger. And you know Charlie mac Sharlie Mack, first

783
00:52:53,800 --> 00:52:57,920
Speaker 1: South to Limo. I don't call him further. You know

784
00:52:57,960 --> 00:52:59,719
Speaker 1: what I'm saying. Okay, So how did you hold on?

785
00:52:59,800 --> 00:53:19,160
Speaker 1: Let's flowers? Yeah, flo flowers, let's get you the story

786
00:53:19,239 --> 00:53:21,440
Speaker 1: about how hold on? Hold? What happened and what's going on?

787
00:53:21,480 --> 00:53:23,680
Speaker 1: Hanger brother? Did you spill have anything? I spilled some

788
00:53:23,800 --> 00:53:27,480
Speaker 1: fucking lookout today. You know you don't even know her. Okay,

789
00:53:28,040 --> 00:53:30,759
Speaker 1: did you guys? All right, this is what happened. Let

790
00:53:30,800 --> 00:53:34,440
Speaker 1: me this what happened. This is I'm in jail. I

791
00:53:34,480 --> 00:53:38,360
Speaker 1: get charged with two tam murders. So now in canacharna.

792
00:53:38,680 --> 00:53:40,480
Speaker 1: So I'm in jail two tam murders. I'm doing my

793
00:53:40,520 --> 00:53:42,640
Speaker 1: street thing. I'm not even thinking about music. So I'm

794
00:53:42,680 --> 00:53:45,200
Speaker 1: doing the two tam murders. Family is a crime family.

795
00:53:45,320 --> 00:53:50,680
Speaker 1: For yeah, I was right. So I'm in jail for

796
00:53:50,719 --> 00:53:52,399
Speaker 1: two tam murders. I write this song because I get

797
00:53:52,560 --> 00:53:55,120
Speaker 1: charged for stabbing these two guys. So I wrote the

798
00:53:55,160 --> 00:53:56,680
Speaker 1: song in farm and you don't let me sny on

799
00:53:56,760 --> 00:53:59,959
Speaker 1: the name. I stabbed somebody. So I'm not even thinking

800
00:54:00,000 --> 00:54:01,839
Speaker 1: about music with it. I just come up that little piece.

801
00:54:02,400 --> 00:54:05,759
Speaker 1: I beat the charge with the jury, so I get out.

802
00:54:05,880 --> 00:54:08,239
Speaker 1: I'm out for about a week. I can charge for

803
00:54:08,280 --> 00:54:11,880
Speaker 1: a self cause and bodily harm with a crowbon. What

804
00:54:12,160 --> 00:54:15,600
Speaker 1: was how wasn't stopped? How was going? Drinking? Drinking? Fighting?

805
00:54:15,719 --> 00:54:17,800
Speaker 1: Just Irish? Just you know, you're up in the projects

806
00:54:17,880 --> 00:54:21,080
Speaker 1: with all Irish and Jamaicans and just fighting. So I said, okay,

807
00:54:21,160 --> 00:54:24,040
Speaker 1: let me just see an ask down to America somehow,

808
00:54:24,440 --> 00:54:26,800
Speaker 1: you know what I mean. So I go to America

809
00:54:27,200 --> 00:54:30,080
Speaker 1: and I'm hanging on Jamaica Avenue right drinking with all

810
00:54:30,080 --> 00:54:35,239
Speaker 1: the dreads and drinking, and you know, one Irish guy said,

811
00:54:35,280 --> 00:54:39,319
Speaker 1: another Irish guy meat, Patty, meet Patty, right. So we're

812
00:54:39,360 --> 00:54:43,879
Speaker 1: there and he comes to will buy some weed down

813
00:54:43,920 --> 00:54:47,840
Speaker 1: on the block. I don't know, I'm new Sha, I

814
00:54:47,960 --> 00:54:51,200
Speaker 1: never needing about Shad. So he comes down to buy

815
00:54:51,400 --> 00:54:53,319
Speaker 1: and all the Jamaicans are like, yo, sho. You gotta

816
00:54:53,360 --> 00:54:59,439
Speaker 1: hear his white kids sings like what sh white kids?

817
00:55:00,600 --> 00:55:02,360
Speaker 1: I come with the round glasses, all looking like a

818
00:55:02,480 --> 00:55:05,640
Speaker 1: nerd too. Yeah, I could walk and he's like, oh ship.

819
00:55:05,760 --> 00:55:08,040
Speaker 1: He goes and he's sitting on the scoop and he's like,

820
00:55:08,080 --> 00:55:09,719
Speaker 1: all right, let me hear you, and I stopped booming

821
00:55:09,719 --> 00:55:12,719
Speaker 1: normal no, no, norm. He's like, you come to my house.

822
00:55:13,040 --> 00:55:14,759
Speaker 1: And I'm like, all right, Shan, I got nothing else

823
00:55:14,800 --> 00:55:17,080
Speaker 1: to do and on bail for you know, I gotta

824
00:55:17,120 --> 00:55:20,200
Speaker 1: go home. And about six months and you know, take

825
00:55:20,239 --> 00:55:23,160
Speaker 1: care of that, she has come to my house. So

826
00:55:23,360 --> 00:55:25,440
Speaker 1: I went to Shan's house. He had the studio set

827
00:55:25,520 --> 00:55:27,640
Speaker 1: up in the basement and then we just started boom.

828
00:55:28,000 --> 00:55:31,200
Speaker 1: I've never been in the studio, I never recorded. He

829
00:55:31,320 --> 00:55:32,879
Speaker 1: was like, do harmonies. I was like, what the fund

830
00:55:32,960 --> 00:55:35,319
Speaker 1: is the harmony? He's like, do iran And I didn't

831
00:55:35,360 --> 00:55:37,520
Speaker 1: know nothing about music. I just knew music, but I

832
00:55:37,560 --> 00:55:39,279
Speaker 1: didn't I didn't want to be a singer. I didn't

833
00:55:39,280 --> 00:55:40,960
Speaker 1: want to be into the music business. I wanted to

834
00:55:41,000 --> 00:55:47,600
Speaker 1: be a criminal. Trust that. Yeah, yeah, calling me bad

835
00:55:47,719 --> 00:55:49,560
Speaker 1: was just going like that. But no reggae And there's

836
00:55:49,600 --> 00:55:51,799
Speaker 1: like no reggae people, no white reggae person out there

837
00:55:51,880 --> 00:55:53,560
Speaker 1: that I could say, oh, mom, this is who I

838
00:55:53,640 --> 00:55:55,960
Speaker 1: want to be. Like, we'll see see a lot of

839
00:55:56,040 --> 00:56:02,279
Speaker 1: people because of Americans remembers. Yeah, before them barge Americans drop.

840
00:56:02,800 --> 00:56:16,279
Speaker 1: Yeah it's snow tip. Now we are again. I was

841
00:56:16,280 --> 00:56:24,600
Speaker 1: about to get up with Americans. Americannge Americans expense. I

842
00:56:24,640 --> 00:56:31,320
Speaker 1: thought they dropped. It is just Americans American. Yeah, I

843
00:56:31,320 --> 00:56:40,960
Speaker 1: think it's just about did you ever receive um cloud? Flat?

844
00:56:41,080 --> 00:56:44,439
Speaker 1: Because of that? Because of whose? Because of it? Because

845
00:56:44,440 --> 00:56:48,399
Speaker 1: when the people found out that that thing, you could

846
00:56:48,440 --> 00:56:50,440
Speaker 1: give me slack, I would slap anybody in the mouth.

847
00:56:50,520 --> 00:56:53,520
Speaker 1: Back then, nobody was saying nothing. Nobody was saying saying

848
00:56:53,520 --> 00:56:55,600
Speaker 1: that I was class would say something. That's like who

849
00:56:55,840 --> 00:56:57,360
Speaker 1: the coach that has to say something? I'm saying the

850
00:56:57,400 --> 00:57:00,200
Speaker 1: coach in general. Once once Jamaican. Once I went to

851
00:57:00,280 --> 00:57:02,040
Speaker 1: Jamaica and I was with Cocatine nine and all the

852
00:57:02,040 --> 00:57:05,280
Speaker 1: people that I loved, and they signed, they co signed.

853
00:57:05,680 --> 00:57:07,320
Speaker 1: That was after like when I did anything for you.

854
00:57:08,000 --> 00:57:10,240
Speaker 1: This is crazy. Yeah, that was about because the bottle

855
00:57:10,239 --> 00:57:13,000
Speaker 1: of whiskey. This is crazy. That was because of a

856
00:57:13,040 --> 00:57:14,760
Speaker 1: bottle of whiskey. I broke that song. I got whiskey

857
00:57:14,840 --> 00:57:27,080
Speaker 1: right here. So I'm not jaying rout here. Yeah. So yeah,

858
00:57:27,160 --> 00:57:29,680
Speaker 1: but I didn't care about no. No, who's saying this

859
00:57:29,800 --> 00:57:31,920
Speaker 1: and who's saying I didn't. It's not like what I'm

860
00:57:31,920 --> 00:57:33,600
Speaker 1: going on. If they accept me, all right, tell me

861
00:57:33,680 --> 00:57:36,440
Speaker 1: to get back in here, dude, there's nothing drink here.

862
00:57:36,520 --> 00:57:39,439
Speaker 1: This is another way drink care's work, sir, please, Yeah,

863
00:57:39,800 --> 00:57:42,600
Speaker 1: just that cigarettes that day work, sir. Come on this

864
00:57:42,680 --> 00:57:53,240
Speaker 1: cigarette many snow. So can't give me no alcoholic drink chaff,

865
00:57:53,280 --> 00:57:58,040
Speaker 1: My motherfucker, we didn't. Yeah, smoke champs. I don't want

866
00:57:58,080 --> 00:58:01,520
Speaker 1: to pun that. So yeah, the film came out and

867
00:58:01,880 --> 00:58:07,160
Speaker 1: that's where he recorded in that session video base on

868
00:58:07,280 --> 00:58:12,480
Speaker 1: a four track. He produced it. But the movies that

869
00:58:12,560 --> 00:58:17,080
Speaker 1: you wrote that, No, he wrote that it too. But

870
00:58:17,280 --> 00:58:20,880
Speaker 1: see the rest of the album. We we split writers

871
00:58:20,960 --> 00:58:23,080
Speaker 1: and we wrote the whole album, and I was like,

872
00:58:23,160 --> 00:58:27,320
Speaker 1: I didn't want to keep him. Oh shamaka, so you girl,

873
00:58:27,440 --> 00:58:31,440
Speaker 1: I've been heard. I was singing, wrapping and doings. Was

874
00:58:31,480 --> 00:58:37,040
Speaker 1: supposed to be like this. He can do everything. The

875
00:58:37,320 --> 00:58:40,760
Speaker 1: whole base for that. And then so we did the

876
00:58:40,840 --> 00:58:44,160
Speaker 1: video in former video, and he's in jail right just

877
00:58:44,280 --> 00:58:46,320
Speaker 1: before when I did the Silver Cops. And then I

878
00:58:46,480 --> 00:58:48,840
Speaker 1: boom went back to Toronto. No, no, no, no, no,

879
00:58:49,160 --> 00:58:52,560
Speaker 1: let's see this. This is how I win. Let's say

880
00:58:52,600 --> 00:58:55,880
Speaker 1: it's tonight, right, we're doing the Norry Show. He gotta

881
00:58:55,920 --> 00:58:57,880
Speaker 1: get on the plane in the morning. Not once he

882
00:58:57,920 --> 00:59:00,240
Speaker 1: get off the plane. He getting ready gonna get clink up.

883
00:59:01,520 --> 00:59:04,760
Speaker 1: When we finished recording and former album, it was up

884
00:59:04,800 --> 00:59:07,680
Speaker 1: to the last minute, the last second before he had

885
00:59:07,720 --> 00:59:10,080
Speaker 1: to go home and go fucking serve that time. So

886
00:59:10,160 --> 00:59:12,920
Speaker 1: I didn't hear the album. I didn't see the album

887
00:59:13,320 --> 00:59:18,600
Speaker 1: in the video. I didn't see that. She got the

888
00:59:18,680 --> 00:59:30,040
Speaker 1: dal said the Fishies west Sils responsible for Lisa focalstever.

889
00:59:30,120 --> 00:59:33,000
Speaker 1: You know, but he's also you know. But it was

890
00:59:33,080 --> 00:59:35,920
Speaker 1: a scheme how I got him in the studio because

891
00:59:35,960 --> 00:59:38,480
Speaker 1: Cole Chillen wanted to sign him. But I know if

892
00:59:38,520 --> 00:59:43,840
Speaker 1: Coach Hill to him the reason why I get money

893
00:59:44,000 --> 00:59:47,120
Speaker 1: right now? All right, could fly Tie? He couldn't. You

894
00:59:47,200 --> 00:59:49,240
Speaker 1: know when you when you deal with the record company,

895
00:59:49,280 --> 00:59:52,080
Speaker 1: they tell him fly Tie, it's new to the business.

896
00:59:52,360 --> 00:59:53,960
Speaker 1: I started to tell him this is the way it

897
00:59:54,000 --> 00:59:55,360
Speaker 1: got to go, this is the way it got to go.

898
00:59:55,800 --> 00:59:58,760
Speaker 1: But when it came to his album and me dealing

899
00:59:58,840 --> 01:00:02,440
Speaker 1: with Steve Seller, it was like, hey, I know how

900
01:00:02,520 --> 01:00:04,880
Speaker 1: the business going, and make sure you get whatever. You're

901
01:00:04,920 --> 01:00:08,120
Speaker 1: not gonna get paid from Steve sailor you're gonna get

902
01:00:08,160 --> 01:00:10,840
Speaker 1: paid from East West because he knows how the game.

903
01:00:11,640 --> 01:00:16,200
Speaker 1: But Steve Sailing took at him by falls. I can

904
01:00:16,320 --> 01:00:19,160
Speaker 1: funk about me. I don't get a d the producers

905
01:00:19,200 --> 01:00:22,760
Speaker 1: where they try and get all this stuff. He was

906
01:00:22,840 --> 01:00:25,280
Speaker 1: safe what Timey hooked me up. That's why I got

907
01:00:25,400 --> 01:00:28,000
Speaker 1: busses and all out. I know what. No, I'm glad

908
01:00:28,040 --> 01:00:30,560
Speaker 1: you pay me down here. Why because I'm always on

909
01:00:30,680 --> 01:00:33,640
Speaker 1: some business stuff. I've seen a box truck. I'm gonna

910
01:00:33,680 --> 01:00:35,400
Speaker 1: pay for ten stack for that as soon as I

911
01:00:35,480 --> 01:00:37,960
Speaker 1: get out of here, trade up. You're gonna drive the

912
01:00:38,000 --> 01:00:40,160
Speaker 1: box truck and I'm gonna drove the bus back home.

913
01:00:40,640 --> 01:00:50,280
Speaker 1: I'm always on some business shiller chat. You know the

914
01:00:50,320 --> 01:00:52,240
Speaker 1: box trites got a little cab on the front end.

915
01:00:52,240 --> 01:00:54,400
Speaker 1: You can put it, got left gate on it. Now

916
01:00:54,520 --> 01:00:56,560
Speaker 1: you can move it is. That's all I said. See

917
01:00:56,600 --> 01:00:58,960
Speaker 1: what I said. I'm getting away from rap business. I'm

918
01:00:59,160 --> 01:01:03,479
Speaker 1: building business says my friends can make money. My word season.

919
01:01:03,520 --> 01:01:05,120
Speaker 1: They got to sit back and go on my all

920
01:01:05,200 --> 01:01:08,000
Speaker 1: the all week. But that ain't what I'm about. I'm

921
01:01:08,040 --> 01:01:10,400
Speaker 1: about saying my friends that are not doing as good

922
01:01:10,480 --> 01:01:12,680
Speaker 1: as me. They don't wrap, they don't do none of that,

923
01:01:12,800 --> 01:01:15,360
Speaker 1: but they can make a business and everybody can get paid.

924
01:01:16,480 --> 01:01:18,600
Speaker 1: You know what I'm saying. Like when I came down here,

925
01:01:18,640 --> 01:01:20,400
Speaker 1: I could have drove my own buss, but I'd like

926
01:01:20,520 --> 01:01:22,960
Speaker 1: to see my friends get money. I didn't feel like

927
01:01:23,120 --> 01:01:26,320
Speaker 1: dropping fun. Damn trade love. You're gonna drop you just

928
01:01:26,400 --> 01:01:29,880
Speaker 1: Monnauck sat too. You know what I'm saying. When you're

929
01:01:29,920 --> 01:01:32,240
Speaker 1: gonna drive on this love, I ain't doing I ain't

930
01:01:32,240 --> 01:01:35,600
Speaker 1: taking look at Norway trying to feel drop me and

931
01:01:35,680 --> 01:01:37,959
Speaker 1: Jake Supreme was talking about you. Man. It's a friend

932
01:01:38,080 --> 01:01:40,840
Speaker 1: crazy and we gotta talking about that. You join you

933
01:01:40,960 --> 01:01:43,280
Speaker 1: gotta eat you think I ain't no shut the funk up,

934
01:01:46,200 --> 01:01:52,680
Speaker 1: yo said Yo. Ship always get money man, that's what's up? Hey? Yo?

935
01:01:52,800 --> 01:01:55,600
Speaker 1: What up? Yo? This is Greig just saying what up

936
01:01:55,640 --> 01:01:58,520
Speaker 1: to MC call you know police Bridge love? You know

937
01:01:58,800 --> 01:02:02,320
Speaker 1: we do you know. I just want to say thank

938
01:02:02,360 --> 01:02:05,120
Speaker 1: you for including me in the Bridge record. He is

939
01:02:05,200 --> 01:02:07,000
Speaker 1: the man who was known as Craig that put me

940
01:02:07,080 --> 01:02:10,000
Speaker 1: on the map. Um. Other than that, I don't really

941
01:02:10,040 --> 01:02:11,720
Speaker 1: have much to say saying, you know I am man.

942
01:02:11,800 --> 01:02:13,720
Speaker 1: Maybe when I do drink chance, I'll open up and

943
01:02:13,800 --> 01:02:17,640
Speaker 1: talk a lot. We love alright, peace, yeah, a little crazy.

944
01:02:22,200 --> 01:02:26,360
Speaker 1: I'm keeping keeping it short and brief because Craigy she

945
01:02:26,560 --> 01:02:29,200
Speaker 1: don't talk to no video. I love Craig sheet. I

946
01:02:29,200 --> 01:02:31,280
Speaker 1: won't to know why because you know, you get people

947
01:02:31,320 --> 01:02:33,960
Speaker 1: that get interviews and the drop ship. I'm telling truth,

948
01:02:34,680 --> 01:02:37,960
Speaker 1: but Niggers be telling a little crist You don't say nothing,

949
01:02:38,560 --> 01:02:41,920
Speaker 1: can't that's Craigy about sham say you gonna talk to

950
01:02:42,000 --> 01:02:47,080
Speaker 1: Shan about that? You know? Black though, I love Craig,

951
01:02:47,920 --> 01:02:51,440
Speaker 1: but I appreciate those flowers and now you want to

952
01:02:51,520 --> 01:02:54,400
Speaker 1: know what why I say if you look at my career,

953
01:02:54,880 --> 01:02:57,680
Speaker 1: let me look. Can I just talk about your I'm

954
01:02:57,720 --> 01:02:59,240
Speaker 1: gonna let you talk. We got two more drops and

955
01:02:59,240 --> 01:03:01,680
Speaker 1: then it's really time. Okay, well but you want you

956
01:03:01,720 --> 01:03:02,920
Speaker 1: want to go to this two drips. I think we're

957
01:03:02,960 --> 01:03:07,040
Speaker 1: gonna let you Okay, there's two more drops that yeah,

958
01:03:07,040 --> 01:03:10,400
Speaker 1: because I'm want to dr time. But I'm drinking yours

959
01:03:10,480 --> 01:03:13,680
Speaker 1: that I ain't on my busard a little big brother,

960
01:03:14,000 --> 01:03:17,880
Speaker 1: but I ain't got the right last night. I didn't

961
01:03:17,920 --> 01:03:19,919
Speaker 1: get too drunk because I know this single was gonna

962
01:03:19,960 --> 01:03:25,280
Speaker 1: have any trink fucking drink two drunks. Pick out a

963
01:03:25,320 --> 01:03:31,320
Speaker 1: little drunk please, please everybody. I want people to hear it.

964
01:03:33,680 --> 01:03:36,800
Speaker 1: Sham peace King, thank you on behalf of all the

965
01:03:36,880 --> 01:03:39,720
Speaker 1: kids for queen be such with myself dropping all the

966
01:03:39,840 --> 01:03:43,600
Speaker 1: jews on us from Shorty Well. I love men. I'm

967
01:03:43,600 --> 01:03:46,400
Speaker 1: glad my man give me Miss fellers Well deserved a

968
01:03:46,440 --> 01:03:54,919
Speaker 1: long overdue my man Jay Rock because Jack just his hair. Okay,

969
01:03:54,960 --> 01:03:57,840
Speaker 1: you something saying, check I got one last drop. You

970
01:03:59,040 --> 01:04:01,640
Speaker 1: are harsh thing. Got to get in touch with all

971
01:04:01,720 --> 01:04:03,920
Speaker 1: the niggers I'm knowing this business. I think they might

972
01:04:03,960 --> 01:04:05,880
Speaker 1: have been hating on me, and I'm like, yo, give

973
01:04:05,920 --> 01:04:08,680
Speaker 1: me in touch with Nory. I want to you gotta

974
01:04:08,840 --> 01:04:12,000
Speaker 1: leave the God God works in them serious ways, right.

975
01:04:12,040 --> 01:04:15,640
Speaker 1: But I don't disrespect to anybody's coaching. But if you've

976
01:04:15,680 --> 01:04:19,360
Speaker 1: live in righteous life, thank you's gonna put out and

977
01:04:19,400 --> 01:04:21,360
Speaker 1: that's what you're gonna get. You're getting funked up ship

978
01:04:21,440 --> 01:04:23,240
Speaker 1: in your life, nigger right now. That's because you put

979
01:04:23,280 --> 01:04:28,040
Speaker 1: out the bit of flowers. Please everybody in this boom,

980
01:04:28,280 --> 01:04:31,280
Speaker 1: please be quiet. This is from gonna preacher. Okay, I'm

981
01:04:31,280 --> 01:04:34,480
Speaker 1: gonna preach o God. If you don't curse Shot, don't

982
01:04:34,520 --> 01:04:40,640
Speaker 1: trust him. Shar the Man, the American inspiration before the

983
01:04:40,720 --> 01:04:43,440
Speaker 1: album down by Lord Jane stopped this crazy thing and

984
01:04:43,480 --> 01:04:47,120
Speaker 1: all this stuff. You help pioneer this. Bro. You made

985
01:04:47,160 --> 01:04:49,400
Speaker 1: the bridge, You made Molly scratch and the bridge is

986
01:04:49,440 --> 01:04:53,920
Speaker 1: an anthem that spawned many careers, definitely mine, Yo. I

987
01:04:54,080 --> 01:04:56,480
Speaker 1: just want to send love to you, bro. You know

988
01:04:56,480 --> 01:04:59,520
Speaker 1: what I mean. Keep doing what you do. You're big inspiration.

989
01:05:00,080 --> 01:05:13,400
Speaker 1: I love you, Bro. The bridge that's gone up for

990
01:05:13,480 --> 01:05:18,240
Speaker 1: a week, streight hell check us out of good. Tell

991
01:05:18,280 --> 01:05:21,840
Speaker 1: you something about the bridge to gas and you want

992
01:05:21,840 --> 01:05:27,960
Speaker 1: to go, But I don't remember noting. You know, it's

993
01:05:28,000 --> 01:05:32,520
Speaker 1: just the child. It's all you're selling because my group

994
01:05:32,760 --> 01:05:37,280
Speaker 1: wasn't the group. Are you from, I'm from champ Stay right.

995
01:05:37,320 --> 01:05:40,400
Speaker 1: But now Dolls might have been amongst those kids that

996
01:05:40,520 --> 01:05:42,320
Speaker 1: when I come home from Chi, I take him to

997
01:05:42,320 --> 01:05:45,640
Speaker 1: the candy store. Get what you want, Mama, choking out ya,

998
01:05:45,680 --> 01:05:47,320
Speaker 1: I need a can't remember, I can't give me your ship.

999
01:05:47,480 --> 01:05:49,280
Speaker 1: Let me take the kids. You know that we know

1000
01:05:49,400 --> 01:05:56,880
Speaker 1: what they might have been amongst that group of young children,

1001
01:05:57,600 --> 01:06:00,680
Speaker 1: not young. You know, Dad watched me and but nas

1002
01:06:00,840 --> 01:06:03,720
Speaker 1: wasn't amongst smart peer group that I'm not hot deal

1003
01:06:03,840 --> 01:06:06,560
Speaker 1: was my peer. You know what I'm saying, Ratney walking

1004
01:06:06,600 --> 01:06:08,760
Speaker 1: all you know who You know what I'm saying. But

1005
01:06:09,640 --> 01:06:15,600
Speaker 1: you wasn't even the most small. So I just remember

1006
01:06:15,640 --> 01:06:18,360
Speaker 1: he might have been. It was never anything. He was

1007
01:06:18,440 --> 01:06:21,880
Speaker 1: closer with Sean Kay than it was to me. You

1008
01:06:21,960 --> 01:06:23,760
Speaker 1: know what I'm saying. But I love the fact that

1009
01:06:23,880 --> 01:06:26,240
Speaker 1: I did something that makes trash fucking look at me,

1010
01:06:26,320 --> 01:06:30,439
Speaker 1: to make fucking called mega and whoever else fucking looked

1011
01:06:30,480 --> 01:06:33,919
Speaker 1: at what then this motherfucker's look. You know what I'm saying.

1012
01:06:33,960 --> 01:06:36,080
Speaker 1: I'm glad that I made a mark in this world

1013
01:06:36,160 --> 01:06:38,840
Speaker 1: and right now it's like great road too. And look

1014
01:06:39,280 --> 01:06:42,600
Speaker 1: you say this, let me say this, nor This is

1015
01:06:42,680 --> 01:06:45,720
Speaker 1: the greatest way to end a career without spelling this liquor.

1016
01:06:47,080 --> 01:06:53,400
Speaker 1: I'm not gonna spell got faith, don't say don't come.

1017
01:06:53,400 --> 01:06:58,000
Speaker 1: I'm saying that sip it or don't count drinking rules.

1018
01:06:58,160 --> 01:07:03,840
Speaker 1: And see a month, we got shots coming there. She's

1019
01:07:04,520 --> 01:07:09,040
Speaker 1: she's gonna get take shots. Gonna tell you check this out. Okay,

1020
01:07:09,680 --> 01:07:11,400
Speaker 1: I don't about I'm a pe a prush shank that

1021
01:07:11,480 --> 01:07:22,840
Speaker 1: type of nigger'll neiga shout train let me drink n bron.

1022
01:07:22,920 --> 01:07:30,600
Speaker 1: I'm getting where the fun behind. Gonna motherfuck made me change,

1023
01:07:33,960 --> 01:07:39,080
Speaker 1: don't kiss it. But at the end of the day,

1024
01:07:39,520 --> 01:07:41,800
Speaker 1: I'm glad that I finally got a chance to come

1025
01:07:41,840 --> 01:07:44,520
Speaker 1: to Norma. And I say I quit hip hop because

1026
01:07:44,600 --> 01:07:47,200
Speaker 1: old school casts like me. And I love you, Norri,

1027
01:07:47,400 --> 01:07:49,480
Speaker 1: because I know where you came from. Nigga. You could

1028
01:07:49,480 --> 01:07:51,840
Speaker 1: be doing a hundred years right now with a ship

1029
01:07:53,400 --> 01:08:00,720
Speaker 1: trash comeing, doing a hut look point fingers play. But

1030
01:08:00,880 --> 01:08:04,560
Speaker 1: for real, you found your niche, you found his niche,

1031
01:08:04,560 --> 01:08:07,000
Speaker 1: and were all out here. You think what I'm saying,

1032
01:08:07,200 --> 01:08:11,240
Speaker 1: And so for me, career on his No re show.

1033
01:08:11,760 --> 01:08:14,200
Speaker 1: It's the greatest thing. You'll keep saying, no shance to rebirth.

1034
01:08:14,280 --> 01:08:19,760
Speaker 1: No fuck you, nig I'm going to buy a box truck. Hey, look,

1035
01:08:19,960 --> 01:08:22,320
Speaker 1: what do you feel in love? Though I feel a love,

1036
01:08:22,600 --> 01:08:25,080
Speaker 1: ain't about the love. And now he knows how I'll

1037
01:08:25,080 --> 01:08:30,000
Speaker 1: show you what I love is you? No, no, no.

1038
01:08:30,760 --> 01:08:34,120
Speaker 1: If you fill the stadium with people that you just

1039
01:08:34,320 --> 01:08:36,680
Speaker 1: opened the fucking door for them, let them all come

1040
01:08:36,720 --> 01:08:39,559
Speaker 1: in because they love me. I'll do that show for free,

1041
01:08:40,280 --> 01:08:42,400
Speaker 1: or let her nigger motherfucker comes say yo shan he

1042
01:08:42,560 --> 01:08:45,560
Speaker 1: go two thousand dollars, do all your fucking catalog. You

1043
01:08:45,640 --> 01:08:47,960
Speaker 1: could kiss my fucking ass. May I've been shreat me

1044
01:08:48,080 --> 01:08:50,240
Speaker 1: like that for here. Fuck you. They're don't need your ship.

1045
01:08:50,280 --> 01:09:04,280
Speaker 1: I gotta bux shure. Motherfucker lost what people don't understand.

1046
01:09:04,280 --> 01:09:08,120
Speaker 1: It's like everybody is not made to have millions and

1047
01:09:08,280 --> 01:09:11,679
Speaker 1: fucking roding bit Ley's and beat oh ship. You gotta

1048
01:09:11,760 --> 01:09:14,320
Speaker 1: get the funking where you fit in and if you're

1049
01:09:14,439 --> 01:09:16,720
Speaker 1: comfortable in life, which I am, I don't want to

1050
01:09:16,800 --> 01:09:18,920
Speaker 1: be the star no more. I'd rather you leave me

1051
01:09:19,040 --> 01:09:24,760
Speaker 1: the funk alone. This wasn't time, I think you're gonna

1052
01:09:24,760 --> 01:09:28,880
Speaker 1: be a started about what the funding doing yours car?

1053
01:09:30,000 --> 01:09:34,280
Speaker 1: Check U out. I got a motherfucker proposition for you. See,

1054
01:09:34,720 --> 01:09:36,320
Speaker 1: I might have quit hip hop, but I got on

1055
01:09:36,400 --> 01:09:39,320
Speaker 1: the shows, right, I got this ship where I'm rebuilding

1056
01:09:39,360 --> 01:09:45,160
Speaker 1: my r V. I'm chiseled up. No, no, no, it's

1057
01:09:45,200 --> 01:09:48,280
Speaker 1: another motherfucker. And if you also got motherfucker's so you

1058
01:09:48,400 --> 01:09:50,439
Speaker 1: think you know hip hop where I kicked niggers off

1059
01:09:50,479 --> 01:09:58,080
Speaker 1: the motherfucking buck and another choice fire. Now, sorry, I'm

1060
01:09:58,120 --> 01:10:01,120
Speaker 1: gonna sit here and I'm gonna tell you this. Hold

1061
01:10:01,960 --> 01:10:06,640
Speaker 1: hold on, nor you got motherfucking connects. I'm willing the

1062
01:10:06,760 --> 01:10:10,280
Speaker 1: motherfucker make you executive producer. You don't gotta do ship.

1063
01:10:11,080 --> 01:10:34,519
Speaker 1: You just hoped me in with Puff, you know, for real?

1064
01:10:34,600 --> 01:10:36,720
Speaker 1: And I'm not dissing. You know, Puffy got more money

1065
01:10:36,760 --> 01:10:39,280
Speaker 1: than motherfucker at all. That nigger I was getting meals on.

1066
01:10:39,400 --> 01:10:42,760
Speaker 1: Puffy was a dancer, right all right, Now, I'm gonna

1067
01:10:42,760 --> 01:10:45,679
Speaker 1: tell you this Puff. One day I had an accident

1068
01:10:45,720 --> 01:10:48,800
Speaker 1: in Manhattan and Puff was in a cab. I don't

1069
01:10:48,840 --> 01:10:51,519
Speaker 1: know if he remembers this ship, but like every time

1070
01:10:51,560 --> 01:10:54,120
Speaker 1: you get to some ship, it might make me something

1071
01:10:54,160 --> 01:10:57,920
Speaker 1: that you would not but puff he might not remember

1072
01:10:58,000 --> 01:11:00,719
Speaker 1: I had an accident in Manhattan. I nigga send a cab.

1073
01:11:01,439 --> 01:11:03,800
Speaker 1: He's seen shining on the side with an accident, he

1074
01:11:03,920 --> 01:11:06,519
Speaker 1: pulls his fucking cab. Boy, if that nigger had to

1075
01:11:06,560 --> 01:11:11,880
Speaker 1: pay fifteen dollars more, motherfucking fucking siou shims all right, yo,

1076
01:11:12,000 --> 01:11:18,040
Speaker 1: pop fun push on nigga right now, check us out

1077
01:11:18,560 --> 01:11:21,479
Speaker 1: in the same token. You know I'm not nigga like that. No,

1078
01:11:21,640 --> 01:11:25,599
Speaker 1: you're gonna come bring you this motherfucker go back it out.

1079
01:11:25,680 --> 01:11:27,919
Speaker 1: Then we don't ping it out. No, you're a norious

1080
01:11:28,000 --> 01:11:30,760
Speaker 1: and secutive produce. Some motherfucking ships up with it. Wis

1081
01:11:30,800 --> 01:11:35,439
Speaker 1: a little bobs man said he's a mechanic too. He's

1082
01:11:35,439 --> 01:11:43,120
Speaker 1: a mechanic. You we're gonna get that. Yeah, No, we

1083
01:11:43,160 --> 01:11:45,599
Speaker 1: ain't gotta fifth them. That's fucking run. I'm gonna pay

1084
01:11:45,680 --> 01:11:49,479
Speaker 1: that in the test sex cast some morning. Okay, so

1085
01:11:49,680 --> 01:11:52,200
Speaker 1: check it. Now we're gonna get to the part you

1086
01:11:52,280 --> 01:11:55,160
Speaker 1: wanted to get to. We're gonna play Cook Thomas Slap.

1087
01:11:55,240 --> 01:11:58,599
Speaker 1: If you can get to the party. Say you say.

1088
01:11:58,600 --> 01:12:00,479
Speaker 1: It's a game that he plays called quick Time with

1089
01:12:00,520 --> 01:12:02,599
Speaker 1: slow lit bit before you get into quick time, real

1090
01:12:02,680 --> 01:12:04,559
Speaker 1: quick okay, because we were talking about informer talking about

1091
01:12:04,560 --> 01:12:06,920
Speaker 1: the Daddy Yankee remake OFVID know that he's on the

1092
01:12:06,960 --> 01:12:08,920
Speaker 1: Daddy makeing what you do you but he's but he

1093
01:12:09,120 --> 01:12:13,599
Speaker 1: routed it writing I produced it. But that's a right,

1094
01:12:14,720 --> 01:12:18,479
Speaker 1: we produced it. That's not I. We don't. We don't

1095
01:12:18,520 --> 01:12:21,519
Speaker 1: funk with that, dude, We funk with that. Ain't no

1096
01:12:21,680 --> 01:12:25,360
Speaker 1: iron cheese Daddy. So Daddy Day called us. I don't

1097
01:12:25,560 --> 01:12:33,639
Speaker 1: like look that now all called me and said, Daddy

1098
01:12:33,720 --> 01:12:35,760
Speaker 1: Yankee about to get out some money. I said, bad

1099
01:12:35,840 --> 01:12:49,080
Speaker 1: funk that I'm going to go again. Friend. Okay, So

1100
01:12:50,160 --> 01:12:53,120
Speaker 1: Daddy he calls you, he got he into you at

1101
01:12:53,280 --> 01:12:56,680
Speaker 1: the show. What happened? Uh try a lot, Daddy Yank.

1102
01:12:56,680 --> 01:13:00,040
Speaker 1: He used to listen to you because Frank No, I

1103
01:13:00,160 --> 01:13:04,120
Speaker 1: got Frank falls come here. No, no, no no, because

1104
01:13:04,439 --> 01:13:12,479
Speaker 1: this is we ain't got up. You're gonna chase I

1105
01:13:12,600 --> 01:13:22,040
Speaker 1: take about your set like he's remember you can't you

1106
01:13:23,680 --> 01:13:26,439
Speaker 1: cool to me? Maybe I don't want to look that's

1107
01:13:26,439 --> 01:13:28,840
Speaker 1: what it is saying. He's like, no, no I gonna do.

1108
01:13:29,000 --> 01:13:32,519
Speaker 1: I don't think what it's just sound like he's on

1109
01:13:32,720 --> 01:13:37,000
Speaker 1: his own. Because if you don't, you gonna tell you're

1110
01:13:37,000 --> 01:13:40,240
Speaker 1: gonna tell a story. You gotta leave room for people

1111
01:13:40,240 --> 01:13:43,320
Speaker 1: who you got even a big story. You said, you're

1112
01:13:43,320 --> 01:13:53,120
Speaker 1: playing skills. Yeah from that place. Take the floor. Okay,

1113
01:13:53,360 --> 01:13:55,280
Speaker 1: take your flots. Take the floor. So let me just

1114
01:13:55,400 --> 01:13:58,120
Speaker 1: let me back up. Then okay, we signed the contract

1115
01:13:58,160 --> 01:14:00,320
Speaker 1: with Chance and Shann. I gotta go back to Toronto time.

1116
01:14:01,080 --> 01:14:02,840
Speaker 1: So now I'm in jail. I go get another year

1117
01:14:02,880 --> 01:14:04,360
Speaker 1: in jail, to give me a year. So now I'm

1118
01:14:04,400 --> 01:14:09,120
Speaker 1: sitting in jail. The record they've started, they released in Former.

1119
01:14:09,479 --> 01:14:11,639
Speaker 1: So I get a call. I said, snow your videos

1120
01:14:11,680 --> 01:14:14,760
Speaker 1: on the video. He said, it's out the former. I said,

1121
01:14:14,800 --> 01:14:17,320
Speaker 1: you shut Friday and Saturday night in jail, we get

1122
01:14:17,320 --> 01:14:18,920
Speaker 1: to stay up lame and watch moves and then after

1123
01:14:19,000 --> 01:14:22,960
Speaker 1: we go watch late night Late night. I said, you sure.

1124
01:14:23,080 --> 01:14:25,800
Speaker 1: You said it's you. It's coming back home. Repeats that nighttime,

1125
01:14:25,880 --> 01:14:27,080
Speaker 1: so I said on the night so boom. I tell

1126
01:14:27,120 --> 01:14:29,679
Speaker 1: a couple of people in jail. So I'm in jail

1127
01:14:29,720 --> 01:14:32,440
Speaker 1: with my father, my brother, my Monca Patty and Moncatial.

1128
01:14:32,479 --> 01:14:35,599
Speaker 1: We're all in the same sett right, all the same

1129
01:14:35,680 --> 01:14:38,280
Speaker 1: so the same sell me and my father and my

1130
01:14:38,320 --> 01:14:40,240
Speaker 1: brother in the same something. Uncle Patty, my uncle Terran

1131
01:14:40,320 --> 01:14:43,519
Speaker 1: and who everybody else, fam and y'all on the same setting,

1132
01:14:43,760 --> 01:14:48,840
Speaker 1: free in the same south fire, on the same range. Jail. Yeah,

1133
01:14:49,200 --> 01:14:52,519
Speaker 1: I'll do Italian. I'm Irish. But my stepfather to call

1134
01:14:52,560 --> 01:14:54,680
Speaker 1: you from Buffalo, big fame, blah bla day. So I

1135
01:14:54,760 --> 01:14:59,800
Speaker 1: go up crime crime. So then I'm in jail. I

1136
01:15:00,000 --> 01:15:01,479
Speaker 1: are you sure up to me? So I go. Let

1137
01:15:01,520 --> 01:15:04,160
Speaker 1: me go to to to lunch. We'll go into everybody.

1138
01:15:04,760 --> 01:15:07,080
Speaker 1: You start your video on the nights for the week.

1139
01:15:07,160 --> 01:15:08,920
Speaker 1: But I hope it's not Markey Marco van l I.

1140
01:15:09,080 --> 01:15:11,639
Speaker 1: I'm dead, you know what I mean, Not what Marky

1141
01:15:11,720 --> 01:15:14,000
Speaker 1: Martyne because I don't know who. I don't know you

1142
01:15:14,040 --> 01:15:16,240
Speaker 1: know what I mean that thing. So I'm like, oh shit,

1143
01:15:16,320 --> 01:15:20,479
Speaker 1: here nighttime comes. Now everybody's up staying, all the bikers,

1144
01:15:20,880 --> 01:15:23,479
Speaker 1: you know, usually they're going to sleep, but they're all

1145
01:15:24,840 --> 01:15:27,360
Speaker 1: a lot of Hell's angels out there. He was gonna

1146
01:15:27,400 --> 01:15:28,960
Speaker 1: be one of them. Man, he hangs with us, that

1147
01:15:29,000 --> 01:15:31,600
Speaker 1: I was here, my family. I didn't know that, but

1148
01:15:31,680 --> 01:15:35,040
Speaker 1: I'll tell you somebody. So I'm in jail. Everybody out

1149
01:15:35,040 --> 01:15:38,720
Speaker 1: of the fight. Man, Man that I come running. Now

1150
01:15:39,400 --> 01:15:41,680
Speaker 1: the video I mean jail in the video now, I

1151
01:15:41,720 --> 01:15:43,960
Speaker 1: mean jail watching the video for I've never seen myself

1152
01:15:44,040 --> 01:15:47,040
Speaker 1: on TV nothing. Wow. So now the TV is up

1153
01:15:47,080 --> 01:15:49,600
Speaker 1: there and I'm standing there and watching yourself act and

1154
01:15:49,720 --> 01:15:52,479
Speaker 1: you and jail when you now you watch yourself in yeah,

1155
01:15:52,600 --> 01:15:55,479
Speaker 1: I mean jail watching myself accidents. I want to actual

1156
01:15:55,479 --> 01:15:59,080
Speaker 1: this because I've been in jail. I'ment in jail. I

1157
01:15:59,200 --> 01:16:01,920
Speaker 1: was in college when my comings God, no, there's some

1158
01:16:02,040 --> 01:16:05,439
Speaker 1: serious ship when my team blew and the tap came

1159
01:16:05,479 --> 01:16:08,120
Speaker 1: down the fucking till. I was an ELMRA cell thirty

1160
01:16:08,200 --> 01:16:10,720
Speaker 1: three four gallery. I'm block. The cell came down, the

1161
01:16:10,800 --> 01:16:13,360
Speaker 1: tear on they call it kite. Won't do it? Damn

1162
01:16:13,479 --> 01:16:19,240
Speaker 1: you're sure you ain't that juice? I want to shoot

1163
01:16:19,280 --> 01:16:22,200
Speaker 1: be on this. I don't see your face. Don't throw

1164
01:16:22,240 --> 01:16:23,800
Speaker 1: me that tape and said that ship down and say

1165
01:16:23,880 --> 01:16:27,600
Speaker 1: oh ship damn, nigas did it. The reason why I

1166
01:16:27,640 --> 01:16:30,960
Speaker 1: said that because I felt that. But the difference is

1167
01:16:31,640 --> 01:16:35,080
Speaker 1: you saw yourself seeing it. I left from there. I

1168
01:16:35,120 --> 01:16:41,920
Speaker 1: would have been like, I want to sell, yeah, we'll see.

1169
01:16:42,080 --> 01:16:45,320
Speaker 1: So so now when you say you was about crime,

1170
01:16:45,520 --> 01:16:47,720
Speaker 1: at that point, you had to be like, yo, I

1171
01:16:47,800 --> 01:16:51,840
Speaker 1: got it. Come on at that point still like because

1172
01:16:51,840 --> 01:16:54,599
Speaker 1: I did ask it in jail. Then I started doing

1173
01:16:54,680 --> 01:16:58,080
Speaker 1: the s ship of an illnation, all the hats coming

1174
01:16:58,120 --> 01:17:01,120
Speaker 1: and before my parents, you like you said, he wasn't

1175
01:17:01,120 --> 01:17:05,160
Speaker 1: snowing jail. She had si as they said. No, I'm

1176
01:17:05,520 --> 01:17:07,599
Speaker 1: see I'm snowing jail because I know everybody in there,

1177
01:17:07,680 --> 01:17:10,040
Speaker 1: all these treats, all Region, Jane and Finch, they all

1178
01:17:10,120 --> 01:17:12,040
Speaker 1: know me from in jail. Not because I'll that, you

1179
01:17:12,080 --> 01:17:15,320
Speaker 1: know what I mean. I've just seen ready ganond Man.

1180
01:17:15,960 --> 01:17:18,920
Speaker 1: So now all the bikers are off right, and he

1181
01:17:19,040 --> 01:17:22,240
Speaker 1: taught me how to write a signature Stay sweet. Yeah,

1182
01:17:22,439 --> 01:17:25,599
Speaker 1: that's what his signature, they stay sweet. So I'm there

1183
01:17:25,640 --> 01:17:27,479
Speaker 1: and all the bikers that we're watching the video, and

1184
01:17:27,520 --> 01:17:29,760
Speaker 1: after the video, all the bikers come up with bikers

1185
01:17:33,160 --> 01:17:39,639
Speaker 1: stay sweet. You stay sweet. That's so different. That's different

1186
01:17:40,080 --> 01:17:45,080
Speaker 1: sweet words. That was different. So then I got out.

1187
01:17:45,400 --> 01:17:47,519
Speaker 1: I got up. Two months later limousine picked me up

1188
01:17:47,560 --> 01:17:49,599
Speaker 1: and then I was number one in the world. Then

1189
01:17:49,920 --> 01:17:52,720
Speaker 1: America threw me out the night before from life. They

1190
01:17:52,800 --> 01:17:54,559
Speaker 1: just let me back in two months about no, two

1191
01:17:54,600 --> 01:18:00,160
Speaker 1: years and way back in because he from myag you're

1192
01:18:00,160 --> 01:18:03,200
Speaker 1: paying for me off for life. I'm still Japan threw

1193
01:18:03,240 --> 01:18:05,519
Speaker 1: me up for life. America threw me out for life.

1194
01:18:05,640 --> 01:18:07,840
Speaker 1: The fund was doing out there like you remember the

1195
01:18:07,960 --> 01:18:10,240
Speaker 1: rock and roll because my luck, see, I'm crime family.

1196
01:18:10,280 --> 01:18:13,240
Speaker 1: The police broke my mother's legs, they beat rather like

1197
01:18:13,400 --> 01:18:17,040
Speaker 1: it was just they were finely fine beyond. So then

1198
01:18:17,080 --> 01:18:19,200
Speaker 1: when I got the record deal, I had to ask

1199
01:18:19,280 --> 01:18:21,280
Speaker 1: my parents and said, Yo, they want me to do

1200
01:18:21,360 --> 01:18:23,519
Speaker 1: a record deal? Is that? Because I grew up, if

1201
01:18:23,560 --> 01:18:25,600
Speaker 1: you got a job, you were a bump. That's how

1202
01:18:27,960 --> 01:18:31,400
Speaker 1: they would be like, what he's got an out here?

1203
01:18:32,240 --> 01:18:33,519
Speaker 1: So I had to ask and I said, Yo, they

1204
01:18:33,560 --> 01:18:35,160
Speaker 1: wanted to do a record deal. Do you think that's

1205
01:18:35,520 --> 01:18:38,400
Speaker 1: is that treat right? They're like, yeah, I got here,

1206
01:18:38,439 --> 01:18:42,080
Speaker 1: don't worry about it. That's okay. I got it. And

1207
01:18:42,160 --> 01:18:44,640
Speaker 1: then I got out and then that was it and

1208
01:18:44,640 --> 01:18:46,960
Speaker 1: they kicked out of all the country. So my career started.

1209
01:18:48,080 --> 01:18:49,439
Speaker 1: But I didn't want to be a singer anyway, so

1210
01:18:49,479 --> 01:18:50,840
Speaker 1: I was like, I don't give a funk. I went

1211
01:18:50,880 --> 01:18:55,920
Speaker 1: to Jamaica and then I was just for you, right.

1212
01:18:56,280 --> 01:18:59,200
Speaker 1: But how I did that was because the bottle of whiskey, right,

1213
01:18:59,360 --> 01:19:02,599
Speaker 1: because Herbie up about Herbie Love about you know Herbie

1214
01:19:03,360 --> 01:19:13,880
Speaker 1: solo paper from Queen's in that's he was the only gays.

1215
01:19:13,920 --> 01:19:17,559
Speaker 1: He can't do it. So I mean he comes to Toronto, Herbie,

1216
01:19:17,640 --> 01:19:19,879
Speaker 1: you know, comes to Toronto. But I'm hanging at the clubhouse,

1217
01:19:19,920 --> 01:19:21,800
Speaker 1: the hous and Just's clubhouse when I'm bringing back the

1218
01:19:21,880 --> 01:19:27,360
Speaker 1: mike and when the class of culture. Yeah yeah like Regan, Yeah,

1219
01:19:27,439 --> 01:19:30,600
Speaker 1: like I'm I'm the one who brought the brothers, the

1220
01:19:30,600 --> 01:19:33,040
Speaker 1: black guys to the house. Andrews clubs not allowed to

1221
01:19:33,240 --> 01:19:35,840
Speaker 1: bring me. I brought him to the club, the club

1222
01:19:36,320 --> 01:19:38,000
Speaker 1: and then it was only man because I ate on

1223
01:19:38,080 --> 01:19:40,200
Speaker 1: a popcorn. Yeah, They're like, you know, you're going on

1224
01:19:40,280 --> 01:19:44,679
Speaker 1: the fucking popcorn man, like he's already. But they love me. Yeah,

1225
01:19:59,840 --> 01:20:07,320
Speaker 1: I Herbie Ry said she didn't amazing you woke up.

1226
01:20:08,960 --> 01:20:21,800
Speaker 1: Let okay, shut up. Her said, let's go to hold

1227
01:20:21,840 --> 01:20:28,800
Speaker 1: On brother. I'm smoking more nourish brother. So Herbie says,

1228
01:20:28,960 --> 01:20:30,639
Speaker 1: you gotta take you away from here because you getting

1229
01:20:30,680 --> 01:20:35,120
Speaker 1: too much trouble. But he says, let's go to your music.

1230
01:20:36,560 --> 01:20:39,400
Speaker 1: So I bought my Jamison's obviously risky. There at the

1231
01:20:39,439 --> 01:20:42,960
Speaker 1: back at the airport was size no freeze, a nice

1232
01:20:43,000 --> 01:20:47,080
Speaker 1: size okay, no freezing, a nice size. You know, usually

1233
01:20:47,120 --> 01:20:49,000
Speaker 1: I have two nickies in the back pocket, okay, and

1234
01:20:49,120 --> 01:20:51,840
Speaker 1: a nice one here. So I get there and he

1235
01:20:51,920 --> 01:20:55,240
Speaker 1: hides my bottle. So I'm like, yo, where's my mottel.

1236
01:20:55,680 --> 01:20:58,479
Speaker 1: He's like, yo, you're gonna do music first. I'm like, yo, what,

1237
01:20:58,479 --> 01:21:01,360
Speaker 1: I'm following him, like, where's my bottles? I do any

1238
01:21:01,439 --> 01:21:03,960
Speaker 1: anything just for you give me back my bottle. Don't

1239
01:21:03,960 --> 01:21:08,120
Speaker 1: make me feel bood. You just came up right there,

1240
01:21:08,240 --> 01:21:14,639
Speaker 1: just from my bottle of whisky. Yeah, right, so it's cute. Yeah,

1241
01:21:14,760 --> 01:21:17,559
Speaker 1: so then beany man by bonton all of them the way.

1242
01:21:17,600 --> 01:21:18,920
Speaker 1: So you just came over the head with that. I

1243
01:21:19,000 --> 01:21:21,840
Speaker 1: was following through the house and I'm like, yo, I

1244
01:21:21,880 --> 01:21:24,640
Speaker 1: don't where's my motto? He's like, you know that's it?

1245
01:21:24,760 --> 01:21:28,000
Speaker 1: We man. He had the drum machine, may be selling

1246
01:21:28,040 --> 01:21:30,479
Speaker 1: and b and all them. And Tony Calley didn't go

1247
01:21:30,640 --> 01:21:39,880
Speaker 1: front any joys who came out with any joints. You

1248
01:21:39,920 --> 01:21:43,280
Speaker 1: care how I go front son? I had like the

1249
01:21:43,360 --> 01:21:48,640
Speaker 1: melody of it, always had any joints who always had

1250
01:21:48,680 --> 01:21:51,800
Speaker 1: a melody that an't gotta before doo doore melody. Yeah.

1251
01:21:51,840 --> 01:21:55,880
Speaker 1: I was yeah, I was singing what happened? And this

1252
01:21:56,000 --> 01:21:57,920
Speaker 1: is this is me when I'm fourteen. I had to

1253
01:21:58,000 --> 01:21:59,599
Speaker 1: wear the shirt that you need to breakdown to them.

1254
01:21:59,640 --> 01:22:01,559
Speaker 1: My name it. But let me ask you, was when

1255
01:22:01,560 --> 01:22:04,400
Speaker 1: you said you went back to Jamaica, was it important

1256
01:22:04,439 --> 01:22:07,479
Speaker 1: for you to get that cold side from Jamaica? I was?

1257
01:22:07,680 --> 01:22:09,640
Speaker 1: I was. I knew all the Jamaicans from my like

1258
01:22:09,720 --> 01:22:14,720
Speaker 1: in my in Contronta, Jamaicans in Toronto, I do work

1259
01:22:14,720 --> 01:22:18,160
Speaker 1: in my housing projects was all Jamaicans, right, So all

1260
01:22:18,240 --> 01:22:21,000
Speaker 1: my problem was all Jamaica, all Jamaicans. When I grown up,

1261
01:22:21,000 --> 01:22:24,439
Speaker 1: it was all Irish thirteen fourteen, all Jamaica. So I

1262
01:22:24,560 --> 01:22:26,439
Speaker 1: just kind of love with this culture. It's not like

1263
01:22:26,520 --> 01:22:27,640
Speaker 1: I did it for the money or I did it

1264
01:22:27,680 --> 01:22:29,559
Speaker 1: for anything that we wouldn't have done hip hop, reggae.

1265
01:22:29,960 --> 01:22:31,960
Speaker 1: Reggae wasn't like I would have done country or something.

1266
01:22:31,960 --> 01:22:35,000
Speaker 1: I was doing anything, but the reggae just captured me.

1267
01:22:35,120 --> 01:22:39,559
Speaker 1: Now you were two, I was bored. I was being

1268
01:22:39,720 --> 01:22:44,040
Speaker 1: nice with it. Not a short Jamaican was nice interview

1269
01:22:44,080 --> 01:22:48,800
Speaker 1: with fakes. Don't know how much does did Jamaicans embraced him.

1270
01:22:49,680 --> 01:22:51,760
Speaker 1: It was like if they've even being able to, I

1271
01:22:51,800 --> 01:22:54,840
Speaker 1: would have pulled back. If I joy that you would

1272
01:22:54,880 --> 01:22:58,120
Speaker 1: be and they would do that. I leave jam Man.

1273
01:22:58,200 --> 01:23:01,240
Speaker 1: I talked to Najada a studio weeks to go in

1274
01:23:01,560 --> 01:23:04,599
Speaker 1: Jaman's house. Yeah, he fled to every day from Janerate

1275
01:23:04,680 --> 01:23:06,840
Speaker 1: to do this today that as you all of him. Now,

1276
01:23:06,880 --> 01:23:09,200
Speaker 1: I'll just damn because one way was that Jamaica. I

1277
01:23:09,200 --> 01:23:10,519
Speaker 1: didn't try to act it. I don't try to talk

1278
01:23:10,560 --> 01:23:14,840
Speaker 1: to you. I don't do that. I just love the music.

1279
01:23:14,920 --> 01:23:16,760
Speaker 1: And it's because of us, guys that I love your

1280
01:23:16,800 --> 01:23:19,479
Speaker 1: culture and I love the music and specially what I

1281
01:23:19,520 --> 01:23:22,160
Speaker 1: mean and the sorry respectful, that's what's im here. That's

1282
01:23:22,160 --> 01:23:27,560
Speaker 1: what it was. So that he's think I might be

1283
01:23:27,640 --> 01:23:32,599
Speaker 1: able water Jamaican belt. Oh anyway, had the Jamaica had

1284
01:23:32,680 --> 01:23:34,880
Speaker 1: my little good with my mountain bike, my montain bike

1285
01:23:34,920 --> 01:23:37,800
Speaker 1: with the Jamaica stickers. Big, listen to Jamaica. See you

1286
01:23:38,200 --> 01:23:40,640
Speaker 1: Jamaica Belt, just like me after your matham matters when

1287
01:23:40,800 --> 01:23:47,639
Speaker 1: mathe Man is gone, Yeah, your serious non stick ship.

1288
01:23:47,760 --> 01:23:55,719
Speaker 1: That's what I'm saying. I gotta wrap my shoes, my shoot,

1289
01:23:57,080 --> 01:24:04,680
Speaker 1: I'm gonna shoot that trail fox. I was jail that

1290
01:24:04,960 --> 01:24:10,280
Speaker 1: my Susan jail eight nine. Where I'm saying, yeah, so

1291
01:24:10,760 --> 01:24:12,920
Speaker 1: what it is to call man the airport, punch your

1292
01:24:12,960 --> 01:24:15,200
Speaker 1: fast rude boy, I should come to the air you

1293
01:24:15,280 --> 01:24:23,839
Speaker 1: can print your fish boy. No, no, no, that's an ability.

1294
01:24:24,479 --> 01:24:30,040
Speaker 1: We look come. That's respective fash maker like yeah, got

1295
01:24:30,080 --> 01:24:33,360
Speaker 1: put your fast rud board. I used to go to

1296
01:24:33,479 --> 01:24:36,000
Speaker 1: the fucking airport with all mar juli ary thing. You

1297
01:24:36,080 --> 01:24:45,400
Speaker 1: know what every fun a snow produce a stop sto Irish?

1298
01:24:46,800 --> 01:24:50,840
Speaker 1: Didn't you have to burn the abu jamaking posts from

1299
01:24:51,720 --> 01:24:54,800
Speaker 1: what's the Irish language? Yeah? The third biggest, the second

1300
01:24:54,800 --> 01:24:58,000
Speaker 1: biggest culture in Jamaica is the Irish. You can nakas

1301
01:24:58,000 --> 01:25:02,280
Speaker 1: cards Irish bo actually have the Irish the country version,

1302
01:25:02,320 --> 01:25:04,479
Speaker 1: I mean the in in in the islands, the country

1303
01:25:04,560 --> 01:25:08,000
Speaker 1: version of English, which I says to the Irish slaves.

1304
01:25:08,120 --> 01:25:13,080
Speaker 1: The English brought the Irish slams to Jamaica. SnO, what

1305
01:25:13,160 --> 01:25:16,120
Speaker 1: are you doing? It said, now look, commit man, you

1306
01:25:16,160 --> 01:25:21,240
Speaker 1: gotta leave. You can't really get up, okay, kind of

1307
01:25:21,320 --> 01:25:27,360
Speaker 1: Norrish short change leave him ship. Oh you say no,

1308
01:25:30,960 --> 01:25:35,280
Speaker 1: let me shap He'll say to get out. He'll give

1309
01:25:35,320 --> 01:25:41,599
Speaker 1: a funk that I put the week two weeks smoke history.

1310
01:25:42,680 --> 01:25:48,240
Speaker 1: I get back to oh oh yeah, you know dad

1311
01:25:48,320 --> 01:25:53,559
Speaker 1: the Yankee yank yank you okay, blessed daddy, country lay stiless.

1312
01:25:53,560 --> 01:25:55,680
Speaker 1: They just said, you all they want to do, that's

1313
01:25:55,720 --> 01:25:59,360
Speaker 1: going to do the informer remix. Shy said, all right,

1314
01:25:59,439 --> 01:26:02,080
Speaker 1: only here out of sounds. I don't you know. When

1315
01:26:02,120 --> 01:26:03,960
Speaker 1: they send it back, I was like, yo, and that

1316
01:26:04,080 --> 01:26:06,160
Speaker 1: in there, He's like, will you get on it? That's

1317
01:26:06,600 --> 01:26:08,760
Speaker 1: and I was like, yeah, I'm not for sure, yeah, yeah, yeah.

1318
01:26:08,840 --> 01:26:11,240
Speaker 1: So then I got on and jumped down a little pete,

1319
01:26:11,280 --> 01:26:13,880
Speaker 1: don't you know, And then it came out and then

1320
01:26:13,880 --> 01:26:17,200
Speaker 1: it just started blowing up. So I was like, y'all less,

1321
01:26:17,280 --> 01:26:19,160
Speaker 1: you know, So then I got a billions of yews.

1322
01:26:19,960 --> 01:26:42,040
Speaker 1: The band's yo, mean you're gonna talking, don't beautiful business deal?

1323
01:26:42,120 --> 01:26:45,599
Speaker 1: Basically perfect, perfect, And when I'm at him on stage

1324
01:26:45,640 --> 01:26:48,320
Speaker 1: in Montreal, then a nice little piece came out one

1325
01:26:48,400 --> 01:26:51,600
Speaker 1: rial and saying it, so it was blessing. Then you know,

1326
01:26:51,720 --> 01:26:54,519
Speaker 1: they all started calling Nicky Jan's and you know, I

1327
01:26:54,600 --> 01:27:05,439
Speaker 1: want I don't really like Harry p Yeah she's yeah,

1328
01:27:06,640 --> 01:27:08,280
Speaker 1: but you got to clear it though, right. I had

1329
01:27:08,320 --> 01:27:10,320
Speaker 1: to clear it. I didn't want about my wife, she life,

1330
01:27:10,400 --> 01:27:16,760
Speaker 1: she likes her. So I was like, I can't, Katy Berry,

1331
01:27:17,360 --> 01:27:19,840
Speaker 1: how do you like? Like? I like trust the Beaver.

1332
01:27:19,960 --> 01:27:25,040
Speaker 1: He wanted to be honest. You want hips, I'd rather

1333
01:27:25,120 --> 01:27:26,760
Speaker 1: hear on it, but carry pray. I don't go to

1334
01:27:26,760 --> 01:27:30,960
Speaker 1: see him, not go back nun like her tough, but

1335
01:27:35,160 --> 01:27:40,360
Speaker 1: that's oh this is it's different. It's different. Can I

1336
01:27:40,360 --> 01:27:42,080
Speaker 1: tell him a story about the week off? You didn't

1337
01:27:42,240 --> 01:27:49,240
Speaker 1: handle to him? Tell us? Yeah, back to show about it? Right,

1338
01:27:49,400 --> 01:27:52,800
Speaker 1: I go back to Shann's house. You know hip hop

1339
01:27:52,920 --> 01:27:54,960
Speaker 1: wasn't doing. You know, all the big numbers, the money,

1340
01:27:55,000 --> 01:27:57,640
Speaker 1: you know, it's so sham you know, blessed, he's always blessed. Love.

1341
01:27:57,720 --> 01:27:59,280
Speaker 1: But even though we didn't have all the money in

1342
01:27:59,280 --> 01:28:01,640
Speaker 1: the world. You know, my fucked up. He was a

1343
01:28:01,680 --> 01:28:05,679
Speaker 1: little mess up. He was stealing steaks to feed my family.

1344
01:28:05,800 --> 01:28:07,760
Speaker 1: So I see his family, the kind of hood. So

1345
01:28:08,360 --> 01:28:10,600
Speaker 1: I'm on bail, right, So I go to the a

1346
01:28:10,720 --> 01:28:14,280
Speaker 1: P and I steal a roast and steaks and everything,

1347
01:28:14,479 --> 01:28:17,200
Speaker 1: feeding the dog buritos. I'm front of feeding the whole fair.

1348
01:28:17,240 --> 01:28:23,920
Speaker 1: He's like, holy show you we used to go to

1349
01:28:24,040 --> 01:28:27,280
Speaker 1: seven eleven. When you guys come to every chicken, sim much.

1350
01:28:29,560 --> 01:28:45,280
Speaker 1: I don't go in there. Let set chicken in front

1351
01:28:45,320 --> 01:28:47,840
Speaker 1: of the whole world right now, from nowhere, in front

1352
01:28:47,880 --> 01:28:51,639
Speaker 1: of everybody, this man fed my family. This is my brother.

1353
01:28:51,760 --> 01:28:55,960
Speaker 1: Fuck life. His mother's my mother ship. His mother loves

1354
01:28:56,240 --> 01:29:01,000
Speaker 1: you know, my mother's gangster, she loves. This sister is

1355
01:29:01,120 --> 01:29:07,280
Speaker 1: my sister. And we'll always be connected though. Yeah, the

1356
01:29:07,320 --> 01:29:11,200
Speaker 1: Chicken series like going, he will sing up. This man

1357
01:29:11,360 --> 01:29:15,320
Speaker 1: fed my family. Y'all. Y'all don't understand ya, don't understand.

1358
01:29:15,439 --> 01:29:18,600
Speaker 1: That's man. He was on charges in Canada, but he

1359
01:29:18,720 --> 01:29:20,720
Speaker 1: came down to New York and said, yo, shame, you're

1360
01:29:20,760 --> 01:29:23,080
Speaker 1: trying to do something for me. That that's try I

1361
01:29:23,080 --> 01:29:25,879
Speaker 1: should work. That's how I should work. A big golfage

1362
01:29:25,960 --> 01:29:29,479
Speaker 1: can of some ship. What did you do? You're saying,

1363
01:29:33,800 --> 01:29:52,479
Speaker 1: this is your package? You know? That was my story, Yo,

1364
01:29:52,680 --> 01:29:56,120
Speaker 1: this man fed me and my family. Yo, that's my

1365
01:29:56,560 --> 01:29:59,080
Speaker 1: that's my that's no. Let me go even know where

1366
01:29:59,120 --> 01:30:00,800
Speaker 1: we were going with me? Was your college? Just like

1367
01:30:00,960 --> 01:30:04,920
Speaker 1: yo here, let's just it was it was. It comes

1368
01:30:04,960 --> 01:30:07,800
Speaker 1: full circle because he restopped and then said, I'm coming

1369
01:30:07,840 --> 01:30:19,760
Speaker 1: with sh like this is how sublication. I say, Hold,

1370
01:30:20,200 --> 01:30:22,800
Speaker 1: you were oh yea, what just the only motherfucker I

1371
01:30:22,840 --> 01:30:26,400
Speaker 1: could go into Bridge five Scott to himself on the hill.

1372
01:30:26,720 --> 01:30:38,400
Speaker 1: You know why, but some many people, Yo, I'm showing

1373
01:30:38,479 --> 01:30:43,519
Speaker 1: you just scot right here. No no, no, no, no no, Rey,

1374
01:30:43,640 --> 01:30:47,559
Speaker 1: let me chase yourself. We have had shows places right

1375
01:30:48,040 --> 01:30:50,599
Speaker 1: with the whole crowd. Do you know how we used

1376
01:30:50,600 --> 01:30:56,840
Speaker 1: to do so you fucked up day? Yeah? Yeah, we

1377
01:31:01,200 --> 01:31:04,400
Speaker 1: did that ship right and one day on the Sunday

1378
01:31:04,400 --> 01:31:06,160
Speaker 1: and we just took the fun the show. We was

1379
01:31:06,240 --> 01:31:09,040
Speaker 1: on a college campus. We took the show to a

1380
01:31:09,120 --> 01:31:12,120
Speaker 1: fucking two bitches. He's standing on one bitch, I'll standing

1381
01:31:12,200 --> 01:31:14,639
Speaker 1: on one best. The whole crowd they don't pay their

1382
01:31:14,760 --> 01:31:19,760
Speaker 1: money over there and we over here. You know, say

1383
01:31:19,840 --> 01:31:23,880
Speaker 1: that that's something you can blame. Hello. Next thing you

1384
01:31:24,000 --> 01:31:29,920
Speaker 1: know the guy like ye yeah, the guy has the

1385
01:31:29,960 --> 01:31:34,120
Speaker 1: bottle like he's so good that we got telepathy. We

1386
01:31:34,200 --> 01:31:36,240
Speaker 1: see y'all see a guy like with a bottle like

1387
01:31:36,360 --> 01:31:42,479
Speaker 1: this twisted. He's only gonna get somebody twisted ssome so

1388
01:31:42,720 --> 01:31:45,400
Speaker 1: looks at me. The first time I've ever seen this ship.

1389
01:31:45,439 --> 01:31:48,240
Speaker 1: I'm from the hood and seen Nick Nicks atlistics saying

1390
01:31:52,040 --> 01:32:00,240
Speaker 1: I didn't said that's gonna be some ship. I d

1391
01:32:00,439 --> 01:32:07,200
Speaker 1: know the whole house to chase the ship. So that

1392
01:32:07,439 --> 01:32:12,479
Speaker 1: shower stay here. We're running mother, I'm figuring about you know,

1393
01:32:12,560 --> 01:32:17,599
Speaker 1: he said, I got you. He ran back. Holy fuck

1394
01:32:17,800 --> 01:32:20,920
Speaker 1: the ship. I think he snitched men here to hit up.

1395
01:32:20,960 --> 01:32:22,679
Speaker 1: But we gotta make up a story because they don't

1396
01:32:22,720 --> 01:32:27,040
Speaker 1: try to set up sat your little chasers is okayus

1397
01:32:28,120 --> 01:32:31,599
Speaker 1: there the kives leaving and kill kiss to kill me. Yeah,

1398
01:32:34,040 --> 01:32:35,880
Speaker 1: we went to the paladium. How we got to the

1399
01:32:35,920 --> 01:32:41,000
Speaker 1: poll the Paladium? Before we get up to go to

1400
01:32:41,120 --> 01:32:46,519
Speaker 1: Palaio Sea said Steve Wills said. He said he's West Ye,

1401
01:32:47,000 --> 01:32:49,760
Speaker 1: he said, he said, don't get no trouble. Okay, we

1402
01:32:49,880 --> 01:32:53,040
Speaker 1: won't get no children. We go to fucking Plaium. We

1403
01:32:53,120 --> 01:32:57,439
Speaker 1: have a fucking brawl, fucking Diesel. Remember did Jesus say yo,

1404
01:32:57,560 --> 01:32:59,960
Speaker 1: if dell Mo fucking won't confirmed me one more child?

1405
01:33:00,040 --> 01:33:04,599
Speaker 1: Was too man, that's all he said. All this ship,

1406
01:33:09,880 --> 01:33:15,400
Speaker 1: I shouldn't know. She didn't gonna put this by day anything.

1407
01:33:15,439 --> 01:33:20,639
Speaker 1: He said fights. He said like this, we want to fight.

1408
01:33:22,280 --> 01:33:24,599
Speaker 1: And then he said, you know what, fuck you Monica

1409
01:33:24,680 --> 01:33:26,960
Speaker 1: called us and showed us to video the video. You

1410
01:33:27,000 --> 01:33:29,880
Speaker 1: see all these videos, so we keep We got kicked

1411
01:33:29,880 --> 01:33:32,280
Speaker 1: out of play and we couldn't go to Poladium. It's

1412
01:33:32,320 --> 01:33:34,120
Speaker 1: like he got kicked out of car stry. You gotta

1413
01:33:34,160 --> 01:33:38,680
Speaker 1: kick out to Polatium too. Yeah, we don't give a fun.

1414
01:33:38,800 --> 01:33:41,599
Speaker 1: We're gonna go to motherfucker, what's the neck club? Give

1415
01:33:41,640 --> 01:33:52,240
Speaker 1: a fun? We'll go while while. And you know, I

1416
01:33:52,400 --> 01:33:53,920
Speaker 1: was getting a lot of fights, a lot of you know.

1417
01:33:54,479 --> 01:33:56,200
Speaker 1: But then he said that you like to quit alcohol

1418
01:33:56,280 --> 01:33:58,320
Speaker 1: ninety seven. That's why when he actually did, he was

1419
01:33:58,360 --> 01:34:01,200
Speaker 1: like that. He was, my, don't work to us that

1420
01:34:01,280 --> 01:34:03,120
Speaker 1: right now, I'm drinking and staying because when I didn't

1421
01:34:03,120 --> 01:34:05,559
Speaker 1: see it, I didn't smoking the weed I do up

1422
01:34:05,600 --> 01:34:09,160
Speaker 1: in smoke weed. I just drank dra drink. Yeah, my dad,

1423
01:34:09,200 --> 01:34:11,720
Speaker 1: I said, Dad, I said Dad, I said, Tom more

1424
01:34:11,760 --> 01:34:13,920
Speaker 1: we yet I saw my last charge. I said that.

1425
01:34:15,479 --> 01:34:17,439
Speaker 1: Hold on, I said, what do you want to do?

1426
01:34:18,080 --> 01:34:20,040
Speaker 1: I said, you want smoke weed bad? He says, I said,

1427
01:34:20,080 --> 01:34:21,960
Speaker 1: you quit out cards and I'll create you. Quiz. He said,

1428
01:34:21,960 --> 01:34:24,719
Speaker 1: I'll create you quick. Because he runs boostcams downtown Toronto.

1429
01:34:25,920 --> 01:34:27,800
Speaker 1: He says, I'll create you said the smoke weed. I said,

1430
01:34:27,800 --> 01:34:31,040
Speaker 1: all right, so we just started smoking weed. That I

1431
01:34:31,120 --> 01:34:33,120
Speaker 1: haven't been charge and all that kind of stuff. All right,

1432
01:34:33,120 --> 01:34:39,680
Speaker 1: but let me tell you check this out. Let me

1433
01:34:39,800 --> 01:34:47,040
Speaker 1: say the funk up back there right. Look, when he

1434
01:34:47,240 --> 01:34:50,160
Speaker 1: decided to not smoke wheat, and you know, he said,

1435
01:34:50,200 --> 01:34:52,960
Speaker 1: I'm not gonna drink anymore on my smoke. Right. We're

1436
01:34:53,000 --> 01:34:55,639
Speaker 1: in the studio at his house, right, but I'm living

1437
01:34:55,680 --> 01:34:58,320
Speaker 1: in the garage because Donna gave me the grog. I'll

1438
01:34:58,360 --> 01:35:01,439
Speaker 1: say us all laced out the student. You don't said, right,

1439
01:35:01,600 --> 01:35:05,000
Speaker 1: my mother loves it. Look, I fucking smoked weed. Right.

1440
01:35:05,080 --> 01:35:07,439
Speaker 1: He smoked weed with me that night. He was drinking off.

1441
01:35:07,680 --> 01:35:09,680
Speaker 1: I'm not gonna try weed, and like, I went to

1442
01:35:09,760 --> 01:35:12,200
Speaker 1: the bathroom. I come out, look for this motherfuckers. Some

1443
01:35:12,240 --> 01:35:16,000
Speaker 1: mother phone was gone. I got some paranoid left my

1444
01:35:16,080 --> 01:35:22,240
Speaker 1: own house, some house, he said, that's why I started

1445
01:35:22,240 --> 01:35:27,000
Speaker 1: smoking that. I was like, I'm like thirty years old

1446
01:35:27,040 --> 01:35:29,439
Speaker 1: and I'm sucking like giggling like a little kid. I'm like, said,

1447
01:35:29,439 --> 01:35:32,640
Speaker 1: i gotta go home, man, I'm your room. I'm going wait, wait,

1448
01:35:32,680 --> 01:35:34,280
Speaker 1: how do leave? You never roam some of your best

1449
01:35:34,320 --> 01:35:38,240
Speaker 1: and everything we know. My first thing was shocking out.

1450
01:35:38,360 --> 01:35:42,200
Speaker 1: The third I'm all alcohol. And then and then you know,

1451
01:35:42,320 --> 01:35:45,840
Speaker 1: anything for use alcohol all right, and then I just

1452
01:35:45,960 --> 01:35:48,680
Speaker 1: quit the alcoholis and yeah, he smoked weed. That was

1453
01:35:48,760 --> 01:35:50,840
Speaker 1: some funny ship. I went up to the bathroom and

1454
01:35:51,000 --> 01:35:53,880
Speaker 1: come out motherfucker. We get ready to record the first

1455
01:35:54,040 --> 01:35:56,519
Speaker 1: you don't because he's paring it on the door and

1456
01:35:56,560 --> 01:36:00,200
Speaker 1: he's throwing parils down on the bucket and my mother.

1457
01:36:05,360 --> 01:36:07,880
Speaker 1: He's this one here. I'm telling you he could have

1458
01:36:07,960 --> 01:36:11,840
Speaker 1: been an angel. Angel and he would hang not even

1459
01:36:11,920 --> 01:36:14,080
Speaker 1: with me. He's like, okay, I'm gonna google and he'd

1460
01:36:14,120 --> 01:36:17,439
Speaker 1: be off and with the bikers and real mobsters and

1461
01:36:17,520 --> 01:36:20,360
Speaker 1: a real Jamaican post. He's like some real you know,

1462
01:36:21,680 --> 01:36:23,760
Speaker 1: you know what I mean, And they're sharing. He's like

1463
01:36:23,800 --> 01:36:25,720
Speaker 1: a chameleon, you know what I mean. You can get

1464
01:36:25,800 --> 01:36:29,439
Speaker 1: involved with bikers this, but he's straight up though on

1465
01:36:29,560 --> 01:36:33,040
Speaker 1: the sleeve y, you know, he's just he's touch my mother,

1466
01:36:33,200 --> 01:36:36,120
Speaker 1: my mother. They all respect my mom. That's how they

1467
01:36:36,160 --> 01:36:38,840
Speaker 1: all respect me and my mother. You know, they're all

1468
01:36:39,080 --> 01:36:41,360
Speaker 1: done or Donna Donna. There's books written about my mom

1469
01:36:41,360 --> 01:36:48,559
Speaker 1: and my family. There's done Dona, Donna Donna. There's books

1470
01:36:48,560 --> 01:36:51,840
Speaker 1: written about here, Moth Assassin his books. That's wasted times

1471
01:36:51,880 --> 01:36:55,040
Speaker 1: they talked about my uncle's my father was my you know,

1472
01:36:55,479 --> 01:36:58,240
Speaker 1: he's a big gat like real like real like not

1473
01:36:58,400 --> 01:37:03,280
Speaker 1: know like like I would Canada. I was born police

1474
01:37:03,360 --> 01:37:05,720
Speaker 1: breaking in my house and you know cons when I'm

1475
01:37:05,720 --> 01:37:07,880
Speaker 1: a little kid, and you know, I'm like, but I

1476
01:37:08,040 --> 01:37:11,680
Speaker 1: was raised boosting. I was a booster, you know what

1477
01:37:11,720 --> 01:37:13,679
Speaker 1: I mean. They'd take me. My stepfather would say, don't

1478
01:37:13,680 --> 01:37:15,960
Speaker 1: sell jails, don't go out there. He says, only God

1479
01:37:16,040 --> 01:37:17,920
Speaker 1: is the bad guys after you, and the fucking coppers

1480
01:37:17,960 --> 01:37:20,320
Speaker 1: are always after. You said there's no money, and you said,

1481
01:37:20,360 --> 01:37:22,280
Speaker 1: trying to boosting. You make a thousand a day keeping

1482
01:37:22,320 --> 01:37:24,120
Speaker 1: on their Italian and you don't go to jail too much.

1483
01:37:24,120 --> 01:37:28,280
Speaker 1: So that's how it was kind of like Krook, I

1484
01:37:28,280 --> 01:37:30,760
Speaker 1: don't like Yeah, if if it wasn't for him, I

1485
01:37:30,800 --> 01:37:43,080
Speaker 1: would be in jail. My brother, my mother should trully

1486
01:37:43,160 --> 01:37:46,160
Speaker 1: who saved each other? And you should be and then

1487
01:37:46,280 --> 01:37:49,200
Speaker 1: and then and then we'll start running out of money

1488
01:37:49,320 --> 01:37:51,760
Speaker 1: because in former starting it. And then Daddy Yankee came

1489
01:37:51,800 --> 01:37:53,360
Speaker 1: and blessed us again and me and sharing was like,

1490
01:37:53,400 --> 01:38:01,920
Speaker 1: all right, brother, more bristles for sharing, because hold, wait, wait,

1491
01:38:02,240 --> 01:38:04,519
Speaker 1: how do you think I'm going to buy fucking box

1492
01:38:04,560 --> 01:38:12,920
Speaker 1: truck for chance? Sex? Right? You got one going the

1493
01:38:13,040 --> 01:38:15,560
Speaker 1: most baby, and take it, take a tiko, take it

1494
01:38:15,680 --> 01:38:23,639
Speaker 1: out some mommy tracks or are you watch look no reason,

1495
01:38:23,760 --> 01:38:25,559
Speaker 1: my fucking b I think be go to his ship

1496
01:38:25,760 --> 01:38:29,160
Speaker 1: rolls on the side. He gives us his big moments.

1497
01:38:30,400 --> 01:38:35,360
Speaker 1: He said, I'll pray, are you not the same mother

1498
01:38:35,439 --> 01:38:45,920
Speaker 1: fucking your shick? That's not you, that's turn this side.

1499
01:38:45,920 --> 01:38:51,240
Speaker 1: I've got my own personal butt road hands nor No

1500
01:38:51,600 --> 01:39:00,040
Speaker 1: take me so hard. I want to ta me what

1501
01:39:00,200 --> 01:39:05,680
Speaker 1: you say? Just going on? Can you right here? Right

1502
01:39:06,920 --> 01:39:11,479
Speaker 1: says please? Ye ship and please even attention to right here.

1503
01:39:11,800 --> 01:39:14,439
Speaker 1: Everyone playing this game called fling. I can't come back.

1504
01:39:14,520 --> 01:39:16,600
Speaker 1: Let's go and playing. Let's call a quick time and

1505
01:39:16,720 --> 01:39:20,920
Speaker 1: slot like this game is gonna choices. It's one or

1506
01:39:20,960 --> 01:39:23,040
Speaker 1: the other. If you answer po literally get record, you

1507
01:39:23,080 --> 01:39:26,040
Speaker 1: say both, you gotta take a shot. If you say neither,

1508
01:39:26,160 --> 01:39:28,439
Speaker 1: it's a it's a shot. But I feel like you're not.

1509
01:39:29,120 --> 01:39:31,679
Speaker 1: I'm feel like you're not gonna be like sha, everyone's

1510
01:39:31,720 --> 01:39:36,240
Speaker 1: changed another. Come y'all, motherfucker. Don't understand. If you get good,

1511
01:39:36,280 --> 01:39:38,000
Speaker 1: you gotta take a shot. If you funk up, you

1512
01:39:38,120 --> 01:39:41,519
Speaker 1: take a shot. No re trying to fun like, No,

1513
01:39:42,880 --> 01:39:47,160
Speaker 1: don't just say that. This is play this with every

1514
01:39:47,280 --> 01:39:50,439
Speaker 1: guy ship and you give me the only one. That's

1515
01:39:50,479 --> 01:39:52,640
Speaker 1: what I said. No, I'm not gonna tack and you

1516
01:39:52,760 --> 01:39:54,599
Speaker 1: go show that in the game, gonna crush me. Now,

1517
01:39:55,200 --> 01:39:57,360
Speaker 1: this is a game ship. This is not going fresh

1518
01:39:57,479 --> 01:40:05,720
Speaker 1: y because let's played again for men with you and

1519
01:40:05,800 --> 01:40:15,760
Speaker 1: we'll drink it. We'll drinking and try to I got care.

1520
01:40:16,439 --> 01:40:25,719
Speaker 1: Look at everybody leaving. Check the out. I'm in control.

1521
01:40:25,800 --> 01:40:30,720
Speaker 1: I'm smooking Norris. But everything fun. Make a sit matter

1522
01:40:30,760 --> 01:40:33,200
Speaker 1: of fact, I'm gonna leave your motherfucker it's your man

1523
01:40:33,320 --> 01:40:35,240
Speaker 1: ships up one time for your mom to tip me

1524
01:40:35,360 --> 01:40:37,840
Speaker 1: so I don't took over from strength Champ fun that

1525
01:40:39,439 --> 01:40:42,200
Speaker 1: he left. It's me. It's the sou the funk you

1526
01:40:42,280 --> 01:40:49,440
Speaker 1: want to it's the sister. I'm gonna puts some motherfucking

1527
01:40:49,520 --> 01:40:51,960
Speaker 1: nor shop right now, let's go wa we want to

1528
01:40:52,000 --> 01:40:56,840
Speaker 1: talk not a cool dude New York. That's it, right,

1529
01:40:58,200 --> 01:41:01,639
Speaker 1: y'all understand before me and became well, I was already

1530
01:41:01,720 --> 01:41:06,479
Speaker 1: doing but before he became famous, right, he was no

1531
01:41:06,840 --> 01:41:08,800
Speaker 1: coming back looking like, oh this is maake. It didn't

1532
01:41:08,800 --> 01:41:14,719
Speaker 1: take my seat. I'm gonna get back to you because noorry,

1533
01:41:14,760 --> 01:41:19,759
Speaker 1: Are you mad at me? No? Because we have whatever

1534
01:41:20,120 --> 01:41:25,720
Speaker 1: in this situation. Wanna sit down? Sorry, we could be good. Look,

1535
01:41:25,760 --> 01:41:29,320
Speaker 1: I'm smoking my own blog. Whatever you want that's your ship,

1536
01:41:29,840 --> 01:41:36,280
Speaker 1: little mom. And this Nori, this is motherfuck Nori. Listen

1537
01:41:36,320 --> 01:41:39,000
Speaker 1: to me, brother, I hope you mad at me. No,

1538
01:41:39,400 --> 01:41:41,760
Speaker 1: I just want you to play the goddamn game I

1539
01:41:42,040 --> 01:41:49,760
Speaker 1: played on the game. Dude, Why it's your copy doing

1540
01:41:51,720 --> 01:41:55,519
Speaker 1: what you spending on the win? That's called the will before,

1541
01:41:59,000 --> 01:42:05,960
Speaker 1: right Tess? Alright, alright, no, shoot quick, let's do the

1542
01:42:07,160 --> 01:42:09,680
Speaker 1: you know we're fund up. I can't for Norri show.

1543
01:42:09,760 --> 01:42:15,120
Speaker 1: I had them some tables. Cool, Drina be drinking, like,

1544
01:42:15,160 --> 01:42:18,360
Speaker 1: come on, we're gonna please turn up. No, you called

1545
01:42:18,360 --> 01:42:23,200
Speaker 1: me a drink and then I challenge you the bant

1546
01:42:23,280 --> 01:42:27,519
Speaker 1: you them to shut up? Cool? Cool, here you go.

1547
01:42:27,680 --> 01:42:30,360
Speaker 1: See because I'm tiny house, I need I need a

1548
01:42:30,439 --> 01:42:33,719
Speaker 1: Japanese must so I'm gonna take this chap. You're flowing

1549
01:42:33,840 --> 01:42:41,599
Speaker 1: to whiskey. Turn out, kid. I don't warn you, warn

1550
01:42:41,640 --> 01:42:48,000
Speaker 1: you your fully warn me? Well alright cool. Some people say,

1551
01:42:48,080 --> 01:42:49,680
Speaker 1: good luck, come on, let's do it. Come on, let's

1552
01:42:50,439 --> 01:42:53,080
Speaker 1: just go a quick time and slime if your cancer,

1553
01:42:54,080 --> 01:42:57,360
Speaker 1: all right, let's as read, just go quick rock him. Okay,

1554
01:43:00,040 --> 01:43:02,400
Speaker 1: we're gonna change shot. You want to know why, because

1555
01:43:02,720 --> 01:43:07,599
Speaker 1: you can't. You can't. They all have their own lane Cam,

1556
01:43:08,200 --> 01:43:12,040
Speaker 1: how are you gonna right? We win? Win the bathroom. Frustrated,

1557
01:43:12,520 --> 01:43:15,040
Speaker 1: I'm like, why is no one listening? Let's listen. Let's

1558
01:43:15,040 --> 01:43:21,760
Speaker 1: just have one and were then you can't have that?

1559
01:43:21,880 --> 01:43:25,000
Speaker 1: Just really killing him? All right? You are having something

1560
01:43:25,160 --> 01:43:30,080
Speaker 1: different to call. We did call. We're gonna make it up.

1561
01:43:35,080 --> 01:43:37,360
Speaker 1: We go through this, he said, Boks, we got to

1562
01:43:37,439 --> 01:43:39,800
Speaker 1: a shot, all tell up when my cup? Okay, you

1563
01:43:40,400 --> 01:43:44,080
Speaker 1: two ways when you're to do everybody's like, I gonna change.

1564
01:43:46,160 --> 01:43:51,519
Speaker 1: You want skin all right? Something we can't do like

1565
01:43:52,040 --> 01:44:01,439
Speaker 1: I got. I don't know we got because it's don't

1566
01:44:01,479 --> 01:44:03,640
Speaker 1: take him sound of a hand, sound of none for

1567
01:44:03,720 --> 01:44:11,800
Speaker 1: him because I'm taking it. Was snow okay, what's gonna say,

1568
01:44:20,400 --> 01:44:24,680
Speaker 1: Molly or miss the magic both? Jesus? I see I

1569
01:44:24,720 --> 01:44:26,840
Speaker 1: thought you didn't kind of game. Come on, we just

1570
01:44:26,920 --> 01:44:34,360
Speaker 1: go down to scared shot see game go Yeah, this

1571
01:44:34,479 --> 01:44:36,960
Speaker 1: loves to the baby shot Ye's got and I'm saying,

1572
01:44:37,439 --> 01:44:43,200
Speaker 1: got ship not back. Yeah, I'm gonna welcome to him.

1573
01:44:43,200 --> 01:44:49,040
Speaker 1: So you gonna do said he shot shot about slam

1574
01:44:49,400 --> 01:44:51,880
Speaker 1: on night. I ain't take a second one. Hey, no,

1575
01:44:52,200 --> 01:44:55,439
Speaker 1: you know I love you. You put up here, said nothing, dude.

1576
01:44:55,880 --> 01:44:59,240
Speaker 1: The game so I'm trying mart Or m O P.

1577
01:45:01,560 --> 01:45:04,920
Speaker 1: But m O P is my biggest took baby blacks

1578
01:45:05,120 --> 01:45:18,040
Speaker 1: boot Let's can do whiskey to stop you Listen, I'm

1579
01:45:18,080 --> 01:45:23,479
Speaker 1: gonna stay both of them too, all right, Um no

1580
01:45:23,800 --> 01:45:32,040
Speaker 1: you los bro Or happened to take any shot, that's

1581
01:45:32,360 --> 01:45:38,960
Speaker 1: say he said, Yeah, you're gonna know you gotta take

1582
01:45:38,960 --> 01:45:47,840
Speaker 1: shotings your hair, the hair primo, well, Pete Rock, come

1583
01:45:47,880 --> 01:45:54,920
Speaker 1: on every look look much. What you've got to understand

1584
01:45:55,080 --> 01:45:58,360
Speaker 1: in my in my hand is that they put too

1585
01:45:58,439 --> 01:46:01,720
Speaker 1: much difference between them. I felt that where we have

1586
01:46:01,920 --> 01:46:06,320
Speaker 1: to pick between this motherfucker that motherfucker. No, we all great.

1587
01:46:06,439 --> 01:46:08,600
Speaker 1: We have our own lane, that ship. We keep on

1588
01:46:08,760 --> 01:46:13,880
Speaker 1: sucking delging into that motherfucker's mental sought psychology. We're just

1589
01:46:13,960 --> 01:46:17,479
Speaker 1: gonna keep on chearing each other's down. Why can't No

1590
01:46:17,680 --> 01:46:20,880
Speaker 1: Rein track be great? Why can't Shan and Chris be great?

1591
01:46:21,120 --> 01:46:24,880
Speaker 1: Although I talked about him, that's that MC motherfucker me,

1592
01:46:25,680 --> 01:46:28,479
Speaker 1: but the motherfucker the real man and me said, that's

1593
01:46:28,520 --> 01:46:36,040
Speaker 1: my brother. That's so we're drinking every everyone Ye yeah, possible,

1594
01:46:40,920 --> 01:46:55,080
Speaker 1: game done, Okay, that's no, Yeah, I gotta driving woman

1595
01:46:59,080 --> 01:47:03,880
Speaker 1: both of them biga Okay so we're not gonna be

1596
01:47:05,040 --> 01:47:08,040
Speaker 1: cancel cancel each other. Okay, it's all right, So that

1597
01:47:08,160 --> 01:47:11,120
Speaker 1: may not. I ain't gotta take it because okay, the

1598
01:47:11,600 --> 01:47:22,679
Speaker 1: tragedy godopted or cor mega fun that taking drink, I said,

1599
01:47:22,960 --> 01:47:26,920
Speaker 1: tras Corga taking you know what that right there? What

1600
01:47:27,080 --> 01:47:30,719
Speaker 1: you just motherfucker's said? What's a motherfucking real man answer?

1601
01:47:30,960 --> 01:47:33,040
Speaker 1: Of course, you know what I'm saying, Well, we love

1602
01:47:33,120 --> 01:47:35,960
Speaker 1: to spread love to our black people. That all let's

1603
01:47:36,000 --> 01:47:38,599
Speaker 1: have the value me. No, no, that's not even say

1604
01:47:38,640 --> 01:47:42,120
Speaker 1: black people under primage Irish motherfucker's too, because you know

1605
01:47:42,240 --> 01:47:44,200
Speaker 1: the mother fucuses a black Irish you know, and I

1606
01:47:44,280 --> 01:47:47,360
Speaker 1: say Irish and black, right, But as far as I

1607
01:47:47,520 --> 01:47:54,160
Speaker 1: fucker say Norrish, the Norrish just telling me about because

1608
01:47:54,160 --> 01:48:00,080
Speaker 1: that's called a quick time as anything long time ever

1609
01:48:00,360 --> 01:48:05,600
Speaker 1: talking about rock stands, I'll tell you they love that

1610
01:48:05,800 --> 01:48:15,800
Speaker 1: more fun y'all, y' I've got my ship. No gotta

1611
01:48:15,840 --> 01:48:21,479
Speaker 1: mix something skinny, think I'm drinking back yet I'm taking

1612
01:48:21,479 --> 01:48:30,960
Speaker 1: easy man feathers my first remember that sack, thank you,

1613
01:48:31,280 --> 01:48:38,200
Speaker 1: compole or nature am not taking that batuta use that

1614
01:48:38,720 --> 01:48:45,720
Speaker 1: both everybody, Hey, you want to get I need right

1615
01:48:45,800 --> 01:48:53,800
Speaker 1: down heybo take day. We still mention his name. We're

1616
01:48:53,840 --> 01:48:56,439
Speaker 1: giving him props. You know what I'm saying. Pubs might

1617
01:48:56,479 --> 01:48:59,040
Speaker 1: not even mention nature today, but nigga, I did shut

1618
01:48:59,080 --> 01:49:01,240
Speaker 1: the funk up. I'm missing just having the studio the

1619
01:49:01,280 --> 01:49:11,200
Speaker 1: other day. I love him, but now get you be

1620
01:49:11,280 --> 01:49:14,360
Speaker 1: the bigger man. Like the bigger man. I need this

1621
01:49:14,640 --> 01:49:20,160
Speaker 1: right now. Okay you were you seen them going up?

1622
01:49:20,760 --> 01:49:30,320
Speaker 1: Uh snow Prodigy or Google? Cool? Oh my god said

1623
01:49:32,000 --> 01:49:38,080
Speaker 1: good boo boo to take that bottle. You gotta rest

1624
01:49:38,120 --> 01:49:41,360
Speaker 1: in people. Google right here, little ta take you my

1625
01:49:41,479 --> 01:49:46,200
Speaker 1: fucking shot. I'll take. Let's trash this man a little

1626
01:49:46,200 --> 01:49:50,559
Speaker 1: bit right. We got and see like ship jumps shot.

1627
01:49:51,240 --> 01:50:05,320
Speaker 1: We look like wait stop like Bro's notice to you too.

1628
01:50:06,160 --> 01:50:11,679
Speaker 1: Each street a cross move, beach too, be street down?

1629
01:50:13,280 --> 01:50:20,519
Speaker 1: Because I was bitch the break breaks alas mind just

1630
01:50:20,600 --> 01:50:28,040
Speaker 1: say sorry, yeah I can see that shoe. That's mean ship.

1631
01:50:28,120 --> 01:50:30,160
Speaker 1: You haven't because I broke this and I was snaking.

1632
01:50:30,200 --> 01:50:33,280
Speaker 1: I was nice? Who did? Everybody didn't break this? I

1633
01:50:33,360 --> 01:50:40,160
Speaker 1: broke the road? Carboy? Did you have a break this

1634
01:50:40,400 --> 01:50:42,479
Speaker 1: to only doing on the cars? How is that? Ain't

1635
01:50:42,479 --> 01:50:45,519
Speaker 1: breakdace blue ship, ain't breakdas I can't write up the

1636
01:50:45,640 --> 01:50:59,719
Speaker 1: gas can tell you around what I tell my daughters

1637
01:51:00,000 --> 01:51:03,800
Speaker 1: only kinny like me, we probably doing hespit freaky. Yeah,

1638
01:51:03,840 --> 01:51:05,840
Speaker 1: I just think I'm doing all that singer feet and

1639
01:51:05,960 --> 01:51:10,439
Speaker 1: doing it even far. My name was Rico, but listen,

1640
01:51:11,360 --> 01:51:19,880
Speaker 1: I didn't us for now my name was Rico about

1641
01:51:23,240 --> 01:51:35,600
Speaker 1: I didn't even know or even y'all Queen's pay daniels

1642
01:51:35,680 --> 01:51:38,280
Speaker 1: had to see how Remember Rob mc daniels had over

1643
01:51:38,360 --> 01:51:40,800
Speaker 1: the piece. Don't well, all right, they may hand the

1644
01:51:40,920 --> 01:51:49,080
Speaker 1: contests the graffiti contest for four minute. Remember that s

1645
01:51:49,960 --> 01:51:54,559
Speaker 1: trop to Rob mcganner's romans is the one that did

1646
01:51:54,680 --> 01:51:56,920
Speaker 1: that left for me on video. I don't think you're

1647
01:51:57,000 --> 01:52:10,080
Speaker 1: choking up. I never claimed I want to be the

1648
01:52:10,200 --> 01:52:12,439
Speaker 1: smoke champ. I don't want to be the drink champ.

1649
01:52:12,479 --> 01:52:14,800
Speaker 1: And gotta get the fucking way I'll fit it. And

1650
01:52:14,960 --> 01:52:18,120
Speaker 1: but I gotta choke on your ship. So the yeah

1651
01:52:21,400 --> 01:52:24,320
Speaker 1: to you was the one who didn't left me only

1652
01:52:24,439 --> 01:52:28,120
Speaker 1: videos And so in the end of the day wrapping

1653
01:52:28,200 --> 01:52:31,360
Speaker 1: mcgames when it was just classic concepts and can started videos,

1654
01:52:31,680 --> 01:52:37,439
Speaker 1: hit me light a vikid the symphony too, because the

1655
01:52:37,680 --> 01:52:40,000
Speaker 1: stories about this why he wasn't on the symphony I

1656
01:52:40,120 --> 01:52:42,320
Speaker 1: was locked up. Why you wasn't on the symphony because Molly,

1657
01:52:42,400 --> 01:52:45,840
Speaker 1: motherfuck make niggas and then you don't get paid. All right,

1658
01:52:45,880 --> 01:52:48,040
Speaker 1: that was I don't know if I stumbled on that ship,

1659
01:52:48,160 --> 01:52:56,400
Speaker 1: but but that's what I explained that earlier. Yeah, I got.

1660
01:52:56,800 --> 01:53:00,040
Speaker 1: Look if it was motherfucker, let me see nineteen and

1661
01:53:00,120 --> 01:53:02,519
Speaker 1: he eight, y'all niggas could think I was doing cocaine

1662
01:53:02,560 --> 01:53:06,280
Speaker 1: because the white woman, But it's motherfucker's twenty twenty two,

1663
01:53:06,320 --> 01:53:09,200
Speaker 1: I'm do cocaine. No, mo, motherfucker's just go to flag.

1664
01:53:09,400 --> 01:53:13,559
Speaker 1: Don't class. I just got. Don't let him past. Don't

1665
01:53:13,600 --> 01:53:20,960
Speaker 1: say you don't classes the show, don't you know? He said,

1666
01:53:21,200 --> 01:53:29,679
Speaker 1: fifty one, fifty one, I'm shocked. Second nipper, I would

1667
01:53:29,720 --> 01:53:33,639
Speaker 1: never check y'all. Fifty seven, I'm fifty seven and seven.

1668
01:53:33,680 --> 01:53:37,280
Speaker 1: To put the street around your glasses, nigger, I'm a

1669
01:53:37,320 --> 01:53:42,599
Speaker 1: whole lassall behind that. If I see it was streets

1670
01:53:42,680 --> 01:53:50,120
Speaker 1: lead classes sex from you there, I say, talk to

1671
01:53:50,200 --> 01:53:55,439
Speaker 1: the supermol outside, but next you right there and attack.

1672
01:53:58,280 --> 01:54:11,400
Speaker 1: Yeah it guess what. Guess don't work because my street

1673
01:54:15,080 --> 01:54:25,320
Speaker 1: and that's my ideas here. Listen, at the end of

1674
01:54:25,400 --> 01:54:32,720
Speaker 1: the day, I love you and I'm glad that motherfucker

1675
01:54:32,840 --> 01:54:37,160
Speaker 1: we're still here to talk about this ship. You know. Sorry,

1676
01:54:37,280 --> 01:54:40,200
Speaker 1: how a mother fucking friends that your motherfucking can't even

1677
01:54:40,320 --> 01:54:44,160
Speaker 1: sucking look at right now? Because ye, nigga, it was

1678
01:54:44,200 --> 01:54:46,600
Speaker 1: down to left Frax see left frack niggas talk. There

1679
01:54:46,680 --> 01:54:49,600
Speaker 1: was motherfucking hot niggas because there wasn't in the project

1680
01:54:49,640 --> 01:55:05,960
Speaker 1: because they had Paris, France and whatever. They w at

1681
01:55:06,040 --> 01:55:12,040
Speaker 1: two staircases, and I said that when the birch out there,

1682
01:55:12,200 --> 01:55:17,480
Speaker 1: I was like, these niggas, all right, but that's what

1683
01:55:17,640 --> 01:55:20,320
Speaker 1: I'm seeing the end of the day. I love you.

1684
01:55:22,400 --> 01:55:24,880
Speaker 1: I love you, motherfucker. I could see y'all niggas. Maybe

1685
01:55:24,880 --> 01:55:28,400
Speaker 1: you'll niggas could have been done with honey years. You

1686
01:55:28,480 --> 01:55:30,760
Speaker 1: know what I'm saying. What I said when I wasn't around, No, yeah,

1687
01:55:30,760 --> 01:55:34,400
Speaker 1: I can get away from nigga my shoot. And I'm

1688
01:55:34,400 --> 01:55:36,880
Speaker 1: gonna say you, I said, I will stop pointing a figure.

1689
01:55:37,480 --> 01:55:45,320
Speaker 1: But he wouldn't do things. I just wouldn't get a

1690
01:55:45,400 --> 01:55:52,720
Speaker 1: little and this siga was, yeah something, let that ship

1691
01:55:52,800 --> 01:56:02,400
Speaker 1: go by sea. You rest juice low Jack City. You

1692
01:56:02,480 --> 01:56:05,600
Speaker 1: asked that already, right, No, you say that juice a

1693
01:56:05,680 --> 01:56:09,080
Speaker 1: low Jack City I thought we asked another blue. You

1694
01:56:09,080 --> 01:56:15,320
Speaker 1: say je cruschool juice, juice, juice, low jack city snow jeers.

1695
01:56:16,560 --> 01:56:18,920
Speaker 1: See what you are running here? Just right now let

1696
01:56:18,960 --> 01:56:23,720
Speaker 1: me give a control of my show again. You my love.

1697
01:56:25,480 --> 01:56:28,760
Speaker 1: I have you drunk? Red man, I'm at the man

1698
01:56:29,320 --> 01:56:38,720
Speaker 1: both shot shot shot no man shot same boats, think

1699
01:56:38,760 --> 01:56:50,920
Speaker 1: of the true Ready you're my buddy. Whatever you like

1700
01:56:51,160 --> 01:56:57,640
Speaker 1: to next time with my bold Hold see boat, I'm drunk,

1701
01:56:59,280 --> 01:57:03,800
Speaker 1: scary pinks. No you didn't give Okay, let's go. I've

1702
01:57:03,800 --> 01:57:07,440
Speaker 1: got to go. Ship. Here we go go some ship

1703
01:57:07,520 --> 01:57:13,280
Speaker 1: and ship now want to done it to see just

1704
01:57:14,240 --> 01:57:21,240
Speaker 1: because dad of COI time time I've been talking men

1705
01:57:21,320 --> 01:57:26,040
Speaker 1: talking down town, got dropping it. So that'shi, the perfect

1706
01:57:26,200 --> 01:57:30,800
Speaker 1: in the can't make a fun y'all little problem. You

1707
01:57:30,800 --> 01:57:34,000
Speaker 1: already not cool? No, you're like I said, motherfucker. I

1708
01:57:34,160 --> 01:57:36,560
Speaker 1: love you and I'm glad that I could end my

1709
01:57:36,760 --> 01:57:40,920
Speaker 1: career on your show. Now every time it is the

1710
01:57:41,040 --> 01:57:44,280
Speaker 1: beginning with my daughter sash time doing a last So

1711
01:57:45,120 --> 01:57:49,040
Speaker 1: me you not you go see your cool? You got

1712
01:57:49,080 --> 01:57:52,560
Speaker 1: you do something that's glory. Hold on all this this

1713
01:57:52,840 --> 01:57:59,600
Speaker 1: is bis mark call dB fun. That's all you know.

1714
01:57:59,640 --> 01:58:05,120
Speaker 1: That's a stop shall we do. I was drinking when

1715
01:58:05,200 --> 01:58:08,560
Speaker 1: y'all niggers wants to drinking. What's here? The dad's gonna

1716
01:58:08,560 --> 01:58:10,560
Speaker 1: to do a quick time and still check the sounds

1717
01:58:10,560 --> 01:58:15,760
Speaker 1: like it seems like a man. He'll give me the

1718
01:58:15,800 --> 01:58:24,280
Speaker 1: glass of where I'm not. That's gonna be sound or

1719
01:58:24,480 --> 01:58:30,560
Speaker 1: showfamous or only bail for kiber links the infamous album

1720
01:58:30,800 --> 01:58:32,920
Speaker 1: or only built for Cuba links ray kuon first album.

1721
01:58:37,640 --> 01:58:40,920
Speaker 1: That's not funking you baby stuff man, come on, no,

1722
01:58:41,440 --> 01:58:46,560
Speaker 1: no more second. I'm gonna mother blog up. He will

1723
01:58:46,600 --> 01:58:48,640
Speaker 1: pack us out. You know, I wanna buckers, get on

1724
01:58:49,160 --> 01:58:53,200
Speaker 1: show cross out. You got somebody driving? Yes, trade off

1725
01:58:53,240 --> 01:58:57,200
Speaker 1: where you at saying, hey, hey, I'm not checking box

1726
01:58:57,480 --> 01:59:02,360
Speaker 1: on the dressing the party boss, I didn't Well he

1727
01:59:02,560 --> 01:59:04,480
Speaker 1: drove the party boss. I'm just sitting for the back

1728
01:59:04,480 --> 01:59:09,200
Speaker 1: of you. Good keep going, keep for his party time.

1729
01:59:09,360 --> 01:59:13,760
Speaker 1: He saw bread the party you you said both of

1730
01:59:13,840 --> 01:59:19,160
Speaker 1: them right? Yeah? Okay, scarface of ice Cube, I'm mad

1731
01:59:19,160 --> 01:59:22,080
Speaker 1: at that. You get almost draft. Take a questions he

1732
01:59:22,200 --> 01:59:29,000
Speaker 1: got out of like shot shot pressure me into this ship. No,

1733
01:59:29,240 --> 01:59:33,560
Speaker 1: it's okay. This is taking for you, y'all, y'all turned

1734
01:59:33,600 --> 01:59:35,920
Speaker 1: for me. I'm sorry, you got all right, and I

1735
01:59:36,240 --> 01:59:38,440
Speaker 1: can take you. See I'm neg y'all, ain't gonna russure me.

1736
01:59:38,760 --> 01:59:40,560
Speaker 1: It'll manic were ready to do. Let me take our

1737
01:59:40,600 --> 01:59:45,160
Speaker 1: ship and then take our shop. Might will take it out. Yeah,

1738
01:59:46,760 --> 01:59:50,240
Speaker 1: I'm taking a little sit man. This is getting out

1739
01:59:50,280 --> 01:59:53,920
Speaker 1: of playing the game in the more we got for

1740
01:59:53,920 --> 02:00:00,320
Speaker 1: three more questions. Gonna be venis snow in w But

1741
02:00:00,440 --> 02:00:05,840
Speaker 1: we'll take clan I mean style like the East. Okay,

1742
02:00:05,960 --> 02:00:12,080
Speaker 1: so so sham will take both. Sit that. Let you

1743
02:00:12,240 --> 02:00:20,080
Speaker 1: tell anything you're gonna see both. Then let you know

1744
02:00:20,160 --> 02:00:23,200
Speaker 1: what I was saying where I'm coming from with this.

1745
02:00:23,520 --> 02:00:27,600
Speaker 1: I don't separate us. I'm with you, no re im

1746
02:00:27,680 --> 02:00:29,880
Speaker 1: with everybody. And what you know what I'm saying, we don't.

1747
02:00:29,960 --> 02:00:33,320
Speaker 1: We don't fuck it. Well, I don't, y'all. Motherfucker's can

1748
02:00:33,400 --> 02:00:36,240
Speaker 1: do that ship or you want you, But motherfucker, every

1749
02:00:36,360 --> 02:00:40,960
Speaker 1: niggata this ship, Nori and every other motherfucker's greatness own lane.

1750
02:00:41,560 --> 02:00:44,760
Speaker 1: You can't keep ball. Motherfucking look, let me tell you

1751
02:00:44,920 --> 02:00:48,640
Speaker 1: what your motherfucker's see. Baba stress sand and you see

1752
02:00:48,760 --> 02:00:53,240
Speaker 1: motherfucking billy shoulder. Which motherfucker's that niggas is thing fucking

1753
02:00:53,360 --> 02:00:57,160
Speaker 1: horses they give me the horses hay right where I

1754
02:00:57,240 --> 02:01:01,800
Speaker 1: have great m c s and pop Nigga. We can't

1755
02:01:01,800 --> 02:01:05,400
Speaker 1: even pay We still sixty and seventy fucking years old

1756
02:01:07,040 --> 02:01:11,360
Speaker 1: bucks shows just to pay our motherfucker's all right, But

1757
02:01:11,520 --> 02:01:14,280
Speaker 1: now let's not getting fucked up. If you didn't find

1758
02:01:14,360 --> 02:01:17,000
Speaker 1: your niche in the game, like Nori, he don't gotta

1759
02:01:17,040 --> 02:01:20,080
Speaker 1: make another motherfucker record in his life. You know the stand,

1760
02:01:20,320 --> 02:01:25,360
Speaker 1: He found his niche, So find your motherfucking niche. But

1761
02:01:26,040 --> 02:01:30,320
Speaker 1: we don't have those, Paul, we can't put that oh ship,

1762
02:01:30,680 --> 02:01:33,800
Speaker 1: And Boba Stras Sant doing concert tomorrow and she says

1763
02:01:33,840 --> 02:01:36,200
Speaker 1: she broke. You know what's gonna happen. These niggas are

1764
02:01:36,200 --> 02:01:38,840
Speaker 1: gonna show up. Ain't no price on the motherfucking ticket.

1765
02:01:39,160 --> 02:01:41,400
Speaker 1: They're gonna come with their motherfucker every check book to

1766
02:01:41,440 --> 02:01:44,800
Speaker 1: say nine the das and eight hundred das, and they're

1767
02:01:44,800 --> 02:01:48,040
Speaker 1: gonna make sure Boba Stras Sang got the motherfucking house

1768
02:01:48,080 --> 02:01:51,360
Speaker 1: and she could feed her horses and all that ship.

1769
02:01:51,840 --> 02:01:55,320
Speaker 1: But if Nori was fucked up, I was fucked up,

1770
02:01:55,360 --> 02:01:58,040
Speaker 1: a tracking funked up. He sucked up. You think they're

1771
02:01:58,040 --> 02:02:00,600
Speaker 1: gonna motherfucking do that for us? Off for youself. So

1772
02:02:00,880 --> 02:02:03,160
Speaker 1: fuck you want we got to do a flax shout.

1773
02:02:04,520 --> 02:02:10,600
Speaker 1: That's why we any. We got to a point shot.

1774
02:02:10,760 --> 02:02:16,680
Speaker 1: This is what alright, I'm asking taking a motherfucker shot.

1775
02:02:17,480 --> 02:02:24,920
Speaker 1: Take taking the spring. I'm taking my own shot, of

1776
02:02:25,080 --> 02:02:33,880
Speaker 1: course to say range nature now can't get me on

1777
02:02:34,040 --> 02:02:37,800
Speaker 1: name shot love. Nature's saying that's sad, but I got

1778
02:02:37,880 --> 02:02:44,000
Speaker 1: you back nothing Nature, make a T shirt out lest Hello,

1779
02:02:44,680 --> 02:02:48,040
Speaker 1: Hello Salo, who got a blow? I ain't taking him

1780
02:02:48,040 --> 02:02:51,120
Speaker 1: on the shot because the guy letting nobody bust me

1781
02:02:51,200 --> 02:02:55,800
Speaker 1: into that motherfucker person. Don't drink so much? No, not

1782
02:02:55,960 --> 02:02:58,960
Speaker 1: a season. What no he's doing is that's some disagreeable

1783
02:02:59,000 --> 02:03:05,280
Speaker 1: for your shooting drinking you have flut okay, hello, na

1784
02:03:05,840 --> 02:03:08,160
Speaker 1: l none of that. No fucking ship. They're both my

1785
02:03:08,320 --> 02:03:12,920
Speaker 1: neigu up. I was drinking. Now good for you because

1786
02:03:12,920 --> 02:03:17,400
Speaker 1: I ain't sunk ship. Ye ain't gonna give me rap

1787
02:03:17,440 --> 02:03:21,960
Speaker 1: city both? I'm not. Oh wait, wait wait, let's go

1788
02:03:22,120 --> 02:03:25,760
Speaker 1: back to that question. You'll TV rap rap city both

1789
02:03:25,840 --> 02:03:29,520
Speaker 1: of those who n fucking can calmer don't give us

1790
02:03:29,600 --> 02:03:34,280
Speaker 1: nothing see back in the day see aftert I can

1791
02:03:34,360 --> 02:03:45,000
Speaker 1: give a look both up both damn five all right,

1792
02:03:45,600 --> 02:03:48,040
Speaker 1: because you gotta be up there. Look a look, look y'all,

1793
02:03:48,280 --> 02:03:53,840
Speaker 1: y'all to figures about to say wait, because you have

1794
02:03:54,000 --> 02:03:56,960
Speaker 1: to be of a certain demographic, can do certain things

1795
02:03:57,040 --> 02:04:00,520
Speaker 1: to get money with these people. Nobody ain't gonna give

1796
02:04:00,560 --> 02:04:03,440
Speaker 1: him these motherfucker's right here. I ain't gonna to show

1797
02:04:03,480 --> 02:04:09,800
Speaker 1: your things right right there, sucking brow that ship right

1798
02:04:10,240 --> 02:04:12,600
Speaker 1: these things won't even give me a fucking down drink

1799
02:04:12,680 --> 02:04:15,120
Speaker 1: our ship, but check it up. I paid for that,

1800
02:04:15,720 --> 02:04:18,640
Speaker 1: so I'm the fun. They won't do certain ships for

1801
02:04:18,720 --> 02:04:24,200
Speaker 1: certain motherfucker's because what the fun? And I'm thankful for you?

1802
02:04:25,520 --> 02:04:28,280
Speaker 1: And how it drink? This is that pay for that?

1803
02:04:28,400 --> 02:04:43,400
Speaker 1: But I know the owner, he's my friend. Nigga, No, no, alright,

1804
02:04:43,480 --> 02:04:47,560
Speaker 1: but not drink because at the end of the day,

1805
02:04:47,880 --> 02:04:53,240
Speaker 1: I love Jay right and say I'm sorry if gal

1806
02:04:53,320 --> 02:04:56,880
Speaker 1: Pont didn't gonna fuck up nigga. Do y'all know, motherfucking

1807
02:04:57,880 --> 02:05:01,760
Speaker 1: what's that word gesture? Freak? You shouldn't mean? Do you

1808
02:05:01,880 --> 02:05:04,240
Speaker 1: know what it means? Much? I want to hit Norwich

1809
02:05:04,280 --> 02:05:06,520
Speaker 1: to tell me that. That's like, how long is the city?

1810
02:05:06,720 --> 02:05:10,440
Speaker 1: It's gentified right now? Back then Queensbridge was the only

1811
02:05:10,560 --> 02:05:17,560
Speaker 1: bad place everything around it and has always been justified.

1812
02:05:17,680 --> 02:05:20,280
Speaker 1: So well he'sn't breaking down to the real just let's

1813
02:05:20,320 --> 02:05:23,560
Speaker 1: get to their point. It's just make you motherfuckers ship

1814
02:05:24,520 --> 02:05:28,360
Speaker 1: special for somebody else to blow it up. Right, And

1815
02:05:28,520 --> 02:05:31,960
Speaker 1: so I love jay C and jay C as a businessman, right,

1816
02:05:32,640 --> 02:05:35,360
Speaker 1: you can't get mad. And the businessman of business is

1817
02:05:35,440 --> 02:05:37,000
Speaker 1: what it is. And if you've got a heart, you

1818
02:05:37,160 --> 02:05:41,520
Speaker 1: can't be in business. So when Chase sell a lot

1819
02:05:41,560 --> 02:05:46,280
Speaker 1: of the more enter five, right, motherfucker's that don't know

1820
02:05:46,400 --> 02:05:49,640
Speaker 1: what the fucking world curchrified me, curchifyed me, take those

1821
02:05:49,720 --> 02:05:51,880
Speaker 1: ship and make it better, so nothing to come in

1822
02:05:51,960 --> 02:05:55,280
Speaker 1: and take it over. He said that chefs your five.

1823
02:05:55,440 --> 02:05:58,720
Speaker 1: Motherfucker look at the world. But he said that, yes,

1824
02:05:59,120 --> 02:06:05,080
Speaker 1: then put me on niggy honestly, gentrified. See the sigarette

1825
02:06:05,120 --> 02:06:14,000
Speaker 1: here fucking laughing at what s what? No, it ain't

1826
02:06:14,040 --> 02:06:17,040
Speaker 1: no song. It's not a thing of song. Talk to me.

1827
02:06:18,680 --> 02:06:21,960
Speaker 1: I look the world gentrified. If you don't know what

1828
02:06:22,120 --> 02:06:25,120
Speaker 1: the world gentrified and you must sund have been listening

1829
02:06:25,200 --> 02:06:27,919
Speaker 1: to you, man. But now if you look at Brooklyn,

1830
02:06:28,400 --> 02:06:31,040
Speaker 1: you as a black man, as a motherfucker what you

1831
02:06:31,200 --> 02:06:34,440
Speaker 1: can't even afford to beat it? Why you can't go

1832
02:06:34,560 --> 02:06:38,640
Speaker 1: to talking. Motherfucker's got it there because Scott's sorry to

1833
02:06:38,800 --> 02:06:43,520
Speaker 1: say it like that, but gentrifies that with me. Alright,

1834
02:06:43,680 --> 02:06:47,240
Speaker 1: something now if you're fucking altd class and Brooklyn and

1835
02:06:47,360 --> 02:06:51,320
Speaker 1: you gentrified Nicks can't live in Brooklyn no more when

1836
02:06:51,360 --> 02:06:57,920
Speaker 1: you wore but they used to be off. But so

1837
02:06:58,320 --> 02:07:03,520
Speaker 1: it's dumble. I'm not putting on nor ship. But motherfucker's

1838
02:07:03,560 --> 02:07:06,520
Speaker 1: don't know what the funk they're saying. If the motherfucker's

1839
02:07:06,520 --> 02:07:09,720
Speaker 1: say something, I'm not getting on J and I. But

1840
02:07:09,880 --> 02:07:13,080
Speaker 1: gentrifies the word um when you take your ship and

1841
02:07:13,200 --> 02:07:17,760
Speaker 1: give it to another nigger. Alright, Brooklyn, we can't get downtown.

1842
02:07:18,640 --> 02:07:19,840
Speaker 1: But I don't think that's what he said. I think

1843
02:07:19,840 --> 02:07:21,840
Speaker 1: you've miss understood him that he was trying to say it.

1844
02:07:22,040 --> 02:07:25,360
Speaker 1: And that's what I needed to ye here here's get

1845
02:07:25,440 --> 02:07:27,920
Speaker 1: here in the Jewish people or how they gentified their

1846
02:07:28,000 --> 02:07:30,600
Speaker 1: section saying you know what, we should do that for

1847
02:07:30,920 --> 02:07:37,720
Speaker 1: our affection right now. Like but when I say that,

1848
02:07:37,840 --> 02:07:43,680
Speaker 1: when I say that, don't remember him coming in that way.

1849
02:07:43,680 --> 02:07:45,040
Speaker 1: And don't get me wrong, like I was on here

1850
02:07:45,080 --> 02:07:48,720
Speaker 1: before and I said, I said funk jazy, and I

1851
02:07:48,760 --> 02:07:51,280
Speaker 1: said fun me too, to make a certain point. So

1852
02:07:51,360 --> 02:07:54,800
Speaker 1: I'm not doing it right. I'm not mother, but but

1853
02:07:55,280 --> 02:07:57,400
Speaker 1: pretty easily I don't. I don't recall him. I don't

1854
02:07:57,400 --> 02:08:00,400
Speaker 1: think he's saying that. He's simisation. Wait wait, you're trying

1855
02:08:00,400 --> 02:08:03,360
Speaker 1: to sort of people understand what he's saying. I'm going somewhere.

1856
02:08:04,480 --> 02:08:08,640
Speaker 1: He never said that out right, and he never implicated

1857
02:08:08,960 --> 02:08:12,840
Speaker 1: or perpetuating that outright. What did you him saying? Did

1858
02:08:12,920 --> 02:08:15,400
Speaker 1: you hear him say the words at your five? He

1859
02:08:15,440 --> 02:08:20,920
Speaker 1: could use the word he wait that but you know

1860
02:08:21,040 --> 02:08:24,080
Speaker 1: how they use us? No, how they use ther motherfucker

1861
02:08:24,360 --> 02:08:27,720
Speaker 1: she you ain't used because fucking every day to himself.

1862
02:08:27,800 --> 02:08:38,120
Speaker 1: That's everything, whatever it is, don't no weed black own

1863
02:08:38,560 --> 02:08:45,880
Speaker 1: the owner black? What do you see? That's what I'm

1864
02:08:46,040 --> 02:08:49,240
Speaker 1: talking about. As long as you own your own ship,

1865
02:08:49,400 --> 02:08:52,320
Speaker 1: could do your own ship. But the motherfucker's keep building

1866
02:08:52,320 --> 02:08:55,040
Speaker 1: into the dream. Now look at what this think of doing?

1867
02:08:55,280 --> 02:08:59,640
Speaker 1: What you do? You all what you want? This together?

1868
02:09:00,160 --> 02:09:02,520
Speaker 1: Now take just us a message that I'm saying. I'm

1869
02:09:02,560 --> 02:09:04,760
Speaker 1: not putting on on j C. None of that ship.

1870
02:09:05,200 --> 02:09:07,200
Speaker 1: I want you to look at Nori. I want you

1871
02:09:07,240 --> 02:09:11,000
Speaker 1: to look at him. I own I don't know very

1872
02:09:12,920 --> 02:09:16,480
Speaker 1: all right, Look at damn. Let them be your model,

1873
02:09:16,640 --> 02:09:18,920
Speaker 1: Let them be all you know what I'm saying. But

1874
02:09:19,080 --> 02:09:20,520
Speaker 1: what I want to tell you what I want to

1875
02:09:20,560 --> 02:09:23,240
Speaker 1: tell you, and maybe you don't notice. Our model was

1876
02:09:23,400 --> 02:09:26,080
Speaker 1: jay z Our model was the people because they owned

1877
02:09:26,160 --> 02:09:31,640
Speaker 1: their own ship too. That's what I think, James Anvlicatie. Yeah, yeah,

1878
02:09:31,800 --> 02:09:34,600
Speaker 1: they're trying to do it on the ends of the

1879
02:09:34,720 --> 02:09:37,120
Speaker 1: day that Nigas was on that dope ship. When you're here,

1880
02:09:37,240 --> 02:09:39,520
Speaker 1: gent your father day didn't listen to the message that

1881
02:09:41,520 --> 02:09:44,520
Speaker 1: trying to shoot my brother never speed to you. Hold

1882
02:09:44,600 --> 02:09:50,960
Speaker 1: on the phone, let me be quiet, into let me

1883
02:09:51,000 --> 02:09:54,520
Speaker 1: be quiet, and God would ever ship on? Motherfucker. All

1884
02:09:54,600 --> 02:09:58,600
Speaker 1: I'm saying is that you dumb motherfucker's that didn't know

1885
02:09:58,760 --> 02:10:02,920
Speaker 1: what go Look what church five meat? Oh yeah, look

1886
02:10:03,040 --> 02:10:05,840
Speaker 1: check this side. That's your shot, right yeah, the game,

1887
02:10:06,360 --> 02:10:08,640
Speaker 1: the game, I'll take it. I'll take your shout wait

1888
02:10:08,720 --> 02:10:15,960
Speaker 1: wait for me, wait the shot. Check this out, hot ship, Jeeze,

1889
02:10:19,280 --> 02:10:24,760
Speaker 1: I'm gonna take this shot with spect you just spread flory,

1890
02:10:25,160 --> 02:10:28,480
Speaker 1: y'all need see that whiskey man respectively, just spre I'm

1891
02:10:28,480 --> 02:10:32,200
Speaker 1: saving ship. I'm tending to plan well so long when

1892
02:10:32,240 --> 02:10:35,080
Speaker 1: we got long thing Ellis do we got, we got

1893
02:10:35,120 --> 02:10:37,440
Speaker 1: two long questions and that's it. We're still like, you're

1894
02:10:37,440 --> 02:10:40,240
Speaker 1: still chelling me fussing. You know, we got to questions.

1895
02:10:40,760 --> 02:10:44,160
Speaker 1: We said traps ting right, we get Yeah, now we're creaky,

1896
02:10:44,320 --> 02:10:47,760
Speaker 1: so also excess out. Fuck that both for I'm not

1897
02:10:47,840 --> 02:10:55,920
Speaker 1: taking your shot, but I'm taking shot up play the

1898
02:10:56,000 --> 02:11:00,560
Speaker 1: game to get a whiskey, trying to tell the last

1899
02:11:00,640 --> 02:11:07,680
Speaker 1: still playing game, you playing again because you don't do's

1900
02:11:07,720 --> 02:11:10,280
Speaker 1: not playing again. Let's get that. But that's what him.

1901
02:11:10,840 --> 02:11:13,200
Speaker 1: Listen because the last question he's not guess he don't

1902
02:11:13,200 --> 02:11:16,000
Speaker 1: love his men the game the last person and love

1903
02:11:16,120 --> 02:11:23,560
Speaker 1: are I love area I'm playing? Loyalty or respect? Both

1904
02:11:23,560 --> 02:11:29,080
Speaker 1: of you said mother because one respect is a motherfucker

1905
02:11:29,360 --> 02:11:31,960
Speaker 1: thing that you can't notot motherfucker live without. The first

1906
02:11:32,000 --> 02:11:33,760
Speaker 1: one to say that was great one, and in fact

1907
02:11:33,760 --> 02:11:36,000
Speaker 1: that was an impeccable and that is the best answer

1908
02:11:36,160 --> 02:11:43,760
Speaker 1: was just basically believe, I believe that's not how to

1909
02:11:43,800 --> 02:11:49,000
Speaker 1: get this perspective on that why we need house. He's

1910
02:11:49,080 --> 02:11:53,080
Speaker 1: like John Guardy and motherfucking band game, you know, just

1911
02:11:53,200 --> 02:11:57,840
Speaker 1: throll the fucking right here, yo, No, it's not who

1912
02:11:58,080 --> 02:12:03,000
Speaker 1: that little and we and the whole what we say.

1913
02:12:03,080 --> 02:12:05,760
Speaker 1: We know how we keeping it real. Let me tell

1914
02:12:05,800 --> 02:12:10,320
Speaker 1: you just think a family live that ship to motherfucker's

1915
02:12:10,320 --> 02:12:13,080
Speaker 1: in the hood, dreaming box like he said, his family

1916
02:12:13,200 --> 02:12:17,400
Speaker 1: crime connected. I'm witnessed to the ship, not trying to

1917
02:12:17,480 --> 02:12:19,560
Speaker 1: bring you don't want to be a witness to anything.

1918
02:12:21,400 --> 02:12:23,960
Speaker 1: They can't give me a set on the place is over.

1919
02:12:24,480 --> 02:12:28,080
Speaker 1: But check this out. But just right here, let me

1920
02:12:28,560 --> 02:12:33,600
Speaker 1: question I'm going to I mean, bro, let you do

1921
02:12:33,640 --> 02:12:41,080
Speaker 1: it this way. Yeah, yeah, we we have to pick back,

1922
02:12:46,120 --> 02:12:50,000
Speaker 1: get so you pick it? Wait so you pick, you

1923
02:12:50,080 --> 02:12:55,120
Speaker 1: pick loyalty, angry back, but loyalty when you got loyalty

1924
02:12:55,120 --> 02:12:57,680
Speaker 1: and you had you just say, loyalty comes with respect, right,

1925
02:12:59,160 --> 02:13:03,000
Speaker 1: your loyal But I don't respect what is? Someone could

1926
02:13:03,000 --> 02:13:08,080
Speaker 1: be loyalty and not respect you though my person. Somebody

1927
02:13:08,120 --> 02:13:10,520
Speaker 1: could be loyalty out of the glo, out of fear.

1928
02:13:12,080 --> 02:13:16,360
Speaker 1: Someone can be everybody that could be a respect. Yeah,

1929
02:13:16,480 --> 02:13:20,320
Speaker 1: so you don't guess why nothing not saying at all?

1930
02:13:21,320 --> 02:13:24,960
Speaker 1: Whatever worse, So don't play. So that's how we get ahead.

1931
02:13:26,640 --> 02:13:29,760
Speaker 1: Love is yeah, love is love. Love is love. That

1932
02:13:29,880 --> 02:13:34,440
Speaker 1: was so yeah, you're saying loyalty, Well I have a

1933
02:13:34,480 --> 02:13:37,520
Speaker 1: spect both you know what both but you ain't really

1934
02:13:37,560 --> 02:13:39,520
Speaker 1: who knows? You know what I mean? The guy an't here.

1935
02:13:39,520 --> 02:13:42,880
Speaker 1: He's loyal, but he's not loyal. Who knows? Respect for

1936
02:13:43,000 --> 02:13:44,800
Speaker 1: what if he just plays the part? He's playing a part.

1937
02:13:45,360 --> 02:13:46,800
Speaker 1: That's what I said. You know the woman just just

1938
02:13:47,000 --> 02:13:49,040
Speaker 1: speak to the soup and moving. That's all I need

1939
02:13:49,160 --> 02:13:52,040
Speaker 1: you to do. Play your part and I'll play mine. Yeah,

1940
02:13:52,080 --> 02:13:56,520
Speaker 1: just needs you to do this this This was crazy today.

1941
02:13:56,560 --> 02:14:01,800
Speaker 1: I loved it when you started doing music. How did

1942
02:14:01,880 --> 02:14:05,800
Speaker 1: your family did they accept it automatically? Well, my mother, see,

1943
02:14:05,840 --> 02:14:07,840
Speaker 1: my mother was brought up. Rick Change's baby sat me.

1944
02:14:07,960 --> 02:14:14,880
Speaker 1: She he used to Christ They didn't. Yeah, Rick Change,

1945
02:14:14,960 --> 02:14:18,240
Speaker 1: he's baby while he used to what he used to

1946
02:14:18,240 --> 02:14:21,480
Speaker 1: be with my mother's friend Lane. So he's from Buffon. No, no,

1947
02:14:21,640 --> 02:14:24,320
Speaker 1: he's from Buffono with but he's from Buffalo. But he

1948
02:14:24,360 --> 02:14:27,240
Speaker 1: would come to Toronto and have all the girls sell. Yeah,

1949
02:14:28,520 --> 02:14:30,440
Speaker 1: I didn't have nothing in Toronto. He come to Toronto

1950
02:14:30,440 --> 02:14:32,320
Speaker 1: and he had to grab my mother streets. So my

1951
02:14:32,400 --> 02:14:35,800
Speaker 1: mother knows all the dan So he came to my

1952
02:14:35,920 --> 02:14:40,680
Speaker 1: place with her if he baby sand but I didn't

1953
02:14:40,760 --> 02:14:44,800
Speaker 1: actually because he didn't. So I was R and B

1954
02:14:44,920 --> 02:14:48,040
Speaker 1: and yeah, no, dude, I see him. Did you see

1955
02:14:48,080 --> 02:14:49,920
Speaker 1: him sniff coat you? No, I didn't even know who

1956
02:14:50,040 --> 02:14:54,640
Speaker 1: was and you he was a kid. Yeah until we leave.

1957
02:14:54,800 --> 02:14:56,880
Speaker 1: If I shoot you be laying, you'd be like, oh

1958
02:14:56,960 --> 02:14:59,520
Speaker 1: Katy used to like albuuntil the yeah, yeah to the

1959
02:14:59,560 --> 02:15:04,520
Speaker 1: shi any tame seventy sound all seventy. But my brother

1960
02:15:04,600 --> 02:15:09,040
Speaker 1: says your sharing yeah, so we can't roll last night

1961
02:15:09,880 --> 02:15:11,920
Speaker 1: screams for my mother vall. And my mother knew all

1962
02:15:12,200 --> 02:15:14,040
Speaker 1: you know, like say, your father was like the make

1963
02:15:14,160 --> 02:15:16,840
Speaker 1: yard of everybody. She used to make said so she

1964
02:15:16,880 --> 02:15:20,040
Speaker 1: would have everybody in the neighborhood gather around and say, okay,

1965
02:15:20,080 --> 02:15:21,760
Speaker 1: you guys, blew there, y'all done. You didn't go to

1966
02:15:21,960 --> 02:15:24,440
Speaker 1: you know. But I grew up with barmb through my mother.

1967
02:15:24,520 --> 02:15:27,040
Speaker 1: Bobby wood Mac at the James you stop, stop, stopp

1968
02:15:27,440 --> 02:15:32,480
Speaker 1: My mother has twenty stop right there. See because this

1969
02:15:32,560 --> 02:15:35,840
Speaker 1: is my brother. He might know about the chaps. Yeah

1970
02:15:36,320 --> 02:15:41,360
Speaker 1: body whole man. But I knew Bobby no purse, no

1971
02:15:41,520 --> 02:15:44,920
Speaker 1: bro listen man, listen man, I shan't he would come

1972
02:15:44,960 --> 02:15:51,880
Speaker 1: to my house, but that pletten gold outside the stop

1973
02:15:52,280 --> 02:15:57,760
Speaker 1: so quick, my lady, it's cold outside. Who are you rolling? Man?

1974
02:15:58,840 --> 02:16:01,480
Speaker 1: I see all that he did the Ghost Trap jovies.

1975
02:16:01,560 --> 02:16:03,360
Speaker 1: He did it up. Joe did it all the wool

1976
02:16:03,400 --> 02:16:05,280
Speaker 1: Mac did the Ghost Trap for Joe to Yeah, but

1977
02:16:05,480 --> 02:16:07,960
Speaker 1: they did it old. That's how I'm saying those track.

1978
02:16:08,720 --> 02:16:11,600
Speaker 1: I did the ghost track. He don one of that

1979
02:16:11,840 --> 02:16:16,320
Speaker 1: times he performs at Wine City. Right after that he

1980
02:16:16,440 --> 02:16:19,760
Speaker 1: passed away. I got a pict wring, I get a change.

1981
02:16:19,760 --> 02:16:27,840
Speaker 1: Phoebe snows like, yeah, that's about. That's about yea. I

1982
02:16:27,920 --> 02:16:41,119
Speaker 1: love guys, guys, just the side talk whatever right here

1983
02:16:41,400 --> 02:16:50,720
Speaker 1: right now had a great great yo listen say about

1984
02:16:50,720 --> 02:16:52,960
Speaker 1: to sell a winner from the start gate. See see

1985
02:16:52,959 --> 02:16:56,760
Speaker 1: how like you came out later back and I was like, yo, man,

1986
02:16:56,800 --> 02:16:58,960
Speaker 1: I didn't want to like you. I'm just keeping a

1987
02:16:59,040 --> 02:17:07,960
Speaker 1: green t wouldn't like you. So when I say that,

1988
02:17:08,040 --> 02:17:10,320
Speaker 1: it's like I was young and I was you know,

1989
02:17:10,520 --> 02:17:13,920
Speaker 1: I was naive and it was stereotyping, and I stereotyped this.

1990
02:17:14,360 --> 02:17:15,840
Speaker 1: Let me get there with you, let me get there.

1991
02:17:15,920 --> 02:17:17,760
Speaker 1: Because at the same time, I said, I know you're

1992
02:17:17,840 --> 02:17:20,280
Speaker 1: authentic with it, but I'm just telling you this me

1993
02:17:20,480 --> 02:17:23,400
Speaker 1: like telling you the truth. And a lot of people

1994
02:17:23,480 --> 02:17:25,520
Speaker 1: felt like that, they just won't say it. But see,

1995
02:17:25,560 --> 02:17:27,200
Speaker 1: my thing is I like the man who I don't

1996
02:17:27,200 --> 02:17:29,400
Speaker 1: gotta figure him out. He tells me where where is

1997
02:17:29,440 --> 02:17:34,720
Speaker 1: that's on the handle whatever, But I can tell you

1998
02:17:34,760 --> 02:17:38,400
Speaker 1: it was authentic, and now I see where the authenticity

1999
02:17:38,560 --> 02:17:41,600
Speaker 1: derives from. That's what you gotta say. He's like, I

2000
02:17:41,879 --> 02:17:44,080
Speaker 1: like you seeing that's that defense. It's all about here.

2001
02:17:44,720 --> 02:17:48,520
Speaker 1: I've been listen out of you. But listen. It's saying,

2002
02:17:48,560 --> 02:17:50,840
Speaker 1: I eat all that, but listen what I'm saying. It's

2003
02:17:50,840 --> 02:17:54,359
Speaker 1: not for real because now I'm keeping a green regardless

2004
02:17:54,360 --> 02:17:55,880
Speaker 1: of what because one day I gotta lay there. So

2005
02:17:55,959 --> 02:17:58,400
Speaker 1: in between time and the meantime, we do what we do. Anyway,

2006
02:17:58,480 --> 02:18:02,119
Speaker 1: getting back to the table, how I see why. Now

2007
02:18:02,240 --> 02:18:05,800
Speaker 1: I see where the author your salute. Now I see

2008
02:18:05,840 --> 02:18:12,240
Speaker 1: where the authenticity, authenticity help me out and tell come from.

2009
02:18:13,560 --> 02:18:15,480
Speaker 1: It comes from the rules. Now come from the rules.

2010
02:18:15,720 --> 02:18:18,920
Speaker 1: Where you talking about that? That that story, I'm like, damn,

2011
02:18:19,000 --> 02:18:20,879
Speaker 1: he wasn't read of these dudes where you was younger,

2012
02:18:21,000 --> 02:18:25,480
Speaker 1: Like that's crazy. Yeah, that's it better. That's like that's

2013
02:18:25,520 --> 02:18:29,080
Speaker 1: in your design. Like I envy you for that. I

2014
02:18:29,120 --> 02:18:31,200
Speaker 1: didn't want to do this, you know I didn't do

2015
02:18:31,400 --> 02:18:36,040
Speaker 1: that would be coming from making thank you's blessed up.

2016
02:18:36,640 --> 02:18:38,920
Speaker 1: I don't know. That's that's like he came to my house.

2017
02:18:38,920 --> 02:18:41,360
Speaker 1: He came like that had twenty four crazy albums every minute,

2018
02:18:41,760 --> 02:18:44,480
Speaker 1: but you'd just be going through the going. So that's

2019
02:18:44,480 --> 02:18:46,520
Speaker 1: where I grew up. But I grew up rock and roll,

2020
02:18:46,680 --> 02:18:48,800
Speaker 1: kiss Uzy and know all that. With the long hair

2021
02:18:48,920 --> 02:18:51,080
Speaker 1: to the Jamaican family. Next story, cut my hair short,

2022
02:18:51,160 --> 02:18:55,160
Speaker 1: put around glass. They said, yeah, clown, I put on

2023
02:18:55,240 --> 02:18:57,720
Speaker 1: my clocks and I never I'm coming around. I always say,

2024
02:18:57,760 --> 02:19:03,080
Speaker 1: this's like defective. No, No, all I'm saying is now

2025
02:19:03,160 --> 02:19:09,840
Speaker 1: I understand why. I understand a lot of people couldn't

2026
02:19:09,840 --> 02:19:11,840
Speaker 1: get a lot of people like, who's this white kid coming,

2027
02:19:12,040 --> 02:19:15,440
Speaker 1: especially from Canada. And we didn't have a baseball I mean,

2028
02:19:15,480 --> 02:19:17,440
Speaker 1: we didn't have a basketball team. We didn't have nothing,

2029
02:19:17,560 --> 02:19:20,640
Speaker 1: nothing to win, So nobody even knew Toronto. So they said,

2030
02:19:20,640 --> 02:19:24,040
Speaker 1: who's this white kid coming? There's no Jamaicans in Toronto. No,

2031
02:19:26,560 --> 02:19:29,280
Speaker 1: twenty minutes away from New York. Didn't know that. Yeah,

2032
02:19:29,320 --> 02:19:32,280
Speaker 1: there's not a lot of people were changed twenty minutes

2033
02:19:32,320 --> 02:19:34,480
Speaker 1: as and we didn't also know the older Jamaicans that

2034
02:19:34,520 --> 02:19:36,640
Speaker 1: got the border from New York. When they went back

2035
02:19:36,680 --> 02:19:39,040
Speaker 1: to Jamaica, they went to London and then they went

2036
02:19:39,080 --> 02:19:45,440
Speaker 1: to Canada. Was the first Toronto before New York, before

2037
02:19:45,520 --> 02:19:48,240
Speaker 1: New York, before New York, because they would be New

2038
02:19:48,280 --> 02:19:51,360
Speaker 1: Yon as a queen to Toronto. London's out of the Queen,

2039
02:19:51,440 --> 02:19:53,400
Speaker 1: Canada's under the Queen. Tonadans out of the Queen, so

2040
02:19:53,440 --> 02:19:57,720
Speaker 1: they can come to Canada. I know all. I know

2041
02:19:57,800 --> 02:20:03,480
Speaker 1: a lot of them in the Boston. He knows them.

2042
02:20:03,560 --> 02:20:13,400
Speaker 1: He knows them from my family that was graduating. And

2043
02:20:13,720 --> 02:20:16,280
Speaker 1: I'm gonna tell you aus on a DJ standpoint, when

2044
02:20:16,320 --> 02:20:18,560
Speaker 1: Informer came out. Informer was a dupe record, but it

2045
02:20:18,600 --> 02:20:20,280
Speaker 1: blew up so quick. You know how it is in

2046
02:20:20,400 --> 02:20:22,640
Speaker 1: hip hop and stuff. When something goes mainstreams just don't

2047
02:20:22,680 --> 02:20:24,680
Speaker 1: suck with it. But that was my first single that

2048
02:20:24,760 --> 02:20:26,640
Speaker 1: was no I know, I know, but I'm just saying,

2049
02:20:26,959 --> 02:20:28,680
Speaker 1: I'm just talking to you as a DJ from Miami.

2050
02:20:29,080 --> 02:20:32,800
Speaker 1: Then when Anything for You came out, and then the remix,

2051
02:20:33,320 --> 02:20:35,840
Speaker 1: my homie Bruce from from strictly the best records out

2052
02:20:35,879 --> 02:20:39,320
Speaker 1: here in Mary Market, Jamaican. He would supply me my

2053
02:20:39,400 --> 02:20:41,440
Speaker 1: forty five. I was gonna bring it today. I have

2054
02:20:41,520 --> 02:20:44,800
Speaker 1: the forty five and that record is so insane. The

2055
02:20:44,840 --> 02:20:48,200
Speaker 1: biggest dance record so insane that you was able to

2056
02:20:48,240 --> 02:20:51,760
Speaker 1: assemble all those people at that time, it was there

2057
02:20:51,840 --> 02:20:54,040
Speaker 1: was no that's what. That's what was the remixes like

2058
02:20:54,120 --> 02:20:56,680
Speaker 1: that in dance on the Time or hip hop or

2059
02:20:56,760 --> 02:20:59,320
Speaker 1: hip or hip hop. I had seven with the top artists.

2060
02:20:59,640 --> 02:21:02,680
Speaker 1: Then anything for you. Then he got Booge, we got bean,

2061
02:21:02,840 --> 02:21:05,200
Speaker 1: he got I mean, it was a bunch of people too.

2062
02:21:05,440 --> 02:21:07,080
Speaker 1: I just called him up and say Yo, They're like

2063
02:21:07,160 --> 02:21:17,320
Speaker 1: see him, love it, love it, phone me, belove it.

2064
02:21:17,360 --> 02:21:25,080
Speaker 1: What are you doing? Love understanding that I understand. I

2065
02:21:25,080 --> 02:21:27,680
Speaker 1: remember calling down the Florida. There was no Jamaicans in Florida.

2066
02:21:32,879 --> 02:21:39,160
Speaker 1: Eighty eight four three yd two Jamaicans. No I got

2067
02:21:39,240 --> 02:21:41,640
Speaker 1: here eight s Yeah, that's when it's not a problem.

2068
02:21:42,200 --> 02:21:45,720
Speaker 1: Eighty three eighty two the Jamaica. Yeah, I came down

2069
02:21:45,760 --> 02:21:47,880
Speaker 1: here playing kamaking. Usually said we kind of have to

2070
02:21:47,920 --> 02:21:55,480
Speaker 1: community for hanging jamaking. There was Now I think that

2071
02:21:55,560 --> 02:21:57,840
Speaker 1: was now it's huge, yeah, but now it's shoe. But

2072
02:21:57,879 --> 02:21:59,720
Speaker 1: back then, the hip hop dj we had to play.

2073
02:22:00,000 --> 02:22:02,920
Speaker 1: It's all that was a part of the DNA of

2074
02:22:03,000 --> 02:22:07,600
Speaker 1: Little being a hip hop DJ. And what's more to this,

2075
02:22:07,760 --> 02:22:11,560
Speaker 1: this is a different kind of episode. You're about reading

2076
02:22:11,760 --> 02:22:16,040
Speaker 1: episode we never Wow, this is amazing to take you

2077
02:22:16,120 --> 02:22:19,879
Speaker 1: to bring your ship. Thank you for having us man,

2078
02:22:20,600 --> 02:22:24,200
Speaker 1: what you done yet? I'm just in this intermission very

2079
02:22:24,280 --> 02:22:34,120
Speaker 1: are right now? I've never to do. So what is

2080
02:22:34,160 --> 02:22:36,320
Speaker 1: your relationship? And who share right now? How do y'all like?

2081
02:22:36,400 --> 02:22:40,160
Speaker 1: What do y'all do right now? And that's my brother anything?

2082
02:22:40,520 --> 02:22:43,040
Speaker 1: You know, It's not like I I can wait two

2083
02:22:43,120 --> 02:22:45,280
Speaker 1: years and call him and it's like Harry how it's

2084
02:22:45,320 --> 02:22:48,120
Speaker 1: just always on always, you know what I mean? He

2085
02:22:48,320 --> 02:22:52,800
Speaker 1: just be blessed me. He you know, he um saved

2086
02:22:52,840 --> 02:22:55,640
Speaker 1: my life. That's crazy. I feel like y'all save each

2087
02:22:55,680 --> 02:22:59,000
Speaker 1: other's lives. Yeah he's not, he's not, but you can

2088
02:22:59,040 --> 02:23:01,920
Speaker 1: identify with that. Love it. I love it, you know.

2089
02:23:02,600 --> 02:23:09,760
Speaker 1: But that's why I stopped drinking. She wouldn't want both

2090
02:23:09,800 --> 02:23:17,879
Speaker 1: of us here drinking all of day is phenomenal. They

2091
02:23:18,000 --> 02:23:22,320
Speaker 1: feel like brothers to me. The way that Sham will

2092
02:23:22,360 --> 02:23:25,440
Speaker 1: come to my house for my mother, like hell, he's

2093
02:23:25,440 --> 02:23:27,480
Speaker 1: not because oh, sh here's my mom on the phone.

2094
02:23:27,680 --> 02:23:29,440
Speaker 1: He will fold my mom like, ain't done that? What

2095
02:23:29,440 --> 02:23:31,720
Speaker 1: are you doing? On that? What I'm saying? You know,

2096
02:23:31,760 --> 02:23:34,040
Speaker 1: I she'd be like here and I love nas you

2097
02:23:34,120 --> 02:23:41,520
Speaker 1: know what. My love so is real the Sha No,

2098
02:23:41,760 --> 02:23:44,240
Speaker 1: she loves sh but she's nothing now she likes na.

2099
02:23:45,200 --> 02:23:48,760
Speaker 1: But yeah, that that was it. That was That's how

2100
02:23:48,840 --> 02:23:52,320
Speaker 1: we uh, that's how we started. And what's the future now?

2101
02:23:52,400 --> 02:23:54,760
Speaker 1: What's the music? Is it music in the future? Well,

2102
02:23:54,800 --> 02:23:58,880
Speaker 1: we got got Ko music. Now, we got traps and

2103
02:23:58,959 --> 02:24:01,200
Speaker 1: the lamb spreass so on a whole bunch of us.

2104
02:24:01,280 --> 02:24:04,560
Speaker 1: We just you know, I'm doing a little music thing,

2105
02:24:04,640 --> 02:24:08,120
Speaker 1: and I know it's gonna be good because I know

2106
02:24:08,560 --> 02:24:11,120
Speaker 1: I'm fair, you know what I mean. So it's gonna

2107
02:24:11,160 --> 02:24:13,160
Speaker 1: be a good thing. So we're just having fun. I

2108
02:24:13,200 --> 02:24:14,560
Speaker 1: don't really like, oh I want to do this and

2109
02:24:14,560 --> 02:24:15,640
Speaker 1: I want to be a star and I wanted this,

2110
02:24:15,720 --> 02:24:17,480
Speaker 1: and I'm I don't give a funk. I don't really

2111
02:24:17,520 --> 02:24:19,440
Speaker 1: care about none of that stuff. I just said, as

2112
02:24:19,480 --> 02:24:21,080
Speaker 1: long as I'm having fun. If it ain't fun, I'm

2113
02:24:21,080 --> 02:24:23,240
Speaker 1: not doing it, you know what I mean. So if

2114
02:24:23,280 --> 02:24:26,360
Speaker 1: it ain't fun, we're not doing it. So what's the

2115
02:24:26,560 --> 02:24:29,800
Speaker 1: last thing you want to tell the people? I'm looking

2116
02:24:29,800 --> 02:24:38,200
Speaker 1: at me like, Ye'll as like, oh shit, dis perspect

2117
02:24:38,200 --> 02:24:44,760
Speaker 1: your know you but you know, we can't control what

2118
02:24:45,000 --> 02:24:48,640
Speaker 1: people outside of what but they know we have. It's

2119
02:24:48,680 --> 02:24:51,520
Speaker 1: gonna legend and we want to give you a flower.

2120
02:24:51,600 --> 02:24:54,440
Speaker 1: And dude, they got a smoke a cigarette. Let y'all

2121
02:24:54,480 --> 02:25:08,600
Speaker 1: they just talk someone snowy player. The last thing we

2122
02:25:08,720 --> 02:25:16,200
Speaker 1: want to talk about, Okay, talk about last I'm not

2123
02:25:16,360 --> 02:25:21,520
Speaker 1: feeling your ship because I know we're voting. Is the

2124
02:25:21,640 --> 02:25:24,800
Speaker 1: last thing we told you, all right, little last thing,

2125
02:25:24,959 --> 02:25:31,680
Speaker 1: but let's just be clear. I'll love you. Chris were

2126
02:25:31,800 --> 02:25:35,200
Speaker 1: tragic from the cigarette is outside. Tell me about a

2127
02:25:35,200 --> 02:25:40,360
Speaker 1: cigarette out. Hey, that's the security said I couldn't come

2128
02:25:40,400 --> 02:25:49,879
Speaker 1: on one bus. I love I'm talking hey, security, chump

2129
02:25:49,959 --> 02:25:54,400
Speaker 1: trag come alright, alright, so this is this is this

2130
02:25:54,560 --> 02:25:59,760
Speaker 1: is two part question. Rye, sir boom make this is change.

2131
02:26:00,600 --> 02:26:05,200
Speaker 1: You make this famous record the bridge Bridge right right,

2132
02:26:07,120 --> 02:26:10,000
Speaker 1: it means nothing to me, but I need to understand

2133
02:26:10,640 --> 02:26:15,280
Speaker 1: what do you think offended cares? Right? Because that nigga

2134
02:26:15,400 --> 02:26:21,240
Speaker 1: was a fucking bomb alright, So no, look, look, look

2135
02:26:21,400 --> 02:26:27,200
Speaker 1: you know more. You gotta be bagged him up because, motherfucker,

2136
02:26:27,280 --> 02:26:30,640
Speaker 1: I'm a real last nigga. You gotta give profit propsies

2137
02:26:30,720 --> 02:26:34,280
Speaker 1: due that nigga. Give me on stage, mother nigga. But

2138
02:26:34,400 --> 02:26:37,960
Speaker 1: if you listen to his records, at my records in

2139
02:26:38,080 --> 02:26:45,000
Speaker 1: your headphone. Everybody got headphone. You got headphone. Listen to

2140
02:26:45,320 --> 02:26:48,800
Speaker 1: his records and my records on headphone. You will see

2141
02:26:48,840 --> 02:26:52,720
Speaker 1: I'm recue superiors to that nigga. That nigga used cake

2142
02:26:53,080 --> 02:26:57,280
Speaker 1: flaking bacon, bacon, take and take it seven other bird.

2143
02:26:57,360 --> 02:27:00,760
Speaker 1: I rack. No, you're your flows, but you work some way.

2144
02:27:01,840 --> 02:27:06,520
Speaker 1: So let me ask you a hard So you obviously

2145
02:27:06,560 --> 02:27:10,920
Speaker 1: admit that hip hop did invent in the Bronx correct started?

2146
02:27:11,280 --> 02:27:14,600
Speaker 1: Why would I do that set? See if I did

2147
02:27:14,760 --> 02:27:17,680
Speaker 1: all real nigger ship from this and I come to

2148
02:27:17,760 --> 02:27:21,600
Speaker 1: you and say, no hip hop, that a fake nigga, right,

2149
02:27:22,120 --> 02:27:29,760
Speaker 1: say no, we got me speaker that you speaking no way,

2150
02:27:30,600 --> 02:27:35,840
Speaker 1: speaking your way. KA normally ask you what's what's the

2151
02:27:35,920 --> 02:27:42,000
Speaker 1: older moment, get the eighth spade to you. This is

2152
02:27:44,160 --> 02:27:48,760
Speaker 1: because because of what started everything. Yes, because because brit honestly, honestly,

2153
02:27:49,040 --> 02:27:51,720
Speaker 1: as a little kid, let let me go back, always

2154
02:27:51,720 --> 02:27:53,680
Speaker 1: say something. Let's say litt kid growing up and she

2155
02:27:53,760 --> 02:27:58,360
Speaker 1: say hip hop started out throw out in the park,

2156
02:27:58,600 --> 02:28:01,440
Speaker 1: in the park, but us let me shut up. Let

2157
02:28:01,440 --> 02:28:08,520
Speaker 1: me that's a no no, because because there was nothing

2158
02:28:09,000 --> 02:28:15,080
Speaker 1: that I so wrongly in your statement me, I never

2159
02:28:15,440 --> 02:28:17,960
Speaker 1: you said hip hop started out we should do this

2160
02:28:18,080 --> 02:28:30,640
Speaker 1: back hit in the park us and were the first boshy.

2161
02:28:30,879 --> 02:28:35,720
Speaker 1: Way now, I'm saying you got these growing yellow in

2162
02:28:35,840 --> 02:28:39,320
Speaker 1: the industry right now. But he was brown shut chat.

2163
02:28:40,040 --> 02:28:43,200
Speaker 1: I sound like a sound. It's just a pride in

2164
02:28:43,320 --> 02:28:46,120
Speaker 1: me to sound make it. You want to hear a

2165
02:28:46,280 --> 02:28:49,640
Speaker 1: story again in the game. And Howard Old got started

2166
02:28:49,840 --> 02:28:54,000
Speaker 1: way back when the more you made your face sit

2167
02:28:54,120 --> 02:28:56,040
Speaker 1: and listen to the while for the name of the

2168
02:28:56,160 --> 02:29:01,480
Speaker 1: play the book. Bay got me like that. But so

2169
02:29:01,720 --> 02:29:04,760
Speaker 1: look now you listen to my cadence just the same.

2170
02:29:05,760 --> 02:29:09,360
Speaker 1: It was the meeting to say let me get that share.

2171
02:29:09,760 --> 02:29:14,320
Speaker 1: It took personal care at Wenna get I would even

2172
02:29:15,200 --> 02:29:22,680
Speaker 1: say that, say that he ain't say that. But see, well,

2173
02:29:22,800 --> 02:29:26,040
Speaker 1: my thing is if thirty years ago I made this

2174
02:29:26,240 --> 02:29:29,600
Speaker 1: record right like, and you still hit me sound you

2175
02:29:29,800 --> 02:29:33,280
Speaker 1: love the story again and again. But it's kind of

2176
02:29:33,400 --> 02:29:36,240
Speaker 1: fun up because nobody gave me that. Why would funk?

2177
02:29:36,280 --> 02:29:39,760
Speaker 1: I was drinking. But at the end of the day,

2178
02:29:39,800 --> 02:29:44,400
Speaker 1: he said, I got started way back when. Peace see

2179
02:29:44,480 --> 02:29:46,840
Speaker 1: a lot of artists you make a record in the

2180
02:29:47,040 --> 02:29:51,800
Speaker 1: studio today with that sounds different, sound different ship and

2181
02:29:51,920 --> 02:29:54,680
Speaker 1: then you'll do a lot of show, but check this out.

2182
02:29:54,840 --> 02:29:57,520
Speaker 1: I was fucking with you when I heard your c D.

2183
02:29:58,600 --> 02:30:01,080
Speaker 1: But when I saw you, you know what, I turned

2184
02:30:01,120 --> 02:30:03,280
Speaker 1: out to be your city up through the ship out

2185
02:30:03,280 --> 02:30:06,320
Speaker 1: of window, y'all love it, n just ride right down

2186
02:30:06,320 --> 02:30:09,400
Speaker 1: on the hat. When you see all our goodishous fuck

2187
02:30:09,640 --> 02:30:17,600
Speaker 1: on your your eye track, let me tell me that's yours.

2188
02:30:18,320 --> 02:30:21,400
Speaker 1: But I think we threw that shot out to guess

2189
02:30:21,400 --> 02:30:25,240
Speaker 1: what he's saying. Well, he's saying no, hit me out, bro,

2190
02:30:25,800 --> 02:30:28,840
Speaker 1: specifally to you. It made my anthem. Bro, I'm not

2191
02:30:28,959 --> 02:30:32,040
Speaker 1: cutting wolf. I need you to understand something coming on

2192
02:30:32,120 --> 02:30:35,200
Speaker 1: your side. But because you know that's the truth, fine,

2193
02:30:35,320 --> 02:30:37,920
Speaker 1: ain't got none. Listen, man, come on right with me

2194
02:30:38,040 --> 02:30:41,520
Speaker 1: right now for real, because people need to understand this.

2195
02:30:42,080 --> 02:30:45,120
Speaker 1: I understand the validity of the validity of his question,

2196
02:30:45,800 --> 02:30:50,240
Speaker 1: and the reason being is because his whole campaign was

2197
02:30:50,360 --> 02:30:53,840
Speaker 1: based on the fact that you wrongly placed the origin

2198
02:30:53,920 --> 02:30:56,440
Speaker 1: of hip hop, which wasn't the case, and I wanted

2199
02:30:56,440 --> 02:30:59,280
Speaker 1: you to answer that because that's a part of your

2200
02:30:59,360 --> 02:31:03,320
Speaker 1: glory and your justification. And no matter how ill he

2201
02:31:03,440 --> 02:31:13,200
Speaker 1: may sound on that record records, record hit me out, bro, listen,

2202
02:31:13,840 --> 02:31:17,680
Speaker 1: no listen, it's real. Ship because you made my flag.

2203
02:31:18,520 --> 02:31:21,520
Speaker 1: So I can't stand with something that I don't believe in.

2204
02:31:22,879 --> 02:31:25,160
Speaker 1: I can't do it, just like I'm believing that don't

2205
02:31:25,200 --> 02:31:28,160
Speaker 1: do it. I believe in something, it's undeniable to me

2206
02:31:28,560 --> 02:31:32,240
Speaker 1: until you prove it otherwise. The point being in reality

2207
02:31:32,320 --> 02:31:35,920
Speaker 1: to the question is he said and claimed he went

2208
02:31:36,000 --> 02:31:41,280
Speaker 1: at you because you claim that hip hop start on

2209
02:31:41,320 --> 02:31:44,520
Speaker 1: the bridge. That is not what you said. That's not

2210
02:31:44,640 --> 02:31:47,240
Speaker 1: what you said, that is not what you've ever said.

2211
02:31:48,080 --> 02:31:50,920
Speaker 1: But that's what he rarely break down with. Said it

2212
02:31:51,040 --> 02:31:53,560
Speaker 1: was the way the hip hop it started out in

2213
02:31:53,640 --> 02:32:00,840
Speaker 1: the pall. But don't go over that, asked me later,

2214
02:32:01,040 --> 02:32:04,160
Speaker 1: because you know what, because you know what, let's not

2215
02:32:04,320 --> 02:32:07,080
Speaker 1: get lost them in that awe of what he did

2216
02:32:07,280 --> 02:32:13,000
Speaker 1: or didn't do. No wait as fars what y'all see

2217
02:32:13,640 --> 02:32:18,560
Speaker 1: your mash just with the motherfucker hold on that brand

2218
02:32:19,600 --> 02:32:23,680
Speaker 1: fun that fair he beats. You know, I don't want

2219
02:32:23,720 --> 02:32:29,320
Speaker 1: to keep because if you're not understanding, help you stand

2220
02:32:30,840 --> 02:32:34,160
Speaker 1: with all black men, that's right, I don't. I don't

2221
02:32:34,280 --> 02:32:36,760
Speaker 1: fucking get into what the funk he's saying. They give

2222
02:32:36,800 --> 02:32:39,520
Speaker 1: you if the cameras won't tell you to to kool aid.

2223
02:32:39,760 --> 02:32:46,280
Speaker 1: He just if just your come on, all right, if

2224
02:32:46,320 --> 02:32:48,880
Speaker 1: he take me on and trink to school aid, don't

2225
02:32:48,959 --> 02:32:52,720
Speaker 1: drink it. I think they fucking care. That's one is

2226
02:32:52,800 --> 02:32:55,600
Speaker 1: one of the motherfucker's that got the power of Jim John.

2227
02:32:55,760 --> 02:33:00,640
Speaker 1: That niggertive may drink, but don't get me no, I wouldn't.

2228
02:33:01,440 --> 02:33:05,000
Speaker 1: He's been saying for thirty years that he fucking whip

2229
02:33:05,200 --> 02:33:09,240
Speaker 1: my ass anywhere, but he can't poo poof prof alright.

2230
02:33:09,800 --> 02:33:12,360
Speaker 1: He got your motherfucker's singing that old the hip hop

2231
02:33:12,440 --> 02:33:15,800
Speaker 1: temple and motherfucker all right, but if your motherfucking the

2232
02:33:16,000 --> 02:33:19,840
Speaker 1: god I'm motherfucking hip hop tempo, you would know that

2233
02:33:20,000 --> 02:33:23,800
Speaker 1: you can't on the fucking taking the nigger style. You

2234
02:33:23,920 --> 02:33:27,640
Speaker 1: can't do this now. Before the Britons so much South

2235
02:33:27,720 --> 02:33:32,200
Speaker 1: props that niggl was on a group call twelve forty one,

2236
02:33:32,920 --> 02:33:37,240
Speaker 1: that nigger was so whack they didn't wouldn't even nobody says,

2237
02:33:37,280 --> 02:33:40,280
Speaker 1: and they won't get sucking that all. Nobody knows that part,

2238
02:33:40,560 --> 02:33:43,400
Speaker 1: you know. But I'm bring and I love you who

2239
02:33:44,120 --> 02:33:48,160
Speaker 1: your nigger pushed me in the face, and thinking we're

2240
02:33:48,160 --> 02:33:57,120
Speaker 1: gonna get fighting push in the face, I would my

2241
02:33:57,280 --> 02:34:02,440
Speaker 1: hands up. It means a little say that nigga, but

2242
02:34:02,560 --> 02:34:05,840
Speaker 1: you you chigger that nigga. I'm trying to tell you

2243
02:34:05,879 --> 02:34:08,440
Speaker 1: don't even understand. I'm trying to show you that you're

2244
02:34:08,480 --> 02:34:11,400
Speaker 1: that nigga. You don't even understand that because I'm stupid.

2245
02:34:11,440 --> 02:34:17,320
Speaker 1: I'm say you're not. I'm so regular see you not

2246
02:34:17,440 --> 02:34:20,240
Speaker 1: having Nigga's take. That's his name and all that ship

2247
02:34:20,440 --> 02:34:24,480
Speaker 1: is really deep. It's fame and take. You you listening

2248
02:34:24,600 --> 02:34:27,240
Speaker 1: to me, I am listening to him so incessly same.

2249
02:34:27,320 --> 02:34:29,840
Speaker 1: I don't care about what fun the face has me.

2250
02:34:30,080 --> 02:34:34,200
Speaker 1: You see, if you know me where I come from,

2251
02:34:34,600 --> 02:34:39,440
Speaker 1: this is me and I'm just get itself. There's no world.

2252
02:34:39,720 --> 02:34:42,119
Speaker 1: I'm not trying to do that. I would humble myself.

2253
02:34:43,600 --> 02:34:47,520
Speaker 1: But that's pretty of the dudes. I can shut up.

2254
02:34:47,760 --> 02:34:51,039
Speaker 1: I'm no problem, Chad, and it doesn't make me. Chad

2255
02:34:51,200 --> 02:34:56,000
Speaker 1: readily look at me as your not even just that. No,

2256
02:34:56,040 --> 02:34:59,200
Speaker 1: I'm looking at you. I'm asking you to ship. You're

2257
02:34:59,200 --> 02:35:03,360
Speaker 1: a small you're a spark something. You you're asking me,

2258
02:35:03,560 --> 02:35:07,440
Speaker 1: I'm sparking. I'm asking you was I I know that

2259
02:35:07,560 --> 02:35:09,960
Speaker 1: what you're talking about. We don't have to say that,

2260
02:35:10,120 --> 02:35:13,400
Speaker 1: all right. I don't want to look those accolades, but

2261
02:35:13,520 --> 02:35:15,840
Speaker 1: I'm gonna give it to you. I would give it

2262
02:35:15,920 --> 02:35:18,200
Speaker 1: to you anyway, and my heart, do you give it

2263
02:35:18,280 --> 02:35:20,720
Speaker 1: to me. I'm gonna give it to you anyway, all right,

2264
02:35:20,800 --> 02:35:23,480
Speaker 1: And they're giving it to you. Take it and take

2265
02:35:25,120 --> 02:35:28,240
Speaker 1: in all videos. Signory. I know you give it to me,

2266
02:35:30,520 --> 02:35:34,080
Speaker 1: all right. I will fight for that right now. I

2267
02:35:34,120 --> 02:35:37,520
Speaker 1: don't want. All I want to do is see anybody

2268
02:35:37,640 --> 02:35:41,760
Speaker 1: that came behind me do better not it shot coming

2269
02:35:41,800 --> 02:35:44,720
Speaker 1: behind you. Thank you should come behind you, anything to

2270
02:35:44,840 --> 02:35:49,280
Speaker 1: come to me and do better than not. That's right.

2271
02:35:49,400 --> 02:35:51,640
Speaker 1: But guess what giving me that? I need to sax

2272
02:35:51,760 --> 02:35:56,960
Speaker 1: see the highest what you did that you did not

2273
02:35:57,400 --> 02:36:01,280
Speaker 1: anything you see. Now I'm to my nigstel trying to

2274
02:36:01,360 --> 02:36:06,080
Speaker 1: suck the funk up. No, no, they can't try listen, Nea,

2275
02:36:06,959 --> 02:36:10,560
Speaker 1: go shut up, bro. And I'm glad that you Dory,

2276
02:36:10,840 --> 02:36:14,000
Speaker 1: like I said, motherfucker wants this motherfucker he ain't no,

2277
02:36:14,560 --> 02:36:17,440
Speaker 1: he ain't. No. Not booked at him as that nigger

2278
02:36:18,080 --> 02:36:22,320
Speaker 1: because I was falling down. Listen, because right now we're

2279
02:36:22,360 --> 02:36:36,720
Speaker 1: that's doing. You're still that nigga. Yes it is, and

2280
02:36:37,160 --> 02:36:39,600
Speaker 1: it's about all of us. You just said that it's

2281
02:36:39,640 --> 02:36:44,360
Speaker 1: about It's about right now. I don't read this there.

2282
02:36:44,440 --> 02:36:47,279
Speaker 1: I'm not chatting that. I won't chat that. It's about

2283
02:36:47,280 --> 02:36:49,600
Speaker 1: all of us and he just said that, but right

2284
02:36:49,680 --> 02:36:56,640
Speaker 1: now it's about you. Right now, we're not doing every

2285
02:36:56,680 --> 02:36:59,520
Speaker 1: game all the shot you have. Motherfucker gave me more

2286
02:37:00,000 --> 02:37:03,440
Speaker 1: said definitely won't call me your business, shame my face

2287
02:37:05,200 --> 02:37:09,680
Speaker 1: commission calling you all. We love you. This is love,

2288
02:37:09,959 --> 02:37:19,200
Speaker 1: This is little, very very I gotta say this, motherfucker

2289
02:37:19,360 --> 02:37:23,360
Speaker 1: like right like, that's my mother brother, that's poy. I'll

2290
02:37:23,400 --> 02:37:27,320
Speaker 1: spend my lick, you spend my voice in alcohol. I'm

2291
02:37:27,360 --> 02:37:29,800
Speaker 1: an irishman. I don't speel. You know what I know,

2292
02:37:30,000 --> 02:37:34,080
Speaker 1: I don't say. But any day y'all never want to

2293
02:37:34,120 --> 02:37:38,920
Speaker 1: call me fun feel my field because you just man

2294
02:37:39,600 --> 02:37:43,520
Speaker 1: well this man, like I noticed, man, I'll live. I'm

2295
02:37:43,560 --> 02:37:50,320
Speaker 1: saying you your fu sha yeah, but that's what drone ship.

2296
02:37:50,440 --> 02:37:52,320
Speaker 1: But let me just say, you know, let me let

2297
02:37:52,360 --> 02:37:54,360
Speaker 1: me just let me just say something quick. Your show.

2298
02:37:54,480 --> 02:37:58,640
Speaker 1: Let me say saying I love ya, shum our show

2299
02:37:58,720 --> 02:38:00,920
Speaker 1: is about giving people what they flyer us man, And

2300
02:38:01,040 --> 02:38:03,199
Speaker 1: let you know that's the reason why we went so hard.

2301
02:38:03,680 --> 02:38:05,360
Speaker 1: You know what I'm saying to get these videos. We

2302
02:38:05,440 --> 02:38:09,520
Speaker 1: want you to know that you very well respected, very

2303
02:38:09,560 --> 02:38:15,280
Speaker 1: well appreciated, very well connected to because in a lot

2304
02:38:15,360 --> 02:38:17,360
Speaker 1: of ways, if it wasn't for you, they wouldn't be

2305
02:38:17,480 --> 02:38:24,680
Speaker 1: a drink chap mess some magic. If not for Mr Magic,

2306
02:38:25,560 --> 02:38:29,800
Speaker 1: there will be not Yea, we start all linegies with you.

2307
02:38:30,360 --> 02:38:36,000
Speaker 1: We started issue. So we're saying this, this, this, this, this,

2308
02:38:36,200 --> 02:38:40,520
Speaker 1: this is a problem. I feel like you're defensive when

2309
02:38:40,560 --> 02:38:43,720
Speaker 1: it's come times to defend you. And that's and that's real,

2310
02:38:44,200 --> 02:38:47,320
Speaker 1: and that's real. Home. Just hit me out. Whenever a

2311
02:38:47,400 --> 02:38:50,080
Speaker 1: person can say, yo, you know you help this this,

2312
02:38:50,280 --> 02:38:52,640
Speaker 1: this this person, and you sit there and you give

2313
02:38:52,680 --> 02:38:56,240
Speaker 1: another person the roses, that's defense. And I just want

2314
02:38:56,280 --> 02:38:59,480
Speaker 1: to tell you you don't have to be defensive anymore. Listen,

2315
02:39:00,520 --> 02:39:04,279
Speaker 1: when we when anybody goes and does a Queen's Bridge

2316
02:39:04,320 --> 02:39:07,560
Speaker 1: documentary or even a Queen's documentary or even a hip

2317
02:39:07,640 --> 02:39:12,960
Speaker 1: hop documentary, you have to be included and you have

2318
02:39:13,160 --> 02:39:15,360
Speaker 1: to know that. You have to feel like that. And

2319
02:39:15,440 --> 02:39:19,480
Speaker 1: the thing is we feel like that. Listen, Nas is

2320
02:39:19,520 --> 02:39:22,600
Speaker 1: not taking out of his day to do a drop

2321
02:39:22,959 --> 02:39:28,080
Speaker 1: for fucking quasi modo Nazi stuff. Who Jay I don't know?

2322
02:39:32,840 --> 02:39:36,000
Speaker 1: I kept taking who Jay is not taking out their

2323
02:39:36,080 --> 02:39:38,840
Speaker 1: day to to do a drop for the blow the RM.

2324
02:39:39,280 --> 02:39:41,720
Speaker 1: I you know, I don't want to say stalk these guys,

2325
02:39:41,760 --> 02:39:44,000
Speaker 1: but I stayed on these guys and every one of

2326
02:39:44,080 --> 02:39:46,880
Speaker 1: them agreed to say, yes, we want to give that

2327
02:39:48,000 --> 02:39:53,160
Speaker 1: the motherfucker. So I just want you to know the

2328
02:39:53,680 --> 02:39:58,240
Speaker 1: bottom line, hands down from everybody now everybody. Everybody is

2329
02:39:58,879 --> 02:40:01,800
Speaker 1: everybody and she and Chi Chill, we love you, brother,

2330
02:40:02,440 --> 02:40:10,600
Speaker 1: We love you, and you really want you to know

2331
02:40:10,840 --> 02:40:13,320
Speaker 1: give him some TESTI work. Yeah, yeah, please till you

2332
02:40:13,400 --> 02:40:25,720
Speaker 1: get some tests. Can tell some test your test ship shipship, motherfucker.

2333
02:40:26,000 --> 02:40:42,960
Speaker 1: I'll never want to see me outside till check out ship.

2334
02:40:44,160 --> 02:40:47,080
Speaker 1: You know what I think and what I know like myself,

2335
02:40:47,200 --> 02:40:49,720
Speaker 1: we've been so used the first time I came here

2336
02:40:49,720 --> 02:40:52,960
Speaker 1: and said I was a god because I'm not used

2337
02:40:52,959 --> 02:40:58,920
Speaker 1: to hucks. Listen, I'm a green dude like the mother.

2338
02:40:59,520 --> 02:41:03,680
Speaker 1: Take take the look of that. No, no, no, take

2339
02:41:03,760 --> 02:41:09,000
Speaker 1: the fucking ho cha no read if motherfucker's give you

2340
02:41:09,440 --> 02:41:12,560
Speaker 1: love and you can't feel that ship to the heart

2341
02:41:12,920 --> 02:41:15,360
Speaker 1: to where you can cheer up like I am. I

2342
02:41:15,560 --> 02:41:22,880
Speaker 1: know you're fun, you're skinned of it except the fact

2343
02:41:22,959 --> 02:41:30,640
Speaker 1: that we love because Chill let me failish it like that,

2344
02:41:31,600 --> 02:41:33,360
Speaker 1: my funk. You won't call me and push it and

2345
02:41:33,920 --> 02:41:37,119
Speaker 1: we the car what he's thinking? That ship they read

2346
02:41:37,200 --> 02:41:42,360
Speaker 1: the block. Chop down here and stop down. You can

2347
02:41:42,440 --> 02:41:45,520
Speaker 1: stop the very anything like dead. They got more, you

2348
02:41:45,840 --> 02:41:48,600
Speaker 1: don't tell. Hold on, hell, I'm gonna stablish. I don't know.

2349
02:41:48,640 --> 02:41:49,720
Speaker 1: I know you want me to say that. Me and

2350
02:41:49,760 --> 02:41:53,879
Speaker 1: nor we talk sometimes right to every other day, y'all.

2351
02:41:54,000 --> 02:41:55,920
Speaker 1: I don't know. He said to me one day's storry.

2352
02:41:57,360 --> 02:42:00,840
Speaker 1: Nobody told us how to love money. No love you.

2353
02:42:01,560 --> 02:42:05,160
Speaker 1: This is low. This is over the fucking kick a

2354
02:42:05,360 --> 02:42:10,600
Speaker 1: motherfucking tear. I know, brother, no man, brother, the fucking best,

2355
02:42:11,480 --> 02:42:18,920
Speaker 1: the fun you gave my flag. Don't say end of

2356
02:42:19,040 --> 02:42:22,039
Speaker 1: my career, right, I'm not saying the end of my career,

2357
02:42:22,600 --> 02:42:26,560
Speaker 1: but I mean and end of the day. The waiter

2358
02:42:26,879 --> 02:42:29,880
Speaker 1: just man right here, This is mother fucking a little figure.

2359
02:42:29,920 --> 02:42:38,280
Speaker 1: I'll tell y'all had to get with that to say

2360
02:42:38,320 --> 02:42:42,920
Speaker 1: the same ship with what I'm saying, he made it.

2361
02:42:43,800 --> 02:42:47,720
Speaker 1: That's it you Jill Niche and whatever I get, just

2362
02:42:48,080 --> 02:42:52,120
Speaker 1: buy anything. It's it's like we got s y'all. See

2363
02:42:52,160 --> 02:42:54,440
Speaker 1: what the funk I see? I love you people want

2364
02:42:56,640 --> 02:43:01,240
Speaker 1: it's what you did everybody whatever you make out of

2365
02:43:01,280 --> 02:43:05,080
Speaker 1: that place. Sh listen, don't hurt me like don't hurt

2366
02:43:05,160 --> 02:43:07,600
Speaker 1: me like that. We listen. You gotta let me finish

2367
02:43:07,680 --> 02:43:12,840
Speaker 1: this one. I'm gonna we love you. And you know

2368
02:43:13,360 --> 02:43:15,400
Speaker 1: we were following on the ground. We see you on

2369
02:43:15,480 --> 02:43:19,840
Speaker 1: the live and we see it. We see sometimes you

2370
02:43:19,920 --> 02:43:24,080
Speaker 1: don't feel appreciate. And me and my partner person standing

2371
02:43:24,120 --> 02:43:26,160
Speaker 1: to the right of me, we could have did any

2372
02:43:26,200 --> 02:43:30,280
Speaker 1: type of show ever we wanted to say. You want

2373
02:43:30,280 --> 02:43:33,400
Speaker 1: to say, we want to funk with the real icons,

2374
02:43:33,480 --> 02:43:36,640
Speaker 1: the real tycoons, the real people who change our culture

2375
02:43:37,879 --> 02:43:41,280
Speaker 1: stars saying so this is your home, this is your home. No, no,

2376
02:43:41,879 --> 02:43:44,600
Speaker 1: and I think about it is I can tell you

2377
02:43:44,680 --> 02:43:48,160
Speaker 1: what defensive guys, she didn't know how to give you.

2378
02:43:49,000 --> 02:43:50,640
Speaker 1: But I'm gonna show you how to receive your flower.

2379
02:43:52,560 --> 02:43:54,520
Speaker 1: This is what this say is today. That's why you

2380
02:43:54,640 --> 02:43:56,960
Speaker 1: kept getting up in one of the right and you

2381
02:43:57,040 --> 02:44:02,840
Speaker 1: know because its defense meant you your flowers. This you

2382
02:44:02,920 --> 02:44:05,560
Speaker 1: ain't used to get right, But that's not what this is.

2383
02:44:05,879 --> 02:44:10,320
Speaker 1: With the faking this ship over here, we talk. You

2384
02:44:14,440 --> 02:44:18,800
Speaker 1: put your clubs down and I know you don't like

2385
02:44:18,879 --> 02:44:22,640
Speaker 1: the word legends, but legends is a necessary thing because

2386
02:44:22,840 --> 02:44:25,119
Speaker 1: it's like you said about oh G, you should wish

2387
02:44:25,160 --> 02:44:26,600
Speaker 1: to be a legend. That's why I had a lot

2388
02:44:26,640 --> 02:44:28,600
Speaker 1: of these dudes got want hit, wonders, a lot of

2389
02:44:28,640 --> 02:44:31,280
Speaker 1: the duds got one. All talking about a lot. Here

2390
02:44:31,400 --> 02:44:42,080
Speaker 1: one do motherfucker's close room says to check us out.

2391
02:44:42,879 --> 02:44:46,600
Speaker 1: You're not gonna fucker say one here, wonders, check us out.

2392
02:44:47,600 --> 02:44:51,119
Speaker 1: Wonder how many times got one hit? We get going ahead, motherfucker,

2393
02:44:51,640 --> 02:44:54,480
Speaker 1: and we're still getting more. Can I say something? I

2394
02:44:55,440 --> 02:44:59,120
Speaker 1: got to go check to what? Listen chames in, check

2395
02:44:59,240 --> 02:45:01,880
Speaker 1: us out? What I won't pay the fun about my

2396
02:45:02,080 --> 02:45:07,960
Speaker 1: buck Trump's or Yo, bro, I'm saying, I'm saying, I'm

2397
02:45:08,000 --> 02:45:11,560
Speaker 1: saying say something to you. I'm gonna say someone drink

2398
02:45:11,640 --> 02:45:13,520
Speaker 1: chants right now. I got your ship, but no where

2399
02:45:13,520 --> 02:45:16,760
Speaker 1: you call me and say, yo, do you have anything

2400
02:45:17,720 --> 02:45:22,240
Speaker 1: to say about one? I'm like, what, first of all

2401
02:45:22,320 --> 02:45:25,240
Speaker 1: that's wanted to? Yo? Now I started crying. You know what,

2402
02:45:25,360 --> 02:45:29,720
Speaker 1: I remember being fucked up, having nothing and that song

2403
02:45:30,959 --> 02:45:34,360
Speaker 1: making me feel pride. I'm like, Yo, you know how

2404
02:45:34,560 --> 02:45:37,160
Speaker 1: ill that is for me to get cold and do that?

2405
02:45:39,360 --> 02:45:42,800
Speaker 1: You know how ill that is? Bro? So you cry,

2406
02:45:43,000 --> 02:45:44,760
Speaker 1: I'll cry right now, I ain't know a bit chat.

2407
02:45:44,920 --> 02:45:48,680
Speaker 1: I'm super tough. Come in, man, you gotta take this ship.

2408
02:45:49,280 --> 02:46:01,640
Speaker 1: Don't you know what that's like? Yo? Can you try me?

2409
02:46:06,120 --> 02:46:09,600
Speaker 1: And I don't even wipe my ship. I'm tough. I

2410
02:46:09,680 --> 02:46:13,200
Speaker 1: don't thought my put toughers on the outside, strippers on

2411
02:46:13,240 --> 02:46:18,240
Speaker 1: the interior, that trove. That's why you cry because when

2412
02:46:18,280 --> 02:46:21,440
Speaker 1: I heard the bridge when not about fourteen fifteen to

2413
02:46:21,600 --> 02:46:25,920
Speaker 1: the men, I am at stifty at fifty years and

2414
02:46:27,640 --> 02:46:30,400
Speaker 1: listen at all, and when I'm spawn in between the

2415
02:46:31,240 --> 02:46:35,039
Speaker 1: spun from an anthew because I had nothing to feel

2416
02:46:35,080 --> 02:46:38,680
Speaker 1: good about. You better take this ship. I'm taking it.

2417
02:46:39,280 --> 02:46:59,320
Speaker 1: Better take so shut box, motherfucker try I'm not say so.

2418
02:46:59,400 --> 02:47:03,360
Speaker 1: I wouldn't you where I am right now. We saved

2419
02:47:03,400 --> 02:47:08,320
Speaker 1: each other's like, so, I love you your motherfucker's soul

2420
02:47:13,240 --> 02:47:24,160
Speaker 1: energy something it is, that's mother. You know what I

2421
02:47:24,240 --> 02:47:35,720
Speaker 1: want to know? Niggers won't call me a pussy g fathers.

2422
02:47:35,920 --> 02:47:42,000
Speaker 1: It shouldn't be great. First chrome man shop, I was

2423
02:47:42,040 --> 02:47:44,760
Speaker 1: gonna be honest that we gotta end this this way.

2424
02:47:45,600 --> 02:47:47,160
Speaker 1: That's gonna just tell you something. Let me just tell

2425
02:47:47,160 --> 02:47:53,920
Speaker 1: you something. This is real. Fit Please no one, please everyone,

2426
02:47:54,000 --> 02:47:56,680
Speaker 1: controlling because I want to go through it, speak on it.

2427
02:47:58,160 --> 02:48:00,920
Speaker 1: I did my first video, first video, it's called l

2428
02:48:01,000 --> 02:48:05,560
Speaker 1: A L. A person who put me on names Tragic

2429
02:48:05,840 --> 02:48:11,560
Speaker 1: DiPT tragic adoptee felt, and he knew that Queensbridge was

2430
02:48:11,640 --> 02:48:15,480
Speaker 1: the hot of market at the time. I gotta shoot

2431
02:48:15,520 --> 02:48:20,680
Speaker 1: the video and Queens I hated it. I could not

2432
02:48:20,879 --> 02:48:23,119
Speaker 1: stand it. I just shot and they on the same

2433
02:48:23,200 --> 02:48:35,840
Speaker 1: exact blocks Strea of the old. So I'm sitting there

2434
02:48:35,920 --> 02:48:38,000
Speaker 1: and by the way, I'm also scared to deference. To

2435
02:48:38,040 --> 02:48:40,800
Speaker 1: be clear, the niggers I shot is going to shoot back,

2436
02:48:43,160 --> 02:48:45,960
Speaker 1: you know, and they always the video. So I gotta

2437
02:48:45,959 --> 02:48:48,200
Speaker 1: be strapped up in my first me. This is not

2438
02:48:48,360 --> 02:48:51,080
Speaker 1: the good experience of the first artist, like you're supposed

2439
02:48:51,080 --> 02:48:59,520
Speaker 1: to be comb Remember, I was like listening, listening, hand off.

2440
02:49:00,280 --> 02:49:04,040
Speaker 1: Our first article comes out just the outside hype and

2441
02:49:04,120 --> 02:49:07,760
Speaker 1: they say the Queen's Bridge do. And at that time

2442
02:49:07,879 --> 02:49:10,400
Speaker 1: I went back to my hood and I would walk

2443
02:49:10,480 --> 02:49:12,920
Speaker 1: through my hood and people would be like queens Bridge,

2444
02:49:13,560 --> 02:49:15,760
Speaker 1: and I was like, who the fund is that? Because

2445
02:49:15,800 --> 02:49:18,520
Speaker 1: we got a teen floors so well was staring like

2446
02:49:18,680 --> 02:49:24,760
Speaker 1: baby vampers at me and ship Queen's Ridge. I had

2447
02:49:24,840 --> 02:49:27,560
Speaker 1: no idea what I started, I had no idea. So

2448
02:49:28,320 --> 02:49:31,800
Speaker 1: from that moment on, I didn't despise Queens Bridge, but

2449
02:49:31,840 --> 02:49:35,280
Speaker 1: I despise anybody thinking I was from Queen's Bridge. So

2450
02:49:36,080 --> 02:49:39,600
Speaker 1: this album that was I said Queen's I said left

2451
02:49:39,640 --> 02:49:44,400
Speaker 1: Frack maybe thirty so cal Ira Iraq because I wanted

2452
02:49:44,440 --> 02:49:47,360
Speaker 1: people to know that although I love Queens but she

2453
02:49:47,480 --> 02:49:49,960
Speaker 1: wasn't trying to say I'm falling under this shot. Because

2454
02:49:50,000 --> 02:49:53,400
Speaker 1: what happened was Prodigy clean freeze Queen's Bridge. Like how

2455
02:49:53,480 --> 02:49:56,040
Speaker 1: you just said earlier, Prodesty wasn't from Queen's Bridge. A

2456
02:49:56,120 --> 02:50:01,680
Speaker 1: prodigy adapted that anarchy that I am the Queens. Yeah,

2457
02:50:01,680 --> 02:50:04,000
Speaker 1: I wanted to be the exact opposite. That's a fact.

2458
02:50:04,120 --> 02:50:08,080
Speaker 1: So what happened was I wanted to claim my hood

2459
02:50:08,240 --> 02:50:10,280
Speaker 1: so much, but this is this is what this is.

2460
02:50:10,360 --> 02:50:12,360
Speaker 1: This is what what killed me. The other day when

2461
02:50:12,400 --> 02:50:16,240
Speaker 1: I call Having and I call Havoc and I said Having,

2462
02:50:17,400 --> 02:50:19,320
Speaker 1: I want you to do a drop for mc shap

2463
02:50:20,360 --> 02:50:23,960
Speaker 1: and have it goes man, you're still rap a hood

2464
02:50:24,080 --> 02:50:27,360
Speaker 1: like that. You never really thought you wrapped off hood,

2465
02:50:27,840 --> 02:50:31,440
Speaker 1: but you'll really do rap all you have our hood

2466
02:50:31,560 --> 02:50:35,040
Speaker 1: in the best interests didn't even up this is happen.

2467
02:50:35,320 --> 02:50:37,880
Speaker 1: It's not you. But you would call him and say that,

2468
02:50:38,200 --> 02:50:40,400
Speaker 1: And he said to me, this is real, ship, this

2469
02:50:40,560 --> 02:50:42,960
Speaker 1: is real. I never even told you. I don't know

2470
02:50:43,240 --> 02:50:46,360
Speaker 1: what this is. Two days ago I was, I was winning. Okay,

2471
02:50:46,879 --> 02:50:50,160
Speaker 1: you know he said what he said to me. He said,

2472
02:50:50,480 --> 02:50:52,800
Speaker 1: because I always look at you from the left rack.

2473
02:50:52,959 --> 02:50:54,800
Speaker 1: I always look at you as the left rack guy

2474
02:50:55,120 --> 02:51:01,440
Speaker 1: that hung out and Twall Street over there. Okay, he said,

2475
02:51:01,520 --> 02:51:03,120
Speaker 1: I always ton't give you the left right got it

2476
02:51:03,160 --> 02:51:05,240
Speaker 1: hung out in twelve Street all day. So in so

2477
02:51:05,360 --> 02:51:08,040
Speaker 1: many of these guys eyes, I was never left right nigger.

2478
02:51:08,120 --> 02:51:10,000
Speaker 1: I was the dude that hung out in twelve Street

2479
02:51:10,240 --> 02:51:12,000
Speaker 1: after dark. I was a dude that hang out in

2480
02:51:12,040 --> 02:51:15,440
Speaker 1: the hill after dark. So I never claimed Queens Bridge

2481
02:51:15,520 --> 02:51:18,200
Speaker 1: because it wasn't because I didn't claim it because I

2482
02:51:18,240 --> 02:51:21,000
Speaker 1: didn't have the right to. But it was what Prodigy

2483
02:51:21,080 --> 02:51:23,280
Speaker 1: had just did, and it was with me being thrown

2484
02:51:23,320 --> 02:51:27,400
Speaker 1: the pampa. But even it had to be had to

2485
02:51:27,520 --> 02:51:32,200
Speaker 1: get you. I never actually looked at the paper but

2486
02:51:33,080 --> 02:51:39,360
Speaker 1: those bridge. So I say that the same all these

2487
02:51:39,520 --> 02:51:45,440
Speaker 1: years of me running away from from running way from

2488
02:51:45,480 --> 02:51:47,840
Speaker 1: the bridge, but not because I didn't have my most

2489
02:51:47,879 --> 02:51:50,279
Speaker 1: fun in my life in the Bridge, it was because

2490
02:51:50,320 --> 02:51:52,680
Speaker 1: I wanted my people to know that I'm not phoney,

2491
02:51:52,760 --> 02:51:54,800
Speaker 1: and I got my own audentity and I'm not gonna

2492
02:51:54,800 --> 02:51:58,440
Speaker 1: go to another side and do this button. When I

2493
02:51:58,520 --> 02:52:01,560
Speaker 1: spoke to Jay Rock today, Jay Rock, and Jay Rock

2494
02:52:01,640 --> 02:52:04,240
Speaker 1: said you got dropped from who? And I said, at once,

2495
02:52:04,360 --> 02:52:07,880
Speaker 1: kid l L went the lost bro. I wonder, by

2496
02:52:07,879 --> 02:52:12,160
Speaker 1: the way, little infinite living Sharon's son. And it made

2497
02:52:12,240 --> 02:52:17,400
Speaker 1: me realize that my whole career, something that was running

2498
02:52:17,480 --> 02:52:28,960
Speaker 1: from was always paused already in me say, but by

2499
02:52:29,000 --> 02:52:31,879
Speaker 1: the way, you can look at every Drink Chaps episode,

2500
02:52:32,800 --> 02:52:35,959
Speaker 1: any time a person even allude to the Bridges Over,

2501
02:52:36,120 --> 02:52:42,200
Speaker 1: we stopped them. You're not say that you cannot sings

2502
02:52:42,360 --> 02:52:50,800
Speaker 1: here on the Bridges Over. Yes, I actually have a stopping, stopping,

2503
02:52:50,840 --> 02:52:56,000
Speaker 1: stopping plo. Let me say this, Chris, it's one of

2504
02:52:56,080 --> 02:53:01,040
Speaker 1: the greatest artists on the fucking planet Earth. I can't

2505
02:53:01,160 --> 02:53:03,480
Speaker 1: funk with that nigger when they comes to motherfucking in

2506
02:53:03,560 --> 02:53:06,160
Speaker 1: front of a Crock because I'm not to say, ho, yes, yes,

2507
02:53:06,280 --> 02:53:11,840
Speaker 1: y'all day he's that bull back. Let's not taking man,

2508
02:53:12,160 --> 02:53:14,680
Speaker 1: that motherfucker's one of the great I kind of come

2509
02:53:14,760 --> 02:53:18,560
Speaker 1: to lyrics. Can't fuck with me. You were all great.

2510
02:53:19,040 --> 02:53:21,039
Speaker 1: You know what I'm saying. All of us are great.

2511
02:53:21,120 --> 02:53:25,879
Speaker 1: Let's not keep on fucking perpetuating this bullshit that we've

2512
02:53:25,920 --> 02:53:29,720
Speaker 1: been perpetuating that. Oh we gotta look at you. Am

2513
02:53:29,720 --> 02:53:33,560
Speaker 1: I better than you know? Motherfucker great? I'm great? Yes,

2514
02:53:34,080 --> 02:53:39,120
Speaker 1: he great? He great, he great, everybody fucking great. That's

2515
02:53:39,160 --> 02:53:41,880
Speaker 1: where we fall into the ship where we keep pointing.

2516
02:53:41,920 --> 02:53:45,119
Speaker 1: You don't see Bob Boba Strass signing the feed hosses,

2517
02:53:45,480 --> 02:53:56,200
Speaker 1: but let's got a ranch. Sorry, you gotta ranch coming

2518
02:53:56,320 --> 02:54:01,600
Speaker 1: from Boba stress on her niece some motherfucking money and

2519
02:54:01,680 --> 02:54:03,840
Speaker 1: she'll do a concert. There will be no price on

2520
02:54:03,920 --> 02:54:07,720
Speaker 1: the chicken. All the big vocals have come with their

2521
02:54:07,879 --> 02:54:10,480
Speaker 1: fucking check books and motherfucker whatever you want to give

2522
02:54:10,560 --> 02:54:16,440
Speaker 1: Hub established that earlier. Actually they're kicking him money. Listen

2523
02:54:16,800 --> 02:54:20,800
Speaker 1: a stabish that fut Hold on because it's like you

2524
02:54:20,879 --> 02:54:25,960
Speaker 1: give me your flowers, fun that flowers. MoMA gonna think

2525
02:54:26,480 --> 02:54:30,760
Speaker 1: smoke fully. I love him, I love n him. Hop

2526
02:54:31,640 --> 02:54:33,480
Speaker 1: y'all want to hear water. Hold on, hold on, hold

2527
02:54:33,520 --> 02:54:36,520
Speaker 1: hold on, don't go back, but let me say you're

2528
02:54:36,560 --> 02:54:41,120
Speaker 1: just sorry. Hold on, he's back in that you grace

2529
02:54:41,600 --> 02:54:53,800
Speaker 1: that back back then we got rest ten. Yeah, I'm

2530
02:54:53,840 --> 02:54:56,320
Speaker 1: telling no, come back and hold the s one time,

2531
02:54:57,040 --> 02:55:03,000
Speaker 1: two times, show up. Dude's gotta he's gonna talk least,

2532
02:55:03,040 --> 02:55:07,160
Speaker 1: says your man sizzle, right, I can share. Everybody came

2533
02:55:07,240 --> 02:55:11,280
Speaker 1: by and check this out right right here on mother phone.

2534
02:55:11,400 --> 02:55:15,120
Speaker 1: You already know what it doesn't drink shams and I

2535
02:55:15,440 --> 02:55:20,800
Speaker 1: thank you. No you see. Oh yeah, niggas ain't really

2536
02:55:20,879 --> 02:55:22,680
Speaker 1: filming the ship. You want to know why. I know

2537
02:55:22,920 --> 02:55:26,959
Speaker 1: that because you fuckers dropping ship all around my ship.

2538
02:55:27,240 --> 02:55:31,200
Speaker 1: But if I was, everything is well, saying, motherfucker world right,

2539
02:55:31,680 --> 02:55:36,880
Speaker 1: anybody's man's house this show, I'm working man crying all right,

2540
02:55:37,320 --> 02:55:45,480
Speaker 1: track check this out right now. It's mother one of

2541
02:55:45,520 --> 02:55:49,360
Speaker 1: them between child man the beach and check this out.

2542
02:55:50,080 --> 02:55:54,760
Speaker 1: See that's his show because he could check this shack. Look,

2543
02:55:54,760 --> 02:55:59,480
Speaker 1: I can say any time in between shine, we appreciate

2544
02:55:59,560 --> 02:56:02,560
Speaker 1: schalk Jacob been fucking with somebody else right now, But

2545
02:56:02,680 --> 02:56:07,240
Speaker 1: y'all fucking we don't. Someone appreciate patro all right, you

2546
02:56:07,280 --> 02:56:08,760
Speaker 1: know what we have to go do what you gotta

2547
02:56:08,800 --> 02:56:16,080
Speaker 1: do and ships holding down focus the table y. Yeah, yeah,

2548
02:56:16,600 --> 02:56:21,520
Speaker 1: let's talking about James Jane. Was that the first recorded

2549
02:56:21,600 --> 02:56:28,040
Speaker 1: hip hop. It's a hip cracking. I wouldn't say so,

2550
02:56:29,080 --> 02:56:33,960
Speaker 1: Jan you know what I'm saying, shen't it really was

2551
02:56:34,000 --> 02:56:40,160
Speaker 1: follow me, I I'm not ready to say that. Let

2552
02:56:40,280 --> 02:56:45,800
Speaker 1: me know it time. Yeah, I was showing the cook smoke.

2553
02:56:46,520 --> 02:56:51,880
Speaker 1: That was smoking yahself. I'm willing him so fucking against that.

2554
02:56:51,959 --> 02:56:54,520
Speaker 1: It was doing it. Thank you. But see that's the

2555
02:56:54,600 --> 02:56:58,480
Speaker 1: whole We don't fucking because it happened. Next people. You

2556
02:56:58,680 --> 02:57:02,760
Speaker 1: know what you people to do, they don't do what

2557
02:57:02,920 --> 02:57:10,680
Speaker 1: I do. You said, Christ that talking about salking about

2558
02:57:10,879 --> 02:57:15,200
Speaker 1: you're talking about the jaw. We was talking about. No, no, no,

2559
02:57:15,360 --> 02:57:20,840
Speaker 1: that's wait you love, were like, we no, you know

2560
02:57:20,959 --> 02:57:24,120
Speaker 1: what I was talking about the many many motherfucking years

2561
02:57:24,160 --> 02:57:27,720
Speaker 1: to me, snow you're cooking, motherfucker smoke crack. Look at

2562
02:57:27,760 --> 02:57:30,840
Speaker 1: the play I was asking about the record. Jay, I

2563
02:57:30,920 --> 02:57:35,520
Speaker 1: wasn't ready good okay, okay, So she got really cracking cocaine.

2564
02:57:35,680 --> 02:57:40,320
Speaker 1: Tie if it ended up the positive notes te non

2565
02:57:40,440 --> 02:57:45,320
Speaker 1: positive because he that snory Yeah anything, I'm not done

2566
02:57:45,360 --> 02:57:48,400
Speaker 1: it I've done and how it more was because you

2567
02:57:48,520 --> 02:57:52,320
Speaker 1: know motherfucker's I know man, motherfucker no, Red, I could

2568
02:57:52,320 --> 02:57:55,640
Speaker 1: tell you stories about motherfucker's that you'd be like, boy,

2569
02:57:55,840 --> 02:57:58,480
Speaker 1: But I'm not that motherfucker couldn'tnigger. That's when my ed

2570
02:57:58,520 --> 02:58:01,600
Speaker 1: ain't my story to Chap. I'm too shore for nigger.

2571
02:58:01,640 --> 02:58:04,680
Speaker 1: I would never tell. Look, as far as you're concerned,

2572
02:58:04,720 --> 02:58:07,520
Speaker 1: I'm the king of motherfucker smoking crack in the cocaine

2573
02:58:07,560 --> 02:58:10,360
Speaker 1: business because of Caress wanted the bulls, yoh, we'll get

2574
02:58:10,400 --> 02:58:12,440
Speaker 1: your homeboys off the cars. I did say that. I

2575
02:58:12,560 --> 02:58:15,280
Speaker 1: forgot that, you know what I'm saying. But Nori, if

2576
02:58:15,320 --> 02:58:18,320
Speaker 1: people on the sand back in the days, that's what

2577
02:58:18,480 --> 02:58:24,240
Speaker 1: it was. She wus from the hood. Right now it's

2578
02:58:24,280 --> 02:58:29,120
Speaker 1: wolves woos, right. But if you could be in the

2579
02:58:29,320 --> 02:58:33,120
Speaker 1: game and you could afford the sniff cocagne, you were sitting. Motherfucker.

2580
02:58:34,120 --> 02:58:36,920
Speaker 1: It wasn't up the hood until they put whatever it was,

2581
02:58:37,000 --> 02:58:39,119
Speaker 1: when the cook in the hood, and when they put

2582
02:58:39,240 --> 02:58:41,680
Speaker 1: that ship in the hood, she I was on. It

2583
02:58:42,280 --> 02:58:44,520
Speaker 1: ain't no shame in my motherfucking game. You got a

2584
02:58:44,560 --> 02:58:46,920
Speaker 1: lot of motherfucker's out here on act like, oh, I

2585
02:58:47,080 --> 02:58:49,520
Speaker 1: never did this. I never did, motherfucker. Let me tell

2586
02:58:49,520 --> 02:58:53,480
Speaker 1: you where the camera, what camera's pointing on me? That

2587
02:58:53,640 --> 02:58:56,000
Speaker 1: one zooming that ship and I want you to look

2588
02:58:56,040 --> 02:58:58,520
Speaker 1: at this, how the funking side of my nostril? All Right?

2589
02:58:59,680 --> 02:59:03,560
Speaker 1: I have motherfucker's friends that had to fucking raw cocaine.

2590
02:59:03,600 --> 02:59:07,920
Speaker 1: I was goin with a motherfucker hamming and chill, alright,

2591
02:59:08,360 --> 02:59:11,760
Speaker 1: and when this no shro gets stuffed up, motherfucker, sniff

2592
02:59:11,840 --> 02:59:14,200
Speaker 1: out of this motherfucker. You know we come from that day.

2593
02:59:14,240 --> 02:59:16,520
Speaker 1: That's not trying to I'm not putting her on huge,

2594
02:59:16,560 --> 02:59:23,080
Speaker 1: you know, because from sor. But look, you know what

2595
02:59:23,280 --> 02:59:25,560
Speaker 1: my story is. You know what I'm saying, and I

2596
02:59:25,600 --> 02:59:27,680
Speaker 1: don't want people to think that I'm ashamed of that

2597
02:59:28,160 --> 02:59:30,680
Speaker 1: because everything that you get is sucking a part of

2598
02:59:30,760 --> 02:59:34,160
Speaker 1: who you are. You know, I can't do all this

2599
02:59:34,280 --> 02:59:38,480
Speaker 1: ship mother the old sham Ni busses. I'm gonna go

2600
02:59:38,640 --> 02:59:42,760
Speaker 1: buy motherfucking box chuck tomorrow for Tissa. Some of you

2601
02:59:42,920 --> 02:59:48,200
Speaker 1: both fucks ain't got Tissa got motherfucker. No, no, I'm

2602
02:59:48,240 --> 02:59:51,440
Speaker 1: gonna come up with that motherfucker video. No, you're gonna

2603
02:59:51,480 --> 03:00:07,400
Speaker 1: give you a hunter up. Look at me, s Slow,

2604
03:00:07,640 --> 03:00:13,680
Speaker 1: We love you less. It was a little a little

2605
03:00:13,720 --> 03:00:16,800
Speaker 1: crazy at first because I didn't realized I had no control.

2606
03:00:19,240 --> 03:00:22,080
Speaker 1: But you know what if I if I have to

2607
03:00:22,160 --> 03:00:35,280
Speaker 1: lose control to anyone take the world. Thanks for joining

2608
03:00:35,400 --> 03:00:38,120
Speaker 1: us for another episode of Drink Champs hosted by yours truly,

2609
03:00:38,280 --> 03:00:41,000
Speaker 1: d j e F and n r E. Please make

2610
03:00:41,000 --> 03:00:43,280
Speaker 1: sure to follow us on all our socials. Let's add

2611
03:00:43,320 --> 03:00:46,800
Speaker 1: Drink Champs across all platforms at the Real Noriegan I

2612
03:00:47,000 --> 03:00:50,680
Speaker 1: g at Noriega on Twitter, mine is at Who's Crazy

2613
03:00:50,840 --> 03:00:53,720
Speaker 1: on I g at d j e FN on Twitter,

2614
03:00:54,120 --> 03:00:56,680
Speaker 1: and most importantly, stay up to date with the latest releases,

2615
03:00:57,080 --> 03:01:00,320
Speaker 1: news and merch by going to drink Champs dot come.