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Speaker 1: M are you going to sleep forever? Where are we here?

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Speaker 1: Where else would we be? What's your name? Look? Run

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Speaker 1: this boat together with very little water, not much food.

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Speaker 1: I don't need you. I needed you to get off

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Speaker 1: the ship. But I don't need you anymore. You can

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Speaker 1: talk or you can swim. It's up to you. Where

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Speaker 1: you are heaven, it's heaven. I'm in a boat with heaven.

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Speaker 1: Stop it, stop it, say always stay back. I need

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Speaker 1: to go home. I mean my father is a businessman.

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Speaker 1: He can pay you. There will be a reward. You

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Speaker 1: just have to take me to a port where there's

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Speaker 1: someone anyone. There will be an agent. There's someone there.

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Speaker 1: He can give you money. Look, what's your name? Why

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Speaker 1: aren't you listening to me? You get money, there will

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Speaker 1: be a reward. Don't you understand? What is money to me?

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Speaker 1: I don't want money? Can we eat it? Can we

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Speaker 1: drink it? Can we make a sale? Catch to win?

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Speaker 1: What do you mean? Look around you? What do you see?

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Speaker 1: Nothing that's right? Nothing? You want to help? Sing me

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Speaker 1: a song? And my name is slave. Give me some water.

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Speaker 1: My mouth is ray. I can't sing with the drama

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Speaker 1: h more to never want to view the yeah day

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Speaker 1: thousand lovers, fool, the knock, the nighteing, young bird, noose

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Speaker 1: in a rose, boot sleeves, the rose. There's a city

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Speaker 1: far away. My parents often spoke of it as if

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Speaker 1: it had always been there and always would be. I'd

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Speaker 1: seen it in paintings, I read of it in stories,

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Speaker 1: the richest, most powerful place on earth, the center of everything.

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Speaker 1: It drew people from every corner of the Empire and beyond.

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Speaker 1: Tu Mun Bay, a city I always wanted to visit,

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Speaker 1: but now I never would. Tumun Bay, Episode three, Coming

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Speaker 1: of Age by Mike Walker mm more Ambergris. Do you

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Speaker 1: think it's different for boys? Madam? Don't stop love women

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Speaker 1: sex for boys? I can't say, madam. Is it just hygiene,

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Speaker 1: tapping off some male excess, something they have to do

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Speaker 1: before they can do something more important? Mm I remember

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Speaker 1: being twelve years old riding into Tumin Bay with a

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Speaker 1: caravan of traders. Someone I can't remember who had traded

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Speaker 1: me to them for copper, or goats or a I

40
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Speaker 1: remember the city walls and beyond them the towers rising

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Speaker 1: out of the shimmering heat. I remember riding Astrida, camel

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Speaker 1: blood on my thighs from my first time as a woman,

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Speaker 1: seeing even then men's eyes following me and thinking, yes, here, here,

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Speaker 1: I will become myself. And so you have, Madam, you

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Speaker 1: have become the first wife of the Sultan hum not

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Speaker 1: bad for a twelve year old hore on a camel eis.

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Speaker 1: And yet Madam, he is sixteen and no little halls

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Speaker 1: scuttle around his apartments. You know this, Madam, I know everything.

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Speaker 1: Never forget that shah Jad is a beautiful woman and

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Speaker 1: she knows it. Fetch me. I like dress and the

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Speaker 1: rose veil. She's also entirely untrustworthy, and I know it,

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Speaker 1: which is why, as master of the palace guard, I

53
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Speaker 1: have to take measures even within the forbidden world of

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Speaker 1: the Hareem. What are you doing here? You can't be here.

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Speaker 1: She has beautiful gowns, your mistress hostletan spurs, and I

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Speaker 1: expense in decorating his toys. Someone might hear where were you?

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Speaker 1: What do you mean? I can't just get away if

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Speaker 1: she needs me? You're here because I put you here.

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Speaker 1: You were supposed to report to me. You did not,

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Speaker 1: so I have come to you. Don't let that happen again,

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Speaker 1: my baby. Well, I want to see for myself if

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Speaker 1: we all had what we wanted, what we once thought.

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Speaker 1: What's ours? I want to see my baby, so you

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Speaker 1: shall as soon as you perform a task for me.

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Speaker 1: How do I know I can trust you? A woman's

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Speaker 1: trust is a fickle thing. I say you are a tool,

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Speaker 1: an instrument, just as this dagger is. It has a

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Speaker 1: purpose to cut. For that reason, I keep it sharp,

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Speaker 1: sharp enough to shave their hairs from your arm without

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Speaker 1: breaking the skin. The life is no good unless it's

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Speaker 1: kept sharp. A spy is no good. And as she

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Speaker 1: believes in her reward, I would assume blunt one as

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Speaker 1: the other your baby as well. I'm cared for. I

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Speaker 1: have a task for you. She's say nothing. I am

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Speaker 1: not used to being kept waiting by my slaves. I'm sorry, madam,

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Speaker 1: I could not find them. Must I do these things myself?

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Speaker 1: Forgive me, it will not happen again. Let me you

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Speaker 1: are your instructions. Let me go bring the information to

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Speaker 1: me this time. Help you hurry, girl, if you ever

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Speaker 1: want to see your child again. M my lord, my lord,

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Speaker 1: God's name, what are you doing here? Are you one

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Speaker 1: of my mother's maides? No? No, I'm not dressed like that.

83
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Speaker 1: My name is SHAMSI, Ah, you're a whore. Did one

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Speaker 1: of my friends put you up to this? It's not

85
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Speaker 1: my birthday? Do my clothes bother you? Is that better?

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Speaker 1: M It's my mother, isn't it. She sent you. Look,

87
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Speaker 1: it's easy enough to just lie back and I'll do everything.

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Speaker 1: You won't even notice. Stop it, just stop it. It's

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Speaker 1: my job to prove your manhood. The lady requires it.

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Speaker 1: And if I do not get out, please, Lord, it's

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Speaker 1: not my fault. I can only obey, or she will

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Speaker 1: have my hand. Just go away, lead me alone. I

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Speaker 1: don't want to die. Please, please, my lord. I won't

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Speaker 1: let her hurt you. Just she's the first wife, Lord.

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Speaker 1: She can do anything. I know. She controls my allowance.

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Speaker 1: And should you not want to please her, Well, that's

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Speaker 1: the difference between what's your name, Chamsy, that's the difference

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Speaker 1: between us, Shamsy. You have to please. I don't wait here.

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Speaker 1: Get out, my Lord, I said, get out? Where's my mother? Yes? Go, madam?

100
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Speaker 1: What do you think you're doing? What are you talking about?

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Speaker 1: You know very well that whore you sent to my rooms.

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Speaker 1: It's disgusting. You can't do that. My life is my

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Speaker 1: own business. In Tuman bay, and particularly in this palace.

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Speaker 1: You know that's not true. I can assure you and

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Speaker 1: anyone else who might be interested, that if and when

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Speaker 1: I want to have some girl, I will make my

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Speaker 1: own choice in my own way, don't you see, my dear.

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Speaker 1: It's proof that you're a man. Rulers need to have children,

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Speaker 1: and the people need to know that if, if, what

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Speaker 1: if we are going to change things, go against custom,

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Speaker 1: if you are going to be your stepfather's successor you

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Speaker 1: say this is all about being a man. Yes, yes,

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Speaker 1: well it's simply not manly to have these things arranged.

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Speaker 1: When I need to produce an air or any number

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Speaker 1: of bastards, I can assure you I will, and I

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Speaker 1: will do so because I wish it, because I have

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Speaker 1: made the decision, because that is what a man does.

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Speaker 1: You're absolutely right, my dear. I'm sorry. I shouldn't try

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Speaker 1: to manipulate you. I can see that you are a

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Speaker 1: man and that you need to make your own decisions.

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Speaker 1: Thank you, mother. I'm glad you understand, which is why

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Speaker 1: General Kulan, at the request of your stepfather the Sultan,

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Speaker 1: has asked that you join the army, and I have

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Speaker 1: given my blessing he's expecting you this afternoon. The army

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Speaker 1: is encamped on the northern Marshes. I I won't go.

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Speaker 1: It's a man's job. That's what you wanted, isn't it.

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Speaker 1: You'll work under General Kulan. It will be a good experience.

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Speaker 1: Are you this is I simply will not, and it

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Speaker 1: will be useful for us. He has influence, and if

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Speaker 1: things go on the way they are, he'll soon have more.

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Speaker 1: You can't make me. I have things I need to

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Speaker 1: do because I am your mother. Don't for one instant

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Speaker 1: think I will roll over on this. We are all

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Speaker 1: of us in a game. Remember what they did the

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Speaker 1: Sultan Ibrahim third, the one they called the mad Sultan.

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Speaker 1: They deposed him and built a tower in the swamps,

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Speaker 1: and at the top of the tower they built a

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Speaker 1: cell around him, no window or door, and they left

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Speaker 1: him there for ten years, only a small hole for food. Hi,

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Speaker 1: I don't understand. You want to make your own decisions,

141
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Speaker 1: and that's good. But if you make the wrong decisions

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Speaker 1: like the mad Sultan, I have a certain position here,

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Speaker 1: a certain influence, But you, my dear, have only me also,

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Speaker 1: You could be used against me. You must make allies

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Speaker 1: of your own Kulan has offered to take you and

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Speaker 1: train you. You will accept that gift with the grace

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Speaker 1: I expect of my son. And if I refuse. In

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Speaker 1: tumm Bay, everything has a use. If it doesn't, it

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Speaker 1: has thrown away. Madam? Is there anything I may get you?

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Speaker 1: Like puppies, sometimes you have to use the stick to

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Speaker 1: train them. Shagyard cares about her son, or at least

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Speaker 1: cares about what she can use him for. That is

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Speaker 1: her weakness. My weakness, on the other hand, go away.

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Speaker 1: This house is in morning. You know who I am.

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Speaker 1: I'm sorry, mister, someone has come. I told you I'm

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Speaker 1: not to be disturbed. So the slave trader becomes a nursemaid.

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Speaker 1: As you commanded, Your excellency, that I have the baby

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Speaker 1: look after it carefully. Your own well being depends on

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Speaker 1: it all. Well, yes, I'm so fortunate. I have all

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Speaker 1: of this, my house, my business, and I have nothing

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Speaker 1: at all. They were my life, my wife, my daughter,

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Speaker 1: she was coming to be married, and now my life

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Speaker 1: is over. It's the plague. It cares nothing for any

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Speaker 1: one of us. It takes princes and poor men of life.

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Speaker 1: It's all God's will? Is it God's will that these

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Speaker 1: damned barbarians from beyond the civilized world should come with

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Speaker 1: their diseases and could not even bury them. May I

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Speaker 1: hold it be careful? The slave traders weakness is that

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Speaker 1: he thinks he's lost everything, but has found a child,

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Speaker 1: and he loves her. What her name? She's a girl interesting,

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Speaker 1: blue eyes like her mother. Like her mother and uncle.

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Speaker 1: They both had blue eyes, unusual, highly prized in the

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Speaker 1: business business the trade slaves. It is said blue eyes

174
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Speaker 1: originally come from the cold lands to the far North,

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Speaker 1: where they were giants. I'll show you, Sabina. I mean,

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Speaker 1: I'm sorry about the mess the builders. I was preparing

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Speaker 1: the house for my but that's all in the past

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Speaker 1: now here. I even built myself a library. I've always

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Speaker 1: loved books. M I think they're bulgars from beyond russ

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Speaker 1: the cold lands of the North. I tried to get

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Speaker 1: it from them. But what am I doing? This means

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Speaker 1: nothing to me. I've lost everything, not everything, save you

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Speaker 1: that tell me about the other one? Other one, the brother.

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Speaker 1: I sold them both to the palace. What happened to him?

185
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Speaker 1: I think he was sold onto the army a waste.

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Speaker 1: I thought he was educated. I could tell him because

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Speaker 1: he was. You're a man who still has a reason

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Speaker 1: to live. For after the fire burns off the land,

189
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Speaker 1: new life arises. Must be tended. The child matters to you.

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Speaker 1: I can see it clearly, So tend her well, hibben Bay.

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Speaker 1: She is useful to me. How are you? And so

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Speaker 1: long as that lasts, as long as Maya allows that

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Speaker 1: to last. Who knows? What I do know is that

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Speaker 1: preparations for war are going ahead under the command of

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Speaker 1: my brother, General Kulan, who he's in all glory. Some

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Speaker 1: of it is ship, and that ship has to go somewhere.

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Speaker 1: So you dig and dig hard? You, yes, you? What's

198
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Speaker 1: the matter? Don't like the stink bloys? Makes no different, Sergeant.

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Speaker 1: You tell me to shovel, and I shovel, just like

200
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Speaker 1: the rest of them, not like the rest of them.

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Speaker 1: There's something about you I don't trust. What's your name? Daniel? Daniel.

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Speaker 1: I'll remember you, Daniel. I'll be keeping an eye on

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Speaker 1: you until I find out exactly what use you are. Understand, Yes,

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Speaker 1: sergeant good, all of you dig dig Who knows dig

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Speaker 1: hard enough, work hard enough, fight hard enough, and you

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Speaker 1: may end up like the general in charge of the army.

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Speaker 1: I'm looking for General Kolan, And what do you want

208
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Speaker 1: with the general? There's hardly any of your business, is it?

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Speaker 1: Where is he? He's over there in the tent. But

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Speaker 1: you won't want to be bothered, thank you. I'm moreman

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Speaker 1: that it is under the seal of the Sultan himself

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Speaker 1: and the rule powers up. What do you want? I've

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Speaker 1: come to join you, General what I'm the son of Shajad,

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Speaker 1: the first wife of who she is. I was not

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Speaker 1: aware that she had any military command. I agree, General,

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Speaker 1: I just happened to have been sent by my mother

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Speaker 1: to assist you in any way you might need assisting.

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Speaker 1: Why see, you've come to assist me, well, Mado, sent

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Speaker 1: by my mother. What exactly are you going to do

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Speaker 1: for me? For me, for the army? What exactly is

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Speaker 1: your particular skill? Look, General, I don't want to be

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Speaker 1: here any more than you want me here. Good than

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Speaker 1: we agree? You may go where back to your mother?

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Speaker 1: So you're releasing me. Would you care to write an

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Speaker 1: order to that effect? You're like an order, would you?

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Speaker 1: It would be helped very well, Sarjeant. Yes, Sir, this

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Speaker 1: young fellow wants to join the army. Impress him in

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Speaker 1: the foot regiments. No, that's not right, that it's an order.

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Speaker 1: Come no, you can't do this to me. You can't

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Speaker 1: do this. My mother will hear about this. Look, you

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Speaker 1: don't understand. You clearly don't know who I am. I

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Speaker 1: have to send a message to my mother. Just let

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Speaker 1: me go, you blue eyes? What are you doing shoveling shit? Sergeants?

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Speaker 1: As you told me? Good when it seems like I

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Speaker 1: found a use for you. After all, here's another lump

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Speaker 1: of shit for you to look after. What am I

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Speaker 1: supposed to do with him? Do I look like I

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Speaker 1: can throw him in the shape pit if you want.

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Speaker 1: We leave for the provinces in two hours. Get this

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Speaker 1: lot covered, and remember you are responsible for this third

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Speaker 1: here back door, Well, what are you waiting for? Pick

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Speaker 1: up a spade, start digging. H Oh, there's nothing like

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Speaker 1: a war to bring the blood to the boil, truly, prodigy,

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Speaker 1: move your head. Look at them as they march by.

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Speaker 1: Look at the flags, the lances erect My army, my army, Yes,

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Speaker 1: put some clothes on, boy, let's see. My army needs

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Speaker 1: to see me. That's my armor? Where did it come from?

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Speaker 1: This ingratitude? Husband? May I put her there? At least

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Speaker 1: put her down, mistless husband, what happens? That'll do? Come?

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Speaker 1: We'll do this again. With her head on a tree.

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Speaker 1: Right there, she can see me in all my manhood.

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Speaker 1: I look forward to it. Like ants on the march,

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Speaker 1: they seem to go on forever. Not yet, but once

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Speaker 1: the provinces muster their forces, yes, will roll over her,

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Speaker 1: crush her like a grape, and the blood will run

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Speaker 1: between our tools. My lord, are you you sound sad?

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Speaker 1: I hope I do not make you sad moments. There

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Speaker 1: are moments when I forget, when I am a man

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Speaker 1: as other men. But then, don't you understand? No one

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Speaker 1: is safe? Nah, not even within these walls. If my

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Speaker 1: nephew can be poisoned, I said Madou with General Kulan

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Speaker 1: he's down there somewhere to keep him safe. It will

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Speaker 1: be good for him. He'll learn about life, about how

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Speaker 1: to obey and how to command. General Coulan will be

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Speaker 1: a fine teacher. And when Madu returns, perhaps, my lord,

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Speaker 1: you could take him onto your council so he could

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Speaker 1: you want them to be my successor? Tom to answer,

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Speaker 1: It isn't a question, Shadjas. This kingdom is full of

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Speaker 1: people who think they can rule in my place, even Coolan, Okay,

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Speaker 1: there is leading his men, God leading your armies, even

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Speaker 1: he that paragon of honor. When power presents itself, he'll

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Speaker 1: reach out for it. Gregor, he has ambitions, Kadali, all

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Speaker 1: of them. Nobody is proof against the desire for power.

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Speaker 1: Power is everything, Power gives everything, and power is worth

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Speaker 1: risking everything for. Then isn't it safest to keep it

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Speaker 1: within the family to have a successor? You have trained

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Speaker 1: who is of your brother's blood? My Lord, you talk

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Speaker 1: about my brother's blood when I shed it for you,

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Speaker 1: I'm talking about your brother's son, Matu. He's like you

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Speaker 1: in so many ways. Name him your successor, and all

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Speaker 1: the jealousy, the infighting, and plotting will cease. The future

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Speaker 1: will be sadden. The only thing certain about the future

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Speaker 1: is that we will all die, and the only questions

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Speaker 1: are when and how, and the only tactics are survival.

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Speaker 1: Now Here, this moment, I could have you sent away

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Speaker 1: for your own safety, to a monastery in the desert,

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Speaker 1: to spend your days in a sell. Pray God, No,

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Speaker 1: I am loyal, I'm loyal. You must know that I

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Speaker 1: loved you when I was your brother's wife, when you

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Speaker 1: betrayed my brother for love of you, my lord, I

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Speaker 1: never knew love until I just remember everything you have

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Speaker 1: and everything you hope for Muddele depends on me. However

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Speaker 1: clever you are, you will not lost a butterfly's life

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Speaker 1: if you lose my favor, Sarah, I didn't see you.

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Speaker 1: Is there anything I may get for you? Madam? Yes?

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Speaker 1: Have thenm prepare my carriage. Actually no, don't. I will

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Speaker 1: be fine. You may go. You need to keep up,

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Speaker 1: or you'll be flogged. They won't flog me. They can't,

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Speaker 1: They wouldn't dare. Don't flog you any man who doesn't

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Speaker 1: keep up. I shouldn't be here. Shut up as much.

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Speaker 1: It's not right. I shouldn't be here. To Mundae a

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Speaker 1: melting pot of skills. It attracts the best of everything.

303
00:26:36,640 --> 00:26:40,159
Speaker 1: Tradesmen and artists come from across the empire and beyond.

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Speaker 1: Be a part of it. And in one small workshop

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Speaker 1: that's not right. What's not right? Bust means the thin

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Speaker 1: silk brush will you well? The heart isn't right? Very thin, medium,

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Speaker 1: thin or single stran doesn't matter. It's not the same.

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Speaker 1: Constrando well, it doesn't medium, medium, thin, medium, thick, medium medium,

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Speaker 1: Are you telling me I don't know how to paint

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Speaker 1: a hunch. Ah, I'm only saying that Haunch is wrong.

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Speaker 1: On the whole. Your hauns are satisfactory, but that Haunch

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Speaker 1: the line. See there, the line is satisfactory to my eye,

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Speaker 1: I have heard, brother. But across the sea there are

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Speaker 1: painters who use a circle of glass they call a lens,

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Speaker 1: to place the image of what they wish to depict

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Speaker 1: upon a surface, and then paint over it. In this way,

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Speaker 1: it is said they achieve something so life like that

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Speaker 1: the observer cannot tell the difference between the real and

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Speaker 1: the depiction. Hmmm, where did you hear that in your dreams?

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Speaker 1: This is delicate work. I do the delicate work because

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Speaker 1: I'm the elder. That's why you do the thing, the gold,

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Speaker 1: the silver, because that is it. Someone need to collect today,

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Speaker 1: No one, you're sure, of course, I'm sure, idiot. Well,

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Speaker 1: how can I be idiot? Because there is someone there?

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Speaker 1: Well look you look, Oh God, it's her. It's her. Yes, no, yes, no, stop.

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Speaker 1: We cannot tell her it's almost done. But maybe if

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Speaker 1: the work is good, surely she would not which how

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Speaker 1: many times do I have to say it? Once it

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Speaker 1: is finished? We are finished. We need to get paid

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Speaker 1: and get away before it's handed over. You know that

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Speaker 1: you know these people what they're like. Why did we

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Speaker 1: ever come here for money for ambition? The fools that

333
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Speaker 1: we were quick Remember, we have to keep happy, but

334
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Speaker 1: not so happy. She thinks a job will be finished tomorrow.

335
00:29:10,280 --> 00:29:22,240
Speaker 1: Pray she's alone that this isn't. Oh God, help us, madam,

336
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Speaker 1: come in please. I'm not accustomed to standing in the

337
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Speaker 1: street waiting, of course, of course, madam, Well, madam, the work, ah,

338
00:29:38,080 --> 00:29:44,280
Speaker 1: the work is it finished? Almost almost finished, that is

339
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Speaker 1: to say, finished, but not finished. We are awaiting the actualizing.

340
00:29:49,000 --> 00:29:52,840
Speaker 1: Yes exactly, madam, almost done. But you will understand that

341
00:29:53,000 --> 00:29:56,080
Speaker 1: the actual lie. I neither can nor I'm interested in

342
00:29:56,080 --> 00:30:12,000
Speaker 1: this actualizer. Show me what you've done now, now, well

343
00:30:12,000 --> 00:30:15,600
Speaker 1: you can see mother here and here what deep blues?

344
00:30:16,600 --> 00:30:19,240
Speaker 1: And that is all that remains to be done. And

345
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Speaker 1: the box, madam, the lapis lazuli has not yet arrived

346
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Speaker 1: from summer. Can't always slow in summer, can't, madam? Dreadful

347
00:30:28,560 --> 00:30:32,600
Speaker 1: to the business with It is very fine, isn't it

348
00:30:32,800 --> 00:30:35,800
Speaker 1: the finest we have ever had in our shop? It

349
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Speaker 1: must be very old, madam, as old as time hm, yes,

350
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Speaker 1: very old. You have a week I want to finish

351
00:30:48,160 --> 00:30:52,720
Speaker 1: by then. Do you understand full attention? I'm certain summer

352
00:30:52,800 --> 00:31:02,040
Speaker 1: can't will happen. Please let me, precious lady, May I

353
00:31:02,040 --> 00:31:08,920
Speaker 1: assure you that, brother, we need a plant. We had

354
00:31:08,960 --> 00:31:13,040
Speaker 1: a plan, you're a plan. Everyone goes to Mumbane rich.

355
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Speaker 1: You didn't have to come. I wish I hadn't. I

356
00:31:17,400 --> 00:31:34,000
Speaker 1: wish i'd never seen the place. Well, what now, there's

357
00:31:34,000 --> 00:31:36,040
Speaker 1: nothing here? This isn't any better than the sea. Then

358
00:31:36,120 --> 00:31:38,720
Speaker 1: go back to the boat. This is stupid. You should

359
00:31:38,760 --> 00:31:40,960
Speaker 1: have found a proper part where there's people and there's

360
00:31:41,000 --> 00:31:43,600
Speaker 1: food and there's something to drink. It's just it's just stupid.

361
00:31:44,000 --> 00:31:47,880
Speaker 1: You already said that. Well what are we going to do?

362
00:31:47,880 --> 00:31:50,800
Speaker 1: Where are we going to go? I got you to shore.

363
00:31:51,680 --> 00:31:55,320
Speaker 1: You can go wherever you want. But it's so it's

364
00:31:55,320 --> 00:31:57,640
Speaker 1: all the same. That's right, it's all the same to me.

365
00:31:57,720 --> 00:32:06,920
Speaker 1: Wherever you go, goodbye, Black. You can't just leave. There's

366
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Speaker 1: a reward. There will be a reward. My reward will

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00:32:09,600 --> 00:32:12,400
Speaker 1: be not having to hear your voice whining anymore. Go

368
00:32:12,440 --> 00:32:16,720
Speaker 1: away where where I told you? I don't need you anymore.

369
00:32:22,280 --> 00:32:25,760
Speaker 1: You can't leave me. You won't leave me. There's one

370
00:32:25,840 --> 00:32:28,680
Speaker 1: anymore that's not safe. As long as they stay clear

371
00:32:28,720 --> 00:32:31,719
Speaker 1: of you, they'll probably be all right. Look, look, you

372
00:32:31,800 --> 00:32:34,040
Speaker 1: need me, You need me as much as I need you.

373
00:32:36,240 --> 00:32:41,800
Speaker 1: Look at me, What do you see? Sworled brat I

374
00:32:41,920 --> 00:32:45,800
Speaker 1: am as far as you're concerned, I'm a princess. I'm

375
00:32:45,840 --> 00:32:48,240
Speaker 1: worth something. What are you worth? You're just a slave?

376
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Speaker 1: If you go pieces? My father is rich. Can you

377
00:32:51,920 --> 00:32:55,880
Speaker 1: understand that you're just stupid? Gold lots of gold. There's

378
00:32:55,920 --> 00:32:58,320
Speaker 1: a million of you for sale every day of the

379
00:32:58,360 --> 00:33:00,520
Speaker 1: week in every slave market in the world. There's only

380
00:33:00,560 --> 00:33:02,880
Speaker 1: one of me, And if you have any sense at all,

381
00:33:02,960 --> 00:33:04,720
Speaker 1: you'll make it your business to take me back to

382
00:33:04,720 --> 00:33:06,520
Speaker 1: my father and doman big world will be every one.

383
00:33:06,560 --> 00:33:12,960
Speaker 1: You understand, Yes, at last, and the answer is still

384
00:33:13,000 --> 00:33:33,360
Speaker 1: not come back. Yes, Yes. The mistress wishes you to

385
00:33:33,400 --> 00:33:37,000
Speaker 1: go to the market. She wants sweets from the stoles.

386
00:33:38,440 --> 00:33:42,360
Speaker 1: She wants you to go. She says, only you choose

387
00:33:42,360 --> 00:33:45,200
Speaker 1: the one she likes. My time is better spend eating

388
00:33:45,240 --> 00:33:49,800
Speaker 1: my lady's finest angelica. Perhaps you should buy some more

389
00:33:49,800 --> 00:33:53,760
Speaker 1: of that so she doesn't notice it's gone. Perhaps you

390
00:33:53,800 --> 00:33:57,520
Speaker 1: should think about your fellow servants. Girl, we can make

391
00:33:57,560 --> 00:34:01,960
Speaker 1: your life easy or hard, and perhaps you should think

392
00:34:02,000 --> 00:34:05,280
Speaker 1: about what will happen if I inform the Lady Charja

393
00:34:05,440 --> 00:34:09,359
Speaker 1: that you are stealing from her. You may have lost

394
00:34:09,400 --> 00:34:12,160
Speaker 1: your balls. There is a lot of you still to go.

395
00:34:13,880 --> 00:34:18,400
Speaker 1: The best the sweets you say, it is what she says, Steward,

396
00:34:19,360 --> 00:34:25,839
Speaker 1: I am only trying to help very well. I thank

397
00:34:25,880 --> 00:34:29,880
Speaker 1: you for your concern. I will be sure to remember it.

398
00:34:58,440 --> 00:35:02,560
Speaker 1: You're the new slave. What are you doing here? This

399
00:35:02,680 --> 00:35:05,840
Speaker 1: is the steward's room. Where is master Nrgez gone to

400
00:35:05,920 --> 00:35:11,160
Speaker 1: the market for my mistress? And you are writing? I

401
00:35:11,360 --> 00:35:20,040
Speaker 1: was checking? You were checking? Yes, and exactly what were

402
00:35:20,080 --> 00:35:25,439
Speaker 1: you checking the lists? Why? My mistress, the Lady shah

403
00:35:25,560 --> 00:35:28,600
Speaker 1: Jah Yes, at her bath this morning we were low

404
00:35:28,640 --> 00:35:32,080
Speaker 1: on ambergris. She wished me to check. So you can

405
00:35:32,200 --> 00:35:37,839
Speaker 1: read and write A useful accomplishment in a slave. And

406
00:35:37,920 --> 00:35:46,120
Speaker 1: so we have salt, eggs and ngelica, sugar, wheat, flan, lentils.

407
00:35:46,560 --> 00:35:49,480
Speaker 1: What is this? I told you, my lord. So the

408
00:35:49,600 --> 00:35:52,880
Speaker 1: lady doesn't trust her Steward and sets her highly accomplished

409
00:35:53,080 --> 00:36:00,520
Speaker 1: slave to check. Interesting, you'd better add sugar plums the list.

410
00:36:01,040 --> 00:36:24,360
Speaker 1: I'm sure the Steward has an appetite for them. My lord,

411
00:36:30,160 --> 00:36:39,640
Speaker 1: sit down, you have something for me. The visier to Dolly,

412
00:36:39,719 --> 00:36:44,600
Speaker 1: he was there, he saw me. He took some sugar plumps.

413
00:36:45,080 --> 00:36:49,640
Speaker 1: Did he see this? Yes, he read it. He profited

414
00:36:49,640 --> 00:36:53,840
Speaker 1: from it. I don't understand. It's just a list of things,

415
00:36:54,520 --> 00:36:57,520
Speaker 1: ordinary things. But can you get them yourself? He does

416
00:36:57,600 --> 00:37:02,120
Speaker 1: have a weakness for sweets here sugar plums. If he

417
00:37:02,160 --> 00:37:05,520
Speaker 1: can go into the storeroom, why can't you. You don't

418
00:37:05,560 --> 00:37:11,920
Speaker 1: need to understand. What did he say, Kadai when he

419
00:37:12,000 --> 00:37:16,120
Speaker 1: wasn't stuffing his face, Only that he was surprised I

420
00:37:16,200 --> 00:37:21,839
Speaker 1: could read and write. Tell me that. Well, what I'm

421
00:37:21,880 --> 00:37:25,480
Speaker 1: looking for is something that tells me that things aren't

422
00:37:25,560 --> 00:37:30,560
Speaker 1: quite right. A flaw in the marble, perhaps almost invisible

423
00:37:30,600 --> 00:37:34,440
Speaker 1: to the naked eye, until the delicate sense of touch

424
00:37:35,680 --> 00:37:39,280
Speaker 1: tells you there's a crack. Then you look more closely.

425
00:37:41,320 --> 00:37:48,920
Speaker 1: Hammied brothers, what's this? I don't know. Unusual name artists.

426
00:37:49,080 --> 00:37:53,440
Speaker 1: I believe calligraphers the sortanas had work done by them.

427
00:37:53,440 --> 00:37:57,279
Speaker 1: I think, does your lady have a lot of calligraphy done?

428
00:37:58,719 --> 00:38:01,839
Speaker 1: She delights in fine work. And don't you all say

429
00:38:01,880 --> 00:38:04,600
Speaker 1: that you have the best craftsman in the world into Mumbane.

430
00:38:04,680 --> 00:38:08,480
Speaker 1: We do, we do? Now? What does Shadjad have to

431
00:38:08,480 --> 00:38:11,200
Speaker 1: do with these two? Right? I don't know, my lord,

432
00:38:11,360 --> 00:38:16,080
Speaker 1: of course you don't. Is she commissioning work something for

433
00:38:16,120 --> 00:38:22,359
Speaker 1: the Sultan's delight? Perhaps, let's see. I think I shall

434
00:38:22,400 --> 00:38:27,880
Speaker 1: need this list once a week. What are you waiting

435
00:38:27,920 --> 00:38:33,439
Speaker 1: for my baby? I want to see my baby. You promised, yes,

436
00:38:33,560 --> 00:38:35,640
Speaker 1: I did, and I will let you see the child.

437
00:38:35,760 --> 00:38:39,080
Speaker 1: But first, no, you promised. I won't do anything else

438
00:38:39,160 --> 00:38:52,520
Speaker 1: until I can see my baby. Keep marching, don't look

439
00:38:52,520 --> 00:38:55,600
Speaker 1: at the ground, look at the horizon. You'll get through this.

440
00:38:57,800 --> 00:39:01,400
Speaker 1: It's all right for you, you just soldier. No one's

441
00:39:01,640 --> 00:39:05,440
Speaker 1: just anything in this army. We were all something before,

442
00:39:05,520 --> 00:39:08,439
Speaker 1: and some of us will be something again. To do this,

443
00:39:08,640 --> 00:39:14,480
Speaker 1: you have to keep much. I can't. I can't. I

444
00:39:14,600 --> 00:39:22,720
Speaker 1: hate it. Man down here, sergeant, I'm not blind. Keep moving.

445
00:39:25,920 --> 00:39:30,960
Speaker 1: Everyone falls, But if you stay down, you die. Get up.

446
00:39:33,520 --> 00:39:42,759
Speaker 1: I can't. I can't get up. Get up, Rest on

447
00:39:42,840 --> 00:39:55,320
Speaker 1: my shoulder. Drink something. Man can't walk. Man can't fight.

448
00:39:56,000 --> 00:40:00,799
Speaker 1: This army needs fighters. Keep moving, sergeant. He's only a boy,

449
00:40:00,880 --> 00:40:03,600
Speaker 1: Well then he'll only be a dead boy. No loss

450
00:40:04,040 --> 00:40:13,520
Speaker 1: move gap, move bag. Look at me, Look into my eyes.

451
00:40:16,040 --> 00:40:20,000
Speaker 1: I'm going to leave you now. You're going to die here.

452
00:40:21,239 --> 00:40:24,719
Speaker 1: Can you see the vultures? Can you hear them? They've

453
00:40:24,800 --> 00:40:29,680
Speaker 1: learned to follow armies. They know they will always be stragglers.

454
00:40:31,080 --> 00:40:36,640
Speaker 1: They go for the eyes first, leave you blind? Shall

455
00:40:36,680 --> 00:40:40,400
Speaker 1: I kill you now to make it easier? Look at me.

456
00:40:41,760 --> 00:40:50,320
Speaker 1: You know I'm not lying. I can cut your throat.

457
00:40:51,480 --> 00:41:03,080
Speaker 1: It'll be quicker. Close your eyes now. No, no, no, no, please,

458
00:41:04,480 --> 00:41:10,359
Speaker 1: damn you. I won't. I'm not going to die. I'm not.

459
00:41:12,520 --> 00:41:25,439
Speaker 1: I won't die, Dan, you won't. I won't. I won't. Wait.

460
00:41:26,760 --> 00:41:30,800
Speaker 1: Please wait, I don't want to die here. I'm fourteen,

461
00:41:30,800 --> 00:41:34,720
Speaker 1: I've got my whole life. Listen to me. I'm worth.

462
00:41:35,360 --> 00:41:38,200
Speaker 1: Go to you. Please. Why won't you listen to me?

463
00:41:38,640 --> 00:41:43,160
Speaker 1: Why won't you shut up? I'm not leaving you, on thirsty,

464
00:41:43,200 --> 00:41:47,360
Speaker 1: I'll die if you don't help me. I'm not leaving you.

465
00:41:47,360 --> 00:41:51,319
Speaker 1: You're not leaving me. I'm leaving you. I'll die. Do

466
00:41:51,320 --> 00:41:56,759
Speaker 1: you want me to die? Oh? Thank you, thank you,

467
00:41:56,920 --> 00:42:00,640
Speaker 1: thank you. Why do you think anyone in this world

468
00:42:00,680 --> 00:42:06,600
Speaker 1: would care if you died? But I'm worked the I

469
00:42:06,600 --> 00:42:13,160
Speaker 1: could snap your neck like a little bird, Why should

470
00:42:13,239 --> 00:42:20,080
Speaker 1: you live a little birder? So many have died that

471
00:42:20,400 --> 00:42:30,680
Speaker 1: the look sandstorm, Maybe that's all rid me of you?

472
00:42:30,800 --> 00:42:34,520
Speaker 1: At last? Can you see it's it's not sund It's

473
00:42:36,760 --> 00:42:54,000
Speaker 1: it's it's stands and animals and as if an Army.

474
00:42:57,080 --> 00:43:01,120
Speaker 1: Episode three of Twoman Bay Coming of Age, featuring Rufus Wright,

475
00:43:01,239 --> 00:43:05,080
Speaker 1: Olivia Popeka, Matthew Marsh and Nina Yindis, was written by

476
00:43:05,120 --> 00:43:08,200
Speaker 1: Mike Walker, with music by Sasha Putnam and editing and

477
00:43:08,280 --> 00:43:12,120
Speaker 1: sound design by Steve Bond. Tuman Bay is directed by Me,

478
00:43:12,440 --> 00:43:15,520
Speaker 1: John Scott Dryden and created by Me and Mike Walker,

479
00:43:15,840 --> 00:43:19,200
Speaker 1: and produced by Emmahan and Nadia Khan. For more details,

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00:43:19,239 --> 00:43:50,040
Speaker 1: including a cast list, visit Toumanbay dot com