1
00:00:00,160 --> 00:00:04,360
Speaker 1: Hi everyone, George here with two quick show announcements. If

2
00:00:04,360 --> 00:00:06,440
Speaker 1: you're in New York, you can see me do an

3
00:00:06,440 --> 00:00:09,160
Speaker 1: hour of stand up comedy at Littlefield in Brooklyn on

4
00:00:09,240 --> 00:00:12,760
Speaker 1: May twenty second, and you can find tickets at LITTLEFIELDNYC

5
00:00:13,000 --> 00:00:16,280
Speaker 1: dot com or in my Instagram bio. And also, if

6
00:00:16,320 --> 00:00:19,160
Speaker 1: you're in LA, we have a very exciting announcement, which

7
00:00:19,200 --> 00:00:21,720
Speaker 1: is that we are doing a Stradio Lab live show

8
00:00:21,840 --> 00:00:25,120
Speaker 1: in Los Angeles at the Bourbon Room on Tuesday, May

9
00:00:25,239 --> 00:00:28,440
Speaker 1: twenty eighth. It's the day after Memorial Day weekend. Everyone's

10
00:00:28,480 --> 00:00:30,680
Speaker 1: going to be back from vacation. We're trying to get

11
00:00:30,680 --> 00:00:33,440
Speaker 1: some very exciting guests, so I would honestly get tickets

12
00:00:33,479 --> 00:00:35,239
Speaker 1: before they are announced because it is going to be

13
00:00:35,400 --> 00:00:39,080
Speaker 1: a blood bath. And while I'm here, I also want

14
00:00:39,080 --> 00:00:41,440
Speaker 1: to say that my audio is bad in the beginning

15
00:00:41,440 --> 00:00:44,879
Speaker 1: of this episode for truly, like one minute. So if

16
00:00:44,920 --> 00:00:47,519
Speaker 1: you hear it and you're like what the hell, I

17
00:00:47,560 --> 00:00:50,920
Speaker 1: promise if you power through, it gets better almost immediately.

18
00:00:51,159 --> 00:00:53,720
Speaker 1: So that's it for now. Enjoy the show.

19
00:00:53,840 --> 00:00:58,080
Speaker 2: Bye.

20
00:01:13,160 --> 00:01:16,520
Speaker 3: Podcast starts now. Wow wow wow wow wow.

21
00:01:16,560 --> 00:01:21,800
Speaker 2: I'm shaking. I have chills well because it finally happens, finally, happening.

22
00:01:21,959 --> 00:01:23,000
Speaker 3: It's finally happening.

23
00:01:23,400 --> 00:01:24,840
Speaker 2: This is someone we've wanted to have on for a

24
00:01:24,880 --> 00:01:25,560
Speaker 2: really long time.

25
00:01:25,600 --> 00:01:30,200
Speaker 3: We have such a special episode today because we're not

26
00:01:30,200 --> 00:01:31,480
Speaker 3: going to spoil who the guest is.

27
00:01:32,319 --> 00:01:34,640
Speaker 2: We didn't even put it in the title. I don't think. No, no,

28
00:01:34,680 --> 00:01:36,679
Speaker 2: we did, And if we did, if our producers listening,

29
00:01:36,760 --> 00:01:42,200
Speaker 2: please go into the mainframe and edit it out. I

30
00:01:42,200 --> 00:01:43,960
Speaker 2: don't even want it in the back end. I'll say that.

31
00:01:44,160 --> 00:01:45,520
Speaker 2: It's not that I don't want it in the title

32
00:01:45,520 --> 00:01:47,960
Speaker 2: in the podcast app. I don't want any file name

33
00:01:48,200 --> 00:01:49,440
Speaker 2: to contain the name of the guest.

34
00:01:49,680 --> 00:01:52,360
Speaker 3: Yeah, at all. And in fact, if our producer's listening,

35
00:01:53,840 --> 00:01:54,400
Speaker 3: what's up?

36
00:01:54,680 --> 00:01:55,520
Speaker 2: Yeah, what's called?

37
00:01:55,520 --> 00:01:56,000
Speaker 3: How are you?

38
00:01:56,440 --> 00:01:56,680
Speaker 2: Yeah?

39
00:01:56,760 --> 00:01:57,680
Speaker 3: I hope you're doing well.

40
00:01:57,760 --> 00:01:59,040
Speaker 2: Yeah, and you're killing it.

41
00:02:00,600 --> 00:02:04,160
Speaker 3: And if my mom's listening, I want to say, you know,

42
00:02:05,040 --> 00:02:06,040
Speaker 3: keep doing what you're doing.

43
00:02:06,960 --> 00:02:09,239
Speaker 2: And if my mom is listening, I just want to say,

44
00:02:09,600 --> 00:02:11,799
Speaker 2: you are so talented at calling me at all the

45
00:02:11,840 --> 00:02:15,160
Speaker 2: worst times, throughout the day, every single day of my life, forever,

46
00:02:15,800 --> 00:02:17,280
Speaker 2: in the past, present and future.

47
00:02:17,560 --> 00:02:20,240
Speaker 3: Yeah, if my dad is listening, I want to say,

48
00:02:20,800 --> 00:02:25,640
Speaker 3: you know, you know, I just call mom all the time,

49
00:02:25,880 --> 00:02:28,720
Speaker 3: and it's not like an attack at you. Yeah, you know,

50
00:02:28,760 --> 00:02:30,320
Speaker 3: it's just like I assume you as will be together

51
00:02:30,360 --> 00:02:31,800
Speaker 3: because that's sort of your mom and dad.

52
00:02:31,919 --> 00:02:33,639
Speaker 2: And if my sister is listening, I want to say,

53
00:02:33,680 --> 00:02:36,200
Speaker 2: you know, I can get you like a couple of

54
00:02:36,320 --> 00:02:39,040
Speaker 2: comp tickets to each of my shows, but once you

55
00:02:39,080 --> 00:02:42,160
Speaker 2: start asking for seven eight nine friends, we're gonna have

56
00:02:42,200 --> 00:02:43,880
Speaker 2: a problem because I'm running a business here and I

57
00:02:43,919 --> 00:02:46,079
Speaker 2: would actually like for some people to buy tickets. Yeah.

58
00:02:46,160 --> 00:02:48,120
Speaker 3: And if any of my co workers are listening, I

59
00:02:48,160 --> 00:02:52,320
Speaker 3: just want to say, you know, I think you're very

60
00:02:52,320 --> 00:02:56,040
Speaker 3: respectful of our time outside of the office, and I

61
00:02:56,400 --> 00:02:59,600
Speaker 3: do think you know by listening, you're breaching are my trust?

62
00:02:59,760 --> 00:03:02,720
Speaker 2: Yeah, and I probably stop. I would press stop now.

63
00:03:03,120 --> 00:03:04,800
Speaker 2: And if my boyfriend's listening, I want to say I

64
00:03:04,840 --> 00:03:06,720
Speaker 2: was in a bad mood last night and it's not

65
00:03:06,880 --> 00:03:10,120
Speaker 2: it's not your fault. The things that are making me

66
00:03:10,200 --> 00:03:14,480
Speaker 2: upset have nothing to do with all the various things

67
00:03:14,480 --> 00:03:16,400
Speaker 2: you've said to me over the last few weeks.

68
00:03:16,680 --> 00:03:20,200
Speaker 3: Yeah. Yeah, And if my boyfriend is listening, I want

69
00:03:20,200 --> 00:03:25,440
Speaker 3: to say, uh, you know, thanks for listening. Yeah, I

70
00:03:25,960 --> 00:03:27,960
Speaker 3: know how hard it is for you to hear.

71
00:03:28,120 --> 00:03:30,120
Speaker 2: Well, he's not listening, so you don't have to. You

72
00:03:30,120 --> 00:03:32,320
Speaker 2: don't have to sort of go into this hole. There's

73
00:03:32,320 --> 00:03:35,000
Speaker 2: no reason to waste to waste tape. As they say

74
00:03:35,000 --> 00:03:38,120
Speaker 2: in the industry, he's not listening.

75
00:03:39,000 --> 00:03:41,120
Speaker 3: Does Matthew listen still? He does sometimes.

76
00:03:41,240 --> 00:03:45,040
Speaker 2: He texted me during the day of Jesse David Talk episode.

77
00:03:45,040 --> 00:03:46,680
Speaker 2: He listened and he said, what is the book that

78
00:03:46,720 --> 00:03:49,800
Speaker 2: was bleeped? And I said, we don't remember earnestly, but

79
00:03:49,840 --> 00:03:50,480
Speaker 2: then you remember.

80
00:03:50,600 --> 00:03:51,600
Speaker 3: I did remember eventually.

81
00:03:51,640 --> 00:03:53,680
Speaker 2: It's a juicy one and it's not the one people

82
00:03:53,720 --> 00:03:54,120
Speaker 2: think it is.

83
00:03:54,200 --> 00:03:56,040
Speaker 3: It's not the one people think it is, but they

84
00:03:56,120 --> 00:03:56,800
Speaker 3: might think it, but.

85
00:03:56,760 --> 00:03:59,160
Speaker 2: They might think it if you think you gotta go

86
00:03:59,200 --> 00:04:01,560
Speaker 2: to the first choice, not that one. I think second, third,

87
00:04:01,560 --> 00:04:02,160
Speaker 2: fourth choice.

88
00:04:02,240 --> 00:04:04,640
Speaker 3: You're gonna you're gonna You're probably gonna be right, probably

89
00:04:04,680 --> 00:04:06,640
Speaker 3: gonna be right. One of the things you thought, is it?

90
00:04:06,720 --> 00:04:08,720
Speaker 2: Yeah, I mean I feel disrespectful evenen talking about a

91
00:04:08,880 --> 00:04:12,000
Speaker 2: past guest when we are introing our ads today.

92
00:04:12,120 --> 00:04:14,720
Speaker 3: Yeah, which, who will get to it? We'll get to

93
00:04:14,760 --> 00:04:15,640
Speaker 3: that opinions on this.

94
00:04:15,880 --> 00:04:18,240
Speaker 2: Yes, and we will. You know this is someone who

95
00:04:19,120 --> 00:04:21,440
Speaker 2: has listened to the podcast before. We've been told. I mean,

96
00:04:21,480 --> 00:04:23,520
Speaker 2: we thought this would be such a big get that.

97
00:04:23,520 --> 00:04:26,359
Speaker 2: We didn't even want to reach out. But then they're, uh,

98
00:04:26,680 --> 00:04:29,880
Speaker 2: fifteen managers who all work out of their basement, got

99
00:04:29,880 --> 00:04:32,240
Speaker 2: in touch and said, you know, they've been a fan

100
00:04:32,520 --> 00:04:35,640
Speaker 2: forever since the beginning, and they said they actually love

101
00:04:35,720 --> 00:04:38,560
Speaker 2: the weirder initial episodes much more than the current, more

102
00:04:38,600 --> 00:04:39,799
Speaker 2: professional ones. Wow.

103
00:04:39,960 --> 00:04:42,240
Speaker 3: Yeah, which and you know, normally, of course we'd get

104
00:04:42,240 --> 00:04:46,440
Speaker 3: so offended at that, and this time we didn't get offended.

105
00:04:46,160 --> 00:04:47,760
Speaker 2: At all because I didn't know they had a sense

106
00:04:47,760 --> 00:04:48,359
Speaker 2: of humor like that.

107
00:04:48,440 --> 00:04:50,440
Speaker 3: Yeah, And I said, I actually respect someone who has

108
00:04:50,440 --> 00:04:51,840
Speaker 3: an alt sensibility exactly.

109
00:04:52,040 --> 00:04:54,360
Speaker 2: I mean, someone with that amount of power having an

110
00:04:54,360 --> 00:04:56,640
Speaker 2: all sensibility. I don't remember last time that has happened

111
00:04:56,680 --> 00:04:58,120
Speaker 2: since honestly, Donald Trump.

112
00:04:58,880 --> 00:05:00,479
Speaker 3: And this is what I was. This is some good

113
00:05:00,520 --> 00:05:02,880
Speaker 3: question which I think we'll bring our guests in and

114
00:05:02,920 --> 00:05:05,960
Speaker 3: talk about this later. But for you, can people with

115
00:05:06,000 --> 00:05:07,560
Speaker 3: power have an all sensibility?

116
00:05:09,120 --> 00:05:11,320
Speaker 2: Well, I guess that's sort of the difference between aesthetics

117
00:05:11,320 --> 00:05:15,880
Speaker 2: and politics is like I listen, Joe Biden can come

118
00:05:15,920 --> 00:05:20,440
Speaker 2: out and be wearing like big pants, ironic car heart

119
00:05:20,920 --> 00:05:27,080
Speaker 2: T shirt, maybe a fun piercing Would you call that

120
00:05:27,160 --> 00:05:30,560
Speaker 2: having an all sensibility? Or would you call that I

121
00:05:30,600 --> 00:05:33,160
Speaker 2: guess sort of an appropriating alternative aesthetics.

122
00:05:33,839 --> 00:05:36,839
Speaker 3: What about when he posts like the dark branded meme? Yeah,

123
00:05:36,920 --> 00:05:40,560
Speaker 3: is that all sensibility is?

124
00:05:40,600 --> 00:05:42,800
Speaker 2: I guess the word I'm struggling with is sensibility because

125
00:05:42,839 --> 00:05:45,680
Speaker 2: it actually is sort of between. Sensibility can be describing

126
00:05:45,680 --> 00:05:49,000
Speaker 2: an aesthetic thing, or it can be more of a

127
00:05:49,040 --> 00:05:51,720
Speaker 2: spiritual sensibility, Like someone with an all sensibility can be

128
00:05:51,760 --> 00:05:54,440
Speaker 2: wearing a suit and still have an all sensibility. And

129
00:05:54,480 --> 00:05:57,640
Speaker 2: I think you can't necessarily have an alt or maybe

130
00:05:57,680 --> 00:06:01,520
Speaker 2: you can't. What's deep or aesthetic or sensibility? I guess

131
00:06:01,600 --> 00:06:03,720
Speaker 2: what I'm asking you know what I mean sensibility? It's

132
00:06:03,760 --> 00:06:06,119
Speaker 2: ability is I think sensibility is a mindset. You can't

133
00:06:06,160 --> 00:06:08,440
Speaker 2: have an ald sensibility. If you're in power, you can

134
00:06:08,480 --> 00:06:14,520
Speaker 2: have an alt appearance. Wow, Like John Fetterman. Oh sure,

135
00:06:14,560 --> 00:06:17,320
Speaker 2: John Fetterman does not actually have an all sensibility, but

136
00:06:17,360 --> 00:06:19,000
Speaker 2: he has an alt appearance and he was able to

137
00:06:19,000 --> 00:06:21,200
Speaker 2: trick people into thinking he had an all sensibility because

138
00:06:21,200 --> 00:06:21,440
Speaker 2: of that.

139
00:06:22,040 --> 00:06:24,160
Speaker 3: Is there anyone in comedy like high Up that you

140
00:06:24,200 --> 00:06:29,120
Speaker 3: can think of who has an alt aesthetic but not sensibility?

141
00:06:29,320 --> 00:06:31,520
Speaker 2: Oh? That's a really good question.

142
00:06:32,320 --> 00:06:35,440
Speaker 3: I'm trying to think, like, where does like Judd Apatow fall,

143
00:06:36,880 --> 00:06:37,960
Speaker 3: is that an all sensibility?

144
00:06:38,040 --> 00:06:40,760
Speaker 2: I think still, I think it's still there.

145
00:06:40,920 --> 00:06:41,760
Speaker 3: Yeah, I think so too.

146
00:06:41,800 --> 00:06:42,719
Speaker 2: I think it's still there.

147
00:06:43,600 --> 00:06:48,040
Speaker 3: I but now I'm struggling.

148
00:06:48,200 --> 00:06:52,159
Speaker 2: I'm struggling to alt aesthetic but not sensibility. Yeah, is

149
00:06:52,160 --> 00:06:52,720
Speaker 2: what we're saying.

150
00:06:52,920 --> 00:07:03,080
Speaker 3: Yeah, Andrew Dice Clay huh huh.

151
00:07:03,839 --> 00:07:04,039
Speaker 2: You know.

152
00:07:04,120 --> 00:07:07,040
Speaker 3: It's the problem with being such an amazing interviewer and

153
00:07:07,120 --> 00:07:12,040
Speaker 3: having just groundbreaking questions at any given moment is that

154
00:07:12,080 --> 00:07:14,280
Speaker 3: they sometimes stump even ourselves.

155
00:07:14,400 --> 00:07:17,720
Speaker 2: That's right. Yeah, Well, I'm always trying to challenge the

156
00:07:17,760 --> 00:07:20,680
Speaker 2: people that i'm you know, ping ponging with. When that

157
00:07:20,720 --> 00:07:23,760
Speaker 2: person's myself, I say, well, I've met my match finally

158
00:07:23,800 --> 00:07:24,440
Speaker 2: and I'm losing.

159
00:07:25,960 --> 00:07:29,720
Speaker 3: I say stop stop this game. Literally, I I am

160
00:07:29,760 --> 00:07:33,840
Speaker 3: finding I love asking questions that are somewhat unanswerable and

161
00:07:33,880 --> 00:07:35,840
Speaker 3: just being like I assume they'll figure it out, and

162
00:07:35,880 --> 00:07:36,800
Speaker 3: then it's like, no.

163
00:07:36,680 --> 00:07:37,840
Speaker 2: It's actually an attack.

164
00:07:38,000 --> 00:07:39,000
Speaker 3: It's fully an attack.

165
00:07:39,080 --> 00:07:41,080
Speaker 2: I'm constantly challenging everyone around me.

166
00:07:41,480 --> 00:07:42,560
Speaker 3: I even just thought of another one.

167
00:07:42,560 --> 00:07:43,280
Speaker 2: Oh my god, what is it?

168
00:07:43,280 --> 00:07:47,960
Speaker 3: Ask me one? Shut up? Okay?

169
00:07:48,040 --> 00:07:51,320
Speaker 2: All right, your question. Your question to me is a

170
00:07:51,360 --> 00:07:57,440
Speaker 2: famous comedian with all the esthetic but not all sensibility? Yeah,

171
00:07:57,520 --> 00:07:58,040
Speaker 2: I mean.

172
00:07:58,800 --> 00:07:59,560
Speaker 3: I stumped you again.

173
00:07:59,680 --> 00:08:01,360
Speaker 2: Is it Eddie Izard?

174
00:08:03,240 --> 00:08:05,120
Speaker 3: I feel like Eddie Iszard is still all? I mean,

175
00:08:05,160 --> 00:08:10,120
Speaker 3: I haven't yeah, I haven't seen their work in decades decades,

176
00:08:13,240 --> 00:08:14,880
Speaker 3: so I couldn't speak to it.

177
00:08:16,320 --> 00:08:18,520
Speaker 2: But I think, who's someone that like looks like Jenny

178
00:08:18,480 --> 00:08:21,800
Speaker 2: and Garofflo but their comedy is like, you know, Larry

179
00:08:21,840 --> 00:08:26,480
Speaker 2: the cable guy. Okay, you know who is all esthetic

180
00:08:26,480 --> 00:08:29,480
Speaker 2: but not all sensibility? Is that goth girl from n Cis.

181
00:08:30,120 --> 00:08:32,640
Speaker 2: She's not a comedian, but I'm like, what are you?

182
00:08:32,679 --> 00:08:34,880
Speaker 2: What are you doing here? Like so you just sort

183
00:08:34,880 --> 00:08:38,040
Speaker 2: of like look like that and and that is what

184
00:08:38,080 --> 00:08:39,920
Speaker 2: you look like in every role and that is and

185
00:08:39,960 --> 00:08:41,120
Speaker 2: we just all have to deal with that.

186
00:08:42,520 --> 00:08:43,680
Speaker 3: I'm addicted to that girl.

187
00:08:43,720 --> 00:08:46,199
Speaker 2: She's incredible. I mean, it really is. It's a dying

188
00:08:46,240 --> 00:08:49,960
Speaker 2: breed of people who are like unique in any way

189
00:08:50,320 --> 00:08:53,600
Speaker 2: and also billionaires from being in Hollywood.

190
00:08:53,640 --> 00:08:56,560
Speaker 3: Well, I'm like, okay, like a writer wrote this show

191
00:08:56,679 --> 00:09:00,880
Speaker 3: and was like, of course, well the girl studies the

192
00:09:00,920 --> 00:09:04,800
Speaker 3: blood like she's like dark and weird, and it's like

193
00:09:04,920 --> 00:09:08,160
Speaker 3: so you've never met, like anyone that works in a lab.

194
00:09:08,520 --> 00:09:12,079
Speaker 3: You've never met a goth. You like, just like are

195
00:09:12,200 --> 00:09:14,360
Speaker 3: in your own imagination. And I'm like, that's what more

196
00:09:14,360 --> 00:09:17,120
Speaker 3: writing should be. No no more fact checking. Yes, no,

197
00:09:17,160 --> 00:09:18,160
Speaker 3: it's it's no more.

198
00:09:18,040 --> 00:09:20,680
Speaker 2: Research, Like it is such a big swing to be like,

199
00:09:20,720 --> 00:09:23,280
Speaker 2: there's a goth girl and she studies the blood. Why

200
00:09:23,320 --> 00:09:27,920
Speaker 2: isn't there someone on Grey's Anatomy who's like rockabilly.

201
00:09:28,160 --> 00:09:31,000
Speaker 3: Hello, Hello, what's not clicking people?

202
00:09:31,440 --> 00:09:34,120
Speaker 2: I want to see someone who is a full on

203
00:09:35,040 --> 00:09:39,720
Speaker 2: like literally looks like God, who's that guy with the

204
00:09:39,760 --> 00:09:43,640
Speaker 2: white rapper with face tattoos riff raff. Sure, that's not

205
00:09:43,679 --> 00:09:45,840
Speaker 2: how I was thinking. Oh, post malone, post malone, someone

206
00:09:45,840 --> 00:09:48,400
Speaker 2: who looks like post malone but is literally a lawyer

207
00:09:48,400 --> 00:09:50,680
Speaker 2: on The Good Wife. Why don't we have that?

208
00:09:50,720 --> 00:09:51,440
Speaker 3: Why don't we have that?

209
00:09:51,520 --> 00:09:53,400
Speaker 2: I mean it's fiction. People be like, oh, yeah, that's

210
00:09:53,400 --> 00:09:54,960
Speaker 2: not what Laurias look like. I'm like, yeah, they also

211
00:09:55,000 --> 00:09:58,480
Speaker 2: don't look like fucking Julianna Marguley's they also, yeah, they

212
00:09:58,520 --> 00:10:02,480
Speaker 2: also they're not Christine Brand, not at all. They also

213
00:10:02,480 --> 00:10:05,000
Speaker 2: don't wear they don't have infinite, an infinite number of

214
00:10:05,000 --> 00:10:06,360
Speaker 2: clothes that they wear every day.

215
00:10:06,559 --> 00:10:08,400
Speaker 3: Also, don't have a healthy work life balance.

216
00:10:08,080 --> 00:10:10,640
Speaker 2: A healthy work life balance. They're not well lit like that,

217
00:10:11,559 --> 00:10:15,760
Speaker 2: and they don't they don't speak without ever saying they're saying,

218
00:10:16,040 --> 00:10:16,520
Speaker 2: they're saying.

219
00:10:17,240 --> 00:10:24,160
Speaker 3: Also they are lawyers. There's a lot of boring dialogue. A. Yeah,

220
00:10:25,320 --> 00:10:26,800
Speaker 3: so we're anti realism, so.

221
00:10:26,880 --> 00:10:29,600
Speaker 2: Anti realism, and I mean our guests will be able

222
00:10:29,640 --> 00:10:31,480
Speaker 2: to tell us more about that because they've worked both

223
00:10:31,559 --> 00:10:33,520
Speaker 2: in I mean they've worked in film television.

224
00:10:33,520 --> 00:10:36,040
Speaker 3: Well, they've been on NCIS, They've been on more than

225
00:10:36,080 --> 00:10:37,000
Speaker 3: any other guest star.

226
00:10:37,120 --> 00:10:39,079
Speaker 2: I think they did something interesting, which is, you know,

227
00:10:39,120 --> 00:10:41,240
Speaker 2: people sometimes will get their start on a series like

228
00:10:41,280 --> 00:10:45,440
Speaker 2: that successfully. I mean, our guest has Emmy's Oscars, Tony's

229
00:10:46,280 --> 00:10:49,920
Speaker 2: Presidential Medal of Freedom, Nobel Peace Prize, and a Nobel

230
00:10:49,960 --> 00:10:53,000
Speaker 2: Price for Physics actually which they won after the Peace Prize.

231
00:10:53,160 --> 00:10:54,280
Speaker 3: I didn't do the research.

232
00:10:54,840 --> 00:10:58,000
Speaker 2: Well, I sent you all the materials, but I understand

233
00:10:58,000 --> 00:11:01,640
Speaker 2: that you have a job. But they did this thing

234
00:11:01,640 --> 00:11:03,400
Speaker 2: where you know, you usually get you start, like George

235
00:11:03,440 --> 00:11:05,280
Speaker 2: Clooney got to start on R but then became a

236
00:11:05,360 --> 00:11:08,319
Speaker 2: huge movie star. Obviously never went or actually I think

237
00:11:08,320 --> 00:11:10,200
Speaker 2: he did go back to YR for a stunt for

238
00:11:10,240 --> 00:11:12,840
Speaker 2: a stunt somebody, but this guess actually went back to

239
00:11:12,920 --> 00:11:15,760
Speaker 2: NCIS at the peak of their fame for seven more seasons.

240
00:11:15,960 --> 00:11:17,920
Speaker 3: Yeah, and it changed the game, and it.

241
00:11:17,960 --> 00:11:18,400
Speaker 2: Changed the game.

242
00:11:18,400 --> 00:11:18,959
Speaker 3: That's why we talked.

243
00:11:19,000 --> 00:11:21,920
Speaker 2: That is what started Prestige Television is they said, what

244
00:11:21,960 --> 00:11:25,800
Speaker 2: if we'd cast an Academy Award winning actor with a

245
00:11:25,840 --> 00:11:29,280
Speaker 2: Nobel Piece prize on NCIS? After that, you know who

246
00:11:29,320 --> 00:11:32,040
Speaker 2: was watching Nicole Kidman. She said, I'm doing big Little Eyes.

247
00:11:34,320 --> 00:11:35,520
Speaker 3: And the world was never the same.

248
00:11:35,800 --> 00:11:36,959
Speaker 2: That's right, But we'll talk about that.

249
00:11:37,040 --> 00:11:39,680
Speaker 3: Let's talk about that, but bring the guest in. One

250
00:11:39,679 --> 00:11:42,160
Speaker 3: thing I've been thinking about that I don't think we've

251
00:11:42,160 --> 00:11:45,760
Speaker 3: talked about yet. Is you brought up me having a job?

252
00:11:45,960 --> 00:11:46,200
Speaker 2: Yes?

253
00:11:46,400 --> 00:11:49,959
Speaker 3: And right now me having a job is sort of

254
00:11:50,000 --> 00:11:52,600
Speaker 3: an excuse for a lot in my life. It's sort

255
00:11:52,600 --> 00:11:54,600
Speaker 3: of you know, I can't do this, I'm working. I

256
00:11:54,640 --> 00:11:58,560
Speaker 3: can't do this, I'm working. How far can I take that?

257
00:11:59,280 --> 00:12:00,839
Speaker 2: What do you mean? How like?

258
00:12:01,120 --> 00:12:02,319
Speaker 3: How long is that acceptable?

259
00:12:02,440 --> 00:12:06,440
Speaker 2: I'm sorry, this is such a like as a job.

260
00:12:06,480 --> 00:12:10,040
Speaker 2: Once question when does it become unacceptable? That is my question?

261
00:12:10,200 --> 00:12:12,880
Speaker 2: But it's but it's that's just sort of what life is.

262
00:12:13,120 --> 00:12:15,000
Speaker 2: So is that you have a job and so you

263
00:12:15,000 --> 00:12:17,320
Speaker 2: can only do certain things and so you can't always

264
00:12:17,320 --> 00:12:19,040
Speaker 2: like meet someone at two pm on a weekday.

265
00:12:19,160 --> 00:12:23,640
Speaker 3: That's so messed up. I feel that, I don't know

266
00:12:23,640 --> 00:12:25,800
Speaker 3: if I've said this. I feel that having a job

267
00:12:25,840 --> 00:12:28,480
Speaker 3: has turned me into like, I feel so much more

268
00:12:28,920 --> 00:12:33,600
Speaker 3: manly because I'm literally like like, well, like.

269
00:12:33,600 --> 00:12:36,840
Speaker 2: Do you have to weares? And like pants?

270
00:12:36,880 --> 00:12:39,600
Speaker 3: And I also am like like Misha has to walk

271
00:12:39,640 --> 00:12:43,480
Speaker 3: the dog, like like, well, if somebody's gonna groceries, it is.

272
00:12:43,679 --> 00:12:45,880
Speaker 2: That's what it is. Is You're going into an office and

273
00:12:45,880 --> 00:12:49,200
Speaker 2: Misha is working from home. Ergo, Misha is housewife coded

274
00:12:49,200 --> 00:12:50,520
Speaker 2: and you are businessman coded.

275
00:12:50,640 --> 00:12:53,440
Speaker 3: Yeah, And I literally like, well, the dish is better

276
00:12:53,440 --> 00:12:54,520
Speaker 3: to be done when I get home.

277
00:12:54,600 --> 00:12:57,640
Speaker 2: I mean I feel the opposite way where both when

278
00:12:57,640 --> 00:12:59,480
Speaker 2: I've been unemployed and also just when I've worked from

279
00:12:59,520 --> 00:13:02,200
Speaker 2: home and had a partner that goes into an office,

280
00:13:02,280 --> 00:13:07,440
Speaker 2: I immediately am like, oh, I'm I am a woman

281
00:13:07,480 --> 00:13:09,600
Speaker 2: who gave up her career for her kids, and I

282
00:13:09,640 --> 00:13:11,920
Speaker 2: am bitter. I'm bitter about it. Oh yeah, and I

283
00:13:11,960 --> 00:13:13,920
Speaker 2: bet he's having an affair. I bet he's sleeping with

284
00:13:13,920 --> 00:13:14,520
Speaker 2: a secretary.

285
00:13:14,600 --> 00:13:15,920
Speaker 3: In fact, I'm gonna sleep with someone.

286
00:13:16,080 --> 00:13:19,280
Speaker 2: I'm gonna go. I'm gonna buy my lesbian watch me.

287
00:13:19,360 --> 00:13:21,720
Speaker 3: Watch me. You think I can't, Yeah, I have been before.

288
00:13:21,760 --> 00:13:22,920
Speaker 3: In fact, I've have been the whole time.

289
00:13:22,920 --> 00:13:25,680
Speaker 2: I'm gonna get in the car and drive.

290
00:13:25,160 --> 00:13:28,320
Speaker 3: Away somewhere where I feel.

291
00:13:28,080 --> 00:13:31,920
Speaker 2: Safe, where I feel safe, maybe a boutique hotel in Arizona.

292
00:13:31,720 --> 00:13:34,920
Speaker 3: For crying out loud, please so I see.

293
00:13:35,080 --> 00:13:37,920
Speaker 2: I mean it is difficult to bring it to straight culture,

294
00:13:37,960 --> 00:13:40,560
Speaker 2: which is in some cultures the topic of this podcast.

295
00:13:40,840 --> 00:13:44,080
Speaker 2: It is difficult to not always be looking at which

296
00:13:44,120 --> 00:13:47,080
Speaker 2: archetype am I fitting? Now you know what I mean totally,

297
00:13:47,240 --> 00:13:49,480
Speaker 2: because basically what ends up happening is if you are

298
00:13:49,520 --> 00:13:53,200
Speaker 2: sort of a progressive LGBTQ plus, you're not really inventing

299
00:13:53,240 --> 00:13:55,840
Speaker 2: new ways of living. You're just like playing with the

300
00:13:55,880 --> 00:13:58,240
Speaker 2: ones that exist. You're like, I'm gonna do housewife but

301
00:13:58,240 --> 00:13:59,640
Speaker 2: in a fun way. I'm gonna do businessman but in

302
00:13:59,679 --> 00:14:01,840
Speaker 2: a fun way. I'm gonna do literally straight wedding but

303
00:14:01,880 --> 00:14:02,960
Speaker 2: make got a little girl.

304
00:14:03,480 --> 00:14:08,480
Speaker 3: Yeah. Yeah, I find that it's like very hard to

305
00:14:08,559 --> 00:14:12,600
Speaker 3: avoid the tropes. I also find that it's like, in

306
00:14:12,640 --> 00:14:14,000
Speaker 3: the same way that I was saying, how long can

307
00:14:14,040 --> 00:14:16,400
Speaker 3: I get away with the job being the reason. How

308
00:14:16,440 --> 00:14:18,760
Speaker 3: long can I get away with like gay being an

309
00:14:18,760 --> 00:14:21,800
Speaker 3: excuse to not like being like toxic.

310
00:14:21,520 --> 00:14:25,400
Speaker 2: Yes, or or for not growing up, or for not

311
00:14:25,560 --> 00:14:28,920
Speaker 2: following sort of like rules of etiquette.

312
00:14:29,160 --> 00:14:34,440
Speaker 3: Yeah, yeah, I was. You know, like I feel like

313
00:14:34,800 --> 00:14:37,800
Speaker 3: it's like a say, you're home for the holidays, and

314
00:14:37,880 --> 00:14:41,240
Speaker 3: like someone like if there's a straight couple, there's like

315
00:14:41,880 --> 00:14:44,800
Speaker 3: the men, like, let's complain about the men not doing

316
00:14:44,800 --> 00:14:47,320
Speaker 3: the dishes, and I'm like, totally, like, the men are

317
00:14:47,400 --> 00:14:50,600
Speaker 3: so lazy. Meanwhile, I'm not touching a dish, but it's like,

318
00:14:51,840 --> 00:14:52,840
Speaker 3: but it's like different.

319
00:14:53,680 --> 00:14:54,000
Speaker 2: Sure.

320
00:14:55,680 --> 00:14:55,920
Speaker 3: Yeah.

321
00:14:55,960 --> 00:14:59,120
Speaker 2: And also when you don't touch a dish, that's not

322
00:14:59,800 --> 00:15:01,360
Speaker 2: our Are you adding to the history of men not

323
00:15:01,400 --> 00:15:03,440
Speaker 2: touching dishes or are you doing a new thing.

324
00:15:03,680 --> 00:15:05,520
Speaker 3: I'm doing a brand new, brand new thing.

325
00:15:05,640 --> 00:15:09,920
Speaker 2: So then we are inventing. It's hard to tell to tell, Well,

326
00:15:09,960 --> 00:15:15,000
Speaker 2: you're still you're still navigating the dish, you know, Well,

327
00:15:15,040 --> 00:15:19,120
Speaker 2: I'm aware, Yeah, you are choosing. You are still deciding

328
00:15:19,120 --> 00:15:21,040
Speaker 2: between the identity of someone who washes dishes and the

329
00:15:21,040 --> 00:15:23,440
Speaker 2: identity of someone who doesn't wash dishes. Yeah, And how

330
00:15:23,600 --> 00:15:27,800
Speaker 2: absolutely just tragic is that. Yeah? Yeah, I mean you

331
00:15:28,080 --> 00:15:32,680
Speaker 2: find an invent and you form a flatwear for once.

332
00:15:32,800 --> 00:15:35,040
Speaker 3: Yeah, for once. In my goddamn line, I think people.

333
00:15:34,880 --> 00:15:38,440
Speaker 2: Should do more unique things just for the sake of

334
00:15:38,440 --> 00:15:40,680
Speaker 2: trying them out. Take a bowl, eat from the underside

335
00:15:40,680 --> 00:15:43,560
Speaker 2: of it, literally, turn it around and try to balance

336
00:15:43,560 --> 00:15:47,040
Speaker 2: your food and the one almost flat part of it,

337
00:15:47,120 --> 00:15:48,400
Speaker 2: and try to eat a soup that way.

338
00:15:48,760 --> 00:15:51,080
Speaker 3: Try to eat soup that way. I'd like to see

339
00:15:51,080 --> 00:15:52,880
Speaker 3: you try, because you know what, I bet the person

340
00:15:52,920 --> 00:15:55,320
Speaker 3: that invented the wheel was called crazy too, That's right.

341
00:15:55,520 --> 00:15:59,400
Speaker 3: I Who are the whichever guy it was that said

342
00:15:59,440 --> 00:16:03,240
Speaker 3: the earth on the sun? Yeah, he was exiled, So

343
00:16:04,160 --> 00:16:10,400
Speaker 3: I think that's the one. Yeah, you know, you always

344
00:16:10,400 --> 00:16:12,440
Speaker 3: forget and it's like I'd almost rather say no one's

345
00:16:12,520 --> 00:16:15,520
Speaker 3: name than the wrong name. Yeah, So I'm like, whoever

346
00:16:15,560 --> 00:16:16,640
Speaker 3: that guy was, you'll.

347
00:16:16,480 --> 00:16:19,280
Speaker 2: Need to get back to making inventions in the in

348
00:16:19,640 --> 00:16:21,320
Speaker 2: like in the physical in physical space.

349
00:16:21,440 --> 00:16:24,240
Speaker 3: Is it possible not apps? Do you think there's physical

350
00:16:24,280 --> 00:16:27,080
Speaker 3: things to create still or to be figured all out?

351
00:16:29,680 --> 00:16:31,560
Speaker 3: Is that one of those impossible questions? Again?

352
00:16:31,680 --> 00:16:33,960
Speaker 2: I mean, well, you know what's funny about this question

353
00:16:34,040 --> 00:16:37,680
Speaker 2: is like it sounds like such a you know, silly

354
00:16:37,800 --> 00:16:40,040
Speaker 2: icebreaker question, but then what you're actually asking me is

355
00:16:40,160 --> 00:16:42,840
Speaker 2: what has not been invented yet? It is literally the

356
00:16:42,960 --> 00:16:45,640
Speaker 2: main it come up with a question. It's like the

357
00:16:45,800 --> 00:16:48,840
Speaker 2: question that anyone, any inventor faces, Like I'm not going

358
00:16:48,880 --> 00:16:51,120
Speaker 2: to come up with that in the context of amprov comedy.

359
00:16:51,320 --> 00:16:53,640
Speaker 3: So, George, what hasn't been invented?

360
00:16:54,000 --> 00:16:56,040
Speaker 2: I mean, I'll tell you one thing. My phone's never charged.

361
00:16:56,240 --> 00:16:59,200
Speaker 2: So whoever can fix that has my vote.

362
00:16:59,200 --> 00:17:00,360
Speaker 3: We need Wi Fi to charing.

363
00:17:00,480 --> 00:17:04,439
Speaker 2: Yes, we need fight charging. We need to we need

364
00:17:04,480 --> 00:17:07,320
Speaker 2: to figure out a way for masterurveillance, for the master

365
00:17:07,480 --> 00:17:14,040
Speaker 2: veillance apparatus to be destroyed wholesale. I need to pick

366
00:17:14,119 --> 00:17:16,240
Speaker 2: up my phone. I need to turn master valance off

367
00:17:16,280 --> 00:17:16,879
Speaker 2: when I want to.

368
00:17:17,600 --> 00:17:18,480
Speaker 3: There should be an option.

369
00:17:18,480 --> 00:17:20,920
Speaker 2: There should be an option. Maybe I understand that we're

370
00:17:20,920 --> 00:17:24,320
Speaker 2: not going to reinvent the entire police state, but maybe

371
00:17:24,320 --> 00:17:28,439
Speaker 2: it's that everyone gets like twenty four hours of no

372
00:17:28,600 --> 00:17:31,080
Speaker 2: master vaillance per year and they have to pick when

373
00:17:31,080 --> 00:17:34,000
Speaker 2: they use it. Although I guess that would then make

374
00:17:34,520 --> 00:17:36,560
Speaker 2: everyone look so guilty because they would obviously be turning

375
00:17:36,600 --> 00:17:38,360
Speaker 2: it off like when they were doing the bad thing.

376
00:17:39,320 --> 00:17:42,439
Speaker 3: Here's a Purge movie idea. Okay, I like this idea.

377
00:17:42,480 --> 00:17:45,680
Speaker 3: That it's when you choose it. So it's like it's

378
00:17:45,680 --> 00:17:47,840
Speaker 3: like Purge, but one person at a time.

379
00:17:49,359 --> 00:17:51,680
Speaker 2: So like but for master veillance or for murder, Like.

380
00:17:51,680 --> 00:17:52,720
Speaker 3: For murder, I can purge.

381
00:17:52,760 --> 00:17:56,720
Speaker 2: Oh okay, so basically hold on because what you're describing

382
00:17:56,840 --> 00:18:00,600
Speaker 2: is murder just existing. And then afterwards someone like, oh, sorry,

383
00:18:00,600 --> 00:18:03,720
Speaker 2: I was doing purge, and then the the lawyer and

384
00:18:03,760 --> 00:18:06,280
Speaker 2: police officer being like, oh, sorry, we didn't. We didn't.

385
00:18:06,440 --> 00:18:08,760
Speaker 3: You have to register your purge day thirty days in advance.

386
00:18:08,800 --> 00:18:10,720
Speaker 2: Oh I see, And then maybe do you need to

387
00:18:10,720 --> 00:18:11,840
Speaker 2: wear a certain kind of.

388
00:18:12,000 --> 00:18:13,520
Speaker 3: Yes, as I've purge that.

389
00:18:13,440 --> 00:18:15,400
Speaker 2: Says I'm purging, so then people know to run from

390
00:18:15,400 --> 00:18:17,320
Speaker 2: you and not to like serve you a latte at

391
00:18:17,320 --> 00:18:18,040
Speaker 2: the coffee shop.

392
00:18:18,280 --> 00:18:20,840
Speaker 3: Yeah, okay, that actually sounds great to me.

393
00:18:21,119 --> 00:18:22,560
Speaker 2: I don't think that does.

394
00:18:24,560 --> 00:18:27,119
Speaker 3: Not as a reality. That's a beautiful movie premise.

395
00:18:27,240 --> 00:18:28,680
Speaker 2: Yeah, I mean, have you seen the Purge?

396
00:18:29,040 --> 00:18:30,919
Speaker 3: I think I saw part of one of them. I

397
00:18:30,920 --> 00:18:32,800
Speaker 3: haven't seen when I was like in a hotel or something.

398
00:18:33,280 --> 00:18:37,760
Speaker 3: I understand, I guess I get. I think it's an

399
00:18:37,760 --> 00:18:42,199
Speaker 3: interesting enough concept, but I'm also murder is so in

400
00:18:42,240 --> 00:18:44,439
Speaker 3: your face that I wonder if it can we can

401
00:18:44,440 --> 00:18:47,280
Speaker 3: make it a little more subtle, like there's a what's

402
00:18:47,320 --> 00:18:50,080
Speaker 3: a different crime that's a little stealing. I think there

403
00:18:50,119 --> 00:18:53,439
Speaker 3: should be a Purge for stealing. I think potentially a

404
00:18:53,520 --> 00:19:01,000
Speaker 3: perche for you know, public sex. Not to be gay guy,

405
00:19:01,119 --> 00:19:01,760
Speaker 3: but to be gay.

406
00:19:01,840 --> 00:19:04,800
Speaker 2: Yeah, I'm like brainstorming ideas for a different Purge movie.

407
00:19:04,920 --> 00:19:09,439
Speaker 3: Uh, public sex. Well, I do think the big fatal

408
00:19:09,480 --> 00:19:13,879
Speaker 3: flaw with the Purge movies that came out however long ago. Yeah,

409
00:19:13,880 --> 00:19:16,159
Speaker 3: but no one said this yet. It's sort of like

410
00:19:17,440 --> 00:19:19,920
Speaker 3: the jump to murder. Yeah, sort of like they it's

411
00:19:19,960 --> 00:19:21,639
Speaker 3: all crimes are legal, well, and so it's.

412
00:19:21,520 --> 00:19:24,040
Speaker 2: Like, well, oh, that's what it is. All crimes are legal. Yeah.

413
00:19:24,080 --> 00:19:25,680
Speaker 2: Oh and so of course the worst one is murdered.

414
00:19:25,680 --> 00:19:27,720
Speaker 3: And so everyone's trying to murder. Everyone's trying to murder,

415
00:19:27,840 --> 00:19:30,080
Speaker 3: and they're like it's like so fun for everyone to murder,

416
00:19:30,119 --> 00:19:33,080
Speaker 3: and I'm like, I don't know, Like, yes, you probably

417
00:19:33,119 --> 00:19:35,359
Speaker 3: get a few people trying to murder. We live in

418
00:19:35,359 --> 00:19:38,760
Speaker 3: a large country with so many different political beliefs, but

419
00:19:39,000 --> 00:19:41,080
Speaker 3: it wouldn't be like everybody.

420
00:19:41,160 --> 00:19:44,040
Speaker 2: It also is a very straight impulse to frame it

421
00:19:44,080 --> 00:19:47,920
Speaker 2: around murder rather than more nuanced crimes. Yeah, because in fact,

422
00:19:48,119 --> 00:19:50,879
Speaker 2: I mean there's a mumblecore indie film to be written

423
00:19:50,880 --> 00:19:53,359
Speaker 2: about the Purge, but everyone's doing sort of more niche crimes.

424
00:19:54,440 --> 00:19:59,360
Speaker 2: I'm talking like, you know, white car stealing from your boss, Like.

425
00:19:59,440 --> 00:20:04,120
Speaker 3: Sure, sure, I mean that's the truth. If people would

426
00:20:04,119 --> 00:20:06,440
Speaker 3: just commit financial crimes finantialize it also.

427
00:20:06,240 --> 00:20:08,960
Speaker 2: Sort of very morally like you know, what I'm thinking

428
00:20:09,080 --> 00:20:11,880
Speaker 2: is like guy in a small community stealing from the church,

429
00:20:12,320 --> 00:20:16,440
Speaker 2: and it's so morally fraught. But of course a church,

430
00:20:16,480 --> 00:20:18,760
Speaker 2: doesn't you know, it's probably easier to steal from than

431
00:20:18,800 --> 00:20:22,480
Speaker 2: like a bank, you know, and so something like that,

432
00:20:22,920 --> 00:20:29,399
Speaker 2: or I don't know, a frustrated middle manager who's been

433
00:20:29,440 --> 00:20:32,000
Speaker 2: passed up for the promotion. I guess I'm just describing

434
00:20:32,000 --> 00:20:35,639
Speaker 2: different kinds of stealing. What's another crime someone could do?

435
00:20:35,720 --> 00:20:36,479
Speaker 3: Maybe arson?

436
00:20:36,680 --> 00:20:41,520
Speaker 2: Arson? But what would the yeah, okay, so and what

437
00:20:41,520 --> 00:20:45,280
Speaker 2: what would their goal be there? Oh, insurance fraud? Sure,

438
00:20:45,480 --> 00:20:47,359
Speaker 2: setting your house on fire just because you know, what

439
00:20:47,359 --> 00:20:50,359
Speaker 2: would be really funny is you are openly doing arson

440
00:20:50,680 --> 00:20:53,400
Speaker 2: to get the insurance money. But because it's the Purge,

441
00:20:53,400 --> 00:20:55,800
Speaker 2: you don't have to lie, so you can just be like, hey,

442
00:20:55,880 --> 00:20:57,920
Speaker 2: so basically I just burned my house down and I

443
00:20:57,960 --> 00:21:00,119
Speaker 2: would like the insurance money on the and then this

444
00:21:00,160 --> 00:21:01,760
Speaker 2: person's like, well that's not how that works. You're like,

445
00:21:01,800 --> 00:21:03,800
Speaker 2: oh no, it was Purge day, and they're like, oh,

446
00:21:04,040 --> 00:21:07,359
Speaker 2: say no more, say less, say less.

447
00:21:14,119 --> 00:21:18,440
Speaker 3: I'm like, purge. Do people even want to commit crimes

448
00:21:18,480 --> 00:21:22,240
Speaker 3: that bad? I think? No, it's so cynical. I can't

449
00:21:22,240 --> 00:21:23,040
Speaker 3: believe we're talking about this.

450
00:21:23,160 --> 00:21:24,680
Speaker 2: No, No, I want to steal pretty bad?

451
00:21:24,800 --> 00:21:28,520
Speaker 3: You do? Yeah, I guess I've just never wanted.

452
00:21:28,320 --> 00:21:31,760
Speaker 2: To do you not want just like all new clothes constantly. No,

453
00:21:32,400 --> 00:21:33,040
Speaker 2: I can't relate.

454
00:21:34,520 --> 00:21:37,160
Speaker 3: I like what I have until I don't.

455
00:21:37,720 --> 00:21:40,119
Speaker 2: I was literally spending money is the single worst thing

456
00:21:40,160 --> 00:21:42,119
Speaker 2: I have to do on a daily basis, And if

457
00:21:42,160 --> 00:21:45,560
Speaker 2: everything could be free, I would be one happier. And

458
00:21:45,640 --> 00:21:48,040
Speaker 2: I crave luxury and I crave expensive things.

459
00:21:48,160 --> 00:21:51,480
Speaker 3: That's true. That's true. So where do you think that

460
00:21:51,520 --> 00:21:52,760
Speaker 3: comes from?

461
00:21:54,920 --> 00:21:57,800
Speaker 2: I don't know, a combination of social conditioning and being gay.

462
00:21:57,880 --> 00:22:04,119
Speaker 2: Next question, bitch, you're saying you're your rule following streak

463
00:22:04,200 --> 00:22:07,920
Speaker 2: is really fascinating. Like it's like to be like, I've

464
00:22:07,960 --> 00:22:11,240
Speaker 2: never thought of doing anything wrong. It's just something. It's

465
00:22:11,359 --> 00:22:14,440
Speaker 2: it's very like open the door's cage and the door

466
00:22:14,560 --> 00:22:19,320
Speaker 2: prefer that opened the dog's cage door. The dog prefers

467
00:22:19,359 --> 00:22:20,040
Speaker 2: being in the cage.

468
00:22:20,359 --> 00:22:24,240
Speaker 3: Yeah. I I mean it's always been like the idea

469
00:22:24,280 --> 00:22:27,560
Speaker 3: of truly breaking the rules is like stressful because then

470
00:22:27,560 --> 00:22:28,720
Speaker 3: it's like everyone's gonna be mad.

471
00:22:28,760 --> 00:22:29,960
Speaker 2: Okay, but it's the purge.

472
00:22:30,680 --> 00:22:33,879
Speaker 3: Even so, I'm like, am I purge? I'd purge with

473
00:22:33,920 --> 00:22:37,920
Speaker 3: a good book. I'd purge with a day off where

474
00:22:37,960 --> 00:22:40,080
Speaker 3: I can just chill out in a field.

475
00:22:40,320 --> 00:22:41,560
Speaker 2: That is not what the purge is.

476
00:22:41,600 --> 00:22:47,800
Speaker 3: That's what my hashtag. That's my purge hashtag. Sharing your perge, Like,

477
00:22:48,359 --> 00:22:50,560
Speaker 3: why do you need to commit a crime to relax?

478
00:22:50,680 --> 00:22:52,440
Speaker 3: So I just need to go to the beach shait

479
00:22:52,520 --> 00:22:55,000
Speaker 3: hold on, It's not to relax.

480
00:22:55,640 --> 00:22:57,480
Speaker 2: The premise of the purge is not that people are

481
00:22:57,480 --> 00:22:59,520
Speaker 2: so stressed out that to relax they have to commitment.

482
00:22:59,840 --> 00:23:02,320
Speaker 3: If it's almost like tomorrow you're allowed to commit murder,

483
00:23:02,400 --> 00:23:03,960
Speaker 3: I would be like, okay.

484
00:23:03,640 --> 00:23:05,080
Speaker 2: I also would not commit murder.

485
00:23:05,240 --> 00:23:06,320
Speaker 3: No, but you would steal.

486
00:23:06,320 --> 00:23:07,200
Speaker 2: I would definitely steal.

487
00:23:07,359 --> 00:23:09,360
Speaker 3: And I would be like, Okay, I'm just gonna stay

488
00:23:09,400 --> 00:23:12,400
Speaker 3: home because everyone's gonna be out. You're gonna be a fucking.

489
00:23:12,080 --> 00:23:15,760
Speaker 2: You're thinking it's a black Friday, Like it's actually that's

490
00:23:15,760 --> 00:23:18,040
Speaker 2: a really good point, is like, And maybe that goes

491
00:23:18,080 --> 00:23:19,760
Speaker 2: back to your idea of the purge being different for

492
00:23:19,800 --> 00:23:21,960
Speaker 2: each person. But I do agree that if it was

493
00:23:21,960 --> 00:23:26,800
Speaker 2: the purgement for stealing, I ultimately would stay home because

494
00:23:26,840 --> 00:23:27,719
Speaker 2: it would be too chaotic.

495
00:23:27,800 --> 00:23:29,240
Speaker 3: Well, and I also be like, it's like New Year's

496
00:23:29,280 --> 00:23:31,679
Speaker 3: if you're getting something, you know it feels good to

497
00:23:31,720 --> 00:23:32,080
Speaker 3: earn it.

498
00:23:32,720 --> 00:23:36,199
Speaker 2: Oh I disagree with that, but god, you are. I

499
00:23:36,240 --> 00:23:37,760
Speaker 2: am shocked at the things you're saying.

500
00:23:37,840 --> 00:23:38,480
Speaker 3: I'm not trying.

501
00:23:38,520 --> 00:23:40,480
Speaker 2: You want on you TV and you think you should.

502
00:23:40,640 --> 00:23:42,120
Speaker 2: It would feel better if you felt like you earned

503
00:23:42,160 --> 00:23:43,359
Speaker 2: it rather than if someone just gave it to you

504
00:23:43,400 --> 00:23:43,760
Speaker 2: for free.

505
00:23:45,119 --> 00:23:48,680
Speaker 3: Well, depends depends on if I already have a TV

506
00:23:48,800 --> 00:23:50,760
Speaker 3: or not. If I have a TV and it's working, fine,

507
00:23:51,160 --> 00:23:52,200
Speaker 3: I'm fine with what I have.

508
00:23:52,960 --> 00:23:59,200
Speaker 2: I can the like Midwest Wasp is jumping out boots.

509
00:24:01,080 --> 00:24:02,840
Speaker 3: If there's this notably better and they're giving it to

510
00:24:02,920 --> 00:24:04,879
Speaker 3: me for free, I would take it, okay, okay, But

511
00:24:05,000 --> 00:24:07,880
Speaker 3: if it's like sort of a like slight upgrade, I'd

512
00:24:07,880 --> 00:24:10,280
Speaker 3: be like, it's not worth like finding all the plugs again.

513
00:24:10,119 --> 00:24:11,000
Speaker 2: Oh that I agree?

514
00:24:11,160 --> 00:24:15,080
Speaker 3: Sure, sure, Yeah, I mean talk about finding all the

515
00:24:15,119 --> 00:24:16,119
Speaker 3: plugs in the TV.

516
00:24:16,760 --> 00:24:18,920
Speaker 2: I talk about something they should invent. Everything needs to

517
00:24:18,960 --> 00:24:19,520
Speaker 2: be wireless.

518
00:24:21,720 --> 00:24:24,320
Speaker 3: Yes, I'm literally why is it so complex?

519
00:24:24,320 --> 00:24:26,560
Speaker 2: It's kind of crazy. Well, someone I can't remember who

520
00:24:26,560 --> 00:24:28,520
Speaker 2: said this, but who was it. I think it might

521
00:24:28,520 --> 00:24:31,560
Speaker 2: have been Bobby unheweekly, but he was like, the great

522
00:24:31,560 --> 00:24:34,760
Speaker 2: equalizer is cables. Like, even if you are the richest

523
00:24:34,760 --> 00:24:37,080
Speaker 2: person in the world, there will be like cables that

524
00:24:37,119 --> 00:24:40,040
Speaker 2: are sort of in a little bunch on the corner

525
00:24:40,080 --> 00:24:42,560
Speaker 2: in the corner of your room. And yes, maybe you

526
00:24:42,640 --> 00:24:44,680
Speaker 2: figured out a way to hide that, but you still

527
00:24:44,680 --> 00:24:46,080
Speaker 2: had to do that. You have to go out and

528
00:24:46,080 --> 00:24:47,440
Speaker 2: buy something to hide the cables.

529
00:24:47,520 --> 00:24:49,119
Speaker 3: Yeah, and it really is true. I mean that's the

530
00:24:49,119 --> 00:24:50,400
Speaker 3: height of luxury is hiding the cables.

531
00:24:50,440 --> 00:24:52,000
Speaker 2: Yeah, the height of luxuries hiding the cables.

532
00:24:52,320 --> 00:24:55,000
Speaker 3: I my growing up, my mom was always furious in

533
00:24:55,080 --> 00:24:55,560
Speaker 3: our cables.

534
00:24:55,600 --> 00:24:57,280
Speaker 2: I mean it's a classic mom thing.

535
00:24:57,359 --> 00:25:00,880
Speaker 3: Oh my god. When when the controllers be wireless, that

536
00:25:01,000 --> 00:25:02,240
Speaker 3: like changed her household.

537
00:25:03,200 --> 00:25:04,560
Speaker 2: She was like, finally I can breathe.

538
00:25:04,600 --> 00:25:07,800
Speaker 3: She literally that was her perch. She's like, I'm quitting therapy. Yeah,

539
00:25:07,840 --> 00:25:08,320
Speaker 3: I'm good.

540
00:25:09,160 --> 00:25:11,080
Speaker 2: Oh that's what they should have meant A therapy that works.

541
00:25:11,280 --> 00:25:12,360
Speaker 3: Oh, that would be amazing.

542
00:25:12,680 --> 00:25:14,879
Speaker 2: I understand that people are still going to school for

543
00:25:14,920 --> 00:25:16,680
Speaker 2: psychology because I was about to be like, they haven't

544
00:25:16,760 --> 00:25:18,480
Speaker 2: invented a new one since Freud. That's not true. I

545
00:25:18,560 --> 00:25:20,880
Speaker 2: understand that they have invented and they're constant inventing new ones.

546
00:25:21,280 --> 00:25:23,639
Speaker 2: But I'm like, make it easier for me to make

547
00:25:23,680 --> 00:25:26,400
Speaker 2: the marketplace easier, not to be capitalist, make it I want.

548
00:25:26,440 --> 00:25:30,640
Speaker 2: I need to be like, these are my problems. How

549
00:25:30,680 --> 00:25:31,360
Speaker 2: do I fix.

550
00:25:31,160 --> 00:25:35,439
Speaker 3: Them the way that I know? I know I'm in

551
00:25:35,480 --> 00:25:38,320
Speaker 3: a genuine anti intellectual streak in a way that I

552
00:25:38,400 --> 00:25:40,439
Speaker 3: don't support, and I know that I will regret.

553
00:25:40,560 --> 00:25:43,239
Speaker 2: Yea in like is that you don't read You're real

554
00:25:43,400 --> 00:25:44,640
Speaker 2: like therapy is doesn't work.

555
00:25:44,680 --> 00:25:47,840
Speaker 3: I'm literally like I'm like annoyed at the process. Like

556
00:25:48,160 --> 00:25:52,360
Speaker 3: I'm sure it works, I'm sure it's good, but I'm

557
00:25:52,400 --> 00:25:57,240
Speaker 3: also like the way. The one thing that annoys me

558
00:25:57,320 --> 00:26:00,880
Speaker 3: about therapy is when you're like sort of saying something

559
00:26:01,560 --> 00:26:03,640
Speaker 3: and like they're like, oh, let's sort of go into

560
00:26:03,720 --> 00:26:05,840
Speaker 3: that further, and I'm like, that's not the point you.

561
00:26:05,960 --> 00:26:07,760
Speaker 3: I'm like, can you just listen to what I'm actually

562
00:26:07,800 --> 00:26:08,399
Speaker 3: trying to say?

563
00:26:08,760 --> 00:26:10,680
Speaker 2: Well, I think it's a balance because I think probably

564
00:26:10,680 --> 00:26:13,119
Speaker 2: like sometimes it is the point, sometimes it's not the point,

565
00:26:13,200 --> 00:26:16,679
Speaker 2: And it's a practice that you as the more you

566
00:26:16,720 --> 00:26:19,080
Speaker 2: do it, the more you do find the point.

567
00:26:19,240 --> 00:26:23,960
Speaker 3: I crave more, almost essay style or something like I

568
00:26:24,040 --> 00:26:27,159
Speaker 3: crave like three sentence like you write them before you

569
00:26:27,200 --> 00:26:29,000
Speaker 3: go in. You're like, here's what I want to work on,

570
00:26:29,560 --> 00:26:32,720
Speaker 3: and then they're like, okay, we can talk about this one,

571
00:26:32,920 --> 00:26:33,280
Speaker 3: this one.

572
00:26:33,480 --> 00:26:35,280
Speaker 2: But sometimes you don't know what you want to work on.

573
00:26:35,359 --> 00:26:37,639
Speaker 2: And that's sort of where the good therapist comes in.

574
00:26:37,920 --> 00:26:40,080
Speaker 3: I mean, sure, if you go in and you should

575
00:26:40,080 --> 00:26:42,639
Speaker 3: be able to write improp style like I don't know,

576
00:26:43,119 --> 00:26:44,840
Speaker 3: and let's find it together. Let's I mean I take

577
00:26:44,840 --> 00:26:46,119
Speaker 3: an organic.

578
00:26:45,880 --> 00:26:48,679
Speaker 2: Yeah, I do find the metaphors for Comparing it to

579
00:26:49,200 --> 00:26:52,719
Speaker 2: physical exercise helps where yes, you are you know you

580
00:26:52,760 --> 00:26:55,720
Speaker 2: can be working towards your perfect beach body, but also

581
00:26:56,040 --> 00:26:59,800
Speaker 2: you are doing something on a weeklier daily basis that

582
00:27:00,080 --> 00:27:02,120
Speaker 2: makes you feel better every time you do it, even

583
00:27:02,119 --> 00:27:05,960
Speaker 2: if leaving the gym you don't have your perfect beach body.

584
00:27:06,480 --> 00:27:09,080
Speaker 2: And also you might think you're gonna go in only

585
00:27:09,080 --> 00:27:11,000
Speaker 2: want to work on butt. Guess what you gotta work

586
00:27:11,040 --> 00:27:12,960
Speaker 2: on the whole body in order for the butt to pop.

587
00:27:13,359 --> 00:27:15,800
Speaker 3: Let's just say, sometimes I think people go into the

588
00:27:15,920 --> 00:27:18,119
Speaker 3: gym that is therapy and just sort of chill in

589
00:27:18,160 --> 00:27:22,120
Speaker 3: the steam room the whole time. Oh interesting, and I think,

590
00:27:22,240 --> 00:27:25,280
Speaker 3: you know, sometimes need to focus up and make use

591
00:27:25,320 --> 00:27:26,040
Speaker 3: of their time there.

592
00:27:26,560 --> 00:27:30,720
Speaker 2: No, that's fair. Well, it is what you make of it, of.

593
00:27:30,640 --> 00:27:34,439
Speaker 3: Course, of course, needless to say, I do think.

594
00:27:34,320 --> 00:27:38,919
Speaker 2: The fact that the freeness of sort of like there

595
00:27:38,920 --> 00:27:41,680
Speaker 2: are no bad questions, there is nothing we can spend

596
00:27:41,720 --> 00:27:44,080
Speaker 2: time on anything like even if sometimes you'll be like

597
00:27:44,720 --> 00:27:47,119
Speaker 2: you will yourself be getting distracted and be like, sorry,

598
00:27:47,119 --> 00:27:49,879
Speaker 2: that's irrelevant, and then the therapist will be like, no, it's not.

599
00:27:49,960 --> 00:27:56,479
Speaker 2: Say more about that. You're like, no, it is, don't

600
00:27:56,800 --> 00:28:00,119
Speaker 2: if you're if you're affirming everything I'm saying that, and

601
00:28:00,240 --> 00:28:01,280
Speaker 2: I'm talking to a wall.

602
00:28:02,440 --> 00:28:08,880
Speaker 3: Yeah, I know, one hundred. It's the only therapist. I love.

603
00:28:09,560 --> 00:28:14,280
Speaker 3: Couples therapy therapists. Oh that woman, what's her name, oh Aorna, Orna.

604
00:28:15,000 --> 00:28:16,680
Speaker 3: Not that is a damn therapist.

605
00:28:17,119 --> 00:28:19,000
Speaker 2: Well, but this is. But she does all the things

606
00:28:19,040 --> 00:28:19,640
Speaker 2: that you say.

607
00:28:19,480 --> 00:28:21,320
Speaker 3: Hey, that's not true.

608
00:28:24,080 --> 00:28:25,680
Speaker 2: I wonder if she would ever come on the pod.

609
00:28:26,920 --> 00:28:27,960
Speaker 3: She almost came today.

610
00:28:28,000 --> 00:28:30,480
Speaker 2: She came today, but then she got bumped her for

611
00:28:30,640 --> 00:28:33,760
Speaker 2: our guest and she understood when we told her she

612
00:28:34,200 --> 00:28:37,479
Speaker 2: and she said could we get her an autograph? And said, no,

613
00:28:37,600 --> 00:28:39,400
Speaker 2: that is so ghost. We're not going to ask our

614
00:28:39,440 --> 00:28:40,240
Speaker 2: guests for an autograph.

615
00:28:40,280 --> 00:28:42,800
Speaker 3: It's also like we're already asking for autographs for ourselves

616
00:28:43,520 --> 00:28:44,560
Speaker 3: getting a third one.

617
00:28:44,760 --> 00:28:46,840
Speaker 2: Yeah, well, you sort of can't be like this is

618
00:28:46,880 --> 00:28:48,000
Speaker 2: for my this.

619
00:28:47,960 --> 00:28:50,560
Speaker 3: Is for this TV therapist that they're smart.

620
00:28:50,640 --> 00:28:52,040
Speaker 2: Yeah, they're like, I don't watch TV.

621
00:28:52,280 --> 00:28:54,640
Speaker 3: Yeah, because because they're a researcher.

622
00:28:54,960 --> 00:28:58,640
Speaker 2: They're a researcher and they haven't watched TV since they

623
00:28:58,760 --> 00:28:59,640
Speaker 2: were on NCIS.

624
00:28:59,760 --> 00:29:04,960
Speaker 3: Yeah, because famously our guests went on NCIS created for CHDV,

625
00:29:05,680 --> 00:29:10,040
Speaker 3: then had sort of a crisis of self where they

626
00:29:10,040 --> 00:29:12,280
Speaker 3: were like, what have I become? I used to be.

627
00:29:12,680 --> 00:29:15,200
Speaker 3: They trained for acting at Harvard, so they were like

628
00:29:15,360 --> 00:29:19,240
Speaker 3: used to sort of being among intellectuals. So then they

629
00:29:19,520 --> 00:29:24,080
Speaker 3: decided to go back to get their PhD and got

630
00:29:24,120 --> 00:29:25,880
Speaker 3: lost in actually biology.

631
00:29:26,880 --> 00:29:32,120
Speaker 2: Well they started doing they went so method for NCIS

632
00:29:32,200 --> 00:29:34,320
Speaker 2: that they were doing all the actual testing of all

633
00:29:34,320 --> 00:29:38,040
Speaker 2: the materials and all that stuff. Uh huh during the

634
00:29:38,040 --> 00:29:41,920
Speaker 2: episodes and they actually solved some real crimes, yeah, that

635
00:29:42,000 --> 00:29:45,200
Speaker 2: were started as based in fiction, but then you know,

636
00:29:45,280 --> 00:29:49,520
Speaker 2: talk about therapy. It's not that it's this through exploring

637
00:29:49,520 --> 00:29:51,920
Speaker 2: a fictionalized world, they solved real world crimes and lives

638
00:29:51,960 --> 00:29:52,400
Speaker 2: were saved.

639
00:29:52,480 --> 00:29:53,080
Speaker 3: Lives were saying.

640
00:29:53,080 --> 00:29:55,440
Speaker 2: That's where the Nobel Peace Price came from, not the

641
00:29:55,440 --> 00:29:57,920
Speaker 2: physics one that was later. And so you know, they

642
00:29:57,920 --> 00:30:00,000
Speaker 2: looked around and they said, all my co stars are

643
00:30:00,080 --> 00:30:03,000
Speaker 2: absolute fucking morons. These people have barely been to acting school,

644
00:30:03,040 --> 00:30:05,680
Speaker 2: let alone have a biology PhD. I can't be spending

645
00:30:05,680 --> 00:30:08,200
Speaker 2: my time literally killing brain cells talking to this goth bitch.

646
00:30:08,360 --> 00:30:09,560
Speaker 2: I'm going to go back to school and get a

647
00:30:09,560 --> 00:30:11,440
Speaker 2: PhD in biology.

648
00:30:10,920 --> 00:30:13,280
Speaker 3: Which you know I was when you know, when she

649
00:30:13,320 --> 00:30:16,240
Speaker 3: said that in the Times, I was pretty offended at

650
00:30:16,280 --> 00:30:19,640
Speaker 3: the you know, how hateful she was towards the goths.

651
00:30:19,760 --> 00:30:21,960
Speaker 2: And there we have now said the pronoun. We've been

652
00:30:21,960 --> 00:30:24,520
Speaker 2: trying to hide who it was. It is a woman, yeah,

653
00:30:24,520 --> 00:30:29,760
Speaker 2: it's a she, yeah, but it's also someone who plays

654
00:30:29,760 --> 00:30:31,080
Speaker 2: with gender, plays with gender.

655
00:30:31,680 --> 00:30:32,680
Speaker 3: There's no way around it.

656
00:30:32,680 --> 00:30:34,480
Speaker 2: It is someone one of the first people to play

657
00:30:34,520 --> 00:30:34,920
Speaker 2: with gender.

658
00:30:34,960 --> 00:30:37,440
Speaker 3: Actually, you know how I played with gender recently, how

659
00:30:37,480 --> 00:30:38,480
Speaker 3: I got a uti.

660
00:30:38,480 --> 00:30:40,840
Speaker 2: Oh that's right. I forgot about that and now it's

661
00:30:40,840 --> 00:30:44,200
Speaker 2: over for the most part. Okay, Yeah, how was that?

662
00:30:44,320 --> 00:30:45,680
Speaker 3: Listeners will know I had a catheter in.

663
00:30:47,080 --> 00:30:49,680
Speaker 2: Did you feel like getting a UTI sort of brought

664
00:30:49,720 --> 00:30:51,120
Speaker 2: you closer to your feminine.

665
00:30:50,760 --> 00:30:54,120
Speaker 3: Side of Yeah, I said, damn, I can't believe themen

666
00:30:54,200 --> 00:30:55,200
Speaker 3: go through this every day.

667
00:30:55,600 --> 00:30:57,000
Speaker 2: Well, they don't have a UTA every day.

668
00:30:57,040 --> 00:31:00,360
Speaker 3: Oh yeah, damn, but I can't believe them go through

669
00:31:00,360 --> 00:31:01,280
Speaker 3: this every other day.

670
00:31:03,080 --> 00:31:05,040
Speaker 2: Yeah, every day they get at UT. I didn't get

671
00:31:05,040 --> 00:31:06,560
Speaker 2: an antibiotics.

672
00:31:05,880 --> 00:31:10,120
Speaker 3: And I can't believe women go through this Monday, Wednesday, Friday, Yeah,

673
00:31:10,800 --> 00:31:14,960
Speaker 3: uh yeah it No, it was fine, and I'm still

674
00:31:15,040 --> 00:31:18,120
Speaker 3: the antibiotics and tomorrow oh wow. Yeah.

675
00:31:18,160 --> 00:31:20,600
Speaker 2: Well someone was drinking on antibiotics last night, I'll tell

676
00:31:20,640 --> 00:31:20,880
Speaker 2: you that.

677
00:31:20,960 --> 00:31:22,760
Speaker 3: Oh and I asked and they said go for it.

678
00:31:22,800 --> 00:31:24,480
Speaker 3: Oh really yeah, they said, Diva, be yourself.

679
00:31:24,520 --> 00:31:26,280
Speaker 2: I've always thought that was a myth.

680
00:31:26,920 --> 00:31:30,640
Speaker 3: She She was like, don't like take the pill with alcohol,

681
00:31:30,880 --> 00:31:32,680
Speaker 3: but like you can drink. Yeah.

682
00:31:32,720 --> 00:31:35,160
Speaker 2: I was like, well, yeah, it's like okay, great, I

683
00:31:35,160 --> 00:31:36,680
Speaker 2: guess I'll wait twenty minutes and then drink.

684
00:31:36,760 --> 00:31:39,200
Speaker 3: Yeah. Well, I guess that's.

685
00:31:39,000 --> 00:31:42,080
Speaker 2: I don't like when people I feel like sometimes medical

686
00:31:42,120 --> 00:31:43,920
Speaker 2: professionals will talk down to you and try to like

687
00:31:44,240 --> 00:31:46,800
Speaker 2: meet you at your level, and I'm like, no, talk

688
00:31:46,840 --> 00:31:48,680
Speaker 2: to me like you would talk to the head of

689
00:31:48,720 --> 00:31:50,200
Speaker 2: surgery at theeter Zini.

690
00:31:52,000 --> 00:31:54,920
Speaker 3: It was funny because everyone anyone I would talk to

691
00:31:55,440 --> 00:31:57,520
Speaker 3: like then, I was like, I think I have a

692
00:31:57,600 --> 00:32:01,400
Speaker 3: UTI because I had this surgery to catheter and they

693
00:32:01,480 --> 00:32:04,560
Speaker 3: were like, well, since you're a man, and men never

694
00:32:04,640 --> 00:32:08,200
Speaker 3: get these, it's I think it's probably true studied. They

695
00:32:08,200 --> 00:32:12,560
Speaker 3: were really like, oh my god, my god, what the

696
00:32:12,600 --> 00:32:16,200
Speaker 3: doctor even? This is the doctor Like I went to

697
00:32:16,200 --> 00:32:19,320
Speaker 3: an urgent care eventually because the normal doctor couldn't see

698
00:32:19,320 --> 00:32:21,200
Speaker 3: me that day, and I was like, this is urgent.

699
00:32:21,200 --> 00:32:23,000
Speaker 2: The normal doctor is obsessed with ignoring you.

700
00:32:23,200 --> 00:32:27,080
Speaker 3: Oh yeah, it's sort of our little game. Yeah. But

701
00:32:27,640 --> 00:32:30,520
Speaker 3: the urgent care doctor was like, so, you know, if

702
00:32:30,680 --> 00:32:32,600
Speaker 3: do you have any discharge from your vagina? I mean,

703
00:32:33,120 --> 00:32:33,720
Speaker 3: And I was like.

704
00:32:34,760 --> 00:32:37,960
Speaker 2: So they have like questions that they ask everyone. Yeah,

705
00:32:38,880 --> 00:32:40,800
Speaker 2: well we should have been like, yes, yes, what should

706
00:32:40,800 --> 00:32:41,040
Speaker 2: I do?

707
00:32:41,400 --> 00:32:41,680
Speaker 3: Yeah?

708
00:32:41,720 --> 00:32:48,400
Speaker 2: He's like it's worse than I thought. So much medical

709
00:32:48,440 --> 00:32:49,280
Speaker 2: talk on the pod recent.

710
00:32:49,440 --> 00:32:52,000
Speaker 3: I know, we're in our medical era. That's okay.

711
00:32:52,320 --> 00:32:57,680
Speaker 2: Hey, I mean much like our guest, destigmatize a destigmatized medical.

712
00:32:58,640 --> 00:32:59,719
Speaker 3: Medical is stigmatized.

713
00:33:01,800 --> 00:33:03,560
Speaker 2: It doesn't have to always be bad. It can be

714
00:33:03,560 --> 00:33:04,440
Speaker 2: an elective surgery.

715
00:33:04,440 --> 00:33:05,280
Speaker 3: A BBL A.

716
00:33:05,280 --> 00:33:12,960
Speaker 2: BBL bb M no BBL British, Brazilian, British bublish. You

717
00:33:13,040 --> 00:33:17,240
Speaker 2: go in and get your ass looking like frigging Mary

718
00:33:17,280 --> 00:33:21,200
Speaker 2: Barry British.

719
00:33:20,880 --> 00:33:24,320
Speaker 3: Bum British but lift.

720
00:33:24,440 --> 00:33:26,280
Speaker 2: You go in and get a butt that looks sort

721
00:33:26,280 --> 00:33:34,280
Speaker 2: of like a middle eight British woman, like bomb British

722
00:33:34,360 --> 00:33:41,160
Speaker 2: bumb lift. Wow, that's what Judy Dench got. That's what

723
00:33:41,240 --> 00:33:43,600
Speaker 2: all the Shakespeare actresses get, a British bumblest.

724
00:33:44,160 --> 00:33:45,080
Speaker 3: They're nothing until like.

725
00:33:46,280 --> 00:33:48,760
Speaker 2: And you think, you think, oh, she's so sophisticated Judy Dench,

726
00:33:48,760 --> 00:33:50,560
Speaker 2: guess what that ass is? Fake? My friend?

727
00:33:50,960 --> 00:33:52,360
Speaker 3: Yeah, when she turns around.

728
00:33:52,440 --> 00:33:55,320
Speaker 2: Turns around, you're like, oh god, You're.

729
00:33:55,160 --> 00:33:57,280
Speaker 3: Like, well, but then theater people are like, well, you know,

730
00:33:57,320 --> 00:33:59,520
Speaker 3: they all do theater acting, so they need like an

731
00:33:59,520 --> 00:34:01,400
Speaker 3: ask for the well exactly you can see from.

732
00:34:01,280 --> 00:34:03,360
Speaker 2: The My mom always said this. She's like, you know,

733
00:34:04,440 --> 00:34:07,440
Speaker 2: she never she's like, I don't criticize performers for having

734
00:34:07,520 --> 00:34:09,839
Speaker 2: facework because you were having like a lot of because

735
00:34:09,880 --> 00:34:11,920
Speaker 2: you need to be like view that's her job. You

736
00:34:11,920 --> 00:34:14,120
Speaker 2: need to be viewed from across the stage. And that's

737
00:34:14,120 --> 00:34:16,200
Speaker 2: sort of how I feel about Judy Dench's giant dump

738
00:34:16,239 --> 00:34:19,959
Speaker 2: trunk ass. Yes, I say she's in the theater.

739
00:34:20,080 --> 00:34:20,680
Speaker 3: She's in the theater.

740
00:34:20,719 --> 00:34:22,279
Speaker 2: It might not come through in Shakespeare in Love.

741
00:34:23,239 --> 00:34:25,759
Speaker 3: It's like how you do theater makeup. You know, has

742
00:34:25,760 --> 00:34:28,759
Speaker 3: to be a little bit bigger. So shout out to

743
00:34:28,760 --> 00:34:29,560
Speaker 3: the bridge, shout.

744
00:34:29,320 --> 00:34:30,759
Speaker 2: Out to the Brits, and shout out to getting a

745
00:34:31,280 --> 00:34:33,960
Speaker 2: British bum lift, to the hottest new surgery.

746
00:34:35,400 --> 00:34:37,839
Speaker 3: But this will be the end of our medical Yes, well,

747
00:34:37,880 --> 00:34:38,279
Speaker 3: let's hope.

748
00:34:38,320 --> 00:34:40,080
Speaker 2: So knock on what Oh good point. I'm not gonna

749
00:34:40,120 --> 00:34:42,200
Speaker 2: knock on it because we've been criticized for knocking on

750
00:34:42,280 --> 00:34:48,319
Speaker 2: the table in the past anyway. So yeah, so thank

751
00:34:48,360 --> 00:34:50,080
Speaker 2: you for sticking with us throughout our medical era.

752
00:34:51,719 --> 00:34:53,400
Speaker 3: I think I'm going to be doing more than sticking

753
00:34:53,440 --> 00:34:54,880
Speaker 3: with us. I think they're going to be celebrating.

754
00:34:54,920 --> 00:34:57,160
Speaker 2: Oh absolutely, people are going to go out there and

755
00:34:57,160 --> 00:34:59,879
Speaker 2: get a uti in celebration, get a British bum lift.

756
00:35:00,080 --> 00:35:03,279
Speaker 2: Going to say I'm no longer feeling insecure about going

757
00:35:03,280 --> 00:35:09,400
Speaker 2: into a hospital. Okay, so we figured out the purge.

758
00:35:09,880 --> 00:35:12,400
Speaker 3: So we figured out the purge. We figured out gender fluidity.

759
00:35:12,640 --> 00:35:16,279
Speaker 2: Yeah, we figured out wait, gender fluity is, oh, when

760
00:35:16,280 --> 00:35:19,680
Speaker 2: a man has a ut right. Gender fluidy is when

761
00:35:19,680 --> 00:35:23,200
Speaker 2: a man has a uti. Good acting is when a

762
00:35:23,280 --> 00:35:26,960
Speaker 2: woman has a British bum lift. And the purge is

763
00:35:27,040 --> 00:35:29,680
Speaker 2: when you think about stealing a TV but then decide

764
00:35:29,680 --> 00:35:30,359
Speaker 2: it's not worth it.

765
00:35:31,000 --> 00:35:35,080
Speaker 3: Yeah, okay, cool, Okay. I have a question back to

766
00:35:35,120 --> 00:35:39,759
Speaker 3: that shopping things, yeah, splash stealing things. If somebody was like,

767
00:35:40,120 --> 00:35:43,760
Speaker 3: okay this, let's say there's a one thousand dollars shirt.

768
00:35:44,320 --> 00:35:48,799
Speaker 3: This shirt is insanely expensive, and then you go there

769
00:35:48,920 --> 00:35:52,000
Speaker 3: and the shirt is on sale for ten dollars, how

770
00:35:52,000 --> 00:35:52,759
Speaker 3: do you feel about it?

771
00:35:53,560 --> 00:35:59,920
Speaker 2: I buy it. I cannot express how simple, both moral

772
00:36:00,239 --> 00:36:05,440
Speaker 2: and like logistically these questions are for me, Like, I

773
00:36:05,440 --> 00:36:07,520
Speaker 2: guess I have no idea where you're coming from.

774
00:36:08,480 --> 00:36:10,879
Speaker 3: I think part of me is like, okay, well something

775
00:36:10,880 --> 00:36:15,600
Speaker 3: else you wrong with it? I guess it's only ten dollars.

776
00:36:15,840 --> 00:36:18,279
Speaker 3: That's true. I mean I would also probably buy it,

777
00:36:18,360 --> 00:36:21,799
Speaker 3: but I wouldn't feel like I'm getting one thousand dollars shirt.

778
00:36:21,800 --> 00:36:24,600
Speaker 3: It would feel like I'm getting like a shirt that's

779
00:36:24,600 --> 00:36:25,359
Speaker 3: probably messed up.

780
00:36:25,480 --> 00:36:27,680
Speaker 2: Oh, and I mean for me, I'm like always looking

781
00:36:27,680 --> 00:36:29,520
Speaker 2: for you know, I'm on the real reil. I'm looking

782
00:36:29,520 --> 00:36:32,000
Speaker 2: for like, how do I hither day I have found

783
00:36:32,000 --> 00:36:35,960
Speaker 2: this like stunning vintage suit that was like four hundred dollars,

784
00:36:36,120 --> 00:36:37,640
Speaker 2: just cheaper than you would get it, like ja crue.

785
00:36:37,800 --> 00:36:40,640
Speaker 2: I didn't. I don't. I don't. Actually I currently can't

786
00:36:40,640 --> 00:36:43,319
Speaker 2: even afford that or not. But I but I but

787
00:36:43,400 --> 00:36:45,640
Speaker 2: I was like, I mean, that is like so much

788
00:36:45,680 --> 00:36:49,480
Speaker 2: of my shopping habits. It's like attempting to find deals

789
00:36:49,480 --> 00:36:51,759
Speaker 2: on things that are expensive.

790
00:36:52,200 --> 00:36:54,200
Speaker 3: Oh h.

791
00:36:55,680 --> 00:36:56,719
Speaker 2: You're like it's not worth it?

792
00:36:57,080 --> 00:36:59,320
Speaker 3: Yeah, yeah, who cares.

793
00:37:00,000 --> 00:37:03,000
Speaker 2: I'm telling you. The feeling of having these pants, I

794
00:37:03,040 --> 00:37:06,360
Speaker 2: believe are like on like eighty percent clearance, The feeling

795
00:37:06,360 --> 00:37:08,960
Speaker 2: of knowing you're wearing something that someone else could have

796
00:37:09,000 --> 00:37:12,160
Speaker 2: at some point paid like twelve hundred dollars. For sure,

797
00:37:12,320 --> 00:37:14,879
Speaker 2: you feel like you're getting and also you do feel

798
00:37:15,320 --> 00:37:18,400
Speaker 2: the difference in quality. I gotta say so, clearance sale

799
00:37:18,440 --> 00:37:22,840
Speaker 2: is your purge sample sale. Clearance sale vent you know,

800
00:37:22,960 --> 00:37:26,719
Speaker 2: real real vintage going into a high profile vintage store

801
00:37:27,239 --> 00:37:29,600
Speaker 2: looking for trying to find the right trying to find

802
00:37:29,800 --> 00:37:33,480
Speaker 2: a garment that is marked down. Oh, yeah, baby, talk

803
00:37:33,480 --> 00:37:35,280
Speaker 2: about gender fluidity. I'm wet.

804
00:37:41,400 --> 00:37:50,799
Speaker 3: Well that's incredible. Okay, Well, I'm like, should we bring

805
00:37:50,800 --> 00:37:53,200
Speaker 3: in our guests? You know what? No, Actually I don't

806
00:37:53,200 --> 00:37:54,359
Speaker 3: think we should bring them in yet.

807
00:37:54,480 --> 00:37:56,799
Speaker 2: I don't know. I think they've arrived. They've put them

808
00:37:56,800 --> 00:37:59,200
Speaker 2: in a safe room because they are allergic to the sun.

809
00:37:59,640 --> 00:38:02,600
Speaker 3: Yeah, they are hiding in the safe room. And we

810
00:38:02,640 --> 00:38:04,360
Speaker 3: have an incredible safe from here at iHeart.

811
00:38:05,160 --> 00:38:07,600
Speaker 2: We had to build specifically for the guest. This guest

812
00:38:07,680 --> 00:38:10,239
Speaker 2: actually has the world record for most allergies, so she

813
00:38:10,320 --> 00:38:13,120
Speaker 2: can't really be outsider in public, which is difficult because

814
00:38:13,120 --> 00:38:15,719
Speaker 2: her work is contains a lot of field work in

815
00:38:15,760 --> 00:38:18,839
Speaker 2: the Amazon and in the Andes and in various other

816
00:38:18,960 --> 00:38:20,320
Speaker 2: sort of faraway locales.

817
00:38:20,520 --> 00:38:24,400
Speaker 3: Yeah. Yeah, and you know, we were like we could zoom,

818
00:38:24,440 --> 00:38:25,840
Speaker 3: like we don't have to do in studio.

819
00:38:25,960 --> 00:38:27,839
Speaker 2: Like she was like, I don't know what that is.

820
00:38:28,280 --> 00:38:31,080
Speaker 3: Literally was like I may have a PhD, but I

821
00:38:31,160 --> 00:38:32,560
Speaker 3: don't know how to work a laptop.

822
00:38:32,680 --> 00:38:35,480
Speaker 2: She's never been online.

823
00:38:35,400 --> 00:38:37,560
Speaker 3: Which is what is so Like we don't have old

824
00:38:37,600 --> 00:38:40,800
Speaker 3: Hollywood like that anymore. Yeah, Like there used to be

825
00:38:40,840 --> 00:38:41,920
Speaker 3: a time and you didn't have to be your on

826
00:38:42,000 --> 00:38:44,799
Speaker 3: social media manager. You could just be an actor and

827
00:38:44,840 --> 00:38:47,759
Speaker 3: be a PhD graduate and be a researcher.

828
00:38:49,320 --> 00:38:53,920
Speaker 2: Yeah, well that time is over and it's because of

829
00:38:53,920 --> 00:38:58,080
Speaker 2: Mark Zuckerberg, that's true. But now she's here, you know. Yes,

830
00:38:58,120 --> 00:39:03,719
Speaker 2: she doesn't have doesn't have a doesn't know what zoom is,

831
00:39:03,880 --> 00:39:08,520
Speaker 2: but huge fan of our podcasts. Somehow she pays a

832
00:39:08,560 --> 00:39:11,120
Speaker 2: team to press it into vinyl and then they play

833
00:39:11,120 --> 00:39:12,879
Speaker 2: it for her at home, in one of her many

834
00:39:12,960 --> 00:39:17,399
Speaker 2: vacation homes that is deeply sanitized and cleaned in order

835
00:39:17,400 --> 00:39:19,719
Speaker 2: to deal with all her allergies, and she sits down

836
00:39:19,719 --> 00:39:22,759
Speaker 2: and it's the one break she takes every week. She

837
00:39:22,840 --> 00:39:25,640
Speaker 2: actually has gotten surgery so that she doesn't need to sleep.

838
00:39:25,680 --> 00:39:28,279
Speaker 2: She has constant rem cycles while awake, and the one

839
00:39:28,280 --> 00:39:30,359
Speaker 2: thing she does to relax every week is sit down,

840
00:39:30,480 --> 00:39:32,600
Speaker 2: have a cup of herbal tea, and listen to the podcast.

841
00:39:32,640 --> 00:39:33,640
Speaker 2: And it's sweet.

842
00:39:33,920 --> 00:39:40,640
Speaker 3: Yeah, that's really sweet of her. So what's your sleep schedule?

843
00:39:40,719 --> 00:39:48,480
Speaker 2: Like, I can't read your tone today.

844
00:39:49,600 --> 00:39:52,239
Speaker 3: I'm just trying to throw noodles at the wall.

845
00:39:52,360 --> 00:39:59,759
Speaker 2: Yeah, yeah, do you find that? Okay, here's something all right.

846
00:40:00,120 --> 00:40:02,200
Speaker 2: What I'm trying to ask is what I'm trying to

847
00:40:02,719 --> 00:40:06,680
Speaker 2: talk around is like the jet lag between the two coasts,

848
00:40:06,840 --> 00:40:08,799
Speaker 2: which is small enough that no one would ever feel

849
00:40:08,840 --> 00:40:11,640
Speaker 2: bad for you for having it. But then you're like,

850
00:40:11,680 --> 00:40:14,239
Speaker 2: but I'm suffering because I am waking up at like

851
00:40:14,600 --> 00:40:17,520
Speaker 2: eleven thirty or not being able to fall asleep at night.

852
00:40:18,080 --> 00:40:20,000
Speaker 2: And I think there's there should be a word for

853
00:40:20,320 --> 00:40:23,920
Speaker 2: things that are not severe enough that you can actually

854
00:40:23,960 --> 00:40:25,759
Speaker 2: complain about them and have people feel bad for you,

855
00:40:26,320 --> 00:40:29,279
Speaker 2: but are still ruining your life. It's like, you know

856
00:40:29,320 --> 00:40:32,040
Speaker 2: what it's like, being like constipated or something. We're like, well,

857
00:40:32,080 --> 00:40:34,360
Speaker 2: you're not going to go around telling everyone you're constipated

858
00:40:34,400 --> 00:40:36,200
Speaker 2: and they're going to do a fundraiser for you. It

859
00:40:36,239 --> 00:40:37,840
Speaker 2: is still the number one thing on your mind for

860
00:40:37,880 --> 00:40:38,399
Speaker 2: that whole day.

861
00:40:38,680 --> 00:40:42,000
Speaker 3: That's true. I mean it's like there's almost like a

862
00:40:42,080 --> 00:40:46,120
Speaker 3: purgatory esque feeling to these things, where it's like you're

863
00:40:46,120 --> 00:40:47,279
Speaker 3: not in hell, but.

864
00:40:47,200 --> 00:40:51,520
Speaker 2: You're not close. It's sort of like the idea of microaggressions,

865
00:40:51,520 --> 00:40:55,920
Speaker 2: Like something isn't fully uh, you know, fully problematic in

866
00:40:55,920 --> 00:40:59,440
Speaker 2: some way, but you can sense it and you know

867
00:40:59,560 --> 00:41:01,560
Speaker 2: that it stems from a sort of bias.

868
00:41:02,000 --> 00:41:04,799
Speaker 3: It's like, so maybe a micro micro crisis.

869
00:41:05,000 --> 00:41:08,280
Speaker 2: Yeah, yeah, exact micro crisis, micro problem.

870
00:41:08,600 --> 00:41:11,160
Speaker 3: I like crisis, so that's a little drama to it. Yeah,

871
00:41:11,280 --> 00:41:14,080
Speaker 3: I'm yeah, I'm having a micro crisis. I'm not sleeping

872
00:41:14,200 --> 00:41:17,440
Speaker 3: right because I'm you're not. Yes, exactly, I will, but

873
00:41:17,719 --> 00:41:20,080
Speaker 3: kind of in the wrong way. I woke up at

874
00:41:20,120 --> 00:41:23,720
Speaker 3: eight am today. I should have woken up at like eleven.

875
00:41:23,760 --> 00:41:26,560
Speaker 2: Oken up at eleven. Yeah, it doesn't make me. Well,

876
00:41:26,600 --> 00:41:28,800
Speaker 2: sometimes your body is just confused, that's true.

877
00:41:30,840 --> 00:41:35,720
Speaker 3: Should we bring in our guests, I don't know yet.

878
00:41:35,760 --> 00:41:38,960
Speaker 3: Like it's tough because like, once we start talking with her,

879
00:41:39,160 --> 00:41:42,239
Speaker 3: it's going to be like just firing on all cylinders

880
00:41:42,360 --> 00:41:45,279
Speaker 3: and I don't like I just like want to give

881
00:41:45,280 --> 00:41:48,520
Speaker 3: the audience some time to like have some downtime before

882
00:41:48,640 --> 00:41:51,040
Speaker 3: you know, we're just like go go go goo go Ye.

883
00:41:51,840 --> 00:41:54,279
Speaker 2: Well, the number one feedback we've gotten generally is that

884
00:41:54,320 --> 00:41:57,279
Speaker 2: our intro should be longer, and we've always been like, yeah,

885
00:41:57,320 --> 00:41:58,640
Speaker 2: but you know, we want to talk to our guest.

886
00:41:59,040 --> 00:42:00,560
Speaker 3: Yeah, yeah, but I.

887
00:42:00,520 --> 00:42:03,000
Speaker 2: Do think in this instance, less is more. You know,

888
00:42:03,080 --> 00:42:05,799
Speaker 2: sometimes when you meet someone, let's say you meet your

889
00:42:05,880 --> 00:42:09,759
Speaker 2: number one idol. If genuinely, if you were to meet

890
00:42:09,760 --> 00:42:12,000
Speaker 2: your number one idol, would you rather be forced to

891
00:42:12,000 --> 00:42:15,359
Speaker 2: have like an hour long conversation with them, or in

892
00:42:15,440 --> 00:42:17,960
Speaker 2: order to not risk embarrassing yourself in some way or

893
00:42:17,960 --> 00:42:20,120
Speaker 2: saying the wrong thing, would you rather basically have like

894
00:42:20,120 --> 00:42:24,399
Speaker 2: a three minute conversation with them three minute conversation I think,

895
00:42:24,560 --> 00:42:26,640
Speaker 2: I think me too, and then leave them wanting more.

896
00:42:26,920 --> 00:42:29,520
Speaker 2: All go in with all charm, all charismas, say like

897
00:42:29,520 --> 00:42:31,279
Speaker 2: the smartest thing you've ever said, and then be like,

898
00:42:31,320 --> 00:42:32,799
Speaker 2: I'm so sorry, I have reservations.

899
00:42:33,880 --> 00:42:35,920
Speaker 3: You know, what's one of the saddest things ever is

900
00:42:35,960 --> 00:42:39,719
Speaker 3: when people talk to you and like assume instantly some

901
00:42:39,760 --> 00:42:43,000
Speaker 3: things about you and like kind of wholeheartedly, and you

902
00:42:43,040 --> 00:42:45,640
Speaker 3: see the context clues that they saw too, you think

903
00:42:45,680 --> 00:42:47,520
Speaker 3: that they could say that stuff to you, and then

904
00:42:47,520 --> 00:42:50,600
Speaker 3: it doesn't. You're like, actually, I don't know, that's not me,

905
00:42:51,320 --> 00:42:55,880
Speaker 3: Like I don't know if it one time when I'm

906
00:42:56,080 --> 00:43:00,279
Speaker 3: like met with Alan Cumming and he was like instantly

907
00:43:00,280 --> 00:43:04,480
Speaker 3: talking to me exclusively about like theater girls from you know,

908
00:43:04,600 --> 00:43:06,600
Speaker 3: the pat You're a gig guy, and I'm because I'm

909
00:43:06,600 --> 00:43:08,520
Speaker 3: a gig guy. And it was like this thing where

910
00:43:08,560 --> 00:43:11,800
Speaker 3: I had to be like like that's but I'm the

911
00:43:11,840 --> 00:43:14,440
Speaker 3: different kind of cake guy, Like I'm not a theater.

912
00:43:14,360 --> 00:43:16,040
Speaker 2: E one they created since you've come of.

913
00:43:16,000 --> 00:43:18,520
Speaker 3: Age, And I was like, you're being he was being

914
00:43:18,560 --> 00:43:20,640
Speaker 3: so friendly and like cool.

915
00:43:20,520 --> 00:43:22,520
Speaker 2: You weren't getting any other I was like, I.

916
00:43:22,320 --> 00:43:24,800
Speaker 3: Just truly have never heard any of these names, these

917
00:43:24,880 --> 00:43:27,640
Speaker 3: like I can't have an opinion. I'm just sort of like, yes,

918
00:43:27,800 --> 00:43:30,840
Speaker 3: I believe you that she's like that. And it wasn't

919
00:43:30,880 --> 00:43:32,840
Speaker 3: like I couldn't even be like wow, really like I

920
00:43:32,880 --> 00:43:36,120
Speaker 3: couldn't even fake excitement because I was just like, I

921
00:43:36,200 --> 00:43:37,560
Speaker 3: don't know these people, you.

922
00:43:37,480 --> 00:43:40,640
Speaker 2: Know, getting to know you deeply over the last you know,

923
00:43:40,880 --> 00:43:43,439
Speaker 2: a better part of a decade. One of the things

924
00:43:43,480 --> 00:43:46,480
Speaker 2: that I so recognize is when you have the panic

925
00:43:46,520 --> 00:43:49,760
Speaker 2: looked in your panic look in your eye when someone

926
00:43:49,800 --> 00:43:52,400
Speaker 2: has said something that you are like, I don't know

927
00:43:52,400 --> 00:43:58,640
Speaker 2: what to say to that. It's so like deeply a parent.

928
00:43:59,160 --> 00:44:02,560
Speaker 3: Yeah, yeah, it's tough. I had that with So, I

929
00:44:02,640 --> 00:44:04,879
Speaker 3: had it with Alan Cumming, and then I also want

930
00:44:04,880 --> 00:44:07,080
Speaker 3: to like, I feel like it happens a lot when

931
00:44:07,120 --> 00:44:09,279
Speaker 3: you tell people you do comedy and they don't know

932
00:44:09,320 --> 00:44:11,719
Speaker 3: you at all, Like if it's like because then they're

933
00:44:11,760 --> 00:44:15,040
Speaker 3: like either of course they're like, oh, I love Joe

934
00:44:15,080 --> 00:44:19,360
Speaker 3: Rogan podcasts. Yes, and then or one time I actually

935
00:44:19,360 --> 00:44:22,040
Speaker 3: felt bad for this woman because there was something about

936
00:44:22,040 --> 00:44:23,200
Speaker 3: it where I was like, Oh, you're coming at this

937
00:44:23,200 --> 00:44:26,000
Speaker 3: from like a sweet place, but you're incorrect. But it

938
00:44:26,080 --> 00:44:30,799
Speaker 3: was like you must love Crashing, wow, And I was like.

939
00:44:30,960 --> 00:44:33,840
Speaker 2: For listeners at home, it's HBO's Crashing, which is a

940
00:44:33,880 --> 00:44:36,759
Speaker 2: series created by Pete Holmes approximately I want to say

941
00:44:36,800 --> 00:44:40,400
Speaker 2: twenty sixteen and surely had to it surely was greenlit

942
00:44:40,440 --> 00:44:43,839
Speaker 2: by President Donald Trump, and it was about the stand

943
00:44:43,920 --> 00:44:45,040
Speaker 2: up comedy scene.

944
00:44:45,360 --> 00:44:49,799
Speaker 3: Yeah, and I really feel it was sort of I

945
00:44:49,840 --> 00:44:53,480
Speaker 3: think like a like I do think normal people were like,

946
00:44:53,520 --> 00:44:56,320
Speaker 3: this is a fine show, and I think like Brooklyn

947
00:44:56,360 --> 00:44:58,320
Speaker 3: based comedians were like what the fuck.

948
00:44:58,680 --> 00:45:01,600
Speaker 2: But that's like, it's so funny because when it hits

949
00:45:01,640 --> 00:45:06,240
Speaker 2: close to home, you feel so personally slighted by something.

950
00:45:06,840 --> 00:45:09,000
Speaker 2: But then we go around doing that for every other job.

951
00:45:09,120 --> 00:45:13,000
Speaker 2: It's literally like if someone was like, I mean I'm

952
00:45:13,000 --> 00:45:16,080
Speaker 2: trying to think. I mean literally the year Tar came out,

953
00:45:16,120 --> 00:45:18,480
Speaker 2: I met someone at a party and they were a composer,

954
00:45:18,520 --> 00:45:20,040
Speaker 2: and I was like, don't say it, don't say it.

955
00:45:20,080 --> 00:45:22,879
Speaker 2: Don't say it, but I could it not. I was literally,

956
00:45:22,920 --> 00:45:24,120
Speaker 2: don't say it, don't say it, don't say. It's what

957
00:45:24,200 --> 00:45:26,720
Speaker 2: everyone has been It's what everyone has been asking about

958
00:45:27,040 --> 00:45:30,279
Speaker 2: this person for the last like six months, surely since

959
00:45:30,280 --> 00:45:31,720
Speaker 2: the film came out. But I was like, I can't

960
00:45:31,760 --> 00:45:32,560
Speaker 2: not wow.

961
00:45:32,960 --> 00:45:36,120
Speaker 3: And what did they say? They started out, I gotta

962
00:45:36,120 --> 00:45:39,719
Speaker 3: say I thought their answer was so flop. I was like,

963
00:45:39,760 --> 00:45:43,200
Speaker 3: you are not interacting, you are not like processing this

964
00:45:43,480 --> 00:45:46,239
Speaker 3: film in the way in like an interesting way. They're

965
00:45:46,320 --> 00:45:47,520
Speaker 3: just like she held the baton.

966
00:45:47,640 --> 00:45:51,920
Speaker 2: No, no, no, it was literally like I think it.

967
00:45:52,320 --> 00:45:55,200
Speaker 2: The thing they said was something along the lines of like,

968
00:45:55,239 --> 00:45:59,120
Speaker 2: there are so many, there are so few women composers

969
00:45:59,120 --> 00:46:00,799
Speaker 2: that it's like sad that this is a story they

970
00:46:00,840 --> 00:46:03,520
Speaker 2: wanted to tell about, like a woman composer who's abusive

971
00:46:03,560 --> 00:46:06,799
Speaker 2: and toxic. And I'm like, I guess, like I don't

972
00:46:06,840 --> 00:46:10,960
Speaker 2: care about that, Like like I'm like, well, it's a movie.

973
00:46:11,520 --> 00:46:14,040
Speaker 2: Do you know about what that is? I've ever composed

974
00:46:14,080 --> 00:46:17,319
Speaker 2: for a movie before. Maybe do you need to go

975
00:46:17,360 --> 00:46:18,640
Speaker 2: back to Montessori school.

976
00:46:19,400 --> 00:46:23,879
Speaker 3: That is so funny because it's not like female composers

977
00:46:23,920 --> 00:46:27,840
Speaker 3: are like like discriminated against in our culture.

978
00:46:27,560 --> 00:46:31,200
Speaker 2: Like, well, they are certainly discriminated against within I'm sure

979
00:46:31,200 --> 00:46:32,160
Speaker 2: of the industry and.

980
00:46:32,280 --> 00:46:33,840
Speaker 3: What I mean. It's like, it's not like there's like

981
00:46:33,880 --> 00:46:39,239
Speaker 3: a reputation already of like right exactly, like like a

982
00:46:39,280 --> 00:46:41,279
Speaker 3: female composer is being abusive, Like it's like, well, I

983
00:46:41,320 --> 00:46:44,000
Speaker 3: would never have a female composer for my piece, because,

984
00:46:44,120 --> 00:46:44,720
Speaker 3: let's face.

985
00:46:44,520 --> 00:46:48,560
Speaker 2: It was essentially doing like a representation argument of It's

986
00:46:48,600 --> 00:46:50,920
Speaker 2: like when people are like, why do all queer stories

987
00:46:50,960 --> 00:46:53,759
Speaker 2: have to be tragic or whatever? He's sort of doing that,

988
00:46:53,840 --> 00:46:58,040
Speaker 2: I guess, but I was just like, oh, never mind,

989
00:46:59,280 --> 00:46:59,719
Speaker 2: I don't know.

990
00:46:59,760 --> 00:47:02,719
Speaker 3: That's such an lol. Yeah.

991
00:47:03,280 --> 00:47:07,440
Speaker 2: But anyway, my point is that if anything, actually I mean,

992
00:47:07,480 --> 00:47:09,280
Speaker 2: and it's sort of sad to admit, I think crashing

993
00:47:09,360 --> 00:47:13,280
Speaker 2: is probably closer to the truth for comedy than probably

994
00:47:13,920 --> 00:47:16,839
Speaker 2: I don't know, Gray's anatomy is for medicine, And yet

995
00:47:16,880 --> 00:47:19,200
Speaker 2: doctors have to just live their life with everyone coming

996
00:47:19,200 --> 00:47:21,120
Speaker 2: to them being like, so have you ever like had

997
00:47:21,120 --> 00:47:23,600
Speaker 2: a threesome in the closet right after like doing a

998
00:47:23,640 --> 00:47:26,360
Speaker 2: surgery where someone died, And they're like, no.

999
00:47:26,920 --> 00:47:27,879
Speaker 3: Some of them have those.

1000
00:47:27,920 --> 00:47:31,320
Speaker 2: That's true. I mean there are little beds in there. Yeah,

1001
00:47:31,400 --> 00:47:37,560
Speaker 2: and they're there for so many hours. Also, oh okay,

1002
00:47:37,800 --> 00:47:40,120
Speaker 2: you know, okay, two things. One, you know what I

1003
00:47:40,120 --> 00:47:48,319
Speaker 2: actually think did get doctors right scrubs when when I

1004
00:47:48,360 --> 00:47:50,359
Speaker 2: first went to the hospital, I was like, oh my god,

1005
00:47:50,400 --> 00:47:52,120
Speaker 2: this is just like scrubs. Well, I do think you're

1006
00:47:52,160 --> 00:47:55,360
Speaker 2: pointing to something which is like, uh okay, which is

1007
00:47:55,360 --> 00:47:58,759
Speaker 2: that medicine seems like this serious thing, and obviously it is.

1008
00:47:58,800 --> 00:48:02,080
Speaker 2: They are saving lives slash killing life sometimes, and so

1009
00:48:02,360 --> 00:48:04,600
Speaker 2: of course there's no room for comedy. But just like

1010
00:48:04,600 --> 00:48:06,680
Speaker 2: anything else, everyone's like figuring it out as they go.

1011
00:48:06,960 --> 00:48:10,279
Speaker 3: Yeah, there, and like the way that it reduced like

1012
00:48:10,600 --> 00:48:15,200
Speaker 3: certain departments to types, and then I would be like, clearly,

1013
00:48:15,280 --> 00:48:17,640
Speaker 3: like surgeons aren't the jocks, and then you meet the surgeon,

1014
00:48:18,160 --> 00:48:20,080
Speaker 3: Oh my god, you're a jock. They're absolutely the drugs

1015
00:48:20,160 --> 00:48:25,480
Speaker 3: and it's so weird. But then the other thing, accurate

1016
00:48:25,600 --> 00:48:28,799
Speaker 3: jobs are not. I remember when The Office was on

1017
00:48:28,880 --> 00:48:31,800
Speaker 3: TV and my dad being like mad at it because

1018
00:48:31,800 --> 00:48:34,680
Speaker 3: he was like, this is too too real, and I

1019
00:48:34,719 --> 00:48:36,600
Speaker 3: was like, it seems funny.

1020
00:48:36,520 --> 00:48:39,919
Speaker 2: And he mean, I've I've heard that so much about

1021
00:48:40,160 --> 00:48:44,640
Speaker 2: Succession because it's sure. I almost think it's close enough

1022
00:48:44,640 --> 00:48:50,400
Speaker 2: to being, if not realistic, then sort of fact checked,

1023
00:48:50,480 --> 00:48:54,120
Speaker 2: you know what I mean, Like that that people that

1024
00:48:54,160 --> 00:48:56,279
Speaker 2: are outside the business world are like, Wow, we're getting

1025
00:48:56,280 --> 00:48:58,080
Speaker 2: a peek into what it's really like and the people

1026
00:48:58,120 --> 00:49:01,720
Speaker 2: who actually work in any sort of in the media

1027
00:49:01,760 --> 00:49:05,839
Speaker 2: industry or in you know, news or whatever or like, yeah,

1028
00:49:05,840 --> 00:49:09,080
Speaker 2: that's not that's not how it is. Uh.

1029
00:49:09,120 --> 00:49:14,320
Speaker 3: The other one, Yeah, I felt like the other two.

1030
00:49:15,000 --> 00:49:18,040
Speaker 3: I actually had to stop watching because I was like,

1031
00:49:18,760 --> 00:49:22,239
Speaker 3: this is too like it is how everyone is. And

1032
00:49:22,280 --> 00:49:26,640
Speaker 3: I was sort of like, oh, like it felt like

1033
00:49:27,239 --> 00:49:29,759
Speaker 3: have you ever like you know, when people are like

1034
00:49:29,760 --> 00:49:33,520
Speaker 3: truly losing their mind and like think like like someone

1035
00:49:33,520 --> 00:49:35,840
Speaker 3: in the TV is speaking to them. Yes, I started

1036
00:49:35,840 --> 00:49:37,919
Speaker 3: to feel like that. I was like, oh, is is

1037
00:49:38,000 --> 00:49:40,239
Speaker 3: this making fun of me directly.

1038
00:49:39,800 --> 00:49:44,280
Speaker 2: Yetally like and in some ways yeah, yeah. And I

1039
00:49:45,760 --> 00:49:49,400
Speaker 2: with the other two two, you're you are almost like,

1040
00:49:50,560 --> 00:49:53,000
Speaker 2: oh my god, we're not telling we're not telling people that.

1041
00:49:53,120 --> 00:49:55,399
Speaker 2: I thought that was a secret that we had to keep,

1042
00:49:55,719 --> 00:49:57,160
Speaker 2: like we're not telling people that's how it actually is

1043
00:49:57,160 --> 00:49:58,120
Speaker 2: on the inside.

1044
00:49:59,000 --> 00:50:03,719
Speaker 3: Yeah, it was. Yeah. I was just like, oh, but

1045
00:50:03,800 --> 00:50:06,560
Speaker 3: that's the only thing that I feel like nailed the that,

1046
00:50:06,680 --> 00:50:08,640
Speaker 3: Like I think you're really nail.

1047
00:50:08,760 --> 00:50:11,000
Speaker 2: It's it's also so difficult. I don't know, when you

1048
00:50:11,719 --> 00:50:14,400
Speaker 2: write something like so many things have to come together

1049
00:50:14,440 --> 00:50:16,960
Speaker 2: for something to actually be that accurate of a representation.

1050
00:50:17,120 --> 00:50:19,839
Speaker 2: Like it's sort of a miracle that that show got

1051
00:50:19,880 --> 00:50:21,279
Speaker 2: made it as good as it was to me.

1052
00:50:22,320 --> 00:50:29,799
Speaker 3: Well, you know the tenacity of let's cut that. Let's

1053
00:50:29,840 --> 00:50:33,839
Speaker 3: actually cut that entire segment, the whole segment. Huh yeah, yeah,

1054
00:50:33,960 --> 00:50:35,479
Speaker 3: you know, let's cut the whole up, cut the whole

1055
00:50:35,480 --> 00:50:36,640
Speaker 3: app Who cares?

1056
00:50:37,160 --> 00:50:39,399
Speaker 2: Let's yeah, Well we'll edit down this intro and it'll

1057
00:50:39,440 --> 00:50:40,960
Speaker 2: be only twelve minutes long, and then we'll bring in

1058
00:50:40,960 --> 00:50:41,279
Speaker 2: our guests.

1059
00:50:41,320 --> 00:50:43,040
Speaker 3: Yeah, then we'll bring our chancing at the bit. Oh

1060
00:50:43,040 --> 00:50:45,320
Speaker 3: she's oh no, she's chomping on a sandwich.

1061
00:50:45,320 --> 00:50:47,759
Speaker 2: She's chomping on a sandwich. It's only bread because it's

1062
00:50:47,760 --> 00:50:48,719
Speaker 2: the only thing she can eat.

1063
00:50:48,840 --> 00:50:51,160
Speaker 3: Yeah, but she hasn't eaten all that.

1064
00:50:51,360 --> 00:50:53,880
Speaker 2: Oh, she's having convulsions. She's having a huge allergic reaction.

1065
00:50:54,000 --> 00:50:55,480
Speaker 3: Oh, we're gonna have to get medics.

1066
00:50:55,600 --> 00:50:58,960
Speaker 2: Medics. Oh, I guess our medical era is back on folks.

1067
00:51:01,560 --> 00:51:11,319
Speaker 3: Medix, which scrubs character are you? You know?

1068
00:51:11,440 --> 00:51:13,399
Speaker 2: She's sort of and I can see that she gets

1069
00:51:13,400 --> 00:51:14,800
Speaker 2: her sense of humor and she thinks it's funny that

1070
00:51:14,840 --> 00:51:16,960
Speaker 2: we're doing this like really long intro She's like, Okay,

1071
00:51:17,000 --> 00:51:19,040
Speaker 2: they're back to their roots. They're back to their improv roots.

1072
00:51:19,040 --> 00:51:20,959
Speaker 2: This feels like Episode four all over again.

1073
00:51:21,040 --> 00:51:21,239
Speaker 3: Yeah.

1074
00:51:21,320 --> 00:51:26,400
Speaker 2: Yeah, we are doing like random bits callbacks. It feels

1075
00:51:26,440 --> 00:51:30,080
Speaker 2: so you know, UCB circa two thousand and one, right

1076
00:51:30,080 --> 00:51:31,200
Speaker 2: after nine to eleven.

1077
00:51:31,120 --> 00:51:34,200
Speaker 3: Totally when the city could finally laugh again.

1078
00:51:34,400 --> 00:51:36,279
Speaker 2: Yeah, the day after nine eleven, when the city could

1079
00:51:36,280 --> 00:51:44,280
Speaker 2: finally laugh again. I said, I got a good night's sleep.

1080
00:51:44,520 --> 00:51:48,319
Speaker 2: Now let's fucking go. I have a show at the

1081
00:51:48,320 --> 00:51:50,880
Speaker 2: Seller tonight and I'm doing it all about al Qaeda.

1082
00:51:52,600 --> 00:51:55,520
Speaker 3: I needed eight hours of research and I'm good to

1083
00:51:55,640 --> 00:51:56,120
Speaker 3: fucking go.

1084
00:51:56,400 --> 00:51:59,200
Speaker 2: On eleven, I said, I need a nap. Raise your

1085
00:51:59,200 --> 00:52:01,760
Speaker 2: hand if you need a nap, because this is stressful, y'all.

1086
00:52:03,040 --> 00:52:04,440
Speaker 2: And then I woke up and I said, let's get

1087
00:52:04,440 --> 00:52:04,640
Speaker 2: to work.

1088
00:52:04,719 --> 00:52:06,000
Speaker 3: Let's get to work. It's trying to laugh.

1089
00:52:06,040 --> 00:52:08,000
Speaker 2: But what work can we start that would make me

1090
00:52:08,000 --> 00:52:09,239
Speaker 2: feel so much better right now?

1091
00:52:09,560 --> 00:52:13,240
Speaker 3: Oh my god? Could you imagine being a comedian then.

1092
00:52:15,440 --> 00:52:19,200
Speaker 2: I mean, I guess the option, the options. I mean,

1093
00:52:19,239 --> 00:52:20,520
Speaker 2: the only thing I can think of, which is so

1094
00:52:21,200 --> 00:52:22,719
Speaker 2: not what I want to talk about is how Bill

1095
00:52:22,800 --> 00:52:26,320
Speaker 2: maher Like lost his show because he said something.

1096
00:52:26,480 --> 00:52:28,319
Speaker 3: Oh really. Yeah, I didn't know that.

1097
00:52:28,560 --> 00:52:30,880
Speaker 2: Yeah, he was one of the brave truth tellers.

1098
00:52:31,280 --> 00:52:34,080
Speaker 3: Damn good for him.

1099
00:52:34,120 --> 00:52:35,799
Speaker 2: I guess for him, I guess it wasn't impactful enough

1100
00:52:35,800 --> 00:52:43,360
Speaker 2: for me to remember what it was. But yeah, you know,

1101
00:52:43,800 --> 00:52:47,640
Speaker 2: the film Kissing Jessica Stein had its premiere on nine

1102
00:52:47,640 --> 00:52:52,520
Speaker 2: to eleven at a film festival. This is a strike

1103
00:52:52,600 --> 00:52:54,560
Speaker 2: I saw like a Q and A where they were

1104
00:52:54,560 --> 00:52:58,560
Speaker 2: talking about this. It was like a morning premiere or

1105
00:52:58,640 --> 00:53:00,759
Speaker 2: like sort of like noon or one pecause it was like,

1106
00:53:00,840 --> 00:53:02,799
Speaker 2: you know, not a big movie, such an like a

1107
00:53:02,840 --> 00:53:07,319
Speaker 2: gay indie. And I think the story is maybe that

1108
00:53:07,400 --> 00:53:09,319
Speaker 2: they went in and then nine to eleven happened as

1109
00:53:09,320 --> 00:53:11,440
Speaker 2: it was playing and it came out, or it might

1110
00:53:11,480 --> 00:53:14,040
Speaker 2: have been that because there was no internet, like nine

1111
00:53:14,080 --> 00:53:16,560
Speaker 2: to eleven happened, you know, in the two hours leading

1112
00:53:16,640 --> 00:53:18,280
Speaker 2: up to it. But they were like so busy preparing

1113
00:53:18,320 --> 00:53:20,319
Speaker 2: that they were not like watching the news, and so

1114
00:53:20,360 --> 00:53:21,879
Speaker 2: they're just like la la la la la, like time

1115
00:53:21,880 --> 00:53:23,719
Speaker 2: for the Q and A. Meanwhile, nine to eleven is

1116
00:53:23,719 --> 00:53:26,120
Speaker 2: fully happening, wow, and she's like, yeah, I wanted to

1117
00:53:26,120 --> 00:53:28,960
Speaker 2: explore LGBTQ plus and it's like, well, that's not enough

1118
00:53:29,000 --> 00:53:30,000
Speaker 2: to stop the terrorists.

1119
00:53:31,719 --> 00:53:37,560
Speaker 3: Wow, that's tough. You know, what's something you know, how

1120
00:53:37,560 --> 00:53:39,120
Speaker 3: you were talking about how you want to stop looking

1121
00:53:39,120 --> 00:53:42,760
Speaker 3: at Instagram. Yes, I want to stop saying the word random.

1122
00:53:43,360 --> 00:53:44,239
Speaker 2: You don't say that much.

1123
00:53:44,280 --> 00:53:46,000
Speaker 3: I think I feel like I say it so much,

1124
00:53:46,040 --> 00:53:48,200
Speaker 3: and I think it's a crutch, like I'll be like,

1125
00:53:48,200 --> 00:53:49,480
Speaker 3: like I randomly did this?

1126
00:53:49,640 --> 00:53:53,319
Speaker 2: Oh random? Yes, well, actually randomly as an adverb to

1127
00:53:53,400 --> 00:53:55,480
Speaker 2: me is even worse than random as an adjective.

1128
00:53:55,760 --> 00:53:57,840
Speaker 3: And it's like, I do want to I guess you

1129
00:53:57,880 --> 00:54:00,640
Speaker 3: know you're sort of trying. I'm trying to ply like

1130
00:54:01,640 --> 00:54:07,560
Speaker 3: I'm not taking this seriously, but it's hard. It's it's

1131
00:54:08,000 --> 00:54:09,040
Speaker 3: it's out of vogue.

1132
00:54:09,760 --> 00:54:13,040
Speaker 2: Well, yeah, it's been out of vogue, I would say.

1133
00:54:12,840 --> 00:54:14,520
Speaker 3: But not in a way that I'm not talking about

1134
00:54:14,560 --> 00:54:17,440
Speaker 3: randomly as like oh, as like a laugh a laugh line.

1135
00:54:17,440 --> 00:54:21,000
Speaker 3: I'm talking about it as like a like as a

1136
00:54:21,040 --> 00:54:23,480
Speaker 3: flourish a sort of s sure.

1137
00:54:23,360 --> 00:54:25,120
Speaker 2: You know what I feel that way about. Although this

1138
00:54:25,280 --> 00:54:29,040
Speaker 2: is I think maybe sometimes used a laugh line. But

1139
00:54:29,120 --> 00:54:34,600
Speaker 2: a huge of my is casual, like I casually or

1140
00:54:34,680 --> 00:54:36,320
Speaker 2: like talking about a friend of yours ago proud of

1141
00:54:36,360 --> 00:54:38,480
Speaker 2: him being like, uh yeah, she casually graduated with a

1142
00:54:38,520 --> 00:54:41,640
Speaker 2: five point zero GPA. I don't like that or like,

1143
00:54:41,800 --> 00:54:48,560
Speaker 2: oh yeah, I'm casually I don't know, flying to Paris

1144
00:54:48,680 --> 00:54:52,880
Speaker 2: or what like that, ironically saying casually when something is difficult.

1145
00:54:53,320 --> 00:54:55,920
Speaker 3: Yeah, yeah, you know, casual.

1146
00:54:55,880 --> 00:54:58,600
Speaker 2: Yeah exactly. I don't like that. Yeah, I think I

1147
00:54:58,719 --> 00:55:00,920
Speaker 2: maybe like it than random.

1148
00:55:00,960 --> 00:55:05,520
Speaker 3: Wow, But you know what has never wavered for me. Actually,

1149
00:55:06,200 --> 00:55:08,839
Speaker 3: I'm actually more in on literally than I've ever been

1150
00:55:08,840 --> 00:55:09,319
Speaker 3: in my life.

1151
00:55:10,560 --> 00:55:11,480
Speaker 2: Huh.

1152
00:55:11,600 --> 00:55:14,240
Speaker 3: I think literally is like standing the test of time.

1153
00:55:14,880 --> 00:55:18,760
Speaker 3: And I just think it's.

1154
00:55:18,640 --> 00:55:21,320
Speaker 2: The best episode we've ever recorded. I think everyone agrees.

1155
00:55:23,800 --> 00:55:25,840
Speaker 3: I think I first of all, I think this is

1156
00:55:25,840 --> 00:55:27,880
Speaker 3: a groundbreaking episode. I think our guests.

1157
00:55:27,800 --> 00:55:30,440
Speaker 2: Ground has been broken. There's an earthquake because God is

1158
00:55:30,480 --> 00:55:32,920
Speaker 2: angry and he's like, get those faggots out of the

1159
00:55:32,960 --> 00:55:35,120
Speaker 2: studio now.

1160
00:55:34,640 --> 00:55:38,399
Speaker 3: This is a good episode. Okay, we're trying to play

1161
00:55:38,440 --> 00:55:38,960
Speaker 3: with the form.

1162
00:55:39,200 --> 00:55:43,920
Speaker 2: I literally feel like when I could start crying, this.

1163
00:55:43,800 --> 00:55:49,319
Speaker 3: Is okay when podcasting, Yeah, when you zoom out, like

1164
00:55:49,440 --> 00:55:53,120
Speaker 3: you have to talk about little minutia of stuff, and

1165
00:55:53,160 --> 00:55:55,000
Speaker 3: the moment you zoom out and you're like, what are

1166
00:55:55,000 --> 00:55:55,680
Speaker 3: we doing here?

1167
00:55:56,280 --> 00:55:58,799
Speaker 2: You can't It sounds stupid, but.

1168
00:55:58,719 --> 00:56:02,000
Speaker 3: It's like, but if you really commit that little thing

1169
00:56:02,080 --> 00:56:07,560
Speaker 3: can lead to something else. But no, I sound crazy now.

1170
00:56:07,480 --> 00:56:09,360
Speaker 2: I mean my here's and I'm going to say this

1171
00:56:09,440 --> 00:56:11,240
Speaker 2: without spilling the truth.

1172
00:56:11,400 --> 00:56:11,720
Speaker 3: Okay.

1173
00:56:13,200 --> 00:56:15,560
Speaker 2: What I'm struggling with is someone listening and being like,

1174
00:56:15,600 --> 00:56:17,960
Speaker 2: why are they doing this? And the truth is, and

1175
00:56:18,000 --> 00:56:23,000
Speaker 2: without saying anything specific, the truth is due to unexpected circumstances.

1176
00:56:23,160 --> 00:56:27,200
Speaker 2: We have studio time and we did. Is that like,

1177
00:56:27,400 --> 00:56:29,520
Speaker 2: is that okay for me to say? No, no, you

1178
00:56:29,560 --> 00:56:30,600
Speaker 2: don't want to go to the truth.

1179
00:56:31,400 --> 00:56:38,240
Speaker 3: I am shocked. Okay, you know to commit this long yeah,

1180
00:56:38,280 --> 00:56:42,200
Speaker 3: and then apologize.

1181
00:56:40,760 --> 00:56:43,680
Speaker 2: Well, I guess I'm just getting nervous about our guest.

1182
00:56:45,120 --> 00:56:48,080
Speaker 3: Well what's to be nervous about. She's going to be incredible.

1183
00:56:47,600 --> 00:56:50,040
Speaker 2: When so I made up I guess I want to

1184
00:56:50,040 --> 00:56:52,320
Speaker 2: make up whole thing about how we were supposed to

1185
00:56:52,360 --> 00:56:54,000
Speaker 2: have a guest come and then they canceled them, and

1186
00:56:54,040 --> 00:56:58,040
Speaker 2: now we're doing this a random episode. But I don't know.

1187
00:56:58,080 --> 00:57:00,200
Speaker 2: I guess I wanted to be like, oh, what of her?

1188
00:57:00,200 --> 00:57:01,400
Speaker 2: I could take it or leave it. I don't care

1189
00:57:01,440 --> 00:57:04,520
Speaker 2: about her, about the guests, But ultimately it's because I'm nervous.

1190
00:57:05,040 --> 00:57:08,359
Speaker 3: Yeah, yeah, you're trying to get out of inviting.

1191
00:57:10,000 --> 00:57:12,080
Speaker 2: Now, what if she comes in and I get so

1192
00:57:12,160 --> 00:57:15,320
Speaker 2: nervous that I pee my pants, something I've done multiple,

1193
00:57:15,400 --> 00:57:17,439
Speaker 2: multiple times, every time a guest.

1194
00:57:17,560 --> 00:57:20,160
Speaker 3: Anytime. You can tell when George likes a guest, because

1195
00:57:20,200 --> 00:57:24,880
Speaker 3: he I'll be peeing. I'll be peeing. Yeah, I be peeing. Yeah.

1196
00:57:24,920 --> 00:57:27,200
Speaker 3: The guests, I'll refer to it as as the wet

1197
00:57:27,240 --> 00:57:28,120
Speaker 3: seal of approval.

1198
00:57:28,200 --> 00:57:31,720
Speaker 2: Seal of approval is George pissing in his chair. Everyone

1199
00:57:31,720 --> 00:57:34,040
Speaker 2: in the room says not again, Well, but.

1200
00:57:34,000 --> 00:57:35,880
Speaker 3: The guest says, you know, I didn't. It's like getting

1201
00:57:35,880 --> 00:57:36,960
Speaker 3: a Paul Hollywood handshake.

1202
00:57:37,600 --> 00:57:39,640
Speaker 2: That's right, Oh my god, that is so true. Is

1203
00:57:39,680 --> 00:57:42,960
Speaker 2: me peeing is like getting a Paul Yeah?

1204
00:57:43,240 --> 00:57:46,560
Speaker 3: Yeah. Some people don't get one, and they think about

1205
00:57:46,560 --> 00:57:49,240
Speaker 3: it the rest of their lives and they know they're

1206
00:57:49,280 --> 00:57:50,280
Speaker 3: not going to be invited back.

1207
00:57:50,480 --> 00:57:52,760
Speaker 2: You'll ever guess what happened? What My mom has called

1208
00:57:52,800 --> 00:57:55,840
Speaker 2: me twice in the span of this episode. Absolute queen,

1209
00:57:56,200 --> 00:57:59,720
Speaker 2: Absolute queen of calling every single time we are recording the.

1210
00:57:59,680 --> 00:58:02,480
Speaker 3: Way you predicted that at the very beginning, it's just like,

1211
00:58:03,240 --> 00:58:05,000
Speaker 3: do you want to, you know, say something. If she's

1212
00:58:05,000 --> 00:58:06,280
Speaker 3: listening right now.

1213
00:58:05,640 --> 00:58:09,280
Speaker 2: Now, you know what, how do you want to say? Something,

1214
00:58:09,280 --> 00:58:12,960
Speaker 2: which is I have been very bad recently about getting

1215
00:58:12,960 --> 00:58:13,880
Speaker 2: frustrated with her.

1216
00:58:14,360 --> 00:58:16,120
Speaker 3: You know, you've been doing it easily or you haven't

1217
00:58:16,120 --> 00:58:17,200
Speaker 3: been doing it with enough gusto.

1218
00:58:18,640 --> 00:58:22,680
Speaker 2: I just you know, when parents, parents are just being parents, true,

1219
00:58:23,120 --> 00:58:26,120
Speaker 2: and you have to find a way to be chill

1220
00:58:26,160 --> 00:58:30,760
Speaker 2: with that. Yeah, and sometimes you forget that and you

1221
00:58:30,800 --> 00:58:33,200
Speaker 2: treat them as other they're normal people who are not parents.

1222
00:58:33,000 --> 00:58:39,000
Speaker 3: But sometimes they can edit their behavior slightly, and so

1223
00:58:39,040 --> 00:58:40,800
Speaker 3: you have to tell them and what they're doing isn't

1224
00:58:40,840 --> 00:58:41,400
Speaker 3: working for you.

1225
00:58:41,560 --> 00:58:44,560
Speaker 2: One time, my mom just very casually to use the

1226
00:58:44,600 --> 00:58:46,680
Speaker 2: term I hate. We're talking about something else, and I

1227
00:58:46,720 --> 00:58:49,440
Speaker 2: was like, you know, I hope he does this. I legitally,

1228
00:58:49,400 --> 00:58:50,720
Speaker 2: I can not tell you what it was about. And

1229
00:58:50,760 --> 00:58:53,160
Speaker 2: she just very casually, matter of factly goes, well, you know,

1230
00:58:53,200 --> 00:58:55,400
Speaker 2: people don't change anyway, And then she was just it

1231
00:58:55,480 --> 00:58:57,200
Speaker 2: was just like something that she has decided. Like she

1232
00:58:57,320 --> 00:58:59,240
Speaker 2: was just like, yeah, I mean, it would be nice

1233
00:58:59,280 --> 00:59:01,920
Speaker 2: if people could change, but of course scientifically they can.

1234
00:59:02,040 --> 00:59:03,480
Speaker 2: So what's the plan. B.

1235
00:59:04,760 --> 00:59:05,920
Speaker 3: Your mom's very decisive.

1236
00:59:06,040 --> 00:59:10,920
Speaker 2: She's very decisive. She is she's in fact, an incredibly intelligent,

1237
00:59:11,120 --> 00:59:19,000
Speaker 2: genuinely incredibly intelligent person, so smart but really like is

1238
00:59:19,120 --> 00:59:24,720
Speaker 2: not a does not question things. She thinks she knows. Yeah,

1239
00:59:24,760 --> 00:59:27,400
Speaker 2: And sometimes you will question something and she'll be like

1240
00:59:27,720 --> 00:59:30,400
Speaker 2: completely shocked and maybe you can convince her, but she'll

1241
00:59:30,440 --> 00:59:32,880
Speaker 2: be like, it is insane that you ever questioned that

1242
00:59:32,960 --> 00:59:34,920
Speaker 2: people could change.

1243
00:59:36,800 --> 00:59:44,640
Speaker 3: Well, anyway, that's I disagree with her. I think people

1244
00:59:44,720 --> 00:59:47,919
Speaker 3: can change. And George's mom, if you're listening, I think

1245
00:59:48,160 --> 00:59:49,000
Speaker 3: people can change.

1246
00:59:49,040 --> 00:59:51,280
Speaker 2: Like one day they say they're going to do the podcast.

1247
00:59:51,320 --> 00:59:52,520
Speaker 2: On the next day they don't.

1248
00:59:53,680 --> 00:59:54,720
Speaker 3: I can't believe.

1249
00:59:54,960 --> 00:59:57,600
Speaker 2: But sorry, this is you know that. This is one

1250
00:59:57,600 --> 00:59:59,360
Speaker 2: of our main differences. This is one of our main

1251
00:59:59,560 --> 01:00:02,480
Speaker 2: is I I like addressing the awkward thing. I like

1252
01:00:02,520 --> 01:00:04,160
Speaker 2: addressing the elephant in the room, and you don't.

1253
01:00:04,840 --> 01:00:08,840
Speaker 3: Well, it depends if it's like I like addressing the

1254
01:00:08,880 --> 01:00:12,360
Speaker 3: awkward thing, if it's like more in a positive direction.

1255
01:00:12,960 --> 01:00:15,720
Speaker 3: I don't like addressing the awkward thing if it's like

1256
01:00:16,720 --> 01:00:18,920
Speaker 3: sort of just leading to like if it's sort of

1257
01:00:18,960 --> 01:00:21,480
Speaker 3: as a way of apologizing for being here, like if

1258
01:00:21,480 --> 01:00:24,240
Speaker 3: it's sort of being like, so it's not as good

1259
01:00:24,280 --> 01:00:25,040
Speaker 3: as it would have been.

1260
01:00:25,160 --> 01:00:30,560
Speaker 2: But no, you're right, right, But yeah, I guess I

1261
01:00:30,560 --> 01:00:32,800
Speaker 2: I mean, maybe you are completely right, and I need

1262
01:00:32,840 --> 01:00:35,840
Speaker 2: to fully like get on board. And I think we've

1263
01:00:35,880 --> 01:00:37,480
Speaker 2: sort of found a middle ground. Not I'm not talking

1264
01:00:37,520 --> 01:00:39,920
Speaker 2: about this, I'm talking about generally, like in our performance.

1265
01:00:40,160 --> 01:00:41,680
Speaker 2: Yeah yeah, and then we found a middle ground. But

1266
01:00:41,680 --> 01:00:43,760
Speaker 2: there is a part of it that's like, but you

1267
01:00:43,880 --> 01:00:46,280
Speaker 2: gotta It's like it's very old comedy to be like,

1268
01:00:46,320 --> 01:00:48,080
Speaker 2: you gotta talk about the one thing you don't want

1269
01:00:48,080 --> 01:00:48,640
Speaker 2: to talk about.

1270
01:00:49,400 --> 01:00:51,480
Speaker 3: But I mean, I know what you mean, and I

1271
01:00:51,560 --> 01:00:54,360
Speaker 3: think I generally agree. Yeah, there's just something about like

1272
01:00:54,800 --> 01:00:58,880
Speaker 3: you also have to like the audience has to trust you,

1273
01:00:58,920 --> 01:01:01,680
Speaker 3: like they're looking to you guidance, I think. And so

1274
01:01:01,720 --> 01:01:03,440
Speaker 3: if you're like, this one's not as good as this

1275
01:01:03,880 --> 01:01:04,600
Speaker 3: it would have been.

1276
01:01:04,480 --> 01:01:06,600
Speaker 2: I would never I see what you're saying. I see

1277
01:01:06,640 --> 01:01:07,120
Speaker 2: what you're saying.

1278
01:01:07,600 --> 01:01:09,280
Speaker 3: Then they'll be like, yes, what if.

1279
01:01:09,200 --> 01:01:11,440
Speaker 2: Something even better comes out of that uncertainty?

1280
01:01:11,840 --> 01:01:15,600
Speaker 3: Well, I think I just think it's the way it's

1281
01:01:15,640 --> 01:01:17,760
Speaker 3: presented and that's all that matters.

1282
01:01:18,480 --> 01:01:19,960
Speaker 2: I mean, this is something our guest knows a lot

1283
01:01:20,000 --> 01:01:23,640
Speaker 2: about because she also has a degree in psychology. Social psychology.

1284
01:01:23,920 --> 01:01:26,240
Speaker 3: Well, and you know, she started.

1285
01:01:26,800 --> 01:01:30,080
Speaker 2: As a comedian and as a mental patient.

1286
01:01:31,200 --> 01:01:33,440
Speaker 3: She was a joker. She was just what the joker

1287
01:01:33,480 --> 01:01:34,000
Speaker 3: is based on.

1288
01:01:34,520 --> 01:01:37,040
Speaker 2: It's actually so funny. In her she was still a

1289
01:01:37,080 --> 01:01:42,480
Speaker 2: teenager actually, and she was mentally mentally and not in

1290
01:01:42,520 --> 01:01:44,600
Speaker 2: the way that we're now destigmatizing, actually in the way

1291
01:01:44,640 --> 01:01:46,080
Speaker 2: that it's still stigmatized to this day.

1292
01:01:46,120 --> 01:01:48,120
Speaker 3: Let's just say, when she heard about the purge, she said,

1293
01:01:48,200 --> 01:01:49,400
Speaker 3: I would like to do that. Yees.

1294
01:01:49,520 --> 01:01:52,280
Speaker 2: She actually invented the purge.

1295
01:01:52,600 --> 01:01:54,560
Speaker 3: Yeah, and she ran for office.

1296
01:01:54,560 --> 01:01:57,320
Speaker 2: She ran for office, and when people she was actually,

1297
01:01:57,440 --> 01:01:59,400
Speaker 2: you know, it's sort of that psychopathic behavior where you're

1298
01:01:59,440 --> 01:02:02,480
Speaker 2: so convinced that people don't recognize at your psychopath And

1299
01:02:02,520 --> 01:02:05,160
Speaker 2: then did the purge. Purge happened, Literally millions of people died.

1300
01:02:05,240 --> 01:02:08,160
Speaker 2: And then finally, you know, a Democrat was elected and

1301
01:02:08,240 --> 01:02:11,600
Speaker 2: he was like, hello, this woman is fucking insane, y'all.

1302
01:02:11,840 --> 01:02:14,360
Speaker 2: And so that then they put her, the government placed

1303
01:02:14,400 --> 01:02:18,280
Speaker 2: her in a sort of facility like American horror story asylum.

1304
01:02:18,800 --> 01:02:20,880
Speaker 2: She was placed there for hysteria.

1305
01:02:21,200 --> 01:02:25,160
Speaker 3: Yeah, And who was in her cell an acting coach.

1306
01:02:24,960 --> 01:02:28,160
Speaker 2: An acting coach, and the acting coach says, girlfriend, you

1307
01:02:28,240 --> 01:02:29,160
Speaker 2: have something.

1308
01:02:28,840 --> 01:02:30,280
Speaker 3: You have passion, you have fire.

1309
01:02:30,840 --> 01:02:33,400
Speaker 2: Now. Of course, the acting coach also a mental patient.

1310
01:02:33,520 --> 01:02:36,160
Speaker 2: So it was a bit difficult because a lot of

1311
01:02:36,160 --> 01:02:38,240
Speaker 2: stuff was like getting lost in translation. I mean these

1312
01:02:38,280 --> 01:02:41,960
Speaker 2: women were eating like balls of foam, punching the wall,

1313
01:02:42,520 --> 01:02:47,160
Speaker 2: trying to escape. I mean it was difficult, for sure.

1314
01:02:46,920 --> 01:02:49,680
Speaker 3: But that's why she's such an incredible performer. Knows how

1315
01:02:49,720 --> 01:02:51,760
Speaker 3: to use her body, she knows how they use her face.

1316
01:02:51,880 --> 01:02:55,800
Speaker 3: She her vocal range is insane.

1317
01:02:56,240 --> 01:02:59,680
Speaker 2: Oh, she's has more vocal range than Mariah Carey. And

1318
01:02:59,720 --> 01:03:01,800
Speaker 2: her holiday albums have sold more than All I Want

1319
01:03:01,840 --> 01:03:03,920
Speaker 2: for Christmas is You. But the issue is all of

1320
01:03:03,960 --> 01:03:09,200
Speaker 2: them are wildly problematic. The lyrics are offensive in a

1321
01:03:09,240 --> 01:03:12,880
Speaker 2: way that I didn't even know was possible. Yeah, because

1322
01:03:12,880 --> 01:03:16,320
Speaker 2: she wrote them all while in the asylum.

1323
01:03:18,320 --> 01:03:22,440
Speaker 3: But she's apologized for that. Yeah, and like, yeah, people change,

1324
01:03:22,640 --> 01:03:24,280
Speaker 3: of course, Sorry, George, his mom people change.

1325
01:03:24,360 --> 01:03:26,360
Speaker 2: Yeah, No, And I've told my you know, my mom

1326
01:03:26,640 --> 01:03:28,680
Speaker 2: hates this person because she says that's a witch. People

1327
01:03:28,680 --> 01:03:29,680
Speaker 2: don't change. She's a witch.

1328
01:03:29,720 --> 01:03:31,840
Speaker 3: She's a witch. And that's why your mom is called

1329
01:03:31,880 --> 01:03:33,320
Speaker 3: twice because she had a feeling.

1330
01:03:33,440 --> 01:03:35,040
Speaker 2: Yeah, Well, she was like, I can't believe they're having

1331
01:03:35,080 --> 01:03:37,080
Speaker 2: that woman on. I'm going to disown my gay son,

1332
01:03:37,160 --> 01:03:39,680
Speaker 2: not because he's gay, because he's having my nemesis on

1333
01:03:39,720 --> 01:03:40,360
Speaker 2: his podcast.

1334
01:03:40,440 --> 01:03:42,320
Speaker 3: But let's just say that he wouldn't have my nemesis

1335
01:03:42,320 --> 01:03:43,120
Speaker 3: on if he wasn't gay.

1336
01:03:43,160 --> 01:03:44,720
Speaker 2: Well, of course, needless to say, I mean she's a

1337
01:03:44,720 --> 01:03:47,280
Speaker 2: gay icon, that is no doubt.

1338
01:03:47,440 --> 01:03:48,720
Speaker 3: I mean, that's where it gets complicated.

1339
01:03:48,800 --> 01:03:51,880
Speaker 2: She literally is female joker, was in an asylum, learned

1340
01:03:51,920 --> 01:03:54,600
Speaker 2: acting in an asylum, became an actress when on NCIS,

1341
01:03:54,680 --> 01:03:56,640
Speaker 2: decided to do a PhD and biology because she started

1342
01:03:56,640 --> 01:03:58,520
Speaker 2: doing all the work for real on NCIS, then went

1343
01:03:58,560 --> 01:04:02,120
Speaker 2: back to NCAS as a joke as a bit, got

1344
01:04:02,160 --> 01:04:04,920
Speaker 2: an Emmy on that season. First season back, got an

1345
01:04:04,960 --> 01:04:07,480
Speaker 2: Emmy on screen for five minutes on scream for five minutes.

1346
01:04:07,760 --> 01:04:09,480
Speaker 2: Then immediately was like, I got to go to the

1347
01:04:09,560 --> 01:04:11,920
Speaker 2: lab because I'm a biologist, got a Nobel Prize.

1348
01:04:12,080 --> 01:04:19,360
Speaker 3: Yeah, invented the antibiotic that you can drink on Oh yeah.

1349
01:04:19,920 --> 01:04:23,480
Speaker 2: Well at the asylum, she kept getting UTIs and people

1350
01:04:23,480 --> 01:04:25,200
Speaker 2: thought she was lying because she was of course an

1351
01:04:25,240 --> 01:04:25,960
Speaker 2: insane person.

1352
01:04:26,960 --> 01:04:28,360
Speaker 3: But believe women, y'all.

1353
01:04:28,240 --> 01:04:30,680
Speaker 2: Believe women, and you know it's Zara the boy who

1354
01:04:30,720 --> 01:04:32,080
Speaker 2: cried Utiah.

1355
01:04:32,160 --> 01:04:33,640
Speaker 3: Yeah yeah, which.

1356
01:04:33,440 --> 01:04:36,520
Speaker 2: Is the title of her memoir out now from W Norton.

1357
01:04:37,640 --> 01:04:39,160
Speaker 3: Wow, w W Norton.

1358
01:04:39,240 --> 01:04:41,160
Speaker 2: Whatever, it's one of the big publishers.

1359
01:04:41,600 --> 01:04:44,160
Speaker 3: Yeah, one of those really big publishers.

1360
01:04:43,600 --> 01:04:46,240
Speaker 2: Publishers, big book, huge book, the coffee table book.

1361
01:04:46,320 --> 01:04:47,080
Speaker 3: Everyone's loving it.

1362
01:04:47,080 --> 01:04:49,800
Speaker 2: It's a first memoir released as the size of a

1363
01:04:49,840 --> 01:04:50,720
Speaker 2: coffee table book.

1364
01:04:50,760 --> 01:04:53,200
Speaker 3: But it's all text, and it's already getting to that

1365
01:04:53,240 --> 01:04:54,920
Speaker 3: point where some people are making fun of it as

1366
01:04:54,920 --> 01:04:57,040
Speaker 3: a trope that people will have in their nice home.

1367
01:04:57,280 --> 01:04:58,600
Speaker 3: Yes to stage it.

1368
01:05:00,120 --> 01:05:02,480
Speaker 2: Yeah, The Boy who Cried Uti. See that's I talk

1369
01:05:02,520 --> 01:05:04,880
Speaker 2: about gender play. She's a woman. She's on her memoir

1370
01:05:04,920 --> 01:05:07,080
Speaker 2: called The Boy Who Cried Uti. It's about her time

1371
01:05:07,080 --> 01:05:08,600
Speaker 2: in the asylum and in office.

1372
01:05:08,960 --> 01:05:11,240
Speaker 3: Yeah huh.

1373
01:05:11,600 --> 01:05:12,840
Speaker 2: But she's not without her flaws.

1374
01:05:13,120 --> 01:05:15,720
Speaker 3: Of course, your mom has some good points.

1375
01:05:15,800 --> 01:05:17,520
Speaker 2: My mom has some good points. I mean she does

1376
01:05:17,560 --> 01:05:19,160
Speaker 2: still on occasion murder.

1377
01:05:21,120 --> 01:05:23,400
Speaker 3: Well, she as long as she schedules her purge day

1378
01:05:24,000 --> 01:05:25,840
Speaker 3: thirty days in advance, of course.

1379
01:05:25,920 --> 01:05:27,720
Speaker 2: But the thing is, the purge is no longer legal

1380
01:05:27,760 --> 01:05:30,800
Speaker 2: in this country. They made it illegal back when they

1381
01:05:30,800 --> 01:05:33,440
Speaker 2: sent her to the asylum. But she refuses because she's

1382
01:05:33,440 --> 01:05:35,280
Speaker 2: not on the internet. She doesn't know that the law

1383
01:05:35,320 --> 01:05:35,920
Speaker 2: has changed.

1384
01:05:36,840 --> 01:05:39,240
Speaker 3: Oh god, she's just not finding out.

1385
01:05:39,280 --> 01:05:41,880
Speaker 2: She's just not finding out. She's mouthing. Sorry, it's okay,

1386
01:05:41,920 --> 01:05:42,320
Speaker 2: it's okay.

1387
01:05:42,400 --> 01:05:42,960
Speaker 3: We forgive you.

1388
01:05:43,240 --> 01:05:44,800
Speaker 2: Yeah. Oh, bloody knife.

1389
01:05:44,880 --> 01:05:48,040
Speaker 3: Okay, she killed someone at, she killed someone at iHeart?

1390
01:05:48,040 --> 01:05:50,600
Speaker 2: Oh my god, Wow.

1391
01:05:50,960 --> 01:05:52,000
Speaker 3: Could someone clean that up?

1392
01:05:52,880 --> 01:05:54,240
Speaker 2: They're so nice here. Yeah.

1393
01:05:54,320 --> 01:05:54,800
Speaker 3: I love it.

1394
01:05:54,920 --> 01:05:57,400
Speaker 2: They're always cleaning up either my piss or someone blood better,

1395
01:05:57,520 --> 01:05:58,400
Speaker 2: guests murdered?

1396
01:06:01,760 --> 01:06:03,840
Speaker 3: Okay, well let's bring our guests.

1397
01:06:04,000 --> 01:06:09,000
Speaker 2: Yeah all right, Well, ladies and gentlemen. Janelle Manee podcast

1398
01:06:09,040 --> 01:06:12,960
Speaker 2: and now want more. Subscribe to our Patreon for two

1399
01:06:13,080 --> 01:06:16,800
Speaker 2: extra episodes a month, discord access and more by heading

1400
01:06:16,840 --> 01:06:19,760
Speaker 2: to patreon dot com. Slash Stradio lab.

1401
01:06:19,800 --> 01:06:22,439
Speaker 3: And for all our visual learners, free full length video

1402
01:06:22,440 --> 01:06:24,280
Speaker 3: episodes are available on our YouTube.

1403
01:06:24,520 --> 01:06:38,520
Speaker 1: Now get back to work.