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Speaker 1: Hello, it's Bowen.

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Speaker 2: I for my episode had to choose Great Americans with

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Speaker 2: Tina fe for our year end roundup. For reasons that

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Speaker 2: go without saying. This was recorded the day after Ioadebris

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Speaker 2: episode of SNL that she hosted, and that's context for

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Speaker 2: what we talk about up top in terms of that

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Speaker 2: night feeling like a bellhouse night, in terms of us

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Speaker 2: being with all of our friends and celebrating each other

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Speaker 2: and celebrating Io. And then it was so nice to

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Speaker 2: have the next day be a debrief with the one

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Speaker 2: and only Tina Fey herself to hear her perspective on this.

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Speaker 2: She's obviously someone we look up to and also someone

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Speaker 2: who you know, came up with her coterie of people

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Speaker 2: in comedy in Chicago and New York. And of course

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Speaker 2: it all culminates in Gosh, the number one single greatest

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Speaker 2: I Don't Think So Honey of all time. Of course,

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Speaker 2: it's I Don't Think So Honey bo Yang for sharing

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Speaker 2: his real opinions on movies on this podcast. It all

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Speaker 2: ends with that famous line, authenticity is dangerous and expensive.

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Speaker 2: A lesson that I have learned over and over again

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Speaker 2: this year is I'm sure you have as well it's

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Speaker 2: a pretty universal axiom at this point. It applies to

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Speaker 2: all of us. But this is just so much fun.

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Speaker 2: We got to talk to theme parks, we got to

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Speaker 2: talk old TV and everything great about Tina and everything

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Speaker 2: great about the culture. She really is the north star

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Speaker 2: for us and it was so so so fun to

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Speaker 2: have her on. She was so good on this episode

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Speaker 2: that even Vanity Fair named her I don't think so

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Speaker 2: many as one of the best performances of twenty twenty four.

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Speaker 2: We couldn't agree more here it is great Americans with

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Speaker 2: Tina Fay.

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Speaker 1: Look maher oh, I see you my own and look

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Speaker 1: over there. How is that culture? Yes? Goodness, Wow, loves

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Speaker 1: culture ding dong los culture is us calling back in

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Speaker 1: back in tact tactile position. Talk to us.

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Speaker 2: About the mozzarella stick number rock that you were working.

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Speaker 1: So. I don't know why this was the answer to

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Speaker 1: how I should end my night, but I get home,

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Speaker 1: it's three thirty in the morning, I get stoned and

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Speaker 1: order mozzarella sticks. Bad because I know I have to

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Speaker 1: wake up. But let's say ten sort of mentally prepare

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Speaker 1: and you know, clean really physically prepare for the podcast

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Speaker 1: today and last night I'm ordering my Monzrelli sticks and

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Speaker 1: I see it says six monzarel sticks, and in my

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Speaker 1: mind that's not enough. And then this morning, when everything

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Speaker 1: sort of settles, you think you didn't need one.

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Speaker 2: That's the devil's math. That's sixth with Mozzarelli sticks.

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Speaker 1: But I feel you, Dick, feels like nothing right.

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Speaker 2: I think six is more than enough. Well, yeah, I

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Speaker 2: ordered Mozzarelli sticks. This is the last time I ordered

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Speaker 2: montzrel sticks. Was at Alma draft House what watching The Boy,

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Speaker 2: The Boy and the Heron and I had to leave

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Speaker 2: in the middle because of work call.

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Speaker 1: Of a work call? Is that what you call violent?

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Speaker 2: And it was not?

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Speaker 1: What because I know you the second we both went

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Speaker 1: in here today we both ran to the bathroom, and

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Speaker 1: I know what that was.

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Speaker 2: Was a work call. Okay, this is all to say

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Speaker 2: I got six and I only finished four.

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Speaker 1: That's a huge brag and an insult to me. No,

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Speaker 1: it was ravenous last night for them. But last night

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Speaker 1: was very celebratory and was very nice. Io did great,

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Speaker 1: what an unbelievable performance.

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Speaker 2: She had, very very fun.

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Speaker 1: I mean I think about between twelve and fifteen people

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Speaker 1: said this, and it just kind of kept getting kicked around.

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Speaker 1: But yes, this is like the Bell House. This is

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Speaker 1: like the Bell House. But it really was. It felt

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Speaker 1: like a celebration.

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Speaker 2: Was very nice. We made it proud of her. Now,

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Speaker 2: what was your review of the Countess Cabaret?

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Speaker 1: I'm still I saw the sheiks not because not necessarily

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Speaker 1: because of the talent, but she was great. The Countess

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Speaker 1: Luyanne as fifty four below was She certainly has star quality,

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Speaker 1: but there's something that happens where she steps on stage

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Speaker 1: and sort of everyone looks at each other and you go,

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Speaker 1: we're getting blacked out. We're all drinking so much tonight.

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Speaker 2: I asked you, was it like going to the Disney

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Speaker 2: World character breakfast?

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Speaker 1: It was not unlike that.

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Speaker 2: It was like seeing Goofy come out while you're eating

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Speaker 2: a Mickey shaped white cake.

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Speaker 1: Let's say Minnie Mouse, let's become Annie. It's not saying

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Speaker 1: Goofy comes out okay, no oh no, no, no, that's

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Speaker 1: he's gonna want It's not what I was saying. If

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Speaker 1: you're watching, if you're you're just saying lou had the

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Speaker 1: impact of Goofy. Yes, yeah, yeah, yeah, not anything to

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Speaker 1: do with the air get sucked out right. One hundred percent,

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Speaker 1: like when Goofy walks in the room. It's like Nicole

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Speaker 1: Kimmen and the Chanel number five commercial by Baz Luhrmann.

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Speaker 1: It's just like, you know, do you know the commercial

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Speaker 1: I'm talking about? I think so speaking of fragrances, I

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Speaker 1: want you to smell me right here and tell me.

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Speaker 2: What it is. Okay, go, you know what this is?

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Speaker 2: By Rado?

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Speaker 1: No, it's axe. Oh, so I have yesterday, I said

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Speaker 1: about one. I'm like, I have no dealer in New York.

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Speaker 1: I don't know what happened. My New York apartment has

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Speaker 1: no deal order. And my mother was like, I want

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Speaker 1: to get you something for Christmas. I said, don't. I

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Speaker 1: don't want anything. She goes, okay, I'll get you a

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Speaker 1: bunch of little small things. Ten axe deordorance, which is

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Speaker 1: both a trigger to like high school locker room and

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Speaker 1: also quite out of fashion.

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Speaker 2: But that is like the timeless, enduring thing about suburban

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Speaker 2: life is that you're never more than half a mile

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Speaker 2: away from it from.

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Speaker 1: An axe body spray, especially from Long Island. That's like

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Speaker 1: a big culture axe body spray. Yes, and so I do.

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Speaker 1: I am walking around and it's sort of like a

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Speaker 1: little bit of having a little bit of how I

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Speaker 1: am a little triggered, but also it's horny.

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Speaker 2: It's horny.

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Speaker 1: Well that's why I wanted you to smell me, to

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Speaker 1: get your horned up for the episode. Speaking of getting

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Speaker 1: horned up, speaking of horny, Speaking of horny, I think

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Speaker 1: everyone's horny for well, first of all, Restless Leg Tour.

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Speaker 2: We're talking eleven.

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Speaker 1: Days at the Beacon, eleven days nights at the begin Yeah,

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Speaker 1: I love my surprise. I'm like, well, of course, well.

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Speaker 2: Of course, and it's the Beacon and New York. I

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Speaker 2: think they're all sold out. But well, yeah, kind of

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Speaker 2: elbow your way in.

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Speaker 1: Are you going to sign the wall? Yes?

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Speaker 3: Yes, and I mean obviously if you guys want to come.

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Speaker 1: Oh the nineteenth nineteen.

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Speaker 3: Thank you for doing the math real quick.

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Speaker 1: I did the math and eighteenth Okay, wait, now we

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Speaker 1: have to officially bring around because that can't be the entrance.

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Speaker 1: Hold on, hold on, it was really so weak.

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Speaker 2: No, no, not week, girls, I have us coming back

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Speaker 2: on Netflix.

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Speaker 1: Okay, thanks fucking god, because I had been wondering about that.

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Speaker 2: Oh yeah, it's coming. Oh, March is going to be

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Speaker 2: a big month for humanity and uh, mean Girls the

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Speaker 2: musical of course the movie. Oh we're not calling it

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Speaker 2: the musical, and.

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Speaker 1: No, we're calling it Me Girls twenty twenty we're calling

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Speaker 1: which I text you about it. I said ten times,

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Speaker 1: I said, it's called Me and.

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Speaker 2: Girls twenty twenty four mean girls. Eighth note in the

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Speaker 2: negative space where the A is.

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Speaker 1: Do you know what's funny this person created and start

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Speaker 1: our favorite movie and our favorite show. Yeah, and I'm

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Speaker 1: not even talking about Saturday Night Live, which also is

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Speaker 1: in the top two of favorite show. Oh yeah, thirty Rock.

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Speaker 2: Oh for sure.

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Speaker 1: Can you imagine just go back in time and tell

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Speaker 1: us in twenty sixteen when we started this, that day

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Speaker 1: is going to be on the podcast, said.

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Speaker 2: Tina fe is gonna be in the podcast.

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Speaker 1: You know what I thought in the shower this morning,

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Speaker 1: I thought, what did you think in the shower where

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Speaker 1: you do your backside?

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Speaker 2: And this is where this I thought. Worldwide Pants took

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Speaker 2: down all of the t FA on Letterman interviews and

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Speaker 2: those were my fucking comfort watches in college.

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Speaker 1: I told you, though, that you could find it somewhere else.

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Speaker 2: Yeah, I think Seth lied liar.

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Speaker 1: Why they take them down?

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Speaker 2: I think I think a Letterman wants to protect his content.

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Speaker 2: I don't know, I can't possibly begin to understand. And

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Speaker 2: then also, I mean so many things.

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Speaker 1: You love her.

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Speaker 2: You really love this person so much, don't you. I'm

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Speaker 2: talking to you, the Surroyal you, the Royal you. Everyone. Welcome,

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Speaker 2: gentlemen and the crew.

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Speaker 1: By the way, this episode is directed by Christopher Nolan.

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Speaker 1: It's Oppenheimer. The film is crazy. A lady needs a

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Speaker 1: lot of lights and the gentleman a lot of lights

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Speaker 1: blow out the Countess loo from Ladies Please. Are you

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Speaker 1: familiar with the Countess flu Yes?

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Speaker 3: That is that is the original sort of Real Housewives

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Speaker 3: New York era. That was my era. I once chased

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Speaker 3: Countess Luanne down the street on the Upper West Side

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Speaker 3: because I was so. I was like, she's on the

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Speaker 3: Upper west Side, the restaurant West that used to be there,

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Speaker 3: And I was like, and I basically was like, I

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Speaker 3: was like Countess and I was like, I work at

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Speaker 3: NBC too, I'm a universal girl, work for university.

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Speaker 1: We brushed elbows at the upfront. So wait, when you

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Speaker 1: were watching Roney, like, were you were you sort of

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Speaker 1: were you sort of like I'm Bethany, Like I'm like.

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Speaker 3: Well, first of all, No, I'm not bethany h way, no,

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Speaker 3: thank you.

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Speaker 1: No.

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Speaker 3: I used to watch the season one. I used to

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Speaker 3: really love, like season one. You guys were probably in

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Speaker 3: middle school because it was before nobody was aware, no

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Speaker 3: one was like working the camera yet nobody was, and

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Speaker 3: it was just really I just wanted to see people's apartments.

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Speaker 1: I get it.

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Speaker 3: I wanted to see their apartments and make judgments. And

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Speaker 3: I didn't need them to be fighting about stuff.

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Speaker 1: No, I just wanted.

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Speaker 3: And so who was it was? You know who I

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Speaker 3: was obsessed with at that time was Alex mccordy.

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Speaker 1: Yeah, essentially it had the show gone in a different direction,

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Speaker 1: which was we just watched these people live their crazy

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Speaker 1: lives and it wasn't like a conflict in the show.

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Speaker 1: Yeah yeah, yeah, because people gravitated towards you know.

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Speaker 2: That's so funny though, because I think Architectural Digest home

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Speaker 2: tours of like scratched the itch or like taking over

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Speaker 2: that little fascination we have of like people's homes and

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Speaker 2: like that's fully been supplanted, right, and.

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Speaker 3: Just be like just going and looking apartments. But remember

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Speaker 3: when she was redoing her Brooklyn townhouse and Jill's aren

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Speaker 3: came over and she's like, we're restoring this banish when

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Speaker 3: she was like, honey, you don't have to save everything

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Speaker 3: that's not a good. Bands like Jill's jill Zaren almost Yah.

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Speaker 1: Who else wasn't that original Ramona and I just recently

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Speaker 1: picked for some reason this was on. It was the

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Speaker 1: fashion Show episode where Ramona walked with those crazy eyes

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Speaker 1: and Jill is just dragging and just like killing it

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Speaker 1: in the front row commedically, comedically, total, it was really

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Speaker 1: on fire.

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Speaker 2: Yeah, they kind of buy like their second season, so

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Speaker 2: this was not the phenomenon back then either. But it

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Speaker 2: wasn't this thing where like they saw themselves for the

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Speaker 2: first time on TV and then they got the work done.

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Speaker 1: Yeah.

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Speaker 2: Just like facially, she happens to everyone.

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Speaker 3: I mean, you see yourself on TV and you go,

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Speaker 3: oh no, breakdown, Oh no, what are we going to

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Speaker 3: do about this?

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Speaker 1: In my face all the time people see my face

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Speaker 1: as that.

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Speaker 2: Yeah, speaking of Universal, do you have any thoughts about

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Speaker 2: this epic universe announced?

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Speaker 1: Yeah, because we know you're a Disney gay like us.

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Speaker 3: Well listen, I'm gonna check it out.

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Speaker 1: Yea.

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Speaker 3: My instinct, my gut instinct is oh honey, it's SNL

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Speaker 3: mad TV that there's not the taste maker at the

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Speaker 3: core defines the thing, right, and so Walt Disney.

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Speaker 1: But I'll go, yeah, yeah, you're going to be there,

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Speaker 1: but I'll go.

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Speaker 2: And we all love we like mad TV and.

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Speaker 3: They are amazing things that mattiv amazing, hilarious people came

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Speaker 3: out of My TV. But the just wasn't that unifying core?

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Speaker 1: Yeah, totally, Well what if I told you this? So

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Speaker 1: on one of the announcements they said was that there's

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Speaker 1: going to be a Frankenstein ride and the star of

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Speaker 1: the pre show is Victoria Frankenstein, the great grand daughter

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Speaker 1: of doctor.

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Speaker 3: But is that the Diablo movie that's.

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Speaker 2: I conflated this last week?

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Speaker 1: Okay, a lot of girl Boss Frankenstein's happening right now

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Speaker 1: in the culture. We have to differentiate.

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Speaker 3: Universal is trying to use that understanding the Universal Monster's

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Speaker 3: catalog and fun ways, and I'm enjoying that.

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Speaker 1: If you went in there and said I'll play doctor

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Speaker 1: Victoria Frankenstein, you first of all, you book.

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Speaker 3: Media seventeen shows a week, seventeen nine minute shows a week,

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Speaker 3: every day.

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Speaker 2: You wouldn't even do the pre show? Would I do

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Speaker 2: a cue that's what we mean the c C.

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Speaker 3: I mean, listen in my heart of hearts, am I

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Speaker 3: holding out for a Disney queue? Of course did I

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Speaker 3: at one point try to volunteer me and Amy Poehler

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Speaker 3: to do Sarah Palin and Hillary Clinton for the Hall

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Speaker 3: of Presidents And they were.

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Speaker 1: Like, we're good.

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Speaker 3: Oh my well I only volunteered it to my friend

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Speaker 3: who's like the guy, and I didn't call it.

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Speaker 1: Yeah, yeah, yeah, yeah, it's Sam. It is a huge

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Speaker 1: part of too. Oh my god, that makes me so

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Speaker 1: happy we went there. But he loves you. I love him.

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Speaker 1: I know you can tell it's a special relationship.

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Speaker 3: It really is.

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Speaker 1: The Disney relationship is a special relationship. And that's actually

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Speaker 1: real Coature number eighty eight.

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Speaker 2: The Disney relationship is a special relationship. God blessed Sam

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Speaker 2: because Sam took us on guard to the Alexy Cosmic

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Speaker 2: rewind no less than seven.

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Speaker 3: Times, which is not medically advisable.

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Speaker 1: No, you done it.

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Speaker 3: Yes, it's beautiful, but I'm an age. Were like, I

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Speaker 3: can do it once. Also, you don't not see a

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Speaker 3: lot of protein spills outside guard, And just for clarity,

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Speaker 3: that is vomit.

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Speaker 1: Well, I've become that girl that's like when the part

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Speaker 1: of the ride that makes people nauseous comes up, I'm like,

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Speaker 1: keep looking at the planet. Keep looking at the planet,

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Speaker 1: don't look to the side. You're gonna suck yourself up.

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Speaker 1: And if you listen, you have your strategies. Yeah, I

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Speaker 1: have my strategy. Yeah. Well I knew this about all

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Speaker 1: of us, that we shared this, and that's that's why

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Speaker 1: I bring it up. And that's why now correct me

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Speaker 1: if I'm wrong. You've been on the Avatar flight of

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Speaker 1: passage R of course. Don't you think that should be

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Speaker 1: him in the pre show.

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Speaker 2: Just explaining what the banchees are.

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Speaker 1: You have the scientific gravitas to carry that pre show through.

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Speaker 2: I don't want us to fully raise the middle finger

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Speaker 2: to that guy.

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Speaker 1: It's not about him. This is about you. This is

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Speaker 1: about what's best for you to be in that pre

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Speaker 1: shows define the.

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Speaker 3: Guy that c and I don't know if this is

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Speaker 3: a true story or a story that I made up

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Speaker 3: for myself either way, but I feel like someone else

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Speaker 3: was supposed to shoot that and then and something went

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Speaker 3: wrong and they're.

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Speaker 1: Like, you have to do it. You made that up.

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Speaker 2: I think you made that up.

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Speaker 1: Here's well, no, Sam isn't it great to have a resource.

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Speaker 1: The Disney relationship is a special relationship. You go to

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Speaker 1: that person for information like this, Can I tell.

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Speaker 3: You a deep Disney nerdery thing? If it interests you,

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Speaker 3: I could try to get you in on this.

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Speaker 1: Let's do it.

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Speaker 3: Okay, So have you ever done a voice at Pixar?

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Speaker 1: A voice at Pixar?

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Speaker 3: No, that's an oversight that needs to happen.

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Speaker 1: Okay, good, Sure, Okay, I think you have. I got

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Speaker 1: lucky enough to do one. Aa.

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Speaker 3: But so the guy Pete doctor who runs Pixar, super

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Speaker 3: nice guy, legend, the kindest, loveliest man, and he invited

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Speaker 3: me in on this super nerdy thing that sometimes they

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Speaker 3: do where they have they I guess they used to

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Speaker 3: do it in persons during the pandemic. They were doing

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Speaker 3: it over Zoom where they just have literally like someone

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Speaker 3: found a case of like weird b roll building the

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Speaker 3: park footage and they just play it like they haven't

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Speaker 3: seen it, and it's just like from like nineteen seventy one,

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Speaker 3: we're building the Haunted mansion and it's just like raw

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Speaker 3: footage of nothing but like guys working. And then there's

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Speaker 3: experts on who like they're all these imagineers who are

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Speaker 3: talking about what it is.

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Speaker 1: And then they just drink really and it's amazing.

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Speaker 3: And because it happens on the West coast, if you're

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Speaker 3: watching it East coast, it's like start it's like two

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Speaker 3: in the morning and you put your laptop in your bed.

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Speaker 1: Woh wow. But it's so cool. That was my dream,

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Speaker 1: like until I found out it was mostly science and

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Speaker 1: math and yeah, actually there's a lot of engineers at

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Speaker 1: otherwise the people fly off and exactly, I need to

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Speaker 1: reconnect with Sam.

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Speaker 2: Oh. Sam was lovely. Sam was really well.

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Speaker 1: I was a tour guide at Disney who is an

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Speaker 1: icon and a legend and this is a big shout

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Speaker 1: out to him. He's a great American.

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Speaker 2: He's a great American. And then he said he was

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Speaker 2: coming to see you, and Amy was it.

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Speaker 1: He came to d C.

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Speaker 3: He came the first weekend.

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Speaker 2: Has been what's that like?

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Speaker 3: The shows are so fun. I do hope you'll come

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Speaker 3: to the begin I want to come, Yeah, please come,

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Speaker 3: but it's like I'm I'm gonna, I'm coming. We have

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Speaker 3: the best time. It's the two of us. We take

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Speaker 3: you on our little journey if we can, and we

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Speaker 3: usually always have like one special friend show up and

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Speaker 3: we go to these cities. People are so lovely to

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Speaker 3: come see us, and then we stay at a nice hotel.

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Speaker 1: And I've said this before, but it is like we

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Speaker 1: get up.

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Speaker 3: Like the other night, I really did text Amy before

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Speaker 3: a show and I was like, right before we went out,

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Speaker 3: she was on the other side stage, was like, I'm

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Speaker 3: getting excited about going to sleep because we do like

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Speaker 3: we have so much fun. Like I'm also learning, like

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Speaker 3: I love the part where we do the show. And

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Speaker 3: I was like, I guess some people go on tour

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Speaker 3: because they want to party after the show or whatever.

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Speaker 3: They want to hook up. And I was like, I

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Speaker 3: like the part where we do the show. And sometimes

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Speaker 3: if we have a new thing and it works, I'm

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Speaker 3: like that works. And then I go home and I

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Speaker 3: wash my face and I like stand in silence facing

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Speaker 3: a wall like I'm like a little.

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Speaker 1: Like you let yourself like charge, and I'm like satisfied.

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Speaker 2: But I think this is just a function of like time,

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Speaker 2: And I will say for Matt and I it's exceptional

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Speaker 2: if we go out after the show.

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Speaker 1: I mean even yesterday, like we were in Bowen's dressing

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Speaker 1: room like and Bowen comes in. He's like, all right,

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Speaker 1: so the after party and we were all were like

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Speaker 1: at the same time, like we don't know, we know

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Speaker 1: it might it might be a quick drink that we're

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00:16:27,560 --> 00:16:31,760
Speaker 1: hung over from Lunn. But no, good, that's the difference.

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00:16:31,800 --> 00:16:32,800
Speaker 1: You still look really good.

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Speaker 2: I put on concealer because today because the camera is

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Speaker 2: because I'm just away from people.

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Speaker 1: I love it. If I knew how to do my

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Speaker 1: own concealer, I would do it. Is it as simple

390
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Speaker 1: as that up? Kind of? I don't know. I tried.

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Speaker 3: I tried to do my make up today and I

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Speaker 3: probably will see this and be like, oh, it was

393
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Speaker 3: like coming from a matine of playing missus love it.

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Speaker 3: I'm I didn't get to my husband went I didn't

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Speaker 3: get see it. I was touring, all right. Well, I

396
00:16:58,480 --> 00:17:01,120
Speaker 3: try to use that rare beauty bluff, which is but

397
00:17:01,120 --> 00:17:03,080
Speaker 3: it's so pigmented that then I do it and I'm like,

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Speaker 3: I'm either fucking great.

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Speaker 1: Or have you been? Have you checked in on the

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00:17:10,960 --> 00:17:11,399
Speaker 1: new Feud?

401
00:17:11,960 --> 00:17:13,760
Speaker 3: I haven't watched it yet, but I think I will.

402
00:17:13,960 --> 00:17:18,160
Speaker 3: I don't watch every part of the of the Murphy Verse,

403
00:17:18,320 --> 00:17:19,600
Speaker 3: but that one I'm like, you might get me.

404
00:17:19,640 --> 00:17:20,080
Speaker 1: I do feel.

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Speaker 3: I was like, Okay, the pr is over time because

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00:17:23,000 --> 00:17:25,240
Speaker 3: there's so many articles now about IM, like, are we

407
00:17:25,680 --> 00:17:28,119
Speaker 3: this is really what we're this top of top of

408
00:17:28,119 --> 00:17:29,159
Speaker 3: mind in every paper?

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Speaker 1: But yeah, it does seem interesting. It is a lot

410
00:17:31,800 --> 00:17:34,480
Speaker 1: of fun to watch just because of the like atmosphere

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00:17:34,520 --> 00:17:36,760
Speaker 1: of it all. I will say, the entire story of

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00:17:36,800 --> 00:17:39,320
Speaker 1: it is just well, you know, Truman Capoti befriended these

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00:17:39,320 --> 00:17:40,800
Speaker 1: women and then you wrote an article and they never

414
00:17:40,840 --> 00:17:43,639
Speaker 1: spoke to them again, and that's literally I'm kind of

415
00:17:43,720 --> 00:17:45,440
Speaker 1: interested to see how it's going to be a whole

416
00:17:45,440 --> 00:17:48,440
Speaker 1: limited series because even in the first episode you get

417
00:17:48,480 --> 00:17:50,840
Speaker 1: it like they're not talking to him anymore, right, But

418
00:17:50,880 --> 00:17:52,720
Speaker 1: then I'm thinking, like maybe every episode will be like

419
00:17:52,760 --> 00:17:55,359
Speaker 1: a bottless episode and be getting more into the specifics

420
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Speaker 1: of who these women were, which is going to be great.

421
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Speaker 1: I need more Callista though.

422
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Speaker 2: At this moment, I got three different line reads of

423
00:18:01,560 --> 00:18:04,840
Speaker 2: Demi Moore calling Tom Hollander venomous.

424
00:18:05,520 --> 00:18:08,000
Speaker 1: She with her whole chest gets to say a slur

425
00:18:08,440 --> 00:18:11,040
Speaker 1: and it's really fun to watch her just let it rip.

426
00:18:11,560 --> 00:18:15,200
Speaker 1: They really let dem go for it, and she goes, yes, yeah,

427
00:18:15,440 --> 00:18:16,040
Speaker 1: I loved it.

428
00:18:16,200 --> 00:18:17,480
Speaker 3: Well, I do you think that is you know that

429
00:18:18,040 --> 00:18:20,880
Speaker 3: he is giving these actresses like he's making people's phones

430
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Speaker 3: ring who maybe their phone wasn't ringing them.

431
00:18:23,119 --> 00:18:26,280
Speaker 1: Molly Ringwold's like her phone rang off the hook for this.

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Speaker 3: And you know what Molly Ringold has been doing in

433
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Speaker 3: the meantime.

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00:18:28,400 --> 00:18:31,200
Speaker 1: Translating French book, translating French book.

435
00:18:31,240 --> 00:18:33,880
Speaker 2: Yes, fly with Me. It's it's a really sad gay

436
00:18:33,920 --> 00:18:34,560
Speaker 2: French novel.

437
00:18:34,680 --> 00:18:36,480
Speaker 1: What. Yeah, she's really smart.

438
00:18:36,480 --> 00:18:39,640
Speaker 2: She's very I believe that. No, she's incredible. Yeah, she's

439
00:18:39,680 --> 00:18:41,200
Speaker 2: a very she's a great American.

440
00:18:41,480 --> 00:18:44,159
Speaker 1: Well, one of my obsessions at this moment is Chloe

441
00:18:44,160 --> 00:18:46,400
Speaker 1: seventy now that this has all been happening. And apparently

442
00:18:46,480 --> 00:18:49,080
Speaker 1: Chloe simply broke down on the day where she had

443
00:18:49,119 --> 00:18:51,680
Speaker 1: to shoot with Molly Ringwold because that was how much

444
00:18:52,200 --> 00:18:57,280
Speaker 1: how Yeah, I don't know. That's uh huh. Chloe, who's

445
00:18:57,280 --> 00:18:59,280
Speaker 1: like the coolest like you would imagine, it's like very

446
00:18:59,359 --> 00:19:02,159
Speaker 1: unbothered about the whole thing. Ye. Actually in interviews, like

447
00:19:02,160 --> 00:19:04,000
Speaker 1: I watched her on Jimmy the other night and she's

448
00:19:04,119 --> 00:19:09,120
Speaker 1: very like like y'all, she's like like everybody, Oh, try

449
00:19:09,119 --> 00:19:11,239
Speaker 1: I cry. I break down to Molly Ringwall just like

450
00:19:11,359 --> 00:19:12,560
Speaker 1: you and me and everyone else.

451
00:19:12,720 --> 00:19:17,560
Speaker 2: Yeah, that's the shared I guess American experience. I'm kind

452
00:19:17,560 --> 00:19:20,560
Speaker 2: of tying this back to a national sort of narrative.

453
00:19:21,359 --> 00:19:24,199
Speaker 1: Well, she also was like they did this thing because, like,

454
00:19:24,280 --> 00:19:26,479
Speaker 1: you know, she's obviously a fashion icon Chloe, and they

455
00:19:26,480 --> 00:19:28,960
Speaker 1: were like looking back at all of her like iconic

456
00:19:28,960 --> 00:19:33,000
Speaker 1: looks because she was like that, she had nothing nice

457
00:19:33,000 --> 00:19:35,760
Speaker 1: to say about anything she ever wore. She's like, oh this, no, this, no,

458
00:19:36,000 --> 00:19:38,000
Speaker 1: this no. And I was like, maybe that's what makes

459
00:19:38,040 --> 00:19:38,840
Speaker 1: her such an icon.

460
00:19:39,080 --> 00:19:41,680
Speaker 3: She also needs to keep looking. She didn't. She didn't

461
00:19:41,720 --> 00:19:44,959
Speaker 3: just find a uniform and stick with it, never satisfied.

462
00:19:45,320 --> 00:19:47,760
Speaker 2: Never have we found her uniforms.

463
00:19:48,320 --> 00:19:49,879
Speaker 1: This is your uniform?

464
00:19:49,880 --> 00:19:56,119
Speaker 2: Sure, okay, this is a cream collar, long sleeved.

465
00:19:55,760 --> 00:19:57,640
Speaker 1: Collar like a strong kit.

466
00:19:57,800 --> 00:19:58,359
Speaker 3: Is it a sweat?

467
00:19:58,400 --> 00:19:59,880
Speaker 2: Is it it's a sweats.

468
00:20:01,480 --> 00:20:02,040
Speaker 1: Yeah, it's good.

469
00:20:02,119 --> 00:20:03,560
Speaker 2: So, but that's I don't know if this is the

470
00:20:03,640 --> 00:20:05,960
Speaker 2: uniform though. It's the glasses. It's the I mean, yeah,

471
00:20:06,000 --> 00:20:09,960
Speaker 2: that's it. You've changed your glasses though last year. Yeah, yeah, yesterday,

472
00:20:10,000 --> 00:20:12,000
Speaker 2: I had my contacts in for the show and then

473
00:20:12,000 --> 00:20:14,600
Speaker 2: they had to audition different pairs of glasses for the sketch.

474
00:20:14,800 --> 00:20:16,479
Speaker 2: And then one of them had an actual prescription in them,

475
00:20:16,480 --> 00:20:17,719
Speaker 2: and I was like, oh, this one has a prescription

476
00:20:17,760 --> 00:20:20,800
Speaker 2: in them. And then my dresser, Audrey, was like laughing,

477
00:20:20,800 --> 00:20:23,600
Speaker 2: and she was like, keen and earlier had the same

478
00:20:23,600 --> 00:20:26,280
Speaker 2: thing happened to him, and he said, there's medicine in

479
00:20:26,320 --> 00:20:33,760
Speaker 2: the medicine, by the way, Keenan Thompson, And I'm not

480
00:20:33,880 --> 00:20:37,040
Speaker 2: and this is perfect, but this is truly like an

481
00:20:37,080 --> 00:20:39,359
Speaker 2: apropos thing for me this week where he was up

482
00:20:39,520 --> 00:20:44,240
Speaker 2: till four am with us shooting the sketch, just rallying everybody,

483
00:20:44,320 --> 00:20:47,199
Speaker 2: keeping the morale up, like getting everybody looked like like

484
00:20:47,240 --> 00:20:50,600
Speaker 2: out of like the four am overnight shoot, like Doldrums

485
00:20:50,640 --> 00:20:51,040
Speaker 2: or whatever.

486
00:20:51,200 --> 00:20:52,280
Speaker 1: Team Captain Vibes.

487
00:20:52,480 --> 00:20:54,640
Speaker 2: What a treasure.

488
00:20:55,000 --> 00:20:57,119
Speaker 3: And again, as we continue to make the list of

489
00:20:57,160 --> 00:20:59,280
Speaker 3: great Americans, who do we have? So far we have

490
00:20:59,320 --> 00:21:04,760
Speaker 3: Sam Loomis, Keenan who was somebody in between Molly Chloe,

491
00:21:04,880 --> 00:21:10,879
Speaker 3: I mean Chloe, yes, yes, Top twenty, top twenty New

492
00:21:10,960 --> 00:21:12,440
Speaker 3: Yorker there.

493
00:21:12,359 --> 00:21:16,720
Speaker 2: With Hamilton Hamilton and do you have any thoughts about

494
00:21:16,720 --> 00:21:19,119
Speaker 2: what she has said, I guess in a rolling Stone

495
00:21:19,119 --> 00:21:21,600
Speaker 2: thing about how New York is all Lulu Lemon and dogs,

496
00:21:21,640 --> 00:21:24,680
Speaker 2: too many dogs. But you're as a recent dog owner, yes,

497
00:21:25,320 --> 00:21:26,480
Speaker 2: what do you make of this?

498
00:21:26,640 --> 00:21:29,080
Speaker 1: Like and as someone who's been in New York for a.

499
00:21:29,040 --> 00:21:31,600
Speaker 3: Minute, Yes, are there too many dogs?

500
00:21:32,160 --> 00:21:33,840
Speaker 2: I mean I haven't noticed anything.

501
00:21:34,200 --> 00:21:35,240
Speaker 1: There's a lot of dogs.

502
00:21:35,320 --> 00:21:37,479
Speaker 3: I mean I don't go I don't go to like

503
00:21:37,520 --> 00:21:39,240
Speaker 3: the dog park and that kind of stuff.

504
00:21:39,520 --> 00:21:40,800
Speaker 1: I have. I have people that.

505
00:21:42,960 --> 00:21:45,200
Speaker 3: My dogs group inside every single day.

506
00:21:45,359 --> 00:21:48,280
Speaker 1: Oh really, Oh they're a mess insistent places.

507
00:21:48,480 --> 00:21:51,360
Speaker 3: Sometimes I I'm like, guys, I'm I'm the Queen of Versailles.

508
00:21:51,560 --> 00:21:53,879
Speaker 3: You can't have this. And the dogs are like, we

509
00:21:53,920 --> 00:21:54,560
Speaker 3: haven't watched that.

510
00:21:54,920 --> 00:21:57,360
Speaker 2: No, have you watched the series, Queen?

511
00:21:57,800 --> 00:21:59,600
Speaker 3: No, someone just told me about this. I will watch it.

512
00:21:59,640 --> 00:22:04,159
Speaker 3: I did recently rewatched the original excellent movie, fascinating, incredible.

513
00:22:04,800 --> 00:22:07,359
Speaker 2: The series is a little bit of a cheapened version,

514
00:22:07,400 --> 00:22:09,160
Speaker 2: I'll say. I'll say that on the record, but.

515
00:22:09,440 --> 00:22:11,920
Speaker 3: Because like all documentaries, not all, but a lot of

516
00:22:12,000 --> 00:22:14,560
Speaker 3: great documentaries, it's they started thinking it was going to

517
00:22:14,600 --> 00:22:16,640
Speaker 3: be about one thing and then it changes.

518
00:22:16,920 --> 00:22:19,680
Speaker 1: That usually is exciting and yeah, yeah, yes, was not.

519
00:22:19,840 --> 00:22:21,840
Speaker 1: Like the most famous example of that is probably the Jinks,

520
00:22:21,920 --> 00:22:22,560
Speaker 1: right is the jinks?

521
00:22:22,560 --> 00:22:25,400
Speaker 3: The jinks and also capturing the Freedman's oh yeah, which

522
00:22:25,440 --> 00:22:26,000
Speaker 3: have you ever seen that?

523
00:22:26,040 --> 00:22:26,879
Speaker 2: I don't think I've ever seen it.

524
00:22:26,920 --> 00:22:28,359
Speaker 3: Oh yeah, For first of all, because it's supposed to

525
00:22:28,359 --> 00:22:30,359
Speaker 3: be about this guy who's a party clown, and then

526
00:22:30,359 --> 00:22:32,160
Speaker 3: it turns out that he has his dark family history

527
00:22:32,160 --> 00:22:34,480
Speaker 3: and they follow that. But you know that Silly Billy

528
00:22:34,480 --> 00:22:37,240
Speaker 3: the party clown used to play the SNL holiday party

529
00:22:37,480 --> 00:22:40,439
Speaker 3: up on seventeen. He would come and do like party

530
00:22:40,440 --> 00:22:43,000
Speaker 3: clown stuff like when I was a writer, when like

531
00:22:43,080 --> 00:22:46,760
Speaker 3: Norm McDonald's son would be there that era. So I

532
00:22:46,760 --> 00:22:48,720
Speaker 3: saw the doc and I was like, that's oh my god,

533
00:22:48,720 --> 00:22:51,399
Speaker 3: that's Silly Billy. Oh no, Silly Billy's family.

534
00:22:52,680 --> 00:22:56,680
Speaker 1: No, he was not. What do you mean he did?

535
00:22:56,720 --> 00:22:58,200
Speaker 2: The party there used to be.

536
00:22:58,240 --> 00:22:59,679
Speaker 3: A little you know what it was. They would have

537
00:23:00,040 --> 00:23:02,320
Speaker 3: and the tree lighting was happening. Yes, they'd have bagels

538
00:23:02,320 --> 00:23:03,840
Speaker 3: and stuff and people would bring their kids.

539
00:23:03,920 --> 00:23:06,080
Speaker 2: Yeah, they bring your kids to people.

540
00:23:05,920 --> 00:23:07,760
Speaker 3: Would bring you know why, because Louren's kids were little.

541
00:23:08,480 --> 00:23:12,120
Speaker 2: That's why there no children about. It's just the bagels.

542
00:23:12,160 --> 00:23:14,919
Speaker 2: And it's like the meetings happening, like your sketch might

543
00:23:14,920 --> 00:23:16,479
Speaker 2: get picked, it might not. It's like there's a lot

544
00:23:16,520 --> 00:23:18,960
Speaker 2: of weird tens. But then the lighting is always a

545
00:23:18,960 --> 00:23:19,520
Speaker 2: beautiful moment.

546
00:23:19,600 --> 00:23:20,800
Speaker 1: It's a nice moment. But we were taught.

547
00:23:20,840 --> 00:23:22,600
Speaker 3: You asked about New York and has Disney York have

548
00:23:22,720 --> 00:23:23,800
Speaker 3: too many dogs? Probably?

549
00:23:23,880 --> 00:23:24,680
Speaker 1: Does it have too much?

550
00:23:25,680 --> 00:23:27,080
Speaker 3: I mean it's a mix in my neighborhood, it's a

551
00:23:27,080 --> 00:23:29,400
Speaker 3: mix of like there's a Lululemon and then everything else

552
00:23:29,440 --> 00:23:29,919
Speaker 3: is vacant.

553
00:23:30,000 --> 00:23:32,720
Speaker 1: Yeah, I guess most of the time where it's just

554
00:23:32,800 --> 00:23:35,200
Speaker 1: all dogs. And so I just kind of accepted that

555
00:23:35,280 --> 00:23:38,040
Speaker 1: me not having one is I'm wrong and I should

556
00:23:38,080 --> 00:23:39,920
Speaker 1: get one. I also like, now I'm starting to feel

557
00:23:39,920 --> 00:23:41,680
Speaker 1: a little guilty that I don't have one. Do you

558
00:23:41,680 --> 00:23:44,160
Speaker 1: remember when I hosted that dog grooming comp I hosted

559
00:23:44,200 --> 00:23:48,320
Speaker 1: a dog grooming competition show called Hot Dog hau tr Excellent,

560
00:23:48,440 --> 00:23:51,280
Speaker 1: And there was a day there was a day where

561
00:23:51,600 --> 00:23:53,840
Speaker 1: it was like rescue dog Day and they made me

562
00:23:53,880 --> 00:23:55,560
Speaker 1: hold one of these dogs and give a direct to

563
00:23:55,600 --> 00:23:59,119
Speaker 1: camera like don't you want to save a life? Like

564
00:23:59,200 --> 00:24:01,040
Speaker 1: how would you feel to know that you could have

565
00:24:01,040 --> 00:24:02,639
Speaker 1: saved a life? Right? I didn't, And then I like

566
00:24:02,640 --> 00:24:04,960
Speaker 1: handed the dog back and I was like okay later,

567
00:24:05,760 --> 00:24:08,080
Speaker 1: and then I felt bad. It was like we need

568
00:24:08,119 --> 00:24:09,200
Speaker 1: to help, need to help.

569
00:24:09,400 --> 00:24:12,440
Speaker 3: The message that was the help. The PSA was the help.

570
00:24:12,440 --> 00:24:14,119
Speaker 1: I did my thing. I can be fun uncle to

571
00:24:14,520 --> 00:24:16,640
Speaker 1: these dogs, actual children.

572
00:24:16,880 --> 00:24:18,919
Speaker 2: Yeah, I'm ready for parenthood with the dogs.

573
00:24:19,320 --> 00:24:21,160
Speaker 1: The dog you want one, he would be a great

574
00:24:21,160 --> 00:24:21,680
Speaker 1: dog owner.

575
00:24:22,119 --> 00:24:25,359
Speaker 3: The schedule, Yeah, because does no one brings their dog

576
00:24:25,520 --> 00:24:26,120
Speaker 3: to us and ow.

577
00:24:26,200 --> 00:24:29,560
Speaker 2: People bring their dogs Testina, That would be a bridge

578
00:24:29,600 --> 00:24:31,720
Speaker 2: too far. Oh, there's there's a couple of people. But

579
00:24:31,760 --> 00:24:32,280
Speaker 2: it's fine.

580
00:24:32,359 --> 00:24:33,800
Speaker 1: Like they stay in the dressing room.

581
00:24:33,800 --> 00:24:35,600
Speaker 2: They stay in the dressing room, or sometimes they'll bring

582
00:24:35,640 --> 00:24:37,240
Speaker 2: them out. It's okay.

583
00:24:37,600 --> 00:24:38,560
Speaker 3: That's a different world.

584
00:24:38,840 --> 00:24:42,240
Speaker 2: It's a different Yeah. Would never have flown No, no, no,

585
00:24:42,440 --> 00:24:44,639
Speaker 2: I don't think so. Yeah.

586
00:24:43,680 --> 00:24:48,960
Speaker 1: Yeah, right now I think post pandemic, we're all like, we've.

587
00:24:48,760 --> 00:24:50,840
Speaker 2: Had a rough couple of years.

588
00:24:50,920 --> 00:24:53,600
Speaker 1: Let's let everyone have what they need everyone, let's make sure.

589
00:24:53,440 --> 00:24:58,400
Speaker 2: Everything's fine, which I culturally must feel. Why I remember

590
00:24:58,760 --> 00:25:01,000
Speaker 2: that this just comes with starting out there, no matter

591
00:25:01,040 --> 00:25:03,240
Speaker 2: who you are, no matter what job it is, if

592
00:25:03,280 --> 00:25:06,480
Speaker 2: you start out there, it is always hard and it

593
00:25:06,560 --> 00:25:09,480
Speaker 2: is always a cultural adjustment. But I just remember a

594
00:25:09,480 --> 00:25:12,080
Speaker 2: time like pre pandemic where I was just like, oh,

595
00:25:12,080 --> 00:25:13,560
Speaker 2: I was terrified every day.

596
00:25:14,280 --> 00:25:17,800
Speaker 1: Every day I was shaking just to be there, just.

597
00:25:17,720 --> 00:25:20,720
Speaker 2: To be there and yeah, would have never Yeah, I

598
00:25:20,760 --> 00:25:21,120
Speaker 2: went there.

599
00:25:21,160 --> 00:25:24,440
Speaker 3: I was ninety seven when I went there, And I

600
00:25:24,520 --> 00:25:27,600
Speaker 3: mean that I see was clarity now, Like the nineties

601
00:25:27,640 --> 00:25:32,520
Speaker 3: were so rough, like rough, rough.

602
00:25:32,400 --> 00:25:34,200
Speaker 1: Rough, what sense? What do you mean?

603
00:25:34,400 --> 00:25:37,800
Speaker 3: Like kindness was not in fashion and it would get

604
00:25:37,840 --> 00:25:42,880
Speaker 3: worse from there, and no mental health was like what yeah,

605
00:25:43,200 --> 00:25:45,880
Speaker 3: what what are you talking about? Yeah, and that's why

606
00:25:45,920 --> 00:25:48,800
Speaker 3: everyone ended up with some form of like temporary kind

607
00:25:48,800 --> 00:25:52,480
Speaker 3: of OCD and PTA. You know. But even just when

608
00:25:52,520 --> 00:25:54,920
Speaker 3: you look back at you just look back at like

609
00:25:55,040 --> 00:25:58,080
Speaker 3: nineties Letterman interviews, Yeah, and you're like, oh my gosh,

610
00:25:58,119 --> 00:26:02,600
Speaker 3: she's just like haranguing teenager. Yeah, yeah, absolutely, and we

611
00:26:02,600 --> 00:26:06,480
Speaker 3: were like ha ha ha, yeah that dumb slag, Yeah exactly.

612
00:26:06,640 --> 00:26:09,440
Speaker 3: That was the fifty five year old man told that

613
00:26:09,960 --> 00:26:11,240
Speaker 3: dumb teenager.

614
00:26:11,320 --> 00:26:14,240
Speaker 1: Will never be the same after that. Well, but like.

615
00:26:14,160 --> 00:26:18,720
Speaker 2: The Paris Hiltan thing, I still I mean it's rough,

616
00:26:18,840 --> 00:26:22,320
Speaker 2: Like I don't like celebrate that interview necessarily. It is

617
00:26:22,359 --> 00:26:27,240
Speaker 2: incredible and the most unman in the best not the

618
00:26:27,280 --> 00:26:29,520
Speaker 2: best way, but in a way that you're like, it's Letterman.

619
00:26:29,680 --> 00:26:32,280
Speaker 2: And then I talked about this before. It was the

620
00:26:32,320 --> 00:26:34,800
Speaker 2: thing that like andresident and I watched and we're like, so,

621
00:26:34,880 --> 00:26:36,520
Speaker 2: I guess the Iceberg should be like I want to

622
00:26:36,560 --> 00:26:38,600
Speaker 2: talk about this thing and not talk about this Yeah

623
00:26:38,800 --> 00:26:41,000
Speaker 2: you know what I mean modeled it after that. Yeah

624
00:26:41,520 --> 00:26:43,240
Speaker 2: oh really yeah yeah yeah, Like we watched that, we

625
00:26:43,280 --> 00:26:45,399
Speaker 2: were like, okay, so like I just want to I

626
00:26:45,440 --> 00:26:46,680
Speaker 2: just want to talk about my other thing.

627
00:26:46,800 --> 00:26:47,000
Speaker 1: Yeah.

628
00:26:47,040 --> 00:26:49,239
Speaker 2: But it was like that was the nineties too. It

629
00:26:49,320 --> 00:26:54,080
Speaker 2: was like really fucking yeah, making you squirm a bit.

630
00:26:54,119 --> 00:26:56,240
Speaker 3: And there's just for so many things, even people like

631
00:26:57,000 --> 00:26:59,199
Speaker 3: if you've seen that again, these are all people that

632
00:26:59,320 --> 00:27:02,840
Speaker 3: I you know, hold nothing against them. But like there's

633
00:27:03,240 --> 00:27:07,840
Speaker 3: some old Conan clip where the lady from Melrose Places,

634
00:27:10,040 --> 00:27:14,280
Speaker 3: Oh gosh, someone else, the other blonde lady, Courtney Thorn

635
00:27:14,920 --> 00:27:15,600
Speaker 3: thank you so much.

636
00:27:15,680 --> 00:27:17,879
Speaker 1: First of all, I think thank you.

637
00:27:18,080 --> 00:27:18,480
Speaker 2: I believe.

638
00:27:18,520 --> 00:27:21,200
Speaker 3: I believe it's Courtney Thorn Smith, and I forget maybe

639
00:27:21,240 --> 00:27:22,760
Speaker 3: it's like I don't know if it's Conan once a

640
00:27:22,720 --> 00:27:24,400
Speaker 3: ant Norm on the other side or something. And they're

641
00:27:24,440 --> 00:27:26,439
Speaker 3: just like doing a bit, like some kind of bit

642
00:27:26,520 --> 00:27:28,320
Speaker 3: that that she looks really hot whatever, and she's just

643
00:27:28,320 --> 00:27:30,439
Speaker 3: trying to tell her story from whatever it is, the

644
00:27:30,440 --> 00:27:32,679
Speaker 3: pre interview of like a funny thing that happened and

645
00:27:32,720 --> 00:27:35,879
Speaker 3: it's like two maniacs on either side of her, and

646
00:27:36,280 --> 00:27:38,800
Speaker 3: you're just like, oh, yeah, that we're not doing that anymore.

647
00:27:40,560 --> 00:27:42,960
Speaker 3: But at the time it was like ha ha, yeah, okay,

648
00:27:43,000 --> 00:27:46,000
Speaker 3: and those are like Conan is a lovely, kind, involved,

649
00:27:46,080 --> 00:27:49,320
Speaker 3: intelligent person. We all were I should probably try to

650
00:27:49,320 --> 00:27:51,000
Speaker 3: think of a story that I tell on myself instead

651
00:27:51,000 --> 00:27:52,320
Speaker 3: of like but they were.

652
00:27:52,160 --> 00:27:55,360
Speaker 1: Like, we were just hard. We were hard people. Well,

653
00:27:55,400 --> 00:27:57,800
Speaker 1: we had Seth Meyers on the show like probably a

654
00:27:57,880 --> 00:28:00,359
Speaker 1: month ago, and he was saying that like the best

655
00:28:00,400 --> 00:28:02,840
Speaker 1: time like that. He felt like the winning season was

656
00:28:02,840 --> 00:28:04,840
Speaker 1: probably like two thousand and eight, two thousand and nine,

657
00:28:04,880 --> 00:28:07,520
Speaker 1: like obviously when you when I went back, Sarah, do

658
00:28:07,600 --> 00:28:08,680
Speaker 1: you feel that way too?

659
00:28:09,240 --> 00:28:11,960
Speaker 3: Well, I feel like that was a crazy good time

660
00:28:12,000 --> 00:28:14,880
Speaker 3: and Seth was pad writer and was doing a great

661
00:28:15,000 --> 00:28:18,800
Speaker 3: job and the world wasn't as dark, and yeah, for me,

662
00:28:18,880 --> 00:28:20,600
Speaker 3: I felt like that was my like prayer for Owen

663
00:28:20,680 --> 00:28:22,760
Speaker 3: meanie moment where I was like, it was I born

664
00:28:22,800 --> 00:28:25,520
Speaker 3: to look like this lady, I guess so, yeah, but

665
00:28:25,600 --> 00:28:26,879
Speaker 3: now it all seems so gentle.

666
00:28:27,200 --> 00:28:29,679
Speaker 1: Yeah. I was there, I remember, I was I was

667
00:28:29,720 --> 00:28:32,359
Speaker 1: literally there. I remember. One of the coolest ones was

668
00:28:32,440 --> 00:28:35,440
Speaker 1: it was the I guess weekend up date Tuesday or Wednesday,

669
00:28:35,600 --> 00:28:39,640
Speaker 1: Thursday special Thursday thing. Yes, they would add those things.

670
00:28:39,640 --> 00:28:42,760
Speaker 1: And I was at the time like a standby person,

671
00:28:42,840 --> 00:28:45,280
Speaker 1: like I would wait all the time. And so someone

672
00:28:45,320 --> 00:28:47,680
Speaker 1: at the line like was like, yeah, they actually they

673
00:28:47,680 --> 00:28:49,760
Speaker 1: give us tickets to the Thursday thing, So here's you go,

674
00:28:49,800 --> 00:28:52,440
Speaker 1: and it was you Will Ferrell and I guess Darrel

675
00:28:52,440 --> 00:28:55,160
Speaker 1: Hammond right like, and he was.

676
00:28:55,080 --> 00:28:57,240
Speaker 3: Doing bush and stuff. Yep, I think I remember that

677
00:28:57,240 --> 00:28:58,600
Speaker 3: was the one that my parents were like, that was

678
00:28:58,640 --> 00:28:59,400
Speaker 3: a little too far.

679
00:29:00,320 --> 00:29:04,040
Speaker 1: They were because they're republic that was a little too far.

680
00:29:04,240 --> 00:29:07,239
Speaker 3: I forget what. I don't remember what the jokes were, right,

681
00:29:07,320 --> 00:29:10,040
Speaker 3: they were on board and then they got back on board.

682
00:29:20,920 --> 00:29:23,520
Speaker 2: This is I don't think i've This is personally important

683
00:29:23,560 --> 00:29:27,160
Speaker 2: to me and I will never forget this. But I matriculated,

684
00:29:27,160 --> 00:29:30,160
Speaker 2: it lived with my sister, was not in student housing,

685
00:29:30,200 --> 00:29:32,520
Speaker 2: and so I was very socially anxious about meeting new people.

686
00:29:33,920 --> 00:29:37,760
Speaker 2: And I had researched the improv group at Nay in

687
00:29:37,880 --> 00:29:40,880
Speaker 2: April of senior of high school, and I'm reaching out

688
00:29:40,920 --> 00:29:45,560
Speaker 2: to the Facebook page throw Back and I message the

689
00:29:45,560 --> 00:29:48,400
Speaker 2: facebook page, when do you guys hold auditions. Does it

690
00:29:48,440 --> 00:29:50,280
Speaker 2: work against me if I'm not in Tish, if I'm

691
00:29:50,360 --> 00:29:55,560
Speaker 2: just a science major, does it work against Irish? And

692
00:29:55,600 --> 00:29:59,600
Speaker 2: then the person who answered me was Anda dressing like hey,

693
00:29:59,640 --> 00:30:02,360
Speaker 2: so fun but just like cosmically there was something about that,

694
00:30:02,400 --> 00:30:04,040
Speaker 2: and then she was like, don't worry, good luck with

695
00:30:04,080 --> 00:30:08,600
Speaker 2: your many forad rentals, like bye, and then auditioned for

696
00:30:08,680 --> 00:30:12,000
Speaker 2: the improv group made it to the final round and

697
00:30:12,040 --> 00:30:13,640
Speaker 2: then I was like, I really hope I get this.

698
00:30:14,200 --> 00:30:16,440
Speaker 2: Got the email from anadress and saying we're so sorry.

699
00:30:16,560 --> 00:30:17,120
Speaker 1: Oh fuck.

700
00:30:17,560 --> 00:30:20,840
Speaker 2: We were floored by everybody. Please start your own groups.

701
00:30:20,920 --> 00:30:22,680
Speaker 2: We shouldn't be the only game in town. Blah blah

702
00:30:22,680 --> 00:30:25,160
Speaker 2: blah game in town being NYU, the only improv group

703
00:30:25,200 --> 00:30:28,720
Speaker 2: at NYU. I was like, okay, licking my wounds. My

704
00:30:28,760 --> 00:30:30,520
Speaker 2: sister had gone out. I had the apartment to myself.

705
00:30:30,560 --> 00:30:34,719
Speaker 2: It was Saturday, Michael Phelps episode of SNL Tina Nam.

706
00:30:34,760 --> 00:30:36,880
Speaker 2: It were just going on as Hillary and Sarah. Yeah,

707
00:30:37,040 --> 00:30:40,680
Speaker 2: I get the call during the cold open live from

708
00:30:40,720 --> 00:30:44,280
Speaker 2: Anna being liked. We talked about it, just kidding we're

709
00:30:44,320 --> 00:30:46,560
Speaker 2: taking on two people and you and like you're in

710
00:30:46,640 --> 00:30:50,960
Speaker 2: the group. And then it was like this crazy shift

711
00:30:51,600 --> 00:30:52,840
Speaker 2: like something like.

712
00:30:53,480 --> 00:30:55,680
Speaker 1: The culture decided to be good. Well no, no, no, it

713
00:30:55,720 --> 00:30:57,560
Speaker 1: was just it was just like we're gonna it's gonna

714
00:30:57,560 --> 00:30:58,200
Speaker 1: be a good time.

715
00:30:58,360 --> 00:31:02,320
Speaker 2: The trajectory was like perturbed in like the best way

716
00:31:02,400 --> 00:31:03,480
Speaker 2: for me possible.

717
00:31:03,680 --> 00:31:05,760
Speaker 1: But like you were like the fact I caused it.

718
00:31:05,920 --> 00:31:08,240
Speaker 1: You caused it, and no matter what you were like.

719
00:31:08,200 --> 00:31:10,760
Speaker 3: And Amy didn't, it was it was you.

720
00:31:11,920 --> 00:31:14,920
Speaker 2: But anyway, that's what I like will always fondly remember, not.

721
00:31:14,880 --> 00:31:17,360
Speaker 3: That Oh that's a great memory. That's a great memory.

722
00:31:17,440 --> 00:31:19,920
Speaker 2: Okay, but is this the thing then, like starting at

723
00:31:20,000 --> 00:31:22,640
Speaker 2: SNL when you did, or coming back whatever the after

724
00:31:22,680 --> 00:31:26,280
Speaker 2: party culture is at any given time, is that informing

725
00:31:26,360 --> 00:31:29,320
Speaker 2: what you and Amy do after the show, because where

726
00:31:29,360 --> 00:31:30,200
Speaker 2: you're like, well let's just.

727
00:31:30,240 --> 00:31:30,600
Speaker 1: Go to bed.

728
00:31:30,760 --> 00:31:32,280
Speaker 3: Oh no, I mean we used to. I mean we'll

729
00:31:32,280 --> 00:31:33,680
Speaker 3: we were at SNL. We used to go out until

730
00:31:33,680 --> 00:31:35,960
Speaker 3: I had my first child, and then I would sometimes

731
00:31:36,040 --> 00:31:37,920
Speaker 3: begrudgingly go and.

732
00:31:38,560 --> 00:31:39,960
Speaker 1: They, like you have to say with Laura.

733
00:31:39,760 --> 00:31:41,920
Speaker 2: I'd be like, okay, yeah, I'm at that stage, but

734
00:31:41,960 --> 00:31:44,160
Speaker 2: I'm childless. Childless yeah, actual, but.

735
00:31:44,120 --> 00:31:45,720
Speaker 3: We used to go, but I never was an after

736
00:31:45,840 --> 00:31:47,960
Speaker 3: after that was always I'm like, yeah.

737
00:31:47,840 --> 00:31:49,760
Speaker 1: I can't imagine what that would even be No.

738
00:31:49,880 --> 00:31:52,520
Speaker 3: I remember I feel like one time Tracy Morgan had

739
00:31:52,600 --> 00:31:57,160
Speaker 3: like he did, like an illegal private casino somewhere the

740
00:31:57,320 --> 00:31:59,520
Speaker 3: draft went to Like the next day, I was like,

741
00:32:00,200 --> 00:32:00,960
Speaker 3: was insane.

742
00:32:03,280 --> 00:32:03,760
Speaker 2: Of course.

743
00:32:03,960 --> 00:32:07,560
Speaker 1: I mean, but speaking of all this culture so that

744
00:32:07,600 --> 00:32:09,840
Speaker 1: we're talking about, in many ways, culture that made us

745
00:32:09,840 --> 00:32:11,440
Speaker 1: side culture was for us. We have to ask you

746
00:32:11,480 --> 00:32:13,920
Speaker 1: this question, and it is, of course a difficult question

747
00:32:13,960 --> 00:32:16,320
Speaker 1: that has really open to interpretation. But Tina Fey, what

748
00:32:16,440 --> 00:32:19,520
Speaker 1: was the culture that made you say culture is for me?

749
00:32:20,080 --> 00:32:23,360
Speaker 3: Okay, I've been thinking about this question. I struggled to

750
00:32:23,640 --> 00:32:25,320
Speaker 3: understand it, but I think I'm going to try to

751
00:32:25,440 --> 00:32:28,320
Speaker 3: frame it like have you ever done those? I am from.

752
00:32:28,520 --> 00:32:31,000
Speaker 1: Yes, oh yeah, So if.

753
00:32:30,840 --> 00:32:33,600
Speaker 3: We frame it that way, I'm also much older than you, guys,

754
00:32:33,600 --> 00:32:36,320
Speaker 3: and so I'm really going back. I may say things

755
00:32:36,360 --> 00:32:40,239
Speaker 3: that mean nothing to you, right, I mean like I

756
00:32:40,280 --> 00:32:42,120
Speaker 3: am from watching Benny Hill as.

757
00:32:41,960 --> 00:32:45,760
Speaker 1: A family, Yes, yes, yes, what yeah, watching.

758
00:32:45,440 --> 00:32:47,480
Speaker 3: A weird old man ogle women be kings being like

759
00:32:47,560 --> 00:32:54,400
Speaker 3: this is formative his family, like it's on PBS. Guys.

760
00:32:55,000 --> 00:32:58,560
Speaker 3: I am from you know a time when it just

761
00:32:58,680 --> 00:33:01,760
Speaker 3: our whole life was you go to Blockbuster, you rent

762
00:33:01,760 --> 00:33:07,800
Speaker 3: the stepfather you rent the now incredibly problematic sleep away camp.

763
00:33:09,080 --> 00:33:11,600
Speaker 3: That's like and you watch it with your you know,

764
00:33:12,160 --> 00:33:14,120
Speaker 3: gay friends. So but again, if you want to talk

765
00:33:14,120 --> 00:33:18,800
Speaker 3: about how hard it is, like cackling, like knowing, like

766
00:33:18,880 --> 00:33:21,240
Speaker 3: it's horrible, like yeah, or like it's me and my

767
00:33:21,280 --> 00:33:23,920
Speaker 3: best friend Marlene going to Pretty Woman when it first

768
00:33:23,920 --> 00:33:27,160
Speaker 3: came out and immediately cackling, being like we're the only

769
00:33:27,240 --> 00:33:29,840
Speaker 3: ones that know that she's a sex worker and this

770
00:33:30,000 --> 00:33:34,360
Speaker 3: is grim right that, Like, Okay, this week it's Richard Gear,

771
00:33:34,520 --> 00:33:40,360
Speaker 3: but every other week it's terrible, you know, cackling.

772
00:33:40,480 --> 00:33:41,320
Speaker 1: What else? I mean?

773
00:33:42,360 --> 00:33:47,040
Speaker 3: Real World New York Season? Why I guys, I remember

774
00:33:47,800 --> 00:33:50,920
Speaker 3: getting up early with my brother to see the beginning

775
00:33:51,720 --> 00:33:55,640
Speaker 3: of MTV Wow, the first.

776
00:33:55,760 --> 00:33:59,840
Speaker 1: Video like Downtown Julie Brown like video killed there, like.

777
00:34:01,640 --> 00:34:05,320
Speaker 3: Getting up to see Live Aid and being so and

778
00:34:05,440 --> 00:34:09,600
Speaker 3: being so pomped that it was partly in Philadelphia and

779
00:34:10,480 --> 00:34:12,640
Speaker 3: guys like Phil collins Is on the concord. You guys

780
00:34:12,640 --> 00:34:13,799
Speaker 3: see Phil collins Is.

781
00:34:13,760 --> 00:34:14,640
Speaker 1: On the concord.

782
00:34:15,520 --> 00:34:17,719
Speaker 3: Yeah, it was for whatever reason, because the quality of

783
00:34:17,760 --> 00:34:20,399
Speaker 3: the venue it was in wherever it wasn't Wembley, a guess,

784
00:34:21,080 --> 00:34:24,400
Speaker 3: and like Veterans Stadium or something must have been the.

785
00:34:24,640 --> 00:34:26,120
Speaker 2: I'm silly and stupid and I thought it was just

786
00:34:26,160 --> 00:34:26,840
Speaker 2: in the UKN know.

787
00:34:26,880 --> 00:34:28,359
Speaker 3: And that was the big thing was they were like

788
00:34:28,640 --> 00:34:30,680
Speaker 3: Phil Collins is gonna play with this band and then

789
00:34:30,719 --> 00:34:35,320
Speaker 3: get on the concord and play again. What else is formed?

790
00:34:35,440 --> 00:34:36,839
Speaker 3: Who I am? You know?

791
00:34:36,960 --> 00:34:38,720
Speaker 1: Sheila the Glamorous Life?

792
00:34:38,880 --> 00:34:39,120
Speaker 4: Wow?

793
00:34:39,320 --> 00:34:41,839
Speaker 1: Thanks for that, you know, Kelly Clarkson just brought her back.

794
00:34:41,880 --> 00:34:44,000
Speaker 1: Sheila is on Kelly Clarkson's album and I feel like

795
00:34:44,080 --> 00:34:49,520
Speaker 1: no one talks about on the last RAF. Yes, like yeah,

796
00:34:50,000 --> 00:34:52,719
Speaker 1: he gave her a special culture award. We did. We

797
00:34:54,320 --> 00:34:56,799
Speaker 1: gave her like a we gave her something. She's been

798
00:34:56,840 --> 00:34:57,960
Speaker 1: recognized by this podcast.

799
00:34:58,000 --> 00:34:58,200
Speaker 2: Good.

800
00:34:58,200 --> 00:35:00,440
Speaker 1: I'm glad she must What else can I give you?

801
00:35:00,440 --> 00:35:00,600
Speaker 1: You know?

802
00:35:00,920 --> 00:35:04,359
Speaker 3: The Divinyls? I touched myself. That was like or like

803
00:35:04,680 --> 00:35:08,600
Speaker 3: me trying to have to no success, trying to convince

804
00:35:08,640 --> 00:35:11,839
Speaker 3: people that our junior prom theme should be there must

805
00:35:11,880 --> 00:35:16,680
Speaker 3: be an Angel by e Rhythmic. I was just going

806
00:35:16,760 --> 00:35:18,880
Speaker 3: to keep writing these papers and putting it in the box.

807
00:35:18,960 --> 00:35:21,600
Speaker 1: Now what wasn't Ultimately under the.

808
00:35:22,160 --> 00:35:26,120
Speaker 3: Well it was like Brian Adams Heaven. And then I

809
00:35:26,120 --> 00:35:28,680
Speaker 3: think maybe senior year was maybe like this is the

810
00:35:28,719 --> 00:35:29,840
Speaker 3: time Billy Joel.

811
00:35:31,440 --> 00:35:32,880
Speaker 1: New song.

812
00:35:34,960 --> 00:35:37,799
Speaker 2: I wow, but this is the thing where I go,

813
00:35:38,320 --> 00:35:40,840
Speaker 2: how would I have done? How would any of us do?

814
00:35:41,000 --> 00:35:42,440
Speaker 2: In like a bygone time?

815
00:35:42,560 --> 00:35:43,120
Speaker 3: You would love it.

816
00:35:43,200 --> 00:35:45,800
Speaker 1: The Blackbuster of it all really resonates because it's also

817
00:35:45,880 --> 00:35:48,680
Speaker 1: about going to Blockbuster and only ever renting two things,

818
00:35:48,880 --> 00:35:51,319
Speaker 1: running two things over and over over and over over

819
00:35:51,400 --> 00:35:51,600
Speaker 1: and over.

820
00:35:51,680 --> 00:35:55,239
Speaker 3: Watching another one was like a rach andophobia was a

821
00:35:55,239 --> 00:35:57,200
Speaker 3: big one. I feel like there's a Martin Sheen one

822
00:35:57,239 --> 00:35:59,040
Speaker 3: that I can't think of that was like a horror movie.

823
00:35:59,200 --> 00:35:59,640
Speaker 1: Maybe that's what.

824
00:36:00,239 --> 00:36:03,040
Speaker 3: And like also with my two good friends Jim and Damien,

825
00:36:03,120 --> 00:36:05,080
Speaker 3: who are brothers, who between the two of them.

826
00:36:04,960 --> 00:36:08,319
Speaker 1: Are the amalgam that are the basis for the Yea.

827
00:36:08,800 --> 00:36:11,520
Speaker 3: And in their house they had a back staircase that

828
00:36:11,520 --> 00:36:13,360
Speaker 3: had been closed off and made into a pantry that

829
00:36:13,440 --> 00:36:18,359
Speaker 3: was full of every kind of junk food and get

830
00:36:18,400 --> 00:36:21,719
Speaker 3: after it and also just like it like it was

831
00:36:21,719 --> 00:36:24,720
Speaker 3: the eight is like no one did fitness. Your outfit

832
00:36:24,840 --> 00:36:28,839
Speaker 3: was like a high collar thing with a blazer. It

833
00:36:28,880 --> 00:36:32,720
Speaker 3: was just like then. There was drank so much soda.

834
00:36:33,160 --> 00:36:36,760
Speaker 3: Would eat like a cheese HOGI so like a twelve

835
00:36:36,800 --> 00:36:39,879
Speaker 3: inch hogy with three kinds of cheese, and then still

836
00:36:39,920 --> 00:36:40,359
Speaker 3: able to.

837
00:36:40,320 --> 00:36:46,040
Speaker 1: Poop exactly the body and just think I'm trying to

838
00:36:46,040 --> 00:36:46,960
Speaker 1: think culturally too.

839
00:36:46,960 --> 00:36:51,720
Speaker 3: It was like VC Andrew's flowers in the attic flowers,

840
00:36:52,640 --> 00:36:54,959
Speaker 3: reading those on like the beach at the Jersey Shore,

841
00:36:55,640 --> 00:37:00,000
Speaker 3: or like on the trolley to work. Other weird things,

842
00:37:00,040 --> 00:37:02,920
Speaker 3: things that I don't realize are like I was obsessed

843
00:37:02,920 --> 00:37:06,560
Speaker 3: with Paul Young. That was like every time you go away.

844
00:37:08,320 --> 00:37:11,560
Speaker 1: Originally it's like boy music. Well he was super cute.

845
00:37:11,600 --> 00:37:14,200
Speaker 3: Oh okay, yeah, And like sc TV used to be

846
00:37:14,239 --> 00:37:16,960
Speaker 3: on after SNL three weekends a month, and then the

847
00:37:17,000 --> 00:37:18,520
Speaker 3: fourth weekend it was wrestling and he'd be.

848
00:37:18,440 --> 00:37:21,800
Speaker 1: Like, uh, who did you imprint on on SCTV was

849
00:37:21,800 --> 00:37:22,799
Speaker 1: a Catherine, Oh my.

850
00:37:22,680 --> 00:37:28,799
Speaker 3: Gosh, Catherine, Yeah for sure, Andrea aspirational free song.

851
00:37:29,600 --> 00:37:31,560
Speaker 1: As you say, did I use that right? You used that?

852
00:37:32,160 --> 00:37:35,480
Speaker 2: You absolutely used so is the word of twenty twenty four.

853
00:37:35,520 --> 00:37:37,520
Speaker 1: It's like we need translate.

854
00:37:37,680 --> 00:37:40,000
Speaker 2: It's just like a feeling of like something in the.

855
00:37:39,960 --> 00:37:42,680
Speaker 1: Airporia, like when something is like, oh, I have the

856
00:37:42,680 --> 00:37:45,440
Speaker 1: free song thinking about this one.

857
00:37:45,840 --> 00:37:46,480
Speaker 2: It's the table I.

858
00:37:46,440 --> 00:37:48,839
Speaker 1: Got the I got the free song thinking about getting

859
00:37:48,920 --> 00:37:53,040
Speaker 1: us on Guardians of the Beautiful Ride. I think that

860
00:37:53,239 --> 00:37:56,600
Speaker 1: the boy music thing is like that is also a

861
00:37:56,640 --> 00:37:59,000
Speaker 1: thing like the men of the eighties and nineties, you

862
00:37:59,040 --> 00:38:02,000
Speaker 1: were allowed to be yeah, but like there was something

863
00:38:02,200 --> 00:38:07,000
Speaker 1: I'm gonna say, like set aside, like ogly and stuff.

864
00:38:07,000 --> 00:38:09,840
Speaker 1: But like the men of that time, hot, I sound

865
00:38:09,960 --> 00:38:13,680
Speaker 1: insane for saying that, don't You could look up to

866
00:38:13,800 --> 00:38:17,480
Speaker 1: men in a way that was like fine, Yeah, you

867
00:38:17,480 --> 00:38:20,319
Speaker 1: could look up to men and be like I'm okay, okay,

868
00:38:20,360 --> 00:38:21,759
Speaker 1: I weren't worried about what they were up to.

869
00:38:21,800 --> 00:38:23,279
Speaker 3: Maybe, but I.

870
00:38:23,239 --> 00:38:24,640
Speaker 2: Mean even that, I mean I think they were.

871
00:38:24,680 --> 00:38:28,280
Speaker 1: They were good Americans, good Americans that's the name of this,

872
00:38:28,719 --> 00:38:30,120
Speaker 1: not literally good American.

873
00:38:32,040 --> 00:38:34,840
Speaker 3: But we also I mean we also were like Janet Jackson,

874
00:38:34,880 --> 00:38:38,040
Speaker 3: Madonna go gos like that's along the rhythmics. I remember

875
00:38:38,080 --> 00:38:40,759
Speaker 3: also remember when e Rhythmics came out, like when the

876
00:38:40,800 --> 00:38:43,920
Speaker 3: first Sweet Dreams came out, and we were like people

877
00:38:43,960 --> 00:38:47,400
Speaker 3: were scared of them. Yeah, she was like different, Like

878
00:38:47,440 --> 00:38:49,360
Speaker 3: she had that short hair and she was wearing a

879
00:38:49,400 --> 00:38:50,400
Speaker 3: suit and everyone was.

880
00:38:50,400 --> 00:38:53,560
Speaker 1: Like what she was hantipop And even when she did

881
00:38:53,600 --> 00:38:55,719
Speaker 1: like diva and like did do her own thing, like

882
00:38:55,800 --> 00:38:57,960
Speaker 1: it was still there was something sinister about it in

883
00:38:58,000 --> 00:38:59,000
Speaker 1: a way that I love.

884
00:38:59,120 --> 00:39:02,040
Speaker 2: Yeah, like yeah, just gender Bendy or the.

885
00:39:02,040 --> 00:39:05,640
Speaker 1: Song why by Annie Lennox. I want that. As I'm

886
00:39:05,640 --> 00:39:07,520
Speaker 1: lowered into the ground, I think remember that.

887
00:39:07,680 --> 00:39:09,520
Speaker 3: I do say revisit. There must be an angel.

888
00:39:09,719 --> 00:39:12,560
Speaker 1: It's beautiful, okay. And also I mean walking on broken

889
00:39:12,600 --> 00:39:15,360
Speaker 1: Glass like there's a reason for it. Someone's gonna sample

890
00:39:15,400 --> 00:39:21,240
Speaker 1: that song and it's going to be just appear stranger things. Yeah, yeah,

891
00:39:21,280 --> 00:39:24,200
Speaker 1: like like that song taking off the bush of it all.

892
00:39:24,520 --> 00:39:26,600
Speaker 2: I'm happy for the rediscovery.

893
00:39:26,680 --> 00:39:27,680
Speaker 1: As you guys talked.

894
00:39:27,480 --> 00:39:30,399
Speaker 3: About this that that's the year of the the needle drop.

895
00:39:30,640 --> 00:39:34,960
Speaker 1: Yes, yes, do you watch the Bear? No? Okay, I

896
00:39:35,040 --> 00:39:36,560
Speaker 1: have seen some of them, but not all of that.

897
00:39:37,040 --> 00:39:39,120
Speaker 1: Probably one of the most famous needle drops of this

898
00:39:39,200 --> 00:39:42,000
Speaker 1: year is Taylor Swift love story on Oh they did that.

899
00:39:42,120 --> 00:39:44,799
Speaker 1: They did that, and to get the Taylor Swift song

900
00:39:44,880 --> 00:39:46,960
Speaker 1: must have cost a lot of money, so thankfully it

901
00:39:47,000 --> 00:39:49,919
Speaker 1: paid off on the Bear. The Bearri you're doing excellent. Yes,

902
00:39:50,040 --> 00:39:53,080
Speaker 1: you guys are crushing it out there. They really are.

903
00:39:53,120 --> 00:39:55,880
Speaker 1: They really are. It's so wild to see her like

904
00:39:56,000 --> 00:39:57,239
Speaker 1: sleigh drama like this.

905
00:39:57,840 --> 00:39:58,640
Speaker 2: Yeah, yeah, I know.

906
00:39:58,680 --> 00:39:59,880
Speaker 3: I have to go back and get into it so

907
00:39:59,920 --> 00:40:02,560
Speaker 3: I can see where her character arc went because I know.

908
00:40:02,920 --> 00:40:04,880
Speaker 1: She's so good, and I think it was like I

909
00:40:04,880 --> 00:40:07,279
Speaker 1: always like, of course coming up with her, like we

910
00:40:07,280 --> 00:40:08,880
Speaker 1: always knew she was so talented. But then I was

911
00:40:08,920 --> 00:40:11,360
Speaker 1: watching Bottoms. Did you see bottom? Yes, I was watching

912
00:40:11,400 --> 00:40:13,200
Speaker 1: her on screen. There's a scene where the camera gets

913
00:40:13,239 --> 00:40:14,959
Speaker 1: way up in her face and I think she's having

914
00:40:14,960 --> 00:40:18,400
Speaker 1: a moment with her love interest, and I'm like, you

915
00:40:18,600 --> 00:40:21,600
Speaker 1: got it, girl, she got it big time. We were

916
00:40:21,680 --> 00:40:22,200
Speaker 1: big time.

917
00:40:22,280 --> 00:40:25,480
Speaker 2: You were in the edit yesterday for this pre tape.

918
00:40:25,760 --> 00:40:28,120
Speaker 2: Every take, I was like, oh, I don't know, she

919
00:40:28,280 --> 00:40:32,759
Speaker 2: knows where to find the can the camera, but like

920
00:40:32,960 --> 00:40:34,160
Speaker 2: and it would cut to me and it'd.

921
00:40:34,000 --> 00:40:38,239
Speaker 1: Be like no, no, no, but when you know what

922
00:40:38,320 --> 00:40:40,200
Speaker 1: to do with the camera. Do we all have this?

923
00:40:40,760 --> 00:40:44,120
Speaker 2: Do we all have this thing where it's this there

924
00:40:44,200 --> 00:40:47,239
Speaker 2: is some dysmorphia if not might be the right word.

925
00:40:47,239 --> 00:40:50,479
Speaker 2: But it's like I think it's getting worse and worse

926
00:40:50,520 --> 00:40:51,920
Speaker 2: for me in terms of watching myself.

927
00:40:52,440 --> 00:40:54,680
Speaker 3: I've reached a point where I don't do it like

928
00:40:55,239 --> 00:40:57,160
Speaker 3: unless I'm in unless it's something that I'm in charge

929
00:40:57,160 --> 00:40:58,760
Speaker 3: of them is like I have to edit it. Yeah,

930
00:40:58,760 --> 00:41:00,960
Speaker 3: I'm like, oh, I'm going to make this movie and

931
00:41:01,000 --> 00:41:02,640
Speaker 3: I have an idea. I'm never gonna watch it.

932
00:41:02,719 --> 00:41:05,360
Speaker 1: Yeah, I got it, and that's like freeing. Yeah, you

933
00:41:05,400 --> 00:41:08,279
Speaker 1: know when it came out about the four seasons. Yeah,

934
00:41:08,680 --> 00:41:12,640
Speaker 1: the gay group chats were popping. That's really excited.

935
00:41:12,840 --> 00:41:13,879
Speaker 3: I'm excited about that too.

936
00:41:14,160 --> 00:41:15,279
Speaker 1: Yeah, this is gonna be good.

937
00:41:15,719 --> 00:41:17,680
Speaker 2: That's a good link up again with with Tracy and.

938
00:41:17,640 --> 00:41:20,640
Speaker 3: With oh Tracy and Lang the best Tracy, Tracy Wakefield

939
00:41:20,640 --> 00:41:21,040
Speaker 3: and Lang Fish.

940
00:41:21,040 --> 00:41:23,759
Speaker 1: Oh yeah, that's going to the gays that remember the

941
00:41:23,800 --> 00:41:27,439
Speaker 1: movie were like like they were very right. Oh that's great.

942
00:41:27,520 --> 00:41:31,200
Speaker 1: Oh no, yeah, they're lining up already. I can't get

943
00:41:31,239 --> 00:41:33,680
Speaker 1: over that. My two movies from Blackbuster were The First

944
00:41:33,680 --> 00:41:35,080
Speaker 1: Wives Club and Golden Eye.

945
00:41:35,840 --> 00:41:40,600
Speaker 3: That's that was my personality, Like First Club, that makes sense.

946
00:41:40,480 --> 00:41:42,880
Speaker 1: Yeah, First Wives Club. So you watch it now and

947
00:41:42,960 --> 00:41:46,359
Speaker 1: you're like, it's so a movie of the nineties where

948
00:41:46,360 --> 00:41:48,520
Speaker 1: it's just like it takes a bit to get into

949
00:41:49,560 --> 00:41:52,160
Speaker 1: being a movie. Yeah, and then yeah, then it is,

950
00:41:52,239 --> 00:41:53,480
Speaker 1: you know what I mean. But I kind of missed

951
00:41:53,520 --> 00:41:55,439
Speaker 1: the days where it was just like, no, the first

952
00:41:55,440 --> 00:41:58,839
Speaker 1: half hour is just gonna be a lot of relationship building. Yep,

953
00:41:59,080 --> 00:41:59,640
Speaker 1: like a lot.

954
00:42:00,120 --> 00:42:02,520
Speaker 2: Is it any first talk stuff that actually ever pays

955
00:42:02,560 --> 00:42:04,520
Speaker 2: off in the end. No, right, that felt like a

956
00:42:04,600 --> 00:42:07,000
Speaker 2: ninety thing where it was like you just I.

957
00:42:06,920 --> 00:42:08,719
Speaker 1: Think it's all worth it to watch them at the

958
00:42:08,800 --> 00:42:11,240
Speaker 1: end saying you don't owe me. And I can't remember

959
00:42:11,280 --> 00:42:13,239
Speaker 1: anything else about the movie besides that. And you know

960
00:42:13,239 --> 00:42:15,000
Speaker 1: who else you forget is in that movie? Kind of

961
00:42:15,400 --> 00:42:16,520
Speaker 1: crushing its SVP.

962
00:42:16,760 --> 00:42:17,799
Speaker 3: Yeah, she's great in that movie.

963
00:42:17,880 --> 00:42:18,200
Speaker 1: So good.

964
00:42:18,560 --> 00:42:20,720
Speaker 3: She's great in that movie. She's great in La Story.

965
00:42:20,920 --> 00:42:23,560
Speaker 1: Yes, she's great in Edwood.

966
00:42:24,000 --> 00:42:29,600
Speaker 2: Oh yeah, this wait a minute, when Edward is so great?

967
00:42:29,680 --> 00:42:33,160
Speaker 1: That's a really good one. Okay, I've got two weeks off. Yeah, wow,

968
00:42:33,200 --> 00:42:34,160
Speaker 1: you do have two weeks off.

969
00:42:34,160 --> 00:42:37,480
Speaker 2: I'm excited. I'm not going anywhere. I'm going to the Beacond.

970
00:42:37,640 --> 00:42:40,239
Speaker 1: I was gonna say, except the big the Beacon. So wait,

971
00:42:40,280 --> 00:42:42,600
Speaker 1: when you would have a vacation from SNL back in

972
00:42:42,640 --> 00:42:44,520
Speaker 1: the day, would you go or would you just sit?

973
00:42:44,840 --> 00:42:45,759
Speaker 1: Would you bedrot?

974
00:42:46,040 --> 00:42:48,160
Speaker 3: I think I mostly just sat. I feel like people

975
00:42:48,200 --> 00:42:50,080
Speaker 3: at S and I'll do much better sort of self

976
00:42:50,120 --> 00:42:53,440
Speaker 3: care and living their lives. But I think in the beginning,

977
00:42:53,600 --> 00:42:56,200
Speaker 3: my now husband was still in Chicago, so sometimes I

978
00:42:56,200 --> 00:42:58,360
Speaker 3: would go back to Chicago for the yeah or whatever.

979
00:42:58,440 --> 00:43:02,960
Speaker 3: But but no, I didn't I never took one real vacation. Yeah, yeah, yeah,

980
00:43:03,040 --> 00:43:05,040
Speaker 3: I'm just still learning how to do that. I'm like,

981
00:43:05,040 --> 00:43:06,879
Speaker 3: all right, you book a trip and then you go there.

982
00:43:07,320 --> 00:43:10,719
Speaker 2: Yeah right, I've never developed I don't think I think

983
00:43:10,719 --> 00:43:13,320
Speaker 2: my time is up, like I think if I haven't

984
00:43:13,400 --> 00:43:14,920
Speaker 2: learned by now to like book a vacation on the

985
00:43:14,920 --> 00:43:16,959
Speaker 2: two weeks off, and I don't think I ever will

986
00:43:17,160 --> 00:43:20,360
Speaker 2: for my remaining time there. I'm just like I don't

987
00:43:20,400 --> 00:43:23,680
Speaker 2: have that thing of like that admin thing of like

988
00:43:23,760 --> 00:43:25,879
Speaker 2: let me book an airbnb or something.

989
00:43:25,920 --> 00:43:26,160
Speaker 1: Yeah.

990
00:43:26,239 --> 00:43:28,560
Speaker 2: So I think it's I think there's something about working

991
00:43:28,560 --> 00:43:32,080
Speaker 2: there that like makes you want to stay put because

992
00:43:32,080 --> 00:43:33,840
Speaker 2: you're just like moving around a lot or something.

993
00:43:34,480 --> 00:43:36,960
Speaker 3: Yeah, you need to recover. Yeah, the thought of going

994
00:43:36,960 --> 00:43:39,840
Speaker 3: to the airport doesn't seem good after that.

995
00:43:40,160 --> 00:43:42,960
Speaker 2: No, never ever, I literally did this when you were

996
00:43:42,960 --> 00:43:44,799
Speaker 2: in town last season, where I would like do a

997
00:43:44,800 --> 00:43:48,760
Speaker 2: show on Saturday. My flight was at eight am, after

998
00:43:48,880 --> 00:43:52,319
Speaker 2: daylight savings after the spring clock jumped forward, so I

999
00:43:52,400 --> 00:43:54,400
Speaker 2: lost an hour and then went to the airport to

1000
00:43:54,480 --> 00:43:56,800
Speaker 2: go to London to then yeah shoot, and I was

1001
00:43:56,880 --> 00:44:01,000
Speaker 2: just like this is actually this is ct Like there's

1002
00:44:02,400 --> 00:44:06,040
Speaker 2: part of my brain that's leaving and so I don't know.

1003
00:44:06,080 --> 00:44:07,719
Speaker 3: I think, oh my god, that's sketch. Last night when

1004
00:44:07,840 --> 00:44:09,640
Speaker 3: I was like, and when the wind blows.

1005
00:44:09,440 --> 00:44:11,520
Speaker 1: I could feel who wrote that?

1006
00:44:11,520 --> 00:44:14,799
Speaker 2: Shout out to Asha Ward hilarious is crush. She's this

1007
00:44:14,920 --> 00:44:17,720
Speaker 2: she's a new young writer. She co wrote this elevator

1008
00:44:17,760 --> 00:44:22,280
Speaker 2: sketch with us as well. She is so damn funny.

1009
00:44:22,600 --> 00:44:24,200
Speaker 2: And yeah, so she she said that line I said

1010
00:44:24,200 --> 00:44:26,080
Speaker 2: on Tuesday night when she was pitching it, which was

1011
00:44:26,200 --> 00:44:28,040
Speaker 2: like kind of like going around with the idea. She's like, yeah,

1012
00:44:28,040 --> 00:44:30,680
Speaker 2: it's based off this People's Court, this actual People's Court

1013
00:44:30,719 --> 00:44:35,360
Speaker 2: episode was the plaintiff did have like the haircut, was

1014
00:44:36,239 --> 00:44:38,919
Speaker 2: that her scalp was showing obviously not her actual brain.

1015
00:44:38,960 --> 00:44:40,719
Speaker 2: But then was like, I think we're going to make

1016
00:44:40,719 --> 00:44:42,799
Speaker 2: it her brain in the sketches, Like that's amazing it

1017
00:44:42,880 --> 00:44:44,680
Speaker 2: and then she goes, yeah, and I think I wanted

1018
00:44:44,719 --> 00:44:46,440
Speaker 2: to say when the wind blows, I can feel my

1019
00:44:46,480 --> 00:44:49,600
Speaker 2: memory like being blown away, and I threw my head back.

1020
00:44:49,640 --> 00:44:51,080
Speaker 2: I was like, you have to put.

1021
00:44:50,920 --> 00:44:53,600
Speaker 1: That, Yeah, you must, you must. I did want to ask,

1022
00:44:53,640 --> 00:44:56,680
Speaker 1: so like when you're at SNL and also you're at

1023
00:44:56,680 --> 00:44:59,960
Speaker 1: the same time writing mean girls, like I guess I'm

1024
00:45:00,040 --> 00:45:02,520
Speaker 1: what I'm wondering is like, how long did it take

1025
00:45:02,560 --> 00:45:04,960
Speaker 1: you to do that? Because I remember, like literally at

1026
00:45:04,960 --> 00:45:07,160
Speaker 1: the time reading interviews with you where you were like

1027
00:45:07,200 --> 00:45:09,400
Speaker 1: I just wanted to see if I could do it, yeah,

1028
00:45:09,440 --> 00:45:13,120
Speaker 1: and then you so obviously could, But like, how what

1029
00:45:13,239 --> 00:45:15,800
Speaker 1: was that process of like juggling that, because that seems

1030
00:45:15,800 --> 00:45:17,160
Speaker 1: like a lot of work all the time.

1031
00:45:17,360 --> 00:45:20,120
Speaker 3: I am trying to remember. I know I did a

1032
00:45:20,160 --> 00:45:22,479
Speaker 3: bunch of it in the summer. I feel like maybe

1033
00:45:22,480 --> 00:45:24,839
Speaker 3: it was over two summers because it was the first

1034
00:45:24,880 --> 00:45:29,320
Speaker 3: time we rented a house in Fire Island on we

1035
00:45:29,480 --> 00:45:33,319
Speaker 3: let the fire on a guest Tire had recommended just

1036
00:45:33,360 --> 00:45:35,800
Speaker 3: doing that, and we went and trash picked a desk

1037
00:45:36,000 --> 00:45:39,279
Speaker 3: and we carried it. I remember Jeff's arms got like

1038
00:45:39,320 --> 00:45:41,120
Speaker 3: a huge because you never it's not fireround if you

1039
00:45:41,120 --> 00:45:43,360
Speaker 3: don't get a weird rash, and he like immediately got

1040
00:45:43,400 --> 00:45:44,400
Speaker 3: a ration and I was like, oh, I think there

1041
00:45:44,440 --> 00:45:47,520
Speaker 3: was deer p all over the or something, and so

1042
00:45:47,680 --> 00:45:51,960
Speaker 3: the I must have been doing first draft the first

1043
00:45:51,960 --> 00:45:55,400
Speaker 3: summer and then the shooting. I remember the second summer

1044
00:45:55,440 --> 00:45:57,720
Speaker 3: was the shooting draft. Because I would get Mark Waters,

1045
00:45:57,760 --> 00:46:00,480
Speaker 3: the director, I would get pages of notes every day

1046
00:46:00,960 --> 00:46:02,160
Speaker 3: and I'd be like, I think I did it and

1047
00:46:02,160 --> 00:46:03,960
Speaker 3: then be like, Okay, let's go through today again. He's

1048
00:46:03,960 --> 00:46:06,719
Speaker 3: like page four and I'd be yeah, but he was right.

1049
00:46:06,760 --> 00:46:08,799
Speaker 3: It was like it was stuff of like where are

1050
00:46:08,840 --> 00:46:10,680
Speaker 3: they this that? Could this be short? It was like

1051
00:46:10,719 --> 00:46:14,160
Speaker 3: a lot of technical stuff, and there was an amazing

1052
00:46:14,200 --> 00:46:16,600
Speaker 3: woman named Jill Messick who worked for Laura at the time.

1053
00:46:16,840 --> 00:46:19,279
Speaker 3: She also was just like poking me okay, like a

1054
00:46:19,280 --> 00:46:23,400
Speaker 3: lot of drafts between in between unofficial drafts. So I

1055
00:46:23,400 --> 00:46:25,120
Speaker 3: don't think I was doing it. I must have been

1056
00:46:25,160 --> 00:46:26,160
Speaker 3: doing it on weeks off.

1057
00:46:26,400 --> 00:46:27,480
Speaker 1: Yeah, I don't think.

1058
00:46:27,520 --> 00:46:29,120
Speaker 3: I don't have a memory of doing it a trying

1059
00:46:29,160 --> 00:46:31,200
Speaker 3: to do it at the same time as the actual show.

1060
00:46:31,320 --> 00:46:35,279
Speaker 1: Like only because like and obviously like the movie is

1061
00:46:35,320 --> 00:46:37,879
Speaker 1: so perfect. It's just everything. It's one of those things

1062
00:46:37,880 --> 00:46:40,480
Speaker 1: that like just falls into place in every way. Like

1063
00:46:40,560 --> 00:46:43,560
Speaker 1: I remember we were saying it was one of those

1064
00:46:43,560 --> 00:46:45,400
Speaker 1: movies where you sat down and watched it and I

1065
00:46:45,520 --> 00:46:48,919
Speaker 1: knew I was going to and had to remember every

1066
00:46:48,920 --> 00:46:51,160
Speaker 1: line was happening. I saw with my cousin and I

1067
00:46:51,200 --> 00:46:53,279
Speaker 1: was just like, this is a really special thing. And

1068
00:46:53,320 --> 00:46:55,920
Speaker 1: then going to school, I remember like I was like

1069
00:46:56,160 --> 00:46:58,400
Speaker 1: all the track girls. I used to run winter. I

1070
00:46:58,480 --> 00:47:00,799
Speaker 1: used this is a specific but I would run track

1071
00:47:00,840 --> 00:47:02,640
Speaker 1: and I would practice with all the girls because we

1072
00:47:02,680 --> 00:47:05,760
Speaker 1: would just talk about things like this and everyone knew

1073
00:47:06,560 --> 00:47:09,080
Speaker 1: all the lines. And it was so funny because I

1074
00:47:09,120 --> 00:47:11,680
Speaker 1: watched my one friend sort of I could tell she

1075
00:47:11,719 --> 00:47:13,640
Speaker 1: wanted to be like Regina George in a way where

1076
00:47:13,640 --> 00:47:15,439
Speaker 1: she didn't really get it. I was like, you don't

1077
00:47:15,480 --> 00:47:17,840
Speaker 1: want to be actually mean, like, but the way she

1078
00:47:17,880 --> 00:47:23,560
Speaker 1: started speaking, I'm like it truly remember it was that Anchorman. Yeah,

1079
00:47:23,600 --> 00:47:25,640
Speaker 1: it was like and I remember as a gay kid too,

1080
00:47:26,120 --> 00:47:28,200
Speaker 1: I learned the language of mean girls because that was

1081
00:47:28,239 --> 00:47:30,160
Speaker 1: what all the girls were doing, and then Anchorman was

1082
00:47:30,160 --> 00:47:31,840
Speaker 1: what all the boys were doing, and so it was

1083
00:47:31,880 --> 00:47:35,280
Speaker 1: sort of this like code switch. Yeah, and I remember

1084
00:47:35,760 --> 00:47:38,680
Speaker 1: taking my dad to see it and like he was

1085
00:47:38,719 --> 00:47:41,080
Speaker 1: so excited because it was coming from you. And I

1086
00:47:41,080 --> 00:47:43,560
Speaker 1: remember it was just like this like moment that felt

1087
00:47:43,600 --> 00:47:46,799
Speaker 1: like a unifier, like in high school, because everyone thought

1088
00:47:46,800 --> 00:47:50,040
Speaker 1: it was funny. Everyone thought the cast was amazing, And

1089
00:47:50,200 --> 00:47:52,880
Speaker 1: I really wanted to ask about Rachel mcaddam because this

1090
00:47:52,880 --> 00:47:56,080
Speaker 1: is essentially is a Rachel McAdam stand podcast. Yeah, we

1091
00:47:56,160 --> 00:47:59,680
Speaker 1: could just talk about her and yeah, but like I

1092
00:47:59,719 --> 00:48:01,680
Speaker 1: was re an interview with you recently where you were

1093
00:48:01,719 --> 00:48:05,480
Speaker 1: like you mentioned like watching her act like change the

1094
00:48:05,520 --> 00:48:07,080
Speaker 1: way that you approached.

1095
00:48:06,800 --> 00:48:08,880
Speaker 3: Yeah, because I had never been in a movie before,

1096
00:48:08,960 --> 00:48:10,799
Speaker 3: and I didn't know what I would go and be

1097
00:48:10,840 --> 00:48:12,839
Speaker 3: in the scene. I'd only done SNL and I wasn't

1098
00:48:12,840 --> 00:48:15,680
Speaker 3: even really in sketches on SNL, just an update, So

1099
00:48:15,719 --> 00:48:17,759
Speaker 3: I'd be like I would literally be like in my head,

1100
00:48:17,760 --> 00:48:19,800
Speaker 3: I'd be like, I don't know if I'm on camera

1101
00:48:19,880 --> 00:48:22,359
Speaker 3: right now, so I'm gonna try real hard every time. Yeah,

1102
00:48:22,560 --> 00:48:24,440
Speaker 3: Like didn't know to even ask if I'm in this

1103
00:48:24,520 --> 00:48:27,400
Speaker 3: part of the setup. And she her performance was so

1104
00:48:27,480 --> 00:48:30,239
Speaker 3: small that I remember being worried and going to park

1105
00:48:30,239 --> 00:48:31,840
Speaker 3: watch and be like, oh, and then you get the

1106
00:48:31,920 --> 00:48:34,840
Speaker 3: dailies and it was like, yes, perfection, but it was

1107
00:48:35,000 --> 00:48:38,160
Speaker 3: very it was small. It was a film performance. It

1108
00:48:38,239 --> 00:48:38,879
Speaker 3: wasn't like me.

1109
00:48:39,000 --> 00:48:42,040
Speaker 1: Like we at that all the time, like the sketch

1110
00:48:42,120 --> 00:48:44,880
Speaker 1: mentality of coming in in one mode, especially like because

1111
00:48:44,880 --> 00:48:46,719
Speaker 1: we didn't have any acting training coming up, we were

1112
00:48:46,719 --> 00:48:48,919
Speaker 1: like creatures of the basements, you know, like any of us,

1113
00:48:49,160 --> 00:48:51,279
Speaker 1: and then all of a sudden, you book a thing

1114
00:48:51,320 --> 00:48:53,520
Speaker 1: where you have to be on camera acting and they're like, hey,

1115
00:48:53,600 --> 00:48:56,520
Speaker 1: just throw it away, and like, I don't know what,

1116
00:48:57,160 --> 00:48:58,000
Speaker 1: but you learned.

1117
00:48:58,000 --> 00:49:00,160
Speaker 3: But the difference is then when you see when you

1118
00:49:00,200 --> 00:49:02,080
Speaker 3: see people on SNL, when you see someone like Io

1119
00:49:02,160 --> 00:49:05,080
Speaker 3: who understands the assignment to use a now old phrase.

1120
00:49:05,239 --> 00:49:08,160
Speaker 1: Yeah though it's bad, it, I brought it back.

1121
00:49:08,800 --> 00:49:10,680
Speaker 3: She understands what she's supposed to do and what sketch requires.

1122
00:49:10,719 --> 00:49:13,160
Speaker 3: And then you compare to well, not name names, but

1123
00:49:13,239 --> 00:49:14,640
Speaker 3: you see people who come in who have only ever

1124
00:49:14,680 --> 00:49:16,960
Speaker 3: done film, whose performances are built in the edit room, right,

1125
00:49:17,000 --> 00:49:21,120
Speaker 3: who have no internal sense of pacing or even energy. Yeah,

1126
00:49:21,160 --> 00:49:25,160
Speaker 3: and you and oh they can fuck up a show.

1127
00:49:25,200 --> 00:49:26,879
Speaker 1: But they can slay the pre tape. They can play

1128
00:49:26,880 --> 00:49:29,399
Speaker 1: the pre tape, pre tapes for them, pre tape.

1129
00:49:29,400 --> 00:49:32,520
Speaker 2: That literally all we want to tell people now at SNL,

1130
00:49:32,680 --> 00:49:34,960
Speaker 2: Like all I tell the hosts all the time. On Wednesdays,

1131
00:49:35,040 --> 00:49:38,160
Speaker 2: especially at the reath thro I go fast, and we

1132
00:49:38,200 --> 00:49:40,360
Speaker 2: were just like just do it fast and loud, fast

1133
00:49:40,360 --> 00:49:42,880
Speaker 2: and loud wow, and that usually it is plenty of

1134
00:49:42,880 --> 00:49:44,120
Speaker 2: syles it in. It's plenty.

1135
00:49:44,280 --> 00:49:46,279
Speaker 3: Yeah. That's why Amy talks about how because we do

1136
00:49:46,320 --> 00:49:47,520
Speaker 3: a Q and A and our show and like we

1137
00:49:47,560 --> 00:49:49,040
Speaker 3: often get asked, like, you know, who are your favorite

1138
00:49:49,400 --> 00:49:51,319
Speaker 3: guests and stuff, and she's like, I love athletes because

1139
00:49:51,320 --> 00:49:53,120
Speaker 3: they're used to being coached and they don't care, and

1140
00:49:53,120 --> 00:49:54,719
Speaker 3: you just be like, just do that. They just do

1141
00:49:54,760 --> 00:49:57,440
Speaker 3: it louder and like say it and they're like okay ah.

1142
00:49:57,560 --> 00:49:59,480
Speaker 1: You also get a sense that anyone with like a

1143
00:49:59,520 --> 00:50:02,200
Speaker 1: Disney hid passed yep, comes in there and tears it

1144
00:50:02,320 --> 00:50:02,759
Speaker 1: up yep.

1145
00:50:02,760 --> 00:50:04,960
Speaker 3: Also, by the way, people who've done then there are

1146
00:50:04,960 --> 00:50:06,440
Speaker 3: fewer and fewer of these people, but used to be

1147
00:50:06,440 --> 00:50:08,800
Speaker 3: people who had done soaps, because like, you know, who's

1148
00:50:08,800 --> 00:50:10,840
Speaker 3: got to start on soaps. Alec Baldwin.

1149
00:50:11,920 --> 00:50:15,720
Speaker 1: Julianne Moore, Yes, Julian, make a choice, Make a choice

1150
00:50:15,719 --> 00:50:20,520
Speaker 1: and go get Lisa Rinna. Oh, come on, Lisa, Julian Moore.

1151
00:50:20,640 --> 00:50:23,160
Speaker 1: I think, well, and that's I think our favorite movie

1152
00:50:23,200 --> 00:50:24,680
Speaker 1: of the years May December, We Love Me.

1153
00:50:24,800 --> 00:50:25,560
Speaker 3: That's your favorite movie?

1154
00:50:25,560 --> 00:50:25,719
Speaker 1: There.

1155
00:50:25,760 --> 00:50:30,399
Speaker 3: I enjoyed it, but that I haven't watched Four Things.

1156
00:50:30,400 --> 00:50:34,280
Speaker 1: Oh, you'd like four Things. It's Emma's Emma's another one

1157
00:50:34,440 --> 00:50:38,239
Speaker 1: like comes in and like just obviously gets it, yeah,

1158
00:50:38,239 --> 00:50:42,080
Speaker 1: and gets it, gets it on camera obviously. But Julian Moore,

1159
00:50:42,280 --> 00:50:44,640
Speaker 1: I guess because what's so fun about the movie is

1160
00:50:44,680 --> 00:50:47,400
Speaker 1: it's like purposefully a melodrama, right that insane music. That

1161
00:50:47,480 --> 00:50:50,680
Speaker 1: music was She's like, we're out of hot time, yeah,

1162
00:50:50,800 --> 00:50:52,960
Speaker 1: her insane accident. But then she was talking about like

1163
00:50:52,960 --> 00:50:54,480
Speaker 1: she's like, well, you know, I started in soaps and

1164
00:50:54,520 --> 00:50:57,840
Speaker 1: I actually did the archetype of like the Twins, the twins,

1165
00:50:57,880 --> 00:51:00,759
Speaker 1: the evil twins, like the Amnesia twin. So it wasn't

1166
00:51:00,800 --> 00:51:04,280
Speaker 1: even just amnesia or just twin. It was both acting

1167
00:51:04,320 --> 00:51:09,200
Speaker 1: opposite herself, wanting to kill herself, incredible kill the other.

1168
00:51:09,480 --> 00:51:11,040
Speaker 1: But like, there's all the sense in the world to me.

1169
00:51:11,200 --> 00:51:12,759
Speaker 2: But you said about Alex too though, where it's like

1170
00:51:12,760 --> 00:51:15,839
Speaker 2: they're the Rachel McAdams thing where it's like just so quiet, Yes,

1171
00:51:15,880 --> 00:51:17,279
Speaker 2: it's gonna work, and then you watch the you're like,

1172
00:51:17,320 --> 00:51:19,279
Speaker 2: oh my god, oh my god. Yeah.

1173
00:51:19,320 --> 00:51:21,239
Speaker 3: And sometimes you know, real stars they don't really do

1174
00:51:21,280 --> 00:51:23,560
Speaker 3: what they're going to do till you're on their close up,

1175
00:51:23,600 --> 00:51:25,399
Speaker 3: and so you know, you look at those first two

1176
00:51:25,400 --> 00:51:30,160
Speaker 3: seasons of thirty Out Rock and I'm like hey, and

1177
00:51:30,200 --> 00:51:35,120
Speaker 3: he's like, you won that one.

1178
00:51:35,160 --> 00:51:35,759
Speaker 2: I won that one.

1179
00:51:36,080 --> 00:51:38,359
Speaker 1: It really is well though, because you do a take

1180
00:51:38,400 --> 00:51:40,040
Speaker 1: and they're like, okay, we're moving on and you're like,

1181
00:51:40,080 --> 00:51:42,600
Speaker 1: there's no way we can. I didn't do anything, and

1182
00:51:42,640 --> 00:51:44,360
Speaker 1: they're like, no, you get the performance of a lifetime.

1183
00:51:44,880 --> 00:51:46,920
Speaker 1: You just won't ever know because it wasn't fun for

1184
00:51:47,000 --> 00:51:49,120
Speaker 1: you at all, right, Yeah, but it worked for us.

1185
00:51:49,200 --> 00:51:52,000
Speaker 2: Yeah, back to Mean Girls really quickly. How many times

1186
00:51:52,040 --> 00:51:53,359
Speaker 2: did you see in theater? Because you brought your dad

1187
00:51:53,880 --> 00:51:54,600
Speaker 2: so I saw.

1188
00:51:56,000 --> 00:51:58,839
Speaker 1: You. Oh, come on. I mean, like, first of all,

1189
00:51:59,000 --> 00:52:01,960
Speaker 1: like I wonder how this feels too, because to join

1190
00:52:02,080 --> 00:52:04,440
Speaker 1: this thing of like it was like Heather's Clueless and

1191
00:52:04,480 --> 00:52:07,000
Speaker 1: then it's Mean Girls, and that has to be really meaningful,

1192
00:52:07,320 --> 00:52:08,120
Speaker 1: very meaningful for me.

1193
00:52:08,200 --> 00:52:10,200
Speaker 3: Yeah, because those you know how those and Clueless were

1194
00:52:10,520 --> 00:52:12,120
Speaker 3: huge informative.

1195
00:52:12,200 --> 00:52:15,480
Speaker 2: Yeah, I mean, this is my thing. This is my

1196
00:52:15,560 --> 00:52:19,000
Speaker 2: specificity with it is there was like a website two

1197
00:52:19,040 --> 00:52:22,360
Speaker 2: thousand and four and five in that time of the

1198
00:52:22,360 --> 00:52:24,560
Speaker 2: Internet called like the Script Database or something, and they

1199
00:52:24,600 --> 00:52:27,040
Speaker 2: would either have the screenplay, the original screenplay of the

1200
00:52:27,080 --> 00:52:29,920
Speaker 2: movie any movie you could think of, if they had

1201
00:52:29,960 --> 00:52:32,960
Speaker 2: it the original actual PDF or the scan or whatever

1202
00:52:33,040 --> 00:52:35,600
Speaker 2: of the script, or they would have a transcript. And

1203
00:52:35,640 --> 00:52:37,640
Speaker 2: then I remember reaching out to the admin of that

1204
00:52:37,719 --> 00:52:41,000
Speaker 2: being like I will transcribe Mean Girls for you. And

1205
00:52:41,040 --> 00:52:42,640
Speaker 2: then he did you do it? And I did it,

1206
00:52:43,200 --> 00:52:46,920
Speaker 2: and then and this guy was like, God bless you.

1207
00:52:47,440 --> 00:52:50,839
Speaker 2: The demand for a movie has never been higher than

1208
00:52:50,840 --> 00:52:53,680
Speaker 2: for you. I was like, I'm gonna do it. And

1209
00:52:53,760 --> 00:52:58,440
Speaker 2: I wrote the fucking like the Slugs, and I didn't

1210
00:52:58,840 --> 00:53:03,640
Speaker 2: transscribed me and girls. He was like, well you were fourteen. Wow,

1211
00:53:04,719 --> 00:53:06,640
Speaker 2: this is what I said. I said, I can get

1212
00:53:06,640 --> 00:53:08,640
Speaker 2: you the script. And then this guy, this like thirty

1213
00:53:08,680 --> 00:53:10,800
Speaker 2: year old man, was probably like, you mean the actual

1214
00:53:10,840 --> 00:53:14,279
Speaker 2: like Tina Fey, like the draft. I was like, no, no, no,

1215
00:53:14,400 --> 00:53:16,120
Speaker 2: I'm just gonna type out what they say.

1216
00:53:16,320 --> 00:53:19,600
Speaker 1: I like didn't know. I didn't know what. I didn't

1217
00:53:19,600 --> 00:53:20,400
Speaker 1: know what he was looking for.

1218
00:53:20,440 --> 00:53:22,400
Speaker 2: It was like, I don't care, I'll take a transcript.

1219
00:53:22,440 --> 00:53:25,120
Speaker 2: I was like, oh, that's yes, of course transcribing. Yes,

1220
00:53:25,200 --> 00:53:27,200
Speaker 2: I will write out what they say. I'll see Katie

1221
00:53:27,200 --> 00:53:29,680
Speaker 2: says that, you know, like yeah, that was the level

1222
00:53:29,800 --> 00:53:31,800
Speaker 2: of like eazy, fucking yeah.

1223
00:53:31,840 --> 00:53:34,480
Speaker 1: There's like joy in every scene. And I guess what

1224
00:53:34,520 --> 00:53:37,600
Speaker 1: I feel is like you forget like that such big

1225
00:53:37,640 --> 00:53:39,960
Speaker 1: deals came out of that movie to like Amanda Seifrid,

1226
00:53:40,040 --> 00:53:42,080
Speaker 1: like she's just so in the fabric of the movie

1227
00:53:42,160 --> 00:53:44,200
Speaker 1: having fun doing her part that you forget that she

1228
00:53:44,200 --> 00:53:48,160
Speaker 1: would then become like yeah, hello, And I mean it

1229
00:53:48,200 --> 00:53:51,080
Speaker 1: was it's like that down to to everything. And I

1230
00:53:51,120 --> 00:53:54,480
Speaker 1: wonder like, in shooting it, did you know that it

1231
00:53:54,560 --> 00:53:57,239
Speaker 1: was like did you have a feeling that there was

1232
00:53:57,280 --> 00:54:01,319
Speaker 1: something special happening? Which feels like a question, boring question,

1233
00:54:01,400 --> 00:54:05,200
Speaker 1: But because it did end up being culturally significant, thank you.

1234
00:54:05,520 --> 00:54:08,120
Speaker 3: I feel like, I mean, part of the reason that

1235
00:54:08,200 --> 00:54:11,960
Speaker 3: it worked is because those girls were so legit and

1236
00:54:12,040 --> 00:54:15,799
Speaker 3: took it seriously and played and played it so real,

1237
00:54:16,040 --> 00:54:18,800
Speaker 3: you know, if they had been campy about it, because

1238
00:54:19,200 --> 00:54:21,759
Speaker 3: I think that's the thing I try to sometimes pass

1239
00:54:21,760 --> 00:54:24,600
Speaker 3: on and whatever writershims whatever, it's like, no one, no

1240
00:54:24,800 --> 00:54:27,680
Speaker 3: villain thinks they're they're No one's the villain in their story.

1241
00:54:28,200 --> 00:54:30,319
Speaker 3: Like Regina's whole thing is like it's hard, like she's

1242
00:54:30,360 --> 00:54:32,759
Speaker 3: gonna come crying to me and then I gotta help her, Like, yeah,

1243
00:54:33,239 --> 00:54:34,759
Speaker 3: no one's the villain in their own story, right, And

1244
00:54:34,800 --> 00:54:37,360
Speaker 3: I think they all played that perfectly because you know,

1245
00:54:37,440 --> 00:54:40,239
Speaker 3: and you can see now like, oh, Regina's villain, janis villain,

1246
00:54:40,280 --> 00:54:43,120
Speaker 3: Kate is a huge villain. Like everyone's making mistakes and

1247
00:54:43,160 --> 00:54:47,160
Speaker 3: they played them all perfectly. But you know. I think

1248
00:54:47,200 --> 00:54:49,400
Speaker 3: I was just at that place of like basically like

1249
00:54:49,480 --> 00:54:52,200
Speaker 3: is it gonna air? You know, we're gonna, We're gonna

1250
00:54:52,280 --> 00:54:54,319
Speaker 3: it's gonna get made. That was the That was the

1251
00:54:54,400 --> 00:54:55,319
Speaker 3: triumph in my mind.

1252
00:54:55,520 --> 00:54:57,799
Speaker 2: That's refreshing to hear because I think I think Matt

1253
00:54:57,800 --> 00:55:00,480
Speaker 2: and I are in that mindset right now. We're just

1254
00:55:00,520 --> 00:55:02,200
Speaker 2: like we're working on things and we're just like, let's

1255
00:55:02,280 --> 00:55:05,520
Speaker 2: just not worry about the contours of this. Let's just

1256
00:55:05,640 --> 00:55:08,000
Speaker 2: like the goal is just to get it made, you

1257
00:55:08,040 --> 00:55:08,520
Speaker 2: know what I mean.

1258
00:55:08,960 --> 00:55:10,920
Speaker 3: I read this book. I think it's called like Wild

1259
00:55:10,960 --> 00:55:13,600
Speaker 3: and Crazy Guys, and it's just a little nonfiction book

1260
00:55:13,600 --> 00:55:16,600
Speaker 3: about that span of time where like it's like Steve Martin,

1261
00:55:16,719 --> 00:55:19,040
Speaker 3: Eddie Murphy, Bill Murray Dan. It's like all of when

1262
00:55:19,080 --> 00:55:22,640
Speaker 3: they all were blowing up and what movies got made

1263
00:55:22,640 --> 00:55:25,319
Speaker 3: and whatever, and so many of these movies that are

1264
00:55:25,520 --> 00:55:26,560
Speaker 3: just cannon to us.

1265
00:55:27,400 --> 00:55:29,239
Speaker 1: They were like didn't really open.

1266
00:55:30,080 --> 00:55:33,000
Speaker 3: And you're like I don't care, Like you know, I

1267
00:55:33,080 --> 00:55:36,120
Speaker 3: watched it one hundred thousand times, whatever. The Man with

1268
00:55:36,160 --> 00:55:39,480
Speaker 3: Two Brains or like that was just there just were movies,

1269
00:55:39,600 --> 00:55:43,120
Speaker 3: you know, and to like not worry too much about like.

1270
00:55:43,840 --> 00:55:46,960
Speaker 1: How it does how it does, how many theaters it

1271
00:55:47,080 --> 00:55:50,319
Speaker 1: is just you wonder, like how many things we would

1272
00:55:50,320 --> 00:55:52,239
Speaker 1: actually love so much that it just get written off.

1273
00:55:52,280 --> 00:55:53,640
Speaker 1: I wonder about that all the time, Like with the

1274
00:55:53,640 --> 00:55:55,920
Speaker 1: way the industry is now, like how many things aren't

1275
00:55:55,960 --> 00:55:58,560
Speaker 1: getting made that like are actually going to be things

1276
00:55:58,600 --> 00:56:01,239
Speaker 1: that we think about in fifteen twenty years, you know

1277
00:56:01,280 --> 00:56:02,839
Speaker 1: what I mean? Like it feels very far in few

1278
00:56:02,880 --> 00:56:05,000
Speaker 1: between that you get something, you know.

1279
00:56:05,360 --> 00:56:09,399
Speaker 3: Yeah, yeah, well I think movies still are tighter. Yeah,

1280
00:56:09,440 --> 00:56:11,439
Speaker 3: Like I feel like TV because there's just so much

1281
00:56:11,440 --> 00:56:13,759
Speaker 3: more like you are getting, like you're getting reservation dogs,

1282
00:56:13,760 --> 00:56:16,480
Speaker 3: You're getting you know, Simon Rich is weird show where

1283
00:56:16,480 --> 00:56:22,239
Speaker 3: the like, uh Simon, we know it's what Bottoms felt like, Yeah,

1284
00:56:22,360 --> 00:56:23,440
Speaker 3: totally so refreshing.

1285
00:56:24,040 --> 00:56:28,400
Speaker 1: Well, she's incredible must Sellman, the director of that. She's like,

1286
00:56:28,840 --> 00:56:32,120
Speaker 1: I think she can do anything she can in Bottom

1287
00:56:34,000 --> 00:56:37,680
Speaker 1: and we love Rachel me and so it's happening.

1288
00:56:37,480 --> 00:56:39,479
Speaker 3: Like and you know, my daughter's eighteen, my older daughter,

1289
00:56:39,520 --> 00:56:41,280
Speaker 3: and that is Bottoms is everything?

1290
00:56:41,360 --> 00:56:42,480
Speaker 1: Yeah, really everything?

1291
00:56:42,640 --> 00:56:45,880
Speaker 2: Right? Yeah, it's her mean girls in a way. Yeah yeah,

1292
00:56:46,080 --> 00:56:49,279
Speaker 2: oh that's so cool. That's so cool. I mean it

1293
00:56:49,360 --> 00:56:51,440
Speaker 2: is this thing where like maybe we're just because we're

1294
00:56:51,480 --> 00:56:54,239
Speaker 2: like in we have some awareness, we're like reading like

1295
00:56:54,280 --> 00:56:56,600
Speaker 2: the Ankler or whatever. But I'm just like the survivorship

1296
00:56:56,640 --> 00:56:58,839
Speaker 2: bias of it all is really hitting me where I'm

1297
00:56:58,880 --> 00:57:00,440
Speaker 2: just like, oh, yeah, if I think too about things

1298
00:57:00,440 --> 00:57:02,560
Speaker 2: that aren't getting me that I start to Ye, I

1299
00:57:02,560 --> 00:57:03,720
Speaker 2: started to lose my mind a little.

1300
00:57:12,920 --> 00:57:15,480
Speaker 1: I'm still going to the casting of me. Did everyone

1301
00:57:15,520 --> 00:57:18,400
Speaker 1: audition for that? Like, did you get a tape from

1302
00:57:18,440 --> 00:57:21,800
Speaker 1: Lindzie Kaplan or were you like, gosh, I think so, yeah, probably.

1303
00:57:22,040 --> 00:57:22,480
Speaker 3: Yeah.

1304
00:57:22,520 --> 00:57:24,440
Speaker 1: It just feels like there can have ever been a

1305
00:57:24,480 --> 00:57:27,080
Speaker 1: time when there was like not those not It's one

1306
00:57:27,080 --> 00:57:29,240
Speaker 1: of those things. It's like, yeah, I think so.

1307
00:57:29,360 --> 00:57:31,360
Speaker 2: And Lindsay had worked with Mark before.

1308
00:57:31,520 --> 00:57:33,479
Speaker 3: Lindsay had was coming. She had a lot of heat

1309
00:57:33,560 --> 00:57:34,120
Speaker 3: coming off of.

1310
00:57:34,160 --> 00:57:37,200
Speaker 1: Freaky Friday, and there's waters.

1311
00:57:37,760 --> 00:57:39,800
Speaker 3: I think maybe I can't remember. We should fact check

1312
00:57:39,840 --> 00:57:42,960
Speaker 3: for sure, but yeah, yeah, I think so. Yeah, And

1313
00:57:43,000 --> 00:57:45,480
Speaker 3: she came and she remember she came by s analytists

1314
00:57:45,520 --> 00:57:48,200
Speaker 3: to like hang out and be seen because she I

1315
00:57:48,200 --> 00:57:51,120
Speaker 3: think she wanted to be considered. She wanted to play Regina,

1316
00:57:51,160 --> 00:57:55,160
Speaker 3: which I think yes, And Louren was what always Wise

1317
00:57:55,280 --> 00:57:57,600
Speaker 3: was like, no, you want that person to be the

1318
00:57:57,600 --> 00:58:01,600
Speaker 3: person who takes the trajectory to yeah, he's like that,

1319
00:58:01,840 --> 00:58:04,000
Speaker 3: he's basically that's the part that you want.

1320
00:58:04,440 --> 00:58:06,080
Speaker 1: She was like, okay, but was.

1321
00:58:06,000 --> 00:58:08,520
Speaker 2: That when both you and Dennis were head writer or

1322
00:58:08,560 --> 00:58:12,880
Speaker 2: do he used to Yeah, that's so funny. I love that.

1323
00:58:13,160 --> 00:58:16,800
Speaker 3: She was also a killer on sn L, killing people

1324
00:58:16,800 --> 00:58:18,080
Speaker 3: who like acted as kids.

1325
00:58:18,120 --> 00:58:19,480
Speaker 1: Also, they're just like, where do I stand? And what

1326
00:58:19,480 --> 00:58:19,840
Speaker 1: do I say?

1327
00:58:19,920 --> 00:58:21,640
Speaker 3: Let's do it, Miley Cyrus, where do I stand?

1328
00:58:21,640 --> 00:58:24,880
Speaker 1: What do I say? Everything?

1329
00:58:27,120 --> 00:58:29,400
Speaker 3: We need to push more children into show.

1330
00:58:30,440 --> 00:58:32,440
Speaker 1: We need to feed the s n L.

1331
00:58:32,480 --> 00:58:35,440
Speaker 3: Host pipeline by ruining children.

1332
00:58:36,240 --> 00:58:40,520
Speaker 2: If there is like some sort of surgical neuralink type

1333
00:58:40,560 --> 00:58:43,360
Speaker 2: procedure to just to implant that thing, an actress of

1334
00:58:43,440 --> 00:58:46,160
Speaker 2: just like stand here, say it loud, saying you.

1335
00:58:46,200 --> 00:58:47,720
Speaker 1: Guys had that at the same time too, that must

1336
00:58:47,720 --> 00:58:49,240
Speaker 1: be like, yeah.

1337
00:58:49,080 --> 00:58:50,880
Speaker 2: That's not what you would say that, And then this

1338
00:58:51,040 --> 00:58:52,680
Speaker 2: lesson I say that now, like to all the hosts,

1339
00:58:52,680 --> 00:58:54,840
Speaker 2: we're just like, just project, that's that's our thing. But

1340
00:58:54,840 --> 00:58:57,560
Speaker 2: we're nice, but we're not like we're just like, yeah,

1341
00:58:57,720 --> 00:58:59,240
Speaker 2: just just loud.

1342
00:59:00,760 --> 00:59:02,560
Speaker 1: I bet it does anyway.

1343
00:59:03,200 --> 00:59:07,160
Speaker 3: I mean incredible, they really were, I mean from home,

1344
00:59:07,320 --> 00:59:07,880
Speaker 3: they were nice.

1345
00:59:07,960 --> 00:59:09,200
Speaker 1: They were nice. Are you watching every week?

1346
00:59:09,720 --> 00:59:11,520
Speaker 3: Not every single week, but I try. You know. What

1347
00:59:11,640 --> 00:59:14,040
Speaker 3: sort of got me back into the was was Alice

1348
00:59:14,040 --> 00:59:16,240
Speaker 3: being old enough to and love wanting to stay up

1349
00:59:16,280 --> 00:59:16,760
Speaker 3: and watch it.

1350
00:59:17,440 --> 00:59:19,000
Speaker 1: But she was not home last.

1351
00:59:18,840 --> 00:59:20,760
Speaker 3: Night because she was at the cast party for her

1352
00:59:20,800 --> 00:59:24,400
Speaker 3: own high school musical. They did well the prom.

1353
00:59:24,520 --> 00:59:25,160
Speaker 1: She killed it.

1354
00:59:25,200 --> 00:59:27,480
Speaker 3: They all killed it. They were all great.

1355
00:59:27,800 --> 00:59:33,160
Speaker 1: That makes sounds like production. Oh that's even more.

1356
00:59:33,400 --> 00:59:35,240
Speaker 2: That's all that I know.

1357
00:59:35,320 --> 00:59:38,200
Speaker 1: It was super cute of the prom. Okay, so that

1358
00:59:38,400 --> 00:59:41,320
Speaker 1: is a hilarious. So I to think about someone playing

1359
00:59:41,360 --> 00:59:42,760
Speaker 1: d as like a child.

1360
00:59:43,080 --> 00:59:46,600
Speaker 3: By the way, girl killed killed. I wish I had

1361
00:59:46,680 --> 00:59:49,000
Speaker 3: video for you because she killed I bet.

1362
00:59:49,120 --> 00:59:51,920
Speaker 1: Oh my god, that's the people. If you could do

1363
00:59:52,000 --> 00:59:54,880
Speaker 1: one role, what would it be. I'm like, it'll never happen,

1364
00:59:54,920 --> 00:59:58,560
Speaker 1: but I'd love to do In the prom. I had

1365
00:59:58,560 --> 01:00:00,240
Speaker 1: to do drag for the show I was in last year,

1366
01:00:00,280 --> 01:00:01,760
Speaker 1: and like I put this little wig on, like a

1367
01:00:01,800 --> 01:00:04,840
Speaker 1: little you know, side swoop, like not exactly Catherine Zeta,

1368
01:00:04,920 --> 01:00:06,640
Speaker 1: but in the world, and I was like, I think

1369
01:00:06,680 --> 01:00:10,200
Speaker 1: I am d D. I know I am do you know?

1370
01:00:10,280 --> 01:00:13,760
Speaker 3: Jeff Myth and Jeff Yeah, So he often brings up

1371
01:00:13,760 --> 01:00:16,800
Speaker 3: that like back in musical theater, like major of college,

1372
01:00:16,920 --> 01:00:19,240
Speaker 3: but you take makeup class, and part of makeup class

1373
01:00:19,280 --> 01:00:22,000
Speaker 3: was always like you had to do drag or like

1374
01:00:22,040 --> 01:00:23,680
Speaker 3: do you have to like you a gender swap with

1375
01:00:23,720 --> 01:00:26,000
Speaker 3: your makeup. And he really likes to brag that he looked.

1376
01:00:26,080 --> 01:00:27,480
Speaker 3: This may be total reference to she be like I

1377
01:00:27,520 --> 01:00:29,280
Speaker 3: was very pretty and I looked like Barbara Mandrel.

1378
01:00:30,960 --> 01:00:34,000
Speaker 1: He's like, I was very pretty photos could you confirm?

1379
01:00:34,120 --> 01:00:35,040
Speaker 1: I have not seen photos.

1380
01:00:37,400 --> 01:00:39,160
Speaker 3: I know he's we'd have to as a beard right now,

1381
01:00:39,160 --> 01:00:42,520
Speaker 3: but right but he might shave it for the opportunity.

1382
01:00:42,720 --> 01:00:45,640
Speaker 1: We might shave. Just tell him if he wants a stage,

1383
01:00:45,720 --> 01:00:47,960
Speaker 1: we do something that call the Culture Awards every year.

1384
01:00:48,000 --> 01:00:49,400
Speaker 1: He's welcome to come out and do it.

1385
01:00:49,440 --> 01:00:52,160
Speaker 3: Give his and then you can judge whether he still

1386
01:00:52,200 --> 01:00:54,160
Speaker 3: looks like Barbara Mandrush Barbara Mandreu.

1387
01:00:54,240 --> 01:00:56,000
Speaker 1: Also you're kind of almost there with the drag.

1388
01:00:55,960 --> 01:01:00,000
Speaker 2: Name anyway, totally Meandrew, and then this is what I'm saying,

1389
01:01:00,080 --> 01:01:01,720
Speaker 2: This is what we're saying. The opportunity, he's like a riper,

1390
01:01:01,760 --> 01:01:03,840
Speaker 2: and riper we're not going to judge him. It's going

1391
01:01:03,880 --> 01:01:05,600
Speaker 2: to be like a fucking the m a situation where

1392
01:01:05,640 --> 01:01:08,040
Speaker 2: he knows ahead of time, you.

1393
01:01:08,080 --> 01:01:10,520
Speaker 1: Were saying that's the vas because the Grammys are today,

1394
01:01:10,720 --> 01:01:12,480
Speaker 1: and we're like, we think people don't know if they're

1395
01:01:12,480 --> 01:01:13,840
Speaker 1: going to win a Grammy, but I think you know

1396
01:01:13,880 --> 01:01:16,439
Speaker 1: if you're winning like a VMA. Yeah, I bet yeah,

1397
01:01:16,480 --> 01:01:22,760
Speaker 1: because Taylor Swift has changed her Yeah, she's changed her

1398
01:01:23,640 --> 01:01:26,680
Speaker 1: Instagram to all black and white, which we believe means

1399
01:01:26,680 --> 01:01:29,520
Speaker 1: there's an announcement coming in. And I'm like, well, I

1400
01:01:29,560 --> 01:01:33,320
Speaker 1: wonder if Taylor Swift and announce if she's winning a Grammy.

1401
01:01:33,360 --> 01:01:36,000
Speaker 1: But like, because if someone could, it's probably Taylor Swift. Right,

1402
01:01:36,120 --> 01:01:38,480
Speaker 1: probably you don't know what the Oscars, You don't know

1403
01:01:38,480 --> 01:01:40,760
Speaker 1: what the Emmy's. You probably don't know what the Grammys. Yeah,

1404
01:01:40,840 --> 01:01:43,960
Speaker 1: it's not people's choice. No no, no, wait, they want

1405
01:01:43,960 --> 01:01:45,480
Speaker 1: a ton of these things they call you before.

1406
01:01:45,640 --> 01:01:47,680
Speaker 3: No, no, no. I feel like I do remember one

1407
01:01:47,720 --> 01:01:50,200
Speaker 3: time with the Golden Globes, like Alec was nominated for

1408
01:01:50,200 --> 01:01:52,040
Speaker 3: thirty Rock and he wasn't and he was like, you

1409
01:01:52,280 --> 01:01:54,160
Speaker 3: just call him and ask them if I want Yeah,

1410
01:01:54,240 --> 01:01:56,360
Speaker 3: because I felt like with that one, maybe you could

1411
01:01:56,360 --> 01:01:58,440
Speaker 3: have and I don't think he was able to. And

1412
01:01:58,480 --> 01:02:00,560
Speaker 3: I don't remember if he want or not or I don't.

1413
01:02:00,600 --> 01:02:02,800
Speaker 3: She was like, surely this one. They'll just tell me

1414
01:02:02,840 --> 01:02:03,560
Speaker 3: if I have to go.

1415
01:02:04,480 --> 01:02:07,080
Speaker 1: And well, I mean I bet they would if it's Alec,

1416
01:02:08,120 --> 01:02:10,720
Speaker 1: especially the Globes at that time. Now, oh, by the way,

1417
01:02:10,840 --> 01:02:12,720
Speaker 1: your guys host, would you guys go back and host

1418
01:02:12,720 --> 01:02:14,080
Speaker 1: the Gunner? Oh my gosh, I don't know.

1419
01:02:14,480 --> 01:02:16,280
Speaker 3: It's a faint because we ended The last time we

1420
01:02:16,320 --> 01:02:17,840
Speaker 3: did it was this weird like zoom one.

1421
01:02:17,920 --> 01:02:18,720
Speaker 1: That was the bummer.

1422
01:02:19,080 --> 01:02:21,480
Speaker 3: But we did used to have so much fun doing that,

1423
01:02:21,560 --> 01:02:22,200
Speaker 3: We really did.

1424
01:02:22,320 --> 01:02:23,360
Speaker 1: You guys were the best at it.

1425
01:02:23,600 --> 01:02:25,560
Speaker 2: Some one can't be the period on the piece, and.

1426
01:02:25,640 --> 01:02:27,320
Speaker 3: That's the tricky I have to put the pressure on,

1427
01:02:27,440 --> 01:02:29,480
Speaker 3: I know. But maybe we could either try to erase

1428
01:02:29,480 --> 01:02:32,320
Speaker 3: the zoom on or yeah, well NBC doesn't own it anymore, right,

1429
01:02:33,240 --> 01:02:36,120
Speaker 3: and you know me, you countess Luanne, But we work

1430
01:02:36,200 --> 01:02:36,640
Speaker 3: for NBC.

1431
01:02:37,920 --> 01:02:38,640
Speaker 2: You got it.

1432
01:02:38,920 --> 01:02:42,520
Speaker 1: We're Comcast girl upset for who's in charge of it

1433
01:02:42,640 --> 01:02:45,520
Speaker 1: now these days? Right, I will say she was on

1434
01:02:45,520 --> 01:02:48,120
Speaker 1: one the other night. She is alive up there. Yeah,

1435
01:02:48,640 --> 01:02:50,360
Speaker 1: she goes for it. And it's so funny because you

1436
01:02:50,360 --> 01:02:52,160
Speaker 1: watched the early seasons. You're like, this, Woe's never going

1437
01:02:52,200 --> 01:02:55,040
Speaker 1: to become a Cabaret Star, and then you go to

1438
01:02:55,040 --> 01:02:57,800
Speaker 1: fifty four below and she was doing covers of Oh

1439
01:02:57,800 --> 01:03:01,720
Speaker 1: What a Night. How do I ask this Toily? Has

1440
01:03:01,760 --> 01:03:02,600
Speaker 1: she been.

1441
01:03:04,040 --> 01:03:07,160
Speaker 3: Working on her singing? Because everyone does?

1442
01:03:07,400 --> 01:03:12,040
Speaker 1: It's so deeply Carl Swift. Here's what I'll say. There

1443
01:03:12,160 --> 01:03:16,120
Speaker 1: is a quality to her voice that I think limits

1444
01:03:16,160 --> 01:03:20,760
Speaker 1: what it can do. It is so low, it's Carol

1445
01:03:20,840 --> 01:03:24,520
Speaker 1: Channing Channing. Yeah, it exists where it exists, And so

1446
01:03:24,600 --> 01:03:27,400
Speaker 1: I think we're picking songs that just the keys are

1447
01:03:27,920 --> 01:03:30,600
Speaker 1: two steps down from what they even are for the

1448
01:03:30,640 --> 01:03:33,640
Speaker 1: men she covers. But I will say there's something sort

1449
01:03:33,680 --> 01:03:40,240
Speaker 1: of she really knows her range. She's matching pitch, and

1450
01:03:40,280 --> 01:03:41,840
Speaker 1: you're never going to see her like go for the

1451
01:03:41,880 --> 01:03:44,760
Speaker 1: money note. In fact, one time she did go for

1452
01:03:44,800 --> 01:03:48,000
Speaker 1: the money note, and it was more like, I'm joyfully

1453
01:03:48,040 --> 01:03:50,760
Speaker 1: making a big sound than it is I'm hitting a note, which.

1454
01:03:51,120 --> 01:03:53,080
Speaker 2: It's just about the selling and the delivery of it.

1455
01:03:53,400 --> 01:03:56,120
Speaker 2: I think I think her range, being what it is,

1456
01:03:56,120 --> 01:04:01,120
Speaker 2: is the perfect extra dimension performance. And I think she

1457
01:04:01,240 --> 01:04:02,840
Speaker 2: knows that now, and I think she's like, let me

1458
01:04:02,920 --> 01:04:05,720
Speaker 2: just have fun. Yeah no, I'm not the best singer.

1459
01:04:06,240 --> 01:04:07,400
Speaker 2: And we're saying this with love.

1460
01:04:07,960 --> 01:04:09,280
Speaker 1: Lou well, there's a.

1461
01:04:09,240 --> 01:04:11,000
Speaker 3: Lot of people who Yeah, if it's like, if you

1462
01:04:11,040 --> 01:04:13,640
Speaker 3: know how to put your show together, yeah, and give

1463
01:04:13,680 --> 01:04:16,200
Speaker 3: people and also if people know what they're signing up for.

1464
01:04:16,480 --> 01:04:19,120
Speaker 1: Yes, when we were signing up for four red Sangria

1465
01:04:19,120 --> 01:04:23,320
Speaker 1: as I found Yeah, and I don't know, I don't

1466
01:04:23,400 --> 01:04:25,640
Speaker 1: know what it was about it that made me feel like,

1467
01:04:25,720 --> 01:04:28,720
Speaker 1: this is the drink tonight, sugar, I don't drink you.

1468
01:04:29,200 --> 01:04:31,680
Speaker 1: And this is also what got me really fine. I'd

1469
01:04:31,680 --> 01:04:35,160
Speaker 1: make like a quote unquote famous Sangria winters Angria for holidays.

1470
01:04:35,640 --> 01:04:37,920
Speaker 1: It's just so much booze. And I literally was just

1471
01:04:37,960 --> 01:04:39,800
Speaker 1: like yay, And I realized no one likes it as

1472
01:04:39,840 --> 01:04:41,840
Speaker 1: much as me. But because I made it, I feel

1473
01:04:41,880 --> 01:04:44,280
Speaker 1: it must get consumed and then you're blacked out on

1474
01:04:44,360 --> 01:04:46,600
Speaker 1: Christmas and I don't. I don't even get drunk like this.

1475
01:04:46,960 --> 01:04:49,000
Speaker 1: It's only when I'm drinking red Sangria.

1476
01:04:49,240 --> 01:04:52,000
Speaker 2: And you before pre twenty one, if you didn't have

1477
01:04:52,040 --> 01:04:54,480
Speaker 2: a fake place to give as little Italy, you just

1478
01:04:54,760 --> 01:04:57,800
Speaker 2: order like a Hou's Kianti Hou's Kyanti. Well, no, you

1479
01:04:57,800 --> 01:05:01,800
Speaker 2: would order like a huge picture of sang It got

1480
01:05:01,800 --> 01:05:04,000
Speaker 2: you there, Well, do you.

1481
01:05:04,000 --> 01:05:05,800
Speaker 1: Remember the Chinese?

1482
01:05:06,440 --> 01:05:10,400
Speaker 2: So there Steph Shoe of everything ever el Yes, Stefh

1483
01:05:10,440 --> 01:05:13,880
Speaker 2: Sho would go there in college and get wasted at nineteen.

1484
01:05:13,600 --> 01:05:15,800
Speaker 1: And drink red wine. What was that?

1485
01:05:16,080 --> 01:05:17,840
Speaker 2: It was worse than tubuc chuck.

1486
01:05:17,880 --> 01:05:21,640
Speaker 1: It was something worse than fermented well grape. I had

1487
01:05:21,640 --> 01:05:24,080
Speaker 1: my birthday there. It was like a party of twenty

1488
01:05:24,080 --> 01:05:28,640
Speaker 1: five underage kids getting so much of this red wine.

1489
01:05:28,680 --> 01:05:29,120
Speaker 2: So much.

1490
01:05:29,680 --> 01:05:30,080
Speaker 1: But wait.

1491
01:05:30,160 --> 01:05:33,400
Speaker 2: In terms of putting together a show though, just quickly

1492
01:05:33,600 --> 01:05:34,720
Speaker 2: was it like you and a me being like, what

1493
01:05:34,760 --> 01:05:36,040
Speaker 2: do we want to do? We just want to sit

1494
01:05:36,080 --> 01:05:37,160
Speaker 2: down because.

1495
01:05:36,920 --> 01:05:38,400
Speaker 1: It would be easy to just do that. I mean,

1496
01:05:38,440 --> 01:05:39,240
Speaker 1: we do it all the time.

1497
01:05:40,560 --> 01:05:44,040
Speaker 3: We did a little test run of like Netflix as

1498
01:05:44,080 --> 01:05:46,080
Speaker 3: a joke. It's just mostly a Q and A and

1499
01:05:46,160 --> 01:05:47,920
Speaker 3: a couple of little, like really undercooked bits, and it

1500
01:05:47,960 --> 01:05:50,640
Speaker 3: was easy and fun. But we sort of thought like, oh,

1501
01:05:50,680 --> 01:05:53,200
Speaker 3: we should have a little bit of structure, and so

1502
01:05:53,240 --> 01:05:55,440
Speaker 3: we do. I feel like this is a really nice

1503
01:05:55,480 --> 01:05:56,200
Speaker 3: little structure.

1504
01:05:56,680 --> 01:05:58,040
Speaker 1: I don't know if I should give it away.

1505
01:05:58,320 --> 01:06:00,640
Speaker 3: We may keep touring, but like, yeah, we It has

1506
01:06:00,680 --> 01:06:05,240
Speaker 3: sort of like four parts. There are wardrobe changes, There

1507
01:06:05,280 --> 01:06:10,840
Speaker 3: are one to four wigs depending on the night. There

1508
01:06:10,960 --> 01:06:13,040
Speaker 3: is a little bit of Emperor.

1509
01:06:14,200 --> 01:06:15,800
Speaker 1: There is a little bit of.

1510
01:06:16,080 --> 01:06:16,840
Speaker 3: Stand up.

1511
01:06:18,640 --> 01:06:21,280
Speaker 1: And a special guest and a special guest and so.

1512
01:06:21,320 --> 01:06:23,560
Speaker 3: But if so, the structure we it felt reminded us

1513
01:06:23,560 --> 01:06:25,400
Speaker 3: of Golden Globes times because we always have we have

1514
01:06:25,600 --> 01:06:29,000
Speaker 3: such it's over thirty years that we know each other,

1515
01:06:29,320 --> 01:06:32,160
Speaker 3: so we do really have a shorthand of like what

1516
01:06:32,240 --> 01:06:34,520
Speaker 3: if we go X, Y Z, Like there's no ego

1517
01:06:34,560 --> 01:06:37,120
Speaker 3: in it, there's like we And also we've both been

1518
01:06:37,160 --> 01:06:39,520
Speaker 3: producing things for a long time. So I do feel proud.

1519
01:06:39,520 --> 01:06:42,040
Speaker 3: I feel like we're giving the white women that come

1520
01:06:42,080 --> 01:06:44,320
Speaker 3: to see us and other people too.

1521
01:06:45,040 --> 01:06:46,080
Speaker 1: It's not a full life and.

1522
01:06:48,000 --> 01:06:54,360
Speaker 3: Beautiful all are welcome. I feel like we're giving people

1523
01:06:54,920 --> 01:06:57,800
Speaker 3: like what they want but anyway, but also it's like

1524
01:06:57,880 --> 01:07:00,520
Speaker 3: hopefully a little bit surprising as it goes along. And

1525
01:07:00,880 --> 01:07:03,600
Speaker 3: but the answer was like it basically, I was on set.

1526
01:07:03,760 --> 01:07:06,120
Speaker 3: We were finishing filming the Me and Girls movie in Middletown,

1527
01:07:06,160 --> 01:07:08,400
Speaker 3: New Jersey, and we had Amy and I had been

1528
01:07:08,440 --> 01:07:10,840
Speaker 3: working like once a week over Zoom being like talking

1529
01:07:10,840 --> 01:07:12,680
Speaker 3: about what the show could be whatever, and then we

1530
01:07:12,720 --> 01:07:15,120
Speaker 3: had from the day I finished, and it was a brutal.

1531
01:07:15,240 --> 01:07:17,400
Speaker 3: It was a very tiring, fast shoot. It was like

1532
01:07:17,440 --> 01:07:21,280
Speaker 3: a lot of late nights and whatever, and so that

1533
01:07:21,400 --> 01:07:23,320
Speaker 3: was say I finished on like the Monday, and then

1534
01:07:23,360 --> 01:07:25,440
Speaker 3: like Saturday, we were like our test show was in

1535
01:07:25,480 --> 01:07:26,520
Speaker 3: port Chester, so she came in.

1536
01:07:26,640 --> 01:07:27,960
Speaker 1: We had like three or four days. It was very

1537
01:07:28,040 --> 01:07:28,920
Speaker 1: much like the Golden Globes.

1538
01:07:28,960 --> 01:07:31,200
Speaker 3: We were like, Okay, we got this, we got this,

1539
01:07:31,320 --> 01:07:33,760
Speaker 3: and we just sort of finished figuring out the show

1540
01:07:33,800 --> 01:07:36,000
Speaker 3: and we've honed it some since. But it is sort

1541
01:07:36,040 --> 01:07:37,360
Speaker 3: of like you know, when you write stuff and it's

1542
01:07:37,360 --> 01:07:39,680
Speaker 3: born quickly and it just comes right out. It's usually

1543
01:07:39,720 --> 01:07:41,920
Speaker 3: a good sign and the structure kind of.

1544
01:07:41,880 --> 01:07:43,000
Speaker 2: Just slipped right out.

1545
01:07:43,080 --> 01:07:45,640
Speaker 1: So when did you realize there was like music to you?

1546
01:07:45,720 --> 01:07:47,240
Speaker 1: And Amy like I wonder, like cause you guys have

1547
01:07:47,280 --> 01:07:50,000
Speaker 1: always been like friends and I think I don't know

1548
01:07:50,000 --> 01:07:52,440
Speaker 1: how true this is, but like you were snl and

1549
01:07:52,480 --> 01:07:55,120
Speaker 1: like put her name in their ears and then she

1550
01:07:55,200 --> 01:07:56,080
Speaker 1: came Yeah.

1551
01:07:55,880 --> 01:07:58,200
Speaker 3: So we started, you know, we were in we started

1552
01:07:58,200 --> 01:08:02,160
Speaker 3: together at improv Olympic. Sharna Halpern said to both of us,

1553
01:08:02,760 --> 01:08:05,080
Speaker 3: you don't like this girl, and we were the only

1554
01:08:05,080 --> 01:08:07,640
Speaker 3: two girls on a team. We go inside Vladimir and

1555
01:08:08,040 --> 01:08:10,160
Speaker 3: which is a gay porn that's what it was named,

1556
01:08:11,040 --> 01:08:13,720
Speaker 3: a gay porn VHS tape that was on display a

1557
01:08:13,760 --> 01:08:18,240
Speaker 3: JJ Peppers on Clark and Way, and I remember we

1558
01:08:18,280 --> 01:08:20,040
Speaker 3: also were like we named it after that, and then

1559
01:08:20,160 --> 01:08:21,640
Speaker 3: as a team, we're like, we should all watch it

1560
01:08:21,680 --> 01:08:23,400
Speaker 3: once as a group, and then we're like, oh, we

1561
01:08:23,439 --> 01:08:25,000
Speaker 3: watched it the first time, and then people drifted to

1562
01:08:25,080 --> 01:08:26,720
Speaker 3: other parts of the party, except for like one or

1563
01:08:26,720 --> 01:08:31,800
Speaker 3: two of the straight guys that just hung in. Yes.

1564
01:08:32,240 --> 01:08:35,240
Speaker 3: And so we toured together, and then she and we

1565
01:08:35,240 --> 01:08:37,439
Speaker 3: were both under studies for the main stage, and she

1566
01:08:37,600 --> 01:08:40,320
Speaker 3: was one hundred percent the A team and I was

1567
01:08:40,360 --> 01:08:42,960
Speaker 3: the B team. Like I remember one time Kelly Leonards

1568
01:08:43,080 --> 01:08:47,080
Speaker 3: was like, you know, so and So is going dratch,

1569
01:08:47,560 --> 01:08:50,559
Speaker 3: Dragh is going on vacation, and Amy can't. She can

1570
01:08:50,640 --> 01:08:52,640
Speaker 3: do all of the nights except one. And I was like, so,

1571
01:08:52,760 --> 01:08:54,880
Speaker 3: I get it, and he's like, no, you're gonna She's

1572
01:08:54,880 --> 01:08:56,639
Speaker 3: gonna do all the nights except one, and you're gonna

1573
01:08:56,640 --> 01:08:59,080
Speaker 3: go on one time. And I was like, oh, okay.

1574
01:08:59,320 --> 01:09:02,240
Speaker 3: But and then she left to go to UCB show

1575
01:09:02,240 --> 01:09:04,519
Speaker 3: in New York, and then and then I did main

1576
01:09:04,520 --> 01:09:07,479
Speaker 3: stage literally only because she left, or I would have

1577
01:09:07,479 --> 01:09:10,200
Speaker 3: been waiting another two years behind her. I was John

1578
01:09:10,240 --> 01:09:16,479
Speaker 3: Glazier's understudy, and he is such like a gender neutral

1579
01:09:16,520 --> 01:09:18,200
Speaker 3: in his comedy that I just like, yeah, you can

1580
01:09:18,240 --> 01:09:22,480
Speaker 3: just step right in because it's all just like wonderful weirdness.

1581
01:09:23,680 --> 01:09:25,920
Speaker 2: I both read for a John Glazier assistant part, and you.

1582
01:09:27,439 --> 01:09:27,920
Speaker 1: Love John.

1583
01:09:28,200 --> 01:09:30,800
Speaker 3: He and his wife listen to the podcast the best

1584
01:09:30,960 --> 01:09:32,360
Speaker 3: I see them A fire answers.

1585
01:09:32,680 --> 01:09:34,439
Speaker 1: By the way, I'm actually I didn't even mean to

1586
01:09:34,439 --> 01:09:34,920
Speaker 1: do this, but I.

1587
01:09:36,680 --> 01:09:37,839
Speaker 3: Fire Island Pines.

1588
01:09:38,479 --> 01:09:38,679
Speaker 1: Sorry.

1589
01:09:38,720 --> 01:09:39,040
Speaker 2: Sorry.

1590
01:09:39,640 --> 01:09:41,599
Speaker 3: So then I ended up trying to get a writing

1591
01:09:41,640 --> 01:09:45,120
Speaker 3: job at SNL and Adam McKay hired me and I

1592
01:09:45,160 --> 01:09:47,120
Speaker 3: started and then yes, So at some point, I guess

1593
01:09:47,120 --> 01:09:49,519
Speaker 3: after the UCB TV show ended, I was like, but

1594
01:09:49,560 --> 01:09:51,479
Speaker 3: would you ever but would you ever come over here?

1595
01:09:51,479 --> 01:09:52,360
Speaker 1: Would you ever audition?

1596
01:09:52,479 --> 01:09:54,479
Speaker 3: And I feel like it was sort of broker that

1597
01:09:54,520 --> 01:09:57,120
Speaker 3: she was like basically like I am not doing three

1598
01:09:57,120 --> 01:09:59,800
Speaker 3: through the door, Like I'm not like I'm too established

1599
01:09:59,840 --> 01:10:02,759
Speaker 3: to you come with my characters in my box of wigs.

1600
01:10:03,080 --> 01:10:06,280
Speaker 3: And so it was some kind of in between. It

1601
01:10:06,320 --> 01:10:09,040
Speaker 3: was more like a camera test, right. There was something

1602
01:10:09,040 --> 01:10:10,559
Speaker 3: where it was like I'm not going to work too hard,

1603
01:10:11,960 --> 01:10:14,960
Speaker 3: yeah forever. The Enneagram eight, the challenge.

1604
01:10:15,600 --> 01:10:16,120
Speaker 2: What is that one?

1605
01:10:16,160 --> 01:10:18,160
Speaker 1: The Challenger yes, what do you do?

1606
01:10:18,200 --> 01:10:18,880
Speaker 2: You know? What do you know? You?

1607
01:10:18,960 --> 01:10:21,000
Speaker 1: Three? Three? What is three?

1608
01:10:21,000 --> 01:10:21,200
Speaker 2: Again?

1609
01:10:21,280 --> 01:10:23,680
Speaker 1: The achiever? Oh? Now that I know, I'm going to

1610
01:10:23,720 --> 01:10:24,320
Speaker 1: become obsessed with.

1611
01:10:24,479 --> 01:10:25,439
Speaker 3: Amy's obsessed with it?

1612
01:10:25,680 --> 01:10:26,840
Speaker 2: Oh yeah, you need to take.

1613
01:10:26,760 --> 01:10:27,400
Speaker 3: The test tonight.

1614
01:10:27,479 --> 01:10:29,439
Speaker 2: Okay, what's Amy's Amy's?

1615
01:10:29,439 --> 01:10:31,960
Speaker 1: And eight? Is it one through eight? It's one through nine?

1616
01:10:32,040 --> 01:10:33,160
Speaker 2: Nine.

1617
01:10:33,360 --> 01:10:34,920
Speaker 3: I forget what nine is because I don't know a

1618
01:10:34,920 --> 01:10:35,400
Speaker 3: lot of nine.

1619
01:10:35,920 --> 01:10:36,639
Speaker 1: What's what's it called?

1620
01:10:36,640 --> 01:10:38,400
Speaker 2: Like your echo for wing?

1621
01:10:38,640 --> 01:10:39,680
Speaker 1: Wing four? Four?

1622
01:10:40,000 --> 01:10:41,240
Speaker 2: Wing four? And I forget what four is?

1623
01:10:41,280 --> 01:10:43,600
Speaker 1: But this is exciting. Yeah, oh this is going to

1624
01:10:43,640 --> 01:10:46,200
Speaker 1: take do you do you ever dabble in astrology?

1625
01:10:46,600 --> 01:10:49,599
Speaker 3: I know I'm a tourist. I don't believe so much

1626
01:10:49,640 --> 01:10:50,800
Speaker 3: an astrology because it's random.

1627
01:10:50,800 --> 01:10:53,720
Speaker 1: But why which is? And again I'm not the anagrams off.

1628
01:10:53,760 --> 01:10:54,920
Speaker 3: It's because I've been on tour with Amy for the

1629
01:10:55,000 --> 01:10:57,320
Speaker 3: last seventeen weekends that we're talking about a lot. But

1630
01:10:57,760 --> 01:10:59,559
Speaker 3: I do put more stock in it because it's based

1631
01:10:59,600 --> 01:11:00,640
Speaker 3: on you answer.

1632
01:11:00,360 --> 01:11:01,400
Speaker 1: A million questions.

1633
01:11:01,439 --> 01:11:03,640
Speaker 3: So it's based on you and that's what you think

1634
01:11:03,680 --> 01:11:04,559
Speaker 3: and how you react.

1635
01:11:04,680 --> 01:11:07,120
Speaker 1: Correct. That's the way word qualitative. Yeah, So with the

1636
01:11:07,240 --> 01:11:10,680
Speaker 1: un Amy thing, like would you consider yourselves opposites? No,

1637
01:11:10,760 --> 01:11:11,040
Speaker 1: we're not.

1638
01:11:11,200 --> 01:11:13,000
Speaker 3: We're not opposites, yeah.

1639
01:11:12,720 --> 01:11:15,519
Speaker 1: Because it presents that in the comedic duel, which I guess. Yeah,

1640
01:11:15,640 --> 01:11:18,800
Speaker 1: we've been talking about this a lot, being this, but like, yeah,

1641
01:11:18,840 --> 01:11:21,160
Speaker 1: it's funny how you present her.

1642
01:11:20,800 --> 01:11:22,960
Speaker 3: Son as our opposites, right, because it's more like I'm

1643
01:11:23,080 --> 01:11:25,120
Speaker 3: sort of tightly buttoned up and then she's more like

1644
01:11:25,680 --> 01:11:27,200
Speaker 3: little dark bag.

1645
01:11:27,120 --> 01:11:29,679
Speaker 1: Round but we're both actually pretty bossy.

1646
01:11:30,240 --> 01:11:32,639
Speaker 3: But yeah, I just to answer your question, like when

1647
01:11:32,680 --> 01:11:35,120
Speaker 3: did I realize that we're sort of more powerful together.

1648
01:11:36,000 --> 01:11:38,400
Speaker 3: I remember before, like Jimmy, I was doing an update

1649
01:11:38,439 --> 01:11:42,080
Speaker 3: with Jimmy and then he left and I was felt

1650
01:11:42,160 --> 01:11:43,040
Speaker 3: very abandoned because I.

1651
01:11:43,040 --> 01:11:44,880
Speaker 1: Was like, we left, like he left, we had a

1652
01:11:44,920 --> 01:11:45,799
Speaker 1: good thing going.

1653
01:11:45,840 --> 01:11:48,600
Speaker 3: And I did tests with other people and stuff, and

1654
01:11:48,600 --> 01:11:50,040
Speaker 3: then Lauren was doing that learn thing. He was like,

1655
01:11:50,240 --> 01:11:51,800
Speaker 3: what do you think? Like leaving it sort of up

1656
01:11:51,840 --> 01:11:53,400
Speaker 3: to me, And there was part of me that was like,

1657
01:11:54,200 --> 01:11:57,240
Speaker 3: oh god, I think I'm supposed to want to do

1658
01:11:57,280 --> 01:12:00,400
Speaker 3: this by myself, right, like that's the power. But I

1659
01:12:00,439 --> 01:12:03,040
Speaker 3: was like, but I'm a sketch person. I'm not a

1660
01:12:03,120 --> 01:12:06,400
Speaker 3: startup partner, right And at the very like last minute,

1661
01:12:06,479 --> 01:12:08,719
Speaker 3: I remember I was coming back. This is too much information.

1662
01:12:08,840 --> 01:12:11,720
Speaker 3: It's coming back from a train trip from Washington, d C.

1663
01:12:12,600 --> 01:12:16,040
Speaker 3: Where I had weirdly and presiently taken a photograph for

1664
01:12:16,200 --> 01:12:19,400
Speaker 3: like a cover of I don't know what with John McCain,

1665
01:12:20,040 --> 01:12:22,240
Speaker 3: like in two thousand and whatever, but way before two

1666
01:12:22,240 --> 01:12:24,719
Speaker 3: thousand and eight, and I had to make the decision

1667
01:12:24,760 --> 01:12:27,080
Speaker 3: on the Amtrak ride back, and I called Amy and

1668
01:12:27,080 --> 01:12:29,200
Speaker 3: I was like, would you do me the great honor

1669
01:12:29,640 --> 01:12:32,439
Speaker 3: of being my wife? And then it just worked from

1670
01:12:32,479 --> 01:12:34,360
Speaker 3: there and I think by the time the globes and

1671
01:12:34,400 --> 01:12:36,280
Speaker 3: the Hillary and Sarah all of it all, it just

1672
01:12:36,360 --> 01:12:37,320
Speaker 3: was like, oh, people.

1673
01:12:37,040 --> 01:12:39,479
Speaker 1: Do like us together.

1674
01:12:40,880 --> 01:12:42,880
Speaker 2: That's the music to it that you're asking.

1675
01:12:43,320 --> 01:12:45,840
Speaker 1: Yes. I mean, I just because it feels like again,

1676
01:12:45,920 --> 01:12:48,080
Speaker 1: it feels like that thing that always was, but there

1677
01:12:48,120 --> 01:12:50,559
Speaker 1: had to be a time when it was decided like,

1678
01:12:50,600 --> 01:12:53,120
Speaker 1: oh yeah, this feels really good because and I think

1679
01:12:53,160 --> 01:12:55,800
Speaker 1: that's like it just feels like the synergistic thing that

1680
01:12:55,920 --> 01:12:57,920
Speaker 1: must have always been, you know what I mean.

1681
01:12:57,960 --> 01:12:59,240
Speaker 3: I mean it kind of asked been for a long

1682
01:12:59,240 --> 01:13:01,200
Speaker 3: like six sharp maybe the credit goes to Sharna.

1683
01:13:01,439 --> 01:13:04,240
Speaker 2: I mean it sounds like sounds like yeah, but like

1684
01:13:04,360 --> 01:13:05,920
Speaker 2: in terms of you guys building up the structure for

1685
01:13:05,960 --> 01:13:08,960
Speaker 2: the show for Russell's leg Like that is interesting to

1686
01:13:09,000 --> 01:13:11,000
Speaker 2: hear about because I feel like with Globes it was

1687
01:13:11,080 --> 01:13:13,680
Speaker 2: you guys looking at the established structure of like what

1688
01:13:13,680 --> 01:13:16,040
Speaker 2: an award show looks like and then being like, let's

1689
01:13:16,040 --> 01:13:19,080
Speaker 2: go out with mustaches and be like nominees for Dog

1690
01:13:19,120 --> 01:13:23,360
Speaker 2: President a movie called Dog like form breaking, Like I

1691
01:13:23,400 --> 01:13:25,200
Speaker 2: was like, I remember just watching. I was with my

1692
01:13:25,280 --> 01:13:28,920
Speaker 2: friends watching that first year of the Globes just being like,

1693
01:13:29,479 --> 01:13:30,519
Speaker 2: oh my god.

1694
01:13:30,960 --> 01:13:35,080
Speaker 1: This was also the joke structure they handed to you guys,

1695
01:13:35,080 --> 01:13:37,360
Speaker 1: which they don't do anymore, which as a woman who

1696
01:13:37,400 --> 01:13:42,120
Speaker 1: dot dot dot dot dot dot dot, like, I love

1697
01:13:42,200 --> 01:13:46,920
Speaker 1: that and I wish they would do that because sometimes

1698
01:13:47,200 --> 01:13:48,920
Speaker 1: they would just like describe it in such a weird

1699
01:13:48,920 --> 01:13:50,360
Speaker 1: way and they're on the actor like.

1700
01:13:50,400 --> 01:13:52,680
Speaker 2: And she's like not a total idiot.

1701
01:13:52,800 --> 01:13:55,560
Speaker 3: A total idiot who looks terrible.

1702
01:13:55,920 --> 01:14:00,519
Speaker 1: Who looks terrible even now? Yeah, Matt Rogers dog President.

1703
01:14:00,800 --> 01:14:03,440
Speaker 3: Yeah. I mean the things I think we knew from

1704
01:14:03,640 --> 01:14:06,320
Speaker 3: like I felt that we brought producer brain to the

1705
01:14:06,320 --> 01:14:10,400
Speaker 3: table were like front loaded, yes, don't come out. And

1706
01:14:10,439 --> 01:14:12,280
Speaker 3: I've watched other Ward shows since where I've been like

1707
01:14:12,320 --> 01:14:15,280
Speaker 3: oh no, no, no, my darling at the end of

1708
01:14:15,400 --> 01:14:19,519
Speaker 3: like the oscars don't come out at like ten fifty

1709
01:14:19,920 --> 01:14:24,120
Speaker 3: with a long ass bit. Everyone's tired. Everyone who's still

1710
01:14:24,120 --> 01:14:27,519
Speaker 3: in the room has lost Get out of there, you know,

1711
01:14:27,560 --> 01:14:30,880
Speaker 3: so like front loaded, don't go too long work the room.

1712
01:14:31,400 --> 01:14:33,960
Speaker 3: And also literally just like say who you are and

1713
01:14:34,160 --> 01:14:36,519
Speaker 3: remind people who how they know you, Like just I

1714
01:14:36,520 --> 01:14:39,519
Speaker 3: feel like we had just training from SNL just like

1715
01:14:39,560 --> 01:14:40,719
Speaker 3: watching a million monologues.

1716
01:14:40,760 --> 01:14:43,040
Speaker 2: That's a larn thing of like, okay, like most times

1717
01:14:43,080 --> 01:14:45,320
Speaker 2: were gonna be like cold up in monologue like before update,

1718
01:14:45,360 --> 01:14:47,720
Speaker 2: Like that's like above the fold in terms of it's

1719
01:14:47,760 --> 01:14:49,760
Speaker 2: like it's common sense to us, but it's also like

1720
01:14:49,760 --> 01:14:52,439
Speaker 2: things that I guess like people don't think of all

1721
01:14:52,479 --> 01:14:55,280
Speaker 2: the time. And that's that's okay, But it's also like

1722
01:14:56,000 --> 01:14:57,960
Speaker 2: I feel like the biggest boon of working near is

1723
01:14:58,000 --> 01:15:01,080
Speaker 2: to like see a different version of let's just say

1724
01:15:01,120 --> 01:15:05,000
Speaker 2: like fame every week and then to be like, oh,

1725
01:15:05,640 --> 01:15:08,879
Speaker 2: I can behaviorally adjust myself based on what I'm witnessing,

1726
01:15:09,439 --> 01:15:10,360
Speaker 2: you know, which.

1727
01:15:10,200 --> 01:15:12,639
Speaker 3: Of these paths seems like a good path?

1728
01:15:12,720 --> 01:15:16,160
Speaker 1: And yeah, that sounds weird to say so speaking of

1729
01:15:16,200 --> 01:15:18,559
Speaker 1: like the famous of it all, I wonder like you've

1730
01:15:18,640 --> 01:15:20,600
Speaker 1: probably met everyone at this point, but then you're in

1731
01:15:20,680 --> 01:15:23,639
Speaker 1: the Golden Golds room and it's literally like, is there

1732
01:15:23,720 --> 01:15:25,560
Speaker 1: anyone who throws you off?

1733
01:15:26,280 --> 01:15:28,880
Speaker 3: That is a great question, I have to say, after

1734
01:15:29,040 --> 01:15:32,280
Speaker 3: so much time at SNL and also just being fifty three,

1735
01:15:32,320 --> 01:15:34,599
Speaker 3: where you're just like, I don't care. Yeah right, and

1736
01:15:34,640 --> 01:15:37,080
Speaker 3: you've seen like you've seen so many waves of culture

1737
01:15:37,120 --> 01:15:38,880
Speaker 3: and you're like, yeah, guess who used to be a

1738
01:15:38,880 --> 01:15:42,040
Speaker 3: big deal and isn't anymore? Like whoever you are, it

1739
01:15:42,080 --> 01:15:45,960
Speaker 3: will pass, right, And also having had to go make

1740
01:15:46,120 --> 01:15:49,400
Speaker 3: crazy phone calls and have crazy meetings and be like

1741
01:15:49,400 --> 01:15:52,160
Speaker 3: like I've had to do things like can you call

1742
01:15:52,280 --> 01:15:55,000
Speaker 3: Mariah Carey and ask her for the rights to you

1743
01:15:55,000 --> 01:15:57,920
Speaker 3: know this song? And I like and once you've done, like,

1744
01:15:59,640 --> 01:16:01,200
Speaker 3: I don't don't know if I can think of a

1745
01:16:01,240 --> 01:16:04,160
Speaker 3: person that that I'd be like, you're such a big deal.

1746
01:16:04,120 --> 01:16:09,960
Speaker 1: Because even Oprah has been your colleague. Yeah, I mean

1747
01:16:09,960 --> 01:16:11,120
Speaker 1: I'm one of the most iconic.

1748
01:16:11,400 --> 01:16:11,960
Speaker 2: So there you go.

1749
01:16:13,000 --> 01:16:15,840
Speaker 1: Mariah is huge because you got her with girls and

1750
01:16:15,880 --> 01:16:18,000
Speaker 1: you have her for she loves me girls, she loves

1751
01:16:18,080 --> 01:16:21,240
Speaker 1: mingols the whole song about it, one of her best songs. Yeah,

1752
01:16:21,400 --> 01:16:24,080
Speaker 1: to are so obsessed with me? Do you like the

1753
01:16:24,120 --> 01:16:26,720
Speaker 1: new Do you like the new? The Renee and Megan song?

1754
01:16:28,840 --> 01:16:30,200
Speaker 1: Do you like it all the time?

1755
01:16:30,280 --> 01:16:31,320
Speaker 2: You like it?

1756
01:16:31,520 --> 01:16:35,759
Speaker 3: Renee is a real one, a real star, a real star,

1757
01:16:36,040 --> 01:16:36,559
Speaker 3: real star.

1758
01:16:36,800 --> 01:16:40,080
Speaker 1: She came on this podcast then it's like her voice

1759
01:16:40,120 --> 01:16:45,800
Speaker 1: in that movie do you know this? With there Me, Joe,

1760
01:16:45,840 --> 01:16:54,960
Speaker 1: Kim Booster, Brandon Scott, Joe Crush, we were there and

1761
01:16:55,000 --> 01:16:57,639
Speaker 1: then Renee came out, and then Laura Bananti was hosting

1762
01:16:57,640 --> 01:16:59,639
Speaker 1: the whole thing and being like and just on stage

1763
01:16:59,720 --> 01:17:02,439
Speaker 1: orbone anything like if I had the confidence of that girl,

1764
01:17:02,800 --> 01:17:04,439
Speaker 1: I would have no problems. And it was just you

1765
01:17:04,439 --> 01:17:07,600
Speaker 1: could tell from that night, Yeah, Star, it was just

1766
01:17:07,800 --> 01:17:10,760
Speaker 1: And the kid that won was Andrew bart Felt the

1767
01:17:10,840 --> 01:17:13,320
Speaker 1: Jennifer Lawrence movie No Hard Feelings.

1768
01:17:12,960 --> 01:17:17,400
Speaker 3: Yes, and Evon Hansen right for the gym, Yeah, yeah,

1769
01:17:18,040 --> 01:17:22,080
Speaker 3: the Jimmy's with the Future. Other thing that I loved

1770
01:17:22,080 --> 01:17:26,280
Speaker 3: about Renee on SNL was her live vocal was right

1771
01:17:26,360 --> 01:17:30,000
Speaker 3: up front in that mix, right up front, right in

1772
01:17:30,040 --> 01:17:30,479
Speaker 3: the zone.

1773
01:17:31,520 --> 01:17:33,759
Speaker 1: You could hear it was live.

1774
01:17:35,439 --> 01:17:37,040
Speaker 2: Vibes. And then and then the after party was like

1775
01:17:37,479 --> 01:17:39,839
Speaker 2: I don't do like big spaces.

1776
01:17:39,840 --> 01:17:51,120
Speaker 3: That was like you're so cool, great Americans.

1777
01:17:53,000 --> 01:17:54,000
Speaker 2: I think it's time to move on.

1778
01:17:54,040 --> 01:17:55,719
Speaker 1: Shall we move to I don't think so honey. Okay,

1779
01:17:55,760 --> 01:17:58,160
Speaker 1: So this is the segment, Tina where we take one

1780
01:17:58,400 --> 01:18:01,920
Speaker 1: minute to rant and rave again something in culture and

1781
01:18:01,920 --> 01:18:03,840
Speaker 1: I'm gonna get a little specific, and I apologize to

1782
01:18:03,880 --> 01:18:06,360
Speaker 1: you in advance. Oh no, but I think you need

1783
01:18:06,400 --> 01:18:08,960
Speaker 1: to make some changes. Oh god, I know, but don't

1784
01:18:09,000 --> 01:18:10,800
Speaker 1: be scared. Okay, Okay, this is Pott Rodgers. I don't

1785
01:18:10,800 --> 01:18:13,280
Speaker 1: think so honey about me. I guess as time starts,

1786
01:18:13,520 --> 01:18:15,640
Speaker 1: I don't think so honey, bow and Yang. No deodorant

1787
01:18:15,680 --> 01:18:18,760
Speaker 1: in your dressing room, Oh get out, because I think

1788
01:18:19,000 --> 01:18:20,920
Speaker 1: it's like a it's a staple.

1789
01:18:20,560 --> 01:18:24,000
Speaker 2: Right, I don't need it and I don't need a babe.

1790
01:18:24,680 --> 01:18:26,799
Speaker 1: My thing is like I needed it. And you remember

1791
01:18:26,800 --> 01:18:28,720
Speaker 1: that you have guessed and some of them are going

1792
01:18:28,800 --> 01:18:31,639
Speaker 1: to be in that hot, little stuffy dressing dressing room stuffy.

1793
01:18:31,840 --> 01:18:33,760
Speaker 1: And I'm turning around and as I said before, no,

1794
01:18:34,000 --> 01:18:37,240
Speaker 1: not a deal toate in sight in my apartment, only acts,

1795
01:18:37,280 --> 01:18:39,960
Speaker 1: which I didn't find till this morning. I feel like, Bowen,

1796
01:18:40,040 --> 01:18:42,720
Speaker 1: we need to rethink and restock your dress room with

1797
01:18:42,760 --> 01:18:45,839
Speaker 1: the essentiary. Second, because there's a lot of you fancy

1798
01:18:45,880 --> 01:18:49,040
Speaker 1: good whiskey and no dealorance, no nothing that's going to

1799
01:18:49,160 --> 01:18:50,680
Speaker 1: actually get us to the end of the day, the

1800
01:18:50,760 --> 01:18:53,280
Speaker 1: end of the week. Oh, because it was smelling in there.

1801
01:18:53,280 --> 01:18:55,519
Speaker 1: And I apologize to you, but you had a lot

1802
01:18:55,520 --> 01:18:57,439
Speaker 1: of men in your in your dressing room last night

1803
01:18:57,800 --> 01:19:01,000
Speaker 1: and it's stank by the end of it. And I'm

1804
01:19:01,000 --> 01:19:02,680
Speaker 1: telling you, like, I just couldn't believe you didn't have

1805
01:19:02,720 --> 01:19:04,839
Speaker 1: your little essentials. You do have a lot of good cologne.

1806
01:19:04,920 --> 01:19:08,320
Speaker 1: I do than acts, okay, But I'm just saying, like,

1807
01:19:08,360 --> 01:19:10,679
Speaker 1: in terms of the sweat and the anti person, weren't

1808
01:19:10,760 --> 01:19:11,559
Speaker 1: you could be doing better?

1809
01:19:11,600 --> 01:19:14,120
Speaker 2: I don't think so. That's one minute I had MS

1810
01:19:14,320 --> 01:19:17,400
Speaker 2: available for our friend day because he had an upset stomach. Yeah,

1811
01:19:17,479 --> 01:19:20,040
Speaker 2: I have so many other This is the thing about

1812
01:19:20,040 --> 01:19:22,840
Speaker 2: working at SNL that I I'm never gonna get over.

1813
01:19:24,000 --> 01:19:27,240
Speaker 2: You could have had the worst week professionally, not the

1814
01:19:27,240 --> 01:19:29,800
Speaker 2: worst week, but just a rough week professor at the show,

1815
01:19:31,080 --> 01:19:32,920
Speaker 2: and then you still have to host your friends and

1816
01:19:32,960 --> 01:19:35,080
Speaker 2: make sure they are ice and get drinks for them.

1817
01:19:35,160 --> 01:19:37,240
Speaker 2: I'm like, this is the thing that I don't love.

1818
01:19:37,760 --> 01:19:40,240
Speaker 3: Like your aunt and uncle are coming to take them

1819
01:19:40,280 --> 01:19:40,639
Speaker 3: to the party.

1820
01:19:40,800 --> 01:19:44,600
Speaker 2: Yeah, and you're like, oh, that's a light show for me, and.

1821
01:19:43,560 --> 01:19:45,479
Speaker 1: I will say I did check myself when like I

1822
01:19:45,520 --> 01:19:47,000
Speaker 1: think it was a couple of years ago, like a

1823
01:19:47,040 --> 01:19:48,599
Speaker 1: few of us were in your dressing room, just like

1824
01:19:48,960 --> 01:19:50,880
Speaker 1: having the time, and I think it was like a

1825
01:19:50,920 --> 01:19:52,600
Speaker 1: week were you having a hard time? You came and

1826
01:19:52,640 --> 01:19:55,760
Speaker 1: we were just like, ah, what do you mean, just

1827
01:19:55,800 --> 01:19:57,680
Speaker 1: because like you don't want to be like whoa like,

1828
01:19:57,720 --> 01:19:59,639
Speaker 1: come on, get them up on our level when it's

1829
01:19:59,640 --> 01:20:01,960
Speaker 1: like I am at work still, And then I do

1830
01:20:02,040 --> 01:20:02,599
Speaker 1: respect that.

1831
01:20:03,000 --> 01:20:04,480
Speaker 2: I'm sorry they didn't have deodorant.

1832
01:20:05,400 --> 01:20:07,920
Speaker 3: I'll get I just felt that because I reathed, you

1833
01:20:08,000 --> 01:20:09,719
Speaker 3: needed to have a little basket like in a wedding

1834
01:20:09,760 --> 01:20:12,160
Speaker 3: reception ladies room, like mints.

1835
01:20:13,680 --> 01:20:16,400
Speaker 1: I have brothers past deals, get mints, and he does

1836
01:20:16,439 --> 01:20:18,400
Speaker 1: have brothers past deals. Does everyone know where you go

1837
01:20:19,760 --> 01:20:20,320
Speaker 1: and tampons?

1838
01:20:20,360 --> 01:20:23,040
Speaker 2: Yeah, Cythiio gave me past.

1839
01:20:22,840 --> 01:20:26,519
Speaker 1: Cynthia Rivo gave him the best singer in the world.

1840
01:20:26,720 --> 01:20:31,240
Speaker 2: Yeah, it's great. Also Big Big Brothers Past Big had

1841
01:20:31,600 --> 01:20:33,559
Speaker 2: all the great. Well, I'm sorry, I will do my

1842
01:20:33,600 --> 01:20:34,000
Speaker 2: best too.

1843
01:20:34,479 --> 01:20:36,639
Speaker 1: No, I'm kidding. I just didn't want to smell so bad,

1844
01:20:36,720 --> 01:20:39,000
Speaker 1: That's okay. And also I'm being a little like erring

1845
01:20:39,040 --> 01:20:40,639
Speaker 1: on the side of caution. I don't think so funny

1846
01:20:40,640 --> 01:20:42,599
Speaker 1: because I got absolutely dragged for the one I did

1847
01:20:42,680 --> 01:20:45,639
Speaker 1: last week, which was people should not be riding tailor

1848
01:20:45,640 --> 01:20:47,920
Speaker 1: swift so hard for the private jet usage because you

1849
01:20:47,920 --> 01:20:49,040
Speaker 1: don't want her to ride commercials.

1850
01:20:49,080 --> 01:20:50,479
Speaker 3: I saw that, and you're like, what is she gonna fly.

1851
01:20:50,800 --> 01:20:55,360
Speaker 1: Adult an adulta lounge? Yeah, because I'm just teasing everyone,

1852
01:20:55,400 --> 01:20:59,519
Speaker 1: and the girls absolutely dragged me because I'm harmful.

1853
01:21:00,040 --> 01:21:03,120
Speaker 3: No no, no no, I'm You're the real problem.

1854
01:21:03,120 --> 01:21:07,760
Speaker 1: The real problem, apologized. I've got one. Okay, bowing, I

1855
01:21:07,840 --> 01:21:10,760
Speaker 1: might be biting the hand. Oh baby, we'll see this

1856
01:21:10,800 --> 01:21:12,240
Speaker 1: is Bowe yangs. I don't think so money as time

1857
01:21:12,240 --> 01:21:12,720
Speaker 1: starts now, I.

1858
01:21:12,720 --> 01:21:15,800
Speaker 2: Don't think so honey. My co host doing ads for

1859
01:21:15,880 --> 01:21:18,839
Speaker 2: The Tiger's Apprentice now streaming on Paramount Plus and naming

1860
01:21:18,840 --> 01:21:22,240
Speaker 2: off the cast list Henry Golding, Greta Lee, Sandra Oh,

1861
01:21:22,280 --> 01:21:25,640
Speaker 2: Michelle Yo, but no mention of Bow and Yang. I

1862
01:21:25,760 --> 01:21:30,839
Speaker 2: normally don't mind, but I it's my own podcast. I'm

1863
01:21:30,880 --> 01:21:33,839
Speaker 2: giving Paramount a platform. I saw Mean Girls in theaters

1864
01:21:33,880 --> 01:21:36,000
Speaker 2: four times. I went to go see Mean Girls in

1865
01:21:36,000 --> 01:21:39,519
Speaker 2: the musical twenty twenty four. I am a supporter of

1866
01:21:39,640 --> 01:21:43,879
Speaker 2: Paramount of CBS and vi Com. I've had many wonderful

1867
01:21:43,920 --> 01:21:48,760
Speaker 2: experiences to work with Viacom CBS, and I can't even

1868
01:21:48,840 --> 01:21:51,320
Speaker 2: get a damn mention in the ads and the promo

1869
01:21:51,439 --> 01:21:54,120
Speaker 2: material for this movie that I had a great time doing.

1870
01:21:54,360 --> 01:21:57,280
Speaker 2: I play Sydney the Raft, the movie where the twelve

1871
01:21:57,320 --> 01:21:59,559
Speaker 2: animals of the Chinese Zodiac team up to fight an evil.

1872
01:21:59,600 --> 01:22:05,080
Speaker 2: In go Oh, Michelle, you places the villain second coworker

1873
01:22:05,160 --> 01:22:09,400
Speaker 2: with our guest. I put Paramount, please put me in

1874
01:22:09,439 --> 01:22:10,160
Speaker 2: the damn.

1875
01:22:10,040 --> 01:22:12,400
Speaker 1: Credit And that's a minute. I personally like to apologize

1876
01:22:12,400 --> 01:22:14,360
Speaker 1: for not improvising in the ad that you were but

1877
01:22:14,439 --> 01:22:16,320
Speaker 1: I don't think but dead ass, you do not know

1878
01:22:16,320 --> 01:22:17,720
Speaker 1: that I was in that movie. No, dead ass, I

1879
01:22:17,760 --> 01:22:19,400
Speaker 1: do know that you're in the movie. But you know

1880
01:22:19,439 --> 01:22:20,960
Speaker 1: what it's like to do ads. And this sort of

1881
01:22:20,960 --> 01:22:22,960
Speaker 1: a peak behind the curtain usually happens at the end

1882
01:22:22,960 --> 01:22:25,160
Speaker 1: of a podcast when you just want to leave until

1883
01:22:25,200 --> 01:22:27,559
Speaker 1: you're like coming so to Paramount plus it's gonna be

1884
01:22:27,560 --> 01:22:29,400
Speaker 1: everyone but bo and all right, see you later, everybody.

1885
01:22:29,520 --> 01:22:31,800
Speaker 1: I I don't want to say when I love I

1886
01:22:31,800 --> 01:22:33,120
Speaker 1: didn't go to the math for you. When I love

1887
01:22:33,120 --> 01:22:34,360
Speaker 1: that for you came out and we were doing ask

1888
01:22:34,360 --> 01:22:35,800
Speaker 1: for I love that for you. I made sure to

1889
01:22:35,920 --> 01:22:39,000
Speaker 1: really make your name an emphatic part of that. I

1890
01:22:40,120 --> 01:22:43,720
Speaker 1: just expected better from you. I expected better from you.

1891
01:22:43,800 --> 01:22:50,320
Speaker 1: Is really hard said that to you. If your best

1892
01:22:50,320 --> 01:22:52,639
Speaker 1: friend and coming to partner said I expected better from

1893
01:22:52,640 --> 01:22:56,519
Speaker 1: you on the air, that's rough. That's rough. No, I

1894
01:22:56,520 --> 01:22:59,160
Speaker 1: expect better for myself. I'm sorry. And from now on

1895
01:22:59,280 --> 01:23:01,360
Speaker 1: I will always say your name. I'll sneak your name

1896
01:23:01,360 --> 01:23:03,599
Speaker 1: into projects and you're not even in thank you. And

1897
01:23:03,640 --> 01:23:05,880
Speaker 1: then maybe just like and you have Deoduran for me,

1898
01:23:05,960 --> 01:23:07,920
Speaker 1: let's have each other's backs more in the future. Because

1899
01:23:07,960 --> 01:23:10,400
Speaker 1: there's a magic here and there's a music here. I've

1900
01:23:10,400 --> 01:23:11,080
Speaker 1: always known it.

1901
01:23:11,240 --> 01:23:12,360
Speaker 2: That's an equilalic exchange.

1902
01:23:12,360 --> 01:23:14,680
Speaker 1: You're the teen and amy of your generation. You know

1903
01:23:14,720 --> 01:23:16,000
Speaker 1: what what don't?

1904
01:23:16,280 --> 01:23:17,400
Speaker 2: Don't?

1905
01:23:17,400 --> 01:23:18,439
Speaker 1: Should we host the globes?

1906
01:23:18,760 --> 01:23:22,759
Speaker 3: Are getting by the way, you should host the Globes together.

1907
01:23:23,320 --> 01:23:25,040
Speaker 2: That room is going to be like, who the fuck

1908
01:23:25,080 --> 01:23:30,120
Speaker 2: are those who? Joe Koy who They're like?

1909
01:23:30,160 --> 01:23:30,640
Speaker 1: Who is that?

1910
01:23:31,560 --> 01:23:34,559
Speaker 3: It would be like, it's Joe Kimbooster because that keeps

1911
01:23:34,560 --> 01:23:35,720
Speaker 3: happening to you guys.

1912
01:23:36,439 --> 01:23:38,000
Speaker 1: And they'll be like and Zachary Quinto.

1913
01:23:39,600 --> 01:23:42,000
Speaker 3: No, but you really should do it because together are

1914
01:23:42,040 --> 01:23:42,719
Speaker 3: so much more fun.

1915
01:23:42,880 --> 01:23:44,920
Speaker 2: I would only do it with someone with you.

1916
01:23:45,520 --> 01:23:47,200
Speaker 1: I'm throwing our name in there. I was like, yeah,

1917
01:23:47,200 --> 01:23:48,880
Speaker 1: we're gonna do it, and Bomo was like, no, not

1918
01:23:48,960 --> 01:23:51,080
Speaker 1: the globes. And I was like, well, I think they're back.

1919
01:23:51,320 --> 01:23:53,160
Speaker 1: I think now we know they're back. You know what

1920
01:23:53,160 --> 01:23:55,559
Speaker 1: I mean? Yeah, they're back. Yeah, Okay, are you ready

1921
01:23:55,600 --> 01:23:55,880
Speaker 1: for this?

1922
01:23:56,040 --> 01:23:58,519
Speaker 3: I think so? Okay, So I will say I was like,

1923
01:23:58,680 --> 01:24:02,360
Speaker 3: I was kind of sweating because I you know, again,

1924
01:24:02,360 --> 01:24:04,640
Speaker 3: in fifty three, I have nothing but opinions, right, have

1925
01:24:04,840 --> 01:24:07,920
Speaker 3: violent opinions about everything. But I'm also constantly afraid of

1926
01:24:07,960 --> 01:24:11,160
Speaker 3: getting in trouble. So do an audition some No, I

1927
01:24:11,200 --> 01:24:13,400
Speaker 3: think I'm an okay area now, but also like, I

1928
01:24:13,400 --> 01:24:14,880
Speaker 3: do have backups if we do it, and you could

1929
01:24:14,920 --> 01:24:16,360
Speaker 3: you be like no, do a different one if.

1930
01:24:16,240 --> 01:24:19,120
Speaker 1: We're like no, you'll get crucified for that.

1931
01:24:18,479 --> 01:24:21,720
Speaker 3: I think I was thinking about my own fear of crucifixion,

1932
01:24:21,760 --> 01:24:26,320
Speaker 3: and it led me to my choice of topic. Okay, so,

1933
01:24:26,360 --> 01:24:27,719
Speaker 3: and I may look at my phone the old.

1934
01:24:28,520 --> 01:24:30,360
Speaker 2: This is Tina Feyce. I don't think so, honey.

1935
01:24:30,479 --> 01:24:32,559
Speaker 3: How it starts to know, I don't think so, honey,

1936
01:24:32,600 --> 01:24:35,080
Speaker 3: bo and Yang giving his real opinions about movies on

1937
01:24:35,120 --> 01:24:39,519
Speaker 3: this podcast. I regret to inform you that you are

1938
01:24:39,560 --> 01:24:44,960
Speaker 3: too famous. Now, sir, what's gonna happen? You have a

1939
01:24:45,000 --> 01:24:50,040
Speaker 3: problem with saltburn, quiet luxury, Keep it to yourself, because

1940
01:24:50,080 --> 01:24:52,120
Speaker 3: what are you going to do when Emerald Fennel calls

1941
01:24:52,120 --> 01:24:55,960
Speaker 3: you about her next project where you play Carrie Mulligan's

1942
01:24:56,000 --> 01:24:59,200
Speaker 3: co worker in the bridal section of Herod's and then

1943
01:24:59,320 --> 01:25:02,000
Speaker 3: Act three makes a sexually violent turn and you have

1944
01:25:02,080 --> 01:25:06,200
Speaker 3: to pretend to be surprised by that term. You have

1945
01:25:06,320 --> 01:25:09,679
Speaker 3: to have a clean paper tray on nothing negative. Everything

1946
01:25:09,760 --> 01:25:15,520
Speaker 3: everyone does is amazing. You hang out with Ariana and SpongeBob.

1947
01:25:15,600 --> 01:25:18,800
Speaker 3: Now that is your life, okay, and Matt Rogers. I

1948
01:25:18,880 --> 01:25:21,639
Speaker 3: gonna tell you, got about one year left, and then you, yes,

1949
01:25:22,120 --> 01:25:25,720
Speaker 3: learn from my mistakes, learn from io podcasts forever.

1950
01:25:26,720 --> 01:25:29,040
Speaker 1: Authenticity is dangerous and expensive.

1951
01:25:29,160 --> 01:25:35,040
Speaker 3: I don't think so, honey, that is so old timer.

1952
01:25:35,080 --> 01:25:37,040
Speaker 1: And you know they're starting to come for us, the

1953
01:25:37,040 --> 01:25:38,559
Speaker 1: people that listen to this, and like they don't say

1954
01:25:38,560 --> 01:25:41,040
Speaker 1: their real opinions, and it's like, yeah, I don't think

1955
01:25:41,280 --> 01:25:45,839
Speaker 1: that anyone needs that. Sometimes it gets hard, it gets harder,

1956
01:25:45,920 --> 01:25:46,800
Speaker 1: I know, I bet it does.

1957
01:25:46,840 --> 01:25:48,479
Speaker 2: And they're also digging through our stuff being like, well,

1958
01:25:48,520 --> 01:25:50,760
Speaker 2: there's a period when they didn't like Taylor Swift.

1959
01:25:50,920 --> 01:25:53,120
Speaker 1: Aid where they didn't like them, So to hear them

1960
01:25:53,160 --> 01:25:55,320
Speaker 1: be so sick a fantic now was really crazy. They

1961
01:25:55,320 --> 01:25:58,320
Speaker 1: call us boot liquors. I'm like, you, guys, it's a

1962
01:25:58,400 --> 01:25:59,400
Speaker 1: walk doing.

1963
01:25:59,160 --> 01:26:03,440
Speaker 3: This and it's a dangerous dance. Yes, and it's impossible.

1964
01:26:03,760 --> 01:26:06,640
Speaker 1: It's really crazy because the fact is we do have

1965
01:26:06,680 --> 01:26:09,880
Speaker 1: strong opinions about almost everything, and that's what people want.

1966
01:26:10,240 --> 01:26:13,920
Speaker 1: White's authentic. But also, what do I do when Emerald calls.

1967
01:26:13,720 --> 01:26:14,519
Speaker 3: What are you going to do when?

1968
01:26:14,760 --> 01:26:15,000
Speaker 1: Yeah?

1969
01:26:15,240 --> 01:26:19,440
Speaker 2: But I personally and I cannot expect this of everyone.

1970
01:26:20,280 --> 01:26:23,479
Speaker 2: If someone's not a fan of one thing that I've done,

1971
01:26:24,040 --> 01:26:26,200
Speaker 2: if someone was like I didn't love Fire Island, I'll

1972
01:26:26,240 --> 01:26:28,639
Speaker 2: be like, no problem, I'll still be in a sketch

1973
01:26:28,680 --> 01:26:30,599
Speaker 2: with you. I'll still like, take a meet.

1974
01:26:31,400 --> 01:26:35,400
Speaker 1: Emerald Fel if I'll still take a meeting. Emerald Fanel

1975
01:26:35,439 --> 01:26:38,559
Speaker 1: had gotten on a podcast and absolutely destroyed Fire Island

1976
01:26:38,600 --> 01:26:40,680
Speaker 1: and said this is bad. I didn't get the performances,

1977
01:26:40,720 --> 01:26:42,639
Speaker 1: and Emerald Fanel said the words, I don't think Bowen

1978
01:26:42,720 --> 01:26:45,200
Speaker 1: Yang has ever pulled it off. You would feel crazy.

1979
01:26:45,200 --> 01:26:46,960
Speaker 2: I would feel crazy, but he'd be like, that's so.

1980
01:26:47,120 --> 01:26:50,439
Speaker 1: I was like, she's entitled Emerald. That was I forgotten.

1981
01:26:50,439 --> 01:26:51,840
Speaker 3: My one note that I didn't get to as I

1982
01:26:51,880 --> 01:26:53,840
Speaker 3: was at the bottom, was going to be I don't listen.

1983
01:26:53,880 --> 01:26:56,200
Speaker 3: I don't expect you to stand with Dave Chappelle good night.

1984
01:26:56,280 --> 01:26:57,040
Speaker 1: I'm not a monster.

1985
01:26:57,520 --> 01:26:59,639
Speaker 3: I'm not crazy, but I do need you to hug

1986
01:26:59,720 --> 01:27:03,320
Speaker 3: Mark Cuban like he is your long honest like Jimmy did.

1987
01:27:03,439 --> 01:27:05,960
Speaker 3: And also why did Jimmy do that? Why was Jimmy

1988
01:27:06,160 --> 01:27:09,240
Speaker 3: hugging Mark Cuban like they won the super Bowl together.

1989
01:27:09,520 --> 01:27:11,360
Speaker 2: Jimmy was so happy and Jimmy was so nice and

1990
01:27:11,400 --> 01:27:12,360
Speaker 2: he sent me milk Bark cookies.

1991
01:27:12,360 --> 01:27:14,639
Speaker 1: Well that's why Jimmy's the best, because he's capable of joy.

1992
01:27:14,880 --> 01:27:16,960
Speaker 2: Oh my god, no, and we need that. And I

1993
01:27:17,120 --> 01:27:19,360
Speaker 2: was by the way people are like reading me for

1994
01:27:19,439 --> 01:27:21,080
Speaker 2: like in the Bear Gip talk show sketch, like looking

1995
01:27:21,120 --> 01:27:21,840
Speaker 2: agitated in a word.

1996
01:27:21,880 --> 01:27:23,640
Speaker 3: I was like, no, I was like playing this.

1997
01:27:23,840 --> 01:27:25,639
Speaker 2: I was playing in this sketch and being like, oh,

1998
01:27:25,680 --> 01:27:27,679
Speaker 2: there's the guests are supposed to be like a little perplexed.

1999
01:27:27,680 --> 01:27:31,200
Speaker 2: I was like, you, guys, but that was fantastic.

2000
01:27:31,320 --> 01:27:34,519
Speaker 1: Honestly, this is a genuine question, how would you do

2001
01:27:34,640 --> 01:27:36,600
Speaker 1: this podcast? You know what I mean? Like, how like

2002
01:27:36,680 --> 01:27:38,559
Speaker 1: if you're us, how would you continue to do this

2003
01:27:38,640 --> 01:27:41,599
Speaker 1: podcast which started in twenty sixteen when we thought there's

2004
01:27:41,640 --> 01:27:44,120
Speaker 1: no way anyone will ever listen to it even once. Yeah,

2005
01:27:44,160 --> 01:27:46,360
Speaker 1: and we sort of established this thing of like, we

2006
01:27:46,400 --> 01:27:48,840
Speaker 1: see things, we talk about it, we're honest, we have

2007
01:27:48,840 --> 01:27:50,840
Speaker 1: our little fun with things in the pop culture. And

2008
01:27:50,880 --> 01:27:53,559
Speaker 1: then all of a sudden that does become hard because

2009
01:27:53,560 --> 01:27:56,120
Speaker 1: someone who might be a dear sister to you, right

2010
01:27:56,600 --> 01:27:57,760
Speaker 1: might be right?

2011
01:27:57,840 --> 01:27:59,439
Speaker 3: I mean, I do think you before you guys are

2012
01:27:59,439 --> 01:28:01,360
Speaker 3: thoughtful and gentle, and if you say you don't like something,

2013
01:28:01,400 --> 01:28:03,160
Speaker 3: it's not just like just to be jerks.

2014
01:28:03,280 --> 01:28:03,840
Speaker 1: You know you don't.

2015
01:28:03,880 --> 01:28:05,840
Speaker 3: Obviously we're very thoughtful about those movies. But it does

2016
01:28:05,880 --> 01:28:08,000
Speaker 3: become a thing where it's like, oh, do you want

2017
01:28:08,040 --> 01:28:10,120
Speaker 3: to be people who keep it real and have their

2018
01:28:10,160 --> 01:28:12,960
Speaker 3: podcast forever? Or do you want to be goddamn movie stars?

2019
01:28:13,160 --> 01:28:16,559
Speaker 1: Are you not? Then?

2020
01:28:16,640 --> 01:28:16,680
Speaker 3: Go?

2021
01:28:16,880 --> 01:28:18,400
Speaker 1: Then then you're.

2022
01:28:19,760 --> 01:28:23,280
Speaker 3: Like my, like my, my trail of mistakes lives behind me,

2023
01:28:23,520 --> 01:28:27,400
Speaker 3: like then Jacob Marley's train, like just chains of shame,

2024
01:28:27,520 --> 01:28:29,759
Speaker 3: like from like oh, I'll.

2025
01:28:29,640 --> 01:28:32,400
Speaker 1: Just use this real name from my high school, you like.

2026
01:28:32,400 --> 01:28:36,000
Speaker 3: And then hit this person like that wasn't even it,

2027
01:28:36,160 --> 01:28:38,120
Speaker 3: just like I liked their name, like it's nothing to

2028
01:28:38,280 --> 01:28:40,479
Speaker 3: do with them, yes, And then I'm like, that's the

2029
01:28:40,760 --> 01:28:41,280
Speaker 3: level of share.

2030
01:28:41,360 --> 01:28:43,479
Speaker 1: They're now going impatient because of what you've done.

2031
01:28:43,320 --> 01:28:46,799
Speaker 3: I mean, and then like just and then like update

2032
01:28:46,960 --> 01:28:49,519
Speaker 3: jokes that you're like, I'll do it. I don't care,

2033
01:28:49,640 --> 01:28:51,760
Speaker 3: and then you're like oh right, and then yeah, like

2034
01:28:52,360 --> 01:28:55,400
Speaker 3: so many kinds of of these mistakes that you're like,

2035
01:28:55,400 --> 01:28:55,840
Speaker 3: what did I.

2036
01:28:56,880 --> 01:28:59,599
Speaker 1: Especially the thing with the io thing. It's like, so

2037
01:28:59,680 --> 01:29:03,000
Speaker 1: someone like j Lo is so famous and has been

2038
01:29:03,240 --> 01:29:06,080
Speaker 1: so famous for such a long time that literally everyone

2039
01:29:06,080 --> 01:29:09,679
Speaker 1: in the world has said something probably incredibly positive and

2040
01:29:09,720 --> 01:29:13,479
Speaker 1: negative about her, just because that's like a colloquialism almost,

2041
01:29:13,640 --> 01:29:15,559
Speaker 1: and so for her to get dragged so much for this,

2042
01:29:15,840 --> 01:29:18,120
Speaker 1: not only do I think it's like uncool, but I'm like, guys,

2043
01:29:18,120 --> 01:29:20,560
Speaker 1: this is not this is not a Pandora's box. We

2044
01:29:20,600 --> 01:29:23,120
Speaker 1: want to open up. Let's dig up everything everyone said

2045
01:29:23,120 --> 01:29:25,360
Speaker 1: on the name and it will be an apocalypse.

2046
01:29:25,640 --> 01:29:27,240
Speaker 3: Sketch was like why why did you say it?

2047
01:29:27,280 --> 01:29:29,360
Speaker 1: That was funny too, that was great they threw that

2048
01:29:29,400 --> 01:29:33,800
Speaker 1: line in after Friday, after that news broke. It was just.

2049
01:29:35,240 --> 01:29:38,240
Speaker 2: Fortuitous or the opposite in terms of like it's Io

2050
01:29:38,360 --> 01:29:40,280
Speaker 2: and Jlo being on the same bill for us and all,

2051
01:29:40,360 --> 01:29:41,439
Speaker 2: like that's the only reason.

2052
01:29:41,200 --> 01:29:43,240
Speaker 1: To go, yeah, that's the but it's like even that

2053
01:29:43,360 --> 01:29:45,840
Speaker 1: is just like, guys, it's just I don't think anyone's

2054
01:29:45,880 --> 01:29:48,400
Speaker 1: gonna stand by every single thing they've ever said, and

2055
01:29:48,600 --> 01:29:50,320
Speaker 1: it is tough, and then when a lot of people

2056
01:29:50,400 --> 01:29:52,960
Speaker 1: do start listening, there is a weird rub and so like,

2057
01:29:52,960 --> 01:29:54,680
Speaker 1: honestly that I don't think so Honey comes out a

2058
01:29:54,680 --> 01:29:58,280
Speaker 1: really interesting time because a lot Yeah, I catch it

2059
01:29:58,320 --> 01:30:00,960
Speaker 1: all the time, and like I honestly also so sometimes

2060
01:30:01,040 --> 01:30:03,920
Speaker 1: I only ever think, don't take my opinion seriously. I'm

2061
01:30:03,960 --> 01:30:06,000
Speaker 1: like a dummy with a podcast, Like I'm just trying

2062
01:30:06,000 --> 01:30:08,080
Speaker 1: to have fun with this, but people do take it

2063
01:30:08,200 --> 01:30:12,200
Speaker 1: very seriously and that's not up to me. And also like, however,

2064
01:30:12,560 --> 01:30:14,880
Speaker 1: and I've never heard from I've literally never heard from

2065
01:30:14,920 --> 01:30:17,559
Speaker 1: like an artist or anyone that's done anything out there

2066
01:30:17,600 --> 01:30:19,640
Speaker 1: and said what you said on your podcast really hurt me.

2067
01:30:20,120 --> 01:30:22,720
Speaker 1: But like I don't know, if I were to hear that,

2068
01:30:22,800 --> 01:30:26,519
Speaker 1: I would definitely certainly feel bad, Like I don't want

2069
01:30:26,520 --> 01:30:29,400
Speaker 1: anyone to feel anything but good after having listened to it,

2070
01:30:29,479 --> 01:30:30,840
Speaker 1: but it is a thing.

2071
01:30:31,040 --> 01:30:35,320
Speaker 2: Yeah, that was a good impartments.

2072
01:30:36,479 --> 01:30:42,760
Speaker 1: It's been so long since we've been imparted on Oh yeah,

2073
01:30:42,920 --> 01:30:45,800
Speaker 1: to be imparted in this way, we needed it. Well,

2074
01:30:45,840 --> 01:30:47,880
Speaker 1: this was just a joy and a half. I would

2075
01:30:47,880 --> 01:30:50,800
Speaker 1: a delight to talk to you. Enjoy the podcast so much.

2076
01:30:50,960 --> 01:30:52,840
Speaker 1: Thank you for even saying that. And I just mean,

2077
01:30:52,960 --> 01:30:56,519
Speaker 1: like truly, like this was wish fulfillment for us, to

2078
01:30:56,560 --> 01:30:58,920
Speaker 1: say the least, to even have you here and even

2079
01:30:58,920 --> 01:31:01,280
Speaker 1: know who the hell you are. So this is pleasure.

2080
01:31:01,439 --> 01:31:03,720
Speaker 1: Oh my gosh, we love you. We love you a lot.

2081
01:31:03,920 --> 01:31:05,880
Speaker 1: And oh, by the way, get tickets to the show?

2082
01:31:06,360 --> 01:31:07,080
Speaker 1: Is it all sold out?

2083
01:31:07,120 --> 01:31:09,880
Speaker 3: As the Beacon might be sold out, We have some.

2084
01:31:09,960 --> 01:31:12,400
Speaker 3: We still have a show coming in like Seattle. Thank

2085
01:31:12,400 --> 01:31:14,360
Speaker 3: you for knowing that in Portland there might still be

2086
01:31:14,360 --> 01:31:15,800
Speaker 3: tickets because we have to go back to the city

2087
01:31:15,920 --> 01:31:17,200
Speaker 3: froze and we had to cancel the show.

2088
01:31:17,760 --> 01:31:18,479
Speaker 1: Everyone who was.

2089
01:31:18,400 --> 01:31:21,880
Speaker 3: Mad on Twitter if you couldn't get to the show

2090
01:31:21,920 --> 01:31:24,920
Speaker 3: that still happened, you can, I think you can get tickets,

2091
01:31:24,960 --> 01:31:26,960
Speaker 3: Like we're not. We're doing the right thing.

2092
01:31:27,040 --> 01:31:27,519
Speaker 1: So everyone.

2093
01:31:28,280 --> 01:31:29,160
Speaker 3: Calm down, you.

2094
01:31:29,080 --> 01:31:32,599
Speaker 1: Can calm down. We're doing the right thing. Calm down,

2095
01:31:32,600 --> 01:31:33,439
Speaker 1: we're doing the right thing.

2096
01:31:33,560 --> 01:31:35,040
Speaker 2: That's just generally applicable.

2097
01:31:35,640 --> 01:31:37,000
Speaker 3: And then let me see what I should I be

2098
01:31:37,040 --> 01:31:40,519
Speaker 3: a professional about. Oh yeah, Girls five Eva Meredith Gardino

2099
01:31:40,560 --> 01:31:41,280
Speaker 3: is amazing show.

2100
01:31:41,360 --> 01:31:42,240
Speaker 1: Oh it's so good.

2101
01:31:42,280 --> 01:31:44,639
Speaker 3: All three seasons come to Netflix so you can see

2102
01:31:44,920 --> 01:31:46,599
Speaker 3: and yeah, you can see so.

2103
01:31:46,560 --> 01:31:47,439
Speaker 1: Many wonderful people.

2104
01:31:47,760 --> 01:31:49,880
Speaker 3: I believe. March fourteenth. I hope I'm right about that.

2105
01:31:49,920 --> 01:31:55,320
Speaker 1: March fourteenth. One of our dearest friends, Matt Whitaker. I

2106
01:31:55,320 --> 01:31:58,800
Speaker 1: love yeah with him. Sometimes he's a big We saw

2107
01:31:58,840 --> 01:32:01,040
Speaker 1: Appropriate the other night on Aways Together. He's a great

2108
01:32:01,080 --> 01:32:03,800
Speaker 1: theater going for he is great. Yes, he sees everything,

2109
01:32:03,960 --> 01:32:07,320
Speaker 1: he sees it all. And then Mean Girls twenty twenty four.

2110
01:32:09,000 --> 01:32:11,160
Speaker 1: My mom and aunt saw it the other night and

2111
01:32:11,200 --> 01:32:13,400
Speaker 1: their review was this, we loved it. You know it

2112
01:32:13,439 --> 01:32:18,439
Speaker 1: was different because it was a musical. Yeah, that was Yeah.

2113
01:32:18,479 --> 01:32:19,800
Speaker 3: That was one of the ones that I was like, oh,

2114
01:32:19,800 --> 01:32:21,120
Speaker 3: I can't do this, and I'll get I want to

2115
01:32:21,120 --> 01:32:23,800
Speaker 3: be like, I don't think so, honey, Little Broadway counts

2116
01:32:24,960 --> 01:32:28,160
Speaker 3: complaining about two lines of Revenge Party. When I bring

2117
01:32:28,160 --> 01:32:33,240
Speaker 3: you fucking Renee rap, I bring you Jaquelle Spyby. This

2118
01:32:33,280 --> 01:32:37,280
Speaker 3: is why we can't have a Antica.

2119
01:32:37,400 --> 01:32:39,040
Speaker 1: She she showed up to they as I was like

2120
01:32:39,160 --> 01:32:39,559
Speaker 1: she did.

2121
01:32:39,600 --> 01:32:41,080
Speaker 2: I was like, that's fucking that's her.

2122
01:32:41,240 --> 01:32:41,479
Speaker 1: Yeah.

2123
01:32:41,520 --> 01:32:44,040
Speaker 3: When the real the original movie came out, she wasn't.

2124
01:32:45,600 --> 01:32:48,280
Speaker 1: No, this is see and I wonder if that's gonna happen.

2125
01:32:48,400 --> 01:32:49,840
Speaker 1: Is like, now we're gonna start watching it and it's

2126
01:32:49,840 --> 01:32:52,080
Speaker 1: gonna look like in terms of fashion, like really dated,

2127
01:32:52,400 --> 01:32:54,280
Speaker 1: and I'm gonna be like, oh my god, no, it's

2128
01:32:54,320 --> 01:32:56,679
Speaker 1: becoming the clueless of it all where you watch Clueless

2129
01:32:56,680 --> 01:32:58,639
Speaker 1: now and you're like, oh, can you imagine why wearing that?

2130
01:32:58,760 --> 01:32:59,600
Speaker 1: It's gonna be like that.

2131
01:32:59,680 --> 01:33:01,640
Speaker 2: So no, no, but for me, like the fashions of

2132
01:33:01,720 --> 01:33:03,760
Speaker 2: those movies are like President Yamber, you know what I mean.

2133
01:33:03,760 --> 01:33:05,600
Speaker 1: It's you said all back now if you if you

2134
01:33:05,640 --> 01:33:07,360
Speaker 1: walk out the room looking like Sharon Diane, you'll get

2135
01:33:07,400 --> 01:33:08,519
Speaker 1: the coolest bitch at the part.

2136
01:33:08,600 --> 01:33:10,320
Speaker 2: It's not even the loop back around. It's just like

2137
01:33:10,560 --> 01:33:12,600
Speaker 2: that just kind of looks cool in the world of

2138
01:33:12,600 --> 01:33:14,800
Speaker 2: the movie. Anyway. Okay, we end every episode with the

2139
01:33:14,800 --> 01:33:19,519
Speaker 2: song It's with Me.

2140
01:33:20,280 --> 01:33:21,920
Speaker 1: I know, who wouldn't want to fall in love with me?

2141
01:33:23,800 --> 01:33:23,880
Speaker 3: Now?

2142
01:33:23,880 --> 01:33:24,240
Speaker 2: I don't know.

2143
01:33:24,280 --> 01:33:27,479
Speaker 1: Okay, well you should be off books. Be off book readers.

2144
01:33:28,200 --> 01:33:30,639
Speaker 1: Bye bye, last Cultureati.

2145
01:33:30,680 --> 01:33:32,559
Speaker 2: This is the production by Will Ferrell's Big Money Players

2146
01:33:32,560 --> 01:33:33,880
Speaker 2: and I Heart Radio podcasts.

2147
01:33:33,920 --> 01:33:37,240
Speaker 1: Created and hosted by Matt Rogers and Bowen Yang. Executive

2148
01:33:37,240 --> 01:33:39,960
Speaker 1: produced by Ana Hasnier and Hans Soni.

2149
01:33:39,760 --> 01:33:42,839
Speaker 2: Produced by Becka Ramos, edited mixed by Doug Baby Monika

2150
01:33:42,880 --> 01:33:43,599
Speaker 2: Board and our.

2151
01:33:43,560 --> 01:33:50,719
Speaker 1: Music is by Henry Kamerski. Hey everybody, it's me Matt Rodgers,

2152
01:33:50,840 --> 01:33:51,280
Speaker 1: letting you know.

2153
01:33:51,280 --> 01:33:53,679
Speaker 4: Tickets are on sale now to see me on tour,

2154
01:33:54,120 --> 01:33:56,559
Speaker 4: the Prince of Christmas Tour. That is, I'm doing my

2155
01:33:56,600 --> 01:33:59,000
Speaker 4: whole album Have You Heard of Christmas? Plus a lot

2156
01:33:59,040 --> 01:34:01,640
Speaker 4: more with the whole band all throughout December. Go to

2157
01:34:01,760 --> 01:34:05,519
Speaker 4: www dot Matt rogersoficial dot com See me in a

2158
01:34:05,560 --> 01:34:06,240
Speaker 4: city near you