1 00:00:00,560 --> 00:00:03,800 Speaker 1: Planet Parenthood asked me to show someone how I see them, 2 00:00:03,840 --> 00:00:07,680 Speaker 1: like really see them, So this ad is dedicated to 3 00:00:07,760 --> 00:00:11,680 Speaker 1: none other than you, the OSSA. I see you going 4 00:00:11,720 --> 00:00:16,520 Speaker 1: out on runs every day trying to reach personal goals 5 00:00:16,560 --> 00:00:19,439 Speaker 1: and personal best because they're training for a half marathon. 6 00:00:19,640 --> 00:00:21,960 Speaker 1: I see the way that you go go all out. 7 00:00:22,520 --> 00:00:25,040 Speaker 1: You are putting your endurance to the test your training, 8 00:00:25,079 --> 00:00:27,720 Speaker 1: and I see you as someone willing to try new 9 00:00:27,760 --> 00:00:30,840 Speaker 1: things and to work tirelessly to meet your goals. And 10 00:00:30,880 --> 00:00:33,040 Speaker 1: I feel very lucky to get to see you in 11 00:00:33,159 --> 00:00:36,840 Speaker 1: that journey. Thanks girl. Yeah, it's definitely a new goal 12 00:00:36,920 --> 00:00:40,320 Speaker 1: of mine. You know I'm challenging myself and you know 13 00:00:40,600 --> 00:00:44,920 Speaker 1: I'm trying to inspire others as well. Similarly to plant Parenthood, 14 00:00:45,479 --> 00:00:49,440 Speaker 1: thank you for seeing me. Plant Parenthood sees you, truly 15 00:00:49,479 --> 00:00:52,760 Speaker 1: sees you not as patients, but as people deserving of 16 00:00:52,920 --> 00:00:57,959 Speaker 1: understanding and compassionate quality healthcare and education. Not only that, 17 00:00:58,000 --> 00:01:00,960 Speaker 1: but they understand the importance of how having access to 18 00:01:01,040 --> 00:01:04,440 Speaker 1: that care so you can define exactly where you're going. 19 00:01:05,000 --> 00:01:08,959 Speaker 1: Visit www dot BCNE dot org to learn more about 20 00:01:09,000 --> 00:01:11,600 Speaker 1: how Planned Parenthood is here to see you become who 21 00:01:11,640 --> 00:01:15,800 Speaker 1: you will be. That's www. Dot b Scene dot Org. 22 00:01:17,800 --> 00:01:32,120 Speaker 1: Loca Radio Radio Radio COM's a myth and Bullshit, a 23 00:01:32,319 --> 00:01:39,200 Speaker 1: radiophonic novella. Local Radio hosted by Malamo La La Locomotives. 24 00:01:39,440 --> 00:01:45,080 Speaker 1: Welcome to season five of Local Radio Boys. Listen at 25 00:01:45,120 --> 00:01:49,760 Speaker 1: your own risk. Local Radio is a radiophonic novella, which 26 00:01:49,800 --> 00:01:53,600 Speaker 1: is just a very extra way of saying a podcast. 27 00:01:54,040 --> 00:01:58,440 Speaker 1: I'm fiosa and I'm mala. Thanks for tuning into one 28 00:01:58,480 --> 00:02:01,960 Speaker 1: O four Santo Quatro. Today we'll be talking about urban 29 00:02:02,080 --> 00:02:06,480 Speaker 1: Legends and paranormal hunter and social media star Alberto Arco. 30 00:02:07,040 --> 00:02:10,480 Speaker 1: Last time on look at Our Radio, we discussed stop 31 00:02:10,520 --> 00:02:15,679 Speaker 1: Asian Hate with Grace Chang. Make tre tune in to 32 00:02:15,800 --> 00:02:20,520 Speaker 1: that episode. Wherever you listen to podcasts, leave us a 33 00:02:20,600 --> 00:02:25,560 Speaker 1: review on Apple Podcasts, give us five stars, check us out, 34 00:02:25,639 --> 00:02:28,160 Speaker 1: head on over to our Instagram and leave a comment. 35 00:02:28,880 --> 00:02:31,639 Speaker 1: And just a reminder, you can follow us across all 36 00:02:31,720 --> 00:02:37,200 Speaker 1: social media platforms like Instagram, Twitter, TikTok and even clubhouse. 37 00:02:37,360 --> 00:02:41,400 Speaker 1: That's at look at to Underscore Radio. Yes, yes, and 38 00:02:41,520 --> 00:02:44,000 Speaker 1: if you are looking for a findom drain, if you 39 00:02:44,080 --> 00:02:46,960 Speaker 1: aspire to be our human world, you know we are 40 00:02:47,080 --> 00:02:50,600 Speaker 1: raising money to long production companies. So now is the 41 00:02:50,680 --> 00:02:53,280 Speaker 1: time you can escort yourself right on over to our 42 00:02:53,360 --> 00:02:58,520 Speaker 1: venmo at local dash radio. Also quick reminder that you 43 00:02:58,560 --> 00:03:02,240 Speaker 1: can use our code look at the Radio fifteen to 44 00:03:02,320 --> 00:03:05,320 Speaker 1: get fifteen percent off of your purchase from our favorite 45 00:03:05,360 --> 00:03:09,520 Speaker 1: Latino own makeup brand, Viva Cosmetics. Head over to Viva 46 00:03:09,520 --> 00:03:12,880 Speaker 1: Cosmetics dot com and use our affiliate code look at 47 00:03:13,320 --> 00:03:17,880 Speaker 1: Radio fifteen. And an update. Our ninety days to one 48 00:03:18,400 --> 00:03:24,000 Speaker 1: k I fund Women crowdfund campaign cracked twelve thousand dollars 49 00:03:24,000 --> 00:03:28,320 Speaker 1: in contributions. We are overwhelmed, We are so excited. Thank 50 00:03:28,360 --> 00:03:31,240 Speaker 1: you to everybody who has become a funder and who 51 00:03:31,360 --> 00:03:34,239 Speaker 1: is helping us make our way to our hundred thousand 52 00:03:34,280 --> 00:03:36,880 Speaker 1: dollar goal. We are that much closer to launching Look 53 00:03:36,880 --> 00:03:39,600 Speaker 1: at our Productions, and we want to give you an 54 00:03:39,640 --> 00:03:43,760 Speaker 1: insight into what your funding dollars are really helping us 55 00:03:43,760 --> 00:03:48,160 Speaker 1: to do. So. Actually, today we shared artwork for a 56 00:03:48,200 --> 00:03:52,080 Speaker 1: brand new podcast, a brand new show that is gonna 57 00:03:52,320 --> 00:03:54,880 Speaker 1: join look at That our radio in the look at 58 00:03:55,400 --> 00:03:59,000 Speaker 1: Audio verse. We're not going to be as an individual 59 00:03:59,000 --> 00:04:01,600 Speaker 1: show anymore. We're gonna have have a podcast slate with 60 00:04:01,640 --> 00:04:05,600 Speaker 1: more than one show. Um. This is a cannabis podcast 61 00:04:05,680 --> 00:04:09,640 Speaker 1: called Marijuana, a podcast for potheads I will be hosting 62 00:04:10,320 --> 00:04:13,640 Speaker 1: and this is our first sort of new venture as 63 00:04:13,680 --> 00:04:20,520 Speaker 1: look at productions. So your crowdfund dollars have directly helped 64 00:04:20,640 --> 00:04:23,800 Speaker 1: us to pay to get the artwork created, to film, 65 00:04:23,920 --> 00:04:27,160 Speaker 1: to record, and to make this new show a reality. 66 00:04:27,279 --> 00:04:31,320 Speaker 1: So keep an eye out for that Marijuana. Our our 67 00:04:31,400 --> 00:04:35,520 Speaker 1: new show. Yes, our new babies, so excited for it 68 00:04:35,720 --> 00:04:39,360 Speaker 1: to launch. Um and if you want to contribute to 69 00:04:39,400 --> 00:04:43,800 Speaker 1: our crowdfunding campaign, there are some really cool incentives that 70 00:04:43,839 --> 00:04:50,000 Speaker 1: are still available, such as Scalia contributed three signed books 71 00:04:50,000 --> 00:04:54,680 Speaker 1: of Sabrina and Corina, which she was nominated for a 72 00:04:54,760 --> 00:04:58,000 Speaker 1: National Book Award because of this collection of short fiction, 73 00:04:58,520 --> 00:05:02,599 Speaker 1: it's amazing. We also have an amazing skate deck that 74 00:05:02,760 --> 00:05:06,880 Speaker 1: Joanna from the Unapologically Street series contributed as well. There's 75 00:05:06,920 --> 00:05:10,400 Speaker 1: also still a portrait available by Julio. There's still some 76 00:05:10,520 --> 00:05:14,840 Speaker 1: amazing things available, so check that out. You can head 77 00:05:14,880 --> 00:05:17,960 Speaker 1: over to our I Fund Women campaign that will be 78 00:05:17,960 --> 00:05:20,080 Speaker 1: in the show notes on our website, on our Instagram, 79 00:05:20,160 --> 00:05:22,280 Speaker 1: you know where to find it. And thank you to 80 00:05:22,440 --> 00:05:27,760 Speaker 1: all of our funders that have contributed thus far. Yep, yep, yep, yep. 81 00:05:27,760 --> 00:05:32,760 Speaker 1: It's an exciting time to be us clearly. UM, so 82 00:05:32,880 --> 00:05:35,680 Speaker 1: thank you to everybody who's been so supportive. We want 83 00:05:35,680 --> 00:05:39,599 Speaker 1: to shift focus a little bit now and do a 84 00:05:39,640 --> 00:05:42,760 Speaker 1: little bit of like of a global check in a 85 00:05:42,839 --> 00:05:46,839 Speaker 1: solidarity check really because once again, per usual, there's a 86 00:05:46,839 --> 00:05:49,640 Speaker 1: lot going on in the world, and just as many 87 00:05:49,760 --> 00:05:52,720 Speaker 1: good things are happening, there are also some really terrible, 88 00:05:52,760 --> 00:05:56,920 Speaker 1: awful things. So we wanted to just uh talk about 89 00:05:57,240 --> 00:06:01,680 Speaker 1: standing in solidarity with the people of India, of Colombia, 90 00:06:01,800 --> 00:06:04,200 Speaker 1: and of course of Palestine. And they also is going 91 00:06:04,240 --> 00:06:06,760 Speaker 1: to talk a little bit about the i G Live 92 00:06:06,960 --> 00:06:12,360 Speaker 1: and story takeover UM in solidarity with Palestine. Yeah, our 93 00:06:12,440 --> 00:06:16,040 Speaker 1: friends over at the Feminist Front actually did an i G. 94 00:06:16,320 --> 00:06:18,840 Speaker 1: They hosted an i G Live and an i take 95 00:06:18,880 --> 00:06:21,279 Speaker 1: over this past week at look at our radio. So 96 00:06:21,320 --> 00:06:24,320 Speaker 1: if you didn't catch that, you can still head over 97 00:06:24,360 --> 00:06:28,360 Speaker 1: to our page and watch the live UM and also 98 00:06:28,720 --> 00:06:31,720 Speaker 1: it's on the Story Story Highlight as well. And so 99 00:06:31,960 --> 00:06:36,800 Speaker 1: Yasmine Obeyed is a Muslim Palestinian organizer and she serves 100 00:06:36,839 --> 00:06:40,960 Speaker 1: as a Community Partnerships Chair of the Feminist Front and 101 00:06:41,240 --> 00:06:44,200 Speaker 1: she did a takeover and an i G Live about 102 00:06:44,880 --> 00:06:50,680 Speaker 1: Feminist for Palestine and why the current moment in Palestine 103 00:06:51,080 --> 00:06:55,680 Speaker 1: is intersectional for all of our liberation as community, as 104 00:06:55,680 --> 00:06:57,919 Speaker 1: people of color, and so check that out if you 105 00:06:57,960 --> 00:07:04,799 Speaker 1: haven't already. I and today, we are really excited about 106 00:07:04,839 --> 00:07:08,040 Speaker 1: today's episode for a lot of different reasons. We're gonna 107 00:07:08,080 --> 00:07:13,080 Speaker 1: be focusing on urban legends the paranormal, and the reason 108 00:07:13,160 --> 00:07:16,320 Speaker 1: why we're talking about urban legends and the paranormal besides 109 00:07:16,560 --> 00:07:19,280 Speaker 1: the fact that it's in alignment and we love this ship. 110 00:07:20,160 --> 00:07:27,240 Speaker 1: We have actually been invited to get a pre screening 111 00:07:27,640 --> 00:07:33,360 Speaker 1: of The Conjuring, the new film The Conjuring The Devil 112 00:07:33,400 --> 00:07:36,560 Speaker 1: made Me do it. Yes, it's true, we have already 113 00:07:36,600 --> 00:07:39,880 Speaker 1: seen it. This is like really fun for us because 114 00:07:39,960 --> 00:07:42,080 Speaker 1: not only did we get a sneak peek into this 115 00:07:42,200 --> 00:07:47,160 Speaker 1: amazing movie from this killer franchise, but we also got 116 00:07:47,200 --> 00:07:52,280 Speaker 1: to interview an expert in the paranormal and we get 117 00:07:52,320 --> 00:07:54,200 Speaker 1: to talk a little bit today about some of the 118 00:07:54,320 --> 00:07:57,600 Speaker 1: urban legends that we grew up with that we know about. 119 00:07:58,160 --> 00:08:00,120 Speaker 1: So it's gonna be a really fun episode. Thing you 120 00:08:00,160 --> 00:08:03,680 Speaker 1: for tuning in Yosa, Like, how do you define an 121 00:08:03,760 --> 00:08:08,920 Speaker 1: urban legend? Um? I define an urban legend as kind 122 00:08:08,960 --> 00:08:13,200 Speaker 1: of like community knowledge in a way, or like family 123 00:08:13,240 --> 00:08:20,560 Speaker 1: knowledge town knowledge um, where everyone has the same understanding 124 00:08:20,640 --> 00:08:28,720 Speaker 1: of about a particular phenomenon being saying place, and there's 125 00:08:28,760 --> 00:08:32,520 Speaker 1: not necessarily any proof that said thing is real, but 126 00:08:32,640 --> 00:08:38,080 Speaker 1: we all know that it's real. Yeah, definitely. And I 127 00:08:38,160 --> 00:08:40,960 Speaker 1: love how like, depending where you are, there can be 128 00:08:41,280 --> 00:08:45,320 Speaker 1: urban legends that everybody knows about and others that are 129 00:08:45,400 --> 00:08:48,959 Speaker 1: just very particular to like your area or your neighborhood 130 00:08:49,040 --> 00:08:52,439 Speaker 1: or your school or whatever. So of course I feel 131 00:08:52,440 --> 00:08:56,080 Speaker 1: like the big ones we all know about Larna, I 132 00:08:56,120 --> 00:08:59,360 Speaker 1: think that's a type of urban legend in some ways, right. 133 00:08:59,840 --> 00:09:03,720 Speaker 1: I also think that we've probably each heard of, you know, 134 00:09:03,760 --> 00:09:06,760 Speaker 1: bloody Mary and saying bloody Mary in the mirror three 135 00:09:06,800 --> 00:09:10,400 Speaker 1: times fast or whatever the case is, um the candy man. 136 00:09:10,520 --> 00:09:14,440 Speaker 1: You know, there's these these these ones that are everybody 137 00:09:14,440 --> 00:09:17,120 Speaker 1: knows about these in theory probably a lot of people, 138 00:09:17,760 --> 00:09:21,160 Speaker 1: But then there's others That's like I remember growing up, 139 00:09:21,200 --> 00:09:24,000 Speaker 1: I had a friend who lived in this neighborhood where 140 00:09:24,040 --> 00:09:27,640 Speaker 1: there was a wash behind her house, like behind the yard. 141 00:09:28,280 --> 00:09:31,800 Speaker 1: And so our urban legend because of my friend in 142 00:09:31,840 --> 00:09:36,040 Speaker 1: her specific house was that the home but not that 143 00:09:36,080 --> 00:09:39,640 Speaker 1: it was haunted, but that there was a little girl 144 00:09:40,559 --> 00:09:43,880 Speaker 1: who in theory used to live there. But there was 145 00:09:43,920 --> 00:09:46,240 Speaker 1: like the spirit the ghost of a little girl that 146 00:09:46,280 --> 00:09:49,120 Speaker 1: would appear in the wash, and then that would appear 147 00:09:49,280 --> 00:09:52,320 Speaker 1: in like the attic of the house. And one of 148 00:09:52,320 --> 00:09:58,600 Speaker 1: the little sisters was like known for having seen this 149 00:09:58,679 --> 00:10:02,959 Speaker 1: little girl's image her ghost in the wash. Like it 150 00:10:03,040 --> 00:10:06,360 Speaker 1: was like it was a thing. We all knew it, 151 00:10:06,440 --> 00:10:08,400 Speaker 1: We all talked about it. It was just like an 152 00:10:08,400 --> 00:10:12,960 Speaker 1: acknowledged thing, not like she claims or she's pretending or 153 00:10:12,960 --> 00:10:15,880 Speaker 1: she thinks it was like no, no, she she sees 154 00:10:15,880 --> 00:10:18,040 Speaker 1: the little girl like she sees her, like the little 155 00:10:18,040 --> 00:10:21,559 Speaker 1: girl appears to her. I think that that's like really 156 00:10:21,720 --> 00:10:25,440 Speaker 1: common in our community where we're like, oh yeah, it's 157 00:10:25,480 --> 00:10:27,640 Speaker 1: the ghost that lives there, right. Like I had a 158 00:10:27,679 --> 00:10:30,320 Speaker 1: friend O, my our friend Melissa, my friend Melissa that 159 00:10:30,320 --> 00:10:33,040 Speaker 1: lives in Chicago. She would talk about like, oh yeah, 160 00:10:33,080 --> 00:10:35,000 Speaker 1: there's like little kids that live at my parents house 161 00:10:35,000 --> 00:10:37,959 Speaker 1: a little kid ghosts, right, And our friend like had 162 00:10:37,960 --> 00:10:39,920 Speaker 1: stayed the night there and had no idea and was 163 00:10:40,000 --> 00:10:44,160 Speaker 1: definitely freaked out. Right. Um, there's like definitely like growing up, 164 00:10:44,520 --> 00:10:46,640 Speaker 1: um because I have family and the US, so we 165 00:10:46,840 --> 00:10:49,920 Speaker 1: like heard about Um, there was like a group of 166 00:10:50,000 --> 00:10:52,360 Speaker 1: children that were killed like on a school bus. They 167 00:10:52,360 --> 00:10:55,080 Speaker 1: got like stuck near like a railroad. So they said 168 00:10:55,080 --> 00:10:57,320 Speaker 1: that if you drove to like where this particular train 169 00:10:57,360 --> 00:11:00,880 Speaker 1: tracks were, um, and you like off your car, that 170 00:11:01,040 --> 00:11:03,200 Speaker 1: like your car would get pushed. And it was like 171 00:11:03,280 --> 00:11:05,720 Speaker 1: said that it was like the teenagers or the children 172 00:11:05,920 --> 00:11:09,200 Speaker 1: like helping you like move so that you wouldn't get killed. Right. 173 00:11:09,600 --> 00:11:11,280 Speaker 1: And these are things like that were told to me 174 00:11:11,320 --> 00:11:14,120 Speaker 1: when I was little, um and not necessarily an l 175 00:11:14,160 --> 00:11:16,360 Speaker 1: a thing, but I like was very aware that this 176 00:11:16,440 --> 00:11:18,880 Speaker 1: was like a Texas thing because I had a family there, 177 00:11:19,000 --> 00:11:22,360 Speaker 1: and so it's definitely common to hear these stories and 178 00:11:22,400 --> 00:11:25,439 Speaker 1: to also like maybe be among the little ghost children 179 00:11:25,440 --> 00:11:27,560 Speaker 1: that live in your home or live in your boila's 180 00:11:27,600 --> 00:11:30,520 Speaker 1: home or your friend's home. And it's like super normal 181 00:11:31,280 --> 00:11:34,280 Speaker 1: because a lot of the times we we like encounter 182 00:11:34,440 --> 00:11:38,120 Speaker 1: like nice ghosts, right or like good spirits. But today 183 00:11:38,160 --> 00:11:41,840 Speaker 1: we're gonna be talking about quite the opposite of that. Actually, 184 00:11:42,920 --> 00:11:45,439 Speaker 1: oh yeah, so we're not going to give you any 185 00:11:45,640 --> 00:11:49,319 Speaker 1: spoilers about the conjuring. The devil made me do it, 186 00:11:49,360 --> 00:11:53,400 Speaker 1: but just now it's really really good, super well done. 187 00:11:53,800 --> 00:11:58,240 Speaker 1: I loved it. Um really crazy twists like it's a 188 00:11:58,280 --> 00:12:02,960 Speaker 1: good film, but it does tackle of course, for the title, 189 00:12:03,080 --> 00:12:06,760 Speaker 1: the Devil Made Me Do It demon possession and the 190 00:12:06,800 --> 00:12:10,960 Speaker 1: devil doing bad things and making people do bad things, 191 00:12:11,120 --> 00:12:16,360 Speaker 1: visa demonic possession. So that's what we're talking about UM today, 192 00:12:16,480 --> 00:12:21,480 Speaker 1: and it's creepy. It's so creepy, and like, thank you 193 00:12:21,559 --> 00:12:24,560 Speaker 1: Warner Brothers for inviting us to be a part of 194 00:12:24,559 --> 00:12:29,920 Speaker 1: this conversation and for giving us a sneak preview or 195 00:12:30,000 --> 00:12:32,920 Speaker 1: an early screening of The Conjuring The Double Made Me 196 00:12:32,960 --> 00:12:35,720 Speaker 1: Do It. It's kind of like the best way I 197 00:12:35,720 --> 00:12:39,920 Speaker 1: can describe it is like a true crime meets Liablo, 198 00:12:40,200 --> 00:12:42,400 Speaker 1: Like that's like the only way I can describe it. 199 00:12:42,480 --> 00:12:47,320 Speaker 1: Because Um, the Conjuring, this is the seventh film in 200 00:12:47,320 --> 00:12:49,920 Speaker 1: the Conjuring universe. But The Conjuring The Double Made Me 201 00:12:50,000 --> 00:12:52,360 Speaker 1: Do It actually tells the story of one of the 202 00:12:52,400 --> 00:12:56,920 Speaker 1: most sensational cases from paranormal investigator Ed and Lorraine Warren, 203 00:12:57,240 --> 00:13:00,920 Speaker 1: who are real people like uh, Lorane Warren died in 204 00:13:00,920 --> 00:13:03,840 Speaker 1: twenty nineteen and in the two thousands. These are like 205 00:13:03,920 --> 00:13:08,640 Speaker 1: real people, contemporary people, and um, this film is actually 206 00:13:08,679 --> 00:13:13,720 Speaker 1: based off of a trial that took place in in Connecticut. 207 00:13:13,880 --> 00:13:18,520 Speaker 1: Tell Us more about this Mala. So I loved learning 208 00:13:18,520 --> 00:13:20,960 Speaker 1: about this because I had no idea. I had seen 209 00:13:21,000 --> 00:13:24,000 Speaker 1: the conjuring films that you know, like the first one, 210 00:13:24,360 --> 00:13:30,160 Speaker 1: and it wasn't until this screening again, thank you Warner Brothers, 211 00:13:30,640 --> 00:13:33,760 Speaker 1: that I learned about this case. So the film is 212 00:13:33,800 --> 00:13:38,480 Speaker 1: based on the trial of Arnie Cheyenne Johnson. He was 213 00:13:38,520 --> 00:13:42,920 Speaker 1: accused of murder and in his murder trial that took 214 00:13:42,920 --> 00:13:48,240 Speaker 1: place in nine eighty one in Connecticut, Edin Lrane Warren 215 00:13:48,720 --> 00:13:54,160 Speaker 1: like are involved, you know, um, And it tells us 216 00:13:54,160 --> 00:13:56,720 Speaker 1: a little bit about the murder trial. It tells us 217 00:13:56,760 --> 00:14:01,400 Speaker 1: a little bit about Edin Larne Warren and about the 218 00:14:01,440 --> 00:14:05,160 Speaker 1: fight for the soul of a young boy which then 219 00:14:05,520 --> 00:14:10,720 Speaker 1: takes them on this wild not an adventure necessarily, but 220 00:14:11,280 --> 00:14:15,960 Speaker 1: you know, you can imagine right like they're fighting for 221 00:14:15,960 --> 00:14:19,280 Speaker 1: the soul of a young boy. Demons are involved. It's 222 00:14:19,320 --> 00:14:24,240 Speaker 1: anything beyond anything they've seen before. And um, it's really 223 00:14:24,280 --> 00:14:27,920 Speaker 1: all about the first time in US history that a 224 00:14:28,040 --> 00:14:33,320 Speaker 1: murder suspect would claim demonic posent as a defense. So 225 00:14:33,520 --> 00:14:38,880 Speaker 1: it involves the law involves murder, it involves trying to 226 00:14:39,280 --> 00:14:47,720 Speaker 1: use demonitor session as a legal defense strategy. And I 227 00:14:47,760 --> 00:14:52,440 Speaker 1: thought it was fascinating Arnie from Defense Strategy. Yeah, truly 228 00:14:52,840 --> 00:15:00,720 Speaker 1: truly fascinating things, fascinating stuff in this film. Um, I 229 00:15:00,760 --> 00:15:03,800 Speaker 1: would like to say that it's probably my favorite film 230 00:15:04,040 --> 00:15:09,280 Speaker 1: of the Conjuring universe. Um, there's the Conjuring, the Conjuring 231 00:15:09,320 --> 00:15:13,200 Speaker 1: to Annabelle the Nune like some heavy hitters, but I 232 00:15:13,240 --> 00:15:17,840 Speaker 1: thought this one was really really, really really good, right, 233 00:15:18,200 --> 00:15:21,880 Speaker 1: top notch so good, And you know, it made me 234 00:15:21,920 --> 00:15:26,520 Speaker 1: think about this saying and no, I'm no Ivenga. But 235 00:15:26,560 --> 00:15:29,280 Speaker 1: I think in this movie it really thinks makes us 236 00:15:29,320 --> 00:15:33,680 Speaker 1: think about the opposite. No I win Novenga. Right. So 237 00:15:34,640 --> 00:15:38,400 Speaker 1: for any good person, something bad will find you, right, 238 00:15:38,440 --> 00:15:41,200 Speaker 1: And that's really what the film shows us. And it 239 00:15:41,240 --> 00:15:45,760 Speaker 1: doesn't matter how good of a person you are, the 240 00:15:45,800 --> 00:15:50,360 Speaker 1: demon will find you. Basically, the devil will find you 241 00:15:50,760 --> 00:15:53,960 Speaker 1: no matter what. That actually reminds me of another little 242 00:15:54,040 --> 00:15:57,520 Speaker 1: urban legend. Um, this is actually the exact same family. 243 00:15:57,720 --> 00:16:02,280 Speaker 1: So the mother I love this say like, oh my god, 244 00:16:03,400 --> 00:16:10,080 Speaker 1: be Cathy, this is Cathy. So hey, Cathy, So Cathy's mom. 245 00:16:10,640 --> 00:16:14,000 Speaker 1: So Kathy's sister saw the little ghost girl in the wash. 246 00:16:14,040 --> 00:16:18,320 Speaker 1: And then Cathy's mother, I would say, and then this 247 00:16:18,400 --> 00:16:20,880 Speaker 1: is something that we would hear like, because her mother 248 00:16:20,880 --> 00:16:23,600 Speaker 1: would say it to her, was that if you do 249 00:16:23,720 --> 00:16:26,600 Speaker 1: not make your bed, then the devil will sleep in 250 00:16:26,640 --> 00:16:29,520 Speaker 1: it during the day. Yeah, my mom would say that 251 00:16:29,560 --> 00:16:36,280 Speaker 1: to me all the time. So you know, Sma, it's 252 00:16:36,360 --> 00:16:44,040 Speaker 1: so scary. It's so scary to make your dad bed everybody. 253 00:16:44,080 --> 00:16:46,240 Speaker 1: I wonder if there are people at home who like 254 00:16:46,320 --> 00:16:48,320 Speaker 1: hear these things like, Oh my god, why would their 255 00:16:48,400 --> 00:16:52,040 Speaker 1: mother speak to them that way? I said, I said 256 00:16:51,840 --> 00:16:56,040 Speaker 1: to my partner, because culture, this is culture. I said 257 00:16:56,560 --> 00:16:59,000 Speaker 1: to my partner and he was like, I've never heard 258 00:16:59,000 --> 00:17:02,960 Speaker 1: that before. And I was, oh, well make your bed 259 00:17:07,080 --> 00:17:13,840 Speaker 1: for that anyway. Well, you know that being said, we 260 00:17:13,920 --> 00:17:18,479 Speaker 1: are super excited to bring on a paranormal expert. We 261 00:17:18,560 --> 00:17:22,439 Speaker 1: are inviting. We have the honor of speaking with Alberto Larco, 262 00:17:22,640 --> 00:17:25,679 Speaker 1: who is a social media star and podcaster who has 263 00:17:25,800 --> 00:17:29,680 Speaker 1: risen to fame for his Alberto YouTube channel. He has 264 00:17:29,720 --> 00:17:32,320 Speaker 1: gained more than a hundred and fifty four million total 265 00:17:32,400 --> 00:17:38,080 Speaker 1: views as a paranormal hunter for exploring haunted locations, attending exorcisms, 266 00:17:38,200 --> 00:17:42,800 Speaker 1: and his horror story retellings. This is a really, really 267 00:17:42,800 --> 00:17:46,600 Speaker 1: fun interview. We do it in Spanish, yes, we do 268 00:17:46,640 --> 00:17:51,920 Speaker 1: it all lingual queens. So we got this paranormal activity 269 00:17:52,240 --> 00:17:57,800 Speaker 1: in Spanish. For that ask, please enjoy. Thank you for 270 00:17:57,920 --> 00:18:06,040 Speaker 1: tuning in or castera belly Rosa and and and and 271 00:18:06,640 --> 00:18:14,399 Speaker 1: and and and and and and and and and and 272 00:18:15,000 --> 00:18:24,800 Speaker 1: and and and and ra and and tell Ra and 273 00:18:25,280 --> 00:18:32,960 Speaker 1: and and tell Ra and and and um M M 274 00:18:33,400 --> 00:18:43,280 Speaker 1: from m M M from um from from from and 275 00:18:44,480 --> 00:18:55,199 Speaker 1: m kay Loka moorees gero Veneta, Alberto de larco, istamo, supersa, 276 00:18:55,280 --> 00:19:03,119 Speaker 1: selarcn sabre carrera esperando el para norma Alberto programmer, the 277 00:19:03,160 --> 00:19:10,520 Speaker 1: local radiolosa ma da, Who's enormous series you want to 278 00:19:10,560 --> 00:19:22,840 Speaker 1: place in Canta COmON no mpisa na carrera, explorando el 279 00:19:22,920 --> 00:19:27,840 Speaker 1: para normally in crebles and super at the YouTube and 280 00:19:27,880 --> 00:19:45,680 Speaker 1: supahing at the Facebook Po Primero commojo escape intamas so 281 00:19:45,840 --> 00:19:54,119 Speaker 1: the orny so remonstros so this is lost in leiculars 282 00:19:54,160 --> 00:20:04,000 Speaker 1: como in provision complete alo paramy, the Principio Pero people 283 00:20:04,160 --> 00:20:19,000 Speaker 1: Contino tiempo place local don program programma in Brujas the 284 00:20:19,160 --> 00:20:30,400 Speaker 1: laos masco waist tim pois me gentman pa program normalis 285 00:20:31,200 --> 00:20:41,960 Speaker 1: moving fas tempo even moment as normalis and lucados, comoteles, 286 00:20:42,119 --> 00:20:55,560 Speaker 1: comaciendas como casas lucas misteriosus the interestantic toadres videos borguemita 287 00:20:55,680 --> 00:21:02,959 Speaker 1: so for the videos comodo alta esti mirando yes sando 288 00:21:03,240 --> 00:21:09,639 Speaker 1: xplorando su Facebook in Facebook suio um, you're standing on 289 00:21:09,760 --> 00:21:14,600 Speaker 1: a hemplow the ovi the nos moestra una casa quest time, 290 00:21:14,640 --> 00:21:24,560 Speaker 1: bruja vera familia casto, in particular cuando ste casa then 291 00:21:25,400 --> 00:21:52,880 Speaker 1: una casa ud castle as a mess as pucaeo toldos, 292 00:21:53,440 --> 00:22:04,040 Speaker 1: consque and mosque. Parisoto is also extranio lokbuscano in thoss 293 00:22:04,119 --> 00:22:11,119 Speaker 1: your busio elamosa Busca is the lucar is a familion Gamo. 294 00:22:11,200 --> 00:22:18,080 Speaker 1: Soto is a company. Pica no mediumino in no sister 295 00:22:20,960 --> 00:22:29,359 Speaker 1: stand sta familiarmente normal familiar Mexican Digamus in those stavan 296 00:22:29,400 --> 00:22:39,639 Speaker 1: tranquillos as the mere comment negatio xantla the prune too, 297 00:22:39,880 --> 00:22:50,119 Speaker 1: Paso murrao has a familion Chica the problem extranio in 298 00:22:50,240 --> 00:23:00,760 Speaker 1: pizza and mere lempias guitars MP for retar like cara 299 00:23:01,280 --> 00:23:10,080 Speaker 1: le brunto como se levas gold in commosa is the 300 00:23:10,320 --> 00:23:15,840 Speaker 1: tocas the chicken know and it's momentoli a poem in 301 00:23:16,640 --> 00:23:24,600 Speaker 1: controlled Mrs peg Atenia, Una fuerza, polio controls integt familiar 302 00:23:24,640 --> 00:23:31,080 Speaker 1: contenlo and polos Losi and thoss is too critic momentos 303 00:23:31,480 --> 00:23:39,320 Speaker 1: como in this momento menu lisition this the personal intimented 304 00:23:39,920 --> 00:23:48,200 Speaker 1: people here the fantasma album in cinera and instrum brunto 305 00:23:48,560 --> 00:23:54,200 Speaker 1: is the chickest it is an easy guy. Commos those samos, 306 00:23:54,240 --> 00:24:03,399 Speaker 1: impactos nomas impost in guando volte almost era community especially 307 00:24:03,600 --> 00:24:08,840 Speaker 1: transit como se algoerratro is the chica we are in 308 00:24:08,960 --> 00:24:21,080 Speaker 1: cal al Cuerollami, the bronto la madre and pizza memento 309 00:24:21,160 --> 00:24:27,000 Speaker 1: tos cameron a position in ConTroll Familia Lamium locate so 310 00:24:28,119 --> 00:24:38,200 Speaker 1: consus REOs consusraciones conest rito po for secondo carsa apairtmium 311 00:24:38,640 --> 00:24:51,640 Speaker 1: the bruntosness story. Yeah, it's the Vanekai. The trans would 312 00:24:51,640 --> 00:24:57,399 Speaker 1: assume the cordolas crenus two years us comment drown testam 313 00:24:57,560 --> 00:25:06,919 Speaker 1: here a conso gonostro nosa mosque almos mien soros guando 314 00:25:07,200 --> 00:25:25,159 Speaker 1: silvanta civil vanue eats thesis. It's the complementary Mrs to 315 00:25:25,320 --> 00:25:30,359 Speaker 1: career and it's not timo peoples in the casa people 316 00:25:30,400 --> 00:25:39,240 Speaker 1: that rud okay hindo casa mr aso avid algunos mis 317 00:25:41,720 --> 00:25:53,760 Speaker 1: wow wow Yeah. Alberto cruised qualitier persona where they said 318 00:25:54,080 --> 00:26:05,320 Speaker 1: un exorcismo cholic in persona poor studios in quanto de 319 00:26:05,400 --> 00:26:18,360 Speaker 1: monologia loemoniosco the sorcismocion is compo personas in Okaya, in Lafae, 320 00:26:18,760 --> 00:26:22,879 Speaker 1: in Lerma, it's the people. The inda is the monarchs 321 00:26:23,440 --> 00:26:31,600 Speaker 1: Africa normalmentellas pelliculas or los cuentos um simple moistros in 322 00:26:31,720 --> 00:26:42,040 Speaker 1: San Ceno ex or exorcismo Peru. Noqual care persona personament 323 00:26:43,840 --> 00:26:58,240 Speaker 1: so no solon no personas like caligion with experienciacimiento lomonos okay, 324 00:26:59,760 --> 00:27:16,480 Speaker 1: the mass special plays anos the studio standing clos, You're 325 00:27:16,640 --> 00:27:25,960 Speaker 1: gonna sore mass for um chresimos and like Catolica is 326 00:27:26,119 --> 00:27:33,000 Speaker 1: studio studiamos and esca catolicas los car last Catolica son 327 00:27:33,080 --> 00:27:38,399 Speaker 1: las mejores para parestas cosas cosas paran normal esqu seven 328 00:27:39,720 --> 00:27:48,720 Speaker 1: masque navier sobre theemonios you possession exorcismo los um in 329 00:27:48,840 --> 00:27:54,040 Speaker 1: pelliculas inn and last his story as las guasos son 330 00:27:54,160 --> 00:28:01,680 Speaker 1: los seven mass sobre como an exorcismo perque is to 331 00:28:01,880 --> 00:28:16,840 Speaker 1: use specific cosm is more complicat processors using tifficos melicosin 332 00:28:19,920 --> 00:28:23,919 Speaker 1: not in the isophrenia or the good people. The problem 333 00:28:25,560 --> 00:28:33,560 Speaker 1: uses studio moving in lose castles in Canto was the 334 00:28:33,640 --> 00:28:46,240 Speaker 1: practical extorcismo Wow grasses for contarn alfile in uh Lessia 335 00:28:46,280 --> 00:28:57,120 Speaker 1: Catolica used to stand no no control stor familiar control 336 00:28:57,320 --> 00:29:03,480 Speaker 1: La la la locente star possessor logo la mamala senora, 337 00:29:06,640 --> 00:29:12,920 Speaker 1: but no nollicula. The conjuring the double made me do 338 00:29:13,000 --> 00:29:19,120 Speaker 1: it themoston Castle Parreso was stepien Castle. The lost warrants 339 00:29:19,920 --> 00:29:26,520 Speaker 1: possess the monica. Okay, see it is the espu is 340 00:29:26,600 --> 00:29:34,680 Speaker 1: thellicula paragusto las even most in the conjuring the estate, 341 00:29:34,880 --> 00:29:51,720 Speaker 1: but the question is getting the is the sines last 342 00:29:51,760 --> 00:29:59,960 Speaker 1: of familia plos guarnto coriendo in guanto con lamented less 343 00:30:00,040 --> 00:30:14,240 Speaker 1: personas chripa con la personas lin ax mosque studios grand 344 00:30:14,440 --> 00:30:29,200 Speaker 1: in the monologue here the us plastication last the locals Wow, 345 00:30:32,280 --> 00:30:46,240 Speaker 1: wow grass sarmente kinos avelando tamien, the lost, Catolico, catolicam 346 00:30:46,440 --> 00:30:56,440 Speaker 1: maladijo no trasimos and catolica para latina your creosa lavinaios 347 00:30:56,560 --> 00:31:02,280 Speaker 1: coma figuras more important and the nemos the nemos famos 348 00:31:02,320 --> 00:31:08,320 Speaker 1: cruzes and a colano no roscaros and rosario laville and 349 00:31:10,040 --> 00:31:21,840 Speaker 1: has sus exacto solmost see pero somosos um pero creque 350 00:31:23,960 --> 00:31:32,680 Speaker 1: it stanstan Tan always a fat and grande. Here in 351 00:31:32,760 --> 00:31:39,920 Speaker 1: contrad think giupianzuk in controls catolicos is the condo lafe 352 00:31:40,360 --> 00:31:44,640 Speaker 1: is that we feel me. It's that it's physical demonium 353 00:31:45,040 --> 00:31:58,680 Speaker 1: with a combative contor non semi catolicobinito almonium, calla and 354 00:31:58,800 --> 00:32:13,920 Speaker 1: maligno the people or the is the cero scuro like 355 00:32:15,520 --> 00:32:30,040 Speaker 1: film and the melino excellent gracis malatins a c and 356 00:32:30,280 --> 00:32:33,760 Speaker 1: la pellicula the conjuring, the devil made me do it 357 00:32:34,640 --> 00:32:44,000 Speaker 1: um ablance sobre on castle criminal and possession demonico como 358 00:32:44,920 --> 00:32:50,160 Speaker 1: um like a defense como defense, a legal right um 359 00:32:50,320 --> 00:33:02,120 Speaker 1: long um um christad los los abo gados um un 360 00:33:02,320 --> 00:33:07,920 Speaker 1: saro usar um possession the monico como defense comma or 361 00:33:07,960 --> 00:33:21,840 Speaker 1: como evidencia and los cortes legal complicaica pero ma la 362 00:33:21,880 --> 00:33:30,720 Speaker 1: persona committee on cream and queen and momento albo questa 363 00:33:30,960 --> 00:33:42,160 Speaker 1: contra equally complic personas noo on this place and complica 364 00:33:42,600 --> 00:33:53,400 Speaker 1: pero ima literally to la corte a cosmo or in 365 00:33:53,480 --> 00:34:00,240 Speaker 1: the mono hea persona can coon pile pornada. Crook said, 366 00:34:00,240 --> 00:34:12,359 Speaker 1: here the interestante it is the castle. They can they 367 00:34:12,400 --> 00:34:17,520 Speaker 1: can ena pericula the conjuring, the devil made me do it. 368 00:34:18,080 --> 00:34:30,200 Speaker 1: Um it's done, alucinte como kams vivos conpro the monica 369 00:34:30,440 --> 00:34:39,279 Speaker 1: ce c called persona, while graspor toto service to savia 370 00:34:39,480 --> 00:34:49,840 Speaker 1: to kras oi um fone plus said, uhli is como 371 00:34:49,920 --> 00:34:55,719 Speaker 1: no sotra no sotros como personas can no estan in 372 00:34:56,560 --> 00:35:08,640 Speaker 1: estetra normal pero remo prote We also opercasis, but this 373 00:35:08,760 --> 00:35:14,160 Speaker 1: is personas. This is not paying consistent. You're pulling and 374 00:35:14,239 --> 00:35:20,320 Speaker 1: see you and he says, nolascosa, I stand comeing mosque 375 00:35:20,480 --> 00:35:24,440 Speaker 1: for a kisamborlando one does the WiFi pres can exist 376 00:35:24,600 --> 00:35:34,360 Speaker 1: or cavemos ed conna center heres we FASTI entireoo in 377 00:35:34,480 --> 00:35:39,160 Speaker 1: moca skin too had a weak here well needs to 378 00:35:39,320 --> 00:35:44,080 Speaker 1: abre portalis used to as a second alguntias when you're 379 00:35:44,120 --> 00:35:57,000 Speaker 1: here so negatives coo, okay, excuse personal is cap who 380 00:35:57,200 --> 00:36:00,960 Speaker 1: is sent sat a year excu fromilist player. It's the 381 00:36:01,400 --> 00:36:12,319 Speaker 1: question is almos the curioso kickato is okayjen the people 382 00:36:12,360 --> 00:36:22,600 Speaker 1: the courses oos, conjulos rest in contri Liberal bedriolaes person 383 00:36:22,760 --> 00:36:49,640 Speaker 1: as a contrast, no Mucci grassis Alberto plus said those 384 00:36:49,719 --> 00:36:56,920 Speaker 1: in cant Alright, y'all, we hope you enjoyed that interview 385 00:36:57,080 --> 00:37:01,080 Speaker 1: with Alberto del Arco. I shir learn a lot, so 386 00:37:01,360 --> 00:37:05,239 Speaker 1: thank you so much and Warner Brothers for giving us 387 00:37:05,280 --> 00:37:08,279 Speaker 1: this opportunity to stream The Conjuring. The Devil made me 388 00:37:08,360 --> 00:37:11,840 Speaker 1: do it before anybody else. But we want to invite 389 00:37:11,920 --> 00:37:16,040 Speaker 1: y'all to watch The Conjuring The Devil made Me do it, 390 00:37:16,760 --> 00:37:20,400 Speaker 1: another installment of the Conjuring Universe. You can watch it 391 00:37:20,480 --> 00:37:24,840 Speaker 1: in theaters or stream it on HBO Max on June fourth. 392 00:37:26,440 --> 00:37:29,120 Speaker 1: It's going to be so good. See you next time 393 00:37:29,160 --> 00:37:31,879 Speaker 1: look at motes. Thank you for tuning in. Make sure 394 00:37:31,920 --> 00:37:49,240 Speaker 1: you contribute to our fundraiser. Does radio radio radio commies 395 00:37:49,280 --> 00:37:53,480 Speaker 1: a myth and bullshit? A radio phonic novella look at 396 00:37:53,840 --> 00:37:55,920 Speaker 1: Radio hosted by Malamo