Speaker 1: M are you going to sleep forever? Where are we here?
Speaker 1: Where else would we be? What's your name? Look? Run
Speaker 1: this boat together with very little water, not much food.
Speaker 1: I don't need you. I needed you to get off
Speaker 1: the ship. But I don't need you anymore. You can
Speaker 1: talk or you can swim. It's up to you. Where
Speaker 1: you are heaven, it's heaven. I'm in a boat with heaven.
Speaker 1: Stop it, stop it, say always stay back. I need
Speaker 1: to go home. I mean my father is a businessman.
Speaker 1: He can pay you. There will be a reward. You
Speaker 1: just have to take me to a port where there's
Speaker 1: someone anyone. There will be an agent. There's someone there.
Speaker 1: He can give you money. Look, what's your name? Why
Speaker 1: aren't you listening to me? You get money, there will
Speaker 1: be a reward. Don't you understand? What is money to me?
Speaker 1: I don't want money? Can we eat it? Can we
Speaker 1: drink it? Can we make a sale? Catch to win?
Speaker 1: What do you mean? Look around you? What do you see?
Speaker 1: Nothing that's right? Nothing? You want to help? Sing me
Speaker 1: a song? And my name is slave. Give me some water.
Speaker 1: My mouth is ray. I can't sing with the drama
Speaker 1: h more to never want to view the yeah day
Speaker 1: thousand lovers, fool, the knock, the nighteing, young bird, noose
Speaker 1: in a rose, boot sleeves, the rose. There's a city
Speaker 1: far away. My parents often spoke of it as if
Speaker 1: it had always been there and always would be. I'd
Speaker 1: seen it in paintings, I read of it in stories,
Speaker 1: the richest, most powerful place on earth, the center of everything.
Speaker 1: It drew people from every corner of the Empire and beyond.
Speaker 1: Tu Mun Bay, a city I always wanted to visit,
Speaker 1: but now I never would. Tumun Bay, Episode three, Coming
Speaker 1: of Age by Mike Walker mm more Ambergris. Do you
Speaker 1: think it's different for boys? Madam? Don't stop love women
Speaker 1: sex for boys? I can't say, madam. Is it just hygiene,
Speaker 1: tapping off some male excess, something they have to do
Speaker 1: before they can do something more important? Mm I remember
Speaker 1: being twelve years old riding into Tumin Bay with a
Speaker 1: caravan of traders. Someone I can't remember who had traded
Speaker 1: me to them for copper, or goats or a I
Speaker 1: remember the city walls and beyond them the towers rising
Speaker 1: out of the shimmering heat. I remember riding Astrida, camel
Speaker 1: blood on my thighs from my first time as a woman,
Speaker 1: seeing even then men's eyes following me and thinking, yes, here, here,
Speaker 1: I will become myself. And so you have, Madam, you
Speaker 1: have become the first wife of the Sultan hum not
Speaker 1: bad for a twelve year old hore on a camel eis.
Speaker 1: And yet Madam, he is sixteen and no little halls
Speaker 1: scuttle around his apartments. You know this, Madam, I know everything.
Speaker 1: Never forget that shah Jad is a beautiful woman and
Speaker 1: she knows it. Fetch me. I like dress and the
Speaker 1: rose veil. She's also entirely untrustworthy, and I know it,
Speaker 1: which is why, as master of the palace guard, I
Speaker 1: have to take measures even within the forbidden world of
Speaker 1: the Hareem. What are you doing here? You can't be here.
Speaker 1: She has beautiful gowns, your mistress hostletan spurs, and I
Speaker 1: expense in decorating his toys. Someone might hear where were you?
Speaker 1: What do you mean? I can't just get away if
Speaker 1: she needs me? You're here because I put you here.
Speaker 1: You were supposed to report to me. You did not,
Speaker 1: so I have come to you. Don't let that happen again,
Speaker 1: my baby. Well, I want to see for myself if
Speaker 1: we all had what we wanted, what we once thought.
Speaker 1: What's ours? I want to see my baby, so you
Speaker 1: shall as soon as you perform a task for me.
Speaker 1: How do I know I can trust you? A woman's
Speaker 1: trust is a fickle thing. I say you are a tool,
Speaker 1: an instrument, just as this dagger is. It has a
Speaker 1: purpose to cut. For that reason, I keep it sharp,
Speaker 1: sharp enough to shave their hairs from your arm without
Speaker 1: breaking the skin. The life is no good unless it's
Speaker 1: kept sharp. A spy is no good. And as she
Speaker 1: believes in her reward, I would assume blunt one as
Speaker 1: the other your baby as well. I'm cared for. I
Speaker 1: have a task for you. She's say nothing. I am
Speaker 1: not used to being kept waiting by my slaves. I'm sorry, madam,
Speaker 1: I could not find them. Must I do these things myself?
Speaker 1: Forgive me, it will not happen again. Let me you
Speaker 1: are your instructions. Let me go bring the information to
Speaker 1: me this time. Help you hurry, girl, if you ever
Speaker 1: want to see your child again. M my lord, my lord,
Speaker 1: God's name, what are you doing here? Are you one
Speaker 1: of my mother's maides? No? No, I'm not dressed like that.
Speaker 1: My name is SHAMSI, Ah, you're a whore. Did one
Speaker 1: of my friends put you up to this? It's not
Speaker 1: my birthday? Do my clothes bother you? Is that better?
Speaker 1: M It's my mother, isn't it. She sent you. Look,
Speaker 1: it's easy enough to just lie back and I'll do everything.
Speaker 1: You won't even notice. Stop it, just stop it. It's
Speaker 1: my job to prove your manhood. The lady requires it.
Speaker 1: And if I do not get out, please, Lord, it's
Speaker 1: not my fault. I can only obey, or she will
Speaker 1: have my hand. Just go away, lead me alone. I
Speaker 1: don't want to die. Please, please, my lord. I won't
Speaker 1: let her hurt you. Just she's the first wife, Lord.
Speaker 1: She can do anything. I know. She controls my allowance.
Speaker 1: And should you not want to please her, Well, that's
Speaker 1: the difference between what's your name, Chamsy, that's the difference
Speaker 1: between us, Shamsy. You have to please. I don't wait here.
Speaker 1: Get out, my Lord, I said, get out? Where's my mother? Yes? Go, madam?
Speaker 1: What do you think you're doing? What are you talking about?
Speaker 1: You know very well that whore you sent to my rooms.
Speaker 1: It's disgusting. You can't do that. My life is my
Speaker 1: own business. In Tuman bay, and particularly in this palace.
Speaker 1: You know that's not true. I can assure you and
Speaker 1: anyone else who might be interested, that if and when
Speaker 1: I want to have some girl, I will make my
Speaker 1: own choice in my own way, don't you see, my dear.
Speaker 1: It's proof that you're a man. Rulers need to have children,
Speaker 1: and the people need to know that if, if, what
Speaker 1: if we are going to change things, go against custom,
Speaker 1: if you are going to be your stepfather's successor you
Speaker 1: say this is all about being a man. Yes, yes,
Speaker 1: well it's simply not manly to have these things arranged.
Speaker 1: When I need to produce an air or any number
Speaker 1: of bastards, I can assure you I will, and I
Speaker 1: will do so because I wish it, because I have
Speaker 1: made the decision, because that is what a man does.
Speaker 1: You're absolutely right, my dear. I'm sorry. I shouldn't try
Speaker 1: to manipulate you. I can see that you are a
Speaker 1: man and that you need to make your own decisions.
Speaker 1: Thank you, mother. I'm glad you understand, which is why
Speaker 1: General Kulan, at the request of your stepfather the Sultan,
Speaker 1: has asked that you join the army, and I have
Speaker 1: given my blessing he's expecting you this afternoon. The army
Speaker 1: is encamped on the northern Marshes. I I won't go.
Speaker 1: It's a man's job. That's what you wanted, isn't it.
Speaker 1: You'll work under General Kulan. It will be a good experience.
Speaker 1: Are you this is I simply will not, and it
Speaker 1: will be useful for us. He has influence, and if
Speaker 1: things go on the way they are, he'll soon have more.
Speaker 1: You can't make me. I have things I need to
Speaker 1: do because I am your mother. Don't for one instant
Speaker 1: think I will roll over on this. We are all
Speaker 1: of us in a game. Remember what they did the
Speaker 1: Sultan Ibrahim third, the one they called the mad Sultan.
Speaker 1: They deposed him and built a tower in the swamps,
Speaker 1: and at the top of the tower they built a
Speaker 1: cell around him, no window or door, and they left
Speaker 1: him there for ten years, only a small hole for food. Hi,
Speaker 1: I don't understand. You want to make your own decisions,
Speaker 1: and that's good. But if you make the wrong decisions
Speaker 1: like the mad Sultan, I have a certain position here,
Speaker 1: a certain influence, But you, my dear, have only me also,
Speaker 1: You could be used against me. You must make allies
Speaker 1: of your own Kulan has offered to take you and
Speaker 1: train you. You will accept that gift with the grace
Speaker 1: I expect of my son. And if I refuse. In
Speaker 1: tumm Bay, everything has a use. If it doesn't, it
Speaker 1: has thrown away. Madam? Is there anything I may get you?
Speaker 1: Like puppies, sometimes you have to use the stick to
Speaker 1: train them. Shagyard cares about her son, or at least
Speaker 1: cares about what she can use him for. That is
Speaker 1: her weakness. My weakness, on the other hand, go away.
Speaker 1: This house is in morning. You know who I am.
Speaker 1: I'm sorry, mister, someone has come. I told you I'm
Speaker 1: not to be disturbed. So the slave trader becomes a nursemaid.
Speaker 1: As you commanded, Your excellency, that I have the baby
Speaker 1: look after it carefully. Your own well being depends on
Speaker 1: it all. Well, yes, I'm so fortunate. I have all
Speaker 1: of this, my house, my business, and I have nothing
Speaker 1: at all. They were my life, my wife, my daughter,
Speaker 1: she was coming to be married, and now my life
Speaker 1: is over. It's the plague. It cares nothing for any
Speaker 1: one of us. It takes princes and poor men of life.
Speaker 1: It's all God's will? Is it God's will that these
Speaker 1: damned barbarians from beyond the civilized world should come with
Speaker 1: their diseases and could not even bury them. May I
Speaker 1: hold it be careful? The slave traders weakness is that
Speaker 1: he thinks he's lost everything, but has found a child,
Speaker 1: and he loves her. What her name? She's a girl interesting,
Speaker 1: blue eyes like her mother. Like her mother and uncle.
Speaker 1: They both had blue eyes, unusual, highly prized in the
Speaker 1: business business the trade slaves. It is said blue eyes
Speaker 1: originally come from the cold lands to the far North,
Speaker 1: where they were giants. I'll show you, Sabina. I mean,
Speaker 1: I'm sorry about the mess the builders. I was preparing
Speaker 1: the house for my but that's all in the past
Speaker 1: now here. I even built myself a library. I've always
Speaker 1: loved books. M I think they're bulgars from beyond russ
Speaker 1: the cold lands of the North. I tried to get
Speaker 1: it from them. But what am I doing? This means
Speaker 1: nothing to me. I've lost everything, not everything, save you
Speaker 1: that tell me about the other one? Other one, the brother.
Speaker 1: I sold them both to the palace. What happened to him?
Speaker 1: I think he was sold onto the army a waste.
Speaker 1: I thought he was educated. I could tell him because
Speaker 1: he was. You're a man who still has a reason
Speaker 1: to live. For after the fire burns off the land,
Speaker 1: new life arises. Must be tended. The child matters to you.
Speaker 1: I can see it clearly, So tend her well, hibben Bay.
Speaker 1: She is useful to me. How are you? And so
Speaker 1: long as that lasts, as long as Maya allows that
Speaker 1: to last. Who knows? What I do know is that
Speaker 1: preparations for war are going ahead under the command of
Speaker 1: my brother, General Kulan, who he's in all glory. Some
Speaker 1: of it is ship, and that ship has to go somewhere.
Speaker 1: So you dig and dig hard? You, yes, you? What's
Speaker 1: the matter? Don't like the stink bloys? Makes no different, Sergeant.
Speaker 1: You tell me to shovel, and I shovel, just like
Speaker 1: the rest of them, not like the rest of them.
Speaker 1: There's something about you I don't trust. What's your name? Daniel? Daniel.
Speaker 1: I'll remember you, Daniel. I'll be keeping an eye on
Speaker 1: you until I find out exactly what use you are. Understand, Yes,
Speaker 1: sergeant good, all of you dig dig Who knows dig
Speaker 1: hard enough, work hard enough, fight hard enough, and you
Speaker 1: may end up like the general in charge of the army.
Speaker 1: I'm looking for General Kolan, And what do you want
Speaker 1: with the general? There's hardly any of your business, is it?
Speaker 1: Where is he? He's over there in the tent. But
Speaker 1: you won't want to be bothered, thank you. I'm moreman
Speaker 1: that it is under the seal of the Sultan himself
Speaker 1: and the rule powers up. What do you want? I've
Speaker 1: come to join you, General what I'm the son of Shajad,
Speaker 1: the first wife of who she is. I was not
Speaker 1: aware that she had any military command. I agree, General,
Speaker 1: I just happened to have been sent by my mother
Speaker 1: to assist you in any way you might need assisting.
Speaker 1: Why see, you've come to assist me, well, Mado, sent
Speaker 1: by my mother. What exactly are you going to do
Speaker 1: for me? For me, for the army? What exactly is
Speaker 1: your particular skill? Look, General, I don't want to be
Speaker 1: here any more than you want me here. Good than
Speaker 1: we agree? You may go where back to your mother?
Speaker 1: So you're releasing me. Would you care to write an
Speaker 1: order to that effect? You're like an order, would you?
Speaker 1: It would be helped very well, Sarjeant. Yes, Sir, this
Speaker 1: young fellow wants to join the army. Impress him in
Speaker 1: the foot regiments. No, that's not right, that it's an order.
Speaker 1: Come no, you can't do this to me. You can't
Speaker 1: do this. My mother will hear about this. Look, you
Speaker 1: don't understand. You clearly don't know who I am. I
Speaker 1: have to send a message to my mother. Just let
Speaker 1: me go, you blue eyes? What are you doing shoveling shit? Sergeants?
Speaker 1: As you told me? Good when it seems like I
Speaker 1: found a use for you. After all, here's another lump
Speaker 1: of shit for you to look after. What am I
Speaker 1: supposed to do with him? Do I look like I
Speaker 1: can throw him in the shape pit if you want.
Speaker 1: We leave for the provinces in two hours. Get this
Speaker 1: lot covered, and remember you are responsible for this third
Speaker 1: here back door, Well, what are you waiting for? Pick
Speaker 1: up a spade, start digging. H Oh, there's nothing like
Speaker 1: a war to bring the blood to the boil, truly, prodigy,
Speaker 1: move your head. Look at them as they march by.
Speaker 1: Look at the flags, the lances erect My army, my army, Yes,
Speaker 1: put some clothes on, boy, let's see. My army needs
Speaker 1: to see me. That's my armor? Where did it come from?
Speaker 1: This ingratitude? Husband? May I put her there? At least
Speaker 1: put her down, mistless husband, what happens? That'll do? Come?
Speaker 1: We'll do this again. With her head on a tree.
Speaker 1: Right there, she can see me in all my manhood.
Speaker 1: I look forward to it. Like ants on the march,
Speaker 1: they seem to go on forever. Not yet, but once
Speaker 1: the provinces muster their forces, yes, will roll over her,
Speaker 1: crush her like a grape, and the blood will run
Speaker 1: between our tools. My lord, are you you sound sad?
Speaker 1: I hope I do not make you sad moments. There
Speaker 1: are moments when I forget, when I am a man
Speaker 1: as other men. But then, don't you understand? No one
Speaker 1: is safe? Nah, not even within these walls. If my
Speaker 1: nephew can be poisoned, I said Madou with General Kulan
Speaker 1: he's down there somewhere to keep him safe. It will
Speaker 1: be good for him. He'll learn about life, about how
Speaker 1: to obey and how to command. General Coulan will be
Speaker 1: a fine teacher. And when Madu returns, perhaps, my lord,
Speaker 1: you could take him onto your council so he could
Speaker 1: you want them to be my successor? Tom to answer,
Speaker 1: It isn't a question, Shadjas. This kingdom is full of
Speaker 1: people who think they can rule in my place, even Coolan, Okay,
Speaker 1: there is leading his men, God leading your armies, even
Speaker 1: he that paragon of honor. When power presents itself, he'll
Speaker 1: reach out for it. Gregor, he has ambitions, Kadali, all
Speaker 1: of them. Nobody is proof against the desire for power.
Speaker 1: Power is everything, Power gives everything, and power is worth
Speaker 1: risking everything for. Then isn't it safest to keep it
Speaker 1: within the family to have a successor? You have trained
Speaker 1: who is of your brother's blood? My Lord, you talk
Speaker 1: about my brother's blood when I shed it for you,
Speaker 1: I'm talking about your brother's son, Matu. He's like you
Speaker 1: in so many ways. Name him your successor, and all
Speaker 1: the jealousy, the infighting, and plotting will cease. The future
Speaker 1: will be sadden. The only thing certain about the future
Speaker 1: is that we will all die, and the only questions
Speaker 1: are when and how, and the only tactics are survival.
Speaker 1: Now Here, this moment, I could have you sent away
Speaker 1: for your own safety, to a monastery in the desert,
Speaker 1: to spend your days in a sell. Pray God, No,
Speaker 1: I am loyal, I'm loyal. You must know that I
Speaker 1: loved you when I was your brother's wife, when you
Speaker 1: betrayed my brother for love of you, my lord, I
Speaker 1: never knew love until I just remember everything you have
Speaker 1: and everything you hope for Muddele depends on me. However
Speaker 1: clever you are, you will not lost a butterfly's life
Speaker 1: if you lose my favor, Sarah, I didn't see you.
Speaker 1: Is there anything I may get for you? Madam? Yes?
Speaker 1: Have thenm prepare my carriage. Actually no, don't. I will
Speaker 1: be fine. You may go. You need to keep up,
Speaker 1: or you'll be flogged. They won't flog me. They can't,
Speaker 1: They wouldn't dare. Don't flog you any man who doesn't
Speaker 1: keep up. I shouldn't be here. Shut up as much.
Speaker 1: It's not right. I shouldn't be here. To Mundae a
Speaker 1: melting pot of skills. It attracts the best of everything.
Speaker 1: Tradesmen and artists come from across the empire and beyond.
Speaker 1: Be a part of it. And in one small workshop
Speaker 1: that's not right. What's not right? Bust means the thin
Speaker 1: silk brush will you well? The heart isn't right? Very thin, medium,
Speaker 1: thin or single stran doesn't matter. It's not the same.
Speaker 1: Constrando well, it doesn't medium, medium, thin, medium, thick, medium medium,
Speaker 1: Are you telling me I don't know how to paint
Speaker 1: a hunch. Ah, I'm only saying that Haunch is wrong.
Speaker 1: On the whole. Your hauns are satisfactory, but that Haunch
Speaker 1: the line. See there, the line is satisfactory to my eye,
Speaker 1: I have heard, brother. But across the sea there are
Speaker 1: painters who use a circle of glass they call a lens,
Speaker 1: to place the image of what they wish to depict
Speaker 1: upon a surface, and then paint over it. In this way,
Speaker 1: it is said they achieve something so life like that
Speaker 1: the observer cannot tell the difference between the real and
Speaker 1: the depiction. Hmmm, where did you hear that in your dreams?
Speaker 1: This is delicate work. I do the delicate work because
Speaker 1: I'm the elder. That's why you do the thing, the gold,
Speaker 1: the silver, because that is it. Someone need to collect today,
Speaker 1: No one, you're sure, of course, I'm sure, idiot. Well,
Speaker 1: how can I be idiot? Because there is someone there?
Speaker 1: Well look you look, Oh God, it's her. It's her. Yes, no, yes, no, stop.
Speaker 1: We cannot tell her it's almost done. But maybe if
Speaker 1: the work is good, surely she would not which how
Speaker 1: many times do I have to say it? Once it
Speaker 1: is finished? We are finished. We need to get paid
Speaker 1: and get away before it's handed over. You know that
Speaker 1: you know these people what they're like. Why did we
Speaker 1: ever come here for money for ambition? The fools that
Speaker 1: we were quick Remember, we have to keep happy, but
Speaker 1: not so happy. She thinks a job will be finished tomorrow.
Speaker 1: Pray she's alone that this isn't. Oh God, help us, madam,
Speaker 1: come in please. I'm not accustomed to standing in the
Speaker 1: street waiting, of course, of course, madam, Well, madam, the work, ah,
Speaker 1: the work is it finished? Almost almost finished, that is
Speaker 1: to say, finished, but not finished. We are awaiting the actualizing.
Speaker 1: Yes exactly, madam, almost done. But you will understand that
Speaker 1: the actual lie. I neither can nor I'm interested in
Speaker 1: this actualizer. Show me what you've done now, now, well
Speaker 1: you can see mother here and here what deep blues?
Speaker 1: And that is all that remains to be done. And
Speaker 1: the box, madam, the lapis lazuli has not yet arrived
Speaker 1: from summer. Can't always slow in summer, can't, madam? Dreadful
Speaker 1: to the business with It is very fine, isn't it
Speaker 1: the finest we have ever had in our shop? It
Speaker 1: must be very old, madam, as old as time hm, yes,
Speaker 1: very old. You have a week I want to finish
Speaker 1: by then. Do you understand full attention? I'm certain summer
Speaker 1: can't will happen. Please let me, precious lady, May I
Speaker 1: assure you that, brother, we need a plant. We had
Speaker 1: a plan, you're a plan. Everyone goes to Mumbane rich.
Speaker 1: You didn't have to come. I wish I hadn't. I
Speaker 1: wish i'd never seen the place. Well, what now, there's
Speaker 1: nothing here? This isn't any better than the sea. Then
Speaker 1: go back to the boat. This is stupid. You should
Speaker 1: have found a proper part where there's people and there's
Speaker 1: food and there's something to drink. It's just it's just stupid.
Speaker 1: You already said that. Well what are we going to do?
Speaker 1: Where are we going to go? I got you to shore.
Speaker 1: You can go wherever you want. But it's so it's
Speaker 1: all the same. That's right, it's all the same to me.
Speaker 1: Wherever you go, goodbye, Black. You can't just leave. There's
Speaker 1: a reward. There will be a reward. My reward will
Speaker 1: be not having to hear your voice whining anymore. Go
Speaker 1: away where where I told you? I don't need you anymore.
Speaker 1: You can't leave me. You won't leave me. There's one
Speaker 1: anymore that's not safe. As long as they stay clear
Speaker 1: of you, they'll probably be all right. Look, look, you
Speaker 1: need me, You need me as much as I need you.
Speaker 1: Look at me, What do you see? Sworled brat I
Speaker 1: am as far as you're concerned, I'm a princess. I'm
Speaker 1: worth something. What are you worth? You're just a slave?
Speaker 1: If you go pieces? My father is rich. Can you
Speaker 1: understand that you're just stupid? Gold lots of gold. There's
Speaker 1: a million of you for sale every day of the
Speaker 1: week in every slave market in the world. There's only
Speaker 1: one of me, And if you have any sense at all,
Speaker 1: you'll make it your business to take me back to
Speaker 1: my father and doman big world will be every one.
Speaker 1: You understand, Yes, at last, and the answer is still
Speaker 1: not come back. Yes, Yes. The mistress wishes you to
Speaker 1: go to the market. She wants sweets from the stoles.
Speaker 1: She wants you to go. She says, only you choose
Speaker 1: the one she likes. My time is better spend eating
Speaker 1: my lady's finest angelica. Perhaps you should buy some more
Speaker 1: of that so she doesn't notice it's gone. Perhaps you
Speaker 1: should think about your fellow servants. Girl, we can make
Speaker 1: your life easy or hard, and perhaps you should think
Speaker 1: about what will happen if I inform the Lady Charja
Speaker 1: that you are stealing from her. You may have lost
Speaker 1: your balls. There is a lot of you still to go.
Speaker 1: The best the sweets you say, it is what she says, Steward,
Speaker 1: I am only trying to help very well. I thank
Speaker 1: you for your concern. I will be sure to remember it.
Speaker 1: You're the new slave. What are you doing here? This
Speaker 1: is the steward's room. Where is master Nrgez gone to
Speaker 1: the market for my mistress? And you are writing? I
Speaker 1: was checking? You were checking? Yes, and exactly what were
Speaker 1: you checking the lists? Why? My mistress, the Lady shah
Speaker 1: Jah Yes, at her bath this morning we were low
Speaker 1: on ambergris. She wished me to check. So you can
Speaker 1: read and write A useful accomplishment in a slave. And
Speaker 1: so we have salt, eggs and ngelica, sugar, wheat, flan, lentils.
Speaker 1: What is this? I told you, my lord. So the
Speaker 1: lady doesn't trust her Steward and sets her highly accomplished
Speaker 1: slave to check. Interesting, you'd better add sugar plums the list.
Speaker 1: I'm sure the Steward has an appetite for them. My lord,
Speaker 1: sit down, you have something for me. The visier to Dolly,
Speaker 1: he was there, he saw me. He took some sugar plumps.
Speaker 1: Did he see this? Yes, he read it. He profited
Speaker 1: from it. I don't understand. It's just a list of things,
Speaker 1: ordinary things. But can you get them yourself? He does
Speaker 1: have a weakness for sweets here sugar plums. If he
Speaker 1: can go into the storeroom, why can't you. You don't
Speaker 1: need to understand. What did he say, Kadai when he
Speaker 1: wasn't stuffing his face, Only that he was surprised I
Speaker 1: could read and write. Tell me that. Well, what I'm
Speaker 1: looking for is something that tells me that things aren't
Speaker 1: quite right. A flaw in the marble, perhaps almost invisible
Speaker 1: to the naked eye, until the delicate sense of touch
Speaker 1: tells you there's a crack. Then you look more closely.
Speaker 1: Hammied brothers, what's this? I don't know. Unusual name artists.
Speaker 1: I believe calligraphers the sortanas had work done by them.
Speaker 1: I think, does your lady have a lot of calligraphy done?
Speaker 1: She delights in fine work. And don't you all say
Speaker 1: that you have the best craftsman in the world into Mumbane.
Speaker 1: We do, we do? Now? What does Shadjad have to
Speaker 1: do with these two? Right? I don't know, my lord,
Speaker 1: of course you don't. Is she commissioning work something for
Speaker 1: the Sultan's delight? Perhaps, let's see. I think I shall
Speaker 1: need this list once a week. What are you waiting
Speaker 1: for my baby? I want to see my baby. You promised, yes,
Speaker 1: I did, and I will let you see the child.
Speaker 1: But first, no, you promised. I won't do anything else
Speaker 1: until I can see my baby. Keep marching, don't look
Speaker 1: at the ground, look at the horizon. You'll get through this.
Speaker 1: It's all right for you, you just soldier. No one's
Speaker 1: just anything in this army. We were all something before,
Speaker 1: and some of us will be something again. To do this,
Speaker 1: you have to keep much. I can't. I can't. I
Speaker 1: hate it. Man down here, sergeant, I'm not blind. Keep moving.
Speaker 1: Everyone falls, But if you stay down, you die. Get up.
Speaker 1: I can't. I can't get up. Get up, Rest on
Speaker 1: my shoulder. Drink something. Man can't walk. Man can't fight.
Speaker 1: This army needs fighters. Keep moving, sergeant. He's only a boy,
Speaker 1: Well then he'll only be a dead boy. No loss
Speaker 1: move gap, move bag. Look at me, Look into my eyes.
Speaker 1: I'm going to leave you now. You're going to die here.
Speaker 1: Can you see the vultures? Can you hear them? They've
Speaker 1: learned to follow armies. They know they will always be stragglers.
Speaker 1: They go for the eyes first, leave you blind? Shall
Speaker 1: I kill you now to make it easier? Look at me.
Speaker 1: You know I'm not lying. I can cut your throat.
Speaker 1: It'll be quicker. Close your eyes now. No, no, no, no, please,
Speaker 1: damn you. I won't. I'm not going to die. I'm not.
Speaker 1: I won't die, Dan, you won't. I won't. I won't. Wait.
Speaker 1: Please wait, I don't want to die here. I'm fourteen,
Speaker 1: I've got my whole life. Listen to me. I'm worth.
Speaker 1: Go to you. Please. Why won't you listen to me?
Speaker 1: Why won't you shut up? I'm not leaving you, on thirsty,
Speaker 1: I'll die if you don't help me. I'm not leaving you.
Speaker 1: You're not leaving me. I'm leaving you. I'll die. Do
Speaker 1: you want me to die? Oh? Thank you, thank you,
Speaker 1: thank you. Why do you think anyone in this world
Speaker 1: would care if you died? But I'm worked the I
Speaker 1: could snap your neck like a little bird, Why should
Speaker 1: you live a little birder? So many have died that
Speaker 1: the look sandstorm, Maybe that's all rid me of you?
Speaker 1: At last? Can you see it's it's not sund It's
Speaker 1: it's it's stands and animals and as if an Army.
Speaker 1: Episode three of Twoman Bay Coming of Age, featuring Rufus Wright,
Speaker 1: Olivia Popeka, Matthew Marsh and Nina Yindis, was written by
Speaker 1: Mike Walker, with music by Sasha Putnam and editing and
Speaker 1: sound design by Steve Bond. Tuman Bay is directed by Me,
Speaker 1: John Scott Dryden and created by Me and Mike Walker,
Speaker 1: and produced by Emmahan and Nadia Khan. For more details,
Speaker 1: including a cast list, visit Toumanbay dot com