1
00:00:00,760 --> 00:00:03,080
Speaker 1: I Am all in.

2
00:00:04,800 --> 00:00:21,080
Speaker 2: Oh, I am all in with Scott Patterson, an iHeartRadio podcast.

3
00:00:21,440 --> 00:00:25,320
Speaker 1: Everybody, Scott Patterson I Am all In podcast. We are

4
00:00:25,440 --> 00:00:33,440
Speaker 1: gonna discuss episode nine, season five. Emily says hello, Hello,

5
00:00:33,920 --> 00:00:35,000
Speaker 1: really really said hello?

6
00:00:36,520 --> 00:00:36,879
Speaker 3: Good good?

7
00:00:37,280 --> 00:00:39,879
Speaker 1: She said good morning, good afternoon, and good night.

8
00:00:40,240 --> 00:00:43,040
Speaker 3: Yeah, this is a doozy. This is a real doozy.

9
00:00:43,240 --> 00:00:46,440
Speaker 3: I have like some real thoughts on this one.

10
00:00:47,760 --> 00:00:50,080
Speaker 1: And this podcast is brought to you by One eleven

11
00:00:50,080 --> 00:00:55,640
Speaker 1: Productions in conjunction with iHeartRadio. So like one piece of business.

12
00:00:55,640 --> 00:01:01,760
Speaker 1: I want to do Louisville Comic Con June sixteenth, eighteen, Louisville, Kentucky.

13
00:01:03,200 --> 00:01:05,600
Speaker 1: I will be appearing there, so everybody come on down.

14
00:01:05,640 --> 00:01:07,680
Speaker 3: Can't wait to do we get tickets.

15
00:01:08,200 --> 00:01:12,720
Speaker 1: Uh, just go to Louisville Popcorn dot com and they

16
00:01:12,720 --> 00:01:17,160
Speaker 1: can get tickets or Popcorn Louisville dot com and they

17
00:01:17,200 --> 00:01:22,360
Speaker 1: get tickets. Can't wait to see everybody anyway. Danielle Romo Tarasuit,

18
00:01:22,400 --> 00:01:24,440
Speaker 1: Amy Sugarman, Danielle take us away?

19
00:01:24,920 --> 00:01:26,600
Speaker 3: Does it wait before that really fast?

20
00:01:26,760 --> 00:01:26,920
Speaker 1: Yeah?

21
00:01:26,959 --> 00:01:28,920
Speaker 3: Does anyone feel like it was super weird when you

22
00:01:28,959 --> 00:01:31,560
Speaker 3: realized it was fall and the pumpkins were out? You know?

23
00:01:31,680 --> 00:01:33,200
Speaker 4: I did think about the pumpkins.

24
00:01:34,319 --> 00:01:35,880
Speaker 5: Usually the pumpkins bother me.

25
00:01:36,120 --> 00:01:39,000
Speaker 6: I feel like last Pumpkins season it really bothered me,

26
00:01:39,200 --> 00:01:39,959
Speaker 6: But I'm okay.

27
00:01:40,080 --> 00:01:43,000
Speaker 5: This time, I feel it's tired.

28
00:01:43,200 --> 00:01:43,920
Speaker 3: I enjoyed it.

29
00:01:44,040 --> 00:01:46,240
Speaker 5: This time it's comforting for me.

30
00:01:46,280 --> 00:01:48,800
Speaker 3: It just threw me because sometimes we're kind of in line.

31
00:01:48,840 --> 00:01:52,800
Speaker 3: Like last fall it was fall, yeah, and now it's

32
00:01:52,880 --> 00:01:56,080
Speaker 3: like really about to be burning hot summer and I'm

33
00:01:56,120 --> 00:01:56,520
Speaker 3: just like.

34
00:01:56,520 --> 00:01:58,080
Speaker 4: This, Oh, you mean our current state.

35
00:01:58,400 --> 00:02:01,440
Speaker 6: It's because we're not taking three four months off, you know,

36
00:02:01,680 --> 00:02:03,960
Speaker 6: to the episodes.

37
00:02:04,080 --> 00:02:07,200
Speaker 1: Right, But that's the hiatus. That's our hiatus.

38
00:02:07,280 --> 00:02:11,400
Speaker 3: Seeing Jackson in that hat and I was just like,

39
00:02:11,880 --> 00:02:13,640
Speaker 3: I'm sweating for him.

40
00:02:14,080 --> 00:02:16,000
Speaker 1: You know, I didn't notice the pumpkins. And there's a

41
00:02:16,040 --> 00:02:17,400
Speaker 1: reason for that, which we'll get into.

42
00:02:17,639 --> 00:02:21,920
Speaker 5: Oh I wonderful get Christmas in July, like for us.

43
00:02:21,960 --> 00:02:24,520
Speaker 3: I wonder boy probably right.

44
00:02:25,120 --> 00:02:26,480
Speaker 4: Yeah, we have a couple of weeks ago.

45
00:02:26,960 --> 00:02:28,520
Speaker 3: Well, Danielle apologize.

46
00:02:28,960 --> 00:02:29,520
Speaker 5: Oh good.

47
00:02:29,639 --> 00:02:32,720
Speaker 6: This is season five, episode nine, Emily says hello. Air

48
00:02:32,840 --> 00:02:36,919
Speaker 6: date November sixteenth, two thousand and four. Emily stunds Laura

49
00:02:36,960 --> 00:02:39,440
Speaker 6: life with her plans to begin dating, while Rory is

50
00:02:39,480 --> 00:02:43,120
Speaker 6: trying to get her grandparents back together. After joining Lorelie

51
00:02:43,160 --> 00:02:46,840
Speaker 6: for lunch at the Dragonfly, Rory is furious to see

52
00:02:46,880 --> 00:02:50,120
Speaker 6: that Christopher is also there. Loralai tells Luke of the

53
00:02:50,200 --> 00:02:55,800
Speaker 6: lunch and emphasis after it happens, and Luke tries to

54
00:02:55,919 --> 00:02:59,080
Speaker 6: navigate how he feels about it. Jackson is overwhelmed by

55
00:02:59,120 --> 00:03:02,040
Speaker 6: the burdens of his as town selectman, and Suki is

56
00:03:02,120 --> 00:03:04,640
Speaker 6: experiencing mood swings stemming from her pregnancy.

57
00:03:06,919 --> 00:03:10,880
Speaker 3: All I can say is everyone listening, buckle up, because

58
00:03:10,919 --> 00:03:15,200
Speaker 3: I have got so much discussion for this episode.

59
00:03:15,440 --> 00:03:18,359
Speaker 1: Hmm, that's unusual. You never have much to.

60
00:03:18,320 --> 00:03:23,000
Speaker 3: Say Bird Scott, though, I want to know why you

61
00:03:23,000 --> 00:03:25,079
Speaker 3: didn't notice the pumpkins.

62
00:03:24,800 --> 00:03:27,600
Speaker 1: Because I wanted to experience the show in a different

63
00:03:27,680 --> 00:03:30,240
Speaker 1: way because so many people love this show so much,

64
00:03:30,280 --> 00:03:32,359
Speaker 1: they've seen it so many times that they just have

65
00:03:32,480 --> 00:03:36,480
Speaker 1: it on in the background incessantly, you know, twenty four

66
00:03:36,520 --> 00:03:39,680
Speaker 1: to seven, and while they're doing their errands or round

67
00:03:39,760 --> 00:03:43,120
Speaker 1: house or doing laundry or whatever, and they're not watching

68
00:03:43,160 --> 00:03:46,120
Speaker 1: it because they know it's so So I did that

69
00:03:46,200 --> 00:03:48,400
Speaker 1: with this episode. I said, I'm going to put this

70
00:03:48,560 --> 00:03:49,840
Speaker 1: on and just go about.

71
00:03:49,560 --> 00:03:52,600
Speaker 3: My interesting did it? But I that would be hard

72
00:03:52,640 --> 00:03:54,280
Speaker 3: for me because I would miss stuff.

73
00:03:54,840 --> 00:03:57,920
Speaker 1: Yeah, I still got the jokes. I still laugh My

74
00:03:58,000 --> 00:04:00,200
Speaker 1: wife and I were laughing at certain jokes that we

75
00:04:00,280 --> 00:04:03,240
Speaker 1: sort of caught in the background. It still has this

76
00:04:03,320 --> 00:04:06,880
Speaker 1: ability to reach you, yeah, and pull you in. And

77
00:04:06,920 --> 00:04:09,680
Speaker 1: we found ourselves kind of like stopping what we were

78
00:04:09,720 --> 00:04:12,360
Speaker 1: doing and then and I'm not going to say what

79
00:04:12,360 --> 00:04:19,080
Speaker 1: we were doing. I gotta say that in the morning

80
00:04:17,520 --> 00:04:22,159
Speaker 1: and and sort of drift downstairs to the TV.

81
00:04:22,800 --> 00:04:22,960
Speaker 2: Yeah.

82
00:04:23,000 --> 00:04:25,039
Speaker 1: I watched the scene because there was some funny stuff

83
00:04:25,080 --> 00:04:25,480
Speaker 1: going on.

84
00:04:25,680 --> 00:04:28,080
Speaker 3: I have gold laundry a lot while I'm watching TV,

85
00:04:28,680 --> 00:04:30,960
Speaker 3: and I that that actually works for me. But if

86
00:04:31,000 --> 00:04:32,880
Speaker 3: I'm kind of doing emails and then all of a sudden,

87
00:04:32,920 --> 00:04:35,400
Speaker 3: I'm like, wait a minute, I need to stop the

88
00:04:35,440 --> 00:04:38,479
Speaker 3: emails and really focus then on what's happening on the

89
00:04:38,839 --> 00:04:43,320
Speaker 3: whatever I'm watching. Right, So did you find it enjoyable?

90
00:04:43,600 --> 00:04:46,520
Speaker 1: I did. It made me happier. I mean that the

91
00:04:47,760 --> 00:04:49,600
Speaker 1: I woke up in a little bit of a mood

92
00:04:49,600 --> 00:04:52,080
Speaker 1: because I didn't. I got to bed really late and

93
00:04:52,600 --> 00:04:55,360
Speaker 1: I had to. You know, I get up earlier automatically

94
00:04:55,400 --> 00:04:58,760
Speaker 1: every morning. But this really gave me a lift. It

95
00:04:58,839 --> 00:04:59,720
Speaker 1: really really did.

96
00:04:59,760 --> 00:05:01,920
Speaker 3: So I wonder if the way you were watching it

97
00:05:01,920 --> 00:05:08,360
Speaker 3: before was just with too much critique, like really really

98
00:05:08,520 --> 00:05:11,159
Speaker 3: watching it to critique it rather than watching it to

99
00:05:11,360 --> 00:05:12,920
Speaker 3: experience it or enjoy it.

100
00:05:13,040 --> 00:05:19,360
Speaker 1: This is why I did this experiment. One must look inward.

101
00:05:21,160 --> 00:05:25,400
Speaker 1: Realized that maybe a critical eye on this show is

102
00:05:25,440 --> 00:05:29,560
Speaker 1: not such a great idea all of the time.

103
00:05:30,040 --> 00:05:33,440
Speaker 3: Look, I'm never mad at it. I like the discussions, but.

104
00:05:33,480 --> 00:05:36,320
Speaker 1: Yeah, I like the discussions too, But I just I

105
00:05:36,360 --> 00:05:40,720
Speaker 1: really wanted to try a different way of consuming the show.

106
00:05:40,760 --> 00:05:42,520
Speaker 1: And it really is kind of wonderful.

107
00:05:42,600 --> 00:05:44,120
Speaker 3: Well, let me ask you this because you might not

108
00:05:44,160 --> 00:05:47,720
Speaker 3: have noticed it, but here's my question for you. It

109
00:05:47,800 --> 00:05:50,200
Speaker 3: was so First of all, it's November, right, so you

110
00:05:50,240 --> 00:05:57,640
Speaker 3: probably filmed this October, maybe late September. Hot is heck

111
00:05:58,360 --> 00:06:01,719
Speaker 3: in bird Bank? Right? I noticed there was a breeze

112
00:06:01,880 --> 00:06:05,560
Speaker 3: right when Lower Life sees Jackson, So she kind of

113
00:06:05,600 --> 00:06:08,440
Speaker 3: comes around and she sees Jackson in the opening scene

114
00:06:08,440 --> 00:06:11,760
Speaker 3: they have their conversation. Would that be a fan to

115
00:06:11,839 --> 00:06:12,760
Speaker 3: cool them down?

116
00:06:13,240 --> 00:06:17,320
Speaker 1: I don't maybe, but it was actually a breeze. It's

117
00:06:17,360 --> 00:06:19,839
Speaker 1: hard to have a fan going when you know the

118
00:06:19,920 --> 00:06:24,039
Speaker 1: sound apartment would would protest, right, you know, it would

119
00:06:24,040 --> 00:06:24,479
Speaker 1: be tough.

120
00:06:25,520 --> 00:06:27,200
Speaker 3: I would assume even the wind is tough.

121
00:06:28,160 --> 00:06:30,680
Speaker 1: You don't get a lot of wind in the valley.

122
00:06:30,279 --> 00:06:33,560
Speaker 3: And her hair was a blowing Yeah, you could.

123
00:06:33,480 --> 00:06:36,599
Speaker 1: Could have been could have been a little silent wind machine.

124
00:06:37,200 --> 00:06:42,799
Speaker 3: I mean, she looks good. She looks good. So Jackson

125
00:06:42,839 --> 00:06:45,479
Speaker 3: hates being select man, like he needs to quit. But

126
00:06:46,600 --> 00:06:48,720
Speaker 3: what do you all think?

127
00:06:50,000 --> 00:06:51,200
Speaker 1: Are you missing Taylor a little?

128
00:06:51,440 --> 00:06:52,360
Speaker 5: Just quit Jackson?

129
00:06:52,640 --> 00:06:54,520
Speaker 4: Yeah, I do miss Taylor.

130
00:06:55,000 --> 00:06:55,720
Speaker 3: Missing Taylor.

131
00:06:55,920 --> 00:06:58,120
Speaker 5: Yeah, we're missing Taylor all of.

132
00:06:58,040 --> 00:06:59,920
Speaker 1: His zany antics. I mean, let's just say it.

133
00:07:00,839 --> 00:07:01,039
Speaker 2: Yeah.

134
00:07:01,040 --> 00:07:03,640
Speaker 3: And we didn't even really see him at the town meeting.

135
00:07:04,920 --> 00:07:07,520
Speaker 4: It seems odd, right, he's like hiding out.

136
00:07:07,839 --> 00:07:11,440
Speaker 1: I mean, it's great to see more Jackson. Yay, right, Yeah,

137
00:07:11,520 --> 00:07:14,640
Speaker 1: I agree. And he did it. He knocked it out

138
00:07:14,640 --> 00:07:19,120
Speaker 1: of the park for sure. But it's like after a

139
00:07:19,160 --> 00:07:23,120
Speaker 1: while it was like, hmmm, where's Taylor? Yeah, and boy,

140
00:07:23,200 --> 00:07:27,600
Speaker 1: he was deposed and I don't know. Somehow, I I

141
00:07:27,720 --> 00:07:31,800
Speaker 1: somehow formed a pack, a super pack to get money

142
00:07:31,880 --> 00:07:33,760
Speaker 1: raised to get Taylor back in that position.

143
00:07:34,760 --> 00:07:38,239
Speaker 3: I do think that Taylor is better running the town.

144
00:07:38,720 --> 00:07:41,360
Speaker 3: Jackson doesn't like it. He doesn't want to do it, like.

145
00:07:41,840 --> 00:07:44,440
Speaker 4: You need someone who it's like their whole life.

146
00:07:44,760 --> 00:07:46,440
Speaker 3: He doesn't even want to cut the ribbon.

147
00:07:47,720 --> 00:07:50,679
Speaker 7: He doesn't want to he doesn't want to send the meeting,

148
00:07:51,280 --> 00:07:52,680
Speaker 7: he doesn't have the meetings.

149
00:07:53,400 --> 00:07:54,360
Speaker 3: It's like awful.

150
00:07:54,560 --> 00:07:57,760
Speaker 1: I thought he already resigned. I thought he'd resign, and.

151
00:07:57,680 --> 00:07:59,840
Speaker 3: I actually he didn't, but I sort of thought he

152
00:08:00,160 --> 00:08:01,680
Speaker 3: is leading leading to it.

153
00:08:01,720 --> 00:08:03,440
Speaker 7: Yeah, I think we had that conversation where it just

154
00:08:03,440 --> 00:08:05,080
Speaker 7: seemed like because he didn't want to do it, I

155
00:08:05,080 --> 00:08:07,560
Speaker 7: think we all just assumed like he was out, but

156
00:08:08,280 --> 00:08:09,119
Speaker 7: he's still going.

157
00:08:11,120 --> 00:08:14,520
Speaker 3: I also noticed cornbread was two fifty nine, which seems

158
00:08:14,600 --> 00:08:15,920
Speaker 3: like a pretty good price.

159
00:08:16,200 --> 00:08:18,080
Speaker 5: Can you use some corn bread right now? Sounds like

160
00:08:18,120 --> 00:08:18,360
Speaker 5: a lot.

161
00:08:18,600 --> 00:08:19,880
Speaker 1: It's a lot of cornbread.

162
00:08:20,200 --> 00:08:24,400
Speaker 3: And I also noticed the in Dosy's window, all those

163
00:08:24,600 --> 00:08:29,040
Speaker 3: those those are nicely painted, you know, corn bread two

164
00:08:29,120 --> 00:08:32,480
Speaker 3: fifty nine signs. I love me the detail.

165
00:08:32,720 --> 00:08:35,640
Speaker 1: He's up all night agonizing over those signs. You know,

166
00:08:35,720 --> 00:08:36,079
Speaker 1: he is.

167
00:08:37,559 --> 00:08:42,520
Speaker 3: Totally they got to be perfectly perpendicular and whatnot. So

168
00:08:42,640 --> 00:08:45,640
Speaker 3: then we get to Suki's and she's she's crying. I

169
00:08:45,679 --> 00:08:48,839
Speaker 3: never noticed until now how bright orange their walls were too.

170
00:08:48,880 --> 00:08:54,040
Speaker 3: I was like, oh, that's not pleasant, right, And she's

171
00:08:54,040 --> 00:08:55,240
Speaker 3: crying over the pile.

172
00:08:59,840 --> 00:09:01,080
Speaker 1: And grant.

173
00:09:02,840 --> 00:09:05,360
Speaker 3: Breaking and it was like an old people.

174
00:09:07,080 --> 00:09:08,680
Speaker 5: I wonder if that was during the time.

175
00:09:08,920 --> 00:09:11,440
Speaker 7: Funny, that's how we like, we're so use of social media,

176
00:09:11,480 --> 00:09:13,120
Speaker 7: but that's how you used to see your headlines. You

177
00:09:13,160 --> 00:09:16,280
Speaker 7: go to the grocery store, see the front page of magazine.

178
00:09:16,760 --> 00:09:20,079
Speaker 3: Yeah, does anyone still subscribe to the magazine? I canceled

179
00:09:20,080 --> 00:09:20,480
Speaker 3: all mine.

180
00:09:20,720 --> 00:09:23,880
Speaker 7: Oh yeah, I'm not magazine. But there's some stuff like

181
00:09:24,000 --> 00:09:26,520
Speaker 7: La Times where you can't. You can only read like

182
00:09:26,600 --> 00:09:29,320
Speaker 7: three articles a month and then get to pay.

183
00:09:29,760 --> 00:09:31,640
Speaker 1: Yeah, a lot of a lot of them you have

184
00:09:31,720 --> 00:09:32,040
Speaker 1: to pay.

185
00:09:32,280 --> 00:09:32,640
Speaker 4: Yeah.

186
00:09:32,920 --> 00:09:34,679
Speaker 3: Do any of you still get a magazine delivered to

187
00:09:34,720 --> 00:09:36,240
Speaker 3: your house? Oh?

188
00:09:36,240 --> 00:09:36,480
Speaker 7: My god?

189
00:09:36,520 --> 00:09:42,120
Speaker 3: The poor magazine industry.

190
00:09:39,760 --> 00:09:41,320
Speaker 1: Walks up to the house in this day and age.

191
00:09:41,320 --> 00:09:44,480
Speaker 1: We go on, you know, deaf Con three somebody.

192
00:09:46,240 --> 00:09:48,480
Speaker 6: I mean, now I just follow them all on Instagram

193
00:09:48,520 --> 00:09:51,080
Speaker 6: and get my new news that way.

194
00:09:51,400 --> 00:09:54,120
Speaker 3: Yeah, Danielle, I want to ask you something, but I

195
00:09:54,120 --> 00:09:56,480
Speaker 3: think it might be a secret. You know your secret?

196
00:09:57,160 --> 00:09:57,600
Speaker 2: Yeah?

197
00:09:57,880 --> 00:09:58,920
Speaker 3: Can I ask about it?

198
00:10:01,480 --> 00:10:05,000
Speaker 5: Yeah? Scott doesn't know about it, but you can.

199
00:10:04,200 --> 00:10:07,679
Speaker 3: You tell Scott before I tell I think I know?

200
00:10:08,480 --> 00:10:09,959
Speaker 3: Did I tell Scott?

201
00:10:10,080 --> 00:10:12,800
Speaker 1: Do you have a certain glow? Is there a certain glow?

202
00:10:14,040 --> 00:10:15,960
Speaker 3: Is there a certain happening?

203
00:10:16,440 --> 00:10:24,240
Speaker 5: And I have something very much. Oh my god, I

204
00:10:24,400 --> 00:10:25,480
Speaker 5: love it so much.

205
00:10:26,400 --> 00:10:30,720
Speaker 6: I keep like watching Sukie and I'm like, oh my god,

206
00:10:31,120 --> 00:10:32,600
Speaker 6: like I get it again.

207
00:10:32,760 --> 00:10:34,360
Speaker 3: That's what I wanted to ask you. Are you just

208
00:10:34,400 --> 00:10:37,520
Speaker 3: like having incidents of just crying for no good reason?

209
00:10:38,000 --> 00:10:40,560
Speaker 6: You know, I'm not really that emotional. I'm gonna be

210
00:10:40,559 --> 00:10:44,360
Speaker 6: honest with you. I've been like very like, I'm surprisingly

211
00:10:44,360 --> 00:10:47,040
Speaker 6: because I heard from so many people that that's a

212
00:10:47,080 --> 00:10:50,760
Speaker 6: thing that you just get super like you can cry

213
00:10:50,800 --> 00:10:53,719
Speaker 6: over I don't know, running out of cereal.

214
00:10:53,800 --> 00:10:56,720
Speaker 3: You know what I mean? Yeah, exactly.

215
00:10:57,240 --> 00:10:58,280
Speaker 1: You're going to have a boy.

216
00:10:58,440 --> 00:10:59,360
Speaker 5: I'm having a boy.

217
00:11:01,040 --> 00:11:01,760
Speaker 4: Do you know that?

218
00:11:01,880 --> 00:11:03,839
Speaker 3: Scott? Did Scott? Did you? Did we tell you that?

219
00:11:03,960 --> 00:11:04,960
Speaker 3: Or did you just figure that out?

220
00:11:05,360 --> 00:11:08,080
Speaker 1: Because you're if you're if it's a girl, you're more

221
00:11:08,080 --> 00:11:11,360
Speaker 1: emotional if you're a boy, and it's actually if it's

222
00:11:11,400 --> 00:11:13,920
Speaker 1: a boy, it's like, you know, the testosterone that you're

223
00:11:13,960 --> 00:11:15,520
Speaker 1: getting me is making you happy.

224
00:11:16,120 --> 00:11:19,440
Speaker 6: So it's weird, right because Scott, you're so you're so

225
00:11:19,720 --> 00:11:23,120
Speaker 6: right because they say with girls you have morning sickness

226
00:11:23,120 --> 00:11:25,920
Speaker 6: and you're emotional because you have more estrogen, but with

227
00:11:26,400 --> 00:11:30,400
Speaker 6: boys you are like, don't have the morning sickness and

228
00:11:30,640 --> 00:11:34,199
Speaker 6: you feel better, and I have totally. I mean, knock

229
00:11:34,240 --> 00:11:37,440
Speaker 6: on wood, I've been so lucky, I've felt great.

230
00:11:37,760 --> 00:11:39,600
Speaker 3: I don't want to now. I want to see what

231
00:11:39,720 --> 00:11:44,080
Speaker 3: Suki has to see if it's correct, if you're.

232
00:11:44,320 --> 00:11:47,319
Speaker 1: See Jackie said I had morning sickness and so emotional

233
00:11:47,400 --> 00:11:47,640
Speaker 1: with a.

234
00:11:48,120 --> 00:11:51,320
Speaker 6: Jackie so our other know you have those outliers too.

235
00:11:51,400 --> 00:11:54,559
Speaker 6: That just totally contradict the you know, the.

236
00:11:55,640 --> 00:11:58,000
Speaker 3: It's a pregnancy fest here on. I am all in

237
00:11:58,080 --> 00:12:03,200
Speaker 3: not only a Suki pregnant, Danielle's pregnant, also pregnant, and.

238
00:12:03,160 --> 00:12:08,400
Speaker 1: I just got elected town select. What's going on?

239
00:12:08,960 --> 00:12:11,520
Speaker 3: So I did want to shout out the set because

240
00:12:11,559 --> 00:12:13,320
Speaker 3: they did do a good job with the set, and

241
00:12:13,360 --> 00:12:16,200
Speaker 3: that there's kids stuff piled up. It looks like the

242
00:12:16,240 --> 00:12:18,280
Speaker 3: home of people with a toddler, do you know what

243
00:12:18,320 --> 00:12:18,600
Speaker 3: I mean?

244
00:12:18,760 --> 00:12:18,880
Speaker 1: Like?

245
00:12:19,320 --> 00:12:23,800
Speaker 3: So that was good. And there's lovely blinds in the windows. Okay, Scott,

246
00:12:23,800 --> 00:12:27,800
Speaker 3: this was my question. I saw people walking by the window.

247
00:12:28,559 --> 00:12:32,679
Speaker 3: So is that a set that faces out? How does

248
00:12:32,720 --> 00:12:33,080
Speaker 3: that work?

249
00:12:33,200 --> 00:12:35,400
Speaker 1: It faces out towards the gazebo.

250
00:12:35,920 --> 00:12:37,880
Speaker 3: Okay, so that's in front of the house, is.

251
00:12:37,880 --> 00:12:40,360
Speaker 1: You can well? I mean it's a little catty corner

252
00:12:40,400 --> 00:12:42,120
Speaker 1: so it's like the gazebo is a little bit off

253
00:12:42,120 --> 00:12:43,600
Speaker 1: to the right with Suki's house.

254
00:12:44,400 --> 00:12:46,120
Speaker 3: So the window does go out.

255
00:12:46,480 --> 00:12:53,000
Speaker 6: Okay, Okay, we saw that in December when we visited

256
00:12:53,000 --> 00:12:53,480
Speaker 6: the set.

257
00:12:53,679 --> 00:12:55,960
Speaker 3: It's pretty rad Okay. So then they move into the

258
00:12:56,040 --> 00:12:58,320
Speaker 3: kitchen and then we get to sort of the meat

259
00:12:58,360 --> 00:13:03,000
Speaker 3: of this conversation. In the Suki calls Sherry Randy at first,

260
00:13:03,320 --> 00:13:06,880
Speaker 3: which was she sounds like us getting names all jacked.

261
00:13:07,320 --> 00:13:11,280
Speaker 3: Who's Kyle? But anyway, uh, and they talk.

262
00:13:11,160 --> 00:13:15,520
Speaker 5: About Kyle the first time we've ever seen him.

263
00:13:16,880 --> 00:13:22,120
Speaker 3: Randy, were like Sherry anyway, So just sort of there,

264
00:13:22,920 --> 00:13:26,200
Speaker 3: it's sort of Lorelei realizes like, wait a minute, I

265
00:13:26,240 --> 00:13:29,400
Speaker 3: haven't talked to Christopher. So we kind of get the

266
00:13:29,440 --> 00:13:33,480
Speaker 3: foreshadowing of like, okay, this is this is gonna happen

267
00:13:33,520 --> 00:13:39,560
Speaker 3: in this episode. Yea. My only other shout out is like, man,

268
00:13:39,600 --> 00:13:41,920
Speaker 3: she's got a lot of crap in that window in

269
00:13:42,000 --> 00:13:47,319
Speaker 3: her kitchen. Oh wow, So any other thoughts, guys.

270
00:13:47,760 --> 00:13:49,120
Speaker 1: No, it's not the same thing. That's a lot of

271
00:13:49,120 --> 00:13:54,520
Speaker 1: crap in them.

272
00:13:52,960 --> 00:13:55,840
Speaker 3: And she's got her pregnancy cravings. Danielle Anita share she

273
00:13:56,000 --> 00:14:01,559
Speaker 3: wanted a lot of weird stuff, chocolate, artichoke, heart, bell pepper, taffy, walnuts,

274
00:14:01,559 --> 00:14:02,640
Speaker 3: hearts of palm.

275
00:14:02,960 --> 00:14:06,960
Speaker 6: Pancakes always sound good, like I'm always down for pancakes.

276
00:14:11,320 --> 00:14:14,160
Speaker 6: I should have gone to Al's Pancake World. But no, like,

277
00:14:14,280 --> 00:14:19,600
Speaker 6: seriously like pancakes like they always sound anything anything.

278
00:14:20,640 --> 00:14:23,000
Speaker 3: Are you allowed to have bacon? Yeah, you can bacon?

279
00:14:24,120 --> 00:14:31,400
Speaker 1: Yeah, I mean just grind food, just grind food. My

280
00:14:31,440 --> 00:14:36,120
Speaker 1: wife was just pounding food just like that's amazing.

281
00:14:37,080 --> 00:14:38,680
Speaker 3: Are you hungrier than you used to be?

282
00:14:39,640 --> 00:14:42,640
Speaker 6: Yes? But Scott, I have a question for you because

283
00:14:43,720 --> 00:14:46,240
Speaker 6: my husband is just so bent out of shape because

284
00:14:46,240 --> 00:14:49,120
Speaker 6: he's like, I'm gaining more weight than you this pregnancy

285
00:14:49,160 --> 00:14:52,360
Speaker 6: because he like he swears he has cravings, which he does.

286
00:14:52,560 --> 00:14:55,560
Speaker 6: Like it's weird, but they say that sometimes the husband

287
00:14:55,760 --> 00:14:58,920
Speaker 6: can like I don't know, feel it too.

288
00:15:00,240 --> 00:15:01,160
Speaker 5: Did you ever have that?

289
00:15:03,000 --> 00:15:05,240
Speaker 1: I mean I eat a lot anyway.

290
00:15:05,480 --> 00:15:10,480
Speaker 5: Really, she just matched you, She just madged you right.

291
00:15:11,440 --> 00:15:15,240
Speaker 1: Well, yeah, I mean she was eating the same amount

292
00:15:15,240 --> 00:15:16,920
Speaker 1: of food I was eating, which is I eat an

293
00:15:16,960 --> 00:15:20,520
Speaker 1: extraordinary amount of food and I burn it off. But

294
00:15:21,160 --> 00:15:22,760
Speaker 1: now it's it's getting tall.

295
00:15:22,800 --> 00:15:25,200
Speaker 3: Are you six two No.

296
00:15:25,040 --> 00:15:27,400
Speaker 1: I'm six feet six foot and a half.

297
00:15:27,840 --> 00:15:28,840
Speaker 5: You're taller than that.

298
00:15:29,280 --> 00:15:32,480
Speaker 3: Taller when you were Luke.

299
00:15:34,280 --> 00:15:42,520
Speaker 1: Six. Life has chopped post. I've lost wede and lost

300
00:15:43,880 --> 00:15:48,560
Speaker 1: lost hair. Oh my god, No, but yeah, I mean, yeah,

301
00:15:48,640 --> 00:15:53,400
Speaker 1: he's he's having sympathy appetite. Yeah, sure, he wants to

302
00:15:53,480 --> 00:15:56,040
Speaker 1: eat along with you. He's happy too, He's everybody's getting

303
00:15:56,080 --> 00:15:56,880
Speaker 1: fat and happy. Man.

304
00:16:00,000 --> 00:16:03,040
Speaker 5: That was good about pancakes and ice cream and cookies.

305
00:16:02,720 --> 00:16:03,440
Speaker 3: All the things.

306
00:16:03,880 --> 00:16:07,160
Speaker 1: When I when I realized when my wife said she's

307
00:16:07,200 --> 00:16:09,560
Speaker 1: pregnant and that we knew it was a boy, it

308
00:16:09,680 --> 00:16:11,640
Speaker 1: was just like, there's nothing better.

309
00:16:12,240 --> 00:16:12,800
Speaker 5: I agree.

310
00:16:13,400 --> 00:16:16,120
Speaker 1: You know that you go through your life wondering what

311
00:16:16,160 --> 00:16:18,480
Speaker 1: the meaning of life is, and this is it? Figured

312
00:16:18,520 --> 00:16:24,320
Speaker 1: it out? After you have this boy, you'll know what

313
00:16:24,640 --> 00:16:27,720
Speaker 1: the meaning of life is and how deeply you're capable

314
00:16:27,720 --> 00:16:30,680
Speaker 1: of loving something, and it's it's.

315
00:16:31,280 --> 00:16:33,640
Speaker 6: I mean, if you can just match the love I

316
00:16:33,680 --> 00:16:37,560
Speaker 6: have for my dog, I can only imagine it willed that.

317
00:16:37,960 --> 00:16:43,040
Speaker 3: Oh you're gonna name that boy, Dean Jess Logan. I'm

318
00:16:43,080 --> 00:16:44,960
Speaker 3: just wondering none of the above.

319
00:16:47,280 --> 00:16:48,160
Speaker 4: Do you have a name though?

320
00:16:48,640 --> 00:16:55,680
Speaker 5: No, I don't not yet, all right.

321
00:16:55,640 --> 00:16:57,560
Speaker 3: So keeping us on track here, So we go to

322
00:16:57,600 --> 00:17:00,440
Speaker 3: the dorm and Rory's reading and pair of of course,

323
00:17:00,480 --> 00:17:03,800
Speaker 3: attacks her reading speed, which did leave for a funny joke.

324
00:17:04,000 --> 00:17:08,359
Speaker 3: She's all, if you'd read faster, Paris is fasting for Ramadan.

325
00:17:08,480 --> 00:17:11,640
Speaker 3: I did notice the sunset very early for thirty one,

326
00:17:11,840 --> 00:17:14,840
Speaker 3: but maybe accurate for the East coast in November, so

327
00:17:15,600 --> 00:17:15,919
Speaker 3: good on.

328
00:17:16,440 --> 00:17:18,320
Speaker 5: That's when time changes. And you know when the time

329
00:17:18,400 --> 00:17:19,240
Speaker 5: changes like.

330
00:17:19,240 --> 00:17:23,200
Speaker 6: That those first two three weeks, like it's lights out

331
00:17:23,240 --> 00:17:24,160
Speaker 6: by four to forty five.

332
00:17:26,119 --> 00:17:28,600
Speaker 3: Rory's got good hair, good sweater vest, and then we

333
00:17:28,640 --> 00:17:32,320
Speaker 3: see Marty at the door, so we're sort of like, hmm,

334
00:17:33,440 --> 00:17:35,680
Speaker 3: what's going on with Marty and Rory in this episode.

335
00:17:36,560 --> 00:17:38,480
Speaker 6: I've said it before and I will say it again.

336
00:17:38,640 --> 00:17:42,480
Speaker 6: I really wish Marty happened. I know it doesn't happen,

337
00:17:42,560 --> 00:17:43,840
Speaker 6: but I really wish it happened.

338
00:17:43,920 --> 00:17:45,199
Speaker 1: Oh gosh, I didn't know that.

339
00:17:45,920 --> 00:17:48,679
Speaker 5: Well, we know it's Logan. We know Logan's you know,

340
00:17:49,359 --> 00:17:49,840
Speaker 5: you don't know.

341
00:17:50,160 --> 00:17:51,800
Speaker 1: I haven't seen it yet.

342
00:17:52,160 --> 00:17:54,719
Speaker 3: Maybe maybe I may have a night of passion and

343
00:17:54,760 --> 00:17:55,439
Speaker 3: you don't know.

344
00:17:55,840 --> 00:17:59,479
Speaker 5: That, you know what, I hope. So I'm I'm pulling

345
00:17:59,520 --> 00:18:01,400
Speaker 5: through for so hard right now.

346
00:18:01,480 --> 00:18:05,280
Speaker 3: I like him a lot, and you can tell we'll

347
00:18:05,320 --> 00:18:07,400
Speaker 3: get to it, but you can tell he likes her.

348
00:18:07,800 --> 00:18:08,280
Speaker 5: Totally.

349
00:18:08,320 --> 00:18:11,399
Speaker 3: Oh yeah, so uh, I kind of agree.

350
00:18:11,400 --> 00:18:13,800
Speaker 4: I wouldn't mind a one hookup with.

351
00:18:13,960 --> 00:18:17,280
Speaker 6: Ma I like it because he's like not Logan where

352
00:18:17,280 --> 00:18:20,639
Speaker 6: he's like the richest, coolest person ever, but he's still

353
00:18:20,680 --> 00:18:23,520
Speaker 6: at Yale and he's still you know, he like I

354
00:18:23,520 --> 00:18:25,240
Speaker 6: don't know, I just I like him.

355
00:18:25,720 --> 00:18:27,720
Speaker 4: I don't need them to be in a relationship, maybe

356
00:18:27,760 --> 00:18:28,439
Speaker 4: just like a fling.

357
00:18:28,680 --> 00:18:28,879
Speaker 1: You know.

358
00:18:29,119 --> 00:18:31,679
Speaker 3: It just feels to me, and come at me for

359
00:18:31,720 --> 00:18:36,160
Speaker 3: this that the Marty Rory relationship would be very similar

360
00:18:36,200 --> 00:18:40,399
Speaker 3: to the Dean Rory relationship. Yes, Marty's at Yale and

361
00:18:40,440 --> 00:18:43,960
Speaker 3: he's very smart and they could have excellent conversations.

362
00:18:44,000 --> 00:18:45,000
Speaker 1: Oh, I see what you mean.

363
00:18:45,240 --> 00:18:49,159
Speaker 3: It's like not going to give her a challenge that

364
00:18:49,200 --> 00:18:50,480
Speaker 3: could be a bad thing a good thing.

365
00:18:51,000 --> 00:18:53,119
Speaker 1: I'm just saying, well, what do they say? What's the

366
00:18:53,200 --> 00:18:59,440
Speaker 1: old line about the man should the man should worship

367
00:18:59,640 --> 00:19:02,760
Speaker 1: the woman and on a pedestal and the woman should

368
00:19:02,800 --> 00:19:07,040
Speaker 1: admire the band, right for that to work?

369
00:19:07,119 --> 00:19:09,159
Speaker 3: But yeah, there's no truth to that.

370
00:19:09,400 --> 00:19:09,720
Speaker 1: Yeah.

371
00:19:10,160 --> 00:19:14,719
Speaker 3: Oh, but I wanted to eat his appetizers and go

372
00:19:14,760 --> 00:19:17,520
Speaker 3: to the brunch that he was bartending with chocolate fountains,

373
00:19:17,560 --> 00:19:20,080
Speaker 3: and I sort of assumed it was logans like I

374
00:19:20,119 --> 00:19:22,040
Speaker 3: sort of are we supposed to assume that?

375
00:19:22,119 --> 00:19:24,920
Speaker 4: I don't know, but I can see why you thought

376
00:19:24,920 --> 00:19:25,359
Speaker 4: that though.

377
00:19:25,880 --> 00:19:27,680
Speaker 3: Yeah, it seems like it was one of those those

378
00:19:27,720 --> 00:19:29,840
Speaker 3: guys Colin or Finn or.

379
00:19:29,840 --> 00:19:33,120
Speaker 1: Who I like Marty too. It was good seeing him

380
00:19:33,119 --> 00:19:35,919
Speaker 1: and I liked him in this episode, and I do

381
00:19:35,960 --> 00:19:38,520
Speaker 1: wish she would give it a shot. I agree with you, Daniel,

382
00:19:39,880 --> 00:19:42,680
Speaker 1: because that was as a tough way to be rejected.

383
00:19:42,840 --> 00:19:45,520
Speaker 1: Just she fell asleep, right, So it was like an

384
00:19:45,600 --> 00:19:48,240
Speaker 1: unintentional rejection. But that's Marty. That defines Marty.

385
00:19:48,640 --> 00:19:51,280
Speaker 3: It's also sort of sweet that she's so comfortable there,

386
00:19:51,359 --> 00:19:53,520
Speaker 3: that they're in the bed together. She's very comfortable with it.

387
00:19:53,640 --> 00:19:56,159
Speaker 1: I think that's the point. That's why it would last,

388
00:19:56,480 --> 00:19:58,800
Speaker 1: you know, and that's why she would probably be bored.

389
00:19:59,119 --> 00:20:04,080
Speaker 3: Yeah, well then we have one of my favorite scenes.

390
00:20:04,320 --> 00:20:08,320
Speaker 3: So Loralai is talking to Rory on the phone at

391
00:20:08,440 --> 00:20:11,719
Speaker 3: Luke's saying she's allowed to go behind the counter and

392
00:20:11,800 --> 00:20:16,280
Speaker 3: talk on the phone. And for me, I obviously want

393
00:20:16,280 --> 00:20:17,720
Speaker 3: to talk about the thing, but I just love that

394
00:20:17,760 --> 00:20:22,440
Speaker 3: she's all, oh, you're all loopholeye and so coffy or whatever.

395
00:20:23,960 --> 00:20:27,560
Speaker 3: So I just thought the loophole thing and her bragging

396
00:20:27,560 --> 00:20:29,920
Speaker 3: about the loophole and then really he's like, no, a

397
00:20:30,040 --> 00:20:32,919
Speaker 3: sack of potatoes could fall on your head. So I

398
00:20:33,040 --> 00:20:38,480
Speaker 3: just find them to be so enjoyable, even when you

399
00:20:38,520 --> 00:20:42,639
Speaker 3: were like hey aggressively Hey, like, and it's not like

400
00:20:42,720 --> 00:20:46,199
Speaker 3: he's so he loves her, right, but Luke isn't like

401
00:20:46,359 --> 00:20:48,960
Speaker 3: just letting her go behind the counter and talk on

402
00:20:49,000 --> 00:20:51,080
Speaker 3: the phone all day, like she runs the place. And

403
00:20:51,119 --> 00:20:52,400
Speaker 3: I sort of like that too.

404
00:20:52,760 --> 00:20:55,359
Speaker 1: Right, those lines were looped. You could tell they.

405
00:20:55,280 --> 00:20:58,960
Speaker 3: Were because the hey was kind of random. Yeah, yeah,

406
00:20:59,040 --> 00:21:01,159
Speaker 3: they were. The loop lines were looped.

407
00:21:01,600 --> 00:21:05,520
Speaker 1: Yes, not not hers, I don't think hers.

408
00:21:05,280 --> 00:21:08,120
Speaker 3: But hey, your hey did seem and if.

409
00:21:08,040 --> 00:21:10,320
Speaker 1: Hers were loops, she did a much better looping session

410
00:21:10,320 --> 00:21:10,840
Speaker 1: than I did.

411
00:21:12,640 --> 00:21:14,360
Speaker 3: I just love that she's like, oh, it's like you're

412
00:21:14,359 --> 00:21:17,399
Speaker 3: wearing his letterman jacket at the Soka and she's I

413
00:21:17,400 --> 00:21:19,760
Speaker 3: don't know. I just loved the whole thing, right.

414
00:21:19,840 --> 00:21:24,680
Speaker 1: It was a nice, comfortable vibe, you know, relationship y vibe. Yeah,

415
00:21:24,680 --> 00:21:25,360
Speaker 1: it was nice.

416
00:21:25,960 --> 00:21:28,600
Speaker 3: Yeah, Just I think everyone always wants us to talk

417
00:21:28,640 --> 00:21:31,399
Speaker 3: about Luke and Laureli more, and my thing is like

418
00:21:31,520 --> 00:21:34,320
Speaker 3: they're just so pleasant. Now, Yes, this episode we will

419
00:21:34,359 --> 00:21:36,280
Speaker 3: get into who was right and who was wrong and

420
00:21:36,320 --> 00:21:39,879
Speaker 3: all that jazz. But they're just so pleasant and likable

421
00:21:39,960 --> 00:21:45,679
Speaker 3: and perfect and great chemistry that it's like there's no criticism.

422
00:21:45,920 --> 00:21:50,159
Speaker 1: They're just great, and so we can't talk about it

423
00:21:50,240 --> 00:21:53,960
Speaker 1: unless we criticize. Seems like we should just we should

424
00:21:54,040 --> 00:21:55,239
Speaker 1: have the ability to do that.

425
00:21:56,240 --> 00:21:58,879
Speaker 3: I mean, what does everybody think? How is everyone feeling

426
00:21:58,880 --> 00:22:00,080
Speaker 3: about Luke and laurel.

427
00:21:59,800 --> 00:22:05,520
Speaker 1: I I think they I think they're a great couple.

428
00:22:05,600 --> 00:22:08,000
Speaker 1: I think they're really comfortable with each other. I think

429
00:22:08,000 --> 00:22:12,119
Speaker 1: they're both very happy for the time being. And he's

430
00:22:12,280 --> 00:22:17,720
Speaker 1: on cloud nine, but he's not letting it show so much.

431
00:22:17,760 --> 00:22:20,439
Speaker 1: He's playing it cool again. And I think he just

432
00:22:20,600 --> 00:22:24,560
Speaker 1: feels like his life is where he wants it to be.

433
00:22:24,920 --> 00:22:28,240
Speaker 1: He's comfortable. This is what he's always wanted. So he's

434
00:22:28,240 --> 00:22:31,719
Speaker 1: got his diner, he's got his he's got as woman,

435
00:22:31,840 --> 00:22:35,560
Speaker 1: and and he's happy as a clan. That's as happy

436
00:22:35,600 --> 00:22:39,760
Speaker 1: as he's gonna he's he can be. And that's pretty good,

437
00:22:39,840 --> 00:22:40,040
Speaker 1: you know.

438
00:22:41,040 --> 00:22:43,000
Speaker 7: I think for the first time, we're watching and it

439
00:22:43,160 --> 00:22:47,000
Speaker 7: just feels like so natural, Like Lorelai doesn't seem like

440
00:22:47,640 --> 00:22:50,879
Speaker 7: forced into not force into a relationship but like it

441
00:22:51,119 --> 00:22:53,560
Speaker 7: just when they pop up on the screen, you're just like, oh, yeah,

442
00:22:53,560 --> 00:22:56,639
Speaker 7: they're together. Like it's just nice, happy scenes.

443
00:22:56,800 --> 00:22:59,280
Speaker 1: It feels free and easy, doesn't it. Yeah, there's a

444
00:22:59,280 --> 00:23:01,920
Speaker 1: breeziness to it, Yes to it.

445
00:23:01,920 --> 00:23:03,120
Speaker 3: It's easiness.

446
00:23:03,359 --> 00:23:07,160
Speaker 1: Yeah, And I think that's really it's unfair to the

447
00:23:07,240 --> 00:23:10,159
Speaker 1: guest actors that come on, you know, because I have

448
00:23:10,320 --> 00:23:12,320
Speaker 1: so much more time with her on screen. I have

449
00:23:12,359 --> 00:23:15,440
Speaker 1: so much more time to get used to her as

450
00:23:15,440 --> 00:23:18,200
Speaker 1: an actress and work with her and be with her,

451
00:23:18,880 --> 00:23:20,840
Speaker 1: so of course our scenes are going to be easier

452
00:23:20,880 --> 00:23:22,879
Speaker 1: and breezier and that kind of thing. So when somebody

453
00:23:22,920 --> 00:23:25,119
Speaker 1: comes on as a guest star to be the boyfriend

454
00:23:25,200 --> 00:23:27,239
Speaker 1: or a Scott Cohen or whoever it is, they do

455
00:23:27,280 --> 00:23:30,280
Speaker 1: a great job. But it's you know, it does it

456
00:23:30,320 --> 00:23:34,480
Speaker 1: does show that after five seasons. How what an advantage

457
00:23:34,520 --> 00:23:37,520
Speaker 1: that is for two actors to really because we just

458
00:23:37,560 --> 00:23:40,520
Speaker 1: sort of have a sixth sense about our timing, you

459
00:23:40,560 --> 00:23:44,520
Speaker 1: know each other's timing and our you know, how we

460
00:23:44,560 --> 00:23:46,720
Speaker 1: move within a scene of this kind of thing. So

461
00:23:46,760 --> 00:23:50,640
Speaker 1: it's it's and plus we've spent all that time on

462
00:23:50,720 --> 00:23:53,600
Speaker 1: that set and we know where everything is, so it

463
00:23:54,280 --> 00:23:57,679
Speaker 1: really feels like we're occupying that space and really truly

464
00:23:57,800 --> 00:24:01,760
Speaker 1: living in that space as if I own it and

465
00:24:01,840 --> 00:24:03,840
Speaker 1: I know it really well. One of the interesting things

466
00:24:03,880 --> 00:24:05,960
Speaker 1: about street Car named Desire when it was on Broadway,

467
00:24:06,000 --> 00:24:11,760
Speaker 1: Marlon Brando insisted on living on that set for three

468
00:24:11,880 --> 00:24:15,240
Speaker 1: four days, sleeping there, just getting to know it so

469
00:24:15,320 --> 00:24:17,280
Speaker 1: it would be really familiar to him. And that's what

470
00:24:17,359 --> 00:24:22,639
Speaker 1: I think. That's the advantage Laura and I had, And

471
00:24:22,680 --> 00:24:23,480
Speaker 1: that's you know.

472
00:24:24,240 --> 00:24:27,200
Speaker 3: I think on that same tion that really that's very

473
00:24:27,200 --> 00:24:32,560
Speaker 3: interesting because you're also regularly working with these writers directors

474
00:24:32,880 --> 00:24:37,440
Speaker 3: scripty number scripty we haven't mentioned script whereas the other

475
00:24:37,480 --> 00:24:40,480
Speaker 3: person is a newcomer, so you have a comfort level

476
00:24:42,000 --> 00:24:46,760
Speaker 3: so beyond anyone that has come in to be the boyfriend.

477
00:24:47,280 --> 00:24:50,360
Speaker 1: Right. Plus, I'm here, I am working with this this

478
00:24:50,600 --> 00:24:56,640
Speaker 1: marvelous actress, right, and there's total trust. We trust each

479
00:24:56,640 --> 00:24:59,879
Speaker 1: other very much. It's like that, you know, the trust

480
00:25:00,119 --> 00:25:03,520
Speaker 1: us fall back and I'll catch you. It's like we

481
00:25:03,600 --> 00:25:06,479
Speaker 1: can go as far out on the on the wire

482
00:25:06,760 --> 00:25:09,119
Speaker 1: as possible. I mean, I know she's gonna catch me.

483
00:25:09,160 --> 00:25:11,040
Speaker 1: She knows I'm gonna catch her, so she can just

484
00:25:11,080 --> 00:25:13,040
Speaker 1: do her thing and she can trust that I'm going

485
00:25:13,080 --> 00:25:15,919
Speaker 1: to wait, wait, wait til the last minute, boom and

486
00:25:16,000 --> 00:25:18,959
Speaker 1: I'll be there and vice versa. So it's really it

487
00:25:19,040 --> 00:25:23,760
Speaker 1: really makes for a very comfortable, easy, relaxed feeling. And

488
00:25:23,800 --> 00:25:26,199
Speaker 1: that's what I that's one of the scenes I actually

489
00:25:26,240 --> 00:25:30,199
Speaker 1: did focus on her watch and why that's nice, Yeah, breezy,

490
00:25:30,240 --> 00:25:32,320
Speaker 1: and it's just well lived scene.

491
00:25:32,880 --> 00:25:37,520
Speaker 3: Yes, I totally agree. So we do get Rory's idea

492
00:25:37,600 --> 00:25:39,640
Speaker 3: here where she's like, she really wants to get these

493
00:25:39,640 --> 00:25:42,560
Speaker 3: two back together, Richard and Emily, So she's gonna go

494
00:25:42,640 --> 00:25:44,960
Speaker 3: with Richard and Laura is going to go with Emily

495
00:25:45,200 --> 00:25:48,280
Speaker 3: and sort of one on one it and try and

496
00:25:48,359 --> 00:25:50,639
Speaker 3: start the process of getting them back together. So we

497
00:25:50,720 --> 00:25:54,080
Speaker 3: kind of get that gist. We then also see t

498
00:25:54,280 --> 00:25:59,480
Speaker 3: J come come in and his workout gear because he

499
00:25:59,520 --> 00:26:02,159
Speaker 3: needs to power and did anybody notice he's wearing the

500
00:26:02,280 --> 00:26:08,800
Speaker 3: soap around his neck. No, guys, you don't have to

501
00:26:08,800 --> 00:26:11,119
Speaker 3: go back and watch. He's fully like, got soap on

502
00:26:11,160 --> 00:26:17,320
Speaker 3: a rope around his neck, ready to shower. T J

503
00:26:17,600 --> 00:26:18,080
Speaker 3: just wins.

504
00:26:18,240 --> 00:26:22,560
Speaker 5: He just wins every time he's on the screen, no question.

505
00:26:23,280 --> 00:26:25,760
Speaker 3: The coffee's bitter, he tells you, your coffee is bitter.

506
00:26:26,160 --> 00:26:27,520
Speaker 3: Your coffee, how dare he is.

507
00:26:27,720 --> 00:26:31,960
Speaker 1: Take takes a pastry. I'm just.

508
00:26:33,480 --> 00:26:34,760
Speaker 3: So good.

509
00:26:35,000 --> 00:26:37,600
Speaker 1: And and that's and here's another thing. He wasn't there

510
00:26:37,640 --> 00:26:41,920
Speaker 1: a lot. And and look how well he uses that space. Yeah,

511
00:26:41,960 --> 00:26:46,200
Speaker 1: I mean behind, he grabs the coffee, grabs the pastry.

512
00:26:46,240 --> 00:26:50,800
Speaker 1: It's not easy to do, to talk and to move,

513
00:26:51,040 --> 00:26:54,080
Speaker 1: and to use props that you're not familiar with, that

514
00:26:54,119 --> 00:26:55,840
Speaker 1: you haven't lived with. And he's just so.

515
00:26:56,080 --> 00:26:57,400
Speaker 3: Yeah, I think great.

516
00:26:57,640 --> 00:26:59,680
Speaker 1: I think he's I think he's a genius. I think

517
00:26:59,680 --> 00:27:01,240
Speaker 1: he's a he's a comedic genius.

518
00:27:01,960 --> 00:27:03,840
Speaker 3: And in the same note, we sort of have a

519
00:27:03,920 --> 00:27:07,520
Speaker 3: similar I'm sort of comparing Michelle in Essen to TJ

520
00:27:08,080 --> 00:27:10,600
Speaker 3: in that Michelle sort of steals the scenes. He's in

521
00:27:10,840 --> 00:27:15,920
Speaker 3: two with his sort of way, you know. So he says, LAURAAI,

522
00:27:16,000 --> 00:27:18,720
Speaker 3: we need to talk, and the bathroom I'm sorry, the

523
00:27:18,760 --> 00:27:22,239
Speaker 3: bathroom bandits are here and he you know, so that

524
00:27:22,320 --> 00:27:26,119
Speaker 3: whole bit. I kind of think it's funny too, and

525
00:27:26,200 --> 00:27:29,000
Speaker 3: it becomes that running gag throughout the episode.

526
00:27:29,200 --> 00:27:32,800
Speaker 1: M h. We're not seeing a lot of Michelle, No,

527
00:27:32,920 --> 00:27:33,320
Speaker 1: but I.

528
00:27:33,200 --> 00:27:35,639
Speaker 3: Think he's always amazing in what he's in.

529
00:27:36,200 --> 00:27:40,800
Speaker 1: Oh yeah, he's killing It's almost like the cast is

530
00:27:40,880 --> 00:27:42,200
Speaker 1: so big, Like think about it.

531
00:27:43,000 --> 00:27:47,000
Speaker 3: Friends has six people, right, just six people. The Gilmore

532
00:27:47,240 --> 00:27:50,040
Speaker 3: cast of regulars is huge.

533
00:27:51,680 --> 00:27:55,920
Speaker 1: It's I don't know, it's huge. The regulars are eight

534
00:27:57,320 --> 00:27:58,200
Speaker 1: nine maybe.

535
00:27:58,160 --> 00:28:00,800
Speaker 3: Yeah, But then you have this set.

536
00:28:00,440 --> 00:28:02,120
Speaker 1: There's a lot of recurring characters.

537
00:28:02,200 --> 00:28:05,760
Speaker 3: Yeah, whereas on Friends, like there you know people recurred

538
00:28:05,760 --> 00:28:08,920
Speaker 3: like whatever, Paul Rud's in this many episodes or whoever's

539
00:28:08,920 --> 00:28:11,200
Speaker 3: in this many but it's like here, you've got these

540
00:28:11,200 --> 00:28:14,920
Speaker 3: people that recurred throughout all seven seasons and into.

541
00:28:14,760 --> 00:28:16,760
Speaker 1: The movies cast of thousands.

542
00:28:17,960 --> 00:28:22,880
Speaker 3: So okay. Then we get Laura Lai calling Christopher and

543
00:28:24,040 --> 00:28:26,879
Speaker 3: immediately he's freaked out, which I thought was acted well

544
00:28:26,920 --> 00:28:31,080
Speaker 3: and like true to where how you would be if

545
00:28:31,160 --> 00:28:33,960
Speaker 3: your kid tells you don't talk to her and you're

546
00:28:33,960 --> 00:28:37,879
Speaker 3: trying to do what your kid wants and he's just

547
00:28:36,240 --> 00:28:42,520
Speaker 3: so and then he kind of he's like you see

548
00:28:42,600 --> 00:28:46,640
Speaker 3: him resisting, resisting, resisting, it's all awkward, and then he

549
00:28:46,720 --> 00:28:51,160
Speaker 3: sort of just caves, and he's like kind of just caves,

550
00:28:51,160 --> 00:28:53,840
Speaker 3: and suddenly they're back to talking a bit more normally,

551
00:28:53,880 --> 00:28:55,840
Speaker 3: and she says come for lunch and he says yes.

552
00:28:57,560 --> 00:29:04,920
Speaker 3: First question to debate, he have said yes to lunch sure.

553
00:29:05,000 --> 00:29:07,960
Speaker 1: Otherwise, Yeah, there wouldn't have been as rich an episode.

554
00:29:10,160 --> 00:29:13,120
Speaker 6: I think I think, yes, he should have called Rory

555
00:29:13,160 --> 00:29:15,000
Speaker 6: and just said, hey, your mom wants to get dinner

556
00:29:15,280 --> 00:29:15,840
Speaker 6: lunch with me.

557
00:29:17,720 --> 00:29:18,920
Speaker 5: You know, I would love.

558
00:29:18,720 --> 00:29:21,600
Speaker 6: For you to be there, you know, like he because

559
00:29:21,640 --> 00:29:24,400
Speaker 6: he kind of was knew what he was doing. Rory

560
00:29:24,400 --> 00:29:27,400
Speaker 6: wouldn't like so he didn't say anything to her, right.

561
00:29:27,720 --> 00:29:27,960
Speaker 3: You know.

562
00:29:28,080 --> 00:29:30,720
Speaker 6: And and Rory does call him out at lunch when

563
00:29:31,560 --> 00:29:34,440
Speaker 6: when he says like, I didn't know, you knew, and

564
00:29:35,040 --> 00:29:36,440
Speaker 6: you know, like all that kind of stuff.

565
00:29:36,480 --> 00:29:41,280
Speaker 3: And I'm also glad she told Loralai about the conversations. Yeah,

566
00:29:41,360 --> 00:29:42,640
Speaker 3: I didn't feel like it was in a three S

567
00:29:42,680 --> 00:29:45,040
Speaker 3: company episode. You know. I always complained about that. It's like,

568
00:29:45,080 --> 00:29:47,480
Speaker 3: please don't put me in the one with the misunderstanding.

569
00:29:47,560 --> 00:29:50,160
Speaker 3: It's like, yeah, let me tell these people right away

570
00:29:50,160 --> 00:29:51,240
Speaker 3: what the heck is going on.

571
00:29:51,480 --> 00:29:52,880
Speaker 1: I feel terrible for Rory.

572
00:29:53,240 --> 00:29:57,000
Speaker 3: Oh interesting, Scott, sorry, Tarist, So Scott, I want to

573
00:29:57,040 --> 00:30:00,600
Speaker 3: dig into that. So Scott Scott said he feels terrible

574
00:30:00,600 --> 00:30:01,239
Speaker 3: for long too.

575
00:30:01,880 --> 00:30:03,960
Speaker 1: It's like now the chickens are coming home to roost.

576
00:30:04,040 --> 00:30:07,480
Speaker 1: This is this is why these are the complications from

577
00:30:07,960 --> 00:30:10,680
Speaker 1: divorce for divorce kids, you know, and this is sort

578
00:30:10,720 --> 00:30:15,280
Speaker 1: of a light version of extremely light version of what

579
00:30:15,360 --> 00:30:19,560
Speaker 1: a divorced kid experiences. And it's just it's awful to

580
00:30:19,600 --> 00:30:23,880
Speaker 1: see Rory in the middle of this and now her

581
00:30:24,400 --> 00:30:27,720
Speaker 1: her whole psychology and her her emotional life is getting

582
00:30:27,760 --> 00:30:32,720
Speaker 1: twisted around and wrapped around this, you know, this this situation.

583
00:30:33,240 --> 00:30:36,720
Speaker 1: And you know, she even imagine going to your dad

584
00:30:36,760 --> 00:30:40,480
Speaker 1: and saying, stay away from because you I mean, just

585
00:30:40,680 --> 00:30:44,160
Speaker 1: it's it's really that scene was really like her telling

586
00:30:44,160 --> 00:30:47,960
Speaker 1: her dad to get out of her life too. I agree,

587
00:30:48,080 --> 00:30:50,280
Speaker 1: because it's as much she has as much skin in

588
00:30:50,320 --> 00:30:53,200
Speaker 1: the game, uh, to see her mother happy and to

589
00:30:53,200 --> 00:30:57,440
Speaker 1: see herself happy, because her mother's happiness is her happiness.

590
00:30:57,480 --> 00:31:01,400
Speaker 1: And I liked that she was to end Luke and

591
00:31:01,600 --> 00:31:03,560
Speaker 1: knowing that, you know, she was saying that Luke's a

592
00:31:03,560 --> 00:31:07,000
Speaker 1: good man, He's good for my mom, you know, and

593
00:31:07,080 --> 00:31:11,360
Speaker 1: stay away. So in that she's so much like her mother, right,

594
00:31:11,600 --> 00:31:14,160
Speaker 1: and she sees the value in that. So, you know,

595
00:31:14,200 --> 00:31:16,760
Speaker 1: we discussed last episode whether she's you know, she's tend

596
00:31:17,000 --> 00:31:21,200
Speaker 1: trending towards you know, gilmore wealth or or you know

597
00:31:21,800 --> 00:31:26,440
Speaker 1: what her margin star right stars hollow community and you know,

598
00:31:26,600 --> 00:31:30,400
Speaker 1: all of the things that make a community function well

599
00:31:30,720 --> 00:31:34,520
Speaker 1: and tight knit and supporting each other and all those

600
00:31:34,800 --> 00:31:40,600
Speaker 1: great values and so on the one hand, I was,

601
00:31:40,720 --> 00:31:44,920
Speaker 1: I was, I was pleasantly surprised by how Rory was,

602
00:31:46,080 --> 00:31:50,080
Speaker 1: you know, trying to take charge of the situation. It

603
00:31:50,200 --> 00:31:53,280
Speaker 1: showed growth for me, it showed maturity. She was, you know,

604
00:31:53,320 --> 00:31:56,080
Speaker 1: trying to sort of, you know, keep her life on

605
00:31:56,120 --> 00:31:58,200
Speaker 1: a certain path and do what was good for her

606
00:31:58,240 --> 00:32:00,560
Speaker 1: mother and for herself. At the same time sad that

607
00:32:00,600 --> 00:32:02,600
Speaker 1: she had to be put in that situation, that she.

608
00:32:02,520 --> 00:32:04,720
Speaker 3: Had to get it painful, and it was painful for

609
00:32:04,800 --> 00:32:08,040
Speaker 3: Christopher and then ultimately painful for Lorlaia. Before I have

610
00:32:08,040 --> 00:32:09,960
Speaker 3: another question, Tara, what did you want to say.

611
00:32:10,040 --> 00:32:14,000
Speaker 7: Going back to your question of should he have said yes?

612
00:32:14,680 --> 00:32:17,200
Speaker 7: I was thinking he only said yes because.

613
00:32:16,920 --> 00:32:17,640
Speaker 4: It was at the inn.

614
00:32:18,960 --> 00:32:21,200
Speaker 3: Oh. Interesting, That's how I took it.

615
00:32:21,280 --> 00:32:23,240
Speaker 7: I took it as because it was at the inn,

616
00:32:23,320 --> 00:32:25,960
Speaker 7: and it's at her place of work. It's not like

617
00:32:26,040 --> 00:32:28,160
Speaker 7: he's going over to the house, which I think would

618
00:32:28,200 --> 00:32:32,840
Speaker 7: have been a completely different situation. And I also think

619
00:32:33,560 --> 00:32:37,160
Speaker 7: and I totally agree with with what Scott said, but

620
00:32:37,200 --> 00:32:39,920
Speaker 7: also as someone who I'm not a child of divorce,

621
00:32:40,000 --> 00:32:42,600
Speaker 7: So maybe I don't understand that part of it. And

622
00:32:42,640 --> 00:32:44,719
Speaker 7: I was very lucky to have both my parents. I mean,

623
00:32:44,760 --> 00:32:45,440
Speaker 7: they're still together.

624
00:32:45,600 --> 00:32:52,600
Speaker 4: They just celebrated their thirty eighth anniversary. But I kind

625
00:32:52,600 --> 00:32:55,600
Speaker 4: of didn't really agree with the way that Rory handled it.

626
00:32:56,320 --> 00:32:57,680
Speaker 3: Yeah, I was gonna ask you guys that.

627
00:32:57,960 --> 00:33:02,200
Speaker 6: Yeah, so I I complete, I completely agreed with you

628
00:33:02,960 --> 00:33:05,840
Speaker 6: until I saw Christopher and Laura I look at each

629
00:33:05,880 --> 00:33:08,880
Speaker 6: other at lunch, okay, and when they looked at each other,

630
00:33:08,960 --> 00:33:12,520
Speaker 6: I was like, m Rory has a point, you know,

631
00:33:12,760 --> 00:33:14,560
Speaker 6: like she does have a point.

632
00:33:15,520 --> 00:33:18,960
Speaker 3: Yeah, I thought the same. I actually even made a

633
00:33:19,000 --> 00:33:21,960
Speaker 3: note on the phone call. If you watch it back,

634
00:33:22,840 --> 00:33:24,600
Speaker 3: she's almost flirty with it.

635
00:33:24,760 --> 00:33:26,800
Speaker 1: Yeah. I was gonna say, you know, and I want

636
00:33:26,800 --> 00:33:31,000
Speaker 1: to be very careful how I say this, but Rory knows,

637
00:33:31,560 --> 00:33:33,719
Speaker 1: does Okay, let me ask you guys, let me let me,

638
00:33:33,800 --> 00:33:35,160
Speaker 1: let me turn the tableshe.

639
00:33:34,840 --> 00:33:35,920
Speaker 3: I think I know what you're gonna say.

640
00:33:36,040 --> 00:33:39,040
Speaker 1: Yeah. Do you think Rory knows that both her parents

641
00:33:39,080 --> 00:33:43,280
Speaker 1: are weak? Yeah, in a sense that they can't resist

642
00:33:43,360 --> 00:33:43,720
Speaker 1: each other.

643
00:33:44,200 --> 00:33:47,720
Speaker 3: Right, It's almost like Rory knows her mother, and that's

644
00:33:47,840 --> 00:33:50,680
Speaker 3: it's not just Rory knows Christopher that he comes in

645
00:33:50,760 --> 00:33:53,200
Speaker 3: and screws it up. It's that Rory knows her mother.

646
00:33:53,440 --> 00:33:56,800
Speaker 3: Now all for good, right, Like these people have this

647
00:33:57,240 --> 00:34:00,720
Speaker 3: incredible connection, and they have a daughter together, they will

648
00:34:00,760 --> 00:34:06,200
Speaker 3: always be so connected. But I think, Scott, what you

649
00:34:06,200 --> 00:34:07,840
Speaker 3: were alluding to and I sort of got like your

650
00:34:07,840 --> 00:34:11,359
Speaker 3: brainwave is like she knows her mother. So she's sort

651
00:34:11,360 --> 00:34:16,920
Speaker 3: of trying to stop it from Christopher because Laura, I

652
00:34:16,960 --> 00:34:18,680
Speaker 3: can't stop herself.

653
00:34:18,280 --> 00:34:22,560
Speaker 1: Because she because maybe Rory knows that Christopher is the

654
00:34:22,600 --> 00:34:26,840
Speaker 1: weaker one and that he will allow himself to be

655
00:34:26,920 --> 00:34:30,000
Speaker 1: sucked back in because he's now getting into a situation

656
00:34:30,160 --> 00:34:33,000
Speaker 1: where he's going to step back in. I mean his

657
00:34:33,400 --> 00:34:37,200
Speaker 1: his wife has left him right and with the baby

658
00:34:37,239 --> 00:34:40,680
Speaker 1: and she's gone, and now she knows that Christopher's his

659
00:34:41,719 --> 00:34:44,479
Speaker 1: default setting is coming back to Laura.

660
00:34:45,120 --> 00:34:48,440
Speaker 3: Well, and I guess the question is I understand why

661
00:34:48,480 --> 00:34:50,480
Speaker 3: Rory did what she did. I sort of wish there

662
00:34:50,520 --> 00:34:53,080
Speaker 3: was a better way to handle it, but thought I.

663
00:34:53,040 --> 00:34:56,560
Speaker 1: Thought it showed great presence of mind and great bravery

664
00:34:56,600 --> 00:35:01,000
Speaker 1: and maturity to go to your other and say I

665
00:35:01,080 --> 00:35:05,279
Speaker 1: know what you are and I've accepted it, and now

666
00:35:05,360 --> 00:35:08,480
Speaker 1: I'm making a stand and you're gonna and she's protecting

667
00:35:08,480 --> 00:35:09,000
Speaker 1: her own mother.

668
00:35:09,040 --> 00:35:11,520
Speaker 3: I thought, what about it takes two to tango. The

669
00:35:11,680 --> 00:35:15,000
Speaker 3: fault is not all in Christopher, even though Rory essentially

670
00:35:15,080 --> 00:35:16,560
Speaker 3: is putting all the fault in Christopher.

671
00:35:17,080 --> 00:35:19,439
Speaker 1: So she should go to Laura and say stay away

672
00:35:19,440 --> 00:35:26,520
Speaker 1: from Christopher or else well, or or else or else.

673
00:35:26,560 --> 00:35:29,839
Speaker 1: I'm going to get a b I'll show you. I'll

674
00:35:29,880 --> 00:35:32,239
Speaker 1: got to be in sociology, I'll show you.

675
00:35:32,760 --> 00:35:33,160
Speaker 3: Go ahead.

676
00:35:33,920 --> 00:35:36,400
Speaker 7: I think she should have told Laurai that she had

677
00:35:36,440 --> 00:35:41,320
Speaker 7: that conversation with her dad, like I think that leaving

678
00:35:41,360 --> 00:35:44,680
Speaker 7: them both out of it, like you can't talk to Laura,

679
00:35:44,719 --> 00:35:47,480
Speaker 7: I but Laura has no idea what's happening, and then

680
00:35:47,520 --> 00:35:50,440
Speaker 7: Laura is left in the middle of just like I.

681
00:35:51,040 --> 00:35:56,520
Speaker 1: But I think if she's she's in a way trying

682
00:35:56,560 --> 00:36:02,000
Speaker 1: to rebuild trust with her own father by making this

683
00:36:02,480 --> 00:36:05,920
Speaker 1: demand on him. And if she can trust him with this,

684
00:36:06,120 --> 00:36:11,280
Speaker 1: if he complies and it goes on for a time,

685
00:36:11,440 --> 00:36:14,160
Speaker 1: then she will have the power. She's just taking the

686
00:36:14,239 --> 00:36:16,120
Speaker 1: power away from him, and that.

687
00:36:16,200 --> 00:36:16,960
Speaker 3: Shows the right.

688
00:36:17,160 --> 00:36:19,520
Speaker 1: Yeah, so if she can so if he stays away

689
00:36:19,600 --> 00:36:22,919
Speaker 1: for a period of time, then she can go back

690
00:36:22,960 --> 00:36:26,240
Speaker 1: and she can continue to dictate terms, And that shows

691
00:36:26,320 --> 00:36:29,239
Speaker 1: that that that she now trusts him a little more

692
00:36:29,480 --> 00:36:32,239
Speaker 1: so she is it's like you're a dog. I got

693
00:36:32,280 --> 00:36:34,880
Speaker 1: to put you on my leash because my mother won't

694
00:36:34,880 --> 00:36:36,359
Speaker 1: do it, so I'm taking it.

695
00:36:36,880 --> 00:36:40,479
Speaker 3: But basically it shows she doesn't really trust either of them,

696
00:36:40,680 --> 00:36:45,560
Speaker 3: not with each other, right Like, because say Christopher would

697
00:36:45,560 --> 00:36:47,560
Speaker 3: have said, you know what, Rory, like, I love you,

698
00:36:47,600 --> 00:36:49,440
Speaker 3: I'll always love your mother, but I'm not going to

699
00:36:49,480 --> 00:36:52,880
Speaker 3: mess up her relationship with Luke. Let's all be a family,

700
00:36:53,160 --> 00:36:55,480
Speaker 3: you know, in that sense when we when we need

701
00:36:55,520 --> 00:36:58,319
Speaker 3: to be, your mom and I are connected, Rory would

702
00:36:58,320 --> 00:37:00,799
Speaker 3: have been like, I don't trust you. Now. How come

703
00:37:00,880 --> 00:37:03,640
Speaker 3: Lorelai doesn't have the ability to say I can be

704
00:37:03,680 --> 00:37:06,600
Speaker 3: perfectly capable of a friendship with your father that doesn't

705
00:37:06,640 --> 00:37:08,720
Speaker 3: cross the wine because she can't.

706
00:37:09,120 --> 00:37:11,799
Speaker 6: And that's why I think actually she's the weaker one

707
00:37:11,880 --> 00:37:16,479
Speaker 6: versus Christopher. Like Christopher comes in, screws things up, gets out,

708
00:37:17,320 --> 00:37:19,880
Speaker 6: the circle goes on and on and on, but Laurel

709
00:37:20,080 --> 00:37:22,600
Speaker 6: is the one that always falls for it every single time.

710
00:37:22,640 --> 00:37:25,000
Speaker 1: I don't know, I really I kind of trust Laurela

711
00:37:25,080 --> 00:37:25,600
Speaker 1: in this one.

712
00:37:27,680 --> 00:37:31,240
Speaker 3: I don't know, already flirting with him on the phone,

713
00:37:31,280 --> 00:37:33,359
Speaker 3: not that she's like a cheater, cheater, pumpkin eater.

714
00:37:33,760 --> 00:37:36,759
Speaker 5: But it's like he has a spell over her, that's

715
00:37:36,800 --> 00:37:37,239
Speaker 5: for sure.

716
00:37:37,800 --> 00:37:39,120
Speaker 3: Well, and let's get to this debate.

717
00:37:39,840 --> 00:37:41,200
Speaker 1: Yeah, I think so.

718
00:37:41,200 --> 00:37:43,200
Speaker 3: So let's debate this before I know we need to

719
00:37:43,200 --> 00:37:43,680
Speaker 3: go back.

720
00:37:43,520 --> 00:37:46,360
Speaker 1: Because he can get so whiny and so ineffectual. You

721
00:37:46,480 --> 00:37:48,439
Speaker 1: think that's like a turn on for her. I don't

722
00:37:48,440 --> 00:37:48,759
Speaker 1: get it.

723
00:37:48,960 --> 00:37:50,959
Speaker 4: I think it's just that it was her first love.

724
00:37:51,239 --> 00:37:54,359
Speaker 3: I think charming as heck. You guys, he's charming as heck.

725
00:37:59,480 --> 00:38:02,080
Speaker 3: So Okay, we still have to dig into the dinner

726
00:38:02,120 --> 00:38:03,920
Speaker 3: with Richard and Emily, but let's put a pin in

727
00:38:03,960 --> 00:38:09,200
Speaker 3: that and debate this. Did Laurel Ie the right thing

728
00:38:09,400 --> 00:38:13,000
Speaker 3: by inviting Christopher to launch number two? Should she have

729
00:38:13,080 --> 00:38:18,000
Speaker 3: told Luke ahead of time, like what is the right

730
00:38:18,040 --> 00:38:20,760
Speaker 3: way to be here? And I don't know the answer.

731
00:38:20,880 --> 00:38:23,359
Speaker 3: Because it is Rory's dad, she needs to be able

732
00:38:23,360 --> 00:38:24,480
Speaker 3: to communicate with him.

733
00:38:24,640 --> 00:38:28,360
Speaker 1: I don't think that that are Luke and Laurel I

734
00:38:28,480 --> 00:38:31,440
Speaker 1: at the stage of their relationship where it's so committed

735
00:38:31,920 --> 00:38:37,160
Speaker 1: and so etched in stone that there's an inevitable engagement

736
00:38:38,200 --> 00:38:40,960
Speaker 1: where Laurel I feels like she has to ask Luke

737
00:38:41,040 --> 00:38:42,720
Speaker 1: permission for to see her.

738
00:38:43,320 --> 00:38:44,400
Speaker 3: I don't think she does.

739
00:38:45,120 --> 00:38:46,640
Speaker 5: She doesn't have to ask for permission.

740
00:38:46,840 --> 00:38:49,360
Speaker 6: I think she does, think she needs to give the

741
00:38:49,440 --> 00:38:53,560
Speaker 6: courteous Hey, by the way, I'm doing this like, you know, but.

742
00:38:53,920 --> 00:38:56,440
Speaker 3: I actually disagree. I'm going to go out on a

743
00:38:56,480 --> 00:39:01,279
Speaker 3: limb here. I actually think Luke and Laura Lai are

744
00:39:01,520 --> 00:39:05,440
Speaker 3: so tight and so together. Right, Yes, they went from

745
00:39:05,520 --> 00:39:07,759
Speaker 3: zero to one hundred, but that's because they had seven

746
00:39:07,800 --> 00:39:09,799
Speaker 3: years of friendship or whatever, nine years of friendship, whatever

747
00:39:09,800 --> 00:39:13,560
Speaker 3: it is. I forget the map that Luke should assume

748
00:39:14,040 --> 00:39:18,680
Speaker 3: Laura Lai will have conversations and times when she sees

749
00:39:18,760 --> 00:39:22,200
Speaker 3: Rory's father, And I think that is the point why

750
00:39:22,280 --> 00:39:26,839
Speaker 3: he reiterates it twice. I'm cool with it because they

751
00:39:26,920 --> 00:39:30,520
Speaker 3: can't exist as a couple if he isn't cool with that.

752
00:39:31,400 --> 00:39:33,120
Speaker 6: I agree with that, but I still go back to

753
00:39:33,520 --> 00:39:37,200
Speaker 6: it's not permission. It's more like, hey, I'm doing this,

754
00:39:37,440 --> 00:39:39,759
Speaker 6: you know, like she doesn't need to ask for permission

755
00:39:39,800 --> 00:39:40,520
Speaker 6: to talk to her.

756
00:39:40,680 --> 00:39:44,319
Speaker 1: Not asking permission directly, just sort of say, you know,

757
00:39:44,480 --> 00:39:45,520
Speaker 1: to let him know.

758
00:39:45,760 --> 00:39:50,319
Speaker 3: I mean, so, should she have given heads up, like so,

759
00:39:50,400 --> 00:39:52,640
Speaker 3: say she invites Christopher to lunch, you know.

760
00:39:52,600 --> 00:39:54,960
Speaker 1: What would be, it would be the considerate thing to do.

761
00:39:55,160 --> 00:39:58,160
Speaker 3: Yeah, so she should have sort of given him heads up. Hey,

762
00:39:58,440 --> 00:40:01,120
Speaker 3: just so so you know tomorrow, Christopher's coming by the

763
00:40:01,200 --> 00:40:03,719
Speaker 3: end with Gigi to see it, and you know, we're

764
00:40:03,719 --> 00:40:05,799
Speaker 3: going to catch up over lunch and you know, talk

765
00:40:05,800 --> 00:40:06,600
Speaker 3: about Rory.

766
00:40:06,400 --> 00:40:09,600
Speaker 6: And then I don't think if Rory didn't call her out,

767
00:40:09,760 --> 00:40:12,279
Speaker 6: you know, call her out on it.

768
00:40:12,280 --> 00:40:13,800
Speaker 5: I don't think she would have said anything.

769
00:40:14,440 --> 00:40:18,920
Speaker 3: That's the problem. Yeah, that's where the red flag was

770
00:40:19,280 --> 00:40:21,760
Speaker 3: in that she was like, first of all, she lied,

771
00:40:22,320 --> 00:40:25,279
Speaker 3: she says to Rory, Oh, he's fine with it. Yeah.

772
00:40:25,480 --> 00:40:27,160
Speaker 7: So it took me a second because I was like,

773
00:40:27,239 --> 00:40:29,840
Speaker 7: did we miss a scene where she like I literally

774
00:40:29,960 --> 00:40:30,759
Speaker 7: went back and I.

775
00:40:30,760 --> 00:40:33,839
Speaker 6: Say, that's exactly when you found out that Laurai did

776
00:40:33,880 --> 00:40:34,759
Speaker 6: something wrong.

777
00:40:34,840 --> 00:40:37,359
Speaker 3: You know, like we know it again because she says

778
00:40:37,360 --> 00:40:39,799
Speaker 3: to Suki. Suki asked her, well, what did Luke say?

779
00:40:41,680 --> 00:40:44,640
Speaker 3: She lied to her kid, and and sort of they

780
00:40:44,680 --> 00:40:48,719
Speaker 3: address is there really a weird reason you didn't tell Luke?

781
00:40:50,880 --> 00:40:52,600
Speaker 3: And it's like, why didn't she tell him?

782
00:40:52,719 --> 00:40:54,879
Speaker 7: I think she's so and this is just in her

783
00:40:54,960 --> 00:40:57,160
Speaker 7: life in general. I think Laurlai is so afraid of

784
00:40:57,239 --> 00:41:02,399
Speaker 7: conflict and so she just tries to dodge around all

785
00:41:02,440 --> 00:41:05,280
Speaker 7: these things so she doesn't have to have these conversations

786
00:41:05,440 --> 00:41:08,360
Speaker 7: when it was so easy, like Luke was just like okay,

787
00:41:08,560 --> 00:41:11,719
Speaker 7: Like he didn't push back, he didn't say anything.

788
00:41:11,400 --> 00:41:11,640
Speaker 2: And.

789
00:41:13,560 --> 00:41:15,759
Speaker 3: Scott, you tell me how you feel, because I thought

790
00:41:15,760 --> 00:41:20,200
Speaker 3: on his first okay, it was actually I'm kind of

791
00:41:20,200 --> 00:41:21,120
Speaker 3: butt hurt by this.

792
00:41:21,400 --> 00:41:21,640
Speaker 6: Yeah.

793
00:41:21,800 --> 00:41:25,399
Speaker 3: The second one at the car, I was like, he's

794
00:41:25,440 --> 00:41:29,239
Speaker 3: had time to process this, and that one he actually.

795
00:41:28,960 --> 00:41:30,960
Speaker 5: Is okay, Yeah, I agree.

796
00:41:33,600 --> 00:41:36,040
Speaker 3: The first one seemed to me like you said ok

797
00:41:36,280 --> 00:41:39,600
Speaker 3: because because he's not an asshole. Oh sorry, I love

798
00:41:39,640 --> 00:41:40,080
Speaker 3: to say that.

799
00:41:40,120 --> 00:41:44,960
Speaker 5: He was like okay, as in I'm digesting this information.

800
00:41:45,080 --> 00:41:48,360
Speaker 6: I don't know how i feel about it yet, love me.

801
00:41:48,400 --> 00:41:51,480
Speaker 5: And then he talks to oh my god, why am

802
00:41:51,520 --> 00:41:59,280
Speaker 5: I blanking the name TJ TJ? Yeah, he literally almost

803
00:42:00,239 --> 00:42:00,920
Speaker 5: from Bards.

804
00:42:01,320 --> 00:42:04,040
Speaker 3: I wouldn't know from Scott, like how did all of

805
00:42:04,120 --> 00:42:06,160
Speaker 3: that land on you? How did it land on you?

806
00:42:06,200 --> 00:42:09,400
Speaker 3: When she tells you after the fact, then you you

807
00:42:09,600 --> 00:42:13,120
Speaker 3: obviously are kind of something about it. I don't know

808
00:42:13,160 --> 00:42:16,600
Speaker 3: if you're bothered by it or if you're shuddled by it,

809
00:42:16,680 --> 00:42:17,960
Speaker 3: or if you're trying to figure it out.

810
00:42:19,560 --> 00:42:22,520
Speaker 1: I think any guy would be we have a little

811
00:42:22,520 --> 00:42:23,520
Speaker 1: bit of a problem with it.

812
00:42:25,040 --> 00:42:29,080
Speaker 3: And then what do you feel when he says it right? Right,

813
00:42:29,280 --> 00:42:30,440
Speaker 3: not a huge problem because.

814
00:42:30,239 --> 00:42:32,760
Speaker 1: It's not a huge problem, but it's like almost like, gosh,

815
00:42:32,800 --> 00:42:36,160
Speaker 1: I wish you would have told me, you know, yeah,

816
00:42:36,320 --> 00:42:38,440
Speaker 1: because you know he could see he could see her

817
00:42:38,440 --> 00:42:41,799
Speaker 1: fumbling around and she was getting to something and being awkward, and.

818
00:42:43,280 --> 00:42:44,760
Speaker 5: Because you know, Luke would tell.

819
00:42:44,680 --> 00:42:48,520
Speaker 4: Lorlai, yeah you would.

820
00:42:48,719 --> 00:42:55,799
Speaker 3: I think, yes, he would. I think you're right. I doish, although, but.

821
00:42:56,239 --> 00:43:01,400
Speaker 1: A lot of trust issues being addressed in this episode mother.

822
00:43:01,360 --> 00:43:03,160
Speaker 3: Well, and then Scott, how did you feel at the

823
00:43:03,360 --> 00:43:05,759
Speaker 3: second time when she gets out of the car and

824
00:43:05,800 --> 00:43:07,600
Speaker 3: she wants you know, it's very cute you have that

825
00:43:07,719 --> 00:43:10,600
Speaker 3: very romantic kiss and you can't stay over and she

826
00:43:10,640 --> 00:43:13,759
Speaker 3: wants you to. They're obviously totally good, right, he knows

827
00:43:13,760 --> 00:43:16,960
Speaker 3: they're good. They're good, And then he says it again.

828
00:43:17,080 --> 00:43:19,920
Speaker 6: That kiss, by the way, was very That was something

829
00:43:21,080 --> 00:43:23,840
Speaker 6: I was like, whoa, Okay, guys.

830
00:43:23,719 --> 00:43:27,680
Speaker 1: When the passion is really there, yeah, no, totally agree, Like,

831
00:43:27,880 --> 00:43:33,479
Speaker 1: you know, when the passion's really there and you're really

832
00:43:33,560 --> 00:43:36,480
Speaker 1: yearning in the beginning of a relationship or even in

833
00:43:36,520 --> 00:43:39,640
Speaker 1: the in the first third of your relationship. I mean,

834
00:43:39,680 --> 00:43:43,520
Speaker 1: when things are still exciting and you're really yearning for

835
00:43:43,600 --> 00:43:50,279
Speaker 1: that person and thinking about that person all the time. Yeah,

836
00:43:50,320 --> 00:43:55,920
Speaker 1: there's a little bit of fear that something could derail it,

837
00:43:56,040 --> 00:44:01,759
Speaker 1: and you're I think a little extra, you know, you're

838
00:44:01,840 --> 00:44:03,040
Speaker 1: just sort of on watch.

839
00:44:05,320 --> 00:44:06,720
Speaker 3: Yeah, yeah, yeah, yeah, any.

840
00:44:06,560 --> 00:44:09,000
Speaker 1: Any sort of normal things. I mean, if there were

841
00:44:09,080 --> 00:44:11,959
Speaker 1: five years in and hey, you know, if I didn't

842
00:44:12,000 --> 00:44:14,799
Speaker 1: tell you what I had lunch, you know whatever, it's like, well,

843
00:44:14,960 --> 00:44:19,160
Speaker 1: big deal. But at the beginning, it's it's a little tough,

844
00:44:19,360 --> 00:44:19,640
Speaker 1: you know.

845
00:44:19,680 --> 00:44:21,839
Speaker 3: Yeah.

846
00:44:22,560 --> 00:44:26,160
Speaker 1: I acted appropriately and and and and listen. It's like

847
00:44:27,400 --> 00:44:30,279
Speaker 1: he had to get that feeling be on a date

848
00:44:30,320 --> 00:44:34,520
Speaker 1: with her, fall deeper deeper in love, have that time

849
00:44:34,600 --> 00:44:38,399
Speaker 1: with her to know that things were progressing and even

850
00:44:38,440 --> 00:44:42,640
Speaker 1: getting better. So he felt relieved, right, So that's why

851
00:44:42,680 --> 00:44:43,600
Speaker 1: he said, Yeah.

852
00:44:43,440 --> 00:44:46,080
Speaker 3: That's the right way to say. You could see it

853
00:44:46,120 --> 00:44:49,080
Speaker 3: in his body language. He felt relieved knowing his date

854
00:44:49,200 --> 00:44:52,640
Speaker 3: is great, we're good, we're super solid. I'm walking to

855
00:44:52,719 --> 00:44:53,440
Speaker 3: the car.

856
00:44:55,400 --> 00:44:57,960
Speaker 1: And if he feels a little distance and she's acting

857
00:44:58,000 --> 00:45:01,120
Speaker 1: funny and she's not herself, then he drops her off

858
00:45:01,120 --> 00:45:04,160
Speaker 1: and goes, hey, what what's going on, you know, because guys,

859
00:45:04,239 --> 00:45:07,160
Speaker 1: now you can tell, you can just tell.

860
00:45:08,560 --> 00:45:11,680
Speaker 3: Now before we get to Richard and Emily, which I

861
00:45:11,719 --> 00:45:14,400
Speaker 3: really wanted to get into, can we please talk about

862
00:45:14,760 --> 00:45:16,360
Speaker 3: the fakest baby?

863
00:45:16,600 --> 00:45:19,839
Speaker 5: Oh my god, thank god, I'm so happy you brought

864
00:45:19,880 --> 00:45:20,160
Speaker 5: it up.

865
00:45:20,760 --> 00:45:21,600
Speaker 1: It was a.

866
00:45:21,719 --> 00:45:30,160
Speaker 6: Picture you talking about, gig right, Yes, okay.

867
00:45:29,440 --> 00:45:31,719
Speaker 3: It wasn't even almost disturbing.

868
00:45:32,040 --> 00:45:34,600
Speaker 6: There was times where there was not even a rubber

869
00:45:34,640 --> 00:45:36,160
Speaker 6: baby in.

870
00:45:36,120 --> 00:45:39,319
Speaker 3: The little to see the cheerios, the weird cheers. Oh

871
00:45:39,360 --> 00:45:41,719
Speaker 3: my god. Okay, first of all, did you guys see

872
00:45:41,800 --> 00:45:45,680
Speaker 3: so for everyone listening, obviously we all have a group text, right,

873
00:45:46,000 --> 00:45:48,560
Speaker 3: and it's it's a live it's a strong group.

874
00:45:48,640 --> 00:45:49,640
Speaker 5: TeX's a lie.

875
00:45:49,960 --> 00:45:52,920
Speaker 3: So I was watching this a few nights ago. I

876
00:45:53,040 --> 00:45:56,719
Speaker 3: like to get ahead, right, and I had to put

877
00:45:56,760 --> 00:46:00,560
Speaker 3: it into the group text, a photo of the baby.

878
00:46:00,600 --> 00:46:03,040
Speaker 3: And what did Scott? Right back, Scott, you wrote something

879
00:46:03,120 --> 00:46:05,879
Speaker 3: so epic. You're like, that's the most frightening thing I've

880
00:46:05,880 --> 00:46:09,440
Speaker 3: ever seen. Like it was the rubberst rubber baby we've

881
00:46:09,480 --> 00:46:11,399
Speaker 3: ever seen. It was like, and then did you see

882
00:46:11,400 --> 00:46:14,120
Speaker 3: the weird hand At one point there's one part where

883
00:46:14,160 --> 00:46:15,440
Speaker 3: I still think it's a fake baby.

884
00:46:15,880 --> 00:46:18,719
Speaker 5: Oh god, I'm just seeing these screenshots. I didn't I

885
00:46:18,719 --> 00:46:19,160
Speaker 5: didn't know.

886
00:46:20,600 --> 00:46:23,040
Speaker 3: Oh my god, I don't know if Jackie can pull

887
00:46:23,160 --> 00:46:26,719
Speaker 3: up the scene with the fakest baby. Then it went real,

888
00:46:27,080 --> 00:46:30,320
Speaker 3: so it was more jarring because then there's like three

889
00:46:30,360 --> 00:46:34,520
Speaker 3: shots where it's the real baby, but there's one you guys.

890
00:46:34,920 --> 00:46:38,480
Speaker 8: There's three shots where there's no baby, but there's one

891
00:46:38,480 --> 00:46:40,839
Speaker 8: other you guys have to watch it, Jackie, I don't

892
00:46:40,840 --> 00:46:45,480
Speaker 8: mean to like throw you like a curveball the baby.

893
00:46:45,760 --> 00:46:48,719
Speaker 3: You see just the baby arm and it's clearly the

894
00:46:48,840 --> 00:46:51,520
Speaker 3: rubber baby and the arm. Let me, let me reenact

895
00:46:51,560 --> 00:46:54,480
Speaker 3: it so you'd be seeing just my weird fake rubber

896
00:46:54,520 --> 00:46:57,040
Speaker 3: baby head and then you just see an arm. Oh wait,

897
00:46:57,040 --> 00:46:59,759
Speaker 3: I think I can do like this er er and

898
00:47:00,040 --> 00:47:07,120
Speaker 3: I'm like and like, no baby, no baby in the

899
00:47:07,160 --> 00:47:11,120
Speaker 3: history of the universe has ever moved their hand like that.

900
00:47:12,360 --> 00:47:18,000
Speaker 6: It was goble Oh my god. But I just was like,

901
00:47:19,239 --> 00:47:22,480
Speaker 6: what jarred me the most was the just lack of child.

902
00:47:23,360 --> 00:47:25,960
Speaker 5: In the first show.

903
00:47:26,120 --> 00:47:30,439
Speaker 3: They can afford to build scaffolding that people jump off

904
00:47:30,480 --> 00:47:36,000
Speaker 3: of with umbrellas, they can't afford to just Okay, first

905
00:47:36,000 --> 00:47:39,200
Speaker 3: of all, guys, what I want everybody to do is

906
00:47:39,239 --> 00:47:40,279
Speaker 3: go back and watch is.

907
00:47:40,280 --> 00:47:42,120
Speaker 1: A lifeless looking back of the head.

908
00:47:42,680 --> 00:47:45,520
Speaker 3: It is so bad. And then they're sort of talking

909
00:47:45,560 --> 00:47:48,040
Speaker 3: and you can tell they've removed the look.

910
00:47:48,920 --> 00:47:49,279
Speaker 1: That look.

911
00:47:50,120 --> 00:47:52,759
Speaker 3: I know they like each other. But then wait for

912
00:47:52,800 --> 00:47:55,680
Speaker 3: the hand, the fake hand. You guys, everybody has to

913
00:47:55,719 --> 00:47:59,360
Speaker 3: go rewatch this. We're at twenty two minutes in something

914
00:47:59,440 --> 00:48:02,520
Speaker 3: like that. Okay, just you can let it roll, Jackie,

915
00:48:02,560 --> 00:48:05,600
Speaker 3: just let it roll because the fakeness is so strong.

916
00:48:06,560 --> 00:48:10,400
Speaker 3: Wait till the arm.

917
00:48:08,960 --> 00:48:11,239
Speaker 5: And then for everyone, this is around the twenty two

918
00:48:11,280 --> 00:48:11,799
Speaker 5: minute mark.

919
00:48:12,600 --> 00:48:12,920
Speaker 9: Yeah.

920
00:48:12,960 --> 00:48:15,920
Speaker 3: So, and by the way, okay, first of all, there's

921
00:48:15,960 --> 00:48:21,240
Speaker 3: just the cher seat with just weird fruits or cheerios. Okay,

922
00:48:21,280 --> 00:48:24,000
Speaker 3: no baby here comes in Rory, she's all mad that

923
00:48:24,080 --> 00:48:27,680
Speaker 3: Christopher's there. And then it's a real, real baby. He's

924
00:48:27,719 --> 00:48:31,920
Speaker 3: a lie and the baby. Okay, guys, what is the

925
00:48:31,960 --> 00:48:32,680
Speaker 3: time code there?

926
00:48:32,840 --> 00:48:34,800
Speaker 4: No, it moves, oh.

927
00:48:34,800 --> 00:48:38,440
Speaker 5: The heads to a real baby.

928
00:48:38,760 --> 00:48:43,560
Speaker 7: No, there's no ways a fake baby.

929
00:48:43,840 --> 00:48:44,879
Speaker 5: Baby, that's real.

930
00:48:44,960 --> 00:48:45,280
Speaker 1: Baby.

931
00:48:45,520 --> 00:48:47,920
Speaker 3: I'm telling you that round is so fake.

932
00:48:48,480 --> 00:48:49,239
Speaker 5: No, that's real.

933
00:48:49,360 --> 00:48:51,840
Speaker 4: No, it's real. The way it's not real turns the

934
00:48:51,880 --> 00:48:53,720
Speaker 4: way that turns it has to baby.

935
00:48:54,600 --> 00:48:57,279
Speaker 5: No baby, Yeah, that's real, that's real.

936
00:48:57,560 --> 00:49:00,640
Speaker 3: Then there's a different part. There's a different part. Humm,

937
00:49:01,080 --> 00:49:04,200
Speaker 3: no baby, no baby.

938
00:49:04,239 --> 00:49:08,719
Speaker 1: The rubber baby's head looks larger than the real baby's head. Huh.

939
00:49:09,520 --> 00:49:12,800
Speaker 3: How about just the baby's gone and then Laura's talking

940
00:49:12,800 --> 00:49:18,800
Speaker 3: to the baby that's not there, So good, Okay, baby's gone.

941
00:49:21,000 --> 00:49:23,839
Speaker 3: Then there's the Oh my god, you guys, I'm sorry they.

942
00:49:23,760 --> 00:49:25,560
Speaker 4: Made it like a tighter shot. It would have been

943
00:49:25,640 --> 00:49:26,080
Speaker 4: less of it.

944
00:49:26,080 --> 00:49:28,000
Speaker 3: Well, just why even show that weird part of the

945
00:49:28,560 --> 00:49:31,000
Speaker 3: the high chair or the high.

946
00:49:30,960 --> 00:49:33,120
Speaker 1: Chair because they didn't have another tighter.

947
00:49:33,320 --> 00:49:35,080
Speaker 3: I still think there's a part where the baby's arm

948
00:49:35,200 --> 00:49:40,200
Speaker 3: just goes uh whatever. Anyway, that gave me a lot

949
00:49:40,239 --> 00:49:40,600
Speaker 3: of joy.

950
00:49:40,800 --> 00:49:42,080
Speaker 1: It was still magic.

951
00:49:42,400 --> 00:49:47,520
Speaker 3: How about Rory? So here's my other question. If Loralai called,

952
00:49:47,760 --> 00:49:51,960
Speaker 3: does that change things versus Christopher calling. She was sort

953
00:49:51,960 --> 00:49:53,040
Speaker 3: of like stuck on.

954
00:49:53,000 --> 00:49:57,160
Speaker 6: That it changes things for a slight second, Yes, it

955
00:49:57,239 --> 00:49:59,920
Speaker 6: changes things because he's not the one reaching out to her.

956
00:50:00,080 --> 00:50:02,600
Speaker 5: At least Laureaiz is the one reaching out to him.

957
00:50:02,840 --> 00:50:05,560
Speaker 3: You know, in theory, he's still supposed to say no.

958
00:50:06,120 --> 00:50:09,120
Speaker 4: But I think he respected Rory by not calling Laura.

959
00:50:09,200 --> 00:50:10,760
Speaker 4: He never called, true, Yeah.

960
00:50:11,400 --> 00:50:14,040
Speaker 1: But he cave so fast on that phone call, and

961
00:50:14,080 --> 00:50:16,520
Speaker 1: it's like it's like he's just so fast.

962
00:50:16,600 --> 00:50:19,040
Speaker 3: He's so fast. He tried so hard for like a

963
00:50:19,040 --> 00:50:20,680
Speaker 3: full ninety seconds and I.

964
00:50:20,800 --> 00:50:23,680
Speaker 1: Was back in the saddle again. Hey, Laurie, Yeah, I love, Yeah,

965
00:50:23,719 --> 00:50:28,360
Speaker 1: we'll come by. What I think you should respect my daughter,

966
00:50:28,400 --> 00:50:29,799
Speaker 1: I don't care who cares. I never.

967
00:50:30,360 --> 00:50:32,880
Speaker 6: What I think he should have done is, hey, Laura,

968
00:50:33,160 --> 00:50:34,759
Speaker 6: talk to Rory about it.

969
00:50:34,840 --> 00:50:36,480
Speaker 5: If she's into it, we'll do it.

970
00:50:36,880 --> 00:50:40,720
Speaker 3: But remember, Rory doesn't know Laurel I pulled like a trick,

971
00:50:41,360 --> 00:50:44,560
Speaker 3: well yeah, Christopher and doesn't tell Christopher Rory is coming.

972
00:50:44,800 --> 00:50:49,400
Speaker 6: I know, but Daniel, Christopher should have said that, like

973
00:50:49,560 --> 00:50:51,200
Speaker 6: on the call when she's like, hey, do you want

974
00:50:51,200 --> 00:50:54,720
Speaker 6: to do dinner or lunch at the Dragonfly whatever?

975
00:50:54,840 --> 00:50:55,760
Speaker 3: Dad's coming?

976
00:50:56,239 --> 00:50:59,759
Speaker 6: Yeah, I or no, Like when she asked Christopher that,

977
00:51:00,160 --> 00:51:02,200
Speaker 6: Christopher Shaw said, Hey, why don't you ask Rory?

978
00:51:02,200 --> 00:51:03,480
Speaker 5: If Rory's into it, I'll come.

979
00:51:04,440 --> 00:51:07,839
Speaker 1: You know what, maybe one thing maybe saying here is

980
00:51:07,880 --> 00:51:11,200
Speaker 1: that maybe it is just you know, Laura, like Gilmore

981
00:51:11,320 --> 00:51:15,279
Speaker 1: is so charming and so beautiful, it's hard to decline

982
00:51:15,320 --> 00:51:16,239
Speaker 1: an invitation for.

983
00:51:16,320 --> 00:51:19,000
Speaker 3: Me and he loves her. Okay, So my question for

984
00:51:19,040 --> 00:51:20,840
Speaker 3: the three of you and we'll all take a vote

985
00:51:21,480 --> 00:51:26,000
Speaker 3: of the three of them, Laura, l Christopher, Rory, and

986
00:51:26,040 --> 00:51:29,360
Speaker 3: you can only pick one who was the most sort

987
00:51:29,360 --> 00:51:36,520
Speaker 3: of wrong Christopher, I disagree. Who do you think, Tara.

988
00:51:38,200 --> 00:51:40,600
Speaker 4: I'm gonna say Lauralai for not telling Luke?

989
00:51:41,080 --> 00:51:43,440
Speaker 5: Me too, who Christopher?

990
00:51:44,440 --> 00:51:46,360
Speaker 3: See, I think it's Laurai because not only did she

991
00:51:46,440 --> 00:51:47,720
Speaker 3: not tell Luke, she lied.

992
00:51:48,040 --> 00:51:51,880
Speaker 4: Yeah, it's the lying part actually mostly then, but.

993
00:51:52,280 --> 00:51:56,640
Speaker 1: Christopher kind of lied against his daughter. He didn't, he

994
00:51:56,719 --> 00:51:59,680
Speaker 1: didn't uphold his end. He made a bargain with his daughter, true,

995
00:52:00,280 --> 00:52:05,520
Speaker 1: and he's looking to make excuses for one and that's

996
00:52:05,600 --> 00:52:08,799
Speaker 1: sort of his his character. His nature is to make

997
00:52:08,880 --> 00:52:13,239
Speaker 1: excuses for why he does things that go against himself

998
00:52:13,320 --> 00:52:16,040
Speaker 1: and go against other people's wishes. And I think that

999
00:52:16,160 --> 00:52:18,240
Speaker 1: really puts him most at fault in my opinion.

1000
00:52:18,480 --> 00:52:20,200
Speaker 7: Yeah, I think they all were a little in the

1001
00:52:20,239 --> 00:52:23,279
Speaker 7: wrong in their own yeah way shape or for him.

1002
00:52:28,280 --> 00:52:31,040
Speaker 3: So let's pivot to what I think is the most

1003
00:52:31,040 --> 00:52:34,840
Speaker 3: important thing in this episode, which we'll get into Emily

1004
00:52:35,000 --> 00:52:39,160
Speaker 3: and Richard. So first of all, I'll just I'm gonna

1005
00:52:39,200 --> 00:52:41,320
Speaker 3: give a quick recap of what happens, and then I

1006
00:52:41,360 --> 00:52:43,880
Speaker 3: want to get her own stocks. So it kind of

1007
00:52:43,880 --> 00:52:47,960
Speaker 3: fails the one on one because moral is not good

1008
00:52:47,960 --> 00:52:49,600
Speaker 3: at it. She's like, can you got back together with dad?

1009
00:52:49,600 --> 00:52:52,680
Speaker 3: And she says, I think I need to date. Okay,

1010
00:52:53,160 --> 00:52:56,160
Speaker 3: So initially when she said that, especially for Scott and Danielle,

1011
00:52:56,200 --> 00:52:56,880
Speaker 3: what did you guys.

1012
00:52:56,760 --> 00:53:06,080
Speaker 1: Think funny seen on the couch you're a little close? Yeah,

1013
00:53:06,080 --> 00:53:08,759
Speaker 1: it doesn't. You know, we want to get back to

1014
00:53:08,800 --> 00:53:11,879
Speaker 1: Friday night dinners. I think as a as a community

1015
00:53:11,920 --> 00:53:15,279
Speaker 1: of fans, let's get back to Friday night dinners. We

1016
00:53:15,360 --> 00:53:17,560
Speaker 1: got to fix this Richard Emily thing. But is it

1017
00:53:17,640 --> 00:53:18,280
Speaker 1: is entertaining?

1018
00:53:18,480 --> 00:53:20,399
Speaker 3: But how do you feel about her wanting to date?

1019
00:53:20,600 --> 00:53:21,720
Speaker 3: Was that like whoa?

1020
00:53:23,719 --> 00:53:26,560
Speaker 1: I mean there's a part of me that's yeah, good,

1021
00:53:26,640 --> 00:53:30,680
Speaker 1: go I'm proud of you. Good. Yeah, penal and lot

1022
00:53:30,760 --> 00:53:31,879
Speaker 1: revenge and go.

1023
00:53:31,800 --> 00:53:34,200
Speaker 10: See how true I mean the pal thing is kind

1024
00:53:34,200 --> 00:53:38,640
Speaker 10: of your wings and you know, and yeah, I was weirdly,

1025
00:53:38,840 --> 00:53:42,160
Speaker 10: I was weirdly okay with the dating.

1026
00:53:44,200 --> 00:53:46,799
Speaker 1: She's so good and she's so likable, even though she

1027
00:53:47,200 --> 00:53:52,480
Speaker 1: can be such a you know, a caution that because

1028
00:53:52,520 --> 00:53:55,160
Speaker 1: when she shows her heart, you really see a beating

1029
00:53:55,239 --> 00:53:56,280
Speaker 1: heart there, right.

1030
00:53:56,320 --> 00:53:57,959
Speaker 3: And right right?

1031
00:53:58,160 --> 00:54:02,319
Speaker 1: That great and when she got she's so good she's

1032
00:54:02,360 --> 00:54:03,600
Speaker 1: such a good actress, and.

1033
00:54:05,480 --> 00:54:08,080
Speaker 3: So I love the scene in her room she's panicking,

1034
00:54:08,160 --> 00:54:11,320
Speaker 3: get over here. And I also love like when she's panicking,

1035
00:54:11,480 --> 00:54:13,960
Speaker 3: she calls Laurai. That's her go to girl. Do you

1036
00:54:14,040 --> 00:54:14,560
Speaker 3: know what I mean?

1037
00:54:15,239 --> 00:54:17,760
Speaker 5: Her room is a mixed well, she doesn't have anybody else?

1038
00:54:18,320 --> 00:54:21,440
Speaker 3: Who else? Friends? She has a million friends. She's got

1039
00:54:21,440 --> 00:54:22,160
Speaker 3: the whole d a R.

1040
00:54:23,200 --> 00:54:27,080
Speaker 6: Name one that would come over at the drop of that. No,

1041
00:54:27,120 --> 00:54:28,960
Speaker 6: they're big friends, dude, I don't know what else.

1042
00:54:34,480 --> 00:54:37,320
Speaker 3: Yeah, friend, she's going on this date with Simon McLean

1043
00:54:37,440 --> 00:54:42,719
Speaker 3: who she used Laura's line, what line hello? So obviously

1044
00:54:42,760 --> 00:54:45,200
Speaker 3: he's got a little crush on Emily. And it's all

1045
00:54:45,320 --> 00:54:46,239
Speaker 3: very sweet.

1046
00:54:46,400 --> 00:54:50,239
Speaker 5: It's all very It was a good date, Like it

1047
00:54:50,320 --> 00:54:51,839
Speaker 5: was a great date.

1048
00:54:51,960 --> 00:54:53,520
Speaker 3: I would agree I.

1049
00:54:55,600 --> 00:54:57,799
Speaker 5: Got on the day.

1050
00:54:58,400 --> 00:55:00,760
Speaker 3: Yeah, they have a great Emily.

1051
00:55:00,800 --> 00:55:03,520
Speaker 1: You have no idea how happy I was when you

1052
00:55:03,560 --> 00:55:05,520
Speaker 1: agreed to go out with me.

1053
00:55:07,160 --> 00:55:11,359
Speaker 10: And you said hello at the club, when you said

1054
00:55:11,360 --> 00:55:11,920
Speaker 10: hello to be at.

1055
00:55:11,880 --> 00:55:14,560
Speaker 1: The club, and you're making me feel things I haven't

1056
00:55:14,600 --> 00:55:15,920
Speaker 1: felt since college.

1057
00:55:16,440 --> 00:55:18,800
Speaker 3: He's you know, he's very charming.

1058
00:55:18,960 --> 00:55:24,239
Speaker 5: It's all they like the same things, like until three

1059
00:55:24,280 --> 00:55:28,400
Speaker 5: glasses of wine, until m and a lomon Cello.

1060
00:55:29,640 --> 00:55:31,680
Speaker 3: Oh my god, that's centru. But until, to me, what

1061
00:55:31,840 --> 00:55:36,280
Speaker 3: is the most heart wrenching and the most important scene

1062
00:55:36,800 --> 00:55:41,279
Speaker 3: for me in what is the seven seasons? Like this? Oh?

1063
00:55:41,360 --> 00:55:45,160
Speaker 3: Wowan to me is so important. And I'll tell you

1064
00:55:45,160 --> 00:55:47,799
Speaker 3: guys why when I want to know what you all

1065
00:55:47,840 --> 00:55:50,719
Speaker 3: thought when she walks in the house and shuts the

1066
00:55:50,800 --> 00:55:54,360
Speaker 3: door and starts to cry. So I'll say it's in

1067
00:55:54,480 --> 00:55:58,400
Speaker 3: the top five seven moments for me. And it was

1068
00:55:58,440 --> 00:56:00,560
Speaker 3: a big did you all? Yeah? I want to hear

1069
00:56:00,560 --> 00:56:02,879
Speaker 3: what you guys think before I say till.

1070
00:56:03,360 --> 00:56:07,880
Speaker 1: It's great writing. It's great writing. An actor sees that

1071
00:56:08,040 --> 00:56:12,040
Speaker 1: on a page and they're like, oh god, yes, I

1072
00:56:12,080 --> 00:56:16,080
Speaker 1: get to do that. You know, that's the behavior you

1073
00:56:16,320 --> 00:56:22,440
Speaker 1: that's gold and it really shows. It just encapsulates everything

1074
00:56:22,480 --> 00:56:25,920
Speaker 1: the character's feeling. It's brilliant writing. It's brilliant writing.

1075
00:56:27,040 --> 00:56:27,760
Speaker 5: It was sad.

1076
00:56:28,000 --> 00:56:32,240
Speaker 6: It was definitely sad, devastating. It just I think that's

1077
00:56:32,360 --> 00:56:35,680
Speaker 6: what that scene told me was she's not ready to

1078
00:56:35,719 --> 00:56:39,600
Speaker 6: move on. She's acting and she's putting up a really

1079
00:56:39,640 --> 00:56:43,080
Speaker 6: brave face, but really deep down inside she just wants

1080
00:56:43,120 --> 00:56:44,800
Speaker 6: to be with Richard and she's scared.

1081
00:56:46,520 --> 00:56:48,879
Speaker 3: So for me, oh, sorry you go, Tara. I saw

1082
00:56:48,920 --> 00:56:49,680
Speaker 3: Tara open her mouth.

1083
00:56:49,680 --> 00:56:51,680
Speaker 7: Oh, I was just going to say. For me, it

1084
00:56:52,000 --> 00:56:54,160
Speaker 7: took me back to the only other time I really

1085
00:56:54,160 --> 00:56:59,879
Speaker 7: remember Emily being vulnerable was when she saw where Rar

1086
00:57:00,160 --> 00:57:03,520
Speaker 7: and Laura grew up, and it was like this, she

1087
00:57:04,680 --> 00:57:08,040
Speaker 7: had this breakdown of like Emily has this front, like

1088
00:57:08,080 --> 00:57:10,239
Speaker 7: she's not gonna let anyone see this side of her.

1089
00:57:10,640 --> 00:57:13,239
Speaker 7: So for us, like the audience, to see this side

1090
00:57:13,239 --> 00:57:15,719
Speaker 7: of her is like such a special moment. But it

1091
00:57:15,719 --> 00:57:18,600
Speaker 7: doesn't happen very often, which is why it's special.

1092
00:57:18,360 --> 00:57:23,280
Speaker 3: Right, Yeah, for me, it's just so extraordinarily relatable, and

1093
00:57:23,360 --> 00:57:26,960
Speaker 3: so I think, like it's so significant, Like it always

1094
00:57:27,040 --> 00:57:29,360
Speaker 3: is like a polaroid picture in my mind, her coming

1095
00:57:29,360 --> 00:57:32,400
Speaker 3: in from that date, and I literally tell friends that

1096
00:57:32,440 --> 00:57:36,200
Speaker 3: are getting divorced because yes, she's older, right, so she's

1097
00:57:36,320 --> 00:57:40,280
Speaker 3: like sixties seventies. But when I tell friends, like, you're

1098
00:57:40,280 --> 00:57:41,920
Speaker 3: gonna go on a date for the first time, but

1099
00:57:41,960 --> 00:57:44,560
Speaker 3: you better watch this episode of Gilmore Girls, because you're

1100
00:57:44,560 --> 00:57:47,520
Speaker 3: gonna come home from the date your first date out

1101
00:57:47,640 --> 00:57:52,160
Speaker 3: right and cry, and it's like it just see, it's

1102
00:57:52,400 --> 00:57:56,880
Speaker 3: so true, and like whether or not this is the

1103
00:57:56,920 --> 00:58:00,560
Speaker 3: beginning for Emily and Richard to be reunited or for

1104
00:58:00,640 --> 00:58:02,920
Speaker 3: other people they go on the date. It's almost like

1105
00:58:03,080 --> 00:58:06,240
Speaker 3: when you get divorced that first date out, make sure

1106
00:58:06,240 --> 00:58:08,720
Speaker 3: it's not the person you actually want to like be with,

1107
00:58:08,800 --> 00:58:11,760
Speaker 3: because it's gonna blow when you get home, you're gonna

1108
00:58:11,800 --> 00:58:16,160
Speaker 3: feel weird. And I thought that was what. She comes

1109
00:58:16,160 --> 00:58:19,520
Speaker 3: home to this empty house. She obviously had a good time,

1110
00:58:19,560 --> 00:58:21,680
Speaker 3: and then it settles in like I don't want any

1111
00:58:21,720 --> 00:58:25,400
Speaker 3: of this. Yeah, it was.

1112
00:58:25,440 --> 00:58:28,520
Speaker 1: Just she may she may still want to have a

1113
00:58:28,560 --> 00:58:31,880
Speaker 1: second date and to you know, proceed with the divorce.

1114
00:58:31,960 --> 00:58:35,920
Speaker 1: It's just painful. You know, doesn't mean she wants to

1115
00:58:36,120 --> 00:58:38,240
Speaker 1: she wants it all back. It just means that she's

1116
00:58:39,040 --> 00:58:40,520
Speaker 1: she's in a tough spot in her life.

1117
00:58:41,280 --> 00:58:43,960
Speaker 6: You know what I would have loved to see or

1118
00:58:44,040 --> 00:58:49,960
Speaker 6: like like either Richard seeing Emily go about to go

1119
00:58:50,040 --> 00:58:52,800
Speaker 6: on the date or coming home from the date, Like

1120
00:58:52,920 --> 00:58:54,400
Speaker 6: I would have loved to see.

1121
00:58:54,160 --> 00:58:56,440
Speaker 3: That, like from the window, right, so they kick in

1122
00:58:56,480 --> 00:59:02,880
Speaker 3: his pants he needs right, Yeah, that one gets me.

1123
00:59:03,360 --> 00:59:05,080
Speaker 3: I have a couple of call outs before we go.

1124
00:59:05,240 --> 00:59:09,240
Speaker 3: Number one, Melissa McCarthy looks amazing and green, like amazing

1125
00:59:09,320 --> 00:59:11,080
Speaker 3: when they're walking and she's in green.

1126
00:59:12,480 --> 00:59:12,800
Speaker 1: Always.

1127
00:59:12,920 --> 00:59:16,800
Speaker 3: Yeah, I'd read that in your book. Luke opening the

1128
00:59:16,840 --> 00:59:20,400
Speaker 3: door of the truck for Loralai Perry sweet and I

1129
00:59:20,400 --> 00:59:23,280
Speaker 3: think there's almost sort of a holding hands. They're just

1130
00:59:23,800 --> 00:59:27,280
Speaker 3: very cute on that date. And then we touched on

1131
00:59:27,280 --> 00:59:32,560
Speaker 3: it briefly. Rory over at Marty's studying, totally comfortable in

1132
00:59:32,560 --> 00:59:35,800
Speaker 3: his bed and he says, so you broke up with

1133
00:59:35,840 --> 00:59:37,440
Speaker 3: your boyfriend and she's asleep.

1134
00:59:38,560 --> 00:59:41,480
Speaker 1: I think you're leaving one thing. Yes, that Marty scene

1135
00:59:41,560 --> 00:59:46,680
Speaker 1: was was was great. It was almost his Emily Gilmour

1136
00:59:46,720 --> 00:59:48,040
Speaker 1: and the foyer moment.

1137
00:59:48,240 --> 00:59:50,240
Speaker 3: Well, and Christopher Coles.

1138
00:59:50,400 --> 00:59:53,520
Speaker 1: But I think enough about Christopher for God's sake, no

1139
00:59:53,840 --> 00:59:57,720
Speaker 1: one important things missing. We're missing the funniest scene in

1140
00:59:57,760 --> 01:00:00,400
Speaker 1: the in the entire episode, which was t J and

1141
01:00:00,520 --> 01:00:01,640
Speaker 1: Luke cutting the pipe.

1142
01:00:02,880 --> 01:00:05,360
Speaker 3: Oh and he just loses his.

1143
01:00:05,760 --> 01:00:10,000
Speaker 1: And he just what I mean? I laughed out loud.

1144
01:00:10,040 --> 01:00:12,000
Speaker 1: That was the scene that really killed me because t

1145
01:00:12,200 --> 01:00:13,720
Speaker 1: J just picked up a bike of what.

1146
01:00:14,680 --> 01:00:20,200
Speaker 9: Yeah, I do think there's some significance to the fact

1147
01:00:20,240 --> 01:00:24,480
Speaker 9: that Loralai does not answer Christopher's call and takes the

1148
01:00:24,520 --> 01:00:25,720
Speaker 9: popcorn and goes upstairs.

1149
01:00:25,960 --> 01:00:27,520
Speaker 1: It's a lot of did you notice that's a lot

1150
01:00:27,520 --> 01:00:29,240
Speaker 1: of popcorn? Is that a lot of popcorn?

1151
01:00:30,760 --> 01:00:34,800
Speaker 3: Here's the thing. Fine, it's going to go down. Fine,

1152
01:00:34,920 --> 01:00:37,880
Speaker 3: and then she's going to have the t because there's

1153
01:00:37,880 --> 01:00:39,120
Speaker 3: so much fiber and popcorn.

1154
01:00:41,160 --> 01:00:43,080
Speaker 6: All I have to say as we close out this

1155
01:00:43,360 --> 01:00:49,400
Speaker 6: episode is Marty over Logan. No, I am so sorry,

1156
01:00:49,840 --> 01:00:51,720
Speaker 6: Marty over Logan.

1157
01:00:52,920 --> 01:00:54,880
Speaker 1: Sorry, not quite there yet.

1158
01:00:55,960 --> 01:01:00,840
Speaker 5: Come on, guys, so much more.

1159
01:01:00,960 --> 01:01:08,000
Speaker 7: Out o my god, you can't even compare Marty and

1160
01:01:08,480 --> 01:01:09,040
Speaker 7: and Logan.

1161
01:01:11,520 --> 01:01:14,560
Speaker 6: If I didn't know anything about the future, which I

1162
01:01:14,640 --> 01:01:18,080
Speaker 6: know Logan is a thing, I would have said, I

1163
01:01:18,120 --> 01:01:19,800
Speaker 6: want Rory to be with Marty.

1164
01:01:20,560 --> 01:01:24,600
Speaker 3: Okay, oh gosh, okay, okay, fine, I respect it. No,

1165
01:01:26,600 --> 01:01:28,360
Speaker 3: oh my god, there is Okay. We have to do

1166
01:01:28,920 --> 01:01:31,240
Speaker 3: favorite lines, which this isn't mine, but there was something

1167
01:01:31,280 --> 01:01:33,640
Speaker 3: about the squeaky stairs that made me laugh when he's like,

1168
01:01:33,640 --> 01:01:36,560
Speaker 3: oh you you ordered that in or whatever. But anyway,

1169
01:01:36,560 --> 01:01:38,680
Speaker 3: everyone say their favorite lines. I have to find mine.

1170
01:01:38,720 --> 01:01:40,200
Speaker 5: I know I didn't.

1171
01:01:40,280 --> 01:01:41,920
Speaker 6: Sorry it didn't come prepared, but I'm just going to

1172
01:01:41,960 --> 01:01:45,120
Speaker 6: go on.

1173
01:01:45,960 --> 01:01:46,920
Speaker 1: I just loved.

1174
01:01:46,680 --> 01:01:49,240
Speaker 7: Emily and loreleized banter. When she's like I want to

1175
01:01:49,280 --> 01:01:51,200
Speaker 7: go on a date, she's like with a man.

1176
01:01:53,680 --> 01:01:56,480
Speaker 3: I also like when Rory is trying to Convince Richard

1177
01:01:57,000 --> 01:02:01,280
Speaker 3: like not everything. It's not permanent, like go blonde, and

1178
01:02:01,320 --> 01:02:05,240
Speaker 3: then he only has Nautella and batteries. Batteries.

1179
01:02:05,760 --> 01:02:06,640
Speaker 1: Daniel go ahead.

1180
01:02:07,920 --> 01:02:10,680
Speaker 5: I mean, I'm just gonna say hello, Hello, Hello.

1181
01:02:11,160 --> 01:02:13,880
Speaker 1: I'm going to say when Laurelai says to her mother

1182
01:02:13,960 --> 01:02:18,440
Speaker 1: sitting on the couch next to her little close in

1183
01:02:18,520 --> 01:02:23,000
Speaker 1: one word, what are we rating this episode? Targehead, I'm going.

1184
01:02:23,000 --> 01:02:28,360
Speaker 7: To go with the leftover boxes of food. That's my

1185
01:02:28,480 --> 01:02:30,920
Speaker 7: measuring stick, the one that Marty brings over.

1186
01:02:32,480 --> 01:02:32,960
Speaker 3: Orders.

1187
01:02:33,320 --> 01:02:37,600
Speaker 7: Yeah, and I'm gonna go here's the thing. It's not

1188
01:02:37,720 --> 01:02:40,000
Speaker 7: my favorite episode, but it wasn't bad, so I'm going

1189
01:02:40,080 --> 01:02:41,800
Speaker 7: to give it an eight out of ten.

1190
01:02:42,120 --> 01:02:50,080
Speaker 6: Okay, Danielle, I'm going to say eight point eight people magazines, Amy.

1191
01:02:52,360 --> 01:02:54,400
Speaker 3: Nine point nine loopholes.

1192
01:02:56,120 --> 01:03:04,960
Speaker 1: Uh, I'm going to give it. I'm gonna give it

1193
01:03:05,160 --> 01:03:09,680
Speaker 1: nine point eight seventy nine pipe curds.

1194
01:03:10,280 --> 01:03:14,080
Speaker 3: I know you're gonna go parpeuts. I love it. I

1195
01:03:14,080 --> 01:03:17,080
Speaker 3: mean it just because I think it's so emily centric

1196
01:03:17,120 --> 01:03:19,840
Speaker 3: and powerful to me. I think it's genius. I mean,

1197
01:03:20,040 --> 01:03:23,520
Speaker 3: if a TV show impacts you so much that you've

1198
01:03:23,600 --> 01:03:27,240
Speaker 3: used it as a reference to multiple friends, it deserves

1199
01:03:27,240 --> 01:03:28,040
Speaker 3: a nine point nine.

1200
01:03:28,360 --> 01:03:32,600
Speaker 1: Yea, all right, everybody, that's going to wrap it up.

1201
01:03:34,040 --> 01:03:36,760
Speaker 1: Best fans on the planet, Thank you so much for downloading.

1202
01:03:37,960 --> 01:03:42,240
Speaker 1: Keep your cards and letters and emails coming. We we

1203
01:03:42,320 --> 01:03:46,040
Speaker 1: read every single one of them, pro or con. We grow,

1204
01:03:46,160 --> 01:03:51,280
Speaker 1: we learn, we weep, we laugh, and we love you

1205
01:03:51,680 --> 01:03:57,320
Speaker 1: so all the best and always remember I am all In.

1206
01:03:57,640 --> 01:04:28,520
Speaker 11: Stay safe, hey.

1207
01:04:28,360 --> 01:04:31,800
Speaker 1: Everybody, and don't forget Follow us on Instagram at I

1208
01:04:31,880 --> 01:04:35,959
Speaker 1: Am all In podcast and email us at Gilmore at

1209
01:04:36,120 --> 01:04:39,880
Speaker 1: iHeartRadio dot com. Oh you're Gilmore fans. If you're looking

1210
01:04:39,880 --> 01:04:41,680
Speaker 1: for the best cup of coffee in the world, go

1211
01:04:41,760 --> 01:04:45,720
Speaker 1: to my website from my company Scottip dot com s

1212
01:04:45,720 --> 01:04:48,360
Speaker 1: C O T T y P dot com scottip dot

1213
01:04:48,400 --> 01:04:52,920
Speaker 1: com Grade one Specialty Coffee