WEBVTT - What Looking Inside a Bank Archive Can Tell Us About Modern Finance

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<v Speaker 1>Hello, and welcome to another edition of the Odd Thoughts podcast.

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<v Speaker 1>I'm Tracy Allaway and I'm Joe wisnal Joe, Do you

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<v Speaker 1>know the one thing that I love more than finance

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<v Speaker 1>and markets? Um? Uh, I'm curious what you'll say I

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<v Speaker 1>got to say about yourself, but I'm just gonna say no, Okay,

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<v Speaker 1>that's the safe answer. All right. So I really like history.

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<v Speaker 1>One of the things that I like about this particular podcast,

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<v Speaker 1>other than the fact that I get the chance to

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<v Speaker 1>talk with you for twenty minutes every week, is the

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<v Speaker 1>fact that we can go back in time and every

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<v Speaker 1>once in a while kind of delve into the history

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<v Speaker 1>of finance and markets. I love the history of financial markets.

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<v Speaker 1>I find, you know, it's kind of like with language,

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<v Speaker 1>how etymology helped us understand certain aspects of the present

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<v Speaker 1>better by seeing how these words evolved. I think there's

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<v Speaker 1>a very clear analogy with the history of finance and economics.

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<v Speaker 1>Seeing how some various institutions evolved can help us, uh

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<v Speaker 1>understand their structures better today. Yeah, I think that's absolutely right.

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<v Speaker 1>So what if I told you that on today's podcast

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<v Speaker 1>we are going to have an almost perfect synthesis of

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<v Speaker 1>history and finance and markets. I would tell you I

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<v Speaker 1>am very excited for this conversation. Okay, alright, so am I.

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<v Speaker 1>So today we are actually going to talk with a

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<v Speaker 1>woman who is an archivist for the Royal Bank of Scotland.

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<v Speaker 1>And I don't know about you, but I was kind

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<v Speaker 1>of surprised to hear that RBS um as the bank

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<v Speaker 1>is known, actually has an archive at all. I would

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<v Speaker 1>not have guessed that at all. I mean, it sort

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<v Speaker 1>of doesn't surprise to me. Maybe the banks have libraries

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<v Speaker 1>and that there's some history stored at them, but the

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<v Speaker 1>idea of a his Dorian or an archivist at the

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<v Speaker 1>bank sort of whose job it is to um, you know,

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<v Speaker 1>collect the bank's history, is uh, not something I would

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<v Speaker 1>have guessed existed. Yeah, And I have to say, if

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<v Speaker 1>you go on RBS's website and take a look at

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<v Speaker 1>some of the items that they have in their archive.

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<v Speaker 1>And we're going to talk about this later in the show,

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<v Speaker 1>but they have some really fascinating, fascinating things, you know,

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<v Speaker 1>things like customer ledgers that were kept during the Great

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<v Speaker 1>Plague or to create Fire of London. Um old sort

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<v Speaker 1>of filing systems that the bank used hundreds of years ago,

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<v Speaker 1>and I have to say, this is one of Britain's

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<v Speaker 1>oldest banks. Uh, so it's going to be really really

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<v Speaker 1>interesting to hear from her. Well, I can't wait, So

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<v Speaker 1>let's get started, all right. So our guest for today

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<v Speaker 1>is Ruth Read. She's the head of Archives and Art

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<v Speaker 1>for the Royal Bank of Scotland. Ruth, thank you so

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<v Speaker 1>much are joining us, and these two thank you. So

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<v Speaker 1>maybe just to begin, could you describe for us exactly

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<v Speaker 1>what RBS's archive is, what it looks like, where it's kept,

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<v Speaker 1>and what your role in terms of being an archivist

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<v Speaker 1>actually is, because I can't imagine there are many people

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<v Speaker 1>out there who have that job. Yes, So to start

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<v Speaker 1>with physically what it looks like and where it is.

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<v Speaker 1>We're in a pretty anonymous looking warehouse on the western

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<v Speaker 1>edges of Edinburgh. From outside, you'd never really guessed that

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<v Speaker 1>it was a historical archive. Um, and what we're keeping

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<v Speaker 1>inside is the historical records of the Royal Bank of

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<v Speaker 1>Scotland groups. So that includes quite a lot of present

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<v Speaker 1>day banks. That's the Royal Bank of Scotland itself, but

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<v Speaker 1>also NAT West, which is a major name. We've got

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<v Speaker 1>some private banks all sorts of different businesses and actually

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<v Speaker 1>more than two hundred historic banks that have come together

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<v Speaker 1>over the centuries to make up those present day names.

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<v Speaker 1>These are not a national records that the bank needs

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<v Speaker 1>to keep to do business now. Um, these are the

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<v Speaker 1>very few records that we've decided to keep for ever

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<v Speaker 1>because they tell us who we've been and therefore who

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<v Speaker 1>we are. My job in the archives could probably be

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<v Speaker 1>summarized as capturing, protecting, and using the history of the

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<v Speaker 1>bank and the historical records that pumped in that. So

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<v Speaker 1>are these items in the archives things that the bank

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<v Speaker 1>had held for a long time and then at some

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<v Speaker 1>point that, oh, we should formalize this in an archive,

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<v Speaker 1>or did the banks say we should have like sort

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<v Speaker 1>of an archive of history or banking history and then

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<v Speaker 1>go about finding the items that would make up that archive.

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<v Speaker 1>There's there's a big change that happened probably in sort

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<v Speaker 1>of mid late twentieth century. So the things that have

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<v Speaker 1>survived from the eighteenth nineteenth century, yes, you're absolutely right.

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<v Speaker 1>Those are things that pretty much either survived by accident

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<v Speaker 1>or survived because it was so very obvious that they

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<v Speaker 1>were important to business. And it's really only in the

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<v Speaker 1>past forty to fifty years that companies have become more

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<v Speaker 1>self conscious about needing to choose the right things and

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<v Speaker 1>keep the right things. And that's become really important as

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<v Speaker 1>to get into the present age, because now that records

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<v Speaker 1>are digital, things don't survive by accident. You have to

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<v Speaker 1>be deliberate about it. So is it unusual for a

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<v Speaker 1>bank to kind of keep its own historic archive in

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<v Speaker 1>in this manner, Like if we went over to Goldman

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<v Speaker 1>Sachs or to Deutsche Bank or HSBC, would they have

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<v Speaker 1>a similar thing in place or is this unique to RBS. No,

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<v Speaker 1>I don't know about all of them. You would certainly

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<v Speaker 1>find a very good and impressive archives at HSBC, and

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<v Speaker 1>certainly all of the major British banks have got archives,

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<v Speaker 1>and actually a lot of companies in general, supermarkets, drinks, companies,

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<v Speaker 1>all sorts of businesses do have archives. In light of that,

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<v Speaker 1>let's talk about some of the things that exist in

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<v Speaker 1>the RBS archives and why they've been and one of

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<v Speaker 1>what and what they tell us. So one of the

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<v Speaker 1>things that you have is a ledger that was kept

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<v Speaker 1>from the Great Fire of London in the sixteen hundreds.

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<v Speaker 1>What is that is from the sixteen sixties. What does

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<v Speaker 1>it tell us? What does it what does a bank

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<v Speaker 1>ledger from about four years ago even tell us? That's

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<v Speaker 1>a really nice document to have because that goes all

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<v Speaker 1>the way back to the very early history of a

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<v Speaker 1>company called Child and Company, which is still exists as

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<v Speaker 1>one of our banks today and is said to be

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<v Speaker 1>the oldest name in British banking that's still trading. So

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<v Speaker 1>it's really lovely to have some of those early customer records.

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<v Speaker 1>And if we're looking at the Great Fire of London period,

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<v Speaker 1>it's wonderful to see quite how business was managing in

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<v Speaker 1>unbelievably difficult circumstances. You know, London had in sixty sixty

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<v Speaker 1>five it had suffered from this plague, and then you

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<v Speaker 1>get to sixty and sixty six and there's this terrible

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<v Speaker 1>fire which literally stopped just before get team to the

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<v Speaker 1>business premises of this bank, and you see that business

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<v Speaker 1>surviving and coping through all those difficulties, and of course

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<v Speaker 1>what it's telling us is what was going on for

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<v Speaker 1>all of the customers of that bank at that time.

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<v Speaker 1>So I've spent an inordinate amount of time browsing the

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<v Speaker 1>items that you have in your collection, so rather than

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<v Speaker 1>ask you about some of the ones that strike my

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<v Speaker 1>interest the most. I wonder do you have some favorites

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<v Speaker 1>that you could maybe point as to I have hundreds

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<v Speaker 1>of favorites, and of my favorites, i'll tell you something

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<v Speaker 1>different every week. Um. But I guess one that I

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<v Speaker 1>love very much is we have some field service postcards

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<v Speaker 1>that were written by one of our members of staff

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<v Speaker 1>who was away on military service during the First World War. UM.

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<v Speaker 1>So these were written between nineteen sixteen and nineteen and

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<v Speaker 1>at that time, because soldier's letters were very heavily censored,

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<v Speaker 1>they couldn't write anything they liked. So they'd have these

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<v Speaker 1>post cards and they could just tick a box that

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<v Speaker 1>said I'm fine, and it was a way of letting

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<v Speaker 1>people back home know that everything was all right and

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<v Speaker 1>they were you know face um. And we have several

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<v Speaker 1>of these and the archives that were sent by a

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<v Speaker 1>man called Samuel McKnight who had worked at the Royal

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<v Speaker 1>Bank of Scotland's head office. And it's wonderful to have them.

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<v Speaker 1>But what I love most about them is the story

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<v Speaker 1>about how they were found. They were found by one

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<v Speaker 1>of my predecessors in the nineties in the head office

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<v Speaker 1>building wrapped up in a little piece of paper that

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<v Speaker 1>said something like these cards were placed here by John

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<v Speaker 1>Smith's messenger in the hopes that perhaps long after this

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<v Speaker 1>dreadful war, the name of one may again be honored

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<v Speaker 1>who was loved by all. And he did that just

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<v Speaker 1>after the First World War. He obviously had these cards

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<v Speaker 1>and he wanted future generations to remember. And I took

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<v Speaker 1>for me that summarizes what's so great about archives, because

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<v Speaker 1>because of what he did, I remember Samuel mcnight's name,

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<v Speaker 1>and now because as an archive here you know his

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<v Speaker 1>name as well. That is really cool that you have

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<v Speaker 1>that stuff, you know. I mentioned in the intro that

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<v Speaker 1>I thought looking at the history of banking and the

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<v Speaker 1>sort of artifacts of historical banking might help us understand

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<v Speaker 1>the current the present tense And of course I think

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<v Speaker 1>probably a lot of people when they think about a bank,

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<v Speaker 1>they imagine maybe a vault or something like that where

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<v Speaker 1>their money is, and then they go to the bank

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<v Speaker 1>and then their share of the money has taken out.

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<v Speaker 1>But as many of us know, that's really not how

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<v Speaker 1>bank works or banks work at all, and that essentially

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<v Speaker 1>banks are mostly digital and they're most of our money

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<v Speaker 1>exists on a spreadsheet and so you know, just it's

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<v Speaker 1>just sells, you know, numbers in a cell. And so

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<v Speaker 1>looking back at some of the documents on your website

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<v Speaker 1>and people should check it out at Heritage Archives dot

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<v Speaker 1>RBS dot com a lot of that. It's basically the

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<v Speaker 1>same story that the fundamental aspect of the bank is

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<v Speaker 1>not the money that is kept there, but the written

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<v Speaker 1>down records of what people are entitled to. I think

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<v Speaker 1>that's right. Um it certainly look at the essence of

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<v Speaker 1>what banking is, that business of putting things that you

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<v Speaker 1>value somewhere safe and keeping them safe and being able

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<v Speaker 1>to trust. You know, there's an awful lot of crust

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<v Speaker 1>which is necessary for banking to rum. So that's what

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<v Speaker 1>I love about archives and business archives is you see

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<v Speaker 1>these footprints of people all through time using different technologies.

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<v Speaker 1>They used what they had available at the time, but

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<v Speaker 1>they're doing the same thing. So in terms of the

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<v Speaker 1>lessons that we can glean from those records, you know,

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<v Speaker 1>things that show who owes which person what, what are

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<v Speaker 1>some of the applications of the archive and has the

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<v Speaker 1>archive ever contributed to any interesting research or interesting historical

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<v Speaker 1>conclusions to your knowledge, Well, we're open to members of

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<v Speaker 1>the public. So academic research has come in very frequently

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<v Speaker 1>to work on projects, and they are often about financial history,

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<v Speaker 1>about the history of lending structures, for example, and how

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<v Speaker 1>they have evolved over time. But also there might be

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<v Speaker 1>um garden historians or furniture historians can come in and

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<v Speaker 1>use the records to find that footprint is something they're researching.

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<v Speaker 1>It's quite nice about business records that those are quite solid,

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<v Speaker 1>factual based records compared to somebody's diary, which is always

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<v Speaker 1>you've got to think about what that person's agenda was

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<v Speaker 1>in a different way from when it's simple accounting records.

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<v Speaker 1>But also ways that we use the archives are a

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<v Speaker 1>lot more intangible, so they might be something about building

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<v Speaker 1>colleague engagement, helping our colleagues to feel proud of our business,

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<v Speaker 1>helping them to feel the importance of doing a good

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<v Speaker 1>job for our customers by having that weight of history

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<v Speaker 1>and understanding how many generations there are behind us who've

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<v Speaker 1>been doing this job all this time. I wanted to

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<v Speaker 1>pick up on that sort of heritage point because I

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<v Speaker 1>did notice that one of the items listed in the

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<v Speaker 1>archive is a letter from someone who has employed wid

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<v Speaker 1>at the bank in the early nineteen hundreds or actually

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<v Speaker 1>for most of the century, who was an Olympic runner Um,

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<v Speaker 1>And he actually ran in the Olympics that were made

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<v Speaker 1>famous by the Chariots of Fire movie. And it's interesting

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<v Speaker 1>if you read the letter from him, he's responding to

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<v Speaker 1>congratulations from his employer at the bank, where they recognize

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<v Speaker 1>his running achievement. Um. But the Olympic aspect of it

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<v Speaker 1>is almost um, it's almost uh, what's the word subordinate

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<v Speaker 1>to the fact that he works at the bank. Um.

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<v Speaker 1>You know, the fact that he works at the bank

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<v Speaker 1>is something to be proud of. Do you think the

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<v Speaker 1>role of banks and bankers in society has changed over

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<v Speaker 1>the past hundred years or so, given the you know,

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<v Speaker 1>the events of two thousand and eight and things like that.

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<v Speaker 1>Of course it changes at the time, and of course

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<v Speaker 1>where at a point at the moment where banker's reputation

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<v Speaker 1>isn't particularly high, and there are very good reasons for that.

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<v Speaker 1>And that's actually something that again I think the archived

0:13:05.160 --> 0:13:08.880
<v Speaker 1>brings value because it hasn't always been easy to work

0:13:08.920 --> 0:13:10.720
<v Speaker 1>for a bank in the last few years. You know,

0:13:10.840 --> 0:13:14.000
<v Speaker 1>we see the things that people say about us, and

0:13:14.160 --> 0:13:16.719
<v Speaker 1>we know that there's a lot of justification in it,

0:13:17.160 --> 0:13:21.400
<v Speaker 1>and having that three year long history or longer which

0:13:21.440 --> 0:13:25.120
<v Speaker 1>talks about good things bankers have done. It gives people

0:13:25.160 --> 0:13:29.600
<v Speaker 1>a context that I hope and think helps people get

0:13:29.600 --> 0:13:31.040
<v Speaker 1>out of bed in the morning and come to work

0:13:31.080 --> 0:13:34.199
<v Speaker 1>and do a good job as a banker. Yeah, I'm

0:13:34.240 --> 0:13:38.560
<v Speaker 1>looking at another thing that Tracy had discovered on the website,

0:13:38.640 --> 0:13:43.680
<v Speaker 1>This letter from our Florence Nightingale talking about a way

0:13:43.720 --> 0:13:48.360
<v Speaker 1>for soldiers to send money home more effectively. You know,

0:13:48.400 --> 0:13:52.520
<v Speaker 1>a classic example of a financial institutions the role that

0:13:52.559 --> 0:13:55.240
<v Speaker 1>they play in society. But what is you know that's

0:13:55.520 --> 0:13:57.400
<v Speaker 1>you know, we sort of take it for granted, this

0:13:57.480 --> 0:14:01.160
<v Speaker 1>idea that if I want to send money to Tracy

0:14:01.880 --> 0:14:03.839
<v Speaker 1>right now, you would be a little bit of a pain,

0:14:04.200 --> 0:14:07.000
<v Speaker 1>but I could probably do it without too much issues.

0:14:07.040 --> 0:14:09.920
<v Speaker 1>But it's sort of mind boggling to think how people

0:14:09.960 --> 0:14:13.520
<v Speaker 1>would have sent money across borders two hundred years ago.

0:14:13.920 --> 0:14:17.840
<v Speaker 1>What are some of the interesting technologies that you we

0:14:17.960 --> 0:14:20.560
<v Speaker 1>discover when you look back at the archives about sort

0:14:20.560 --> 0:14:24.280
<v Speaker 1>of solving these really difficult problems. You see it changing

0:14:24.280 --> 0:14:28.720
<v Speaker 1>all the time, and you can see banks trying to

0:14:28.480 --> 0:14:31.480
<v Speaker 1>to use the new dodges that are emerging and bring

0:14:31.520 --> 0:14:34.520
<v Speaker 1>them in. One example I think of that's relatively recent

0:14:34.640 --> 0:14:38.360
<v Speaker 1>is from the eighties when our bank No West was

0:14:38.440 --> 0:14:40.800
<v Speaker 1>wanting to bring in a telephone banking service for the

0:14:40.800 --> 0:14:44.960
<v Speaker 1>first time. Um, so you could you know, you could

0:14:45.000 --> 0:14:47.040
<v Speaker 1>phone up and you could press buttons on your phone

0:14:47.400 --> 0:14:50.200
<v Speaker 1>to choose whether you wanted a balance or to make

0:14:50.240 --> 0:14:54.320
<v Speaker 1>a payment, all of those things. But this being certainly

0:14:54.320 --> 0:14:56.320
<v Speaker 1>a lot of people in Britain still have the type

0:14:56.360 --> 0:14:58.720
<v Speaker 1>of phone that you had to turn a dial on

0:14:59.480 --> 0:15:04.160
<v Speaker 1>to get the I remember that. So, Um, they didn't

0:15:04.160 --> 0:15:07.120
<v Speaker 1>work with this tone, with with this kind of button

0:15:07.200 --> 0:15:11.760
<v Speaker 1>pressing technology. So the bank introduced this little thing that

0:15:11.840 --> 0:15:14.680
<v Speaker 1>was like a small calculator that had the buttons on

0:15:14.760 --> 0:15:16.840
<v Speaker 1>and you could hold it up to the mouthpiece of

0:15:17.000 --> 0:15:19.880
<v Speaker 1>your phone and then press those buttons and it would

0:15:19.880 --> 0:15:22.200
<v Speaker 1>make the right beats to go down the line to

0:15:22.280 --> 0:15:24.640
<v Speaker 1>make the phone banking work. And I really like that

0:15:24.840 --> 0:15:28.200
<v Speaker 1>insight into a moment where a good technology was nearly

0:15:28.240 --> 0:15:30.800
<v Speaker 1>there but not quite so the bank had to find

0:15:30.880 --> 0:15:34.720
<v Speaker 1>some intermediary method of making it work. I remember their

0:15:34.760 --> 0:15:40.200
<v Speaker 1>technology only because my grandfather was a criminal defense lawyer

0:15:40.440 --> 0:15:43.440
<v Speaker 1>and he only had rotary phones and when he would

0:15:43.680 --> 0:15:46.880
<v Speaker 1>need to place calls to his clients who were in jail.

0:15:48.080 --> 0:15:50.480
<v Speaker 1>He had to go through a tone operating system, and

0:15:50.560 --> 0:15:53.280
<v Speaker 1>so he had one of those handheld devices that mimicked

0:15:53.640 --> 0:15:57.960
<v Speaker 1>the tone of the one through zero keypad. So yeah,

0:15:58.080 --> 0:16:00.160
<v Speaker 1>quite a breakthrough. You might be one of the as

0:16:00.200 --> 0:16:03.440
<v Speaker 1>people have spoken to. I haven't thought about that in

0:16:03.480 --> 0:16:07.240
<v Speaker 1>a long time. Um, well, I think Joe brings up

0:16:07.280 --> 0:16:10.479
<v Speaker 1>a really good point. There has been so much technological

0:16:10.520 --> 0:16:13.840
<v Speaker 1>advancement in the fields of banking and finance. You know,

0:16:14.120 --> 0:16:17.640
<v Speaker 1>a hundred years from now, assuming that RBS is still

0:16:17.720 --> 0:16:20.840
<v Speaker 1>running an archive, what is it going to look like,

0:16:21.040 --> 0:16:24.680
<v Speaker 1>because you know it's easy to gather Well, it's not easy,

0:16:24.920 --> 0:16:28.400
<v Speaker 1>but the idea of gathering old historical documents into one

0:16:28.520 --> 0:16:31.360
<v Speaker 1>place is a common one. How do you start to

0:16:31.400 --> 0:16:36.680
<v Speaker 1>tell the story of digital finance. Well, for one thing,

0:16:37.280 --> 0:16:39.800
<v Speaker 1>you can take in digital documents. Most of what we

0:16:39.920 --> 0:16:43.000
<v Speaker 1>take in now is actually taken in electronically rather than

0:16:43.000 --> 0:16:48.120
<v Speaker 1>as physical documents, so that is certainly no impediment. And

0:16:48.200 --> 0:16:52.120
<v Speaker 1>actually the same things that we want to document are

0:16:52.200 --> 0:16:55.200
<v Speaker 1>still done. People still have to meet together and talk

0:16:55.240 --> 0:16:57.640
<v Speaker 1>to each other and say are we going to do this?

0:16:57.800 --> 0:16:59.360
<v Speaker 1>How are we going to do it? And they have

0:16:59.400 --> 0:17:03.440
<v Speaker 1>to prepare for it. So in fact, we're not keeping

0:17:03.440 --> 0:17:07.560
<v Speaker 1>transactional records. We're not interested in the kind of it happening.

0:17:07.560 --> 0:17:10.800
<v Speaker 1>We're interested in why and how and how they make

0:17:10.840 --> 0:17:12.960
<v Speaker 1>it happen, and all of that stuff will happen the same.

0:17:13.080 --> 0:17:16.280
<v Speaker 1>It might be that it's an electronic file rather than

0:17:16.280 --> 0:17:19.399
<v Speaker 1>a paper file, but that's not intellectually different from our

0:17:19.440 --> 0:17:22.320
<v Speaker 1>point of view. You know something that I'm interested in

0:17:22.320 --> 0:17:27.920
<v Speaker 1>in terms of history of finance technology is a tally sticks.

0:17:28.720 --> 0:17:31.359
<v Speaker 1>And you mentioned that there was the fire in London

0:17:31.440 --> 0:17:33.560
<v Speaker 1>or we talked about that in the sixteen hundred, But

0:17:33.680 --> 0:17:35.560
<v Speaker 1>is it is it true? Is it like in the

0:17:35.640 --> 0:17:38.760
<v Speaker 1>eight hundreds that a big fire was caused in Parliament

0:17:39.200 --> 0:17:41.760
<v Speaker 1>by the burning of a bunch of these sticks that

0:17:41.840 --> 0:17:44.959
<v Speaker 1>were used hundreds of years earlier to keep track of credit?

0:17:45.000 --> 0:17:46.600
<v Speaker 1>Am I making that up? I feel like I've heard

0:17:46.600 --> 0:17:49.520
<v Speaker 1>something about that one. No, you're absolutely right, um. But

0:17:49.640 --> 0:17:52.560
<v Speaker 1>the tally sticks were used for keeping track of debts.

0:17:52.600 --> 0:17:55.080
<v Speaker 1>When somebody borrowed money, there would be a tally stick

0:17:55.080 --> 0:17:56.760
<v Speaker 1>and they would split it down the middle and to

0:17:56.880 --> 0:17:59.199
<v Speaker 1>borrow and the lender would get a half each so

0:17:59.280 --> 0:18:00.760
<v Speaker 1>that you could read in them. It was a way

0:18:00.760 --> 0:18:04.200
<v Speaker 1>that you could track debts, uh in a world where

0:18:04.240 --> 0:18:07.280
<v Speaker 1>lots of people weren't literate apart from anything else. So

0:18:07.320 --> 0:18:10.359
<v Speaker 1>there were thousands of thousands of these stored in the

0:18:10.359 --> 0:18:13.359
<v Speaker 1>House of Parliaments in London, and I think they stopped

0:18:13.440 --> 0:18:16.840
<v Speaker 1>using them in the early nineteenth century, and somebody, I

0:18:16.840 --> 0:18:19.840
<v Speaker 1>assume you could possibly say he was an archivist in

0:18:19.880 --> 0:18:22.480
<v Speaker 1>that he was responsible for looking after them, decided to

0:18:22.480 --> 0:18:25.520
<v Speaker 1>clear out some space by burning them, uh. And the

0:18:25.760 --> 0:18:29.320
<v Speaker 1>fired that out of control and did indeed burn down

0:18:29.440 --> 0:18:31.399
<v Speaker 1>the House of Parliament. That's why the House of the

0:18:31.400 --> 0:18:35.200
<v Speaker 1>Parliament we have now are a Victorian building, because that's

0:18:35.200 --> 0:18:38.960
<v Speaker 1>the replacement. A good lesson to all subsequent archivists not

0:18:39.040 --> 0:18:41.520
<v Speaker 1>to just burn, not to just burn their stuff for

0:18:41.680 --> 0:18:45.479
<v Speaker 1>space for storage reasons. Ruth, I want to ask you

0:18:45.480 --> 0:18:47.399
<v Speaker 1>one more question. You know, when you go over the

0:18:47.560 --> 0:18:52.760
<v Speaker 1>entirety of RBS's archive, is there one particular item that

0:18:52.840 --> 0:18:56.280
<v Speaker 1>to you is kind of most important when it comes

0:18:56.600 --> 0:18:58.600
<v Speaker 1>to the history of the bank or the history of

0:18:58.640 --> 0:19:02.520
<v Speaker 1>banking overall, something that kind of hints that maybe an

0:19:02.520 --> 0:19:05.760
<v Speaker 1>important transformation that took place in either of the company

0:19:05.840 --> 0:19:08.359
<v Speaker 1>or the industry. I think it would be really hard

0:19:08.400 --> 0:19:11.320
<v Speaker 1>for me not to choose the Founding Charter of the

0:19:11.359 --> 0:19:15.800
<v Speaker 1>Royal Bank of Scotland from seven. So that's the company's

0:19:15.840 --> 0:19:19.040
<v Speaker 1>birth certificate. That's where it all starts as far as

0:19:19.040 --> 0:19:22.160
<v Speaker 1>the Royal Bank of Scotland goes. And I think why

0:19:22.240 --> 0:19:24.760
<v Speaker 1>I would really pick that out is not so much

0:19:24.800 --> 0:19:28.000
<v Speaker 1>for the document itself, but my experience is showing it

0:19:28.040 --> 0:19:30.879
<v Speaker 1>to colleagues when they come to visit the archive and

0:19:30.920 --> 0:19:33.960
<v Speaker 1>I showed them this document and by far the most

0:19:34.000 --> 0:19:36.320
<v Speaker 1>common question they asked me is can I touch it?

0:19:37.800 --> 0:19:41.119
<v Speaker 1>Because they want to make that connection with the past.

0:19:42.400 --> 0:19:45.199
<v Speaker 1>Are they allowed to touch it? They are allowed to

0:19:45.200 --> 0:19:47.040
<v Speaker 1>touch it at the edge, as long as they don't

0:19:47.080 --> 0:19:51.800
<v Speaker 1>touch the ink, because to go away with with a

0:19:51.880 --> 0:19:55.160
<v Speaker 1>feeling of having touched the past and having been inspired

0:19:55.160 --> 0:19:57.119
<v Speaker 1>by that. So I think if a document can do

0:19:57.200 --> 0:19:59.000
<v Speaker 1>that job for them, then I'm really glad to see

0:19:59.000 --> 0:20:01.840
<v Speaker 1>it's still working three years after it was drawn up.

0:20:02.960 --> 0:20:05.920
<v Speaker 1>That's very cool, uh. I like the idea of people

0:20:06.040 --> 0:20:09.400
<v Speaker 1>touching the document is a direct link to history. Ruth

0:20:09.480 --> 0:20:13.760
<v Speaker 1>read the archivist at the Royal Bank of Scotland. Really

0:20:13.800 --> 0:20:17.560
<v Speaker 1>cool discussion. Your website is awesome and hopefully one day

0:20:17.600 --> 0:20:20.000
<v Speaker 1>me and Tracy can come visit and we could do

0:20:20.600 --> 0:20:23.560
<v Speaker 1>a long thing and go through all of what you have.

0:20:23.680 --> 0:20:25.840
<v Speaker 1>But I really appreciate you joining us on the odd

0:20:25.920 --> 0:20:40.160
<v Speaker 1>Loads podcast. Great, thank you, Joe. I love that conversation.

0:20:40.240 --> 0:20:42.760
<v Speaker 1>And I have to confess I'm still looking at the

0:20:43.000 --> 0:20:46.399
<v Speaker 1>Harveys Archive website and right now I'm looking at a

0:20:46.400 --> 0:20:49.800
<v Speaker 1>picture of a bank manager's hat from the nineteen fifties,

0:20:49.840 --> 0:20:52.760
<v Speaker 1>and all I can think is, this is what George

0:20:52.760 --> 0:20:56.080
<v Speaker 1>Banks would have worn in UH. Mary Poppins, you remember

0:20:56.119 --> 0:20:59.480
<v Speaker 1>that I'm looking. I'm on the website too, I'm looking

0:20:59.560 --> 0:21:01.440
<v Speaker 1>at the UH and this is another one that you

0:21:01.520 --> 0:21:06.920
<v Speaker 1>found earlier, the spike file, like this gigantic iron spike

0:21:07.320 --> 0:21:11.480
<v Speaker 1>that they used to put papers over, just essentially glorified

0:21:11.640 --> 0:21:14.919
<v Speaker 1>or a sort of a primitive filing cabinet. But no,

0:21:15.040 --> 0:21:17.159
<v Speaker 1>I really like that conversation as well, and I do

0:21:17.240 --> 0:21:20.480
<v Speaker 1>think everyone should check out their website Heritage Archives dot

0:21:20.560 --> 0:21:24.880
<v Speaker 1>RBS dot com because it's uh, it's you know, it's

0:21:24.920 --> 0:21:27.800
<v Speaker 1>a great example of how banking is widely different and

0:21:27.880 --> 0:21:31.919
<v Speaker 1>also exactly the exactly the same that essentially, you know,

0:21:32.040 --> 0:21:34.480
<v Speaker 1>as we were saying, a bank is a spreadsheet or

0:21:34.600 --> 0:21:38.199
<v Speaker 1>mostly something digital and a bank used to be pieces

0:21:38.200 --> 0:21:40.920
<v Speaker 1>of paper on an old iron spike. But though what

0:21:41.080 --> 0:21:43.520
<v Speaker 1>really matters to the bank is not necessarily what they

0:21:43.520 --> 0:21:45.600
<v Speaker 1>have an a vault or anything, but what they the

0:21:46.200 --> 0:21:49.959
<v Speaker 1>history that they have recorded. Yeah, I agree with that.

0:21:50.040 --> 0:21:52.600
<v Speaker 1>I just wonder that, you know, as things become more

0:21:52.640 --> 0:21:55.240
<v Speaker 1>electronic and as they become more digital. Um. And we

0:21:55.280 --> 0:21:58.320
<v Speaker 1>did just discuss this with Ruth, but I wonder if

0:21:58.400 --> 0:22:01.639
<v Speaker 1>some of that that tangentity kind of gets lost, and

0:22:01.640 --> 0:22:05.880
<v Speaker 1>if finance becomes more and more abstract and kind of

0:22:05.880 --> 0:22:09.399
<v Speaker 1>more unwieldy as a result. And I also wonder, like,

0:22:09.520 --> 0:22:12.560
<v Speaker 1>because I like history and I like antiques, um, I

0:22:12.600 --> 0:22:15.360
<v Speaker 1>think there's something about human nature where we actually want

0:22:15.359 --> 0:22:18.159
<v Speaker 1>to go out and as Ruth was saying about the

0:22:18.200 --> 0:22:20.440
<v Speaker 1>original bank charter, you kind of want to go out

0:22:20.480 --> 0:22:22.919
<v Speaker 1>and connect with the past, and the easiest way of

0:22:22.920 --> 0:22:26.840
<v Speaker 1>doing that is seeing or touching or interacting with something

0:22:26.880 --> 0:22:29.760
<v Speaker 1>that's actually old. And I just wonder if you know,

0:22:30.080 --> 0:22:33.679
<v Speaker 1>seeing a digital ledger is going to have that same effect. No,

0:22:33.840 --> 0:22:36.159
<v Speaker 1>that's a that's a really good point. So it's like,

0:22:36.240 --> 0:22:39.480
<v Speaker 1>even though we know that money is kind of this

0:22:39.560 --> 0:22:45.080
<v Speaker 1>imaginary thing, there's still some value in a thing, even

0:22:45.119 --> 0:22:47.040
<v Speaker 1>if it's just a book or a piece of paper

0:22:47.119 --> 0:22:49.600
<v Speaker 1>or a filing cabinet that we can see, and so

0:22:49.640 --> 0:22:52.120
<v Speaker 1>it's really going to be like this weird thing when

0:22:52.160 --> 0:22:55.440
<v Speaker 1>that really just doesn't exist in any formula, and it's

0:22:55.520 --> 0:22:58.919
<v Speaker 1>purely like, yep, this thing in the this thing on

0:22:58.960 --> 0:23:01.240
<v Speaker 1>the web, or this thing and spreadsheet is really all

0:23:01.280 --> 0:23:03.560
<v Speaker 1>there is and there is not it's not the representation

0:23:03.600 --> 0:23:06.480
<v Speaker 1>of anything. Joe, I can see you're about to turn

0:23:06.520 --> 0:23:09.399
<v Speaker 1>this into another What is Money? Podcast? I can feel

0:23:09.400 --> 0:23:12.280
<v Speaker 1>it coming. Let's yeah, well, of course we'll we'll have

0:23:12.320 --> 0:23:15.760
<v Speaker 1>to let's revisit this one in ten years and we

0:23:15.800 --> 0:23:18.840
<v Speaker 1>can ask Ruth what she saved from the year seventeen.

0:23:19.560 --> 0:23:22.280
<v Speaker 1>Oh that's a good idea. All right, all right, I'm

0:23:22.320 --> 0:23:25.960
<v Speaker 1>marking my calendar. Sarah, our producer, I'm reminding her right

0:23:26.000 --> 0:23:30.720
<v Speaker 1>now to uh schedule that one seven. But in the meantime,

0:23:31.200 --> 0:23:34.639
<v Speaker 1>this has been another episode of the Odd Lots Podcast.

0:23:34.800 --> 0:23:37.680
<v Speaker 1>I'm Joe Wisenthal. You can follow me on Twitter at

0:23:37.720 --> 0:23:40.880
<v Speaker 1>the Stalwart and I'm Tracy Alloway. I'm on Twitter at

0:23:40.920 --> 0:23:44.800
<v Speaker 1>Tracy Alloway. And you can follow Sarah on Twitter at

0:23:44.960 --> 0:23:47.479
<v Speaker 1>Sarah pat with two Teas. Thanks for listening.