WEBVTT - "Working Mothers" Recap Season 2, Episode 13

0:00:17.720 --> 0:00:19.720
<v Speaker 1>Hey, Jody Sweeten, what's.

0:00:19.600 --> 0:00:22.680
<v Speaker 2>Up, Hey, Andrea Barber. I don't know, I just felt

0:00:22.680 --> 0:00:23.639
<v Speaker 2>like changing it up today.

0:00:23.680 --> 0:00:24.479
<v Speaker 3>I don't know what that was.

0:00:24.600 --> 0:00:27.160
<v Speaker 4>Yeah, I'm trying to think of new things, like new

0:00:27.880 --> 0:00:31.520
<v Speaker 4>ways to say hello, new new accents to try, Yeah,

0:00:31.560 --> 0:00:33.000
<v Speaker 4>new greetings.

0:00:32.600 --> 0:00:38.320
<v Speaker 3>New new accents to try hello, like missus doubtfire, that's hello.

0:00:39.000 --> 0:00:41.800
<v Speaker 4>And it's a drive to day mating like who should

0:00:41.800 --> 0:00:42.880
<v Speaker 4>I be Australian today?

0:00:43.760 --> 0:00:46.240
<v Speaker 3>I you should do the entire show as Steve Irwin.

0:00:48.920 --> 0:00:54.200
<v Speaker 2>Crikey mate, right and just yeah, everything is a reaction

0:00:54.360 --> 0:00:57.640
<v Speaker 2>to a really strange animal in this show.

0:00:58.800 --> 0:01:02.720
<v Speaker 1>Yeah there's plenty coming up, for sure, plenty of strange

0:01:02.760 --> 0:01:04.039
<v Speaker 1>animals coming so.

0:01:04.120 --> 0:01:05.280
<v Speaker 3>Oh plenty plenty.

0:01:05.920 --> 0:01:09.240
<v Speaker 2>But yeah, I think that would be That's that's the challenge,

0:01:09.280 --> 0:01:14.000
<v Speaker 2>is that we do an entire episode in a ridiculous accent.

0:01:14.040 --> 0:01:16.520
<v Speaker 2>Why it even suggest it? Because now, pep, We're gonna

0:01:16.520 --> 0:01:18.199
<v Speaker 2>be like, you should totally do it, and I'm gonna

0:01:18.200 --> 0:01:20.200
<v Speaker 2>be like, I was just kidding and being an idiot,

0:01:20.280 --> 0:01:22.919
<v Speaker 2>and as usually, gonna get getting it. Being an idiot

0:01:23.280 --> 0:01:25.160
<v Speaker 2>leads into doing something stupid.

0:01:25.600 --> 0:01:27.520
<v Speaker 1>We're gonna get emails and people are gonna be like,

0:01:28.319 --> 0:01:30.840
<v Speaker 1>where's the Australian accent episode.

0:01:30.920 --> 0:01:32.319
<v Speaker 3>And you know what, here's the deal.

0:01:32.480 --> 0:01:36.039
<v Speaker 2>We don't want to get canceled in Australia, so we

0:01:36.200 --> 0:01:43.040
<v Speaker 2>are saving the masses from our horrific Australian accents.

0:01:43.640 --> 0:01:45.360
<v Speaker 1>Nothing worse than having to do an accent.

0:01:47.880 --> 0:01:52.000
<v Speaker 2>Everyone, Yeah, everyone heard my English accent. The first like

0:01:52.080 --> 0:01:53.520
<v Speaker 2>three scenes of Full House.

0:01:53.600 --> 0:01:56.840
<v Speaker 1>It was very crosscuse me, it was I.

0:01:56.800 --> 0:01:58.640
<v Speaker 3>Had it was not prepared at all.

0:01:58.880 --> 0:02:01.400
<v Speaker 2>What it was it was me showing up the first

0:02:01.480 --> 0:02:03.520
<v Speaker 2>day and then them going, hey, you know, we think

0:02:03.560 --> 0:02:06.200
<v Speaker 2>we would get you a dialect coach, and I was like,

0:02:06.240 --> 0:02:10.160
<v Speaker 2>please do yes, that would have been great, and then

0:02:10.360 --> 0:02:11.160
<v Speaker 2>you know you're.

0:02:11.000 --> 0:02:12.120
<v Speaker 3>Shooting it on the third day.

0:02:12.200 --> 0:02:14.799
<v Speaker 1>So yeah, yeah, I can't remember doing.

0:02:14.880 --> 0:02:16.880
<v Speaker 2>If I start doing Shakespeare, I'll make sure and and

0:02:17.000 --> 0:02:19.480
<v Speaker 2>really lean into the accent well ahead of time.

0:02:19.560 --> 0:02:22.240
<v Speaker 3>But Fuller we just didn't have that luxury.

0:02:23.840 --> 0:02:28.120
<v Speaker 1>I forget why Steph lost the English accent. Do you

0:02:28.120 --> 0:02:29.040
<v Speaker 1>remember what, Walter?

0:02:29.800 --> 0:02:32.399
<v Speaker 3>Could you pass me the water? I think it was you?

0:02:33.040 --> 0:02:35.919
<v Speaker 1>I oh, was it my stinky feet?

0:02:36.520 --> 0:02:39.160
<v Speaker 3>Yeah? I think you. I think you like kicked your

0:02:39.200 --> 0:02:42.440
<v Speaker 3>shoes off and put your feet up and I was like, oh,

0:02:42.760 --> 0:02:44.400
<v Speaker 3>oh my god, my accent's.

0:02:44.000 --> 0:02:47.720
<v Speaker 1>Gone, oh okay, so the whiff of Kimmy really you.

0:02:47.680 --> 0:02:51.160
<v Speaker 3>Killed Thank you Kimmy Gibbler.

0:02:52.280 --> 0:02:52.959
<v Speaker 1>Saving the day.

0:02:53.120 --> 0:02:54.240
<v Speaker 3>Yeah, yep, but no, we were.

0:02:54.120 --> 0:02:55.920
<v Speaker 2>Sitting around the table and I was like, pass the

0:02:55.919 --> 0:03:00.120
<v Speaker 2>water and they were like water and I was like WoT, yeah,

0:03:00.120 --> 0:03:01.239
<v Speaker 2>and that was the thing.

0:03:01.680 --> 0:03:02.520
<v Speaker 1>See, you did it great.

0:03:02.520 --> 0:03:02.880
<v Speaker 3>Anyway.

0:03:03.040 --> 0:03:05.640
<v Speaker 2>I thought it was a great accent as long as

0:03:05.639 --> 0:03:06.560
<v Speaker 2>all I'm saying is water.

0:03:06.840 --> 0:03:08.840
<v Speaker 3>Yeah, and even that was yeah, no.

0:03:09.080 --> 0:03:12.440
<v Speaker 1>It's they lost the accent right away because.

0:03:12.200 --> 0:03:13.440
<v Speaker 3>Oh my god, could you imagine.

0:03:13.520 --> 0:03:16.200
<v Speaker 2>Yeah, no, five season even they were like, you know,

0:03:16.240 --> 0:03:18.640
<v Speaker 2>we should have cut it in the first five lines.

0:03:18.680 --> 0:03:24.000
<v Speaker 3>But it's right, Yeah, I'm good. Life is good.

0:03:24.040 --> 0:03:28.840
<v Speaker 2>Actually, the girls are on spring break. Well b has

0:03:28.840 --> 0:03:34.399
<v Speaker 2>been on spring break this week, Zoe starts today and yeah,

0:03:34.480 --> 0:03:37.000
<v Speaker 2>looking forward to you know, it's because they don't go

0:03:37.000 --> 0:03:38.840
<v Speaker 2>to the same school though. It's that fun thing where

0:03:38.880 --> 0:03:41.000
<v Speaker 2>like they're not really on break at the same time,

0:03:41.600 --> 0:03:45.560
<v Speaker 2>so there's never like, yeah, we all just sleep in

0:03:45.600 --> 0:03:47.920
<v Speaker 2>and what you know. It was just some yeah, but

0:03:48.040 --> 0:03:49.880
<v Speaker 2>actually it's fine. It keeps us kind of all on

0:03:49.920 --> 0:03:52.280
<v Speaker 2>a schedule because they tend to be like there's no

0:03:52.400 --> 0:03:55.240
<v Speaker 2>rules when you know, it's summer or spring break and

0:03:56.440 --> 0:04:01.120
<v Speaker 2>stay up three am U. No, yeah, but no, Be

0:04:01.840 --> 0:04:03.760
<v Speaker 2>is currently on with her tutor right now because she

0:04:03.800 --> 0:04:06.000
<v Speaker 2>has some math homework to finish over spring break.

0:04:06.560 --> 0:04:08.480
<v Speaker 3>So do you want plans? You've got to get that done.

0:04:08.760 --> 0:04:09.240
<v Speaker 1>Not good?

0:04:10.240 --> 0:04:14.000
<v Speaker 2>Yeah, and Zoa's at school and yeah, she has her

0:04:14.000 --> 0:04:18.159
<v Speaker 2>first behind the wheel test tomorrow, not test, but the lesson,

0:04:19.400 --> 0:04:20.760
<v Speaker 2>her first behind the wheel lesson.

0:04:21.000 --> 0:04:23.800
<v Speaker 1>Is she nervous? Is she excited? Is she ready?

0:04:24.120 --> 0:04:24.360
<v Speaker 3>Yes?

0:04:24.960 --> 0:04:26.880
<v Speaker 2>The answer to the last question, I have no idea,

0:04:26.920 --> 0:04:29.800
<v Speaker 2>but I mean she has I've led her. You know,

0:04:29.839 --> 0:04:34.080
<v Speaker 2>she's driven around parking lots. I did, just trying to

0:04:34.120 --> 0:04:36.880
<v Speaker 2>get in between the lines and you know, practice signaling

0:04:36.960 --> 0:04:40.640
<v Speaker 2>and all set. But this will be her first post

0:04:40.680 --> 0:04:44.520
<v Speaker 2>permit behind the wheel with someone else driving.

0:04:44.960 --> 0:04:48.279
<v Speaker 4>Yeah, oh wow, so she'll feel much better. Is it

0:04:48.320 --> 0:04:50.080
<v Speaker 4>a two hour lesson? I think they do two hours.

0:04:50.160 --> 0:04:51.799
<v Speaker 3>I think it's just a one hour lesson.

0:04:51.880 --> 0:04:52.440
<v Speaker 1>It's just one.

0:04:52.520 --> 0:04:53.599
<v Speaker 3>Okay, it's one.

0:04:53.680 --> 0:04:55.680
<v Speaker 2>But she's got to do like ten hours of it,

0:04:55.760 --> 0:04:57.359
<v Speaker 2>So I think they break it up into ten sessions.

0:04:57.400 --> 0:05:01.679
<v Speaker 2>Oh that's like spaced out over I think six months

0:05:01.680 --> 0:05:03.760
<v Speaker 2>something like that. Like, so it's you get a regular

0:05:03.800 --> 0:05:06.000
<v Speaker 2>time then plus you know, all the all the hours

0:05:06.000 --> 0:05:07.720
<v Speaker 2>that we have to sign off on as parents.

0:05:08.040 --> 0:05:11.440
<v Speaker 4>Yeah, I was terrified when Felicity took her first driving

0:05:11.520 --> 0:05:15.760
<v Speaker 4>lesson and I was out in Studio City shooting for

0:05:15.880 --> 0:05:18.920
<v Speaker 4>Lele and so I wasn't there to like she was

0:05:18.960 --> 0:05:21.480
<v Speaker 4>home alone, say to meet the instructor by herself and

0:05:21.520 --> 0:05:24.680
<v Speaker 4>go out by yourself and your life.

0:05:24.760 --> 0:05:27.200
<v Speaker 3>But also she's like, you know, you're like, but also

0:05:27.320 --> 0:05:29.680
<v Speaker 3>she's getting ready to drive, So I guess I need

0:05:29.720 --> 0:05:30.480
<v Speaker 3>to start.

0:05:30.960 --> 0:05:32.080
<v Speaker 1>Leap into independence.

0:05:32.120 --> 0:05:35.280
<v Speaker 2>Being sixteen and looking at a sixteen year old are

0:05:35.320 --> 0:05:38.719
<v Speaker 2>two very different things. Being sixteen, you're like, I'm fine.

0:05:38.800 --> 0:05:40.839
<v Speaker 2>Looking at a sixteen year old you're like, you are not.

0:05:40.960 --> 0:05:43.280
<v Speaker 4>You're not fine, right, Yeah, No, you need a lot

0:05:43.320 --> 0:05:45.720
<v Speaker 4>of life lessons and driving lessons.

0:05:46.040 --> 0:05:47.880
<v Speaker 1>You can never have enough lessons.

0:05:48.279 --> 0:05:51.320
<v Speaker 2>As long as no one backs their car through my kitchen,

0:05:51.520 --> 0:05:53.360
<v Speaker 2>I consider it a success in my house.

0:05:53.960 --> 0:05:56.400
<v Speaker 1>If that's the standard, I think you're safe.

0:05:56.880 --> 0:06:00.320
<v Speaker 2>Yeah, yeah, especially considering the kitchen is a little further

0:06:00.360 --> 0:06:00.920
<v Speaker 2>back in the house.

0:06:00.920 --> 0:06:02.440
<v Speaker 3>Of they backed through my kitchen.

0:06:02.320 --> 0:06:04.280
<v Speaker 1>Yeah, maybe you'd have to do like a three point

0:06:04.320 --> 0:06:05.479
<v Speaker 1>turn to back into.

0:06:06.240 --> 0:06:08.640
<v Speaker 2>Have a shape shifting backyard in order to fit a

0:06:08.680 --> 0:06:09.279
<v Speaker 2>car back there.

0:06:09.800 --> 0:06:12.200
<v Speaker 1>Yeah, that's the only way the Tanners got it done.

0:06:12.520 --> 0:06:14.080
<v Speaker 4>That's the only way that they could fit all those

0:06:14.080 --> 0:06:16.200
<v Speaker 4>cars in the in the backyard.

0:06:16.279 --> 0:06:17.800
<v Speaker 3>We ever have, did we ever have?

0:06:18.200 --> 0:06:18.360
<v Speaker 1>Uh?

0:06:19.320 --> 0:06:22.120
<v Speaker 2>I'm sure we did, But like a DJ driving episode?

0:06:22.400 --> 0:06:23.440
<v Speaker 2>Are you guys driving?

0:06:24.760 --> 0:06:29.320
<v Speaker 4>There was one episode. Uh it was a location we had.

0:06:29.320 --> 0:06:32.120
<v Speaker 4>We left the studio and I don't know if it

0:06:32.120 --> 0:06:32.880
<v Speaker 4>was a driving lesson.

0:06:32.880 --> 0:06:33.960
<v Speaker 1>I don't even know who was driving.

0:06:34.000 --> 0:06:36.920
<v Speaker 4>But we did the whole fire drill thing where you

0:06:36.960 --> 0:06:38.760
<v Speaker 4>get out of the car and you switch seats.

0:06:39.080 --> 0:06:41.960
<v Speaker 1>We were driving Garth Garth Gibbler's.

0:06:41.400 --> 0:06:44.560
<v Speaker 4>Car called wild Thing, and we got locked out of

0:06:44.600 --> 0:06:46.120
<v Speaker 4>the car because so everybody got out of the car,

0:06:46.279 --> 0:06:49.480
<v Speaker 4>swached places it locked and so we got locked out.

0:06:49.920 --> 0:06:53.640
<v Speaker 1>So I feel like that might have been a driving episode.

0:06:53.480 --> 0:06:56.080
<v Speaker 2>Because they were not like not like I mean, at

0:06:56.080 --> 0:06:58.479
<v Speaker 2>some point there was like a driver's test episode maybe

0:06:58.560 --> 0:06:58.880
<v Speaker 2>or something.

0:06:58.880 --> 0:07:00.880
<v Speaker 3>I just I mean I was one. I never had

0:07:00.880 --> 0:07:02.800
<v Speaker 3>one obviously for me, I was young. But yeah, I

0:07:02.800 --> 0:07:03.400
<v Speaker 3>didn't remember.

0:07:03.560 --> 0:07:06.320
<v Speaker 4>Oh we got a note, Season five, episode twenty, DJ

0:07:06.480 --> 0:07:08.640
<v Speaker 4>receives her learners permit to drive.

0:07:09.080 --> 0:07:10.840
<v Speaker 1>There we go, thank you for that note. That is

0:07:10.960 --> 0:07:14.760
<v Speaker 1>thank you timely perfect. Okay, okay, cool.

0:07:14.480 --> 0:07:16.400
<v Speaker 2>So we've got got like three and a half more

0:07:16.400 --> 0:07:17.680
<v Speaker 2>seasons to get through and then we'll get there.

0:07:17.760 --> 0:07:18.080
<v Speaker 1>All right.

0:07:18.160 --> 0:07:20.920
<v Speaker 3>Yeah, that's that's what's going on around my house. How's

0:07:21.280 --> 0:07:22.560
<v Speaker 3>how's life with you? Ab?

0:07:23.000 --> 0:07:27.080
<v Speaker 1>Yeah, things are good. I've discovered a new rewatch podcast

0:07:27.480 --> 0:07:29.640
<v Speaker 1>which and I don't listen to rewatch podcasts, which is

0:07:29.680 --> 0:07:31.440
<v Speaker 1>ironic because I co host one.

0:07:31.600 --> 0:07:33.679
<v Speaker 3>But well, I mean it's like I don't watch sitcoms.

0:07:33.680 --> 0:07:35.520
<v Speaker 3>But right, I know, of course.

0:07:35.760 --> 0:07:38.559
<v Speaker 4>We're so weird like that. But did you ever watch

0:07:38.600 --> 0:07:42.080
<v Speaker 4>the show Felicity from nineteen ninety eight?

0:07:42.160 --> 0:07:44.040
<v Speaker 2>I know of it, but no, I did not watch it,

0:07:44.080 --> 0:07:45.960
<v Speaker 2>but I know it was Carrie Russell and her hair.

0:07:46.280 --> 0:07:49.000
<v Speaker 2>Oh yeah, the hair or her hair and Carrie Russell,

0:07:49.080 --> 0:07:51.760
<v Speaker 2>depending on who should have the emphasis.

0:07:52.000 --> 0:07:52.280
<v Speaker 3>Yeah.

0:07:52.320 --> 0:07:54.720
<v Speaker 4>Well, and that was very controversial when she cut her

0:07:54.760 --> 0:07:58.040
<v Speaker 4>hair in season two or threey I can't remember.

0:07:58.120 --> 0:07:59.960
<v Speaker 3>And you know, God forbid a woman cut her hair.

0:08:00.320 --> 0:08:02.840
<v Speaker 1>The ratings tanked and they blamed it on her hair.

0:08:03.280 --> 0:08:04.679
<v Speaker 3>Is terrible.

0:08:04.720 --> 0:08:09.000
<v Speaker 4>Anyways, So there's a new podcast called Dear Felicity, and

0:08:09.360 --> 0:08:11.440
<v Speaker 4>I think they only have like three or four episodes

0:08:11.440 --> 0:08:13.640
<v Speaker 4>out and I am just I'm I'm like, now I

0:08:13.680 --> 0:08:14.000
<v Speaker 4>get it.

0:08:14.040 --> 0:08:17.720
<v Speaker 1>I get why people love these rewatch podcasts. So I'm

0:08:17.720 --> 0:08:20.920
<v Speaker 1>watching the episodes at night and I'm listening to the Oh,

0:08:21.000 --> 0:08:23.320
<v Speaker 1>it's fantastic. It's a it's a real deep dive because

0:08:23.320 --> 0:08:25.240
<v Speaker 1>they dealt with lots of sy It was an hour

0:08:25.280 --> 0:08:26.520
<v Speaker 1>long drama. Yeah, they dealt with us.

0:08:26.640 --> 0:08:30.080
<v Speaker 3>Yea drama. And it was like college age, right.

0:08:30.160 --> 0:08:33.040
<v Speaker 4>Yes, it was about freshman It starts with freshman year

0:08:33.040 --> 0:08:33.480
<v Speaker 4>in college.

0:08:33.520 --> 0:08:34.720
<v Speaker 1>It went for four seasons.

0:08:35.400 --> 0:08:39.480
<v Speaker 2>Yes, there's definitely some heavier topics and things to discuss.

0:08:39.640 --> 0:08:43.000
<v Speaker 4>I watched episode seven last night, and they deal with

0:08:43.040 --> 0:08:46.560
<v Speaker 4>sexual assault in the first season set episodes sound I'm

0:08:46.600 --> 0:08:49.640
<v Speaker 4>like that they really dove deep right away, like straight

0:08:49.640 --> 0:08:53.559
<v Speaker 4>from the jump. So anyways, highly recommend if you're not you,

0:08:53.600 --> 0:08:56.120
<v Speaker 4>But for any fans of Felicity, I mean my I

0:08:56.160 --> 0:08:57.319
<v Speaker 4>name my daughter Felicity.

0:08:57.360 --> 0:09:00.280
<v Speaker 1>This is like my all time favorite show city.

0:09:00.400 --> 0:09:00.920
<v Speaker 3>Yeah.

0:09:01.120 --> 0:09:04.360
<v Speaker 4>Well okay, yeah, I love I love the name, of course,

0:09:04.600 --> 0:09:06.520
<v Speaker 4>and I love the show. And so I'm like, okay,

0:09:06.559 --> 0:09:09.160
<v Speaker 4>that's what I'm naming my daughter Felicity. So I don't

0:09:09.160 --> 0:09:11.080
<v Speaker 4>know if she knows that I should tell.

0:09:11.000 --> 0:09:11.600
<v Speaker 3>Her that she does.

0:09:11.640 --> 0:09:14.240
<v Speaker 2>Well, if she listens to our podcast, she will now

0:09:14.280 --> 0:09:15.480
<v Speaker 2>and I'm sure she doesn't she.

0:09:15.480 --> 0:09:17.320
<v Speaker 1>Does not know what would she? No, my kids have

0:09:17.360 --> 0:09:18.440
<v Speaker 1>no interest in my career.

0:09:18.520 --> 0:09:19.120
<v Speaker 3>My kids know.

0:09:19.200 --> 0:09:20.959
<v Speaker 2>They're like, oh, the one thing I want to hear

0:09:21.040 --> 0:09:22.400
<v Speaker 2>is your voice more.

0:09:22.760 --> 0:09:27.440
<v Speaker 3>Yeah, no, I'm good on that. I hear it enough. Yeah. Yeah.

0:09:27.480 --> 0:09:30.920
<v Speaker 1>They wish they wish that we were quieter sometimes.

0:09:30.520 --> 0:09:32.079
<v Speaker 3>Right, They're like, yeah, no, I don't need to hear

0:09:32.120 --> 0:09:33.800
<v Speaker 3>more of my mom's voice.

0:09:34.440 --> 0:09:37.040
<v Speaker 1>All right, well, should we recap an episode today?

0:09:37.160 --> 0:09:39.959
<v Speaker 3>Let's do it. Let's you know what I'm feeling. I'm

0:09:40.000 --> 0:09:42.839
<v Speaker 3>feeling frisky. Let's do That's recap an episode on our

0:09:42.840 --> 0:09:43.720
<v Speaker 3>rewatch podcast.

0:09:43.800 --> 0:09:47.960
<v Speaker 4>What a great idea, something different. Okay, let's get into it.

0:09:48.200 --> 0:09:51.240
<v Speaker 4>Welcome back to how Rude Tannertos. I'm Andrea Barber and

0:09:51.320 --> 0:09:54.320
<v Speaker 4>I'm Jodie Sweeten, and today we are discussing season two,

0:09:54.520 --> 0:09:58.000
<v Speaker 4>episode thirteen, titled Working Mothers.

0:09:59.120 --> 0:10:02.960
<v Speaker 1>I have opinions about that title. I do too, But

0:10:03.000 --> 0:10:04.280
<v Speaker 1>we'll get We'll get there, We'll get there.

0:10:04.400 --> 0:10:04.559
<v Speaker 4>Yeah.

0:10:04.600 --> 0:10:05.240
<v Speaker 3>Yeah.

0:10:05.280 --> 0:10:09.839
<v Speaker 4>It originally aired on February third, nineteen eighty nine, and.

0:10:09.840 --> 0:10:10.959
<v Speaker 1>It goes a little something like this.

0:10:11.440 --> 0:10:14.319
<v Speaker 4>After Jesse and Joey are offered full time jobs at

0:10:14.320 --> 0:10:17.559
<v Speaker 4>an ad agency, they struggle to decide if they can

0:10:17.640 --> 0:10:20.720
<v Speaker 4>do the job and still be moms to the girls.

0:10:21.960 --> 0:10:23.040
<v Speaker 3>Why is it gonna be moms?

0:10:23.320 --> 0:10:26.760
<v Speaker 4>I yeah, you know, it's why can't it just be

0:10:26.880 --> 0:10:29.640
<v Speaker 4>parents like they have? Can they be stay at home

0:10:29.720 --> 0:10:30.640
<v Speaker 4>parents or whatever?

0:10:30.760 --> 0:10:30.960
<v Speaker 3>You know?

0:10:31.160 --> 0:10:34.520
<v Speaker 4>But yeah, they lean heavily on the gendered language in

0:10:34.559 --> 0:10:35.359
<v Speaker 4>this episode.

0:10:35.440 --> 0:10:38.400
<v Speaker 3>So it was it was nineteen eighty nine, that's.

0:10:38.320 --> 0:10:40.440
<v Speaker 1>You know, definitely nineteen eighty nine.

0:10:40.520 --> 0:10:43.520
<v Speaker 3>Some of yeah, so again some of these, some of

0:10:43.559 --> 0:10:48.679
<v Speaker 3>these episodes definitely go ah, yes, the eighties, the eighties, right, yep,

0:10:48.920 --> 0:10:51.800
<v Speaker 3>although it's gotten so much better. Who'd know the difference.

0:10:52.200 --> 0:10:56.800
<v Speaker 4>Okay, anyway, anyways, it was directed by Peter Baldwin, written

0:10:56.840 --> 0:11:01.640
<v Speaker 4>by Jeff Franklin, and we have three stars returning as

0:11:01.800 --> 0:11:04.200
<v Speaker 4>Grandma Irene is Yvonne Wilder.

0:11:04.280 --> 0:11:06.840
<v Speaker 1>Gosh, I love her, she just she's great. I just

0:11:06.880 --> 0:11:07.480
<v Speaker 1>love every.

0:11:07.320 --> 0:11:10.840
<v Speaker 4>Time she just know, I command the scene like she

0:11:10.960 --> 0:11:11.560
<v Speaker 4>is so good.

0:11:11.600 --> 0:11:12.559
<v Speaker 1>Great, Yeah, love her.

0:11:12.880 --> 0:11:17.040
<v Speaker 4>And then we have James Hampton as mister Maltesta. He

0:11:17.080 --> 0:11:20.200
<v Speaker 4>appeared in the films The Longest Yard and Teen Wolf,

0:11:20.480 --> 0:11:23.360
<v Speaker 4>but he is best remembered as the eager but inepte

0:11:23.360 --> 0:11:27.880
<v Speaker 4>butler Private Hannibal Dobbs oh Burglar, not butler Private Hannibal

0:11:27.920 --> 0:11:29.240
<v Speaker 4>Dabbs in the classic.

0:11:28.880 --> 0:11:30.880
<v Speaker 1>Sitcom F Troupe.

0:11:31.200 --> 0:11:34.400
<v Speaker 4>Oh Yeah from nineteen sixty five, sadly passed away in

0:11:34.440 --> 0:11:37.679
<v Speaker 4>twenty twenty one from Parkinson's He's great too, and I

0:11:37.720 --> 0:11:41.080
<v Speaker 4>think he comes back yeah future episodes as the ads

0:11:41.120 --> 0:11:45.400
<v Speaker 4>the ad Agency boss, so he's great too. And then lastly,

0:11:45.480 --> 0:11:49.439
<v Speaker 4>we have Nora Masterson as Edna Foley. She is known

0:11:49.480 --> 0:11:51.840
<v Speaker 4>for Quantum Leap, Other World and Dallas.

0:11:52.760 --> 0:11:56.439
<v Speaker 1>Oh Yeah, she's great too. Love her all right, so

0:11:56.520 --> 0:11:59.000
<v Speaker 1>let's get into it. We open in the living room.

0:11:59.160 --> 0:12:02.079
<v Speaker 4>Michelle is wearing roller skates and is decked out in

0:12:02.200 --> 0:12:05.480
<v Speaker 4>safety gear. Stephan DJ are holding her hands to keep

0:12:05.520 --> 0:12:09.079
<v Speaker 4>her steady. DJ compliments her on being such an athlete,

0:12:09.720 --> 0:12:12.240
<v Speaker 4>and Steph wonders why it's such a big deal they're

0:12:12.280 --> 0:12:15.880
<v Speaker 4>holding her hands. Michelle gives her a judgmental look.

0:12:16.760 --> 0:12:19.480
<v Speaker 3>The looks in this scene were hilarious.

0:12:19.520 --> 0:12:20.200
<v Speaker 1>They're so good.

0:12:21.400 --> 0:12:23.959
<v Speaker 2>I think it was it looked like Mary Kate. I

0:12:23.960 --> 0:12:26.439
<v Speaker 2>think it was Mary Kate. But yeah, the looks and

0:12:26.480 --> 0:12:29.640
<v Speaker 2>the attitude were just hilarious. You can really see them

0:12:30.720 --> 0:12:33.440
<v Speaker 2>like this episode in particular, I feel like you really

0:12:33.440 --> 0:12:36.600
<v Speaker 2>see Michelle kind of starting to have funny lines but

0:12:36.720 --> 0:12:38.600
<v Speaker 2>like they finally figured out that they could kind of

0:12:38.880 --> 0:12:41.440
<v Speaker 2>repeat what Adria said, and so they started really leaning

0:12:41.440 --> 0:12:41.760
<v Speaker 2>into that.

0:12:41.920 --> 0:12:44.720
<v Speaker 4>Yeah, you can tell they like the reaction When they

0:12:44.760 --> 0:12:47.120
<v Speaker 4>get a laugh from the audience. You can tell that

0:12:47.160 --> 0:12:48.880
<v Speaker 4>they're like, oh, oh, I'm going to do that again,

0:12:48.920 --> 0:12:49.839
<v Speaker 4>I'm going to do it better.

0:12:49.920 --> 0:12:50.880
<v Speaker 1>So yeah, it's great.

0:12:50.920 --> 0:12:54.560
<v Speaker 4>It's great watching the evolution of the babe when they

0:12:54.559 --> 0:12:56.959
<v Speaker 4>were babies and now they're growing into the actors.

0:12:57.000 --> 0:12:57.840
<v Speaker 1>It's so great.

0:12:58.840 --> 0:13:02.160
<v Speaker 4>So DJ is trying to build Michelle's confidence, but Steph

0:13:02.240 --> 0:13:05.559
<v Speaker 4>is annoyed because Michelle is two and Steph didn't learn

0:13:05.600 --> 0:13:09.000
<v Speaker 4>to skate until she was four. Again, Michelle gives her

0:13:09.000 --> 0:13:12.160
<v Speaker 4>a judgy look. Michelle easily likes to go of their

0:13:12.160 --> 0:13:15.960
<v Speaker 4>hands and walks away in her skates. DJ asks, well,

0:13:16.440 --> 0:13:20.719
<v Speaker 4>and Steph comes to the conclusion she's lying about her age.

0:13:21.520 --> 0:13:24.960
<v Speaker 4>I'm very impressed with uh, with the skating skills of

0:13:26.240 --> 0:13:27.600
<v Speaker 4>Mary or Mary Kater Ashley.

0:13:27.720 --> 0:13:30.320
<v Speaker 1>She's really good at walking, she can.

0:13:30.280 --> 0:13:33.199
<v Speaker 3>Walking in at walking. Yeah, well, I mean, have you

0:13:33.240 --> 0:13:35.320
<v Speaker 3>ever tried to skate in those plastic skates?

0:13:35.840 --> 0:13:38.080
<v Speaker 1>It's been having a kid.

0:13:38.960 --> 0:13:43.080
<v Speaker 3>I tried it last week. No, those plastic skates, I

0:13:43.120 --> 0:13:48.560
<v Speaker 3>mean it's it's like trying to skate an office chair

0:13:48.760 --> 0:13:54.120
<v Speaker 3>across carnolium. Yet right, like it's not it's you're not

0:13:54.240 --> 0:13:57.760
<v Speaker 3>gonna pick up any speed or yet or traction.

0:13:58.360 --> 0:14:01.400
<v Speaker 2>Well no traction you'll get no, but no like no smooth,

0:14:01.440 --> 0:14:02.160
<v Speaker 2>definitely none.

0:14:02.320 --> 0:14:07.959
<v Speaker 3>Yeah no. But still she was great, And I mean

0:14:08.320 --> 0:14:11.240
<v Speaker 3>all the safety gear was exactly how my dad used

0:14:11.280 --> 0:14:13.920
<v Speaker 3>to make sure that I left the house when rollerblading,

0:14:13.960 --> 0:14:15.959
<v Speaker 3>and then I'd go around the corner and rip it

0:14:16.000 --> 0:14:17.480
<v Speaker 3>all off and hide it under a bush.

0:14:17.480 --> 0:14:21.720
<v Speaker 1>You did, I could totally picture that. Yeah, my experience

0:14:21.760 --> 0:14:22.400
<v Speaker 1>with roller blades.

0:14:22.400 --> 0:14:22.760
<v Speaker 3>Were you on?

0:14:23.080 --> 0:14:24.320
<v Speaker 1>This was during Fuller House?

0:14:24.520 --> 0:14:27.520
<v Speaker 4>Were you in this scene where I had Kimmi roller

0:14:27.560 --> 0:14:30.240
<v Speaker 4>blades into the front door or through the front door

0:14:30.280 --> 0:14:33.080
<v Speaker 4>and has to land on the couch and they had

0:14:33.080 --> 0:14:34.720
<v Speaker 4>a stunt double for me, and I was like, I

0:14:34.800 --> 0:14:36.760
<v Speaker 4>need a stunt double i can roller blade and they

0:14:36.760 --> 0:14:39.240
<v Speaker 4>were like, no, you're not putting on the roller blades.

0:14:39.280 --> 0:14:41.520
<v Speaker 4>And I'm like, I'm going to put on the roller blades.

0:14:41.960 --> 0:14:44.320
<v Speaker 4>So I put on the roller blades and skated over

0:14:44.360 --> 0:14:45.560
<v Speaker 4>to video village and.

0:14:45.520 --> 0:14:47.160
<v Speaker 1>What happens fell on my button?

0:14:48.240 --> 0:14:49.000
<v Speaker 3>Oh my god.

0:14:49.520 --> 0:14:51.400
<v Speaker 1>So they're like, yes, bring your life stunty.

0:14:52.200 --> 0:14:55.360
<v Speaker 3>Thank you for letting us see in action that we

0:14:55.360 --> 0:14:55.720
<v Speaker 3>were right.

0:14:56.200 --> 0:14:58.960
<v Speaker 1>Oh worst, A very humbling moment.

0:14:59.200 --> 0:15:02.960
<v Speaker 2>But well, I mean, I guess in that case, Mary

0:15:03.040 --> 0:15:04.960
<v Speaker 2>Kate was doing a lot better than you were.

0:15:05.040 --> 0:15:07.440
<v Speaker 1>Oh yeah, that's why I'm impressed with her abilities.

0:15:07.440 --> 0:15:07.600
<v Speaker 3>All.

0:15:07.640 --> 0:15:09.000
<v Speaker 1>She did way better than I did at age.

0:15:09.040 --> 0:15:12.280
<v Speaker 3>I already lepped over the carpet probably actually you.

0:15:12.240 --> 0:15:14.520
<v Speaker 1>Did many times, many times.

0:15:15.080 --> 0:15:17.440
<v Speaker 4>So we have the opening credits, and then we are

0:15:17.440 --> 0:15:21.240
<v Speaker 4>in Jesse's room. Joey and Jesse are pacing. They're trying

0:15:21.240 --> 0:15:24.320
<v Speaker 4>to find a way to give their new jingle some pizzazz.

0:15:25.280 --> 0:15:28.400
<v Speaker 4>Jesse points to the poster of Sammy Davis Junior and

0:15:28.440 --> 0:15:32.240
<v Speaker 4>gets an idea. Joey suggests, we'll give them a Sammy

0:15:32.320 --> 0:15:36.200
<v Speaker 4>double whammy. They channel their inner Sammy Davis Junior and

0:15:36.320 --> 0:15:37.920
<v Speaker 4>give the jingle a shot.

0:15:38.280 --> 0:15:40.200
<v Speaker 1>Oh boy, it was bad. That was cringe.

0:15:40.240 --> 0:15:42.320
<v Speaker 3>It was super cringe.

0:15:42.640 --> 0:15:43.480
<v Speaker 1>Yeah, that was it.

0:15:43.960 --> 0:15:46.960
<v Speaker 3>I want to I was like like I just kind

0:15:46.960 --> 0:15:48.000
<v Speaker 3>of sucked up into myself.

0:15:48.000 --> 0:15:51.920
<v Speaker 4>I was like, no, no, you know, they tried, they tried,

0:15:51.960 --> 0:15:52.360
<v Speaker 4>they tried.

0:15:52.640 --> 0:15:56.680
<v Speaker 1>Yeah, a for effort, but yeah, it was not good.

0:15:57.720 --> 0:15:58.080
<v Speaker 1>Not good.

0:15:58.080 --> 0:16:01.200
<v Speaker 2>Sorry, that's okay, Sorry, guys, Yeah, it was. I mean, look,

0:16:01.200 --> 0:16:02.600
<v Speaker 2>it was as good as my English accent.

0:16:02.960 --> 0:16:06.160
<v Speaker 3>Okay, that's fair, that's fair. Yeah, yeah yeah.

0:16:06.280 --> 0:16:08.920
<v Speaker 4>Jesse reminds Joey that they have to get this done

0:16:09.040 --> 0:16:13.720
<v Speaker 4>by tomorrow, again procrastinating what yeah, Then he asks how

0:16:13.800 --> 0:16:17.200
<v Speaker 4>much time they have before the girls come home. Joey states, well,

0:16:17.360 --> 0:16:21.400
<v Speaker 4>at the stroke of three, we turned back into housewives.

0:16:21.480 --> 0:16:26.000
<v Speaker 4>These these gender jokes did not age well, so Jesse

0:16:26.120 --> 0:16:29.320
<v Speaker 4>quickly asks Joey what comes to mind when he says

0:16:29.600 --> 0:16:31.400
<v Speaker 4>twenty four hour convenience store.

0:16:31.920 --> 0:16:34.680
<v Speaker 1>Joey shrugs six dollars for a loaf of bread.

0:16:35.560 --> 0:16:39.560
<v Speaker 3>Now here's here's here's the sad thing is in today's economy,

0:16:39.680 --> 0:16:42.920
<v Speaker 3>I'm not sure if that's good or bad. I'm like,

0:16:43.000 --> 0:16:44.760
<v Speaker 3>six dollars for a loaf of bread.

0:16:45.040 --> 0:16:47.360
<v Speaker 1>I thought that was a lot for nineteen eighty nine.

0:16:47.960 --> 0:16:48.560
<v Speaker 3>Right, right?

0:16:48.640 --> 0:16:49.360
<v Speaker 1>But right?

0:16:49.520 --> 0:16:51.520
<v Speaker 2>So that I mean, you know, the tour is a

0:16:51.560 --> 0:16:53.760
<v Speaker 2>convenience store. You pay a lot more for like any

0:16:53.760 --> 0:16:58.120
<v Speaker 2>little food items. But nowadays I feel like we're probably

0:16:58.120 --> 0:16:58.960
<v Speaker 2>pushing six.

0:16:58.800 --> 0:17:01.320
<v Speaker 3>Dollars for a loaf of bread. Yeah, I was like,

0:17:01.360 --> 0:17:04.320
<v Speaker 3>six dollars over bread? Is that bad or good?

0:17:04.400 --> 0:17:05.200
<v Speaker 1>Yeah?

0:17:05.400 --> 0:17:09.360
<v Speaker 4>I hesitated too, sure of the reference. Yeah, yeah, I

0:17:09.040 --> 0:17:13.040
<v Speaker 4>that joke didn't age well either, but yeah, well neither

0:17:13.080 --> 0:17:18.520
<v Speaker 4>did inflation exactly. They continue to brainstorm ideas for Hurry

0:17:18.560 --> 0:17:22.360
<v Speaker 4>Mart and come up with Hurry Mart, the Great American

0:17:22.440 --> 0:17:23.200
<v Speaker 4>General Store.

0:17:24.119 --> 0:17:25.600
<v Speaker 1>Jesse asks how much time.

0:17:25.720 --> 0:17:29.440
<v Speaker 4>They have left, just as Stephan DJ walk in greeting them.

0:17:29.800 --> 0:17:33.040
<v Speaker 4>Steph is dressed in a honeybee costume and tells Jesse

0:17:33.200 --> 0:17:35.720
<v Speaker 4>it's his turn to drive the honeybee carpool.

0:17:36.280 --> 0:17:39.159
<v Speaker 1>We can't be late, she says.

0:17:39.880 --> 0:17:45.120
<v Speaker 2>The honeybee puns and things. Whenever the honey bees were around.

0:17:45.040 --> 0:17:47.800
<v Speaker 3>Was just ridiculously good.

0:17:47.880 --> 0:17:50.159
<v Speaker 1>Oh. I never get tired of the bee jokes, never

0:17:50.240 --> 0:17:52.119
<v Speaker 1>get tired of them. I never get tired of seeing

0:17:52.080 --> 0:17:55.600
<v Speaker 1>you enjoyed it in the bee costume, like it's so adorable.

0:17:56.480 --> 0:17:59.560
<v Speaker 3>Yeah, And I feel this is just sort of a

0:17:59.640 --> 0:18:02.639
<v Speaker 3>general note. I feel like the hair in this episode.

0:18:03.760 --> 0:18:07.760
<v Speaker 3>Everyone hairstyles were a little, i don't know, a little better.

0:18:07.760 --> 0:18:09.719
<v Speaker 1>For you or just they're cast in general.

0:18:10.200 --> 0:18:13.679
<v Speaker 2>I mean, I think maybe we we finally got to

0:18:13.760 --> 0:18:16.040
<v Speaker 2>taming that terrible perm of mine.

0:18:16.240 --> 0:18:20.680
<v Speaker 1>Oh okay, but I also just like, uh.

0:18:20.400 --> 0:18:23.320
<v Speaker 3>I don't know, I feel like we we the hair

0:18:23.440 --> 0:18:24.080
<v Speaker 3>was a little better.

0:18:24.160 --> 0:18:25.880
<v Speaker 1>They maybe French hairraid.

0:18:26.600 --> 0:18:26.840
<v Speaker 3>Nice.

0:18:26.960 --> 0:18:29.040
<v Speaker 4>Yeah, I wrote that down like I love that French braid.

0:18:29.720 --> 0:18:33.040
<v Speaker 4>Candace's hair too, has a lot of volume, a lot

0:18:33.200 --> 0:18:33.600
<v Speaker 4>of Yeah.

0:18:33.760 --> 0:18:37.080
<v Speaker 2>I feel like, yeah, I feel like we maybe got

0:18:37.160 --> 0:18:41.960
<v Speaker 2>a new a new hair person or something, because it

0:18:42.119 --> 0:18:46.120
<v Speaker 2>just feels like there's a little more attention to making

0:18:46.200 --> 0:18:48.520
<v Speaker 2>the kid's hair look like really done.

0:18:48.600 --> 0:18:48.840
<v Speaker 1>Yeah.

0:18:49.480 --> 0:18:53.000
<v Speaker 4>I'll have to look back at IMDb or something. But

0:18:53.680 --> 0:18:55.520
<v Speaker 4>I don't know if it was early seasons or later seasons.

0:18:55.560 --> 0:18:58.120
<v Speaker 4>We had Frankie as our hair stylist.

0:18:58.720 --> 0:19:00.920
<v Speaker 2>That was like mid season, so I'm wondering if she

0:19:01.040 --> 0:19:03.360
<v Speaker 2>might have joined around this time.

0:19:03.760 --> 0:19:03.960
<v Speaker 5>Yeah.

0:19:04.480 --> 0:19:07.960
<v Speaker 4>Yeah, and I had Matt danon did my hair yes

0:19:08.200 --> 0:19:10.560
<v Speaker 4>later seasons that was later season. I was definitely like

0:19:10.640 --> 0:19:13.800
<v Speaker 4>season seven eight, So yeah, maybe this is Frankie. Frankie's

0:19:13.840 --> 0:19:17.720
<v Speaker 4>come in and this is her stamp on full full house.

0:19:17.720 --> 0:19:19.720
<v Speaker 1>I don't know. Anyways, we're getting.

0:19:19.520 --> 0:19:24.200
<v Speaker 4>Distracted by hair by hair. DJ walks over to Joey

0:19:24.640 --> 0:19:27.320
<v Speaker 4>and asks for help with her karate. He's holding a

0:19:27.359 --> 0:19:30.320
<v Speaker 4>pencil in his hand and DJ chops it in a half.

0:19:31.080 --> 0:19:33.840
<v Speaker 4>Joey's impressed. I pity the guy who tries to attack

0:19:33.920 --> 0:19:37.480
<v Speaker 4>you with a pencil. Steph asks Jesse if he could

0:19:37.520 --> 0:19:40.440
<v Speaker 4>teach her an Elvis song for the Honeybee Talent Show.

0:19:41.320 --> 0:19:44.320
<v Speaker 4>Jesse replies in his Elvis voice, I'd be happy to

0:19:44.400 --> 0:19:47.960
<v Speaker 4>help you out there, little mama, and Steph mimics the impression.

0:19:48.520 --> 0:19:52.920
<v Speaker 1>Thank you very much. You're a beautiful uncle. And you

0:19:53.040 --> 0:19:55.639
<v Speaker 1>did that impression way better than I just did. Right now.

0:19:56.359 --> 0:19:58.520
<v Speaker 1>You did very good for a six year old or

0:19:58.520 --> 0:19:59.520
<v Speaker 1>seven year old. You did.

0:20:01.440 --> 0:20:04.040
<v Speaker 3>It's good. I can see I see the lip. Yeah, no,

0:20:04.119 --> 0:20:07.280
<v Speaker 3>I can't do a thing. Yeah, this doesn't work. It

0:20:07.440 --> 0:20:07.840
<v Speaker 3>was great.

0:20:08.880 --> 0:20:11.959
<v Speaker 4>Jesse gives her some pointers by flipping her collar up

0:20:12.080 --> 0:20:15.200
<v Speaker 4>and holding up her lip as she tries the impression again.

0:20:15.560 --> 0:20:16.159
<v Speaker 3>That's what you need.

0:20:16.320 --> 0:20:17.680
<v Speaker 1>You need someone there to hold.

0:20:17.560 --> 0:20:18.080
<v Speaker 3>Up your lip.

0:20:18.240 --> 0:20:19.920
<v Speaker 2>That's about the only way I can do it. But

0:20:21.600 --> 0:20:23.840
<v Speaker 2>now I just look like I haven't getting dental work done. Yeah,

0:20:25.160 --> 0:20:28.600
<v Speaker 2>I just like a yeah, you're getting a crown put.

0:20:28.520 --> 0:20:30.920
<v Speaker 3>On my on my gums or something. Yeah.

0:20:39.480 --> 0:20:40.879
<v Speaker 1>The next scene, we're in the kitchen.

0:20:41.400 --> 0:20:44.840
<v Speaker 4>Jesse is pacing the kitchen while holding the telephone, telling

0:20:44.920 --> 0:20:47.879
<v Speaker 4>it to ring, and Michelle mimicks him every time he

0:20:47.960 --> 0:20:51.680
<v Speaker 4>says it ring. Jesse finally tells her, not you the

0:20:51.840 --> 0:20:55.400
<v Speaker 4>telephone huh. Never get tired of that either.

0:20:55.600 --> 0:20:55.840
<v Speaker 3>Huh.

0:20:56.080 --> 0:20:59.920
<v Speaker 4>Right, Joey walks up from his room carrying four large

0:21:00.119 --> 0:21:03.880
<v Speaker 4>garbage bags. He announces that he finally cleaned under his bed.

0:21:04.920 --> 0:21:08.119
<v Speaker 3>Jesse's Joey looks very fashionable. By the way, this is

0:21:08.200 --> 0:21:10.440
<v Speaker 3>the most normal I've seen Joey.

0:21:11.119 --> 0:21:12.919
<v Speaker 1>Yeah, and he wears a suit later on.

0:21:13.720 --> 0:21:16.280
<v Speaker 3>A suit, but like he's just got a striped shirt

0:21:16.520 --> 0:21:17.280
<v Speaker 3>and the pants.

0:21:17.400 --> 0:21:20.359
<v Speaker 1>Yeah, there's no wacky sweaters with geometric I mean, I think.

0:21:20.240 --> 0:21:23.280
<v Speaker 2>There was something like a weird little emblem of something

0:21:23.480 --> 0:21:27.080
<v Speaker 2>on the shirt. But from whatever it was like, it

0:21:27.240 --> 0:21:30.520
<v Speaker 2>was not it was very demure, shall we say, for

0:21:30.960 --> 0:21:32.200
<v Speaker 2>mister Gladstone's wardrobe.

0:21:32.520 --> 0:21:33.120
<v Speaker 3>But he looked great.

0:21:33.800 --> 0:21:36.720
<v Speaker 1>He does look great, more like a Joe. He's not Joey,

0:21:36.840 --> 0:21:37.440
<v Speaker 1>he's Joe.

0:21:38.200 --> 0:21:40.480
<v Speaker 2>Maybe that's sort of the thing, is that he's, you know,

0:21:41.000 --> 0:21:43.159
<v Speaker 2>all of those clothes, like he cleaned out all of

0:21:43.200 --> 0:21:44.280
<v Speaker 2>the ridiculous clothes.

0:21:44.440 --> 0:21:46.119
<v Speaker 1>That makes sense. I can't even put that together.

0:21:46.560 --> 0:21:46.879
<v Speaker 3>I don't know.

0:21:47.160 --> 0:21:47.560
<v Speaker 5>I like that.

0:21:47.760 --> 0:21:49.760
<v Speaker 4>Well, he had like four garbage bags. I mean, what

0:21:50.480 --> 0:21:52.119
<v Speaker 4>else would be in those besides clothes?

0:21:53.200 --> 0:21:57.480
<v Speaker 2>Anne, I've seen I've seen teenager's rooms. There's a lot

0:21:57.520 --> 0:21:58.560
<v Speaker 2>of things that can be under a bed.

0:22:00.240 --> 0:22:02.160
<v Speaker 1>It's like a hoarder's den for sure. God.

0:22:02.480 --> 0:22:06.480
<v Speaker 4>Yeah, So Jesse is very stressed because the agency was

0:22:06.480 --> 0:22:09.280
<v Speaker 4>supposed to call them at one thirty and it's one

0:22:09.480 --> 0:22:13.200
<v Speaker 4>thirty two. They must have hated their hurry Mark jingle.

0:22:13.800 --> 0:22:16.200
<v Speaker 4>Joey tells them to relax. They must have liked it

0:22:16.280 --> 0:22:18.120
<v Speaker 4>so much they threw a party and lost.

0:22:17.960 --> 0:22:21.800
<v Speaker 1>Track of time. Yep, right, sure, Joey.

0:22:22.560 --> 0:22:25.439
<v Speaker 4>Jesse snaps back, what's obvious is that when you were

0:22:25.480 --> 0:22:27.359
<v Speaker 4>a baby, somebody played the bongos on.

0:22:27.400 --> 0:22:33.440
<v Speaker 1>Your soft spot. Ouch. Wow. The barbs keep on flying

0:22:33.520 --> 0:22:34.200
<v Speaker 1>between these two.

0:22:34.280 --> 0:22:36.840
<v Speaker 3>Yeah, that was actually a pretty good one though. Yeah, yeah,

0:22:37.280 --> 0:22:38.040
<v Speaker 3>that was kind of funny.

0:22:38.600 --> 0:22:41.080
<v Speaker 4>Joey asks for a hand with the garbage, and Jesse

0:22:41.200 --> 0:22:44.160
<v Speaker 4>tells Michelle to come with them. When the boys walk outside,

0:22:44.320 --> 0:22:47.679
<v Speaker 4>Michelle decides to slam the door shut on them, locking

0:22:47.760 --> 0:22:48.840
<v Speaker 4>them out of the house.

0:22:49.760 --> 0:22:53.560
<v Speaker 3>Okay, when do we ever lock the door though everybody

0:22:53.600 --> 0:22:56.600
<v Speaker 3>else walks into the damn house? Yeah, We've never It's

0:22:56.720 --> 0:22:57.920
<v Speaker 3>always always open.

0:22:58.160 --> 0:23:00.879
<v Speaker 4>Kimmy, I've barged through that door more times than I

0:23:00.920 --> 0:23:01.919
<v Speaker 4>can count, And so I'm like.

0:23:02.000 --> 0:23:04.120
<v Speaker 3>When did they sudden suddenly we're locking the door.

0:23:04.600 --> 0:23:09.000
<v Speaker 1>It's a convenient just for the jokes. Got the jokes

0:23:09.000 --> 0:23:10.120
<v Speaker 1>gotta work, yep, yep.

0:23:10.520 --> 0:23:12.920
<v Speaker 4>So the guys jiggle the handle and encourage Michelle to

0:23:13.000 --> 0:23:15.919
<v Speaker 4>open the door. Just as she begins to walk towards them,

0:23:16.000 --> 0:23:18.639
<v Speaker 4>the phone rings. She immediately runs over it to it

0:23:18.760 --> 0:23:24.879
<v Speaker 4>and answers, hey man, Jesse. Jesse's yelling at her from

0:23:24.920 --> 0:23:27.040
<v Speaker 4>outside the window to take a message and grab a

0:23:27.119 --> 0:23:31.160
<v Speaker 4>pencil from the desk. Michelle says bye, man and hangs

0:23:31.240 --> 0:23:33.800
<v Speaker 4>up the phone before quickly running into the living room.

0:23:34.440 --> 0:23:36.600
<v Speaker 4>The boys think she's headed for the front door and

0:23:36.800 --> 0:23:39.280
<v Speaker 4>run in that direction. And I think this is the

0:23:39.359 --> 0:23:42.440
<v Speaker 4>first time we have seen actors use that space, that

0:23:42.640 --> 0:23:44.240
<v Speaker 4>back window in the kitchen.

0:23:44.520 --> 0:23:45.840
<v Speaker 3>With the light the back window.

0:23:46.680 --> 0:23:49.200
<v Speaker 4>I like, I don't recall ever being back there for

0:23:49.320 --> 0:23:52.120
<v Speaker 4>a scene. That's just where they store like dusty foliage

0:23:52.240 --> 0:23:54.720
<v Speaker 4>and light fans for the wind right.

0:23:55.240 --> 0:23:58.600
<v Speaker 2>Yeah, I think maybe one episode you saw somebody like

0:23:58.920 --> 0:24:01.320
<v Speaker 2>cross another time, but yeah, something like that. But you've

0:24:01.400 --> 0:24:04.879
<v Speaker 2>never seen anybody imply that you can get from the

0:24:04.960 --> 0:24:07.800
<v Speaker 2>backyard to the front door through the sideyard.

0:24:07.880 --> 0:24:13.720
<v Speaker 4>Oh yeah, and now picturing the house because you have

0:24:13.880 --> 0:24:15.840
<v Speaker 4>to go up, you have to go up a level

0:24:15.960 --> 0:24:19.280
<v Speaker 4>to get to the living room, which is what the

0:24:19.320 --> 0:24:21.800
<v Speaker 4>backyard is on the same level as the living room.

0:24:21.960 --> 0:24:24.160
<v Speaker 4>So did they go around and then like slide down

0:24:24.200 --> 0:24:28.160
<v Speaker 4>a hill to get around to I'm overthinking this. I'm

0:24:28.200 --> 0:24:29.080
<v Speaker 4>definitely overthinking this.

0:24:29.240 --> 0:24:35.160
<v Speaker 3>This is this, This house is the Winchester Mystery House. Okay,

0:24:35.359 --> 0:24:37.199
<v Speaker 3>it doesn't. It has stairs that go nowhere.

0:24:37.359 --> 0:24:40.320
<v Speaker 2>It's got it's like an Escher painting, you know, like

0:24:40.440 --> 0:24:43.040
<v Speaker 2>it just looks like it's three different stories, but really

0:24:43.080 --> 0:24:44.480
<v Speaker 2>it's just one continuous loop.

0:24:44.600 --> 0:24:45.920
<v Speaker 3>Like the house makes no sense.

0:24:46.040 --> 0:24:49.199
<v Speaker 2>Don't even don't attempt to like look at the picture

0:24:49.320 --> 0:24:51.280
<v Speaker 2>and reconcile it, because it's just not gonna happen.

0:24:51.359 --> 0:24:54.200
<v Speaker 4>Yeah, and my brain already hurts just from trying to

0:24:54.600 --> 0:24:56.560
<v Speaker 4>work that out in my brain, just from waking up.

0:25:00.200 --> 0:25:02.639
<v Speaker 4>So all of a sudden, Danny walks into the kitchen

0:25:02.920 --> 0:25:05.880
<v Speaker 4>and picks up Michelle. He asks where Joey and Jesse went,

0:25:06.280 --> 0:25:08.040
<v Speaker 4>and she tells him they are on the patio.

0:25:09.600 --> 0:25:14.280
<v Speaker 3>Danny lets up Lenie Ray the patio.

0:25:15.200 --> 0:25:16.920
<v Speaker 1>I'm like you, she doesn't know what a patio is.

0:25:18.880 --> 0:25:21.520
<v Speaker 4>Danny laughs and he says, when did you learn to

0:25:21.560 --> 0:25:25.480
<v Speaker 4>say patio? And she tells him Sunday He asks when

0:25:25.520 --> 0:25:29.200
<v Speaker 4>she learned to say Sunday and she responds Monday. This

0:25:29.440 --> 0:25:31.720
<v Speaker 4>is so cute, you know, she's just learning her days

0:25:31.760 --> 0:25:33.679
<v Speaker 4>of the week and she's just so proud.

0:25:34.440 --> 0:25:34.680
<v Speaker 3>Yeah.

0:25:35.200 --> 0:25:38.879
<v Speaker 2>I mean, maybe she's just or she's actually having a

0:25:38.960 --> 0:25:41.679
<v Speaker 2>conversation and she's just incredibly quick witted for a two

0:25:41.760 --> 0:25:43.919
<v Speaker 2>year old, and she's got great timing.

0:25:44.440 --> 0:25:48.080
<v Speaker 1>Secretly, Michelle is smarter than anyone else in the Tanner household,

0:25:48.640 --> 0:25:50.040
<v Speaker 1>at least smarter than the gain. Oh.

0:25:50.160 --> 0:25:52.480
<v Speaker 3>Look that I've seen a few episodes. Sometimes that bar

0:25:52.600 --> 0:25:56.000
<v Speaker 3>is pretty low, you know what I mean. So it's possible.

0:25:58.160 --> 0:26:01.600
<v Speaker 4>So Jessa Joey continue to run around house shouting for Michelle.

0:26:02.119 --> 0:26:04.240
<v Speaker 4>Jesse offers her a cookie and a kiss if she

0:26:04.320 --> 0:26:07.639
<v Speaker 4>opens the door. Danny hears them outside and unlocks the

0:26:07.680 --> 0:26:10.000
<v Speaker 4>door himself. Where's my kiss and cookie?

0:26:10.080 --> 0:26:10.600
<v Speaker 1>He jokes.

0:26:11.640 --> 0:26:14.760
<v Speaker 4>The phone rings again and Jesse answers it immediately. It's

0:26:14.840 --> 0:26:18.639
<v Speaker 4>mister Malatesta from the ad agency. Joey holds the phone

0:26:18.680 --> 0:26:20.920
<v Speaker 4>to his chest so he can cheer loudly about the

0:26:21.000 --> 0:26:25.600
<v Speaker 4>fact that they brought they bought their jingle whoo. He

0:26:25.720 --> 0:26:27.720
<v Speaker 4>returns back to the phone and calmly tells the man

0:26:28.240 --> 0:26:29.280
<v Speaker 4>that's awfully good news.

0:26:29.480 --> 0:26:29.640
<v Speaker 1>Sir.

0:26:30.760 --> 0:26:33.120
<v Speaker 4>Joey and Jesse split off into their rooms to get ready,

0:26:33.119 --> 0:26:37.000
<v Speaker 4>and Danny sarcastically complains, somebody still owes me a kiss,

0:26:37.480 --> 0:26:40.000
<v Speaker 4>and Michelle places one on his cheek as he holds her.

0:26:40.680 --> 0:26:41.639
<v Speaker 3>That was so sweet.

0:26:42.080 --> 0:26:42.960
<v Speaker 1>Oh love it.

0:26:43.200 --> 0:26:47.800
<v Speaker 3>What an episode, though, that wouldn't make any sense today

0:26:48.359 --> 0:26:53.320
<v Speaker 3>with cell phones with a landline. Yeah, waiting for a call.

0:26:54.200 --> 0:26:57.080
<v Speaker 1>That phone, which by the way, looks very plastic and

0:26:57.280 --> 0:26:58.560
<v Speaker 1>Fisher Price esque.

0:26:59.440 --> 0:27:01.920
<v Speaker 3>No, it was real phone though, I mean it didn't

0:27:02.160 --> 0:27:03.040
<v Speaker 3>it didn't connect anything.

0:27:03.160 --> 0:27:05.840
<v Speaker 1>Yeah, but they looked so plastically.

0:27:06.080 --> 0:27:09.280
<v Speaker 3>But that's been a lot when you had colors that

0:27:09.480 --> 0:27:13.840
<v Speaker 3>matched your decord. Who has a blue phone? Besides like

0:27:14.240 --> 0:27:17.440
<v Speaker 3>blues clues, you know what I mean? Who's got a

0:27:17.480 --> 0:27:18.920
<v Speaker 3>blue phone? Yeah?

0:27:19.119 --> 0:27:21.200
<v Speaker 4>And it's it's not even like the lips phone. I

0:27:21.280 --> 0:27:24.000
<v Speaker 4>understand why DJ has the lips phone because that's cool

0:27:24.119 --> 0:27:24.840
<v Speaker 4>to a teenager.

0:27:25.080 --> 0:27:27.040
<v Speaker 3>Also very difficult to talk into. Though.

0:27:27.200 --> 0:27:29.760
<v Speaker 2>Have you ever tried to hold one of those half

0:27:29.840 --> 0:27:31.680
<v Speaker 2>of a lip on your shoulder while you're trying to

0:27:31.720 --> 0:27:33.760
<v Speaker 2>do something else with your It's nearly impossible.

0:27:33.840 --> 0:27:38.119
<v Speaker 1>Yeah, yeah, no, it's not very ergonomical, but hey, it

0:27:38.280 --> 0:27:40.920
<v Speaker 1>matches the curtains and that well, not the lip phone,

0:27:40.960 --> 0:27:43.720
<v Speaker 1>but the blue phone. So right, right, that's all, that's

0:27:43.720 --> 0:27:44.800
<v Speaker 1>all we care about, okay.

0:27:45.040 --> 0:27:47.680
<v Speaker 2>And it had a very long chord because it lived

0:27:47.880 --> 0:27:49.920
<v Speaker 2>on that little back table. And now it's, for some

0:27:50.080 --> 0:27:53.040
<v Speaker 2>reason sitting on Michelle's table because that's where one would

0:27:53.080 --> 0:27:53.600
<v Speaker 2>have a phone.

0:27:54.240 --> 0:27:57.240
<v Speaker 1>Why was it on Michelle's table? I didn't mean that

0:27:57.320 --> 0:27:59.399
<v Speaker 1>the joke could work, so the joe could work, So

0:27:59.480 --> 0:28:00.280
<v Speaker 1>the joke could work.

0:28:00.400 --> 0:28:02.520
<v Speaker 2>Well, now I think he's also holding it in the beginning,

0:28:02.520 --> 0:28:05.080
<v Speaker 2>and then he sets it down on the on that

0:28:05.200 --> 0:28:08.880
<v Speaker 2>tape so that the joke, so that the joke will work.

0:28:08.920 --> 0:28:10.560
<v Speaker 1>Okay, okay, okay, I'll buy that.

0:28:11.640 --> 0:28:14.200
<v Speaker 4>So the next scene, we're in the the ad agency.

0:28:14.920 --> 0:28:17.840
<v Speaker 4>Jesse and Joey arrive in suits and are greeted by

0:28:18.000 --> 0:28:21.760
<v Speaker 4>mister mala Testa. He compliments their work, and Joey asks,

0:28:22.240 --> 0:28:26.240
<v Speaker 4>so you really like our jingle? Mister Malatesta replies, no,

0:28:26.800 --> 0:28:27.600
<v Speaker 4>I like my wife.

0:28:28.040 --> 0:28:29.399
<v Speaker 1>I love the jingle.

0:28:30.840 --> 0:28:37.560
<v Speaker 3>Such a vaudevillian joke, like Rodney Dangerfield. I wonder if

0:28:37.600 --> 0:28:41.560
<v Speaker 3>this was a Lenny Rips joke. He wrote Dangerfield, and

0:28:42.040 --> 0:28:44.480
<v Speaker 3>it's a very Dangerfield esque joke.

0:28:44.560 --> 0:28:47.720
<v Speaker 1>I bet I bet that's a wife, but I love

0:28:47.920 --> 0:28:51.520
<v Speaker 1>the right take my wife please. That's got Lenny's Lenny's

0:28:51.600 --> 0:28:52.320
<v Speaker 1>voice written.

0:28:52.680 --> 0:28:54.280
<v Speaker 3>Well, I mean it's also a very that was just

0:28:54.360 --> 0:28:56.480
<v Speaker 3>sort of that the comedy of the time.

0:28:56.720 --> 0:28:59.280
<v Speaker 1>But yeah, okay, yeah, no, it's funny.

0:29:00.440 --> 0:29:03.800
<v Speaker 4>Jesse and Joey erupt into fake laughter. He asks the

0:29:03.840 --> 0:29:07.800
<v Speaker 4>boys about turning their jingle into a whole campaign. Jesse

0:29:07.960 --> 0:29:10.680
<v Speaker 4>tells him it's not a problem, but they haven't come

0:29:10.760 --> 0:29:14.840
<v Speaker 4>up with a campaign before. Mister Melotusta laughs and Jesse

0:29:14.960 --> 0:29:17.760
<v Speaker 4>and Joey join in. It's like, no, no, Jesse was

0:29:17.800 --> 0:29:19.280
<v Speaker 4>telling the truth, sir.

0:29:19.480 --> 0:29:21.720
<v Speaker 3>Why are you you hired these people to write a song,

0:29:21.880 --> 0:29:23.240
<v Speaker 3>not to run an ad campaign.

0:29:23.240 --> 0:29:25.200
<v Speaker 1>It's a whole different career right there.

0:29:25.320 --> 0:29:27.560
<v Speaker 2>You know, right, You're like, I know you can maybe

0:29:27.560 --> 0:29:30.440
<v Speaker 2>write a little music, but how about ad campaign?

0:29:30.720 --> 0:29:34.400
<v Speaker 1>What I'm a commercial with actors and sets and commercial.

0:29:34.480 --> 0:29:36.680
<v Speaker 2>Give me storyboards, give me the whole thing, right, I

0:29:36.760 --> 0:29:38.640
<v Speaker 2>know it's not at all music related, but just roll

0:29:38.680 --> 0:29:40.920
<v Speaker 2>with it. In a day too, they have a day

0:29:41.600 --> 0:29:44.840
<v Speaker 2>and you have a corner office in San Francisco with

0:29:44.960 --> 0:29:45.480
<v Speaker 2>a bay view.

0:29:45.840 --> 0:29:50.160
<v Speaker 1>There's so many things not there's so many things raw episode.

0:29:50.320 --> 0:29:54.520
<v Speaker 3>I mean again is the you know, the luck of

0:29:56.200 --> 0:29:57.760
<v Speaker 3>men in the eighties. They just got it. They got

0:29:57.800 --> 0:29:59.520
<v Speaker 3>it here. You want it. You want an office job,

0:29:59.600 --> 0:30:01.600
<v Speaker 3>get your the whole job, the whole all of it.

0:30:01.720 --> 0:30:03.520
<v Speaker 1>There you go, yeah, all of it, to take it all?

0:30:03.800 --> 0:30:06.000
<v Speaker 1>Oh dear, yeah, Hi, that's the eighties.

0:30:07.240 --> 0:30:10.080
<v Speaker 4>Mister Malatesta tells the boys that he has faith in

0:30:10.240 --> 0:30:12.680
<v Speaker 4>them and if they do well, he will offer them

0:30:12.760 --> 0:30:16.520
<v Speaker 4>a full kind job. Jesse and Joey are extremely grateful

0:30:16.640 --> 0:30:19.640
<v Speaker 4>and they tell mister Malatesta they'll have the campaign done

0:30:19.720 --> 0:30:23.200
<v Speaker 4>by next week. But before they can leave, mister Malatesta

0:30:23.280 --> 0:30:25.280
<v Speaker 4>tells the boys they need to present the idea to

0:30:25.400 --> 0:30:30.560
<v Speaker 4>the client tomorrow. Jesse and Joey laugh, but mister Malatesta

0:30:30.720 --> 0:30:33.520
<v Speaker 4>isn't joking. He guides them into an office with a

0:30:33.640 --> 0:30:37.320
<v Speaker 4>beautiful view of San Francisco, telling them to make themselves

0:30:37.480 --> 0:30:37.960
<v Speaker 4>at home.

0:30:39.560 --> 0:30:41.680
<v Speaker 2>They are they panicking that it has to be done tomorrow.

0:30:41.760 --> 0:30:43.840
<v Speaker 2>When have they ever done anything ahead of time? They

0:30:43.920 --> 0:30:45.560
<v Speaker 2>always do things the night.

0:30:45.560 --> 0:30:47.200
<v Speaker 1>Night before, and then they stay up all night.

0:30:47.320 --> 0:30:49.040
<v Speaker 2>They should be like, great, I'm so glad that you

0:30:49.160 --> 0:30:51.440
<v Speaker 2>know our working style and that we only work under

0:30:52.000 --> 0:30:52.840
<v Speaker 2>extreme pressure.

0:30:52.920 --> 0:30:53.840
<v Speaker 3>So we got this.

0:30:54.400 --> 0:30:56.320
<v Speaker 4>Yes, even if they had a week, they would wait

0:30:56.480 --> 0:31:01.240
<v Speaker 4>until the night, wait until they're basically my kids. Yeah

0:31:01.800 --> 0:31:05.920
<v Speaker 4>they are teenagers. Yeah yeah, waiting till the very last minute.

0:31:06.440 --> 0:31:08.520
<v Speaker 4>I need a costume, I need to write a paper.

0:31:08.800 --> 0:31:12.160
<v Speaker 3>You had to do this, I mean a week or

0:31:12.240 --> 0:31:14.320
<v Speaker 3>a day, it really doesn't matter.

0:31:14.320 --> 0:31:14.920
<v Speaker 1>It doesn't matter.

0:31:15.880 --> 0:31:18.520
<v Speaker 4>So next in the living room, Danny is seated on

0:31:18.600 --> 0:31:20.840
<v Speaker 4>the edge of the couch, using one arm to hold

0:31:20.880 --> 0:31:23.360
<v Speaker 4>the phone and talk to Jesse and the other to

0:31:23.440 --> 0:31:26.560
<v Speaker 4>hold a punching bag for DJ as she practices her karate.

0:31:27.400 --> 0:31:30.000
<v Speaker 4>Danny tells Jesse, Yeah, don't worry, I'll cover for you

0:31:30.200 --> 0:31:32.960
<v Speaker 4>with the girls. DJ needs him to hold the bag

0:31:33.040 --> 0:31:35.600
<v Speaker 4>a little higher, and Danny tells her to go practice

0:31:35.680 --> 0:31:40.080
<v Speaker 4>her mean faces instead. Danny tells Jesse, if you guys

0:31:40.160 --> 0:31:42.360
<v Speaker 4>get stuck and need any help with funny ideas for

0:31:42.440 --> 0:31:46.920
<v Speaker 4>your commercial, I could hello hello he was hung up on.

0:31:47.680 --> 0:31:48.840
<v Speaker 1>They don't need Danny's help.

0:31:49.240 --> 0:31:52.800
<v Speaker 2>Right, Yeah, they're obviously experts. They're like, no, they've gone

0:31:52.840 --> 0:31:54.920
<v Speaker 2>from we don't know anything to like, we don't.

0:31:54.800 --> 0:31:58.560
<v Speaker 3>Need help real quick. The confidence man from the one

0:31:58.600 --> 0:32:01.400
<v Speaker 3>person who has worked Intel Vision before that might have

0:32:01.600 --> 0:32:04.640
<v Speaker 3>some sort of an idea of you know, hey, you

0:32:04.720 --> 0:32:06.160
<v Speaker 3>guys want to Oh you got it.

0:32:06.600 --> 0:32:11.480
<v Speaker 4>Okay, Steph Waltz is into the living room with that

0:32:11.960 --> 0:32:16.360
<v Speaker 4>red Scottie Dog sweater I think we've seen three times now, apparently.

0:32:16.720 --> 0:32:18.440
<v Speaker 2>You know what though, I like that they lean into

0:32:18.520 --> 0:32:21.720
<v Speaker 2>the fact that Steph probably is like, like Eddie Kidd

0:32:21.760 --> 0:32:25.400
<v Speaker 2>has one particular sweatshirt that she's mildly obsessed with, Yeah,

0:32:25.720 --> 0:32:27.680
<v Speaker 2>and like wants to wear all the time, And you're like,

0:32:27.760 --> 0:32:29.880
<v Speaker 2>you you have to put that in the laundry place.

0:32:30.160 --> 0:32:30.400
<v Speaker 1>Yeah.

0:32:31.040 --> 0:32:32.920
<v Speaker 2>I don't know about your kids, but my kids will

0:32:32.960 --> 0:32:36.400
<v Speaker 2>definitely have like a hoodie or a jumper for those

0:32:36.880 --> 0:32:39.800
<v Speaker 2>UK fans, they will just wear.

0:32:41.160 --> 0:32:43.240
<v Speaker 3>All the time. Yeah, so maybe that's what that Maybe

0:32:43.280 --> 0:32:46.280
<v Speaker 3>the Scottie dog sweatshirt is that first.

0:32:46.320 --> 0:32:46.760
<v Speaker 1>That's your thing.

0:32:46.960 --> 0:32:47.120
<v Speaker 4>Yeah.

0:32:47.200 --> 0:32:50.840
<v Speaker 1>For Felicity, it was sloths and everything. She had shirts,

0:32:50.920 --> 0:32:52.480
<v Speaker 1>t shirts. Yeah, she had her.

0:32:52.440 --> 0:32:55.720
<v Speaker 4>Notebook, her backpack. Everything was slots for a lot of sloths.

0:32:55.760 --> 0:32:58.520
<v Speaker 4>I know she gets it from you because of your

0:32:58.600 --> 0:32:59.480
<v Speaker 4>love of slots.

0:33:00.080 --> 0:33:00.240
<v Speaker 5>Yeah.

0:33:00.280 --> 0:33:01.640
<v Speaker 3>Remember the sloth in my living room?

0:33:01.880 --> 0:33:04.040
<v Speaker 4>Yes, I wasn't there. I couldn't be there that night,

0:33:04.200 --> 0:33:07.800
<v Speaker 4>although Celia invited me. But yeah, she brought a sloth

0:33:07.880 --> 0:33:11.040
<v Speaker 4>to your house. Yeah, I don't even know how she

0:33:11.280 --> 0:33:11.880
<v Speaker 4>arranged that.

0:33:12.200 --> 0:33:17.920
<v Speaker 2>But wildlife, uh, wildlife wat station, wildlife sanctuary out here

0:33:18.160 --> 0:33:21.200
<v Speaker 2>in like your Santa Clarita. Oh, it was like an

0:33:21.280 --> 0:33:23.600
<v Speaker 2>educational tour. So they well, it's not like she threw

0:33:23.640 --> 0:33:26.760
<v Speaker 2>it at her back in her hers, you know what

0:33:26.800 --> 0:33:28.360
<v Speaker 2>I mean. It wasn't like, hey, look what I got

0:33:28.520 --> 0:33:31.320
<v Speaker 2>you back? She right, No, it wasn't like that.

0:33:31.560 --> 0:33:34.200
<v Speaker 3>Like it was like a like an educational school tour.

0:33:34.280 --> 0:33:36.120
<v Speaker 3>But it just the school happened to be my living

0:33:36.160 --> 0:33:37.280
<v Speaker 3>room and it was fascinating.

0:33:37.280 --> 0:33:39.960
<v Speaker 1>Oh okay, so that like a trainer, a handler.

0:33:39.720 --> 0:33:41.560
<v Speaker 3>Came, a handler came.

0:33:41.720 --> 0:33:44.000
<v Speaker 2>Yeah, there was a whole little thing it was hanging

0:33:44.040 --> 0:33:47.320
<v Speaker 2>on and yeah, it was sloth. Wasn't just hanging from

0:33:47.360 --> 0:33:49.160
<v Speaker 2>my curtains, you know what I mean, like it was.

0:33:49.520 --> 0:33:53.040
<v Speaker 2>It was a controlled sloth environment because apparently they bite

0:33:53.840 --> 0:33:56.400
<v Speaker 2>the whole side tangent. Sorry guy, Yeah, well this has

0:33:56.520 --> 0:33:58.840
<v Speaker 2>nothing to do with full house, nothing at all to

0:33:58.960 --> 0:33:59.400
<v Speaker 2>do with.

0:33:59.520 --> 0:34:01.440
<v Speaker 3>This, but yes, slots bite.

0:34:01.560 --> 0:34:03.560
<v Speaker 2>I did not know that they bite, and they have

0:34:03.640 --> 0:34:06.720
<v Speaker 2>a bacteria in their mouth that can cause gangreen. Yeah,

0:34:07.080 --> 0:34:09.840
<v Speaker 2>what the trainer said, one of the gnarliest bite she

0:34:09.880 --> 0:34:10.879
<v Speaker 2>ever got was a slot bite.

0:34:11.600 --> 0:34:13.560
<v Speaker 1>I thought they'd be too slow, like, can't you move

0:34:13.560 --> 0:34:14.560
<v Speaker 1>out of the way, And that's the.

0:34:14.680 --> 0:34:18.640
<v Speaker 2>Only that's the it's their only form of protection is

0:34:18.880 --> 0:34:22.200
<v Speaker 2>they have big fangs and if push comes to shove,

0:34:22.360 --> 0:34:24.839
<v Speaker 2>they're like, I might can't run away, but I will

0:34:25.760 --> 0:34:29.080
<v Speaker 2>I will bite you, which is always a great technique

0:34:29.239 --> 0:34:31.800
<v Speaker 2>I'm just saying as an effective fighting tool, if you

0:34:31.840 --> 0:34:33.360
<v Speaker 2>can't run away, just bite.

0:34:33.760 --> 0:34:34.759
<v Speaker 1>Yeah, just bite yeah.

0:34:35.120 --> 0:34:37.760
<v Speaker 3>Yeah. All right, anyway back to the shows. Your lesson

0:34:37.800 --> 0:34:39.720
<v Speaker 3>for your sloth.

0:34:39.120 --> 0:34:43.319
<v Speaker 2>Lesson for today, guys, thanks to Jody's random information that.

0:34:43.360 --> 0:34:45.960
<v Speaker 4>Could be a segment on this podcast is Jody's random

0:34:46.719 --> 0:34:48.880
<v Speaker 4>random facts of uselessness.

0:34:49.200 --> 0:34:51.160
<v Speaker 3>Yeah, maybe I can finally make use of it, you know.

0:34:52.400 --> 0:34:55.080
<v Speaker 4>Uh So Steph is looking for Jesse because he's supposed

0:34:55.120 --> 0:34:57.600
<v Speaker 4>to help her with an Elvis song for the Talent Show.

0:34:58.239 --> 0:35:02.200
<v Speaker 4>Jesse tells the girls that their uncles are duck at work. Yes,

0:35:02.280 --> 0:35:04.399
<v Speaker 4>and this is where you're wearing your French braid, which

0:35:04.480 --> 0:35:08.480
<v Speaker 4>is very adult and very very beautiful, which I obviously

0:35:08.520 --> 0:35:09.120
<v Speaker 4>did myself.

0:35:09.440 --> 0:35:13.120
<v Speaker 1>Oh for sure, did your mom do French braids? I

0:35:13.200 --> 0:35:14.080
<v Speaker 1>know that's a random question.

0:35:14.239 --> 0:35:16.760
<v Speaker 3>My mom can braid. I can't. I have no idea

0:35:16.800 --> 0:35:17.160
<v Speaker 3>how to do.

0:35:17.600 --> 0:35:21.080
<v Speaker 2>Even my ponytails on my kids are wonky. It's much

0:35:21.160 --> 0:35:23.359
<v Speaker 2>to my mother's disappointment. I can't get a nice, good,

0:35:23.440 --> 0:35:24.280
<v Speaker 2>smooth ponytail.

0:35:24.320 --> 0:35:26.719
<v Speaker 3>It's just I'm like, I don't know, because.

0:35:26.480 --> 0:35:29.040
<v Speaker 4>I feel like your mom braided my did a French

0:35:29.120 --> 0:35:32.560
<v Speaker 4>braid for me on my sixteenth birthday on Sale with

0:35:32.640 --> 0:35:33.120
<v Speaker 4>the Stars.

0:35:33.960 --> 0:35:36.200
<v Speaker 3>Yes, yes she did. Yeah, my mom was very good

0:35:36.239 --> 0:35:38.880
<v Speaker 3>at braiding and hair and setting curlers and do it.

0:35:39.000 --> 0:35:39.480
<v Speaker 1>Yeah, she was.

0:35:40.160 --> 0:35:41.000
<v Speaker 3>She was good at that stuff.

0:35:41.000 --> 0:35:42.960
<v Speaker 1>Okay, so that's why I asked her to braid my

0:35:43.080 --> 0:35:45.680
<v Speaker 1>hair on the ship. Yeah, yeah, for my birthday. Oh

0:35:45.760 --> 0:35:46.200
<v Speaker 1>that's so cool.

0:35:46.239 --> 0:35:48.520
<v Speaker 3>Yea, because your mom apparently was like me and was like,

0:35:48.600 --> 0:35:49.640
<v Speaker 3>I have no idea how to do that.

0:35:49.640 --> 0:35:51.480
<v Speaker 1>I don't how to do that, ask Janice.

0:35:51.600 --> 0:35:52.600
<v Speaker 3>Ok yeah, exactly.

0:35:54.600 --> 0:35:54.839
<v Speaker 1>Okay.

0:35:54.880 --> 0:35:58.400
<v Speaker 4>So Steph is very worried because the show is tomorrow.

0:35:59.040 --> 0:36:01.719
<v Speaker 4>She doesn't know whether to curl her hips, wiggle her

0:36:01.880 --> 0:36:05.080
<v Speaker 4>lips or what. And DJ has a test for her

0:36:05.120 --> 0:36:07.560
<v Speaker 4>green belt tomorrow, so she needs help with her karate.

0:36:08.640 --> 0:36:11.120
<v Speaker 4>Danny tells the girls not to panic because he is

0:36:11.200 --> 0:36:14.440
<v Speaker 4>going to teach them. Apparently this makes sense because Elvis

0:36:14.800 --> 0:36:20.080
<v Speaker 4>did karate. The girls look concerned rightfully so, and Danny

0:36:20.120 --> 0:36:25.759
<v Speaker 4>breaks out in an Elvis singing karate warrior impression that.

0:36:27.440 --> 0:36:36.520
<v Speaker 3>Was so peak bombed, awkward, gangly. It was, it's so amazing,

0:36:36.760 --> 0:36:41.400
<v Speaker 3>so gangly. He like I was like, go, go, gadget limbs,

0:36:41.800 --> 0:36:43.320
<v Speaker 3>Like I didn't you know what I mean. It was

0:36:43.440 --> 0:36:46.440
<v Speaker 3>like as he threw an arm out, it like it

0:36:46.640 --> 0:36:50.240
<v Speaker 3>was like, uh like the stretch armstrong. It just flung

0:36:50.280 --> 0:36:51.400
<v Speaker 3>out and I was like, oh my god, I got

0:36:51.440 --> 0:36:54.520
<v Speaker 3>longer and then it came back like it was hilarious

0:36:54.640 --> 0:36:55.600
<v Speaker 3>and it reminded me.

0:36:56.800 --> 0:36:58.719
<v Speaker 2>Do you remember the time. I don't know if you

0:36:58.800 --> 0:37:00.760
<v Speaker 2>were in it with us, but we were shooting a promo.

0:37:00.920 --> 0:37:03.520
<v Speaker 2>This was like later seasons, I think season seven or eight.

0:37:04.719 --> 0:37:08.880
<v Speaker 2>We're shooting a promo and it was we would shoot

0:37:08.920 --> 0:37:12.520
<v Speaker 2>these you know, hey things for watching wkzy Z, Like

0:37:12.640 --> 0:37:15.600
<v Speaker 2>you you have to go through like one hundred different

0:37:15.640 --> 0:37:18.040
<v Speaker 2>stations and whatever. We were doing one, and it was

0:37:18.040 --> 0:37:20.040
<v Speaker 2>like we were supposed to be dancing and so Bob,

0:37:20.719 --> 0:37:22.120
<v Speaker 2>it was a long end of a long day. You

0:37:22.160 --> 0:37:23.840
<v Speaker 2>have to do these at the end of like whatever

0:37:24.040 --> 0:37:26.920
<v Speaker 2>you're shooting. So he starts dancing around and doing his

0:37:26.960 --> 0:37:29.520
<v Speaker 2>little thing and just goes nuts, right and lays on

0:37:29.560 --> 0:37:32.800
<v Speaker 2>the floor and kicks his leg, kicks his leg out, hits.

0:37:32.680 --> 0:37:33.319
<v Speaker 3>Me in the head.

0:37:33.520 --> 0:37:36.920
<v Speaker 6>No, no, he felt he Oh my god, it was

0:37:37.480 --> 0:37:41.799
<v Speaker 6>but it was like the Jesus. It was just such

0:37:41.880 --> 0:37:45.960
<v Speaker 6>a it was like, oh no, no, it was Bob.

0:37:46.640 --> 0:37:49.200
<v Speaker 3>He felt. He was like, and you know, Bob like, oh,

0:37:49.239 --> 0:37:52.560
<v Speaker 3>I'm so sorry. Later, oh my god, he was just

0:37:53.560 --> 0:37:56.279
<v Speaker 3>obsessed with like, did he hurt you?

0:37:56.400 --> 0:37:57.040
<v Speaker 1>Did he offend you?

0:37:58.640 --> 0:37:59.239
<v Speaker 3>Call it my mom?

0:37:59.440 --> 0:38:01.719
<v Speaker 2>Making sure my like it was you know, he felt

0:38:01.840 --> 0:38:03.839
<v Speaker 2>so but it was I remember it now, And then

0:38:03.960 --> 0:38:06.799
<v Speaker 2>watching him do all of that in this episode, I.

0:38:06.880 --> 0:38:09.120
<v Speaker 1>Was like, yeah, brought back this memory.

0:38:09.200 --> 0:38:11.440
<v Speaker 3>They're good. They go everywhere you don't know.

0:38:11.719 --> 0:38:15.440
<v Speaker 2>You think you're safe, Yeah, you're without out a distance,

0:38:15.480 --> 0:38:17.600
<v Speaker 2>and it just gets goes right out there.

0:38:17.840 --> 0:38:19.680
<v Speaker 4>What and why are you always getting hit in the face?

0:38:19.800 --> 0:38:23.320
<v Speaker 4>Little Richard smacked you in the face. Bob kicked you

0:38:23.400 --> 0:38:24.239
<v Speaker 4>in the face, Like.

0:38:24.800 --> 0:38:27.360
<v Speaker 3>Was it your height? I don't know, it's no.

0:38:27.640 --> 0:38:34.160
<v Speaker 2>I think it's probably in part due to my spatial

0:38:34.200 --> 0:38:37.200
<v Speaker 2>awareness or lack thereof. Maybe I'm just a little like

0:38:37.640 --> 0:38:39.400
<v Speaker 2>just in the wrong place at the wrong time, or

0:38:40.000 --> 0:38:42.560
<v Speaker 2>I'm not paying attention to what the other person is doing.

0:38:42.680 --> 0:38:46.680
<v Speaker 2>And I'm stepping into as they're doing that or something. Oh, okay,

0:38:46.800 --> 0:38:49.680
<v Speaker 2>it happened Brooke. My friend Brooke elbowed me in the

0:38:49.719 --> 0:38:51.400
<v Speaker 2>face the other night at Madonna as he turned to

0:38:51.440 --> 0:38:54.160
<v Speaker 2>me and said, I'm having so much fun and literally

0:38:54.480 --> 0:38:56.480
<v Speaker 2>just just cracked me right in the face. And he

0:38:56.600 --> 0:38:57.880
<v Speaker 2>was like, I'm gonna sit down now.

0:38:58.520 --> 0:39:01.759
<v Speaker 1>Nothing has changed, not at all.

0:39:01.880 --> 0:39:04.480
<v Speaker 3>No, nope, I love it.

0:39:05.000 --> 0:39:08.040
<v Speaker 2>But yeah, Bob Bob flailing his arms and legs in

0:39:08.200 --> 0:39:10.960
<v Speaker 2>every possible direction and the faces.

0:39:12.120 --> 0:39:12.759
<v Speaker 5>It was so.

0:39:14.840 --> 0:39:17.360
<v Speaker 3>It made me laugh so hard because it was just

0:39:17.560 --> 0:39:18.640
<v Speaker 3>so Bob.

0:39:18.800 --> 0:39:21.080
<v Speaker 1>It was so Bob. He looked like one of those

0:39:21.160 --> 0:39:22.360
<v Speaker 1>inflatables outside a.

0:39:22.360 --> 0:39:25.680
<v Speaker 3>Car wash, flailing inflatable arm guy.

0:39:25.719 --> 0:39:29.200
<v Speaker 1>Yeah yeah, because he looked about that tall too, because

0:39:29.239 --> 0:39:34.120
<v Speaker 1>the limbs are so long and yeah yeah. So yeah.

0:39:34.200 --> 0:39:37.120
<v Speaker 1>The girls aren't impressed, but the audience cheers very loudly

0:39:37.320 --> 0:39:38.520
<v Speaker 1>for this performance.

0:39:39.360 --> 0:39:43.960
<v Speaker 4>Steph is confused that was Elvis. Danny says yes, and

0:39:44.120 --> 0:39:45.360
<v Speaker 4>DJ needs clarification.

0:39:45.920 --> 0:39:50.319
<v Speaker 1>Pressley right. So next we are in Stephan DJ's room

0:39:50.719 --> 0:39:52.040
<v Speaker 1>while the girls get ready for bed.

0:39:52.239 --> 0:39:58.279
<v Speaker 4>Danny hurts his back when he tries bending down. I'm relatable, relatable.

0:39:58.600 --> 0:40:00.759
<v Speaker 3>Right, you do something stupid you throw your back out.

0:40:00.880 --> 0:40:02.520
<v Speaker 3>I hate when that happens.

0:40:02.640 --> 0:40:05.400
<v Speaker 1>Yeah, and you're always you're always hurt like in our forties.

0:40:05.480 --> 0:40:06.640
<v Speaker 1>You're always hurting yourself.

0:40:06.960 --> 0:40:09.360
<v Speaker 4>Is never a good story like oh, I was climbing

0:40:09.400 --> 0:40:12.239
<v Speaker 4>a mountain to rescue some something, you know. No, it's

0:40:12.280 --> 0:40:14.400
<v Speaker 4>always like, oh, no, I was bending down to empty

0:40:14.400 --> 0:40:15.520
<v Speaker 4>the dishwasher and I threw my.

0:40:15.520 --> 0:40:18.919
<v Speaker 3>Back right and yeah, exact barrass I sneezed too hard

0:40:19.360 --> 0:40:21.520
<v Speaker 3>and I and my neck was done for a week.

0:40:23.120 --> 0:40:26.280
<v Speaker 4>So the uncles are finally home, greeting the family with excitement.

0:40:26.960 --> 0:40:30.160
<v Speaker 4>Dj tells them Danny helped her with karate, and Steph

0:40:30.239 --> 0:40:34.800
<v Speaker 4>mentions that he helped her with Elvis too. Jesse questions Presley,

0:40:35.960 --> 0:40:38.920
<v Speaker 4>Danny strikes a signature Elvis move, and then WinCE is

0:40:39.040 --> 0:40:39.880
<v Speaker 4>in pain again.

0:40:40.480 --> 0:40:43.719
<v Speaker 3>What what other Elvis is are they? I'm Costello.

0:40:45.480 --> 0:40:47.880
<v Speaker 1>Yeah, it's not a common name. It's the joke. The

0:40:47.960 --> 0:40:49.960
<v Speaker 1>joke caster works. So joe haster work.

0:40:51.320 --> 0:40:54.719
<v Speaker 4>Danny asks how work was, and Joey tells him the

0:40:54.800 --> 0:40:58.680
<v Speaker 4>boss loved their ideas. Jesse announces they're gonna pitch their

0:40:58.800 --> 0:41:01.560
<v Speaker 4>Hurry Mark commercial to the client and if it goes well,

0:41:02.000 --> 0:41:03.760
<v Speaker 4>they may get full time jobs.

0:41:03.840 --> 0:41:05.400
<v Speaker 3>Because that's how you. That's how you.

0:41:05.800 --> 0:41:05.920
<v Speaker 1>Uh.

0:41:06.840 --> 0:41:07.000
<v Speaker 3>You know.

0:41:07.120 --> 0:41:09.680
<v Speaker 2>See, if someone's worth hiring for a full time job

0:41:09.880 --> 0:41:11.440
<v Speaker 2>is give them a project already.

0:41:11.880 --> 0:41:12.040
<v Speaker 1>Here.

0:41:12.680 --> 0:41:14.880
<v Speaker 3>See if you can blow this up, and if you don't,

0:41:15.160 --> 0:41:16.000
<v Speaker 3>you've got a job.

0:41:16.960 --> 0:41:18.560
<v Speaker 1>It's a test. Yeah, it's a test.

0:41:18.640 --> 0:41:21.239
<v Speaker 2>Like it's usually they're like, here's a job, and then

0:41:21.560 --> 0:41:23.000
<v Speaker 2>if you blow it, you lose the job.

0:41:23.880 --> 0:41:26.000
<v Speaker 1>Yeah. Yeah, it's a little backwards.

0:41:26.080 --> 0:41:32.200
<v Speaker 2>Yeah, I have some questions about mister Mala Testa's hiring practices.

0:41:31.800 --> 0:41:32.400
<v Speaker 3>But that's.

0:41:34.560 --> 0:41:35.680
<v Speaker 1>He's a strange He's.

0:41:36.080 --> 0:41:38.520
<v Speaker 3>He's a strange bird, is Yeah, he's.

0:41:38.400 --> 0:41:43.040
<v Speaker 4>Definitely a strange bird. Danny tells them that's great. He

0:41:43.200 --> 0:41:46.279
<v Speaker 4>asks the girls what they think, and DJ smiles, I

0:41:46.400 --> 0:41:50.680
<v Speaker 4>think so, not seeming too convinced, and Steph smiles, I guess.

0:41:52.000 --> 0:41:54.400
<v Speaker 4>Joey and Jesse tell the girls good night, and Danny

0:41:54.440 --> 0:41:57.800
<v Speaker 4>follows them out and begins to compliment them on their achievement.

0:41:58.320 --> 0:41:59.520
<v Speaker 1>You know, this is so amazing.

0:41:59.719 --> 0:42:01.799
<v Speaker 4>When you guys first moved in here, you didn't even

0:42:01.960 --> 0:42:04.360
<v Speaker 4>like each other, and now you might be working together

0:42:04.480 --> 0:42:07.040
<v Speaker 4>full time. This is one of the happiest days of

0:42:07.120 --> 0:42:10.560
<v Speaker 4>my life. He realizes what he just said and admits

0:42:11.000 --> 0:42:15.280
<v Speaker 4>It's pretty sad, isn't it. Once they leave, Steph asks

0:42:15.360 --> 0:42:17.719
<v Speaker 4>Dj if Jesse and Joey are really going to get

0:42:17.800 --> 0:42:21.040
<v Speaker 4>a full time job, and DJ believes they will, considering

0:42:21.120 --> 0:42:25.120
<v Speaker 4>how excited they were, and Steph wonders aloud, then who's

0:42:25.160 --> 0:42:26.200
<v Speaker 4>gonna take care of us?

0:42:27.160 --> 0:42:27.480
<v Speaker 1>No one?

0:42:27.880 --> 0:42:30.719
<v Speaker 3>No one's taking care of me. You're home alone. Oh,

0:42:30.760 --> 0:42:33.120
<v Speaker 3>there's going to be a movie about it, and it's

0:42:33.160 --> 0:42:33.719
<v Speaker 3>gonna be great.

0:42:36.239 --> 0:42:38.600
<v Speaker 1>Uh So we have a sad that takes us to

0:42:38.640 --> 0:42:46.000
<v Speaker 1>a sad commercial break. Sure, sure.

0:42:48.160 --> 0:42:50.920
<v Speaker 4>When we come back, we are back in the agency.

0:42:52.400 --> 0:42:54.560
<v Speaker 4>Joey has his feet propped up on the desk at

0:42:54.600 --> 0:42:57.440
<v Speaker 4>the agency and Jesse is guiding him through words of

0:42:57.560 --> 0:43:02.080
<v Speaker 4>encouragement and concludes, any moment, our future is gonna come

0:43:02.239 --> 0:43:06.000
<v Speaker 4>walking right through that door. Right then, in walks tiny

0:43:06.000 --> 0:43:10.160
<v Speaker 4>little Michelle, saying hi people. Jesse runs to pick her

0:43:10.239 --> 0:43:14.160
<v Speaker 4>up and asks where is Grandma. Irene strolls in and

0:43:14.239 --> 0:43:16.520
<v Speaker 4>says she can't walk as fast as a two year old.

0:43:17.120 --> 0:43:19.719
<v Speaker 4>She tells Jesse that she's dropping Michelle off, just like

0:43:19.800 --> 0:43:23.200
<v Speaker 4>they agreed. Jesse hands Michelle over to Joey and asks

0:43:23.320 --> 0:43:25.600
<v Speaker 4>Irene if she could please watch her for just a

0:43:25.640 --> 0:43:28.799
<v Speaker 4>little longer. Irene tells him she can't and then gets

0:43:28.880 --> 0:43:31.000
<v Speaker 4>distracted by the gorgeous office.

0:43:31.880 --> 0:43:34.360
<v Speaker 1>She's very proud. She recalls a time when Jesse was

0:43:34.440 --> 0:43:37.520
<v Speaker 1>just a little pumpkin running around in his diapers. He

0:43:37.640 --> 0:43:40.359
<v Speaker 1>had the cutest little tushy and she reaches for his butt.

0:43:42.120 --> 0:43:43.919
<v Speaker 4>She does this every time he gets a new job,

0:43:44.000 --> 0:43:47.160
<v Speaker 4>and Jesse's scolds do not grab my tushy at work.

0:43:48.520 --> 0:43:52.240
<v Speaker 1>And did you notice how John had his tie tied?

0:43:52.719 --> 0:43:53.440
<v Speaker 5>That was.

0:43:55.360 --> 0:43:58.840
<v Speaker 3>That was my first thing, was what is happening with

0:43:59.040 --> 0:44:05.680
<v Speaker 3>his tie? It's not eighties around His national silliness was this?

0:44:06.600 --> 0:44:09.520
<v Speaker 1>Yeah, it was above his collar but still tied like

0:44:09.600 --> 0:44:10.040
<v Speaker 1>a tide.

0:44:10.239 --> 0:44:11.760
<v Speaker 3>It was an intentional choice.

0:44:11.800 --> 0:44:13.680
<v Speaker 2>And it was a leather tie, by the way, a

0:44:13.840 --> 0:44:19.800
<v Speaker 2>skinny leather that was worn outside of the I'm sure

0:44:21.120 --> 0:44:28.960
<v Speaker 2>that some eighties MTV video made that super popular, and

0:44:29.440 --> 0:44:31.600
<v Speaker 2>it was you know, like I don't know, flock of

0:44:31.640 --> 0:44:32.920
<v Speaker 2>eagulls or something something, you.

0:44:32.920 --> 0:44:34.000
<v Speaker 3>Know what I mean, like some just something.

0:44:34.040 --> 0:44:35.120
<v Speaker 1>It must have been on trend.

0:44:36.000 --> 0:44:39.880
<v Speaker 2>Robert Palmer, Now that was the yeah, I don't know anyway,

0:44:40.040 --> 0:44:40.920
<v Speaker 2>something ridiculous.

0:44:40.920 --> 0:44:43.600
<v Speaker 4>Well, if anyone listening has a picture of themselves with

0:44:43.719 --> 0:44:45.839
<v Speaker 4>a tie like that from nineteen.

0:44:45.680 --> 0:44:49.040
<v Speaker 2>Nine in the collar, but just chilling around your neck

0:44:49.640 --> 0:44:52.440
<v Speaker 2>as though you missed the shirt.

0:44:53.400 --> 0:44:55.759
<v Speaker 4>It looked like he hadn't gotten fully dressed, and I'm like,

0:44:55.800 --> 0:44:57.360
<v Speaker 4>you're trying to impress he was.

0:44:57.440 --> 0:45:01.560
<v Speaker 3>Covering a hickey. No, I don't know. I was just

0:45:01.640 --> 0:45:02.560
<v Speaker 3>a stupid I mean, I don't know.

0:45:02.680 --> 0:45:04.000
<v Speaker 1>Well with Jesse that would.

0:45:03.760 --> 0:45:05.719
<v Speaker 3>Make sense, Like it was why put it as a

0:45:05.840 --> 0:45:08.479
<v Speaker 3>choker right as and then have the shirt open?

0:45:09.280 --> 0:45:09.480
<v Speaker 1>Yeah?

0:45:09.560 --> 0:45:09.759
<v Speaker 3>It was.

0:45:09.960 --> 0:45:13.800
<v Speaker 2>Yeah, it was odd, you know, the desire to like

0:45:13.960 --> 0:45:16.640
<v Speaker 2>things put the way that they're supposed to be.

0:45:16.760 --> 0:45:17.600
<v Speaker 3>That was really that was.

0:45:17.600 --> 0:45:20.120
<v Speaker 1>Hard for me. And then you're distracted for the rest

0:45:20.160 --> 0:45:21.360
<v Speaker 1>of the scene just watching that.

0:45:21.680 --> 0:45:23.480
<v Speaker 3>Just wanted to be like, can I think I can

0:45:23.560 --> 0:45:25.120
<v Speaker 3>I just fix your tie? Can I just do this

0:45:25.360 --> 0:45:26.600
<v Speaker 3>really really quick? Yeah?

0:45:27.120 --> 0:45:30.520
<v Speaker 4>So Jesse quickly ushers Irene out of the door and

0:45:30.680 --> 0:45:34.279
<v Speaker 4>notices from the doorway that the clients are coming. In

0:45:34.400 --> 0:45:37.239
<v Speaker 4>an attempt to hide Michelle, Joey suggests that they play

0:45:37.320 --> 0:45:39.719
<v Speaker 4>a little game of hide and seek. He guides her

0:45:39.800 --> 0:45:42.960
<v Speaker 4>under the desk and hands her a cookie. Joey and

0:45:43.000 --> 0:45:45.920
<v Speaker 4>Jesse grab each other and start to mentally prepare as

0:45:46.080 --> 0:45:51.239
<v Speaker 4>mister Mellotesta opens the office door. Gladstone getsopolis, he says

0:45:51.480 --> 0:45:54.360
<v Speaker 4>as he brings in Edna Foley, the vice president of

0:45:54.480 --> 0:45:58.040
<v Speaker 4>marketing for Hurry Mart. Edna takes a seat on the

0:45:58.080 --> 0:46:01.400
<v Speaker 4>couch and Jesse kicks off the pitch. He strums on

0:46:01.480 --> 0:46:04.640
<v Speaker 4>the guitar, telling the story of a typical American family.

0:46:05.360 --> 0:46:09.000
<v Speaker 4>Joey imitates each member of this pretend family they're portraying,

0:46:09.120 --> 0:46:10.319
<v Speaker 4>called the Applebee's.

0:46:10.760 --> 0:46:13.920
<v Speaker 3>Was this before or after the restaurant? I feel like

0:46:13.960 --> 0:46:14.480
<v Speaker 3>it was before.

0:46:14.520 --> 0:46:18.400
<v Speaker 1>Why would you name a family after a restaurant.

0:46:18.760 --> 0:46:21.239
<v Speaker 3>I'm saying that I think they named the restaurant after

0:46:21.719 --> 0:46:24.480
<v Speaker 3>this joke. No that's not true, that's not.

0:46:24.560 --> 0:46:25.600
<v Speaker 1>This is the origin story.

0:46:25.640 --> 0:46:28.440
<v Speaker 3>But I'm gonna rum with it in my imaginary fan

0:46:28.520 --> 0:46:33.279
<v Speaker 3>fiction world that that the creator of that, whoever started Applebee's,

0:46:33.400 --> 0:46:38.560
<v Speaker 3>was like, oh, the great American typical American fan the Applebee's.

0:46:38.000 --> 0:46:40.920
<v Speaker 1>And that's yeah, yeah, yeah, okay, it all started all

0:46:42.000 --> 0:46:43.640
<v Speaker 1>with this pitchka.

0:46:43.239 --> 0:46:45.720
<v Speaker 3>This Joey and Jesse, Well it was it started.

0:46:45.800 --> 0:46:48.480
<v Speaker 2>You know, Applebe's originally started as a Hurry Mart and

0:46:48.880 --> 0:46:51.680
<v Speaker 2>uh and then it it progressed so it.

0:46:51.800 --> 0:46:53.280
<v Speaker 1>Expanded into food service.

0:46:53.320 --> 0:46:55.840
<v Speaker 3>Yeah yeah, yeah, yeah, okay, okay.

0:46:57.160 --> 0:46:59.560
<v Speaker 1>Jesse switches to the banjo to tell the story of

0:46:59.640 --> 0:47:01.120
<v Speaker 1>the old General Store.

0:47:01.640 --> 0:47:03.160
<v Speaker 3>I guess if you can play guitar, you can play

0:47:03.160 --> 0:47:06.719
<v Speaker 3>a banjo. I mean, I can't play either, but man

0:47:06.760 --> 0:47:08.640
<v Speaker 3>I didn't. I was impressed.

0:47:08.719 --> 0:47:12.080
<v Speaker 4>It's it's strumming an instrument you can. Yeah, okay, he's

0:47:12.200 --> 0:47:13.040
<v Speaker 4>musically inclined.

0:47:13.040 --> 0:47:13.840
<v Speaker 1>Okay, sure, why not.

0:47:15.280 --> 0:47:17.480
<v Speaker 4>At the sound of the banjo, Michelle creeps out from

0:47:17.600 --> 0:47:20.799
<v Speaker 4>under the desk. Joey notices and tries to signal her

0:47:20.880 --> 0:47:24.680
<v Speaker 4>back into hiding. Jesse redirects Joey back to the presentation,

0:47:25.560 --> 0:47:28.200
<v Speaker 4>but Michelle has now fully stood up from under the desk,

0:47:28.719 --> 0:47:31.520
<v Speaker 4>prompting Jesse to run over with a presentation card to

0:47:31.680 --> 0:47:35.680
<v Speaker 4>cover her, and he continues with the story. Jesse then

0:47:35.719 --> 0:47:38.680
<v Speaker 4>picks up Michelle and we can see her feet dangling

0:47:38.880 --> 0:47:43.799
<v Speaker 4>underneath the presentation card. He looks to Joey for some help.

0:47:44.280 --> 0:47:47.319
<v Speaker 4>Edna looks confused and turns to face mister Malatesta.

0:47:47.719 --> 0:47:52.840
<v Speaker 3>Yeah, I'd be like, I'm excuse me, are they Is

0:47:52.920 --> 0:47:54.280
<v Speaker 3>that a toddler that they're hiding?

0:47:54.440 --> 0:47:54.640
<v Speaker 5>Why?

0:47:55.160 --> 0:47:55.960
<v Speaker 3>What is happening?

0:47:56.760 --> 0:47:56.920
<v Speaker 5>You know?

0:47:57.040 --> 0:47:59.760
<v Speaker 1>And I'd say anything, I'd have questions.

0:48:00.880 --> 0:48:03.040
<v Speaker 4>Yeah, yeah, yeah, I would be why Why are their

0:48:03.120 --> 0:48:06.359
<v Speaker 4>legs dangling? Why are you hiding a small whose child?

0:48:06.520 --> 0:48:09.520
<v Speaker 3>Is it right? We're right, like yeah, anyway, it's just

0:48:09.560 --> 0:48:11.840
<v Speaker 3>why is she here? Yeah, it just seemed like it

0:48:11.960 --> 0:48:15.360
<v Speaker 3>was really sort of like, oh, that's it happens.

0:48:15.560 --> 0:48:19.640
<v Speaker 1>Yeah, it was very sickcommy. That is a very sitcom

0:48:20.280 --> 0:48:24.239
<v Speaker 1>right there. As Jesse continues, Michelle says from behind the

0:48:24.360 --> 0:48:29.560
<v Speaker 1>card move. Edna questions the sound, and Jesse adds Michelle

0:48:29.640 --> 0:48:31.640
<v Speaker 1>into the story card.

0:48:32.040 --> 0:48:33.480
<v Speaker 3>It's it's nothing.

0:48:34.400 --> 0:48:38.279
<v Speaker 5>It's nothing attention to what's happening behind the curtain, like well,

0:48:38.360 --> 0:48:39.600
<v Speaker 5>you know, he's trying to think on his feet and

0:48:39.600 --> 0:48:41.239
<v Speaker 5>he's like, oh, hey here right, this is this is

0:48:41.320 --> 0:48:44.400
<v Speaker 5>a he's like a stray cow wanders by.

0:48:44.600 --> 0:48:45.680
<v Speaker 3>It's hilarious, by the.

0:48:45.640 --> 0:48:49.000
<v Speaker 1>Way, at the Hurry Mart, like this is this is hysterical.

0:48:51.040 --> 0:48:53.440
<v Speaker 4>So Jesse and Joey end the pitch with their jingle

0:48:54.000 --> 0:48:58.520
<v Speaker 4>Hurry Mart the Great American General Store. Edna tells mister

0:48:58.600 --> 0:49:00.880
<v Speaker 4>mala Testa that she's not sure how the cow fits in,

0:49:01.239 --> 0:49:04.480
<v Speaker 4>but she loves the concept. She seals the deal with

0:49:04.600 --> 0:49:08.080
<v Speaker 4>mister Malitesta, and he informs the boys they'll be working

0:49:08.120 --> 0:49:09.360
<v Speaker 4>for him full time.

0:49:09.640 --> 0:49:13.719
<v Speaker 2>I mean just verbal agreements and handshakes, making deals all.

0:49:13.640 --> 0:49:14.200
<v Speaker 1>Over the place.

0:49:14.640 --> 0:49:16.960
<v Speaker 3>No, who needs a contract, he needs a contract? Who

0:49:17.000 --> 0:49:20.040
<v Speaker 3>needs questions? Who needs to know where this child came from?

0:49:20.320 --> 0:49:20.400
<v Speaker 1>Da?

0:49:20.719 --> 0:49:21.799
<v Speaker 3>I love it, It's great.

0:49:22.719 --> 0:49:22.919
<v Speaker 1>Yeah.

0:49:23.000 --> 0:49:25.520
<v Speaker 4>If I was mister Malatesta, I would be second guessing

0:49:25.640 --> 0:49:28.680
<v Speaker 4>my decision, like wait, wait, these guys are hiding a child.

0:49:28.960 --> 0:49:32.879
<v Speaker 3>Yeah, in office under a desk, I'd be like, yeah,

0:49:32.880 --> 0:49:35.400
<v Speaker 3>I have I would certainly have questions. But again, you know,

0:49:35.760 --> 0:49:37.879
<v Speaker 3>the boss is like, just concerned with the bottom line.

0:49:38.160 --> 0:49:39.359
<v Speaker 1>Just this is that's true.

0:49:41.320 --> 0:49:41.440
<v Speaker 3>Uh.

0:49:41.680 --> 0:49:43.879
<v Speaker 4>So the boys now have a strategy meeting to get

0:49:43.920 --> 0:49:47.200
<v Speaker 4>to So mister Malatesta states, you can put the stray

0:49:47.280 --> 0:49:51.320
<v Speaker 4>cow back in her barn. Jesse hesitantly tells him that

0:49:51.480 --> 0:49:54.920
<v Speaker 4>Michelle isn't a stray cow. He says, Joey and I

0:49:55.080 --> 0:49:59.120
<v Speaker 4>have a baby. Their boss pauses for a second. Hey,

0:49:59.360 --> 0:50:02.480
<v Speaker 4>your personal lives are none of my business. He exits,

0:50:02.520 --> 0:50:05.640
<v Speaker 4>and Michelle says, dag nab it dag that nabbot dag.

0:50:05.560 --> 0:50:09.040
<v Speaker 1>Nabbot was hilarious. She delivered. That's also because I can,

0:50:09.160 --> 0:50:09.440
<v Speaker 1>I can.

0:50:09.680 --> 0:50:10.640
<v Speaker 3>I also know that.

0:50:10.880 --> 0:50:14.719
<v Speaker 2>Right before that was Adria saying on the other side

0:50:14.760 --> 0:50:17.879
<v Speaker 2>of the camera, a ridiculous, dag nabbot, like totally over

0:50:18.000 --> 0:50:19.880
<v Speaker 2>exaggerated in order to get them to do it, and

0:50:20.000 --> 0:50:22.359
<v Speaker 2>that I can picture it in my head and that's

0:50:22.600 --> 0:50:24.040
<v Speaker 2>it's fun and.

0:50:24.120 --> 0:50:24.880
<v Speaker 1>Silly, totally.

0:50:25.200 --> 0:50:25.439
<v Speaker 3>Yeah.

0:50:25.560 --> 0:50:28.120
<v Speaker 4>Whatever you see, Michelle, do just know that Adria was

0:50:28.160 --> 0:50:30.200
<v Speaker 4>doing it three times biggigger.

0:50:29.800 --> 0:50:32.759
<v Speaker 3>Right on the other side of the camera. Yeah, and

0:50:32.880 --> 0:50:34.920
<v Speaker 3>would be like and would just stop sometimes ago, Oh

0:50:35.000 --> 0:50:37.959
<v Speaker 3>my god. Yeah.

0:50:38.440 --> 0:50:40.680
<v Speaker 4>So next we're in the living room, Joey and Jesse

0:50:40.840 --> 0:50:44.319
<v Speaker 4>toast a glass of champagne, making a sour face after

0:50:44.400 --> 0:50:47.680
<v Speaker 4>the first sip. That's the last time I buy champagne

0:50:47.680 --> 0:50:48.160
<v Speaker 4>and a can.

0:50:48.280 --> 0:50:49.760
<v Speaker 1>Oh, Joey steaks got.

0:50:50.239 --> 0:50:52.800
<v Speaker 2>Maybe they bought it from the hurry mart can the

0:50:52.920 --> 0:50:58.360
<v Speaker 2>champagne and a six dollars loaf of bread, which may or.

0:50:58.360 --> 0:50:59.640
<v Speaker 3>May not be a good deal. I don't know.

0:51:00.200 --> 0:51:02.719
<v Speaker 1>Yeah, what are I selling in this hurry moment? I'm

0:51:02.760 --> 0:51:05.520
<v Speaker 1>not I'm not sure about this place. Danny walks in

0:51:05.640 --> 0:51:07.919
<v Speaker 1>through the front door with a huge smile on his face.

0:51:08.120 --> 0:51:11.799
<v Speaker 1>He tells them they missed a major banner Tanner Day.

0:51:12.480 --> 0:51:16.280
<v Speaker 1>He introduces dj as a new Green belt holder, asking

0:51:16.360 --> 0:51:19.040
<v Speaker 1>her to show the boys some of her moves. She

0:51:19.120 --> 0:51:23.000
<v Speaker 1>gets embarrassed and waves her hand, saying hi yah hiya

0:51:23.520 --> 0:51:24.800
<v Speaker 1>instead of hi yah, it's hiya.

0:51:26.560 --> 0:51:30.200
<v Speaker 4>Danny introduces Steph as the Queen Bee of rock and roll.

0:51:30.440 --> 0:51:35.320
<v Speaker 4>After she won her talent show, she struts in wearing

0:51:35.440 --> 0:51:40.799
<v Speaker 4>a full blown Elvis costume. Wig included I.

0:51:42.360 --> 0:51:46.120
<v Speaker 2>Did not remember this What I did not remember? I

0:51:46.280 --> 0:51:50.719
<v Speaker 2>was like, I was as shocked as anyone. When I

0:51:50.920 --> 0:51:54.400
<v Speaker 2>walked through, I was like, what in the wig is happening?

0:51:55.280 --> 0:51:57.440
<v Speaker 1>It was glorious. When I say, I laughed for a

0:51:57.480 --> 0:51:58.440
<v Speaker 1>full three minutes.

0:51:59.239 --> 0:52:01.920
<v Speaker 2>I and then like trying to have like serious lines

0:52:02.000 --> 0:52:05.680
<v Speaker 2>after that in an Elvis wig, I just it was

0:52:05.760 --> 0:52:06.160
<v Speaker 2>I couldn't.

0:52:06.520 --> 0:52:08.720
<v Speaker 3>Seriously, I couldn't. I couldn't.

0:52:09.680 --> 0:52:10.040
<v Speaker 5>It was.

0:52:11.080 --> 0:52:13.920
<v Speaker 3>I was so I was like, how do I not

0:52:15.600 --> 0:52:20.239
<v Speaker 3>I remember out of your mind this, you know?

0:52:20.360 --> 0:52:21.800
<v Speaker 2>I mean, I guess maybe had they dressed me like

0:52:21.840 --> 0:52:23.400
<v Speaker 2>Elvis and flowed me around the living room, it might

0:52:23.480 --> 0:52:24.319
<v Speaker 2>have stuck a little bit more.

0:52:24.400 --> 0:52:31.160
<v Speaker 3>But I did not remember my my Elvis costume.

0:52:31.960 --> 0:52:34.239
<v Speaker 1>Oh it was. It was glorious.

0:52:34.400 --> 0:52:37.200
<v Speaker 4>Even Michael, my boyfriend, who does not watch Full House,

0:52:37.239 --> 0:52:39.879
<v Speaker 4>he was rolling at Oh it was so And you're

0:52:39.880 --> 0:52:41.879
<v Speaker 4>so confident, like you're just like where You're like, yeah,

0:52:41.880 --> 0:52:42.760
<v Speaker 4>I'm wearing this costume.

0:52:42.800 --> 0:52:45.360
<v Speaker 1>What's the big deal? Like you're not even self conscious

0:52:45.520 --> 0:52:46.920
<v Speaker 1>or like, you know, you were very confident.

0:52:47.480 --> 0:52:50.879
<v Speaker 3>I probably was like, this looks awesome. I looked great.

0:52:51.160 --> 0:52:53.600
<v Speaker 2>Yeah, I was probably very I loved wearing costume. I

0:52:53.640 --> 0:52:55.440
<v Speaker 2>was probably very into the costume.

0:52:55.239 --> 0:52:59.800
<v Speaker 3>And trip be told I'd wear that costume today. You should?

0:53:00.160 --> 0:53:01.359
<v Speaker 3>Is what's a wig?

0:53:01.800 --> 0:53:01.920
<v Speaker 5>You know?

0:53:01.960 --> 0:53:03.160
<v Speaker 3>I was looking at myself. I was like, oh, so

0:53:03.239 --> 0:53:05.200
<v Speaker 3>that's what I look like with short black hair, you know.

0:53:05.320 --> 0:53:09.440
<v Speaker 1>I was like, yeah, it was There's just not enough

0:53:09.480 --> 0:53:12.239
<v Speaker 1>words in the English language to just describe the site

0:53:12.320 --> 0:53:12.840
<v Speaker 1>to behold?

0:53:12.960 --> 0:53:15.920
<v Speaker 3>And was it in like a small owl on the

0:53:16.080 --> 0:53:20.719
<v Speaker 3>back of my jumpsuit instead of an eagle because you know,

0:53:21.360 --> 0:53:25.840
<v Speaker 3>usually I thought it looked like a little owl or something,

0:53:25.880 --> 0:53:26.640
<v Speaker 3>a little owl.

0:53:27.920 --> 0:53:30.080
<v Speaker 1>I don't remember that it should have been a bee

0:53:30.080 --> 0:53:32.239
<v Speaker 1>because wasn't this the honey Bee Town show?

0:53:32.560 --> 0:53:33.879
<v Speaker 3>I could have could Yeah.

0:53:33.880 --> 0:53:36.800
<v Speaker 2>I mean, if I'm sewing my own Elvis costume the

0:53:36.880 --> 0:53:40.000
<v Speaker 2>night before, I definitely should have made bee out of it.

0:53:40.080 --> 0:53:40.719
<v Speaker 3>What was I thinking?

0:53:40.840 --> 0:53:43.120
<v Speaker 1>Yeah, missed opportunity. That's okay.

0:53:44.440 --> 0:53:47.799
<v Speaker 4>So Stephanie says, thank you boys, I'm gonna buy every

0:53:47.840 --> 0:53:51.440
<v Speaker 4>one of you a Cadillac. Jesse runs over to give

0:53:51.480 --> 0:53:54.239
<v Speaker 4>her a kiss. Steph tells him that she was a

0:53:54.400 --> 0:53:57.239
<v Speaker 4>hunka honka burn and love, and strikes.

0:53:56.920 --> 0:54:01.759
<v Speaker 1>An Elvis pose with a yah, yeah, you're confident. You're

0:54:01.800 --> 0:54:03.000
<v Speaker 1>just oozing confidence.

0:54:03.120 --> 0:54:03.560
<v Speaker 3>I love it.

0:54:03.760 --> 0:54:08.080
<v Speaker 1>You're selling it. I can't half ass a costume like that. No.

0:54:09.560 --> 0:54:12.600
<v Speaker 3>I was like, look a minute, I'm going for it. Yeah.

0:54:13.880 --> 0:54:17.440
<v Speaker 4>So Joey apologizes for missing the day, but Danny assures

0:54:17.520 --> 0:54:20.160
<v Speaker 4>him that he got it all on tape. Jesse breaks

0:54:20.200 --> 0:54:22.920
<v Speaker 4>their own good news and tells the family they landed

0:54:23.160 --> 0:54:27.799
<v Speaker 4>full time jobs. DJ and Steph can't help but look disappointed.

0:54:28.320 --> 0:54:30.719
<v Speaker 4>This wasn't quite the reaction the boys were looking for.

0:54:31.480 --> 0:54:35.439
<v Speaker 4>They ask for hugs and some congratulations, but DJ says,

0:54:35.640 --> 0:54:38.360
<v Speaker 4>how could you guys do this to us? With Steph

0:54:38.440 --> 0:54:40.640
<v Speaker 4>adding we're going to be all alone?

0:54:41.080 --> 0:54:43.640
<v Speaker 3>I couldn't take myself seriously with that line though, with the.

0:54:43.600 --> 0:54:46.400
<v Speaker 1>Whig, right, you know, it's such a sad line delivery.

0:54:46.120 --> 0:54:52.359
<v Speaker 3>Going to be all alone. I was like, you look ridiculous, right,

0:54:52.440 --> 0:54:57.040
<v Speaker 3>I was. No one's taking you seriously. It was hilarious.

0:54:57.080 --> 0:54:59.600
<v Speaker 1>Yes, they should have had you or Jesse take the

0:55:00.080 --> 0:55:01.600
<v Speaker 1>take the wig off.

0:55:02.000 --> 0:55:03.360
<v Speaker 2>Yeah, but then you know what my hair would have

0:55:03.360 --> 0:55:05.400
<v Speaker 2>looked like underneath. You know, the wig never looks good

0:55:05.400 --> 0:55:10.080
<v Speaker 2>when you take it right. Yeah, So, I mean, yeah,

0:55:10.120 --> 0:55:13.320
<v Speaker 2>I actually liked that. Steph was just like I this

0:55:13.480 --> 0:55:14.440
<v Speaker 2>is who I am right now.

0:55:15.080 --> 0:55:16.640
<v Speaker 1>Now she's sad and sad.

0:55:17.560 --> 0:55:20.759
<v Speaker 3>I mean, wouldn't be the first time. I mean maybe

0:55:20.840 --> 0:55:22.759
<v Speaker 3>for Steph, but not for someone in an Elphis cost

0:55:22.840 --> 0:55:24.240
<v Speaker 3>in true.

0:55:24.440 --> 0:55:26.880
<v Speaker 4>So Danny jumps into a sure stuff in DJ, they

0:55:26.920 --> 0:55:30.200
<v Speaker 4>will always be taken care of, reminding them how much

0:55:30.280 --> 0:55:33.400
<v Speaker 4>their uncles love them. The guys mentioned they'll see them

0:55:33.440 --> 0:55:36.960
<v Speaker 4>every day after work, on the weekends and on federal holidays.

0:55:37.640 --> 0:55:40.279
<v Speaker 4>Stuph tells them that it won't be the same. They're

0:55:40.320 --> 0:55:43.800
<v Speaker 4>gonna miss the whole rest of their lives. DJ and

0:55:43.840 --> 0:55:46.759
<v Speaker 4>Steph walk over to give Jesse and Joey a big hug,

0:55:47.040 --> 0:55:49.040
<v Speaker 4>telling them how much they'll miss them.

0:55:49.640 --> 0:55:52.320
<v Speaker 1>Oh, the guilt, the guilt.

0:55:52.800 --> 0:55:55.759
<v Speaker 3>Yeah, but also like, somebody's got to pay the rent

0:55:55.760 --> 0:56:01.000
<v Speaker 3>in his house mm hmm. Jesse's Yeah, an Joey's now

0:56:01.080 --> 0:56:04.480
<v Speaker 3>got a gigantic basement apartment. He'd be paying three thousand

0:56:04.520 --> 0:56:05.960
<v Speaker 3>dollars a month for that, So it's you.

0:56:07.080 --> 0:56:08.719
<v Speaker 1>Yeah, there's a lot of practical but I do.

0:56:08.880 --> 0:56:10.920
<v Speaker 3>It's the heartbreak.

0:56:11.120 --> 0:56:13.680
<v Speaker 4>Yeah, they're definitely tunguing on the heart strings here, They're

0:56:13.719 --> 0:56:17.000
<v Speaker 4>not really, they don't. The writing doesn't lend himself to

0:56:17.040 --> 0:56:20.759
<v Speaker 4>talking about the practicality of having working parents who have

0:56:20.920 --> 0:56:24.040
<v Speaker 4>to pay the rent and you gotta find childcare and

0:56:24.160 --> 0:56:24.400
<v Speaker 4>a car.

0:56:24.640 --> 0:56:28.359
<v Speaker 3>I would be really bummed though, if if I missed

0:56:28.440 --> 0:56:29.840
<v Speaker 3>my kid dressed up like Elvis.

0:56:30.600 --> 0:56:31.799
<v Speaker 1>Yeah, yeah, just for.

0:56:31.920 --> 0:56:36.160
<v Speaker 3>The future pictures alone, I believe I really wish I

0:56:36.280 --> 0:56:36.719
<v Speaker 3>was there for that.

0:56:36.920 --> 0:56:40.280
<v Speaker 4>Yeah, you can start a slide show at your wedding

0:56:40.400 --> 0:56:44.799
<v Speaker 4>of all the exact right childhood, all the embarrassing costumes.

0:56:46.320 --> 0:56:49.319
<v Speaker 4>So next door in Joey's room, Joey is sitting down

0:56:49.560 --> 0:56:53.000
<v Speaker 4>as Jesse Pace is behind him. Jesse begins to wonder

0:56:53.320 --> 0:56:57.319
<v Speaker 4>if they didn't consider everything before taking this job. Joey

0:56:57.400 --> 0:57:00.160
<v Speaker 4>has divided red and black checkers on the table as

0:57:00.200 --> 0:57:03.880
<v Speaker 4>a visual for reasons to keep the job versus reasons

0:57:03.960 --> 0:57:07.719
<v Speaker 4>to quit the job. Jesse points out one major black

0:57:07.840 --> 0:57:10.440
<v Speaker 4>checker is we get a lot of great things out

0:57:10.480 --> 0:57:13.480
<v Speaker 4>of raising these kids. I never thought i'd say this before,

0:57:13.640 --> 0:57:18.880
<v Speaker 4>but I dig being mister mom. Joey adds, I never

0:57:18.920 --> 0:57:21.600
<v Speaker 4>thought i'd say this, but you look smashing in an apron.

0:57:25.040 --> 0:57:27.240
<v Speaker 4>Jesse lays a black checker on one side of the

0:57:27.320 --> 0:57:30.600
<v Speaker 4>weight scale, saying it's one good reason not to take

0:57:30.680 --> 0:57:34.360
<v Speaker 4>the job. Joey mentions how the job pays more money

0:57:34.480 --> 0:57:37.080
<v Speaker 4>than they've ever seen, and he adds a red checker

0:57:37.160 --> 0:57:38.160
<v Speaker 4>to one side of the scale.

0:57:38.520 --> 0:57:39.960
<v Speaker 3>Yeah, they check.

0:57:40.400 --> 0:57:41.560
<v Speaker 1>Yeah, Oh, very important.

0:57:42.240 --> 0:57:44.200
<v Speaker 4>They add two more red checkers for being able to

0:57:44.240 --> 0:57:49.600
<v Speaker 4>write entire campaigns and having an amazing office. Well, it

0:57:49.640 --> 0:57:52.320
<v Speaker 4>looks like we're going to work, Jesse says. He starts

0:57:52.400 --> 0:57:55.960
<v Speaker 4>to walk away, but then slowly turns around. He forgot

0:57:56.000 --> 0:57:58.760
<v Speaker 4>about his music. If they take this job, there won't

0:57:58.760 --> 0:58:01.680
<v Speaker 4>be any time to write or play gigs. He tells

0:58:01.760 --> 0:58:05.080
<v Speaker 4>Joey to add a black checker. This makes Joey realize

0:58:05.120 --> 0:58:07.040
<v Speaker 4>that he would have no time to work on his comedy.

0:58:07.400 --> 0:58:08.840
<v Speaker 4>Another black checker is added.

0:58:09.880 --> 0:58:13.160
<v Speaker 3>Jesse takes comedians never have day jobs. Ever, they don't.

0:58:13.320 --> 0:58:14.520
<v Speaker 3>That's not a thing.

0:58:15.040 --> 0:58:16.200
<v Speaker 1>Right, They support themselves.

0:58:16.200 --> 0:58:19.360
<v Speaker 3>They solely on themselves, solely on their comedy. Yeah, that's

0:58:19.520 --> 0:58:21.360
<v Speaker 3>most any comedian will tell you that. Yeah.

0:58:23.120 --> 0:58:25.440
<v Speaker 4>Jesse takes a seat next to Joey and asks him

0:58:25.520 --> 0:58:26.640
<v Speaker 4>to really think about this.

0:58:27.320 --> 0:58:29.280
<v Speaker 1>Are we ready to give up our dreams for this.

0:58:30.200 --> 0:58:32.280
<v Speaker 1>Neither one of them wants to give up their dream,

0:58:32.840 --> 0:58:35.080
<v Speaker 1>but they've had more success in the last three months

0:58:35.120 --> 0:58:38.720
<v Speaker 1>of advertising than all of those years in music and comedy.

0:58:39.360 --> 0:58:40.920
<v Speaker 1>They add a rent checkeroo.

0:58:42.080 --> 0:58:42.320
<v Speaker 5>Yeah.

0:58:42.520 --> 0:58:44.640
<v Speaker 3>Yeah, really, it's difficult, it is.

0:58:45.440 --> 0:58:47.960
<v Speaker 4>Joey tells Jesse how life is like a salad bar.

0:58:48.280 --> 0:58:50.800
<v Speaker 4>You have all these great choices, but you can't help

0:58:50.840 --> 0:58:54.200
<v Speaker 4>but think to yourself, how often are they changing those beats?

0:58:55.560 --> 0:58:57.800
<v Speaker 1>Valid thought that was. It started off great. I'm like, oh,

0:58:57.840 --> 0:58:59.160
<v Speaker 1>this is gonna be a good analogy, and then I

0:58:59.240 --> 0:59:01.120
<v Speaker 1>was like, no, that's just Joey.

0:59:01.360 --> 0:59:03.560
<v Speaker 2>I knew from the beginning. He was like, oh boy, yeah,

0:59:03.680 --> 0:59:05.240
<v Speaker 2>where is this guy? It is a question that has

0:59:05.240 --> 0:59:05.919
<v Speaker 2>crossed my mind.

0:59:06.040 --> 0:59:07.400
<v Speaker 3>How often are they changing this beat?

0:59:07.680 --> 0:59:07.880
<v Speaker 2>Yeah?

0:59:07.960 --> 0:59:10.360
<v Speaker 4>I feel like all the soup plantations kind of went

0:59:10.400 --> 0:59:11.200
<v Speaker 4>out of business.

0:59:10.960 --> 0:59:13.520
<v Speaker 2>With Covid Plantation went out of business, although it apparently

0:59:13.600 --> 0:59:15.160
<v Speaker 2>a new a new one has come back, and there

0:59:15.240 --> 0:59:19.440
<v Speaker 2>was lines for Block. Really it was soup and Fresh,

0:59:19.680 --> 0:59:22.360
<v Speaker 2>Sup and Fresh oh yeah yeah, and like all the

0:59:22.560 --> 0:59:25.200
<v Speaker 2>diehard Sup Plantation people went because it's like a like

0:59:25.240 --> 0:59:26.560
<v Speaker 2>an exact replica of the restaurant.

0:59:26.560 --> 0:59:29.760
<v Speaker 1>Wow, my kids loved Sup plantation and he.

0:59:30.000 --> 0:59:33.840
<v Speaker 2>Buffaced somewhere in Riverside, and there's soup and fresh and

0:59:33.920 --> 0:59:36.360
<v Speaker 2>you can stand in line for three blocks for.

0:59:37.080 --> 0:59:38.080
<v Speaker 1>Wow sup plantation.

0:59:38.160 --> 0:59:40.880
<v Speaker 4>Okay, I'm not that committed, but I'll send Felicity. She

0:59:40.880 --> 0:59:43.560
<v Speaker 4>can drive down to all send Felicity, she can take

0:59:43.560 --> 0:59:48.000
<v Speaker 4>herself soup and fresh. Danny walks down the stairs carrying Michelle.

0:59:48.200 --> 0:59:51.080
<v Speaker 4>She wanted to say good night. Danny holds Michelle towards

0:59:51.160 --> 0:59:53.600
<v Speaker 4>Joey so he can give her a kiss. He gets

0:59:53.640 --> 0:59:56.800
<v Speaker 4>emotional and adds a black checker. Danny does the same

0:59:56.880 --> 0:59:59.800
<v Speaker 4>for Jesse. He sighs and adds a black checker as

0:59:59.840 --> 1:00:03.600
<v Speaker 4>well well. Danny insists he didn't bring Michelle downstairs to

1:00:03.680 --> 1:00:06.520
<v Speaker 4>make them feel guilty. He leaves the room, and Jesse

1:00:06.640 --> 1:00:08.280
<v Speaker 4>and Joey feel conflicted.

1:00:09.960 --> 1:00:10.959
<v Speaker 1>So hard, so hard.

1:00:11.880 --> 1:00:13.960
<v Speaker 3>And Michelle looked like a little ball of cotton candy.

1:00:14.080 --> 1:00:14.640
<v Speaker 1>She was so cuy.

1:00:14.720 --> 1:00:17.480
<v Speaker 4>Oh yeah, yeah, she had some really cute dresses in

1:00:17.560 --> 1:00:21.600
<v Speaker 4>this episode. So back at the ad agency, Joey and

1:00:21.680 --> 1:00:25.600
<v Speaker 4>Jesse are waiting in their office as mister Malatesta comes in. Hey, boys,

1:00:25.760 --> 1:00:29.200
<v Speaker 4>you wanted to see me about something. Joey admits they're

1:00:29.280 --> 1:00:32.680
<v Speaker 4>having second thoughts. Jesse points out that their job is

1:00:32.760 --> 1:00:36.320
<v Speaker 4>to come up with brilliant ideas, but it shouldn't matter where.

1:00:36.240 --> 1:00:37.760
<v Speaker 1>They come up with these ideas.

1:00:38.680 --> 1:00:42.040
<v Speaker 4>Mister Malitesta is confused and asks is this a trick question.

1:00:43.000 --> 1:00:45.160
<v Speaker 4>Joey jumps in, saying it would solve a lot of

1:00:45.240 --> 1:00:49.880
<v Speaker 4>their problems if they could work from home. Mister Malatesta

1:00:49.960 --> 1:00:52.680
<v Speaker 4>begins to think and suggest he could hire them on

1:00:52.800 --> 1:00:54.520
<v Speaker 4>a project by project basis.

1:00:55.320 --> 1:01:00.440
<v Speaker 3>I mean, this is the Full House started work from

1:01:00.480 --> 1:01:00.919
<v Speaker 3>home movement.

1:01:01.000 --> 1:01:02.400
<v Speaker 1>Yeah, I would just like to say, yeah, and look

1:01:02.400 --> 1:01:03.720
<v Speaker 1>where we are now, how many people are.

1:01:03.680 --> 1:01:04.840
<v Speaker 3>Working And that's what I'm saying.

1:01:05.280 --> 1:01:07.720
<v Speaker 2>Yeah, when it was such a foreign idea, people are like,

1:01:07.800 --> 1:01:11.280
<v Speaker 2>what are you talking about? Jesse and Joey were like, look,

1:01:12.080 --> 1:01:14.479
<v Speaker 2>I can be funny and do my work at home.

1:01:14.600 --> 1:01:15.680
<v Speaker 1>Yeah, so watch this.

1:01:15.840 --> 1:01:19.800
<v Speaker 2>It's true now and now it's totally commonplace. All started

1:01:19.920 --> 1:01:21.760
<v Speaker 2>right here on Full House, Ladies. Well, yeah, the Full

1:01:21.800 --> 1:01:26.040
<v Speaker 2>House started a lot of mister Maltesta. Mister Malatesta here

1:01:26.720 --> 1:01:29.360
<v Speaker 2>really was a pioneer in the work from house.

1:01:29.480 --> 1:01:33.000
<v Speaker 4>Yeah, it's a great it's a great solution. They only

1:01:33.080 --> 1:01:34.920
<v Speaker 4>need to come in for the pitches, but they can

1:01:35.000 --> 1:01:35.440
<v Speaker 4>do all of.

1:01:35.520 --> 1:01:38.160
<v Speaker 3>Their save your money on the office. Yeah, oh yeah,

1:01:38.440 --> 1:01:41.960
<v Speaker 3>for sure, mister Mala Testa can take that lovely office.

1:01:41.720 --> 1:01:43.680
<v Speaker 1>That felt like a boss's office. To be honest with

1:01:43.800 --> 1:01:45.040
<v Speaker 1>that view that yeah, I.

1:01:45.120 --> 1:01:46.120
<v Speaker 3>Was, Yeah, it's a great view.

1:01:46.120 --> 1:01:46.280
<v Speaker 1>I was.

1:01:46.400 --> 1:01:48.640
<v Speaker 3>I was surprised. So yeay, he gets he gets an offer.

1:01:49.760 --> 1:01:52.800
<v Speaker 4>Mister Malatesta decides, well, I guess it'd be best for

1:01:52.880 --> 1:01:55.600
<v Speaker 4>everyone concerned if you guys got out of here to

1:01:55.680 --> 1:01:58.720
<v Speaker 4>go home and go to work. He laughs and tells

1:01:58.760 --> 1:01:59.560
<v Speaker 4>them he loves them.

1:02:00.040 --> 1:02:00.600
<v Speaker 1>It's a deal.

1:02:01.680 --> 1:02:04.640
<v Speaker 4>Just as mister Malatesta tries to exit the office, Danny

1:02:04.680 --> 1:02:08.160
<v Speaker 4>yell's surprise while holding a bouquet of flowers as the

1:02:08.240 --> 1:02:12.800
<v Speaker 4>girls stand behind him. Jesse starts the introductions and mister

1:02:12.880 --> 1:02:16.640
<v Speaker 4>Malatesta interrupts, remember your personal lives are none of my business,

1:02:18.440 --> 1:02:21.280
<v Speaker 4>Jesse or not, Jesse. Danny and the kids brought some

1:02:21.440 --> 1:02:24.320
<v Speaker 4>plants for their new office, and Jesse tells them to

1:02:24.480 --> 1:02:28.040
<v Speaker 4>pack them up because they'll be working from home. The

1:02:28.120 --> 1:02:32.720
<v Speaker 4>girls erupt in cheers and hugs. Dj asks, did you

1:02:32.800 --> 1:02:37.120
<v Speaker 4>guys quit your jobs for us? Jesse explains their arrangement

1:02:37.240 --> 1:02:41.040
<v Speaker 4>of working at home. Steph looks at Danny. Daddy can

1:02:41.120 --> 1:02:44.040
<v Speaker 4>you do your TV show at home, and he sadly

1:02:44.080 --> 1:02:46.600
<v Speaker 4>tells her no, because the crew people would scuff up

1:02:46.680 --> 1:02:48.960
<v Speaker 4>their floors and they would.

1:02:48.960 --> 1:02:51.480
<v Speaker 3>Is before reality TV, Yeah for sure.

1:02:52.560 --> 1:02:55.160
<v Speaker 4>Uh. Joey and Jesse bring everyone over to the balcony

1:02:55.280 --> 1:02:58.200
<v Speaker 4>that connects to their office. They all walk outside to

1:02:58.280 --> 1:03:01.240
<v Speaker 4>look at the view, and once the entire family is

1:03:01.280 --> 1:03:05.040
<v Speaker 4>out there, Michelle slams the door shut. The family begs

1:03:05.080 --> 1:03:07.720
<v Speaker 4>for her to open the door. She ignores them and

1:03:07.840 --> 1:03:11.360
<v Speaker 4>climbs onto a chair, grabbing a magazine. And that is

1:03:11.520 --> 1:03:16.920
<v Speaker 4>the show not so obvious missing panes of glass at all.

1:03:17.880 --> 1:03:21.360
<v Speaker 4>So it was so totally not obvious that there was

1:03:21.440 --> 1:03:22.280
<v Speaker 4>no glass glass.

1:03:22.320 --> 1:03:24.880
<v Speaker 2>The best word is I start knocking, but I'm knocking

1:03:25.000 --> 1:03:27.680
<v Speaker 2>on just the metal part. Oh funny, because there's no

1:03:27.840 --> 1:03:28.920
<v Speaker 2>pain of glass.

1:03:28.800 --> 1:03:31.000
<v Speaker 3>To knock on, And like now I'm like, why, just

1:03:31.040 --> 1:03:33.800
<v Speaker 3>don't even draw attention to that, Like don't, But.

1:03:33.960 --> 1:03:36.400
<v Speaker 4>Yeah, yeah, it was they can't have the panes of

1:03:36.440 --> 1:03:39.439
<v Speaker 4>glass because of practice sticking our heads through the thing.

1:03:39.680 --> 1:03:40.160
<v Speaker 1>Yeah, you know.

1:03:40.600 --> 1:03:42.760
<v Speaker 4>It was well between that and the background, which is

1:03:42.760 --> 1:03:45.840
<v Speaker 4>a beautiful view but obviously a very very fake back of.

1:03:45.960 --> 1:03:51.440
<v Speaker 2>Some beautiful lithograph of It's a beautiful ancient tapestry that

1:03:51.720 --> 1:03:53.760
<v Speaker 2>was hanging and stitched together.

1:03:53.920 --> 1:03:57.680
<v Speaker 3>Yeah, I mean, bless the the set designers that painted

1:03:57.680 --> 1:03:58.000
<v Speaker 3>that stuff.

1:03:58.000 --> 1:04:01.800
<v Speaker 2>It looks they're beautiful. But yeah, now you can see

1:04:01.840 --> 1:04:05.080
<v Speaker 2>it and you're like, that's nothing's moving. That's the strangest,

1:04:05.120 --> 1:04:06.240
<v Speaker 2>flattest light I've ever seen.

1:04:06.360 --> 1:04:09.960
<v Speaker 1>Thing is moving. There's no clouds, there's no like yeah this.

1:04:10.560 --> 1:04:13.200
<v Speaker 2>Well, there's never clouds in San Francisco unless it's a

1:04:13.440 --> 1:04:18.960
<v Speaker 2>particular episode about Carl the Fog. Yes, yes, Otherwise, clear

1:04:19.000 --> 1:04:21.320
<v Speaker 2>blue skies like Eddie San Francisco.

1:04:20.960 --> 1:04:21.400
<v Speaker 1>All the time.

1:04:22.480 --> 1:04:22.720
<v Speaker 3>Yep.

1:04:23.320 --> 1:04:28.680
<v Speaker 1>Oh man, So this wasn't my favorite episode, but that's okay.

1:04:29.000 --> 1:04:34.000
<v Speaker 2>It well, it went a long way in explaining how

1:04:34.840 --> 1:04:37.440
<v Speaker 2>three adults and three children can continue living in a

1:04:37.480 --> 1:04:43.400
<v Speaker 2>house and eating food while also watching the kids and

1:04:43.680 --> 1:04:45.400
<v Speaker 2>continuing up with the hijinks at home.

1:04:45.480 --> 1:04:48.760
<v Speaker 1>Yeah. Yeah, so no, it's it's true. I wish they

1:04:48.800 --> 1:04:51.400
<v Speaker 1>had I do wish they had talked a little bit

1:04:51.440 --> 1:04:54.240
<v Speaker 1>more about like the practicalities of this, like yeah, we

1:04:54.360 --> 1:04:56.200
<v Speaker 1>need we need jobs to pay for this home that

1:04:56.280 --> 1:04:59.760
<v Speaker 1>you live in, or yeah, it's it's sort of.

1:04:59.800 --> 1:05:01.840
<v Speaker 2>That lesson like to you know that like you know,

1:05:02.000 --> 1:05:04.600
<v Speaker 2>sometimes it's sort of like I always telling my kids, like,

1:05:04.640 --> 1:05:06.320
<v Speaker 2>there's the half twos and the want tos, right, and

1:05:06.400 --> 1:05:07.560
<v Speaker 2>you you know you usually have.

1:05:07.600 --> 1:05:09.040
<v Speaker 3>To take care of the half twos before you get

1:05:09.080 --> 1:05:09.760
<v Speaker 3>to do the want too.

1:05:09.840 --> 1:05:10.960
<v Speaker 1>Yeah, and so like that.

1:05:11.480 --> 1:05:14.320
<v Speaker 2>Yeah, there was not really a discussion about that, and

1:05:14.440 --> 1:05:17.080
<v Speaker 2>I love that just sort of as a throwaway line

1:05:17.120 --> 1:05:18.760
<v Speaker 2>at the end when STEP's like, hey, can you do

1:05:18.800 --> 1:05:19.520
<v Speaker 2>your thing at home?

1:05:20.120 --> 1:05:22.160
<v Speaker 3>Danny says no because they'll scuff up the floors, and

1:05:22.240 --> 1:05:24.280
<v Speaker 3>not everybody's job works like that. Let's go.

1:05:24.600 --> 1:05:27.840
<v Speaker 2>Like it was just such a like it was just

1:05:28.000 --> 1:05:30.919
<v Speaker 2>it was funny, like it was such a you know, yeah,

1:05:31.080 --> 1:05:33.680
<v Speaker 2>don't go buy bugging your parents about working from home kids,

1:05:33.720 --> 1:05:35.200
<v Speaker 2>because not everyone's job can do that.

1:05:35.480 --> 1:05:37.480
<v Speaker 1>Yeah, No, it's true, It's true. It was.

1:05:37.640 --> 1:05:39.240
<v Speaker 2>It was. As I mentioned, there were tons of kids

1:05:39.280 --> 1:05:42.080
<v Speaker 2>after this episode that went home. We're like, oh, Jesse

1:05:42.200 --> 1:05:44.400
<v Speaker 2>and Joey work from home, Like, yeah, you work from home?

1:05:44.560 --> 1:05:44.760
<v Speaker 5>Yeah.

1:05:44.920 --> 1:05:45.120
<v Speaker 3>Yeah.

1:05:45.160 --> 1:05:49.120
<v Speaker 4>I wish it was a little too clean or tidy

1:05:49.320 --> 1:05:51.640
<v Speaker 4>of a of a solution. I mean it was great,

1:05:51.720 --> 1:05:54.040
<v Speaker 4>but like they I wish they'd gone over different options

1:05:54.080 --> 1:05:55.520
<v Speaker 4>like working parents do, Like how do you get your

1:05:55.600 --> 1:05:56.920
<v Speaker 4>kids to and from school? Do you have to do

1:05:57.000 --> 1:05:59.320
<v Speaker 4>a carpool, right, you know, who's going to babysit the kids,

1:05:59.320 --> 1:06:01.160
<v Speaker 4>who's going to help with their homework? Like, there's a

1:06:01.200 --> 1:06:03.640
<v Speaker 4>lot of practical things, not just this emotional guilt that

1:06:03.840 --> 1:06:04.880
<v Speaker 4>working parents feel.

1:06:05.080 --> 1:06:07.680
<v Speaker 2>Yeah, that's yeah exactly. I think that it felt kind

1:06:07.720 --> 1:06:11.120
<v Speaker 2>of like the only option was like do they care

1:06:11.120 --> 1:06:13.000
<v Speaker 2>about the kids or not? And it's like, well, that's

1:06:13.080 --> 1:06:16.760
<v Speaker 2>not the that's not the choice. Really, that's not I mean,

1:06:17.520 --> 1:06:18.479
<v Speaker 2>that's not even the question.

1:06:18.680 --> 1:06:18.720
<v Speaker 3>Is.

1:06:18.760 --> 1:06:22.280
<v Speaker 2>The question is like how how can I take care

1:06:22.320 --> 1:06:23.920
<v Speaker 2>of them and get them where they need to be

1:06:24.160 --> 1:06:26.000
<v Speaker 2>while also providing food?

1:06:26.040 --> 1:06:27.760
<v Speaker 4>And yeah, it's not so black and white. There's a

1:06:27.800 --> 1:06:30.120
<v Speaker 4>lot of nuance, right, and there's deception.

1:06:30.480 --> 1:06:33.680
<v Speaker 2>Well right, I'm I'm going to venture to say that

1:06:33.880 --> 1:06:36.960
<v Speaker 2>nuance was not something that was able to fit in

1:06:37.000 --> 1:06:38.000
<v Speaker 2>twenty two minutes of six.

1:06:38.160 --> 1:06:38.360
<v Speaker 3>True.

1:06:38.560 --> 1:06:44.000
<v Speaker 2>Very true, although h terribly misogynistic jokes were so there's

1:06:44.040 --> 1:06:47.320
<v Speaker 2>always that you yeah, I know I was a little

1:06:47.320 --> 1:06:50.000
<v Speaker 2>I know I was, but you know what, let's that's

1:06:50.080 --> 1:06:53.120
<v Speaker 2>how far. I'd like to think that we've sort of

1:06:53.200 --> 1:06:56.240
<v Speaker 2>come now in the realization that like all of the

1:06:56.320 --> 1:06:59.280
<v Speaker 2>jokes about like being mister mom or working mom or

1:06:59.520 --> 1:07:02.200
<v Speaker 2>like you know that they flag now was like, that's

1:07:02.240 --> 1:07:05.960
<v Speaker 2>so unrealistic. Every you know, it's working parents like, but

1:07:06.160 --> 1:07:09.120
<v Speaker 2>you know, so, I will say in that regard, I'm

1:07:09.400 --> 1:07:12.840
<v Speaker 2>it's nice that we even notice a like, oh my god,

1:07:12.880 --> 1:07:14.720
<v Speaker 2>you wouldn't even think like that really.

1:07:14.640 --> 1:07:17.680
<v Speaker 3>Did, or most of us wouldn't. But it's just a

1:07:17.760 --> 1:07:19.320
<v Speaker 3>nice little window back into the eighties.

1:07:19.400 --> 1:07:19.840
<v Speaker 1>Yeah to go.

1:07:20.240 --> 1:07:22.160
<v Speaker 2>And I will say one of the things that I

1:07:22.240 --> 1:07:25.959
<v Speaker 2>wrote down was I love Irene because there's the line

1:07:26.000 --> 1:07:29.360
<v Speaker 2>that she says when she drops Michelle off and Jesse says,

1:07:29.720 --> 1:07:31.560
<v Speaker 2>can't you watch her for another couple hours?

1:07:31.960 --> 1:07:34.240
<v Speaker 3>Her response is, no, I've got to go to school.

1:07:34.520 --> 1:07:36.400
<v Speaker 1>Good for her, Good for her?

1:07:36.440 --> 1:07:39.800
<v Speaker 2>And I was like, yes, Irene having boundaries with these

1:07:39.920 --> 1:07:43.960
<v Speaker 2>men who are like Irena, she's the only one, the

1:07:44.040 --> 1:07:47.720
<v Speaker 2>only one. Yeah. She's like, look, I'm you stop it, you,

1:07:48.080 --> 1:07:49.880
<v Speaker 2>I'm done, And she was like, no, I gotta go

1:07:49.920 --> 1:07:50.280
<v Speaker 2>to school.

1:07:50.320 --> 1:07:52.320
<v Speaker 3>And I literally wrote down, I love Irene.

1:07:52.360 --> 1:07:54.640
<v Speaker 4>I love her, Yeah because she I love her character.

1:07:54.760 --> 1:07:57.720
<v Speaker 4>I love the actress, like she's just such a force

1:07:58.040 --> 1:07:59.520
<v Speaker 4>and she's fantastic.

1:07:59.640 --> 1:08:02.400
<v Speaker 3>She was yeah, did you uh did you have any

1:08:02.480 --> 1:08:03.360
<v Speaker 3>everywhere you look moment?

1:08:03.440 --> 1:08:03.520
<v Speaker 5>Oh?

1:08:03.600 --> 1:08:06.520
<v Speaker 1>Yes, oh yes, I do. I have one I did

1:08:06.600 --> 1:08:08.320
<v Speaker 1>do it. I wonder if we have the same one.

1:08:10.080 --> 1:08:12.600
<v Speaker 3>I think, when did you when? When did yours have

1:08:12.720 --> 1:08:14.800
<v Speaker 3>a teaser? Did yours mind too?

1:08:14.960 --> 1:08:16.000
<v Speaker 1>Oh? Do we have the same one?

1:08:16.120 --> 1:08:17.639
<v Speaker 3>Teaser? I think we have the same But that's okay.

1:08:17.840 --> 1:08:20.000
<v Speaker 3>That's that means that's we're that's that's yeah, that means

1:08:20.040 --> 1:08:20.599
<v Speaker 3>we're both.

1:08:22.080 --> 1:08:22.320
<v Speaker 1>Okay.

1:08:22.400 --> 1:08:25.679
<v Speaker 4>So in the in the teaser scene, during the last

1:08:25.720 --> 1:08:29.080
<v Speaker 4>few moments, when Michelle is walking in her roller skates,

1:08:30.080 --> 1:08:32.599
<v Speaker 4>the camera pans back and you can see the edge

1:08:32.720 --> 1:08:36.600
<v Speaker 4>of the set and then the stage the stage.

1:08:36.280 --> 1:08:37.280
<v Speaker 1>Walls right behind it.

1:08:38.200 --> 1:08:40.519
<v Speaker 3>Yeah. Yeah, And I was wondering too. I was like,

1:08:40.600 --> 1:08:42.000
<v Speaker 3>why did we have Why did the shot have to

1:08:42.040 --> 1:08:46.360
<v Speaker 3>be that white? But like, you know, what the what

1:08:46.560 --> 1:08:48.040
<v Speaker 3>the balloon? I don't know how I did that.

1:08:48.120 --> 1:08:50.479
<v Speaker 1>I was very excited about this. This everywhere you look.

1:08:50.520 --> 1:08:55.400
<v Speaker 2>I guess apparently they were like balloons. Yeah, no, it

1:08:55.560 --> 1:08:57.439
<v Speaker 2>was so I was like, why do we have to

1:08:57.479 --> 1:09:00.200
<v Speaker 2>see that much of the set in order to get

1:09:00.520 --> 1:09:01.720
<v Speaker 2>but who knows?

1:09:02.320 --> 1:09:03.160
<v Speaker 1>Yeah, and the things you.

1:09:03.160 --> 1:09:04.640
<v Speaker 2>Can do now where you can like you're like, oh,

1:09:04.680 --> 1:09:06.760
<v Speaker 2>we could just digitally punch it in and cut that

1:09:06.840 --> 1:09:08.640
<v Speaker 2>out so you don't see like that wasn't it.

1:09:08.840 --> 1:09:10.880
<v Speaker 3>You were like, well, it's there, that's what we're doing.

1:09:10.960 --> 1:09:14.160
<v Speaker 4>So I love about eighties and nineties sitcoms is that

1:09:14.400 --> 1:09:16.360
<v Speaker 4>these these things they don't.

1:09:16.240 --> 1:09:18.800
<v Speaker 1>Care shadows everywhere, attention.

1:09:18.640 --> 1:09:21.840
<v Speaker 3>To detail in these shows. Yoh yeah, it was like

1:09:22.000 --> 1:09:25.360
<v Speaker 3>just whatever, slap together, people will be fine. Uh yeah,

1:09:25.439 --> 1:09:25.840
<v Speaker 3>it's definite.

1:09:25.880 --> 1:09:29.000
<v Speaker 2>But that was my everywhere you look too was well

1:09:29.040 --> 1:09:33.200
<v Speaker 2>at the end we see off off the stage behind Michelle.

1:09:33.360 --> 1:09:35.400
<v Speaker 1>I did have one other, but that's kind of our first.

1:09:35.680 --> 1:09:40.240
<v Speaker 3>Uh have we seen any other like goofs like that

1:09:40.400 --> 1:09:43.519
<v Speaker 3>shots with the with the with the like caught the

1:09:43.640 --> 1:09:45.760
<v Speaker 3>edge like that of the sand not.

1:09:47.880 --> 1:09:50.320
<v Speaker 4>There was only like at the wake Up San Francisco set,

1:09:50.560 --> 1:09:52.519
<v Speaker 4>but that was intentional. They wanted to show that they

1:09:52.560 --> 1:09:53.360
<v Speaker 4>were supposed to.

1:09:53.360 --> 1:09:54.000
<v Speaker 3>Be part of the set.

1:09:54.080 --> 1:09:54.280
<v Speaker 5>Yeah.

1:09:54.320 --> 1:09:56.519
<v Speaker 3>Yeah, Now I feel like this was kind of the first.

1:09:56.760 --> 1:09:58.559
<v Speaker 1>Uh oh, I think so too.

1:09:58.640 --> 1:09:58.960
<v Speaker 5>What is that?

1:09:59.200 --> 1:09:59.400
<v Speaker 6>Yeah?

1:10:00.560 --> 1:10:02.639
<v Speaker 4>My other one, and this is not a huge one,

1:10:02.680 --> 1:10:05.439
<v Speaker 4>but I love how in the the guy's office at

1:10:05.479 --> 1:10:07.320
<v Speaker 4>the ad agency there's this.

1:10:07.680 --> 1:10:12.040
<v Speaker 1>Clunky, small, clunky computer, but it's not on the desk.

1:10:12.200 --> 1:10:14.640
<v Speaker 4>It's like in the back off to the side by

1:10:14.680 --> 1:10:18.000
<v Speaker 4>a potted plant, on just a random table. And I'm like,

1:10:19.000 --> 1:10:21.880
<v Speaker 4>today you would have a massive computer screen and the

1:10:22.040 --> 1:10:25.000
<v Speaker 4>computer would be right on your desk, front and center.

1:10:25.160 --> 1:10:28.120
<v Speaker 2>Well, and everyone would have one, like you know, it

1:10:28.120 --> 1:10:32.000
<v Speaker 2>wouldn't be one office computer. Yeah that you know with

1:10:32.160 --> 1:10:35.040
<v Speaker 2>the green flashing MS dows thing or you know that

1:10:35.080 --> 1:10:36.400
<v Speaker 2>you could play Oregon Trail on.

1:10:36.640 --> 1:10:40.600
<v Speaker 3>Yes, I mean that was like it was Yeah, it

1:10:40.760 --> 1:10:42.080
<v Speaker 3>was wild. I actually said in.

1:10:42.120 --> 1:10:46.360
<v Speaker 2>Here too, I said, oh, this office is dripping in eightieses,

1:10:46.720 --> 1:10:50.800
<v Speaker 2>like the glass tile block behind the thing, and the

1:10:51.240 --> 1:10:57.240
<v Speaker 2>paint colors, the wall art behind Jesse and Joey in

1:10:57.320 --> 1:11:02.360
<v Speaker 2>that first scene is so it's just so eighties Amy

1:11:02.439 --> 1:11:04.840
<v Speaker 2>vice as, Oh my gosh, it was great, like late eighties,

1:11:04.920 --> 1:11:06.080
<v Speaker 2>early nineties bad.

1:11:06.680 --> 1:11:06.800
<v Speaker 6>Uh.

1:11:07.800 --> 1:11:09.320
<v Speaker 3>I don't even know what you would call it, Like

1:11:10.520 --> 1:11:13.600
<v Speaker 3>it was just that weird like eighties post modern sort of.

1:11:14.280 --> 1:11:16.760
<v Speaker 4>Yeah, that's what they were imagining a future, like a

1:11:16.840 --> 1:11:19.479
<v Speaker 4>real professional office it's going to look like, right.

1:11:19.479 --> 1:11:21.640
<v Speaker 3>I guess, I don't know. It was just but it

1:11:21.800 --> 1:11:25.840
<v Speaker 3>was like it was just very eighties, eighties. I appreciated that.

1:11:26.600 --> 1:11:31.160
<v Speaker 1>I just can't get enough of these bad eighties things.

1:11:31.360 --> 1:11:37.680
<v Speaker 1>So good, it's so good. I love it. Oh, well,

1:11:39.360 --> 1:11:42.080
<v Speaker 1>that's the quietest we've been in an hour. Fifteen.

1:11:43.240 --> 1:11:45.640
<v Speaker 2>Well, I was because I was thinking and then for

1:11:45.760 --> 1:11:48.080
<v Speaker 2>once I wasn't thinking and talking at the same time.

1:11:48.280 --> 1:11:51.280
<v Speaker 1>You're getting ready for your outrosing, You're you're preparing mentally

1:11:51.360 --> 1:11:53.559
<v Speaker 1>for your outro, so you have to take a beat. Yeah,

1:11:54.479 --> 1:11:56.679
<v Speaker 1>get your brain, put.

1:11:56.600 --> 1:11:59.960
<v Speaker 3>It on, got it the right way. I'm all this time,

1:12:00.080 --> 1:12:02.960
<v Speaker 3>I'm I'm ready. Okay, we'll see you this time. I'm ready.

1:12:02.960 --> 1:12:03.160
<v Speaker 4>Okay.

1:12:03.560 --> 1:12:06.640
<v Speaker 3>But thank you so much for joining us for this

1:12:06.720 --> 1:12:09.080
<v Speaker 3>week's episode of How Rude.

1:12:09.160 --> 1:12:11.960
<v Speaker 2>Tannerto's We have truly enjoyed going over this with you,

1:12:12.880 --> 1:12:16.960
<v Speaker 2>and next episode is season two, episode fourteen, Little Shop

1:12:17.040 --> 1:12:17.960
<v Speaker 2>of Sweaters.

1:12:18.000 --> 1:12:19.360
<v Speaker 3>Oh that's oh.

1:12:19.520 --> 1:12:23.400
<v Speaker 2>I love this episode, which aired February tenth, nineteen eighty nine,

1:12:23.479 --> 1:12:25.880
<v Speaker 2>So that will be our next episode that we're coming

1:12:25.960 --> 1:12:29.040
<v Speaker 2>up with our next recap episode anyway, and if you

1:12:29.160 --> 1:12:32.560
<v Speaker 2>want to follow our Instagram, we are at how Rude Podcast.

1:12:32.920 --> 1:12:35.799
<v Speaker 2>You can also email us at how rudpodcast at gmail

1:12:35.840 --> 1:12:38.200
<v Speaker 2>dot com and make sure wherever you're listening to the

1:12:38.280 --> 1:12:41.519
<v Speaker 2>podcast that you are liking and subscribing so that way

1:12:41.600 --> 1:12:43.599
<v Speaker 2>you can make sure and get all the episodes as

1:12:43.640 --> 1:12:47.040
<v Speaker 2>soon as they drop. We will see you next time.

1:12:47.720 --> 1:12:53.559
<v Speaker 2>Amazing fan Ritos and here we go. Remember the world

1:12:53.680 --> 1:12:54.360
<v Speaker 2>is small.

1:12:55.040 --> 1:12:56.000
<v Speaker 3>But the house is full.

1:12:56.880 --> 1:12:59.960
<v Speaker 1>Nailed it. You finally got it read it correctly this time.

1:13:00.760 --> 1:13:02.920
<v Speaker 1>Thank you to the fan that gave you that bracelet.

1:13:02.920 --> 1:13:04.880
<v Speaker 2>I can't tell you how many comments I get about

1:13:04.960 --> 1:13:07.320
<v Speaker 2>the people that were like, you can't even read it.

1:13:07.360 --> 1:13:08.320
<v Speaker 3>I was like, it's upside down.