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Speaker 1: I'm just at the point now where it's like I

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Speaker 1: don't want to do this, but do I change my

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Speaker 1: phone number or something like I like my phone number,

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Speaker 1: I add my phone number. I'm used to it, but

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Speaker 1: I can't keep fielding these calls. And every time I

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Speaker 1: block them, they find some new angle to get at

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Speaker 1: me or through friends. But it's like guys in all

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Speaker 1: caps now for the people in the back, I'm not

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Speaker 1: going to be the lead singer for Death Cab. I

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Speaker 1: won't do that. Like, if you have issues with Ben

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Speaker 1: or whatever, that's your problem. I could do it. I

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Speaker 1: can sing like a little kid, which.

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Speaker 2: Is a.

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Speaker 3: Yeah, please, mommy, may I have some peanut butter? Yeah, yeah,

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Speaker 3: I can do it too.

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Speaker 1: Some peanut butter. I can spread it with my jam.

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Speaker 1: You know, I can do it. I could sing like

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Speaker 1: a little kid. But that's not That's not all I

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Speaker 1: can do. And I know that once I get in

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Speaker 1: that world, it's just gonna take way more time than

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Speaker 1: they say because they're like, literally, just show up for

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Speaker 1: the concert.

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Speaker 3: That's okay. Yeah, so that's mm hmm. That's all you

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Speaker 3: are now.

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Speaker 1: No, that becomes it overshadows everything else I'm working on.

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Speaker 1: I have so many exciting projects. I have so much

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Speaker 1: that I can't wait to show the world. Toast shape

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Speaker 1: like stars.

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Speaker 3: Start Toast is something that a great collaboration. You could

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Speaker 3: invent it and he could sing about that I just made.

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Speaker 1: Some star toast and I'm munching it right now. I

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Speaker 1: feel like that would be a good compromise of like, look,

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Speaker 1: I'll provide you guys lyrics because a lot.

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Speaker 3: Of my inventions would be really you good death Cab

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Speaker 3: songs And it's not an insult. So Tom is like,

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Speaker 3: I'm friends with him, and I'm telling him right now,

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Speaker 3: it's not an insult to be singing like a little kid.

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Speaker 3: So many of these like singers go out now and

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Speaker 3: are like, hey, you like little twerp coming to kick

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Speaker 3: your ass.

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Speaker 1: It's like, OK, pretending they're just pretending that they're like

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Speaker 1: so grown up. Yes, I would prefer that to you know,

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Speaker 1: and you're probably friends with this guy too. But it's

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Speaker 1: like the national guys up there being like, hand me

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Speaker 1: my phone. Has anybody seen my phone? It's like, brother,

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Speaker 1: just fucking that's not my responsibility to find that. But

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Speaker 1: death Cab is they they are taking responsible. They're going

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Speaker 1: I know where my phone is. So it's like, you know,

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Speaker 1: it's a preference, but it's not an insult. What I'm

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Speaker 1: saying is, I can't let that be my life because

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Speaker 1: it's like it's too limiting for me. It's not my thing.

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Speaker 1: It's not my thing. They made that together. You know,

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Speaker 1: I don't want to do an adaptation. I want to

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Speaker 1: do an original project. So you know, I mean, here,

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Speaker 1: we're talking about singing already. We're gonna talk about singing

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Speaker 1: all day. We all love to sing. We all love music.

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Speaker 1: That's so much of what this show is about, and

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Speaker 1: so much of what our relationship is about. Music connects people,

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Speaker 1: doesn't it. Tom and Julie.

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Speaker 4: Him so glad to be here.

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Speaker 3: Yeah, sool have you from Double Threat back on Hollywood,

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Speaker 3: hambu It's it's special. It's special to to have the

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Speaker 3: two of you, big achievements for the show in the

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Speaker 3: last few years. Alec Baldwin now charged with involuntary mansard.

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Speaker 1: Yes that was it, you guys, thank you learn saying

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Speaker 1: that in the articles you did did.

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Speaker 4: That and framed him for it.

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Speaker 3: It's like Hannibal Burris and the Cosby thing. Like when

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Speaker 3: just when that was brought up, people were like Hey,

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Speaker 3: this guy's got a point, and you were like, did

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Speaker 3: you do you guys know that this guy shot somebody?

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Speaker 3: Kind of.

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Speaker 2: Yeah, Now that was all awesome when you.

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Speaker 3: When you said that, When you said that, it was

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Speaker 3: like everyone's kind of like, hey, this is actually maybe

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Speaker 3: we should start paying attention to this yet.

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Speaker 4: Right, we've been talking about him being a murderer for years.

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Speaker 2: M Yeah, it's it's just a general tread lightly thing.

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Speaker 2: Now people have people realized the scope of the power,

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Speaker 2: and now they need to just fall in line.

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Speaker 3: Because you can do that, you could do it for anyone.

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Speaker 1: Well, now now that your track record has been established,

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Speaker 1: you pretty much could go on to double threat and

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Speaker 1: say anyone has committed any crime and it has to

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Speaker 1: at least be investigated.

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Speaker 2: Absolutely, don't.

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Speaker 4: We don't do that though.

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Speaker 3: Or do you could?

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Speaker 1: But yeah, but you could.

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Speaker 4: We're not a true crime podcast anymore. That's how we started.

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Speaker 4: We said, we're going to tell you about every week,

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Speaker 4: we're going to tell you about the most just a horrible,

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Speaker 4: grizzly murder.

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Speaker 1: Yeah, the grizzliest, most graphic violent event that we can describe.

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Speaker 2: Yes, the entrails were found all over the inside of

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Speaker 2: the refrigerator.

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Speaker 4: And Tom and I would take turns, and one of

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Speaker 4: us would go.

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Speaker 1: Oh no, yeah, I would hate that. Yes, yaike, I

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Speaker 1: wouldn't like that.

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Speaker 4: But then we kind of pure and trails evolved, and

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Speaker 4: now we're doing the we're friends and we're funny friends genre.

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Speaker 3: We you know, heard of it.

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Speaker 4: We do it, we do it well, we do.

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Speaker 2: The child opened his happy meal to find a human

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Speaker 2: foot inside.

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Speaker 1: Ooh, think me, not the toy he had in mind, chick.

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Speaker 2: Please see those and that that. When we would do

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Speaker 2: those asides, it kind of undercut the drama of it.

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Speaker 2: When I would say, do you want to give him

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Speaker 2: a taste? Julie, I would say. And then the child

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Speaker 2: unwrapped his big beef and cheese from rby and found

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Speaker 2: an eyeball.

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Speaker 1: And so people would say like this undernead, I thought of, yeah, sure.

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Speaker 2: Yeah, just we needed to pick a lane, so we did.

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Speaker 2: We decided to do let's just do that.

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Speaker 1: Let's just do the asides. We're having more fun doing

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Speaker 1: the asides than we are describing. Uh, these horrific acts.

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Speaker 4: And fun is an important part of funny.

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Speaker 3: Mm hmmm.

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Speaker 1: Would you say it halved your listenership to be friends

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Speaker 1: having fun rather than people describing death.

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Speaker 3: Oh just in free Fall, it was half like some

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Speaker 3: of those victims exactly what they were.

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Speaker 1: That's what I would have said, got the audience into

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Speaker 1: little pieces.

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Speaker 4: Yeah, yeah, yeah, we murdered our audience.

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Speaker 2: Like Last Resort by Papa Roach.

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Speaker 4: Now is I thought that was a season of White Lotus,

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Speaker 4: White Lotus Last Resort.

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Speaker 2: That's the that's.

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Speaker 1: The Colon Last Resort. Yeah, Comma Club Dread.

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Speaker 4: Yeah, they go to Club Dread, theory.

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Speaker 3: To Club Dread in the last season of the White

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Speaker 3: Lotus and it's called White Lotus Colon Last Resort.

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Speaker 4: And finally the murderer goes to court and you know

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Speaker 4: who the judge is, Judge Dread.

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Speaker 5: Yeah.

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Speaker 1: If they if they announced the new season of White

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Speaker 1: Lotus cast and it was just the Broken Wizard guys,

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Speaker 1: I would be pumped. That's a true zag that I

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Speaker 1: would not have predicted, and I think it could be good.

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Speaker 3: We talk about the personal in addition to the professional

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Speaker 3: on the show. We want to talk what's what's coming

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Speaker 3: up for you all?

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Speaker 1: Speaking of friends hanging out, birthdays are back.

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Speaker 3: We took a little break from we had to having

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Speaker 3: special birthdays.

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Speaker 1: Well, Kevin kept getting COVID.

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Speaker 4: The pandemic isn't over.

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Speaker 1: It's not over, but it's like, yeah, it's boring now, yeah,

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Speaker 1: I would say, but if anybody else tired of it,

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Speaker 1: what's Act three? What are the surprise it's got Act

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Speaker 1: three problems? M H.

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Speaker 3: I think the lack of birthdays was causing issues in

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Speaker 3: society where people were getting depressed and like extra anxious

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Speaker 3: from not being able to go to a special birthday

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Speaker 3: party and meet people, have fun, sing a song, but

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Speaker 3: also like network, you know, make these kind of connections,

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Speaker 3: especially in LA where so much of where that goes

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Speaker 3: down is at somebody's special birthday.

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Speaker 2: Sorry interrupt, Sean, No, please please. It's the all comedy

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Speaker 2: golf course, yes, isn't it though?

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Speaker 3: The birthday party is the new golf course.

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Speaker 1: Gets you go take these meetings and these glistening buildings

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Speaker 1: and these big offices and nothing gets done. You want

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Speaker 1: to sell a show, right, You want to get your

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Speaker 1: own stand up special? Go to birthday party. Yeah, go

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Speaker 1: to a birthday party. Hang out by the punch bowl.

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Speaker 1: You might be surprised.

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Speaker 4: Yeah right, sing the sing when you're singing Happy birthday,

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Speaker 4: do it, Funny.

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Speaker 1: Do, Funny do funny do Let's talk about you know,

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Speaker 1: silly voice.

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Speaker 3: Let's talk about somebody's special birthday party.

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Speaker 1: Happy birthday right.

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Speaker 4: Already?

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Speaker 1: Oh shit? Oh man, did you hear that?

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Speaker 3: God?

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Speaker 1: I didn't think anybody could hear me. Yeah, I was

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Speaker 1: just singing funny. Oh you you have the power to

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Speaker 1: make me a funny singing star. Not why I was

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Speaker 1: doing it, but guess what. You don't know who's next

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Speaker 1: to you might be Brian Grazer.

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Speaker 4: You don't know who's next to you at a birthday

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Speaker 4: party because they're dressed like a clown.

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Speaker 1: Mm hmm.

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Speaker 3: You sing funny like that. And Brian Grazer's hair just

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Speaker 3: like relaxes.

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Speaker 4: You can see how long it is because it actually,

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Speaker 4: this is surprising. We're talking like past the shoulders.

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Speaker 1: It's down to his ass. Oh yeah, I don't want

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Speaker 1: I don't want to be gross, but you know he

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Speaker 1: he could wipe with it if he wanted.

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Speaker 3: I mean, you think wiping is gross, well, I know,

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Speaker 3: but it's like it's better than nothing.

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Speaker 2: Now, allow me to play devil's advocate here for no please, please, Look,

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Speaker 2: you got the long hair. His money's a little tight

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Speaker 2: these days. You get some shampoo and I'm playing devil.

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Speaker 2: I'm not saying I can do this. I don't have no.

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Speaker 4: I could after his toilet experience, after.

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Speaker 2: His toilet experience goes, gets out a bottle of.

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Speaker 1: I wish to bring this up, but I do think

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Speaker 1: we need to explore it.

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Speaker 4: Sounds like a pert minus situation if you ask me. Yes,

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Speaker 4: I like the idea. Brian Grazer on the toilet having

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Speaker 4: to wipe with his hair, but it's not quite long enough,

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Speaker 4: so we have to like flash dance that shit.

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Speaker 1: Uh, he's got to get into like bridge pose or something.

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Speaker 4: He could do it.

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Speaker 1: I know, No, I know, I know. That's what I'm saying.

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Speaker 3: I like it.

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Speaker 1: That's my dream person to be next to me at

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Speaker 1: a birthday party. What I'm saying it so I don't underestimate.

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Speaker 4: Schole physically, as he is flexible creatively, he could totally

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Speaker 4: do it. What a fingn.

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Speaker 2: Look, the guy's got me a perfect track record. He

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Speaker 2: can do anything.

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Speaker 6: Imagine This week on the Patreon two live streams, one

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Speaker 6: this Wednesday, February first, at six pm Pacific Time with

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Speaker 6: Carl Tart's new video game show Play No Games, and

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Speaker 6: one Friday, February third at four thirty pm Scific time.

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Speaker 6: That's with the Flagrant Ones, plus on the pro Version.

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Speaker 6: This week, the Boys make a new ride at Disneyland.

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Speaker 6: You can check out all these shows and the video

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Speaker 6: for today's episode with Tom and Julie at pittreon dot

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Speaker 6: com Slash the Flagrant Ones.

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Speaker 3: So it seems like everyone is making New Year, New

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Speaker 3: view their mantra this year, and let's talk about ways

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Speaker 3: you could take new you to the absolute max. For example,

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Speaker 3: Sean and I are not doing Santa Man anymore, and

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Speaker 3: we talk about Harry's razors.

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Speaker 5: We talk about the product.

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Speaker 3: We talk about what the service that this product does,

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Speaker 3: which is shaving you.

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Speaker 1: Right, takes hair and takes hair off, Yes, and he

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Speaker 1: slices it up.

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Speaker 3: At least that's that's what I do.

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Speaker 5: I use. I use my razor and I shave my face.

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Speaker 5: Well I used to, that was my body.

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Speaker 1: That's I used to too. But it's New Year, New.

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Speaker 5: You sounds old. That sounds old.

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Speaker 1: Yeah, shaving my face that sounds old. I think. One

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Speaker 1: thing I've noticed is that basically anyone I talk to

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Speaker 1: and I you know, I believe in the product. So

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Speaker 1: I do try to engage with people who use it

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Speaker 1: and say like, how do you use your Harry's razors?

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Speaker 1: And you know, with very little variation, people say, oh,

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Speaker 1: I shave myself with it, but almost no one says

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Speaker 1: I shave a friend.

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Speaker 5: I shave my friend.

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Speaker 1: I shave my friend for free.

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Speaker 5: First one's free anyway, with.

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Speaker 1: For no charge initially until they're hooked. I go out

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Speaker 1: and I shave my friends and neighbors with Harry's razor

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Speaker 1: with their written consent. Yes, some of these with how

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Speaker 1: you know, sign happy people are with some of these

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Speaker 1: like terms of service and everything that go out are

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Speaker 1: not reading too closely m but legally protect yourself mm hm.

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Speaker 3: The Truman Shave Trial set includes a five play German

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Speaker 3: interuror raiser, weighted hand filming shave gel, and a travel cover.

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Speaker 3: And you say that's for me, Well, that one is

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Speaker 3: for you. You get another one for all of your friends.

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Speaker 3: There's the personal one, and there's the one that is

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Speaker 3: used for everyone that you consider a friend or you'd

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Speaker 3: like to be.

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Speaker 1: These can be potential friends. A nice way to make

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Speaker 1: a friend really is to is to shave them as

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Speaker 1: your introduction. You know, I think people used to do

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Speaker 1: a handshake. How about a hand shave sha.

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Speaker 3: The best part of the Troubad Shaved trial set is

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Speaker 3: a fifty dollars value for just three bucks. Their blades

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Speaker 3: are made in their own factory in Germany. They hold

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Speaker 3: it better than ever, and the sleek, ergonomic weighted handles

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Speaker 3: give some style to your razor and precise control of

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Speaker 3: each waye which is why don't like sneak up on

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Speaker 3: someone to do this shave a part of them that

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Speaker 3: they can look down and see. Mm hmm, damn that's smooth.

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Speaker 1: M hm, immediate results belly. The response is ellie, yeah,

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Speaker 1: get them on the tummy, you know, and then just

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Speaker 1: let it sink in even if they seem you know,

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Speaker 1: because people will be I've found surprised, which isn't always

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Speaker 1: a bad thing, and give them some time to absorb. Wow,

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Speaker 1: my belly's really soft and smooth right now, guys, what

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Speaker 1: else could be? Yeah?

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Speaker 3: They say their eighth shave is as sharp as their first.

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Speaker 3: Plus you can schedule replacement blade delivery whenever you need them,

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Speaker 3: with refills as low as two dollars, no matter how

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Speaker 3: new your new you is look sharp all year. Along

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Speaker 3: with Harry's get a fifteen dollars Truman shave Trousea for

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Speaker 3: just three dollars at Harrys dot com Slash the Boys.

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Speaker 3: That's Harry's dot com. Slash the Boys for a three

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Speaker 3: dollars trial set.

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Speaker 1: Ham Ham.

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Speaker 3: So, Tom, Yes, you have a special singing birthday party.

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Speaker 2: Yes, I am having a birthday in the chamber. Let's

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Speaker 2: talk about the birthday party.

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Speaker 1: Uh.

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Speaker 4: And we're not plugging it because people, this is not

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Speaker 4: We're not opening it to the general nor specific public.

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Speaker 2: Now, this is not a club event where we're saying,

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Speaker 2: come to my birthday party at a club. It's at

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Speaker 2: my home, which we call a chamber. I would prefer

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Speaker 2: that only people that were invited show up. So for

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Speaker 2: most of you, this is a if the theoretical birthday party. Don't.

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Speaker 2: I don't want nobody trying to mentost this thing and

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Speaker 2: figure out a way in carrying a box acting like

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Speaker 2: a delivery guy. I'm I'm on high alert for any

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Speaker 2: Mentos style party crashing.

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Speaker 3: Mm hmmm.

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Speaker 1: If they if they truly are effective at at the

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Speaker 1: Mentos style approach, you won't you won't know when it happens.

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Speaker 2: Well if they are, but I'm gonna I know I

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Speaker 2: did not order a giant sheet of plate glass for example.

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Speaker 2: So if two guys are coming in and overalls lugging

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Speaker 2: a giant plate glass through the door, they're like, oh, delivery,

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Speaker 2: and they're like, oh, where's the.

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Speaker 4: A it's a birthday people could send it to you

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Speaker 4: for a surprise. That's what the tricky stuff is.

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Speaker 2: Like, true, that's true. That's true, Julie, that's true. It

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Speaker 2: was going to look at their shoes. You always got

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Speaker 2: to look at their shoes. That's the big giveaway. Why

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Speaker 2: why are those actual work work people's shoes or are

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Speaker 2: those just like stocks or those just like TV right shoes?

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Speaker 3: Yeah?

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Speaker 4: Oh, are the crocs with pins like the what are

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Speaker 4: those called that you put in crocs in the holes?

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Speaker 4: The like charms that you if you put it right,

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Speaker 4: and the charms are all just gibbets. They spell out

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Speaker 4: I am a Mento's.

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Speaker 2: Fraud, yes, or they spell out read my family feud spec.

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Speaker 1: Mm hmmm, gibbit. TV writing is real work. I do

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Speaker 1: want to say, uh, you know, are these real work shows?

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Speaker 1: Are these TV reader shoes? It's just like it's a

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Speaker 1: different style of work. But yeah, the labor is no.

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Speaker 4: You need that, you need those those sneakers. You definitely

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Speaker 4: need those running sneakers. It's definitely true.

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Speaker 1: Yeah, closed toed at least for sure. Yeah, yeah, generally

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Speaker 1: on clouds. Is that what you're thinking of?

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Speaker 4: Or the new balance? Right, that's the comedy, right sneaker?

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Speaker 1: For see a hookah a hookah every now and then

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Speaker 1: you'll spot one of those.

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Speaker 2: It's a good giveaway when.

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Speaker 4: You see, oh, here's the showrunner and he's wearing Merrols

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Speaker 4: and he's mad.

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Speaker 1: Speaking of work, I have a little friend here who's

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Speaker 1: been putting in some lately and he has a bit

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Speaker 1: of a wish, a bit of a dream. Meryl Street

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Speaker 1: and I.

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Speaker 4: By the way, I saw she was gonna be on

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Speaker 4: Only Murders in the Building. I said, this is how

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Speaker 4: I learned that video. I said, this is how I learned.

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Speaker 4: I didn't get the part.

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Speaker 1: But Paul run is there and she's helping get them.

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Speaker 1: They're like, she's like they're assistant in the fun in

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Speaker 1: the video.

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Speaker 4: It's a lot of fun.

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Speaker 3: Have you seen it? No? No?

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Speaker 1: See, Oh, so she's gonna be on? No, I know

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Speaker 1: you were injuring and Kevin's like, she's gonna be on

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Speaker 1: and everyone's kind of hanging out like normal, like the

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Speaker 1: you know the gang for they're friends, yes, and they're

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Speaker 1: on the couch and they go, oh, you know how

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Speaker 1: you know this is great, the three of us, and

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Speaker 1: it is great and we've been not e for a

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Speaker 1: few awards. But they go, how could it get any better?

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Speaker 1: And the care moves over and then it's like Paul I.

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Speaker 3: Did see it, he was there, and he.

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Speaker 1: Goes, but he goes, he goes, jeezus, I don't think

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Speaker 1: it could get any better than this. And then behind

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Speaker 1: the couch on all fours like a fucking dog, Meryl

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Speaker 1: Streep is hiding and pops up and is like, can

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Speaker 1: I get you anything? Like she works for them, she

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Speaker 1: had a big star.

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Speaker 3: Yeah, this is her craft that prior to prior to

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Speaker 3: her appearance, no one had any idea that she was

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Speaker 3: even there behind the couch.

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Speaker 1: I would have lost my shirt betting on whether or

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Speaker 1: not she was in the room or anyone was behind

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Speaker 1: the couch. I said no, because from what I can see,

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Speaker 1: there isn't deddy one and it wouldn't make sense for

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Speaker 1: them to be there, certainly not Meryl. Straight Jesus man,

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Speaker 1: that fucking video knock me on my ass. I might

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Speaker 1: watch it again. Talk about Kevin, I'm gonna find it.

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Speaker 3: Kevin has been talking about uh so, so of course

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Speaker 3: we've been talking about Tom's special birthday party coming out

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Speaker 3: for this Murders Couch only only murders.

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Speaker 4: Don't get in A don't get in A don't get

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Speaker 4: in a couch gag, rabbit hole and the furs sean

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Speaker 4: be careful.

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Speaker 2: Type in hunch crouch couch, a lurch bent over.

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Speaker 1: Oh god, hunch crouch couch, the gang, all fours hiding,

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Speaker 1: just search, hiding, surprise, justearch, the search, the hiding woman,

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Speaker 1: the hiding Woman's.

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Speaker 4: That's actually funny enough. It's funny. We're talking about this.

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Speaker 1: Because how to play my.

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Speaker 2: What is your nickname?

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Speaker 7: Oh?

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Speaker 4: My, my nickname when I go to parties is the

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Speaker 4: hiding woman. Okay, that's my social it's my social anxiety style.

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Speaker 3: You hide.

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Speaker 4: Yeah, I'll check my phone in the bathroom for enough

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Speaker 4: time for people to be like, I need to use

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Speaker 4: the bathroom.

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Speaker 3: Oh geez.

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Speaker 1: Let me tell you some of what came up. I

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Speaker 1: didn't get the video on A first video says how

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Speaker 1: to play grouch couch for Spinmaster games looks fun. Then

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Speaker 1: I got notable deaths at twenty twenty two, were.

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Speaker 4: There any literally any? Just kidding?

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Speaker 1: And then silent treatment, the preferred weapon of people with narcissism.

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Speaker 3: Oh, these narcissists, the narcissists, the narcissists are at it again.

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Speaker 1: They're doing it again, folks. I see them running around

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Speaker 1: narcissism and.

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Speaker 3: Everyone crouch on the couch.

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Speaker 1: Yeah, yeah, well you know it was worth it.

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Speaker 4: I'm sure you'll find it later.

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Speaker 1: Yeah, and then I'm looking at the pictures. So what

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Speaker 1: did you want to talk about? Kevin has been asking

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Speaker 1: for different treats.

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Speaker 3: One of them is potentially getting to go to the

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Speaker 3: tom special birthday party. We have been training Kevin. Actually

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Speaker 3: recently we've been talking about skill building sure, just like

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Speaker 3: we do like for all our employees, the like mentorship,

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Speaker 3: preparation for whatever the next thing is. And based on

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Speaker 3: the call we're having with Serious XM next week, next

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Speaker 3: thing could be coming pretty soon. The training Kevin has

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Speaker 3: been doing is in the Japanese art of karaoke and

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Speaker 3: which is what? Which is actually the theme of your

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Speaker 3: special birthday party?

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Speaker 5: As well?

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Speaker 3: Is that correct? Time?

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Speaker 2: Yes? There are two themes, celebrating me and people having

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Speaker 2: fun through song.

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Speaker 3: And so Kevin has been teaching studying this. We were

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Speaker 3: preparing him in a recent pro version for karaoke songs

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Speaker 3: he was going to do in Las Vegas? Right, did

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Speaker 3: you do that already or no?

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Speaker 6: In two weeks.

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Speaker 1: I'm so nervous two weeks away. Why were we talking

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Speaker 1: about it so long before it happened?

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Speaker 2: I need to.

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00:25:38,280 --> 00:25:40,080
Speaker 5: Prepare, all right?

444
00:25:41,040 --> 00:25:44,600
Speaker 3: And so I thought what we would do today is

445
00:25:44,920 --> 00:25:46,359
Speaker 3: Kevin's not invited to this party?

446
00:25:46,400 --> 00:25:46,880
Speaker 5: Obviously?

447
00:25:47,680 --> 00:25:50,960
Speaker 3: Oh no, But if he wants to go, I think

448
00:25:51,359 --> 00:25:54,480
Speaker 3: and if you want to be like, okay that if

449
00:25:54,480 --> 00:25:56,760
Speaker 3: you were to go, everything would just like play out

450
00:25:56,760 --> 00:25:59,200
Speaker 3: in at least an expected way that we got.

451
00:26:00,640 --> 00:26:04,240
Speaker 1: I mean this is that if he's gonna go, no surprises,

452
00:26:04,320 --> 00:26:07,119
Speaker 1: you better know what he's walking into.

453
00:26:07,520 --> 00:26:13,040
Speaker 3: Yes, Tom invited, he's not. I just said he's not.

454
00:26:13,560 --> 00:26:16,720
Speaker 1: He's not asking Tom, I'm asking inted.

455
00:26:18,040 --> 00:26:19,000
Speaker 2: No he's not.

456
00:26:19,560 --> 00:26:21,640
Speaker 3: Look I just said, is he invited?

457
00:26:21,920 --> 00:26:25,399
Speaker 2: Do I want him there? I want him to Do

458
00:26:25,480 --> 00:26:26,080
Speaker 2: I want him there?

459
00:26:26,200 --> 00:26:26,280
Speaker 5: No?

460
00:26:26,400 --> 00:26:31,040
Speaker 2: I don't. Would it ruin my birthday? Most likely? Yes?

461
00:26:31,920 --> 00:26:34,000
Speaker 2: Is it the opposite of what someone would want on

462
00:26:34,200 --> 00:26:38,120
Speaker 2: a birthday to see a Kevin Bartlett walk through their

463
00:26:38,200 --> 00:26:44,360
Speaker 2: front door and uninvited and reach his hand into the

464
00:26:44,440 --> 00:26:50,240
Speaker 2: Pringles Bowl. Yeah yeah, it's uh. And then just like

465
00:26:50,280 --> 00:26:50,640
Speaker 2: with his.

466
00:26:51,000 --> 00:26:52,200
Speaker 1: I thought there's gonna be checks mix.

467
00:26:52,760 --> 00:26:54,040
Speaker 2: There will be checks mix.

468
00:26:54,240 --> 00:26:56,920
Speaker 1: Okay, perfect, Yeah, but Kevin will go for the.

469
00:26:58,800 --> 00:27:04,240
Speaker 3: It's a Funnier Due promotional parody video from twenty twelve.

470
00:27:05,840 --> 00:27:09,119
Speaker 2: Yes, we're gonna we'll have a side room where we

471
00:27:09,240 --> 00:27:12,639
Speaker 2: just show some of the best, the funnier die you can.

472
00:27:12,520 --> 00:27:16,879
Speaker 8: Hang out with sponsorship posts, the cad room, the cadooch room,

473
00:27:17,720 --> 00:27:22,840
Speaker 8: the uh just fun things when like a you know,

474
00:27:23,800 --> 00:27:24,880
Speaker 8: Tom size.

475
00:27:24,520 --> 00:27:26,600
Speaker 2: More swings by the office and then they do a

476
00:27:26,640 --> 00:27:28,080
Speaker 2: funny video together.

477
00:27:27,760 --> 00:27:30,719
Speaker 3: About sir show size More for shirts.

478
00:27:31,960 --> 00:27:34,119
Speaker 1: Yes, I'm Tom SERTs More.

479
00:27:34,480 --> 00:27:35,840
Speaker 2: But do I want to see Kevin?

480
00:27:36,640 --> 00:27:40,000
Speaker 1: We thought you have this partys more in this one

481
00:27:38,960 --> 00:27:44,280
Speaker 1: and your your shirt is made of shirts wrappers and

482
00:27:44,320 --> 00:27:45,880
Speaker 1: you say I'm Tom shirts More.

483
00:27:46,080 --> 00:27:51,000
Speaker 4: He's like fine, fine, Sure. He turns to his parole officer.

484
00:27:51,080 --> 00:27:53,119
Speaker 4: The parole officer shrugs.

485
00:27:53,600 --> 00:27:56,399
Speaker 3: I need any I need one hundred and twenty percent

486
00:27:56,440 --> 00:27:59,720
Speaker 3: of my pay in advance. I will return the extra

487
00:27:59,760 --> 00:28:07,800
Speaker 3: toy percent on completion of the project. So Kevin, I

488
00:28:07,840 --> 00:28:09,720
Speaker 3: thought we could go a to z on this thing.

489
00:28:10,800 --> 00:28:12,440
Speaker 2: I don't want him in my home. I just want

490
00:28:12,480 --> 00:28:12,800
Speaker 2: to say it.

491
00:28:12,880 --> 00:28:16,280
Speaker 1: I don't just see just let's let's actually you can

492
00:28:16,359 --> 00:28:19,760
Speaker 1: design when he was in there, because you're maybe picturing

493
00:28:19,840 --> 00:28:22,679
Speaker 1: something that he would do. That's not what he's gonna do.

494
00:28:22,800 --> 00:28:24,800
Speaker 1: Maybe we could show you some things that he.

495
00:28:24,680 --> 00:28:28,080
Speaker 4: Could and if somebody brings him with them as their date,

496
00:28:28,200 --> 00:28:28,720
Speaker 4: he's in.

497
00:28:29,880 --> 00:28:32,080
Speaker 6: Well that's what I did for Halloween. I wasn't invited

498
00:28:32,119 --> 00:28:33,600
Speaker 6: to Tom's Halloween party either.

499
00:28:34,040 --> 00:28:36,320
Speaker 2: He did show up at the Halloween party.

500
00:28:36,040 --> 00:28:36,720
Speaker 4: In the costume.

501
00:28:36,800 --> 00:28:41,000
Speaker 1: So my costume jew dressed as a guest. His costume

502
00:28:41,120 --> 00:28:42,280
Speaker 1: was invited guest.

503
00:28:43,360 --> 00:28:46,200
Speaker 2: Yes, and which was the ultimate costume.

504
00:28:46,680 --> 00:28:49,640
Speaker 1: It's the scariest thing that Kevin could dress as.

505
00:28:51,720 --> 00:28:55,040
Speaker 4: You dressed up as me? Kevin, did you do drag?

506
00:28:55,200 --> 00:28:56,520
Speaker 4: Did you do a red wig?

507
00:28:57,360 --> 00:28:57,400
Speaker 1: No?

508
00:28:57,520 --> 00:29:00,560
Speaker 6: I had my inflatable car costume and I was dragging

509
00:29:00,560 --> 00:29:03,440
Speaker 6: along the ceiling, so I had to deflate it so

510
00:29:03,520 --> 00:29:06,880
Speaker 6: I wasn't ruining all of the amazing decorations, so that

511
00:29:06,960 --> 00:29:10,440
Speaker 6: I was just kind of deflated walking around the party.

512
00:29:10,680 --> 00:29:13,520
Speaker 4: Well, Kevin being dislated walking around the party doesn't sound

513
00:29:13,560 --> 00:29:14,640
Speaker 4: like much of a costume.

514
00:29:15,440 --> 00:29:17,560
Speaker 2: No, it wasn't.

515
00:29:18,080 --> 00:29:21,280
Speaker 3: We do We picked the song, We picked the style

516
00:29:21,800 --> 00:29:27,440
Speaker 3: of performance. We do choreo. We we just like so

517
00:29:27,680 --> 00:29:30,880
Speaker 3: you know, if this has any possibility of moving forward,

518
00:29:30,920 --> 00:29:34,120
Speaker 3: we know exactly what to expect.

519
00:29:34,160 --> 00:29:36,480
Speaker 1: There's a there's an opportunity for him to be sort

520
00:29:36,480 --> 00:29:40,040
Speaker 1: of the mascot of the party where it's like, yeah,

521
00:29:40,120 --> 00:29:40,280
Speaker 1: you know.

522
00:29:41,000 --> 00:29:45,560
Speaker 4: Like the employee, like yes, we feel people people's drinks,

523
00:29:45,600 --> 00:29:46,800
Speaker 4: and that of.

524
00:29:46,840 --> 00:29:50,640
Speaker 1: Course he's more worm than man. We all accept that.

525
00:29:50,960 --> 00:29:53,680
Speaker 1: But isn't that just the kind of person that becomes

526
00:29:54,160 --> 00:29:58,000
Speaker 1: a target for your guests, you know, him drawing the

527
00:29:58,200 --> 00:30:02,320
Speaker 1: ire of your guests and doing some sort of performance

528
00:30:02,800 --> 00:30:05,280
Speaker 1: could actually be what we all talk about after the

529
00:30:05,320 --> 00:30:09,160
Speaker 1: party and bond everyone, you know, in terms of song

530
00:30:09,200 --> 00:30:13,480
Speaker 1: and style. Something that I've thrown out that I'll just

531
00:30:13,480 --> 00:30:15,480
Speaker 1: just as a jumping off point. You can say yes

532
00:30:15,600 --> 00:30:18,080
Speaker 1: or no to this, but it is doing the Eminem

533
00:30:18,200 --> 00:30:20,600
Speaker 1: song stand in the style of Fred Schneider.

534
00:30:21,400 --> 00:30:24,040
Speaker 4: Oh, when you said Eminem, I got really nervous that

535
00:30:24,080 --> 00:30:26,760
Speaker 4: you were going to talk about Eminem's because they're so controversial.

536
00:30:26,920 --> 00:30:28,560
Speaker 2: I thought this was going to be that again.

537
00:30:28,920 --> 00:30:32,160
Speaker 4: That really made it really made me nervous, because like,

538
00:30:32,320 --> 00:30:34,360
Speaker 4: I feel like Eminem should be for everyone, and I

539
00:30:34,400 --> 00:30:37,800
Speaker 4: don't like how they've been politicized, and I'm really relieved

540
00:30:37,800 --> 00:30:40,480
Speaker 4: that my Rudolph is going to be the spokesperson for them,

541
00:30:40,520 --> 00:30:43,680
Speaker 4: because everyone loves my Rootoff with something something we'd all

542
00:30:43,720 --> 00:30:48,720
Speaker 4: agree on. So I guess, didn't she you know, ended.

543
00:30:48,560 --> 00:30:51,320
Speaker 3: Up smelling like a rose who benefits qui bono.

544
00:30:52,240 --> 00:30:56,960
Speaker 4: So I guess I am a little worried about that pitch, Sean,

545
00:30:57,080 --> 00:30:59,520
Speaker 4: just because of the state of affairs. It's like, we

546
00:30:59,560 --> 00:31:01,960
Speaker 4: didn't make this world, but we still need to live

547
00:31:01,960 --> 00:31:02,240
Speaker 4: in it.

548
00:31:02,360 --> 00:31:03,320
Speaker 3: You know, what if I.

549
00:31:03,280 --> 00:31:06,040
Speaker 1: Told you he was doing the Marshall Mothers song Stan

550
00:31:06,480 --> 00:31:08,640
Speaker 1: in the style of Fred Schneider.

551
00:31:08,480 --> 00:31:13,200
Speaker 4: You'd be lying because actually, that's maybe from the Marshall

552
00:31:13,320 --> 00:31:14,600
Speaker 4: Mathers LP. I don't know.

553
00:31:14,640 --> 00:31:16,600
Speaker 1: I I think I believe it is.

554
00:31:16,720 --> 00:31:18,560
Speaker 5: Actually he actually is.

555
00:31:18,640 --> 00:31:21,520
Speaker 4: It's like really good to know, but like, I just

556
00:31:21,560 --> 00:31:23,760
Speaker 4: feel like you're just being dishonest.

557
00:31:24,520 --> 00:31:26,320
Speaker 1: What if I said he was doing the Slim Shady

558
00:31:26,440 --> 00:31:29,960
Speaker 1: song Stan from the Marshall Mathers LP.

559
00:31:30,520 --> 00:31:33,880
Speaker 4: Tom, I'm kind of like, I no offense, Sean. Sorry

560
00:31:33,920 --> 00:31:36,080
Speaker 4: for a moment, Tom, could you talk to Sean because

561
00:31:36,120 --> 00:31:42,720
Speaker 4: I'm bored? Yeah, Sean, Sean, I feel like I'm not

562
00:31:42,800 --> 00:31:43,720
Speaker 4: being heard.

563
00:31:43,800 --> 00:31:46,720
Speaker 2: Sean, you've been doing a lot of talking. It's time

564
00:31:46,760 --> 00:31:47,680
Speaker 2: you did some listening.

565
00:31:48,840 --> 00:31:56,040
Speaker 1: Starting now, Yeah, so starting, Okay, it just has to

566
00:31:56,080 --> 00:31:57,680
Speaker 1: know when he start during this.

567
00:31:57,800 --> 00:32:04,840
Speaker 2: Show, starting now, the floor is here, is Julie.

568
00:32:05,200 --> 00:32:08,000
Speaker 4: I just don't feel like, because of the way Eminem's

569
00:32:08,000 --> 00:32:10,600
Speaker 4: are really being politicizer right now, I don't feel like

570
00:32:10,640 --> 00:32:14,520
Speaker 4: it's the right moment. So I guess I'm well, don't

571
00:32:14,600 --> 00:32:15,560
Speaker 4: just leave Sean.

572
00:32:16,840 --> 00:32:17,440
Speaker 1: I'm listening.

573
00:32:18,400 --> 00:32:20,200
Speaker 2: He's literally not wearing headphones.

574
00:32:20,760 --> 00:32:24,440
Speaker 4: I don't like that. I want to hear. I'd like

575
00:32:24,480 --> 00:32:27,320
Speaker 4: to hear the next pitch. That's my response.

576
00:32:27,360 --> 00:32:30,280
Speaker 3: People might think that Kevin is in fact an Eminem stand.

577
00:32:31,640 --> 00:32:36,320
Speaker 3: People might miss here his announcement of what songs about,

578
00:32:36,320 --> 00:32:38,400
Speaker 3: because of course everyone has to do a big announcement

579
00:32:38,400 --> 00:32:39,600
Speaker 3: of what song they're gonna perform.

580
00:32:39,680 --> 00:32:43,000
Speaker 4: Yeah, and then anything was really Eminem's thing was really

581
00:32:43,040 --> 00:32:45,920
Speaker 4: a big dealer. I don't think anyone overreacted to it. Basically,

582
00:32:46,000 --> 00:32:50,000
Speaker 4: Eminem's were saying, we're gonna have all the characters be female.

583
00:32:50,560 --> 00:32:53,400
Speaker 3: Who took the green ones? Who took the green one shoes?

584
00:32:53,600 --> 00:32:55,920
Speaker 3: I wonder who benefited from this? So who took the

585
00:32:55,960 --> 00:33:00,040
Speaker 3: green Eminem's shoes huh. And who hit them? Oh, I

586
00:33:00,160 --> 00:33:03,320
Speaker 3: wonder who's making all this money now? As as the

587
00:33:03,360 --> 00:33:06,640
Speaker 3: president of fun for Mars Corporation. Huh, we don't know.

588
00:33:07,800 --> 00:33:12,200
Speaker 9: Speaking of loot, somebody just stuffed a little bit more

589
00:33:12,320 --> 00:33:13,560
Speaker 9: in their pockets.

590
00:33:15,240 --> 00:33:18,760
Speaker 2: Now what this eminem thing. Nobody's worried that look of

591
00:33:19,520 --> 00:33:22,400
Speaker 2: shuttle the eminems. That's neither here nor there. But you

592
00:33:22,440 --> 00:33:25,640
Speaker 2: bring Maya Rudolf on board. Nobody's worried. She's going to

593
00:33:25,680 --> 00:33:29,160
Speaker 2: bring those happy time murder puppets around.

594
00:33:29,520 --> 00:33:34,200
Speaker 1: And this is and this is exactly exactly what.

595
00:33:34,400 --> 00:33:35,840
Speaker 5: I wanted to talk about.

596
00:33:36,440 --> 00:33:38,080
Speaker 3: And this is the next step of the thing.

597
00:33:38,880 --> 00:33:41,280
Speaker 2: They're going to go cream in all over the place.

598
00:33:42,160 --> 00:33:47,080
Speaker 10: From what I recall, she was forced to clean up

599
00:33:48,520 --> 00:33:53,560
Speaker 10: massive quantities puppet loads of puppet semen.

600
00:33:53,600 --> 00:33:55,720
Speaker 2: Of put like Julie said, of puppet loads.

601
00:33:55,800 --> 00:33:59,760
Speaker 11: And now we've got these eminem characters, right, these eminem

602
00:34:00,160 --> 00:34:07,440
Speaker 11: uh you know, uh, theomorphized candies who are highly sexual,

603
00:34:07,560 --> 00:34:09,920
Speaker 11: who are incredibly horny.

604
00:34:10,320 --> 00:34:13,759
Speaker 1: And here's the one lady who we know has been

605
00:34:13,840 --> 00:34:17,520
Speaker 1: around puppets, which bust.

606
00:34:18,000 --> 00:34:18,839
Speaker 5: And we're gonna just.

607
00:34:18,800 --> 00:34:21,000
Speaker 1: Put all that stew together.

608
00:34:23,840 --> 00:34:24,640
Speaker 5: The pot gets turn.

609
00:34:26,320 --> 00:34:28,399
Speaker 2: I don't want to reach in a bowl of Eminem's

610
00:34:28,520 --> 00:34:31,080
Speaker 2: and get something else.

611
00:34:31,920 --> 00:34:33,400
Speaker 5: No, I that's exactly right.

612
00:34:33,440 --> 00:34:36,680
Speaker 9: Yeah, I don't want to throw a mouthful of Eminem's

613
00:34:37,760 --> 00:34:42,080
Speaker 9: down the old hatch and realized that, oh wait a minute,

614
00:34:43,040 --> 00:34:44,840
Speaker 9: I'm pregnant.

615
00:34:45,160 --> 00:34:46,360
Speaker 4: That's not how you get pregnant.

616
00:34:47,560 --> 00:34:50,359
Speaker 5: And it won't be because I'm not gonna eat him.

617
00:34:50,400 --> 00:34:51,279
Speaker 3: He's not gonna do that.

618
00:34:51,320 --> 00:34:52,320
Speaker 4: Okay, that's cool.

619
00:34:53,160 --> 00:34:55,320
Speaker 2: Yeah, anyone else think this interesting?

620
00:34:55,360 --> 00:34:57,360
Speaker 6: Has all happened right before a super Bowl?

621
00:34:59,719 --> 00:34:59,840
Speaker 2: You know?

622
00:35:00,000 --> 00:35:05,239
Speaker 1: Okay, Alex Jones, So let's back planet Earth please, Kevin?

623
00:35:05,719 --> 00:35:09,640
Speaker 3: Any other suggestions? First song? If if it's okay, if

624
00:35:09,680 --> 00:35:11,560
Speaker 3: it's how about.

625
00:35:11,400 --> 00:35:16,840
Speaker 4: How about this banger on the good Ship Lollipop? You

626
00:35:16,880 --> 00:35:21,840
Speaker 4: want to talk about candy? Mm hmm, there's no controversial candy.

627
00:35:21,880 --> 00:35:25,680
Speaker 3: Do they have that on your setup? We have a

628
00:35:25,840 --> 00:35:26,960
Speaker 3: good Ship Lollipop.

629
00:35:27,160 --> 00:35:29,640
Speaker 2: We have a fair amount of Shirley Temple on the.

630
00:35:30,520 --> 00:35:33,839
Speaker 4: But the Tiny Tim, the Tiny Tim version, more than

631
00:35:34,200 --> 00:35:36,440
Speaker 4: I like the I like the Tiny Tim version.

632
00:35:36,840 --> 00:35:41,080
Speaker 2: We do have some Tiny Tim on there also, And uh, what's.

633
00:35:40,920 --> 00:35:42,359
Speaker 4: Your favorite Tiny Tim song?

634
00:35:44,520 --> 00:35:47,560
Speaker 1: I just go yeah, that's easy.

635
00:35:48,120 --> 00:35:51,239
Speaker 2: It's a hit for a hit for it's a hit

636
00:35:51,280 --> 00:35:52,200
Speaker 2: for a reason.

637
00:35:52,840 --> 00:35:57,960
Speaker 1: In a specific style anything you're thinking, Julie, are we

638
00:35:58,040 --> 00:35:59,720
Speaker 1: sticking with Fred Schneider.

639
00:35:59,280 --> 00:36:03,640
Speaker 4: For this to see him be cute the way Sean

640
00:36:03,800 --> 00:36:06,520
Speaker 4: was talking about.

641
00:36:07,040 --> 00:36:09,240
Speaker 1: Gibbs, Yeah, like I would.

642
00:36:09,280 --> 00:36:13,680
Speaker 4: I would love to hear Kevin kind of like put

643
00:36:13,760 --> 00:36:16,239
Speaker 4: some stink on it, but in a like like a.

644
00:36:16,960 --> 00:36:22,560
Speaker 3: Little yeah yeah, little cute, like kind of nasty and cute.

645
00:36:22,600 --> 00:36:29,320
Speaker 1: Okay, all right, really it just that is the style

646
00:36:29,440 --> 00:36:32,080
Speaker 1: of this song. Yeah, Like if I want to hear

647
00:36:32,160 --> 00:36:36,759
Speaker 1: him be cute, you're and be cute with with Papa Road, right,

648
00:36:36,880 --> 00:36:37,920
Speaker 1: Like I understand.

649
00:36:38,120 --> 00:36:39,160
Speaker 4: Yeah, so you're saying I.

650
00:36:39,360 --> 00:36:43,360
Speaker 1: Want to I'd like to do him like Searge Canian

651
00:36:43,480 --> 00:36:44,239
Speaker 1: or something.

652
00:36:44,120 --> 00:36:48,080
Speaker 4: Right, Like there's maybe like so you're saying like maybe

653
00:36:48,120 --> 00:36:50,520
Speaker 4: like a juxtaposition will make it a little more interesting,

654
00:36:50,680 --> 00:36:54,720
Speaker 4: like a Leonard Learned Cohen maybe like a Leonard Cohen style.

655
00:36:55,600 --> 00:36:57,280
Speaker 3: Well, it's Tom's birthday.

656
00:36:57,960 --> 00:37:04,080
Speaker 2: I would be interested, Julie, you're onto something. If Kevin

657
00:37:04,520 --> 00:37:09,719
Speaker 2: comes to the party and sings on the good Ship

658
00:37:09,840 --> 00:37:13,920
Speaker 2: Lollipop like Leonard Cohen, that could be interesting.

659
00:37:15,239 --> 00:37:18,439
Speaker 3: Okay, Kevin, do you have the track pulled up because

660
00:37:18,440 --> 00:37:21,520
Speaker 3: we are gonna we're gonna workshop this.

661
00:37:21,520 --> 00:37:25,440
Speaker 4: This isn't your auditioning to be invited to a party.

662
00:37:25,960 --> 00:37:28,560
Speaker 1: Yeah, and try to provide some movement. I know we've

663
00:37:28,560 --> 00:37:28,960
Speaker 1: got to time.

664
00:37:29,080 --> 00:37:31,399
Speaker 3: So this is zoom frame. But I don't even want

665
00:37:31,400 --> 00:37:34,360
Speaker 3: to leave that up to him. I want to set

666
00:37:34,600 --> 00:37:39,279
Speaker 3: like like his stance before we even get into this.

667
00:37:40,600 --> 00:37:40,799
Speaker 11: You know.

668
00:37:41,000 --> 00:37:44,600
Speaker 7: I feel like the more the more hands of the frame,

669
00:37:44,920 --> 00:37:49,239
Speaker 7: like just making himself very small and then maybe rising

670
00:37:49,480 --> 00:37:51,120
Speaker 7: up as he's sing.

671
00:37:51,640 --> 00:37:53,600
Speaker 2: Yeah, yes, like one of those like one of those

672
00:37:53,640 --> 00:37:58,280
Speaker 2: car dealership balloon guys. Like that's what Kevin should suddenly

673
00:37:58,360 --> 00:37:59,920
Speaker 2: just rise up.

674
00:38:01,160 --> 00:38:02,480
Speaker 6: Like my Halloween costume.

675
00:38:04,960 --> 00:38:07,040
Speaker 4: We move past that, Kevin for.

676
00:38:09,280 --> 00:38:12,080
Speaker 3: Pasted it? Yes, why maybe.

677
00:38:11,800 --> 00:38:13,000
Speaker 1: I starts just ahead.

678
00:38:13,280 --> 00:38:14,600
Speaker 6: My head's on the bottom of the floor.

679
00:38:14,680 --> 00:38:17,400
Speaker 4: Yes, I love that idea, Kevin, good idea.

680
00:38:18,320 --> 00:38:23,760
Speaker 2: Yes, keep going, keep going lower, a little bit lower,

681
00:38:24,440 --> 00:38:26,839
Speaker 2: a little bit lower. That's there you go.

682
00:38:27,600 --> 00:38:29,279
Speaker 3: Six more, Kevin.

683
00:38:29,440 --> 00:38:31,719
Speaker 1: Lower, that's way too high, morning, because can you we

684
00:38:31,800 --> 00:38:33,400
Speaker 1: can still see you.

685
00:38:33,400 --> 00:38:36,320
Speaker 2: You still can't taste the floor yet, So a little lower,

686
00:38:36,600 --> 00:38:39,680
Speaker 2: I'm horizontal. That's good. There you go.

687
00:38:41,080 --> 00:38:42,960
Speaker 3: And so when you when you come up in the frame,

688
00:38:43,320 --> 00:38:46,720
Speaker 3: you'd be doing like cute hands straight ahead. Also, figure

689
00:38:46,760 --> 00:38:48,319
Speaker 3: out are you going to be able to play the

690
00:38:48,400 --> 00:38:50,520
Speaker 3: song from down there. I'll have to get up to

691
00:38:50,560 --> 00:38:51,560
Speaker 3: play the song.

692
00:38:51,520 --> 00:38:53,200
Speaker 1: Kevin, we can't hear you.

693
00:38:54,080 --> 00:38:55,880
Speaker 6: I'll have to get up to play this lower and

694
00:38:55,920 --> 00:38:56,719
Speaker 6: I can go back.

695
00:38:58,080 --> 00:39:00,640
Speaker 3: Okay, so get so get you to play a song,

696
00:39:00,719 --> 00:39:02,279
Speaker 3: then you can go down and come up. I want

697
00:39:02,320 --> 00:39:05,160
Speaker 3: a couple just as we like start doing this and

698
00:39:05,200 --> 00:39:07,719
Speaker 3: we'll have a few takes on it. But I want

699
00:39:07,760 --> 00:39:10,840
Speaker 3: a couple of like no no nos, okay you know

700
00:39:10,920 --> 00:39:15,719
Speaker 3: right now? No, not right now during the song. I

701
00:39:15,760 --> 00:39:18,200
Speaker 3: just want a couple of like no no no, you know,

702
00:39:18,560 --> 00:39:20,120
Speaker 3: and don't say it.

703
00:39:20,880 --> 00:39:23,719
Speaker 6: I found a good version. It's a guy filming what

704
00:39:23,800 --> 00:39:27,960
Speaker 6: looks like a screen with lyrics. It's the only one

705
00:39:28,000 --> 00:39:29,040
Speaker 6: I can find with lyrics.

706
00:39:29,360 --> 00:39:33,279
Speaker 4: Okay, you don't know. The work is definitely going to

707
00:39:33,360 --> 00:39:34,919
Speaker 4: land you on a list of some kind.

708
00:39:35,640 --> 00:39:37,640
Speaker 11: Can the no no no, sir? Can the no no

709
00:39:37,640 --> 00:39:42,280
Speaker 11: nos transition Kevin into like shielding eyes, like the sun's

710
00:39:42,360 --> 00:39:42,960
Speaker 11: too bright?

711
00:39:43,080 --> 00:39:46,520
Speaker 1: Almost yeah, and then and then points down the line

712
00:39:46,640 --> 00:39:49,280
Speaker 1: it's yes you you.

713
00:39:48,320 --> 00:39:50,479
Speaker 9: You no no no no no.

714
00:39:51,040 --> 00:39:53,680
Speaker 1: So I think that is going to help us.

715
00:39:54,080 --> 00:39:57,000
Speaker 6: Okay, I have brought my own mic. Should I not

716
00:39:57,160 --> 00:40:00,560
Speaker 6: use that? That's perfect hand choreography.

717
00:40:00,000 --> 00:40:03,520
Speaker 3: Should definitely bring your own mic because Tom, You're setup

718
00:40:03,600 --> 00:40:04,919
Speaker 3: is with handheld mic.

719
00:40:05,040 --> 00:40:10,080
Speaker 1: Yes, handheld mics yes, no stand no loves.

720
00:40:10,640 --> 00:40:15,600
Speaker 2: No, no lobs. We're not going to be We're not

721
00:40:15,640 --> 00:40:17,640
Speaker 2: gonna be wiring people.

722
00:40:18,000 --> 00:40:21,040
Speaker 3: Tom just comes in and starts pulling up the back

723
00:40:21,080 --> 00:40:27,759
Speaker 3: of people's shirts before every.

724
00:40:26,840 --> 00:40:29,200
Speaker 4: Sound guy thing of like going like this. They're like,

725
00:40:29,239 --> 00:40:31,400
Speaker 4: what's under there? You're like my brawl.

726
00:40:32,640 --> 00:40:35,040
Speaker 2: Yeah, No, I will not be I will not be

727
00:40:35,160 --> 00:40:36,120
Speaker 2: wiring people.

728
00:40:36,600 --> 00:40:39,120
Speaker 1: You okay with tape directly on your skin or you

729
00:40:39,200 --> 00:40:40,320
Speaker 1: want to put something in between it.

730
00:40:41,320 --> 00:40:42,640
Speaker 4: What's the bra situation?

731
00:40:44,320 --> 00:40:46,920
Speaker 1: I've had men, what's the bra situation?

732
00:40:47,680 --> 00:40:52,440
Speaker 4: I'm like, not good, not good, probably probably wearing the

733
00:40:52,440 --> 00:40:53,880
Speaker 4: wrong side.

734
00:40:55,400 --> 00:40:58,400
Speaker 2: Yeah, Julie, Julia, I just came up with a business idea.

735
00:40:58,680 --> 00:41:02,080
Speaker 2: Let's go these you guys don't listen for us. It's

736
00:41:02,080 --> 00:41:04,200
Speaker 2: just me and Julie. There's a sub This is like

737
00:41:04,239 --> 00:41:08,919
Speaker 2: a sidebar Double Threat episode within an episode of Hollywood Happen.

738
00:41:09,040 --> 00:41:09,480
Speaker 3: Well, first of.

739
00:41:09,480 --> 00:41:13,680
Speaker 2: All, people should check out our Double Threat, which is

740
00:41:13,680 --> 00:41:15,960
Speaker 2: the show we do together. That's a good show comes

741
00:41:15,960 --> 00:41:18,840
Speaker 2: out on Mondays. We have a fun episode this coming week.

742
00:41:18,960 --> 00:41:23,880
Speaker 2: It's the January Oscars. It's gonna be fun. But Julie,

743
00:41:23,920 --> 00:41:25,480
Speaker 2: it's out already. People can listen.

744
00:41:26,280 --> 00:41:29,120
Speaker 4: Kevin, This is just me and Tom talking.

745
00:41:29,800 --> 00:41:31,680
Speaker 5: You shouldn't even be able to hear them. Kevin.

746
00:41:31,840 --> 00:41:35,840
Speaker 2: Yeah, well you climb through the heating ducts, will you?

747
00:41:35,920 --> 00:41:44,080
Speaker 2: John McLean, Julie, we sell to Showbiz microphone bras.

748
00:41:44,520 --> 00:41:46,279
Speaker 4: Oh my god.

749
00:41:46,200 --> 00:41:50,600
Speaker 2: That are wired for sound already. That way, when when

750
00:41:50,719 --> 00:41:53,799
Speaker 2: somebody who wears a bra goes to set, they put

751
00:41:53,840 --> 00:41:56,640
Speaker 2: it on at home, in the privacy of their own

752
00:41:56,680 --> 00:42:01,360
Speaker 2: privacy and their own trailer, trailer or wherever. But they

753
00:42:01,440 --> 00:42:05,320
Speaker 2: don't have to have some grubby sound guy getting old.

754
00:42:06,000 --> 00:42:10,799
Speaker 2: Mm hmmm all handsy. Oh I didn't get it on

755
00:42:11,040 --> 00:42:14,520
Speaker 2: right yet. Hold on, let me try again, Let me

756
00:42:14,600 --> 00:42:19,440
Speaker 2: try again. See daisy, whoop, see daisy.

757
00:42:19,800 --> 00:42:20,919
Speaker 4: We could call them.

758
00:42:21,200 --> 00:42:27,000
Speaker 8: I'm loving it bras, I'm loving we are.

759
00:42:28,360 --> 00:42:29,640
Speaker 1: I got a text from my mom.

760
00:42:29,680 --> 00:42:31,200
Speaker 3: Sorry it wasn't to you guys.

761
00:42:31,880 --> 00:42:32,919
Speaker 1: Wait, what are your mom saying?

762
00:42:33,120 --> 00:42:33,480
Speaker 5: You say?

763
00:42:33,520 --> 00:42:33,920
Speaker 3: Wow?

764
00:42:33,960 --> 00:42:36,360
Speaker 1: That's every text for this, the fact that she's texting

765
00:42:36,400 --> 00:42:36,640
Speaker 1: at all.

766
00:42:36,920 --> 00:42:39,600
Speaker 4: She was She like, you gotta see these pants on

767
00:42:39,719 --> 00:42:43,719
Speaker 4: sale at Jay Crew there twenty nine to ninety nine. Yeah, wow,

768
00:42:44,160 --> 00:42:46,759
Speaker 4: sposo look great on you, mom.

769
00:42:46,920 --> 00:42:47,160
Speaker 2: Yeah.

770
00:42:49,440 --> 00:42:52,480
Speaker 4: Women, most women don't are afraid of a pleat. You

771
00:42:52,560 --> 00:42:53,800
Speaker 4: look great and a pleat.

772
00:42:54,760 --> 00:42:58,319
Speaker 2: Yeah. I think it's great that your mom runs her

773
00:42:59,080 --> 00:43:02,080
Speaker 2: fashion decision by you before she pulls the trigger on

774
00:43:02,160 --> 00:43:03,680
Speaker 2: a wouldn't.

775
00:43:03,280 --> 00:43:06,040
Speaker 4: You have you got that kind of enthusiastic response.

776
00:43:06,200 --> 00:43:09,839
Speaker 3: Yeah, yeah, wow, lucky kid, I am.

777
00:43:10,760 --> 00:43:12,640
Speaker 2: Wow, Mommy, you have to get them.

778
00:43:12,880 --> 00:43:16,920
Speaker 4: Mommy does it? Mommy? Have you sorry? Mommy? I have

779
00:43:17,000 --> 00:43:22,520
Speaker 4: to interject that blouse that it suggests not only is

780
00:43:22,560 --> 00:43:26,120
Speaker 4: it on sale, it's absolutely stunning.

781
00:43:29,200 --> 00:43:32,480
Speaker 3: Yeah, you could use the microphone burra to uh to

782
00:43:32,560 --> 00:43:35,440
Speaker 3: catch a PERV too if you needed to. That's true,

783
00:43:35,640 --> 00:43:38,160
Speaker 3: get the true on tape in the micro perve.

784
00:43:39,000 --> 00:43:40,640
Speaker 1: Yeah, you could hear them whispering.

785
00:43:41,480 --> 00:43:42,399
Speaker 3: Submit it to court.

786
00:43:43,120 --> 00:43:47,120
Speaker 4: I'm making that can be lingerie like like a garter

787
00:43:47,840 --> 00:43:51,560
Speaker 4: for the microphone pack, because you know, if you ever

788
00:43:51,719 --> 00:43:54,680
Speaker 4: used a thigh like a you know where they put

789
00:43:54,680 --> 00:43:57,480
Speaker 4: the battery in like a thigh rig and it's just

790
00:43:57,520 --> 00:44:00,839
Speaker 4: a big like elastic band. What if it's like a

791
00:44:00,880 --> 00:44:05,400
Speaker 4: sexy lacy garter, like the kind of lady has removed

792
00:44:05,400 --> 00:44:08,439
Speaker 4: when she when she is a bride on her wedding day.

793
00:44:09,080 --> 00:44:12,400
Speaker 1: Yes, I have an idea for all I get.

794
00:44:12,600 --> 00:44:14,640
Speaker 4: During the garter ceremony and a wedding.

795
00:44:15,360 --> 00:44:19,839
Speaker 1: I get charged up under the collar. I get charged up.

796
00:44:19,920 --> 00:44:22,680
Speaker 4: I must admit, I must admit.

797
00:44:24,040 --> 00:44:26,000
Speaker 1: It's a married woman I'm looking at and.

798
00:44:26,200 --> 00:44:30,239
Speaker 4: Find it both erotic and exciting.

799
00:44:31,160 --> 00:44:33,040
Speaker 1: I like that it's happening in front of the family.

800
00:44:33,600 --> 00:44:37,400
Speaker 1: But I but I have an idea, like a marketing

801
00:44:37,480 --> 00:44:43,480
Speaker 1: idea for this, not that I was listening, but perhaps

802
00:44:43,520 --> 00:44:49,200
Speaker 1: you could get the band the Lumineers to say, hey,

803
00:44:49,280 --> 00:44:52,279
Speaker 1: we changed our name to the Lava Liers because we

804
00:44:52,360 --> 00:44:57,560
Speaker 1: love this product so much. And then it's like, you know,

805
00:44:57,719 --> 00:45:00,800
Speaker 1: when you need to wear a mic something you my

806
00:45:01,200 --> 00:45:04,800
Speaker 1: like and it's just like they're kind of saying, you

807
00:45:04,840 --> 00:45:10,839
Speaker 1: know you want it's undies, you know.

808
00:45:11,760 --> 00:45:14,239
Speaker 4: Yeah, this is such a great idea because everything you're

809
00:45:14,239 --> 00:45:18,040
Speaker 4: describing is things women love. They love that song, they

810
00:45:18,080 --> 00:45:20,799
Speaker 4: love being called ho. If you're doing the hey Ho thing,

811
00:45:21,280 --> 00:45:24,600
Speaker 4: you know, they love the aesthetic of Illumineers. It really

812
00:45:24,640 --> 00:45:25,399
Speaker 4: makes you want to.

813
00:45:25,360 --> 00:45:25,960
Speaker 1: Buy a bra.

814
00:45:27,040 --> 00:45:29,720
Speaker 2: Yeah. I think that's gonna be a problem with that song, Sean,

815
00:45:29,840 --> 00:45:32,319
Speaker 2: is that it sounds like it's saying, hey, com up.

816
00:45:33,640 --> 00:45:39,080
Speaker 1: You could change it to hey Joe or something, just

817
00:45:39,239 --> 00:45:43,880
Speaker 1: you just do The why is it. Hey you Hey.

818
00:45:43,640 --> 00:45:46,359
Speaker 2: We do hey you by you would be great? Right?

819
00:45:46,560 --> 00:45:50,279
Speaker 4: Hey another another band women cannot get enough of. And

820
00:45:50,320 --> 00:45:54,080
Speaker 4: I've got to tell you, I keep going back to

821
00:45:54,080 --> 00:45:55,560
Speaker 4: this garter ceremony now horny.

822
00:45:55,600 --> 00:45:57,440
Speaker 1: It makes me, Oh god, I.

823
00:45:57,400 --> 00:46:00,520
Speaker 4: Just I just can't get enough nobody.

824
00:46:01,080 --> 00:46:04,200
Speaker 1: No, I'm through the roof on that thing. I just

825
00:46:04,200 --> 00:46:05,480
Speaker 1: can't believe what I'm seeing.

826
00:46:05,560 --> 00:46:07,600
Speaker 4: It's like, it's like, Okay, we have the bouquet.

827
00:46:07,840 --> 00:46:11,400
Speaker 1: That's fun. But what sure, Yeah that's the fun.

828
00:46:11,520 --> 00:46:13,680
Speaker 4: What about something for the horny people?

829
00:46:13,840 --> 00:46:15,080
Speaker 3: You catch it?

830
00:46:15,080 --> 00:46:18,799
Speaker 4: It's still warm, Yeah, it's still wet, and you're like,

831
00:46:18,960 --> 00:46:21,759
Speaker 4: uh wow, this is like burlesque.

832
00:46:22,520 --> 00:46:24,839
Speaker 2: Yeah see I might be an outlier here.

833
00:46:24,880 --> 00:46:27,040
Speaker 1: Well they're so close to yeah, go ahead.

834
00:46:27,320 --> 00:46:30,440
Speaker 2: Oh. My favorite part of the wedding is when I

835
00:46:30,600 --> 00:46:33,040
Speaker 2: like the garter thing, but I love the part when

836
00:46:33,200 --> 00:46:37,160
Speaker 2: somebody does a toast who clearly barely has a handle

837
00:46:37,200 --> 00:46:43,680
Speaker 2: on comedy and just demolishes their friend by truly humiliating

838
00:46:43,680 --> 00:46:47,399
Speaker 2: them in front of everyone they know, talking about their

839
00:46:47,400 --> 00:46:50,919
Speaker 2: most personal failures in front of everyone. Because they're also

840
00:46:50,920 --> 00:46:53,319
Speaker 2: a little drunk at that point. That's my favorite part.

841
00:46:53,400 --> 00:46:57,760
Speaker 3: The roastmaster general just miscalibrated. They knew they were supposed

842
00:46:57,760 --> 00:46:59,759
Speaker 3: to be like doing funny stuff for sure, but.

843
00:47:00,280 --> 00:47:01,640
Speaker 2: Yeah they're just like, hey, I'm going to go up

844
00:47:01,680 --> 00:47:04,640
Speaker 2: and make a couple jokes. But they don't realize that

845
00:47:04,719 --> 00:47:07,960
Speaker 2: they are just being as mean as any human has

846
00:47:08,000 --> 00:47:10,840
Speaker 2: ever been to anyone you would mean to enemy.

847
00:47:11,680 --> 00:47:13,920
Speaker 1: That's not that's not the toast for me. I like

848
00:47:14,040 --> 00:47:18,200
Speaker 1: the thirty five minute toast that assumes I don't think

849
00:47:18,239 --> 00:47:23,560
Speaker 1: you are best friends. Let me let me tell you

850
00:47:23,600 --> 00:47:28,040
Speaker 1: about how long we've been friends for and that just

851
00:47:28,160 --> 00:47:36,440
Speaker 1: like nine to sixteen anecdotes that don't have really and

852
00:47:36,440 --> 00:47:40,480
Speaker 1: they're not about them other than you were together. Yeah, no,

853
00:47:40,520 --> 00:47:44,120
Speaker 1: the other this, this spouse is not involved in.

854
00:47:44,120 --> 00:47:46,280
Speaker 4: They're not about the people getting married.

855
00:47:46,560 --> 00:47:48,319
Speaker 1: No, you don't know if they've met the person that

856
00:47:48,440 --> 00:47:50,600
Speaker 1: was just married, but you do know they've met the

857
00:47:50,640 --> 00:47:53,759
Speaker 1: person they're talking about, and and you really know.

858
00:47:53,760 --> 00:47:54,600
Speaker 3: It by the end.

859
00:47:55,680 --> 00:47:58,480
Speaker 1: Okay, Kevin, do you have all the choreo?

860
00:48:00,080 --> 00:48:01,000
Speaker 6: Choreo is locked?

861
00:48:01,440 --> 00:48:04,520
Speaker 3: Okay? The no, not the shielding your eyes from the sun,

862
00:48:05,080 --> 00:48:07,120
Speaker 3: the U U you no, no, No.

863
00:48:08,080 --> 00:48:10,080
Speaker 2: This is what I like about Hayes. Hayes is like

864
00:48:10,120 --> 00:48:13,440
Speaker 2: the He's the Matt Besser of Hollywood. Handbooky.

865
00:48:13,640 --> 00:48:18,000
Speaker 1: I've always said that he read related curly shows, related

866
00:48:18,040 --> 00:48:18,920
Speaker 1: to Curly.

867
00:48:18,680 --> 00:48:24,680
Speaker 2: Joe, Curly Joe Besser from three Studies. But he also

868
00:48:25,160 --> 00:48:28,719
Speaker 2: he's writing and shaping Hollywood Handbook. When it gets a

869
00:48:28,719 --> 00:48:31,680
Speaker 2: little too silly, he's singing like, guys, we got we

870
00:48:31,760 --> 00:48:33,239
Speaker 2: got some enough silliness.

871
00:48:33,360 --> 00:48:37,760
Speaker 1: Kevin is supposed to be singing a song with choreography.

872
00:48:39,040 --> 00:48:41,520
Speaker 1: This gut kind of stupid. Kevin's gonna sing a song

873
00:48:41,600 --> 00:48:44,040
Speaker 1: with choreography, let's hear it.

874
00:48:44,320 --> 00:48:46,719
Speaker 3: So this song, the full length on the Good Ship

875
00:48:46,840 --> 00:48:52,240
Speaker 3: Lollipop is one minute and thirty seven seconds.

876
00:48:52,239 --> 00:48:53,200
Speaker 1: Shaky cam too.

877
00:48:53,239 --> 00:48:55,719
Speaker 3: I don't know if that matters. The lyrics video is

878
00:48:55,760 --> 00:48:57,719
Speaker 3: shaky cam. Yeah, it kind of makes me feel like

879
00:48:57,760 --> 00:48:58,120
Speaker 3: I'm there.

880
00:48:59,080 --> 00:49:02,040
Speaker 2: Somebody get the the Pfizer shot.

881
00:49:11,000 --> 00:49:18,800
Speaker 6: I've thrown away my toys, either my drums and trains.

882
00:49:20,920 --> 00:49:22,880
Speaker 6: I don't want to make some noise.

883
00:49:24,000 --> 00:49:25,560
Speaker 4: Kevin, You're so old.

884
00:49:25,360 --> 00:49:31,280
Speaker 1: And someday I'm going to fly. I'll I'll be a pilot.

885
00:49:34,800 --> 00:49:37,840
Speaker 4: Coord Cohen, have you ever heard of these sings?

886
00:49:37,840 --> 00:49:40,879
Speaker 1: Hallelujah one of men.

887
00:49:42,000 --> 00:49:43,520
Speaker 2: Come on, Kevin, tighten that up.

888
00:49:44,760 --> 00:49:50,040
Speaker 1: That was Leonard, It wasn't that was not Let do

889
00:49:50,280 --> 00:49:52,000
Speaker 1: not say that was Leonard to me.

890
00:49:52,040 --> 00:49:53,920
Speaker 4: That wasn't even Leonard. Part six.

891
00:49:55,239 --> 00:49:57,759
Speaker 3: Okay, this is take two.

892
00:50:02,480 --> 00:50:08,040
Speaker 1: I fow away my toy. We need jump my drum

893
00:50:08,640 --> 00:50:12,480
Speaker 1: trained you up here, buddy.

894
00:50:12,760 --> 00:50:13,319
Speaker 3: He went down to.

895
00:50:15,160 --> 00:50:20,120
Speaker 6: When real life aeroplanes someday I'm going to fly?

896
00:50:21,680 --> 00:50:27,440
Speaker 2: Why are we even why you kind of stuff?

897
00:50:27,640 --> 00:50:29,720
Speaker 11: Why do you want to go to the party.

898
00:50:32,719 --> 00:50:35,520
Speaker 2: This is what you're going to bring. This is what

899
00:50:35,560 --> 00:50:36,279
Speaker 2: you're going to bring.

900
00:50:36,719 --> 00:50:40,400
Speaker 6: Leonard is not my sweet spot. This I've spent six

901
00:50:40,480 --> 00:50:43,840
Speaker 6: weeks on Fred Schneider and then you throw Leonard at me.

902
00:50:44,400 --> 00:50:47,400
Speaker 4: Well, I didn't know there was a pre I didn't

903
00:50:47,400 --> 00:50:50,000
Speaker 4: know that we thought you would it.

904
00:50:50,800 --> 00:50:51,640
Speaker 10: Now I didn't.

905
00:50:52,160 --> 00:50:55,600
Speaker 1: I underestimated the impact the eminem controversy had had on

906
00:50:55,640 --> 00:50:57,880
Speaker 1: you guys, and I respect that now. I did have

907
00:50:57,920 --> 00:51:00,640
Speaker 1: a second idea, just sort of in the moment.

908
00:51:00,719 --> 00:51:03,640
Speaker 4: And by the way, Sean, thank you for hearing me.

909
00:51:04,600 --> 00:51:06,560
Speaker 1: Thank you for speaking to me.

910
00:51:07,760 --> 00:51:10,680
Speaker 11: So there was there was something, and I like to

911
00:51:10,840 --> 00:51:13,920
Speaker 11: be free for inspiration like this to hit. What I

912
00:51:14,040 --> 00:51:15,880
Speaker 11: When we were talking to Tom about why it was

913
00:51:15,920 --> 00:51:19,320
Speaker 11: important for Kevin to audition, we had said there should

914
00:51:19,360 --> 00:51:21,400
Speaker 11: be no surprises.

915
00:51:20,719 --> 00:51:23,399
Speaker 1: At the party, and I wonder if the radio head

916
00:51:23,480 --> 00:51:27,480
Speaker 1: sung no Surprises in the style of Fred Schneider.

917
00:51:28,480 --> 00:51:30,480
Speaker 5: Might be something we could agree on.

918
00:51:30,960 --> 00:51:32,319
Speaker 3: I don't know, give him a chance.

919
00:51:32,560 --> 00:51:34,960
Speaker 1: He's really been in the lab on his Fred so

920
00:51:35,040 --> 00:51:35,759
Speaker 1: I would love to.

921
00:51:35,960 --> 00:51:37,759
Speaker 11: I'd like to give him some opportunity to do it,

922
00:51:37,800 --> 00:51:39,320
Speaker 11: and I'm open to hearing other songs.

923
00:51:39,360 --> 00:51:40,319
Speaker 5: That's just something.

924
00:51:40,120 --> 00:51:44,279
Speaker 2: I bought of, But I think that I don't know

925
00:51:44,320 --> 00:51:44,560
Speaker 2: that one.

926
00:51:44,600 --> 00:51:45,880
Speaker 4: Would that be good, Tom.

927
00:51:45,920 --> 00:51:47,960
Speaker 2: It's a good one. It would be if if Kevin

928
00:51:48,080 --> 00:51:51,560
Speaker 2: can stick the landing on this one, he wins.

929
00:51:51,280 --> 00:51:54,960
Speaker 4: The party, there's going to be a winner. It's a competition.

930
00:51:55,280 --> 00:51:56,279
Speaker 5: They already said there'd be.

931
00:51:56,160 --> 00:52:00,440
Speaker 2: A show business. Show business is always a competition and Kevin,

932
00:52:00,680 --> 00:52:03,480
Speaker 2: because the thing is, Kevin is not just representing Kevin

933
00:52:03,560 --> 00:52:08,600
Speaker 2: at this party, He's representing He's representing Sean, He's representing Hues,

934
00:52:09,160 --> 00:52:14,360
Speaker 2: He's representing then Hold, he's representing that whole thing on.

935
00:52:15,680 --> 00:52:22,239
Speaker 2: If you are both comfortable sending him as an ambassador.

936
00:52:23,120 --> 00:52:24,880
Speaker 1: Well I need to see it too. I need to

937
00:52:24,880 --> 00:52:27,759
Speaker 1: see it too because the stakes are that high. Wait

938
00:52:27,880 --> 00:52:30,640
Speaker 1: stance stance, we didn't talk about the stance for this one.

939
00:52:30,680 --> 00:52:35,680
Speaker 1: I think is Peter pan Hm which movies you gotta crow,

940
00:52:35,960 --> 00:52:36,920
Speaker 1: You gotta crow.

941
00:52:40,120 --> 00:52:42,839
Speaker 3: From the movie Pan, where's your stance. I'm not seeing

942
00:52:42,840 --> 00:52:46,160
Speaker 3: the stands at all. There you go, hips, hands on

943
00:52:46,239 --> 00:52:46,880
Speaker 3: hips higher.

944
00:52:48,239 --> 00:52:53,400
Speaker 6: Uh, heart, that's full up like a landfill. A job

945
00:52:53,520 --> 00:52:54,960
Speaker 6: that slowly kills you.

946
00:52:56,120 --> 00:52:57,880
Speaker 1: Bruises that won't heal.

947
00:52:58,000 --> 00:53:00,120
Speaker 3: Way ahead, you just gotta do it over again. So

948
00:53:00,160 --> 00:53:00,719
Speaker 3: you got job.

949
00:53:01,480 --> 00:53:05,799
Speaker 4: Yeah, you know, Kevin Radiohead sounds like.

950
00:53:05,840 --> 00:53:07,120
Speaker 1: Bruce Is that won't heal.

951
00:53:07,640 --> 00:53:12,759
Speaker 4: Yeah, this is like if Rufus Wainwright without any of

952
00:53:12,840 --> 00:53:13,680
Speaker 4: the queerness.

953
00:53:13,719 --> 00:53:20,040
Speaker 6: It's like you looks so tired, like unhappy bring down

954
00:53:20,320 --> 00:53:21,160
Speaker 6: the government.

955
00:53:21,840 --> 00:53:25,400
Speaker 2: Oh boy, Yeah, that's a disaster.

956
00:53:26,040 --> 00:53:27,839
Speaker 4: I would it would have. It would ruin my night

957
00:53:28,000 --> 00:53:29,960
Speaker 4: if that happened, if I were if I were at

958
00:53:29,960 --> 00:53:34,080
Speaker 4: a party having a good time and that happened. Yeah, sorry, Kevin,

959
00:53:34,760 --> 00:53:36,839
Speaker 4: I don't mean to be the Simon Cowell here.

960
00:53:37,520 --> 00:53:40,320
Speaker 3: There was no choreo at all, no choreo.

961
00:53:40,400 --> 00:53:42,520
Speaker 2: He was about thirty seconds ahead.

962
00:53:43,000 --> 00:53:48,160
Speaker 1: I'm not sure he's Yeah, I don't think he's heard either,

963
00:53:48,440 --> 00:53:49,320
Speaker 1: musical artist.

964
00:53:50,200 --> 00:53:51,640
Speaker 5: Yeah.

965
00:53:51,800 --> 00:53:53,520
Speaker 1: Look, if you and I wanted him to go to

966
00:53:53,560 --> 00:53:54,759
Speaker 1: the party.

967
00:53:54,400 --> 00:53:57,399
Speaker 2: If you two were comfortable with him with that being

968
00:53:57,440 --> 00:54:02,000
Speaker 2: the the face and voice of Hollywood, Handbook in front

969
00:54:02,000 --> 00:54:04,320
Speaker 2: of industry movers and shakers.

970
00:54:05,360 --> 00:54:07,120
Speaker 1: I can't risk Brian Grazer seeing that.

971
00:54:07,480 --> 00:54:12,600
Speaker 4: Yeah here wiper by Hollywood Handbook