1
00:00:17,720 --> 00:00:19,720
Speaker 1: Hey, Jody Sweeten, what's.

2
00:00:19,600 --> 00:00:22,680
Speaker 2: Up, Hey, Andrea Barber. I don't know, I just felt

3
00:00:22,680 --> 00:00:23,639
Speaker 2: like changing it up today.

4
00:00:23,680 --> 00:00:24,479
Speaker 3: I don't know what that was.

5
00:00:24,600 --> 00:00:27,160
Speaker 4: Yeah, I'm trying to think of new things, like new

6
00:00:27,880 --> 00:00:31,520
Speaker 4: ways to say hello, new new accents to try, Yeah,

7
00:00:31,560 --> 00:00:33,000
Speaker 4: new greetings.

8
00:00:32,600 --> 00:00:38,320
Speaker 3: New new accents to try hello, like missus doubtfire, that's hello.

9
00:00:39,000 --> 00:00:41,800
Speaker 4: And it's a drive to day mating like who should

10
00:00:41,800 --> 00:00:42,880
Speaker 4: I be Australian today?

11
00:00:43,760 --> 00:00:46,240
Speaker 3: I you should do the entire show as Steve Irwin.

12
00:00:48,920 --> 00:00:54,200
Speaker 2: Crikey mate, right and just yeah, everything is a reaction

13
00:00:54,360 --> 00:00:57,640
Speaker 2: to a really strange animal in this show.

14
00:00:58,800 --> 00:01:02,720
Speaker 1: Yeah there's plenty coming up, for sure, plenty of strange

15
00:01:02,760 --> 00:01:04,039
Speaker 1: animals coming so.

16
00:01:04,120 --> 00:01:05,280
Speaker 3: Oh plenty plenty.

17
00:01:05,920 --> 00:01:09,240
Speaker 2: But yeah, I think that would be That's that's the challenge,

18
00:01:09,280 --> 00:01:14,000
Speaker 2: is that we do an entire episode in a ridiculous accent.

19
00:01:14,040 --> 00:01:16,520
Speaker 2: Why it even suggest it? Because now, pep, We're gonna

20
00:01:16,520 --> 00:01:18,199
Speaker 2: be like, you should totally do it, and I'm gonna

21
00:01:18,200 --> 00:01:20,200
Speaker 2: be like, I was just kidding and being an idiot,

22
00:01:20,280 --> 00:01:22,919
Speaker 2: and as usually, gonna get getting it. Being an idiot

23
00:01:23,280 --> 00:01:25,160
Speaker 2: leads into doing something stupid.

24
00:01:25,600 --> 00:01:27,520
Speaker 1: We're gonna get emails and people are gonna be like,

25
00:01:28,319 --> 00:01:30,840
Speaker 1: where's the Australian accent episode.

26
00:01:30,920 --> 00:01:32,319
Speaker 3: And you know what, here's the deal.

27
00:01:32,480 --> 00:01:36,039
Speaker 2: We don't want to get canceled in Australia, so we

28
00:01:36,200 --> 00:01:43,040
Speaker 2: are saving the masses from our horrific Australian accents.

29
00:01:43,640 --> 00:01:45,360
Speaker 1: Nothing worse than having to do an accent.

30
00:01:47,880 --> 00:01:52,000
Speaker 2: Everyone, Yeah, everyone heard my English accent. The first like

31
00:01:52,080 --> 00:01:53,520
Speaker 2: three scenes of Full House.

32
00:01:53,600 --> 00:01:56,840
Speaker 1: It was very crosscuse me, it was I.

33
00:01:56,800 --> 00:01:58,640
Speaker 3: Had it was not prepared at all.

34
00:01:58,880 --> 00:02:01,400
Speaker 2: What it was it was me showing up the first

35
00:02:01,480 --> 00:02:03,520
Speaker 2: day and then them going, hey, you know, we think

36
00:02:03,560 --> 00:02:06,200
Speaker 2: we would get you a dialect coach, and I was like,

37
00:02:06,240 --> 00:02:10,160
Speaker 2: please do yes, that would have been great, and then

38
00:02:10,360 --> 00:02:11,160
Speaker 2: you know you're.

39
00:02:11,000 --> 00:02:12,120
Speaker 3: Shooting it on the third day.

40
00:02:12,200 --> 00:02:14,799
Speaker 1: So yeah, yeah, I can't remember doing.

41
00:02:14,880 --> 00:02:16,880
Speaker 2: If I start doing Shakespeare, I'll make sure and and

42
00:02:17,000 --> 00:02:19,480
Speaker 2: really lean into the accent well ahead of time.

43
00:02:19,560 --> 00:02:22,240
Speaker 3: But Fuller we just didn't have that luxury.

44
00:02:23,840 --> 00:02:28,120
Speaker 1: I forget why Steph lost the English accent. Do you

45
00:02:28,120 --> 00:02:29,040
Speaker 1: remember what, Walter?

46
00:02:29,800 --> 00:02:32,399
Speaker 3: Could you pass me the water? I think it was you?

47
00:02:33,040 --> 00:02:35,919
Speaker 1: I oh, was it my stinky feet?

48
00:02:36,520 --> 00:02:39,160
Speaker 3: Yeah? I think you. I think you like kicked your

49
00:02:39,200 --> 00:02:42,440
Speaker 3: shoes off and put your feet up and I was like, oh,

50
00:02:42,760 --> 00:02:44,400
Speaker 3: oh my god, my accent's.

51
00:02:44,000 --> 00:02:47,720
Speaker 1: Gone, oh okay, so the whiff of Kimmy really you.

52
00:02:47,680 --> 00:02:51,160
Speaker 3: Killed Thank you Kimmy Gibbler.

53
00:02:52,280 --> 00:02:52,959
Speaker 1: Saving the day.

54
00:02:53,120 --> 00:02:54,240
Speaker 3: Yeah, yep, but no, we were.

55
00:02:54,120 --> 00:02:55,920
Speaker 2: Sitting around the table and I was like, pass the

56
00:02:55,919 --> 00:03:00,120
Speaker 2: water and they were like water and I was like WoT, yeah,

57
00:03:00,120 --> 00:03:01,239
Speaker 2: and that was the thing.

58
00:03:01,680 --> 00:03:02,520
Speaker 1: See, you did it great.

59
00:03:02,520 --> 00:03:02,880
Speaker 3: Anyway.

60
00:03:03,040 --> 00:03:05,640
Speaker 2: I thought it was a great accent as long as

61
00:03:05,639 --> 00:03:06,560
Speaker 2: all I'm saying is water.

62
00:03:06,840 --> 00:03:08,840
Speaker 3: Yeah, and even that was yeah, no.

63
00:03:09,080 --> 00:03:12,440
Speaker 1: It's they lost the accent right away because.

64
00:03:12,200 --> 00:03:13,440
Speaker 3: Oh my god, could you imagine.

65
00:03:13,520 --> 00:03:16,200
Speaker 2: Yeah, no, five season even they were like, you know,

66
00:03:16,240 --> 00:03:18,640
Speaker 2: we should have cut it in the first five lines.

67
00:03:18,680 --> 00:03:24,000
Speaker 3: But it's right, Yeah, I'm good. Life is good.

68
00:03:24,040 --> 00:03:28,840
Speaker 2: Actually, the girls are on spring break. Well b has

69
00:03:28,840 --> 00:03:34,399
Speaker 2: been on spring break this week, Zoe starts today and yeah,

70
00:03:34,480 --> 00:03:37,000
Speaker 2: looking forward to you know, it's because they don't go

71
00:03:37,000 --> 00:03:38,840
Speaker 2: to the same school though. It's that fun thing where

72
00:03:38,880 --> 00:03:41,000
Speaker 2: like they're not really on break at the same time,

73
00:03:41,600 --> 00:03:45,560
Speaker 2: so there's never like, yeah, we all just sleep in

74
00:03:45,600 --> 00:03:47,920
Speaker 2: and what you know. It was just some yeah, but

75
00:03:48,040 --> 00:03:49,880
Speaker 2: actually it's fine. It keeps us kind of all on

76
00:03:49,920 --> 00:03:52,280
Speaker 2: a schedule because they tend to be like there's no

77
00:03:52,400 --> 00:03:55,240
Speaker 2: rules when you know, it's summer or spring break and

78
00:03:56,440 --> 00:04:01,120
Speaker 2: stay up three am U. No, yeah, but no, Be

79
00:04:01,840 --> 00:04:03,760
Speaker 2: is currently on with her tutor right now because she

80
00:04:03,800 --> 00:04:06,000
Speaker 2: has some math homework to finish over spring break.

81
00:04:06,560 --> 00:04:08,480
Speaker 3: So do you want plans? You've got to get that done.

82
00:04:08,760 --> 00:04:09,240
Speaker 1: Not good?

83
00:04:10,240 --> 00:04:14,000
Speaker 2: Yeah, and Zoa's at school and yeah, she has her

84
00:04:14,000 --> 00:04:18,159
Speaker 2: first behind the wheel test tomorrow, not test, but the lesson,

85
00:04:19,400 --> 00:04:20,760
Speaker 2: her first behind the wheel lesson.

86
00:04:21,000 --> 00:04:23,800
Speaker 1: Is she nervous? Is she excited? Is she ready?

87
00:04:24,120 --> 00:04:24,360
Speaker 3: Yes?

88
00:04:24,960 --> 00:04:26,880
Speaker 2: The answer to the last question, I have no idea,

89
00:04:26,920 --> 00:04:29,800
Speaker 2: but I mean she has I've led her. You know,

90
00:04:29,839 --> 00:04:34,080
Speaker 2: she's driven around parking lots. I did, just trying to

91
00:04:34,120 --> 00:04:36,880
Speaker 2: get in between the lines and you know, practice signaling

92
00:04:36,960 --> 00:04:40,640
Speaker 2: and all set. But this will be her first post

93
00:04:40,680 --> 00:04:44,520
Speaker 2: permit behind the wheel with someone else driving.

94
00:04:44,960 --> 00:04:48,279
Speaker 4: Yeah, oh wow, so she'll feel much better. Is it

95
00:04:48,320 --> 00:04:50,080
Speaker 4: a two hour lesson? I think they do two hours.

96
00:04:50,160 --> 00:04:51,799
Speaker 3: I think it's just a one hour lesson.

97
00:04:51,880 --> 00:04:52,440
Speaker 1: It's just one.

98
00:04:52,520 --> 00:04:53,599
Speaker 3: Okay, it's one.

99
00:04:53,680 --> 00:04:55,680
Speaker 2: But she's got to do like ten hours of it,

100
00:04:55,760 --> 00:04:57,359
Speaker 2: So I think they break it up into ten sessions.

101
00:04:57,400 --> 00:05:01,679
Speaker 2: Oh that's like spaced out over I think six months

102
00:05:01,680 --> 00:05:03,760
Speaker 2: something like that. Like, so it's you get a regular

103
00:05:03,800 --> 00:05:06,000
Speaker 2: time then plus you know, all the all the hours

104
00:05:06,000 --> 00:05:07,720
Speaker 2: that we have to sign off on as parents.

105
00:05:08,040 --> 00:05:11,440
Speaker 4: Yeah, I was terrified when Felicity took her first driving

106
00:05:11,520 --> 00:05:15,760
Speaker 4: lesson and I was out in Studio City shooting for

107
00:05:15,880 --> 00:05:18,920
Speaker 4: Lele and so I wasn't there to like she was

108
00:05:18,960 --> 00:05:21,480
Speaker 4: home alone, say to meet the instructor by herself and

109
00:05:21,520 --> 00:05:24,680
Speaker 4: go out by yourself and your life.

110
00:05:24,760 --> 00:05:27,200
Speaker 3: But also she's like, you know, you're like, but also

111
00:05:27,320 --> 00:05:29,680
Speaker 3: she's getting ready to drive, So I guess I need

112
00:05:29,720 --> 00:05:30,480
Speaker 3: to start.

113
00:05:30,960 --> 00:05:32,080
Speaker 1: Leap into independence.

114
00:05:32,120 --> 00:05:35,280
Speaker 2: Being sixteen and looking at a sixteen year old are

115
00:05:35,320 --> 00:05:38,719
Speaker 2: two very different things. Being sixteen, you're like, I'm fine.

116
00:05:38,800 --> 00:05:40,839
Speaker 2: Looking at a sixteen year old you're like, you are not.

117
00:05:40,960 --> 00:05:43,280
Speaker 4: You're not fine, right, Yeah, No, you need a lot

118
00:05:43,320 --> 00:05:45,720
Speaker 4: of life lessons and driving lessons.

119
00:05:46,040 --> 00:05:47,880
Speaker 1: You can never have enough lessons.

120
00:05:48,279 --> 00:05:51,320
Speaker 2: As long as no one backs their car through my kitchen,

121
00:05:51,520 --> 00:05:53,360
Speaker 2: I consider it a success in my house.

122
00:05:53,960 --> 00:05:56,400
Speaker 1: If that's the standard, I think you're safe.

123
00:05:56,880 --> 00:06:00,320
Speaker 2: Yeah, yeah, especially considering the kitchen is a little further

124
00:06:00,360 --> 00:06:00,920
Speaker 2: back in the house.

125
00:06:00,920 --> 00:06:02,440
Speaker 3: Of they backed through my kitchen.

126
00:06:02,320 --> 00:06:04,280
Speaker 1: Yeah, maybe you'd have to do like a three point

127
00:06:04,320 --> 00:06:05,479
Speaker 1: turn to back into.

128
00:06:06,240 --> 00:06:08,640
Speaker 2: Have a shape shifting backyard in order to fit a

129
00:06:08,680 --> 00:06:09,279
Speaker 2: car back there.

130
00:06:09,800 --> 00:06:12,200
Speaker 1: Yeah, that's the only way the Tanners got it done.

131
00:06:12,520 --> 00:06:14,080
Speaker 4: That's the only way that they could fit all those

132
00:06:14,080 --> 00:06:16,200
Speaker 4: cars in the in the backyard.

133
00:06:16,279 --> 00:06:17,800
Speaker 3: We ever have, did we ever have?

134
00:06:18,200 --> 00:06:18,360
Speaker 1: Uh?

135
00:06:19,320 --> 00:06:22,120
Speaker 2: I'm sure we did, But like a DJ driving episode?

136
00:06:22,400 --> 00:06:23,440
Speaker 2: Are you guys driving?

137
00:06:24,760 --> 00:06:29,320
Speaker 4: There was one episode. Uh it was a location we had.

138
00:06:29,320 --> 00:06:32,120
Speaker 4: We left the studio and I don't know if it

139
00:06:32,120 --> 00:06:32,880
Speaker 4: was a driving lesson.

140
00:06:32,880 --> 00:06:33,960
Speaker 1: I don't even know who was driving.

141
00:06:34,000 --> 00:06:36,920
Speaker 4: But we did the whole fire drill thing where you

142
00:06:36,960 --> 00:06:38,760
Speaker 4: get out of the car and you switch seats.

143
00:06:39,080 --> 00:06:41,960
Speaker 1: We were driving Garth Garth Gibbler's.

144
00:06:41,400 --> 00:06:44,560
Speaker 4: Car called wild Thing, and we got locked out of

145
00:06:44,600 --> 00:06:46,120
Speaker 4: the car because so everybody got out of the car,

146
00:06:46,279 --> 00:06:49,480
Speaker 4: swached places it locked and so we got locked out.

147
00:06:49,920 --> 00:06:53,640
Speaker 1: So I feel like that might have been a driving episode.

148
00:06:53,480 --> 00:06:56,080
Speaker 2: Because they were not like not like I mean, at

149
00:06:56,080 --> 00:06:58,479
Speaker 2: some point there was like a driver's test episode maybe

150
00:06:58,560 --> 00:06:58,880
Speaker 2: or something.

151
00:06:58,880 --> 00:07:00,880
Speaker 3: I just I mean I was one. I never had

152
00:07:00,880 --> 00:07:02,800
Speaker 3: one obviously for me, I was young. But yeah, I

153
00:07:02,800 --> 00:07:03,400
Speaker 3: didn't remember.

154
00:07:03,560 --> 00:07:06,320
Speaker 4: Oh we got a note, Season five, episode twenty, DJ

155
00:07:06,480 --> 00:07:08,640
Speaker 4: receives her learners permit to drive.

156
00:07:09,080 --> 00:07:10,840
Speaker 1: There we go, thank you for that note. That is

157
00:07:10,960 --> 00:07:14,760
Speaker 1: thank you timely perfect. Okay, okay, cool.

158
00:07:14,480 --> 00:07:16,400
Speaker 2: So we've got got like three and a half more

159
00:07:16,400 --> 00:07:17,680
Speaker 2: seasons to get through and then we'll get there.

160
00:07:17,760 --> 00:07:18,080
Speaker 1: All right.

161
00:07:18,160 --> 00:07:20,920
Speaker 3: Yeah, that's that's what's going on around my house. How's

162
00:07:21,280 --> 00:07:22,560
Speaker 3: how's life with you? Ab?

163
00:07:23,000 --> 00:07:27,080
Speaker 1: Yeah, things are good. I've discovered a new rewatch podcast

164
00:07:27,480 --> 00:07:29,640
Speaker 1: which and I don't listen to rewatch podcasts, which is

165
00:07:29,680 --> 00:07:31,440
Speaker 1: ironic because I co host one.

166
00:07:31,600 --> 00:07:33,679
Speaker 3: But well, I mean it's like I don't watch sitcoms.

167
00:07:33,680 --> 00:07:35,520
Speaker 3: But right, I know, of course.

168
00:07:35,760 --> 00:07:38,559
Speaker 4: We're so weird like that. But did you ever watch

169
00:07:38,600 --> 00:07:42,080
Speaker 4: the show Felicity from nineteen ninety eight?

170
00:07:42,160 --> 00:07:44,040
Speaker 2: I know of it, but no, I did not watch it,

171
00:07:44,080 --> 00:07:45,960
Speaker 2: but I know it was Carrie Russell and her hair.

172
00:07:46,280 --> 00:07:49,000
Speaker 2: Oh yeah, the hair or her hair and Carrie Russell,

173
00:07:49,080 --> 00:07:51,760
Speaker 2: depending on who should have the emphasis.

174
00:07:52,000 --> 00:07:52,280
Speaker 3: Yeah.

175
00:07:52,320 --> 00:07:54,720
Speaker 4: Well, and that was very controversial when she cut her

176
00:07:54,760 --> 00:07:58,040
Speaker 4: hair in season two or threey I can't remember.

177
00:07:58,120 --> 00:07:59,960
Speaker 3: And you know, God forbid a woman cut her hair.

178
00:08:00,320 --> 00:08:02,840
Speaker 1: The ratings tanked and they blamed it on her hair.

179
00:08:03,280 --> 00:08:04,679
Speaker 3: Is terrible.

180
00:08:04,720 --> 00:08:09,000
Speaker 4: Anyways, So there's a new podcast called Dear Felicity, and

181
00:08:09,360 --> 00:08:11,440
Speaker 4: I think they only have like three or four episodes

182
00:08:11,440 --> 00:08:13,640
Speaker 4: out and I am just I'm I'm like, now I

183
00:08:13,680 --> 00:08:14,000
Speaker 4: get it.

184
00:08:14,040 --> 00:08:17,720
Speaker 1: I get why people love these rewatch podcasts. So I'm

185
00:08:17,720 --> 00:08:20,920
Speaker 1: watching the episodes at night and I'm listening to the Oh,

186
00:08:21,000 --> 00:08:23,320
Speaker 1: it's fantastic. It's a it's a real deep dive because

187
00:08:23,320 --> 00:08:25,240
Speaker 1: they dealt with lots of sy It was an hour

188
00:08:25,280 --> 00:08:26,520
Speaker 1: long drama. Yeah, they dealt with us.

189
00:08:26,640 --> 00:08:30,080
Speaker 3: Yea drama. And it was like college age, right.

190
00:08:30,160 --> 00:08:33,040
Speaker 4: Yes, it was about freshman It starts with freshman year

191
00:08:33,040 --> 00:08:33,480
Speaker 4: in college.

192
00:08:33,520 --> 00:08:34,720
Speaker 1: It went for four seasons.

193
00:08:35,400 --> 00:08:39,480
Speaker 2: Yes, there's definitely some heavier topics and things to discuss.

194
00:08:39,640 --> 00:08:43,000
Speaker 4: I watched episode seven last night, and they deal with

195
00:08:43,040 --> 00:08:46,560
Speaker 4: sexual assault in the first season set episodes sound I'm

196
00:08:46,600 --> 00:08:49,640
Speaker 4: like that they really dove deep right away, like straight

197
00:08:49,640 --> 00:08:53,559
Speaker 4: from the jump. So anyways, highly recommend if you're not you,

198
00:08:53,600 --> 00:08:56,120
Speaker 4: But for any fans of Felicity, I mean my I

199
00:08:56,160 --> 00:08:57,319
Speaker 4: name my daughter Felicity.

200
00:08:57,360 --> 00:09:00,280
Speaker 1: This is like my all time favorite show city.

201
00:09:00,400 --> 00:09:00,920
Speaker 3: Yeah.

202
00:09:01,120 --> 00:09:04,360
Speaker 4: Well okay, yeah, I love I love the name, of course,

203
00:09:04,600 --> 00:09:06,520
Speaker 4: and I love the show. And so I'm like, okay,

204
00:09:06,559 --> 00:09:09,160
Speaker 4: that's what I'm naming my daughter Felicity. So I don't

205
00:09:09,160 --> 00:09:11,080
Speaker 4: know if she knows that I should tell.

206
00:09:11,000 --> 00:09:11,600
Speaker 3: Her that she does.

207
00:09:11,640 --> 00:09:14,240
Speaker 2: Well, if she listens to our podcast, she will now

208
00:09:14,280 --> 00:09:15,480
Speaker 2: and I'm sure she doesn't she.

209
00:09:15,480 --> 00:09:17,320
Speaker 1: Does not know what would she? No, my kids have

210
00:09:17,360 --> 00:09:18,440
Speaker 1: no interest in my career.

211
00:09:18,520 --> 00:09:19,120
Speaker 3: My kids know.

212
00:09:19,200 --> 00:09:20,959
Speaker 2: They're like, oh, the one thing I want to hear

213
00:09:21,040 --> 00:09:22,400
Speaker 2: is your voice more.

214
00:09:22,760 --> 00:09:27,440
Speaker 3: Yeah, no, I'm good on that. I hear it enough. Yeah. Yeah.

215
00:09:27,480 --> 00:09:30,920
Speaker 1: They wish they wish that we were quieter sometimes.

216
00:09:30,520 --> 00:09:32,079
Speaker 3: Right, They're like, yeah, no, I don't need to hear

217
00:09:32,120 --> 00:09:33,800
Speaker 3: more of my mom's voice.

218
00:09:34,440 --> 00:09:37,040
Speaker 1: All right, well, should we recap an episode today?

219
00:09:37,160 --> 00:09:39,959
Speaker 3: Let's do it. Let's you know what I'm feeling. I'm

220
00:09:40,000 --> 00:09:42,839
Speaker 3: feeling frisky. Let's do That's recap an episode on our

221
00:09:42,840 --> 00:09:43,720
Speaker 3: rewatch podcast.

222
00:09:43,800 --> 00:09:47,960
Speaker 4: What a great idea, something different. Okay, let's get into it.

223
00:09:48,200 --> 00:09:51,240
Speaker 4: Welcome back to how Rude Tannertos. I'm Andrea Barber and

224
00:09:51,320 --> 00:09:54,320
Speaker 4: I'm Jodie Sweeten, and today we are discussing season two,

225
00:09:54,520 --> 00:09:58,000
Speaker 4: episode thirteen, titled Working Mothers.

226
00:09:59,120 --> 00:10:02,960
Speaker 1: I have opinions about that title. I do too, But

227
00:10:03,000 --> 00:10:04,280
Speaker 1: we'll get We'll get there, We'll get there.

228
00:10:04,400 --> 00:10:04,559
Speaker 4: Yeah.

229
00:10:04,600 --> 00:10:05,240
Speaker 3: Yeah.

230
00:10:05,280 --> 00:10:09,839
Speaker 4: It originally aired on February third, nineteen eighty nine, and.

231
00:10:09,840 --> 00:10:10,959
Speaker 1: It goes a little something like this.

232
00:10:11,440 --> 00:10:14,319
Speaker 4: After Jesse and Joey are offered full time jobs at

233
00:10:14,320 --> 00:10:17,559
Speaker 4: an ad agency, they struggle to decide if they can

234
00:10:17,640 --> 00:10:20,720
Speaker 4: do the job and still be moms to the girls.

235
00:10:21,960 --> 00:10:23,040
Speaker 3: Why is it gonna be moms?

236
00:10:23,320 --> 00:10:26,760
Speaker 4: I yeah, you know, it's why can't it just be

237
00:10:26,880 --> 00:10:29,640
Speaker 4: parents like they have? Can they be stay at home

238
00:10:29,720 --> 00:10:30,640
Speaker 4: parents or whatever?

239
00:10:30,760 --> 00:10:30,960
Speaker 3: You know?

240
00:10:31,160 --> 00:10:34,520
Speaker 4: But yeah, they lean heavily on the gendered language in

241
00:10:34,559 --> 00:10:35,359
Speaker 4: this episode.

242
00:10:35,440 --> 00:10:38,400
Speaker 3: So it was it was nineteen eighty nine, that's.

243
00:10:38,320 --> 00:10:40,440
Speaker 1: You know, definitely nineteen eighty nine.

244
00:10:40,520 --> 00:10:43,520
Speaker 3: Some of yeah, so again some of these, some of

245
00:10:43,559 --> 00:10:48,679
Speaker 3: these episodes definitely go ah, yes, the eighties, the eighties, right, yep,

246
00:10:48,920 --> 00:10:51,800
Speaker 3: although it's gotten so much better. Who'd know the difference.

247
00:10:52,200 --> 00:10:56,800
Speaker 4: Okay, anyway, anyways, it was directed by Peter Baldwin, written

248
00:10:56,840 --> 00:11:01,640
Speaker 4: by Jeff Franklin, and we have three stars returning as

249
00:11:01,800 --> 00:11:04,200
Speaker 4: Grandma Irene is Yvonne Wilder.

250
00:11:04,280 --> 00:11:06,840
Speaker 1: Gosh, I love her, she just she's great. I just

251
00:11:06,880 --> 00:11:07,480
Speaker 1: love every.

252
00:11:07,320 --> 00:11:10,840
Speaker 4: Time she just know, I command the scene like she

253
00:11:10,960 --> 00:11:11,560
Speaker 4: is so good.

254
00:11:11,600 --> 00:11:12,559
Speaker 1: Great, Yeah, love her.

255
00:11:12,880 --> 00:11:17,040
Speaker 4: And then we have James Hampton as mister Maltesta. He

256
00:11:17,080 --> 00:11:20,200
Speaker 4: appeared in the films The Longest Yard and Teen Wolf,

257
00:11:20,480 --> 00:11:23,360
Speaker 4: but he is best remembered as the eager but inepte

258
00:11:23,360 --> 00:11:27,880
Speaker 4: butler Private Hannibal Dobbs oh Burglar, not butler Private Hannibal

259
00:11:27,920 --> 00:11:29,240
Speaker 4: Dabbs in the classic.

260
00:11:28,880 --> 00:11:30,880
Speaker 1: Sitcom F Troupe.

261
00:11:31,200 --> 00:11:34,400
Speaker 4: Oh Yeah from nineteen sixty five, sadly passed away in

262
00:11:34,440 --> 00:11:37,679
Speaker 4: twenty twenty one from Parkinson's He's great too, and I

263
00:11:37,720 --> 00:11:41,080
Speaker 4: think he comes back yeah future episodes as the ads

264
00:11:41,120 --> 00:11:45,400
Speaker 4: the ad Agency boss, so he's great too. And then lastly,

265
00:11:45,480 --> 00:11:49,439
Speaker 4: we have Nora Masterson as Edna Foley. She is known

266
00:11:49,480 --> 00:11:51,840
Speaker 4: for Quantum Leap, Other World and Dallas.

267
00:11:52,760 --> 00:11:56,439
Speaker 1: Oh Yeah, she's great too. Love her all right, so

268
00:11:56,520 --> 00:11:59,000
Speaker 1: let's get into it. We open in the living room.

269
00:11:59,160 --> 00:12:02,079
Speaker 4: Michelle is wearing roller skates and is decked out in

270
00:12:02,200 --> 00:12:05,480
Speaker 4: safety gear. Stephan DJ are holding her hands to keep

271
00:12:05,520 --> 00:12:09,079
Speaker 4: her steady. DJ compliments her on being such an athlete,

272
00:12:09,720 --> 00:12:12,240
Speaker 4: and Steph wonders why it's such a big deal they're

273
00:12:12,280 --> 00:12:15,880
Speaker 4: holding her hands. Michelle gives her a judgmental look.

274
00:12:16,760 --> 00:12:19,480
Speaker 3: The looks in this scene were hilarious.

275
00:12:19,520 --> 00:12:20,200
Speaker 1: They're so good.

276
00:12:21,400 --> 00:12:23,959
Speaker 2: I think it was it looked like Mary Kate. I

277
00:12:23,960 --> 00:12:26,439
Speaker 2: think it was Mary Kate. But yeah, the looks and

278
00:12:26,480 --> 00:12:29,640
Speaker 2: the attitude were just hilarious. You can really see them

279
00:12:30,720 --> 00:12:33,440
Speaker 2: like this episode in particular, I feel like you really

280
00:12:33,440 --> 00:12:36,600
Speaker 2: see Michelle kind of starting to have funny lines but

281
00:12:36,720 --> 00:12:38,600
Speaker 2: like they finally figured out that they could kind of

282
00:12:38,880 --> 00:12:41,440
Speaker 2: repeat what Adria said, and so they started really leaning

283
00:12:41,440 --> 00:12:41,760
Speaker 2: into that.

284
00:12:41,920 --> 00:12:44,720
Speaker 4: Yeah, you can tell they like the reaction When they

285
00:12:44,760 --> 00:12:47,120
Speaker 4: get a laugh from the audience. You can tell that

286
00:12:47,160 --> 00:12:48,880
Speaker 4: they're like, oh, oh, I'm going to do that again,

287
00:12:48,920 --> 00:12:49,839
Speaker 4: I'm going to do it better.

288
00:12:49,920 --> 00:12:50,880
Speaker 1: So yeah, it's great.

289
00:12:50,920 --> 00:12:54,560
Speaker 4: It's great watching the evolution of the babe when they

290
00:12:54,559 --> 00:12:56,959
Speaker 4: were babies and now they're growing into the actors.

291
00:12:57,000 --> 00:12:57,840
Speaker 1: It's so great.

292
00:12:58,840 --> 00:13:02,160
Speaker 4: So DJ is trying to build Michelle's confidence, but Steph

293
00:13:02,240 --> 00:13:05,559
Speaker 4: is annoyed because Michelle is two and Steph didn't learn

294
00:13:05,600 --> 00:13:09,000
Speaker 4: to skate until she was four. Again, Michelle gives her

295
00:13:09,000 --> 00:13:12,160
Speaker 4: a judgy look. Michelle easily likes to go of their

296
00:13:12,160 --> 00:13:15,960
Speaker 4: hands and walks away in her skates. DJ asks, well,

297
00:13:16,440 --> 00:13:20,719
Speaker 4: and Steph comes to the conclusion she's lying about her age.

298
00:13:21,520 --> 00:13:24,960
Speaker 4: I'm very impressed with uh, with the skating skills of

299
00:13:26,240 --> 00:13:27,600
Speaker 4: Mary or Mary Kater Ashley.

300
00:13:27,720 --> 00:13:30,320
Speaker 1: She's really good at walking, she can.

301
00:13:30,280 --> 00:13:33,199
Speaker 3: Walking in at walking. Yeah, well, I mean, have you

302
00:13:33,240 --> 00:13:35,320
Speaker 3: ever tried to skate in those plastic skates?

303
00:13:35,840 --> 00:13:38,080
Speaker 1: It's been having a kid.

304
00:13:38,960 --> 00:13:43,080
Speaker 3: I tried it last week. No, those plastic skates, I

305
00:13:43,120 --> 00:13:48,560
Speaker 3: mean it's it's like trying to skate an office chair

306
00:13:48,760 --> 00:13:54,120
Speaker 3: across carnolium. Yet right, like it's not it's you're not

307
00:13:54,240 --> 00:13:57,760
Speaker 3: gonna pick up any speed or yet or traction.

308
00:13:58,360 --> 00:14:01,400
Speaker 2: Well no traction you'll get no, but no like no smooth,

309
00:14:01,440 --> 00:14:02,160
Speaker 2: definitely none.

310
00:14:02,320 --> 00:14:07,959
Speaker 3: Yeah no. But still she was great, And I mean

311
00:14:08,320 --> 00:14:11,240
Speaker 3: all the safety gear was exactly how my dad used

312
00:14:11,280 --> 00:14:13,920
Speaker 3: to make sure that I left the house when rollerblading,

313
00:14:13,960 --> 00:14:15,959
Speaker 3: and then I'd go around the corner and rip it

314
00:14:16,000 --> 00:14:17,480
Speaker 3: all off and hide it under a bush.

315
00:14:17,480 --> 00:14:21,720
Speaker 1: You did, I could totally picture that. Yeah, my experience

316
00:14:21,760 --> 00:14:22,400
Speaker 1: with roller blades.

317
00:14:22,400 --> 00:14:22,760
Speaker 3: Were you on?

318
00:14:23,080 --> 00:14:24,320
Speaker 1: This was during Fuller House?

319
00:14:24,520 --> 00:14:27,520
Speaker 4: Were you in this scene where I had Kimmi roller

320
00:14:27,560 --> 00:14:30,240
Speaker 4: blades into the front door or through the front door

321
00:14:30,280 --> 00:14:33,080
Speaker 4: and has to land on the couch and they had

322
00:14:33,080 --> 00:14:34,720
Speaker 4: a stunt double for me, and I was like, I

323
00:14:34,800 --> 00:14:36,760
Speaker 4: need a stunt double i can roller blade and they

324
00:14:36,760 --> 00:14:39,240
Speaker 4: were like, no, you're not putting on the roller blades.

325
00:14:39,280 --> 00:14:41,520
Speaker 4: And I'm like, I'm going to put on the roller blades.

326
00:14:41,960 --> 00:14:44,320
Speaker 4: So I put on the roller blades and skated over

327
00:14:44,360 --> 00:14:45,560
Speaker 4: to video village and.

328
00:14:45,520 --> 00:14:47,160
Speaker 1: What happens fell on my button?

329
00:14:48,240 --> 00:14:49,000
Speaker 3: Oh my god.

330
00:14:49,520 --> 00:14:51,400
Speaker 1: So they're like, yes, bring your life stunty.

331
00:14:52,200 --> 00:14:55,360
Speaker 3: Thank you for letting us see in action that we

332
00:14:55,360 --> 00:14:55,720
Speaker 3: were right.

333
00:14:56,200 --> 00:14:58,960
Speaker 1: Oh worst, A very humbling moment.

334
00:14:59,200 --> 00:15:02,960
Speaker 2: But well, I mean, I guess in that case, Mary

335
00:15:03,040 --> 00:15:04,960
Speaker 2: Kate was doing a lot better than you were.

336
00:15:05,040 --> 00:15:07,440
Speaker 1: Oh yeah, that's why I'm impressed with her abilities.

337
00:15:07,440 --> 00:15:07,600
Speaker 3: All.

338
00:15:07,640 --> 00:15:09,000
Speaker 1: She did way better than I did at age.

339
00:15:09,040 --> 00:15:12,280
Speaker 3: I already lepped over the carpet probably actually you.

340
00:15:12,240 --> 00:15:14,520
Speaker 1: Did many times, many times.

341
00:15:15,080 --> 00:15:17,440
Speaker 4: So we have the opening credits, and then we are

342
00:15:17,440 --> 00:15:21,240
Speaker 4: in Jesse's room. Joey and Jesse are pacing. They're trying

343
00:15:21,240 --> 00:15:24,320
Speaker 4: to find a way to give their new jingle some pizzazz.

344
00:15:25,280 --> 00:15:28,400
Speaker 4: Jesse points to the poster of Sammy Davis Junior and

345
00:15:28,440 --> 00:15:32,240
Speaker 4: gets an idea. Joey suggests, we'll give them a Sammy

346
00:15:32,320 --> 00:15:36,200
Speaker 4: double whammy. They channel their inner Sammy Davis Junior and

347
00:15:36,320 --> 00:15:37,920
Speaker 4: give the jingle a shot.

348
00:15:38,280 --> 00:15:40,200
Speaker 1: Oh boy, it was bad. That was cringe.

349
00:15:40,240 --> 00:15:42,320
Speaker 3: It was super cringe.

350
00:15:42,640 --> 00:15:43,480
Speaker 1: Yeah, that was it.

351
00:15:43,960 --> 00:15:46,960
Speaker 3: I want to I was like like I just kind

352
00:15:46,960 --> 00:15:48,000
Speaker 3: of sucked up into myself.

353
00:15:48,000 --> 00:15:51,920
Speaker 4: I was like, no, no, you know, they tried, they tried,

354
00:15:51,960 --> 00:15:52,360
Speaker 4: they tried.

355
00:15:52,640 --> 00:15:56,680
Speaker 1: Yeah, a for effort, but yeah, it was not good.

356
00:15:57,720 --> 00:15:58,080
Speaker 1: Not good.

357
00:15:58,080 --> 00:16:01,200
Speaker 2: Sorry, that's okay, Sorry, guys, Yeah, it was. I mean, look,

358
00:16:01,200 --> 00:16:02,600
Speaker 2: it was as good as my English accent.

359
00:16:02,960 --> 00:16:06,160
Speaker 3: Okay, that's fair, that's fair. Yeah, yeah yeah.

360
00:16:06,280 --> 00:16:08,920
Speaker 4: Jesse reminds Joey that they have to get this done

361
00:16:09,040 --> 00:16:13,720
Speaker 4: by tomorrow, again procrastinating what yeah, Then he asks how

362
00:16:13,800 --> 00:16:17,200
Speaker 4: much time they have before the girls come home. Joey states, well,

363
00:16:17,360 --> 00:16:21,400
Speaker 4: at the stroke of three, we turned back into housewives.

364
00:16:21,480 --> 00:16:26,000
Speaker 4: These these gender jokes did not age well, so Jesse

365
00:16:26,120 --> 00:16:29,320
Speaker 4: quickly asks Joey what comes to mind when he says

366
00:16:29,600 --> 00:16:31,400
Speaker 4: twenty four hour convenience store.

367
00:16:31,920 --> 00:16:34,680
Speaker 1: Joey shrugs six dollars for a loaf of bread.

368
00:16:35,560 --> 00:16:39,560
Speaker 3: Now here's here's here's the sad thing is in today's economy,

369
00:16:39,680 --> 00:16:42,920
Speaker 3: I'm not sure if that's good or bad. I'm like,

370
00:16:43,000 --> 00:16:44,760
Speaker 3: six dollars for a loaf of bread.

371
00:16:45,040 --> 00:16:47,360
Speaker 1: I thought that was a lot for nineteen eighty nine.

372
00:16:47,960 --> 00:16:48,560
Speaker 3: Right, right?

373
00:16:48,640 --> 00:16:49,360
Speaker 1: But right?

374
00:16:49,520 --> 00:16:51,520
Speaker 2: So that I mean, you know, the tour is a

375
00:16:51,560 --> 00:16:53,760
Speaker 2: convenience store. You pay a lot more for like any

376
00:16:53,760 --> 00:16:58,120
Speaker 2: little food items. But nowadays I feel like we're probably

377
00:16:58,120 --> 00:16:58,960
Speaker 2: pushing six.

378
00:16:58,800 --> 00:17:01,320
Speaker 3: Dollars for a loaf of bread. Yeah, I was like,

379
00:17:01,360 --> 00:17:04,320
Speaker 3: six dollars over bread? Is that bad or good?

380
00:17:04,400 --> 00:17:05,200
Speaker 1: Yeah?

381
00:17:05,400 --> 00:17:09,360
Speaker 4: I hesitated too, sure of the reference. Yeah, yeah, I

382
00:17:09,040 --> 00:17:13,040
Speaker 4: that joke didn't age well either, but yeah, well neither

383
00:17:13,080 --> 00:17:18,520
Speaker 4: did inflation exactly. They continue to brainstorm ideas for Hurry

384
00:17:18,560 --> 00:17:22,360
Speaker 4: Mart and come up with Hurry Mart, the Great American

385
00:17:22,440 --> 00:17:23,200
Speaker 4: General Store.

386
00:17:24,119 --> 00:17:25,600
Speaker 1: Jesse asks how much time.

387
00:17:25,720 --> 00:17:29,440
Speaker 4: They have left, just as Stephan DJ walk in greeting them.

388
00:17:29,800 --> 00:17:33,040
Speaker 4: Steph is dressed in a honeybee costume and tells Jesse

389
00:17:33,200 --> 00:17:35,720
Speaker 4: it's his turn to drive the honeybee carpool.

390
00:17:36,280 --> 00:17:39,159
Speaker 1: We can't be late, she says.

391
00:17:39,880 --> 00:17:45,120
Speaker 2: The honeybee puns and things. Whenever the honey bees were around.

392
00:17:45,040 --> 00:17:47,800
Speaker 3: Was just ridiculously good.

393
00:17:47,880 --> 00:17:50,159
Speaker 1: Oh. I never get tired of the bee jokes, never

394
00:17:50,240 --> 00:17:52,119
Speaker 1: get tired of them. I never get tired of seeing

395
00:17:52,080 --> 00:17:55,600
Speaker 1: you enjoyed it in the bee costume, like it's so adorable.

396
00:17:56,480 --> 00:17:59,560
Speaker 3: Yeah, And I feel this is just sort of a

397
00:17:59,640 --> 00:18:02,639
Speaker 3: general note. I feel like the hair in this episode.

398
00:18:03,760 --> 00:18:07,760
Speaker 3: Everyone hairstyles were a little, i don't know, a little better.

399
00:18:07,760 --> 00:18:09,719
Speaker 1: For you or just they're cast in general.

400
00:18:10,200 --> 00:18:13,679
Speaker 2: I mean, I think maybe we we finally got to

401
00:18:13,760 --> 00:18:16,040
Speaker 2: taming that terrible perm of mine.

402
00:18:16,240 --> 00:18:20,680
Speaker 1: Oh okay, but I also just like, uh.

403
00:18:20,400 --> 00:18:23,320
Speaker 3: I don't know, I feel like we we the hair

404
00:18:23,440 --> 00:18:24,080
Speaker 3: was a little better.

405
00:18:24,160 --> 00:18:25,880
Speaker 1: They maybe French hairraid.

406
00:18:26,600 --> 00:18:26,840
Speaker 3: Nice.

407
00:18:26,960 --> 00:18:29,040
Speaker 4: Yeah, I wrote that down like I love that French braid.

408
00:18:29,720 --> 00:18:33,040
Speaker 4: Candace's hair too, has a lot of volume, a lot

409
00:18:33,200 --> 00:18:33,600
Speaker 4: of Yeah.

410
00:18:33,760 --> 00:18:37,080
Speaker 2: I feel like, yeah, I feel like we maybe got

411
00:18:37,160 --> 00:18:41,960
Speaker 2: a new a new hair person or something, because it

412
00:18:42,119 --> 00:18:46,120
Speaker 2: just feels like there's a little more attention to making

413
00:18:46,200 --> 00:18:48,520
Speaker 2: the kid's hair look like really done.

414
00:18:48,600 --> 00:18:48,840
Speaker 1: Yeah.

415
00:18:49,480 --> 00:18:53,000
Speaker 4: I'll have to look back at IMDb or something. But

416
00:18:53,680 --> 00:18:55,520
Speaker 4: I don't know if it was early seasons or later seasons.

417
00:18:55,560 --> 00:18:58,120
Speaker 4: We had Frankie as our hair stylist.

418
00:18:58,720 --> 00:19:00,920
Speaker 2: That was like mid season, so I'm wondering if she

419
00:19:01,040 --> 00:19:03,360
Speaker 2: might have joined around this time.

420
00:19:03,760 --> 00:19:03,960
Speaker 5: Yeah.

421
00:19:04,480 --> 00:19:07,960
Speaker 4: Yeah, and I had Matt danon did my hair yes

422
00:19:08,200 --> 00:19:10,560
Speaker 4: later seasons that was later season. I was definitely like

423
00:19:10,640 --> 00:19:13,800
Speaker 4: season seven eight, So yeah, maybe this is Frankie. Frankie's

424
00:19:13,840 --> 00:19:17,720
Speaker 4: come in and this is her stamp on full full house.

425
00:19:17,720 --> 00:19:19,720
Speaker 1: I don't know. Anyways, we're getting.

426
00:19:19,520 --> 00:19:24,200
Speaker 4: Distracted by hair by hair. DJ walks over to Joey

427
00:19:24,640 --> 00:19:27,320
Speaker 4: and asks for help with her karate. He's holding a

428
00:19:27,359 --> 00:19:30,320
Speaker 4: pencil in his hand and DJ chops it in a half.

429
00:19:31,080 --> 00:19:33,840
Speaker 4: Joey's impressed. I pity the guy who tries to attack

430
00:19:33,920 --> 00:19:37,480
Speaker 4: you with a pencil. Steph asks Jesse if he could

431
00:19:37,520 --> 00:19:40,440
Speaker 4: teach her an Elvis song for the Honeybee Talent Show.

432
00:19:41,320 --> 00:19:44,320
Speaker 4: Jesse replies in his Elvis voice, I'd be happy to

433
00:19:44,400 --> 00:19:47,960
Speaker 4: help you out there, little mama, and Steph mimics the impression.

434
00:19:48,520 --> 00:19:52,920
Speaker 1: Thank you very much. You're a beautiful uncle. And you

435
00:19:53,040 --> 00:19:55,639
Speaker 1: did that impression way better than I just did. Right now.

436
00:19:56,359 --> 00:19:58,520
Speaker 1: You did very good for a six year old or

437
00:19:58,520 --> 00:19:59,520
Speaker 1: seven year old. You did.

438
00:20:01,440 --> 00:20:04,040
Speaker 3: It's good. I can see I see the lip. Yeah, no,

439
00:20:04,119 --> 00:20:07,280
Speaker 3: I can't do a thing. Yeah, this doesn't work. It

440
00:20:07,440 --> 00:20:07,840
Speaker 3: was great.

441
00:20:08,880 --> 00:20:11,959
Speaker 4: Jesse gives her some pointers by flipping her collar up

442
00:20:12,080 --> 00:20:15,200
Speaker 4: and holding up her lip as she tries the impression again.

443
00:20:15,560 --> 00:20:16,159
Speaker 3: That's what you need.

444
00:20:16,320 --> 00:20:17,680
Speaker 1: You need someone there to hold.

445
00:20:17,560 --> 00:20:18,080
Speaker 3: Up your lip.

446
00:20:18,240 --> 00:20:19,920
Speaker 2: That's about the only way I can do it. But

447
00:20:21,600 --> 00:20:23,840
Speaker 2: now I just look like I haven't getting dental work done. Yeah,

448
00:20:25,160 --> 00:20:28,600
Speaker 2: I just like a yeah, you're getting a crown put.

449
00:20:28,520 --> 00:20:30,920
Speaker 3: On my on my gums or something. Yeah.

450
00:20:39,480 --> 00:20:40,879
Speaker 1: The next scene, we're in the kitchen.

451
00:20:41,400 --> 00:20:44,840
Speaker 4: Jesse is pacing the kitchen while holding the telephone, telling

452
00:20:44,920 --> 00:20:47,879
Speaker 4: it to ring, and Michelle mimicks him every time he

453
00:20:47,960 --> 00:20:51,680
Speaker 4: says it ring. Jesse finally tells her, not you the

454
00:20:51,840 --> 00:20:55,400
Speaker 4: telephone huh. Never get tired of that either.

455
00:20:55,600 --> 00:20:55,840
Speaker 3: Huh.

456
00:20:56,080 --> 00:20:59,920
Speaker 4: Right, Joey walks up from his room carrying four large

457
00:21:00,119 --> 00:21:03,880
Speaker 4: garbage bags. He announces that he finally cleaned under his bed.

458
00:21:04,920 --> 00:21:08,119
Speaker 3: Jesse's Joey looks very fashionable. By the way, this is

459
00:21:08,200 --> 00:21:10,440
Speaker 3: the most normal I've seen Joey.

460
00:21:11,119 --> 00:21:12,919
Speaker 1: Yeah, and he wears a suit later on.

461
00:21:13,720 --> 00:21:16,280
Speaker 3: A suit, but like he's just got a striped shirt

462
00:21:16,520 --> 00:21:17,280
Speaker 3: and the pants.

463
00:21:17,400 --> 00:21:20,359
Speaker 1: Yeah, there's no wacky sweaters with geometric I mean, I think.

464
00:21:20,240 --> 00:21:23,280
Speaker 2: There was something like a weird little emblem of something

465
00:21:23,480 --> 00:21:27,080
Speaker 2: on the shirt. But from whatever it was like, it

466
00:21:27,240 --> 00:21:30,520
Speaker 2: was not it was very demure, shall we say, for

467
00:21:30,960 --> 00:21:32,200
Speaker 2: mister Gladstone's wardrobe.

468
00:21:32,520 --> 00:21:33,120
Speaker 3: But he looked great.

469
00:21:33,800 --> 00:21:36,720
Speaker 1: He does look great, more like a Joe. He's not Joey,

470
00:21:36,840 --> 00:21:37,440
Speaker 1: he's Joe.

471
00:21:38,200 --> 00:21:40,480
Speaker 2: Maybe that's sort of the thing, is that he's, you know,

472
00:21:41,000 --> 00:21:43,159
Speaker 2: all of those clothes, like he cleaned out all of

473
00:21:43,200 --> 00:21:44,280
Speaker 2: the ridiculous clothes.

474
00:21:44,440 --> 00:21:46,119
Speaker 1: That makes sense. I can't even put that together.

475
00:21:46,560 --> 00:21:46,879
Speaker 3: I don't know.

476
00:21:47,160 --> 00:21:47,560
Speaker 5: I like that.

477
00:21:47,760 --> 00:21:49,760
Speaker 4: Well, he had like four garbage bags. I mean, what

478
00:21:50,480 --> 00:21:52,119
Speaker 4: else would be in those besides clothes?

479
00:21:53,200 --> 00:21:57,480
Speaker 2: Anne, I've seen I've seen teenager's rooms. There's a lot

480
00:21:57,520 --> 00:21:58,560
Speaker 2: of things that can be under a bed.

481
00:22:00,240 --> 00:22:02,160
Speaker 1: It's like a hoarder's den for sure. God.

482
00:22:02,480 --> 00:22:06,480
Speaker 4: Yeah, So Jesse is very stressed because the agency was

483
00:22:06,480 --> 00:22:09,280
Speaker 4: supposed to call them at one thirty and it's one

484
00:22:09,480 --> 00:22:13,200
Speaker 4: thirty two. They must have hated their hurry Mark jingle.

485
00:22:13,800 --> 00:22:16,200
Speaker 4: Joey tells them to relax. They must have liked it

486
00:22:16,280 --> 00:22:18,120
Speaker 4: so much they threw a party and lost.

487
00:22:17,960 --> 00:22:21,800
Speaker 1: Track of time. Yep, right, sure, Joey.

488
00:22:22,560 --> 00:22:25,439
Speaker 4: Jesse snaps back, what's obvious is that when you were

489
00:22:25,480 --> 00:22:27,359
Speaker 4: a baby, somebody played the bongos on.

490
00:22:27,400 --> 00:22:33,440
Speaker 1: Your soft spot. Ouch. Wow. The barbs keep on flying

491
00:22:33,520 --> 00:22:34,200
Speaker 1: between these two.

492
00:22:34,280 --> 00:22:36,840
Speaker 3: Yeah, that was actually a pretty good one though. Yeah, yeah,

493
00:22:37,280 --> 00:22:38,040
Speaker 3: that was kind of funny.

494
00:22:38,600 --> 00:22:41,080
Speaker 4: Joey asks for a hand with the garbage, and Jesse

495
00:22:41,200 --> 00:22:44,160
Speaker 4: tells Michelle to come with them. When the boys walk outside,

496
00:22:44,320 --> 00:22:47,679
Speaker 4: Michelle decides to slam the door shut on them, locking

497
00:22:47,760 --> 00:22:48,840
Speaker 4: them out of the house.

498
00:22:49,760 --> 00:22:53,560
Speaker 3: Okay, when do we ever lock the door though everybody

499
00:22:53,600 --> 00:22:56,600
Speaker 3: else walks into the damn house? Yeah, We've never It's

500
00:22:56,720 --> 00:22:57,920
Speaker 3: always always open.

501
00:22:58,160 --> 00:23:00,879
Speaker 4: Kimmy, I've barged through that door more times than I

502
00:23:00,920 --> 00:23:01,919
Speaker 4: can count, And so I'm like.

503
00:23:02,000 --> 00:23:04,120
Speaker 3: When did they sudden suddenly we're locking the door.

504
00:23:04,600 --> 00:23:09,000
Speaker 1: It's a convenient just for the jokes. Got the jokes

505
00:23:09,000 --> 00:23:10,120
Speaker 1: gotta work, yep, yep.

506
00:23:10,520 --> 00:23:12,920
Speaker 4: So the guys jiggle the handle and encourage Michelle to

507
00:23:13,000 --> 00:23:15,919
Speaker 4: open the door. Just as she begins to walk towards them,

508
00:23:16,000 --> 00:23:18,639
Speaker 4: the phone rings. She immediately runs over it to it

509
00:23:18,760 --> 00:23:24,879
Speaker 4: and answers, hey man, Jesse. Jesse's yelling at her from

510
00:23:24,920 --> 00:23:27,040
Speaker 4: outside the window to take a message and grab a

511
00:23:27,119 --> 00:23:31,160
Speaker 4: pencil from the desk. Michelle says bye, man and hangs

512
00:23:31,240 --> 00:23:33,800
Speaker 4: up the phone before quickly running into the living room.

513
00:23:34,440 --> 00:23:36,600
Speaker 4: The boys think she's headed for the front door and

514
00:23:36,800 --> 00:23:39,280
Speaker 4: run in that direction. And I think this is the

515
00:23:39,359 --> 00:23:42,440
Speaker 4: first time we have seen actors use that space, that

516
00:23:42,640 --> 00:23:44,240
Speaker 4: back window in the kitchen.

517
00:23:44,520 --> 00:23:45,840
Speaker 3: With the light the back window.

518
00:23:46,680 --> 00:23:49,200
Speaker 4: I like, I don't recall ever being back there for

519
00:23:49,320 --> 00:23:52,120
Speaker 4: a scene. That's just where they store like dusty foliage

520
00:23:52,240 --> 00:23:54,720
Speaker 4: and light fans for the wind right.

521
00:23:55,240 --> 00:23:58,600
Speaker 2: Yeah, I think maybe one episode you saw somebody like

522
00:23:58,920 --> 00:24:01,320
Speaker 2: cross another time, but yeah, something like that. But you've

523
00:24:01,400 --> 00:24:04,879
Speaker 2: never seen anybody imply that you can get from the

524
00:24:04,960 --> 00:24:07,800
Speaker 2: backyard to the front door through the sideyard.

525
00:24:07,880 --> 00:24:13,720
Speaker 4: Oh yeah, and now picturing the house because you have

526
00:24:13,880 --> 00:24:15,840
Speaker 4: to go up, you have to go up a level

527
00:24:15,960 --> 00:24:19,280
Speaker 4: to get to the living room, which is what the

528
00:24:19,320 --> 00:24:21,800
Speaker 4: backyard is on the same level as the living room.

529
00:24:21,960 --> 00:24:24,160
Speaker 4: So did they go around and then like slide down

530
00:24:24,200 --> 00:24:28,160
Speaker 4: a hill to get around to I'm overthinking this. I'm

531
00:24:28,200 --> 00:24:29,080
Speaker 4: definitely overthinking this.

532
00:24:29,240 --> 00:24:35,160
Speaker 3: This is this, This house is the Winchester Mystery House. Okay,

533
00:24:35,359 --> 00:24:37,199
Speaker 3: it doesn't. It has stairs that go nowhere.

534
00:24:37,359 --> 00:24:40,320
Speaker 2: It's got it's like an Escher painting, you know, like

535
00:24:40,440 --> 00:24:43,040
Speaker 2: it just looks like it's three different stories, but really

536
00:24:43,080 --> 00:24:44,480
Speaker 2: it's just one continuous loop.

537
00:24:44,600 --> 00:24:45,920
Speaker 3: Like the house makes no sense.

538
00:24:46,040 --> 00:24:49,199
Speaker 2: Don't even don't attempt to like look at the picture

539
00:24:49,320 --> 00:24:51,280
Speaker 2: and reconcile it, because it's just not gonna happen.

540
00:24:51,359 --> 00:24:54,200
Speaker 4: Yeah, and my brain already hurts just from trying to

541
00:24:54,600 --> 00:24:56,560
Speaker 4: work that out in my brain, just from waking up.

542
00:25:00,200 --> 00:25:02,639
Speaker 4: So all of a sudden, Danny walks into the kitchen

543
00:25:02,920 --> 00:25:05,880
Speaker 4: and picks up Michelle. He asks where Joey and Jesse went,

544
00:25:06,280 --> 00:25:08,040
Speaker 4: and she tells him they are on the patio.

545
00:25:09,600 --> 00:25:14,280
Speaker 3: Danny lets up Lenie Ray the patio.

546
00:25:15,200 --> 00:25:16,920
Speaker 1: I'm like you, she doesn't know what a patio is.

547
00:25:18,880 --> 00:25:21,520
Speaker 4: Danny laughs and he says, when did you learn to

548
00:25:21,560 --> 00:25:25,480
Speaker 4: say patio? And she tells him Sunday He asks when

549
00:25:25,520 --> 00:25:29,200
Speaker 4: she learned to say Sunday and she responds Monday. This

550
00:25:29,440 --> 00:25:31,720
Speaker 4: is so cute, you know, she's just learning her days

551
00:25:31,760 --> 00:25:33,679
Speaker 4: of the week and she's just so proud.

552
00:25:34,440 --> 00:25:34,680
Speaker 3: Yeah.

553
00:25:35,200 --> 00:25:38,879
Speaker 2: I mean, maybe she's just or she's actually having a

554
00:25:38,960 --> 00:25:41,679
Speaker 2: conversation and she's just incredibly quick witted for a two

555
00:25:41,760 --> 00:25:43,919
Speaker 2: year old, and she's got great timing.

556
00:25:44,440 --> 00:25:48,080
Speaker 1: Secretly, Michelle is smarter than anyone else in the Tanner household,

557
00:25:48,640 --> 00:25:50,040
Speaker 1: at least smarter than the gain. Oh.

558
00:25:50,160 --> 00:25:52,480
Speaker 3: Look that I've seen a few episodes. Sometimes that bar

559
00:25:52,600 --> 00:25:56,000
Speaker 3: is pretty low, you know what I mean. So it's possible.

560
00:25:58,160 --> 00:26:01,600
Speaker 4: So Jessa Joey continue to run around house shouting for Michelle.

561
00:26:02,119 --> 00:26:04,240
Speaker 4: Jesse offers her a cookie and a kiss if she

562
00:26:04,320 --> 00:26:07,639
Speaker 4: opens the door. Danny hears them outside and unlocks the

563
00:26:07,680 --> 00:26:10,000
Speaker 4: door himself. Where's my kiss and cookie?

564
00:26:10,080 --> 00:26:10,600
Speaker 1: He jokes.

565
00:26:11,640 --> 00:26:14,760
Speaker 4: The phone rings again and Jesse answers it immediately. It's

566
00:26:14,840 --> 00:26:18,639
Speaker 4: mister Malatesta from the ad agency. Joey holds the phone

567
00:26:18,680 --> 00:26:20,920
Speaker 4: to his chest so he can cheer loudly about the

568
00:26:21,000 --> 00:26:25,600
Speaker 4: fact that they brought they bought their jingle whoo. He

569
00:26:25,720 --> 00:26:27,720
Speaker 4: returns back to the phone and calmly tells the man

570
00:26:28,240 --> 00:26:29,280
Speaker 4: that's awfully good news.

571
00:26:29,480 --> 00:26:29,640
Speaker 1: Sir.

572
00:26:30,760 --> 00:26:33,120
Speaker 4: Joey and Jesse split off into their rooms to get ready,

573
00:26:33,119 --> 00:26:37,000
Speaker 4: and Danny sarcastically complains, somebody still owes me a kiss,

574
00:26:37,480 --> 00:26:40,000
Speaker 4: and Michelle places one on his cheek as he holds her.

575
00:26:40,680 --> 00:26:41,639
Speaker 3: That was so sweet.

576
00:26:42,080 --> 00:26:42,960
Speaker 1: Oh love it.

577
00:26:43,200 --> 00:26:47,800
Speaker 3: What an episode, though, that wouldn't make any sense today

578
00:26:48,359 --> 00:26:53,320
Speaker 3: with cell phones with a landline. Yeah, waiting for a call.

579
00:26:54,200 --> 00:26:57,080
Speaker 1: That phone, which by the way, looks very plastic and

580
00:26:57,280 --> 00:26:58,560
Speaker 1: Fisher Price esque.

581
00:26:59,440 --> 00:27:01,920
Speaker 3: No, it was real phone though, I mean it didn't

582
00:27:02,160 --> 00:27:03,040
Speaker 3: it didn't connect anything.

583
00:27:03,160 --> 00:27:05,840
Speaker 1: Yeah, but they looked so plastically.

584
00:27:06,080 --> 00:27:09,280
Speaker 3: But that's been a lot when you had colors that

585
00:27:09,480 --> 00:27:13,840
Speaker 3: matched your decord. Who has a blue phone? Besides like

586
00:27:14,240 --> 00:27:17,440
Speaker 3: blues clues, you know what I mean? Who's got a

587
00:27:17,480 --> 00:27:18,920
Speaker 3: blue phone? Yeah?

588
00:27:19,119 --> 00:27:21,200
Speaker 4: And it's it's not even like the lips phone. I

589
00:27:21,280 --> 00:27:24,000
Speaker 4: understand why DJ has the lips phone because that's cool

590
00:27:24,119 --> 00:27:24,840
Speaker 4: to a teenager.

591
00:27:25,080 --> 00:27:27,040
Speaker 3: Also very difficult to talk into. Though.

592
00:27:27,200 --> 00:27:29,760
Speaker 2: Have you ever tried to hold one of those half

593
00:27:29,840 --> 00:27:31,680
Speaker 2: of a lip on your shoulder while you're trying to

594
00:27:31,720 --> 00:27:33,760
Speaker 2: do something else with your It's nearly impossible.

595
00:27:33,840 --> 00:27:38,119
Speaker 1: Yeah, yeah, no, it's not very ergonomical, but hey, it

596
00:27:38,280 --> 00:27:40,920
Speaker 1: matches the curtains and that well, not the lip phone,

597
00:27:40,960 --> 00:27:43,720
Speaker 1: but the blue phone. So right, right, that's all, that's

598
00:27:43,720 --> 00:27:44,800
Speaker 1: all we care about, okay.

599
00:27:45,040 --> 00:27:47,680
Speaker 2: And it had a very long chord because it lived

600
00:27:47,880 --> 00:27:49,920
Speaker 2: on that little back table. And now it's, for some

601
00:27:50,080 --> 00:27:53,040
Speaker 2: reason sitting on Michelle's table because that's where one would

602
00:27:53,080 --> 00:27:53,600
Speaker 2: have a phone.

603
00:27:54,240 --> 00:27:57,240
Speaker 1: Why was it on Michelle's table? I didn't mean that

604
00:27:57,320 --> 00:27:59,399
Speaker 1: the joke could work, so the joe could work, So

605
00:27:59,480 --> 00:28:00,280
Speaker 1: the joke could work.

606
00:28:00,400 --> 00:28:02,520
Speaker 2: Well, now I think he's also holding it in the beginning,

607
00:28:02,520 --> 00:28:05,080
Speaker 2: and then he sets it down on the on that

608
00:28:05,200 --> 00:28:08,880
Speaker 2: tape so that the joke, so that the joke will work.

609
00:28:08,920 --> 00:28:10,560
Speaker 1: Okay, okay, okay, I'll buy that.

610
00:28:11,640 --> 00:28:14,200
Speaker 4: So the next scene, we're in the the ad agency.

611
00:28:14,920 --> 00:28:17,840
Speaker 4: Jesse and Joey arrive in suits and are greeted by

612
00:28:18,000 --> 00:28:21,760
Speaker 4: mister mala Testa. He compliments their work, and Joey asks,

613
00:28:22,240 --> 00:28:26,240
Speaker 4: so you really like our jingle? Mister Malatesta replies, no,

614
00:28:26,800 --> 00:28:27,600
Speaker 4: I like my wife.

615
00:28:28,040 --> 00:28:29,399
Speaker 1: I love the jingle.

616
00:28:30,840 --> 00:28:37,560
Speaker 3: Such a vaudevillian joke, like Rodney Dangerfield. I wonder if

617
00:28:37,600 --> 00:28:41,560
Speaker 3: this was a Lenny Rips joke. He wrote Dangerfield, and

618
00:28:42,040 --> 00:28:44,480
Speaker 3: it's a very Dangerfield esque joke.

619
00:28:44,560 --> 00:28:47,720
Speaker 1: I bet I bet that's a wife, but I love

620
00:28:47,920 --> 00:28:51,520
Speaker 1: the right take my wife please. That's got Lenny's Lenny's

621
00:28:51,600 --> 00:28:52,320
Speaker 1: voice written.

622
00:28:52,680 --> 00:28:54,280
Speaker 3: Well, I mean it's also a very that was just

623
00:28:54,360 --> 00:28:56,480
Speaker 3: sort of that the comedy of the time.

624
00:28:56,720 --> 00:28:59,280
Speaker 1: But yeah, okay, yeah, no, it's funny.

625
00:29:00,440 --> 00:29:03,800
Speaker 4: Jesse and Joey erupt into fake laughter. He asks the

626
00:29:03,840 --> 00:29:07,800
Speaker 4: boys about turning their jingle into a whole campaign. Jesse

627
00:29:07,960 --> 00:29:10,680
Speaker 4: tells him it's not a problem, but they haven't come

628
00:29:10,760 --> 00:29:14,840
Speaker 4: up with a campaign before. Mister Melotusta laughs and Jesse

629
00:29:14,960 --> 00:29:17,760
Speaker 4: and Joey join in. It's like, no, no, Jesse was

630
00:29:17,800 --> 00:29:19,280
Speaker 4: telling the truth, sir.

631
00:29:19,480 --> 00:29:21,720
Speaker 3: Why are you you hired these people to write a song,

632
00:29:21,880 --> 00:29:23,240
Speaker 3: not to run an ad campaign.

633
00:29:23,240 --> 00:29:25,200
Speaker 1: It's a whole different career right there.

634
00:29:25,320 --> 00:29:27,560
Speaker 2: You know, right, You're like, I know you can maybe

635
00:29:27,560 --> 00:29:30,440
Speaker 2: write a little music, but how about ad campaign?

636
00:29:30,720 --> 00:29:34,400
Speaker 1: What I'm a commercial with actors and sets and commercial.

637
00:29:34,480 --> 00:29:36,680
Speaker 2: Give me storyboards, give me the whole thing, right, I

638
00:29:36,760 --> 00:29:38,640
Speaker 2: know it's not at all music related, but just roll

639
00:29:38,680 --> 00:29:40,920
Speaker 2: with it. In a day too, they have a day

640
00:29:41,600 --> 00:29:44,840
Speaker 2: and you have a corner office in San Francisco with

641
00:29:44,960 --> 00:29:45,480
Speaker 2: a bay view.

642
00:29:45,840 --> 00:29:50,160
Speaker 1: There's so many things not there's so many things raw episode.

643
00:29:50,320 --> 00:29:54,520
Speaker 3: I mean again is the you know, the luck of

644
00:29:56,200 --> 00:29:57,760
Speaker 3: men in the eighties. They just got it. They got

645
00:29:57,800 --> 00:29:59,520
Speaker 3: it here. You want it. You want an office job,

646
00:29:59,600 --> 00:30:01,600
Speaker 3: get your the whole job, the whole all of it.

647
00:30:01,720 --> 00:30:03,520
Speaker 1: There you go, yeah, all of it, to take it all?

648
00:30:03,800 --> 00:30:06,000
Speaker 1: Oh dear, yeah, Hi, that's the eighties.

649
00:30:07,240 --> 00:30:10,080
Speaker 4: Mister Malatesta tells the boys that he has faith in

650
00:30:10,240 --> 00:30:12,680
Speaker 4: them and if they do well, he will offer them

651
00:30:12,760 --> 00:30:16,520
Speaker 4: a full kind job. Jesse and Joey are extremely grateful

652
00:30:16,640 --> 00:30:19,640
Speaker 4: and they tell mister Malatesta they'll have the campaign done

653
00:30:19,720 --> 00:30:23,200
Speaker 4: by next week. But before they can leave, mister Malatesta

654
00:30:23,280 --> 00:30:25,280
Speaker 4: tells the boys they need to present the idea to

655
00:30:25,400 --> 00:30:30,560
Speaker 4: the client tomorrow. Jesse and Joey laugh, but mister Malatesta

656
00:30:30,720 --> 00:30:33,520
Speaker 4: isn't joking. He guides them into an office with a

657
00:30:33,640 --> 00:30:37,320
Speaker 4: beautiful view of San Francisco, telling them to make themselves

658
00:30:37,480 --> 00:30:37,960
Speaker 4: at home.

659
00:30:39,560 --> 00:30:41,680
Speaker 2: They are they panicking that it has to be done tomorrow.

660
00:30:41,760 --> 00:30:43,840
Speaker 2: When have they ever done anything ahead of time? They

661
00:30:43,920 --> 00:30:45,560
Speaker 2: always do things the night.

662
00:30:45,560 --> 00:30:47,200
Speaker 1: Night before, and then they stay up all night.

663
00:30:47,320 --> 00:30:49,040
Speaker 2: They should be like, great, I'm so glad that you

664
00:30:49,160 --> 00:30:51,440
Speaker 2: know our working style and that we only work under

665
00:30:52,000 --> 00:30:52,840
Speaker 2: extreme pressure.

666
00:30:52,920 --> 00:30:53,840
Speaker 3: So we got this.

667
00:30:54,400 --> 00:30:56,320
Speaker 4: Yes, even if they had a week, they would wait

668
00:30:56,480 --> 00:31:01,240
Speaker 4: until the night, wait until they're basically my kids. Yeah

669
00:31:01,800 --> 00:31:05,920
Speaker 4: they are teenagers. Yeah yeah, waiting till the very last minute.

670
00:31:06,440 --> 00:31:08,520
Speaker 4: I need a costume, I need to write a paper.

671
00:31:08,800 --> 00:31:12,160
Speaker 3: You had to do this, I mean a week or

672
00:31:12,240 --> 00:31:14,320
Speaker 3: a day, it really doesn't matter.

673
00:31:14,320 --> 00:31:14,920
Speaker 1: It doesn't matter.

674
00:31:15,880 --> 00:31:18,520
Speaker 4: So next in the living room, Danny is seated on

675
00:31:18,600 --> 00:31:20,840
Speaker 4: the edge of the couch, using one arm to hold

676
00:31:20,880 --> 00:31:23,360
Speaker 4: the phone and talk to Jesse and the other to

677
00:31:23,440 --> 00:31:26,560
Speaker 4: hold a punching bag for DJ as she practices her karate.

678
00:31:27,400 --> 00:31:30,000
Speaker 4: Danny tells Jesse, Yeah, don't worry, I'll cover for you

679
00:31:30,200 --> 00:31:32,960
Speaker 4: with the girls. DJ needs him to hold the bag

680
00:31:33,040 --> 00:31:35,600
Speaker 4: a little higher, and Danny tells her to go practice

681
00:31:35,680 --> 00:31:40,080
Speaker 4: her mean faces instead. Danny tells Jesse, if you guys

682
00:31:40,160 --> 00:31:42,360
Speaker 4: get stuck and need any help with funny ideas for

683
00:31:42,440 --> 00:31:46,920
Speaker 4: your commercial, I could hello hello he was hung up on.

684
00:31:47,680 --> 00:31:48,840
Speaker 1: They don't need Danny's help.

685
00:31:49,240 --> 00:31:52,800
Speaker 2: Right, Yeah, they're obviously experts. They're like, no, they've gone

686
00:31:52,840 --> 00:31:54,920
Speaker 2: from we don't know anything to like, we don't.

687
00:31:54,800 --> 00:31:58,560
Speaker 3: Need help real quick. The confidence man from the one

688
00:31:58,600 --> 00:32:01,400
Speaker 3: person who has worked Intel Vision before that might have

689
00:32:01,600 --> 00:32:04,640
Speaker 3: some sort of an idea of you know, hey, you

690
00:32:04,720 --> 00:32:06,160
Speaker 3: guys want to Oh you got it.

691
00:32:06,600 --> 00:32:11,480
Speaker 4: Okay, Steph Waltz is into the living room with that

692
00:32:11,960 --> 00:32:16,360
Speaker 4: red Scottie Dog sweater I think we've seen three times now, apparently.

693
00:32:16,720 --> 00:32:18,440
Speaker 2: You know what though, I like that they lean into

694
00:32:18,520 --> 00:32:21,720
Speaker 2: the fact that Steph probably is like, like Eddie Kidd

695
00:32:21,760 --> 00:32:25,400
Speaker 2: has one particular sweatshirt that she's mildly obsessed with, Yeah,

696
00:32:25,720 --> 00:32:27,680
Speaker 2: and like wants to wear all the time, And you're like,

697
00:32:27,760 --> 00:32:29,880
Speaker 2: you you have to put that in the laundry place.

698
00:32:30,160 --> 00:32:30,400
Speaker 1: Yeah.

699
00:32:31,040 --> 00:32:32,920
Speaker 2: I don't know about your kids, but my kids will

700
00:32:32,960 --> 00:32:36,400
Speaker 2: definitely have like a hoodie or a jumper for those

701
00:32:36,880 --> 00:32:39,800
Speaker 2: UK fans, they will just wear.

702
00:32:41,160 --> 00:32:43,240
Speaker 3: All the time. Yeah, so maybe that's what that Maybe

703
00:32:43,280 --> 00:32:46,280
Speaker 3: the Scottie dog sweatshirt is that first.

704
00:32:46,320 --> 00:32:46,760
Speaker 1: That's your thing.

705
00:32:46,960 --> 00:32:47,120
Speaker 4: Yeah.

706
00:32:47,200 --> 00:32:50,840
Speaker 1: For Felicity, it was sloths and everything. She had shirts,

707
00:32:50,920 --> 00:32:52,480
Speaker 1: t shirts. Yeah, she had her.

708
00:32:52,440 --> 00:32:55,720
Speaker 4: Notebook, her backpack. Everything was slots for a lot of sloths.

709
00:32:55,760 --> 00:32:58,520
Speaker 4: I know she gets it from you because of your

710
00:32:58,600 --> 00:32:59,480
Speaker 4: love of slots.

711
00:33:00,080 --> 00:33:00,240
Speaker 5: Yeah.

712
00:33:00,280 --> 00:33:01,640
Speaker 3: Remember the sloth in my living room?

713
00:33:01,880 --> 00:33:04,040
Speaker 4: Yes, I wasn't there. I couldn't be there that night,

714
00:33:04,200 --> 00:33:07,800
Speaker 4: although Celia invited me. But yeah, she brought a sloth

715
00:33:07,880 --> 00:33:11,040
Speaker 4: to your house. Yeah, I don't even know how she

716
00:33:11,280 --> 00:33:11,880
Speaker 4: arranged that.

717
00:33:12,200 --> 00:33:17,920
Speaker 2: But wildlife, uh, wildlife wat station, wildlife sanctuary out here

718
00:33:18,160 --> 00:33:21,200
Speaker 2: in like your Santa Clarita. Oh, it was like an

719
00:33:21,280 --> 00:33:23,600
Speaker 2: educational tour. So they well, it's not like she threw

720
00:33:23,640 --> 00:33:26,760
Speaker 2: it at her back in her hers, you know what

721
00:33:26,800 --> 00:33:28,360
Speaker 2: I mean. It wasn't like, hey, look what I got

722
00:33:28,520 --> 00:33:31,320
Speaker 2: you back? She right, No, it wasn't like that.

723
00:33:31,560 --> 00:33:34,200
Speaker 3: Like it was like a like an educational school tour.

724
00:33:34,280 --> 00:33:36,120
Speaker 3: But it just the school happened to be my living

725
00:33:36,160 --> 00:33:37,280
Speaker 3: room and it was fascinating.

726
00:33:37,280 --> 00:33:39,960
Speaker 1: Oh okay, so that like a trainer, a handler.

727
00:33:39,720 --> 00:33:41,560
Speaker 3: Came, a handler came.

728
00:33:41,720 --> 00:33:44,000
Speaker 2: Yeah, there was a whole little thing it was hanging

729
00:33:44,040 --> 00:33:47,320
Speaker 2: on and yeah, it was sloth. Wasn't just hanging from

730
00:33:47,360 --> 00:33:49,160
Speaker 2: my curtains, you know what I mean, like it was.

731
00:33:49,520 --> 00:33:53,040
Speaker 2: It was a controlled sloth environment because apparently they bite

732
00:33:53,840 --> 00:33:56,400
Speaker 2: the whole side tangent. Sorry guy, Yeah, well this has

733
00:33:56,520 --> 00:33:58,840
Speaker 2: nothing to do with full house, nothing at all to

734
00:33:58,960 --> 00:33:59,400
Speaker 2: do with.

735
00:33:59,520 --> 00:34:01,440
Speaker 3: This, but yes, slots bite.

736
00:34:01,560 --> 00:34:03,560
Speaker 2: I did not know that they bite, and they have

737
00:34:03,640 --> 00:34:06,720
Speaker 2: a bacteria in their mouth that can cause gangreen. Yeah,

738
00:34:07,080 --> 00:34:09,840
Speaker 2: what the trainer said, one of the gnarliest bite she

739
00:34:09,880 --> 00:34:10,879
Speaker 2: ever got was a slot bite.

740
00:34:11,600 --> 00:34:13,560
Speaker 1: I thought they'd be too slow, like, can't you move

741
00:34:13,560 --> 00:34:14,560
Speaker 1: out of the way, And that's the.

742
00:34:14,680 --> 00:34:18,640
Speaker 2: Only that's the it's their only form of protection is

743
00:34:18,880 --> 00:34:22,200
Speaker 2: they have big fangs and if push comes to shove,

744
00:34:22,360 --> 00:34:24,839
Speaker 2: they're like, I might can't run away, but I will

745
00:34:25,760 --> 00:34:29,080
Speaker 2: I will bite you, which is always a great technique

746
00:34:29,239 --> 00:34:31,800
Speaker 2: I'm just saying as an effective fighting tool, if you

747
00:34:31,840 --> 00:34:33,360
Speaker 2: can't run away, just bite.

748
00:34:33,760 --> 00:34:34,759
Speaker 1: Yeah, just bite yeah.

749
00:34:35,120 --> 00:34:37,760
Speaker 3: Yeah. All right, anyway back to the shows. Your lesson

750
00:34:37,800 --> 00:34:39,720
Speaker 3: for your sloth.

751
00:34:39,120 --> 00:34:43,319
Speaker 2: Lesson for today, guys, thanks to Jody's random information that.

752
00:34:43,360 --> 00:34:45,960
Speaker 4: Could be a segment on this podcast is Jody's random

753
00:34:46,719 --> 00:34:48,880
Speaker 4: random facts of uselessness.

754
00:34:49,200 --> 00:34:51,160
Speaker 3: Yeah, maybe I can finally make use of it, you know.

755
00:34:52,400 --> 00:34:55,080
Speaker 4: Uh So Steph is looking for Jesse because he's supposed

756
00:34:55,120 --> 00:34:57,600
Speaker 4: to help her with an Elvis song for the Talent Show.

757
00:34:58,239 --> 00:35:02,200
Speaker 4: Jesse tells the girls that their uncles are duck at work. Yes,

758
00:35:02,280 --> 00:35:04,399
Speaker 4: and this is where you're wearing your French braid, which

759
00:35:04,480 --> 00:35:08,480
Speaker 4: is very adult and very very beautiful, which I obviously

760
00:35:08,520 --> 00:35:09,120
Speaker 4: did myself.

761
00:35:09,440 --> 00:35:13,120
Speaker 1: Oh for sure, did your mom do French braids? I

762
00:35:13,200 --> 00:35:14,080
Speaker 1: know that's a random question.

763
00:35:14,239 --> 00:35:16,760
Speaker 3: My mom can braid. I can't. I have no idea

764
00:35:16,800 --> 00:35:17,160
Speaker 3: how to do.

765
00:35:17,600 --> 00:35:21,080
Speaker 2: Even my ponytails on my kids are wonky. It's much

766
00:35:21,160 --> 00:35:23,359
Speaker 2: to my mother's disappointment. I can't get a nice, good,

767
00:35:23,440 --> 00:35:24,280
Speaker 2: smooth ponytail.

768
00:35:24,320 --> 00:35:26,719
Speaker 3: It's just I'm like, I don't know, because.

769
00:35:26,480 --> 00:35:29,040
Speaker 4: I feel like your mom braided my did a French

770
00:35:29,120 --> 00:35:32,560
Speaker 4: braid for me on my sixteenth birthday on Sale with

771
00:35:32,640 --> 00:35:33,120
Speaker 4: the Stars.

772
00:35:33,960 --> 00:35:36,200
Speaker 3: Yes, yes she did. Yeah, my mom was very good

773
00:35:36,239 --> 00:35:38,880
Speaker 3: at braiding and hair and setting curlers and do it.

774
00:35:39,000 --> 00:35:39,480
Speaker 1: Yeah, she was.

775
00:35:40,160 --> 00:35:41,000
Speaker 3: She was good at that stuff.

776
00:35:41,000 --> 00:35:42,960
Speaker 1: Okay, so that's why I asked her to braid my

777
00:35:43,080 --> 00:35:45,680
Speaker 1: hair on the ship. Yeah, yeah, for my birthday. Oh

778
00:35:45,760 --> 00:35:46,200
Speaker 1: that's so cool.

779
00:35:46,239 --> 00:35:48,520
Speaker 3: Yea, because your mom apparently was like me and was like,

780
00:35:48,600 --> 00:35:49,640
Speaker 3: I have no idea how to do that.

781
00:35:49,640 --> 00:35:51,480
Speaker 1: I don't how to do that, ask Janice.

782
00:35:51,600 --> 00:35:52,600
Speaker 3: Ok yeah, exactly.

783
00:35:54,600 --> 00:35:54,839
Speaker 1: Okay.

784
00:35:54,880 --> 00:35:58,400
Speaker 4: So Steph is very worried because the show is tomorrow.

785
00:35:59,040 --> 00:36:01,719
Speaker 4: She doesn't know whether to curl her hips, wiggle her

786
00:36:01,880 --> 00:36:05,080
Speaker 4: lips or what. And DJ has a test for her

787
00:36:05,120 --> 00:36:07,560
Speaker 4: green belt tomorrow, so she needs help with her karate.

788
00:36:08,640 --> 00:36:11,120
Speaker 4: Danny tells the girls not to panic because he is

789
00:36:11,200 --> 00:36:14,440
Speaker 4: going to teach them. Apparently this makes sense because Elvis

790
00:36:14,800 --> 00:36:20,080
Speaker 4: did karate. The girls look concerned rightfully so, and Danny

791
00:36:20,120 --> 00:36:25,759
Speaker 4: breaks out in an Elvis singing karate warrior impression that.

792
00:36:27,440 --> 00:36:36,520
Speaker 3: Was so peak bombed, awkward, gangly. It was, it's so amazing,

793
00:36:36,760 --> 00:36:41,400
Speaker 3: so gangly. He like I was like, go, go, gadget limbs,

794
00:36:41,800 --> 00:36:43,320
Speaker 3: Like I didn't you know what I mean. It was

795
00:36:43,440 --> 00:36:46,440
Speaker 3: like as he threw an arm out, it like it

796
00:36:46,640 --> 00:36:50,240
Speaker 3: was like, uh like the stretch armstrong. It just flung

797
00:36:50,280 --> 00:36:51,400
Speaker 3: out and I was like, oh my god, I got

798
00:36:51,440 --> 00:36:54,520
Speaker 3: longer and then it came back like it was hilarious

799
00:36:54,640 --> 00:36:55,600
Speaker 3: and it reminded me.

800
00:36:56,800 --> 00:36:58,719
Speaker 2: Do you remember the time. I don't know if you

801
00:36:58,800 --> 00:37:00,760
Speaker 2: were in it with us, but we were shooting a promo.

802
00:37:00,920 --> 00:37:03,520
Speaker 2: This was like later seasons, I think season seven or eight.

803
00:37:04,719 --> 00:37:08,880
Speaker 2: We're shooting a promo and it was we would shoot

804
00:37:08,920 --> 00:37:12,520
Speaker 2: these you know, hey things for watching wkzy Z, Like

805
00:37:12,640 --> 00:37:15,600
Speaker 2: you you have to go through like one hundred different

806
00:37:15,640 --> 00:37:18,040
Speaker 2: stations and whatever. We were doing one, and it was

807
00:37:18,040 --> 00:37:20,040
Speaker 2: like we were supposed to be dancing and so Bob,

808
00:37:20,719 --> 00:37:22,120
Speaker 2: it was a long end of a long day. You

809
00:37:22,160 --> 00:37:23,840
Speaker 2: have to do these at the end of like whatever

810
00:37:24,040 --> 00:37:26,920
Speaker 2: you're shooting. So he starts dancing around and doing his

811
00:37:26,960 --> 00:37:29,520
Speaker 2: little thing and just goes nuts, right and lays on

812
00:37:29,560 --> 00:37:32,800
Speaker 2: the floor and kicks his leg, kicks his leg out, hits.

813
00:37:32,680 --> 00:37:33,319
Speaker 3: Me in the head.

814
00:37:33,520 --> 00:37:36,920
Speaker 6: No, no, he felt he Oh my god, it was

815
00:37:37,480 --> 00:37:41,799
Speaker 6: but it was like the Jesus. It was just such

816
00:37:41,880 --> 00:37:45,960
Speaker 6: a it was like, oh no, no, it was Bob.

817
00:37:46,640 --> 00:37:49,200
Speaker 3: He felt. He was like, and you know, Bob like, oh,

818
00:37:49,239 --> 00:37:52,560
Speaker 3: I'm so sorry. Later, oh my god, he was just

819
00:37:53,560 --> 00:37:56,279
Speaker 3: obsessed with like, did he hurt you?

820
00:37:56,400 --> 00:37:57,040
Speaker 1: Did he offend you?

821
00:37:58,640 --> 00:37:59,239
Speaker 3: Call it my mom?

822
00:37:59,440 --> 00:38:01,719
Speaker 2: Making sure my like it was you know, he felt

823
00:38:01,840 --> 00:38:03,839
Speaker 2: so but it was I remember it now, And then

824
00:38:03,960 --> 00:38:06,799
Speaker 2: watching him do all of that in this episode, I.

825
00:38:06,880 --> 00:38:09,120
Speaker 1: Was like, yeah, brought back this memory.

826
00:38:09,200 --> 00:38:11,440
Speaker 3: They're good. They go everywhere you don't know.

827
00:38:11,719 --> 00:38:15,440
Speaker 2: You think you're safe, Yeah, you're without out a distance,

828
00:38:15,480 --> 00:38:17,600
Speaker 2: and it just gets goes right out there.

829
00:38:17,840 --> 00:38:19,680
Speaker 4: What and why are you always getting hit in the face?

830
00:38:19,800 --> 00:38:23,320
Speaker 4: Little Richard smacked you in the face. Bob kicked you

831
00:38:23,400 --> 00:38:24,239
Speaker 4: in the face, Like.

832
00:38:24,800 --> 00:38:27,360
Speaker 3: Was it your height? I don't know, it's no.

833
00:38:27,640 --> 00:38:34,160
Speaker 2: I think it's probably in part due to my spatial

834
00:38:34,200 --> 00:38:37,200
Speaker 2: awareness or lack thereof. Maybe I'm just a little like

835
00:38:37,640 --> 00:38:39,400
Speaker 2: just in the wrong place at the wrong time, or

836
00:38:40,000 --> 00:38:42,560
Speaker 2: I'm not paying attention to what the other person is doing.

837
00:38:42,680 --> 00:38:46,680
Speaker 2: And I'm stepping into as they're doing that or something. Oh, okay,

838
00:38:46,800 --> 00:38:49,680
Speaker 2: it happened Brooke. My friend Brooke elbowed me in the

839
00:38:49,719 --> 00:38:51,400
Speaker 2: face the other night at Madonna as he turned to

840
00:38:51,440 --> 00:38:54,160
Speaker 2: me and said, I'm having so much fun and literally

841
00:38:54,480 --> 00:38:56,480
Speaker 2: just just cracked me right in the face. And he

842
00:38:56,600 --> 00:38:57,880
Speaker 2: was like, I'm gonna sit down now.

843
00:38:58,520 --> 00:39:01,759
Speaker 1: Nothing has changed, not at all.

844
00:39:01,880 --> 00:39:04,480
Speaker 3: No, nope, I love it.

845
00:39:05,000 --> 00:39:08,040
Speaker 2: But yeah, Bob Bob flailing his arms and legs in

846
00:39:08,200 --> 00:39:10,960
Speaker 2: every possible direction and the faces.

847
00:39:12,120 --> 00:39:12,759
Speaker 5: It was so.

848
00:39:14,840 --> 00:39:17,360
Speaker 3: It made me laugh so hard because it was just

849
00:39:17,560 --> 00:39:18,640
Speaker 3: so Bob.

850
00:39:18,800 --> 00:39:21,080
Speaker 1: It was so Bob. He looked like one of those

851
00:39:21,160 --> 00:39:22,360
Speaker 1: inflatables outside a.

852
00:39:22,360 --> 00:39:25,680
Speaker 3: Car wash, flailing inflatable arm guy.

853
00:39:25,719 --> 00:39:29,200
Speaker 1: Yeah yeah, because he looked about that tall too, because

854
00:39:29,239 --> 00:39:34,120
Speaker 1: the limbs are so long and yeah yeah. So yeah.

855
00:39:34,200 --> 00:39:37,120
Speaker 1: The girls aren't impressed, but the audience cheers very loudly

856
00:39:37,320 --> 00:39:38,520
Speaker 1: for this performance.

857
00:39:39,360 --> 00:39:43,960
Speaker 4: Steph is confused that was Elvis. Danny says yes, and

858
00:39:44,120 --> 00:39:45,360
Speaker 4: DJ needs clarification.

859
00:39:45,920 --> 00:39:50,319
Speaker 1: Pressley right. So next we are in Stephan DJ's room

860
00:39:50,719 --> 00:39:52,040
Speaker 1: while the girls get ready for bed.

861
00:39:52,239 --> 00:39:58,279
Speaker 4: Danny hurts his back when he tries bending down. I'm relatable, relatable.

862
00:39:58,600 --> 00:40:00,759
Speaker 3: Right, you do something stupid you throw your back out.

863
00:40:00,880 --> 00:40:02,520
Speaker 3: I hate when that happens.

864
00:40:02,640 --> 00:40:05,400
Speaker 1: Yeah, and you're always you're always hurt like in our forties.

865
00:40:05,480 --> 00:40:06,640
Speaker 1: You're always hurting yourself.

866
00:40:06,960 --> 00:40:09,360
Speaker 4: Is never a good story like oh, I was climbing

867
00:40:09,400 --> 00:40:12,239
Speaker 4: a mountain to rescue some something, you know. No, it's

868
00:40:12,280 --> 00:40:14,400
Speaker 4: always like, oh, no, I was bending down to empty

869
00:40:14,400 --> 00:40:15,520
Speaker 4: the dishwasher and I threw my.

870
00:40:15,520 --> 00:40:18,919
Speaker 3: Back right and yeah, exact barrass I sneezed too hard

871
00:40:19,360 --> 00:40:21,520
Speaker 3: and I and my neck was done for a week.

872
00:40:23,120 --> 00:40:26,280
Speaker 4: So the uncles are finally home, greeting the family with excitement.

873
00:40:26,960 --> 00:40:30,160
Speaker 4: Dj tells them Danny helped her with karate, and Steph

874
00:40:30,239 --> 00:40:34,800
Speaker 4: mentions that he helped her with Elvis too. Jesse questions Presley,

875
00:40:35,960 --> 00:40:38,920
Speaker 4: Danny strikes a signature Elvis move, and then WinCE is

876
00:40:39,040 --> 00:40:39,880
Speaker 4: in pain again.

877
00:40:40,480 --> 00:40:43,719
Speaker 3: What what other Elvis is are they? I'm Costello.

878
00:40:45,480 --> 00:40:47,880
Speaker 1: Yeah, it's not a common name. It's the joke. The

879
00:40:47,960 --> 00:40:49,960
Speaker 1: joke caster works. So joe haster work.

880
00:40:51,320 --> 00:40:54,719
Speaker 4: Danny asks how work was, and Joey tells him the

881
00:40:54,800 --> 00:40:58,680
Speaker 4: boss loved their ideas. Jesse announces they're gonna pitch their

882
00:40:58,800 --> 00:41:01,560
Speaker 4: Hurry Mark commercial to the client and if it goes well,

883
00:41:02,000 --> 00:41:03,760
Speaker 4: they may get full time jobs.

884
00:41:03,840 --> 00:41:05,400
Speaker 3: Because that's how you. That's how you.

885
00:41:05,800 --> 00:41:05,920
Speaker 1: Uh.

886
00:41:06,840 --> 00:41:07,000
Speaker 3: You know.

887
00:41:07,120 --> 00:41:09,680
Speaker 2: See, if someone's worth hiring for a full time job

888
00:41:09,880 --> 00:41:11,440
Speaker 2: is give them a project already.

889
00:41:11,880 --> 00:41:12,040
Speaker 1: Here.

890
00:41:12,680 --> 00:41:14,880
Speaker 3: See if you can blow this up, and if you don't,

891
00:41:15,160 --> 00:41:16,000
Speaker 3: you've got a job.

892
00:41:16,960 --> 00:41:18,560
Speaker 1: It's a test. Yeah, it's a test.

893
00:41:18,640 --> 00:41:21,239
Speaker 2: Like it's usually they're like, here's a job, and then

894
00:41:21,560 --> 00:41:23,000
Speaker 2: if you blow it, you lose the job.

895
00:41:23,880 --> 00:41:26,000
Speaker 1: Yeah. Yeah, it's a little backwards.

896
00:41:26,080 --> 00:41:32,200
Speaker 2: Yeah, I have some questions about mister Mala Testa's hiring practices.

897
00:41:31,800 --> 00:41:32,400
Speaker 3: But that's.

898
00:41:34,560 --> 00:41:35,680
Speaker 1: He's a strange He's.

899
00:41:36,080 --> 00:41:38,520
Speaker 3: He's a strange bird, is Yeah, he's.

900
00:41:38,400 --> 00:41:43,040
Speaker 4: Definitely a strange bird. Danny tells them that's great. He

901
00:41:43,200 --> 00:41:46,279
Speaker 4: asks the girls what they think, and DJ smiles, I

902
00:41:46,400 --> 00:41:50,680
Speaker 4: think so, not seeming too convinced, and Steph smiles, I guess.

903
00:41:52,000 --> 00:41:54,400
Speaker 4: Joey and Jesse tell the girls good night, and Danny

904
00:41:54,440 --> 00:41:57,800
Speaker 4: follows them out and begins to compliment them on their achievement.

905
00:41:58,320 --> 00:41:59,520
Speaker 1: You know, this is so amazing.

906
00:41:59,719 --> 00:42:01,799
Speaker 4: When you guys first moved in here, you didn't even

907
00:42:01,960 --> 00:42:04,360
Speaker 4: like each other, and now you might be working together

908
00:42:04,480 --> 00:42:07,040
Speaker 4: full time. This is one of the happiest days of

909
00:42:07,120 --> 00:42:10,560
Speaker 4: my life. He realizes what he just said and admits

910
00:42:11,000 --> 00:42:15,280
Speaker 4: It's pretty sad, isn't it. Once they leave, Steph asks

911
00:42:15,360 --> 00:42:17,719
Speaker 4: Dj if Jesse and Joey are really going to get

912
00:42:17,800 --> 00:42:21,040
Speaker 4: a full time job, and DJ believes they will, considering

913
00:42:21,120 --> 00:42:25,120
Speaker 4: how excited they were, and Steph wonders aloud, then who's

914
00:42:25,160 --> 00:42:26,200
Speaker 4: gonna take care of us?

915
00:42:27,160 --> 00:42:27,480
Speaker 1: No one?

916
00:42:27,880 --> 00:42:30,719
Speaker 3: No one's taking care of me. You're home alone. Oh,

917
00:42:30,760 --> 00:42:33,120
Speaker 3: there's going to be a movie about it, and it's

918
00:42:33,160 --> 00:42:33,719
Speaker 3: gonna be great.

919
00:42:36,239 --> 00:42:38,600
Speaker 1: Uh So we have a sad that takes us to

920
00:42:38,640 --> 00:42:46,000
Speaker 1: a sad commercial break. Sure, sure.

921
00:42:48,160 --> 00:42:50,920
Speaker 4: When we come back, we are back in the agency.

922
00:42:52,400 --> 00:42:54,560
Speaker 4: Joey has his feet propped up on the desk at

923
00:42:54,600 --> 00:42:57,440
Speaker 4: the agency and Jesse is guiding him through words of

924
00:42:57,560 --> 00:43:02,080
Speaker 4: encouragement and concludes, any moment, our future is gonna come

925
00:43:02,239 --> 00:43:06,000
Speaker 4: walking right through that door. Right then, in walks tiny

926
00:43:06,000 --> 00:43:10,160
Speaker 4: little Michelle, saying hi people. Jesse runs to pick her

927
00:43:10,239 --> 00:43:14,160
Speaker 4: up and asks where is Grandma. Irene strolls in and

928
00:43:14,239 --> 00:43:16,520
Speaker 4: says she can't walk as fast as a two year old.

929
00:43:17,120 --> 00:43:19,719
Speaker 4: She tells Jesse that she's dropping Michelle off, just like

930
00:43:19,800 --> 00:43:23,200
Speaker 4: they agreed. Jesse hands Michelle over to Joey and asks

931
00:43:23,320 --> 00:43:25,600
Speaker 4: Irene if she could please watch her for just a

932
00:43:25,640 --> 00:43:28,799
Speaker 4: little longer. Irene tells him she can't and then gets

933
00:43:28,880 --> 00:43:31,000
Speaker 4: distracted by the gorgeous office.

934
00:43:31,880 --> 00:43:34,360
Speaker 1: She's very proud. She recalls a time when Jesse was

935
00:43:34,440 --> 00:43:37,520
Speaker 1: just a little pumpkin running around in his diapers. He

936
00:43:37,640 --> 00:43:40,359
Speaker 1: had the cutest little tushy and she reaches for his butt.

937
00:43:42,120 --> 00:43:43,919
Speaker 4: She does this every time he gets a new job,

938
00:43:44,000 --> 00:43:47,160
Speaker 4: and Jesse's scolds do not grab my tushy at work.

939
00:43:48,520 --> 00:43:52,240
Speaker 1: And did you notice how John had his tie tied?

940
00:43:52,719 --> 00:43:53,440
Speaker 5: That was.

941
00:43:55,360 --> 00:43:58,840
Speaker 3: That was my first thing, was what is happening with

942
00:43:59,040 --> 00:44:05,680
Speaker 3: his tie? It's not eighties around His national silliness was this?

943
00:44:06,600 --> 00:44:09,520
Speaker 1: Yeah, it was above his collar but still tied like

944
00:44:09,600 --> 00:44:10,040
Speaker 1: a tide.

945
00:44:10,239 --> 00:44:11,760
Speaker 3: It was an intentional choice.

946
00:44:11,800 --> 00:44:13,680
Speaker 2: And it was a leather tie, by the way, a

947
00:44:13,840 --> 00:44:19,800
Speaker 2: skinny leather that was worn outside of the I'm sure

948
00:44:21,120 --> 00:44:28,960
Speaker 2: that some eighties MTV video made that super popular, and

949
00:44:29,440 --> 00:44:31,600
Speaker 2: it was you know, like I don't know, flock of

950
00:44:31,640 --> 00:44:32,920
Speaker 2: eagulls or something something, you.

951
00:44:32,920 --> 00:44:34,000
Speaker 3: Know what I mean, like some just something.

952
00:44:34,040 --> 00:44:35,120
Speaker 1: It must have been on trend.

953
00:44:36,000 --> 00:44:39,880
Speaker 2: Robert Palmer, Now that was the yeah, I don't know anyway,

954
00:44:40,040 --> 00:44:40,920
Speaker 2: something ridiculous.

955
00:44:40,920 --> 00:44:43,600
Speaker 4: Well, if anyone listening has a picture of themselves with

956
00:44:43,719 --> 00:44:45,839
Speaker 4: a tie like that from nineteen.

957
00:44:45,680 --> 00:44:49,040
Speaker 2: Nine in the collar, but just chilling around your neck

958
00:44:49,640 --> 00:44:52,440
Speaker 2: as though you missed the shirt.

959
00:44:53,400 --> 00:44:55,759
Speaker 4: It looked like he hadn't gotten fully dressed, and I'm like,

960
00:44:55,800 --> 00:44:57,360
Speaker 4: you're trying to impress he was.

961
00:44:57,440 --> 00:45:01,560
Speaker 3: Covering a hickey. No, I don't know. I was just

962
00:45:01,640 --> 00:45:02,560
Speaker 3: a stupid I mean, I don't know.

963
00:45:02,680 --> 00:45:04,000
Speaker 1: Well with Jesse that would.

964
00:45:03,760 --> 00:45:05,719
Speaker 3: Make sense, Like it was why put it as a

965
00:45:05,840 --> 00:45:08,479
Speaker 3: choker right as and then have the shirt open?

966
00:45:09,280 --> 00:45:09,480
Speaker 1: Yeah?

967
00:45:09,560 --> 00:45:09,759
Speaker 3: It was.

968
00:45:09,960 --> 00:45:13,800
Speaker 2: Yeah, it was odd, you know, the desire to like

969
00:45:13,960 --> 00:45:16,640
Speaker 2: things put the way that they're supposed to be.

970
00:45:16,760 --> 00:45:17,600
Speaker 3: That was really that was.

971
00:45:17,600 --> 00:45:20,120
Speaker 1: Hard for me. And then you're distracted for the rest

972
00:45:20,160 --> 00:45:21,360
Speaker 1: of the scene just watching that.

973
00:45:21,680 --> 00:45:23,480
Speaker 3: Just wanted to be like, can I think I can

974
00:45:23,560 --> 00:45:25,120
Speaker 3: I just fix your tie? Can I just do this

975
00:45:25,360 --> 00:45:26,600
Speaker 3: really really quick? Yeah?

976
00:45:27,120 --> 00:45:30,520
Speaker 4: So Jesse quickly ushers Irene out of the door and

977
00:45:30,680 --> 00:45:34,279
Speaker 4: notices from the doorway that the clients are coming. In

978
00:45:34,400 --> 00:45:37,239
Speaker 4: an attempt to hide Michelle, Joey suggests that they play

979
00:45:37,320 --> 00:45:39,719
Speaker 4: a little game of hide and seek. He guides her

980
00:45:39,800 --> 00:45:42,960
Speaker 4: under the desk and hands her a cookie. Joey and

981
00:45:43,000 --> 00:45:45,920
Speaker 4: Jesse grab each other and start to mentally prepare as

982
00:45:46,080 --> 00:45:51,239
Speaker 4: mister Mellotesta opens the office door. Gladstone getsopolis, he says

983
00:45:51,480 --> 00:45:54,360
Speaker 4: as he brings in Edna Foley, the vice president of

984
00:45:54,480 --> 00:45:58,040
Speaker 4: marketing for Hurry Mart. Edna takes a seat on the

985
00:45:58,080 --> 00:46:01,400
Speaker 4: couch and Jesse kicks off the pitch. He strums on

986
00:46:01,480 --> 00:46:04,640
Speaker 4: the guitar, telling the story of a typical American family.

987
00:46:05,360 --> 00:46:09,000
Speaker 4: Joey imitates each member of this pretend family they're portraying,

988
00:46:09,120 --> 00:46:10,319
Speaker 4: called the Applebee's.

989
00:46:10,760 --> 00:46:13,920
Speaker 3: Was this before or after the restaurant? I feel like

990
00:46:13,960 --> 00:46:14,480
Speaker 3: it was before.

991
00:46:14,520 --> 00:46:18,400
Speaker 1: Why would you name a family after a restaurant.

992
00:46:18,760 --> 00:46:21,239
Speaker 3: I'm saying that I think they named the restaurant after

993
00:46:21,719 --> 00:46:24,480
Speaker 3: this joke. No that's not true, that's not.

994
00:46:24,560 --> 00:46:25,600
Speaker 1: This is the origin story.

995
00:46:25,640 --> 00:46:28,440
Speaker 3: But I'm gonna rum with it in my imaginary fan

996
00:46:28,520 --> 00:46:33,279
Speaker 3: fiction world that that the creator of that, whoever started Applebee's,

997
00:46:33,400 --> 00:46:38,560
Speaker 3: was like, oh, the great American typical American fan the Applebee's.

998
00:46:38,000 --> 00:46:40,920
Speaker 1: And that's yeah, yeah, yeah, okay, it all started all

999
00:46:42,000 --> 00:46:43,640
Speaker 1: with this pitchka.

1000
00:46:43,239 --> 00:46:45,720
Speaker 3: This Joey and Jesse, Well it was it started.

1001
00:46:45,800 --> 00:46:48,480
Speaker 2: You know, Applebe's originally started as a Hurry Mart and

1002
00:46:48,880 --> 00:46:51,680
Speaker 2: uh and then it it progressed so it.

1003
00:46:51,800 --> 00:46:53,280
Speaker 1: Expanded into food service.

1004
00:46:53,320 --> 00:46:55,840
Speaker 3: Yeah yeah, yeah, yeah, okay, okay.

1005
00:46:57,160 --> 00:46:59,560
Speaker 1: Jesse switches to the banjo to tell the story of

1006
00:46:59,640 --> 00:47:01,120
Speaker 1: the old General Store.

1007
00:47:01,640 --> 00:47:03,160
Speaker 3: I guess if you can play guitar, you can play

1008
00:47:03,160 --> 00:47:06,719
Speaker 3: a banjo. I mean, I can't play either, but man

1009
00:47:06,760 --> 00:47:08,640
Speaker 3: I didn't. I was impressed.

1010
00:47:08,719 --> 00:47:12,080
Speaker 4: It's it's strumming an instrument you can. Yeah, okay, he's

1011
00:47:12,200 --> 00:47:13,040
Speaker 4: musically inclined.

1012
00:47:13,040 --> 00:47:13,840
Speaker 1: Okay, sure, why not.

1013
00:47:15,280 --> 00:47:17,480
Speaker 4: At the sound of the banjo, Michelle creeps out from

1014
00:47:17,600 --> 00:47:20,799
Speaker 4: under the desk. Joey notices and tries to signal her

1015
00:47:20,880 --> 00:47:24,680
Speaker 4: back into hiding. Jesse redirects Joey back to the presentation,

1016
00:47:25,560 --> 00:47:28,200
Speaker 4: but Michelle has now fully stood up from under the desk,

1017
00:47:28,719 --> 00:47:31,520
Speaker 4: prompting Jesse to run over with a presentation card to

1018
00:47:31,680 --> 00:47:35,680
Speaker 4: cover her, and he continues with the story. Jesse then

1019
00:47:35,719 --> 00:47:38,680
Speaker 4: picks up Michelle and we can see her feet dangling

1020
00:47:38,880 --> 00:47:43,799
Speaker 4: underneath the presentation card. He looks to Joey for some help.

1021
00:47:44,280 --> 00:47:47,319
Speaker 4: Edna looks confused and turns to face mister Malatesta.

1022
00:47:47,719 --> 00:47:52,840
Speaker 3: Yeah, I'd be like, I'm excuse me, are they Is

1023
00:47:52,920 --> 00:47:54,280
Speaker 3: that a toddler that they're hiding?

1024
00:47:54,440 --> 00:47:54,640
Speaker 5: Why?

1025
00:47:55,160 --> 00:47:55,960
Speaker 3: What is happening?

1026
00:47:56,760 --> 00:47:56,920
Speaker 5: You know?

1027
00:47:57,040 --> 00:47:59,760
Speaker 1: And I'd say anything, I'd have questions.

1028
00:48:00,880 --> 00:48:03,040
Speaker 4: Yeah, yeah, yeah, I would be why Why are their

1029
00:48:03,120 --> 00:48:06,359
Speaker 4: legs dangling? Why are you hiding a small whose child?

1030
00:48:06,520 --> 00:48:09,520
Speaker 3: Is it right? We're right, like yeah, anyway, it's just

1031
00:48:09,560 --> 00:48:11,840
Speaker 3: why is she here? Yeah, it just seemed like it

1032
00:48:11,960 --> 00:48:15,360
Speaker 3: was really sort of like, oh, that's it happens.

1033
00:48:15,560 --> 00:48:19,640
Speaker 1: Yeah, it was very sickcommy. That is a very sitcom

1034
00:48:20,280 --> 00:48:24,239
Speaker 1: right there. As Jesse continues, Michelle says from behind the

1035
00:48:24,360 --> 00:48:29,560
Speaker 1: card move. Edna questions the sound, and Jesse adds Michelle

1036
00:48:29,640 --> 00:48:31,640
Speaker 1: into the story card.

1037
00:48:32,040 --> 00:48:33,480
Speaker 3: It's it's nothing.

1038
00:48:34,400 --> 00:48:38,279
Speaker 5: It's nothing attention to what's happening behind the curtain, like well,

1039
00:48:38,360 --> 00:48:39,600
Speaker 5: you know, he's trying to think on his feet and

1040
00:48:39,600 --> 00:48:41,239
Speaker 5: he's like, oh, hey here right, this is this is

1041
00:48:41,320 --> 00:48:44,400
Speaker 5: a he's like a stray cow wanders by.

1042
00:48:44,600 --> 00:48:45,680
Speaker 3: It's hilarious, by the.

1043
00:48:45,640 --> 00:48:49,000
Speaker 1: Way, at the Hurry Mart, like this is this is hysterical.

1044
00:48:51,040 --> 00:48:53,440
Speaker 4: So Jesse and Joey end the pitch with their jingle

1045
00:48:54,000 --> 00:48:58,520
Speaker 4: Hurry Mart the Great American General Store. Edna tells mister

1046
00:48:58,600 --> 00:49:00,880
Speaker 4: mala Testa that she's not sure how the cow fits in,

1047
00:49:01,239 --> 00:49:04,480
Speaker 4: but she loves the concept. She seals the deal with

1048
00:49:04,600 --> 00:49:08,080
Speaker 4: mister Malitesta, and he informs the boys they'll be working

1049
00:49:08,120 --> 00:49:09,360
Speaker 4: for him full time.

1050
00:49:09,640 --> 00:49:13,719
Speaker 2: I mean just verbal agreements and handshakes, making deals all.

1051
00:49:13,640 --> 00:49:14,200
Speaker 1: Over the place.

1052
00:49:14,640 --> 00:49:16,960
Speaker 3: No, who needs a contract, he needs a contract? Who

1053
00:49:17,000 --> 00:49:20,040
Speaker 3: needs questions? Who needs to know where this child came from?

1054
00:49:20,320 --> 00:49:20,400
Speaker 1: Da?

1055
00:49:20,719 --> 00:49:21,799
Speaker 3: I love it, It's great.

1056
00:49:22,719 --> 00:49:22,919
Speaker 1: Yeah.

1057
00:49:23,000 --> 00:49:25,520
Speaker 4: If I was mister Malatesta, I would be second guessing

1058
00:49:25,640 --> 00:49:28,680
Speaker 4: my decision, like wait, wait, these guys are hiding a child.

1059
00:49:28,960 --> 00:49:32,879
Speaker 3: Yeah, in office under a desk, I'd be like, yeah,

1060
00:49:32,880 --> 00:49:35,400
Speaker 3: I have I would certainly have questions. But again, you know,

1061
00:49:35,760 --> 00:49:37,879
Speaker 3: the boss is like, just concerned with the bottom line.

1062
00:49:38,160 --> 00:49:39,359
Speaker 1: Just this is that's true.

1063
00:49:41,320 --> 00:49:41,440
Speaker 3: Uh.

1064
00:49:41,680 --> 00:49:43,879
Speaker 4: So the boys now have a strategy meeting to get

1065
00:49:43,920 --> 00:49:47,200
Speaker 4: to So mister Malatesta states, you can put the stray

1066
00:49:47,280 --> 00:49:51,320
Speaker 4: cow back in her barn. Jesse hesitantly tells him that

1067
00:49:51,480 --> 00:49:54,920
Speaker 4: Michelle isn't a stray cow. He says, Joey and I

1068
00:49:55,080 --> 00:49:59,120
Speaker 4: have a baby. Their boss pauses for a second. Hey,

1069
00:49:59,360 --> 00:50:02,480
Speaker 4: your personal lives are none of my business. He exits,

1070
00:50:02,520 --> 00:50:05,640
Speaker 4: and Michelle says, dag nab it dag that nabbot dag.

1071
00:50:05,560 --> 00:50:09,040
Speaker 1: Nabbot was hilarious. She delivered. That's also because I can,

1072
00:50:09,160 --> 00:50:09,440
Speaker 1: I can.

1073
00:50:09,680 --> 00:50:10,640
Speaker 3: I also know that.

1074
00:50:10,880 --> 00:50:14,719
Speaker 2: Right before that was Adria saying on the other side

1075
00:50:14,760 --> 00:50:17,879
Speaker 2: of the camera, a ridiculous, dag nabbot, like totally over

1076
00:50:18,000 --> 00:50:19,880
Speaker 2: exaggerated in order to get them to do it, and

1077
00:50:20,000 --> 00:50:22,359
Speaker 2: that I can picture it in my head and that's

1078
00:50:22,600 --> 00:50:24,040
Speaker 2: it's fun and.

1079
00:50:24,120 --> 00:50:24,880
Speaker 1: Silly, totally.

1080
00:50:25,200 --> 00:50:25,439
Speaker 3: Yeah.

1081
00:50:25,560 --> 00:50:28,120
Speaker 4: Whatever you see, Michelle, do just know that Adria was

1082
00:50:28,160 --> 00:50:30,200
Speaker 4: doing it three times biggigger.

1083
00:50:29,800 --> 00:50:32,759
Speaker 3: Right on the other side of the camera. Yeah, and

1084
00:50:32,880 --> 00:50:34,920
Speaker 3: would be like and would just stop sometimes ago, Oh

1085
00:50:35,000 --> 00:50:37,959
Speaker 3: my god. Yeah.

1086
00:50:38,440 --> 00:50:40,680
Speaker 4: So next we're in the living room, Joey and Jesse

1087
00:50:40,840 --> 00:50:44,319
Speaker 4: toast a glass of champagne, making a sour face after

1088
00:50:44,400 --> 00:50:47,680
Speaker 4: the first sip. That's the last time I buy champagne

1089
00:50:47,680 --> 00:50:48,160
Speaker 4: and a can.

1090
00:50:48,280 --> 00:50:49,760
Speaker 1: Oh, Joey steaks got.

1091
00:50:50,239 --> 00:50:52,800
Speaker 2: Maybe they bought it from the hurry mart can the

1092
00:50:52,920 --> 00:50:58,360
Speaker 2: champagne and a six dollars loaf of bread, which may or.

1093
00:50:58,360 --> 00:50:59,640
Speaker 3: May not be a good deal. I don't know.

1094
00:51:00,200 --> 00:51:02,719
Speaker 1: Yeah, what are I selling in this hurry moment? I'm

1095
00:51:02,760 --> 00:51:05,520
Speaker 1: not I'm not sure about this place. Danny walks in

1096
00:51:05,640 --> 00:51:07,919
Speaker 1: through the front door with a huge smile on his face.

1097
00:51:08,120 --> 00:51:11,799
Speaker 1: He tells them they missed a major banner Tanner Day.

1098
00:51:12,480 --> 00:51:16,280
Speaker 1: He introduces dj as a new Green belt holder, asking

1099
00:51:16,360 --> 00:51:19,040
Speaker 1: her to show the boys some of her moves. She

1100
00:51:19,120 --> 00:51:23,000
Speaker 1: gets embarrassed and waves her hand, saying hi yah hiya

1101
00:51:23,520 --> 00:51:24,800
Speaker 1: instead of hi yah, it's hiya.

1102
00:51:26,560 --> 00:51:30,200
Speaker 4: Danny introduces Steph as the Queen Bee of rock and roll.

1103
00:51:30,440 --> 00:51:35,320
Speaker 4: After she won her talent show, she struts in wearing

1104
00:51:35,440 --> 00:51:40,799
Speaker 4: a full blown Elvis costume. Wig included I.

1105
00:51:42,360 --> 00:51:46,120
Speaker 2: Did not remember this What I did not remember? I

1106
00:51:46,280 --> 00:51:50,719
Speaker 2: was like, I was as shocked as anyone. When I

1107
00:51:50,920 --> 00:51:54,400
Speaker 2: walked through, I was like, what in the wig is happening?

1108
00:51:55,280 --> 00:51:57,440
Speaker 1: It was glorious. When I say, I laughed for a

1109
00:51:57,480 --> 00:51:58,440
Speaker 1: full three minutes.

1110
00:51:59,239 --> 00:52:01,920
Speaker 2: I and then like trying to have like serious lines

1111
00:52:02,000 --> 00:52:05,680
Speaker 2: after that in an Elvis wig, I just it was

1112
00:52:05,760 --> 00:52:06,160
Speaker 2: I couldn't.

1113
00:52:06,520 --> 00:52:08,720
Speaker 3: Seriously, I couldn't. I couldn't.

1114
00:52:09,680 --> 00:52:10,040
Speaker 5: It was.

1115
00:52:11,080 --> 00:52:13,920
Speaker 3: I was so I was like, how do I not

1116
00:52:15,600 --> 00:52:20,239
Speaker 3: I remember out of your mind this, you know?

1117
00:52:20,360 --> 00:52:21,800
Speaker 2: I mean, I guess maybe had they dressed me like

1118
00:52:21,840 --> 00:52:23,400
Speaker 2: Elvis and flowed me around the living room, it might

1119
00:52:23,480 --> 00:52:24,319
Speaker 2: have stuck a little bit more.

1120
00:52:24,400 --> 00:52:31,160
Speaker 3: But I did not remember my my Elvis costume.

1121
00:52:31,960 --> 00:52:34,239
Speaker 1: Oh it was. It was glorious.

1122
00:52:34,400 --> 00:52:37,200
Speaker 4: Even Michael, my boyfriend, who does not watch Full House,

1123
00:52:37,239 --> 00:52:39,879
Speaker 4: he was rolling at Oh it was so And you're

1124
00:52:39,880 --> 00:52:41,879
Speaker 4: so confident, like you're just like where You're like, yeah,

1125
00:52:41,880 --> 00:52:42,760
Speaker 4: I'm wearing this costume.

1126
00:52:42,800 --> 00:52:45,360
Speaker 1: What's the big deal? Like you're not even self conscious

1127
00:52:45,520 --> 00:52:46,920
Speaker 1: or like, you know, you were very confident.

1128
00:52:47,480 --> 00:52:50,879
Speaker 3: I probably was like, this looks awesome. I looked great.

1129
00:52:51,160 --> 00:52:53,600
Speaker 2: Yeah, I was probably very I loved wearing costume. I

1130
00:52:53,640 --> 00:52:55,440
Speaker 2: was probably very into the costume.

1131
00:52:55,239 --> 00:52:59,800
Speaker 3: And trip be told I'd wear that costume today. You should?

1132
00:53:00,160 --> 00:53:01,359
Speaker 3: Is what's a wig?

1133
00:53:01,800 --> 00:53:01,920
Speaker 5: You know?

1134
00:53:01,960 --> 00:53:03,160
Speaker 3: I was looking at myself. I was like, oh, so

1135
00:53:03,239 --> 00:53:05,200
Speaker 3: that's what I look like with short black hair, you know.

1136
00:53:05,320 --> 00:53:09,440
Speaker 1: I was like, yeah, it was There's just not enough

1137
00:53:09,480 --> 00:53:12,239
Speaker 1: words in the English language to just describe the site

1138
00:53:12,320 --> 00:53:12,840
Speaker 1: to behold?

1139
00:53:12,960 --> 00:53:15,920
Speaker 3: And was it in like a small owl on the

1140
00:53:16,080 --> 00:53:20,719
Speaker 3: back of my jumpsuit instead of an eagle because you know,

1141
00:53:21,360 --> 00:53:25,840
Speaker 3: usually I thought it looked like a little owl or something,

1142
00:53:25,880 --> 00:53:26,640
Speaker 3: a little owl.

1143
00:53:27,920 --> 00:53:30,080
Speaker 1: I don't remember that it should have been a bee

1144
00:53:30,080 --> 00:53:32,239
Speaker 1: because wasn't this the honey Bee Town show?

1145
00:53:32,560 --> 00:53:33,879
Speaker 3: I could have could Yeah.

1146
00:53:33,880 --> 00:53:36,800
Speaker 2: I mean, if I'm sewing my own Elvis costume the

1147
00:53:36,880 --> 00:53:40,000
Speaker 2: night before, I definitely should have made bee out of it.

1148
00:53:40,080 --> 00:53:40,719
Speaker 3: What was I thinking?

1149
00:53:40,840 --> 00:53:43,120
Speaker 1: Yeah, missed opportunity. That's okay.

1150
00:53:44,440 --> 00:53:47,799
Speaker 4: So Stephanie says, thank you boys, I'm gonna buy every

1151
00:53:47,840 --> 00:53:51,440
Speaker 4: one of you a Cadillac. Jesse runs over to give

1152
00:53:51,480 --> 00:53:54,239
Speaker 4: her a kiss. Steph tells him that she was a

1153
00:53:54,400 --> 00:53:57,239
Speaker 4: hunka honka burn and love, and strikes.

1154
00:53:56,920 --> 00:54:01,759
Speaker 1: An Elvis pose with a yah, yeah, you're confident. You're

1155
00:54:01,800 --> 00:54:03,000
Speaker 1: just oozing confidence.

1156
00:54:03,120 --> 00:54:03,560
Speaker 3: I love it.

1157
00:54:03,760 --> 00:54:08,080
Speaker 1: You're selling it. I can't half ass a costume like that. No.

1158
00:54:09,560 --> 00:54:12,600
Speaker 3: I was like, look a minute, I'm going for it. Yeah.

1159
00:54:13,880 --> 00:54:17,440
Speaker 4: So Joey apologizes for missing the day, but Danny assures

1160
00:54:17,520 --> 00:54:20,160
Speaker 4: him that he got it all on tape. Jesse breaks

1161
00:54:20,200 --> 00:54:22,920
Speaker 4: their own good news and tells the family they landed

1162
00:54:23,160 --> 00:54:27,799
Speaker 4: full time jobs. DJ and Steph can't help but look disappointed.

1163
00:54:28,320 --> 00:54:30,719
Speaker 4: This wasn't quite the reaction the boys were looking for.

1164
00:54:31,480 --> 00:54:35,439
Speaker 4: They ask for hugs and some congratulations, but DJ says,

1165
00:54:35,640 --> 00:54:38,360
Speaker 4: how could you guys do this to us? With Steph

1166
00:54:38,440 --> 00:54:40,640
Speaker 4: adding we're going to be all alone?

1167
00:54:41,080 --> 00:54:43,640
Speaker 3: I couldn't take myself seriously with that line though, with the.

1168
00:54:43,600 --> 00:54:46,400
Speaker 1: Whig, right, you know, it's such a sad line delivery.

1169
00:54:46,120 --> 00:54:52,359
Speaker 3: Going to be all alone. I was like, you look ridiculous, right,

1170
00:54:52,440 --> 00:54:57,040
Speaker 3: I was. No one's taking you seriously. It was hilarious.

1171
00:54:57,080 --> 00:54:59,600
Speaker 1: Yes, they should have had you or Jesse take the

1172
00:55:00,080 --> 00:55:01,600
Speaker 1: take the wig off.

1173
00:55:02,000 --> 00:55:03,360
Speaker 2: Yeah, but then you know what my hair would have

1174
00:55:03,360 --> 00:55:05,400
Speaker 2: looked like underneath. You know, the wig never looks good

1175
00:55:05,400 --> 00:55:10,080
Speaker 2: when you take it right. Yeah, So, I mean, yeah,

1176
00:55:10,120 --> 00:55:13,320
Speaker 2: I actually liked that. Steph was just like I this

1177
00:55:13,480 --> 00:55:14,440
Speaker 2: is who I am right now.

1178
00:55:15,080 --> 00:55:16,640
Speaker 1: Now she's sad and sad.

1179
00:55:17,560 --> 00:55:20,759
Speaker 3: I mean, wouldn't be the first time. I mean maybe

1180
00:55:20,840 --> 00:55:22,759
Speaker 3: for Steph, but not for someone in an Elphis cost

1181
00:55:22,840 --> 00:55:24,240
Speaker 3: in true.

1182
00:55:24,440 --> 00:55:26,880
Speaker 4: So Danny jumps into a sure stuff in DJ, they

1183
00:55:26,920 --> 00:55:30,200
Speaker 4: will always be taken care of, reminding them how much

1184
00:55:30,280 --> 00:55:33,400
Speaker 4: their uncles love them. The guys mentioned they'll see them

1185
00:55:33,440 --> 00:55:36,960
Speaker 4: every day after work, on the weekends and on federal holidays.

1186
00:55:37,640 --> 00:55:40,279
Speaker 4: Stuph tells them that it won't be the same. They're

1187
00:55:40,320 --> 00:55:43,800
Speaker 4: gonna miss the whole rest of their lives. DJ and

1188
00:55:43,840 --> 00:55:46,759
Speaker 4: Steph walk over to give Jesse and Joey a big hug,

1189
00:55:47,040 --> 00:55:49,040
Speaker 4: telling them how much they'll miss them.

1190
00:55:49,640 --> 00:55:52,320
Speaker 1: Oh, the guilt, the guilt.

1191
00:55:52,800 --> 00:55:55,759
Speaker 3: Yeah, but also like, somebody's got to pay the rent

1192
00:55:55,760 --> 00:56:01,000
Speaker 3: in his house mm hmm. Jesse's Yeah, an Joey's now

1193
00:56:01,080 --> 00:56:04,480
Speaker 3: got a gigantic basement apartment. He'd be paying three thousand

1194
00:56:04,520 --> 00:56:05,960
Speaker 3: dollars a month for that, So it's you.

1195
00:56:07,080 --> 00:56:08,719
Speaker 1: Yeah, there's a lot of practical but I do.

1196
00:56:08,880 --> 00:56:10,920
Speaker 3: It's the heartbreak.

1197
00:56:11,120 --> 00:56:13,680
Speaker 4: Yeah, they're definitely tunguing on the heart strings here, They're

1198
00:56:13,719 --> 00:56:17,000
Speaker 4: not really, they don't. The writing doesn't lend himself to

1199
00:56:17,040 --> 00:56:20,759
Speaker 4: talking about the practicality of having working parents who have

1200
00:56:20,920 --> 00:56:24,040
Speaker 4: to pay the rent and you gotta find childcare and

1201
00:56:24,160 --> 00:56:24,400
Speaker 4: a car.

1202
00:56:24,640 --> 00:56:28,359
Speaker 3: I would be really bummed though, if if I missed

1203
00:56:28,440 --> 00:56:29,840
Speaker 3: my kid dressed up like Elvis.

1204
00:56:30,600 --> 00:56:31,799
Speaker 1: Yeah, yeah, just for.

1205
00:56:31,920 --> 00:56:36,160
Speaker 3: The future pictures alone, I believe I really wish I

1206
00:56:36,280 --> 00:56:36,719
Speaker 3: was there for that.

1207
00:56:36,920 --> 00:56:40,280
Speaker 4: Yeah, you can start a slide show at your wedding

1208
00:56:40,400 --> 00:56:44,799
Speaker 4: of all the exact right childhood, all the embarrassing costumes.

1209
00:56:46,320 --> 00:56:49,319
Speaker 4: So next door in Joey's room, Joey is sitting down

1210
00:56:49,560 --> 00:56:53,000
Speaker 4: as Jesse Pace is behind him. Jesse begins to wonder

1211
00:56:53,320 --> 00:56:57,319
Speaker 4: if they didn't consider everything before taking this job. Joey

1212
00:56:57,400 --> 00:57:00,160
Speaker 4: has divided red and black checkers on the table as

1213
00:57:00,200 --> 00:57:03,880
Speaker 4: a visual for reasons to keep the job versus reasons

1214
00:57:03,960 --> 00:57:07,719
Speaker 4: to quit the job. Jesse points out one major black

1215
00:57:07,840 --> 00:57:10,440
Speaker 4: checker is we get a lot of great things out

1216
00:57:10,480 --> 00:57:13,480
Speaker 4: of raising these kids. I never thought i'd say this before,

1217
00:57:13,640 --> 00:57:18,880
Speaker 4: but I dig being mister mom. Joey adds, I never

1218
00:57:18,920 --> 00:57:21,600
Speaker 4: thought i'd say this, but you look smashing in an apron.

1219
00:57:25,040 --> 00:57:27,240
Speaker 4: Jesse lays a black checker on one side of the

1220
00:57:27,320 --> 00:57:30,600
Speaker 4: weight scale, saying it's one good reason not to take

1221
00:57:30,680 --> 00:57:34,360
Speaker 4: the job. Joey mentions how the job pays more money

1222
00:57:34,480 --> 00:57:37,080
Speaker 4: than they've ever seen, and he adds a red checker

1223
00:57:37,160 --> 00:57:38,160
Speaker 4: to one side of the scale.

1224
00:57:38,520 --> 00:57:39,960
Speaker 3: Yeah, they check.

1225
00:57:40,400 --> 00:57:41,560
Speaker 1: Yeah, Oh, very important.

1226
00:57:42,240 --> 00:57:44,200
Speaker 4: They add two more red checkers for being able to

1227
00:57:44,240 --> 00:57:49,600
Speaker 4: write entire campaigns and having an amazing office. Well, it

1228
00:57:49,640 --> 00:57:52,320
Speaker 4: looks like we're going to work, Jesse says. He starts

1229
00:57:52,400 --> 00:57:55,960
Speaker 4: to walk away, but then slowly turns around. He forgot

1230
00:57:56,000 --> 00:57:58,760
Speaker 4: about his music. If they take this job, there won't

1231
00:57:58,760 --> 00:58:01,680
Speaker 4: be any time to write or play gigs. He tells

1232
00:58:01,760 --> 00:58:05,080
Speaker 4: Joey to add a black checker. This makes Joey realize

1233
00:58:05,120 --> 00:58:07,040
Speaker 4: that he would have no time to work on his comedy.

1234
00:58:07,400 --> 00:58:08,840
Speaker 4: Another black checker is added.

1235
00:58:09,880 --> 00:58:13,160
Speaker 3: Jesse takes comedians never have day jobs. Ever, they don't.

1236
00:58:13,320 --> 00:58:14,520
Speaker 3: That's not a thing.

1237
00:58:15,040 --> 00:58:16,200
Speaker 1: Right, They support themselves.

1238
00:58:16,200 --> 00:58:19,360
Speaker 3: They solely on themselves, solely on their comedy. Yeah, that's

1239
00:58:19,520 --> 00:58:21,360
Speaker 3: most any comedian will tell you that. Yeah.

1240
00:58:23,120 --> 00:58:25,440
Speaker 4: Jesse takes a seat next to Joey and asks him

1241
00:58:25,520 --> 00:58:26,640
Speaker 4: to really think about this.

1242
00:58:27,320 --> 00:58:29,280
Speaker 1: Are we ready to give up our dreams for this.

1243
00:58:30,200 --> 00:58:32,280
Speaker 1: Neither one of them wants to give up their dream,

1244
00:58:32,840 --> 00:58:35,080
Speaker 1: but they've had more success in the last three months

1245
00:58:35,120 --> 00:58:38,720
Speaker 1: of advertising than all of those years in music and comedy.

1246
00:58:39,360 --> 00:58:40,920
Speaker 1: They add a rent checkeroo.

1247
00:58:42,080 --> 00:58:42,320
Speaker 5: Yeah.

1248
00:58:42,520 --> 00:58:44,640
Speaker 3: Yeah, really, it's difficult, it is.

1249
00:58:45,440 --> 00:58:47,960
Speaker 4: Joey tells Jesse how life is like a salad bar.

1250
00:58:48,280 --> 00:58:50,800
Speaker 4: You have all these great choices, but you can't help

1251
00:58:50,840 --> 00:58:54,200
Speaker 4: but think to yourself, how often are they changing those beats?

1252
00:58:55,560 --> 00:58:57,800
Speaker 1: Valid thought that was. It started off great. I'm like, oh,

1253
00:58:57,840 --> 00:58:59,160
Speaker 1: this is gonna be a good analogy, and then I

1254
00:58:59,240 --> 00:59:01,120
Speaker 1: was like, no, that's just Joey.

1255
00:59:01,360 --> 00:59:03,560
Speaker 2: I knew from the beginning. He was like, oh boy, yeah,

1256
00:59:03,680 --> 00:59:05,240
Speaker 2: where is this guy? It is a question that has

1257
00:59:05,240 --> 00:59:05,919
Speaker 2: crossed my mind.

1258
00:59:06,040 --> 00:59:07,400
Speaker 3: How often are they changing this beat?

1259
00:59:07,680 --> 00:59:07,880
Speaker 2: Yeah?

1260
00:59:07,960 --> 00:59:10,360
Speaker 4: I feel like all the soup plantations kind of went

1261
00:59:10,400 --> 00:59:11,200
Speaker 4: out of business.

1262
00:59:10,960 --> 00:59:13,520
Speaker 2: With Covid Plantation went out of business, although it apparently

1263
00:59:13,600 --> 00:59:15,160
Speaker 2: a new a new one has come back, and there

1264
00:59:15,240 --> 00:59:19,440
Speaker 2: was lines for Block. Really it was soup and Fresh,

1265
00:59:19,680 --> 00:59:22,360
Speaker 2: Sup and Fresh oh yeah yeah, and like all the

1266
00:59:22,560 --> 00:59:25,200
Speaker 2: diehard Sup Plantation people went because it's like a like

1267
00:59:25,240 --> 00:59:26,560
Speaker 2: an exact replica of the restaurant.

1268
00:59:26,560 --> 00:59:29,760
Speaker 1: Wow, my kids loved Sup plantation and he.

1269
00:59:30,000 --> 00:59:33,840
Speaker 2: Buffaced somewhere in Riverside, and there's soup and fresh and

1270
00:59:33,920 --> 00:59:36,360
Speaker 2: you can stand in line for three blocks for.

1271
00:59:37,080 --> 00:59:38,080
Speaker 1: Wow sup plantation.

1272
00:59:38,160 --> 00:59:40,880
Speaker 4: Okay, I'm not that committed, but I'll send Felicity. She

1273
00:59:40,880 --> 00:59:43,560
Speaker 4: can drive down to all send Felicity, she can take

1274
00:59:43,560 --> 00:59:48,000
Speaker 4: herself soup and fresh. Danny walks down the stairs carrying Michelle.

1275
00:59:48,200 --> 00:59:51,080
Speaker 4: She wanted to say good night. Danny holds Michelle towards

1276
00:59:51,160 --> 00:59:53,600
Speaker 4: Joey so he can give her a kiss. He gets

1277
00:59:53,640 --> 00:59:56,800
Speaker 4: emotional and adds a black checker. Danny does the same

1278
00:59:56,880 --> 00:59:59,800
Speaker 4: for Jesse. He sighs and adds a black checker as

1279
00:59:59,840 --> 01:00:03,600
Speaker 4: well well. Danny insists he didn't bring Michelle downstairs to

1280
01:00:03,680 --> 01:00:06,520
Speaker 4: make them feel guilty. He leaves the room, and Jesse

1281
01:00:06,640 --> 01:00:08,280
Speaker 4: and Joey feel conflicted.

1282
01:00:09,960 --> 01:00:10,959
Speaker 1: So hard, so hard.

1283
01:00:11,880 --> 01:00:13,960
Speaker 3: And Michelle looked like a little ball of cotton candy.

1284
01:00:14,080 --> 01:00:14,640
Speaker 1: She was so cuy.

1285
01:00:14,720 --> 01:00:17,480
Speaker 4: Oh yeah, yeah, she had some really cute dresses in

1286
01:00:17,560 --> 01:00:21,600
Speaker 4: this episode. So back at the ad agency, Joey and

1287
01:00:21,680 --> 01:00:25,600
Speaker 4: Jesse are waiting in their office as mister Malatesta comes in. Hey, boys,

1288
01:00:25,760 --> 01:00:29,200
Speaker 4: you wanted to see me about something. Joey admits they're

1289
01:00:29,280 --> 01:00:32,680
Speaker 4: having second thoughts. Jesse points out that their job is

1290
01:00:32,760 --> 01:00:36,320
Speaker 4: to come up with brilliant ideas, but it shouldn't matter where.

1291
01:00:36,240 --> 01:00:37,760
Speaker 1: They come up with these ideas.

1292
01:00:38,680 --> 01:00:42,040
Speaker 4: Mister Malitesta is confused and asks is this a trick question.

1293
01:00:43,000 --> 01:00:45,160
Speaker 4: Joey jumps in, saying it would solve a lot of

1294
01:00:45,240 --> 01:00:49,880
Speaker 4: their problems if they could work from home. Mister Malatesta

1295
01:00:49,960 --> 01:00:52,680
Speaker 4: begins to think and suggest he could hire them on

1296
01:00:52,800 --> 01:00:54,520
Speaker 4: a project by project basis.

1297
01:00:55,320 --> 01:01:00,440
Speaker 3: I mean, this is the Full House started work from

1298
01:01:00,480 --> 01:01:00,919
Speaker 3: home movement.

1299
01:01:01,000 --> 01:01:02,400
Speaker 1: Yeah, I would just like to say, yeah, and look

1300
01:01:02,400 --> 01:01:03,720
Speaker 1: where we are now, how many people are.

1301
01:01:03,680 --> 01:01:04,840
Speaker 3: Working And that's what I'm saying.

1302
01:01:05,280 --> 01:01:07,720
Speaker 2: Yeah, when it was such a foreign idea, people are like,

1303
01:01:07,800 --> 01:01:11,280
Speaker 2: what are you talking about? Jesse and Joey were like, look,

1304
01:01:12,080 --> 01:01:14,479
Speaker 2: I can be funny and do my work at home.

1305
01:01:14,600 --> 01:01:15,680
Speaker 1: Yeah, so watch this.

1306
01:01:15,840 --> 01:01:19,800
Speaker 2: It's true now and now it's totally commonplace. All started

1307
01:01:19,920 --> 01:01:21,760
Speaker 2: right here on Full House, Ladies. Well, yeah, the Full

1308
01:01:21,800 --> 01:01:26,040
Speaker 2: House started a lot of mister Maltesta. Mister Malatesta here

1309
01:01:26,720 --> 01:01:29,360
Speaker 2: really was a pioneer in the work from house.

1310
01:01:29,480 --> 01:01:33,000
Speaker 4: Yeah, it's a great it's a great solution. They only

1311
01:01:33,080 --> 01:01:34,920
Speaker 4: need to come in for the pitches, but they can

1312
01:01:35,000 --> 01:01:35,440
Speaker 4: do all of.

1313
01:01:35,520 --> 01:01:38,160
Speaker 3: Their save your money on the office. Yeah, oh yeah,

1314
01:01:38,440 --> 01:01:41,960
Speaker 3: for sure, mister Mala Testa can take that lovely office.

1315
01:01:41,720 --> 01:01:43,680
Speaker 1: That felt like a boss's office. To be honest with

1316
01:01:43,800 --> 01:01:45,040
Speaker 1: that view that yeah, I.

1317
01:01:45,120 --> 01:01:46,120
Speaker 3: Was, Yeah, it's a great view.

1318
01:01:46,120 --> 01:01:46,280
Speaker 1: I was.

1319
01:01:46,400 --> 01:01:48,640
Speaker 3: I was surprised. So yeay, he gets he gets an offer.

1320
01:01:49,760 --> 01:01:52,800
Speaker 4: Mister Malatesta decides, well, I guess it'd be best for

1321
01:01:52,880 --> 01:01:55,600
Speaker 4: everyone concerned if you guys got out of here to

1322
01:01:55,680 --> 01:01:58,720
Speaker 4: go home and go to work. He laughs and tells

1323
01:01:58,760 --> 01:01:59,560
Speaker 4: them he loves them.

1324
01:02:00,040 --> 01:02:00,600
Speaker 1: It's a deal.

1325
01:02:01,680 --> 01:02:04,640
Speaker 4: Just as mister Malatesta tries to exit the office, Danny

1326
01:02:04,680 --> 01:02:08,160
Speaker 4: yell's surprise while holding a bouquet of flowers as the

1327
01:02:08,240 --> 01:02:12,800
Speaker 4: girls stand behind him. Jesse starts the introductions and mister

1328
01:02:12,880 --> 01:02:16,640
Speaker 4: Malatesta interrupts, remember your personal lives are none of my business,

1329
01:02:18,440 --> 01:02:21,280
Speaker 4: Jesse or not, Jesse. Danny and the kids brought some

1330
01:02:21,440 --> 01:02:24,320
Speaker 4: plants for their new office, and Jesse tells them to

1331
01:02:24,480 --> 01:02:28,040
Speaker 4: pack them up because they'll be working from home. The

1332
01:02:28,120 --> 01:02:32,720
Speaker 4: girls erupt in cheers and hugs. Dj asks, did you

1333
01:02:32,800 --> 01:02:37,120
Speaker 4: guys quit your jobs for us? Jesse explains their arrangement

1334
01:02:37,240 --> 01:02:41,040
Speaker 4: of working at home. Steph looks at Danny. Daddy can

1335
01:02:41,120 --> 01:02:44,040
Speaker 4: you do your TV show at home, and he sadly

1336
01:02:44,080 --> 01:02:46,600
Speaker 4: tells her no, because the crew people would scuff up

1337
01:02:46,680 --> 01:02:48,960
Speaker 4: their floors and they would.

1338
01:02:48,960 --> 01:02:51,480
Speaker 3: Is before reality TV, Yeah for sure.

1339
01:02:52,560 --> 01:02:55,160
Speaker 4: Uh. Joey and Jesse bring everyone over to the balcony

1340
01:02:55,280 --> 01:02:58,200
Speaker 4: that connects to their office. They all walk outside to

1341
01:02:58,280 --> 01:03:01,240
Speaker 4: look at the view, and once the entire family is

1342
01:03:01,280 --> 01:03:05,040
Speaker 4: out there, Michelle slams the door shut. The family begs

1343
01:03:05,080 --> 01:03:07,720
Speaker 4: for her to open the door. She ignores them and

1344
01:03:07,840 --> 01:03:11,360
Speaker 4: climbs onto a chair, grabbing a magazine. And that is

1345
01:03:11,520 --> 01:03:16,920
Speaker 4: the show not so obvious missing panes of glass at all.

1346
01:03:17,880 --> 01:03:21,360
Speaker 4: So it was so totally not obvious that there was

1347
01:03:21,440 --> 01:03:22,280
Speaker 4: no glass glass.

1348
01:03:22,320 --> 01:03:24,880
Speaker 2: The best word is I start knocking, but I'm knocking

1349
01:03:25,000 --> 01:03:27,680
Speaker 2: on just the metal part. Oh funny, because there's no

1350
01:03:27,840 --> 01:03:28,920
Speaker 2: pain of glass.

1351
01:03:28,800 --> 01:03:31,000
Speaker 3: To knock on, And like now I'm like, why, just

1352
01:03:31,040 --> 01:03:33,800
Speaker 3: don't even draw attention to that, Like don't, But.

1353
01:03:33,960 --> 01:03:36,400
Speaker 4: Yeah, yeah, it was they can't have the panes of

1354
01:03:36,440 --> 01:03:39,439
Speaker 4: glass because of practice sticking our heads through the thing.

1355
01:03:39,680 --> 01:03:40,160
Speaker 1: Yeah, you know.

1356
01:03:40,600 --> 01:03:42,760
Speaker 4: It was well between that and the background, which is

1357
01:03:42,760 --> 01:03:45,840
Speaker 4: a beautiful view but obviously a very very fake back of.

1358
01:03:45,960 --> 01:03:51,440
Speaker 2: Some beautiful lithograph of It's a beautiful ancient tapestry that

1359
01:03:51,720 --> 01:03:53,760
Speaker 2: was hanging and stitched together.

1360
01:03:53,920 --> 01:03:57,680
Speaker 3: Yeah, I mean, bless the the set designers that painted

1361
01:03:57,680 --> 01:03:58,000
Speaker 3: that stuff.

1362
01:03:58,000 --> 01:04:01,800
Speaker 2: It looks they're beautiful. But yeah, now you can see

1363
01:04:01,840 --> 01:04:05,080
Speaker 2: it and you're like, that's nothing's moving. That's the strangest,

1364
01:04:05,120 --> 01:04:06,240
Speaker 2: flattest light I've ever seen.

1365
01:04:06,360 --> 01:04:09,960
Speaker 1: Thing is moving. There's no clouds, there's no like yeah this.

1366
01:04:10,560 --> 01:04:13,200
Speaker 2: Well, there's never clouds in San Francisco unless it's a

1367
01:04:13,440 --> 01:04:18,960
Speaker 2: particular episode about Carl the Fog. Yes, yes, Otherwise, clear

1368
01:04:19,000 --> 01:04:21,320
Speaker 2: blue skies like Eddie San Francisco.

1369
01:04:20,960 --> 01:04:21,400
Speaker 1: All the time.

1370
01:04:22,480 --> 01:04:22,720
Speaker 3: Yep.

1371
01:04:23,320 --> 01:04:28,680
Speaker 1: Oh man, So this wasn't my favorite episode, but that's okay.

1372
01:04:29,000 --> 01:04:34,000
Speaker 2: It well, it went a long way in explaining how

1373
01:04:34,840 --> 01:04:37,440
Speaker 2: three adults and three children can continue living in a

1374
01:04:37,480 --> 01:04:43,400
Speaker 2: house and eating food while also watching the kids and

1375
01:04:43,680 --> 01:04:45,400
Speaker 2: continuing up with the hijinks at home.

1376
01:04:45,480 --> 01:04:48,760
Speaker 1: Yeah. Yeah, so no, it's it's true. I wish they

1377
01:04:48,800 --> 01:04:51,400
Speaker 1: had I do wish they had talked a little bit

1378
01:04:51,440 --> 01:04:54,240
Speaker 1: more about like the practicalities of this, like yeah, we

1379
01:04:54,360 --> 01:04:56,200
Speaker 1: need we need jobs to pay for this home that

1380
01:04:56,280 --> 01:04:59,760
Speaker 1: you live in, or yeah, it's it's sort of.

1381
01:04:59,800 --> 01:05:01,840
Speaker 2: That lesson like to you know that like you know,

1382
01:05:02,000 --> 01:05:04,600
Speaker 2: sometimes it's sort of like I always telling my kids, like,

1383
01:05:04,640 --> 01:05:06,320
Speaker 2: there's the half twos and the want tos, right, and

1384
01:05:06,400 --> 01:05:07,560
Speaker 2: you you know you usually have.

1385
01:05:07,600 --> 01:05:09,040
Speaker 3: To take care of the half twos before you get

1386
01:05:09,080 --> 01:05:09,760
Speaker 3: to do the want too.

1387
01:05:09,840 --> 01:05:10,960
Speaker 1: Yeah, and so like that.

1388
01:05:11,480 --> 01:05:14,320
Speaker 2: Yeah, there was not really a discussion about that, and

1389
01:05:14,440 --> 01:05:17,080
Speaker 2: I love that just sort of as a throwaway line

1390
01:05:17,120 --> 01:05:18,760
Speaker 2: at the end when STEP's like, hey, can you do

1391
01:05:18,800 --> 01:05:19,520
Speaker 2: your thing at home?

1392
01:05:20,120 --> 01:05:22,160
Speaker 3: Danny says no because they'll scuff up the floors, and

1393
01:05:22,240 --> 01:05:24,280
Speaker 3: not everybody's job works like that. Let's go.

1394
01:05:24,600 --> 01:05:27,840
Speaker 2: Like it was just such a like it was just

1395
01:05:28,000 --> 01:05:30,919
Speaker 2: it was funny, like it was such a you know, yeah,

1396
01:05:31,080 --> 01:05:33,680
Speaker 2: don't go buy bugging your parents about working from home kids,

1397
01:05:33,720 --> 01:05:35,200
Speaker 2: because not everyone's job can do that.

1398
01:05:35,480 --> 01:05:37,480
Speaker 1: Yeah, No, it's true, It's true. It was.

1399
01:05:37,640 --> 01:05:39,240
Speaker 2: It was. As I mentioned, there were tons of kids

1400
01:05:39,280 --> 01:05:42,080
Speaker 2: after this episode that went home. We're like, oh, Jesse

1401
01:05:42,200 --> 01:05:44,400
Speaker 2: and Joey work from home, Like, yeah, you work from home?

1402
01:05:44,560 --> 01:05:44,760
Speaker 5: Yeah.

1403
01:05:44,920 --> 01:05:45,120
Speaker 3: Yeah.

1404
01:05:45,160 --> 01:05:49,120
Speaker 4: I wish it was a little too clean or tidy

1405
01:05:49,320 --> 01:05:51,640
Speaker 4: of a of a solution. I mean it was great,

1406
01:05:51,720 --> 01:05:54,040
Speaker 4: but like they I wish they'd gone over different options

1407
01:05:54,080 --> 01:05:55,520
Speaker 4: like working parents do, Like how do you get your

1408
01:05:55,600 --> 01:05:56,920
Speaker 4: kids to and from school? Do you have to do

1409
01:05:57,000 --> 01:05:59,320
Speaker 4: a carpool, right, you know, who's going to babysit the kids,

1410
01:05:59,320 --> 01:06:01,160
Speaker 4: who's going to help with their homework? Like, there's a

1411
01:06:01,200 --> 01:06:03,640
Speaker 4: lot of practical things, not just this emotional guilt that

1412
01:06:03,840 --> 01:06:04,880
Speaker 4: working parents feel.

1413
01:06:05,080 --> 01:06:07,680
Speaker 2: Yeah, that's yeah exactly. I think that it felt kind

1414
01:06:07,720 --> 01:06:11,120
Speaker 2: of like the only option was like do they care

1415
01:06:11,120 --> 01:06:13,000
Speaker 2: about the kids or not? And it's like, well, that's

1416
01:06:13,080 --> 01:06:16,760
Speaker 2: not the that's not the choice. Really, that's not I mean,

1417
01:06:17,520 --> 01:06:18,479
Speaker 2: that's not even the question.

1418
01:06:18,680 --> 01:06:18,720
Speaker 3: Is.

1419
01:06:18,760 --> 01:06:22,280
Speaker 2: The question is like how how can I take care

1420
01:06:22,320 --> 01:06:23,920
Speaker 2: of them and get them where they need to be

1421
01:06:24,160 --> 01:06:26,000
Speaker 2: while also providing food?

1422
01:06:26,040 --> 01:06:27,760
Speaker 4: And yeah, it's not so black and white. There's a

1423
01:06:27,800 --> 01:06:30,120
Speaker 4: lot of nuance, right, and there's deception.

1424
01:06:30,480 --> 01:06:33,680
Speaker 2: Well right, I'm I'm going to venture to say that

1425
01:06:33,880 --> 01:06:36,960
Speaker 2: nuance was not something that was able to fit in

1426
01:06:37,000 --> 01:06:38,000
Speaker 2: twenty two minutes of six.

1427
01:06:38,160 --> 01:06:38,360
Speaker 3: True.

1428
01:06:38,560 --> 01:06:44,000
Speaker 2: Very true, although h terribly misogynistic jokes were so there's

1429
01:06:44,040 --> 01:06:47,320
Speaker 2: always that you yeah, I know I was a little

1430
01:06:47,320 --> 01:06:50,000
Speaker 2: I know I was, but you know what, let's that's

1431
01:06:50,080 --> 01:06:53,120
Speaker 2: how far. I'd like to think that we've sort of

1432
01:06:53,200 --> 01:06:56,240
Speaker 2: come now in the realization that like all of the

1433
01:06:56,320 --> 01:06:59,280
Speaker 2: jokes about like being mister mom or working mom or

1434
01:06:59,520 --> 01:07:02,200
Speaker 2: like you know that they flag now was like, that's

1435
01:07:02,240 --> 01:07:05,960
Speaker 2: so unrealistic. Every you know, it's working parents like, but

1436
01:07:06,160 --> 01:07:09,120
Speaker 2: you know, so, I will say in that regard, I'm

1437
01:07:09,400 --> 01:07:12,840
Speaker 2: it's nice that we even notice a like, oh my god,

1438
01:07:12,880 --> 01:07:14,720
Speaker 2: you wouldn't even think like that really.

1439
01:07:14,640 --> 01:07:17,680
Speaker 3: Did, or most of us wouldn't. But it's just a

1440
01:07:17,760 --> 01:07:19,320
Speaker 3: nice little window back into the eighties.

1441
01:07:19,400 --> 01:07:19,840
Speaker 1: Yeah to go.

1442
01:07:20,240 --> 01:07:22,160
Speaker 2: And I will say one of the things that I

1443
01:07:22,240 --> 01:07:25,959
Speaker 2: wrote down was I love Irene because there's the line

1444
01:07:26,000 --> 01:07:29,360
Speaker 2: that she says when she drops Michelle off and Jesse says,

1445
01:07:29,720 --> 01:07:31,560
Speaker 2: can't you watch her for another couple hours?

1446
01:07:31,960 --> 01:07:34,240
Speaker 3: Her response is, no, I've got to go to school.

1447
01:07:34,520 --> 01:07:36,400
Speaker 1: Good for her, Good for her?

1448
01:07:36,440 --> 01:07:39,800
Speaker 2: And I was like, yes, Irene having boundaries with these

1449
01:07:39,920 --> 01:07:43,960
Speaker 2: men who are like Irena, she's the only one, the

1450
01:07:44,040 --> 01:07:47,720
Speaker 2: only one. Yeah. She's like, look, I'm you stop it, you,

1451
01:07:48,080 --> 01:07:49,880
Speaker 2: I'm done, And she was like, no, I gotta go

1452
01:07:49,920 --> 01:07:50,280
Speaker 2: to school.

1453
01:07:50,320 --> 01:07:52,320
Speaker 3: And I literally wrote down, I love Irene.

1454
01:07:52,360 --> 01:07:54,640
Speaker 4: I love her, Yeah because she I love her character.

1455
01:07:54,760 --> 01:07:57,720
Speaker 4: I love the actress, like she's just such a force

1456
01:07:58,040 --> 01:07:59,520
Speaker 4: and she's fantastic.

1457
01:07:59,640 --> 01:08:02,400
Speaker 3: She was yeah, did you uh did you have any

1458
01:08:02,480 --> 01:08:03,360
Speaker 3: everywhere you look moment?

1459
01:08:03,440 --> 01:08:03,520
Speaker 5: Oh?

1460
01:08:03,600 --> 01:08:06,520
Speaker 1: Yes, oh yes, I do. I have one I did

1461
01:08:06,600 --> 01:08:08,320
Speaker 1: do it. I wonder if we have the same one.

1462
01:08:10,080 --> 01:08:12,600
Speaker 3: I think, when did you when? When did yours have

1463
01:08:12,720 --> 01:08:14,800
Speaker 3: a teaser? Did yours mind too?

1464
01:08:14,960 --> 01:08:16,000
Speaker 1: Oh? Do we have the same one?

1465
01:08:16,120 --> 01:08:17,639
Speaker 3: Teaser? I think we have the same But that's okay.

1466
01:08:17,840 --> 01:08:20,000
Speaker 3: That's that means that's we're that's that's yeah, that means

1467
01:08:20,040 --> 01:08:20,599
Speaker 3: we're both.

1468
01:08:22,080 --> 01:08:22,320
Speaker 1: Okay.

1469
01:08:22,400 --> 01:08:25,679
Speaker 4: So in the in the teaser scene, during the last

1470
01:08:25,720 --> 01:08:29,080
Speaker 4: few moments, when Michelle is walking in her roller skates,

1471
01:08:30,080 --> 01:08:32,599
Speaker 4: the camera pans back and you can see the edge

1472
01:08:32,720 --> 01:08:36,600
Speaker 4: of the set and then the stage the stage.

1473
01:08:36,280 --> 01:08:37,280
Speaker 1: Walls right behind it.

1474
01:08:38,200 --> 01:08:40,519
Speaker 3: Yeah. Yeah, And I was wondering too. I was like,

1475
01:08:40,600 --> 01:08:42,000
Speaker 3: why did we have Why did the shot have to

1476
01:08:42,040 --> 01:08:46,360
Speaker 3: be that white? But like, you know, what the what

1477
01:08:46,560 --> 01:08:48,040
Speaker 3: the balloon? I don't know how I did that.

1478
01:08:48,120 --> 01:08:50,479
Speaker 1: I was very excited about this. This everywhere you look.

1479
01:08:50,520 --> 01:08:55,400
Speaker 2: I guess apparently they were like balloons. Yeah, no, it

1480
01:08:55,560 --> 01:08:57,439
Speaker 2: was so I was like, why do we have to

1481
01:08:57,479 --> 01:09:00,200
Speaker 2: see that much of the set in order to get

1482
01:09:00,520 --> 01:09:01,720
Speaker 2: but who knows?

1483
01:09:02,320 --> 01:09:03,160
Speaker 1: Yeah, and the things you.

1484
01:09:03,160 --> 01:09:04,640
Speaker 2: Can do now where you can like you're like, oh,

1485
01:09:04,680 --> 01:09:06,760
Speaker 2: we could just digitally punch it in and cut that

1486
01:09:06,840 --> 01:09:08,640
Speaker 2: out so you don't see like that wasn't it.

1487
01:09:08,840 --> 01:09:10,880
Speaker 3: You were like, well, it's there, that's what we're doing.

1488
01:09:10,960 --> 01:09:14,160
Speaker 4: So I love about eighties and nineties sitcoms is that

1489
01:09:14,400 --> 01:09:16,360
Speaker 4: these these things they don't.

1490
01:09:16,240 --> 01:09:18,800
Speaker 1: Care shadows everywhere, attention.

1491
01:09:18,640 --> 01:09:21,840
Speaker 3: To detail in these shows. Yoh yeah, it was like

1492
01:09:22,000 --> 01:09:25,360
Speaker 3: just whatever, slap together, people will be fine. Uh yeah,

1493
01:09:25,439 --> 01:09:25,840
Speaker 3: it's definite.

1494
01:09:25,880 --> 01:09:29,000
Speaker 2: But that was my everywhere you look too was well

1495
01:09:29,040 --> 01:09:33,200
Speaker 2: at the end we see off off the stage behind Michelle.

1496
01:09:33,360 --> 01:09:35,400
Speaker 1: I did have one other, but that's kind of our first.

1497
01:09:35,680 --> 01:09:40,240
Speaker 3: Uh have we seen any other like goofs like that

1498
01:09:40,400 --> 01:09:43,519
Speaker 3: shots with the with the with the like caught the

1499
01:09:43,640 --> 01:09:45,760
Speaker 3: edge like that of the sand not.

1500
01:09:47,880 --> 01:09:50,320
Speaker 4: There was only like at the wake Up San Francisco set,

1501
01:09:50,560 --> 01:09:52,519
Speaker 4: but that was intentional. They wanted to show that they

1502
01:09:52,560 --> 01:09:53,360
Speaker 4: were supposed to.

1503
01:09:53,360 --> 01:09:54,000
Speaker 3: Be part of the set.

1504
01:09:54,080 --> 01:09:54,280
Speaker 5: Yeah.

1505
01:09:54,320 --> 01:09:56,519
Speaker 3: Yeah, Now I feel like this was kind of the first.

1506
01:09:56,760 --> 01:09:58,559
Speaker 1: Uh oh, I think so too.

1507
01:09:58,640 --> 01:09:58,960
Speaker 5: What is that?

1508
01:09:59,200 --> 01:09:59,400
Speaker 6: Yeah?

1509
01:10:00,560 --> 01:10:02,639
Speaker 4: My other one, and this is not a huge one,

1510
01:10:02,680 --> 01:10:05,439
Speaker 4: but I love how in the the guy's office at

1511
01:10:05,479 --> 01:10:07,320
Speaker 4: the ad agency there's this.

1512
01:10:07,680 --> 01:10:12,040
Speaker 1: Clunky, small, clunky computer, but it's not on the desk.

1513
01:10:12,200 --> 01:10:14,640
Speaker 4: It's like in the back off to the side by

1514
01:10:14,680 --> 01:10:18,000
Speaker 4: a potted plant, on just a random table. And I'm like,

1515
01:10:19,000 --> 01:10:21,880
Speaker 4: today you would have a massive computer screen and the

1516
01:10:22,040 --> 01:10:25,000
Speaker 4: computer would be right on your desk, front and center.

1517
01:10:25,160 --> 01:10:28,120
Speaker 2: Well, and everyone would have one, like you know, it

1518
01:10:28,120 --> 01:10:32,000
Speaker 2: wouldn't be one office computer. Yeah that you know with

1519
01:10:32,160 --> 01:10:35,040
Speaker 2: the green flashing MS dows thing or you know that

1520
01:10:35,080 --> 01:10:36,400
Speaker 2: you could play Oregon Trail on.

1521
01:10:36,640 --> 01:10:40,600
Speaker 3: Yes, I mean that was like it was Yeah, it

1522
01:10:40,760 --> 01:10:42,080
Speaker 3: was wild. I actually said in.

1523
01:10:42,120 --> 01:10:46,360
Speaker 2: Here too, I said, oh, this office is dripping in eightieses,

1524
01:10:46,720 --> 01:10:50,800
Speaker 2: like the glass tile block behind the thing, and the

1525
01:10:51,240 --> 01:10:57,240
Speaker 2: paint colors, the wall art behind Jesse and Joey in

1526
01:10:57,320 --> 01:11:02,360
Speaker 2: that first scene is so it's just so eighties Amy

1527
01:11:02,439 --> 01:11:04,840
Speaker 2: vice as, Oh my gosh, it was great, like late eighties,

1528
01:11:04,920 --> 01:11:06,080
Speaker 2: early nineties bad.

1529
01:11:06,680 --> 01:11:06,800
Speaker 6: Uh.

1530
01:11:07,800 --> 01:11:09,320
Speaker 3: I don't even know what you would call it, Like

1531
01:11:10,520 --> 01:11:13,600
Speaker 3: it was just that weird like eighties post modern sort of.

1532
01:11:14,280 --> 01:11:16,760
Speaker 4: Yeah, that's what they were imagining a future, like a

1533
01:11:16,840 --> 01:11:19,479
Speaker 4: real professional office it's going to look like, right.

1534
01:11:19,479 --> 01:11:21,640
Speaker 3: I guess, I don't know. It was just but it

1535
01:11:21,800 --> 01:11:25,840
Speaker 3: was like it was just very eighties, eighties. I appreciated that.

1536
01:11:26,600 --> 01:11:31,160
Speaker 1: I just can't get enough of these bad eighties things.

1537
01:11:31,360 --> 01:11:37,680
Speaker 1: So good, it's so good. I love it. Oh, well,

1538
01:11:39,360 --> 01:11:42,080
Speaker 1: that's the quietest we've been in an hour. Fifteen.

1539
01:11:43,240 --> 01:11:45,640
Speaker 2: Well, I was because I was thinking and then for

1540
01:11:45,760 --> 01:11:48,080
Speaker 2: once I wasn't thinking and talking at the same time.

1541
01:11:48,280 --> 01:11:51,280
Speaker 1: You're getting ready for your outrosing, You're you're preparing mentally

1542
01:11:51,360 --> 01:11:53,559
Speaker 1: for your outro, so you have to take a beat. Yeah,

1543
01:11:54,479 --> 01:11:56,679
Speaker 1: get your brain, put.

1544
01:11:56,600 --> 01:11:59,960
Speaker 3: It on, got it the right way. I'm all this time,

1545
01:12:00,080 --> 01:12:02,960
Speaker 3: I'm I'm ready. Okay, we'll see you this time. I'm ready.

1546
01:12:02,960 --> 01:12:03,160
Speaker 4: Okay.

1547
01:12:03,560 --> 01:12:06,640
Speaker 3: But thank you so much for joining us for this

1548
01:12:06,720 --> 01:12:09,080
Speaker 3: week's episode of How Rude.

1549
01:12:09,160 --> 01:12:11,960
Speaker 2: Tannerto's We have truly enjoyed going over this with you,

1550
01:12:12,880 --> 01:12:16,960
Speaker 2: and next episode is season two, episode fourteen, Little Shop

1551
01:12:17,040 --> 01:12:17,960
Speaker 2: of Sweaters.

1552
01:12:18,000 --> 01:12:19,360
Speaker 3: Oh that's oh.

1553
01:12:19,520 --> 01:12:23,400
Speaker 2: I love this episode, which aired February tenth, nineteen eighty nine,

1554
01:12:23,479 --> 01:12:25,880
Speaker 2: So that will be our next episode that we're coming

1555
01:12:25,960 --> 01:12:29,040
Speaker 2: up with our next recap episode anyway, and if you

1556
01:12:29,160 --> 01:12:32,560
Speaker 2: want to follow our Instagram, we are at how Rude Podcast.

1557
01:12:32,920 --> 01:12:35,799
Speaker 2: You can also email us at how rudpodcast at gmail

1558
01:12:35,840 --> 01:12:38,200
Speaker 2: dot com and make sure wherever you're listening to the

1559
01:12:38,280 --> 01:12:41,519
Speaker 2: podcast that you are liking and subscribing so that way

1560
01:12:41,600 --> 01:12:43,599
Speaker 2: you can make sure and get all the episodes as

1561
01:12:43,640 --> 01:12:47,040
Speaker 2: soon as they drop. We will see you next time.

1562
01:12:47,720 --> 01:12:53,559
Speaker 2: Amazing fan Ritos and here we go. Remember the world

1563
01:12:53,680 --> 01:12:54,360
Speaker 2: is small.

1564
01:12:55,040 --> 01:12:56,000
Speaker 3: But the house is full.

1565
01:12:56,880 --> 01:12:59,960
Speaker 1: Nailed it. You finally got it read it correctly this time.

1566
01:13:00,760 --> 01:13:02,920
Speaker 1: Thank you to the fan that gave you that bracelet.

1567
01:13:02,920 --> 01:13:04,880
Speaker 2: I can't tell you how many comments I get about

1568
01:13:04,960 --> 01:13:07,320
Speaker 2: the people that were like, you can't even read it.

1569
01:13:07,360 --> 01:13:08,320
Speaker 3: I was like, it's upside down.