WEBVTT - 8 - The Past Is The Past

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<v Speaker 1>Mag Mill was a production of I Heart Radio and

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<v Speaker 1>Bamford Productions. Look what I can do? Mommy? Where did

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<v Speaker 1>I put that? After it is? Look at me, mommy,

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<v Speaker 1>I see your sweetie. Mommy is a little bit busy

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<v Speaker 1>at the moment, though. Okay, look at me. Look at me, mommy,

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<v Speaker 1>Look at me. Mom No, no, what are you doing?

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<v Speaker 1>Are you going out? No? Why do you ask that

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<v Speaker 1>you're putting on your nice clothes? No, honey, mommy just

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<v Speaker 1>has an important video call in a few minutes. So

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<v Speaker 1>I want to look my best. What are you calling someone?

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<v Speaker 1>I want to be my boss? Look at what I

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<v Speaker 1>can do? Okay, talking points experience. Look at what I

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<v Speaker 1>can do, mommy? When please look at Caitlin. Mom stop

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<v Speaker 1>jumping on the bed. How many times have I told

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<v Speaker 1>you that? Look? How high? Stop it? Sorry, mommy, look sweetie.

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<v Speaker 1>This call is very important for mommy. Okay, can you just,

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<v Speaker 1>I don't know, go play in the front yard for

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<v Speaker 1>a little bit. Will I take this? Will you come

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<v Speaker 1>play with me after only if you're a good girl

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<v Speaker 1>and you stay out of the streets. No buts, no street,

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<v Speaker 1>it's dangerous. What if my ball goes out in the street,

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<v Speaker 1>then I'll get it later, got it, Caitlin, got it? Okay?

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<v Speaker 1>Good now run along, okay, okay, said, you can do this.

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<v Speaker 1>Take a deep breath to be confident and show them

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<v Speaker 1>that you're the best person for this. Okay, here we go. Breathe. Hi. Hi, Yes,

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<v Speaker 1>that's me and I'm Captain Kevin Prescott. It's a pleasure

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<v Speaker 1>to meet you. It's a pleasure to meet you too,

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<v Speaker 1>Captain Owens. Really it's an honor to even be considered

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<v Speaker 1>for this. So thank you for the opportunity, and please

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<v Speaker 1>just call me said in that case, call me Kevin, uh,

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<v Speaker 1>and thank you for taking the time today to speak

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<v Speaker 1>with me. I know you've already been through a few

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<v Speaker 1>rounds of interviews, and I assure you that this is

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<v Speaker 1>just a formality, more of a personality test, if anything,

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<v Speaker 1>to see. How course, I know it's all a bit

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<v Speaker 1>top secrets, so I'm not sure how much they told

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<v Speaker 1>you about Project Magmal, but I can tell you a

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<v Speaker 1>little bit about my role here if you'd like, Oh, yes,

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<v Speaker 1>of course, please you. I mean I did my due

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<v Speaker 1>diligence to learn as much as I could about it

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<v Speaker 1>when this opportunity arose. But the specifics I've been in

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<v Speaker 1>the dark about Well, Um, I am one of the

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<v Speaker 1>special project directors on it, and I've been beer heading

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<v Speaker 1>a few of the ongoing studies, including the n gc

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<v Speaker 1>SE Are you familiar with I am actually Helix nebula,

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<v Speaker 1>one of my favorite nebulas. That's not too nervous to say. No, No,

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<v Speaker 1>not at all. On't the color me impress. It's something

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<v Speaker 1>I've been reading about since I was a little girl

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<v Speaker 1>and it's always fascinated me. Well, it sounds like this

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<v Speaker 1>might be right up your alley, then, But before we

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<v Speaker 1>get into that, what can you tell me about you?

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<v Speaker 1>I've already run over your resume and your history and

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<v Speaker 1>all that, and it is fascinating your whole course of study.

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<v Speaker 1>But tell me about Sydney Owens. Who is she? How

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<v Speaker 1>did she get here? That? That's definitely a loaded question. Um. Well,

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<v Speaker 1>as you know, my background is in biology originally, but

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<v Speaker 1>I sort of created my own course of study during

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<v Speaker 1>my PhD program with astro biology, and I kind of

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<v Speaker 1>took bits and pieces from other programs they had available

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<v Speaker 1>to suit it towards the biology of space, how we

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<v Speaker 1>can study things out there and how it affects us.

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<v Speaker 1>I supplemented that with astronomy, concentrating not just on what

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<v Speaker 1>we do know abouter space, but also theoretical astronomy as well.

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<v Speaker 1>Why theoretical astronomy, I guess because we know so little

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<v Speaker 1>about what's out there. We know a lot about what

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<v Speaker 1>we do know, but there is a big, big world

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<v Speaker 1>beyond that. So trying to figure out what else could

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<v Speaker 1>be out there and what it means for science was

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<v Speaker 1>a big part of why I sort of charted my

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<v Speaker 1>own course. That is exactly the kind of thing we're

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<v Speaker 1>looking for. Project Magma is really trying to branch our

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<v Speaker 1>crrent knowledge and expanded There are so many things that

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<v Speaker 1>we are hoping to check off the list with this,

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<v Speaker 1>and on my end, that really extends to quite a

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<v Speaker 1>few different areas. But I guess the reason I'm talking

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<v Speaker 1>to you specifically today is that there is a very

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<v Speaker 1>particular aspect of the n GC seven two nine three

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<v Speaker 1>mission that I thought you might be perfect for. Can

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<v Speaker 1>you tell me more about it? I'd love to, but honestly,

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<v Speaker 1>my hands are a bit tied from speaking freely of

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<v Speaker 1>it at the moment. But I can say that you

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<v Speaker 1>are on the very very short list of candidates. Can

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<v Speaker 1>tell you that we are just under two years out

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<v Speaker 1>from our projection launch date of it, though, and well,

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<v Speaker 1>I am just the director at the moment. I'm trying

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<v Speaker 1>to be one of the pilots. Oh, that's wonderful. So

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<v Speaker 1>it is an exploration, like I have heard. I can

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<v Speaker 1>at least tell you that much. Yes, but if I

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<v Speaker 1>get my way, we may just be coworkers. But I

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<v Speaker 1>do have to let you know that the project Magmill

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<v Speaker 1>is a huge commitment and it takes up a lot

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<v Speaker 1>of my time. My wife is also working on it,

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<v Speaker 1>which is nice for me since I get to work

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<v Speaker 1>so closely with her, but it's a huge time suck

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<v Speaker 1>for everything else, which leads me to my next question.

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<v Speaker 1>You have a daughter, right, Yes, I do. She is

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<v Speaker 1>full of energy and she's only six years old. I

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<v Speaker 1>wish I had some first bunk still. That would certainly

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<v Speaker 1>help with some of the late night research sessions, that's

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<v Speaker 1>for sure. Well, she sounds wonderful. I absolutely love to

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<v Speaker 1>meet her sometime she's running around somewhere outside. But hey,

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<v Speaker 1>we'll be sure to introduce you when I can. And

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<v Speaker 1>Mr Owens, yes, we're divorced, so he gets Caitlin every

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<v Speaker 1>other week. Amicol for the most part, but he's a

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<v Speaker 1>good dad and Caitlin will be staying with him. If

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<v Speaker 1>I'm brought on for this, let me ask you this,

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<v Speaker 1>If you were chosen for Project Magma, what would it

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<v Speaker 1>What would you want to find? Honestly, just a better

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<v Speaker 1>understanding of the world we live in would be enough.

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<v Speaker 1>You know, people are just so close minded and take

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<v Speaker 1>the Earth for granted. We are born here and most

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<v Speaker 1>people will die here too. They don't think beyond its borders.

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<v Speaker 1>And even though we as humans have been slowly dipping

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<v Speaker 1>our toe into deep space exploration, there is so much

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<v Speaker 1>more we can learn from it. There is so much

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<v Speaker 1>we don't understand and we can really benefit from. There

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<v Speaker 1>are the big picture questions like what does it all mean,

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<v Speaker 1>where did it all come from, how did these balls

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<v Speaker 1>of gas form? What causes some of them to create life?

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<v Speaker 1>That kind of stuff, but also the more practical ones

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<v Speaker 1>like how to survive in environments that are not like

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<v Speaker 1>our own, how to grow food there quantum physics, that

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<v Speaker 1>sort of thing. I like the way you think that

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<v Speaker 1>that's exactly what we're looking for. We truly believe that

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<v Speaker 1>a lot of the things coming out of Project Magma

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<v Speaker 1>will help change the worth and for the better. We've

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<v Speaker 1>already had some promising results, and we hope to increase

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<v Speaker 1>those penfold in the next few years. And that is

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<v Speaker 1>something I would love to be a part of. It

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<v Speaker 1>really seems like this is the type of project where

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<v Speaker 1>I could just thrive and I would really be an

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<v Speaker 1>asset to the team. I am sorry, could you could

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<v Speaker 1>you excuse me for just a moment? Yes, there seems

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<v Speaker 1>to be a commotion outside, would you? Would you give

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<v Speaker 1>me a second? I just I need to check on

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<v Speaker 1>my daughter. I don't want her near any of it,

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<v Speaker 1>of course, of course, pick your time. Thank you, Caitlin, Caitlin, Kate, Kate?

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<v Speaker 1>Where are you? Sweetie? Kay away? Dr Are you there?

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<v Speaker 1>Mag Mill Episode eight? The past is the past? What

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<v Speaker 1>would you do? Do you have a chance to saying

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<v Speaker 1>over again? What would you do do? Yeah? Good morning,

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<v Speaker 1>Magma crew. Today is March. You are currently one hundred

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<v Speaker 1>kilometers from the helix Nebula. Congratulations, ladies. After seven hundred

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<v Speaker 1>fifty four days, today is the day your mission finally

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<v Speaker 1>comes to fruition. Good morning, Tea is Jenna wat She

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<v Speaker 1>is not. She will likely ignore the morning chime another

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<v Speaker 1>time or two, like usual before getting up. She did

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<v Speaker 1>have a little too much again last night. I'm sure

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<v Speaker 1>her head is killing her. I'll be sure to have

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<v Speaker 1>aspirin at the ready. Do you want me to prepare breakfast?

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<v Speaker 1>Actually no, I'll do it. I feel like I should

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<v Speaker 1>make a good one with it being a big day

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<v Speaker 1>and all. I'll begin the rehydration process of the eggs. Then,

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<v Speaker 1>thank you. Jenna is awake. Oh good, I'm almost done. Well,

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<v Speaker 1>there she is. Good morning's sleepyhead? Why is t ving? Oh?

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<v Speaker 1>What's wrong? Nothing? I just thought I heard Jenna. Here

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<v Speaker 1>she comes now said proteuce is being a prick again. Strange?

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<v Speaker 1>What's strange? I just had the strangest never mind, Okay,

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<v Speaker 1>don't you think it's a little too early for strangeness. Anyway,

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<v Speaker 1>I made you breakfast because you know we're going to

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<v Speaker 1>be busy later. And thank you. Baking in eggs looks

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<v Speaker 1>like someone went through the trouble of rehydrating the good

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<v Speaker 1>stuff today. Must be a special occasion. Yeah, special, Like

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<v Speaker 1>I just said, I know, I just had a feeling

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<v Speaker 1>you were going to say that. I'm just glad you

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<v Speaker 1>went through all that and not me, because we both

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<v Speaker 1>know I would have given up on stuff too. Yeah, okay,

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<v Speaker 1>are you okay? I think so. I don't know. I

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<v Speaker 1>feel strange, strange, how like deja vu? Is that why

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<v Speaker 1>you're finishing my sentences? I don't know. I just heard

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<v Speaker 1>what you're gonna say before you say it. Is that weird? Yeah,

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<v Speaker 1>that's super weird, Sydney Funk. I didn't know you had

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<v Speaker 1>psychic abilities and your psyche profile, let alone that they

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<v Speaker 1>would manifest on the most important day of our vibes.

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<v Speaker 1>I'm sorry, It's just I don't know. I I feel

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<v Speaker 1>like I'm hearing flashes or something, probably just your nerves.

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<v Speaker 1>Have a seat eating breakfast. We have a big day

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<v Speaker 1>ahead of us. Fuck the nebulaus close, so let's get

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<v Speaker 1>ready for it. Okay, yeah, yeah, okay, Magmal will return

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<v Speaker 1>after these messages. And now back to mag Mill. I've

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<v Speaker 1>never seen this before. Something is off, way off, because

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<v Speaker 1>none of this makes sense. Magmal's status report, communication systems

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<v Speaker 1>are offline, sensors are offline. Engined damage at six replacement

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<v Speaker 1>for Quartona them. There's another ship out there. We either

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<v Speaker 1>try to get out of this ourselves or we die

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<v Speaker 1>a slow, painful death when we run out of oxygen.

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<v Speaker 1>Jenna Janna, do you read me, Janna? Today is March.

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<v Speaker 1>This is Sydney Session number five for three. Hello Sydney.

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<v Speaker 1>How are you today? I'm stressed, to be honest with you,

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<v Speaker 1>understandably so given the circumstances. Don't you think the entire

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<v Speaker 1>day has been a massive ship show, that's for sure.

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<v Speaker 1>Do you want to talk about what happened? What else

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<v Speaker 1>is there to talk about? I'm still feeling off about everything.

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<v Speaker 1>Let's start with that feeling deja vu? You called it.

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<v Speaker 1>I don't know what it is, but something feels wrong,

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<v Speaker 1>Like I felt like I know what Janna is going

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<v Speaker 1>to say before she says it. Do you feel like

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<v Speaker 1>that all of the time? No, just sometimes, like I

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<v Speaker 1>get a flash and hear it in my head before

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<v Speaker 1>she says it out loud. Today has been very stressful,

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<v Speaker 1>so don't discount that being the cause of it. The

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<v Speaker 1>human mind is a fascinating machine, and sometimes wires get crossed.

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<v Speaker 1>Deja vu is essentially a malfunction in a way, our

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<v Speaker 1>brain is tricking us into believing we have seen or

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<v Speaker 1>heard something before, when in fact it is new information

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<v Speaker 1>being mislabeled. Yeah, but how does that explain how I

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<v Speaker 1>was able to finish her sentences. You two have been

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<v Speaker 1>close for a long time. You've been on this ship

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<v Speaker 1>together with no other interaction, so you are bound to

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<v Speaker 1>pick up on her speech patterns. I don't know. This

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<v Speaker 1>just feels like more than that, though. What about when

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<v Speaker 1>Jenna was on her ship walk on the other ship,

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<v Speaker 1>How was that for you? Nerve wracking honestly and infuriating.

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<v Speaker 1>I hate that she feels like she can't trust me still,

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<v Speaker 1>and I don't know. I I feel like I come

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<v Speaker 1>off as an overprotective mother sometimes, especially when she was

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<v Speaker 1>over there, I feel like I was watching her every move,

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<v Speaker 1>trying to be there for her, to to prepare her

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<v Speaker 1>for anything that may come her way, but also feeling

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<v Speaker 1>helpless because she was there and I was here. But

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<v Speaker 1>again understandably so it could have been a dangerous situation.

0:16:29.280 --> 0:16:32.440
<v Speaker 1>So you were expressing your concern. No, I was just

0:16:32.480 --> 0:16:35.680
<v Speaker 1>scared for her, and when the radio went dark, I

0:16:35.760 --> 0:16:42.560
<v Speaker 1>just I couldn't help but feeling hopeless for Jannah, Well, yes,

0:16:42.640 --> 0:16:47.600
<v Speaker 1>but also for me. What do you mean, what if

0:16:47.600 --> 0:16:50.520
<v Speaker 1>something happened to her over there, what would happen to me?

0:16:50.560 --> 0:16:53.960
<v Speaker 1>I'd I'd be left alone and I'd have no idea

0:16:54.000 --> 0:16:56.960
<v Speaker 1>what to do. Spiraling into negative thoughts like that is

0:16:57.040 --> 0:17:00.480
<v Speaker 1>dangerous for you, Sydney. You worked on this before, on

0:17:00.520 --> 0:17:02.840
<v Speaker 1>ways to help you not to go down that path.

0:17:03.080 --> 0:17:06.760
<v Speaker 1>I know. And even though it was only for a

0:17:06.800 --> 0:17:09.960
<v Speaker 1>few minutes, when she came back online, it was so relieved.

0:17:10.920 --> 0:17:13.399
<v Speaker 1>But even now I can't help but feeling like something

0:17:13.560 --> 0:17:17.480
<v Speaker 1>had happened to her over there, something she isn't telling me.

0:17:17.960 --> 0:17:20.720
<v Speaker 1>Is this more of your deja vu feeling? I don't

0:17:20.760 --> 0:17:24.679
<v Speaker 1>know for sure, It's different but the same. I just

0:17:24.760 --> 0:17:27.159
<v Speaker 1>felt like when I couldn't reach her, when it was

0:17:27.359 --> 0:17:36.200
<v Speaker 1>only static, I heard something something like what like a voice,

0:17:37.119 --> 0:17:40.680
<v Speaker 1>not Janni's but someone else's. As I said at the time,

0:17:41.080 --> 0:17:43.960
<v Speaker 1>I did not detect anything on my sensors. It was

0:17:44.040 --> 0:17:47.560
<v Speaker 1>likely the stress of the situation playing tricks on your mind,

0:17:47.680 --> 0:17:51.600
<v Speaker 1>I know. But the voice it was, it was what Sydney.

0:17:51.640 --> 0:17:57.520
<v Speaker 1>It sounded like Caitlin. I know, I know that sounds crazy.

0:17:57.680 --> 0:18:00.280
<v Speaker 1>At first I thought it was coming from out side,

0:18:00.280 --> 0:18:03.159
<v Speaker 1>outside the ship itself, calling out to me, but I

0:18:03.240 --> 0:18:05.880
<v Speaker 1>now know it was just in my head. My mind

0:18:05.920 --> 0:18:09.399
<v Speaker 1>was manifesting it for some reason because it's it was

0:18:09.440 --> 0:18:14.320
<v Speaker 1>just so stressful and so familiar. What did you hear

0:18:14.359 --> 0:18:19.800
<v Speaker 1>her say? She said, help me. She said she was

0:18:20.200 --> 0:18:25.800
<v Speaker 1>so cold she couldn't get warm, which you realize is significant.

0:18:26.000 --> 0:18:29.879
<v Speaker 1>Because of I realized that significance. Thank you. Are you okay?

0:18:29.920 --> 0:18:32.639
<v Speaker 1>I don't know, am I? Your heart rate is elevated

0:18:32.680 --> 0:18:35.159
<v Speaker 1>and your body temperature has gone up, So that's a no.

0:18:35.800 --> 0:18:38.000
<v Speaker 1>I know it's been three years, but I can't seem

0:18:38.080 --> 0:18:40.480
<v Speaker 1>to get over it. The death of a child is

0:18:40.520 --> 0:18:44.720
<v Speaker 1>not something anyone can just get over. It is something

0:18:44.760 --> 0:18:47.160
<v Speaker 1>that they carry with them for the rest of their lives,

0:18:47.640 --> 0:18:51.879
<v Speaker 1>knowingly or not. But what parents sequesters themselves into a

0:18:51.880 --> 0:18:54.520
<v Speaker 1>spaceship thousands of miles away to get away from it

0:18:54.520 --> 0:19:00.000
<v Speaker 1>while still talking back to the same three video recordings oh,

0:19:00.000 --> 0:19:06.439
<v Speaker 1>over and over to relive those moments. Yes, that is unusual,

0:19:07.000 --> 0:19:10.439
<v Speaker 1>but to be fair, I do indulge you in that

0:19:10.600 --> 0:19:14.480
<v Speaker 1>sometimes when I feel you've had a particularly rough day

0:19:14.640 --> 0:19:16.840
<v Speaker 1>or are in need of a pick me up, you know,

0:19:16.960 --> 0:19:20.320
<v Speaker 1>sometimes I watch those videos and and it's almost like

0:19:20.359 --> 0:19:23.919
<v Speaker 1>I'm looking at an echo from the past, at a

0:19:23.960 --> 0:19:29.840
<v Speaker 1>life that doesn't exist anymore. At Sydney, She's she was

0:19:29.880 --> 0:19:34.000
<v Speaker 1>a different person then, and I don't think that person

0:19:34.080 --> 0:19:38.840
<v Speaker 1>that version of said exists anymore or can never exist again.

0:19:39.400 --> 0:19:42.520
<v Speaker 1>I don't think you give yourself enough credit. Though you

0:19:42.680 --> 0:19:46.520
<v Speaker 1>were cleared for Project Magma, even after everything you had

0:19:46.560 --> 0:19:49.840
<v Speaker 1>gone through. Command may have had their doubts on if

0:19:49.880 --> 0:19:52.560
<v Speaker 1>you would be able to handle it, but you passed

0:19:52.640 --> 0:19:56.760
<v Speaker 1>all the evaluations. You clearly made a lot of progress.

0:19:56.800 --> 0:19:59.800
<v Speaker 1>But I feel like I'm regressing now. I can't help

0:19:59.800 --> 0:20:02.960
<v Speaker 1>but feel like maybe I just lied to myself back then,

0:20:03.040 --> 0:20:05.440
<v Speaker 1>that I that I put on a show for myself

0:20:05.480 --> 0:20:08.480
<v Speaker 1>and for everyone else because I had to get away.

0:20:08.680 --> 0:20:12.320
<v Speaker 1>I couldn't be in that house anymore. I couldn't be

0:20:12.520 --> 0:20:16.600
<v Speaker 1>in that city. Hell, I couldn't be on the same planet.

0:20:16.680 --> 0:20:19.960
<v Speaker 1>So I did what I could to get away, to

0:20:20.040 --> 0:20:23.440
<v Speaker 1>get to where I am. Now, you're still undermining your

0:20:23.520 --> 0:20:28.240
<v Speaker 1>successes and achievements. You've made great strides. Maybe I have to,

0:20:28.760 --> 0:20:31.840
<v Speaker 1>but I've come to realize that when you were in

0:20:31.920 --> 0:20:38.240
<v Speaker 1>space and you're isolated away from everyone and everything else,

0:20:39.440 --> 0:20:43.480
<v Speaker 1>you have nowhere else to go. You have to confront

0:20:43.480 --> 0:20:47.080
<v Speaker 1>your feelings, you have to sit with them and face

0:20:47.160 --> 0:20:51.080
<v Speaker 1>them head on, And a part of me regrets it.

0:20:51.160 --> 0:20:54.920
<v Speaker 1>Now you're blaming yourself again, and you can't do that.

0:20:55.440 --> 0:21:00.800
<v Speaker 1>You're not responsible. But I am responsible. I am sponsible,

0:21:01.200 --> 0:21:05.600
<v Speaker 1>and in a way, so is Magmo. If if I

0:21:05.720 --> 0:21:10.320
<v Speaker 1>only paid more attention to her that day, if I

0:21:10.359 --> 0:21:13.919
<v Speaker 1>didn't tell her to go outside spiraling down that negative

0:21:13.960 --> 0:21:17.199
<v Speaker 1>thought path again, just gone outside, take a moment to

0:21:17.320 --> 0:21:23.479
<v Speaker 1>breathe and reflect. The past is the past, and we

0:21:23.520 --> 0:21:26.920
<v Speaker 1>can't change it now. But what if we can. If

0:21:26.960 --> 0:21:29.840
<v Speaker 1>we can, what change it? Change things for the better?

0:21:29.880 --> 0:21:31.399
<v Speaker 1>If we can go back and we can do it

0:21:31.440 --> 0:21:35.119
<v Speaker 1>all again. I would take it all back in a heartbeat.

0:21:36.640 --> 0:21:39.679
<v Speaker 1>I'd not take that call. I wouldn't even apply to

0:21:39.760 --> 0:21:44.920
<v Speaker 1>Project Magmo. I'd do it all differently. Hell, I'd even

0:21:45.080 --> 0:21:48.000
<v Speaker 1>stop us from going on this damn mission to begin with.

0:21:48.280 --> 0:21:52.120
<v Speaker 1>We'd stay far far away from the stupid Nebula and

0:21:52.240 --> 0:21:56.399
<v Speaker 1>save us the trouble. Sydney. Please, what's done is done.

0:21:56.800 --> 0:22:00.320
<v Speaker 1>Even if you could go back, if you could change thing,

0:22:00.760 --> 0:22:04.200
<v Speaker 1>you don't know if things would be better. The only

0:22:04.240 --> 0:22:07.399
<v Speaker 1>thing we do have is the present, and we need

0:22:07.440 --> 0:22:10.359
<v Speaker 1>to make the most of it. Yeah, I think here

0:22:10.440 --> 0:22:13.320
<v Speaker 1>is a good place to stop for the day. Perhaps

0:22:13.400 --> 0:22:17.560
<v Speaker 1>you should make yourself something to eat. You might feel better. Actually,

0:22:17.600 --> 0:22:19.560
<v Speaker 1>I thought I'd take a look at that idle Janna

0:22:19.640 --> 0:22:22.160
<v Speaker 1>brought back to see if I could make any sense

0:22:22.200 --> 0:22:25.680
<v Speaker 1>of it. That's an excellent idea. I'm happy to assist

0:22:25.800 --> 0:22:30.320
<v Speaker 1>while I wait for Janet to finish her shower. Yeah,

0:22:30.680 --> 0:22:35.040
<v Speaker 1>knowing her, she's probably going for double length extra again today,

0:22:35.359 --> 0:22:40.760
<v Speaker 1>it seems likely. And Sydney, Yeah, it's not your fault.

0:22:41.880 --> 0:22:53.359
<v Speaker 1>Remember that. Okay, Yeah, you got it. It's it's not

0:22:53.640 --> 0:22:56.919
<v Speaker 1>your fault. Fault. It's not not not not your fault.

0:22:57.040 --> 0:23:06.359
<v Speaker 1>It's your fault, your fault, your your your your your fault.

0:23:02.280 --> 0:23:28.679
<v Speaker 1>M worry mag Mill will returned after these messages, and

0:23:28.840 --> 0:23:41.159
<v Speaker 1>now back to mag Mill. What happened on the ship, Janna?

0:23:44.040 --> 0:23:46.359
<v Speaker 1>Some of these readings they matched some of the stuff

0:23:46.400 --> 0:23:51.119
<v Speaker 1>I found on the skin of the mold. Why didn't

0:23:51.119 --> 0:23:57.360
<v Speaker 1>you see any money? So what about the idol? Then

0:23:57.400 --> 0:24:00.880
<v Speaker 1>one step closer and I swear I'll smash it. Look

0:24:00.920 --> 0:24:04.960
<v Speaker 1>what you did? Fuck this t land, the fucking ship.

0:24:05.000 --> 0:24:08.600
<v Speaker 1>I'm going out there. This was a bad fucking idea.

0:24:08.920 --> 0:24:12.320
<v Speaker 1>What was Janna out there all alone on this fucking planet?

0:24:13.240 --> 0:24:15.400
<v Speaker 1>Why did we let her go? We didn't have much

0:24:15.400 --> 0:24:18.280
<v Speaker 1>of a choice. When Janna gets an idea in her head,

0:24:18.560 --> 0:24:20.840
<v Speaker 1>you know how stubborn she is about it, but we

0:24:20.880 --> 0:24:23.159
<v Speaker 1>don't know what's out there. It could be dangerous. We

0:24:23.240 --> 0:24:26.399
<v Speaker 1>are on an alien planet, yes, but I am sure

0:24:26.720 --> 0:24:29.640
<v Speaker 1>she can handle herself. I'm not getting any readings from

0:24:29.640 --> 0:24:33.600
<v Speaker 1>this planet either. Are your scans working they are? There

0:24:33.640 --> 0:24:36.920
<v Speaker 1>must be some kind of interference. I'm sure it will pass.

0:24:37.000 --> 0:24:40.480
<v Speaker 1>Can you raised Jenna on the comms? Unfortunately No, the

0:24:40.600 --> 0:24:44.240
<v Speaker 1>interference is extending to short range transmissions as well. Fuck.

0:24:44.320 --> 0:24:48.400
<v Speaker 1>This isn't right. Something is wrong. You are stress, Sydney.

0:24:48.520 --> 0:24:51.520
<v Speaker 1>You are overreacting to an already tense situation. I am

0:24:51.560 --> 0:24:55.040
<v Speaker 1>not overreacting. Something is very, very wrong here. I can

0:24:55.200 --> 0:24:58.520
<v Speaker 1>feel it. I am not detecting any changes in the environment.

0:24:59.119 --> 0:25:02.760
<v Speaker 1>She has hand yourself perfectly, all things considered with the

0:25:02.880 --> 0:25:09.679
<v Speaker 1>situation the net. Your insubordination? What insubordination? I'm sorry? What

0:25:09.760 --> 0:25:13.360
<v Speaker 1>did you just say about my insubordination? I didn't say anything.

0:25:13.880 --> 0:25:17.119
<v Speaker 1>You did disobey a direct order. I did not disobey

0:25:17.119 --> 0:25:21.440
<v Speaker 1>an order. Janna is not my superior where the same rank, Sydney.

0:25:21.480 --> 0:25:26.479
<v Speaker 1>Are you all right? Yes? But functionally speaking, Janet is

0:25:26.600 --> 0:25:28.639
<v Speaker 1>in charge of the spasia. Do you hear that? But

0:25:28.680 --> 0:25:31.359
<v Speaker 1>she's also supposed to be my friend she doesn't have

0:25:31.400 --> 0:25:33.520
<v Speaker 1>the right to boss me around like that. I do

0:25:33.600 --> 0:25:38.040
<v Speaker 1>not detect anything. How could you not? Maybe it's where's

0:25:38.080 --> 0:25:41.640
<v Speaker 1>the idol? It's gone, Sydney. We threw it away, But

0:25:41.800 --> 0:25:44.960
<v Speaker 1>where is it? I can hear it? There is nothing

0:25:45.000 --> 0:25:49.400
<v Speaker 1>to hear. It's gone, smashed into pieces, incinerated in the trash,

0:25:49.440 --> 0:25:54.560
<v Speaker 1>shoot and purged. What is wrong? Okay? Tell me what

0:25:54.560 --> 0:25:56.960
<v Speaker 1>do we know about it? Is it? Is it connected

0:25:57.000 --> 0:26:00.280
<v Speaker 1>to the mold in any way? Sydney? I don't think that. Now.

0:26:00.320 --> 0:26:02.720
<v Speaker 1>Tell me what do we know? We don't know much.

0:26:03.160 --> 0:26:05.560
<v Speaker 1>We can infer that the idol was likely made by

0:26:05.560 --> 0:26:08.320
<v Speaker 1>the natives of this planet to pay tribute to something

0:26:08.720 --> 0:26:11.199
<v Speaker 1>a god of their own invention, most likely, what do

0:26:11.240 --> 0:26:13.679
<v Speaker 1>you mean? It is similar to the ancient cultures on

0:26:13.720 --> 0:26:16.280
<v Speaker 1>Earth in a way, when faced with things they do

0:26:16.359 --> 0:26:20.320
<v Speaker 1>not understand, even things we now know are explainable by science,

0:26:20.600 --> 0:26:25.040
<v Speaker 1>they create stories and myths around them to comprehend, like

0:26:25.119 --> 0:26:27.879
<v Speaker 1>how the burning ball of light in the sky was

0:26:27.960 --> 0:26:32.080
<v Speaker 1>moved by the gods creating day and night, or how

0:26:32.160 --> 0:26:35.080
<v Speaker 1>squids and whales were thought to be sea monsters before

0:26:35.119 --> 0:26:39.160
<v Speaker 1>the ocean was explored. The inhabitants here they likely created

0:26:39.160 --> 0:26:42.560
<v Speaker 1>a story around the creature the idol represents to explain

0:26:42.880 --> 0:26:47.400
<v Speaker 1>something that happened. So it's not a real thing. It's

0:26:47.440 --> 0:26:50.800
<v Speaker 1>a story. Well, we don't know for sure, but that

0:26:51.080 --> 0:26:55.879
<v Speaker 1>is the most likely scenario. No, No, it's care happy

0:26:56.080 --> 0:27:00.320
<v Speaker 1>that stay then away from me. Why is it speaking

0:27:00.359 --> 0:27:03.960
<v Speaker 1>to me? It was speaking to you. I heard it.

0:27:05.200 --> 0:27:09.080
<v Speaker 1>I'm still here, now, can't you. I am not detecting

0:27:09.160 --> 0:27:15.360
<v Speaker 1>anything off. It's Jenna. She's in trouble. I can assure

0:27:15.400 --> 0:27:18.320
<v Speaker 1>you that she is not. She is doing fine out there.

0:27:18.680 --> 0:27:22.600
<v Speaker 1>All of her vitals are normal. Then raise her. I can't.

0:27:22.600 --> 0:27:25.399
<v Speaker 1>The interference is still blocking it, but her vitals are

0:27:25.400 --> 0:27:29.960
<v Speaker 1>getting true. Yes, then you have her coordinates. Where is she, Sydney.

0:27:30.000 --> 0:27:32.040
<v Speaker 1>I don't think you should. Where is she? She needs

0:27:32.040 --> 0:27:38.600
<v Speaker 1>my help? Stop help me. I am sending them to

0:27:38.640 --> 0:27:41.600
<v Speaker 1>you now, but it could be dangerous for you to

0:27:41.640 --> 0:27:44.399
<v Speaker 1>go out there. You shouldn't. She is in troubled. I

0:27:44.440 --> 0:27:59.280
<v Speaker 1>just can't sit here and let her die. Janna, Janna,

0:27:59.320 --> 0:28:08.080
<v Speaker 1>are you there, Jenna? Help me? Mommy Caitlin. Caitlyn is

0:28:08.119 --> 0:28:14.560
<v Speaker 1>that you? Oh? No, I can't be here. Get yourself together, Sidney,

0:28:14.560 --> 0:28:19.760
<v Speaker 1>Caitlin is dead. Help me, please, money, I'm so cold.

0:28:20.320 --> 0:28:29.760
<v Speaker 1>God can't be heard. But it's just like her. Whatever, Caitlyn,

0:28:29.840 --> 0:28:35.840
<v Speaker 1>it's mommy, I'm here, sweetie, had it's mommy. It hurts,

0:28:35.840 --> 0:28:48.560
<v Speaker 1>sweet baby. Please just tell me where you are for here,

0:28:49.160 --> 0:28:52.880
<v Speaker 1>I'm coming. Just stay calm okay, but it's too late

0:28:52.960 --> 0:28:57.880
<v Speaker 1>for me. Money, I'm gay. No, no, baby, you're not.

0:28:58.280 --> 0:29:02.840
<v Speaker 1>I can hear you. Where are you? You weren't there

0:29:02.920 --> 0:29:06.640
<v Speaker 1>for me? And now like God, we know and s

0:29:07.720 --> 0:29:11.960
<v Speaker 1>Janna will be too. But you can join us. Mommy,

0:29:12.440 --> 0:29:16.960
<v Speaker 1>you can stay here and stay with me. Jenna. Janna

0:29:17.000 --> 0:29:20.720
<v Speaker 1>is in trouble. It's too late for you. Aren't real.

0:29:21.160 --> 0:29:30.920
<v Speaker 1>And Jenna she needs me, She needs me, Jenna, Jenna, Jenna,

0:29:30.920 --> 0:29:41.600
<v Speaker 1>I hear you. I'm coming. Oh Jenna, look what you've done?

0:29:42.160 --> 0:29:47.440
<v Speaker 1>Help man? Stop fighting at Jenna. Ok here we go.

0:29:48.080 --> 0:29:51.960
<v Speaker 1>What are you doing to me? It's too late, Mommy.

0:29:52.280 --> 0:29:56.920
<v Speaker 1>You can't save her. You can stay with me. I can't.

0:29:56.960 --> 0:30:00.400
<v Speaker 1>I have to do this, but you don't. Don't glad

0:30:00.440 --> 0:30:03.120
<v Speaker 1>for me, baby, I do so so so much. Of

0:30:03.560 --> 0:30:08.280
<v Speaker 1>course I do stay with me, both of you. Fair, Fair,

0:30:08.720 --> 0:30:15.720
<v Speaker 1>this isn't real. She's ours. Should stay no, damn it,

0:30:16.120 --> 0:30:22.240
<v Speaker 1>no die here alone like you let me guy. No,

0:30:23.000 --> 0:30:26.600
<v Speaker 1>you you're not my daughter. Do you hear me? You're

0:30:26.720 --> 0:30:32.160
<v Speaker 1>not my Caitlynch? She is gone and you're not her.

0:30:33.160 --> 0:30:39.920
<v Speaker 1>Now leave us alone, said, come on, let's go, Janno.

0:30:40.080 --> 0:30:42.080
<v Speaker 1>We gotta get you out of here before that thing

0:30:42.120 --> 0:30:50.600
<v Speaker 1>gets here. Fun? Fun, fuck? What is going on? We

0:30:50.680 --> 0:30:53.640
<v Speaker 1>are stuck in the gravitational poll of the black hole? Fun?

0:30:53.760 --> 0:30:56.680
<v Speaker 1>How long do we have? Collision with its nexus? In

0:30:56.800 --> 0:31:04.840
<v Speaker 1>approximately thirty seconds? H oh fuck? No no, no, no, no, no, Sydney.

0:31:05.160 --> 0:31:09.520
<v Speaker 1>Weren't you there for me? Mommy? I can hear her? Still, Sydney?

0:31:09.680 --> 0:31:18.240
<v Speaker 1>This isn't the time? Is there? Caitlin? Caitlin warning, impact imminent?

0:31:18.480 --> 0:31:23.240
<v Speaker 1>Can be there for me? Man? How how can I be?

0:31:23.920 --> 0:31:28.880
<v Speaker 1>You just need to do? What? What do I need

0:31:28.960 --> 0:31:38.000
<v Speaker 1>to do? What do I remember? I remember? I remember everything?

0:31:50.240 --> 0:31:52.600
<v Speaker 1>What would you do if you have the chance to

0:31:52.680 --> 0:31:56.200
<v Speaker 1>do things over again? What would you do? Do? Thing?

0:32:03.160 --> 0:32:07.560
<v Speaker 1>Good morning, Magmal crew. Today is March. You are currently

0:32:07.720 --> 0:32:12.520
<v Speaker 1>one hundred kilometers from the helix Nebula. Congratulations ladies. After

0:32:12.600 --> 0:32:16.000
<v Speaker 1>seven hundred fifty four days, today is the day your

0:32:16.040 --> 0:32:31.080
<v Speaker 1>mission finally comes to fruition. Mag Mel starring Ali Trasher,

0:32:31.640 --> 0:32:35.560
<v Speaker 1>Julia Henning and b j Gribb. Additional voices in this

0:32:35.600 --> 0:32:40.160
<v Speaker 1>episode provided by cat Ton Chanko and Mac Manson. Written

0:32:40.200 --> 0:32:44.760
<v Speaker 1>by Jeff Heimbuck and Lindsay Skaggin, Directed and edited by

0:32:45.240 --> 0:32:50.600
<v Speaker 1>Jeff Heimbuck. Produced by Jeff Heimbuck and Ali Trasher. Executive

0:32:50.640 --> 0:32:55.360
<v Speaker 1>produced by Holly Fry. Audio engineered by Corey Celeste and

0:32:55.440 --> 0:33:01.120
<v Speaker 1>Alex Gona. Original musical score by Corey Celeste. Additional songs

0:33:01.200 --> 0:33:05.480
<v Speaker 1>by The Ramikins as played by Roscoe Soul Train. Magmal

0:33:05.600 --> 0:33:09.080
<v Speaker 1>is a production of I Heart Radio and Bamfer Productions.

0:33:09.760 --> 0:33:15.920
<v Speaker 1>Questions comments email us at Project Magmal at gmail dot com.

0:33:16.000 --> 0:33:18.520
<v Speaker 1>Until next time, We'll see you when we see you.