WEBVTT - The Fifth Hour: Mr. Bill "Tag-O-volley-aww"

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<v Speaker 1>Kubbooms.

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<v Speaker 2>If you thought four hours a day, twelve hundred minutes

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<v Speaker 2>a week was enough, think again. He's the last remnants

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<v Speaker 2>of the old Republic, a soul fashion of fairness. He

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<v Speaker 2>treats crackheads in the ghetto gutter the same as the

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<v Speaker 2>rich pill poppers in the penthouse.

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<v Speaker 3>Wow.

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<v Speaker 2>The Clearinghouse of Hot takes break free for something special.

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<v Speaker 2>The Fifth Hour with Ben Maller starts right now.

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<v Speaker 1>In the air everywhere.

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<v Speaker 4>The Fifth Hour with Me, Ben Mahler and Danny g

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<v Speaker 4>Radio A Happy Saturday to you.

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<v Speaker 1>What are we at the second day of August?

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<v Speaker 4>Now the second day of August, and I've made an

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<v Speaker 4>editorial decision that I do not want to talk about

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<v Speaker 4>Micah Parsons.

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<v Speaker 3>Danny.

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<v Speaker 1>I was debating. I was like, I could come in here.

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<v Speaker 4>Parsons yesterday asked for a trade, and I was like,

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<v Speaker 4>this is still going to be a story when I

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<v Speaker 4>get back into the the main studio on Sunday night

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<v Speaker 4>for the overnight show. So I don't need to talk

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<v Speaker 4>about Michah Parson's demanding a trade. This is all like,

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<v Speaker 4>this is the standard playbook, Danny, because the day before

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<v Speaker 4>McLaurin asked for a trade. This is what you do

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<v Speaker 4>during training camp. If you don't get a contract, you

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<v Speaker 4>ask for a trade. So I'm not gonna ran it

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<v Speaker 4>about that, Okay, I don't. That's gonna be a story

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<v Speaker 4>for another month. Right, at least I would.

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<v Speaker 3>Think, thank God, because I could not hide. Every channel

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<v Speaker 3>I turned on it said breaking news, and the breaking

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<v Speaker 3>news banner on the screen was there all day long.

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<v Speaker 1>Oh yeah, I mean this is they got their pants down.

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<v Speaker 1>At ESPN.

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<v Speaker 4>You get to talk about Micah Parsons all day and

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<v Speaker 4>the Cowboys my god. But so we're not going to

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<v Speaker 4>do that here, and that you don't tune in to

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<v Speaker 4>the Fifth Hour podcast for that kind of stuff. Now,

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<v Speaker 4>occasionally we do go sporty. We call that Danny working

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<v Speaker 4>Blue when we do sporty. So on this one, though,

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<v Speaker 4>we've got the Southwest is calling, so you think you're

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<v Speaker 4>better than us? The Cinema group text, and if we

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<v Speaker 4>have time, we'll get to the slipping slide. But I

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<v Speaker 4>wanted to start with this, so you want to get away? Yeah,

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<v Speaker 4>I would like to get away. So I'm gonna begin

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<v Speaker 4>the Saturday pod here with what I like to call

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<v Speaker 4>corrections and retractions, the old slip of the tongue. So

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<v Speaker 4>I was trying to do the right thing. I was

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<v Speaker 4>trying to stick the landing. I had this in my

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<v Speaker 4>head planned out from earlier in the week. I thought

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<v Speaker 4>I'd come in here to the podcast studio. I would

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<v Speaker 4>have just a clean, small podcast farewell, a dignified goodbye

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<v Speaker 4>to the television dreamscape that lasted a couple of NFL seasons.

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<v Speaker 4>Benny Versus the Penny, which was born in the shadows

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<v Speaker 4>of weekend overnight sports radio, raised in obscurity of week

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<v Speaker 4>day overnight sports radio, and then somehow ended up airing

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<v Speaker 4>on national cable television via NBC, the National Broadcast Company,

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<v Speaker 4>and then.

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<v Speaker 1>Thud because I had a.

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<v Speaker 4>Moment when I woke up Danny, where I realized I

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<v Speaker 4>had made a major boo boo and there was nothing

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<v Speaker 4>I could do. And it was one of you ever

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<v Speaker 4>had that happen when you wake up You're like, I

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<v Speaker 4>think I f something up.

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<v Speaker 1>And oh my god.

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<v Speaker 3>Yeah, I'll wake up in a cold sweat some weekend

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<v Speaker 3>days where I'm taking a nap because I'm like, oh shit,

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<v Speaker 3>did the podcast fire?

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<v Speaker 1>Oh yeah, so you understand.

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<v Speaker 4>So, So midway through yesterday's pod, the Goodbye episode as

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<v Speaker 4>we were lowering the casket of Cable TV Bennie versus

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<v Speaker 4>the penny into for now and who knows what the

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<v Speaker 4>future holes.

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<v Speaker 1>It could come back.

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<v Speaker 4>From the dead and rise from the dead like the

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<v Speaker 4>phoenix from the ashes, but for now it's dead. So

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<v Speaker 4>we were lowering the casket of Cable TV Benni versus

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<v Speaker 4>the Penny into its final resting place. And I committed

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<v Speaker 4>a felony, a blown on air crime against humanity. Danny,

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<v Speaker 4>no good deed goes unpunished, So I didn't realize this

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<v Speaker 4>till I woke up. So I ended up somehow Danny

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<v Speaker 4>butchering the name of my friend, my guy, the very

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<v Speaker 4>NBA NBA, the very NBC executive who made it all happen,

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<v Speaker 4>who cracked the door open, who gave a fat gas

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<v Speaker 4>bag with a dream of shot.

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<v Speaker 3>Wow. Uh yeah, First President Trump watches tua's name I saw,

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<v Speaker 3>and then you do this.

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<v Speaker 1>Yeah.

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<v Speaker 4>So his name is is Bill Bridgten, not Brighton uh

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<v Speaker 4>or whatever I called the bright but whatever sleepy name

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<v Speaker 4>rolled off my tongue before my brain clocked out. So

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<v Speaker 4>a big apology to Bill Bridge and a good man,

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<v Speaker 4>a powerful player in televisi, a mensh someone that's been

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<v Speaker 4>a big champion of mine.

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<v Speaker 1>And what do I do to repay him? Danny?

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<v Speaker 4>Uh I had him a slap on the way out

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<v Speaker 4>the door.

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<v Speaker 3>Oh man, I think you should say his name five

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<v Speaker 3>times in a row.

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<v Speaker 4>Right on this episode, Bill Bridge and Bill Begeton, Big

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<v Speaker 4>Bill Begeton, Bill beidgerin best I putched it Bill Bridgeton.

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<v Speaker 1>But again, that was a show.

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<v Speaker 3>Uh, I love what we just make things worse.

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<v Speaker 1>I know, I know, I was like in my head,

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<v Speaker 1>this was gonna be perfect.

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<v Speaker 4>I was gonna I was gonna dot the I you

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<v Speaker 4>know on the show that I did. We did this

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<v Speaker 4>to you know, obviously wecre these things very early, right

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<v Speaker 4>and most humans are still spooning with pillows, and you know.

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<v Speaker 1>For me, it's the end of my day.

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<v Speaker 4>Normally I'm still a zombie, just because a different kind

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<v Speaker 4>of zombie and uh no lifeline and just foot meet

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<v Speaker 4>mouth and uh so, I I have given myself a

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<v Speaker 4>two minute major Danny for butchering a benefactor. And if

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<v Speaker 4>there is a Hall of Fame for self inflicted PR debacles,

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<v Speaker 4>I think they're gonna get me one of those blazers

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<v Speaker 4>and I can put that on.

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<v Speaker 1>But let me again, be very clear.

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<v Speaker 4>I woke up and realized what I had done, and

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<v Speaker 4>my god, Bill.

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<v Speaker 3>Now, now post mortem, would you like to pay me

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<v Speaker 3>overtime to go into yesterday's episode and fix it?

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<v Speaker 1>Now? That would be, that would be. That would be

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<v Speaker 1>pretty cool. That would be. That would be pretty cool.

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<v Speaker 3>I can do it. I know.

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<v Speaker 4>I Just to be clear, I mean Bill Bridgton, who

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<v Speaker 4>does listen to this podcast.

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<v Speaker 1>You know he did not have to say, He did

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<v Speaker 1>not have to allow me to do the show.

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<v Speaker 4>He greenlit it for two years and you know he

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<v Speaker 4>could have swiped left and all that stuff.

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<v Speaker 3>So again, okay, I need I need a take of

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<v Speaker 3>you thanking him the way you did yesterday, and then

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<v Speaker 3>I'll slide it in there and fix it, and anyone

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<v Speaker 3>that listens to that podcast as of today it will

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<v Speaker 3>sound like it never happened.

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<v Speaker 4>But then they'll hear this podcast and they'll be like, well,

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<v Speaker 4>wait a minute, I won't go back and listen to that.

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<v Speaker 4>But but anyway, again, thank you, Bill. You believed in

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<v Speaker 4>Benny versus the penny, You backed us. You let a

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<v Speaker 4>niche gambling show with a corny name make its way

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<v Speaker 4>on you know, cable network, and that is.

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<v Speaker 3>Really it, And I almost feel like this is better

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<v Speaker 3>because instead of just his name being thanked in passing yesterday,

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<v Speaker 3>he got five minutes on the podcast today.

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<v Speaker 1>Yeah yeah, yeah yeah.

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<v Speaker 4>So you know, of course, like the klutz, I am

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<v Speaker 4>in that farewell moment, you know, the chance to tip

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<v Speaker 4>the cap and to raise the glass and pour one

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<v Speaker 4>out and you know, offer this heartfelt thank you to

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<v Speaker 4>a tag O volli ya. He said it like he

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<v Speaker 4>was very confident that he was getting it right. I

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<v Speaker 4>mean he didn't pause a little bit bit.

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<v Speaker 3>Ants was standing off to the side and he was

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<v Speaker 3>trying not to crack up.

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<v Speaker 1>Tag oh volley.

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<v Speaker 2>Ah.

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<v Speaker 1>That was great.

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<v Speaker 4>So but unlike the president, I am, I am going

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<v Speaker 4>full Southwest Airlines here.

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<v Speaker 1>I want to get away clearly that I'm living the commercial.

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<v Speaker 4>If I had when I woke up, if there had

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<v Speaker 4>been a trap door under the bed, I would have

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<v Speaker 4>pulled the lever on myself and fallen into whatever it

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<v Speaker 4>was there. So again, sincerely, just to put the ball

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<v Speaker 4>on this part of the podcast, a sincere thank you

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<v Speaker 4>to Bill Bridgden. Uh full accountability on my part, Danny,

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<v Speaker 4>I am again I'm gonna go to the penalty box,

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<v Speaker 4>big l for Loser Scarlett letter l on my I mean, I,

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<v Speaker 4>oh my god, I was like all all afternoon. When

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<v Speaker 4>I woke up yesterday, I was like, Holy you know,

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<v Speaker 4>I can't believe I did that. This is a guy

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<v Speaker 4>that made up radio guy's TV dream come true? And

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<v Speaker 4>how do I repay him? I mentioned his name, Danny,

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<v Speaker 4>I know the man's name.

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<v Speaker 1>And I butchered it.

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<v Speaker 4>So anyway, listen, enough of that, but I just wanted

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<v Speaker 4>to mention that off the top and my again tip

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<v Speaker 4>of the microphone to Bill and slip of the tongue here.

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<v Speaker 4>But I do not think that I am better than him, Danny.

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<v Speaker 4>I don't think I'm better than him. I just you know,

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<v Speaker 4>you know what I'm saying.

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<v Speaker 3>Well, clearly he's doing TV and you're not.

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<v Speaker 1>Yes, TV people are better people. So I've become a

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<v Speaker 1>worse person now that I'm just doing radio and podcasting

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<v Speaker 1>for sure.

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<v Speaker 3>Yeah, you're slumming again. You're back to the slums. I

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<v Speaker 3>just texted you. This is a state that thinks they're

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<v Speaker 3>better than California. Right now. You and I have had

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<v Speaker 3>a lot of fun over the past year making fun

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<v Speaker 3>of the wildlife crossing in Agora Hills, slash Calabasas, California.

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<v Speaker 3>Don't look now, but this thing is going to cover

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<v Speaker 3>six lanes of the I twenty five, is going to

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<v Speaker 3>create thirty nine thousand acres of land. The overpass will

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<v Speaker 3>be two hundred and four feet wide and will cost

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<v Speaker 3>fifteen million dollars. It is going to be the world's

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<v Speaker 3>biggest wildlife crossing bridge, and it's under construction just south

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<v Speaker 3>of Denver.

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<v Speaker 1>Who's paying for it? Do we know? Do we know

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<v Speaker 1>that's fair?

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<v Speaker 3>That's a great question. I guess we're going to have

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<v Speaker 3>to ask AI.

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<v Speaker 4>Here fifteen million dollars to build a bridge for animals

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<v Speaker 4>in common.

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<v Speaker 3>Yeah, we thought it was outrageous that they spent a

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<v Speaker 3>few million here in California. They're spending fifteen million dollars

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<v Speaker 3>in Colorado.

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<v Speaker 4>Well, wasn't the thing allegedly in California out near you

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<v Speaker 4>in the in the valley? Wasn't that privately financed? They

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<v Speaker 4>claimed half of it half it was privately financed. This

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<v Speaker 4>has got to be the new hustle, the new Hey,

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<v Speaker 4>we can take advantage of dumb people who are politicians.

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<v Speaker 1>If you're in the environmental.

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<v Speaker 4>Game, if that's your world, like this has got to

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<v Speaker 4>be like, hey, we can get these bridges built, you know,

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<v Speaker 4>we can get lots of money out of these idiot politicians,

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<v Speaker 4>taxpayer money. So so what a mountain lion can cross

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<v Speaker 4>the highway or whatever?

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<v Speaker 3>And then, my god, the most ironic part of the

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<v Speaker 3>one out here by me is literally when you're going

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<v Speaker 3>underneath that new overpass, there's a big dip in the

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<v Speaker 3>freeway where the where it needs to be fixed. So

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<v Speaker 3>they can't fix the actual damn freeway, but they're spending

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<v Speaker 3>like millions of dollars to put this thing above so

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<v Speaker 3>that some squirrels can run across the top of the freeway.

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<v Speaker 1>Yeah.

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<v Speaker 4>Yeah, here's my question, Danny, So the interstate highway system

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<v Speaker 4>as we know it in America, doesn't that go back to.

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<v Speaker 1>At least the nineteen fifties.

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<v Speaker 4>I believe it goes back to some like the nineteen fifties,

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<v Speaker 4>So yeah, I think it was Dwight Eisenhower. So if

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<v Speaker 4>you go back to the nineteen fifties, that is seventy

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<v Speaker 4>plus years where animals were able to cross the highway, right,

0:12:04.600 --> 0:12:07.680
<v Speaker 4>but now here in twenty twenty five they can't.

0:12:07.920 --> 0:12:10.640
<v Speaker 1>Is that where we are? Are the animals getting stupid?

0:12:10.760 --> 0:12:13.480
<v Speaker 4>Do we have a problem, Danny, where we need to

0:12:13.640 --> 0:12:16.560
<v Speaker 4>educate our animals more. Do you think that's the issue, Danny,

0:12:16.800 --> 0:12:21.680
<v Speaker 4>that rather than spend millions to build an overpass on

0:12:21.760 --> 0:12:23.160
<v Speaker 4>these highways, just.

0:12:23.920 --> 0:12:26.120
<v Speaker 1>Educate the animals so they know where to go. How

0:12:26.120 --> 0:12:26.520
<v Speaker 1>about that?

0:12:27.360 --> 0:12:31.520
<v Speaker 3>Well, some of our country is getting soft. First it's

0:12:31.559 --> 0:12:33.800
<v Speaker 3>not okay to eat them, and now it's not okay

0:12:33.880 --> 0:12:34.960
<v Speaker 3>to hit them with your car.

0:12:35.640 --> 0:12:37.640
<v Speaker 1>Yeah, why don't we just let them move into our homes.

0:12:37.679 --> 0:12:40.040
<v Speaker 4>We'll just let them, you know, we can go out

0:12:40.040 --> 0:12:40.960
<v Speaker 4>and live in the woods.

0:12:41.280 --> 0:12:42.120
<v Speaker 1>And then the animals.

0:12:42.280 --> 0:12:45.400
<v Speaker 3>I have some rats in my garage, so I'm halfway there.

0:12:45.600 --> 0:12:45.840
<v Speaker 1>Yeah.

0:12:45.880 --> 0:12:48.480
<v Speaker 4>I see some raccoons on my way home, wandering around,

0:12:48.559 --> 0:12:53.839
<v Speaker 4>scrummaging for food. I have noticed the animals, As I've

0:12:53.880 --> 0:12:56.960
<v Speaker 4>said this before, but I reminded of it that the

0:12:57.040 --> 0:12:59.920
<v Speaker 4>animals know when trash day is because you always see

0:13:00.320 --> 0:13:02.719
<v Speaker 4>kind of scavenging around that morning when people take their

0:13:02.760 --> 0:13:03.560
<v Speaker 4>trash cans out.

0:13:04.360 --> 0:13:06.559
<v Speaker 1>Uh. He just kind of you know the vibe, man,

0:13:06.640 --> 0:13:07.480
<v Speaker 1>you know when that's going.

0:13:08.280 --> 0:13:10.800
<v Speaker 3>And In other animal related news.

0:13:10.720 --> 0:13:12.760
<v Speaker 1>Animal Thunderdome, when's it starting? Is it starting?

0:13:12.800 --> 0:13:16.880
<v Speaker 4>Let me guess he's going to start October first. Animal Thunderdome,

0:13:17.240 --> 0:13:21.079
<v Speaker 4>Clay Travis, Danny g Radio, iHeartRadio podcasting, the whole.

0:13:20.920 --> 0:13:26.920
<v Speaker 3>Thing insert buzzer here still have not been told to date,

0:13:27.240 --> 0:13:32.000
<v Speaker 3>but play Travis announced that it's going to be starting

0:13:32.160 --> 0:13:37.199
<v Speaker 3>on his OutKick Daily podcast show that he streams, so

0:13:37.240 --> 0:13:39.640
<v Speaker 3>he actually announced it on his show. He didn't give

0:13:39.640 --> 0:13:42.880
<v Speaker 3>a start date, but he announced that it's coming soon,

0:13:43.480 --> 0:13:46.040
<v Speaker 3>and I later that same day got a text from

0:13:46.040 --> 0:13:49.720
<v Speaker 3>our boss, Scott Shapiro saying that he was crossing the

0:13:49.760 --> 0:13:54.319
<v Speaker 3>t's and dotting the eyes to get things finalized, which

0:13:54.360 --> 0:13:57.400
<v Speaker 3>I thought things were being finalized for the past three years.

0:13:57.400 --> 0:14:00.480
<v Speaker 3>But as far as what Clay is saying on his

0:14:01.000 --> 0:14:03.120
<v Speaker 3>OutKick podcast, this thing is a go.

0:14:04.080 --> 0:14:06.120
<v Speaker 4>How many teas and how many eyes are we talking

0:14:06.120 --> 0:14:09.840
<v Speaker 4>about Danny? There's a lot of tea that's like, my god,

0:14:10.400 --> 0:14:12.679
<v Speaker 4>well that's good. Now will it be on iHeart? Is

0:14:12.679 --> 0:14:14.679
<v Speaker 4>he gonna be on Clay's OutKick? Are you gonna become

0:14:14.679 --> 0:14:15.440
<v Speaker 4>an OutKick guy?

0:14:15.480 --> 0:14:18.839
<v Speaker 3>I think that's what they're ironing out right now is

0:14:19.040 --> 0:14:21.000
<v Speaker 3>exactly how it's going to be carried.

0:14:21.520 --> 0:14:24.400
<v Speaker 4>I got you, so I have an idea and I

0:14:24.400 --> 0:14:26.440
<v Speaker 4>think me and you can do this, and you know

0:14:26.480 --> 0:14:28.600
<v Speaker 4>I don't if Clay wants to do it, he can

0:14:28.640 --> 0:14:33.840
<v Speaker 4>do it. You have animal Thunderdome. How about sex toy

0:14:33.960 --> 0:14:37.720
<v Speaker 4>Thunderdome where we can just debate what sex toys are

0:14:37.760 --> 0:14:39.480
<v Speaker 4>thrown on the court at w NBA games.

0:14:39.480 --> 0:14:43.280
<v Speaker 1>How about that, Danny? What do you think sexist? You

0:14:43.320 --> 0:14:46.360
<v Speaker 1>think there's a market for that? You think? What are we?

0:14:46.520 --> 0:14:46.680
<v Speaker 3>Two?

0:14:46.800 --> 0:14:46.960
<v Speaker 1>Now?

0:14:47.000 --> 0:14:52.920
<v Speaker 4>There was another one yesterday, another flying phallus plastic. Yeah.

0:14:52.960 --> 0:14:55.120
<v Speaker 3>The crazy part about that is the way it bounces

0:14:55.200 --> 0:14:55.760
<v Speaker 3>on the court.

0:14:58.520 --> 0:15:02.320
<v Speaker 4>So today is this? Now I'm not on TikTok. I

0:15:02.360 --> 0:15:04.640
<v Speaker 4>don't know if you are. Is it a TikTok challenge now?

0:15:04.680 --> 0:15:06.960
<v Speaker 4>To see who can throw a dildo on the court?

0:15:07.080 --> 0:15:11.200
<v Speaker 1>Is that? I don't know? But that is give me

0:15:11.240 --> 0:15:11.760
<v Speaker 1>a spinoff.

0:15:11.880 --> 0:15:15.440
<v Speaker 4>So anyway, before I forget, I watched and I'm going

0:15:15.520 --> 0:15:20.000
<v Speaker 4>to do a Malor film review brief Malor film review.

0:15:20.040 --> 0:15:22.360
<v Speaker 1>Did you watch Happy Gilmore too? Danny? Have you watched

0:15:22.520 --> 0:15:23.760
<v Speaker 1>a Happy Gilmore? Yeah?

0:15:23.800 --> 0:15:25.920
<v Speaker 3>I did the day it dropped on Netflix.

0:15:26.280 --> 0:15:28.480
<v Speaker 1>Okay, I watched it last week as well.

0:15:28.920 --> 0:15:31.400
<v Speaker 4>And while I admit, listen it is nice to see

0:15:31.440 --> 0:15:36.040
<v Speaker 4>Adam Sandler back with the hockey stick putter. It flashes

0:15:36.080 --> 0:15:38.040
<v Speaker 4>back to my younger days and all that stuff. The

0:15:39.440 --> 0:15:42.360
<v Speaker 4>I don't know how you felt. The sequel felt more

0:15:42.520 --> 0:15:46.680
<v Speaker 4>like it was like a reunion special at a celebrity

0:15:46.800 --> 0:15:47.760
<v Speaker 4>golf tournament.

0:15:48.240 --> 0:15:51.440
<v Speaker 1>It wasn't really a movie. It was more like.

0:15:52.160 --> 0:15:55.240
<v Speaker 3>Got carried away when they were doing the whole Maxi

0:15:55.440 --> 0:15:59.520
<v Speaker 3>golf thing where the surgery had to take place on

0:15:59.600 --> 0:16:03.240
<v Speaker 3>those Axi golf players to where their torque changed with

0:16:03.320 --> 0:16:06.920
<v Speaker 3>their sling. Yeah, and I know, I know it's supposed

0:16:06.960 --> 0:16:10.440
<v Speaker 3>to be a ridiculous movie, but I watched the original

0:16:10.560 --> 0:16:13.640
<v Speaker 3>before I watched the sequel, so I watched them back

0:16:13.680 --> 0:16:17.400
<v Speaker 3>to back so that I could have the original Happy

0:16:17.480 --> 0:16:21.080
<v Speaker 3>Gilmore movie fresh in my mind. And I'm just gonna

0:16:21.080 --> 0:16:23.720
<v Speaker 3>say this, Yeah, you did have to suspend belief a

0:16:23.760 --> 0:16:27.480
<v Speaker 3>little bit, but it wasn't as outlandish and crazy and

0:16:27.640 --> 0:16:29.960
<v Speaker 3>ridiculous as the second one.

0:16:30.160 --> 0:16:32.080
<v Speaker 1>Yeah, I did the same thing, me and the wife.

0:16:32.120 --> 0:16:33.680
<v Speaker 4>We watched the first one and then we were like,

0:16:33.680 --> 0:16:35.880
<v Speaker 4>all we watched the first one, and the next day

0:16:35.920 --> 0:16:38.480
<v Speaker 4>we watched the second one, and again it was like

0:16:38.520 --> 0:16:39.400
<v Speaker 4>a doppelganger.

0:16:39.600 --> 0:16:43.480
<v Speaker 1>But you know, it's com It was just the other thing.

0:16:44.120 --> 0:16:45.960
<v Speaker 4>The storyline aside, because you know, who am I to

0:16:46.200 --> 0:16:49.560
<v Speaker 4>did critique a story in a movie, the Endless Parade

0:16:49.600 --> 0:16:54.120
<v Speaker 4>of cameos and family like it. Yeah, felt like and

0:16:54.160 --> 0:16:57.000
<v Speaker 4>I went, I looked as I knew Sandler's my wife's like, well,

0:16:57.040 --> 0:16:58.160
<v Speaker 4>that's Adam Sandler's daughter.

0:16:58.200 --> 0:16:59.800
<v Speaker 1>I was like, okay. And then but his.

0:16:59.760 --> 0:17:06.240
<v Speaker 4>Wife, Adamson's wife, two daughters, his real life mother, his cousin,

0:17:07.000 --> 0:17:07.960
<v Speaker 4>his brother.

0:17:07.640 --> 0:17:11.400
<v Speaker 1>In law, his mother in law, all had had gigs.

0:17:11.520 --> 0:17:14.440
<v Speaker 3>But oh yeah, emin m Dan Patrick with a bad.

0:17:14.359 --> 0:17:18.359
<v Speaker 4>Mustache, Travis Kelcey as an angry waiter for some reason,

0:17:18.400 --> 0:17:20.840
<v Speaker 4>Reggie Bush was. I didn't even know that until I

0:17:20.880 --> 0:17:23.520
<v Speaker 4>looked back. I don't remember being him being in it. Yeah,

0:17:23.560 --> 0:17:26.320
<v Speaker 4>Stephen a our old morning guys. You said Dan Patrick

0:17:26.359 --> 0:17:29.480
<v Speaker 4>was in it a couple of times. Chris Berman, Jim

0:17:29.560 --> 0:17:35.000
<v Speaker 4>Gray was in there, Guy Fieri remember everywhere you know.

0:17:35.119 --> 0:17:37.920
<v Speaker 3>Then he had the usual like John Lovett's friends there.

0:17:37.960 --> 0:17:41.440
<v Speaker 3>And there were seventy four cameos.

0:17:41.000 --> 0:17:45.240
<v Speaker 4>Seventy Oh my god, all those golfers, they just lined

0:17:45.280 --> 0:17:48.560
<v Speaker 4>them up. Brooks Koepka and Roy McElroy and Fred Couples

0:17:48.600 --> 0:17:49.760
<v Speaker 4>and John Daly.

0:17:49.640 --> 0:17:50.920
<v Speaker 1>Was a big part of the movie.

0:17:51.560 --> 0:17:54.400
<v Speaker 4>And he had former Clipper legend boban Marjanovich.

0:17:54.840 --> 0:17:56.480
<v Speaker 1>He was in there a lot, right, he was.

0:17:56.440 --> 0:18:02.080
<v Speaker 4>The play played Drago, right, yes, yeah, the Sun, the

0:18:02.160 --> 0:18:07.680
<v Speaker 4>Sun the character played by the previous guy. So, I mean,

0:18:07.840 --> 0:18:08.399
<v Speaker 4>you know what it was.

0:18:08.480 --> 0:18:10.760
<v Speaker 3>And that's one thing I don't like about these sequels

0:18:10.760 --> 0:18:13.879
<v Speaker 3>that take forever to come out, is that the storyline

0:18:13.920 --> 0:18:16.800
<v Speaker 3>is always the son of the original characters.

0:18:17.080 --> 0:18:18.760
<v Speaker 4>Well, these other guys are dead, I mean, one of

0:18:18.800 --> 0:18:22.600
<v Speaker 4>the they can't bring them back, Richard Keele died. But

0:18:23.119 --> 0:18:25.440
<v Speaker 4>the movie it must have been one of those things

0:18:25.440 --> 0:18:28.399
<v Speaker 4>where it was like a the cinematic equivalent of a

0:18:28.440 --> 0:18:33.359
<v Speaker 4>group text thread. And somehow somebody at Netflix signed off

0:18:33.359 --> 0:18:36.880
<v Speaker 4>on a sixty million dollar budget, right and uh and

0:18:36.880 --> 0:18:38.320
<v Speaker 4>and say it was like, let me just put all

0:18:38.320 --> 0:18:40.520
<v Speaker 4>my buddies and all my you know, people in here,

0:18:40.560 --> 0:18:41.080
<v Speaker 4>and that's it.

0:18:41.119 --> 0:18:42.680
<v Speaker 1>And he did.

0:18:42.760 --> 0:18:46.320
<v Speaker 4>I mean, it just felt it felt like I feel

0:18:46.359 --> 0:18:48.639
<v Speaker 4>after I eat a chicken palm bloated, you know, just

0:18:48.640 --> 0:18:49.600
<v Speaker 4>a it was.

0:18:49.640 --> 0:18:50.360
<v Speaker 1>It was bloated.

0:18:50.400 --> 0:18:53.760
<v Speaker 4>And uh, you mentioned the first Happy Gilmore, which I

0:18:53.760 --> 0:18:57.360
<v Speaker 4>also watched, and it was absurd and all that stuff,

0:18:57.440 --> 0:19:00.399
<v Speaker 4>and just this one, as you said, Danny, it just

0:19:01.440 --> 0:19:02.400
<v Speaker 4>is I guess.

0:19:02.240 --> 0:19:04.720
<v Speaker 1>Maybe we're older. Could that be we're older? You know

0:19:05.040 --> 0:19:06.680
<v Speaker 1>they always say the sequels not the equal.

0:19:06.680 --> 0:19:08.679
<v Speaker 4>They always say that the sequel's not the equal, But

0:19:08.760 --> 0:19:12.720
<v Speaker 4>every five minutes it was a random celebrity popping in.

0:19:13.000 --> 0:19:15.480
<v Speaker 3>While explaining to you, like this the first one didn't

0:19:15.560 --> 0:19:16.480
<v Speaker 3>feel forced.

0:19:17.320 --> 0:19:20.600
<v Speaker 4>Yes, yes, that's a good way to describe it. That's

0:19:20.600 --> 0:19:21.879
<v Speaker 4>a good way to describe it. You know, it was

0:19:21.920 --> 0:19:24.600
<v Speaker 4>cool with Vern Lundquist is retired. Is good to see Vern.

0:19:25.119 --> 0:19:27.480
<v Speaker 1>He was in the original, and it was.

0:19:27.400 --> 0:19:29.240
<v Speaker 3>All It was one of the highlights of the movie.

0:19:29.240 --> 0:19:32.240
<v Speaker 4>I thought, yeah, yeah, Vern's great, eighty five years old, still.

0:19:32.000 --> 0:19:35.080
<v Speaker 1>Doing his thing, And it just seemed.

0:19:34.680 --> 0:19:36.920
<v Speaker 4>Like the whole point of the movie was to try

0:19:36.960 --> 0:19:38.840
<v Speaker 4>to get viral videos on TikTok.

0:19:38.960 --> 0:19:42.119
<v Speaker 3>Yeah, because I thought bad Bunny as the caddy, he

0:19:42.200 --> 0:19:42.960
<v Speaker 3>did really good.

0:19:43.200 --> 0:19:44.840
<v Speaker 4>He was in there a lot. Bad Bundy was in

0:19:44.880 --> 0:19:49.440
<v Speaker 4>there a lot, just again manufactured. I you know, who

0:19:49.440 --> 0:19:53.159
<v Speaker 4>am I to critique anything? But I just could have

0:19:53.800 --> 0:19:56.560
<v Speaker 4>could have done without about seventeen to twenty of the

0:19:57.680 --> 0:19:59.560
<v Speaker 4>cameo appearances.

0:19:59.640 --> 0:20:02.880
<v Speaker 3>So yeah, let's read the seventy four cameos right now,

0:20:02.920 --> 0:20:04.400
<v Speaker 3>and then the podcast will be over.

0:20:04.520 --> 0:20:06.159
<v Speaker 4>Yeah, that's it, we'll be done. We can just go

0:20:06.400 --> 0:20:09.560
<v Speaker 4>get out of here and go enjoy our day. I

0:20:09.560 --> 0:20:11.199
<v Speaker 4>don't think we have to worry about a Happy Go

0:20:11.359 --> 0:20:16.840
<v Speaker 4>More three. Although Danny this did very well accord to Netflix,

0:20:16.840 --> 0:20:18.720
<v Speaker 4>so people watched it and they loved it.

0:20:18.800 --> 0:20:22.239
<v Speaker 3>I think we'll see some other movies that were in

0:20:22.280 --> 0:20:26.040
<v Speaker 3>the same category and didn't have a sequel, and they'll

0:20:26.160 --> 0:20:29.320
<v Speaker 3>jump on this, and so we'll see some other ridiculous

0:20:29.400 --> 0:20:33.640
<v Speaker 3>sequels come out that feel forced because it's a copy

0:20:33.720 --> 0:20:37.119
<v Speaker 3>It's like they always say the NFL is a copycat league.

0:20:37.800 --> 0:20:41.360
<v Speaker 3>Movies are the same way. If somebody sees a formula

0:20:41.440 --> 0:20:45.480
<v Speaker 3>for success, then all these other movie companies jump in

0:20:45.560 --> 0:20:46.160
<v Speaker 3>and copy.

0:20:46.920 --> 0:20:51.840
<v Speaker 1>Well, it's really anything that was popular. I read about

0:20:51.840 --> 0:20:54.480
<v Speaker 1>this years ago, and when I used to read books.

0:20:54.520 --> 0:20:56.639
<v Speaker 1>I don't read books anymore, but I used to read books,

0:20:56.640 --> 0:20:56.840
<v Speaker 1>and I.

0:20:57.680 --> 0:21:00.359
<v Speaker 4>Read a book about infomercials. And there was another book

0:21:00.359 --> 0:21:02.879
<v Speaker 4>that I had read. I don't remember the name of it,

0:21:02.960 --> 0:21:06.600
<v Speaker 4>but it talked about how they've figured out a formula

0:21:07.280 --> 0:21:11.760
<v Speaker 4>where when the coming of age period, you know, how

0:21:11.800 --> 0:21:16.080
<v Speaker 4>in you're you know, teenager, early twenties kind of that

0:21:16.160 --> 0:21:19.520
<v Speaker 4>period of time, and they say that if you take

0:21:19.760 --> 0:21:24.320
<v Speaker 4>whatever was really popular at that point in society, pop culture,

0:21:24.840 --> 0:21:29.479
<v Speaker 4>and you wait twenty five or so, years, twenty five,

0:21:29.560 --> 0:21:30.360
<v Speaker 4>thirty years.

0:21:30.119 --> 0:21:31.280
<v Speaker 1>And you bring that back.

0:21:32.440 --> 0:21:36.479
<v Speaker 4>It is a guaranteed stone cold success because the people

0:21:36.600 --> 0:21:41.320
<v Speaker 4>that were young kids, teenagers, early twenties when that became popular,

0:21:41.640 --> 0:21:44.320
<v Speaker 4>they're now in their forties and fifties and.

0:21:44.240 --> 0:21:45.320
<v Speaker 1>They have a lot of money.

0:21:45.359 --> 0:21:48.480
<v Speaker 4>They've lived their life right, they've made their fortune hopefully,

0:21:49.080 --> 0:21:52.040
<v Speaker 4>and they can then they want to go back to

0:21:52.119 --> 0:21:57.920
<v Speaker 4>that time. So whatever, whether it's movies, TV shows. I

0:21:57.920 --> 0:22:00.240
<v Speaker 4>don't know how it's going to work now though, anyway,

0:22:00.240 --> 0:22:03.080
<v Speaker 4>because everything seems to be on these social media platforms.

0:22:03.400 --> 0:22:05.920
<v Speaker 4>Can you really, like in I'm trying to think twenty

0:22:06.000 --> 0:22:09.560
<v Speaker 4>years from now, twenty forty five or twenty fifty, are

0:22:09.600 --> 0:22:12.520
<v Speaker 4>you going to bring back a TikTok trend?

0:22:12.680 --> 0:22:14.400
<v Speaker 1>You know? Can you really can you make any money

0:22:14.440 --> 0:22:14.919
<v Speaker 1>on that? You know?

0:22:15.200 --> 0:22:18.439
<v Speaker 4>I don't know how that's gonna work, but it is

0:22:18.600 --> 0:22:21.919
<v Speaker 4>interesting to know, Danny, the way that works there that

0:22:21.960 --> 0:22:24.920
<v Speaker 4>you just have to wait, you know, twenty five years

0:22:25.040 --> 0:22:27.480
<v Speaker 4>or so, people in their twenties and then in their

0:22:27.520 --> 0:22:28.720
<v Speaker 4>mid forties, and then.

0:22:28.680 --> 0:22:31.080
<v Speaker 1>You've got just add water and you're good to go.

0:22:31.960 --> 0:22:34.480
<v Speaker 3>Now that means there's a chance Benny versus the penny

0:22:34.480 --> 0:22:35.960
<v Speaker 3>could come back in twenty years.

0:22:36.160 --> 0:22:39.439
<v Speaker 4>That's right, baby, don't forget Bill. Benny versus the Penny.

0:22:39.440 --> 0:22:43.720
<v Speaker 4>Twenty years from now we will dominate absolutely. So the

0:22:44.600 --> 0:22:47.520
<v Speaker 4>water thing, that's a good transition, good jumping off point, Danny,

0:22:47.520 --> 0:22:51.840
<v Speaker 4>because I've got a real story here, a tale of suspense.

0:22:52.720 --> 0:22:55.960
<v Speaker 4>Yet again clumsiness, much like me butchering the name of

0:22:56.000 --> 0:22:58.880
<v Speaker 4>the man that made Benny versus the Penny possible, and

0:22:58.920 --> 0:23:03.040
<v Speaker 4>some hydration gone wrong. So another example of me being

0:23:03.040 --> 0:23:05.960
<v Speaker 4>a klutz and not a one time thing.

0:23:06.000 --> 0:23:07.600
<v Speaker 1>This is a recurring event in my life.

0:23:08.119 --> 0:23:13.479
<v Speaker 4>It's like the Olympics, happened every few years, gout whatever.

0:23:13.960 --> 0:23:17.280
<v Speaker 1>So how do I say this?

0:23:17.480 --> 0:23:22.720
<v Speaker 4>So the other night or morning, I was holding my

0:23:22.840 --> 0:23:27.480
<v Speaker 4>cup of water and it was getting low, and I

0:23:28.040 --> 0:23:30.600
<v Speaker 4>was a man on a mission during the overnight show

0:23:31.240 --> 0:23:37.359
<v Speaker 4>mission impossible recon assignment, and so let me let me

0:23:37.400 --> 0:23:38.920
<v Speaker 4>paint the scene. So it's the middle of the night,

0:23:39.600 --> 0:23:45.560
<v Speaker 4>doing the show, giving out lukewarm sports takes, and we

0:23:45.920 --> 0:23:49.240
<v Speaker 4>go to the top of the hour break and so

0:23:49.280 --> 0:23:52.840
<v Speaker 4>I'm like, okay, I got I didn't leave the studio

0:23:52.960 --> 0:23:55.240
<v Speaker 4>right away, and I was like, I need some water

0:23:55.440 --> 0:23:57.720
<v Speaker 4>and I need to go to the to the bathroom.

0:23:57.800 --> 0:24:00.480
<v Speaker 4>So I looked at the clock. I know how much

0:24:00.480 --> 0:24:03.280
<v Speaker 4>time I had at this point. I had about two minutes.

0:24:03.320 --> 0:24:05.040
<v Speaker 4>But that's I can do that in two minutes. You

0:24:05.040 --> 0:24:07.000
<v Speaker 4>can go to the bathroom. You can wash your hands

0:24:07.040 --> 0:24:08.240
<v Speaker 4>real quick, get some water.

0:24:08.920 --> 0:24:09.720
<v Speaker 1>So I'm on a mission.

0:24:09.760 --> 0:24:12.520
<v Speaker 4>I have about two minutes to make it to the

0:24:12.560 --> 0:24:16.480
<v Speaker 4>powder room, grab some agua, make it back behind the

0:24:16.520 --> 0:24:20.240
<v Speaker 4>microphone to launch into some take about Jerry Jones dental

0:24:20.359 --> 0:24:23.960
<v Speaker 4>hygiene or some other drama or rama or something like that.

0:24:24.520 --> 0:24:28.080
<v Speaker 1>So don't ask Soway.

0:24:28.160 --> 0:24:33.359
<v Speaker 4>The The mission started fine. I grabbed my cup. I

0:24:33.400 --> 0:24:36.560
<v Speaker 4>made a quick pivot out of the studio. I made

0:24:36.720 --> 0:24:41.639
<v Speaker 4>a left turn down the hall. I then made a quick,

0:24:42.320 --> 0:24:48.359
<v Speaker 4>quick left turn to the Smurf kitchen and I put

0:24:48.480 --> 0:24:52.199
<v Speaker 4>the water cup under the thin, got some water, got

0:24:52.240 --> 0:24:54.760
<v Speaker 4>a little ice out of the fridge. I then put

0:24:54.800 --> 0:24:58.680
<v Speaker 4>the cup down on the blue Smurf table. I then

0:24:58.720 --> 0:25:01.720
<v Speaker 4>went to the powder room to take care of business.

0:25:01.800 --> 0:25:04.639
<v Speaker 1>I did that real quick. I put some water and

0:25:04.680 --> 0:25:06.520
<v Speaker 1>some soap in my hands. I washed my hands. I

0:25:06.560 --> 0:25:09.160
<v Speaker 1>then came out of the bathroom and then went back into.

0:25:09.000 --> 0:25:11.600
<v Speaker 4>The Smurf kitchen just across the hall, and I did

0:25:11.640 --> 0:25:15.720
<v Speaker 4>like a eurostep thing around a chair and grab my

0:25:15.800 --> 0:25:19.280
<v Speaker 4>water and boom goes to the dynamite.

0:25:19.440 --> 0:25:26.320
<v Speaker 1>Down goes the water, the water. So my cup of ice.

0:25:26.160 --> 0:25:30.040
<v Speaker 4>Water ended up doing a cartwheel like it was auditioning

0:25:30.040 --> 0:25:33.480
<v Speaker 4>for America's Got Talent, and ice was in the air everywhere.

0:25:34.880 --> 0:25:38.960
<v Speaker 4>Water was all over the floor, the carpet there. It

0:25:39.119 --> 0:25:45.920
<v Speaker 4>was this tragic water ballet, you know, water gone wrong.

0:25:46.040 --> 0:25:48.639
<v Speaker 4>And so then I'm like, oh crap, because I know

0:25:48.760 --> 0:25:51.439
<v Speaker 4>I'm only got at this point. I probably got about

0:25:51.600 --> 0:25:55.639
<v Speaker 4>twenty seconds before the music starts and I got to

0:25:55.680 --> 0:25:57.639
<v Speaker 4>start talking. I have no time to clean up the

0:25:57.680 --> 0:26:02.480
<v Speaker 4>great flood the kitchen. The carpet looks like the Titanic

0:26:02.600 --> 0:26:05.560
<v Speaker 4>lower deck at this point, and it's like a slipping

0:26:05.640 --> 0:26:09.600
<v Speaker 4>slide thing, and so you know, this is this is

0:26:09.600 --> 0:26:12.320
<v Speaker 4>the life Danny. There's no one else there, you know,

0:26:12.440 --> 0:26:14.280
<v Speaker 4>and I know no one I work with is gonna

0:26:14.280 --> 0:26:15.719
<v Speaker 4>bother to help me out and clean it up. So

0:26:17.080 --> 0:26:20.920
<v Speaker 4>you know, hey, boom, I security cameras.

0:26:21.320 --> 0:26:22.360
<v Speaker 1>There are cameras in there.

0:26:22.359 --> 0:26:25.719
<v Speaker 4>You're right, But I figured it was like water and

0:26:25.760 --> 0:26:27.520
<v Speaker 4>it was on the carpet, so I think I was okay.

0:26:27.600 --> 0:26:33.080
<v Speaker 1>It was dry, and I made my way back and

0:26:33.240 --> 0:26:33.840
<v Speaker 1>that was it.

0:26:34.000 --> 0:26:34.320
<v Speaker 3>I did.

0:26:34.520 --> 0:26:36.200
<v Speaker 4>I did the show, and then I went back and

0:26:36.240 --> 0:26:38.359
<v Speaker 4>there was a giant puddle the rest of the night,

0:26:39.359 --> 0:26:40.879
<v Speaker 4>but nobody said anything to me, So I think it

0:26:40.960 --> 0:26:43.680
<v Speaker 4>must have dried up at some point, right, it must

0:26:43.680 --> 0:26:44.840
<v Speaker 4>have dried up at some point.

0:26:44.920 --> 0:26:47.240
<v Speaker 1>So just a reminder, you can prep all day.

0:26:47.320 --> 0:26:49.359
<v Speaker 4>You can have everything ready to go, all your bullet

0:26:49.359 --> 0:26:53.080
<v Speaker 4>points for your monologues and your hot takes are teed up,

0:26:53.440 --> 0:26:56.919
<v Speaker 4>and all it takes is one little rogue incident in

0:26:56.960 --> 0:26:59.600
<v Speaker 4>the kitchen with an ice, a couple of ice, and

0:26:59.680 --> 0:27:05.480
<v Speaker 4>suddenly you're running around your egos bruised. And I had

0:27:05.520 --> 0:27:08.760
<v Speaker 4>no water for that whole monologue. But I did survive it.

0:27:08.920 --> 0:27:09.560
<v Speaker 4>I did survive.

0:27:09.680 --> 0:27:13.000
<v Speaker 3>So it all makes sense now because what you don't know.

0:27:13.080 --> 0:27:15.280
<v Speaker 3>Later that day they had to rent one of those

0:27:15.280 --> 0:27:20.000
<v Speaker 3>big industrial sized fans. Yeah it was blower.

0:27:20.080 --> 0:27:21.679
<v Speaker 4>Yeah, yeah, I know what you're talking about. All right,

0:27:22.040 --> 0:27:23.960
<v Speaker 4>all right, we'll get out of that, Danny. Enjoy your

0:27:24.000 --> 0:27:27.640
<v Speaker 4>Saturday here, the first Saturday of August. And we've got

0:27:27.640 --> 0:27:32.160
<v Speaker 4>the mail bag. The mail bag. We'll get to that tomorrow.

0:27:32.400 --> 0:27:37.919
<v Speaker 1>Tomorrow, tomorrow, Asta pasta, my folation