WEBVTT - The Nostalgia Factory

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<v Speaker 1>I spent a lot of money, I spent a lot

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<v Speaker 1>of time. That trip remained to Hollywood. Still, for all

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<v Speaker 1>the things you could find an out of bad, do

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<v Speaker 1>you make it? This is the stuff of life, and

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<v Speaker 1>I'm your host, Julie Douglas. In our last episode, we

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<v Speaker 1>explored adolescence, the time when we lived our lives like

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<v Speaker 1>a fever dream and carved out some of our most

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<v Speaker 1>poignant memories. Now we look at how those memories become

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<v Speaker 1>the fertile ground of nostalgia, and how nostalgia works on

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<v Speaker 1>us personally, politically, and culturally. And this way, nostalgia is

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<v Speaker 1>a time machine, stringing together memories to give meaning to

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<v Speaker 1>the present and framing our expectations for the future. I

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<v Speaker 1>my fring was so cold for relicing. That's Curtis. We

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<v Speaker 1>met him in a Washington, d C. Park on the

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<v Speaker 1>evening of President Trump's inauguration, a moment in time when

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<v Speaker 1>many in the US were taking time to reflect. Some

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<v Speaker 1>were jubilant with nostalgia and the idea that we're returning

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<v Speaker 1>to another era, Like Dan, who was on his way

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<v Speaker 1>back from inauguration festivities, We're going to return to the

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<v Speaker 1>constitutional status where people can work to be free, where

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<v Speaker 1>they can work for merit, where they can work for

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<v Speaker 1>their future. And I honestly believe we're in the rising

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<v Speaker 1>tide that will lift all boats if you let it.

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<v Speaker 1>Some people like Curtis Wax nostalgic about in America that

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<v Speaker 1>he thinks no longer exists. The biggest thing in all

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<v Speaker 1>these ways is everybody out here protesting. I spent the

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<v Speaker 1>same amount of time protesting volunteering. We wouldn't have anything

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<v Speaker 1>to protest over. We wouldn't they be anything of protest

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<v Speaker 1>over everyone the beginning, everybody like we used to Nolden

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<v Speaker 1>America helping your neighbors. In this episode Our House Stuff Works,

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<v Speaker 1>coworkers Holly Fry and Christopher Hesiotus discussed the pitfalls of nostalgia.

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<v Speaker 1>I think if you're grasping at the way things used

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<v Speaker 1>to be and imagine that they're better, um, even if

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<v Speaker 1>they were better in certain measurable ways, it can prevent

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<v Speaker 1>you from looking at the world around you as it is.

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<v Speaker 1>And we talked to psychologist Clay Rutledge about how nostalgia

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<v Speaker 1>may just be one of the most potent survival tools

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<v Speaker 1>in our psychological tool kits. The people who are naturally

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<v Speaker 1>using nostalgia as the age seem to be doing pretty

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<v Speaker 1>well in terms of psychological health. But first we talked

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<v Speaker 1>to a professional antique picker, Larry Singleton. He's the decor

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<v Speaker 1>manager of Cracker Barrel and he curates a kind of

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<v Speaker 1>nostalgic nuity for sixty two Cracker Barrel stores in the

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<v Speaker 1>United States, complete with a warehouse full of artifacts at

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<v Speaker 1>the ready for new store openings. I can walk out

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<v Speaker 1>in our warehouse every day and and see something that

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<v Speaker 1>brings back, brings that back to me. It brings back

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<v Speaker 1>that memory of my dad, you know, teaching me how

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<v Speaker 1>to drive a T Model truck. I remember, you know,

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<v Speaker 1>him telling me the stories of his adventures growing up

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<v Speaker 1>and taking a trip in a T Model to Indiana

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<v Speaker 1>with a friend, you know, to pick up rabbits. They

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<v Speaker 1>were going to go into the raising rabbit business. You

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<v Speaker 1>know that. You know, it just kind of when I

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<v Speaker 1>see something like that here or you know, it just

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<v Speaker 1>it brings back family. It brings back, you know, that

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<v Speaker 1>connection to my history three and my family's history. It

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<v Speaker 1>just you know, and it and it's it's always a

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<v Speaker 1>good feeling, you know, it's always that connection to him.

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<v Speaker 1>You know, Dan w. Evans opened that first Cracker Barrel

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<v Speaker 1>in Lebanon, Tennessee. Danny decided to you know, he'd come

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<v Speaker 1>up with the idea, you know, him and some folks

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<v Speaker 1>about doing a little place out on the interstate for

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<v Speaker 1>families to stop and uh, you know, serve them food

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<v Speaker 1>and serve some gasoline. He got mom and dad to

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<v Speaker 1>come in and set up the first first restaurant, uh,

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<v Speaker 1>and that was in September nineteen. Each Cracker Barrel has

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<v Speaker 1>a kind of old tiny general store looked to it

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<v Speaker 1>with rocking chairs on the front porch, creating that old

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<v Speaker 1>atmosphere in that field that he he had remembered. He

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<v Speaker 1>brought that to uh, you know, to a place out

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<v Speaker 1>on the interstates that other people could you know, set

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<v Speaker 1>set in and enjoy. Slow down, you know, slow down

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<v Speaker 1>and take it easy. The retail area has all kinds

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<v Speaker 1>of wears, from sweets and candles to quilts and old

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<v Speaker 1>fashioned toys. Inside the restaurant, trays of chicken and dumplings

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<v Speaker 1>emerged from the kitchen. Everywhere you look, there's an admixture

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<v Speaker 1>of antiques and objects that evoke by gone days. Talking

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<v Speaker 1>black and white family photos, butter churn a fiddle hanging

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<v Speaker 1>above that. Oh, I look at the things we hail

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<v Speaker 1>and the tools and the you know, I mean it

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<v Speaker 1>is what you know, these are the things that forged

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<v Speaker 1>and made our country. You know, these these farms, these

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<v Speaker 1>rural communities, these you know, as they were building industries

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<v Speaker 1>and making things, you know, these are all the things

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<v Speaker 1>they used to make that. A lot of the pieces

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<v Speaker 1>are you know, from when you know, America was really

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<v Speaker 1>really growing and and you know, uh, we're establishing you know,

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<v Speaker 1>I don't know about pioneers, but I mean I think

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<v Speaker 1>they were established in industry and community, you know, so

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<v Speaker 1>I think they they do have a connection. The antiques

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<v Speaker 1>differ from store to store, but among the five thousand items,

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<v Speaker 1>each store has the same. Five types of antiques can

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<v Speaker 1>be found. An ox yoke and a horseshoe hang above

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<v Speaker 1>each front door, a traffic light over the entrance to

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<v Speaker 1>the restrooms, a wall telephone next to the mantel, a

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<v Speaker 1>cracker barrel with a checkerboard in front of the fireplace,

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<v Speaker 1>and a deer head and a rifle over the mantel.

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<v Speaker 1>We just kind of follow that tradition, you know, the

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<v Speaker 1>deer head and the gun that mantle that fireplace is

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<v Speaker 1>just a central focus when you come into the dining room.

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<v Speaker 1>So you know, it's it's kind of it's kind of

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<v Speaker 1>from memory. It's kind of from you know, our you know,

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<v Speaker 1>we've seen our places and stores and cabins and houses,

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<v Speaker 1>and that's you know a lot of times that's that's

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<v Speaker 1>what they use. So we've just kind of followed that tradition. Larry,

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<v Speaker 1>who has purchased more than six hundred thousand original artifacts

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<v Speaker 1>over the years for Cracker Barrel, comes from a family

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<v Speaker 1>of antique pickers, and in some ways, the warehouse that

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<v Speaker 1>contains Cracker Barrel antiques also contains Larry's memories. I mean

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<v Speaker 1>a lot of it's, you know, the memory of my

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<v Speaker 1>my family and mom and dad, and a lot of

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<v Speaker 1>it is today it's it's about the memories of the

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<v Speaker 1>guys that I uh, you know, have dealt with us

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<v Speaker 1>and bought from over the years. And there's been a

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<v Speaker 1>lot of interested phones, you know, so that they're great memories,

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<v Speaker 1>you know, they really are those guys is you know,

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<v Speaker 1>they were my teachers, just like my mom and dad. Yeah,

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<v Speaker 1>Nostalgia is a powerful driver and for something it feels

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<v Speaker 1>like an actual physical ache for the absence of the

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<v Speaker 1>thing or person that was loved and lost suddenly resurrected

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<v Speaker 1>in the memory like an apparition. Perhaps this is why

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<v Speaker 1>during the American Civil War the song Home, Sweet Home

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<v Speaker 1>was banned from being played. The homesickness, the depression and

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<v Speaker 1>anxiety that resulted from the song's yearning sentiment was thought

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<v Speaker 1>to stoke what was regarded as a disease of nostalgia.

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<v Speaker 1>In fact, there were more than fifty cases recorded of

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<v Speaker 1>nostalgia in the General Surgeon's records, with seventy four deaths

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<v Speaker 1>attributed to nostalgia during the Civil War. Today, we better

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<v Speaker 1>under stand the bitter sweet nature of nostalgia and the

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<v Speaker 1>ways the bitter can be tamped down and the sweetness

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<v Speaker 1>once again offered up, something explored in the A MC

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<v Speaker 1>drama Madman and this scene. Don Draper forwards through Codex

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<v Speaker 1>new slide projector the carousel, using photos of his own

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<v Speaker 1>family from the last decade in front of him, A simpler,

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<v Speaker 1>happier looking life flicks before his eyes. Teddy told me

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<v Speaker 1>that in Greek, nostalgia literally means the pain from an

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<v Speaker 1>old wound. It's a twinge in your heart, far more

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<v Speaker 1>powerful than memory. Alone. This device isn't a spaceship. It's

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<v Speaker 1>a time machine go backwards and forwards. It takes us

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<v Speaker 1>to a place where we ache to go again. It's

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<v Speaker 1>not called the wheel, It's called the carousel. Let's just

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<v Speaker 1>travel the way the child travels round and round, back

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<v Speaker 1>home again to a place where we know we are loved.

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<v Speaker 1>When I started doing the Stalgia research, I wasn't surprised

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<v Speaker 1>that when people engage in nostalgia and makes them happy.

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<v Speaker 1>I mean, look at the marketplace or nostalgia, whether it's

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<v Speaker 1>rebooting movies, rereleasing music, fashions coming back around. I mean,

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<v Speaker 1>nostalgia is big business. Anyone in consumer psychology or in

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<v Speaker 1>behavioral economics can tell you that. My name is Clay Relige.

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<v Speaker 1>I am a social psychologist and professor of psychology at

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<v Speaker 1>North Dakota State University, and I study, among other things,

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<v Speaker 1>the psychology of nostalgia. I'm interested in the big questions.

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<v Speaker 1>So what is it they give us meaning in life?

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<v Speaker 1>How do we cope with insecurities about things like death, loneliness,

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<v Speaker 1>and those sorts of issues that are uniquely human concerns?

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<v Speaker 1>So how does someone who studies nostalgia define it and

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<v Speaker 1>what triggers it Stalgia defined is a sentimental or wistful

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<v Speaker 1>longing for the past. Now what that means for most people,

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<v Speaker 1>based stun our analyzes of over you know, several thousand cases,

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<v Speaker 1>um for sure is nostalgia seems to be these special

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<v Speaker 1>memories that we hold dear, that we cherish, and that

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<v Speaker 1>we bring to mind when we want to revisit the

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<v Speaker 1>you know, some of the more important times in our

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<v Speaker 1>life are the times that we think are really important

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<v Speaker 1>to our our sense of self and our sense of

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<v Speaker 1>meaning in life. So there seems to be two general

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<v Speaker 1>classes of nostalgia triggers. One is, I think the most obvious,

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<v Speaker 1>which is we could call like a sensory trigger ac

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<v Speaker 1>cues that serve as reminders of the past. So they

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<v Speaker 1>might be familiar smells or sits, or things like music.

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<v Speaker 1>You hear an old song from you know, when you

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<v Speaker 1>were a teenager, and it brings to mind the memories

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<v Speaker 1>associate with that. You smell your mom's you know, grandmother's

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<v Speaker 1>apple pie baking in the oven, and it reminds you

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<v Speaker 1>of when you had it when you were a kid.

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<v Speaker 1>Seasonal changes can remind you, you know, the first snowfall

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<v Speaker 1>can remind you of when you were a little kid

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<v Speaker 1>and used to gosside build snowman UM. So there's those

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<v Speaker 1>types of century triggers UM that are really just primes

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<v Speaker 1>of you know, they're just they're just reminding you of

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<v Speaker 1>the past. The second class of triggers has to do

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<v Speaker 1>with feeling a psychological threat. These are things like loneliness,

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<v Speaker 1>feeling meaningless um, even boredom. And what nostalgia seems to

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<v Speaker 1>do is that when people have these sorts of experiences

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<v Speaker 1>that make them feel feel vulnerable UM or scared, or

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<v Speaker 1>some sense of loss and meaninglessness UM, they bring to

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<v Speaker 1>mind these nostalgic memories as a compensatory response or as

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<v Speaker 1>a coping mechanism UM to reassure themselves, to right the ship,

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<v Speaker 1>to feel like you know, no, I'm fine. So loneliness

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<v Speaker 1>is a good example because it's a very powerful trigger

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<v Speaker 1>of nostalgia. When you feel lonely UM, it inspires you

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<v Speaker 1>to remind yourself of times where you've had, you know,

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<v Speaker 1>relationships with people, and to remind you to remind yourself

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<v Speaker 1>that there are people that care about you, There are

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<v Speaker 1>people that you know love you, that you have had

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<v Speaker 1>experiences in your life of relationship success, and you can

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<v Speaker 1>use those memories as a way to boost your confidence.

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<v Speaker 1>You're into personal confidence that you know this. This might

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<v Speaker 1>be a tough time, but you can get through it

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<v Speaker 1>and the future is the future of your social life

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<v Speaker 1>could be bright. Again. This can be heavy stuff, especially

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<v Speaker 1>when just the right piece of music hits us don't

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<v Speaker 1>make you take a say, making better. The way I

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<v Speaker 1>think about it is we we kind of have a

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<v Speaker 1>soundtrack for our lives and for different times in our life.

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<v Speaker 1>Music is very meanful. I mean, it's it's pervasive in

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<v Speaker 1>all areas of culture, whether it's you know, religious or

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<v Speaker 1>secular culture. Um, whether it's you know then you know nationalism,

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<v Speaker 1>your national anthem or song junior at church, or even

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<v Speaker 1>just you know, the music you like to listen to

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<v Speaker 1>on your iPod. It does seem to be woven into

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<v Speaker 1>the fabric of of culture. And so it's not surprising

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<v Speaker 1>that that goes hand in hand with when we access

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<v Speaker 1>our memories of wanting, you know, wanting that soundtrack to

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<v Speaker 1>go with them. These snatches of nostalgia do something pretty magical,

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<v Speaker 1>mainly giving a person a sense of continuity, as though

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<v Speaker 1>there's a cohesive self among all the disparate thoughts and

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<v Speaker 1>actions contained in one person self continus is the sense

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<v Speaker 1>of stability and the self that I'm the same person

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<v Speaker 1>that I used to be and even though my life

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<v Speaker 1>you know, goes through twists and turns that you know,

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<v Speaker 1>there's some core part of me or some sense of

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<v Speaker 1>me that remains stable and the same. And this seem

0:16:00.200 --> 0:16:04.240
<v Speaker 1>to be good for psychological well being to feel like

0:16:04.320 --> 0:16:07.200
<v Speaker 1>you have like a stable sense of self. Um. What

0:16:07.320 --> 0:16:11.800
<v Speaker 1>now nostalgia can do, especially in times of upheaval, whether

0:16:11.840 --> 0:16:16.760
<v Speaker 1>it be economic change or major life transitions like going

0:16:16.760 --> 0:16:20.320
<v Speaker 1>off to college or starting a new job or retirement.

0:16:21.000 --> 0:16:23.040
<v Speaker 1>And what nostalgia can do is sort of serve as

0:16:23.040 --> 0:16:27.080
<v Speaker 1>a reminder, allow you to access these memories about who

0:16:27.120 --> 0:16:29.680
<v Speaker 1>you are, who your close friends and your family are

0:16:30.240 --> 0:16:33.720
<v Speaker 1>as a way to um regain some sense of stability. Yeah,

0:16:33.880 --> 0:16:35.760
<v Speaker 1>moving to a new place, I'm starting a new job,

0:16:35.800 --> 0:16:39.280
<v Speaker 1>I'm going off to college and getting a new retire um,

0:16:39.320 --> 0:16:40.960
<v Speaker 1>but I'm still the same person I used to be.

0:16:41.000 --> 0:16:44.280
<v Speaker 1>I still have the same um, you know, thoughts and

0:16:44.280 --> 0:16:49.000
<v Speaker 1>feelings and interests. In Clay's research, he found that people

0:16:49.080 --> 0:16:53.560
<v Speaker 1>who engage in nostalgic reflection get a motivational charge. We

0:16:53.680 --> 0:16:57.000
<v Speaker 1>found that having people listen to nostalgic music, for instance,

0:16:57.440 --> 0:17:01.840
<v Speaker 1>or having them write about a nostalgic memory again um

0:17:02.000 --> 0:17:04.960
<v Speaker 1>increase their desire to meet new people, their willingness to

0:17:05.760 --> 0:17:10.280
<v Speaker 1>um to work with strangers on a task, They're confidence

0:17:10.400 --> 0:17:13.960
<v Speaker 1>that they could solve problems they're having in their relationships,

0:17:14.640 --> 0:17:17.480
<v Speaker 1>and their desire to to make new friends and to

0:17:17.560 --> 0:17:20.440
<v Speaker 1>try new things. So it doesn't just seem to make

0:17:20.440 --> 0:17:23.199
<v Speaker 1>people feel meaningful, doesn't just seem to like make them

0:17:23.240 --> 0:17:29.119
<v Speaker 1>feel energetic. It seems to also mobilize people for pursuing

0:17:29.240 --> 0:17:32.880
<v Speaker 1>new opportunities, which I thought it was really cool because,

0:17:32.920 --> 0:17:34.880
<v Speaker 1>like I said, I mean, we think of nostalgia's, oh,

0:17:34.920 --> 0:17:37.679
<v Speaker 1>it's just you kind of avoiding the president and hiding

0:17:37.680 --> 0:17:39.600
<v Speaker 1>in the past. But it really seems to be a

0:17:39.640 --> 0:17:44.880
<v Speaker 1>catalyst for um future oriented behavior. Again, this comes down

0:17:44.880 --> 0:17:47.400
<v Speaker 1>to a kind of time travel, the ability to move

0:17:47.480 --> 0:17:51.240
<v Speaker 1>between the past, present, and future and create sense from it.

0:17:51.400 --> 0:17:55.080
<v Speaker 1>Something that drove Clay to research nostalgia in the first place.

0:17:56.280 --> 0:17:59.440
<v Speaker 1>When I was in graduate school working down my PhD.

0:18:00.119 --> 0:18:05.200
<v Speaker 1>I was interested in the fact that human beings are

0:18:05.280 --> 0:18:13.280
<v Speaker 1>the only species capable of a very sophisticated appreciation of time.

0:18:13.760 --> 0:18:17.200
<v Speaker 1>By being able to access memories and tell ourselves, are

0:18:17.320 --> 0:18:21.440
<v Speaker 1>you know, fashion our own life narrative? Um, we are

0:18:21.480 --> 0:18:23.679
<v Speaker 1>able to deal with some of the some of the

0:18:23.720 --> 0:18:27.280
<v Speaker 1>consequences of this awareness of time. You know, when we

0:18:27.320 --> 0:18:29.120
<v Speaker 1>can think about the future and think about the fact

0:18:29.160 --> 0:18:30.439
<v Speaker 1>that one day we're going to die, but at the

0:18:30.440 --> 0:18:33.159
<v Speaker 1>same time we can say to ourselves, well, I'm going

0:18:33.200 --> 0:18:34.880
<v Speaker 1>to do everything I can to live the best life.

0:18:34.880 --> 0:18:39.800
<v Speaker 1>I can make a meaningful contribution, to leave a legacy

0:18:39.920 --> 0:18:43.080
<v Speaker 1>and to live on in the memories of others. And

0:18:43.160 --> 0:18:47.280
<v Speaker 1>so that process um of thinking about the future and

0:18:47.320 --> 0:18:50.240
<v Speaker 1>what that might inspire UM in my mind got me

0:18:50.240 --> 0:18:53.159
<v Speaker 1>thinking about the past. How people can use the past,

0:18:53.600 --> 0:18:55.960
<v Speaker 1>use their memories for past as a way to cope

0:18:55.960 --> 0:18:59.960
<v Speaker 1>with these existential anxieties. So that's how I first got

0:19:00.000 --> 0:19:02.880
<v Speaker 1>into it, was just thinking about, well if the if

0:19:02.880 --> 0:19:05.600
<v Speaker 1>you're kind of afraid of the future, can you use

0:19:05.680 --> 0:19:08.480
<v Speaker 1>the past as a way to cope with that fear? Um,

0:19:08.520 --> 0:19:10.360
<v Speaker 1>And then it started going from there, Well, it looks

0:19:10.359 --> 0:19:12.040
<v Speaker 1>like the past can do lots of stuff for us

0:19:17.440 --> 0:19:19.760
<v Speaker 1>and puzzling out the pieces of our lives and how

0:19:19.800 --> 0:19:23.920
<v Speaker 1>they fit together. Nostalgia can be incredibly useful. But there's

0:19:24.000 --> 0:19:27.320
<v Speaker 1>also the temptation to use nostalgia like a movie set,

0:19:27.960 --> 0:19:31.280
<v Speaker 1>rolling it in and out of our lives, mistaking the

0:19:31.359 --> 0:19:35.040
<v Speaker 1>movie set as a reality, and glossing over the details

0:19:35.080 --> 0:19:43.359
<v Speaker 1>that are less charming or wonderful than we've remembered. In

0:19:43.440 --> 0:19:46.320
<v Speaker 1>her essay in the New York Review of Books, Z. D. Smith,

0:19:46.400 --> 0:19:49.919
<v Speaker 1>who is of Jamaican descent, rights of nostalgia, quote, in

0:19:49.960 --> 0:19:53.080
<v Speaker 1>that period, I could not vote marrying my husband, have

0:19:53.280 --> 0:19:56.600
<v Speaker 1>my children work in the university, I work in, or

0:19:56.720 --> 0:20:01.000
<v Speaker 1>live in my neighborhood. Time travel is a dis grecitionary art,

0:20:01.480 --> 0:20:05.480
<v Speaker 1>a pleasure trip for some and a horror story for others.

0:20:07.760 --> 0:20:12.600
<v Speaker 1>The initial like uh uh. The mechanism of it in

0:20:12.680 --> 0:20:15.119
<v Speaker 1>terms of survival is like, oh, it's a coping mechanism,

0:20:15.160 --> 0:20:18.560
<v Speaker 1>and you will be you know, sort of soothed, presumably.

0:20:18.760 --> 0:20:23.320
<v Speaker 1>But instead what's happening is angry. Now used to be better,

0:20:23.760 --> 0:20:26.560
<v Speaker 1>real angry. It's not back then like it. It's there's

0:20:26.600 --> 0:20:29.960
<v Speaker 1>some problem going on where it's not soothing at all anymore.

0:20:30.040 --> 0:20:32.960
<v Speaker 1>It's just like the longing has superseded any sort of

0:20:33.000 --> 0:20:36.719
<v Speaker 1>benefit the pleasant memory had, and now it's sort of

0:20:36.760 --> 0:20:39.000
<v Speaker 1>like this weird anger Maker for a Lot of People

0:20:39.600 --> 0:20:43.480
<v Speaker 1>podcast co host Holly Fry and editor Christopher Hasiotis explore

0:20:43.520 --> 0:20:48.119
<v Speaker 1>the problem of imagining a past that wasn't If you

0:20:48.160 --> 0:20:50.000
<v Speaker 1>look at ed Greece when has written in the seventies

0:20:50.000 --> 0:20:51.320
<v Speaker 1>and the film that came out in the eighties, it's

0:20:51.359 --> 0:20:55.160
<v Speaker 1>looking at the fifties in a very very nostalgic rosie view.

0:20:55.160 --> 0:20:58.840
<v Speaker 1>Everything's great, everyone's dancing, and the dancing is great, but

0:20:58.920 --> 0:21:02.600
<v Speaker 1>it completely ignored as all the social upheaval about around

0:21:02.600 --> 0:21:05.720
<v Speaker 1>the corner. It ignores the poor living conditions for a

0:21:05.720 --> 0:21:09.720
<v Speaker 1>significant amount of the population. And so I wonder if

0:21:09.800 --> 0:21:12.760
<v Speaker 1>we take this thing, which on a personal, you know,

0:21:13.720 --> 0:21:18.320
<v Speaker 1>individual animal basis, is helpful, and if it's applied culturally,

0:21:19.320 --> 0:21:23.840
<v Speaker 1>it prevents us from I don't know, looking accurately at

0:21:23.840 --> 0:21:26.520
<v Speaker 1>our at our own past. Well, first of all, let's

0:21:26.560 --> 0:21:29.200
<v Speaker 1>get it straight, like clearly Greece as a documentary and

0:21:29.240 --> 0:21:32.560
<v Speaker 1>it's accurate. Now, I'm not like a big grease person.

0:21:32.640 --> 0:21:35.840
<v Speaker 1>I just I'm sure there are people that think that's

0:21:35.840 --> 0:21:54.119
<v Speaker 1>exactly what the fifties was. Like you, I know I

0:21:54.160 --> 0:21:56.760
<v Speaker 1>did when my sister watched that movie every two days

0:21:56.880 --> 0:21:58.719
<v Speaker 1>when she was a kid, and I thought, oh, that, well,

0:21:58.760 --> 0:22:01.119
<v Speaker 1>that's what it was like a long time ago, in

0:22:01.160 --> 0:22:04.080
<v Speaker 1>the past, years ago, at the time you were innocent

0:22:04.160 --> 0:22:05.960
<v Speaker 1>in that you were ignorant of the things going on

0:22:06.040 --> 0:22:09.480
<v Speaker 1>around you. So it feels like that time was wonderful

0:22:09.640 --> 0:22:13.959
<v Speaker 1>and delightful and full of nothing but glitter and breakfast cereal.

0:22:14.080 --> 0:22:18.120
<v Speaker 1>But in fact, really you're just longing for the time

0:22:18.160 --> 0:22:22.679
<v Speaker 1>when you didn't know better. The problem is that this

0:22:22.800 --> 0:22:26.959
<v Speaker 1>kind of rhetoric, this a simpler time, become such an

0:22:27.119 --> 0:22:32.359
<v Speaker 1>ingrained idea that it's taken as a universal truth, which

0:22:32.400 --> 0:22:34.960
<v Speaker 1>is what I think nostalgia does, at least when it's

0:22:35.000 --> 0:22:38.359
<v Speaker 1>like this sort of super crowdsourced and nostalgia, there was

0:22:38.440 --> 0:22:42.200
<v Speaker 1>one truth. It was great, we had good times all

0:22:42.200 --> 0:22:45.640
<v Speaker 1>the time. And it's like, no, it's there's so much

0:22:45.720 --> 0:22:48.600
<v Speaker 1>more texture to any given moment in history than that

0:22:48.960 --> 0:22:51.600
<v Speaker 1>times before you were even born. You look back on

0:22:51.680 --> 0:22:54.280
<v Speaker 1>these these things that must have been great back then.

0:22:54.359 --> 0:22:56.879
<v Speaker 1>But you know, if you gave me a time machine,

0:22:56.880 --> 0:22:58.240
<v Speaker 1>I could take you somewhere and show you that it

0:22:58.320 --> 0:23:00.879
<v Speaker 1>was much worse than you think it was. And when

0:23:00.960 --> 0:23:04.600
<v Speaker 1>it comes to childhood nostalgia, the memories created in the

0:23:04.640 --> 0:23:08.120
<v Speaker 1>nostalgia factories of the mind can be very different from

0:23:08.160 --> 0:23:15.240
<v Speaker 1>other family members experiences. I sort of experience that with

0:23:15.440 --> 0:23:18.439
<v Speaker 1>my siblings sometimes and my friends. I don't know if

0:23:18.440 --> 0:23:20.520
<v Speaker 1>it's just because I'm super cynical, but like, I mean,

0:23:20.560 --> 0:23:23.440
<v Speaker 1>like any family, we had complicated stuff and it sometimes

0:23:23.440 --> 0:23:27.000
<v Speaker 1>we're great and sometimes weren't. But as we've aged and

0:23:27.040 --> 0:23:29.680
<v Speaker 1>like my mom has passed, and when my siblings talk

0:23:29.720 --> 0:23:32.160
<v Speaker 1>about are growing up years and there's a big gap

0:23:32.200 --> 0:23:34.800
<v Speaker 1>between them and me, So there's there's a different childhood

0:23:34.840 --> 0:23:37.240
<v Speaker 1>experience as part of it. But like they'll just talk

0:23:37.280 --> 0:23:41.200
<v Speaker 1>about like this magical, wonderful thing, and I'm like, did

0:23:41.240 --> 0:23:44.080
<v Speaker 1>we grow up in the same house? Like sometimes it

0:23:44.160 --> 0:23:48.760
<v Speaker 1>was cool, but do you remember the Okay, okay, hey

0:23:48.800 --> 0:23:51.879
<v Speaker 1>you're happy. I'm not gonna mess it up. And it

0:23:52.000 --> 0:23:54.439
<v Speaker 1>is kind of an interesting I mean, that's it's like

0:23:54.520 --> 0:23:57.360
<v Speaker 1>nostalgia has driven the bus at that point, and it's

0:23:57.400 --> 0:24:00.480
<v Speaker 1>kind of like covering the puddles that were ad and

0:24:01.280 --> 0:24:05.680
<v Speaker 1>just whitewashing the yucky bits and everything's good. It's all happy.

0:24:06.000 --> 0:24:09.240
<v Speaker 1>Remember those amazing cakes that we got on our birthday,

0:24:09.320 --> 0:24:11.480
<v Speaker 1>So those we're pretty great, And maybe that's a you

0:24:11.520 --> 0:24:14.040
<v Speaker 1>know again, that's a cultural survival mechanism. It keeps your

0:24:14.040 --> 0:24:16.040
<v Speaker 1>family closer that if you actually had to talk about

0:24:16.080 --> 0:24:18.520
<v Speaker 1>all the things that were complicated all the time with

0:24:18.560 --> 0:24:22.960
<v Speaker 1>your family, families wouldn't stick together. The problem is when

0:24:23.000 --> 0:24:28.520
<v Speaker 1>nostalgia is used as a manipulating force, fomenting hyper nationalistic

0:24:28.680 --> 0:24:32.600
<v Speaker 1>pride that would have wide swaths of the population cast

0:24:32.640 --> 0:24:36.320
<v Speaker 1>aside in favor of an America that never really existed

0:24:36.359 --> 0:24:38.159
<v Speaker 1>in the first place. And I wonder how much of

0:24:38.160 --> 0:24:40.960
<v Speaker 1>that is at play with UM A lot of what's

0:24:41.000 --> 0:24:43.120
<v Speaker 1>going on around the world right now politically in terms

0:24:43.200 --> 0:24:46.480
<v Speaker 1>of I mean, it's so we're recording a couple of

0:24:46.520 --> 0:24:49.520
<v Speaker 1>days after the vote for the Brexit and the referendum

0:24:49.640 --> 0:24:52.639
<v Speaker 1>on that it seems like from a lot of the

0:24:52.720 --> 0:24:56.600
<v Speaker 1>data that was driven by the older electorate UM and

0:24:56.640 --> 0:24:58.560
<v Speaker 1>a lot of people who express that they are really

0:24:59.600 --> 0:25:02.320
<v Speaker 1>no check for lack of a better word, about the

0:25:02.359 --> 0:25:05.679
<v Speaker 1>way things used to be before the EU before you know,

0:25:05.840 --> 0:25:09.679
<v Speaker 1>there was before borders were as open, before labor markets

0:25:09.680 --> 0:25:12.920
<v Speaker 1>were as open. And I think we see that a

0:25:12.960 --> 0:25:15.200
<v Speaker 1>lot of that in the US too, in certain political movements,

0:25:15.560 --> 0:25:17.960
<v Speaker 1>people wanting things to be the way they were when

0:25:18.840 --> 0:25:21.040
<v Speaker 1>when they were younger, or when they understood things better

0:25:21.240 --> 0:25:24.520
<v Speaker 1>when there was more. Do you think they were exactly

0:25:26.240 --> 0:25:31.040
<v Speaker 1>To all Americans tonight, in all of our cities and

0:25:31.119 --> 0:25:36.480
<v Speaker 1>in all of our towns, I make this promise. We

0:25:36.520 --> 0:25:45.360
<v Speaker 1>will make America strong again. We will make America proud again,

0:25:46.960 --> 0:25:54.119
<v Speaker 1>we will make America safe again, and we will make

0:25:54.240 --> 0:25:58.480
<v Speaker 1>America great again. To be clear, nobody here is begrudging

0:25:58.520 --> 0:26:01.919
<v Speaker 1>anyone of their nostalgia used in its best form. It

0:26:01.920 --> 0:26:04.719
<v Speaker 1>can be something when you return to again and again,

0:26:05.200 --> 0:26:11.720
<v Speaker 1>propping us up when we need it. I um bathe

0:26:11.760 --> 0:26:13.840
<v Speaker 1>in it, do you know what I mean? Like our

0:26:14.000 --> 0:26:18.000
<v Speaker 1>entire house, my husband is the same, is filled with

0:26:18.040 --> 0:26:21.720
<v Speaker 1>Star Wars toys that we had when we were kids,

0:26:21.760 --> 0:26:24.080
<v Speaker 1>all the way up to new stuffs, kind of like this,

0:26:24.080 --> 0:26:26.840
<v Speaker 1>this hallway that's always open to you to like kind

0:26:26.880 --> 0:26:30.520
<v Speaker 1>of still remember and retain that childlike wonder at something.

0:26:45.880 --> 0:26:50.080
<v Speaker 1>Holly's idea of nostalgia is beautiful, even helpful, in thinking

0:26:50.119 --> 0:26:53.719
<v Speaker 1>of the past as a touchstone to something elemental about

0:26:53.760 --> 0:26:58.000
<v Speaker 1>our existence, something full of awe, a reminder that on

0:26:58.080 --> 0:27:02.600
<v Speaker 1>this planet, in this galaxy, in this universe, we somehow

0:27:03.160 --> 0:27:25.159
<v Speaker 1>get to exist. In the next episode, we look at

0:27:25.200 --> 0:27:28.840
<v Speaker 1>what happens when fear takes hold and desperation takes over.

0:27:29.280 --> 0:27:33.320
<v Speaker 1>In the United States, we are a very suspicious nation.

0:27:37.480 --> 0:27:40.400
<v Speaker 1>We'd like to thank Larry Singleton for sharing his work

0:27:40.440 --> 0:27:43.159
<v Speaker 1>with us, and we'd like to thank Clay Rutledge for

0:27:43.240 --> 0:27:46.320
<v Speaker 1>showing us the ways nostalgia can bolster us and our

0:27:46.400 --> 0:27:48.919
<v Speaker 1>times of need. And thank you to Holly Fry of

0:27:49.000 --> 0:27:52.680
<v Speaker 1>stuff you missed in history class and editor Christopher Hessiotis

0:27:52.680 --> 0:28:00.800
<v Speaker 1>for taking a seat at the table and discussing nostalgia.

0:28:02.760 --> 0:28:05.239
<v Speaker 1>The Stuff of Life is written an executive produced by

0:28:05.240 --> 0:28:08.880
<v Speaker 1>me Julie Douglas and co produced by Noel Brown. Original

0:28:08.960 --> 0:28:12.360
<v Speaker 1>music is by Noel Brown, and editorial oversight is provided

0:28:12.359 --> 0:28:16.640
<v Speaker 1>by contributing producer Dylan Fagin and Head of Production Jerry Rowland.

0:28:17.080 --> 0:28:20.800
<v Speaker 1>This episode also featured music by Tristan McNeil, Aaron Grubbs,

0:28:20.880 --> 0:28:23.560
<v Speaker 1>and Dylan Fagin. If you have a story you'd like

0:28:23.640 --> 0:28:25.879
<v Speaker 1>to share with us, you can call into our podcast

0:28:25.960 --> 0:28:30.960
<v Speaker 1>line at one eight four four h s W Stuff

0:28:31.000 --> 0:28:34.080
<v Speaker 1>That's Stuff. We'll be doing a wrap up episode at

0:28:34.119 --> 0:28:35.840
<v Speaker 1>the end of the season and we want to hear

0:28:35.880 --> 0:28:38.479
<v Speaker 1>your voice in it, so leave a message. You can

0:28:38.520 --> 0:28:40.640
<v Speaker 1>find The Stuff of Life on Facebook and Twitter. And

0:28:40.760 --> 0:28:43.880
<v Speaker 1>you can email us at the Stuff of Life at

0:28:43.960 --> 0:28:53.320
<v Speaker 1>how staff works dot com. If you're just looking at

0:28:53.360 --> 0:28:56.520
<v Speaker 1>your own life and your own sphere of existence, to

0:28:56.560 --> 0:28:59.120
<v Speaker 1>a lot of people, that was the way life was.

0:28:59.280 --> 0:29:01.440
<v Speaker 1>And you know, I think that's why it's a lot

0:29:01.480 --> 0:29:03.400
<v Speaker 1>of times vialable to be able to look beyond yourself

0:29:03.520 --> 0:29:08.520
<v Speaker 1>and connect with others. Are I don't know, Yeah, sorry,

0:29:08.720 --> 0:29:10.360
<v Speaker 1>that's another ship hippie