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Speaker 1: What's interesting this season for some reason that I'm watching

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Speaker 1: on the show.

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Speaker 2: Is Kenya Moore being slutshained.

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Speaker 1: And when I say that, I'm not calling Kenya more slut,

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Speaker 1: so let's be very clear. But there's this constant conversation

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Speaker 1: about her sexual history that I think is very interesting

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Speaker 1: because I don't think it's bad that Kenya is just

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Speaker 1: saying to Candy, I felt uncomfortable having vibrating panties on

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Speaker 1: that other people, including men, can control.

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Speaker 2: Stay tuned.

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Speaker 1: We'll get into my recap of the Real Housewives of

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Speaker 1: Atlanta recent episode right after this quick break. Hey, rain drops,

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Speaker 1: So we have a very special episode today. I am

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Speaker 1: recapping the most recent episode of the Real Housewives of Atlanta. Yes,

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Speaker 1: as you all know, I was taping my late night

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Speaker 1: show on own call The Nightcap with Carlos King. First

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Speaker 1: of all, thank you all so much for watching it.

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Speaker 1: The show is doing really well in the ratings. Everyone

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Speaker 1: loves it. Thank you so much for supporting it. So

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Speaker 1: now that I'm back, you know, I want to recap

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Speaker 1: these episodes weekly. So I haven't recapped an episode of

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Speaker 1: the Real Housewives of Atlanta since episode one, the premiere,

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Speaker 1: which I gave it a B plus. Remember, and I

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Speaker 1: said that, you know what what I'm seeing right now

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Speaker 1: is Marlow is carrying the show and that you.

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Speaker 2: May want to rename the show the Real Marlowe of Atlanta.

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Speaker 1: Yes, and then obviously we have Marlo Hampton on as well, which,

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Speaker 1: by the way, that particular episode broke Twitter and it also,

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Speaker 1: you know, increase some viewership for the show.

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Speaker 2: Yeah.

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Speaker 1: So the fourth we call Brolockhampton is working overtime. And

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Speaker 1: after watching this most recent episode, I have to say

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Speaker 1: I was right. This is the marlow Show, ladies and gentlemen,

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Speaker 1: and she is making sure that these ladies are working. So, look,

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Speaker 1: this recap is going to be very different. I'm not

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Speaker 1: going to go play by play talking about every single

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Speaker 1: scene and dissect everything because who got tient for that child?

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Speaker 2: I certainly don't.

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Speaker 1: Instead, we're going to talk about big picture moments.

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Speaker 2: I know you guys care.

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Speaker 1: More about like, tell us what you think about it,

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Speaker 1: give it to a straight no chaser, and then let's

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Speaker 1: go on Twitter and throw you shade in case we

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Speaker 1: disagree with you. So let's get started. I have to

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Speaker 1: say this week's episode was It's fine, it wasn't great.

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Speaker 1: I really did enjoy their prior week's episode when it

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Speaker 1: was the aftermath of Charae being left stranded honey in

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Speaker 1: Philadelphia with her Mary J. Blige, no drama fur and

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Speaker 1: her outfit and sunglasses. Honey, Yes, with Chara Charay was

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Speaker 1: giving all of us Mary J.

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Speaker 2: Blige with the fashions, and I was here for it.

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Speaker 1: So the aftermath of that was the episode where Marlowe

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Speaker 1: came over told her like, we need to get you

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Speaker 1: out of the house, and Marlow's for her car and

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Speaker 1: had like this fendy shopping spree and it was this

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Speaker 1: beautiful sisterhood moment. And when I say to you, guys,

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Speaker 1: I loved that scene so much.

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Speaker 2: I loved it. I loved it. I loved it.

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Speaker 1: Because to me, what makes the Real Housewives of Atalanta

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Speaker 1: so special. Yes, they're funny, they throw shade, they know

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Speaker 1: how to read. They're the best comedians out of the

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Speaker 1: franchise period right, which is why they've always been number one.

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Speaker 1: But one thing about that franchise as well as the

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Speaker 1: personal story, so to see Charae be vulnerable and Marlowe

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Speaker 1: be vulnerable, I was here for it. So I loved

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Speaker 1: that episode. I loved it so much. I sent a

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Speaker 1: text to the showrunner saying, now this episode you're on

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Speaker 1: point with.

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Speaker 2: Yeah, HODEI in my phavor voice.

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Speaker 1: I'm teasing you know, I'm silly, but no, I really

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Speaker 1: did love that episode. So this particular episode the continuation

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Speaker 1: of Sanya's event with her mom, and we had the

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Speaker 1: legendary Mama Joys there and then it starts with Drew

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Speaker 1: Sodora entering the scene where should I begin? Remember, guys,

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Speaker 1: I really did like episode one. I gave it a

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Speaker 1: B plus, which is a great grade for a season

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Speaker 1: premiere episode. Episode two of the Real Hotspots of Atlanta

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Speaker 1: was a D. I hated that episode. It was a

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Speaker 1: D plus and the D stood for Drew because I

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Speaker 1: wasn't too fond of the acting scene that end of

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Speaker 1: the episode between her and Ralph. I don't know. I'm

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Speaker 1: not buying what they selling, honey. It gave me very

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Speaker 1: much Lifetime Movie of the Week executive produced by Bishop T.

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Speaker 1: D Jakes and directed by Robin Gibbons. I was not

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Speaker 1: here for it. I thought that was some of Drew's

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Speaker 1: best acting work that I have seen since the Game,

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Speaker 1: and since she played t Boss in the TLC.

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Speaker 2: Biopic, honey.

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Speaker 1: I mean, look, in the words of t Boss, Drew,

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Speaker 1: don't go chasing water falls.

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Speaker 2: Just stick to the rivers and the lakes that we're

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Speaker 2: used to.

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Speaker 1: I just think her and Ralph studied Love and Marriage

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Speaker 1: Huntsville and said, you and I are going to be

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Speaker 1: the Melody and Martell Holt of the Real Housewives of Atlanta,

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Speaker 1: and we're going to give this world some scenes. I

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Speaker 1: don't buy it. I don't, so I've been very hard

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Speaker 1: on Drew since then. However, Comma this episode, I'm starting

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Speaker 1: to like Drew. And the reason why I'm starting to

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Speaker 1: like Drew is because Sonya is so insufferable.

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Speaker 2: She really is looking for a moment.

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Speaker 1: And the reason why I'm siding with Drew is because

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Speaker 1: when Drew is faced with something that she and her

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Speaker 1: four assistance and rap did not plan or did not

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Speaker 1: script out, She's really a good housewife. Because Sonya checked

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Speaker 1: Drew and it was unexpected for Drew. Drew gave great

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Speaker 1: moments because it wasn't anything that was pre planned or

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Speaker 1: pre produced or pre written or predirected or pre scored,

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Speaker 1: do you know what I mean? Like, it was a

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Speaker 1: real moment. And when Drew is faced with the real moments.

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Speaker 1: She actually is a great housewife, and I want to

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Speaker 1: see more of that. So let's be real here. Sonya

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Speaker 1: is looking for a moment, and let me tell you

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Speaker 1: what that means. So every once in a while, when

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Speaker 1: you're watching, especially the Real Housewives of Atlanta, those women

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Speaker 1: have this thing called a moment. You're looking for a moment.

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Speaker 1: I'm not giving you a moment. You're looking for a moment.

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Speaker 1: And if you listen to my episode with Marlow Hampton,

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Speaker 1: remember how Marlow said during season nine, Yes, honey, that

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Speaker 1: epic season when the girls went camping and her and

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Speaker 1: Kenya Moore were getting into it, and Marlow said that

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Speaker 1: Kenya told her, you're looking for a moment. I'm not

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Speaker 1: giving you a moment, and that I Carlos King said, honey,

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Speaker 1: you will give her a moment.

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Speaker 2: You will give her whatever she needs. Okay.

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Speaker 1: So when my wife says that they feel like a

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Speaker 1: particular housewife or friend to the show is looking for

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Speaker 1: a moment to make herself relevant on the show.

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Speaker 2: And sometimes that is true.

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Speaker 1: And what I can tell you, guys, is the fact

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Speaker 1: that that's what.

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Speaker 2: Sonya is doing.

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Speaker 1: Because it doesn't make any sense that all of a sudden,

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Speaker 1: you're creating this fake beef out of nowhere.

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Speaker 2: It is my fundamental belief.

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Speaker 1: That a producer must have told Sonya you are not

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Speaker 1: good and you don't have anything that is happening that

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Speaker 1: makes you interesting as it relates to your friendships with

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Speaker 1: these ladies. And I believe, as the former producer of

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Speaker 1: that show, that Sonya was looking to get a moment

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Speaker 1: off of Drew.

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Speaker 2: And let me tell you, guys, why I know that

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Speaker 2: to be true.

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Speaker 1: Drew looked at Sonya like, what are you doing and

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Speaker 1: why didn't you tell me that when we were getting

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Speaker 1: our hair and makeup done? And what Drew was saying

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Speaker 1: to Sonya that moment is game recognizes game, Actress recognizes actress.

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Speaker 1: I'm an actress and clearly you're acting in this moment

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Speaker 1: to Sonya. And I'm telling you, I know you're looking

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Speaker 1: for a moment because none of this is making sense.

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Speaker 1: And that's why a lot of people are confused as

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Speaker 1: to why Sonya all of a sudden, has this issue

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Speaker 1: with Drew because it came out of thin air. And

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Speaker 1: the reason why it came out of thin air is

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Speaker 1: because Sonya needed to do.

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Speaker 2: Something to remain relevant on the show.

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Speaker 1: She's a new housewife, and when you are a new housewife,

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Speaker 1: you do have all this pressure put on you to

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Speaker 1: be relevant.

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Speaker 2: So she's using Drew to be relevant.

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Speaker 1: And because she's doing that, I am signing more with Drew.

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Speaker 1: And I think Drew is so interesting now because she

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Speaker 1: definitely is warming up to the audience by being her

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Speaker 1: authentic self. Sonya, listen, y'all know me. I'm not mean

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Speaker 1: suspit here. It did, but I'm gonna keep it funky.

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Speaker 1: Sonya is a cloud chaser to me. Yes, you have

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Speaker 1: fold Olympic gold medals. That's fine. You even brought it

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Speaker 1: to the table with screened I'm looking for a moment, honey,

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Speaker 1: obbos with Drew. When Drew said, Kenya Moore, it's miss Usa.

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Speaker 1: Is she bringing her crown to a scene? I'm with you,

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Speaker 1: sed this that was That was the epitome of doing

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Speaker 1: the most. Sonya is not coming across natural because she

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Speaker 1: is looking for moments to happen.

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Speaker 2: And I don't know.

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Speaker 1: I find Sonya to be very unlikable. I find her

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Speaker 1: to be unlikable so far, but remember I found Drew

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Speaker 1: to be unlikable too, until Drew decided to remove the

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Speaker 1: script from her purse and decided to be more invested

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Speaker 1: and more present in the scene. And that's why is

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Speaker 1: becoming way more interesting to me than she was last

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Speaker 1: season and at the top of the season.

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Speaker 2: So that's why Mama Joyce.

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Speaker 1: Which, by the way, I was so happy to see

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Speaker 1: Mama Joyce back on our screens, Honey, in the small

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Speaker 1: section that they aired of her, gave me everything I

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Speaker 1: needed and I wanted more. Anytime Mama Joyce tells y'all

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Speaker 1: this argument is significant. It's because the legendary Mama Joyce

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Speaker 1: also knows a fake moment when.

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Speaker 2: She sees one.

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Speaker 1: Mama Joyce is a legend. I believe that Mama joy

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Speaker 1: sat there and was like, what is this. You guys

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Speaker 1: invited me to go to this all girls event.

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Speaker 2: I've been to girls event.

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Speaker 1: I was the one who got the party started at

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Speaker 1: Candy's Food Tasting season nine when she told a remember.

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Speaker 2: Mama Joyce Todra.

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Speaker 1: Yeah, you know I saw him on the news that

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Speaker 1: you know that guy had a bomb because he said

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Speaker 1: he got tired of you playing with him and he

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Speaker 1: was gonna blow you to fuck up.

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Speaker 2: Yeah.

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Speaker 1: No, he said he was gonna blow you to fuck up. No,

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Speaker 1: he said he got tired of you playing with him.

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Speaker 2: He was going to blow you the fuck up.

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Speaker 1: And Kenya legend Moore said, I got that part, Mama Joyce.

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Speaker 1: He wanted to blow her the fuck up. Yes, Mama

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Speaker 1: Joyce even knows what a good scene is in a

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Speaker 1: good moment. And when she said to those women, how

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Speaker 1: this is so significant?

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Speaker 2: That goes to show you, guys that what I'm saying

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Speaker 2: is right.

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Speaker 1: And my advice to Sonya, and I don't mean to

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Speaker 1: bush your name, because I'm not that guy. If I'm

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Speaker 1: saying you're wrong, I apologize in my Nita Baker voice.

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Speaker 1: My advice to you, shall you be back next season,

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Speaker 1: which I think you will be. Just be yourself and

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Speaker 1: don't look for moments, but create moments, honey, because as

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Speaker 1: of now, I'm not interested in anything that you're selling,

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Speaker 1: none of it, Honey. I'm over it and I'm not

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Speaker 1: into it, okay, But what I am into is.

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Speaker 2: Your mama, honey.

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Speaker 1: Yes, Mama Sonya to me is going to be great

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Speaker 1: television and I really do want to see more from her.

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Speaker 1: What's interesting about Mama Sonya, which listen, I feel so

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Speaker 1: bad I forgot her name, so We're gonna call her

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Speaker 1: Mama Sonya.

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Speaker 2: Honey.

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Speaker 1: What I like about Mama Sonya is she reminds me

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Speaker 1: of Mama Joyce in the sense of she is overprotective

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Speaker 1: of her daughter and she is going to raise hell

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Speaker 1: based on what her daughter tells her. And what makes

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Speaker 1: her a great reality start that I'm seeing so far

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Speaker 1: that her daughter should take note of is the fact

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Speaker 1: that she is present and seene and she has an opinion,

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Speaker 1: and you can tell she is reacting to what's happening

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Speaker 1: in the moment because when Kenya Moore talks about rehearsed reads,

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Speaker 1: Sonya gave a rehearse read that whole Honey, I'm a

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Speaker 1: for Olympic gold medalist, Honey, like girl, you have been

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Speaker 1: waiting to say that since you held the peach. You

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Speaker 1: have been waiting to say that, since they called you

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Speaker 1: and said you were a housewife.

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Speaker 2: You have been sitting on that.

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Speaker 1: When people say sitting on ready, you were sitting on

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Speaker 1: the read.

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Speaker 2: That was a rehearse read.

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Speaker 1: I'm not mad at it, but again my advice is

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Speaker 1: make it sound less rehearsed. So moving forward, when you

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Speaker 1: have these things you want to say, just don't rehearse

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Speaker 1: it in the mirror like your Easter ray on Insecure

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Speaker 1: talking to the Insecure version of herself. Okay, that's my

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Speaker 1: advice to you. But your mother is great, she's present,

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Speaker 1: So I do think you will have a good shelf

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Speaker 1: life on the show, especially because your mom is great

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Speaker 1: and your husband is fine.

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Speaker 2: Stay tuned as I get.

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Speaker 1: Into more of my Real Housewives of Atlanta episode recap.

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Speaker 1: This is just getting good, y'all. We'll be right back

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Speaker 1: after this quick break. This is reality with the King,

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Speaker 1: and I'm Carlos King. Let's get back into my Real

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Speaker 1: Housewives of Atlanta episode recap. There's this big issue happening

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Speaker 1: about slutshaming and being sexually free.

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Speaker 2: You know, one thing about the Real.

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Speaker 1: Housewives of Atlanta that I've always enjoyed is the fact

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Speaker 1: that these women are free spirits. You know, no one

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Speaker 1: ever slut shamed Portia when she called herself the Princess

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Speaker 1: of thought Landia.

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Speaker 2: You know, it was always fun and funny.

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Speaker 1: What's interesting this season, for some reason that I'm watching

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Speaker 1: on the show.

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Speaker 2: Is Kenya Moore being slut shamed.

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Speaker 1: And when I say that, I'm not calling Kenya more slut.

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Speaker 1: So let's be very clear but there's this constant conversation

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Speaker 1: about her sexual history that I think is very interesting

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Speaker 1: because I don't think it's bad that Kenya is just

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Speaker 1: saying to Candy, I felt uncomfortable having vibrating panties on,

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Speaker 1: that other people, including men, can control, that they can

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Speaker 1: control my orgasms, that they can control my stimulation, that

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Speaker 1: they can control my vibration, that they can control my vagina.

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Speaker 1: Like I don't think anyone should control someone else's vagina

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Speaker 1: unless it's a mutual understanding that I want you to

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Speaker 1: do it.

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Speaker 2: So I don't think that's a problem.

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Speaker 1: Listen, we all know that Candy is sexually free, and

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Speaker 1: I give her all the profits in the world for

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Speaker 1: being open about that because she didn't have to tell

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Speaker 1: anybody that she's been with women before. You know, she

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Speaker 1: has a very highly successful vibrating line and sex toy line.

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Speaker 2: Like, Candy is a boss.

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Speaker 1: She's rich, and she has made millions off of this business.

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Speaker 1: I love that about her. You know, Candy doesn't skip

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Speaker 1: a check, and I think that's beautiful. And listen in

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Speaker 1: Candy's defense because.

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Speaker 2: I know Candy, y'all, don't.

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Speaker 1: Y'all be going in and don't know the woman I

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Speaker 1: actually know Candy, and Candy's defense the vibrating panties was

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Speaker 1: her being a marketing executive. She wanted to promote the

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Speaker 1: latest venture from the Bid Room Candy line. So in

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Speaker 1: Candy's defense, what she was trying to do was use

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Speaker 1: the show to promote her business. But wearing the vibrating

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Speaker 1: panties is one thing I do think where things got

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Speaker 1: messed stuff, in my opinion is when she revealed that

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Speaker 1: other people could control the vibration. That's the part I

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Speaker 1: think she messed up, because then it's sort of like,

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Speaker 1: this isn't consensual. If I want your husband or these

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Speaker 1: men to control my underwear, then let me tell them

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Speaker 1: to control it. But the fact that I'm walking around

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Speaker 1: Broadway in Times Square and I'm walking on the pavement

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Speaker 1: in my lubatons and I'm almost falling through the pavement

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Speaker 1: cracks because my kouchi is vibrating, and I'm trying to

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Speaker 1: watch this play and I can't watch it because I'm

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Speaker 1: too busy in lust. Because somebody in our five at

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Speaker 1: the theater, Honey, is controlling my vagina. That's where things

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Speaker 1: got messed up. Because of that. I do understand why

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Speaker 1: Kenya was upset with it because her and Cherat and

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Speaker 1: Marlow were the single women going on this trip. So

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Speaker 1: the fact that Kenya brought it up to me I

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Speaker 1: also understood, and I think in Kenya's defense, it is uncomfortable.

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Speaker 2: Listen. It's one thing to be sexually free.

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Speaker 1: And listen, I know a lot of women who are,

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Speaker 1: but I also think you also have to respect people

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Speaker 1: who aren't, and it can be a situation where I'm

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Speaker 1: dissing you because you're not as sexually open as I am.

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Speaker 2: I don't know.

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Speaker 1: I was surprised that in Candy's Confessionals she said, Kenya

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Speaker 1: has all kinds of crazy sex stories, but now you

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Speaker 1: are clutching your pearls. We know that your history has

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Speaker 1: been talked about before sexually, So I don't know, like,

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Speaker 1: was that a dis Because social media was mad that

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Speaker 1: Marlow made these comments about Candy's sexual history and Kenya's as.

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Speaker 2: Well, y'all went in on Marlow.

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Speaker 1: Y'all went in on Marlow my podcast for saying things

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Speaker 1: about Candy's sexual history. Y'all try to go in on

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Speaker 1: me for asking the question. I'm like, I ask questions

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Speaker 1: about everybody on the show. It's not my fault that

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Speaker 1: social media takes a sound bite and runs with with

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Speaker 1: it that someone else said. So, if you guys are

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Speaker 1: mad at Marlowe for making these comments, and listen.

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Speaker 2: I agree with you, guys.

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Speaker 1: I'm all about being fair because we don't do it

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Speaker 1: to men and I don't think we should do it

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Speaker 1: to women. But if that's the case, then are you

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Speaker 1: guys also mad about what Candy intimated? She didn't call

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Speaker 1: her a hoe, but do you guys think she intimated

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Speaker 1: anything that could have added to Marlowe's statement about Kenya

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Speaker 1: being a hoe. Let me hear from you, guys, because

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Speaker 1: I'm curious if you guys felt that way, because when

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Speaker 1: I saw it, I clutched my own damn pearls honey

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Speaker 1: when she said it, because I was like, ooh, I don't.

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Speaker 2: I didn't think.

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Speaker 1: Kinga deserved that, honey, just like I don't think Kenya

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Speaker 1: nor Candy deserved what Marlowe said.

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Speaker 2: So what's good for the goose? Is it good for

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Speaker 2: the gander? Let's talk about it. My thoughts on Kenya

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Speaker 2: this season.

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Speaker 1: Y'all know I am a Kenya Moore stand and I

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Speaker 1: have no shame about admitting that I call her Kenya

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Speaker 1: legend more. She was number four on my list of

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Speaker 1: the Greatest Housewives of all time.

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Speaker 2: I love Kenya.

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Speaker 1: I think it's safe to say that Kenya definitely is

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Speaker 1: taking a break this season. And guess what, as much

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Speaker 1: as I want to see the old Kenya back, I

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Speaker 1: understand it. Kenya has been carrying this show since she's

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Speaker 1: been on season five. And I can say that because

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Speaker 1: I know what happens behind the scenes since season six, seven, eight,

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Speaker 1: and nine. All those seasons, nothing would happen without Kenya

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Speaker 1: because Kenya was the force multiplier who made.

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Speaker 2: Sure that things happen.

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Speaker 1: And I think because Kenya has been a part of

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Speaker 1: this show for nine years, she's exhausted. But I do

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Speaker 1: miss the old Kenya. And one thing Marlow is doing.

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Speaker 1: Marlow is working over time to pull out the old Kenya.

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Speaker 1: And when I say to you, the best part about

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Speaker 1: that dinner scene is when Kenya, who was very frustrated,

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Speaker 1: was checking Marlow. When Kenya said, your comprehension is very off, and.

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Speaker 2: Marlow goes, no, bitch, your wig is very off.

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Speaker 1: And what was funnier is Kenya gag because she was

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Speaker 1: not expecting that. And the funniest part about all of

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Speaker 1: that is the fact that Kenya, the fact that Kenya

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Speaker 1: even acknowledged that her wig was bad and she's sick

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Speaker 1: because I love Kenya.

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Speaker 2: The fact that Kenya said.

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Speaker 1: Yeah, it is bad because I have to rush to

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Speaker 1: get here. Kenya, I love you more and more at

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Speaker 1: r more baby.

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Speaker 2: That was hilarious to me.

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Speaker 1: If that's why Kenya is alleged, Kenya did not backpedal,

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Speaker 1: She did not try to like deny her wig was bad.

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Speaker 2: Kenya owned it.

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00:23:19,119 --> 00:23:21,879
Speaker 1: Kenya actually gagged and said, you know what, bitch, you

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Speaker 1: got me, You got me. This wig is awful. That

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Speaker 1: to me, was the highlight of that dynasty and what

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Speaker 1: I'm seeing so far, guys, Marlow, Charay, and Drew are

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Speaker 1: carrying this season. Listen, Drew is working overtime. Marlow is

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Speaker 1: definitely working overtime because Marlow feels like I got a peach.

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Speaker 1: I'll be damned if y'all say this season is boring

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Speaker 1: after I got my first peach, Like not on my watch, Okay,

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Speaker 1: this ain't happening. Booth and Charay is giving us a

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Speaker 1: personal story, and that's the one thing that I am

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Speaker 1: missing this season.

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Speaker 2: I think this season is fine.

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Speaker 1: I don't think it's bad, but I am missing the

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00:24:00,720 --> 00:24:04,399
Speaker 1: personal story seeing Charie deal with Tom Rone and that

404
00:24:04,520 --> 00:24:08,760
Speaker 1: whole situation, and how Marlowe said to her, would you

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00:24:08,800 --> 00:24:11,879
Speaker 1: allow your daughter to be treated this way if it

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Speaker 1: was her going through this? Like those are the reasons

407
00:24:15,359 --> 00:24:18,399
Speaker 1: why Atlanta was always number one because of personal story,

408
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Speaker 1: and I'm not seeing a lot of that this season.

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00:24:20,200 --> 00:24:23,119
Speaker 1: I really want to see what Kenya Moore is going

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00:24:23,160 --> 00:24:25,960
Speaker 1: through as relates to her divorce from Mark.

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Speaker 2: We were so excited that.

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Speaker 1: Kenya found love and that she finally got what she

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Speaker 1: always wanted, which was a baby. I want to see

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Speaker 1: what Kenya is going through in the divorce proceedings. I

415
00:24:38,280 --> 00:24:41,200
Speaker 1: want to see how Kenya is navigating being a single mom.

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Speaker 2: I want to see Aunt Laurie back. I think a Laurie.

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Speaker 1: Would come back on the show if she knew they

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Speaker 1: would only talk about what she's going through being a

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Speaker 1: single mom. I want to see Kenya with brand and

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Speaker 1: her best friend. I want to see Kenya with her

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Speaker 1: cousin Shay. I miss seeing personal story, and my biggest

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Speaker 1: critis about this season is I don't feel like we're

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Speaker 1: getting a lot of it from the girls. I want

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00:25:04,520 --> 00:25:08,199
Speaker 1: to see something deeper and richer in story, and I

425
00:25:08,240 --> 00:25:11,480
Speaker 1: think Charay is checking out all the boxes and Marlow

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00:25:11,840 --> 00:25:16,199
Speaker 1: is giving us amazing personal story. The scene that ended

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Speaker 1: this episode of Marlow talking to her sister who's in

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Speaker 1: jail and being around her nephews as she's on the

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Speaker 1: phone say what you want to buy Marlow? Marlow when

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Speaker 1: she's vulnerable, it melts my heart and I'm so happy

431
00:25:34,359 --> 00:25:37,080
Speaker 1: that Marlowe is showing that side of her because to me,

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Speaker 1: Marlow is such a force. That is nice to see

433
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Speaker 1: the balance in her storyline, and I want to see

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Speaker 1: more of that real moment, not only from Marlow but

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Speaker 1: from the rest of the girls. Like I said, when

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Speaker 1: Charay and Marlowe, that to me is the best scene

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Speaker 1: of the season because it was so naturally real Marlow

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00:25:58,680 --> 00:26:03,600
Speaker 1: and Saray hugging and crying and talking in the sisterhood

439
00:26:03,600 --> 00:26:04,080
Speaker 1: of it all.

440
00:26:04,880 --> 00:26:08,240
Speaker 2: That was beautiful and I want to see more of that.

441
00:26:08,600 --> 00:26:11,840
Speaker 1: We'll see how next week's episode is, because I think

442
00:26:11,840 --> 00:26:12,800
Speaker 1: that's another.

443
00:26:14,520 --> 00:26:15,720
Speaker 2: Argument that's going to happen.

444
00:26:15,880 --> 00:26:19,840
Speaker 1: But I'm hoping to see again just some more rich,

445
00:26:20,160 --> 00:26:23,520
Speaker 1: deep personal story that you could sink your teeth into,

446
00:26:23,800 --> 00:26:25,720
Speaker 1: because I don't want this to be like New York

447
00:26:25,720 --> 00:26:28,800
Speaker 1: City Housewives. Well, all they do is have dinner, throwchhete

448
00:26:29,160 --> 00:26:31,520
Speaker 1: drinks and party like that ain't the show, so I

449
00:26:31,560 --> 00:26:34,040
Speaker 1: want to see more of that. So look, all in all,

450
00:26:34,119 --> 00:26:38,280
Speaker 1: I would give this episode a C plus. It wasn't amazing,

451
00:26:38,440 --> 00:26:42,280
Speaker 1: but it wasn't bad either. It was definitely the beginning

452
00:26:42,720 --> 00:26:45,600
Speaker 1: of some great moments that's to come.

453
00:26:46,320 --> 00:26:51,240
Speaker 2: Child Kenya and Marlowe sign me up baby.

454
00:26:51,280 --> 00:26:55,280
Speaker 1: Two Aquarius women going toe to toe, babe bae.

455
00:26:55,480 --> 00:26:56,800
Speaker 2: I'm looking forward to seeing that.

456
00:26:57,000 --> 00:27:00,400
Speaker 1: We see that Sonya is having a conversation with her

457
00:27:00,440 --> 00:27:04,800
Speaker 1: finance husband about wanting a baby, and then we get

458
00:27:04,840 --> 00:27:09,960
Speaker 1: to see Monieta. Yeah, so Monyatta looks like she's making

459
00:27:10,000 --> 00:27:14,560
Speaker 1: an appearance in next week's episode, so definitely looking forward

460
00:27:14,640 --> 00:27:18,080
Speaker 1: to that. So yeah, I'm looking forward to seeing that episode.

461
00:27:18,440 --> 00:27:20,960
Speaker 1: And again, what I would like to see more is

462
00:27:21,040 --> 00:27:23,280
Speaker 1: personal story. I want to see more of those moments

463
00:27:23,280 --> 00:27:26,600
Speaker 1: between Charay and Marlowe where they were crying.

464
00:27:27,200 --> 00:27:29,840
Speaker 2: Again. I'm really really, really really really really.

465
00:27:29,600 --> 00:27:32,879
Speaker 1: Hoping guys that we get to see what Kenya is

466
00:27:32,880 --> 00:27:37,400
Speaker 1: going through, because she is going through something deeply personal

467
00:27:38,320 --> 00:27:42,320
Speaker 1: and I want to see that, and I'm really praying

468
00:27:42,520 --> 00:27:46,919
Speaker 1: that we do, because it will shed light on why

469
00:27:47,080 --> 00:27:52,680
Speaker 1: she's more focused on what's happening around her versus being

470
00:27:52,720 --> 00:27:56,760
Speaker 1: in the midst of what's happening in the moment like

471
00:27:56,840 --> 00:28:00,280
Speaker 1: she usually is. So I'm hoping we can get to

472
00:28:00,280 --> 00:28:03,920
Speaker 1: see that. But again, I'm very hopeful that it will

473
00:28:03,960 --> 00:28:07,720
Speaker 1: all culminate to being a great season because I do

474
00:28:07,840 --> 00:28:10,600
Speaker 1: talk to some of the ladies often and they all

475
00:28:10,680 --> 00:28:12,959
Speaker 1: told me that they feel like this is a great season.

476
00:28:13,080 --> 00:28:17,119
Speaker 1: So I'm looking forward to watching more and commenting more

477
00:28:17,440 --> 00:28:24,159
Speaker 1: as well. Thoughts opinions reads about my recap on the

478
00:28:24,200 --> 00:28:28,119
Speaker 1: most recent episode of The Real Housepalks of Atlanta. Email

479
00:28:28,200 --> 00:28:31,520
Speaker 1: me at Reality with the King at stitra dot com

480
00:28:31,960 --> 00:28:34,800
Speaker 1: or leave me a voicemail at three one oh five

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00:28:34,960 --> 00:28:37,560
Speaker 1: ninety three eight one eight eight.

482
00:28:38,800 --> 00:28:40,960
Speaker 2: Thank you for listening to Reality with the King.

483
00:28:41,560 --> 00:28:46,880
Speaker 1: New episodes drop every Wednesday and Friday, Share, comment, follow,

484
00:28:47,320 --> 00:28:50,440
Speaker 1: and subscribe to Reality with the King wherever you get

485
00:28:50,480 --> 00:28:54,800
Speaker 1: your podcast, visit realitywith King dot com and be sure

486
00:28:54,840 --> 00:28:58,920
Speaker 1: to follow me at the Carlos King Underscore on Instagram

487
00:28:58,960 --> 00:29:03,480
Speaker 1: and Twitter. Reality with the King is a production of

488
00:29:03,560 --> 00:29:07,120
Speaker 1: More Sauce by Stitcher. It is executive produced by me,

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00:29:07,480 --> 00:29:11,440
Speaker 1: Carlos King, and Jasmine Henley Brown. We are also produced

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00:29:11,480 --> 00:29:22,600
Speaker 1: by Sierra Spradley, Rix engineering and music by Marcus ham More.

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00:29:22,720 --> 00:29:23,040
Speaker 2: Sauce