1 00:00:02,640 --> 00:00:07,120 Speaker 1: Ever been left waiting by the phone. It's the Fred Show. 2 00:00:07,280 --> 00:00:09,760 Speaker 1: Hey DJ, good morning, welcome to the program. How are 3 00:00:09,800 --> 00:00:11,040 Speaker 1: you hey doing? 4 00:00:11,119 --> 00:00:12,920 Speaker 2: Fun man? Happy to be here? What's good? 5 00:00:13,520 --> 00:00:15,440 Speaker 1: What's the money is good? I don't know. We're well, 6 00:00:15,440 --> 00:00:18,520 Speaker 1: we're about to find out what's good with this woman Angelina, 7 00:00:18,720 --> 00:00:21,079 Speaker 1: who you met. Here's what we need to know. How 8 00:00:21,120 --> 00:00:23,599 Speaker 1: you guys met, Uh, tell us about any dates that 9 00:00:23,640 --> 00:00:26,040 Speaker 1: you've been on, and then where things are now while 10 00:00:26,079 --> 00:00:29,159 Speaker 1: you think you're being ghosted. Uh yeah, I mean it 11 00:00:29,280 --> 00:00:29,960 Speaker 1: was all good. 12 00:00:30,360 --> 00:00:33,360 Speaker 2: We met at a bar the old fashioned way. Sounds 13 00:00:33,400 --> 00:00:35,840 Speaker 2: like a good sign, and we hang out all night 14 00:00:36,040 --> 00:00:39,520 Speaker 2: and made out a little even next day, we're still 15 00:00:39,600 --> 00:00:42,199 Speaker 2: texting a bunch a lot of texting. 16 00:00:42,760 --> 00:00:45,840 Speaker 1: And goes on for about a week. So ask her out. 17 00:00:46,880 --> 00:00:51,000 Speaker 2: And the date was fun, super fun, and we went 18 00:00:51,040 --> 00:00:53,720 Speaker 2: back to my place. I mean, all these good signs. 19 00:00:53,920 --> 00:00:54,640 Speaker 1: Hooked up. 20 00:00:55,120 --> 00:00:59,600 Speaker 2: Great sign and now you know, I'm this year and 21 00:00:59,600 --> 00:01:02,600 Speaker 2: I'm wondering it was a mistake because she left and 22 00:01:02,640 --> 00:01:05,199 Speaker 2: she never responded to me again. Was trying to figure 23 00:01:05,200 --> 00:01:05,720 Speaker 2: out why. 24 00:01:05,920 --> 00:01:08,479 Speaker 1: Okay, So yeah, I mean I would say, you met 25 00:01:08,520 --> 00:01:11,160 Speaker 1: in person, and you know you're able to gauge the 26 00:01:11,240 --> 00:01:13,800 Speaker 1: chemistry that way and it was good obviously, because you 27 00:01:13,880 --> 00:01:15,679 Speaker 1: kiss that night, then you go on, you hook up 28 00:01:15,680 --> 00:01:18,560 Speaker 1: the whole thing. So I would wonder too. We've gone 29 00:01:18,600 --> 00:01:21,920 Speaker 1: out now twice and things got better each time. So 30 00:01:22,000 --> 00:01:24,360 Speaker 1: why am I being ghosted? Now? Yeah? 31 00:01:24,600 --> 00:01:26,800 Speaker 2: That's that's that's it. I just thought I'm drawing a blank. 32 00:01:26,840 --> 00:01:28,760 Speaker 2: It was all it was all positive. 33 00:01:28,880 --> 00:01:30,600 Speaker 1: Okay, Well that's where we come in. We're gonna call 34 00:01:30,600 --> 00:01:33,160 Speaker 1: this woman, Angelina. We're gonna see if we can figure 35 00:01:33,200 --> 00:01:34,480 Speaker 1: out what's going on. You'll be on the phone at 36 00:01:34,520 --> 00:01:36,959 Speaker 1: the same time. And the hope here is that maybe 37 00:01:36,959 --> 00:01:38,839 Speaker 1: there's something we can straighten out, or she's been busy 38 00:01:38,920 --> 00:01:41,000 Speaker 1: or not feeling well or who knows what, But we 39 00:01:41,040 --> 00:01:42,440 Speaker 1: want to set you guys up on it, in this 40 00:01:42,480 --> 00:01:45,880 Speaker 1: case a third date that we pay for. Okay, okay, yeah, 41 00:01:45,959 --> 00:01:47,920 Speaker 1: let's go. I'm gonna play one song and then we'll 42 00:01:47,920 --> 00:01:49,880 Speaker 1: come back and do it. Stay right there, DJ, Yeah, 43 00:01:50,360 --> 00:01:52,320 Speaker 1: you've got to hear what happens next part to a 44 00:01:52,360 --> 00:01:54,200 Speaker 1: waiting at the phone right after Chapel rode back in 45 00:01:54,240 --> 00:01:57,920 Speaker 1: two minutes Fread's show, Chaparon, It's the Fread Show. Good morning, 46 00:01:57,920 --> 00:01:59,480 Speaker 1: thanks for waking up with us on the radio and 47 00:01:59,520 --> 00:02:02,960 Speaker 1: the iHeart that anytime search for a Fred show on demand. Hey, DJ, 48 00:02:04,000 --> 00:02:07,280 Speaker 1: let's call Angelina. You guys, you met the old fashioned way, 49 00:02:07,320 --> 00:02:09,600 Speaker 1: you met in person, which never seems to happen anymore, 50 00:02:09,639 --> 00:02:12,080 Speaker 1: it sounds like, and then you wound up going on 51 00:02:12,120 --> 00:02:14,960 Speaker 1: another date, and you know, both of these interactions were 52 00:02:14,960 --> 00:02:17,840 Speaker 1: really good, except you haven't heard from her since then, 53 00:02:17,919 --> 00:02:20,360 Speaker 1: and you want to know why. Yeah, that's right, all right, 54 00:02:20,400 --> 00:02:33,000 Speaker 1: let's call her now. Good luck? Hello, Hi is this Angelina? Hi? 55 00:02:33,080 --> 00:02:35,079 Speaker 1: My name is Fred. I'm calling from the Fred Show, 56 00:02:35,120 --> 00:02:36,880 Speaker 1: the Morning radio show, and I have to tell you 57 00:02:36,919 --> 00:02:38,480 Speaker 1: that we are on the radio right now, and I 58 00:02:38,520 --> 00:02:40,520 Speaker 1: would need your permission to continue with the call. Can 59 00:02:40,560 --> 00:02:42,160 Speaker 1: which have for just a second? Would you mind? You 60 00:02:42,200 --> 00:02:43,120 Speaker 1: can hang up anytime? 61 00:02:44,120 --> 00:02:46,480 Speaker 3: I'm curious? So yeah, that's. 62 00:02:46,320 --> 00:02:49,560 Speaker 1: Fine, Yeah, that's fine. Okay, Well I'm going to take 63 00:02:49,560 --> 00:02:51,959 Speaker 1: that as a yes. We're calling on behalf of a 64 00:02:52,360 --> 00:02:56,520 Speaker 1: guy named DJ who he I guess you guys met 65 00:02:56,520 --> 00:02:58,320 Speaker 1: out and went on a couple of dates, you remember DJ? 66 00:02:59,240 --> 00:02:59,440 Speaker 3: Yeah? 67 00:02:59,480 --> 00:03:02,400 Speaker 1: I do. Okay, So he called us and told us 68 00:03:02,400 --> 00:03:05,080 Speaker 1: that he met you out and felt like you know, 69 00:03:05,120 --> 00:03:07,560 Speaker 1: it was you guys hit it off and then you 70 00:03:07,600 --> 00:03:10,080 Speaker 1: went on a date and he says things got better, 71 00:03:10,560 --> 00:03:13,240 Speaker 1: and then he says, since that date, the second date, 72 00:03:13,600 --> 00:03:16,079 Speaker 1: I guess you'd call it, he hasn't been able to 73 00:03:16,080 --> 00:03:17,720 Speaker 1: get ahold of you. It feels like you're ghosting him. 74 00:03:17,760 --> 00:03:19,840 Speaker 1: Are you ghosting him? 75 00:03:20,919 --> 00:03:21,280 Speaker 4: Yeah? 76 00:03:21,400 --> 00:03:22,639 Speaker 1: I mean I'm just gonna be honest. 77 00:03:22,760 --> 00:03:26,919 Speaker 3: Yeah, I mean everything was great until it wasn't. 78 00:03:27,560 --> 00:03:31,200 Speaker 4: And yeah, I've been ghosting him. 79 00:03:31,440 --> 00:03:33,799 Speaker 1: What's there was when until it wasn't? What does that mean? 80 00:03:33,840 --> 00:03:35,800 Speaker 1: Everything was great until what? Well? 81 00:03:35,920 --> 00:03:37,800 Speaker 4: He was warm at the bar and dinner and we 82 00:03:37,800 --> 00:03:41,280 Speaker 4: were totally vibing. We both got tipsy, so we went 83 00:03:41,320 --> 00:03:44,480 Speaker 4: back to his place and we were making out and 84 00:03:44,680 --> 00:03:49,840 Speaker 4: we started hooking up. But as we're hooking up, I 85 00:03:49,920 --> 00:03:54,360 Speaker 4: realized he had headphones in his ears, and I'm like, 86 00:03:55,360 --> 00:03:56,080 Speaker 4: that's the bar. 87 00:03:56,520 --> 00:03:59,840 Speaker 3: So I asked him what's up with the headphones? And 88 00:04:01,040 --> 00:04:06,040 Speaker 3: his answer said that it helps him stay focused and 89 00:04:06,080 --> 00:04:08,800 Speaker 3: it helps him get to the finish line. He listens 90 00:04:08,840 --> 00:04:11,080 Speaker 3: to techno music, so there's no distraction. 91 00:04:11,840 --> 00:04:17,320 Speaker 1: WHOA like eight over here? Wow? What's up Leonardo DiCaprio. 92 00:04:18,240 --> 00:04:20,680 Speaker 1: So what does he have like like earbuds in like 93 00:04:20,720 --> 00:04:21,679 Speaker 1: air pods or something? 94 00:04:21,920 --> 00:04:26,119 Speaker 4: Yes? Yes, And I was weirded out, Like I tried 95 00:04:26,160 --> 00:04:28,480 Speaker 4: to keep going and I just. 96 00:04:28,760 --> 00:04:31,120 Speaker 3: I couldn't do it, and so I just said I. 97 00:04:31,080 --> 00:04:33,359 Speaker 4: Have a meeting in the morning and tried to you know, 98 00:04:33,520 --> 00:04:35,600 Speaker 4: just bailed out and said. 99 00:04:35,360 --> 00:04:39,200 Speaker 3: I was tired, and I last I was just so weirded. 100 00:04:38,760 --> 00:04:39,480 Speaker 4: Out about it. 101 00:04:39,560 --> 00:04:41,280 Speaker 1: I mean, God forbid he we get any feedback from 102 00:04:41,279 --> 00:04:44,120 Speaker 1: his partner. You know, it's I guess you're just a 103 00:04:44,240 --> 00:04:48,360 Speaker 1: thing because he doesn't need to hear you, right or right? 104 00:04:48,480 --> 00:04:51,200 Speaker 1: You didn't want to share the other earbud with men 105 00:04:51,360 --> 00:04:55,359 Speaker 1: thing to do this one INSNC together at least be 106 00:04:55,440 --> 00:04:58,960 Speaker 1: on beats. We can both listen to scrill well enough 107 00:05:00,080 --> 00:05:04,120 Speaker 1: for you, right, Yeah, that would have been very good, 108 00:05:04,200 --> 00:05:06,919 Speaker 1: the prettiest thing to do. Everybody knows that, or a 109 00:05:06,960 --> 00:05:12,680 Speaker 1: crazy idea a speaker so everybody can join in. Let 110 00:05:12,760 --> 00:05:15,960 Speaker 1: me DJ is his name, Like, wow, let me bring 111 00:05:16,040 --> 00:05:20,159 Speaker 1: DJ in? Hey, DJ, what like, what are we doing? 112 00:05:21,000 --> 00:05:23,560 Speaker 1: It's supposed to be like a give and take thing. 113 00:05:23,640 --> 00:05:26,159 Speaker 1: You know. Most people want to interact with their partner 114 00:05:26,160 --> 00:05:27,800 Speaker 1: while they're doing that, and I treat them like a 115 00:05:27,839 --> 00:05:30,599 Speaker 1: thing while they listen to their techno and go to 116 00:05:30,640 --> 00:05:31,520 Speaker 1: poundtown or whatever. 117 00:05:32,680 --> 00:05:35,400 Speaker 2: I mean, I'm just I'm just surprised. That's the reason 118 00:05:35,520 --> 00:05:39,440 Speaker 2: we haven't talked, Like I've heard waiting by the phone 119 00:05:40,200 --> 00:05:44,479 Speaker 2: and like people are way in much wilder stuff than this. 120 00:05:44,960 --> 00:05:49,200 Speaker 1: I mean, well that is true. Well I'm not bothering her, 121 00:05:49,800 --> 00:05:51,520 Speaker 1: Like why does she care? I'm not. 122 00:05:51,640 --> 00:05:54,560 Speaker 2: It's not like I'm playing it on speakers or a 123 00:05:54,560 --> 00:05:57,719 Speaker 2: subwolfer and like, you know, just killing her vibes. 124 00:05:57,720 --> 00:06:00,160 Speaker 1: I think I'd be really offended though, DJ Like if 125 00:06:00,160 --> 00:06:01,760 Speaker 1: I'm with somebody and they're like, hey, can I wear 126 00:06:01,800 --> 00:06:03,360 Speaker 1: a blindfold because I don't want to look at you? 127 00:06:03,760 --> 00:06:06,039 Speaker 1: Or hey can I can I listen to music because 128 00:06:06,040 --> 00:06:07,720 Speaker 1: I don't want to have to hear you making any 129 00:06:07,760 --> 00:06:10,600 Speaker 1: noise while we do this thing that's supposed to be 130 00:06:11,120 --> 00:06:13,160 Speaker 1: you know, both of us together. 131 00:06:14,760 --> 00:06:18,160 Speaker 3: Like he needs a distraction, Like that's just so offensive. 132 00:06:18,800 --> 00:06:20,880 Speaker 2: I mean, I don't see you as a distraction. I 133 00:06:20,920 --> 00:06:25,120 Speaker 2: see it as an enhancement. Like it gets me, It 134 00:06:25,160 --> 00:06:27,560 Speaker 2: gets me like in the zone. Like I think, I 135 00:06:27,600 --> 00:06:29,960 Speaker 2: don't mind if someone needs a blindfold or anything to 136 00:06:29,960 --> 00:06:30,360 Speaker 2: get there. 137 00:06:30,400 --> 00:06:32,719 Speaker 1: We get there. This man is a seasoned athlete. Okay, 138 00:06:33,880 --> 00:06:35,960 Speaker 1: he does what he has to do in order to 139 00:06:35,960 --> 00:06:39,359 Speaker 1: bestow upon you a proper experience. If you know what 140 00:06:39,400 --> 00:06:43,400 Speaker 1: I mean, it's so oh my god. Yeah, by the 141 00:06:43,400 --> 00:06:45,440 Speaker 1: way that it's to get it right, to get him 142 00:06:45,480 --> 00:06:47,880 Speaker 1: to the finish line. He doesn't seem too concerned. I mean, 143 00:06:47,880 --> 00:06:49,880 Speaker 1: he doesn't even need to hear if he's doing it right. 144 00:06:50,480 --> 00:06:51,960 Speaker 1: You know, for a lot of people like you might 145 00:06:52,040 --> 00:06:55,480 Speaker 1: listen for some feedback, some response like oh I'm onto 146 00:06:55,480 --> 00:06:59,680 Speaker 1: something here, he doesn't even care, right exactly? 147 00:07:00,960 --> 00:07:01,679 Speaker 4: Oh my god? 148 00:07:02,000 --> 00:07:07,800 Speaker 1: All right? DJ, okay, do you I don't even know 149 00:07:07,800 --> 00:07:10,280 Speaker 1: what to say about this. At least you weren't eating 150 00:07:10,320 --> 00:07:12,240 Speaker 1: cheetos too? Was it cheetos and cheese? It's what did 151 00:07:12,320 --> 00:07:17,200 Speaker 1: uher DiCaprio? Cheese? It's and the music again, that would 152 00:07:17,240 --> 00:07:18,960 Speaker 1: take it to another level. I suppose if you were 153 00:07:19,000 --> 00:07:21,520 Speaker 1: also eating during the experience, DJ, have you ever considered that? 154 00:07:22,200 --> 00:07:24,560 Speaker 2: You know, maybe I'll give it a try. As long 155 00:07:24,600 --> 00:07:25,800 Speaker 2: as it's just rhythm. 156 00:07:26,200 --> 00:07:30,960 Speaker 1: Rhythm, man, that's right. What do you mean? It's right? 157 00:07:32,880 --> 00:07:35,640 Speaker 1: This man like, let him use what he needs to 158 00:07:35,680 --> 00:07:37,720 Speaker 1: get what you gotta do. How insulted? Would you be? 159 00:07:37,840 --> 00:07:39,560 Speaker 1: Peeky if you got with this guy and he was like, 160 00:07:39,600 --> 00:07:41,560 Speaker 1: hang out one second, let me put some in my 161 00:07:41,600 --> 00:07:43,720 Speaker 1: ear so I don't have to listen to your ass 162 00:07:43,760 --> 00:07:45,640 Speaker 1: making any noise. Hey, maybe I just need you to 163 00:07:45,680 --> 00:07:48,240 Speaker 1: focus or whatever it takes to get me there. And 164 00:07:48,480 --> 00:07:50,120 Speaker 1: you know he won't know if he got you there 165 00:07:50,120 --> 00:07:52,200 Speaker 1: because he's too busy. And you know what's what if 166 00:07:52,200 --> 00:07:54,200 Speaker 1: it's a short song too, like only two and a 167 00:07:54,240 --> 00:07:56,200 Speaker 1: half minutes. You know, you know how I feel about that. 168 00:07:56,400 --> 00:07:58,880 Speaker 1: I got things to do. That's do what we came 169 00:07:58,920 --> 00:08:03,600 Speaker 1: to do to work. Wow, Okay, all right, DJ, I'll 170 00:08:03,600 --> 00:08:07,760 Speaker 1: give you Kiki's number because she's single, so I'm sure 171 00:08:07,800 --> 00:08:10,600 Speaker 1: Big Tim won't mind. Angelina, will you give this guy 172 00:08:10,640 --> 00:08:12,760 Speaker 1: another chance? Or no? 173 00:08:12,760 --> 00:08:13,000 Speaker 4: No? 174 00:08:13,720 --> 00:08:16,880 Speaker 1: All right, Well DJ, I don't know, man, if you 175 00:08:16,960 --> 00:08:19,200 Speaker 1: need the music, I might say, play it out loud, 176 00:08:19,440 --> 00:08:22,200 Speaker 1: because I honestly, if you're saying to me that any 177 00:08:22,240 --> 00:08:24,960 Speaker 1: noise you make is going to inconvenience me while I'm 178 00:08:24,960 --> 00:08:27,720 Speaker 1: doing that to you or vice versa, I would be 179 00:08:27,760 --> 00:08:29,880 Speaker 1: insulted by that, Like, yeah, I want to do this 180 00:08:29,920 --> 00:08:31,320 Speaker 1: with you, but I do not want to hear you. 181 00:08:31,560 --> 00:08:33,120 Speaker 1: I don't want to hear tech noo. Yeah, I don't 182 00:08:33,120 --> 00:08:34,880 Speaker 1: want to get music. I know you guys like music, 183 00:08:35,240 --> 00:08:37,160 Speaker 1: you do. I can't do it to music. So maybe 184 00:08:37,160 --> 00:08:39,480 Speaker 1: the airpard is not a bad idea. See, can you 185 00:08:39,559 --> 00:08:42,200 Speaker 1: do what I'm saying? I don't do music like I 186 00:08:42,240 --> 00:08:45,000 Speaker 1: want to hear me and you, well, he doesn't want 187 00:08:45,000 --> 00:08:51,440 Speaker 1: to hear you. Happy. I don't know, so Angelina, No, 188 00:08:51,600 --> 00:08:55,160 Speaker 1: you don't want to No, No, what's that? DJ? Oh 189 00:08:55,240 --> 00:08:56,360 Speaker 1: you have something else to say? 190 00:08:56,640 --> 00:08:58,520 Speaker 2: No? I mean I just think you all ain't thinking 191 00:08:58,559 --> 00:09:03,600 Speaker 2: about the destination of the destination of me. I think, yeah, 192 00:09:03,640 --> 00:09:06,120 Speaker 2: because I'm just one remix away from a good time. 193 00:09:06,440 --> 00:09:09,679 Speaker 1: You're a good time? Okay? Yours all? 194 00:09:09,800 --> 00:09:09,959 Speaker 2: Right? 195 00:09:10,040 --> 00:09:13,040 Speaker 1: Then? Well I think you're gonna be on more of 196 00:09:13,080 --> 00:09:16,480 Speaker 1: a solo mission now, but a concert for one right, 197 00:09:16,720 --> 00:09:19,200 Speaker 1: But anyway, guys, thank you both for your time. Best 198 00:09:19,240 --> 00:09:22,640 Speaker 1: of bucks to both of you. Thank you the Entertainment 199 00:09:22,679 --> 00:09:25,240 Speaker 1: Report and one hundred bucks which she'll be Shelley. She 200 00:09:25,559 --> 00:09:30,280 Speaker 1: will win today. Shelley, please win today. It's both our 201 00:09:30,360 --> 00:09:31,200 Speaker 1: next Bread shows on