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Speaker 1: Me and Veronica Lodge are at breakfast camp.

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Speaker 2: Karma's a bitch, right where Okay, there's no visual Okay,

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Speaker 2: Karma's a bitch.

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Speaker 1: I don't there's no visual. People can't see what you're doing.

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Speaker 2: Oh, well, can you describe it for them? Yes?

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Speaker 1: So Sean Karma's a bit has been really engaging with

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Speaker 1: this Chinese meme where he says, Karma's a bitch. And

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Speaker 1: then you have your blanket, and then the way you're

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Speaker 1: doing it is kind of a non edited version where

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Speaker 1: you're wearing you sort of hide a little hat under

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Speaker 1: the blanket and in the process of pulling up the

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Speaker 1: blanket you try and get the hat.

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Speaker 2: It's a towel, not a blanket. I mean, it doesn't matter.

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Speaker 1: I thought you would like people to think it was

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Speaker 1: a blanket. It's really a wash cloth.

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Speaker 2: Well okay, it's a beach washcloth. And the hat is

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Speaker 2: bigger than it is. Yeah, no, it's yeah, so that's

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Speaker 2: not so disguised. And also the one thing you might

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Speaker 2: not have noticed. But this is a trick I did.

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Speaker 2: I tied my glasses. I have these big thick glasses,

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Speaker 2: and I tied a string from the towel to the glasses.

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Speaker 2: So when I throw the towel over my head, it

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Speaker 2: ideally yanks the glasses off. Okay, has not worked so

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Speaker 2: far because I think there's so much heavier than the towels.

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Speaker 1: The towel it's supposed to yank your glasses off. And

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Speaker 1: the hats it's on your head of land on my head. Yeah,

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Speaker 1: and it's one of those like white college hats with

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Speaker 1: the acronym on it.

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Speaker 2: It's for Fordham University, so it says f U the Rams. Yeah.

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Speaker 1: And so you, I guess the transformation you want to

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Speaker 1: show to the people that I, yes, doubted you over

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Speaker 1: the years.

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Speaker 2: Karma's a bitch and you thought I was just some

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Speaker 2: dork with these glasses. But that's a sexy had on,

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Speaker 2: so think about that.

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Speaker 1: Sorry, what was I talking about?

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Speaker 2: You were telling me about Veronica Lodge, which reminded me

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Speaker 2: that Karma's a bitch. But go ahead. So what you

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Speaker 2: were at breakfast camp?

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Speaker 1: We were at breakfast camp. It was something French toast

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Speaker 1: something about Yeah, we were doing archery, which was basically

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Speaker 1: just at breakfast camp. Is just kind of your throwing

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Speaker 1: a pancake at another at a big, a bigger pancake.

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Speaker 2: Yeah, nice sharp pancake, you try to get it lodged

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Speaker 2: and do a freaking soft one. Yeah.

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Speaker 1: And I guess there was something about there with like

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Speaker 1: she's Veronica Lodge, but we never figured it out right.

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Speaker 2: So then do you play tiktak took on a giant waffle? Yes,

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Speaker 2: you know, like it's camp So of course we're going

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Speaker 2: to play tiktak toe. Uh, well, beanbag toss tik tac toe.

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Speaker 2: Of course you're not tossing bean bags. You're tossing giant

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Speaker 2: pads of butter. Yeah, And the issue with that to

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Speaker 2: me is they're gonna melt before the game's over.

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Speaker 1: Yes, and they're the same. It's very hard to remember who's.

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Speaker 2: Yeah, who has which square because it's all all butter

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Speaker 2: and they're running into each other the silver lining yum.

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Speaker 1: Hey, welcome to Hollywood, Hambuck and Insider's guys. The're kicking

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Speaker 1: button dropping names in the right carpet line back always

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Speaker 1: in this industry. And Tony, you must remember when we

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Speaker 1: said that the last time you were on the show.

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Speaker 2: I thought, I remember how we did that.

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Speaker 3: Yeah, I thought I was gonna have to say it too,

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Speaker 3: so I practiced it, but I chewed.

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Speaker 1: Okay, so not a listener still, because we've never had

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Speaker 1: the guests do that.

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Speaker 2: Oh ever, guest, but not a listener.

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Speaker 3: Well, no, I just thought like the way that I

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Speaker 3: came on the show last time, it's like I was

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Speaker 3: more like becoming more like a partner with you guys,

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Speaker 3: So I thought that I should.

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Speaker 2: Okay, that's interesting. I was thinking that as well, but

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Speaker 2: I didn't want to say it.

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Speaker 3: Oh yeah, yeah, yeah. No.

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Speaker 2: I did feel at the time that you were sort

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Speaker 2: of becoming a partner and that this was a pretty

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Speaker 2: big merger.

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Speaker 3: For Yeah, it seemed like you were grooming me for

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Speaker 3: a more permanent stay.

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Speaker 2: Yeah, okay, but now I worry that this is a

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Speaker 2: setup to get my hopes up and then she'll be like,

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Speaker 2: oh you thought I was serious. Yeah, that she's going

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Speaker 2: to be able to smack me down all the more

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Speaker 2: effectively now that I'm all juiced, And then I can't

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Speaker 2: imagine myself really taking it out of Kevin. Would that happen?

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Speaker 2: And here's the other fear that I have, that it's

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Speaker 2: just a full on takeover and that we do accept

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Speaker 2: her partnership and I am not involved in the show.

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Speaker 2: Within a few weeks, you guys.

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Speaker 3: Look, I am in this building five just seventeen times

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Speaker 3: a week, and I haven't yet taken over a show.

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Speaker 3: I've been on a lot of podcasts, probably several that

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Speaker 3: are coming out this week, so I bet everyone's very.

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Speaker 2: Sick of hearing a lot of those are pretty strong,

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Speaker 2: but this show's weak.

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Speaker 3: Oh so you're saying I could just crush you and take.

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Speaker 2: It if you wanted to take over one show, this

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Speaker 2: would be a good starter show to do that with.

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Speaker 2: It wouldn't really do anything for you, but it just

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Speaker 2: would be very easy to kind of get reps by

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Speaker 2: taking over this show, and then you could go for one.

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Speaker 3: All about getting reps. It's all about getting reps, working out,

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Speaker 3: you know, just working out.

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Speaker 2: Our show is the sick old will to beast mmmmm,

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Speaker 2: the one that's ripe to be picked off the herd. Well,

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Speaker 2: I'll keep that in mind that the other wilde beasts

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Speaker 2: don't even notice, you know what I mean?

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Speaker 1: Yeah, and his friends with all is not popular, but

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Speaker 1: is like friends with all the other wilde beests.

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Speaker 3: You know what I mean, When you're not popular but

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Speaker 3: you're somehow still friends with all of them.

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Speaker 1: Yeah, Like like people would say, like, oh, he's not

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Speaker 1: like one of the popular crowd. Yeah, but is friends

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Speaker 1: with everyone, you know what I mean?

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Speaker 3: Yeah, that sounds like you're maybe not actually.

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Speaker 2: Well but not close friends. No, he's everyone's like sixth friend,

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Speaker 2: and so no one would really stand up for him

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Speaker 2: because they'd always go like he's very disposable. But no

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Speaker 2: one's like I don't like him. They're all just like.

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Speaker 1: Oh yeah, no, yeah he's Everyone says he's really great,

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Speaker 1: like he's so nice, he's really great. But not the

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Speaker 1: way you would say that about a friend, you know

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Speaker 1: what I mean. Yes, yes, you'd never be like about

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Speaker 1: your best friend, like he's so nice, he's really great.

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Speaker 2: Yeah, you wouldn't say that about your best friend. You'd

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Speaker 2: be like, oh, he's the fucking bet, like that's that's

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Speaker 2: my Yeah, your.

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Speaker 3: Voice would job your voice? Would you never have a

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Speaker 3: high voice you talk about friend?

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Speaker 2: Yeah, but you would go like, oh he's so nice. Yeah,

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Speaker 2: oh I love it, he's great. But you're sort of checking,

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Speaker 2: like do you want to talk about this guy? Because

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Speaker 2: I could go either way.

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Speaker 3: That's so funny because you know, when Kevin books me

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Speaker 3: for this show, he goes like, hey, do you want

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Speaker 3: to do Hollywood? Hammock. But then when he books me

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Speaker 3: for Teacher's Lounge, she's like, oh my god, you gotta

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Speaker 3: do Teacher's Lounge.

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Speaker 2: I've heard this, yes show.

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Speaker 1: When he's on the phone, yeah, trying to book it,

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Speaker 1: he's like dude.

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Speaker 3: He's like, dude, you have to this is the show.

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Speaker 3: And then he's like, you know, hollywod Hambock, maybe you

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Speaker 3: could go away there.

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Speaker 2: Yeah.

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Speaker 3: Yeah, so that tracks with what you're telling me about

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Speaker 3: this wildebeast.

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Speaker 2: Yeah, that's kind of a so. So that's us. We're

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Speaker 2: the sick will to be So if you want to

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Speaker 2: take a show over, obviously, feel free, but it would

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Speaker 2: be just an exercise of futility.

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Speaker 3: Let me see how this session goes.

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Speaker 2: Let's see how the session goes, and let's get into

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Speaker 2: this session.

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Speaker 4: Kevin, good session to you, Hey guys, Chef Kevin here,

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Speaker 4: good session.

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Speaker 2: Good session. Low voice, low voice, Chef Kevin. Yes, he

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Speaker 2: has a low voice when he talks about sessions and

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Speaker 2: teachers Lounge, but when he talks about being a guest

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Speaker 2: on Hollywood Handbook, it goes up very high.

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Speaker 3: Up in a false falsitude.

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Speaker 1: So last time you were here, let's do the backstory

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Speaker 1: a little bit you remember.

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Speaker 3: Yeah, let's do that recap. We tried to call my

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Speaker 3: close personal friend, Scott Ackerman.

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Speaker 1: He did not answer the fine answer and did you

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Speaker 1: ever get a call back?

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Speaker 3: No, because we didn't call from my number, so he

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Speaker 3: didn't know that it was me.

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Speaker 2: That's what we did wrong.

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Speaker 3: And I never brought it up because I had a

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Speaker 3: feeling we were going to try this again, and I

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Speaker 3: still want him to be very surprised.

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Speaker 2: Okay, you're in his phone.

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Speaker 3: Yeah, I'm in his phone, so he if I call him,

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Speaker 3: it will be very weird. Yeah, but he'll know it's me.

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Speaker 2: Okay, perfect, Okay, So we are in this position where

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Speaker 2: the last time we were, of course trying to sell

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Speaker 2: the studio back to some of these people who use

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Speaker 2: it so much that we thought they'd definitely want to

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Speaker 2: own it, and that was our prowess for brigillion. Rip brigillion, Yeah,

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Speaker 2: rip rip rip say brigillion, And we now are in

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Speaker 2: a spot where the real estate question is come and gone.

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Speaker 2: Uh yeah, rip berjillion. And these offices really.

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Speaker 3: An R in bajillion. It sounds like there's an R

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Speaker 3: in it.

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Speaker 2: Brgillion. Yeah, yeah, we're putting in an R our I

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Speaker 2: p in Itillon. So we so we now are in

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Speaker 2: this position where what do we need here at the studio,

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Speaker 2: and a lot of people might realize that we need

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Speaker 2: a new chef. Kevin. Yeah, Jeff Kevin has been launched

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Speaker 2: into the stratosphere. He's got a here. Tell me we

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Speaker 2: are rich for one thing?

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Speaker 1: Oh wow, our show is sick, yes, but.

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Speaker 3: It is rich limping and dying but just loaded.

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Speaker 2: Yes, yeah, it's this. It's this sick, decrepit wildebeest who

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Speaker 2: has a freaking scratcher tucked in his little pocket.

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Speaker 3: And he knows it's a winner.

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Speaker 2: And he knows it's a winner.

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Speaker 5: Yeah.

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Speaker 3: Has he told anyone else?

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Speaker 2: No one to tell? Really, yeah, nobody who really wants

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Speaker 2: to listen, No one to share. Okay, nobody even knows.

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Speaker 2: Nobody even knows he's a wildebeest, you know what I mean?

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Speaker 2: Like you got he'll go like he'll go like, yeah,

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Speaker 2: do my wild to be stuff? I have my wildebeest

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Speaker 2: thing on Saturday. People go like, oh, you have a

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Speaker 2: wild to be And it's like, yeah, I do it

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Speaker 2: for five years or so, but yeah, no I I am.

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Speaker 2: It's like we actually just uh found this great scratch

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Speaker 2: off ticket and we're rich now and where and then

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Speaker 2: people will go like oh and sort of look like

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Speaker 2: what could that even mean?

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Speaker 3: What could that mean? Do you find that when they

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Speaker 3: are surprised to hear about that you're a wildebeest on

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Speaker 3: the weekends? Do you find that they're kind of like, oh,

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Speaker 3: now does that pay or are you paying to do it?

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Speaker 3: To be a will to be well question?

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Speaker 1: The reaction I'm getting now is when I say like, well,

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Speaker 1: we're actually rich from doing the wilde Beest thing now,

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Speaker 1: people are like.

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Speaker 2: Really for that?

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Speaker 3: Yeah, yeah the thing that I heard?

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Speaker 2: Yeah, wow that show.

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Speaker 3: Wow. Well, you know people people do anything now to

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Speaker 3: get a lot of that.

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Speaker 2: Yes. I was with a friend of mine this week

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Speaker 2: who I really like, and I mentioned our Wildeby's project

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Speaker 2: here and he said, uh, yeah, I kind of stopped

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Speaker 2: listening because I don't really watch reality TV anymore and

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Speaker 2: he thought that I was still doing my old wilde Beast. Wow,

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Speaker 2: it was from a long time.

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Speaker 3: He hasn't been on Safari.

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Speaker 2: Tany was even on the scene. Really, I know, I

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Speaker 2: know she might not even know about that one.

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Speaker 1: Yeah, I didn't listen to We would have loved you

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Speaker 1: if you'd been on the scene. Oh my god, episode

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Speaker 1: thirty one, Oh man, sick.

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Speaker 3: Wouldn't that have been great? I might have taken over

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Speaker 3: that Wildebest.

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Speaker 2: Yeah, that would have been a really easy one. You

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Speaker 2: could now just bleeding out in a dish somewhere. Uh.

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Speaker 3: It feels now like okay, like this is like a plane, right,

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Speaker 3: this wilde Beast is like a plane like it mostly.

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Speaker 2: Okay, we need more and yeah, yeah, we need to

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Speaker 2: layer these.

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Speaker 3: We need to just make it harder to track like

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Speaker 3: an airplane. You know, they say, like most of the

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Speaker 3: work and the pilots are just sitting.

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Speaker 2: Up on vegas. They say it do they say that

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Speaker 2: Captain Dave? Yeah, because like somebody's like, shouldn't you be

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Speaker 2: in the cockpit when he's like back like doing there

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Speaker 2: like kind of antics.

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Speaker 1: Yeah yeah, but he's like no, the mostly yeah, in

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Speaker 1: the cabin.

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Speaker 3: But like this could fly itself kind of but you

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Speaker 3: guys still know which buttons to pressure. I don't know

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Speaker 3: the buttons, Okay, so I don't totally know how to

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Speaker 3: fly it. But back then episode thirty that was like

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Speaker 3: what like a kite. I could have flown a kite. Yeah,

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Speaker 3: So that show I'm gonna have to learn a little

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Speaker 3: bit more before I take over.

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Speaker 1: This will to be dragon like a dragon box kite

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Speaker 1: of one of those fighting ones.

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Speaker 2: Mm hmm so cool. So to just get back into

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Speaker 2: what we're doing.

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Speaker 6: Uh.

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Speaker 2: Check Kevin, because I guess, because we're so rich now

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Speaker 2: has decided that he wants to get in on some

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Speaker 2: of this too, and he has changed his title at

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Speaker 2: the office, which now forces everyone else to adjust.

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Speaker 1: He has a million different jobs now. And if you'll notice,

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Speaker 1: he's chef engineered Kevin today.

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Speaker 3: I know. And this is the first time I've seen

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Speaker 3: him in a chair.

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Speaker 2: Yeah. Are you familiar with the mobile theory of family dynamics?

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Speaker 2: Ummm no, So Earwolf is a family and I of

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Speaker 2: course have a little background in family counseling. And you

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Speaker 2: think of a unit like this as a mobile that

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Speaker 2: hangs above a baby's.

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Speaker 3: Crew, a mobile the little the things that are like

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Speaker 3: scary little ghosts that fly around a baby's bit.

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Speaker 2: Well, they fly around above and if you yank on one,

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Speaker 2: what happens to everybody else?

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Speaker 3: They fly in a different pattern.

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Speaker 2: They have to adjust if one piece of the mobile

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Speaker 2: Chef Kevin, for instance, is chef chef engineer Kevin is

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Speaker 2: dragging down or raised up? Doesn't everyone else have to adjust?

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Speaker 2: And because we are a unit, because we are one

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Speaker 2: big family here it of your wolf, we now all

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Speaker 2: have to adjust to Kevin's ascension. And what we're learning

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Speaker 2: is in order to sort of counterbalance way it back

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Speaker 2: down to get it where it can just sort of

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Speaker 2: spin and be fun and be nice and help us

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Speaker 2: go to sleep. We're going to need to add a

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Speaker 2: piece of this mobile.

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Speaker 3: Are we hiring, We're hiring, We're hiring, We're.

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Speaker 2: Not hiring now. Hayes and I of course want to

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Speaker 2: get somebody in here who really knows studio. Can't bring

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Speaker 2: in a stranger off the street, and it's going to

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Speaker 2: take months to get them up to speed. Yeah, so

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Speaker 2: we were hoping you could call some of your famous

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Speaker 2: best friends who know the studio, okay, to make them

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Speaker 2: the new chef engineer. Kevin.

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Speaker 3: Sure, So people who work here already is what you're

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Speaker 3: talking about.

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00:15:08,520 --> 00:15:12,560
Speaker 2: Oh no, No, not necessarily, the people who know this

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Speaker 2: office and come here every day. Uh huh and do

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Speaker 2: work here, yes, of course, yes, so.

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Speaker 3: They know the lay of the land. Yes, great to

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Speaker 3: be the new ghost on the mobile.

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Speaker 2: Imagine not understanding that the elevator is somehow always under construction, right,

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Speaker 2: and then trying to do your job and it's full

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Speaker 2: of the walls are paper.

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Speaker 3: If you just showed up and that was no longer

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Speaker 3: a paper elevator, I would be so scared. I'd be like,

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Speaker 3: where have we transported to? So we need somebody who

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Speaker 3: gets that that's always going to be a paper elevator.

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Speaker 2: And sometimes there's a big giant piece of fly paper

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Speaker 2: in front of.

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Speaker 1: It that descends, if you like, without warning, and then

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Speaker 1: it's loud and scary.

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Speaker 2: It looks like it could crush you.

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Speaker 3: And then there's sometimes always like those moving blankets in there,

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Speaker 3: as though someone's just bringing pianos in and out all

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Speaker 3: the livelong day. Yes, okay, so.

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Speaker 2: The Scripts bought the company for fifty million dollars And then, uh,

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Speaker 2: there's one elevator here and then it's covered in paper

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Speaker 2: all the time, and there's a big heavy piece of

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Speaker 2: flat paper that almost drops on your head when you

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Speaker 2: come in and out.

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Speaker 3: Can I ask you a business question please? Is Scripts

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Speaker 3: the same company that used to give me personal pan

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Speaker 3: pizzas for reading books in elementary school?

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Speaker 6: Oh?

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00:16:25,160 --> 00:16:31,080
Speaker 2: Okay, great business question. Uh, how do I break this down?

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00:16:32,720 --> 00:16:34,040
Speaker 3: I guess you just say yes or no?

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Speaker 2: Hang on, because you got some questions.

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Speaker 1: I know about the spelling B thing, but this in

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Speaker 1: your case, there was a pizza. I feel like I

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Speaker 1: want to you know, the one on TV where everyone

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Speaker 1: is spelling the words, So that component I understand, but

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Speaker 1: there is no pizza in that.

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Speaker 3: Wait, what do you mean on TV? What are you

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Speaker 3: talking about?

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Speaker 1: Okay, so the thing that most of us are familiar with,

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Speaker 1: and she wanted.

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Speaker 2: Just a yes or no. Remember, But but now we're

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Speaker 2: understanding that she doesn't know about TV.

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Speaker 1: So there's a big scripts spelling B on TV, like

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Speaker 1: the words they spell.

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Speaker 3: I don't know what this is.

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00:17:13,520 --> 00:17:15,440
Speaker 2: The E R J. I you don't know. You don't

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Speaker 2: know what TV is.

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Speaker 3: I know what a spelling B is. I'm not familiar

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Speaker 3: with this program. It's like it's like a documentary.

356
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Speaker 2: TV is like Big Ciso, Yes, thank you.

357
00:17:25,280 --> 00:17:30,720
Speaker 1: Imagine imagine as a bunch of different cisas and each

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Speaker 1: one has a number.

359
00:17:31,800 --> 00:17:33,520
Speaker 3: Okay, okay, okay, okay, okay, and.

360
00:17:33,520 --> 00:17:37,840
Speaker 1: Each and each CISO has its own Take my wife.

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Speaker 3: But how do I watch it?

362
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Speaker 6: So?

363
00:17:40,640 --> 00:17:43,600
Speaker 3: How do I watch this Big Cson? Because itself is

364
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Speaker 3: hard enough to find.

365
00:17:45,240 --> 00:17:49,760
Speaker 1: Imagine a SISO machine that without a keyboard.

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Speaker 2: But the keyboard is in your.

367
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Speaker 3: Hand, How do you tell it what you want to watch?

368
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Speaker 2: The keyboard in your hand.

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00:17:55,000 --> 00:17:59,480
Speaker 3: Yes, you have a keyboard, wand an iPad. You don't

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Speaker 3: forget it for scripts, I don't care. I had pizzas.

371
00:18:01,760 --> 00:18:03,240
Speaker 3: I don't care about the spelling beat okay.

372
00:18:03,359 --> 00:18:04,639
Speaker 2: And you were reading for the pizza.

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Speaker 3: I read for the pizza. That was also part of

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Speaker 3: the book.

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00:18:06,640 --> 00:18:11,240
Speaker 2: It were you reading a menu and ordering a pizza.

376
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Speaker 3: Yeah. I was in a round table and I read

377
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Speaker 3: the menu, and when I got to the end of

378
00:18:16,480 --> 00:18:18,800
Speaker 3: the menu, my reward was I got to then select

379
00:18:18,960 --> 00:18:22,320
Speaker 3: one of the things I'd read, and the teacher in

380
00:18:22,359 --> 00:18:24,760
Speaker 3: the apron would bring it to me, and then at

381
00:18:24,760 --> 00:18:28,040
Speaker 3: the end, my aunt would give the teacher a donation

382
00:18:28,240 --> 00:18:32,840
Speaker 3: for the school fundraiser. That was yes, all right, thank

383
00:18:32,880 --> 00:18:36,600
Speaker 3: you for answering my question. So who are we calling?

384
00:18:37,720 --> 00:18:39,560
Speaker 1: Well let's look through the contexts.

385
00:18:39,760 --> 00:18:41,920
Speaker 2: Yeah, let's go through all your contacts and see who

386
00:18:41,920 --> 00:18:42,680
Speaker 2: makes the most sound.

387
00:18:42,720 --> 00:18:43,880
Speaker 3: You want to go through all of them?

388
00:18:44,040 --> 00:18:45,119
Speaker 2: Yeah, Well we'll start with a.

389
00:18:46,080 --> 00:18:48,960
Speaker 3: I can't. I've never been able to delete, you know

390
00:18:49,000 --> 00:18:53,479
Speaker 3: how with iCloud. It constantly keeps your contact forever, so

391
00:18:53,720 --> 00:18:56,520
Speaker 3: every time I update. This is boring, but I have

392
00:18:56,600 --> 00:19:00,000
Speaker 3: like thousands of people in here my first content.

393
00:19:00,600 --> 00:19:01,200
Speaker 2: It's not boring.

394
00:19:01,240 --> 00:19:05,680
Speaker 1: Imagine someone someone, Imagine telling somebody in like the Mayflower,

395
00:19:07,000 --> 00:19:10,679
Speaker 1: this is boring, but I have people in my phone.

396
00:19:11,359 --> 00:19:13,879
Speaker 2: Yeah, this is boring. But this magic box that I

397
00:19:13,880 --> 00:19:17,720
Speaker 2: can use to find a new chef Kevin whenever I want. Uh, Yeah,

398
00:19:17,880 --> 00:19:19,399
Speaker 2: I got too many people in it.

399
00:19:19,560 --> 00:19:21,240
Speaker 1: Imagine telling the Mayflower that.

400
00:19:22,520 --> 00:19:25,119
Speaker 2: Try saying that to the Mayflower with a straight face

401
00:19:25,160 --> 00:19:28,000
Speaker 2: and see what they say back. They'd be like witch,

402
00:19:28,240 --> 00:19:31,120
Speaker 2: Well they won't be Well that's not boring though, No,

403
00:19:31,200 --> 00:19:32,320
Speaker 2: they're certainly not bored.

404
00:19:32,400 --> 00:19:33,040
Speaker 3: Then I'm dead.

405
00:19:34,720 --> 00:19:37,199
Speaker 2: This is a being dead is boring.

406
00:19:37,800 --> 00:19:41,600
Speaker 3: That's the most boring. Death is the ultimate boredom.

407
00:19:41,640 --> 00:19:42,280
Speaker 2: Bored to death.

408
00:19:43,680 --> 00:19:45,680
Speaker 3: Yes, the first person in my contract is.

409
00:19:45,640 --> 00:19:49,359
Speaker 1: A great cast aims incredible cast.

410
00:19:49,200 --> 00:19:51,520
Speaker 3: Is a woman named Ada, who I don't know anymore.

411
00:19:51,520 --> 00:19:52,760
Speaker 3: I have no idea who that woman is.

412
00:19:52,920 --> 00:19:55,520
Speaker 2: Ada. That's my New York bored to death. That is

413
00:19:55,560 --> 00:20:00,199
Speaker 2: my New York great cast, great people involved, and the

414
00:20:00,200 --> 00:20:05,440
Speaker 2: show was great well and Jonathan, yeah, is that okay?

415
00:20:06,119 --> 00:20:08,919
Speaker 3: The first a of a person cabs who works in

416
00:20:08,960 --> 00:20:11,159
Speaker 3: this building or I'm sorry, who comes to this building

417
00:20:11,160 --> 00:20:12,760
Speaker 3: frequently and knows the lay of the land. I guess

418
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Speaker 3: is Scott Ackerman.

419
00:20:13,960 --> 00:20:17,359
Speaker 2: Okay, okay, all right, let's try it, and I guess

420
00:20:17,359 --> 00:20:20,160
Speaker 2: we have to go. Okay. I'm not holding out much hope,

421
00:20:20,200 --> 00:20:20,919
Speaker 2: but let's say so.

422
00:20:20,960 --> 00:20:24,400
Speaker 3: I'm just gonna call him cold. All right, I'll try it.

423
00:20:25,760 --> 00:20:33,600
Speaker 3: Let's let's see how weird this is. I hope he

424
00:20:33,640 --> 00:20:37,320
Speaker 3: thinks I'm like in jail and he's the only person

425
00:20:37,359 --> 00:20:39,720
Speaker 3: I had you could call for my one phone call.

426
00:20:49,560 --> 00:20:51,280
Speaker 3: He's gonna push it right to voicemail.

427
00:20:51,760 --> 00:20:53,120
Speaker 2: He's looking at it nothing like.

428
00:20:55,320 --> 00:20:56,800
Speaker 3: It's like, why would she be calling me?

429
00:20:58,080 --> 00:21:01,600
Speaker 5: Hello, you've reached Scott. Leave a message?

430
00:21:02,359 --> 00:21:05,200
Speaker 2: What a weird You can hang a drunk on his voicemail?

431
00:21:05,600 --> 00:21:06,840
Speaker 2: Should we leave a voicemail?

432
00:21:07,040 --> 00:21:08,919
Speaker 3: Hi? Scott, this is Tawny.

433
00:21:09,480 --> 00:21:11,159
Speaker 2: I don't think he can hear you. Yes, you have it.

434
00:21:11,320 --> 00:21:14,520
Speaker 3: Hi, Scott, this is Tawny. I'm just calling you because

435
00:21:14,520 --> 00:21:15,720
Speaker 3: it's normal for me to do.

436
00:21:15,800 --> 00:21:15,919
Speaker 6: So.

437
00:21:16,040 --> 00:21:19,919
Speaker 3: Happy Saturday. Bye. Was that good? Guys?

438
00:21:20,160 --> 00:21:21,920
Speaker 2: That seemed pretty good? Yeah, that was good.

439
00:21:22,040 --> 00:21:24,600
Speaker 1: I wish he had committed to his voicemail bit I know.

440
00:21:27,359 --> 00:21:28,280
Speaker 2: Yeah.

441
00:21:28,359 --> 00:21:30,720
Speaker 1: It's like he was recording the voicemail and they were like,

442
00:21:31,160 --> 00:21:35,040
Speaker 1: as the as it's saying at the beep records your message,

443
00:21:35,040 --> 00:21:36,040
Speaker 1: and then he was like, I should.

444
00:21:35,880 --> 00:21:38,439
Speaker 2: Do something funny. I'm like, I'm Scott. Here's what I

445
00:21:38,480 --> 00:21:40,280
Speaker 2: think happened. I think he planned ahead and went, I'm

446
00:21:40,280 --> 00:21:43,679
Speaker 2: going to do this really funny voicemail. He started to

447
00:21:43,880 --> 00:21:46,680
Speaker 2: do it and then realize, boy, what if somebody important

448
00:21:46,720 --> 00:21:47,000
Speaker 2: is calling?

449
00:21:47,200 --> 00:21:47,440
Speaker 6: Yes.

450
00:21:47,720 --> 00:21:49,760
Speaker 2: Yes, So in the middle of it he went like,

451
00:21:49,800 --> 00:21:52,080
Speaker 2: but I should still be you know, like I should

452
00:21:52,119 --> 00:21:54,080
Speaker 2: be on the line where they go like, oh, maybe

453
00:21:54,119 --> 00:21:54,920
Speaker 2: he was just sleepy.

454
00:21:55,440 --> 00:21:57,600
Speaker 3: Mmmm hmm. He did sound sleepy.

455
00:21:58,280 --> 00:22:01,439
Speaker 2: Yes, you could interpret it as sleep or as really funny.

456
00:22:02,000 --> 00:22:05,119
Speaker 1: Okay, let's do Paul all right, he'd be great.

457
00:22:05,440 --> 00:22:09,600
Speaker 2: That's such a great Can't you admit that he'd be great?

458
00:22:09,600 --> 00:22:13,359
Speaker 2: Of all people? Can you, out of everyone here, finally

459
00:22:13,440 --> 00:22:16,320
Speaker 2: admit that Paul would make a good chef Kevin. Maybe

460
00:22:16,320 --> 00:22:17,840
Speaker 2: he'd be able to get us some guests.

461
00:22:18,359 --> 00:22:21,560
Speaker 3: Tell me real quick what your job is. Tell me

462
00:22:21,600 --> 00:22:23,320
Speaker 3: three things that your job is so that I can

463
00:22:23,320 --> 00:22:24,200
Speaker 3: ask Paul properly.

464
00:22:24,200 --> 00:22:26,080
Speaker 2: O right, old chef production coordinator.

465
00:22:26,119 --> 00:22:29,760
Speaker 3: Sure, and like, don't make them real, make them funny

466
00:22:29,760 --> 00:22:30,440
Speaker 3: and entertaining.

467
00:22:30,640 --> 00:22:33,520
Speaker 2: Oh yeah, for that for our do something good, Kevin?

468
00:22:33,600 --> 00:22:35,920
Speaker 2: That would Kevin? For our podcast? Yeah?

469
00:22:36,160 --> 00:22:39,240
Speaker 4: Probably, like talk to fun people and like right when

470
00:22:39,240 --> 00:22:41,080
Speaker 4: they come in. You get to chat with fun people.

471
00:22:42,560 --> 00:22:45,760
Speaker 4: You get to organize the studio calendar. That's like a

472
00:22:45,840 --> 00:22:49,600
Speaker 4: huge you know, you're imagination by themselves?

473
00:22:49,800 --> 00:22:50,600
Speaker 3: What's happening?

474
00:22:50,760 --> 00:22:53,280
Speaker 2: Apparently not all planes flap themselves, because I'm watching one

475
00:22:53,280 --> 00:22:59,760
Speaker 2: freaking in a tail spin right now, crashing the fucking mountainside. Jesus.

476
00:23:01,600 --> 00:23:04,320
Speaker 3: Okay, I'll try Paul, and then I'm trying Scott again

477
00:23:04,359 --> 00:23:08,760
Speaker 3: because I just I don't like to accept defeat. All Right,

478
00:23:08,840 --> 00:23:11,240
Speaker 3: So you organized ship, you talk to fun people, and

479
00:23:11,280 --> 00:23:12,480
Speaker 3: you never sit down, got it?

480
00:23:12,600 --> 00:23:16,959
Speaker 2: Okay? Kevin's desk moved? Was that part of the promotion?

481
00:23:18,600 --> 00:23:29,880
Speaker 3: Paul, Paul, what's up? Hi? I'm just here alone? Definitely.

482
00:23:29,960 --> 00:23:32,960
Speaker 3: I don't have any uh people with me talking to

483
00:23:33,000 --> 00:23:36,080
Speaker 3: you on the phone. Have I Sean and Hayes are

484
00:23:36,080 --> 00:23:43,200
Speaker 3: not here? Have I interrupted you?

485
00:23:44,880 --> 00:23:47,560
Speaker 5: I I can't believe.

486
00:23:48,320 --> 00:23:50,240
Speaker 3: Oh no, you know what? Oh no, he's mad.

487
00:23:50,280 --> 00:23:50,480
Speaker 2: Agan.

488
00:23:52,560 --> 00:23:58,719
Speaker 3: No guys, you guys that we're damaging like a famous

489
00:23:58,720 --> 00:24:01,960
Speaker 3: friendship that I have. I hold my famous friendships.

490
00:24:02,400 --> 00:24:02,919
Speaker 2: Hey it's.

491
00:24:06,080 --> 00:24:08,920
Speaker 3: You rage voicemail. You guys, this is fucked up.

492
00:24:11,160 --> 00:24:13,639
Speaker 2: He doesn't want to be part of the content. He

493
00:24:13,680 --> 00:24:19,040
Speaker 2: doesn't want to because because he learned something that we

494
00:24:19,400 --> 00:24:22,840
Speaker 2: just learned a long time ago, which is you gotta

495
00:24:22,880 --> 00:24:23,399
Speaker 2: get paid.

496
00:24:23,680 --> 00:24:26,040
Speaker 3: But we can get paid and we can pay him.

497
00:24:26,119 --> 00:24:28,080
Speaker 1: He well, since he answered, we can list him as

498
00:24:28,080 --> 00:24:28,440
Speaker 1: a guest.

499
00:24:28,560 --> 00:24:31,560
Speaker 3: Now, oh you're right, Yeah, there you go. Okay, that's good.

500
00:24:32,000 --> 00:24:32,439
Speaker 3: I'm trying to.

501
00:24:32,400 --> 00:24:35,040
Speaker 1: Scott hill him that so like when you click his

502
00:24:35,080 --> 00:24:38,160
Speaker 1: little icon his ear Wolf page, this episode will show

503
00:24:38,240 --> 00:24:39,800
Speaker 1: up as one of that as one of the guys

504
00:24:39,840 --> 00:24:40,600
Speaker 1: that he appears in.

505
00:24:40,840 --> 00:24:42,320
Speaker 2: Yep, okay, good m hmm.

506
00:24:42,520 --> 00:24:45,320
Speaker 3: Okay, we're doing Scott now, because I mean, why not

507
00:24:45,359 --> 00:24:47,680
Speaker 3: burn all my bridges with the successful white man. I've

508
00:24:47,800 --> 00:24:57,920
Speaker 3: hitched my wagon too, boy.

509
00:24:56,520 --> 00:24:59,320
Speaker 5: Not happening, Scott.

510
00:25:00,720 --> 00:25:02,680
Speaker 3: Yeah wait, I have Paul on the other line.

511
00:25:03,680 --> 00:25:05,719
Speaker 2: Can we emerge these one second?

512
00:25:08,359 --> 00:25:08,600
Speaker 3: Paul?

513
00:25:10,640 --> 00:25:11,480
Speaker 5: Yeah?

514
00:25:11,640 --> 00:25:12,359
Speaker 3: Are you mad at me?

515
00:25:14,000 --> 00:25:15,399
Speaker 2: You know what he doesn't.

516
00:25:15,960 --> 00:25:18,880
Speaker 5: I was in the middle of a very important call

517
00:25:19,160 --> 00:25:24,440
Speaker 5: ship and the fact that I had to they come

518
00:25:24,440 --> 00:25:26,560
Speaker 5: away from that. Yeah, answer your call.

519
00:25:28,119 --> 00:25:29,480
Speaker 2: Could use this opportunity.

520
00:25:30,080 --> 00:25:38,520
Speaker 3: Okay, Hey, Scotty is uh wait, I was trying to

521
00:25:38,560 --> 00:25:40,439
Speaker 3: add Paul. Damn it.

522
00:25:40,840 --> 00:25:41,720
Speaker 5: Yeah, I can hear you.

523
00:25:41,800 --> 00:25:42,359
Speaker 6: I can't he you.

524
00:25:42,480 --> 00:25:43,120
Speaker 3: Is everyone here?

525
00:25:45,640 --> 00:25:46,440
Speaker 5: Who's everyone?

526
00:25:47,720 --> 00:25:47,800
Speaker 2: Me?

527
00:25:48,400 --> 00:25:51,560
Speaker 3: Paul and Scott and not Sean and Hayes.

528
00:25:53,040 --> 00:25:53,320
Speaker 2: About?

529
00:25:55,600 --> 00:25:59,239
Speaker 3: Yeah, hey guys, what's up?

530
00:25:59,640 --> 00:26:00,000
Speaker 6: What's up?

531
00:26:01,240 --> 00:26:04,639
Speaker 3: This is a normal Saturday conversation for the three.

532
00:26:04,480 --> 00:26:05,960
Speaker 2: Of us to have opportunity.

533
00:26:09,680 --> 00:26:13,879
Speaker 5: I feel like, what if those guys want to contact me,

534
00:26:13,960 --> 00:26:16,280
Speaker 5: they can call me themselves. I just don't like this

535
00:26:16,320 --> 00:26:16,800
Speaker 5: whole thing.

536
00:26:16,880 --> 00:26:19,000
Speaker 3: Well, we tried that last year and you didn't answer,

537
00:26:19,520 --> 00:26:21,520
Speaker 3: so they had to use my phone. I'm so sorry

538
00:26:21,520 --> 00:26:23,080
Speaker 3: you guys. They thought it'd be more normal for me

539
00:26:23,119 --> 00:26:25,040
Speaker 3: to call you, Scott because I do every Saturday.

540
00:26:26,240 --> 00:26:29,200
Speaker 5: Hold on a second, is this gonna be an annual thing?

541
00:26:30,560 --> 00:26:30,800
Speaker 6: Yeah?

542
00:26:30,880 --> 00:26:35,040
Speaker 3: Merry Christmas, bitch? Okay, look, uh, there's an opportunity. There's

543
00:26:35,040 --> 00:26:37,919
Speaker 3: a huge opportunity here at ear wolf are your ears open?

544
00:26:38,160 --> 00:26:40,280
Speaker 2: Say sorry for saying Merry Christmas, bitch.

545
00:26:40,880 --> 00:26:42,840
Speaker 3: And I'm sorry for saying Merry Christmas, bitch.

546
00:26:42,960 --> 00:26:51,000
Speaker 5: Good good, good, Okay, now I appreciate Yeah, Okay.

547
00:26:50,760 --> 00:26:54,200
Speaker 3: So we all know our good friend and confident chef

548
00:26:54,280 --> 00:26:58,800
Speaker 3: Kevin has accepted new responsibilities. Right now, he's twisting a

549
00:26:58,800 --> 00:27:01,200
Speaker 3: bunch of knobs, and protended to be an audio engineer.

550
00:27:02,440 --> 00:27:05,960
Speaker 3: So we need a new chef, Kevin, and we think

551
00:27:06,000 --> 00:27:08,480
Speaker 3: that the two of you, in a joint shared role

552
00:27:08,560 --> 00:27:11,720
Speaker 3: capacity would be the perfect candidate who.

553
00:27:11,480 --> 00:27:13,080
Speaker 2: Knows this place better than you guys.

554
00:27:14,440 --> 00:27:19,600
Speaker 5: Wow well wow, yeah? What what Kevin? What were What

555
00:27:19,640 --> 00:27:22,399
Speaker 5: were Kevin's responsibilities? I could never figure it out.

556
00:27:22,359 --> 00:27:25,080
Speaker 3: Great question, I asked him just before I called you.

557
00:27:25,119 --> 00:27:30,439
Speaker 3: Apparently they were organizing ship, talking to fun people right

558
00:27:30,480 --> 00:27:33,920
Speaker 3: when they come in, and then making coffee. And then

559
00:27:33,960 --> 00:27:36,800
Speaker 3: I also added never sitting down at a real desk.

560
00:27:38,680 --> 00:27:44,560
Speaker 5: Mm hmmm. I mean I could probably take over the

561
00:27:44,600 --> 00:27:45,679
Speaker 5: talking to fun people.

562
00:27:46,400 --> 00:27:53,800
Speaker 3: Okay, I think that's more of a Hayes thinks that No, no, no,

563
00:27:53,840 --> 00:27:56,160
Speaker 3: I mean not Hayes, just me. I think that that's

564
00:27:56,200 --> 00:27:58,719
Speaker 3: more of a pall thing, like maybe Paul could talk

565
00:27:58,760 --> 00:28:00,520
Speaker 3: to the fun people. Scott, you seem like more of

566
00:28:00,520 --> 00:28:01,280
Speaker 3: a coffee dude.

567
00:28:03,840 --> 00:28:06,159
Speaker 5: That's fair. That's that's fair sense to me.

568
00:28:06,640 --> 00:28:09,600
Speaker 3: Yeah, okay, great, so we got those duties divided up.

569
00:28:09,640 --> 00:28:11,440
Speaker 3: What about organizing ship in the cupboards?

570
00:28:13,119 --> 00:28:14,040
Speaker 5: M past.

571
00:28:15,760 --> 00:28:15,960
Speaker 2: Yeah.

572
00:28:16,000 --> 00:28:18,399
Speaker 5: I once saw this movie called The Indian in the Cupboard,

573
00:28:18,480 --> 00:28:20,639
Speaker 5: and it's scared Jesus Aada me.

574
00:28:20,760 --> 00:28:22,320
Speaker 3: I think we say Native American now.

575
00:28:24,000 --> 00:28:26,080
Speaker 5: Well, we even apply it to the titles of the movie.

576
00:28:26,240 --> 00:28:27,920
Speaker 3: Yeah, it's like how no one wants.

577
00:28:27,720 --> 00:28:31,920
Speaker 5: To Sorry, we also say cabinet. We don't say covering.

578
00:28:32,520 --> 00:28:38,840
Speaker 3: Yeah, we see the Native American in the cabinet. Okay,

579
00:28:38,840 --> 00:28:41,520
Speaker 3: so neither of you want to organize the Native Americans

580
00:28:41,520 --> 00:28:42,120
Speaker 3: in the cabinet.

581
00:28:43,640 --> 00:28:46,080
Speaker 2: No, ask if one of them wants to take over

582
00:28:46,160 --> 00:28:47,360
Speaker 2: Kevin's Tinder profile?

583
00:28:48,000 --> 00:28:50,200
Speaker 3: Uh, okay, do you do one of you want to

584
00:28:50,240 --> 00:28:51,960
Speaker 3: take over Kevin's Tinder profile?

585
00:28:53,920 --> 00:28:57,360
Speaker 5: That I definitely want. Yeah, sorry, I have that.

586
00:28:58,120 --> 00:28:59,200
Speaker 2: Wait, you do it together?

587
00:29:00,360 --> 00:29:02,520
Speaker 3: Yeah, you both do it together? Is my vote?

588
00:29:03,840 --> 00:29:04,200
Speaker 2: I guess.

589
00:29:04,760 --> 00:29:06,960
Speaker 5: And I could kind of do like kind of a

590
00:29:07,000 --> 00:29:11,320
Speaker 5: Three's Company style. You know, we go on we ask

591
00:29:11,440 --> 00:29:13,840
Speaker 5: someone out on a date, and then you know, we

592
00:29:14,040 --> 00:29:16,600
Speaker 5: keep excusing ourselves to go to the bathroom and switch

593
00:29:16,640 --> 00:29:18,400
Speaker 5: places and hope she doesn't notice.

594
00:29:18,840 --> 00:29:20,440
Speaker 3: Are you dressed the same in this scenario?

595
00:29:20,520 --> 00:29:20,840
Speaker 2: Do that?

596
00:29:21,840 --> 00:29:22,400
Speaker 6: Yes? No?

597
00:29:22,280 --> 00:29:22,320
Speaker 2: No?

598
00:29:22,400 --> 00:29:26,680
Speaker 5: No, no vote, But no, I don't want to have to

599
00:29:26,680 --> 00:29:30,360
Speaker 5: buy your entire wardrobe. No, no, no, we have a

600
00:29:30,440 --> 00:29:33,600
Speaker 5: third there's like a neutral wardrobe that is stuff neither

601
00:29:33,640 --> 00:29:36,640
Speaker 5: one of us would wear and we also both wear

602
00:29:36,720 --> 00:29:43,000
Speaker 5: red wigs Kevin Smith's style hockey jerseys.

603
00:29:43,680 --> 00:29:47,400
Speaker 6: Yes, exactly, And and I don't have to like long

604
00:29:47,520 --> 00:29:51,800
Speaker 6: denim shorts that are cut off like right above the insteps,

605
00:29:51,840 --> 00:29:55,080
Speaker 6: so they're they're pretty much just pants.

606
00:29:54,640 --> 00:29:55,880
Speaker 2: Baseball cap for.

607
00:29:57,440 --> 00:29:59,720
Speaker 3: I'm getting that you're gonna need a backwards baseball cap.

608
00:29:59,600 --> 00:30:01,800
Speaker 1: For the you have to disclose it the first line

609
00:30:02,000 --> 00:30:08,479
Speaker 1: Ken tinder bo is office because he likes the office

610
00:30:08,480 --> 00:30:10,080
Speaker 1: and what else is on there?

611
00:30:11,280 --> 00:30:11,480
Speaker 5: Yeah?

612
00:30:11,520 --> 00:30:14,800
Speaker 3: You you buy them backwards? Uh, you buy them backwards.

613
00:30:14,840 --> 00:30:16,840
Speaker 5: You have to walk into a hat store backwards.

614
00:30:16,840 --> 00:30:18,720
Speaker 1: Wait, will you read them your tender bio just so

615
00:30:18,840 --> 00:30:20,960
Speaker 1: they know what just for full disclosure change.

616
00:30:21,120 --> 00:30:23,560
Speaker 5: That's ridiculous. I mean, we could just go to Lids, right.

617
00:30:24,840 --> 00:30:28,200
Speaker 2: You could just go to tell them, tell them it

618
00:30:28,240 --> 00:30:30,240
Speaker 2: has to be the Lids in Red Bank, New Jersey.

619
00:30:30,320 --> 00:30:33,160
Speaker 3: It has to be a Lids in Red Bank, New Jersey.

620
00:30:33,520 --> 00:30:33,880
Speaker 4: Mmmm.

621
00:30:34,080 --> 00:30:36,320
Speaker 3: Past that's where John Stewart lives.

622
00:30:36,360 --> 00:30:41,800
Speaker 2: Though, where John Stewart lives? Why are we talking to

623
00:30:41,800 --> 00:30:43,080
Speaker 2: these guys called John Stuart.

624
00:30:46,640 --> 00:30:48,880
Speaker 3: I've had a request just for someone for me to

625
00:30:48,920 --> 00:30:50,760
Speaker 3: call John Stewart, but I don't have his number. Do

626
00:30:50,840 --> 00:30:51,960
Speaker 3: you guys have his number?

627
00:30:54,200 --> 00:30:57,320
Speaker 1: Will you will you tell them that just for full

628
00:30:57,360 --> 00:30:59,960
Speaker 1: disclosure that the first line of Kevin's tinderbio is.

629
00:31:00,080 --> 00:31:04,040
Speaker 3: First line of kevin cinderbio is the words the office.

630
00:31:04,160 --> 00:31:06,360
Speaker 1: Just the words the office, because it's like because it's

631
00:31:06,400 --> 00:31:07,840
Speaker 1: a list of shows that he likes.

632
00:31:07,880 --> 00:31:11,560
Speaker 3: It's a list of shows that he likes. Are you

633
00:31:11,600 --> 00:31:12,320
Speaker 3: guys cool with that?

634
00:31:14,760 --> 00:31:16,160
Speaker 5: Is it an American workplace?

635
00:31:17,560 --> 00:31:18,880
Speaker 3: Yeah, it's not the British version.

636
00:31:19,000 --> 00:31:20,840
Speaker 1: Yeah, it's the office arrested development.

637
00:31:20,880 --> 00:31:23,959
Speaker 2: What else? Check it? Check it out with Steve bro

638
00:31:24,560 --> 00:31:27,360
Speaker 2: nothing to know. He goes Indie, he goes nothing. They've worked.

639
00:31:28,360 --> 00:31:31,280
Speaker 3: Can I let these guys go? They probably have busy saturdays.

640
00:31:31,440 --> 00:31:34,720
Speaker 3: You guys have busy saturdays, right, Oh.

641
00:31:34,600 --> 00:31:36,960
Speaker 5: No, no I'm not doing.

642
00:31:37,000 --> 00:31:38,360
Speaker 6: Okay, well, you don't do anything?

643
00:31:38,400 --> 00:31:39,719
Speaker 3: Do you guys want to just like come by your

644
00:31:39,720 --> 00:31:41,400
Speaker 3: wolf and we can drop a contract or something.

645
00:31:44,280 --> 00:31:48,560
Speaker 2: I don't think so, all right, they're coming, they're on

646
00:31:48,640 --> 00:31:50,920
Speaker 2: their way.

647
00:31:51,680 --> 00:31:51,880
Speaker 6: Yeah.

648
00:31:51,920 --> 00:31:53,920
Speaker 2: You can sign DOCU sign.

649
00:31:55,760 --> 00:32:00,200
Speaker 3: Doc Yeah great, I'll docu sign some docs over to

650
00:32:00,240 --> 00:32:02,440
Speaker 3: you and then you can DocuSign him back dock cub

651
00:32:02,880 --> 00:32:03,240
Speaker 3: uh huh.

652
00:32:03,280 --> 00:32:05,160
Speaker 5: Yeah, this is great, this is great. I'll open it

653
00:32:05,200 --> 00:32:08,680
Speaker 5: in doc hub. Great, and then doc you sign it?

654
00:32:08,960 --> 00:32:11,720
Speaker 3: Great? Do you have like a stylus scan it?

655
00:32:12,240 --> 00:32:12,360
Speaker 4: Uh?

656
00:32:13,120 --> 00:32:15,720
Speaker 5: I'm not always you know. They give you signatures to

657
00:32:15,800 --> 00:32:16,480
Speaker 5: choose from.

658
00:32:16,600 --> 00:32:21,400
Speaker 3: Uh huh, who's will you choose one? And well that's

659
00:32:21,440 --> 00:32:26,360
Speaker 3: who's Who's sig? Will you choose? O?

660
00:32:26,560 --> 00:32:27,240
Speaker 5: Daniel Craig?

661
00:32:28,120 --> 00:32:30,360
Speaker 2: Great? All right?

662
00:32:30,400 --> 00:32:32,800
Speaker 5: I always picked John Hancock as sort of a joke.

663
00:32:33,000 --> 00:32:36,520
Speaker 3: Oh that's a funny jokes. Funny Scott. Where do you

664
00:32:36,560 --> 00:32:38,960
Speaker 3: find the time? Where do you find the time with

665
00:32:39,000 --> 00:32:40,120
Speaker 3: these jokes jokes?

666
00:32:40,360 --> 00:32:44,800
Speaker 5: Yeah, it's very hard. I usually do one a year.

667
00:32:47,080 --> 00:32:49,680
Speaker 3: Okay, guys, Well, I look forward to talking to you

668
00:32:49,720 --> 00:32:51,760
Speaker 3: in about ten months time. We'll do this again.

669
00:32:54,440 --> 00:33:00,000
Speaker 5: The cycles are getting shorter, all right.

670
00:33:00,120 --> 00:33:02,600
Speaker 3: I'll DocuSign all those docs over to your doc hoube

671
00:33:02,600 --> 00:33:05,400
Speaker 3: and you guys can sing them and send them back.

672
00:33:06,840 --> 00:33:09,160
Speaker 5: All right, Thanks Tony, Thanks.

673
00:33:08,880 --> 00:33:10,720
Speaker 3: Guys so much. Thanks for picking up the call, like

674
00:33:11,000 --> 00:33:12,720
Speaker 3: is normal for you to do with me.

675
00:33:13,480 --> 00:33:15,360
Speaker 5: It's very normal for us to have a three way

676
00:33:15,400 --> 00:33:16,200
Speaker 5: conversation like this.

677
00:33:16,560 --> 00:33:19,720
Speaker 6: Yeah, and it's like when I see when I see

678
00:33:19,760 --> 00:33:21,880
Speaker 6: your name come up at a call.

679
00:33:21,760 --> 00:33:25,880
Speaker 5: I'm certainly not worried or any you're in some kind

680
00:33:25,920 --> 00:33:28,320
Speaker 5: of trouble because we do talk on the phone.

681
00:33:28,600 --> 00:33:32,520
Speaker 3: All I'm so glad that I didn't worry you or

682
00:33:32,560 --> 00:33:33,880
Speaker 3: cause you any stress today.

683
00:33:35,400 --> 00:33:37,360
Speaker 5: Why I even brought that up?

684
00:33:37,560 --> 00:33:38,160
Speaker 2: It is weird.

685
00:33:38,240 --> 00:33:39,800
Speaker 3: It is weird, but I it just tells me how

686
00:33:39,880 --> 00:33:42,840
Speaker 3: much you guys care. So thanks for that, and uh,

687
00:33:43,200 --> 00:33:44,560
Speaker 3: talk to you later. I hope I'm never in a

688
00:33:44,600 --> 00:33:52,080
Speaker 3: real emergency. Okay, bye bye.

689
00:33:53,080 --> 00:33:59,160
Speaker 1: Probably good to stay out of, like trouble on Saturday mornings.

690
00:34:00,440 --> 00:34:04,200
Speaker 3: But those I get so many ideas. You just like,

691
00:34:04,400 --> 00:34:05,680
Speaker 3: oh I could throw that piano.

692
00:34:08,360 --> 00:34:10,640
Speaker 2: Always seem like, oh maybe I'll try that, I can

693
00:34:10,680 --> 00:34:12,760
Speaker 2: fly or you know, it's so easy.

694
00:34:12,760 --> 00:34:14,879
Speaker 1: We should do that every time. Have the guest call

695
00:34:15,520 --> 00:34:19,760
Speaker 1: two other guests that are no offense even more famous.

696
00:34:19,920 --> 00:34:21,239
Speaker 3: No, yeah, I need that.

697
00:34:21,400 --> 00:34:24,120
Speaker 2: And just let that be the thing. I gotta say.

698
00:34:25,520 --> 00:34:29,080
Speaker 2: I didn't like how little I got to do during

699
00:34:29,120 --> 00:34:32,759
Speaker 2: all that. I loved how little I got for me.

700
00:34:34,200 --> 00:34:37,880
Speaker 2: I just felt like, I mean, I guess I liked

701
00:34:37,960 --> 00:34:39,799
Speaker 2: that I didn't have to do anything, but I didn't

702
00:34:39,840 --> 00:34:41,279
Speaker 2: like that I had to be here if I wasn't

703
00:34:41,280 --> 00:34:42,000
Speaker 2: going to do anything.

704
00:34:42,239 --> 00:34:45,200
Speaker 3: Right, Yeah, I could tell about your body languages like Sean,

705
00:34:45,320 --> 00:34:47,759
Speaker 3: you sat forward like he wanted to be much more

706
00:34:47,800 --> 00:34:50,480
Speaker 3: active Hayes. You laid fully down on the floor and

707
00:34:50,480 --> 00:34:51,240
Speaker 3: pulled out a blanky.

708
00:34:51,600 --> 00:34:54,160
Speaker 2: Yeah, very color. Well, it's a beach wash. That's a

709
00:34:54,200 --> 00:34:54,920
Speaker 2: power pose.

710
00:34:57,160 --> 00:34:59,920
Speaker 1: The the one thing I missed from that call.

711
00:35:00,239 --> 00:35:01,000
Speaker 2: Sometimes when we.

712
00:35:00,960 --> 00:35:04,880
Speaker 1: Talk about Paul, he'll is there a picture happening? Sean's

713
00:35:04,920 --> 00:35:06,400
Speaker 1: making a picture of face? Okay?

714
00:35:09,320 --> 00:35:10,080
Speaker 6: Is that?

715
00:35:10,200 --> 00:35:12,800
Speaker 1: Sometimes when we talk about Paul on the show, he'll

716
00:35:12,840 --> 00:35:14,560
Speaker 1: text and be like, hey, I listened to it, and

717
00:35:14,640 --> 00:35:16,920
Speaker 1: I'll be like, Gods, some nice Paul listen to the show.

718
00:35:17,000 --> 00:35:18,759
Speaker 1: But he did not do that this week.

719
00:35:18,840 --> 00:35:20,080
Speaker 2: That's that's the best. Yeah.

720
00:35:20,440 --> 00:35:22,360
Speaker 1: We did talk about him on the last episode and

721
00:35:22,400 --> 00:35:23,920
Speaker 1: he didn't do that, And he didn't even bring it

722
00:35:24,000 --> 00:35:24,520
Speaker 1: up on the call.

723
00:35:25,040 --> 00:35:29,719
Speaker 2: He's kind of over the show. Yeah. I texted him

724
00:35:29,760 --> 00:35:32,320
Speaker 2: not that long ago about an episode of his show

725
00:35:33,239 --> 00:35:39,240
Speaker 2: and he said, so glad you're listening to a second

726
00:35:39,360 --> 00:35:43,400
Speaker 2: episode of my show, accusing me of only having heard one.

727
00:35:44,239 --> 00:35:46,359
Speaker 2: And I told him that that wasn't true, and it

728
00:35:46,440 --> 00:35:47,040
Speaker 2: wasn't true.

729
00:35:47,120 --> 00:35:50,680
Speaker 3: Did they all feature me or some or one or percent?

730
00:35:51,120 --> 00:35:54,040
Speaker 2: I'm going to max out it too on you being involved?

731
00:35:54,080 --> 00:35:58,440
Speaker 3: Okay, did I do the same voice? I only have what's.

732
00:35:58,440 --> 00:35:59,680
Speaker 1: What's your character voice?

733
00:35:59,719 --> 00:36:03,120
Speaker 2: I've got let's go for access, let's let's let's bang

734
00:36:03,160 --> 00:36:03,520
Speaker 2: them out.

735
00:36:03,600 --> 00:36:07,400
Speaker 3: Okay, I've got like kind of Russian person who's literally

736
00:36:07,440 --> 00:36:12,920
Speaker 3: like this, you know. Then I've got like uh oh ship.

737
00:36:12,840 --> 00:36:15,160
Speaker 2: I I regret to inform you that that is.

738
00:36:15,840 --> 00:36:17,879
Speaker 3: No no, but it's different. I say things like little

739
00:36:17,960 --> 00:36:22,319
Speaker 3: my wife, okay, is that? And then I'm like, wow,

740
00:36:22,520 --> 00:36:25,880
Speaker 3: while we see so, is that it? That's original?

741
00:36:26,440 --> 00:36:27,400
Speaker 2: From thank you?

742
00:36:28,320 --> 00:36:32,759
Speaker 3: And then I have another voice that's like, you know, uh, hey,

743
00:36:32,880 --> 00:36:33,400
Speaker 3: what do you know?

744
00:36:34,000 --> 00:36:35,839
Speaker 2: That's just like a guy.

745
00:36:36,040 --> 00:36:38,440
Speaker 3: Yeah, that's like an old timey guy. Does that remind

746
00:36:38,480 --> 00:36:40,719
Speaker 3: you of anybody?

747
00:36:40,760 --> 00:36:41,319
Speaker 2: What do you know?

748
00:36:41,400 --> 00:36:42,960
Speaker 3: What do you what do you got going on?

749
00:36:43,880 --> 00:36:44,360
Speaker 2: Or something?

750
00:36:44,560 --> 00:36:47,520
Speaker 3: Yeah? Well people have compared it to Bill Nye, but

751
00:36:47,800 --> 00:36:50,040
Speaker 3: it's different though. I say, like I wear a Bota

752
00:36:50,080 --> 00:36:52,560
Speaker 3: and I know science, so it's very different.

753
00:36:52,760 --> 00:36:54,480
Speaker 2: Yeah, he doesn't say that it's implied.

754
00:36:55,600 --> 00:36:59,120
Speaker 3: And then I have like a oh, I'm Courtney.

755
00:36:58,680 --> 00:37:02,720
Speaker 2: Love Okay, wow, who reminds me of someone? For sure?

756
00:37:03,080 --> 00:37:06,319
Speaker 3: Does it? It's a completely original? She just goes like

757
00:37:06,360 --> 00:37:09,040
Speaker 3: ooh ho mm hmmm.

758
00:37:09,640 --> 00:37:11,759
Speaker 2: You know it really is reminding me of someone. I

759
00:37:11,840 --> 00:37:13,040
Speaker 2: cannot put my finger out.

760
00:37:13,120 --> 00:37:14,640
Speaker 3: Well, you're just gonna have to listen to more episodes

761
00:37:14,680 --> 00:37:17,440
Speaker 3: and then you know, tell me if I'm still apparently

762
00:37:17,920 --> 00:37:18,959
Speaker 3: other people's does.

763
00:37:18,880 --> 00:37:21,320
Speaker 1: Your character say just says courtneyl Yeah.

764
00:37:21,120 --> 00:37:23,439
Speaker 3: She's goes, you know, like a Pokemon how they only

765
00:37:23,440 --> 00:37:26,120
Speaker 3: say what they are. She's like Cornela, Yeah, okay.

766
00:37:26,120 --> 00:37:27,600
Speaker 2: And so that was three mm hmm.

767
00:37:27,680 --> 00:37:32,319
Speaker 3: Oh you want the fourth one, the Chicago one? Uh? Yeah,

768
00:37:32,480 --> 00:37:33,080
Speaker 3: was that Kevin?

769
00:37:33,920 --> 00:37:34,560
Speaker 2: Now it was you.

770
00:37:35,360 --> 00:37:38,560
Speaker 3: Oh, I'm so confused. I don't know when I'm pimping myself.

771
00:37:39,320 --> 00:37:39,520
Speaker 6: Yeah.

772
00:37:39,520 --> 00:37:41,640
Speaker 3: And then I do like a guy who's from Chicago

773
00:37:41,719 --> 00:37:45,200
Speaker 3: and he's very like, Hello, I am from Chicago, and

774
00:37:45,239 --> 00:37:48,239
Speaker 3: he's got like a really thick Chicago accent where he's like,

775
00:37:48,360 --> 00:37:52,760
Speaker 3: I love Vienna Beef, hot dogs, Portillo's, et cetera.

776
00:37:53,200 --> 00:37:55,360
Speaker 2: My favorite team is the Bears.

777
00:37:56,000 --> 00:38:00,680
Speaker 3: The Bears, I love the Bears. Yeah, that's how he talks.

778
00:38:00,960 --> 00:38:04,320
Speaker 2: So Michael Ditka, mm, yeah.

779
00:38:04,160 --> 00:38:08,000
Speaker 3: He loves Michael Ditka, Michael Jordan number twenty.

780
00:38:07,719 --> 00:38:10,920
Speaker 2: Three, Chicago man.

781
00:38:11,160 --> 00:38:13,760
Speaker 3: Yeah, he's very Chicago classic classic.

782
00:38:13,840 --> 00:38:16,879
Speaker 2: So I gotta say I'm a little disappointed we found

783
00:38:16,880 --> 00:38:20,040
Speaker 2: a Chef Kevin so easily. Yeah. I thought we were

784
00:38:20,040 --> 00:38:22,759
Speaker 2: going to call more people to be Chef Kevin And

785
00:38:22,800 --> 00:38:25,840
Speaker 2: what ended up happening was we found two great candidates

786
00:38:25,880 --> 00:38:28,480
Speaker 2: who were willing to share the responsibility right away. Yeah,

787
00:38:28,560 --> 00:38:30,560
Speaker 2: we want to find someone to undercut them.

788
00:38:31,080 --> 00:38:32,120
Speaker 3: Yeah, to work for cheaper.

789
00:38:32,280 --> 00:38:36,160
Speaker 1: That's good. And maybe someone we've never met that could

790
00:38:36,200 --> 00:38:36,760
Speaker 1: be interesting.

791
00:38:36,840 --> 00:38:37,280
Speaker 3: He doesn't.

792
00:38:37,880 --> 00:38:40,399
Speaker 1: I don't know a bunch of these Brigillian people. I've

793
00:38:40,440 --> 00:38:41,160
Speaker 1: never met.

794
00:38:41,000 --> 00:38:44,520
Speaker 2: Balts Ryan Gall never seen him.

795
00:38:45,400 --> 00:38:49,319
Speaker 1: We've seen him in passing a couch. Yeah, but I've

796
00:38:49,320 --> 00:38:50,960
Speaker 1: never even seen Bolts on the couch.

797
00:38:51,640 --> 00:38:52,200
Speaker 2: That's true.

798
00:38:53,120 --> 00:38:59,120
Speaker 3: Man, a dute, I could try a dude. You want

799
00:38:59,160 --> 00:39:01,960
Speaker 3: to talk to a dute? He's just gonna get like

800
00:39:02,120 --> 00:39:04,319
Speaker 3: fake angry and shout at us the whole time. That's

801
00:39:04,320 --> 00:39:07,320
Speaker 3: his bit. Okay, is that what you want for the show's?

802
00:39:10,480 --> 00:39:13,239
Speaker 2: I can't that your bit? That's kind of one of

803
00:39:13,280 --> 00:39:15,560
Speaker 2: our bits. Yeah, we have three bits.

804
00:39:15,680 --> 00:39:16,479
Speaker 3: Oh what are they?

805
00:39:17,640 --> 00:39:20,240
Speaker 2: They're stalled for time. When I got out of the question,

806
00:39:23,160 --> 00:39:23,640
Speaker 2: what's that one?

807
00:39:23,719 --> 00:39:26,400
Speaker 3: Sounds like, uh geez u.

808
00:39:28,000 --> 00:39:30,080
Speaker 2: Am I supposed to do it right now? Are you

809
00:39:30,080 --> 00:39:30,880
Speaker 2: guys going to hear it?

810
00:39:30,960 --> 00:39:32,600
Speaker 3: That's okay, never mind, what's your second one?

811
00:39:32,719 --> 00:39:35,839
Speaker 2: There's uh, there's a dude's bit where we.

812
00:39:35,840 --> 00:39:38,680
Speaker 3: Get angry, fake angry. Uh huh. Third and third bit.

813
00:39:40,400 --> 00:39:41,560
Speaker 2: Just a me and Hazer in love.

814
00:39:42,480 --> 00:39:43,200
Speaker 3: Oh that's nice.

815
00:39:43,200 --> 00:39:44,800
Speaker 2: It's like funny that we would be gay.

816
00:39:45,760 --> 00:39:46,759
Speaker 3: Yeah, that's hilarious.

817
00:39:47,440 --> 00:39:51,200
Speaker 2: Yeah to us, that's a really rich vein for comedy.

818
00:39:51,520 --> 00:39:54,480
Speaker 3: It's just because it's so unusual and strange there were.

819
00:39:54,400 --> 00:39:56,480
Speaker 2: Two men who would want to kiss because.

820
00:39:56,320 --> 00:39:58,520
Speaker 3: Imagine, imagine, wouldn't that be crazy?

821
00:39:58,640 --> 00:40:00,680
Speaker 2: Yeah, so we do that, Joe, which is going to

822
00:40:00,719 --> 00:40:01,480
Speaker 2: age pretty well.

823
00:40:01,640 --> 00:40:03,640
Speaker 3: Yeah. I'm sure when we listen back to this in

824
00:40:03,680 --> 00:40:06,200
Speaker 3: twenty five thirty years and everyone will be like, those

825
00:40:06,239 --> 00:40:07,520
Speaker 3: guys were on the right side of history.

826
00:40:08,239 --> 00:40:08,439
Speaker 6: Yeah.

827
00:40:09,160 --> 00:40:11,600
Speaker 2: Yeah, I mean resistibly funny.

828
00:40:13,080 --> 00:40:15,759
Speaker 3: So I don't know, I have I have thousands of

829
00:40:15,760 --> 00:40:18,840
Speaker 3: phone numbers in this phone, and like I I feel

830
00:40:18,840 --> 00:40:21,960
Speaker 3: like I screwed up by inviting them to split the

831
00:40:22,680 --> 00:40:24,600
Speaker 3: duties because that makes it much more appealing.

832
00:40:25,320 --> 00:40:28,080
Speaker 2: Yeah. Yeah, whoever, we get game one person to do

833
00:40:28,160 --> 00:40:30,839
Speaker 2: all of it. Yeah, and you may want to mention

834
00:40:30,960 --> 00:40:33,480
Speaker 2: that we're going to be getting a percentage of their

835
00:40:33,520 --> 00:40:36,360
Speaker 2: pay because it's sort of a finder's fee for filling

836
00:40:36,400 --> 00:40:38,799
Speaker 2: the role, and that we're going to own that we

837
00:40:38,840 --> 00:40:39,840
Speaker 2: are their agents.

838
00:40:39,920 --> 00:40:43,160
Speaker 1: Yeah, their agent there and they're ongoing projects.

839
00:40:43,280 --> 00:40:44,359
Speaker 3: Okay, So for sure.

840
00:40:44,360 --> 00:40:46,399
Speaker 1: And then because a lot of stuff comes from look

841
00:40:46,400 --> 00:40:48,160
Speaker 1: at Kevin. Look at what's happened to Kevin. This is

842
00:40:48,160 --> 00:40:50,239
Speaker 1: from him meeting all these people I know.

843
00:40:50,360 --> 00:40:53,760
Speaker 3: Suddenly he's in a sweatshirt. Yes, never seen this before.

844
00:40:54,160 --> 00:40:56,399
Speaker 1: Can you sweatshirt with the fuck word on it? Can

845
00:40:56,440 --> 00:40:58,120
Speaker 1: you read Kevin's sweatshirt?

846
00:40:58,239 --> 00:41:02,600
Speaker 3: Stand up like you're so good at doing? She fucking shreds.

847
00:41:04,520 --> 00:41:05,800
Speaker 3: I don't like it.

848
00:41:05,800 --> 00:41:09,120
Speaker 4: It's a publication that's like about women guitar players and

849
00:41:09,160 --> 00:41:10,160
Speaker 4: bass players and stuff.

850
00:41:10,239 --> 00:41:11,000
Speaker 3: Oh now I love it.

851
00:41:11,440 --> 00:41:13,960
Speaker 2: And you just walk down the street with that? Yeah,

852
00:41:14,280 --> 00:41:16,440
Speaker 2: you go? Do you go in and get food with that?

853
00:41:18,320 --> 00:41:20,239
Speaker 3: To be honest, this is the first time I've warned it.

854
00:41:20,680 --> 00:41:24,720
Speaker 2: But a battle baby baby in line for food? Mommy,

855
00:41:24,800 --> 00:41:25,200
Speaker 2: what's that?

856
00:41:25,360 --> 00:41:26,640
Speaker 1: I'm kind of nervous about that?

857
00:41:26,800 --> 00:41:28,280
Speaker 3: You kiss your mother with that sweatshirt.

858
00:41:30,000 --> 00:41:30,920
Speaker 2: I don't know what I'm gonna have.

859
00:41:31,040 --> 00:41:33,560
Speaker 3: What I'm gonna say to that kiss your mother wearing

860
00:41:33,600 --> 00:41:34,200
Speaker 3: that sweatshirt.

861
00:41:34,280 --> 00:41:35,759
Speaker 2: That's the name of the magazine.

862
00:41:35,880 --> 00:41:39,400
Speaker 4: It's called She Shreds, and their sweatshirts say like she

863
00:41:39,520 --> 00:41:40,880
Speaker 4: shreds or she fucking shreds.

864
00:41:41,560 --> 00:41:44,120
Speaker 2: One time I ordered this T shirt for a band

865
00:41:44,120 --> 00:41:47,000
Speaker 2: that I like, and it had little designs around the

866
00:41:47,080 --> 00:41:49,239
Speaker 2: edge that I could see in the photo online, but

867
00:41:49,320 --> 00:41:50,520
Speaker 2: it just sort of looked like I was like, Oh,

868
00:41:50,520 --> 00:41:53,560
Speaker 2: there's some cool little sort of hieroglyphs there. And then

869
00:41:53,600 --> 00:41:56,399
Speaker 2: when the shirt showed up, all the little doodles were

870
00:41:56,520 --> 00:42:01,359
Speaker 2: of dollar bills and breasts and so I never wore

871
00:42:01,400 --> 00:42:07,200
Speaker 2: that shirt. Okay, what was the band? Smug nice?

872
00:42:08,000 --> 00:42:11,319
Speaker 3: I'm calling Drew? Is there a feud happening between you guys?

873
00:42:11,560 --> 00:42:12,040
Speaker 2: A little bit?

874
00:42:12,160 --> 00:42:12,239
Speaker 7: Ye?

875
00:42:12,600 --> 00:42:16,359
Speaker 3: I don't know. I sense tension earlier, and what can

876
00:42:16,400 --> 00:42:18,000
Speaker 3: I say? I'm just is this is this.

877
00:42:18,000 --> 00:42:19,480
Speaker 2: A weird phone call for him?

878
00:42:19,560 --> 00:42:23,600
Speaker 3: This is I mean, any phone call is weird. Any

879
00:42:23,600 --> 00:42:24,480
Speaker 3: phone call is weird.

880
00:42:25,120 --> 00:42:26,319
Speaker 2: A phone call strength.

881
00:42:26,080 --> 00:42:27,800
Speaker 3: Your call has been forwarded.

882
00:42:28,160 --> 00:42:33,160
Speaker 2: One of those forward to do a voiceman. Also the

883
00:42:33,239 --> 00:42:34,640
Speaker 2: like celebrity.

884
00:42:34,080 --> 00:42:37,239
Speaker 3: Thing of like, oh, I don't want my name or

885
00:42:37,280 --> 00:42:40,680
Speaker 3: my voice on the thing. Yeah, because hackers could splice

886
00:42:40,760 --> 00:42:42,280
Speaker 3: up my words and then use it to.

887
00:42:42,120 --> 00:42:44,960
Speaker 1: Be able to confirm that it's my number and yeah,

888
00:42:44,960 --> 00:42:48,040
Speaker 1: and also the hackers spicing and.

889
00:42:47,960 --> 00:42:50,279
Speaker 3: Then they can get into your offshore bank accounts with

890
00:42:50,400 --> 00:42:54,840
Speaker 3: voice recognition. That's why most celebrities don't do it. I

891
00:42:54,880 --> 00:42:56,160
Speaker 3: don't know I tried.

892
00:42:56,000 --> 00:42:59,280
Speaker 1: Or they could get into the the rich family vault

893
00:42:59,440 --> 00:43:00,640
Speaker 1: in Mountain, which more.

894
00:43:01,200 --> 00:43:03,840
Speaker 3: Oh that's true. Okay. You know who would be really

895
00:43:03,880 --> 00:43:08,120
Speaker 3: good at like thankless manual labor is Mandel.

896
00:43:07,760 --> 00:43:09,879
Speaker 2: Mon Oh, Mandeln.

897
00:43:10,000 --> 00:43:11,719
Speaker 1: We have El who we have and I had I've

898
00:43:11,800 --> 00:43:13,719
Speaker 1: never spoken to because I.

899
00:43:13,600 --> 00:43:14,680
Speaker 2: Got introduced once.

900
00:43:14,960 --> 00:43:15,759
Speaker 3: Oh yeah, it go.

901
00:43:15,920 --> 00:43:17,920
Speaker 2: She shook my hand and said, Hi, I'm man.

902
00:43:17,880 --> 00:43:23,319
Speaker 3: Book her on this. This is more normal. Mandel and

903
00:43:23,320 --> 00:43:26,279
Speaker 3: I talk on the phone because ladies, gab you.

904
00:43:26,239 --> 00:43:29,360
Speaker 2: Know, thank you for saying it, because I'm thinking it.

905
00:43:29,400 --> 00:43:32,399
Speaker 2: But I'm going, like with Kevin's shirt, you can't say

906
00:43:32,400 --> 00:43:32,880
Speaker 2: it in front of that.

907
00:43:39,520 --> 00:43:42,879
Speaker 3: And another one of those Saturday morning is a maybe

908
00:43:42,920 --> 00:43:44,240
Speaker 3: it's a precious time for people.

909
00:43:44,480 --> 00:43:45,320
Speaker 2: She might be runching.

910
00:43:46,880 --> 00:43:48,880
Speaker 3: Drew just texted me and said, I met my dad's

911
00:43:48,880 --> 00:43:50,080
Speaker 3: birthday party.

912
00:43:50,120 --> 00:43:53,440
Speaker 2: And his dad is famous and his dad's a famous

913
00:43:53,480 --> 00:43:54,920
Speaker 2: character as well. See if you can get them both

914
00:43:54,920 --> 00:43:56,600
Speaker 2: on the phone.

915
00:43:56,840 --> 00:43:58,240
Speaker 3: Yeah, let me see.

916
00:43:59,560 --> 00:44:02,200
Speaker 2: Say oh okay, just right, call me back, Urgent.

917
00:44:02,440 --> 00:44:05,759
Speaker 1: This is because this is nine. We're gonna make his

918
00:44:05,880 --> 00:44:06,880
Speaker 1: dad viral again.

919
00:44:07,080 --> 00:44:11,280
Speaker 2: Yeah, man, I'm starting viral.

920
00:44:12,440 --> 00:44:12,680
Speaker 4: I know.

921
00:44:12,800 --> 00:44:14,640
Speaker 3: Actually I sort of feel like I'm just a conduit

922
00:44:14,680 --> 00:44:17,200
Speaker 3: to all these people and you don't even really you

923
00:44:17,239 --> 00:44:18,359
Speaker 3: don't even really want me on.

924
00:44:18,320 --> 00:44:20,799
Speaker 2: There, viral give me.

925
00:44:20,960 --> 00:44:22,520
Speaker 3: You don't even want me on the show. Guys, you

926
00:44:22,560 --> 00:44:24,200
Speaker 3: just want my phone on the show. Should I just

927
00:44:24,280 --> 00:44:25,719
Speaker 3: leave my phone next time you book me? Should I

928
00:44:25,800 --> 00:44:27,280
Speaker 3: just give you my iPhone password?

929
00:44:27,360 --> 00:44:30,520
Speaker 2: No, you wouldn't want to do that. Yeah, you're too scared.

930
00:44:32,800 --> 00:44:34,760
Speaker 3: I'll just give you my thumb Breack're not.

931
00:44:34,640 --> 00:44:37,239
Speaker 2: Brave enough to do that, chicken shiitw take a.

932
00:44:37,239 --> 00:44:40,000
Speaker 3: Picture of my fucking thumb. You guys keep put my

933
00:44:40,040 --> 00:44:40,600
Speaker 3: phone on them.

934
00:44:40,680 --> 00:44:43,560
Speaker 1: You can hold the picture of your thumb up to

935
00:44:43,640 --> 00:44:44,280
Speaker 1: the phone.

936
00:44:44,680 --> 00:44:46,320
Speaker 3: I said, well, you both get on the phone to

937
00:44:46,440 --> 00:44:48,640
Speaker 3: Drew and he said, ha ha. He is yelling at

938
00:44:48,680 --> 00:44:51,880
Speaker 3: his friends about who has the lowest blood pressure. Okay,

939
00:44:52,040 --> 00:44:52,880
Speaker 3: so I guess that's a no.

940
00:44:53,160 --> 00:44:56,560
Speaker 2: Sounds like it could be a very gentle No, it's.

941
00:44:56,440 --> 00:44:57,040
Speaker 3: A gentle not.

942
00:44:57,320 --> 00:44:59,279
Speaker 2: Can you let him know that there is such a

943
00:44:59,320 --> 00:45:01,120
Speaker 2: thing as your blood you're being too low?

944
00:45:01,600 --> 00:45:05,400
Speaker 3: Yeah, hypo tension. I'm not gonna let him know that

945
00:45:05,400 --> 00:45:06,600
Speaker 3: because it makes me seem like a nerd.

946
00:45:07,800 --> 00:45:10,200
Speaker 2: Yeah, yeah, you got it, had to protect like some

947
00:45:10,280 --> 00:45:13,040
Speaker 2: kind of nurse nerd. Maybe do it in your bill

948
00:45:13,160 --> 00:45:13,800
Speaker 2: ny character.

949
00:45:13,960 --> 00:45:16,320
Speaker 3: Oh, good call there. It's just like very cool and

950
00:45:16,400 --> 00:45:18,719
Speaker 3: if I, like, you know, am not cool enough, he'll

951
00:45:18,760 --> 00:45:21,479
Speaker 3: ditch me fast. I don't know who.

952
00:45:21,440 --> 00:45:23,080
Speaker 2: Else are you doing Teacher's Lounge A lot?

953
00:45:23,520 --> 00:45:24,080
Speaker 3: I did one?

954
00:45:24,960 --> 00:45:27,600
Speaker 2: Okay, damn do you focus on that?

955
00:45:27,800 --> 00:45:29,080
Speaker 3: You want me to book you on that?

956
00:45:29,080 --> 00:45:30,920
Speaker 2: That's the ongoing feud on there.

957
00:45:31,960 --> 00:45:35,080
Speaker 3: I'm sorry there's a feud there. I had no idea

958
00:45:35,120 --> 00:45:36,240
Speaker 3: otherwise I would never find.

959
00:45:36,280 --> 00:45:38,080
Speaker 2: It's just sort of the new Hollywood hambug. The way

960
00:45:38,120 --> 00:45:39,759
Speaker 2: people talk about it is the way they used to

961
00:45:39,840 --> 00:45:40,480
Speaker 2: talk about us.

962
00:45:40,520 --> 00:45:42,560
Speaker 3: How did they used to talk about you? Were they like?

963
00:45:42,640 --> 00:45:43,319
Speaker 3: What is this show?

964
00:45:43,320 --> 00:45:44,040
Speaker 2: It's really good?

965
00:45:44,160 --> 00:45:45,120
Speaker 3: What's a podcast?

966
00:45:45,200 --> 00:45:47,919
Speaker 2: How do I you? Guys gotta check out this show? Yeah,

967
00:45:48,280 --> 00:45:51,359
Speaker 2: only we're very excited about us. And now they're sort

968
00:45:51,360 --> 00:45:54,080
Speaker 2: of done with us. And now teachers loungees like the

969
00:45:54,120 --> 00:45:55,520
Speaker 2: new baby in the house.

970
00:45:55,640 --> 00:45:58,000
Speaker 3: And is that just because there's twice as many of

971
00:45:58,000 --> 00:45:59,680
Speaker 3: them as there? Have you guys thought about getting two

972
00:45:59,680 --> 00:46:02,759
Speaker 3: new peace like maybe a woman who's sitting here with

973
00:46:02,760 --> 00:46:04,160
Speaker 3: you right now could be one.

974
00:46:04,400 --> 00:46:06,879
Speaker 1: Or we have also talked about trying to be two

975
00:46:06,920 --> 00:46:10,960
Speaker 1: of the new teachers, yeah, instead of us having four?

976
00:46:11,000 --> 00:46:12,240
Speaker 1: Or what if they had six.

977
00:46:12,360 --> 00:46:16,400
Speaker 3: That's a great idea. That's like six boys that show teachers.

978
00:46:16,640 --> 00:46:19,280
Speaker 2: Finally, Yes, boys.

979
00:46:19,040 --> 00:46:21,799
Speaker 3: Six boys, just what we've been clamoring for.

980
00:46:22,120 --> 00:46:22,520
Speaker 2: Yeah.

981
00:46:22,920 --> 00:46:25,479
Speaker 1: Yeah, like the show teachers, Well there were a few

982
00:46:25,480 --> 00:46:27,799
Speaker 1: of those. There was an old one, but there's a

983
00:46:27,840 --> 00:46:29,080
Speaker 1: new one on like TV Land.

984
00:46:29,480 --> 00:46:32,000
Speaker 3: On tv Land, they're all gals from Chicago who I'm

985
00:46:32,320 --> 00:46:36,640
Speaker 3: friendly with. Any any of the teachers?

986
00:46:36,800 --> 00:46:37,480
Speaker 2: You call them all?

987
00:46:38,000 --> 00:46:40,480
Speaker 3: Can I call them all? I probably have half of

988
00:46:40,520 --> 00:46:45,080
Speaker 3: their phone numbers? Okay, it would be extremely weird, weird,

989
00:46:45,200 --> 00:46:48,239
Speaker 3: weirder than me calling the show. Yeah, maybe I'll just

990
00:46:48,239 --> 00:46:53,359
Speaker 3: send an email, but get you call them?

991
00:46:53,400 --> 00:46:55,280
Speaker 2: Can you at least use a voice to text function?

992
00:46:56,400 --> 00:46:59,960
Speaker 4: What if I just I mean, can you call Tim Balts?

993
00:47:00,000 --> 00:47:01,600
Speaker 4: Because I actually I'm trying to get him on the show.

994
00:47:01,680 --> 00:47:02,920
Speaker 2: Kevin wants to talk to Balt.

995
00:47:03,080 --> 00:47:05,040
Speaker 3: Tim is busy. Okay, I'll try to.

996
00:47:05,320 --> 00:47:08,000
Speaker 1: Okay, it's a little every time we ask, a little

997
00:47:08,040 --> 00:47:11,160
Speaker 1: window into Tany's relationship with each of these people. And

998
00:47:11,239 --> 00:47:13,840
Speaker 1: that is so fun for the people listening.

999
00:47:13,520 --> 00:47:15,640
Speaker 3: Because you know what it is. I'll be very candid.

1000
00:47:15,680 --> 00:47:18,000
Speaker 3: Some of these people I owe like a real friendship

1001
00:47:18,000 --> 00:47:20,520
Speaker 3: phone call. So then to suddenly call them, you know,

1002
00:47:20,600 --> 00:47:22,359
Speaker 3: as part of some scheme to get them to work

1003
00:47:22,400 --> 00:47:23,040
Speaker 3: for earwalls.

1004
00:47:23,080 --> 00:47:25,960
Speaker 2: You owe people friendship phone calls? Well, sometimes what are

1005
00:47:26,000 --> 00:47:26,920
Speaker 2: people's lines?

1006
00:47:27,120 --> 00:47:28,240
Speaker 3: Tim Boltz moved away?

1007
00:47:29,560 --> 00:47:30,160
Speaker 2: Why do he move?

1008
00:47:30,440 --> 00:47:33,400
Speaker 3: He moved away to be on the opposition on Comedy Central.

1009
00:47:33,400 --> 00:47:35,680
Speaker 3: So he lives in New York and we haven't talked,

1010
00:47:36,040 --> 00:47:37,440
Speaker 3: and I'm supposed to call him. We were supposed to

1011
00:47:37,480 --> 00:47:40,040
Speaker 3: catch up because we're friends. We used to go to lunches.

1012
00:47:40,080 --> 00:47:43,000
Speaker 2: Here you can do we can listen to that man.

1013
00:47:43,040 --> 00:47:46,560
Speaker 2: Here's like a here's maybe a catchphrase that Jordan Klepper

1014
00:47:46,560 --> 00:47:49,440
Speaker 2: could use. Uh huh, when you cleapt back with facts,

1015
00:47:49,840 --> 00:47:50,520
Speaker 2: that's a wrap?

1016
00:47:51,040 --> 00:47:53,080
Speaker 3: Wait? What can you say it more slowly? Because I

1017
00:47:53,120 --> 00:47:54,160
Speaker 3: got lost in the ride.

1018
00:47:54,000 --> 00:47:57,600
Speaker 2: Because Clepper, because Clepper? Uh huh. So he could say,

1019
00:47:57,840 --> 00:48:00,879
Speaker 2: when you cleapt back with facts, what is that's a rat?

1020
00:48:01,040 --> 00:48:03,359
Speaker 1: It's like a play on the famous phrase when you

1021
00:48:03,400 --> 00:48:05,520
Speaker 1: clap back with facts, that's a rat.

1022
00:48:06,000 --> 00:48:08,440
Speaker 2: But instead it's Jordan Klepper.

1023
00:48:09,200 --> 00:48:12,520
Speaker 1: And is that's original? Like I know that phrase is

1024
00:48:12,600 --> 00:48:15,239
Speaker 1: very famous, when you clap back with facts? That's is

1025
00:48:15,280 --> 00:48:19,640
Speaker 1: it from from something original? Is it from like a

1026
00:48:19,680 --> 00:48:22,839
Speaker 1: show or the original one? Because I know everyone says

1027
00:48:22,880 --> 00:48:25,200
Speaker 1: when you class. Everybody says that's a rat. But I

1028
00:48:25,360 --> 00:48:27,200
Speaker 1: was just wondering if there was like one place that

1029
00:48:27,360 --> 00:48:31,600
Speaker 1: was said originally, I just like forgot online online.

1030
00:48:31,320 --> 00:48:32,640
Speaker 3: Yeah, just like Twitter.

1031
00:48:32,760 --> 00:48:36,959
Speaker 2: Yeah, okay, and maybe instead of the Opposition, because really

1032
00:48:37,080 --> 00:48:41,440
Speaker 2: is just one guy the Opposite There's a whole cast, okay,

1033
00:48:41,640 --> 00:48:42,919
Speaker 2: but mainly the one guy.

1034
00:48:43,719 --> 00:48:46,520
Speaker 3: I mean no, I mean there's like six correspondents. It's

1035
00:48:46,560 --> 00:48:47,759
Speaker 3: like have you seen The Daily Show?

1036
00:48:47,880 --> 00:48:51,200
Speaker 2: The Opposite Friends? The Daily Show? Yeah? I remember recently

1037
00:48:51,200 --> 00:48:53,000
Speaker 2: someone refused to call John Stewart for me.

1038
00:48:53,680 --> 00:48:55,520
Speaker 3: Look, I don't have John Stuart's phone number. I just

1039
00:48:55,560 --> 00:48:57,880
Speaker 3: weirdly happened to know what town he lives in.

1040
00:48:58,360 --> 00:49:05,520
Speaker 2: Yeah you think, and bals, what might that position? Opposition?

1041
00:49:05,560 --> 00:49:07,720
Speaker 2: Surely a bus boy production. If I had the spot

1042
00:49:07,800 --> 00:49:09,759
Speaker 2: sound effects, I had a freaking button and then we

1043
00:49:09,920 --> 00:49:13,000
Speaker 2: just imagine the conversation between John Stewart and Kevin Smith.

1044
00:49:13,080 --> 00:49:14,439
Speaker 3: Is it happening right now or in the past, because

1045
00:49:14,400 --> 00:49:16,000
Speaker 3: I didn't have memorized the sound effects and I could

1046
00:49:16,000 --> 00:49:16,719
Speaker 3: just do it for you.

1047
00:49:19,200 --> 00:49:21,480
Speaker 2: Yeah, and one's in the future.

1048
00:49:21,800 --> 00:49:22,800
Speaker 3: So when is this conversation?

1049
00:49:23,040 --> 00:49:30,239
Speaker 2: Probably in the future, right, yeah, okay, next week? Hey,

1050
00:49:30,760 --> 00:49:32,600
Speaker 2: thanks for coming over for the Super Bowl?

1051
00:49:35,360 --> 00:49:36,440
Speaker 3: Nice jorts?

1052
00:49:38,480 --> 00:49:39,879
Speaker 2: Did you see Rosewood yet?

1053
00:49:42,239 --> 00:49:42,520
Speaker 3: Nope?

1054
00:49:43,800 --> 00:49:48,000
Speaker 2: Oh to do?

1055
00:49:48,600 --> 00:49:49,160
Speaker 3: And then we're back.

1056
00:49:49,160 --> 00:49:52,160
Speaker 1: So both of them had jorts, Yeah, one of them.

1057
00:49:53,360 --> 00:49:57,240
Speaker 1: One of them is either So it's either someone asking

1058
00:49:57,320 --> 00:50:02,040
Speaker 1: John Stewart if he has seen John Stewart's movie without

1059
00:50:02,080 --> 00:50:04,040
Speaker 1: knowing the name of the movie, which is Rosewater.

1060
00:50:04,200 --> 00:50:07,879
Speaker 2: Well, but Rosewood was a TV show, right are you talking?

1061
00:50:09,120 --> 00:50:09,680
Speaker 2: And a movie?

1062
00:50:09,840 --> 00:50:11,680
Speaker 3: Deadwood was a TV show that I've heard of.

1063
00:50:11,760 --> 00:50:14,080
Speaker 1: Devlin was a TV show for sure, so it has

1064
00:50:14,120 --> 00:50:15,520
Speaker 1: nothing to do with Rosewater.

1065
00:50:16,120 --> 00:50:18,680
Speaker 3: Was Rosewood a spinoff of Deadwood?

1066
00:50:19,239 --> 00:50:21,359
Speaker 2: Rosewood is a Morris Chestnut show. M hmm.

1067
00:50:21,480 --> 00:50:24,839
Speaker 1: Okay, So it's either Kevin Smith maybe asking if you've

1068
00:50:24,840 --> 00:50:27,799
Speaker 1: seen Rosewood because he's assumes he'd be mad about it

1069
00:50:28,080 --> 00:50:29,120
Speaker 1: because of Rosewater.

1070
00:50:29,520 --> 00:50:30,680
Speaker 2: Mm hmm. Okay.

1071
00:50:31,560 --> 00:50:34,600
Speaker 3: Look, I say we just allow Scott and Paul to

1072
00:50:35,000 --> 00:50:38,560
Speaker 3: take over Kevin's duties and then we find someone else

1073
00:50:38,600 --> 00:50:40,160
Speaker 3: to take over Scott and Paul's duties.

1074
00:50:40,239 --> 00:50:42,760
Speaker 1: Sounds like someone trying to close the book on this episode.

1075
00:50:42,880 --> 00:50:43,000
Speaker 3: Mm.

1076
00:50:43,440 --> 00:50:45,399
Speaker 2: Yeah, it doesn't really feel like somebody trying to get

1077
00:50:45,440 --> 00:50:46,280
Speaker 2: out of the episode.

1078
00:50:46,360 --> 00:50:47,719
Speaker 3: I'm not trying to get out of the episode. I'm

1079
00:50:47,719 --> 00:50:49,279
Speaker 3: trying to bring it back to the premise.

1080
00:50:49,760 --> 00:50:50,919
Speaker 2: A nice bow on it.

1081
00:50:51,160 --> 00:50:54,240
Speaker 1: Meanwhile, we have this great thing going on, the Kevin

1082
00:50:54,239 --> 00:50:55,239
Speaker 1: Smith John or.

1083
00:50:55,280 --> 00:50:58,440
Speaker 2: Kevin Stewart thing where somebody said Rosewood.

1084
00:50:58,000 --> 00:51:00,800
Speaker 1: And somebody's getting a little jealous.

1085
00:51:00,920 --> 00:51:03,200
Speaker 3: I don't know how to fly the plane. You guys

1086
00:51:03,239 --> 00:51:03,920
Speaker 3: fly this plane.

1087
00:51:03,960 --> 00:51:08,240
Speaker 1: Okay, another callback. It feels like a second.

1088
00:51:08,360 --> 00:51:10,120
Speaker 3: I just tried to stand topic. Fine. I can talk

1089
00:51:10,120 --> 00:51:11,960
Speaker 3: about nonsense and all day long.

1090
00:51:11,960 --> 00:51:12,759
Speaker 2: Wrap up a tep.

1091
00:51:12,960 --> 00:51:15,520
Speaker 3: Somebody give me a podcast. I'll just talk about garbage

1092
00:51:15,520 --> 00:51:19,480
Speaker 3: all day and nothing will make sense. A sandwich in

1093
00:51:19,520 --> 00:51:22,359
Speaker 3: the wind, let's riff on that.

1094
00:51:22,600 --> 00:51:25,279
Speaker 2: Boys man Magic going to order a sandwich with your

1095
00:51:25,320 --> 00:51:27,480
Speaker 2: little baby and you turn around. Kevin's got the fuck

1096
00:51:27,520 --> 00:51:30,480
Speaker 2: word on his shirt. That's insane to me.

1097
00:51:30,640 --> 00:51:33,440
Speaker 3: Because your mother's sandwich With that shirt, you order your

1098
00:51:33,440 --> 00:51:34,240
Speaker 3: mother's sandwiches.

1099
00:51:34,440 --> 00:51:39,839
Speaker 7: Another that what he did was a callback? Why am

1100
00:51:39,840 --> 00:51:43,000
Speaker 7: I the only one getting shipped for callbacks? Sean's been

1101
00:51:43,040 --> 00:51:44,520
Speaker 7: exclusively speaking in call back.

1102
00:51:44,560 --> 00:51:46,640
Speaker 2: When you call back with facts, that's what wrap.

1103
00:51:48,040 --> 00:51:50,360
Speaker 1: You should have. You should have a Stitcher. Now that

1104
00:51:50,360 --> 00:51:52,839
Speaker 1: we're friends with Stitcher Premium, we can talk to them.

1105
00:51:53,120 --> 00:51:55,560
Speaker 3: You want, you want to get involved, I have one now.

1106
00:51:55,600 --> 00:51:57,239
Speaker 2: Yeah, I know. That's what we're telling you. We just

1107
00:51:57,239 --> 00:51:57,799
Speaker 2: got you one.

1108
00:51:57,880 --> 00:51:58,960
Speaker 3: Yeah, you guys did that for me.

1109
00:51:59,160 --> 00:52:02,080
Speaker 2: Yeah, my god, thank you. So we said we would walk,

1110
00:52:02,120 --> 00:52:04,680
Speaker 2: we will will go home. You said forget it. If

1111
00:52:04,680 --> 00:52:08,440
Speaker 2: it's not freaking it's either us Antoni or is Tony

1112
00:52:08,480 --> 00:52:09,439
Speaker 2: doing one. Yeah.

1113
00:52:09,880 --> 00:52:11,600
Speaker 3: So I'm on your show and I got my own show.

1114
00:52:11,640 --> 00:52:13,560
Speaker 1: That's what I'm here because we know how to get home,

1115
00:52:13,719 --> 00:52:17,920
Speaker 1: you know what I mean. No, it's like if if

1116
00:52:18,280 --> 00:52:20,200
Speaker 1: you don't give us what we want and give Tony

1117
00:52:20,239 --> 00:52:22,680
Speaker 1: the show, huh, we actually know how to make our

1118
00:52:22,680 --> 00:52:23,200
Speaker 1: way home.

1119
00:52:23,360 --> 00:52:25,360
Speaker 2: Oh, I see, Like right now we have we have

1120
00:52:25,400 --> 00:52:26,960
Speaker 2: directions pulled up to our house.

1121
00:52:27,200 --> 00:52:31,400
Speaker 1: Right now, I have a bunch of map Quest directions

1122
00:52:31,440 --> 00:52:33,640
Speaker 1: printed out on the computer paper on the floor of

1123
00:52:33,680 --> 00:52:36,719
Speaker 1: my car, And once I put them into order, I

1124
00:52:36,719 --> 00:52:38,160
Speaker 1: A'm going to have a pretty good idea of how

1125
00:52:38,200 --> 00:52:38,680
Speaker 1: to get home.

1126
00:52:38,920 --> 00:52:40,799
Speaker 2: I get that just because the page numbers at the

1127
00:52:40,800 --> 00:52:43,080
Speaker 2: top are smudge does not mean that I won't figure

1128
00:52:43,120 --> 00:52:43,479
Speaker 2: it out.

1129
00:52:43,880 --> 00:52:47,440
Speaker 3: Nope, because I can context clues. Left turn on Fountain,

1130
00:52:47,560 --> 00:52:48,160
Speaker 3: right turn.

1131
00:52:48,160 --> 00:52:49,920
Speaker 2: And even if it takes me a little longer than

1132
00:52:49,960 --> 00:52:53,240
Speaker 2: normal to get home because I am sort of walking

1133
00:52:53,440 --> 00:52:56,160
Speaker 2: while looking at these and going like oh wait, okay, no,

1134
00:52:56,280 --> 00:52:58,800
Speaker 2: that was wrong. Like that still is not going to

1135
00:52:58,840 --> 00:53:01,040
Speaker 2: stop me from doing just that.

1136
00:53:01,600 --> 00:53:03,960
Speaker 3: And if you photocopy those and give them to me,

1137
00:53:04,160 --> 00:53:06,040
Speaker 3: I will get in a lift and I'll hand them

1138
00:53:06,040 --> 00:53:08,120
Speaker 3: to the lift driver and I'll say, please don't read

1139
00:53:08,160 --> 00:53:10,799
Speaker 3: these while you drive, Please pull over, memorize them. Drive

1140
00:53:10,840 --> 00:53:13,400
Speaker 3: me to Sean's house because their directions to your place,

1141
00:53:13,480 --> 00:53:15,319
Speaker 3: and then I'll figure out my way home from there.

1142
00:53:15,880 --> 00:53:16,319
Speaker 2: Mm hmm.

1143
00:53:18,280 --> 00:53:20,200
Speaker 3: Do you guys want to hear Mandel's response?

1144
00:53:20,520 --> 00:53:23,799
Speaker 2: Yeah? Okay, Oh do you not want to hear it?

1145
00:53:24,239 --> 00:53:24,920
Speaker 3: You don't want to hear it?

1146
00:53:25,160 --> 00:53:25,800
Speaker 2: Maybe you don't.

1147
00:53:26,160 --> 00:53:28,560
Speaker 3: It's it's not gonna make you happy, Okay, kay, let's

1148
00:53:28,600 --> 00:53:32,000
Speaker 3: hear it. I said, do you wanna can I call you?

1149
00:53:32,600 --> 00:53:36,360
Speaker 3: I'm with John and Hayes. Well it's not I actually

1150
00:53:36,400 --> 00:53:37,880
Speaker 3: said Hollywood hand Book and they want to call you,

1151
00:53:37,920 --> 00:53:40,680
Speaker 3: And she said, I'm at brunch with Jamie Gall what's

1152
00:53:40,719 --> 00:53:41,719
Speaker 3: Hollywood Handbook?

1153
00:53:43,040 --> 00:53:47,040
Speaker 2: Bye.

1154
00:53:50,040 --> 00:53:53,600
Speaker 4: This has been an Earwolf production, executive produced by Scott Ackerman,

1155
00:53:53,840 --> 00:53:57,440
Speaker 4: Chris Bannon, and Colin Anderson. For more information and content,

1156
00:53:57,640 --> 00:54:03,720
Speaker 4: visit earwolf dot com