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Speaker 1: I listen to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: Hey, Welcome to another episode of the Black Out Tips podcast.

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Speaker 2: Find us everywhere you find podcasts. I am your host,

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Speaker 2: Rod joined us always by.

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Speaker 3: Your grace, Karen, and we are live on a Wednesday recap. Wednesday.

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Speaker 2: We're talking about House of the Dragon or House of

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Speaker 2: Dragons as the Blacks as we say.

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Speaker 3: In our parlance.

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Speaker 2: And you know how it is. You can uh uh

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Speaker 2: oh wait, sorry, my printer is on.

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Speaker 3: Give me a second.

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Speaker 1: That's what I was hearing earlier. I was like, what

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Speaker 1: is that noise?

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Speaker 2: Yeah, it makes it just randomly be making sounds anyway,

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Speaker 2: that's ghetto, but.

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Speaker 3: It you know what it is.

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Speaker 2: We're gonna talk about the latest episode of House of

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Speaker 2: the Dragon, Game of Thrones.

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Speaker 3: Y'all know what it is.

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Speaker 2: We always trying to get it in for y'all so

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Speaker 2: y'all can have some fun with us.

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Speaker 3: Of course, we do have some house rules and.

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Speaker 2: Stuff that we have to share with everybody, you know,

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Speaker 2: to make sure that this thing is as.

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Speaker 3: Fun as possible.

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Speaker 2: I'm gonna share them every week because I feel like

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Speaker 2: we getting new listeners every week.

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Speaker 3: We do, and honest to God, sometimes I.

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Speaker 2: Tell y'all shit and y'all legitimately forget, Like someone hit

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Speaker 2: us up on the someone hit us up on Twitter

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Speaker 2: to be like, hey at the black out tips.

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Speaker 3: Have y'all listened to this podcast about Game of Thrones?

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Speaker 3: And I said, and I'm like.

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Speaker 2: But on the show, I told y'all the secret to

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Speaker 2: the genius is like, I don't listen to nobody else's shit.

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Speaker 3: I can't.

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Speaker 2: If I listen to other people's stuff, I get worried

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Speaker 2: it's gonna get in my head?

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Speaker 3: Am I using their jokes?

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Speaker 4: You know?

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Speaker 2: Motherfuckers get real territory about this Game of Throne shit, y'all.

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Speaker 2: It's ooh, it's okay. I'm just saying. People be like,

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Speaker 2: that's my joke. I'm like, fam, I just am having

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Speaker 2: a good time to waar you having a good time.

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Speaker 2: I'm not trying to steal nobody's stuff.

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Speaker 3: So I worried.

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Speaker 2: Then Also, like a lot of us are talking about

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Speaker 2: this thing at the same time, So there's gonna be

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Speaker 2: some crossover. It's gonna be some people that have some

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Speaker 2: ideas that you know that I'm like, oh no, this

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Speaker 2: is my idea, And they got the same idea.

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Speaker 3: And you know how it is. We're black.

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Speaker 2: It's kind of like when we were kids, everybody black

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Speaker 2: parents called.

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Speaker 3: It the Nintendo.

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Speaker 2: Whether it's talking about the Sega Genesis or whatever.

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Speaker 1: But it didn't matter.

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Speaker 2: We didn't have internet. But how did they all call

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Speaker 2: it the Nintendo?

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Speaker 3: You know what I'm saying.

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Speaker 1: That was the biggest thing at the time.

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Speaker 2: Yeah, I have no idea, but it was. But see,

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Speaker 2: it's not Nintendo Intendo. How is that possible? You live

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Speaker 2: in a different place than I live right now. You

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Speaker 2: can live in Iowa, Wisconsin if you're a black person.

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Speaker 3: You know what I'm talking about.

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Speaker 2: Your parents told you put that goddamn Nintendo up and

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Speaker 2: do them dishes? Did you ever did they go to

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Speaker 2: the Black Parents' Secret Meeting and didn't damn nobody? Was

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Speaker 2: it in a handout? Was it in the back of

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Speaker 2: jet magazine?

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Speaker 3: Like we don't know?

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Speaker 1: But somehow, you our parents hear all the code word.

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Speaker 3: Somehow they all knew.

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Speaker 2: And I feel like that happens already with when we

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Speaker 2: talk about you know, Game of Thrones or something like

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Speaker 2: That's it's a communal space. Everybody comes and talks and

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Speaker 2: has a fun time, and that's what we're gonna do

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Speaker 2: thee tonight. Now, like I said upfront, rules, let's go

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Speaker 2: through them.

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Speaker 3: It's real quick. Number one, no predictions.

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Speaker 2: Okay, we know y'all read the books, y'all listening to

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Speaker 2: every fucking podcast, the behind the scenes HBO. Everybody knows

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Speaker 2: what's going to happen. We don't, and we want to

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Speaker 2: keep it that way. It's fun for us and the

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Speaker 2: audience that we don't know. Shit, Okay, we're guessing, and

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Speaker 2: when we write all it feels so much better to

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Speaker 2: be right, not having any clues, not having any osmosis,

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Speaker 2: you know, some something like oh.

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Speaker 3: Oh I heard this theory. You know, I don't want that.

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Speaker 2: I want to come in and be like, oh shit,

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Speaker 2: I'm surprised. Yes, don't write in before we do the recap.

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Speaker 2: H Now, that hasn't happened so far this year. Someone

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Speaker 2: gonna do it. But thank god, it hadn't happened so

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Speaker 2: far this year. But you know, people like to write in.

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Speaker 2: They ain't even listen to what we got to say.

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Speaker 2: They don't give a fuck about our show. They just

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Speaker 2: want to write. They blog about Game of Throw Hey man,

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Speaker 2: start a blog, start a blog, baby, Medium dot com.

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Speaker 3: It's be there waiting for you. Okay, get your a.

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Speaker 2: I wish you much success, but just don't do it

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Speaker 2: on my back. And then the last thing is this

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Speaker 2: is important. You're here for our opinions, not yours, and

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Speaker 2: you might feel differently about your personal opinion because it's yours.

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Speaker 2: Everybody thinks their opinion is very personal and very important.

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Speaker 2: Here's what you need to think about when someone else

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Speaker 2: writes saying with their opinion. What's the first thing you

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Speaker 2: be thinking when you listen to our show. I didn't

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Speaker 2: listen to hear what some other motherfucker got to say

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Speaker 2: about this shit.

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Speaker 3: I wanted to hear what rodne Caareron was gonna say

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Speaker 3: about the shit. So you know, if you want to

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Speaker 3: just call like, write in and be like I did it?

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Speaker 2: Delete, op yourself, delete, refresh, start that block, start that podcast.

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Speaker 3: It is what it is.

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Speaker 2: Okay if you want to yes, And we got plenty

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Speaker 2: of people that write in with yes and funny stuff

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Speaker 2: they commentary on our commentary. That's all allowed. We're not

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Speaker 2: We're not trying to be jerks about this.

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Speaker 1: We're just wanted to be enjoyable for everybody.

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Speaker 2: Also, we put a call out for some intros okay,

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Speaker 2: because I realized I have to listen it to our

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Speaker 2: recaps from the old days. I said, damn, I just

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Speaker 2: been playing the licensed game of Thrown Music before every episode.

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Speaker 2: I know YouTube don't like that. They be like, uh,

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Speaker 2: we can't play your shit in every country. Now, I'm like, damn.

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Speaker 2: And also I know we have a very talented fan base.

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Speaker 2: Like dude, we got people out in the in the

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Speaker 2: in the audience that got all kinds of skills. And

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Speaker 2: it's like I put the call out I don't have

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Speaker 2: and when I tell y'all, I mean they answer the call.

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Speaker 3: We have a brand new beat okay, oh shit.

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Speaker 2: To premiere this week, and we got an updated version

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Speaker 2: of the Felt viv version A shit.

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Speaker 1: Now let's go. I'm ready for the new beats, all right.

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Speaker 2: But we also got sponsors. Man, this shit is we popular, y'all?

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Speaker 2: We got two sponsors. First of all, happy Pride people.

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Speaker 2: If you love comics, gaming, and art and you're in

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Speaker 2: the New York area this weekend, you must check out

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Speaker 2: the fifth annual w i NC Creative Conference Pride Fast

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Speaker 2: this Saturday from ten am to five pm at Flushing

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Speaker 2: Town Hall in Queens. You'll experience amazing panels, cosplay, and

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Speaker 2: a marketplace full of talented artists. It's free to ten,

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Speaker 2: but VIP guests can get some exclusive swag. I say

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Speaker 2: you go, VIP, I say.

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Speaker 3: I love exclusive swag Okay.

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Speaker 2: Brought to you by the Women in Comics Collective International

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Speaker 2: and sponsored by Flushing Town Hall, The Power of Priya

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Speaker 2: and NYC Events spots are filling up fast. Click the

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Speaker 2: link in our show notes to register. Don't miss this

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Speaker 2: celebration of comics gaming art at the wi NC Creative Conference,

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Speaker 2: Pride Fast. See you there, all right, make sure y'all

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Speaker 2: be there, will be in the show notes.

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Speaker 3: Okay, it's just Saturday. We do far.

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Speaker 1: That's how we ain't going.

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Speaker 2: Yeah, Pride almost over, so, like you know what I'm saying.

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Speaker 2: I mean, Pride never ends that, y'all know what I mean.

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Speaker 2: The celebrations they starting to wind down. It's your last

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Speaker 2: chance to get it in if you ain't been getting

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Speaker 2: it in. Almost right. The second sponsor, So we just

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Speaker 2: got sent the first chapter of the most incredible graphic

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Speaker 2: novels called The A Sorry, and let me tell you

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Speaker 2: it's absolutely mind blowing. Imagine a world set in ten

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Speaker 2: thousand BC, where in advanced West African civilization as master

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Speaker 2: space travel and even colonized Mars.

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Speaker 3: Oh wait, the Africans is colonizing Mars.

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Speaker 2: Let's see if they do it a different way.

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Speaker 3: The A serries, so the A Serie sorry? Think that

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Speaker 3: a sorry?

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Speaker 2: First, This Siri blends science fiction, uh, science fantasy with

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Speaker 2: ancient African culture in a way you've never seen before.

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Speaker 2: And I'm into I'm into this like afro futurism stuff.

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Speaker 2: I just played this video game that was dope. Now

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Speaker 2: they didn't pay us to advertise it, so I'm not

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Speaker 2: gonna tell your name of the game. Uh.

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Speaker 3: It's created by Roy Kupwei.

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Speaker 2: Uh, the brilliant mind behind Iyanu, Child of Wonder. The

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Speaker 2: A Siri is a hole new universe. This epic saga

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Speaker 2: follows the civilization enhanced by Inkra and inner power, allowing

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Speaker 2: them to manipulate technology. Some known as the Ascendant, can

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Speaker 2: even become giants with special abilities. Think attack on Titan,

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Speaker 2: but all African and nobody gets eaten.

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Speaker 3: You know what, I think. I'm into this?

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Speaker 2: Yeah, I mean, I mean they might have a I

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Speaker 2: don't know. I just know it's gonna be big black giants.

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Speaker 2: Let's go let's go. Uh, their golden age is shatter

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Speaker 2: when the mysterious enemy invades from deep space. Volume one

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Speaker 2: kicks off this incredible journey, throwing you into a which

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Speaker 2: complex world where loyalty becomes a liability.

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Speaker 3: A siah sorry face this new threat.

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Speaker 2: The artwork is stunning, the storytelling is gripping, the world

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Speaker 2: building is on another level. And if you're a fan

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Speaker 2: of sci fi, fantasy, or just love discovering new and

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Speaker 2: diverse stories, you need to pick up a Seri. A

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Speaker 2: s I r I Okay, created by Unique Studios and

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Speaker 2: distributed by dark Horse Comics. Be a Seri is available

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Speaker 2: now at Amazon, Barnes, and Noble everywhere comic books are

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Speaker 2: so click our link in the show notes. Get your

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Speaker 2: copy today, Get your copy and prepet to have your

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Speaker 2: mind blown. All right, y'alllready hear these new beats? I

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Speaker 2: am all right. The first one from my brother Bro.

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Speaker 3: Bro cooked that up. It's called Dragonstone. Oh. I just

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Speaker 3: realized something.

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Speaker 2: The sound might be muffled because I don't have that

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Speaker 2: setting on, So I'm gonna do play it again.

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Speaker 3: Sorry about that, everybody.

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Speaker 2: I just remember when I play music, y'all say it

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Speaker 2: sounds muffled.

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Speaker 3: Sometimes it's the versatility for me.

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Speaker 2: My like, uh, this feels like a theme song to

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Speaker 2: like a real like like if you.

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Speaker 3: Could rap over it.

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Speaker 2: I'm all right, I feel like my recap about to

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Speaker 2: be about to be on fire.

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Speaker 1: I'm about to be knit.

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Speaker 3: It's got transitions. It started off different.

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Speaker 4: Oh man, Oh.

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Speaker 2: They got that in it. Yeah that's listen. That's that's

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Speaker 2: more flows than Kenny. So yeah, that's that's gonna be

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Speaker 2: one of that's in the rotation for the Game of

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Speaker 2: Thrones recaps.

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Speaker 3: Absolutely appreciate you, bro, bro.

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Speaker 2: And in addition to that, like I said, we got

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Speaker 2: the new version of Felt five.

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Speaker 5: First time Felt follows like I did it in a

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Speaker 5: hurry and a rush. Now I'm gonna go back and

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Speaker 5: and and and and and give y'all the the official official.

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Speaker 3: We Fell five and black guys.

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Speaker 1: This is what we're doing.

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Speaker 3: It's a war going on outside.

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Speaker 6: No man, it's saft hit no matter if you're four

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Speaker 6: feet at eighth one fourth.

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Speaker 3: I can hear the remaster all over it. Both of these.

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Speaker 1: I guess.

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Speaker 2: Oh y'all didn't get to hear the original version of

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Speaker 2: My brother said, I'm this is my first time hearing

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Speaker 2: the rematch. I can hear it on that, and I

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Speaker 2: can hear it on this felt five too. Man, damn,

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Speaker 2: I thought the first one was.

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Speaker 6: Dope or a few shotbrecks. All these house has spending

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Speaker 6: the needs of being targets. They got the colonized spot

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Speaker 6: of one, I temple the blood up over Levin. You're

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Speaker 6: gonna freak a bunch of cheffles. I hope the right

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Speaker 6: so I pull it off through no for I'm with

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Speaker 6: these to the team, play baby win this.

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Speaker 3: Oh my god, oh my, y'all are so talented.

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Speaker 1: Yes, you put out the call.

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Speaker 2: I'm so excited. Now let's do this fucking recap. Let's go,

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Speaker 2: let's fucking go.

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Speaker 3: All right.

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Speaker 2: This episode is episode two, season two, House of Dragon.

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Speaker 2: It's called right neara the Cruel and I have three

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Speaker 2: different locations that we'll talk about. But first things first,

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Speaker 2: I got to ask you can what do you think

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Speaker 2: about this episode?

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Speaker 3: In general?

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Speaker 1: It was really good?

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Speaker 3: Oh I forgot crowns. Oh sorry, wine, Now I'm rusty.

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Speaker 3: It's been been a while. Go ahead, damn.

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Speaker 1: Sorry, I'm sorry. Let my lady put on her crown.

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Speaker 1: I'm so sorry.

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Speaker 3: I'm sorry, yo, Grace. You continue please.

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Speaker 1: I'm sorry.

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Speaker 5: How how dare I present myself to the audience and

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Speaker 5: uh not be addressed appropriately?

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Speaker 1: Okay, there you go.

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Speaker 5: I enjoyed it. I enjoyed it a lot. There's a

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Speaker 5: lot of things that went on. It was truth be

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Speaker 5: told like like, and it was.

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Speaker 1: Uh some of your predictions were right.

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Speaker 5: Some of the things you talked about, we'll get into that.

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Speaker 5: And it was just a fun ride, a lot of

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Speaker 5: fast moving pace pieces after the death of a child.

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Speaker 2: Basically, uh, for me, this was one of the ones.

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Speaker 2: And it was one of the ones because of the

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Speaker 2: acting and the talking. You know, some of them are

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Speaker 2: one of the ones because you get a lot of

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Speaker 2: fighting and it's just like violence and dragons and motherfuckers

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Speaker 2: burning death and.

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Speaker 3: That's cool too. This was words.

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Speaker 2: But when I tell you Out of High Tower was

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Speaker 2: the MVP.

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Speaker 1: Come on, he acted his ass off.

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Speaker 2: Out of High Tower that whoever that actor is in

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Speaker 2: real life, I'm about to look him up.

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Speaker 3: Because he needed to get his uh.

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Speaker 1: He needed to get an award for that.

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Speaker 2: Yeah, he needed to go ahead and get his get

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Speaker 2: his love because the same way I felt about Ken

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Speaker 2: Vassaras in season one. Okay, his name is reese E funds, Okay, yeah,

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Speaker 2: this motherfucker ate Okay, he ate in this.

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Speaker 1: And he was like I understood the assignment.

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Speaker 3: The whole goddamn show. This man was eating.

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Speaker 2: I was so enthralled with everything he said, and it

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Speaker 2: felt like he was speaking for us, the audience, trying

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Speaker 2: to get the Greens together, and so he that was

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Speaker 2: a great part of it. That wasn't the only like

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Speaker 2: great writing and great acting, but that was He's He's

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Speaker 2: the m v P for me this week. Now, I

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Speaker 2: broke this into three different locations, drift Mark, Kingsland, and

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Speaker 2: finally Dragging Stone. Drift Mark is real fast. I'm gonna

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Speaker 2: go through it. It's not in order of the seams.

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Speaker 2: It's in order of the locations when I do the recap.

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Speaker 2: So this one drift Mark, that's where, of course cor

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Speaker 2: Less and them are from. It's an Alan, it's you know,

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Speaker 2: of course they got the navy. They they they working

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Speaker 2: on Corliss's ship. You know, it's how fucked up like

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Speaker 2: he is. Marian's healing up. The ship's healing up, and

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Speaker 2: at some point he plans to be back seafaring and

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Speaker 2: warren and fighting in the in the ocean.

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Speaker 3: So we ready for that, all right.

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Speaker 2: So the brother, the ball brother Allen, who last week

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Speaker 2: Corless had thanked them for saving his life. But Alan

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Speaker 2: seemed real like tense about it, like man, you know,

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Speaker 2: like I was just I was just doing my job,

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Speaker 2: like don't don't do me no favors. And I said, man,

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Speaker 2: it's some type of tension between them that it's just

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Speaker 2: it's weird and it's just coming out of nowhere. We

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Speaker 2: don't know these characters, and here we start with this character.

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Speaker 3: So this, this must be an important character.

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Speaker 2: This isn't just like a one off for like, oh,

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Speaker 2: he had a conversation with a bodyguard.

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Speaker 5: Like right, because we see him again this week. So

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Speaker 5: I was like, okay, it's more to this, to this

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Speaker 5: character than what that showing us.

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Speaker 2: And he had mentioned his brother last week, but we

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Speaker 2: didn't see his brother, so this time we do see

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Speaker 2: his brother's brother. Got dreads Adam is his name. I

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Speaker 2: imagine he's a younger brother because I feel like that's

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Speaker 2: the way it goes. The older brother be bad and

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Speaker 2: the younger brother be like this hair this this line,

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Speaker 2: it's still lying. So uh, they see each other in

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Speaker 2: the shipyard, you know, they they they hug and then

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Speaker 2: they had like a little black Man moment because I Adam,

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Speaker 2: the younger or the woman with the dreads, is like, yo,

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Speaker 2: you know, I'm just trying to get like you play,

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Speaker 2: you know that kind of sh I'm trying to be

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Speaker 2: like you, my brother.

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Speaker 3: Is that what I think it is for?

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Speaker 1: I see you over there trying to be clean. I'm

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Speaker 1: trying to be grown up like you and I become an.

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Speaker 2: Adult, right, And so Alan asked his brother, like, man,

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Speaker 2: I've been eating this hard attack bro y'all got any

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Speaker 2: Like you got some goat stew with real food. I'm

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Speaker 2: trying to get some of this goat stew some of

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Speaker 2: this curry goat. And Adam was like, yeah, I got

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Speaker 2: something at the crib.

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Speaker 3: You in luck.

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Speaker 2: Also, I heard that Corlis has singled you out and

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Speaker 2: commended you for saving his life.

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Speaker 3: You about to come up. You're gonna go on. You're

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Speaker 3: gonna get on the ship with him.

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Speaker 2: And go out on the world tour and yeah, and

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Speaker 2: Alan's like, I don't think so, because it's finna be

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Speaker 2: a war coming.

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Speaker 5: Right, Like this ain't gonna be no fun, Like I'm

358
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Speaker 5: not trying to get out here and like fight fight.

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Speaker 2: But Adam is like, that's even better cause you could

360
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Speaker 2: go make a name for yourself in a war. You like,

361
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Speaker 2: our family line can come up. You could be somebody

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Speaker 2: instead of just toiling away on this ship. You could

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Speaker 2: be like a real like you could be one of

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Speaker 2: the ones. But Alan down plays it and switches back

365
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Speaker 2: to like, yeah, but you still got that soup.

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Speaker 3: Man, Let's just get out of here.

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Speaker 2: Adam is like, nah, I'm not gonna let you just

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Speaker 2: move the subject though. He's like dog Carless owes you,

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Speaker 2: he owes us. I said, ohs, y'all, we've never heard

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Speaker 2: of y'all.

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Speaker 3: Why do you think he owes them?

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Speaker 1: I don't know.

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Speaker 3: I have my theory.

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Speaker 2: Okay, now, look this might be far fetched, it might

375
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Speaker 2: be kind of crazy to say, but you know they

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Speaker 2: are black.

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Speaker 3: Corllless is black. I think these are secret black kids.

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Speaker 2: I mean, because what else could he owe them? And

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Speaker 2: why is Alan so salty at him? Like if he

380
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Speaker 2: ain't never did nothing to him, then it sounds like

381
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Speaker 2: you salty because he ain't never did nothing for y'all.

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Speaker 3: So what are these like his? You know he'll see

383
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Speaker 3: fair and power. You know they be having like side

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Speaker 3: chicks and ship.

385
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Speaker 2: You know, they be horny his hell out there they

386
00:19:09,320 --> 00:19:14,159
Speaker 2: thought amanity mermaid. Yeah, like so maybe these like his

387
00:19:14,440 --> 00:19:16,880
Speaker 2: you know, his away kids or whatever that NISI don't

388
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Speaker 2: know about and and it made me think about it

389
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Speaker 2: and we'll get more into it. But like Adam's clout

390
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Speaker 2: chasing feels like corless. You could make a name, you

391
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Speaker 2: could be somebody that's corless. Thing is I don't give

392
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Speaker 2: a fuck. These kids is bastards. If they got my

393
00:19:32,320 --> 00:19:36,399
Speaker 2: name on them, that name going into history books, I

394
00:19:36,440 --> 00:19:38,960
Speaker 2: don't know. Something about it made me feel like and that, look,

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Speaker 2: they don't got the targarian traits.

396
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Speaker 1: They don't got the hair. The hair they.

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Speaker 2: Don't got like so I could be way the funk

398
00:19:46,840 --> 00:19:49,960
Speaker 2: off or but like maybe they mama got the got

399
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Speaker 2: the more uh not, don't got the recessive traits. Maybe

400
00:19:53,320 --> 00:19:55,440
Speaker 2: she got the dominant traits and she was like nah.

401
00:19:56,040 --> 00:19:58,120
Speaker 2: Or maybe that's why one of them cut their hair off.

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00:19:58,320 --> 00:19:58,760
Speaker 3: I don't know.

403
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Speaker 5: Might be because the girl out like that and it

404
00:20:00,800 --> 00:20:02,719
Speaker 5: was like nine trying to hear this, I'll just keep

405
00:20:02,760 --> 00:20:03,160
Speaker 5: it cut.

406
00:20:03,640 --> 00:20:07,160
Speaker 2: But anyway, that's that's my theory right now, because it's

407
00:20:07,240 --> 00:20:09,639
Speaker 2: just they doing too much with these two to be

408
00:20:09,800 --> 00:20:13,480
Speaker 2: just some nobody's right, and and a later scene definitely

409
00:20:13,520 --> 00:20:16,200
Speaker 2: doubled down on it. So then in bed, carl Us

410
00:20:16,200 --> 00:20:18,439
Speaker 2: and Nissie laying up you know what I'm saying, Like

411
00:20:18,480 --> 00:20:21,439
Speaker 2: they just got done having some good mature you know,

412
00:20:21,520 --> 00:20:23,040
Speaker 2: like a bag or commercial sex.

413
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Speaker 1: Yes, all they ain't need was was going to be

414
00:20:25,960 --> 00:20:26,840
Speaker 1: in the tub.

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Speaker 3: Two tubs holding hands.

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Speaker 1: Yes, when the time is right.

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Speaker 2: Uh. Nissi is talking about Damon because, as we'll find out,

418
00:20:35,240 --> 00:20:40,280
Speaker 2: the second Damon got kicked out a dragonstone and and

419
00:20:40,680 --> 00:20:43,840
Speaker 2: Corlis just don't understand. He like, bro, just play your

420
00:20:43,880 --> 00:20:45,480
Speaker 2: position and you'll be fine.

421
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Speaker 5: Yeah, because he hadn't been there like she like, I've

422
00:20:48,920 --> 00:20:51,200
Speaker 5: been at the meetings, and it is a fucking chit show.

423
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Speaker 2: Baby, I don't think it's well yeah, I think also

424
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Speaker 2: it's just that corliss is demeanor.

425
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Speaker 3: Even in this patriarchal world.

426
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Speaker 2: Where he's a cloud chaser, He's totally comfortable being second

427
00:21:04,359 --> 00:21:06,520
Speaker 2: fiddle to a woman if the woman is on the throne.

428
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Speaker 1: Yes, he was like, whatever gets me that connection.

429
00:21:09,720 --> 00:21:09,960
Speaker 3: Yes.

430
00:21:10,359 --> 00:21:14,879
Speaker 2: Meanwhile, Damon is not like that, and so Nis is

431
00:21:14,920 --> 00:21:15,639
Speaker 2: bringing that up to.

432
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Speaker 3: Him, like Carlas, you gotta understand, dog, Damon.

433
00:21:19,920 --> 00:21:22,480
Speaker 2: He might be loyal to right now, he might even

434
00:21:22,800 --> 00:21:26,159
Speaker 2: understand that she's the queen and all that shit, but

435
00:21:27,160 --> 00:21:29,880
Speaker 2: he can't let her run him.

436
00:21:30,680 --> 00:21:33,600
Speaker 1: Right, And it's one of those things. And I think that.

437
00:21:35,119 --> 00:21:39,480
Speaker 5: They both got passed for the crown, and I think, yes, yes,

438
00:21:39,520 --> 00:21:41,199
Speaker 5: and I think they had that in common. And I

439
00:21:41,280 --> 00:21:45,600
Speaker 5: think that what he's feeling, it would not be surprising

440
00:21:45,640 --> 00:21:47,600
Speaker 5: that she was basically like this ship that I had

441
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Speaker 5: to battle, you know, and I find it was like

442
00:21:50,680 --> 00:21:51,680
Speaker 5: it ain't that important.

443
00:21:52,320 --> 00:21:56,119
Speaker 3: Yeah, And so I think it still bothers Nissi.

444
00:21:56,200 --> 00:21:58,399
Speaker 2: But she's had decades to deal with it because it

445
00:21:58,480 --> 00:22:01,359
Speaker 2: was Vicaria's that that she got passed over for, right Yeah,

446
00:22:01,440 --> 00:22:04,440
Speaker 2: So like she's had decades to be I made peace

447
00:22:04,480 --> 00:22:07,240
Speaker 2: with it. Fuck it, Damon, this shit is still fresh

448
00:22:07,359 --> 00:22:09,280
Speaker 2: in his mind. It's like I should be the one

449
00:22:09,480 --> 00:22:12,440
Speaker 2: running the war. If I would have been the king,

450
00:22:12,960 --> 00:22:15,440
Speaker 2: none of this shit would have happened because I'm a man.

451
00:22:15,520 --> 00:22:17,320
Speaker 2: They wouldn't have been able to steal the throne from me.

452
00:22:18,880 --> 00:22:22,560
Speaker 2: And also, I think we found out last season that

453
00:22:22,680 --> 00:22:25,280
Speaker 2: he doesn't know about the whole Winter is Coming thing

454
00:22:26,359 --> 00:22:30,920
Speaker 2: for Sarah's told Ray Ray that winner was coming He's like,

455
00:22:30,960 --> 00:22:33,720
Speaker 2: look you, the reason Targani need to be on the

456
00:22:33,760 --> 00:22:36,439
Speaker 2: throne is that we need to have a united kingdom

457
00:22:36,480 --> 00:22:39,119
Speaker 2: or we will never fight off this the winder, the

458
00:22:39,160 --> 00:22:40,879
Speaker 2: winner that is coming to death, that is going to

459
00:22:40,920 --> 00:22:45,200
Speaker 2: take us off. Sarah's must has definitely not thought Damon

460
00:22:45,320 --> 00:22:49,320
Speaker 2: was fit because he never told him that story. So

461
00:22:49,320 --> 00:22:53,280
Speaker 2: so he goes. Corlas is like, man, fuck all that

462
00:22:53,880 --> 00:22:54,960
Speaker 2: he the first husband.

463
00:22:55,760 --> 00:22:58,879
Speaker 1: I'm cool with that first husband's club.

464
00:22:59,840 --> 00:23:02,240
Speaker 3: I'm okay with Dak and She's like right there.

465
00:23:02,800 --> 00:23:06,000
Speaker 2: Niey's like, well right now, be bossing him around and shit,

466
00:23:06,119 --> 00:23:08,520
Speaker 2: he can't take it. And Carla's like, you need to

467
00:23:08,600 --> 00:23:11,320
Speaker 2: let that go. I like being bossed a rhymes right.

468
00:23:11,480 --> 00:23:13,600
Speaker 2: He did everything but pull a ball gag out the

469
00:23:13,640 --> 00:23:16,159
Speaker 2: side dresser, like you know, you ready to safe word

470
00:23:17,000 --> 00:23:19,000
Speaker 2: the safe word to see snake, you know what I mean,

471
00:23:20,600 --> 00:23:23,360
Speaker 2: And they laugh about it, and then Nisi says, but

472
00:23:23,600 --> 00:23:26,960
Speaker 2: if Damon can take Herron Hall, all will be forgiven,

473
00:23:27,760 --> 00:23:31,359
Speaker 2: so that he'll be back in dragon Stone and they'll

474
00:23:31,359 --> 00:23:33,760
Speaker 2: be cool. But until then, I'm gonna stay with you

475
00:23:33,800 --> 00:23:37,560
Speaker 2: in drift Mark, and you know, and me and my

476
00:23:37,680 --> 00:23:40,840
Speaker 2: dragon may least, we just gonna chill over here and

477
00:23:41,240 --> 00:23:43,600
Speaker 2: I won't let the queen falter, meaning like.

478
00:23:43,720 --> 00:23:45,080
Speaker 3: You know, not on my watch.

479
00:23:45,160 --> 00:23:46,560
Speaker 1: Yeah, stay the course.

480
00:23:47,200 --> 00:23:51,080
Speaker 2: Meanwhile, Adam, the brother with the dreads, he's down at

481
00:23:51,080 --> 00:23:55,440
Speaker 2: the beach cratching some crabs. I imagine, I look, I

482
00:23:55,440 --> 00:23:58,720
Speaker 2: imagine that that they got some crab balls going over here.

483
00:23:58,800 --> 00:23:59,840
Speaker 1: Ain't got something or is he?

484
00:24:00,080 --> 00:24:00,159
Speaker 2: He?

485
00:24:00,280 --> 00:24:01,920
Speaker 5: Is he looking for them fish that you have to

486
00:24:01,920 --> 00:24:03,640
Speaker 5: put your arm down in there and pull it out.

487
00:24:04,560 --> 00:24:06,159
Speaker 3: Fish. You have to put your arm you remember we

488
00:24:06,280 --> 00:24:07,680
Speaker 3: seen it on balls deep.

489
00:24:07,880 --> 00:24:09,359
Speaker 1: How they they nedland?

490
00:24:09,800 --> 00:24:12,600
Speaker 2: Oh well, that's that's fresh water and that's like uh,

491
00:24:13,040 --> 00:24:14,800
Speaker 2: bass and catfish.

492
00:24:14,800 --> 00:24:17,199
Speaker 3: I think he was getting crabbs. They showed a.

493
00:24:17,200 --> 00:24:19,800
Speaker 1: Crab okay, so I think, okay, this is different. That's

494
00:24:19,800 --> 00:24:20,160
Speaker 1: what say.

495
00:24:20,240 --> 00:24:21,840
Speaker 3: Yeah, I think they finished do a crab ball.

496
00:24:22,000 --> 00:24:25,280
Speaker 2: I think, like I know, they got old Bay and

497
00:24:25,440 --> 00:24:27,520
Speaker 2: uh Adam and Allen crib.

498
00:24:27,320 --> 00:24:28,240
Speaker 3: They got the old.

499
00:24:29,640 --> 00:24:31,000
Speaker 1: Oh ye bay.

500
00:24:33,840 --> 00:24:37,320
Speaker 3: Uh. And so then he looks up and he sees

501
00:24:37,359 --> 00:24:39,359
Speaker 3: a dragon flying around. It's sea smoke.

502
00:24:39,960 --> 00:24:43,960
Speaker 2: Sea smoke is the dragon that used to be was

503
00:24:44,119 --> 00:24:46,280
Speaker 2: lean or let me make sure I got his name right,

504
00:24:47,200 --> 00:24:48,560
Speaker 2: the one that.

505
00:24:49,359 --> 00:24:51,879
Speaker 1: Is first married. Yeah, they faked death.

506
00:24:52,240 --> 00:24:54,320
Speaker 3: Yeah, he faked his death. And he went off to be.

507
00:24:54,600 --> 00:24:56,959
Speaker 1: Dragon, just floating around going I ain't got no master.

508
00:24:57,560 --> 00:25:00,040
Speaker 2: Yeah, he went off to be happy with his man's

509
00:25:00,160 --> 00:25:04,560
Speaker 2: and live happily ever after, happy pride to everybody. But

510
00:25:05,960 --> 00:25:08,399
Speaker 2: he had to leave his dragon behind because obviously that

511
00:25:08,400 --> 00:25:09,400
Speaker 2: would expose him.

512
00:25:09,960 --> 00:25:13,080
Speaker 5: You can't be moving around and the dragon just fly overhead.

513
00:25:13,320 --> 00:25:16,199
Speaker 3: Yeah, dragons aren't really a stealth you.

514
00:25:16,280 --> 00:25:19,040
Speaker 1: Know, this is not a dog going for a cat.

515
00:25:19,480 --> 00:25:19,840
Speaker 3: Yeah.

516
00:25:19,960 --> 00:25:25,479
Speaker 2: So so yeah, they basically show him staring at the dragon,

517
00:25:25,520 --> 00:25:28,639
Speaker 2: and once again I thought, is this carllless his offspring?

518
00:25:29,040 --> 00:25:31,640
Speaker 2: Because who stared at the dragon like that? We seen

519
00:25:31,800 --> 00:25:35,040
Speaker 2: last week what happened when the dragon be around. Motherfuckers

520
00:25:35,119 --> 00:25:39,440
Speaker 2: was running off yelling and screaming. But them people that

521
00:25:39,560 --> 00:25:42,600
Speaker 2: got that dragon taming blood in them, I feel like

522
00:25:42,640 --> 00:25:44,639
Speaker 2: they be looking at the dragons different, like man, I

523
00:25:44,640 --> 00:25:45,679
Speaker 2: could ride that dragon.

524
00:25:46,000 --> 00:25:48,280
Speaker 1: Yes, yes, they look at it completely different.

525
00:25:48,600 --> 00:25:50,439
Speaker 3: So I don't know, Maybe we're gonna get a moment.

526
00:25:50,560 --> 00:25:53,600
Speaker 2: Maybe we're gonna get a scene where he like tried

527
00:25:53,600 --> 00:25:56,600
Speaker 2: to tame the dragon or ride it, because he just

528
00:25:56,640 --> 00:25:59,399
Speaker 2: looked he just looked at it too ambitious, you know

529
00:25:59,440 --> 00:25:59,920
Speaker 2: what I'm saying.

530
00:26:00,600 --> 00:26:02,479
Speaker 1: Gonna be like who are you? And how can you

531
00:26:02,520 --> 00:26:03,840
Speaker 1: control that dragon.

532
00:26:03,960 --> 00:26:07,880
Speaker 2: Right, and then then NISI and Carla's gonna have to have.

533
00:26:07,840 --> 00:26:10,560
Speaker 1: A talk because they have a conversation.

534
00:26:10,760 --> 00:26:13,359
Speaker 2: This don't seem like no official kids, And I like,

535
00:26:13,400 --> 00:26:17,360
Speaker 2: if my theory is right, like you know, that's that's

536
00:26:17,400 --> 00:26:19,639
Speaker 2: not gonna go overwhel to be like, oh this is

537
00:26:19,720 --> 00:26:22,160
Speaker 2: my son. It's like this is a grown ass man.

538
00:26:22,760 --> 00:26:24,240
Speaker 1: Why am I just not hearing about this?

539
00:26:24,359 --> 00:26:26,320
Speaker 3: The fuck is he doing on sea smoke? You know?

540
00:26:26,840 --> 00:26:29,239
Speaker 2: And you know she would take offensive that dude roll

541
00:26:29,320 --> 00:26:32,399
Speaker 2: sea smoke because that's her son's dragon. Like late she

542
00:26:32,480 --> 00:26:35,000
Speaker 2: took lene or death hard death and quotes. But you

543
00:26:35,040 --> 00:26:37,639
Speaker 2: know what I mean, Like Nie don't play by her.

544
00:26:37,800 --> 00:26:40,280
Speaker 2: So I really want to see where that goes. All right,

545
00:26:41,320 --> 00:26:45,679
Speaker 2: let's go to kings Landon and the chaos at the

546
00:26:45,680 --> 00:26:50,240
Speaker 2: baby Jahars got murked, all the Castle of tennants getting

547
00:26:50,320 --> 00:26:52,000
Speaker 2: rounded up by the castle guard.

548
00:26:52,520 --> 00:26:54,360
Speaker 1: Clean up blood, yeah.

549
00:26:54,240 --> 00:26:57,600
Speaker 2: They cleaning up blood, people running some kid trip dropped

550
00:26:57,600 --> 00:26:58,320
Speaker 2: a bunch of shit.

551
00:26:58,200 --> 00:26:59,800
Speaker 1: On the ground, like breaking down baby.

552
00:27:00,160 --> 00:27:03,359
Speaker 2: They kind of rough housing the people too, like grabbing

553
00:27:03,400 --> 00:27:04,639
Speaker 2: motherfuckers up, Like come on.

554
00:27:04,920 --> 00:27:07,919
Speaker 1: Right, is uh stopping frisk?

555
00:27:08,200 --> 00:27:08,360
Speaker 3: Yeah?

556
00:27:08,480 --> 00:27:09,760
Speaker 1: Old stopping frist is it you?

557
00:27:09,960 --> 00:27:10,280
Speaker 2: Is it? You?

558
00:27:10,720 --> 00:27:10,960
Speaker 3: Right?

559
00:27:11,680 --> 00:27:15,000
Speaker 2: And of course bbl Chrissy is the head of the guard,

560
00:27:15,200 --> 00:27:18,280
Speaker 2: the King's guard. So he walking around smelling like sex,

561
00:27:18,359 --> 00:27:21,560
Speaker 2: looking all guilty and ship trying to do an extra

562
00:27:21,640 --> 00:27:23,840
Speaker 2: hard job to make people for you know, not ask

563
00:27:23,880 --> 00:27:25,880
Speaker 2: where he was at, right, you know, like get over

564
00:27:25,920 --> 00:27:28,920
Speaker 2: there and yeah, y'all get over yeah, okay.

565
00:27:28,720 --> 00:27:31,360
Speaker 1: So he can make it known that he was on duty. Right.

566
00:27:32,280 --> 00:27:37,800
Speaker 2: Uh, then agon the King, we cut to him tearing

567
00:27:38,000 --> 00:27:40,679
Speaker 2: King Vassara's model trains the fuck.

568
00:27:40,520 --> 00:27:43,280
Speaker 1: Up, right, he spent decades building that ship.

569
00:27:43,880 --> 00:27:48,640
Speaker 2: This man built a whole motherfucking town, built the whole

570
00:27:48,840 --> 00:27:50,359
Speaker 2: model town in his room.

571
00:27:50,520 --> 00:27:53,120
Speaker 5: Right, it's gonna be the future of the land. And

572
00:27:52,760 --> 00:27:54,400
Speaker 5: that boys like fuck this ship.

573
00:27:54,640 --> 00:27:57,040
Speaker 2: He used to be in there just you know, making

574
00:27:57,040 --> 00:28:00,000
Speaker 2: the toys kissing ship. And then this little motherfucker who

575
00:28:00,080 --> 00:28:02,680
Speaker 2: ain't never built nothing, don't have no reverence for his

576
00:28:02,800 --> 00:28:07,399
Speaker 2: daddy or his daddy's belongings, just start fucking that ship up.

577
00:28:07,520 --> 00:28:10,399
Speaker 2: Just I hope he step on the legos.

578
00:28:10,520 --> 00:28:10,879
Speaker 3: Correct.

579
00:28:11,240 --> 00:28:15,080
Speaker 2: Yeah, I was so mad for ghost of Vissaria's Like, man,

580
00:28:15,119 --> 00:28:16,720
Speaker 2: that's fucked up, right.

581
00:28:16,840 --> 00:28:19,400
Speaker 1: That man died and you was like, I don't care.

582
00:28:20,119 --> 00:28:22,360
Speaker 2: So he tearing it up and the Homies is trying

583
00:28:22,400 --> 00:28:26,440
Speaker 2: to calm him down, like my, oh my, my leads.

584
00:28:26,200 --> 00:28:29,040
Speaker 3: Or whatever, you know that ship like, oh is it

585
00:28:29,160 --> 00:28:30,000
Speaker 3: you did you do it?

586
00:28:30,080 --> 00:28:32,080
Speaker 1: I was like, God, damn here out of control.

587
00:28:32,320 --> 00:28:34,480
Speaker 3: Well he was this before he started accusing people.

588
00:28:34,520 --> 00:28:37,520
Speaker 2: He was just like he was just yelling like they

589
00:28:37,640 --> 00:28:40,720
Speaker 2: castrated me trayto's and villains.

590
00:28:40,920 --> 00:28:44,160
Speaker 3: I am the king, fire from the sky. This is war,

591
00:28:44,480 --> 00:28:47,200
Speaker 3: I the clear war. And they was like, oh God,

592
00:28:47,240 --> 00:28:48,360
Speaker 3: this nigga has lost it.

593
00:28:48,560 --> 00:28:51,360
Speaker 5: Yeah, and you know what, you was right because all

594
00:28:51,400 --> 00:28:54,120
Speaker 5: his confirms was he just wants approval, and that made

595
00:28:54,480 --> 00:28:57,960
Speaker 5: in his mind that was very insulting to him, like

596
00:28:58,040 --> 00:28:59,200
Speaker 5: it made him look bad.

597
00:28:59,760 --> 00:29:02,080
Speaker 2: So why do you say approval on this one? Because

598
00:29:02,120 --> 00:29:04,840
Speaker 2: I think, I mean, his son got killed.

599
00:29:04,520 --> 00:29:06,160
Speaker 3: Like, yes, you're mad for real, for.

600
00:29:06,160 --> 00:29:10,520
Speaker 5: Real, Yes, his son got killed. And he wants to

601
00:29:10,680 --> 00:29:14,040
Speaker 5: have the appearance of being in control. He wants everybody

602
00:29:14,040 --> 00:29:17,560
Speaker 5: to like him, and this goes against everything that he's

603
00:29:17,640 --> 00:29:19,720
Speaker 5: kind of been fighting the build in his own mind,

604
00:29:20,280 --> 00:29:22,040
Speaker 5: you know, like it's okay to do the jokes when

605
00:29:22,040 --> 00:29:25,360
Speaker 5: you're in control, but now it's like, uh uh, they

606
00:29:25,440 --> 00:29:28,640
Speaker 5: made me look bad in front of my friends and

607
00:29:28,680 --> 00:29:30,360
Speaker 5: in front of the people that I get drunk with

608
00:29:30,400 --> 00:29:33,239
Speaker 5: in front of the throne, so, you know, and here

609
00:29:33,280 --> 00:29:36,640
Speaker 5: because he wants their approval and they're looking at him like, hey, doll,

610
00:29:36,760 --> 00:29:39,120
Speaker 5: you allowed this to happen on your watch, you know,

611
00:29:39,200 --> 00:29:43,200
Speaker 5: because people like that, they soaking other people's opinions personally,

612
00:29:43,760 --> 00:29:45,719
Speaker 5: you know, because his thing is he wants to be approved.

613
00:29:45,760 --> 00:29:46,320
Speaker 1: He wants the.

614
00:29:46,240 --> 00:29:49,440
Speaker 5: People around him to approve and look at him as

615
00:29:49,440 --> 00:29:50,560
Speaker 5: a form of authority.

616
00:29:50,640 --> 00:29:52,959
Speaker 2: Well, I think I agree with you because the words

617
00:29:53,040 --> 00:29:57,760
Speaker 2: they castrated me says something about how basically him no

618
00:29:57,840 --> 00:30:02,040
Speaker 2: longer having a son means he no longer has a

619
00:30:02,040 --> 00:30:04,880
Speaker 2: claim to the throne beyond his life, Yes, which is

620
00:30:04,880 --> 00:30:07,920
Speaker 2: the importance in this patriarchal society of having a son.

621
00:30:08,560 --> 00:30:11,960
Speaker 2: So he that's not really mourning your son, like you're

622
00:30:11,960 --> 00:30:15,800
Speaker 2: not even saying like Jaharis, like he's so mad, and

623
00:30:15,840 --> 00:30:16,640
Speaker 2: maybe he's just mad and.

624
00:30:16,640 --> 00:30:19,400
Speaker 3: Thinking about revenge. But it's interesting that he's not.

625
00:30:19,480 --> 00:30:21,040
Speaker 2: He doesn't seem to be more than the loss of

626
00:30:21,080 --> 00:30:24,080
Speaker 2: his son as a human being, but as like a

627
00:30:24,120 --> 00:30:25,520
Speaker 2: status symbol of like.

628
00:30:25,880 --> 00:30:27,480
Speaker 3: What this means for his reign.

629
00:30:27,960 --> 00:30:31,560
Speaker 2: So I agree with you that it is about I

630
00:30:31,600 --> 00:30:33,720
Speaker 2: think a lot of his character goes back to needing

631
00:30:33,760 --> 00:30:36,400
Speaker 2: approval of some type, or just worried about how people

632
00:30:36,400 --> 00:30:40,640
Speaker 2: are perceiving him more than his inner moral compass is

633
00:30:41,080 --> 00:30:44,560
Speaker 2: an outer like what do people think? But it is

634
00:30:44,720 --> 00:30:49,000
Speaker 2: very ironic because he was so dismissive of Rainera's need

635
00:30:49,440 --> 00:30:54,000
Speaker 2: for vengeance after Luke got ate up by Amon's dragon

636
00:30:54,320 --> 00:30:57,440
Speaker 2: just last week. He was in there clowning during the meeting,

637
00:30:57,560 --> 00:30:59,560
Speaker 2: like when they was like, yeah, she want revenge and

638
00:30:59,560 --> 00:31:01,080
Speaker 2: they're like, we gonna fuck her up.

639
00:31:01,120 --> 00:31:02,600
Speaker 3: Ain't nobody worried about that shit?

640
00:31:03,240 --> 00:31:05,240
Speaker 1: And it hit differently when it's yours.

641
00:31:05,240 --> 00:31:08,200
Speaker 3: He ain't never felt he's never had nothing happened.

642
00:31:07,960 --> 00:31:10,520
Speaker 2: To him though, but he should feel vengeance right just

643
00:31:10,600 --> 00:31:12,600
Speaker 2: the first time something's happened to him, for him to

644
00:31:12,640 --> 00:31:16,160
Speaker 2: truly feel lost and vengeance and anger and to see

645
00:31:16,200 --> 00:31:20,160
Speaker 2: how powerful it is, because to me, it isn't until

646
00:31:20,240 --> 00:31:20,960
Speaker 2: you lose.

647
00:31:20,760 --> 00:31:23,360
Speaker 3: Something that you can really understand why it is war.

648
00:31:23,440 --> 00:31:27,040
Speaker 2: Because he was saying war real flippantly, like yes, last week,

649
00:31:27,760 --> 00:31:28,920
Speaker 2: we just don't kill everybody.

650
00:31:28,920 --> 00:31:31,320
Speaker 1: What the fuck? Yeah, he didn't take it seriously. He

651
00:31:31,400 --> 00:31:33,840
Speaker 1: acted like it was a big game, and his mama

652
00:31:34,040 --> 00:31:37,600
Speaker 1: was like, hey, dog, like, uh, y'all not scashy ain't

653
00:31:37,600 --> 00:31:39,840
Speaker 1: just gonna roll up on us like her baby just died.

654
00:31:39,880 --> 00:31:41,440
Speaker 1: And they was like, I bet you tripping, and it

655
00:31:41,560 --> 00:31:41,880
Speaker 1: was like.

656
00:31:41,840 --> 00:31:42,960
Speaker 3: A word right.

657
00:31:43,720 --> 00:31:51,440
Speaker 2: So uh So meanwhile, Amon, the brother with one eye,

658
00:31:52,320 --> 00:31:54,200
Speaker 2: he figured he's walking around his room.

659
00:31:54,240 --> 00:31:59,600
Speaker 3: He figures out, wait a minute, it's ways in this somebody.

660
00:31:59,680 --> 00:32:03,960
Speaker 2: Somebody been in my room and it looked like they

661
00:32:03,960 --> 00:32:07,160
Speaker 2: took my coins on my map. H it's a little

662
00:32:07,320 --> 00:32:11,360
Speaker 2: little little passage in the hall. Hey, I think this

663
00:32:11,400 --> 00:32:12,600
Speaker 2: motherfuckers came to kill me.

664
00:32:13,160 --> 00:32:16,160
Speaker 5: Yes, he put that shit together because he was like,

665
00:32:17,400 --> 00:32:20,120
Speaker 5: I've been looking around this joint and yeah, this is

666
00:32:20,160 --> 00:32:24,560
Speaker 5: the only door that did from the outside open endwards. Yeah,

667
00:32:24,760 --> 00:32:26,880
Speaker 5: I was a target and they and I happened not

668
00:32:26,960 --> 00:32:27,800
Speaker 5: to be here at the time.

669
00:32:28,360 --> 00:32:30,440
Speaker 3: Yeah, it was kind of interesting to see him go

670
00:32:30,560 --> 00:32:30,920
Speaker 3: through that.

671
00:32:31,080 --> 00:32:33,400
Speaker 2: But he's also kind of low key crazy, so like

672
00:32:33,440 --> 00:32:36,600
Speaker 2: he's he didn't even seem so shaking about it or

673
00:32:36,720 --> 00:32:39,160
Speaker 2: like I thought maybe he was gonna follow go down

674
00:32:39,160 --> 00:32:41,800
Speaker 2: the passageway to see if he could like follow the

675
00:32:42,240 --> 00:32:43,760
Speaker 2: people who did this and bring him to.

676
00:32:43,880 --> 00:32:46,320
Speaker 3: Justice, but he just kind was looking like, damn, that's crazy.

677
00:32:46,560 --> 00:32:49,080
Speaker 5: I could see him shutting that door and not even

678
00:32:49,120 --> 00:32:50,960
Speaker 5: telling them that that door.

679
00:32:50,880 --> 00:32:51,640
Speaker 1: Was even there.

680
00:32:52,680 --> 00:32:55,320
Speaker 2: Yeah, I mean he definitely looked shocked, like he didn't

681
00:32:55,320 --> 00:32:56,120
Speaker 2: know that shit was there.

682
00:32:57,280 --> 00:32:59,840
Speaker 3: Yeah, and I know, but it is interesting he didn't

683
00:32:59,840 --> 00:33:01,120
Speaker 3: tell right, That's.

684
00:33:00,960 --> 00:33:01,560
Speaker 1: Why I was saying.

685
00:33:01,560 --> 00:33:03,600
Speaker 5: I could see him being like, okay, y'all trying to

686
00:33:03,680 --> 00:33:06,040
Speaker 5: kill me bet and shut that dough and was like,

687
00:33:06,280 --> 00:33:07,000
Speaker 5: you know what.

688
00:33:07,560 --> 00:33:10,640
Speaker 1: Be ready next time, Otto Paul.

689
00:33:10,680 --> 00:33:10,920
Speaker 3: Paul.

690
00:33:11,000 --> 00:33:14,520
Speaker 2: He goes in Allison's chambers and he like, you know,

691
00:33:15,120 --> 00:33:17,360
Speaker 2: we're gonna find the people that did this. We're gonna

692
00:33:17,360 --> 00:33:20,000
Speaker 2: get revenge. But don't be shaken by this.

693
00:33:20,520 --> 00:33:20,840
Speaker 3: Uh.

694
00:33:20,880 --> 00:33:27,400
Speaker 2: And she said, you know, the child is dead, like Jaharis,

695
00:33:27,600 --> 00:33:31,600
Speaker 2: the baby's gone, his suffering is over. But what they

696
00:33:31,680 --> 00:33:36,800
Speaker 2: done to my daughter Helena, because she's essentially innocent. She

697
00:33:36,800 --> 00:33:38,800
Speaker 2: she's not even able to really rule.

698
00:33:38,880 --> 00:33:42,040
Speaker 3: She's not a person that could be on the throw anyway.

699
00:33:42,440 --> 00:33:44,560
Speaker 1: Don't sound like she wanted it in the first place.

700
00:33:44,640 --> 00:33:48,360
Speaker 2: She's hardly able to communicate being honest. But she does

701
00:33:48,720 --> 00:33:53,520
Speaker 2: understand loving your child and that she's gonna miss it,

702
00:33:53,920 --> 00:33:56,240
Speaker 2: this baby for the rest of her life. So she

703
00:33:56,400 --> 00:33:59,240
Speaker 2: was like, Helena has to live with this pain forever.

704
00:33:59,680 --> 00:34:03,400
Speaker 2: So he's more upset at what they've done to Helena,

705
00:34:03,560 --> 00:34:06,600
Speaker 2: who has to live through this, even though obviously she's

706
00:34:06,600 --> 00:34:11,120
Speaker 2: broken up over the loss of her grandson. And so

707
00:34:11,239 --> 00:34:14,759
Speaker 2: Otto talks about how, you know, we're gonna get vengeance

708
00:34:14,800 --> 00:34:18,319
Speaker 2: for whoever did this, and Allison goes, this is God

709
00:34:18,400 --> 00:34:22,640
Speaker 2: punishing me, you know, and he says for what sin?

710
00:34:23,960 --> 00:34:25,280
Speaker 3: And she don't answer.

711
00:34:25,560 --> 00:34:27,400
Speaker 2: Now, I don't know if she was thinking for fucking

712
00:34:27,400 --> 00:34:31,000
Speaker 2: bbo Chrissy on the low. I don't know if she

713
00:34:31,120 --> 00:34:35,960
Speaker 2: was thinking the betrayal of raynera taking the throne, you know,

714
00:34:36,400 --> 00:34:38,719
Speaker 2: not not killing rain there in them that night. I'm

715
00:34:38,760 --> 00:34:42,520
Speaker 2: not sure what the sin was. I'm guessing this bbo Chrissy,

716
00:34:43,400 --> 00:34:45,680
Speaker 2: you know, smashing those cakes of smither rings. But I

717
00:34:46,440 --> 00:34:49,759
Speaker 2: really I don't know. She's just thinking it's about hers,

718
00:34:49,760 --> 00:34:50,880
Speaker 2: and I don't think it's about her.

719
00:34:51,160 --> 00:34:52,200
Speaker 1: It's not about her.

720
00:34:52,960 --> 00:34:55,400
Speaker 2: But then Otto's like, some good might come out of

721
00:34:55,400 --> 00:34:58,200
Speaker 2: this anyway. They go to the meeting in the small

722
00:34:58,239 --> 00:34:58,839
Speaker 2: council room.

723
00:34:58,920 --> 00:35:00,600
Speaker 1: He always be thinking and planning.

724
00:35:01,000 --> 00:35:04,360
Speaker 2: Listen, say what you want about out of High Tower.

725
00:35:05,040 --> 00:35:06,279
Speaker 2: Is he ambitious?

726
00:35:06,520 --> 00:35:09,279
Speaker 3: Yes? Is he manipulative? Right?

727
00:35:12,480 --> 00:35:14,440
Speaker 1: But he's like.

728
00:35:16,360 --> 00:35:19,480
Speaker 3: He's like, if you had stan Van Gundy coaching.

729
00:35:19,239 --> 00:35:21,759
Speaker 2: The Lakers right now, you know where it's like, yeah,

730
00:35:21,800 --> 00:35:24,239
Speaker 2: he got his idiosyncrasies about him, but none of us

731
00:35:24,280 --> 00:35:25,560
Speaker 2: doubts that he knows the game.

732
00:35:26,320 --> 00:35:27,759
Speaker 1: Yes, he knows the game.

733
00:35:27,800 --> 00:35:32,319
Speaker 5: And the thing is he has years of experience. He's

734
00:35:32,800 --> 00:35:36,439
Speaker 5: this be uck, his third king, and so he has

735
00:35:36,880 --> 00:35:37,600
Speaker 5: seen things.

736
00:35:37,600 --> 00:35:39,719
Speaker 1: So not trying funny. You've been around people that long.

737
00:35:39,800 --> 00:35:42,000
Speaker 5: You know how the masses respond to shit like you

738
00:35:42,120 --> 00:35:44,520
Speaker 5: just know because you've seen people.

739
00:35:44,440 --> 00:35:47,240
Speaker 1: Turn, you've seen people cheer, like you've seen it all.

740
00:35:47,640 --> 00:35:50,640
Speaker 2: If anything hurts him, it is probably the fact he's

741
00:35:50,680 --> 00:35:52,959
Speaker 2: been around so long that he is.

742
00:35:52,880 --> 00:35:55,080
Speaker 3: Not emotionally gonna go through the motions with you.

743
00:35:55,640 --> 00:35:57,600
Speaker 1: So you go, you're gonna have to go through that

744
00:35:57,600 --> 00:35:58,360
Speaker 1: shit yourself.

745
00:35:58,640 --> 00:36:02,560
Speaker 2: So while this is the first that Agon is lost,

746
00:36:02,840 --> 00:36:06,440
Speaker 2: this ain't the first royal person he's watched die, right,

747
00:36:06,600 --> 00:36:09,000
Speaker 2: or to have someone have an untimely death, and then

748
00:36:09,080 --> 00:36:12,080
Speaker 2: the crown had to figure out ways to use that

749
00:36:12,120 --> 00:36:14,360
Speaker 2: to their advantage for whatever they were trying to do

750
00:36:14,440 --> 00:36:17,879
Speaker 2: for the greater good. And so Otto be all, he's

751
00:36:17,920 --> 00:36:20,800
Speaker 2: on Otto Pallett. He's already like all right, so look

752
00:36:21,520 --> 00:36:23,560
Speaker 2: they they in the two day in a two one

753
00:36:23,600 --> 00:36:25,120
Speaker 2: twos on what we need to do is get some

754
00:36:25,160 --> 00:36:26,960
Speaker 2: corner threes or whatever, like he already on.

755
00:36:27,920 --> 00:36:29,640
Speaker 1: He already drawn up the places right.

756
00:36:29,719 --> 00:36:33,719
Speaker 3: Everyone else is crying, you know, so Amon comes in.

757
00:36:34,840 --> 00:36:36,960
Speaker 1: There's no crime in baseball? What the hell is this?

758
00:36:37,880 --> 00:36:41,160
Speaker 3: Ain't no Amon comes I mean a gone, I'm sorry.

759
00:36:41,239 --> 00:36:46,399
Speaker 2: Agon comes in and he has the same energy of

760
00:36:47,040 --> 00:36:48,600
Speaker 2: Nino after the Carter got raided.

761
00:36:50,239 --> 00:36:53,680
Speaker 3: Your five dollars down before I change, like he.

762
00:36:53,920 --> 00:36:57,680
Speaker 2: Is coming in on ten like he's just like nigga,

763
00:36:57,719 --> 00:37:00,279
Speaker 2: you it's your fault, and it's your fault too.

764
00:37:00,680 --> 00:37:02,280
Speaker 3: Is everybody motherfucking fought?

765
00:37:02,960 --> 00:37:03,560
Speaker 1: I did it?

766
00:37:03,880 --> 00:37:05,000
Speaker 3: Tired this bullshit?

767
00:37:05,320 --> 00:37:06,040
Speaker 1: Did you do it?

768
00:37:06,520 --> 00:37:06,759
Speaker 3: Yeah?

769
00:37:06,840 --> 00:37:09,399
Speaker 2: He's like, where the fuck were y'all? When when when

770
00:37:09,440 --> 00:37:12,480
Speaker 2: a murderer tried to threaten your king? And I love

771
00:37:12,640 --> 00:37:15,879
Speaker 2: I think it was it might have been tywer landon story.

772
00:37:15,880 --> 00:37:18,040
Speaker 2: It might have been the dude they call like iron Rod,

773
00:37:18,400 --> 00:37:21,640
Speaker 2: but what them was like, they tried to kill you too.

774
00:37:22,160 --> 00:37:23,960
Speaker 3: And he's like, they tried to kill my son.

775
00:37:24,000 --> 00:37:26,560
Speaker 2: That's basically killing me, motherfucker to kill my legacy today

776
00:37:27,160 --> 00:37:28,560
Speaker 2: and I've been castrated.

777
00:37:28,600 --> 00:37:31,440
Speaker 3: He loves saying that. Okay, Dragon, calm down.

778
00:37:32,120 --> 00:37:34,560
Speaker 2: And he's like, and what the fuck was bbl chrissy

779
00:37:34,640 --> 00:37:37,600
Speaker 2: hat and Christy was like, I was a bed, my lord,

780
00:37:37,640 --> 00:37:40,239
Speaker 2: and he was like, you know, he left out that

781
00:37:40,320 --> 00:37:41,160
Speaker 2: it was Allison's.

782
00:37:43,200 --> 00:37:43,920
Speaker 3: It was abed.

783
00:37:44,440 --> 00:37:46,600
Speaker 2: Yes, she was sleeping off, she was laying on something.

784
00:37:48,120 --> 00:37:52,200
Speaker 2: And then Ido tried to calm a gone down. He's like, hey,

785
00:37:52,400 --> 00:37:55,880
Speaker 2: hey man, this ain't the time for all these blind accusations.

786
00:37:55,920 --> 00:37:57,919
Speaker 1: You're gonna get the time to fuck him up now.

787
00:37:57,960 --> 00:37:59,759
Speaker 2: It's just ain't the time right now. We need to

788
00:37:59,760 --> 00:38:02,200
Speaker 2: find out who did this. We don't close the castle

789
00:38:02,239 --> 00:38:04,640
Speaker 2: doors and like no one can get out out.

790
00:38:04,480 --> 00:38:05,480
Speaker 3: Of the castle.

791
00:38:06,200 --> 00:38:10,600
Speaker 2: Keep we rounding up everybody. We gonna find out who

792
00:38:10,640 --> 00:38:14,360
Speaker 2: did this, and he and before he can get to it.

793
00:38:14,440 --> 00:38:19,440
Speaker 3: Egon like nigga, we know who did it. The bitch queen, which.

794
00:38:20,080 --> 00:38:22,400
Speaker 2: Is a funny phrase to me in this in this world,

795
00:38:22,880 --> 00:38:26,640
Speaker 2: because the bitch sounds like some shit that just like

796
00:38:26,719 --> 00:38:29,040
Speaker 2: we say, like, you don't sound like some shit they

797
00:38:29,040 --> 00:38:34,160
Speaker 2: were saying in like nineteen twenties, I mean whatever era

798
00:38:34,280 --> 00:38:34,680
Speaker 2: this is.

799
00:38:34,800 --> 00:38:35,720
Speaker 1: Yo, bitch queen.

800
00:38:35,960 --> 00:38:38,719
Speaker 2: Yeah, but it's so fun to see him like the

801
00:38:38,800 --> 00:38:41,080
Speaker 2: bitch like this the one time it sound modern like

802
00:38:41,120 --> 00:38:41,800
Speaker 2: the bitch queen.

803
00:38:41,920 --> 00:38:43,720
Speaker 3: But he's like, the bitch did.

804
00:38:43,560 --> 00:38:45,839
Speaker 2: This ship man, you know that she did this ship

805
00:38:46,480 --> 00:38:52,080
Speaker 2: and then sneaky ass Laris walks in, Yeah, he walks

806
00:38:52,120 --> 00:38:55,000
Speaker 2: into you know, this caniving ass and he don't say

807
00:38:55,040 --> 00:38:59,200
Speaker 2: nothing at first. Agon continued throwing ship like the furniture

808
00:38:59,280 --> 00:39:01,640
Speaker 2: is the real victims this week.

809
00:39:01,640 --> 00:39:04,440
Speaker 1: Right, the furniture got his ass for no reason.

810
00:39:04,480 --> 00:39:07,400
Speaker 2: A lot of furniture died in the making of his film, Yes,

811
00:39:08,120 --> 00:39:10,799
Speaker 2: because Aigona was throwing shit. He threw some shit, Lord

812
00:39:10,880 --> 00:39:14,960
Speaker 2: d I ducked you like, oh shit, I'm just here

813
00:39:15,040 --> 00:39:17,320
Speaker 2: for the motherfucking because I don't want to get fired.

814
00:39:17,600 --> 00:39:17,839
Speaker 1: Right.

815
00:39:18,920 --> 00:39:22,080
Speaker 2: Then he turned on his mom, Allison. He's like, you

816
00:39:22,120 --> 00:39:24,280
Speaker 2: wish her life to be spared.

817
00:39:24,120 --> 00:39:24,600
Speaker 3: Because she.

818
00:39:26,480 --> 00:39:30,239
Speaker 2: Allison didn't want Raynara to die. She's hoping for a

819
00:39:30,239 --> 00:39:31,640
Speaker 2: peaceful resolution.

820
00:39:31,320 --> 00:39:32,520
Speaker 3: Because she feels bad.

821
00:39:32,880 --> 00:39:34,040
Speaker 1: She didn't want to go to war.

822
00:39:34,000 --> 00:39:36,839
Speaker 2: And she feels bad that Jays got killed. So it's

823
00:39:36,840 --> 00:39:38,960
Speaker 2: not just not going to war. But she's like, you know,

824
00:39:39,120 --> 00:39:45,160
Speaker 2: feeling guilty. Now, if the belief is Raynara sent someone

825
00:39:45,200 --> 00:39:48,520
Speaker 2: to kill the King's grand you know, the king's son,

826
00:39:49,440 --> 00:39:53,239
Speaker 2: then obviously all that shit goes off the table. But Laris,

827
00:39:54,120 --> 00:39:58,880
Speaker 2: who we know does have a soft spot for Allison.

828
00:39:59,640 --> 00:40:01,600
Speaker 2: You know he did let us let him skit on

829
00:40:01,640 --> 00:40:04,440
Speaker 2: them feats, and that goes a long way with some people,

830
00:40:04,719 --> 00:40:08,520
Speaker 2: it does, you know. And so he interrupts, Agon is like,

831
00:40:08,680 --> 00:40:12,440
Speaker 2: we found the white cloak who did this, the trader,

832
00:40:13,000 --> 00:40:15,840
Speaker 2: and we found him with the child's head in the sack,

833
00:40:16,600 --> 00:40:19,400
Speaker 2: so you know we know it was him, because at

834
00:40:19,440 --> 00:40:21,440
Speaker 2: first I was like, oh, they might have just found anybody.

835
00:40:21,440 --> 00:40:24,600
Speaker 3: They might be lying. No, they they definitely found.

836
00:40:24,640 --> 00:40:27,200
Speaker 2: If you got the head in the sack, you did

837
00:40:27,280 --> 00:40:31,080
Speaker 2: that ship, Okay, you could say it was cat head handed.

838
00:40:38,400 --> 00:40:40,160
Speaker 1: He was painting the town red withn't it?

839
00:40:42,280 --> 00:40:47,360
Speaker 2: It goes back, sorry, and it just confronts what you

840
00:40:47,520 --> 00:40:48,000
Speaker 2: was saying.

841
00:40:48,239 --> 00:40:49,759
Speaker 1: When that nigga turned around and she was.

842
00:40:49,760 --> 00:40:53,520
Speaker 5: Gone, I was like, she reported to somebody. I was like,

843
00:40:53,640 --> 00:40:57,040
Speaker 5: she told She was like, you don't belong here, sir.

844
00:40:57,280 --> 00:40:57,480
Speaker 3: Yeah.

845
00:40:57,480 --> 00:40:59,960
Speaker 2: The girl that looked like the baby with the eye

846
00:41:00,040 --> 00:41:02,920
Speaker 2: brides on the Simpsons, all grown up, she clocked that

847
00:41:03,000 --> 00:41:06,399
Speaker 2: ship and she definitely had the description and knew who

848
00:41:06,440 --> 00:41:06,920
Speaker 2: to tell.

849
00:41:07,200 --> 00:41:09,279
Speaker 5: Yeah, and it's one of them things. But she was like,

850
00:41:09,600 --> 00:41:11,800
Speaker 5: oh I checked, and ain't no rat catcher supposed to

851
00:41:11,840 --> 00:41:13,360
Speaker 5: be in here right now? Like she looked at the

852
00:41:13,400 --> 00:41:16,160
Speaker 5: schedule and was like, you're not supposed to be here.

853
00:41:16,400 --> 00:41:18,960
Speaker 5: They told us Ratchketchers was supposed to be gone by

854
00:41:19,000 --> 00:41:20,640
Speaker 5: ten pm, and it's twelve thirty.

855
00:41:20,760 --> 00:41:23,400
Speaker 3: And he was lucky. He was fumbling that damn trap.

856
00:41:23,480 --> 00:41:24,960
Speaker 3: He like he'd never seen.

857
00:41:24,800 --> 00:41:29,799
Speaker 2: The trap before, right, he hadn't, So you know now,

858
00:41:29,880 --> 00:41:32,680
Speaker 2: I do think some of the people in the and

859
00:41:32,719 --> 00:41:35,960
Speaker 2: that wasn't too broken up about it at all, Like

860
00:41:36,360 --> 00:41:39,360
Speaker 2: Tyland Lanister, I think he was like, I won't be

861
00:41:39,360 --> 00:41:41,000
Speaker 2: playing with my motherfucking egg no more.

862
00:41:41,360 --> 00:41:43,839
Speaker 1: I won't. You won't be forced to take no dog down.

863
00:41:43,840 --> 00:41:45,040
Speaker 3: I won't be good.

864
00:41:45,160 --> 00:41:48,160
Speaker 2: Yeah, you won't be getting no piggyback rides this week, motherfucker.

865
00:41:48,560 --> 00:41:50,560
Speaker 1: I bet you my ball gonna stand his place next to.

866
00:41:50,600 --> 00:41:54,000
Speaker 2: It, right, leave leave people shit alone. That's what I learned.

867
00:41:56,080 --> 00:41:58,319
Speaker 2: Egg God goes off. He like, I'm gonna go kill

868
00:41:58,400 --> 00:42:02,360
Speaker 2: blood and I don't cautions of me. He's like, hey, Larious,

869
00:42:03,480 --> 00:42:07,840
Speaker 2: you see how mad Agon is. Y'all definitely finn to

870
00:42:07,960 --> 00:42:10,759
Speaker 2: kill this dude. I get it, but can you do

871
00:42:10,920 --> 00:42:13,400
Speaker 2: your job and maybe get the information out of the.

872
00:42:13,440 --> 00:42:17,839
Speaker 3: Dude so we can know who actually is plotting on us.

873
00:42:17,920 --> 00:42:21,160
Speaker 2: How this happened who all is involved, because right now

874
00:42:21,200 --> 00:42:25,040
Speaker 2: we don't know anything other than what happened to the child.

875
00:42:25,200 --> 00:42:27,759
Speaker 2: But there has to be a lot of steps for

876
00:42:27,840 --> 00:42:30,200
Speaker 2: something like this to be able to happen to us in.

877
00:42:30,200 --> 00:42:33,120
Speaker 5: Our own key right because Ottawa's like, I've been doing

878
00:42:33,120 --> 00:42:33,959
Speaker 5: this for a long time.

879
00:42:34,000 --> 00:42:34,880
Speaker 1: We need information.

880
00:42:35,080 --> 00:42:39,160
Speaker 5: I understand everybody's mad, everybody upset, but if you kill

881
00:42:39,239 --> 00:42:41,799
Speaker 5: him with no information, it is pointless because then they

882
00:42:41,800 --> 00:42:44,680
Speaker 5: can strike again. Because we don't know if it's a

883
00:42:44,719 --> 00:42:46,839
Speaker 5: single person, it's if for multiple.

884
00:42:46,560 --> 00:42:49,040
Speaker 1: People it's a crew, it's a clique. We know nothing.

885
00:42:49,880 --> 00:42:54,759
Speaker 2: Meanwhile, Agon takes offense to this shit because he just

886
00:42:54,760 --> 00:42:56,439
Speaker 2: want to go kill the motherfucker. He don't give a fuck.

887
00:42:56,840 --> 00:42:59,520
Speaker 3: And Agon turned around, He's like, oh, well, now that

888
00:42:59,600 --> 00:43:02,319
Speaker 3: you bring up, it could be any of you motherfuckers

889
00:43:02,320 --> 00:43:05,319
Speaker 3: in this room. Who ain't her plotting on my downfall?

890
00:43:06,239 --> 00:43:06,960
Speaker 1: Huh? Is it you?

891
00:43:07,200 --> 00:43:07,879
Speaker 3: Lord d E?

892
00:43:07,960 --> 00:43:09,759
Speaker 2: I I don't know why he picked Lord d I

893
00:43:09,880 --> 00:43:11,759
Speaker 2: felt racist that brother.

894
00:43:11,800 --> 00:43:13,840
Speaker 3: Don't be saying nothing to nobody.

895
00:43:13,520 --> 00:43:15,399
Speaker 1: Like I just count the coins, That's all I do.

896
00:43:15,520 --> 00:43:19,200
Speaker 2: He definitely don't want to be on the motherfucking throne,

897
00:43:19,520 --> 00:43:19,719
Speaker 2: Like he.

898
00:43:19,840 --> 00:43:20,520
Speaker 3: Just coming to work.

899
00:43:20,520 --> 00:43:23,200
Speaker 1: He's trying to mad, but he got that position to mad.

900
00:43:23,239 --> 00:43:25,920
Speaker 2: He had to come into work late today whatever, like everybody,

901
00:43:26,040 --> 00:43:27,439
Speaker 2: the king son died.

902
00:43:27,480 --> 00:43:29,600
Speaker 3: We need y'all to come back in for second ship.

903
00:43:29,680 --> 00:43:32,600
Speaker 1: You're like, fuck, he starting mad. It's hell heading up there.

904
00:43:32,760 --> 00:43:35,280
Speaker 2: I'm in here trying to watch whatever version of Medieval

905
00:43:35,360 --> 00:43:36,759
Speaker 2: Tyler Perry we got.

906
00:43:36,760 --> 00:43:37,279
Speaker 3: Or some shit.

907
00:43:37,360 --> 00:43:39,000
Speaker 1: I gotta go up here for this bullshit.

908
00:43:39,160 --> 00:43:41,800
Speaker 2: Now, I got to be a I'll be back, honey,

909
00:43:42,320 --> 00:43:47,200
Speaker 2: And so uh Otto starts doing what he do, coaching

910
00:43:47,280 --> 00:43:47,600
Speaker 2: them up.

911
00:43:47,640 --> 00:43:48,440
Speaker 3: He started coaching.

912
00:43:48,480 --> 00:43:51,000
Speaker 2: You're like, hey, you know we can do spin this

913
00:43:51,080 --> 00:43:56,600
Speaker 2: into a pr campaign against Ronera, Okay, Agon, Like, bro,

914
00:43:56,760 --> 00:43:57,280
Speaker 2: we can't.

915
00:43:57,480 --> 00:43:57,920
Speaker 3: I done?

916
00:43:57,920 --> 00:44:01,359
Speaker 2: Got my kid doesne got killed in the fucking innerchambers

917
00:44:01,360 --> 00:44:04,719
Speaker 2: of the castle. They gonna think I'm soft and out

918
00:44:04,760 --> 00:44:08,120
Speaker 2: of like nigga, you already is, so everybody know you

919
00:44:08,280 --> 00:44:12,000
Speaker 2: so right, ain't gonna start breaking some most ship and

920
00:44:12,080 --> 00:44:14,680
Speaker 2: yelling out of like all right, tell him the truth

921
00:44:14,920 --> 00:44:15,759
Speaker 2: out of Like now that.

922
00:44:15,719 --> 00:44:18,600
Speaker 3: You got that out, your motherfucking sister. The reason you

923
00:44:18,760 --> 00:44:19,920
Speaker 3: everyone think you soft.

924
00:44:20,200 --> 00:44:22,520
Speaker 2: We had to rush your coronation because we stole the

925
00:44:22,560 --> 00:44:26,440
Speaker 2: thrown nigga coronation supposed to be some ship months playing

926
00:44:26,560 --> 00:44:28,160
Speaker 2: out like, yeah, come.

927
00:44:28,040 --> 00:44:30,720
Speaker 3: To the coronation. It's gonna be in September. Nigga.

928
00:44:30,760 --> 00:44:34,680
Speaker 2: We had a motherfucking impromptu coronation. It was like, hey, hey,

929
00:44:34,719 --> 00:44:35,879
Speaker 2: you you come on this side.

930
00:44:35,880 --> 00:44:37,439
Speaker 3: We're doing something. We're doing something real quick.

931
00:44:37,520 --> 00:44:39,879
Speaker 1: All seven kingdoms was supposed to be there. We only

932
00:44:39,920 --> 00:44:40,880
Speaker 1: got like two and a half.

933
00:44:41,080 --> 00:44:43,400
Speaker 2: Right, we had to go shut them all down to

934
00:44:43,440 --> 00:44:44,480
Speaker 2: be like everybody, come on.

935
00:44:44,880 --> 00:44:46,399
Speaker 3: Remember they marched everybody in.

936
00:44:46,600 --> 00:44:48,719
Speaker 1: Yes, they did. The people there not planning to be there.

937
00:44:48,800 --> 00:44:50,400
Speaker 5: Some people had sat down there there and they was like,

938
00:44:50,400 --> 00:44:51,680
Speaker 5: when the funk about your dinnup?

939
00:44:51,719 --> 00:44:55,200
Speaker 3: I'm just trying to buy some groceries doing this shit.

940
00:44:55,360 --> 00:44:57,640
Speaker 5: Sorry, you're getting swept up in here. I'm trying to

941
00:44:57,680 --> 00:45:00,040
Speaker 5: I'm trying to buy the new y Yo I I

942
00:45:00,080 --> 00:45:00,799
Speaker 5: found with the phone.

943
00:45:00,800 --> 00:45:02,640
Speaker 1: Will have to wait, bring your ass on their heads

944
00:45:02,680 --> 00:45:03,560
Speaker 1: coordination time.

945
00:45:04,000 --> 00:45:07,880
Speaker 2: So he's like, you had to rush your coronation. During

946
00:45:07,920 --> 00:45:11,239
Speaker 2: the coronation, a fucking dragon bust up from the.

947
00:45:11,239 --> 00:45:13,400
Speaker 1: Pit, yes, and kill people.

948
00:45:13,440 --> 00:45:14,719
Speaker 3: They're killing motherfuckers.

949
00:45:14,760 --> 00:45:17,200
Speaker 2: And then the month of your aunt just calls calls

950
00:45:17,239 --> 00:45:19,000
Speaker 2: all of us on bitches and fliers off.

951
00:45:19,560 --> 00:45:20,040
Speaker 1: Ha ha.

952
00:45:20,560 --> 00:45:24,239
Speaker 2: No one respects you, right, nobody I'm trying to coach

953
00:45:24,320 --> 00:45:27,440
Speaker 2: you up to where people will respect you, but you

954
00:45:27,640 --> 00:45:28,799
Speaker 2: not helping right now.

955
00:45:29,440 --> 00:45:31,520
Speaker 3: They think it's an omen that you shouldn't even be

956
00:45:31,560 --> 00:45:32,000
Speaker 3: the king.

957
00:45:32,520 --> 00:45:34,440
Speaker 1: But with all this shit gone wrong, but.

958
00:45:34,440 --> 00:45:37,239
Speaker 2: This gift that we've been given, which hey, I'm sorry

959
00:45:37,360 --> 00:45:40,200
Speaker 2: is my grand baby too. I love my great grands

960
00:45:40,360 --> 00:45:43,760
Speaker 2: But I'm trying to let you know we can spend

961
00:45:43,800 --> 00:45:46,680
Speaker 2: this into everyone hating her ass so that her claim

962
00:45:46,760 --> 00:45:50,040
Speaker 2: to the throne gets weaker. Because everybody that's lining up

963
00:45:50,080 --> 00:45:52,840
Speaker 2: to be like on her side and pledge their swords,

964
00:45:53,480 --> 00:45:56,440
Speaker 2: we can turn around black. So you fuck with baby killers, now, nigga,

965
00:45:56,520 --> 00:45:59,280
Speaker 2: You fuck with people that kill innocent children in their GRIBs.

966
00:46:00,000 --> 00:46:01,760
Speaker 3: Of course they're gonna be like, oh no, I didn't

967
00:46:01,800 --> 00:46:03,000
Speaker 3: mean like that, right.

968
00:46:03,080 --> 00:46:06,040
Speaker 5: They feel the pressure and things like that, And you

969
00:46:06,080 --> 00:46:07,839
Speaker 5: bring up a good point when you say, otto, don't

970
00:46:07,880 --> 00:46:09,480
Speaker 5: go through the emotional roller coaster.

971
00:46:10,040 --> 00:46:11,960
Speaker 3: He does. That's its weirdness.

972
00:46:11,840 --> 00:46:15,400
Speaker 5: Because he because he was like, I understand y'all morning,

973
00:46:15,560 --> 00:46:18,719
Speaker 5: but let's actually plan this shit out, and they're like.

974
00:46:18,840 --> 00:46:20,680
Speaker 1: We need to go through the process. It seem any

975
00:46:20,640 --> 00:46:21,920
Speaker 1: nobody got time for the process.

976
00:46:22,120 --> 00:46:24,640
Speaker 2: He's seen too much shit, so he's just a little

977
00:46:24,640 --> 00:46:27,279
Speaker 2: more disconnect thing. He's older than these people, so he's

978
00:46:27,320 --> 00:46:30,359
Speaker 2: not experiencing his emotions as like strongly as they are.

979
00:46:31,320 --> 00:46:33,600
Speaker 2: And I also think it's kind of like people that

980
00:46:33,719 --> 00:46:37,799
Speaker 2: have kids. Right, your kid is going through something, and

981
00:46:38,120 --> 00:46:41,000
Speaker 2: you know, because you're a grown ass adult, that is

982
00:46:41,080 --> 00:46:41,960
Speaker 2: not that important.

983
00:46:42,040 --> 00:46:45,120
Speaker 3: But if you have any empathy, you understand that it.

984
00:46:45,160 --> 00:46:48,560
Speaker 2: Is very important to a seven year old because of

985
00:46:48,640 --> 00:46:52,120
Speaker 2: the ever old don't know shit. So you you know,

986
00:46:52,320 --> 00:46:56,439
Speaker 2: them not getting that Valentine's Day card from the girl

987
00:46:56,480 --> 00:46:58,920
Speaker 2: they liked or the boy they liked or whoever. It

988
00:46:58,960 --> 00:47:02,600
Speaker 2: feels crushing to them in a way that you was

989
00:47:02,719 --> 00:47:05,880
Speaker 2: at forty seven is like nigga, get over it.

990
00:47:05,880 --> 00:47:08,320
Speaker 1: So like you don't even remember their name in ten years.

991
00:47:08,400 --> 00:47:10,239
Speaker 2: But you would not come up to your kid and

992
00:47:10,280 --> 00:47:11,640
Speaker 2: be like, nigga, just get over it. You know that's

993
00:47:11,719 --> 00:47:14,280
Speaker 2: bad parenting. So you gotta pretend.

994
00:47:13,920 --> 00:47:17,080
Speaker 3: Like, oh, for real, oh your day was that tough?

995
00:47:18,000 --> 00:47:20,480
Speaker 2: Alright, let's go have some cereal and talk about it.

996
00:47:21,160 --> 00:47:22,880
Speaker 2: I don't don't do that part. He just be like,

997
00:47:22,920 --> 00:47:24,560
Speaker 2: all right, your kid dead. Now, Look this is what

998
00:47:24,600 --> 00:47:26,520
Speaker 2: we're gonna do. We're gonna flip this shit into an

999
00:47:26,560 --> 00:47:29,879
Speaker 2: attack ad all right, I already got it drawn up.

1000
00:47:31,719 --> 00:47:33,640
Speaker 1: I already got the commercials made right.

1001
00:47:33,719 --> 00:47:40,239
Speaker 2: Narrow Tarkarrion says, she loves children, but does she are

1002
00:47:40,280 --> 00:47:47,160
Speaker 2: your children safe in they cribs? She had the latest

1003
00:47:47,239 --> 00:47:53,919
Speaker 2: term abortion we've ever seen. So he's like, look now

1004
00:47:53,920 --> 00:47:55,799
Speaker 2: the people are gonna denounce her. They're gonna get off

1005
00:47:55,800 --> 00:47:59,640
Speaker 2: her side. Jake Harris, the Prince will do more for

1006
00:47:59,760 --> 00:48:02,560
Speaker 2: us and death and a thousand knights could in battle.

1007
00:48:03,280 --> 00:48:04,880
Speaker 3: You will have your war, your grace.

1008
00:48:04,920 --> 00:48:07,359
Speaker 2: But if you wait a short time, you can met

1009
00:48:07,480 --> 00:48:10,120
Speaker 2: you can double your strength mote, because now you can

1010
00:48:10,239 --> 00:48:12,680
Speaker 2: use this as a rally and crimea send out the ravens.

1011
00:48:12,960 --> 00:48:15,480
Speaker 2: We're gonna get everybody on the group text we fit

1012
00:48:15,600 --> 00:48:16,239
Speaker 2: to come through.

1013
00:48:16,400 --> 00:48:18,720
Speaker 5: It's about to make more people be on your side

1014
00:48:18,800 --> 00:48:20,680
Speaker 5: so that when it's time to go to war we

1015
00:48:20,760 --> 00:48:23,440
Speaker 5: can crush them. He's like, the ship you're doing right

1016
00:48:23,480 --> 00:48:25,239
Speaker 5: now is so short sighted.

1017
00:48:24,920 --> 00:48:27,319
Speaker 2: Because it's a sympathetic you know, I mean, who the

1018
00:48:27,320 --> 00:48:28,000
Speaker 2: fuck is hey?

1019
00:48:28,040 --> 00:48:30,200
Speaker 3: Someone killed somebody? Baby? Okay, we're voe with them.

1020
00:48:30,280 --> 00:48:34,000
Speaker 2: It's pretty easy, right, So then, Amon, he's still not

1021
00:48:34,160 --> 00:48:36,040
Speaker 2: I mean agon, he's still not convinced.

1022
00:48:36,160 --> 00:48:37,080
Speaker 3: He asked his mama.

1023
00:48:37,200 --> 00:48:40,719
Speaker 2: Allison like, what you think, Mama, And because they had

1024
00:48:40,760 --> 00:48:43,239
Speaker 2: that talk last week between Ottaw and Allison about being

1025
00:48:43,320 --> 00:48:46,000
Speaker 2: on the same side of shit, She's like, do what

1026
00:48:46,160 --> 00:48:48,799
Speaker 2: you gotta do? What Idot say he right, And He's

1027
00:48:48,880 --> 00:48:51,800
Speaker 2: like all right, and Otto's like cool, So we're gonna

1028
00:48:51,800 --> 00:48:56,359
Speaker 2: do it. We need to have a funeral possession, and

1029
00:48:56,480 --> 00:49:00,400
Speaker 2: we need to have so the world y all can

1030
00:49:00,440 --> 00:49:03,680
Speaker 2: see your son and the realness of the death and

1031
00:49:03,719 --> 00:49:06,680
Speaker 2: all that stuff. And once again a god is now.

1032
00:49:06,920 --> 00:49:09,080
Speaker 2: I don't like this, man, You're gonna have my son

1033
00:49:09,520 --> 00:49:12,960
Speaker 2: paraded around through the streets like a dead dog. And

1034
00:49:13,000 --> 00:49:17,200
Speaker 2: he's like, no, man, it's gonna get people to have sympathy.

1035
00:49:17,600 --> 00:49:21,040
Speaker 2: And it's also gonna end up honoring your son.

1036
00:49:21,280 --> 00:49:23,759
Speaker 1: Yeah, because okay, when people witness first hand, they've spread

1037
00:49:23,840 --> 00:49:24,200
Speaker 1: the word.

1038
00:49:24,480 --> 00:49:27,080
Speaker 2: Well, he's like, it's not We're not dragging your son

1039
00:49:27,120 --> 00:49:29,760
Speaker 2: through the streets like a dog, he said, not dragged, honored,

1040
00:49:30,280 --> 00:49:32,319
Speaker 2: escorted to the dragon pit to be burned as a

1041
00:49:32,360 --> 00:49:35,880
Speaker 2: targarian prince. Let no one say I do not grieve

1042
00:49:36,120 --> 00:49:38,520
Speaker 2: Ja Harris was my grandson, great grandson.

1043
00:49:38,880 --> 00:49:41,879
Speaker 3: I loved him. I will not have him die in vain.

1044
00:49:42,120 --> 00:49:45,160
Speaker 2: Those who declare for right now, will they still support

1045
00:49:45,239 --> 00:49:48,000
Speaker 2: her when they hear of her depravity or would they

1046
00:49:48,080 --> 00:49:51,120
Speaker 2: rather now denounce her? Jaeharris will do more for us

1047
00:49:51,120 --> 00:49:53,520
Speaker 2: in death than a thousand knights in battle. You will

1048
00:49:53,560 --> 00:49:56,359
Speaker 2: have your war, your grace. If you wait a short time,

1049
00:49:56,400 --> 00:49:59,759
Speaker 2: you may yet double your strength. So boom, they gonna

1050
00:49:59,760 --> 00:50:02,480
Speaker 2: deal it cause she looking bigger picture, right, And then

1051
00:50:02,520 --> 00:50:07,239
Speaker 2: he says like afterwards, like, also, Allison, you're gonna be

1052
00:50:07,280 --> 00:50:09,000
Speaker 2: on the wagon behind the body.

1053
00:50:09,120 --> 00:50:10,880
Speaker 1: That's when she was like, I might not should agree

1054
00:50:10,920 --> 00:50:12,800
Speaker 1: that it's playing nigga.

1055
00:50:12,840 --> 00:50:15,200
Speaker 3: We didn't talk about that. He's like, just do do

1056
00:50:15,280 --> 00:50:15,799
Speaker 3: what I say.

1057
00:50:16,000 --> 00:50:18,040
Speaker 1: Remember trying to get shipped done now.

1058
00:50:17,960 --> 00:50:21,640
Speaker 3: Trying to get some sacrifice got to be made. And

1059
00:50:21,680 --> 00:50:22,520
Speaker 3: he's like, oh.

1060
00:50:22,640 --> 00:50:26,359
Speaker 2: Also, you know, And they don't say it out loud,

1061
00:50:26,400 --> 00:50:30,520
Speaker 2: but later Allison goes to Helena's room and Helena's.

1062
00:50:29,960 --> 00:50:33,960
Speaker 3: In there, you know, doing her thing like holding that that.

1063
00:50:34,160 --> 00:50:36,280
Speaker 2: I think it's even the same thing she was knitting

1064
00:50:36,440 --> 00:50:44,320
Speaker 2: in the first episode, and uh, Allison comes in the

1065
00:50:44,440 --> 00:50:46,200
Speaker 2: room and she's like, hey, so we both got to

1066
00:50:46,200 --> 00:50:50,680
Speaker 2: go to the funeral procession, and man, Helena is just

1067
00:50:50,760 --> 00:50:52,239
Speaker 2: a person made after my own heart.

1068
00:50:52,440 --> 00:50:54,759
Speaker 1: She was like no, like, why the fuck would I

1069
00:50:54,800 --> 00:50:56,120
Speaker 1: do that? I don't know the people.

1070
00:50:56,280 --> 00:51:00,040
Speaker 2: And Alison like, because we need the people to be

1071
00:51:00,120 --> 00:51:02,359
Speaker 2: closer to us so they support us at our right

1072
00:51:02,400 --> 00:51:05,640
Speaker 2: to the throne. And Helene was like, man, fuck that,

1073
00:51:05,719 --> 00:51:07,759
Speaker 2: I don't want to do that. Fuck them people. And

1074
00:51:07,840 --> 00:51:11,480
Speaker 2: she was like, well, you know, I'm going and sometimes

1075
00:51:11,480 --> 00:51:14,120
Speaker 2: you just have to pretend. We're just gonna basically go

1076
00:51:14,160 --> 00:51:16,040
Speaker 2: out there and play, pretend to get the people on

1077
00:51:16,080 --> 00:51:19,640
Speaker 2: our side and they'll go closer to us. And and

1078
00:51:20,080 --> 00:51:23,280
Speaker 2: man if Helene ain't sound like me at parties, she said.

1079
00:51:23,040 --> 00:51:26,640
Speaker 3: I don't want them closer. I don't know them. I said, yes, yes.

1080
00:51:26,640 --> 00:51:29,360
Speaker 1: Who are these people? These are strangers I'm used to

1081
00:51:29,440 --> 00:51:30,320
Speaker 1: being in the castle.

1082
00:51:30,520 --> 00:51:32,719
Speaker 3: She was like, who all gonna be there at the

1083
00:51:32,760 --> 00:51:33,560
Speaker 3: fucking funerals?

1084
00:51:34,160 --> 00:51:34,480
Speaker 1: Be there?

1085
00:51:34,760 --> 00:51:36,840
Speaker 3: Okay, I don't want these strangers, don't me?

1086
00:51:37,680 --> 00:51:40,680
Speaker 1: Who gonna be on the horse horses pulling up pulling

1087
00:51:40,719 --> 00:51:41,120
Speaker 1: the buggy?

1088
00:51:41,400 --> 00:51:43,319
Speaker 3: I know y'all think I'm crazy. I'm not that.

1089
00:51:43,400 --> 00:51:48,600
Speaker 2: Crazy, right, So then in a Horsey procession, and keep

1090
00:51:48,600 --> 00:51:51,040
Speaker 2: in mind, I think this is a very valid feeling.

1091
00:51:52,640 --> 00:51:59,160
Speaker 2: Someone aka strangers aka the people snuck into the castle

1092
00:51:59,200 --> 00:52:02,719
Speaker 2: and kill her fucking son, right, So pardon me if

1093
00:52:02,760 --> 00:52:04,640
Speaker 2: I don't like being around strangers, I'm not.

1094
00:52:04,719 --> 00:52:07,560
Speaker 3: I don't feel safe in the keep. Damn sure, ain't

1095
00:52:07,600 --> 00:52:08,719
Speaker 3: going in the streets.

1096
00:52:09,280 --> 00:52:13,200
Speaker 2: But she but they she has to go, and Alison's

1097
00:52:13,360 --> 00:52:16,560
Speaker 2: you know knows, Helena is mad and confused, but they

1098
00:52:16,640 --> 00:52:20,640
Speaker 2: gonna go, and then she gives al Helena gives Alison

1099
00:52:20,800 --> 00:52:23,319
Speaker 2: the thing she was knitting, which I think ends up

1100
00:52:23,360 --> 00:52:25,640
Speaker 2: being the thing that they put on her son's body

1101
00:52:26,800 --> 00:52:27,360
Speaker 2: when when.

1102
00:52:27,239 --> 00:52:28,360
Speaker 3: They go through the streets.

1103
00:52:28,920 --> 00:52:34,080
Speaker 2: Uh So, then Allison tries to get one last little

1104
00:52:34,080 --> 00:52:38,520
Speaker 2: bit of conversation in there. She's like, so, remember when

1105
00:52:38,520 --> 00:52:39,920
Speaker 2: you came in the room the other day and you

1106
00:52:40,000 --> 00:52:44,680
Speaker 2: seen Chrissy and me going to Poundtown and Helena just like,

1107
00:52:44,719 --> 00:52:45,880
Speaker 2: take the blake and leave me alone.

1108
00:52:46,360 --> 00:52:47,320
Speaker 1: I ain't got shit to do with that.

1109
00:52:47,840 --> 00:52:50,360
Speaker 3: She said this for this for my boy, and just turn.

1110
00:52:50,200 --> 00:52:52,279
Speaker 1: Around, right, She was like, I don't give what you're

1111
00:52:52,280 --> 00:52:52,719
Speaker 1: talking about.

1112
00:52:52,760 --> 00:52:54,839
Speaker 2: She picked up a little elephant toy started playing with that,

1113
00:52:54,920 --> 00:52:58,960
Speaker 2: like the girl stop, and Allison's like.

1114
00:52:58,960 --> 00:53:00,479
Speaker 3: Okay, but mama can have a life too.

1115
00:53:01,040 --> 00:53:08,000
Speaker 2: Okay, I'm sorry, but man, just because you ain't, you know,

1116
00:53:08,360 --> 00:53:10,600
Speaker 2: I let the old man crush me for days. I

1117
00:53:10,640 --> 00:53:13,560
Speaker 2: had to get some of this. They do the funeral

1118
00:53:13,560 --> 00:53:17,959
Speaker 2: possession the small folk watch. It's a gruesome little scene, man,

1119
00:53:18,160 --> 00:53:20,200
Speaker 2: like this is the days of like who.

1120
00:53:19,960 --> 00:53:20,640
Speaker 3: Did the body?

1121
00:53:20,800 --> 00:53:23,719
Speaker 2: Apparently whoever make cabbage patch dolls they sold their little

1122
00:53:23,760 --> 00:53:27,560
Speaker 2: baby head back on. It was just jiggling around with

1123
00:53:27,680 --> 00:53:31,640
Speaker 2: strings and just jiggling around all over because King's landing.

1124
00:53:31,680 --> 00:53:35,440
Speaker 2: Don't don't use the tax money, fix them potholes, okay, the.

1125
00:53:37,000 --> 00:53:38,160
Speaker 3: Pioles for the poores.

1126
00:53:38,239 --> 00:53:40,680
Speaker 2: Okay, we don't need to keep why do we need

1127
00:53:41,080 --> 00:53:45,240
Speaker 2: good streets? And so the fucking the the funeral possession

1128
00:53:45,280 --> 00:53:49,279
Speaker 2: is just like rolling around all this shit. People are

1129
00:53:49,719 --> 00:53:52,799
Speaker 2: hollering words of support, words of condemnation for rin Era.

1130
00:53:53,280 --> 00:53:56,719
Speaker 2: They have like a town crier type dude who is

1131
00:53:56,800 --> 00:53:59,799
Speaker 2: riding behind them and he basically like putting it on

1132
00:54:00,040 --> 00:54:02,640
Speaker 2: little blast on the speakers, like just shitting all right there.

1133
00:54:02,680 --> 00:54:04,479
Speaker 3: He's like, this is.

1134
00:54:04,400 --> 00:54:08,040
Speaker 2: The work of right narrow targarian pretender to the throne,

1135
00:54:08,520 --> 00:54:10,840
Speaker 2: king slayer, the ops.

1136
00:54:10,719 --> 00:54:13,600
Speaker 3: The ballot of the innocent, Behold.

1137
00:54:13,160 --> 00:54:15,920
Speaker 1: The work of rnar the cruel ray Narra did this

1138
00:54:15,960 --> 00:54:19,320
Speaker 1: ship on thanks show with shame? Shame would ringing the

1139
00:54:19,400 --> 00:54:20,759
Speaker 1: damn bell she looked like.

1140
00:54:20,719 --> 00:54:24,920
Speaker 2: A discount me on Etsy right there, the bitch like

1141
00:54:24,960 --> 00:54:27,279
Speaker 2: it was just like, never did this ship. Yeah, there's

1142
00:54:27,320 --> 00:54:29,359
Speaker 2: a lot of like, you know here, ye ain't here,

1143
00:54:29,480 --> 00:54:33,440
Speaker 2: ye ain't she did it fifty so so it's just

1144
00:54:33,600 --> 00:54:36,000
Speaker 2: you know, dissing it all through the streets. The people

1145
00:54:36,040 --> 00:54:37,799
Speaker 2: are eating it up. You can see some of them

1146
00:54:37,840 --> 00:54:38,160
Speaker 2: take on the.

1147
00:54:38,200 --> 00:54:40,600
Speaker 3: Language, like right narrow at the cruel, I hate her,

1148
00:54:40,840 --> 00:54:41,720
Speaker 3: you know all that stuff.

1149
00:54:43,440 --> 00:54:48,040
Speaker 2: And while this is happening, we also have like the

1150
00:54:48,160 --> 00:54:50,800
Speaker 2: scene where they got blood in the in the in

1151
00:54:50,880 --> 00:54:55,399
Speaker 2: the torture of chamber sails, sneaky ass Laris is down

1152
00:54:55,480 --> 00:54:58,360
Speaker 2: there with he lays down the torch.

1153
00:54:58,200 --> 00:55:02,359
Speaker 3: Of instruments on the table and wraps and I gotta

1154
00:55:02,400 --> 00:55:02,680
Speaker 3: give it.

1155
00:55:02,719 --> 00:55:06,120
Speaker 2: Up the blood because bloody they wrote blood the way.

1156
00:55:06,200 --> 00:55:08,480
Speaker 2: I don't know why this isn't in every movie, because

1157
00:55:08,480 --> 00:55:10,440
Speaker 2: I really truly believe this is how it would happen

1158
00:55:10,560 --> 00:55:16,759
Speaker 2: with us unless you trained right. But blood is like, bro,

1159
00:55:16,960 --> 00:55:18,840
Speaker 2: you could you could put all that ship up. You

1160
00:55:19,800 --> 00:55:22,560
Speaker 2: ain't gotta go through this bullshit like you gonna. I

1161
00:55:22,600 --> 00:55:24,800
Speaker 2: don't know why you even pulled out appliers and you

1162
00:55:24,840 --> 00:55:26,640
Speaker 2: know you're gonna put all that ship back up.

1163
00:55:26,719 --> 00:55:27,480
Speaker 3: It was Damon.

1164
00:55:28,440 --> 00:55:31,440
Speaker 2: He told us to go in there and kill Amon

1165
00:55:31,760 --> 00:55:35,480
Speaker 2: and if and if not, just kill some tagaran.

1166
00:55:35,000 --> 00:55:37,239
Speaker 3: A son for a son. He hooked me up with

1167
00:55:37,320 --> 00:55:39,480
Speaker 3: a rat catcher. I don't know his name, I know

1168
00:55:39,560 --> 00:55:41,640
Speaker 3: what he looked like, give me a picture. I'll tell

1169
00:55:41,640 --> 00:55:42,160
Speaker 3: you what it is.

1170
00:55:42,239 --> 00:55:44,400
Speaker 1: Right, you put him in the lineup. I pointed him out, boss.

1171
00:55:44,880 --> 00:55:45,960
Speaker 3: They put me up to it.

1172
00:55:46,160 --> 00:55:48,440
Speaker 2: So, I mean, we should be all good with the

1173
00:55:48,520 --> 00:55:51,560
Speaker 2: torture ship. Man, y'all gonna y'all gonna hurt me, and

1174
00:55:51,640 --> 00:55:54,640
Speaker 2: y'all gonna what y'all finna do. And Larius is like,

1175
00:55:54,880 --> 00:55:55,760
Speaker 2: I'm not gonna.

1176
00:55:55,560 --> 00:55:59,560
Speaker 3: Hurt you, but I cannot vouch for the king. And

1177
00:55:59,640 --> 00:56:02,480
Speaker 3: then of course Agon coming there with a mace and

1178
00:56:02,760 --> 00:56:03,800
Speaker 3: just kills blood.

1179
00:56:05,520 --> 00:56:09,800
Speaker 2: They never found out which fucking rat catcher helped him.

1180
00:56:10,160 --> 00:56:12,680
Speaker 1: You know, which is what Otto wanted them to do.

1181
00:56:13,719 --> 00:56:17,319
Speaker 2: I know Otto, so I know he was so mad.

1182
00:56:18,320 --> 00:56:21,440
Speaker 2: I know, we'll get to that point. I mean, come on, man,

1183
00:56:21,520 --> 00:56:22,680
Speaker 2: you had one fucking job.

1184
00:56:22,800 --> 00:56:26,000
Speaker 1: Larry. He was rightfully upset, like like like that anger.

1185
00:56:26,239 --> 00:56:28,399
Speaker 5: Later on, I was like, oh, I get it, Yeah,

1186
00:56:28,840 --> 00:56:31,839
Speaker 5: I get it, and like you say, it's like, hey,

1187
00:56:32,000 --> 00:56:35,960
Speaker 5: you could have bottom in the lineup or something of

1188
00:56:36,080 --> 00:56:36,760
Speaker 5: the rat catcher.

1189
00:56:36,880 --> 00:56:38,600
Speaker 1: Cool, who on the rat can keep it on?

1190
00:56:38,800 --> 00:56:42,439
Speaker 3: The rat catcher might know some shit too, Like knowing

1191
00:56:42,520 --> 00:56:44,759
Speaker 3: who the rat catcher is is just one part of it.

1192
00:56:45,239 --> 00:56:48,520
Speaker 3: You could have found out the stuff about Massaria.

1193
00:56:49,520 --> 00:56:51,080
Speaker 2: You could have found you know what I'm saying, Like,

1194
00:56:51,120 --> 00:56:53,040
Speaker 2: you could have found out so much because this dude's

1195
00:56:53,080 --> 00:56:53,719
Speaker 2: a resource.

1196
00:56:53,840 --> 00:56:56,360
Speaker 3: Like you know, you could have set a trap for Damon.

1197
00:56:56,520 --> 00:56:57,959
Speaker 3: You could have done so much shit.

1198
00:56:58,040 --> 00:57:01,320
Speaker 5: And that's the ship, right, that's the ship out of

1199
00:57:01,480 --> 00:57:03,920
Speaker 5: was like, you got to go deep if you're actually

1200
00:57:03,960 --> 00:57:05,319
Speaker 5: trying to get at your enemy.

1201
00:57:05,680 --> 00:57:05,879
Speaker 1: Right.

1202
00:57:06,719 --> 00:57:10,120
Speaker 3: So then, Uh, during the funeral possession, Helena looks up.

1203
00:57:10,239 --> 00:57:13,120
Speaker 3: People are throwing maybe like flowers.

1204
00:57:12,760 --> 00:57:14,600
Speaker 1: Or something green. I don't know what that.

1205
00:57:14,760 --> 00:57:16,160
Speaker 3: Yeah, I don't know what it was they was throwing.

1206
00:57:17,240 --> 00:57:20,240
Speaker 2: Maybe she was having a vision, I don't know, and green.

1207
00:57:20,480 --> 00:57:23,800
Speaker 2: But she gets very visibly uncomfortable.

1208
00:57:24,240 --> 00:57:25,680
Speaker 1: Like she was having an anxiety attack.

1209
00:57:25,960 --> 00:57:29,440
Speaker 3: Yeah, because all these it's over stimulation. She's grieving.

1210
00:57:30,200 --> 00:57:32,480
Speaker 2: Uh, strangers kill their baby and there's a bunch of

1211
00:57:32,520 --> 00:57:35,400
Speaker 2: strangers in the street yelling shit at her. Now they're

1212
00:57:35,440 --> 00:57:38,439
Speaker 2: not angry upset with her, but they're clearly she don't

1213
00:57:38,520 --> 00:57:41,880
Speaker 2: know these people, and she's lived a very h I'd

1214
00:57:41,960 --> 00:57:45,200
Speaker 2: imagine a kind of a charmed existence at the time

1215
00:57:45,360 --> 00:57:48,600
Speaker 2: for a person that has uh the gift or the

1216
00:57:48,680 --> 00:57:50,960
Speaker 2: disability depends on how you find it.

1217
00:57:51,520 --> 00:57:54,240
Speaker 1: She hasd like that right.

1218
00:57:54,360 --> 00:57:56,360
Speaker 2: So she's kind of been able to like have a

1219
00:57:56,480 --> 00:57:59,400
Speaker 2: controlled environment around her. And the streets is not controlled.

1220
00:57:59,480 --> 00:58:03,040
Speaker 2: So they get stuck in a pothole, and man, I

1221
00:58:03,080 --> 00:58:04,960
Speaker 2: saw that little babyhead was fit in the fly off.

1222
00:58:05,000 --> 00:58:08,400
Speaker 2: I said, Oh, I thought it was street like this

1223
00:58:08,520 --> 00:58:10,000
Speaker 2: is gonna be when we need to know who did

1224
00:58:10,080 --> 00:58:13,720
Speaker 2: the body because this motherfucking head come off off with

1225
00:58:13,800 --> 00:58:16,920
Speaker 2: your head too, you like, you gotta die, but the

1226
00:58:17,000 --> 00:58:17,960
Speaker 2: stitches held strong.

1227
00:58:19,840 --> 00:58:21,680
Speaker 3: Then, uh, you know the.

1228
00:58:22,440 --> 00:58:25,480
Speaker 1: Lady because you know, the probably the ladies in the

1229
00:58:25,560 --> 00:58:27,280
Speaker 1: house was probably like.

1230
00:58:29,120 --> 00:58:31,120
Speaker 3: You know, they were praying the Silent Sisters.

1231
00:58:31,200 --> 00:58:32,800
Speaker 1: Yeah, they was like one of us got to die

1232
00:58:33,440 --> 00:58:34,880
Speaker 1: if that falls off, y'all.

1233
00:58:35,080 --> 00:58:36,880
Speaker 3: So Allison comforts.

1234
00:58:37,920 --> 00:58:43,200
Speaker 2: Comforts uh uh uh Helena, and then Sir Eric and

1235
00:58:43,240 --> 00:58:45,280
Speaker 2: them try to make sure the carriage gets out the road.

1236
00:58:46,840 --> 00:58:49,600
Speaker 2: Later in the castle, Helena and Agon pass each other,

1237
00:58:49,680 --> 00:58:51,920
Speaker 2: the king and the queen, and they don't speak. She

1238
00:58:52,080 --> 00:58:53,880
Speaker 2: does stop to look at him to see if he'll

1239
00:58:53,920 --> 00:58:55,120
Speaker 2: say something, right.

1240
00:58:55,240 --> 00:58:59,520
Speaker 1: I was like, you not even gonna mourn nothing, just lying.

1241
00:58:59,640 --> 00:59:02,640
Speaker 2: I I guess I think this is a thing too

1242
00:59:02,720 --> 00:59:07,280
Speaker 2: where the anger gives him a focus. And I don't

1243
00:59:07,320 --> 00:59:12,080
Speaker 2: think they ever had love, you know, their brother and sister,

1244
00:59:12,240 --> 00:59:16,480
Speaker 2: but he's he's only with her so they can have

1245
00:59:16,840 --> 00:59:18,320
Speaker 2: offspring that can be royal.

1246
00:59:18,560 --> 00:59:21,600
Speaker 3: He has no love or anything for her.

1247
00:59:22,960 --> 00:59:25,600
Speaker 2: You know, we've heard about him sexually assaulted maids and

1248
00:59:25,680 --> 00:59:29,920
Speaker 2: ship around the castle and even getting one pregnant at

1249
00:59:29,920 --> 00:59:32,120
Speaker 2: one point. So this is not a dude that like,

1250
00:59:32,960 --> 00:59:35,680
Speaker 2: even as a parent, was even co parenting with her.

1251
00:59:35,760 --> 00:59:37,800
Speaker 2: Really it was he was like the fun daddy that

1252
00:59:38,000 --> 00:59:40,960
Speaker 2: just takes kids to work and that's that's it.

1253
00:59:41,200 --> 00:59:44,080
Speaker 3: You know, then you can have them, you know, real work.

1254
00:59:44,400 --> 00:59:45,720
Speaker 3: So they have no real connection.

1255
00:59:46,520 --> 00:59:49,200
Speaker 2: He doesn't speak, and she goes, you know, up theirs

1256
00:59:49,240 --> 00:59:53,600
Speaker 2: to a room uh bbl Chrissy looks overlooks at the

1257
00:59:53,720 --> 00:59:59,000
Speaker 2: help cleaning out the Jaharis's uh chambers and you know

1258
00:59:59,120 --> 01:00:02,480
Speaker 2: the bloody how where the baby was killed and stuff.

1259
01:00:04,080 --> 01:00:04,560
Speaker 3: Mm hmmm.

1260
01:00:04,760 --> 01:00:09,560
Speaker 2: And so then Allison goes to take a bath, but

1261
01:00:09,680 --> 01:00:11,280
Speaker 2: she only has one attendant now.

1262
01:00:11,840 --> 01:00:14,360
Speaker 3: And she got rid of everybody, and she kicks that

1263
01:00:14,440 --> 01:00:16,640
Speaker 3: attendant out when she's actually about to get naked.

1264
01:00:17,680 --> 01:00:21,200
Speaker 2: Yep, and outside we see BBL chrisy is standing in

1265
01:00:21,280 --> 01:00:24,840
Speaker 2: guard and she's like, after the woman's out of earshot,

1266
01:00:24,920 --> 01:00:27,000
Speaker 2: she's like, did you tell anybody?

1267
01:00:27,920 --> 01:00:30,400
Speaker 3: He looked at her like, nigga, are you fucking serious?

1268
01:00:31,280 --> 01:00:31,760
Speaker 3: Tell them?

1269
01:00:32,040 --> 01:00:34,840
Speaker 2: Like already it's supposed to be a death sentence that

1270
01:00:34,880 --> 01:00:38,840
Speaker 2: I'm fucking one of the royals right period. But two, like,

1271
01:00:39,640 --> 01:00:41,360
Speaker 2: why the fuck would I tell somebody at a time

1272
01:00:41,480 --> 01:00:43,000
Speaker 2: like this when they would be like, and that's why

1273
01:00:43,080 --> 01:00:46,760
Speaker 2: the son got killed, We're gonna have to kill you, yes, sir.

1274
01:00:47,360 --> 01:00:48,800
Speaker 3: So he said, what do you take me for?

1275
01:00:49,000 --> 01:00:51,720
Speaker 2: And she said one who seeks absolution, which I actually

1276
01:00:51,760 --> 01:00:54,760
Speaker 2: thought was a good, good line because he does give

1277
01:00:54,880 --> 01:00:57,760
Speaker 2: that vibe. But we all know he's a fake ass hypocrite,

1278
01:00:57,800 --> 01:01:01,760
Speaker 2: so actually he's not a guy that seeks absolutetion for real,

1279
01:01:01,880 --> 01:01:05,560
Speaker 2: for real. And he said, there is none for what

1280
01:01:05,800 --> 01:01:10,520
Speaker 2: I've done. She then goes inside takes a bath in solitude.

1281
01:01:11,840 --> 01:01:14,080
Speaker 2: I love the camera angle on this because one of

1282
01:01:14,120 --> 01:01:17,360
Speaker 2: the camera angles is like a moving shaky cam from

1283
01:01:17,560 --> 01:01:21,120
Speaker 2: behind a vent, which gives you this waryor feeling of

1284
01:01:21,320 --> 01:01:24,480
Speaker 2: like she's still being watched even when she's alone. And

1285
01:01:24,560 --> 01:01:26,919
Speaker 2: then she submerges herself under the water in the tub,

1286
01:01:27,280 --> 01:01:29,520
Speaker 2: and it's this feeling of like she can't really have

1287
01:01:29,760 --> 01:01:32,720
Speaker 2: privacy or she can't trust the people around her because

1288
01:01:32,720 --> 01:01:36,240
Speaker 2: they work for Laris and so, you know, and she's

1289
01:01:36,280 --> 01:01:39,439
Speaker 2: truly alone because you know, before this, Christy is coming

1290
01:01:39,480 --> 01:01:41,680
Speaker 2: in there beating it down, but they it's too hot

1291
01:01:41,760 --> 01:01:44,080
Speaker 2: right now, you gotta stay outside and do his job.

1292
01:01:44,280 --> 01:01:46,400
Speaker 1: Where he would have been when she was running up

1293
01:01:46,400 --> 01:01:48,200
Speaker 1: and he'd have seen her wib before she got there.

1294
01:01:49,000 --> 01:01:52,440
Speaker 2: Later on BBL Chrissy goes to the cafeteria Sir Eric,

1295
01:01:52,520 --> 01:01:53,560
Speaker 2: and there eating some soup.

1296
01:01:54,840 --> 01:01:56,560
Speaker 3: BBL Chrissie stands.

1297
01:01:56,240 --> 01:01:59,360
Speaker 2: Over Eric and you know that uncomfortable thing with someone

1298
01:01:59,400 --> 01:02:01,520
Speaker 2: standing behind you so close you got to turn around.

1299
01:02:02,040 --> 01:02:03,160
Speaker 1: Yeah, they force you to speak.

1300
01:02:03,400 --> 01:02:05,200
Speaker 2: Now, there's other people in the eating they soup too,

1301
01:02:05,320 --> 01:02:07,760
Speaker 2: But for some fucking reason, he just stands up on

1302
01:02:08,000 --> 01:02:11,000
Speaker 2: Eric with an a and he's like and Eric, of

1303
01:02:11,040 --> 01:02:14,240
Speaker 2: course is one of the twins, and he's like, hey,

1304
01:02:17,160 --> 01:02:19,040
Speaker 2: Eric turns around like, damn man, what's up bro?

1305
01:02:19,680 --> 01:02:19,800
Speaker 1: Now?

1306
01:02:19,880 --> 01:02:23,240
Speaker 2: Of course BBL Chrissy is the he is the boss

1307
01:02:24,160 --> 01:02:28,000
Speaker 2: of the King's Guard. So Eric worked for him, and

1308
01:02:28,120 --> 01:02:31,919
Speaker 2: he's like, I see your cloak soor and he's like, yeah,

1309
01:02:32,640 --> 01:02:35,000
Speaker 2: probably because I had to do the funeral possession yesterday.

1310
01:02:35,960 --> 01:02:37,959
Speaker 3: I've been in the streets, mug got on my shit,

1311
01:02:38,200 --> 01:02:39,080
Speaker 3: I'm hungry, I.

1312
01:02:39,440 --> 01:02:41,960
Speaker 2: Ate in the day, I'm after I eat, I go

1313
01:02:42,000 --> 01:02:46,960
Speaker 2: ahead and I change my car and BBL Christy is like, nah,

1314
01:02:47,160 --> 01:02:47,720
Speaker 2: change it now.

1315
01:02:49,080 --> 01:02:52,600
Speaker 3: It's a symbol of our purity and fidelity. King's Guard

1316
01:02:52,720 --> 01:02:56,120
Speaker 3: is a sacred trust. Would you so easily sully our honor?

1317
01:02:56,200 --> 01:02:57,960
Speaker 3: And I said, I know this, motherfucker.

1318
01:02:58,040 --> 01:03:00,880
Speaker 2: I was like that out of your mouth, sir, I

1319
01:03:01,120 --> 01:03:07,240
Speaker 2: know this queen fucking ass dude. I know you ain't

1320
01:03:07,240 --> 01:03:10,480
Speaker 2: talking about no goddamn honor and no white cloaks sight

1321
01:03:11,480 --> 01:03:15,920
Speaker 2: And Chrissy, you know, is his boss.

1322
01:03:16,000 --> 01:03:20,320
Speaker 3: So Ericon got a choice. So he basically like, all right, fine,

1323
01:03:20,480 --> 01:03:24,640
Speaker 3: I'm gonna go change it right now. But Chrisy wanted

1324
01:03:24,720 --> 01:03:25,360
Speaker 3: to start a fight.

1325
01:03:25,680 --> 01:03:27,200
Speaker 1: Yes, that was his whole purpose.

1326
01:03:27,320 --> 01:03:29,640
Speaker 2: So he just asked him straight up in front of everybody.

1327
01:03:29,720 --> 01:03:32,160
Speaker 2: This motherfucker's sitting there eating their food. He's like, hey,

1328
01:03:33,320 --> 01:03:36,000
Speaker 2: what was you at when Ja Harris's murder. Eric's like,

1329
01:03:36,080 --> 01:03:38,120
Speaker 2: I was protecting the king in the throne room because

1330
01:03:38,120 --> 01:03:40,080
Speaker 2: he wanted a chill with his homies and come up

1331
01:03:40,120 --> 01:03:41,720
Speaker 2: with dragoncock nicknames and shit.

1332
01:03:42,040 --> 01:03:43,000
Speaker 3: But that's my job.

1333
01:03:44,040 --> 01:03:45,600
Speaker 1: He like, what's that you claim?

1334
01:03:46,400 --> 01:03:48,680
Speaker 2: And he was like, Christy's like, you ain't think to

1335
01:03:48,720 --> 01:03:53,000
Speaker 2: go upstairs. You ain't think to go check on the babies.

1336
01:03:53,040 --> 01:03:56,560
Speaker 3: And He's like no, and now we fucking talking about it.

1337
01:03:57,400 --> 01:03:58,520
Speaker 3: What was your ass at?

1338
01:03:58,680 --> 01:04:01,640
Speaker 5: And when he said that, everybody else around started getting

1339
01:04:01,720 --> 01:04:03,400
Speaker 5: up in me when up against some out.

1340
01:04:03,440 --> 01:04:06,080
Speaker 2: Now yet, ohka, up, just down civil, It's why I'm

1341
01:04:06,080 --> 01:04:08,680
Speaker 2: the best. Thank you, Okay, you was trying to get it.

1342
01:04:08,760 --> 01:04:10,000
Speaker 3: I see you though you're paying attention.

1343
01:04:10,160 --> 01:04:10,400
Speaker 2: I was.

1344
01:04:11,000 --> 01:04:11,800
Speaker 3: We just ain't there yet.

1345
01:04:12,560 --> 01:04:15,400
Speaker 2: So then he also brought up something that kind of

1346
01:04:15,440 --> 01:04:17,920
Speaker 2: got lost in the in the fray, but he was like,

1347
01:04:19,040 --> 01:04:22,200
Speaker 2: why Helena don't got her own protector because she the

1348
01:04:22,320 --> 01:04:23,080
Speaker 2: actual queen?

1349
01:04:24,120 --> 01:04:26,640
Speaker 1: Yeah, somebody specifically assigned to her.

1350
01:04:26,800 --> 01:04:30,480
Speaker 2: Allison isn't the queen. You're specifically assigned to her as

1351
01:04:30,560 --> 01:04:33,720
Speaker 2: her bodyguard. You be standing outside her chambers. If you

1352
01:04:33,800 --> 01:04:37,120
Speaker 2: will be standing outside of the actual queen's chambers, the

1353
01:04:37,200 --> 01:04:38,560
Speaker 2: fucking babies will be alive.

1354
01:04:38,800 --> 01:04:41,160
Speaker 5: Yes, because that would have been your job, or at

1355
01:04:41,280 --> 01:04:45,840
Speaker 5: least assigned somebody to permanently be outside her door, because

1356
01:04:45,880 --> 01:04:48,280
Speaker 5: that's your job, sir, You the boss, not me.

1357
01:04:49,160 --> 01:04:51,400
Speaker 2: Chrissy, take offense to this shit. He tossed over a

1358
01:04:51,520 --> 01:04:55,400
Speaker 2: chair furniture just taking ls left and right, you know,

1359
01:04:55,960 --> 01:04:58,640
Speaker 2: just just trying to do their job and hold people up.

1360
01:04:59,200 --> 01:05:05,760
Speaker 5: Right, holding people up, supporting people. And the props is like,

1361
01:05:05,800 --> 01:05:10,040
Speaker 5: I'm just doing my job, but damn yes, why am

1362
01:05:10,080 --> 01:05:10,560
Speaker 5: I in it?

1363
01:05:11,800 --> 01:05:14,880
Speaker 2: So he talkses to the chair at the furniture over

1364
01:05:15,640 --> 01:05:17,640
Speaker 2: That's when the rest of the king Guard get up

1365
01:05:18,640 --> 01:05:21,320
Speaker 2: like it's the piano player and the juke joint in

1366
01:05:21,400 --> 01:05:24,640
Speaker 2: color purpose it was time to go. They just got

1367
01:05:24,720 --> 01:05:26,920
Speaker 2: up there like I'll leave, I'll take take I can

1368
01:05:27,000 --> 01:05:29,479
Speaker 2: take this, sup to go, and they go to leave.

1369
01:05:29,960 --> 01:05:33,720
Speaker 2: Now it's just Chrissy and Eric sitting in there, and

1370
01:05:34,360 --> 01:05:37,760
Speaker 2: Chrisy's like, you know, your brother, Trader, you look just

1371
01:05:38,000 --> 01:05:43,320
Speaker 2: like that nigga. And he's like, because he my twin,

1372
01:05:44,440 --> 01:05:47,320
Speaker 2: of course we look alike. And he's like, well, first

1373
01:05:47,400 --> 01:05:50,400
Speaker 2: your brother betrays, then the young prince get murdered on

1374
01:05:50,480 --> 01:05:50,920
Speaker 2: your watch.

1375
01:05:51,680 --> 01:05:55,280
Speaker 3: You brought this grace upon us, and now you must restore.

1376
01:05:54,920 --> 01:05:57,320
Speaker 2: It, and Eric like, how nigga, how I don't supposed

1377
01:05:57,320 --> 01:05:59,600
Speaker 2: to restore some ship my brother did?

1378
01:06:00,120 --> 01:06:03,160
Speaker 3: And he's like, you got to go to Dragonstone and

1379
01:06:03,320 --> 01:06:05,560
Speaker 3: do what they did to us, And.

1380
01:06:05,800 --> 01:06:11,800
Speaker 5: This really frustrated me about him. I feel as though

1381
01:06:12,200 --> 01:06:14,480
Speaker 5: about Christy is sorry b be a Christie. I think

1382
01:06:14,560 --> 01:06:16,760
Speaker 5: he feels bad that he was no duty and he

1383
01:06:17,000 --> 01:06:19,480
Speaker 5: wasn't where he was supposed to be. So I think

1384
01:06:19,560 --> 01:06:22,040
Speaker 5: this is a way to kind of make up for

1385
01:06:22,280 --> 01:06:24,439
Speaker 5: the fact that he don't want to feel the guilt

1386
01:06:24,520 --> 01:06:27,240
Speaker 5: and the shame of not being on his post and

1387
01:06:27,400 --> 01:06:29,720
Speaker 5: not being what he's supposed to be, because like that,

1388
01:06:29,840 --> 01:06:31,400
Speaker 5: how funny you to do in charge?

1389
01:06:31,440 --> 01:06:33,080
Speaker 1: Like you you over security.

1390
01:06:33,680 --> 01:06:36,720
Speaker 5: You turned off all the cameras you know you you

1391
01:06:36,880 --> 01:06:39,320
Speaker 5: know they wouldn't record it. You put a fake cameras

1392
01:06:39,400 --> 01:06:41,640
Speaker 5: in the Queen's room and shit, so when they win,

1393
01:06:41,720 --> 01:06:43,960
Speaker 5: it was ain't no tape, Like the fuck is this sir?

1394
01:06:44,400 --> 01:06:46,600
Speaker 2: Yeah? I think also it helps to deflect some of

1395
01:06:46,640 --> 01:06:48,960
Speaker 2: the pressure off of him, because you know, if his

1396
01:06:49,120 --> 01:06:54,440
Speaker 2: plan works and somehow Eric kills RAYNERA and it'll always

1397
01:06:54,480 --> 01:06:57,080
Speaker 2: be the plan he came up with, it'll end the

1398
01:06:57,160 --> 01:06:59,920
Speaker 2: war and nobody will ask questions about what happened that night,

1399
01:07:00,200 --> 01:07:02,680
Speaker 2: So no, he has a lot of incentive to put

1400
01:07:02,720 --> 01:07:03,520
Speaker 2: this all on Eric.

1401
01:07:03,640 --> 01:07:04,480
Speaker 3: So he says.

1402
01:07:06,520 --> 01:07:10,160
Speaker 2: Eric doesn't like the plan because it's dishonorable. Right, say

1403
01:07:10,200 --> 01:07:12,680
Speaker 2: what you want to about those brothers. They picked different

1404
01:07:12,760 --> 01:07:14,440
Speaker 2: sides of the fight, but both of them did it

1405
01:07:14,560 --> 01:07:17,080
Speaker 2: out of a place of honor, yes, feeling that they

1406
01:07:17,120 --> 01:07:18,720
Speaker 2: were right and that the other brother was.

1407
01:07:18,720 --> 01:07:21,600
Speaker 3: The one fucking up. And they both do have legitimate reasons.

1408
01:07:21,600 --> 01:07:24,480
Speaker 2: It's just like in season one, I would not blame

1409
01:07:24,520 --> 01:07:28,640
Speaker 2: anybody for arguing, like being on one side or the other.

1410
01:07:30,000 --> 01:07:33,440
Speaker 2: Obviously with our sensibilities, I just don't think the Green

1411
01:07:33,600 --> 01:07:36,040
Speaker 2: have a good case because it's twenty twenty four and

1412
01:07:36,120 --> 01:07:38,120
Speaker 2: no one wants to hear it. But the idea of

1413
01:07:38,280 --> 01:07:41,920
Speaker 2: like patriarchy and we accept that so only a man

1414
01:07:42,000 --> 01:07:44,640
Speaker 2: could be on the throne. This man decides to put

1415
01:07:44,680 --> 01:07:47,959
Speaker 2: a woman on the throne. Yeah, the half the realm

1416
01:07:48,080 --> 01:07:51,800
Speaker 2: is gonna be like fuck that shit, And I'm actually yeah,

1417
01:07:52,400 --> 01:07:54,520
Speaker 2: like what you're doing is still in the throne. A

1418
01:07:54,640 --> 01:07:56,360
Speaker 2: man is supposed to do it, and you knew that.

1419
01:07:56,960 --> 01:07:59,960
Speaker 2: So like we can't have this and we don't support

1420
01:08:00,600 --> 01:08:02,560
Speaker 2: and that's out of a place of honor and tradition.

1421
01:08:02,680 --> 01:08:05,160
Speaker 2: I'm not saying it's right, but you can understand how

1422
01:08:05,240 --> 01:08:08,560
Speaker 2: in this world dude feels like he's right. And y'all

1423
01:08:08,640 --> 01:08:10,200
Speaker 2: the ones trying to put a woman on the throw

1424
01:08:10,240 --> 01:08:11,840
Speaker 2: and to steal it. That's not what you're supposed to

1425
01:08:11,920 --> 01:08:12,880
Speaker 2: do anyway.

1426
01:08:13,520 --> 01:08:14,400
Speaker 3: So he didn't like that.

1427
01:08:14,760 --> 01:08:17,040
Speaker 2: Chrissy like, man, don't worry about that shit. It's gonna

1428
01:08:17,040 --> 01:08:20,439
Speaker 2: You're gonna be honored and the hero. And he's like,

1429
01:08:20,520 --> 01:08:22,519
Speaker 2: what the other part of the plan. Eric is like,

1430
01:08:23,160 --> 01:08:26,160
Speaker 2: I'm gonna die. How the I'm gonna kill her and

1431
01:08:26,200 --> 01:08:27,840
Speaker 2: get the fuck out of it. I'm a dead man

1432
01:08:27,960 --> 01:08:28,760
Speaker 2: running up in there.

1433
01:08:29,240 --> 01:08:30,719
Speaker 1: This is a suicide mission.

1434
01:08:30,960 --> 01:08:32,320
Speaker 3: Yeah. Chrissy like yeah, but.

1435
01:08:32,640 --> 01:08:34,439
Speaker 2: You know, if you don't do this, I'm gonna go

1436
01:08:34,560 --> 01:08:36,640
Speaker 2: before the King and question your loyalty in front of him.

1437
01:08:37,840 --> 01:08:43,360
Speaker 2: So it's pretty much depth centers either way. Eric like, fine,

1438
01:08:43,800 --> 01:08:48,840
Speaker 2: give me my fucking white cloak and he leaves. Let's

1439
01:08:48,840 --> 01:08:54,000
Speaker 2: see in the brothel, the whole house. Up in the

1440
01:08:54,080 --> 01:08:56,720
Speaker 2: whole house, Amon Done ordered the gilt Special.

1441
01:08:58,360 --> 01:09:00,400
Speaker 1: And I think this is where he was when they

1442
01:09:00,520 --> 01:09:01,320
Speaker 1: was looking for him.

1443
01:09:01,760 --> 01:09:05,400
Speaker 3: He says it later, he's ordered a guilt special with

1444
01:09:05,520 --> 01:09:06,799
Speaker 3: a side of cuddling.

1445
01:09:07,600 --> 01:09:10,040
Speaker 1: Yeah, he paying extra for side talk.

1446
01:09:10,439 --> 01:09:13,280
Speaker 2: He has the house mother who's like, you know, the

1447
01:09:13,400 --> 01:09:16,640
Speaker 2: den mother, the bottom bitch to whoever runs the establishment.

1448
01:09:17,160 --> 01:09:19,559
Speaker 3: She's just cuddling him.

1449
01:09:19,640 --> 01:09:23,040
Speaker 2: He's curled up butt naked, and it's not really like

1450
01:09:23,240 --> 01:09:26,920
Speaker 2: that private like there's like a there's like a show.

1451
01:09:27,040 --> 01:09:29,760
Speaker 2: There's lots of patrons, people are naked and stuff. And

1452
01:09:29,840 --> 01:09:32,360
Speaker 2: then he's kind of behind like a I wouldn't even

1453
01:09:32,400 --> 01:09:35,599
Speaker 2: say a partition. It's like a seat through like sheet

1454
01:09:35,880 --> 01:09:36,320
Speaker 2: or something.

1455
01:09:36,840 --> 01:09:37,680
Speaker 3: A woman comes in.

1456
01:09:37,880 --> 01:09:39,560
Speaker 1: It's a a she or so like you said, you

1457
01:09:39,600 --> 01:09:41,360
Speaker 1: can see yeah, And a woman.

1458
01:09:41,200 --> 01:09:44,360
Speaker 3: Comes in serves him hot milk. I noticed it looked

1459
01:09:44,400 --> 01:09:45,759
Speaker 3: like hot milk. They was born.

1460
01:09:46,280 --> 01:09:49,080
Speaker 2: I'm like, damn, he done went full Homelander on this shit.

1461
01:09:51,120 --> 01:09:55,920
Speaker 2: And he confides to the house madam that, A, I'm

1462
01:09:56,000 --> 01:09:58,360
Speaker 2: the real target of assassination. They came to kill me,

1463
01:09:58,880 --> 01:10:01,560
Speaker 2: but I'm proud of it. Does that mean damon, no,

1464
01:10:01,840 --> 01:10:04,160
Speaker 2: I'm that I got that dog get me.

1465
01:10:04,439 --> 01:10:05,400
Speaker 1: Yes, he's scared.

1466
01:10:05,680 --> 01:10:08,080
Speaker 3: Yeah, you know, I'm one of them ones, and so

1467
01:10:08,280 --> 01:10:09,479
Speaker 3: I know he respect me.

1468
01:10:10,160 --> 01:10:14,599
Speaker 2: But uh, she's like, yeah, he do respect you because

1469
01:10:14,640 --> 01:10:17,360
Speaker 2: you a real, big boy, you want to have some sex.

1470
01:10:17,400 --> 01:10:19,320
Speaker 3: And he's like, no, bitch, calm down.

1471
01:10:19,360 --> 01:10:21,760
Speaker 1: I'm trying to lay down on your lapt like, well,

1472
01:10:21,800 --> 01:10:23,400
Speaker 1: you paid for the services.

1473
01:10:23,160 --> 01:10:24,120
Speaker 3: You don't want the sex.

1474
01:10:24,360 --> 01:10:25,800
Speaker 1: He said, no, not here.

1475
01:10:26,560 --> 01:10:28,840
Speaker 2: He's just curled into a ball, naked, and he's like,

1476
01:10:30,960 --> 01:10:33,840
Speaker 2: I ain't even kill Luke when my dragon ate him.

1477
01:10:34,200 --> 01:10:35,800
Speaker 3: I regret that now.

1478
01:10:35,840 --> 01:10:38,120
Speaker 2: I think the reason he's saying that is because this

1479
01:10:38,320 --> 01:10:41,880
Speaker 2: motherfucker one. You see how mad they are. He knows

1480
01:10:41,920 --> 01:10:44,040
Speaker 2: what it feels like now to loser family member.

1481
01:10:44,800 --> 01:10:48,280
Speaker 3: And also I think he realized it.

1482
01:10:48,479 --> 01:10:51,080
Speaker 2: Baby, they would have caught me sleeping, I might be dead,

1483
01:10:52,360 --> 01:10:55,280
Speaker 2: so like death means something different and it's real now.

1484
01:10:55,360 --> 01:10:57,120
Speaker 2: And he like, damn, I didn't even kill that little

1485
01:10:57,160 --> 01:10:59,800
Speaker 2: boy like that. That's I feel bad about that ship.

1486
01:11:01,800 --> 01:11:04,799
Speaker 2: And she's like, he's like, they used to tease me because.

1487
01:11:04,560 --> 01:11:05,240
Speaker 3: I was different.

1488
01:11:06,200 --> 01:11:09,639
Speaker 2: And honestly, if scaring the holes was a person, it's

1489
01:11:09,760 --> 01:11:12,280
Speaker 2: Amon in his whole house, because I mean, I felt

1490
01:11:12,280 --> 01:11:14,760
Speaker 2: scared for this lady like, you better say the right ship, right,

1491
01:11:15,840 --> 01:11:18,400
Speaker 2: you know. But she says, you know, when a prince

1492
01:11:18,520 --> 01:11:20,960
Speaker 2: loses their temper is often the others who suffer. The

1493
01:11:21,040 --> 01:11:22,240
Speaker 2: small folk like me.

1494
01:11:23,400 --> 01:11:24,400
Speaker 1: That's that's bars.

1495
01:11:24,600 --> 01:11:28,800
Speaker 3: It's bars. It's bars. Speaking of small folk. We see Hugh.

1496
01:11:29,360 --> 01:11:30,240
Speaker 3: You might remember Hugh.

1497
01:11:30,640 --> 01:11:34,120
Speaker 2: He was the weapon smith, the one of the blacksmiths

1498
01:11:34,160 --> 01:11:35,720
Speaker 2: who was like, we need money so we can make

1499
01:11:35,800 --> 01:11:38,479
Speaker 2: y'all weapons, and we ain't got paid yet. We making

1500
01:11:38,520 --> 01:11:40,799
Speaker 2: weapons on credit and it's hard out here in the streets.

1501
01:11:41,160 --> 01:11:42,960
Speaker 2: And Agon was like, yeah, I got you now.

1502
01:11:43,000 --> 01:11:45,040
Speaker 3: He did say that shit before his son got killed.

1503
01:11:45,360 --> 01:11:47,400
Speaker 1: Who knows what the fuck he's on right now, ain't

1504
01:11:47,439 --> 01:11:48,960
Speaker 1: that to y'all? Might not get a dime.

1505
01:11:49,240 --> 01:11:52,360
Speaker 2: And Ido did look away about him promising that money, like, nigga,

1506
01:11:52,400 --> 01:11:52,840
Speaker 2: what you doing?

1507
01:11:52,960 --> 01:11:55,560
Speaker 1: That money goes party promise somewhere else.

1508
01:11:56,200 --> 01:11:58,400
Speaker 3: Right, But whatever happened, Ido back down.

1509
01:11:58,479 --> 01:12:01,760
Speaker 2: He didn't say anything because a god made a point

1510
01:12:01,800 --> 01:12:05,040
Speaker 2: of being like, hey, this for the small folks, and

1511
01:12:05,120 --> 01:12:07,640
Speaker 2: you said, that's supposed they're supposed to like us. So

1512
01:12:09,040 --> 01:12:12,280
Speaker 2: Hugh got a hard life. Okay, His wife who looks

1513
01:12:12,320 --> 01:12:14,519
Speaker 2: like she was one of the women at the funeral possession. Yes,

1514
01:12:15,280 --> 01:12:17,360
Speaker 2: his wife is in there. He got a sick daughter

1515
01:12:18,680 --> 01:12:22,439
Speaker 2: who appears to be like chronically ill. They ain't got

1516
01:12:22,520 --> 01:12:24,639
Speaker 2: much food. They making chicken stew or whatever.

1517
01:12:25,400 --> 01:12:27,840
Speaker 3: Inflation killing him. She's like, I had to walk two

1518
01:12:27,920 --> 01:12:29,200
Speaker 3: miles and get a damn.

1519
01:12:29,080 --> 01:12:31,000
Speaker 1: Chicken again because the chicken cost.

1520
01:12:31,040 --> 01:12:32,839
Speaker 3: Two times more than it did yesterday.

1521
01:12:32,960 --> 01:12:35,960
Speaker 5: Yeah, because they got that dragon barrier. So okay, ain't

1522
01:12:36,040 --> 01:12:37,280
Speaker 5: they ain't nobody shipping shit?

1523
01:12:38,080 --> 01:12:38,360
Speaker 1: Y oh?

1524
01:12:38,840 --> 01:12:39,440
Speaker 3: The blockade?

1525
01:12:39,560 --> 01:12:42,479
Speaker 2: Yeah. So like but he said, man, we shouldn't be

1526
01:12:42,560 --> 01:12:44,720
Speaker 2: running out of food yet, like, we have a lot

1527
01:12:44,760 --> 01:12:47,439
Speaker 2: of food in the kingdom. And she said, well, people

1528
01:12:47,520 --> 01:12:49,400
Speaker 2: are hoarding the food or something. And he was like

1529
01:12:49,520 --> 01:12:52,560
Speaker 2: the selfishness of these people. And she's like and he's like,

1530
01:12:52,640 --> 01:12:54,280
Speaker 2: but don't worry. The king promised to give us some

1531
01:12:54,320 --> 01:12:57,479
Speaker 2: more money. And she's like, did he say when. He's like, fuck,

1532
01:12:57,560 --> 01:12:59,960
Speaker 2: he ain't say when, right, And she's like, I'm afraid.

1533
01:13:00,400 --> 01:13:03,400
Speaker 2: He's like I feel you. Uh. Then we cut to

1534
01:13:03,479 --> 01:13:07,880
Speaker 2: the town square. They done hung ten men off the

1535
01:13:08,000 --> 01:13:13,519
Speaker 2: castle walls. Ten and this dude come over like, oh

1536
01:13:13,680 --> 01:13:17,120
Speaker 2: what happened here? And this woman is who's crying. She's like,

1537
01:13:17,240 --> 01:13:20,439
Speaker 2: that's my son, that's my baby, and he's like, what happened?

1538
01:13:20,760 --> 01:13:24,400
Speaker 2: It's like they don't killed the rat catchers. All these

1539
01:13:24,520 --> 01:13:27,840
Speaker 2: men were rat catchers at the palace. The king killed

1540
01:13:28,160 --> 01:13:30,719
Speaker 2: all of them. Now we do see the cameras stop

1541
01:13:30,840 --> 01:13:36,800
Speaker 2: on cheese, so they dig kill cheese, but the like

1542
01:13:37,000 --> 01:13:39,400
Speaker 2: they killed nine other motherfuckers that wasn't cheese.

1543
01:13:39,439 --> 01:13:41,280
Speaker 1: They had nothing to do with she had nothing to

1544
01:13:41,400 --> 01:13:41,800
Speaker 1: do with it.

1545
01:13:42,080 --> 01:13:45,240
Speaker 3: And we see cheese little Rattaria doll looking up sad like,

1546
01:13:45,360 --> 01:13:46,040
Speaker 3: oh man.

1547
01:13:46,240 --> 01:13:47,840
Speaker 1: Right now, who's gonna take care of me now?

1548
01:13:48,320 --> 01:13:50,760
Speaker 5: And it's one of those things too where they was

1549
01:13:50,800 --> 01:13:53,280
Speaker 5: like rat catcher, who's on the rat Catcher list?

1550
01:13:53,720 --> 01:13:55,760
Speaker 1: And they was like kill all these people?

1551
01:13:55,840 --> 01:13:59,080
Speaker 2: Basically, yeah, they just they because they didn't ask that

1552
01:13:59,200 --> 01:14:01,559
Speaker 2: dude who was or bring anyone before.

1553
01:14:01,439 --> 01:14:03,720
Speaker 1: Him, because he would have told him and pointed him out.

1554
01:14:03,960 --> 01:14:04,120
Speaker 3: Ryan.

1555
01:14:04,160 --> 01:14:07,280
Speaker 2: He was really very cooperative. Yes, So now we get

1556
01:14:07,320 --> 01:14:10,920
Speaker 2: to my favorite scene in this whole goddamn thing. Agon

1557
01:14:11,120 --> 01:14:14,479
Speaker 2: is in his chambers with BBL Chrissy. They looking out

1558
01:14:14,520 --> 01:14:18,200
Speaker 2: the window. Idle comes into the room and he just

1559
01:14:18,280 --> 01:14:22,400
Speaker 2: starts what have you done? And Agon turns around being mad.

1560
01:14:22,800 --> 01:14:24,639
Speaker 2: Agon turns around like what the fuck are you talking?

1561
01:14:24,800 --> 01:14:25,840
Speaker 3: What do you mean? What have I done?

1562
01:14:26,640 --> 01:14:29,280
Speaker 2: And and of course that in sense is outo even

1563
01:14:29,360 --> 01:14:31,599
Speaker 2: more because it's ten dead motherfucker's hanging on the wall.

1564
01:14:31,600 --> 01:14:34,360
Speaker 3: He's like the rack gotchas and he turns.

1565
01:14:34,520 --> 01:14:37,880
Speaker 2: He's like, oh I had them, hang, I don't, just

1566
01:14:37,960 --> 01:14:41,920
Speaker 2: like you idiot, And Chrissy is like, beware how you

1567
01:14:42,000 --> 01:14:43,559
Speaker 2: speak to your king, my lord.

1568
01:14:44,200 --> 01:14:46,720
Speaker 3: And then I love how I don't check the I

1569
01:14:46,800 --> 01:14:47,720
Speaker 3: love how I don't check them.

1570
01:14:47,800 --> 01:14:50,800
Speaker 2: Right here, he was like, the king is my grandson,

1571
01:14:51,200 --> 01:14:54,880
Speaker 2: and my grandson is a fool. He's worse than a fool.

1572
01:14:55,120 --> 01:15:00,240
Speaker 2: He's murdered innocent men, right and this dummy a god

1573
01:15:00,320 --> 01:15:01,439
Speaker 2: don't know when to shut the fuck up.

1574
01:15:01,479 --> 01:15:04,760
Speaker 1: He's like, and the one guilty one I want no

1575
01:15:04,880 --> 01:15:06,160
Speaker 1: mask did the crime, so.

1576
01:15:06,320 --> 01:15:09,719
Speaker 3: Okay, now don't I'm sure nine of them didn't do shit.

1577
01:15:10,400 --> 01:15:14,240
Speaker 3: But you know, he just don't get it.

1578
01:15:14,920 --> 01:15:18,599
Speaker 2: And and and and I was like, what the fuck

1579
01:15:18,680 --> 01:15:21,000
Speaker 2: have do you not understand how fucked up you? You

1580
01:15:21,280 --> 01:15:24,320
Speaker 2: just how bad you fucked up? And he's like, now

1581
01:15:24,360 --> 01:15:27,240
Speaker 2: they understand my vengeance. If you applot against the king,

1582
01:15:27,360 --> 01:15:30,920
Speaker 2: I will pay back a hundred and Otto does his thing.

1583
01:15:31,080 --> 01:15:32,559
Speaker 3: This the actor makes his choice.

1584
01:15:33,320 --> 01:15:35,599
Speaker 2: If you look at that scene, it's like he's really

1585
01:15:35,640 --> 01:15:39,760
Speaker 2: giving a monologue. He's not truly responding to most of

1586
01:15:39,800 --> 01:15:42,560
Speaker 2: the shit Agon is saying. It's like he's stopping to

1587
01:15:42,720 --> 01:15:46,559
Speaker 2: let Agon say like fill in the blank.

1588
01:15:46,880 --> 01:15:49,800
Speaker 3: And then he's right back to like anyway back to

1589
01:15:49,920 --> 01:15:53,640
Speaker 3: my speech. This don't really need your input. This is

1590
01:15:53,680 --> 01:15:56,120
Speaker 3: not a discussion. I'm reading that. I'm reading you.

1591
01:15:57,000 --> 01:16:00,759
Speaker 2: And he's like, they are fathers and brothers and sons

1592
01:16:00,920 --> 01:16:03,400
Speaker 2: and their wives and children gather now at our gates

1593
01:16:03,479 --> 01:16:06,800
Speaker 2: to weep and curse your name. Right and then and

1594
01:16:07,080 --> 01:16:09,160
Speaker 2: this whole time the door was open, and this one

1595
01:16:09,520 --> 01:16:11,679
Speaker 2: it wouldn't over for drive because I don't wind closed

1596
01:16:11,720 --> 01:16:12,519
Speaker 2: the goddamn door.

1597
01:16:13,720 --> 01:16:16,720
Speaker 1: He's like, oh, let me, let me close the business room.

1598
01:16:16,920 --> 01:16:20,400
Speaker 2: And we get a quick glimpse of Agon's face and

1599
01:16:20,560 --> 01:16:22,920
Speaker 2: when he brought with I don't have brought up that

1600
01:16:23,000 --> 01:16:24,920
Speaker 2: the people were cursing his name at the gates.

1601
01:16:26,000 --> 01:16:29,080
Speaker 5: That hit that hit Agon right, because he was like,

1602
01:16:29,320 --> 01:16:33,519
Speaker 5: you were bitching and crying and holling, but your action

1603
01:16:33,800 --> 01:16:34,680
Speaker 5: has caused.

1604
01:16:34,400 --> 01:16:36,000
Speaker 1: Them to do the ship that you don't want them

1605
01:16:36,040 --> 01:16:36,160
Speaker 1: to do.

1606
01:16:36,400 --> 01:16:40,639
Speaker 2: What you it's all about approval, right. You killed these

1607
01:16:40,720 --> 01:16:43,160
Speaker 2: people because you don't know shit. You're a spoiled ass

1608
01:16:43,200 --> 01:16:46,160
Speaker 2: motherfucker that live in the castle. You killed these people

1609
01:16:46,280 --> 01:16:48,920
Speaker 2: thinking it's a show of strength. They gonna see I

1610
01:16:49,040 --> 01:16:51,840
Speaker 2: killed ten people to get one, don't fuck with him.

1611
01:16:52,600 --> 01:16:55,559
Speaker 2: And he's like, all you did was make people go, Man,

1612
01:16:55,720 --> 01:16:58,280
Speaker 2: fuck the king. He killing innocent people?

1613
01:16:58,320 --> 01:16:59,120
Speaker 3: What the fuck they do?

1614
01:16:59,560 --> 01:16:59,760
Speaker 1: Right?

1615
01:17:00,600 --> 01:17:02,040
Speaker 3: So Ido was mad.

1616
01:17:01,920 --> 01:17:05,799
Speaker 2: Because he's also mad you wasted my motherfucking beautiful PR campaign.

1617
01:17:06,280 --> 01:17:07,920
Speaker 1: Yes, I put out.

1618
01:17:07,960 --> 01:17:10,080
Speaker 5: I put out all of the posts on Twitter and

1619
01:17:10,200 --> 01:17:11,640
Speaker 5: Facebook and Instagram.

1620
01:17:12,439 --> 01:17:15,080
Speaker 1: We was doing it on Snapchat, and you made.

1621
01:17:14,960 --> 01:17:18,120
Speaker 5: Us look like mother all across the old social media

1622
01:17:18,479 --> 01:17:21,080
Speaker 5: and you made us look like motherfucking food sir, what.

1623
01:17:21,200 --> 01:17:21,720
Speaker 1: Is wrong with you?

1624
01:17:21,720 --> 01:17:23,960
Speaker 3: You are killing the ye old today.

1625
01:17:24,320 --> 01:17:25,880
Speaker 1: Yeah, that's what's making me think about it.

1626
01:17:26,000 --> 01:17:29,560
Speaker 3: That YO today it is, dude, that's so funny. You

1627
01:17:29,600 --> 01:17:31,040
Speaker 3: don't even talk like that on this show.

1628
01:17:31,240 --> 01:17:33,400
Speaker 1: No, they don't. That's the whole point.

1629
01:17:34,680 --> 01:17:35,360
Speaker 3: Oh my god.

1630
01:17:35,600 --> 01:17:39,960
Speaker 2: So he says, he's like, look, you fucked up the

1631
01:17:40,000 --> 01:17:44,439
Speaker 2: PR campaign. It's wasted. Your hairs died for nothing, nothing

1632
01:17:44,760 --> 01:17:47,519
Speaker 2: like we could have at least got some some allies

1633
01:17:47,560 --> 01:17:49,920
Speaker 2: out of this shit. But now you just look like

1634
01:17:50,000 --> 01:17:53,760
Speaker 2: a cool asshole. And you think that Agon is like, well,

1635
01:17:53,840 --> 01:17:56,280
Speaker 2: now they know I look strong. It's not like you

1636
01:17:56,760 --> 01:17:59,800
Speaker 2: trying to carry favor with a small folk, sending out

1637
01:18:00,120 --> 01:18:04,519
Speaker 2: even and ship making me see seem like seem weak.

1638
01:18:04,640 --> 01:18:06,600
Speaker 2: Now I look strong. You said I look weak, But

1639
01:18:06,720 --> 01:18:10,040
Speaker 2: now everybody's gonna be scared of me. And he and

1640
01:18:10,080 --> 01:18:12,679
Speaker 2: he says, we must spell blood. This is what Agon

1641
01:18:12,760 --> 01:18:15,920
Speaker 2: says to OUTA. We must spell blood, not ink. We

1642
01:18:16,080 --> 01:18:16,599
Speaker 2: must act.

1643
01:18:17,000 --> 01:18:23,000
Speaker 3: Sir Christin Cole has acted. Now Otto was like he acted.

1644
01:18:23,280 --> 01:18:30,519
Speaker 2: He was. Now listen the camera work people and the actor.

1645
01:18:31,080 --> 01:18:33,360
Speaker 2: They deserve extra credit for the way they feelm this

1646
01:18:33,479 --> 01:18:36,120
Speaker 2: scene because the way they filmed it. The camera was

1647
01:18:36,200 --> 01:18:41,200
Speaker 2: like inches from Otto's face as this line hits of like,

1648
01:18:41,439 --> 01:18:44,960
Speaker 2: Sir Cole, Sir Christin Cole is acted, and you can

1649
01:18:45,000 --> 01:18:48,280
Speaker 2: see auto face look like every parent that's getting some

1650
01:18:48,400 --> 01:18:48,880
Speaker 2: bad news.

1651
01:18:48,920 --> 01:18:51,960
Speaker 3: It's like, yes, now, what the fuck have y'all done?

1652
01:18:52,200 --> 01:18:52,400
Speaker 6: Right?

1653
01:18:52,600 --> 01:18:54,800
Speaker 1: Like what news are you about to give me?

1654
01:18:55,240 --> 01:19:00,200
Speaker 2: I was already night as hell, but you did some

1655
01:19:00,400 --> 01:19:02,840
Speaker 2: more dumb shit right. I didn't know about fo I

1656
01:19:02,880 --> 01:19:04,599
Speaker 2: walked to this wade right.

1657
01:19:04,479 --> 01:19:07,080
Speaker 5: It's like your baby was like by the way I

1658
01:19:07,200 --> 01:19:10,320
Speaker 5: got suspended off the bus was like shit, oh and

1659
01:19:10,479 --> 01:19:12,479
Speaker 5: I got fn math right what.

1660
01:19:14,280 --> 01:19:18,360
Speaker 3: So he says, what the fuck have you done?

1661
01:19:18,439 --> 01:19:20,880
Speaker 2: And he says, oh, Sir Kristen Cole said Eric to

1662
01:19:20,920 --> 01:19:26,240
Speaker 2: sneak in the dragon Stone and of course Kristen Cole

1663
01:19:26,360 --> 01:19:26,840
Speaker 2: this way.

1664
01:19:26,760 --> 01:19:29,200
Speaker 3: He starts to speak of. He's like, it's time to bitch.

1665
01:19:29,280 --> 01:19:30,360
Speaker 3: Queen paid the price.

1666
01:19:31,080 --> 01:19:35,679
Speaker 2: First of all, y'all killed her sign right right. But secondly, secondly,

1667
01:19:35,920 --> 01:19:37,160
Speaker 2: this nigga's in't gamer Gate.

1668
01:19:37,840 --> 01:19:39,240
Speaker 1: What the fuss he is?

1669
01:19:39,720 --> 01:19:42,479
Speaker 3: What the fuck is up with you and the man's sphere?

1670
01:19:43,160 --> 01:19:46,000
Speaker 2: This motherfucking want I know you got a podcast making

1671
01:19:46,080 --> 01:19:47,400
Speaker 2: your motherfucking bed chambers.

1672
01:19:47,479 --> 01:19:51,360
Speaker 3: Nigga, you for show list, you for show are one

1673
01:19:51,400 --> 01:19:55,360
Speaker 3: of them people that that that that be talking about females.

1674
01:19:56,560 --> 01:19:57,000
Speaker 1: Males.

1675
01:19:57,600 --> 01:19:58,679
Speaker 3: It's not even your place.

1676
01:19:58,800 --> 01:20:00,880
Speaker 2: This man, the hand is I'll get to the king

1677
01:20:01,080 --> 01:20:04,720
Speaker 2: dog you up there like mm the bitch gotta pay.

1678
01:20:04,880 --> 01:20:07,679
Speaker 2: It's not even about her right now, it's about y'all

1679
01:20:07,800 --> 01:20:10,839
Speaker 2: fucking up. We ain't gonna she was gonna pay. Everyone

1680
01:20:10,960 --> 01:20:12,719
Speaker 2: was on outside five minutes ago.

1681
01:20:13,040 --> 01:20:14,479
Speaker 1: Yesterday, they was on our side.

1682
01:20:15,080 --> 01:20:18,360
Speaker 2: And so then Otto was like, looking at Agar, like

1683
01:20:19,240 --> 01:20:22,160
Speaker 2: you signed off on this. He's like, and you ex

1684
01:20:22,240 --> 01:20:26,360
Speaker 2: seated this, this prank with our consulting me or the counsel.

1685
01:20:27,160 --> 01:20:31,000
Speaker 2: Instead of judgment, you display impetuousness and diminish us in

1686
01:20:31,080 --> 01:20:32,160
Speaker 2: the eyes of our enemy.

1687
01:20:32,439 --> 01:20:36,080
Speaker 3: It will considered trifling and he said it the black way,

1688
01:20:36,640 --> 01:20:37,439
Speaker 3: Yes he did.

1689
01:20:37,600 --> 01:20:38,919
Speaker 1: That's how you was trifling.

1690
01:20:39,120 --> 01:20:40,560
Speaker 3: He said it the black I don't think it was

1691
01:20:40,640 --> 01:20:43,040
Speaker 3: no g on it trifling?

1692
01:20:43,600 --> 01:20:47,560
Speaker 2: Do you never think of your father, his forbearance, his judiciousness,

1693
01:20:47,880 --> 01:20:53,879
Speaker 2: his dignity, And then a A god is like, fuck dignity.

1694
01:20:53,920 --> 01:20:57,880
Speaker 3: I want revenge. My father is dead and he said

1695
01:20:58,840 --> 01:21:01,920
Speaker 3: I don't say he is, and we are all poor

1696
01:21:02,080 --> 01:21:06,000
Speaker 3: for it. I was like, God, damn bars.

1697
01:21:07,360 --> 01:21:14,200
Speaker 1: Who wrote this? And you know you look dusty? Yea,

1698
01:21:15,479 --> 01:21:18,760
Speaker 1: your hair is uneven. We heard about you before you

1699
01:21:18,880 --> 01:21:19,960
Speaker 1: even got up here.

1700
01:21:20,200 --> 01:21:21,920
Speaker 3: Why you have a chance you need to be trying

1701
01:21:21,920 --> 01:21:22,960
Speaker 3: to get an education because you.

1702
01:21:22,960 --> 01:21:25,600
Speaker 1: Looks ain't gonna get your bad because you're not that

1703
01:21:25,840 --> 01:21:27,920
Speaker 1: cute and your.

1704
01:21:27,880 --> 01:21:31,840
Speaker 3: Hair is uneven. You look dusty. So what I'm saying,

1705
01:21:32,080 --> 01:21:33,639
Speaker 3: what else are you gonna do with size?

1706
01:21:34,160 --> 01:21:38,320
Speaker 2: Candor Rob still trying to trick some girl up out

1707
01:21:38,320 --> 01:21:41,519
Speaker 2: of her Batha's chair or something. He was reading his

1708
01:21:41,920 --> 01:21:45,360
Speaker 2: ass fulfilled, but this ship took it to the next level.

1709
01:21:45,760 --> 01:21:48,439
Speaker 2: When he throwed up his dead daddy was like, yeah,

1710
01:21:49,560 --> 01:21:52,519
Speaker 2: he looked at him a long time, and I was like,

1711
01:21:55,720 --> 01:21:59,880
Speaker 2: he was right about you. Yeah, And I said, oh,

1712
01:22:00,280 --> 01:22:04,080
Speaker 2: he know he getting fired. He walked in this room

1713
01:22:04,200 --> 01:22:07,360
Speaker 2: like I'm getting fired today. We all seen it before.

1714
01:22:07,720 --> 01:22:09,960
Speaker 1: He was like this, this is this is my last day,

1715
01:22:10,040 --> 01:22:11,320
Speaker 1: so y'all gonna get everything.

1716
01:22:11,439 --> 01:22:13,599
Speaker 2: I got to say, right, I'm gonna turn the shirt

1717
01:22:13,640 --> 01:22:15,160
Speaker 2: in and get my check two weeks from.

1718
01:22:15,000 --> 01:22:18,920
Speaker 1: Now, because yeah, this is my record resignation.

1719
01:22:19,280 --> 01:22:22,720
Speaker 3: I'm done with the bullshit. Okay, who are you getting.

1720
01:22:25,080 --> 01:22:25,120
Speaker 5: It?

1721
01:22:25,200 --> 01:22:25,560
Speaker 2: Ain't me?

1722
01:22:25,800 --> 01:22:28,880
Speaker 1: Caps caps caps. So then.

1723
01:22:31,040 --> 01:22:34,960
Speaker 2: He Agon's answer, this is he made me king. I

1724
01:22:35,040 --> 01:22:38,920
Speaker 2: don laughed in his face, like, oh that's what you think,

1725
01:22:40,640 --> 01:22:42,200
Speaker 2: Like we made up that ship.

1726
01:22:42,360 --> 01:22:43,920
Speaker 3: You ain't supposed to really be the king.

1727
01:22:44,000 --> 01:22:46,680
Speaker 2: We just rolled with the ship, right, And then he

1728
01:22:46,800 --> 01:22:50,840
Speaker 2: goes to leave, but of course he's injured. He a

1729
01:22:51,000 --> 01:22:55,320
Speaker 2: god's pride, so a god's like, take your badge off.

1730
01:22:56,680 --> 01:22:59,559
Speaker 2: He turns around and I was like, you wouldn't, damn,

1731
01:23:00,640 --> 01:23:01,799
Speaker 2: and Agon goes.

1732
01:23:01,840 --> 01:23:05,320
Speaker 3: I have dead and I find it stimulating. That's a

1733
01:23:05,360 --> 01:23:06,320
Speaker 3: great that was a great bar.

1734
01:23:06,560 --> 01:23:07,439
Speaker 1: Yes, that's hilarious.

1735
01:23:07,680 --> 01:23:08,439
Speaker 3: That's a very.

1736
01:23:08,360 --> 01:23:12,240
Speaker 2: Petty petty I'm using that next time I do some

1737
01:23:12,360 --> 01:23:15,800
Speaker 2: petty shit. I have done the petty shit, and I

1738
01:23:15,880 --> 01:23:20,479
Speaker 2: find it stimulated. And he says insolent pup. You think

1739
01:23:20,520 --> 01:23:23,559
Speaker 2: yourself clever, but without a strong hand at your side

1740
01:23:23,680 --> 01:23:28,400
Speaker 2: to guide. And just like that, he's no longer the

1741
01:23:28,479 --> 01:23:31,400
Speaker 2: hand because agon said, bbl Chrissy.

1742
01:23:31,200 --> 01:23:34,040
Speaker 3: The new hand, give him the badge.

1743
01:23:34,200 --> 01:23:36,599
Speaker 2: I did not see that coming, and you know else

1744
01:23:36,640 --> 01:23:39,160
Speaker 2: didn't see it coming, bbl Christy because he said your

1745
01:23:39,240 --> 01:23:42,200
Speaker 2: grace and he wasn't know your grace like out of supporters,

1746
01:23:42,240 --> 01:23:43,640
Speaker 2: like nigga, are you serious? I don't know how to

1747
01:23:43,640 --> 01:23:46,679
Speaker 2: do this job right now, only that when he gave

1748
01:23:46,800 --> 01:23:49,719
Speaker 2: him that, I was like, oh, bigfoot in the foot

1749
01:23:49,840 --> 01:23:50,599
Speaker 2: about to be high.

1750
01:23:50,640 --> 01:23:53,960
Speaker 5: They upset because he was jocking for that position and

1751
01:23:54,120 --> 01:23:57,040
Speaker 5: you gave him that. You gave somebody else's job, and

1752
01:23:57,200 --> 01:23:58,240
Speaker 5: he ain't gonna like it.

1753
01:23:58,360 --> 01:24:00,240
Speaker 1: He know too much shit with you.

1754
01:24:00,360 --> 01:24:02,919
Speaker 2: But I also wonder if it'll play in the Larises

1755
01:24:03,000 --> 01:24:05,680
Speaker 2: plans because I think he Larry's wont OUTO out the

1756
01:24:05,680 --> 01:24:08,040
Speaker 2: way because Io is a schemer that can see ship

1757
01:24:08,120 --> 01:24:09,120
Speaker 2: coming in a way.

1758
01:24:09,080 --> 01:24:10,960
Speaker 1: That that's why he other people don't.

1759
01:24:11,080 --> 01:24:13,840
Speaker 2: So just getting OUTO out of the house is it

1760
01:24:14,000 --> 01:24:17,160
Speaker 2: moves larrys up to the chaos is a letter and

1761
01:24:17,240 --> 01:24:21,439
Speaker 2: all that shites it is, so Otto says, and it's

1762
01:24:21,520 --> 01:24:22,719
Speaker 2: like a period after each word.

1763
01:24:23,520 --> 01:24:28,479
Speaker 3: You will recrrect this. And then he tosses.

1764
01:24:28,800 --> 01:24:31,160
Speaker 2: He tossed his badge at cold feet, like pick it up,

1765
01:24:31,160 --> 01:24:34,880
Speaker 2: a little bitch, and then he left. And then as

1766
01:24:34,960 --> 01:24:37,200
Speaker 2: he was walking out the door, Eggon petty ass said,

1767
01:24:38,000 --> 01:24:38,960
Speaker 2: you are dismissed.

1768
01:24:41,280 --> 01:24:42,720
Speaker 3: I ain't gona lie them.

1769
01:24:42,800 --> 01:24:46,519
Speaker 2: Two bars off was good, Hey, you gotta give it up.

1770
01:24:46,720 --> 01:24:48,760
Speaker 2: When somebody get one off, you gotta give it up.

1771
01:24:48,880 --> 01:24:51,920
Speaker 2: And that that fucking I find it stimulating.

1772
01:24:52,040 --> 01:24:55,639
Speaker 3: And then you are dismissed. There was two good bars

1773
01:24:55,680 --> 01:24:57,240
Speaker 3: from that little petulant ass nigga.

1774
01:24:57,479 --> 01:24:57,599
Speaker 2: Right.

1775
01:24:58,280 --> 01:25:01,559
Speaker 3: Uh So then Chrissy got the job. Now he basically

1776
01:25:01,680 --> 01:25:02,680
Speaker 3: jj reddick.

1777
01:25:02,400 --> 01:25:04,320
Speaker 1: Which when he was shocked to get the job, he

1778
01:25:04,360 --> 01:25:05,760
Speaker 1: didn't ask for the job, right.

1779
01:25:05,920 --> 01:25:08,880
Speaker 2: He's like, I coached fourth grade basketball and now I'm

1780
01:25:08,920 --> 01:25:10,799
Speaker 2: the coach of the motherfucking Greens.

1781
01:25:11,120 --> 01:25:11,280
Speaker 5: Right?

1782
01:25:11,479 --> 01:25:12,320
Speaker 1: How did this happen?

1783
01:25:12,760 --> 01:25:15,799
Speaker 2: Ald Dilke was doing a podcast with a with Agon

1784
01:25:16,640 --> 01:25:20,559
Speaker 2: Agon James so Ado goes to tell Allison that Agon

1785
01:25:20,640 --> 01:25:25,439
Speaker 2: and Chrissy basically running shit now and they got them

1786
01:25:25,520 --> 01:25:27,639
Speaker 2: need to be kept in check. She's like, yeah, well,

1787
01:25:27,680 --> 01:25:30,360
Speaker 2: you know it's not really Chrissy fault because because they

1788
01:25:30,439 --> 01:25:32,360
Speaker 2: fuck each other, they end up defending each other at

1789
01:25:32,360 --> 01:25:35,640
Speaker 2: the worst time. So like BBL Chrissy is whenever you

1790
01:25:35,680 --> 01:25:37,280
Speaker 2: talk about Alison in front of him, he's like, nah,

1791
01:25:37,280 --> 01:25:39,680
Speaker 2: it's hard in the right place, and vice versa for her,

1792
01:25:39,960 --> 01:25:41,920
Speaker 2: I don't like man nah fuck that were going to

1793
01:25:42,000 --> 01:25:43,920
Speaker 2: war now, and Alison like, nah, I.

1794
01:25:43,920 --> 01:25:45,479
Speaker 3: Can still manipulate Agon, you know.

1795
01:25:45,560 --> 01:25:48,200
Speaker 2: He my son I Tho was like, I'm out and

1796
01:25:48,280 --> 01:25:50,639
Speaker 2: I'm going to old Town, take the old Town road.

1797
01:25:50,920 --> 01:25:54,000
Speaker 2: And she's like no, And he mentioned she got another

1798
01:25:54,080 --> 01:25:57,760
Speaker 2: son named Darren that that we ain't never seen, which

1799
01:25:57,800 --> 01:26:00,280
Speaker 2: I so well, I guess maybe we'll see the person

1800
01:26:00,360 --> 01:26:01,800
Speaker 2: later in the season or next year or something.

1801
01:26:01,840 --> 01:26:03,920
Speaker 3: But he's like, I'm going we still.

1802
01:26:03,760 --> 01:26:07,320
Speaker 2: Got another son, and she's like, nah, go to high Garden,

1803
01:26:07,560 --> 01:26:10,519
Speaker 2: hang out with the Tyrrells, and then return out the

1804
01:26:10,560 --> 01:26:12,559
Speaker 2: egg on a chilled out. He's gonna realize he wrong

1805
01:26:12,640 --> 01:26:14,840
Speaker 2: about this, and he holds her hand. He's like the

1806
01:26:14,960 --> 01:26:18,720
Speaker 2: younger peacock sauce shrinking, shrinking and feathers. But we will

1807
01:26:18,800 --> 01:26:21,439
Speaker 2: yet prevail and bring forth peace. I still believe it

1808
01:26:21,880 --> 01:26:23,559
Speaker 2: as long as you and I hold fast.

1809
01:26:24,880 --> 01:26:29,639
Speaker 3: And I'm like okay. Then she goes, what's this will

1810
01:26:29,680 --> 01:26:32,479
Speaker 3: hold her hands? I do have something on to tell you.

1811
01:26:32,640 --> 01:26:33,200
Speaker 3: I've sinned.

1812
01:26:34,880 --> 01:26:36,519
Speaker 1: He was like, I don't even wanna hear it.

1813
01:26:36,600 --> 01:26:38,360
Speaker 3: Whatever you buy, I don't want to know.

1814
01:26:38,880 --> 01:26:41,240
Speaker 1: He was like, whatever you're about to tell me, don't

1815
01:26:41,240 --> 01:26:41,600
Speaker 1: want to know.

1816
01:26:42,120 --> 01:26:44,920
Speaker 5: Don't care because once you tell me, if something happens,

1817
01:26:45,120 --> 01:26:47,720
Speaker 5: I will have the knowledge of it. Don't tell me shit.

1818
01:26:48,120 --> 01:26:49,920
Speaker 5: And I think he already know. And he was like,

1819
01:26:50,000 --> 01:26:52,320
Speaker 5: don't confirm the shit I already know. Don't tell me.

1820
01:26:52,800 --> 01:26:54,080
Speaker 2: That was the question I was going to ask you,

1821
01:26:54,200 --> 01:26:55,920
Speaker 2: so you already answered it. I was like, I think

1822
01:26:56,240 --> 01:26:59,320
Speaker 2: I feel like it's just the worst kept secret. I

1823
01:26:59,360 --> 01:27:02,519
Speaker 2: think everyone knows that she's fucking chrissy and.

1824
01:27:02,600 --> 01:27:05,400
Speaker 1: Eventually somebody gonna say it in a very public place.

1825
01:27:05,640 --> 01:27:07,400
Speaker 3: Yeah, because this is what they do in these shows.

1826
01:27:07,400 --> 01:27:10,240
Speaker 2: It's like how everybody knew break Bones was breaking backs

1827
01:27:10,320 --> 01:27:13,840
Speaker 2: when it came to uh to right narrowing her kids Like,

1828
01:27:13,920 --> 01:27:16,200
Speaker 2: we know the main the mad Lenord's kids.

1829
01:27:16,760 --> 01:27:20,840
Speaker 3: So I think the same thing, uh, She says, uh.

1830
01:27:21,240 --> 01:27:21,400
Speaker 5: Yeah.

1831
01:27:21,400 --> 01:27:22,720
Speaker 2: He says, I don't want to hear about it, and

1832
01:27:22,800 --> 01:27:25,760
Speaker 2: then she leaves to go to Agon's bed chambers, probably

1833
01:27:25,840 --> 01:27:28,400
Speaker 2: to try to convince him like, hey, get your daddy

1834
01:27:28,439 --> 01:27:30,880
Speaker 2: his job back, get your granddaddy his job back.

1835
01:27:31,320 --> 01:27:34,920
Speaker 3: But then, uh, he's in that crime. I mean he

1836
01:27:35,080 --> 01:27:36,160
Speaker 3: crying like Drake the.

1837
01:27:36,200 --> 01:27:38,320
Speaker 2: Fifty seventh time he heard not like us out of

1838
01:27:38,360 --> 01:27:41,840
Speaker 2: someone car speakers, like he's in there, Like what the

1839
01:27:41,880 --> 01:27:44,639
Speaker 2: fuck I'm gonna do now? And now he's really grieving

1840
01:27:44,840 --> 01:27:45,320
Speaker 2: for real?

1841
01:27:45,760 --> 01:27:47,719
Speaker 1: Yes, and this is just a real morning.

1842
01:27:48,040 --> 01:27:48,200
Speaker 3: Yeah.

1843
01:27:48,200 --> 01:27:50,720
Speaker 2: And I think all that blustering ship was just so

1844
01:27:50,880 --> 01:27:53,679
Speaker 2: that we the people wouldn't see because he's worried about

1845
01:27:53,680 --> 01:27:55,920
Speaker 2: how he's seen. He wanted people to see the anger

1846
01:27:56,000 --> 01:28:00,479
Speaker 2: at strength. But you lost your shout son man, right,

1847
01:28:00,880 --> 01:28:03,400
Speaker 2: So yeah, he's in that crime. What's interesting she doesn't

1848
01:28:03,439 --> 01:28:03,920
Speaker 2: come for them.

1849
01:28:04,320 --> 01:28:08,919
Speaker 5: Yes, And that was very important because basically the conversation

1850
01:28:09,040 --> 01:28:10,880
Speaker 5: that you and Otto just had don't mean shit.

1851
01:28:11,040 --> 01:28:14,080
Speaker 1: He basically was like hey, dog like like part.

1852
01:28:13,960 --> 01:28:16,599
Speaker 5: Of quote unquote controling him would have been to walk

1853
01:28:16,640 --> 01:28:20,320
Speaker 5: over there, talk to him, console him, help him walk

1854
01:28:20,360 --> 01:28:24,880
Speaker 5: through the process, right, but instead you opted not to.

1855
01:28:25,479 --> 01:28:27,880
Speaker 5: And so that not tin funny. That right there is

1856
01:28:27,920 --> 01:28:30,759
Speaker 5: gonna be the downfall because you're gonna lose that connection.

1857
01:28:30,880 --> 01:28:32,960
Speaker 5: I guess what somebody else gonna see him morning, and

1858
01:28:33,000 --> 01:28:34,640
Speaker 5: they're gonna take pure advantage of it.

1859
01:28:35,080 --> 01:28:35,479
Speaker 3: All right.

1860
01:28:35,680 --> 01:28:38,080
Speaker 1: So then.

1861
01:28:40,400 --> 01:28:44,200
Speaker 2: She goes to her room after not taking care of

1862
01:28:44,240 --> 01:28:49,280
Speaker 2: her kid, and Cola is already sitting on her bed outside,

1863
01:28:49,360 --> 01:28:53,760
Speaker 2: clothes still off, not the armor though. He walks over,

1864
01:28:53,880 --> 01:28:56,479
Speaker 2: holds her hands, stairs at the face in the face

1865
01:28:56,520 --> 01:28:59,080
Speaker 2: and shit, because he's like, I know you want this, dick,

1866
01:28:59,200 --> 01:29:03,800
Speaker 2: Come on now, who are we kidding? It's been two

1867
01:29:03,920 --> 01:29:07,479
Speaker 2: minutes since your grand baby died. It's dick Tom And

1868
01:29:07,600 --> 01:29:12,040
Speaker 2: she's like, smack, smacks him in the face, smacks him again,

1869
01:29:12,920 --> 01:29:17,160
Speaker 2: pushes him a little bit, and then he grabs her arms,

1870
01:29:17,600 --> 01:29:21,160
Speaker 2: push up against the wall and they start kissing all

1871
01:29:21,240 --> 01:29:25,080
Speaker 2: in the mouth. They ain't learn that goddamn thing. We

1872
01:29:25,520 --> 01:29:29,599
Speaker 2: end where we ended last week, with her with him

1873
01:29:29,680 --> 01:29:32,719
Speaker 2: in her bed. This is the most poorly run franchise

1874
01:29:32,800 --> 01:29:35,320
Speaker 2: in the league right now. Yes, it is all the assets,

1875
01:29:35,520 --> 01:29:39,400
Speaker 2: none of the coaching. So that's where we leave King's Landing, Dragonston.

1876
01:29:39,520 --> 01:29:41,360
Speaker 3: Let's run through this. I know we got something to

1877
01:29:41,439 --> 01:29:43,040
Speaker 3: do at seven forty five, so I'm trying to go

1878
01:29:43,120 --> 01:29:43,639
Speaker 3: through it faster.

1879
01:29:44,960 --> 01:29:47,160
Speaker 2: We go to the war room right now it's being

1880
01:29:47,240 --> 01:29:50,280
Speaker 2: debreathed about how little Jay got to be headed and

1881
01:29:51,240 --> 01:29:54,559
Speaker 2: everybody blaming her. They like Master Garad is like, hey man,

1882
01:29:54,800 --> 01:29:58,240
Speaker 2: they saying you be killing kids, and shit, hey, it

1883
01:29:58,320 --> 01:30:00,680
Speaker 2: ain't hurt it from me, but the word you kill

1884
01:30:00,760 --> 01:30:04,080
Speaker 2: a kid. And they sending out ravens and messages to

1885
01:30:04,160 --> 01:30:07,000
Speaker 2: everybody like yo, right now, be killing them kids. And

1886
01:30:07,120 --> 01:30:09,559
Speaker 2: she's like, what, we need to send out a press

1887
01:30:09,600 --> 01:30:12,599
Speaker 2: release of our own. Also, they gonna want to retaliate.

1888
01:30:12,720 --> 01:30:15,519
Speaker 2: We need to double the guard all around here, all

1889
01:30:15,560 --> 01:30:19,160
Speaker 2: around drift Mark makes sense, and the Master's like, nigga,

1890
01:30:19,240 --> 01:30:23,560
Speaker 2: we already did all that. So like that part is

1891
01:30:23,600 --> 01:30:25,840
Speaker 2: taking care of. Let's get back to do you be

1892
01:30:26,000 --> 01:30:31,840
Speaker 2: killing kids? Jace comes in and he's like, oh, mom,

1893
01:30:32,240 --> 01:30:34,840
Speaker 2: I could fly to drift Mark. Also, I could like

1894
01:30:35,000 --> 01:30:37,439
Speaker 2: kind of watch over kings Landing with my dragon.

1895
01:30:37,640 --> 01:30:40,160
Speaker 1: And she said, hell no, right, I lost one son.

1896
01:30:40,280 --> 01:30:43,720
Speaker 2: Nope, right, And so she said, nah, he can't go.

1897
01:30:44,000 --> 01:30:50,080
Speaker 2: You gotta stay inside. And Ray is insistent, like y'all

1898
01:30:50,160 --> 01:30:51,880
Speaker 2: know this a lot. I don't kill kids.

1899
01:30:51,920 --> 01:30:53,760
Speaker 3: I wouldn't do that. I lost my own son.

1900
01:30:54,120 --> 01:30:57,519
Speaker 2: Helena didn't do shit to me. The baby is an innocent.

1901
01:30:57,600 --> 01:30:59,400
Speaker 2: Why the fuck would I do that as a mother?

1902
01:30:59,680 --> 01:31:01,679
Speaker 1: Right, don't make sense right.

1903
01:31:01,680 --> 01:31:04,240
Speaker 2: Y'all tripping, and Damon looks out the corner of his

1904
01:31:04,439 --> 01:31:09,120
Speaker 2: eye at her without turning his face. Auntie Nisi, Auntie Nissi,

1905
01:31:09,160 --> 01:31:11,839
Speaker 2: who is sitting across the table from Damon, she clocks

1906
01:31:12,439 --> 01:31:17,160
Speaker 2: all this. She stares at Damon intently, like I know

1907
01:31:17,280 --> 01:31:18,760
Speaker 2: your ass got something to do with this.

1908
01:31:18,840 --> 01:31:20,760
Speaker 1: Boy, right, Like she might not have nothing to do

1909
01:31:20,840 --> 01:31:22,599
Speaker 1: with it, but you involved somehow.

1910
01:31:22,880 --> 01:31:24,519
Speaker 3: Damon finally meets her gaze.

1911
01:31:24,680 --> 01:31:30,599
Speaker 2: Nissi not right there, and Sir Alfred Broom comes in like, hey,

1912
01:31:31,560 --> 01:31:33,760
Speaker 2: I can see how you might kill a kid, I

1913
01:31:33,840 --> 01:31:35,400
Speaker 2: mean hypothetically.

1914
01:31:35,760 --> 01:31:37,960
Speaker 1: Oh no, I mean I get it. Maybe it's just

1915
01:31:38,120 --> 01:31:38,519
Speaker 1: you did it.

1916
01:31:38,640 --> 01:31:41,439
Speaker 2: And Hayes, you weren't really thinking you looked up all day?

1917
01:31:41,479 --> 01:31:43,599
Speaker 2: Or did I kill a kid? Like we not finn

1918
01:31:43,640 --> 01:31:44,080
Speaker 2: to judge you?

1919
01:31:44,160 --> 01:31:44,360
Speaker 1: Girl?

1920
01:31:44,400 --> 01:31:45,240
Speaker 3: Did you kill that kid?

1921
01:31:45,840 --> 01:31:50,439
Speaker 2: And she Auntie Nisi's like, mind yourself, she done told

1922
01:31:50,479 --> 01:31:53,360
Speaker 2: you she didn't kill that kid. And Ray stares at

1923
01:31:53,439 --> 01:31:57,880
Speaker 2: Damon and she just keeps staring and he ain't looking back,

1924
01:31:57,920 --> 01:32:00,840
Speaker 2: and then finally he looks at her. And then we

1925
01:32:00,960 --> 01:32:03,479
Speaker 2: just jumped cut to them in in in her bed

1926
01:32:03,560 --> 01:32:07,320
Speaker 2: chambers alone like not sexy time, but like like we

1927
01:32:07,439 --> 01:32:09,640
Speaker 2: need to keep everyone out the room because I need

1928
01:32:09,720 --> 01:32:12,200
Speaker 2: to fucking talk to you because you did that shit, didn't.

1929
01:32:11,920 --> 01:32:12,320
Speaker 1: You, right?

1930
01:32:12,360 --> 01:32:15,040
Speaker 5: And not your finding most talkative ass nigga. Ever, he

1931
01:32:15,240 --> 01:32:17,400
Speaker 5: always got some shit to say, but now this is

1932
01:32:17,479 --> 01:32:19,360
Speaker 5: the only time he's fucking silent.

1933
01:32:19,280 --> 01:32:22,439
Speaker 3: Set the whole meeting, just doing side eyes to people, right.

1934
01:32:23,000 --> 01:32:26,040
Speaker 2: So then he's like, yeah, I you know, use Massarah's

1935
01:32:26,280 --> 01:32:29,519
Speaker 2: info as the white worm to sneak into the castle.

1936
01:32:29,560 --> 01:32:32,960
Speaker 2: And I told these people like kill Amon because you

1937
01:32:33,040 --> 01:32:36,000
Speaker 2: said you want to kill Amon, but you know, Sassin's

1938
01:32:36,080 --> 01:32:39,040
Speaker 2: davy fucking up. I can't be responsible for it. And

1939
01:32:39,160 --> 01:32:41,880
Speaker 2: she's like, what did you tell them if they couldn't

1940
01:32:41,920 --> 01:32:44,960
Speaker 2: to do if they couldn't find Amon? And he's like,

1941
01:32:45,439 --> 01:32:49,120
Speaker 2: I mean nothing, really, it's like kill Amon and she

1942
01:32:49,360 --> 01:32:51,479
Speaker 2: was like he was like, whatever it was, I didn't

1943
01:32:51,479 --> 01:32:53,479
Speaker 2: tell him to kill no kid, no little baby in

1944
01:32:53,560 --> 01:32:53,880
Speaker 2: the crib.

1945
01:32:54,520 --> 01:32:58,640
Speaker 3: And she's like, yeah, I don't believe you.

1946
01:32:58,800 --> 01:33:03,320
Speaker 2: And also like this hurts my case for the throne, right,

1947
01:33:03,800 --> 01:33:05,720
Speaker 2: people feeling to not fuck with me no more because

1948
01:33:05,720 --> 01:33:09,960
Speaker 2: they think I kill babies and shit, you know, I

1949
01:33:10,080 --> 01:33:12,519
Speaker 2: believe you told them any high tower blood will do.

1950
01:33:13,600 --> 01:33:16,280
Speaker 3: And he's like, I said no. She's like, well, I

1951
01:33:16,360 --> 01:33:17,280
Speaker 3: still don't believe you.

1952
01:33:18,200 --> 01:33:21,200
Speaker 2: And then she's like, I can't even trust your ass. Okay,

1953
01:33:21,360 --> 01:33:24,360
Speaker 2: I admitted I knew I couldn't trust you a little bit.

1954
01:33:24,960 --> 01:33:27,400
Speaker 2: I fought against it. I tried to wheel myself into

1955
01:33:27,439 --> 01:33:31,320
Speaker 2: trusting you your selfish yeah, yeah, yeah, yeah, I thought

1956
01:33:31,360 --> 01:33:34,000
Speaker 2: it was I thought, you know, winning you to my

1957
01:33:34,120 --> 01:33:35,720
Speaker 2: side was a challenge when I was a kid, but

1958
01:33:35,800 --> 01:33:37,680
Speaker 2: now I'm a grown ass woman. Everything a challenge. I

1959
01:33:37,680 --> 01:33:40,240
Speaker 2: don't need no challenge in my own motherfucking house, nigga.

1960
01:33:41,000 --> 01:33:42,760
Speaker 2: And he's like, I served you faithfully, girl, why are

1961
01:33:42,800 --> 01:33:43,479
Speaker 2: you trippling like this?

1962
01:33:43,640 --> 01:33:45,720
Speaker 3: I'm not what I fuck with you.

1963
01:33:46,360 --> 01:33:48,320
Speaker 2: She's like, nah, you just use me as a tool

1964
01:33:48,360 --> 01:33:50,439
Speaker 2: to get to your birthright or the throne because you

1965
01:33:50,600 --> 01:33:54,040
Speaker 2: really just think you should be the king. She was

1966
01:33:54,160 --> 01:33:56,439
Speaker 2: right now, this does mirror something that's going on in

1967
01:33:56,560 --> 01:33:59,320
Speaker 2: King's Landing, that meaning that they had in kings Landing

1968
01:33:59,760 --> 01:34:03,600
Speaker 2: where where Amon is accusing, I mean, ay, God is

1969
01:34:03,640 --> 01:34:04,720
Speaker 2: accusing everyone in the room.

1970
01:34:04,760 --> 01:34:06,840
Speaker 3: We're like, you plotting against me, You're trying to kill

1971
01:34:06,880 --> 01:34:07,320
Speaker 3: my baby.

1972
01:34:08,240 --> 01:34:11,240
Speaker 2: A similar thing can be said about ray Nara's allegiance

1973
01:34:11,400 --> 01:34:14,880
Speaker 2: and alliance with Damon, like I think what happens is

1974
01:34:14,920 --> 01:34:18,320
Speaker 2: because people get on these teams, they stop thinking very

1975
01:34:18,360 --> 01:34:22,760
Speaker 2: critically about the show and about the alliances. But a

1976
01:34:22,840 --> 01:34:26,280
Speaker 2: lot of stuff that Raynara did was like similar to

1977
01:34:26,400 --> 01:34:29,000
Speaker 2: Allison in that I want power and I'm gonna have

1978
01:34:29,080 --> 01:34:31,960
Speaker 2: to make I'm gonna have to make do with this

1979
01:34:32,080 --> 01:34:36,640
Speaker 2: patriarchal compromise and hers is Damon. You know it was

1980
01:34:36,880 --> 01:34:39,479
Speaker 2: we gotta get Lenor out of here. I gotta get

1981
01:34:39,560 --> 01:34:43,320
Speaker 2: with Damon. It'll strengthen my claim to the throne because

1982
01:34:43,360 --> 01:34:45,880
Speaker 2: my number one contender to the throne right now is Damon.

1983
01:34:46,400 --> 01:34:48,599
Speaker 3: If we are a team, I get the throw.

1984
01:34:48,720 --> 01:34:48,800
Speaker 1: Now.

1985
01:34:48,840 --> 01:34:52,559
Speaker 2: That's a power hungry, smart savvy move, but it doesn't

1986
01:34:52,600 --> 01:34:54,679
Speaker 2: mean you really trust this person, because we're not really

1987
01:34:54,800 --> 01:34:57,320
Speaker 2: in it for trust. We're in it for both of

1988
01:34:57,439 --> 01:35:00,800
Speaker 2: us getting proximity to the throne, and who knows, Like,

1989
01:35:00,960 --> 01:35:03,639
Speaker 2: can you trust this guy. This's a guy who when

1990
01:35:03,680 --> 01:35:08,280
Speaker 2: he murdered his patroled by steering her horse, like, this

1991
01:35:08,439 --> 01:35:13,439
Speaker 2: is not the most trustworthy guy you know. And he

1992
01:35:13,520 --> 01:35:16,599
Speaker 2: seemed cool with his black wife, but that mostly seemed

1993
01:35:16,680 --> 01:35:18,759
Speaker 2: like he was like, because I know I'm not getting

1994
01:35:18,800 --> 01:35:21,240
Speaker 2: the thrown and fucked them, right, He was chilled in,

1995
01:35:21,520 --> 01:35:23,439
Speaker 2: but he still had a strong plane because he's still

1996
01:35:23,520 --> 01:35:25,559
Speaker 2: married within that Targanian.

1997
01:35:25,160 --> 01:35:29,280
Speaker 3: You know, hierarchy and stuff he did. But anyway, so

1998
01:35:29,560 --> 01:35:36,200
Speaker 3: she says, well, look there, you just trying to get

1999
01:35:36,240 --> 01:35:39,759
Speaker 3: your birth right. He gets mad. He throws some more furniture.

2000
01:35:40,240 --> 01:35:41,839
Speaker 1: Furniture took a al this week.

2001
01:35:41,960 --> 01:35:44,680
Speaker 2: Just furniture all over the place, and he approaches her

2002
01:35:45,280 --> 01:35:47,519
Speaker 2: almost like he's gonna choke her again, like he did

2003
01:35:47,600 --> 01:35:49,080
Speaker 2: that one time where he put his head on the

2004
01:35:49,160 --> 01:35:51,479
Speaker 2: throat and he pulls back.

2005
01:35:52,400 --> 01:35:54,599
Speaker 3: Then he pulls his hands on the side of her face,

2006
01:35:54,760 --> 01:35:58,360
Speaker 3: like cupping her face gently kind of, and says, didn't

2007
01:35:58,439 --> 01:35:59,760
Speaker 3: I put the crown on your head?

2008
01:36:01,400 --> 01:36:03,599
Speaker 2: And she's like, you only did that after you tried

2009
01:36:03,640 --> 01:36:06,719
Speaker 2: to lead a war council without me, And that's while

2010
01:36:06,720 --> 01:36:09,400
Speaker 2: I was in labor delivering I believe.

2011
01:36:09,160 --> 01:36:10,360
Speaker 3: It was a still born child.

2012
01:36:10,680 --> 01:36:13,280
Speaker 5: Yeah. She' in the back, calling and screaming, and he like,

2013
01:36:13,360 --> 01:36:15,600
Speaker 5: flip it to the next PowerPoint presentation.

2014
01:36:15,320 --> 01:36:20,120
Speaker 2: Right right, and so he slips and calls it. He's like,

2015
01:36:20,200 --> 01:36:23,000
Speaker 2: because they took my brother's throne, and she's like, don't

2016
01:36:23,040 --> 01:36:26,559
Speaker 2: you mean my throne. She's like, I think you use

2017
01:36:26,680 --> 01:36:29,040
Speaker 2: my words as an excuse to make your take your

2018
01:36:29,080 --> 01:36:32,760
Speaker 2: own revenge, to indulge the darkness you keep sheathed within you,

2019
01:36:32,920 --> 01:36:33,920
Speaker 2: like some sort of blade.

2020
01:36:33,960 --> 01:36:34,679
Speaker 3: I love that line.

2021
01:36:35,920 --> 01:36:38,880
Speaker 2: And he says, look, I'm on my way to Harry

2022
01:36:38,960 --> 01:36:41,720
Speaker 2: Hall right now to raise an army in your name.

2023
01:36:42,000 --> 01:36:44,280
Speaker 3: And you still don't fucking trust me. What the fuck

2024
01:36:44,600 --> 01:36:45,280
Speaker 3: Nigga gotta do?

2025
01:36:45,800 --> 01:36:49,280
Speaker 2: And she's like, do you accept me as your queen

2026
01:36:49,360 --> 01:36:52,320
Speaker 2: and ruler? Or do you clean even now to what

2027
01:36:52,439 --> 01:36:54,639
Speaker 2: you think you've lost? And he says, what I think

2028
01:36:54,720 --> 01:36:57,639
Speaker 2: I've lost, meaning he did not answer and say yes,

2029
01:36:58,400 --> 01:37:00,679
Speaker 2: I accept you as my queen and ruler.

2030
01:37:01,080 --> 01:37:04,280
Speaker 3: He went to like, Nigga, I really did lose the throne. Yo.

2031
01:37:04,400 --> 01:37:07,800
Speaker 2: Daddy was a coward and he knew I should have

2032
01:37:07,880 --> 01:37:11,240
Speaker 2: been the king, but he was new that my legacy

2033
01:37:11,479 --> 01:37:14,320
Speaker 2: was gonna outstrip his ship, so he put me in

2034
01:37:14,400 --> 01:37:16,960
Speaker 2: a place by putting you on the throne. So that's

2035
01:37:17,000 --> 01:37:19,720
Speaker 2: the only reason you the fucking queen right now, and

2036
01:37:20,840 --> 01:37:24,080
Speaker 2: your legacy won't outshine his, which is which is so

2037
01:37:24,200 --> 01:37:27,320
Speaker 2: you the safe pick in that way, Which is funny

2038
01:37:27,320 --> 01:37:31,120
Speaker 2: because I think people see others motives in themselves, right.

2039
01:37:32,160 --> 01:37:34,600
Speaker 2: I don't think Sarah's thought that ever at all. I

2040
01:37:34,640 --> 01:37:36,599
Speaker 2: don't think he was like, oh no, my brother's legacy

2041
01:37:36,640 --> 01:37:39,200
Speaker 2: gonna be stronger than mine. But that's how Damon would

2042
01:37:39,240 --> 01:37:42,880
Speaker 2: see it, Yes, you know, And it tells you a

2043
01:37:42,960 --> 01:37:46,080
Speaker 2: lot about Damon and that he's so legacy driven and

2044
01:37:46,680 --> 01:37:50,360
Speaker 2: all this shit about greatness and stuff. And he said Visa.

2045
01:37:50,520 --> 01:37:54,400
Speaker 2: She says, he's like he was a fool, and she says,

2046
01:37:54,640 --> 01:37:57,040
Speaker 2: my daddy wasn't a fool. He just couldn't trust your ass.

2047
01:37:57,360 --> 01:38:01,519
Speaker 2: And Damon said he sought greatness, but shrink from spilling

2048
01:38:01,600 --> 01:38:06,120
Speaker 2: blood to achieve it, just like your ass, like, which

2049
01:38:06,240 --> 01:38:08,599
Speaker 2: makes it sound like he doesn't think killing that kid's

2050
01:38:08,640 --> 01:38:11,920
Speaker 2: a mistake. He's just like, look, they gotta die. They

2051
01:38:12,080 --> 01:38:14,920
Speaker 2: was gonna die. I'm just getting to killing started. And

2052
01:38:15,040 --> 01:38:17,120
Speaker 2: now that I'm really pressing against the wall and were fighting,

2053
01:38:18,640 --> 01:38:20,880
Speaker 2: I killed blood because I know this what to take

2054
01:38:21,240 --> 01:38:24,559
Speaker 2: and you you dumb, And she said you killed a child.

2055
01:38:24,600 --> 01:38:26,519
Speaker 3: He said it was a mistake, Like how you gonna

2056
01:38:26,520 --> 01:38:26,960
Speaker 3: my bag?

2057
01:38:27,880 --> 01:38:30,160
Speaker 1: How you go? My bad? Killing the baby? My bad?

2058
01:38:30,479 --> 01:38:31,880
Speaker 1: I ran the red light, My bad?

2059
01:38:32,000 --> 01:38:34,840
Speaker 3: And players fuck up? What's the problem? Yeah, And she said,

2060
01:38:34,880 --> 01:38:37,599
Speaker 3: you're pathetic. She slumps down in her chair. He leaves.

2061
01:38:38,080 --> 01:38:40,759
Speaker 2: We see him head out on his dragon. He ignores

2062
01:38:40,800 --> 01:38:43,479
Speaker 2: his daughter Bayla on his way out. Bayluk comes into

2063
01:38:43,520 --> 01:38:45,360
Speaker 2: the chambers for Ray, like what's wrong.

2064
01:38:45,640 --> 01:38:47,519
Speaker 3: She clock all the debris on the ground she.

2065
01:38:47,560 --> 01:38:50,720
Speaker 2: Could see like they've been fighting, and Ray tells her,

2066
01:38:50,840 --> 01:38:54,479
Speaker 2: you gonna go watch kings landing on your dragon, moon dancer.

2067
01:38:55,200 --> 01:38:56,639
Speaker 3: Nigga, she gonna send.

2068
01:38:56,560 --> 01:39:00,320
Speaker 2: The black baby. She wasn't seeing her a little white son.

2069
01:39:00,880 --> 01:39:03,840
Speaker 2: But all the black daughters gone ahead. You got it

2070
01:39:04,760 --> 01:39:06,120
Speaker 2: gone out, Dad, get ate up.

2071
01:39:07,520 --> 01:39:09,080
Speaker 3: I hope not, sisters.

2072
01:39:09,160 --> 01:39:11,160
Speaker 2: That's how they do us. Don't how to do us.

2073
01:39:11,479 --> 01:39:15,560
Speaker 2: The black women got to beat the mule h the

2074
01:39:15,680 --> 01:39:18,680
Speaker 2: same assignment. She told Jace he couldn't do so. Then

2075
01:39:18,760 --> 01:39:21,719
Speaker 2: Baylor asked about her father and Ray's like, he gotta

2076
01:39:21,760 --> 01:39:23,599
Speaker 2: follow his own path. I don't know where he going.

2077
01:39:24,040 --> 01:39:26,840
Speaker 2: We see Damon pull off on this dragon in full armor.

2078
01:39:27,200 --> 01:39:29,880
Speaker 2: You know I beat The only thing he didn't have

2079
01:39:30,040 --> 01:39:32,880
Speaker 2: was that dou dirt hoodie. Yes, but it sounds like

2080
01:39:32,920 --> 01:39:34,120
Speaker 2: you finna go kills the people.

2081
01:39:35,200 --> 01:39:37,120
Speaker 3: Ray goes. She watches her kids play.

2082
01:39:37,200 --> 01:39:40,400
Speaker 2: Her youngest kids play with toys, obviously reminded her what

2083
01:39:40,520 --> 01:39:45,040
Speaker 2: Helena loss and the child they lost. Jace walks up

2084
01:39:45,120 --> 01:39:48,040
Speaker 2: on Baylor, who's outside doing target practice with a crossbow,

2085
01:39:48,760 --> 01:39:51,719
Speaker 2: and he's like, I guess your daddy must have went.

2086
01:39:51,600 --> 01:39:56,439
Speaker 3: To Hairn Hall. I don't know, and she's like, sometimes

2087
01:39:56,479 --> 01:39:57,599
Speaker 3: I think I hate my daddy.

2088
01:40:00,320 --> 01:40:03,240
Speaker 2: And then they reminisce so with lenor her uncle his

2089
01:40:03,600 --> 01:40:05,400
Speaker 2: I guess Jason's uncle her.

2090
01:40:06,760 --> 01:40:09,519
Speaker 3: Cousin or brother. Uh, well, I guess kind of both

2091
01:40:09,600 --> 01:40:10,040
Speaker 3: they uncles.

2092
01:40:10,120 --> 01:40:11,120
Speaker 1: Yeah, both they uncles.

2093
01:40:11,280 --> 01:40:13,320
Speaker 3: So these are all this incest, y'all.

2094
01:40:14,400 --> 01:40:16,960
Speaker 2: And then they talked about Sir Howard Breakbones, who was

2095
01:40:17,400 --> 01:40:21,040
Speaker 2: you know, Ja's real daddy, and he says he loved us,

2096
01:40:21,120 --> 01:40:23,000
Speaker 2: I think, and she says, of course he did, and

2097
01:40:23,120 --> 01:40:25,240
Speaker 2: he says, I miss Luke, and then it just cuts.

2098
01:40:25,080 --> 01:40:25,719
Speaker 3: To the next scene.

2099
01:40:26,760 --> 01:40:29,240
Speaker 2: Sometimes you forget these are basically cousins who never got

2100
01:40:29,280 --> 01:40:30,519
Speaker 2: to be around anyone else.

2101
01:40:30,960 --> 01:40:32,240
Speaker 1: Yep, they only had each other.

2102
01:40:32,360 --> 01:40:34,280
Speaker 5: That that's why his kids they were so tight, because

2103
01:40:34,280 --> 01:40:35,960
Speaker 5: they was like, we all we got they the only

2104
01:40:36,040 --> 01:40:38,840
Speaker 5: kids they know, right, because everybody else cast us out

2105
01:40:38,960 --> 01:40:40,599
Speaker 5: and you know, saying we ain't shit.

2106
01:40:41,640 --> 01:40:44,479
Speaker 2: Ray is in the library reading old scrolls and books

2107
01:40:44,520 --> 01:40:47,960
Speaker 2: and Wikipedia for inspiration. They bring Massari up to speak

2108
01:40:48,040 --> 01:40:51,840
Speaker 2: to her. She accused Messaria of like playing partner assassination

2109
01:40:53,320 --> 01:40:54,800
Speaker 2: and then helping you, sirp the throne.

2110
01:40:54,880 --> 01:40:57,479
Speaker 3: So she like, you help them kill that little baby

2111
01:40:57,520 --> 01:40:58,679
Speaker 3: and then you stole the throne.

2112
01:40:58,760 --> 01:41:01,000
Speaker 2: But sorry, like I regret it now I'm in chains.

2113
01:41:01,040 --> 01:41:04,720
Speaker 2: But also I was just fucking trading information. I'm not

2114
01:41:05,000 --> 01:41:07,519
Speaker 2: I'm not allegiance to any of y'all. Now I'm just

2115
01:41:07,600 --> 01:41:11,320
Speaker 2: a prisoner and all, you know, all I did was

2116
01:41:11,360 --> 01:41:15,439
Speaker 2: getting names to Damon. Damon promised me my freedom. Did

2117
01:41:15,479 --> 01:41:17,920
Speaker 2: he say something else? She's like, well he gone, And

2118
01:41:18,040 --> 01:41:18,439
Speaker 2: she's like.

2119
01:41:18,479 --> 01:41:19,280
Speaker 3: Well that's what he do.

2120
01:41:21,160 --> 01:41:24,160
Speaker 2: He did that ship to me too, girl, And Ray

2121
01:41:24,320 --> 01:41:27,680
Speaker 2: was like looking at like, wait, I know you, and

2122
01:41:27,800 --> 01:41:31,160
Speaker 2: she remembers her from the bridge what Damon was like,

2123
01:41:31,240 --> 01:41:34,280
Speaker 2: I'm gonna marry this common hard and I'm gonna I'm

2124
01:41:34,320 --> 01:41:36,680
Speaker 2: gonna live in you know, like all that shit took

2125
01:41:36,840 --> 01:41:40,280
Speaker 2: that other castle, yeah, Dragonstone actually the castle in And

2126
01:41:40,400 --> 01:41:44,560
Speaker 2: so she was like she gives her story, you know,

2127
01:41:45,000 --> 01:41:50,240
Speaker 2: like because because my girl right now is like listen,

2128
01:41:52,240 --> 01:41:53,080
Speaker 2: what what the fuck?

2129
01:41:53,320 --> 01:41:57,080
Speaker 3: Like you you want me to let you go free?

2130
01:41:58,080 --> 01:41:59,960
Speaker 3: Why would I do that? Right now?

2131
01:42:00,200 --> 01:42:02,519
Speaker 2: You either asset to me or you can harm me

2132
01:42:02,680 --> 01:42:04,840
Speaker 2: by betraying me in some kind of way I can't see.

2133
01:42:05,320 --> 01:42:07,840
Speaker 2: So if I let you go free, that's just dumb.

2134
01:42:08,640 --> 01:42:11,240
Speaker 2: And that's when Massari basically did that I started from

2135
01:42:11,280 --> 01:42:11,639
Speaker 2: the bottom.

2136
01:42:11,680 --> 01:42:13,080
Speaker 3: Now we're here. She's like, yeah, she did.

2137
01:42:13,240 --> 01:42:15,519
Speaker 2: I was brought to West Thross with nothing. I was

2138
01:42:15,560 --> 01:42:18,360
Speaker 2: a hoe and I'm admitting it. I won't take it

2139
01:42:18,479 --> 01:42:21,640
Speaker 2: back because I did this shit right. But she was like,

2140
01:42:21,960 --> 01:42:24,000
Speaker 2: I earned my way up. I fucked all these men,

2141
01:42:24,240 --> 01:42:26,680
Speaker 2: powerful men start fucking with me. I bought my I

2142
01:42:26,760 --> 01:42:29,679
Speaker 2: got myself a house, and then the high towers burn

2143
01:42:29,800 --> 01:42:32,720
Speaker 2: my ship to the ground. But I'm glad because I

2144
01:42:32,840 --> 01:42:35,920
Speaker 2: learned a lesson, which is that these motherfuckers won't never

2145
01:42:36,040 --> 01:42:38,400
Speaker 2: respect the whole no matter what she do with her life.

2146
01:42:38,920 --> 01:42:42,519
Speaker 2: And raised like, how you get that scar on your neck?

2147
01:42:42,560 --> 01:42:44,840
Speaker 2: I MA, sorry, it didn't answer. I've never noticed the

2148
01:42:44,880 --> 01:42:46,320
Speaker 2: scar before, but it is there.

2149
01:42:47,920 --> 01:42:48,120
Speaker 1: You know.

2150
01:42:48,479 --> 01:42:50,640
Speaker 2: I don't know if she was attacked, if it's a

2151
01:42:52,080 --> 01:42:54,880
Speaker 2: slave cor a slave caller.

2152
01:42:55,080 --> 01:42:58,800
Speaker 3: Yeah, use, I don't know. But she don't answer the question,

2153
01:42:58,880 --> 01:43:01,599
Speaker 3: so we don't find out. And then ray Nara actually

2154
01:43:02,320 --> 01:43:07,280
Speaker 3: says later on, I'm freeing you. You can go damon.

2155
01:43:07,360 --> 01:43:11,200
Speaker 3: I'm gonna trust you. Damon said you could go, honoring

2156
01:43:11,280 --> 01:43:11,719
Speaker 3: his word.

2157
01:43:12,360 --> 01:43:12,479
Speaker 5: Uh.

2158
01:43:12,680 --> 01:43:15,880
Speaker 2: She gives a passage on the Valarian ship headed to

2159
01:43:16,439 --> 01:43:18,720
Speaker 2: uh mirror and she's like, I can't let you go

2160
01:43:18,880 --> 01:43:21,120
Speaker 2: free free, you gonna have to go like on to

2161
01:43:21,240 --> 01:43:25,599
Speaker 2: a place where we choosing. And Eric, who Sir Eric

2162
01:43:25,720 --> 01:43:28,040
Speaker 2: with a E who did vouch for her last week,

2163
01:43:28,880 --> 01:43:35,479
Speaker 2: is like hey, like she I'm sorry, Ray Narraw tells him, Eric,

2164
01:43:35,760 --> 01:43:37,360
Speaker 2: you make sure she get on the ship safe, blah

2165
01:43:37,360 --> 01:43:41,880
Speaker 2: blah blah, cool, give her her stuff back. So they

2166
01:43:42,000 --> 01:43:49,680
Speaker 2: let her go, and as she is leaving to go

2167
01:43:49,800 --> 01:43:52,880
Speaker 2: to the ship, Massaria sees a group of people walking

2168
01:43:53,479 --> 01:43:57,080
Speaker 2: towards the castle. Yes, one of them looks like Sir Eric,

2169
01:43:57,439 --> 01:43:59,200
Speaker 2: and she was like, I just left that nigga, And

2170
01:43:59,200 --> 01:44:02,080
Speaker 2: remember last week in that in that boat. She was like,

2171
01:44:02,240 --> 01:44:03,720
Speaker 2: last time I saw you, there were two of you.

2172
01:44:04,840 --> 01:44:08,680
Speaker 2: So she says, guard, may I have a moment. We

2173
01:44:08,760 --> 01:44:11,720
Speaker 2: don't see what she says. Obviously she's informing them, Hey,

2174
01:44:12,479 --> 01:44:14,439
Speaker 2: that motherfucker must not be the real Eric.

2175
01:44:14,520 --> 01:44:15,360
Speaker 3: I just was with him.

2176
01:44:16,240 --> 01:44:19,120
Speaker 2: So we get a long sweeping shot of the Sir Eric,

2177
01:44:19,400 --> 01:44:23,040
Speaker 2: the assassin, the one that's coming to kill, walking around

2178
01:44:23,120 --> 01:44:26,200
Speaker 2: pass security into the keep. They like the people on

2179
01:44:26,240 --> 01:44:29,000
Speaker 2: the door like, ain't you already inside? He's like y'all

2180
01:44:29,120 --> 01:44:31,600
Speaker 2: like see, y'all, don't be paying attention. That's why the

2181
01:44:31,640 --> 01:44:32,960
Speaker 2: fuck y'all got to stay on your peas.

2182
01:44:33,640 --> 01:44:36,200
Speaker 1: They was like yeah, dog, like didn't we just see you?

2183
01:44:36,400 --> 01:44:38,719
Speaker 3: So they let him in walk past.

2184
01:44:38,800 --> 01:44:41,200
Speaker 2: Everyone hides when he sees his brother, but he clocks

2185
01:44:41,240 --> 01:44:43,320
Speaker 2: at his brother is A not wearing his helmet and

2186
01:44:43,439 --> 01:44:46,360
Speaker 2: B has not changed his appearance, so he can take

2187
01:44:46,400 --> 01:44:47,240
Speaker 2: his helmet off now.

2188
01:44:48,479 --> 01:44:50,120
Speaker 5: Right, because he wasn't sure if he cut his head

2189
01:44:50,240 --> 01:44:52,240
Speaker 5: like would have happened, right, because it's.

2190
01:44:52,120 --> 01:44:53,280
Speaker 1: Been forelvers since he's seen him.

2191
01:44:53,520 --> 01:44:56,719
Speaker 2: Right, That's why I said they need to change their appearance. Okay,

2192
01:44:56,880 --> 01:44:59,519
Speaker 2: I called this ship last week when I said this

2193
01:44:59,720 --> 01:45:02,000
Speaker 2: twin and ship. You don't put that in the script

2194
01:45:02,160 --> 01:45:06,479
Speaker 2: and don't use it, you know what I mean? So, uh,

2195
01:45:07,479 --> 01:45:12,080
Speaker 2: she ends up, He ends up hiding. He relieves the

2196
01:45:12,160 --> 01:45:17,040
Speaker 2: guard outside of Raynera's room and then he comes in

2197
01:45:17,960 --> 01:45:18,880
Speaker 2: and Rainera's in.

2198
01:45:18,920 --> 01:45:21,760
Speaker 3: There with I think her name was Alita. I want

2199
01:45:21,800 --> 01:45:26,120
Speaker 3: to make sure I say that right, but yeah, so

2200
01:45:26,240 --> 01:45:28,080
Speaker 3: she's in there, yeah Alinda Alinda.

2201
01:45:28,160 --> 01:45:31,000
Speaker 2: So Linda's like braiding her hair, but Ray can't sleep,

2202
01:45:31,120 --> 01:45:32,040
Speaker 2: she can't stay still.

2203
01:45:33,120 --> 01:45:35,680
Speaker 3: She's like, girl, you gotta lay down, you gotta get sleep.

2204
01:45:35,479 --> 01:45:37,880
Speaker 5: Looking at the window, like so I'm assuming that that

2205
01:45:38,040 --> 01:45:40,840
Speaker 5: must be massary outside making.

2206
01:45:41,520 --> 01:45:43,840
Speaker 3: I don't know what she was looking at.

2207
01:45:43,920 --> 01:45:48,479
Speaker 2: It was getting her attention, right, but at anyway, she

2208
01:45:49,160 --> 01:45:53,439
Speaker 2: she goes to lay down and and Linda's like, girl,

2209
01:45:53,439 --> 01:45:54,600
Speaker 2: you want to get you on the drinks and you

2210
01:45:54,600 --> 01:45:56,120
Speaker 2: can go to sleep. She's like that sounds like a

2211
01:45:56,200 --> 01:46:00,639
Speaker 2: good idea. And right then the Evil Eric, the Evil Twin,

2212
01:46:00,760 --> 01:46:05,600
Speaker 2: busts open the door and he's like, believe me, I

2213
01:46:05,760 --> 01:46:08,000
Speaker 2: had no choice, pulls out the sword, starts walking towards

2214
01:46:08,040 --> 01:46:08,360
Speaker 2: right there.

2215
01:46:08,920 --> 01:46:11,280
Speaker 3: Then the brother comes in, the good one. He's like, brother,

2216
01:46:12,680 --> 01:46:14,519
Speaker 3: do not do this. I beg you.

2217
01:46:14,960 --> 01:46:16,640
Speaker 1: Yeah, it's like a spoder Man spider man me.

2218
01:46:17,080 --> 01:46:19,559
Speaker 2: And I was like, I bet you wish naming Ass

2219
01:46:19,680 --> 01:46:22,760
Speaker 2: was in there right then. Mm hm, I bet I

2220
01:46:22,880 --> 01:46:25,360
Speaker 2: bet you're thinking differently about that ship in this moment.

2221
01:46:27,320 --> 01:46:30,439
Speaker 2: But yeah, so the good One does come in there,

2222
01:46:32,479 --> 01:46:43,960
Speaker 2: and when he busted, of course, I'm like, somebody make

2223
01:46:44,040 --> 01:46:44,880
Speaker 2: that happen on TikTok.

2224
01:46:46,760 --> 01:46:48,240
Speaker 1: So that's hilarious.

2225
01:46:48,600 --> 01:46:52,880
Speaker 3: So they fight, they have like they messing up furniture again.

2226
01:46:53,280 --> 01:46:55,839
Speaker 2: Right, the frontite that took an l this week furniture

2227
01:46:55,920 --> 01:47:01,200
Speaker 2: was just chilling, Sir Lawrence. Uh right now, says a Linda,

2228
01:47:01,400 --> 01:47:03,200
Speaker 2: Go get Sir Lawrence. So Lauren come in there.

2229
01:47:03,240 --> 01:47:04,799
Speaker 3: He and his motherfucking night clothes.

2230
01:47:05,040 --> 01:47:07,120
Speaker 5: Yeah, and he and his night clothes because he was

2231
01:47:07,200 --> 01:47:09,120
Speaker 5: on the opposite I think he was on like one

2232
01:47:09,200 --> 01:47:13,760
Speaker 5: of the posts, and the the other Eric came and

2233
01:47:13,920 --> 01:47:14,839
Speaker 5: was like, hey dog.

2234
01:47:15,320 --> 01:47:16,840
Speaker 1: I'm a i'm a i'm a post in front.

2235
01:47:17,080 --> 01:47:17,680
Speaker 3: I don't believe you.

2236
01:47:17,880 --> 01:47:21,280
Speaker 1: So he was like yeah, he was like the fuck

2237
01:47:21,360 --> 01:47:21,479
Speaker 1: is this?

2238
01:47:21,640 --> 01:47:24,400
Speaker 3: But he came there and his night clothes with his sword, like, hey,

2239
01:47:24,479 --> 01:47:25,120
Speaker 3: which one is?

2240
01:47:25,200 --> 01:47:26,160
Speaker 1: Which a right?

2241
01:47:26,360 --> 01:47:27,599
Speaker 3: Who kill?

2242
01:47:28,720 --> 01:47:29,320
Speaker 1: Who would know?

2243
01:47:29,760 --> 01:47:31,240
Speaker 3: And they dressed the same and everything.

2244
01:47:31,360 --> 01:47:33,000
Speaker 1: She running trying not to get killed.

2245
01:47:33,320 --> 01:47:35,640
Speaker 3: So they fight all over the place. Uh.

2246
01:47:37,360 --> 01:47:41,200
Speaker 2: And then finally like after getting cut kicked in the leg,

2247
01:47:41,400 --> 01:47:45,040
Speaker 2: getting like hand stuck in the wound and shit, Uh,

2248
01:47:45,720 --> 01:47:49,440
Speaker 2: the good Eric is choke is like getting.

2249
01:47:49,200 --> 01:47:51,240
Speaker 3: Choked out by the bad Eric. And I think the

2250
01:47:51,320 --> 01:47:54,880
Speaker 3: bad Eric is like, we were born together, you parted us,

2251
01:47:55,360 --> 01:47:56,920
Speaker 3: but I still love you, brother.

2252
01:47:57,560 --> 01:47:59,960
Speaker 2: And then the good Eric finally kills the Shady twins

2253
01:48:00,320 --> 01:48:02,880
Speaker 2: and protects Ray. And then he turns around to Ray

2254
01:48:03,200 --> 01:48:08,400
Speaker 2: and he's like, sorry, my queen, and literally falls on.

2255
01:48:08,479 --> 01:48:09,080
Speaker 3: His own sword.

2256
01:48:09,280 --> 01:48:11,240
Speaker 1: Yes, yes, I did not see that coming.

2257
01:48:11,640 --> 01:48:12,760
Speaker 3: He is dead. Yep.

2258
01:48:12,840 --> 01:48:14,280
Speaker 1: So both of the twins is gone.

2259
01:48:14,360 --> 01:48:17,479
Speaker 2: And I know her testimony is gonna be crazy, and

2260
01:48:17,560 --> 01:48:20,960
Speaker 2: except this Sunday, she gonna her test right now, her

2261
01:48:21,040 --> 01:48:24,160
Speaker 2: testimony gonna go hard Sunday when she's like, but God

2262
01:48:26,000 --> 01:48:31,160
Speaker 2: stopped my enemies, no weapon, Like, come on, all right,

2263
01:48:31,360 --> 01:48:33,800
Speaker 2: that's it. We gotta wrap up. We're already late for

2264
01:48:33,880 --> 01:48:36,679
Speaker 2: the thing we're supposed to do. So thank you for listening.

2265
01:48:36,800 --> 01:48:39,080
Speaker 3: We'll check out your feedback and all that stuff.

2266
01:48:39,160 --> 01:48:42,080
Speaker 2: Don't forget to a sponsor to check out our sponsors

2267
01:48:42,120 --> 01:48:43,360
Speaker 2: that we read earlier in the show.

2268
01:48:43,439 --> 01:48:45,840
Speaker 3: And until next time, I love you, I love you too.

2269
01:48:46,080 --> 01:48:46,280
Speaker 1: Why