WEBVTT - A Soldier’s Heart

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<v Speaker 1>Third Squad is a podcast about war. All episodes contain

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<v Speaker 1>strong language and graphic descriptions of violence that may not

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<v Speaker 1>be suitable for all listeners. There's a line that Manny

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<v Speaker 1>Mendoza almost never crosses. He gets close sometimes, but I

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<v Speaker 1>won't say it. Well, you recorded, there's the line. Do

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<v Speaker 1>you want to stop the recorder? Yeah? Yeah, yeah, stop it.

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<v Speaker 1>I'm Elliott Woods. This is Third Squad Episode four, A

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<v Speaker 1>Soldier's Heart. This is on now. So the first thing is,

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<v Speaker 1>let me take you back to sang In for a minute.

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<v Speaker 1>It was two thousand eleven and I was in one

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<v Speaker 1>of those hot mud brick room is where the Marines

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<v Speaker 1>slept at patrol based fires. I was trying to interview

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<v Speaker 1>each of the guys when they had a few minutes

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<v Speaker 1>between patrols and sleeping. All right, go, I am Copra Mendoza.

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<v Speaker 1>Weis Loco Texas. I'm twenty years old. All right, try

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<v Speaker 1>again a little bit louder. Mendoza was shirtless, and unlike

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<v Speaker 1>some of the guys, he hadn't thinned out from the malnutrition.

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<v Speaker 1>I was cutting into his chill time, and he wasn't

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<v Speaker 1>all that excited about it. He was also nervous and

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<v Speaker 1>listening back to the tape, I don't know whether to

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<v Speaker 1>cringe or laugh at my stage directions. I'm Coporate Mendoza,

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<v Speaker 1>Manuel Mendoza, I am corporate Manuel Mendoza. I'm twenty years

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<v Speaker 1>old and from Wedlico, Texas. Mendoza barely looked back when

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<v Speaker 1>he left Westloco to join the Marines. He earned the

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<v Speaker 1>rank of corporal and became a team leader responsible for

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<v Speaker 1>half the squad in one of the most dangerous combat

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<v Speaker 1>zones in all of Afghanistan, and he took his job seriously.

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<v Speaker 1>You gotta be on top of everything. You've gotta be

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<v Speaker 1>thinking about real security, front security, everything. You got to

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<v Speaker 1>be pretty much thinking for your team. He still had

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<v Speaker 1>the wide eyes and bashful charm of a teenager. Everything

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<v Speaker 1>was new and exciting for him, but it was also horrific.

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<v Speaker 1>I wasn't expecting the blood bones dangling everywhere. I wasn't

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<v Speaker 1>expecting that. I was hoping I wouldn't have to see that,

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<v Speaker 1>but I did. Sangin was Mendoza's first deployment, and by

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<v Speaker 1>the time we met, he'd been on the ground for

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<v Speaker 1>four months. He'd already seen more than enough. He decided

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<v Speaker 1>to get out dream scenario like ten years from now,

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<v Speaker 1>just having a home, a family, and a job. I

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<v Speaker 1>guess as that is, that would be considering the American dream. Yeah,

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<v Speaker 1>I think so. I think so too. Now it's March,

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<v Speaker 1>almost ten years have gone by since we talked and

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<v Speaker 1>sang it. Mendoza is back living in Texas, and I'm

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<v Speaker 1>here to find out how his plans shook out. How

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<v Speaker 1>close has he gotten to that American dream? The home,

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<v Speaker 1>the family, the job. That is a lot of cool stuff.

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<v Speaker 1>Do here, we'll go, We'll start over at the engine.

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<v Speaker 1>So Mendoza is a volunteer firefighter. Now, among other things,

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<v Speaker 1>he's on shift tonight. It's about eleven PM and Tommy

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<v Speaker 1>and I are here at the firehouse. He's showing us around.

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<v Speaker 1>The very first thing I do coming in here, number

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<v Speaker 1>one is figure out where your assignment is, because you

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<v Speaker 1>don't actually just come in and just jump on the

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<v Speaker 1>engine like you're good. No, you need an assignment. Tonight,

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<v Speaker 1>Mendoza is on nozzle, the typical new guy job, and

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<v Speaker 1>what that means is that in any case we respond

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<v Speaker 1>to a fire, I would be the first one to

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<v Speaker 1>grab a hose. So you keep your stuff in here

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<v Speaker 1>ready to go. At all times. Usually in the movies

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<v Speaker 1>you might see that they have their stuff outside. No,

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<v Speaker 1>we we get dressed inside. In other words, jump in drive,

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<v Speaker 1>get dressed on the way. That saves like two to

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<v Speaker 1>three minutes. That's plenty of time to help save somebody.

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<v Speaker 1>He's a volunteer, but the gig is demanding. It's at

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<v Speaker 1>least twenty hours a week, and he often has to

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<v Speaker 1>spend the night, which means he has to head straight

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<v Speaker 1>to his other job as a civil engineer in the morning,

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<v Speaker 1>what you might call his real job. So this is

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<v Speaker 1>pretty intense. This is not just like you know something

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<v Speaker 1>you do just because you have some spare time to volunteer.

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<v Speaker 1>This is like a huge learning curve with a ton

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<v Speaker 1>of real responsibility. Yeah you love it. Yeah, learning it's

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<v Speaker 1>sucking awesome, dude, learning its fucking legit. The boyish enthusiasm

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<v Speaker 1>I remember from saying and has not diminished. But do

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<v Speaker 1>you ever take a day off? Yeah? Do you sleep? Yea?

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<v Speaker 1>How often do you sleep? Right now, I'm trying to

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<v Speaker 1>stick to go to sleep at ten, wake up at

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<v Speaker 1>three because Jim, you're gonna get that gym in. It's

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<v Speaker 1>getting close to midnight and we need to let Mendoza crash.

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<v Speaker 1>We're gonna be around for a few days, so we

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<v Speaker 1>make plans to meet up at his place on one

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<v Speaker 1>of his nights off to talk more. But we can't

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<v Speaker 1>leave without seeing the fire truck. This is what every

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<v Speaker 1>little boy's dream is, to stand up top of that ladder.

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<v Speaker 1>Do you want to go up there? Um? Now, you

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<v Speaker 1>can go up there? Sure, Okay, we climb up onto

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<v Speaker 1>the top. Be very careful to watch your head. We're

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<v Speaker 1>probably ten ft off the ground. Crouch beneath the ceiling.

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<v Speaker 1>One of the most important things to know about this

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<v Speaker 1>thing is that little liver right there. Mendoza shows us

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<v Speaker 1>how it works, but after a few minutes he gets

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<v Speaker 1>a little confused. Where was it when we got here?

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<v Speaker 1>I don't remember? He said it was set up for rescue.

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<v Speaker 1>He flips the lever back and forth a couple of times. God, damn,

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<v Speaker 1>can't you remember anymore? What is this? Did I break

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<v Speaker 1>the fire truck? We're gonna this part? I just don't remember.

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<v Speaker 1>Remember me to YouTube it now. I can use reasoning here.

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<v Speaker 1>I just use YouTube YouTube rescue setting for scannon setting there.

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<v Speaker 1>When we finally meet up with Mendoza at his apartment,

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<v Speaker 1>he's watching Training Day, the Denzel Washington film for maybe

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<v Speaker 1>the hundredth time. King Kong ain't got on me. He

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<v Speaker 1>lives in a tidy, one bedroom in a suburban complex

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<v Speaker 1>about a half hour north of Houston. The decorations are sparse.

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<v Speaker 1>He's got a poster near the kitchen of retired Marine

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<v Speaker 1>General Jim Mattis in the style of a religious icon,

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<v Speaker 1>complete with a halo and a grenade. Underneath, there's a

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<v Speaker 1>little shelf where I noticed a copy of I Am Malala,

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<v Speaker 1>and there's a knee high stack of engineering textbooks piled

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<v Speaker 1>by a small computer desk. Back in sang In, Mendoza

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<v Speaker 1>told me he wanted to go to college, and he

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<v Speaker 1>followed through on that plan. He earned a degree in

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<v Speaker 1>civil engineering from Texas A and M in two thousand nineteen.

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<v Speaker 1>Then he moved here to the Woodlands for a job

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<v Speaker 1>with the construction firm. In less than two years, he's

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<v Speaker 1>already worked his way up to manager. He tells me.

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<v Speaker 1>He even bought a house, just not for himself, for

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<v Speaker 1>his mom back in the Rio Grand Valley where he

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<v Speaker 1>grew up. I was born in Weslico, Texas, which is

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<v Speaker 1>deep deep south Texas. The very very south spout the

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<v Speaker 1>stone toss away from Mexico. Um he was born, I

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<v Speaker 1>didn't like it. He's the youngest of six with four

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<v Speaker 1>sisters and a brother. His parents are from Mexico. They

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<v Speaker 1>came to the US for work before Mendoza was born.

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<v Speaker 1>They always went job to job. I was working in

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<v Speaker 1>general labor. Everybody had to pitch in, even the little kids.

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<v Speaker 1>I got my first job when I was like, We

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<v Speaker 1>found a job for me out in the field because

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<v Speaker 1>they couldn't work the factories because I was too long,

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<v Speaker 1>and they had like laws or whatever, child labor laws. Yeah,

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<v Speaker 1>one of one of the major advancements of the twentieth century. Yeah,

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<v Speaker 1>I heard us. Yeah. Anyway, So I was working out

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<v Speaker 1>in the fields where you know that nobody ever came

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<v Speaker 1>to inspect. Every summer, the entire family went north to

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<v Speaker 1>pick cherries. Where up north all the way from West Dakota, Michigan.

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<v Speaker 1>That's basically all the way from the Mexican border to

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<v Speaker 1>the Canadian border almost pretty much. Man, So there was

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<v Speaker 1>work up there. The pay was good and even though

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<v Speaker 1>it was seasonal, still provided some decent monitor income for

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<v Speaker 1>the summer times. So you all went up there as

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<v Speaker 1>a family, Yeah, in your family car or how did

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<v Speaker 1>you get up there? Yeah, big old trucks that used

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<v Speaker 1>to buy up north. Whatever was a good deal and

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<v Speaker 1>whatever could hold all of us. One of the coolest

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<v Speaker 1>ones was this big old brown band that we had.

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<v Speaker 1>I think it was. Yeah, it was a big old

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<v Speaker 1>brown band. We had a table in the back. We

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<v Speaker 1>could all kind of just laid down. We would all

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<v Speaker 1>just kind of enjoy the day or two day trip

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<v Speaker 1>up to Michigan. They lived in migrant housing provided by

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<v Speaker 1>the owners of the fruit farms. They were usually out

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<v Speaker 1>in the field, kind of just out of the way. Um,

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<v Speaker 1>kind of hidden because you know, a lot of us

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<v Speaker 1>were a lot of them were illegals. A lot of

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<v Speaker 1>the workers were illegal or undocumented whatever. Um. So yeah,

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<v Speaker 1>they were kind of we were kind of in secluded

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<v Speaker 1>areas in the farmers fields. It's pretty much a shed

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<v Speaker 1>with sometimes with the running water in electricity other time

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<v Speaker 1>it's not not that um. I think the worst one

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<v Speaker 1>we dated and had a head and out house, like

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<v Speaker 1>no no running water, just ship house in the back

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<v Speaker 1>out in the orchards. Mendoza usually got the little kid jobs.

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<v Speaker 1>Remember I had a tennis racket. I would scoop up

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<v Speaker 1>all the bad ch Harris running behind this tractor, this

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<v Speaker 1>equipped piece of equimage. That's pretty cool. So then did

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<v Speaker 1>you get to keep the money that you made for

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<v Speaker 1>that or did you family all pull the money together

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<v Speaker 1>and use it to live for the rest of the year.

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<v Speaker 1>That was for clothes, uh, for me, for my clothes

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<v Speaker 1>for end whatever I needed for the coming school year.

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<v Speaker 1>He has fond memories of this time in his life,

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<v Speaker 1>the long road trips, the people he got to meet,

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<v Speaker 1>and especially the sense that he was helping his family

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<v Speaker 1>get by. But there was a cost for him that

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<v Speaker 1>didn't help out with my education at all. I'll tell

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<v Speaker 1>you that because you would come in sometimes a month

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<v Speaker 1>or too late to school in the fall. The super

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<v Speaker 1>student who showed us around the firehouse and excelled at

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<v Speaker 1>college wasn't always so hungry for education. I hate school.

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<v Speaker 1>I just buys died it. Didn't like it, and in

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<v Speaker 1>my head always had that mentality of I'm gonna go

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<v Speaker 1>on the military. If he ever had any doubts, he

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<v Speaker 1>says they vanished one autumn day in two thousand one.

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<v Speaker 1>I knew right away that I want to join the military.

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<v Speaker 1>At nine eleven, was ten years old. Yeah, that's when

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<v Speaker 1>I absolutely you I was going to join. This isn't

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<v Speaker 1>the first time I've heard this story. We play Mendoza

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<v Speaker 1>some of our interview from Sangin joined the Marine Corps

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<v Speaker 1>because I'll never forget September eleven. I'll never forget the

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<v Speaker 1>what happened in New York, and I'll never forget um

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<v Speaker 1>people never heard people that died. I love my country.

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<v Speaker 1>I'm a patriot straight up like your Mexican. I love

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<v Speaker 1>I love America because we had a lot of great

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<v Speaker 1>things in our country, and I like to I feel

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<v Speaker 1>like I have I have a depth at depth that

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<v Speaker 1>try to speak in a little bit louder the voice,

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<v Speaker 1>not like shouting, whispering this somewhere in the middle of

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<v Speaker 1>just a strong, strong I feel like I got a

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<v Speaker 1>debt to the United States because I have such a

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<v Speaker 1>great life back home. I out my family, I got

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<v Speaker 1>I had a good education. Now, so I felt like

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<v Speaker 1>I needed to pay that dead you you busted out

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<v Speaker 1>laughing when you heard I got a good education. You

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<v Speaker 1>had like a full belly laugh. So why is that

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<v Speaker 1>because it contradicted what I just said? Yeah, so why

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<v Speaker 1>do you think you told me that? Back then, why

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<v Speaker 1>do you think you said you had a good education

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<v Speaker 1>back then? I don't know any better, And I think

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<v Speaker 1>subconsciously what I was thinking was that compared to the

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<v Speaker 1>Afghan kids, that's what I had, Yeah, a great education.

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<v Speaker 1>Mendoza worked three jobs in high school. He steered clear

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<v Speaker 1>of the drugs and the gangs that he says we're everywhere,

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<v Speaker 1>and he kept his grades up enough to stay on

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<v Speaker 1>the football team and graduate. All I was worried about

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<v Speaker 1>was finishing up so I can, yeah, go ahead and

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<v Speaker 1>get the hell out of here, out of the valley

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<v Speaker 1>and go fight boredom and testosterone curiosity about the big

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<v Speaker 1>wide world. Roman took ideals about the greatest adventure of

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<v Speaker 1>them all. War. It's a powerful cocktail for a small

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<v Speaker 1>town boy, and it leads often enough to the military.

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<v Speaker 1>But there are a lot of other roads to adventure.

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<v Speaker 1>There are a lot of other ways to get the

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<v Speaker 1>hell out. What I want to know is why Mendoza

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<v Speaker 1>was so eager to fight. What did that feeling in

0:13:19.040 --> 0:13:21.480
<v Speaker 1>like in your body, this desire to fight? What did

0:13:21.520 --> 0:13:25.079
<v Speaker 1>that feel like? I guess it wasn't a feeling. I

0:13:25.120 --> 0:13:28.400
<v Speaker 1>guess my just my imagination just took me places with

0:13:28.640 --> 0:13:30.559
<v Speaker 1>what I could do and what I wanted to do,

0:13:31.200 --> 0:13:36.440
<v Speaker 1>because I had no really, no real way of feeling

0:13:37.640 --> 0:13:41.440
<v Speaker 1>what combat might be like. His imagination was fueled by

0:13:41.520 --> 0:13:45.480
<v Speaker 1>war movies, video games, and books about battles. Seventh grade,

0:13:46.400 --> 0:13:49.360
<v Speaker 1>the first book I ever read like actual. It wasn't

0:13:49.360 --> 0:13:55.600
<v Speaker 1>a Goose Bones book, it wasn't um some Captain Underpants whatever.

0:13:55.760 --> 0:13:59.960
<v Speaker 1>It was a legit novel, and it was A Soldier

0:14:00.080 --> 0:14:05.839
<v Speaker 1>His Heart. The books about a fifteen year old boy

0:14:05.960 --> 0:14:08.120
<v Speaker 1>named Charlie who lies about his age so he can

0:14:08.240 --> 0:14:14.120
<v Speaker 1>enlist and fight in the American Civil War. When he

0:14:14.200 --> 0:14:16.520
<v Speaker 1>comes home from the war, he's walking with a cane

0:14:16.559 --> 0:14:20.080
<v Speaker 1>and pissing blood, and he's tortured by the horrors he witnessed.

0:14:23.040 --> 0:14:25.840
<v Speaker 1>He has what we now call PTSD, but back then

0:14:25.960 --> 0:14:32.480
<v Speaker 1>it was sometimes called soldier's heart. In the final scene,

0:14:32.680 --> 0:14:34.840
<v Speaker 1>Charlie sits down by a river to have a picnic.

0:14:35.360 --> 0:14:37.400
<v Speaker 1>He takes out some bread and cheese, a chunk of

0:14:37.520 --> 0:14:45.600
<v Speaker 1>roast beef, some coffee, and a pistol. It's not clear

0:14:45.680 --> 0:14:49.400
<v Speaker 1>whether Charlie kills himself, but it's definitely not a happy ending.

0:14:54.000 --> 0:14:56.520
<v Speaker 1>It may sound strange that someone would read that story

0:14:56.560 --> 0:15:00.240
<v Speaker 1>and want to go to war. But Mendoza did, So

0:15:00.360 --> 0:15:03.160
<v Speaker 1>what year did you? And listen to the Marines? Okay,

0:15:03.240 --> 0:15:06.200
<v Speaker 1>so you really are what they call a surge baby. Yeah.

0:15:06.760 --> 0:15:10.000
<v Speaker 1>The surge babies are a generation of military recruits who

0:15:10.120 --> 0:15:13.640
<v Speaker 1>joined during the surges in Rock and Afghanistan, when tens

0:15:13.680 --> 0:15:16.200
<v Speaker 1>of thousands of extra troops were deployed to try to

0:15:16.280 --> 0:15:19.600
<v Speaker 1>turn the wars around. The Iraq Surge began in two

0:15:19.640 --> 0:15:23.280
<v Speaker 1>thousand seven and was ordered by President George Bush. If

0:15:23.320 --> 0:15:26.840
<v Speaker 1>we increase our support at this crucial moment and help

0:15:26.920 --> 0:15:30.920
<v Speaker 1>the Iraqis break the current cycle of violence, we can

0:15:31.000 --> 0:15:34.600
<v Speaker 1>hasten the day our troops begin coming home. The Afghanistan

0:15:34.760 --> 0:15:37.680
<v Speaker 1>Surge began in about two thousand ten and was ordered

0:15:37.720 --> 0:15:41.040
<v Speaker 1>by President Barack Obama. These are the resources that we

0:15:41.120 --> 0:15:44.520
<v Speaker 1>need to seize the initiative while building the Afghan capacity

0:15:44.600 --> 0:15:48.200
<v Speaker 1>that can allow for a responsible transition of our forces

0:15:48.560 --> 0:15:52.480
<v Speaker 1>out of Afghanistan. Most of Third Squad were surge babies.

0:15:53.840 --> 0:15:57.800
<v Speaker 1>For Mendoza, becoming a Marine changed his entire sense of identity.

0:15:58.560 --> 0:16:02.280
<v Speaker 1>You said, and this really stuck out to me at

0:16:02.320 --> 0:16:04.520
<v Speaker 1>the time. You said, I love my country even though

0:16:04.560 --> 0:16:11.000
<v Speaker 1>I'm Mexican, And I remember thinking, why did he feel

0:16:11.080 --> 0:16:14.040
<v Speaker 1>like he had to make that clarification, probably because of that,

0:16:14.560 --> 0:16:18.760
<v Speaker 1>the whole migrant thing. Growing up, my mom said, you're Mexican.

0:16:19.400 --> 0:16:21.200
<v Speaker 1>She used to get mad at us for speaking English

0:16:21.240 --> 0:16:25.520
<v Speaker 1>in the house. Um so, so it was weird learning English.

0:16:25.560 --> 0:16:27.960
<v Speaker 1>That's probably why my my English is a little bit

0:16:28.000 --> 0:16:30.200
<v Speaker 1>off at times, even though you you told me to

0:16:30.240 --> 0:16:33.120
<v Speaker 1>speak louder. It's sometimes I get confused within this word.

0:16:33.640 --> 0:16:37.640
<v Speaker 1>So now it was actually abusing bilingual kid. Who is

0:16:38.160 --> 0:16:41.280
<v Speaker 1>you know? Great? Now I feel really great about myself.

0:16:41.440 --> 0:16:44.120
<v Speaker 1>That's awesome. Um No, so growing up it was like

0:16:44.440 --> 0:16:50.480
<v Speaker 1>not your Mexican, like you have cactus on your forehead.

0:16:52.000 --> 0:16:54.400
<v Speaker 1>But at that time, do you think that you felt American?

0:16:54.600 --> 0:16:57.120
<v Speaker 1>I mean because again, like, what's what's interesting about that

0:16:57.400 --> 0:17:00.160
<v Speaker 1>is that in that clip that and when that up

0:17:00.200 --> 0:17:02.400
<v Speaker 1>that we played, you're talking about how powerful of an

0:17:02.400 --> 0:17:06.400
<v Speaker 1>impression nine eleven made on you. You're saying, I love

0:17:06.480 --> 0:17:09.959
<v Speaker 1>my country even though I'm a Mexican, but you clearly

0:17:11.000 --> 0:17:15.600
<v Speaker 1>felt that that attack as an American. Tell me a

0:17:15.640 --> 0:17:17.200
<v Speaker 1>little bit about what it was like to have that

0:17:17.480 --> 0:17:21.960
<v Speaker 1>split identity and how that identity has grown or changed

0:17:22.040 --> 0:17:25.280
<v Speaker 1>over the years since then. I want to say that

0:17:25.400 --> 0:17:27.760
<v Speaker 1>once I joined the Marine Corps. It was like, no,

0:17:27.960 --> 0:17:30.360
<v Speaker 1>it was just you're you're. You've chosen your identity there,

0:17:31.160 --> 0:17:36.800
<v Speaker 1>like you're you are American now. Teenage Mendoza didn't hesitate

0:17:36.880 --> 0:17:39.920
<v Speaker 1>to claim that hundred percent American identity anymore than he

0:17:40.000 --> 0:17:43.200
<v Speaker 1>hesitated to leave West Loco in the dust. But for

0:17:43.320 --> 0:17:46.440
<v Speaker 1>his mom, his departure was a heavy blow. He tried

0:17:46.480 --> 0:17:49.480
<v Speaker 1>to soften it the way boys often do by lying,

0:17:50.359 --> 0:17:52.359
<v Speaker 1>and it is sound really fucked up, because I didn't

0:17:52.400 --> 0:17:53.840
<v Speaker 1>want to make her worried, so I told her I

0:17:53.880 --> 0:17:57.440
<v Speaker 1>was an electrician, I was in the Marine Corps. Yeah.

0:17:57.960 --> 0:18:00.680
<v Speaker 1>I didn't tell her I was infantry until, oh, the

0:18:00.840 --> 0:18:06.720
<v Speaker 1>night before I left. That's a big lie. Yeah, but

0:18:06.720 --> 0:18:08.200
<v Speaker 1>it's my moment, man, I just I don't want to

0:18:08.600 --> 0:18:11.880
<v Speaker 1>fucking put so much stress on her. He came clean

0:18:11.960 --> 0:18:14.680
<v Speaker 1>while he was home in Westlico on leave from Camp Pendleton.

0:18:15.200 --> 0:18:17.639
<v Speaker 1>He'd already been in the Marines for two years now.

0:18:17.800 --> 0:18:20.960
<v Speaker 1>His battalion was gearing up for the Sangin deployment. That

0:18:21.160 --> 0:18:24.080
<v Speaker 1>was at night. Uh, my flight was at like two

0:18:24.119 --> 0:18:27.080
<v Speaker 1>in the morning or something like that or some ridiculous hour.

0:18:27.320 --> 0:18:30.000
<v Speaker 1>But it was dark. I remember the only light in

0:18:30.000 --> 0:18:36.600
<v Speaker 1>the house was on was the kitchen. I told him, oh,

0:18:37.040 --> 0:18:39.439
<v Speaker 1>it's time to go. I mean just one. It's here

0:18:39.480 --> 0:18:40.960
<v Speaker 1>to take me to my sisters, here to take me

0:18:41.000 --> 0:18:50.520
<v Speaker 1>to the airport. And that's when I told him. I

0:18:50.640 --> 0:18:57.840
<v Speaker 1>was like, Mom, so I'm not actually electrician, and uh yeah,

0:18:58.160 --> 0:19:01.280
<v Speaker 1>I'll be on my way to Afghanistan within the next week.

0:19:05.920 --> 0:19:11.840
<v Speaker 1>She's like, I am me who, Like why, why? Why

0:19:11.880 --> 0:19:18.439
<v Speaker 1>did you do this? My dad he had just suffered

0:19:18.480 --> 0:19:25.880
<v Speaker 1>a stroke, and I remember, oh, god, man, I remember

0:19:26.760 --> 0:19:36.440
<v Speaker 1>him standing outside the front porch, the light on and

0:19:36.560 --> 0:19:39.639
<v Speaker 1>the shadows like we're casting over his face, like he

0:19:39.680 --> 0:19:41.280
<v Speaker 1>couldn't see his full face, but you could just see

0:19:41.280 --> 0:19:44.639
<v Speaker 1>the figure of his face and his glasses and he

0:19:44.720 --> 0:19:51.240
<v Speaker 1>had a cane. His left side was just hanging, you

0:19:51.320 --> 0:19:55.280
<v Speaker 1>could barely hold himself up. And he was just standing

0:19:55.359 --> 0:19:57.720
<v Speaker 1>as best he could to look at me, look at

0:19:57.760 --> 0:19:59.840
<v Speaker 1>the car, see as I was going away. And I

0:20:00.040 --> 0:20:08.240
<v Speaker 1>know my mom was crying in the kitchen. I can't

0:20:08.760 --> 0:20:10.879
<v Speaker 1>that that image doesn't escape me as my dad as

0:20:10.920 --> 0:20:15.520
<v Speaker 1>I'm driving away, looking back. So my dad watches me

0:20:15.600 --> 0:21:03.800
<v Speaker 1>go away. We'll be back after the break. Not long

0:21:03.880 --> 0:21:06.800
<v Speaker 1>after Mendoza told his family the truth, he deployed to

0:21:06.800 --> 0:21:10.320
<v Speaker 1>Afghanistan with Third Squad. When we sat down to talk

0:21:10.440 --> 0:21:12.439
<v Speaker 1>one on one at patrol based fires back in two

0:21:12.520 --> 0:21:15.280
<v Speaker 1>thousand eleven, it was obvious he took his team leader

0:21:15.320 --> 0:21:19.159
<v Speaker 1>responsibilities very seriously. He was putting a ton of pressure

0:21:19.200 --> 0:21:22.440
<v Speaker 1>on himself. I love my Marines. Those are my boys.

0:21:23.400 --> 0:21:26.600
<v Speaker 1>They got a lot of things going for them, and

0:21:26.720 --> 0:21:29.320
<v Speaker 1>I just don't want anything to happen to them. I

0:21:29.400 --> 0:21:31.239
<v Speaker 1>want to keep them as safe as I possibly can.

0:21:31.359 --> 0:21:33.520
<v Speaker 1>And what I'd like to consider the most probably one

0:21:33.560 --> 0:21:36.520
<v Speaker 1>of the most dangerous place on Earth. When Third Squad

0:21:36.600 --> 0:21:39.120
<v Speaker 1>went out on patrol, the guys walked in single file

0:21:39.320 --> 0:21:41.720
<v Speaker 1>with a marine at the front sweeping for I. E. D. S.

0:21:42.400 --> 0:21:44.919
<v Speaker 1>As a team leader, Mendoza didn't want to leave anything

0:21:45.000 --> 0:21:48.040
<v Speaker 1>to chance, so we walked behind the sweeper on every

0:21:48.119 --> 0:21:50.960
<v Speaker 1>patrol if he could. It's the position the Third Squad

0:21:51.040 --> 0:21:55.200
<v Speaker 1>Marines called point. Another thing I noticed is that you've

0:21:55.240 --> 0:21:58.440
<v Speaker 1>been up front a lot. Tell me about why you

0:21:58.560 --> 0:22:02.400
<v Speaker 1>like to be upfront in the sweeper. You gotta lead

0:22:02.440 --> 0:22:06.880
<v Speaker 1>by example, and I like to tell my sweeper where

0:22:06.920 --> 0:22:10.400
<v Speaker 1>to go because he's a pretty good he's a good sweeper,

0:22:11.000 --> 0:22:15.639
<v Speaker 1>But like sometimes you know, the complacency starts to kick in,

0:22:16.480 --> 0:22:19.520
<v Speaker 1>and they like to take the easy routes. I like

0:22:19.640 --> 0:22:21.400
<v Speaker 1>to go the hard way. I like to go all

0:22:21.440 --> 0:22:24.120
<v Speaker 1>the way around because that's where we're at least likely

0:22:24.200 --> 0:22:27.200
<v Speaker 1>to get hit by anything, run into anything. It's kind

0:22:27.200 --> 0:22:29.679
<v Speaker 1>of reckless. But I like to be up front because

0:22:30.320 --> 0:22:33.600
<v Speaker 1>I found the second one through. Most likely I'll be

0:22:33.680 --> 0:22:35.720
<v Speaker 1>the one to step on a pressure plate and nobody

0:22:35.760 --> 0:22:39.040
<v Speaker 1>else behind me, I'll step on one. When I interviewed

0:22:39.119 --> 0:22:42.320
<v Speaker 1>him in sangin June twelve was fresh on Mendoza's mind,

0:22:42.960 --> 0:22:46.440
<v Speaker 1>the worst day of my life. That was definitely a

0:22:46.520 --> 0:22:50.880
<v Speaker 1>reality check. That was the first day my whole team

0:22:50.920 --> 0:22:54.520
<v Speaker 1>was in front of me, and that was literally the

0:22:54.680 --> 0:22:57.119
<v Speaker 1>first day they were ever in front of me. And

0:23:00.240 --> 0:23:02.600
<v Speaker 1>the one day that I let them walk in front

0:23:02.640 --> 0:23:06.280
<v Speaker 1>of me is the one day that we run into

0:23:06.320 --> 0:23:09.560
<v Speaker 1>an I D. That was the day of third Squad's

0:23:09.640 --> 0:23:12.480
<v Speaker 1>mass casualty when they ran into a cluster of I E.

0:23:12.600 --> 0:23:15.560
<v Speaker 1>D S just outside of patrol based fires, the day

0:23:15.640 --> 0:23:19.639
<v Speaker 1>that Joshua McDaniels died. But you must know that you

0:23:19.720 --> 0:23:22.720
<v Speaker 1>didn't hate that idea because you weren't up in front

0:23:22.840 --> 0:23:25.840
<v Speaker 1>for me. If I would have been up front and

0:23:25.920 --> 0:23:28.159
<v Speaker 1>somebody else wouldn't have got wouldn't be missing legs right now,

0:23:28.280 --> 0:23:35.000
<v Speaker 1>somebody else might be alive. I trade places with him anytime.

0:23:36.119 --> 0:23:38.920
<v Speaker 1>With O'Brien or mc daniels, I trade places with him anytime.

0:23:41.280 --> 0:23:45.040
<v Speaker 1>Here in Mendoza's apartment, photos of McDaniels, O'Brien, and Dutcher

0:23:45.200 --> 0:23:47.080
<v Speaker 1>looked down at us from a shelf in the corner.

0:23:48.320 --> 0:23:51.720
<v Speaker 1>So who have you talked to? About? You know? Back

0:23:51.760 --> 0:23:53.600
<v Speaker 1>in saying and I asked every one of you guys,

0:23:53.640 --> 0:23:55.040
<v Speaker 1>I said, what are you gonna tell your friends and

0:23:55.119 --> 0:23:57.800
<v Speaker 1>family when you come home? And I didn't say, you know,

0:23:57.880 --> 0:23:59.600
<v Speaker 1>who are you going to talk to? But now I'd

0:23:59.640 --> 0:24:02.560
<v Speaker 1>like to know who? Who have you learned that you

0:24:02.680 --> 0:24:04.960
<v Speaker 1>can open up to? And when you do find someone

0:24:05.000 --> 0:24:06.680
<v Speaker 1>who you think you can open up to, what what

0:24:06.800 --> 0:24:12.119
<v Speaker 1>do you talk about? And go through basically levels? I

0:24:12.160 --> 0:24:15.280
<v Speaker 1>guess a vetting process, if you will, for each person.

0:24:15.960 --> 0:24:19.119
<v Speaker 1>And then we got to meet a certain criteria for

0:24:19.240 --> 0:24:24.920
<v Speaker 1>me when it comes to talking, the depth of conversation

0:24:24.960 --> 0:24:27.439
<v Speaker 1>in which we're having. I think one of my favorite

0:24:27.440 --> 0:24:32.359
<v Speaker 1>tests is you're holding a conversation, the other person gets distracted,

0:24:32.920 --> 0:24:36.040
<v Speaker 1>they come back, and then you change the subject and

0:24:36.680 --> 0:24:38.879
<v Speaker 1>if they flow with a new subject, they're just like

0:24:39.440 --> 0:24:41.479
<v Speaker 1>and then I'm just like, oh, okay, you don't care

0:24:41.520 --> 0:24:43.840
<v Speaker 1>what I was saying just now before you get distracted

0:24:43.840 --> 0:24:48.639
<v Speaker 1>by the butterfly. So okay. Yeah, then so you actually

0:24:48.760 --> 0:24:55.439
<v Speaker 1>do that with new friends, love interests, family, who who? Who?

0:24:55.520 --> 0:24:59.359
<v Speaker 1>Have you applied that test too? That's pretty ingenious. Everybody really,

0:25:00.760 --> 0:25:04.200
<v Speaker 1>Hardly anyone passes the test. He tells me about one

0:25:04.280 --> 0:25:07.720
<v Speaker 1>particular failure. I got to that point, like in the relationship,

0:25:07.800 --> 0:25:10.600
<v Speaker 1>like we started dating and I was gonna open up

0:25:10.640 --> 0:25:13.639
<v Speaker 1>to her, and I had a picture of mc daniels

0:25:13.680 --> 0:25:18.200
<v Speaker 1>in my glove compartment, and um, she so happened to

0:25:18.760 --> 0:25:21.200
<v Speaker 1>go into my glove compartment for some reason, one reason

0:25:21.280 --> 0:25:24.640
<v Speaker 1>or another. She opened up my glove compartment, saw McDaniels

0:25:24.680 --> 0:25:29.160
<v Speaker 1>a picture there. She looks at it. She's like, oh,

0:25:29.280 --> 0:25:35.600
<v Speaker 1>who's this, Like, oh, that's mc daniels. Uh, just one

0:25:35.640 --> 0:25:39.400
<v Speaker 1>of the guys that we actually lost. She oh, that's depressing,

0:25:39.880 --> 0:25:42.240
<v Speaker 1>throws it back in there, slams the fucking thing clothes.

0:25:42.880 --> 0:25:49.760
<v Speaker 1>It's like a ship. All right, what we're done? You know?

0:25:50.880 --> 0:25:54.040
<v Speaker 1>She filed the test. Man Even if he manages to

0:25:54.119 --> 0:25:57.399
<v Speaker 1>find someone who passes the initial test, he's still not

0:25:57.600 --> 0:26:00.199
<v Speaker 1>in the clear. It sucks because you find the next

0:26:00.280 --> 0:26:04.040
<v Speaker 1>ye you're like fuck yeah, like oh dude, like let's

0:26:04.080 --> 0:26:06.440
<v Speaker 1>hang out again. But then it just kind of that's

0:26:06.440 --> 0:26:09.440
<v Speaker 1>where it ends. So right when it gets good, it dies.

0:26:09.840 --> 0:26:13.840
<v Speaker 1>Why does it die? Because I mean, man, I want

0:26:13.840 --> 0:26:17.119
<v Speaker 1>to talk more, and I get excited and yeah and

0:26:17.200 --> 0:26:19.520
<v Speaker 1>then and and yeah, and I just jumped the gun.

0:26:20.480 --> 0:26:23.320
<v Speaker 1>I'm free. Yeah, you feel like you frea come out. Yeah.

0:26:23.440 --> 0:26:27.840
<v Speaker 1>So yeah, romantically sucks nowadays, it just comes off as desperate,

0:26:28.280 --> 0:26:30.520
<v Speaker 1>like oh, like I'm I'm excited that I can talk

0:26:30.560 --> 0:26:36.560
<v Speaker 1>to you this way. But that's they're mm, they're desperate. Yeah, God,

0:26:36.680 --> 0:26:38.920
<v Speaker 1>but you're not like desperate to get in bed with someone.

0:26:39.000 --> 0:26:41.760
<v Speaker 1>You're desperate to find someone you can actually be yourself

0:26:41.880 --> 0:26:43.879
<v Speaker 1>with and actually be real with. I mean, that's not

0:26:45.119 --> 0:26:47.320
<v Speaker 1>that's not like when we talk about men being desperate

0:26:47.400 --> 0:26:50.200
<v Speaker 1>or women being desperate, we're usually talking about a sexual

0:26:50.359 --> 0:26:53.320
<v Speaker 1>thing or like someone who just badly needs, like like

0:26:53.400 --> 0:26:57.600
<v Speaker 1>a needy person. But your desperation is actually like for

0:26:57.720 --> 0:27:00.320
<v Speaker 1>the kind of connection that makes a relationship where having

0:27:01.960 --> 0:27:05.840
<v Speaker 1>got either eager to have a meaningful conversation. So that's

0:27:05.880 --> 0:27:08.679
<v Speaker 1>what I'm thirsty for Have you talked to therapists at

0:27:08.720 --> 0:27:12.159
<v Speaker 1>all over the years? Do I need a professional, just

0:27:12.240 --> 0:27:15.159
<v Speaker 1>somebody who cares. What is it that you want to

0:27:15.240 --> 0:27:24.760
<v Speaker 1>talk about? If somebody would be willing to listen, gotcher McDaniels.

0:27:26.400 --> 0:27:28.879
<v Speaker 1>I mean, let's let's let's talk about it if you

0:27:29.040 --> 0:27:32.440
<v Speaker 1>if we can. And also before we do this, I

0:27:32.600 --> 0:27:34.399
<v Speaker 1>just want to make sure that I tell you and

0:27:34.480 --> 0:27:37.200
<v Speaker 1>that you know that you have the wheel. If things

0:27:37.280 --> 0:27:39.879
<v Speaker 1>get too intense, we can take a break. If you

0:27:40.200 --> 0:27:43.680
<v Speaker 1>really don't want to talk about something that's totally your call,

0:27:44.440 --> 0:27:46.320
<v Speaker 1>I am maybe going to push you a little bit

0:27:46.440 --> 0:27:50.520
<v Speaker 1>too to explore some difficult territory, because that's what people

0:27:50.600 --> 0:27:53.480
<v Speaker 1>need to hear. That's what makes this so important. But

0:27:54.560 --> 0:27:56.560
<v Speaker 1>you know, if ever things are are going into a

0:27:56.600 --> 0:27:59.320
<v Speaker 1>place that you think would be unsafe for you and

0:27:59.440 --> 0:28:03.120
<v Speaker 1>not good for you, then tell me and and we'll

0:28:03.320 --> 0:28:07.040
<v Speaker 1>we'll hit the brakes. Okay, it's not easy to watch

0:28:07.160 --> 0:28:11.200
<v Speaker 1>Mendoza struggling with this. He's clenching his fists and taking

0:28:11.280 --> 0:28:18.320
<v Speaker 1>shallow breaths. I'm gonna be extremely vulnerable here. Uh, let's

0:28:18.400 --> 0:28:20.680
<v Speaker 1>that's what I foresee. I'm trying to prepare for that

0:28:21.000 --> 0:28:24.160
<v Speaker 1>and right now kind of feeling it in my heart.

0:28:25.640 --> 0:28:29.159
<v Speaker 1>And what's really affecting it is the fact that it

0:28:29.240 --> 0:28:33.200
<v Speaker 1>will be on record and people will know. And that's

0:28:33.240 --> 0:28:36.080
<v Speaker 1>not something I generally share. I don't really share it

0:28:36.160 --> 0:28:44.840
<v Speaker 1>with anybody. So, dude, talking about those moments is reliving them.

0:28:45.680 --> 0:28:49.800
<v Speaker 1>Maybe it's just me. I don't like to consider myself being,

0:28:50.920 --> 0:28:54.880
<v Speaker 1>you know, better than somebody at anything. But when I

0:28:55.040 --> 0:28:59.880
<v Speaker 1>think I'm pretty good at his empathy, feeling, feeling perspectives,

0:29:00.520 --> 0:29:08.680
<v Speaker 1>feeling others emotions. Um, that also translates to memories being

0:29:08.680 --> 0:29:23.440
<v Speaker 1>pretty vivid. So whenever I share that, mhm hm, you

0:29:23.560 --> 0:29:27.720
<v Speaker 1>just feel everything, you really love everything, fill it all again,

0:29:30.760 --> 0:29:35.480
<v Speaker 1>the smell, the sounds, the taste, first things you saw,

0:29:36.440 --> 0:29:40.440
<v Speaker 1>last things you saw, and then the in between. Sometimes

0:29:40.480 --> 0:29:51.200
<v Speaker 1>that are just flashes and the natural responses to cry.

0:29:55.760 --> 0:30:06.640
<v Speaker 1>And I du so right now we're kind of reliving

0:30:08.080 --> 0:30:13.160
<v Speaker 1>some of them in my head. Mendoza takes a few

0:30:13.200 --> 0:30:18.840
<v Speaker 1>seconds to compose himself. The one that that's really scarring

0:30:19.080 --> 0:30:24.840
<v Speaker 1>is O'Brien. We had just gone back from patrol, but

0:30:24.920 --> 0:30:29.040
<v Speaker 1>I just remember I was sick and I was just

0:30:29.560 --> 0:30:36.440
<v Speaker 1>just shipping like they're not tomorrow, and I was. I

0:30:36.560 --> 0:30:41.560
<v Speaker 1>was in the restroom just shipping water and I hear

0:30:41.600 --> 0:30:45.360
<v Speaker 1>the explosion when a couple of seconds later see the

0:30:45.360 --> 0:30:49.440
<v Speaker 1>squad run and then Matelski asked me like, hey, are

0:30:49.440 --> 0:30:52.360
<v Speaker 1>you good to go? Like I look him in the eyes,

0:30:52.440 --> 0:30:57.320
<v Speaker 1>like I got my pants down, I'm shipping right now. No,

0:30:57.560 --> 0:31:00.480
<v Speaker 1>I'm not good. It's like okay when they take without me,

0:31:01.720 --> 0:31:04.440
<v Speaker 1>third squad rushes out of the compound gates to help,

0:31:05.280 --> 0:31:08.440
<v Speaker 1>but it was too late. Nicholas O'Brien had been killed

0:31:08.480 --> 0:31:14.320
<v Speaker 1>by an i EB and third squad came back and

0:31:14.600 --> 0:31:19.600
<v Speaker 1>up we got called back out to secure the site.

0:31:21.000 --> 0:31:27.800
<v Speaker 1>It's told security overnight and in the morning pick up

0:31:28.520 --> 0:31:36.480
<v Speaker 1>whatever we could of Nick. That is got to be

0:31:36.880 --> 0:31:39.280
<v Speaker 1>the most depressing, one of the most depressing times in

0:31:39.360 --> 0:31:44.200
<v Speaker 1>my life because as soon as the sun comes up

0:31:46.120 --> 0:31:50.000
<v Speaker 1>and we're out there looking for pieces, and we found

0:31:50.080 --> 0:32:00.280
<v Speaker 1>him everywhere, all over the place in the ditch, the ease,

0:32:02.280 --> 0:32:08.480
<v Speaker 1>like right at eye level, when you start looking higher,

0:32:09.400 --> 0:32:16.640
<v Speaker 1>start seeing pieces of boot, pieces of trousers, piece of

0:32:16.720 --> 0:32:26.800
<v Speaker 1>meat flesh. So we looked for what kept looking for, Well,

0:32:26.880 --> 0:32:32.760
<v Speaker 1>we can find trash bags, black trash bags, picking this stuff,

0:32:32.960 --> 0:32:50.080
<v Speaker 1>picking them up. We had gloves on. It doesn't help.

0:32:51.320 --> 0:32:54.480
<v Speaker 1>It didn't help. The smell, it didn't help with you

0:32:54.480 --> 0:32:59.600
<v Speaker 1>can still feel it, still feel it, still feel the

0:32:59.680 --> 0:33:04.280
<v Speaker 1>chunks h After a certain point, we just gave up.

0:33:04.320 --> 0:33:07.680
<v Speaker 1>We're like, no, we're done, We're done. We're done looking

0:33:07.720 --> 0:33:11.200
<v Speaker 1>for this. We shouldn't be out there doing that. We

0:33:11.880 --> 0:33:44.120
<v Speaker 1>but it's gotta be us. It should be us. It

0:33:44.200 --> 0:33:48.800
<v Speaker 1>feels wrong to talk about this. What what feels wrong

0:33:48.840 --> 0:33:54.440
<v Speaker 1>about it? It feels disrespectful to the parents. Didn't they

0:33:55.560 --> 0:34:00.720
<v Speaker 1>starts my squad mates of a tune. It doesn't. It's

0:34:00.920 --> 0:34:04.880
<v Speaker 1>really hard because getting the empathy. I'm starting to feel

0:34:04.920 --> 0:34:07.920
<v Speaker 1>what they might they might think once they hear about this,

0:34:10.200 --> 0:34:11.960
<v Speaker 1>and I care about what they think. I care, I

0:34:12.080 --> 0:34:19.160
<v Speaker 1>care about them. I understand Mendoza's concerns. I also worried

0:34:19.239 --> 0:34:23.000
<v Speaker 1>that describing the ugliest moments of these marines lives, including

0:34:23.040 --> 0:34:27.320
<v Speaker 1>the moments of their violent deaths, could be disrespectful or profane,

0:34:28.320 --> 0:34:30.600
<v Speaker 1>like an invasion of the privacy of the dead and

0:34:30.719 --> 0:34:35.200
<v Speaker 1>of their family's grief. Just so you know, we contacted

0:34:35.239 --> 0:34:37.560
<v Speaker 1>the families of the deceased Marines to let them know

0:34:37.719 --> 0:34:42.120
<v Speaker 1>what was going to be in this podcast. Unfortunately, it

0:34:42.239 --> 0:34:45.200
<v Speaker 1>comes down to this. If we want to show you

0:34:45.280 --> 0:34:48.440
<v Speaker 1>the reality of war, we can't shield you from the

0:34:48.480 --> 0:34:53.239
<v Speaker 1>most horrific moments. And for Mendoza, those moments remain just

0:34:53.480 --> 0:34:57.640
<v Speaker 1>as vivid now as they were. Then. What does it

0:34:57.760 --> 0:35:00.560
<v Speaker 1>feel like in your body when the flash has come back?

0:35:02.000 --> 0:35:07.120
<v Speaker 1>Like I'm there? The best way described is every motion

0:35:07.200 --> 0:35:10.399
<v Speaker 1>that you've ever felt, Just try to put that into

0:35:10.480 --> 0:35:12.600
<v Speaker 1>one feeling like you're feeling all of that at the

0:35:12.640 --> 0:35:16.399
<v Speaker 1>same time, if you can recall them. But one time

0:35:16.480 --> 0:35:20.200
<v Speaker 1>you knew that you were in love, or the most

0:35:20.239 --> 0:35:24.560
<v Speaker 1>scaredy you've ever been in your entire life, the most

0:35:24.600 --> 0:35:27.839
<v Speaker 1>apprehensive you've ever been in your entire life, the most

0:35:27.880 --> 0:35:31.600
<v Speaker 1>tired you've ever been in your entire life, all of that.

0:35:33.360 --> 0:35:36.520
<v Speaker 1>Condense it down and feel it all at the same time.

0:35:39.000 --> 0:35:45.160
<v Speaker 1>That's what I feel. And then doubt or you start

0:35:45.200 --> 0:35:48.440
<v Speaker 1>wondering what you could have done different that what if?

0:35:50.840 --> 0:35:56.680
<v Speaker 1>Now you start thinking why are you alive? Why am

0:35:56.760 --> 0:36:02.920
<v Speaker 1>I alive? Mhm h m hm, And that leads that

0:36:03.080 --> 0:36:09.040
<v Speaker 1>leads to other doors. So when that doubt creeps in

0:36:09.680 --> 0:36:13.000
<v Speaker 1>and that set of what ifs comes up, what's the

0:36:13.080 --> 0:36:19.600
<v Speaker 1>big what if? For you? This one big what if?

0:36:23.360 --> 0:36:31.480
<v Speaker 1>We'll never shared this with a few people. I don't know.

0:36:31.880 --> 0:36:35.719
<v Speaker 1>I don't think I can do it. I won't say

0:36:35.719 --> 0:36:40.759
<v Speaker 1>it while you're recorded. There's the line, do you want

0:36:40.800 --> 0:36:48.440
<v Speaker 1>to stop the recorder? Yeah? Yeah, yeah, stop it. M h,

0:36:53.800 --> 0:37:26.080
<v Speaker 1>We'll be back after the break. M While the recorders off,

0:37:26.200 --> 0:37:28.560
<v Speaker 1>I tell Mendoza why I decided to return to the

0:37:28.640 --> 0:37:31.759
<v Speaker 1>story of Third Squad after a decade. I tell him

0:37:31.800 --> 0:37:33.920
<v Speaker 1>I think we've done a poor job of talking about

0:37:33.960 --> 0:37:36.960
<v Speaker 1>the war since nine eleven, and to me, the silence

0:37:36.960 --> 0:37:43.239
<v Speaker 1>seems dangerous. We sit quietly for a few minutes, and

0:37:43.280 --> 0:37:48.640
<v Speaker 1>then Mendoza says, okay, let's talk. Hey. I want to

0:37:48.680 --> 0:37:52.360
<v Speaker 1>thank you for being willing to talk to us about

0:37:52.440 --> 0:37:57.920
<v Speaker 1>any of this. I think that this requires a kind

0:37:57.920 --> 0:38:02.480
<v Speaker 1>of courage that's actually harder to find and more rare

0:38:03.680 --> 0:38:05.480
<v Speaker 1>than the kind of courage that you need to step

0:38:05.520 --> 0:38:11.080
<v Speaker 1>into a minefield or go rush toward a firefight. Yeah,

0:38:11.239 --> 0:38:14.040
<v Speaker 1>it's pretty hard. It's a very hard thing to do

0:38:16.000 --> 0:38:20.520
<v Speaker 1>for me. It's hard emotionally. It's hard to thinking about

0:38:21.560 --> 0:38:24.239
<v Speaker 1>we just squad will say what they'll think of you?

0:38:25.640 --> 0:38:34.000
<v Speaker 1>Will they change? Well, if it does, there's still a

0:38:34.120 --> 0:38:39.800
<v Speaker 1>nothing I want to do for for my guys. So

0:38:40.280 --> 0:38:44.160
<v Speaker 1>maybe even if they hate me for this, I'll still

0:38:44.239 --> 0:38:49.160
<v Speaker 1>love them. He takes a few deep breaths, then he

0:38:49.239 --> 0:38:53.280
<v Speaker 1>tells me about the day Dutcher died. So we overworked

0:38:53.280 --> 0:38:58.040
<v Speaker 1>our sweepers to the point where they were exhausted. So

0:38:58.160 --> 0:39:02.040
<v Speaker 1>when you're exhausted you and it's dressed. It's only so

0:39:02.120 --> 0:39:08.080
<v Speaker 1>much he could take, so they needed rest, and so

0:39:08.360 --> 0:39:17.279
<v Speaker 1>other people started sweeping m dutch Are. Being the guy

0:39:17.360 --> 0:39:23.200
<v Speaker 1>that he was, it was happy to do it, even

0:39:23.239 --> 0:39:29.279
<v Speaker 1>though and it was the most dangerous spot. It was

0:39:29.280 --> 0:39:32.239
<v Speaker 1>almost guaranteed. It wasn't necessarily a matter of if it

0:39:32.360 --> 0:39:35.520
<v Speaker 1>was more when when you would find that I d

0:39:35.719 --> 0:39:41.360
<v Speaker 1>and be unlucky enough to have set it off. But

0:39:42.320 --> 0:39:48.719
<v Speaker 1>he stepped up anyways, because he was just the most

0:39:48.760 --> 0:39:56.360
<v Speaker 1>selfless guy to ever walk this earth my eyes, at

0:39:56.440 --> 0:40:00.319
<v Speaker 1>least in our eyes. So I was always up front

0:40:03.640 --> 0:40:07.040
<v Speaker 1>and I was choosing the routes that we would take.

0:40:08.840 --> 0:40:11.839
<v Speaker 1>At this stage in the deployment, Mendoza usually walked point

0:40:11.920 --> 0:40:15.319
<v Speaker 1>behind the sweeper. That job often fell on another third

0:40:15.360 --> 0:40:19.040
<v Speaker 1>squad member, Jeffrey Lopez. We didn't always agree on the

0:40:19.120 --> 0:40:22.560
<v Speaker 1>routes that we were going to take. But we didn't agree,

0:40:22.680 --> 0:40:26.759
<v Speaker 1>we found and in between, I didn't argue. We just

0:40:28.160 --> 0:40:31.239
<v Speaker 1>show something that we're both happy with. It wasn't so

0:40:31.440 --> 0:40:35.160
<v Speaker 1>smooth when Mendoza worked with Dutcher. He and Dutcher were

0:40:35.200 --> 0:40:37.840
<v Speaker 1>good friends, but they've been on a couple of patrols

0:40:37.920 --> 0:40:41.359
<v Speaker 1>together as point and sweeper, and it hadn't gone entirely well.

0:40:41.920 --> 0:40:44.799
<v Speaker 1>We kind of argued a little bit on which route

0:40:44.840 --> 0:40:50.320
<v Speaker 1>to take, and so he was kind of mad at me.

0:40:51.680 --> 0:40:53.480
<v Speaker 1>That was the mood between the two of them when

0:40:53.480 --> 0:40:56.600
<v Speaker 1>they stepped out and patrol that day. I was running

0:40:56.640 --> 0:40:58.800
<v Speaker 1>point and he was at the very front with the

0:40:58.840 --> 0:41:05.040
<v Speaker 1>middle detector, and uh. We had a crossed a couple

0:41:05.080 --> 0:41:12.840
<v Speaker 1>of canals, and then after we had crossed, we passed

0:41:12.880 --> 0:41:15.400
<v Speaker 1>some trees and behind these trees was this old, abandoned

0:41:15.480 --> 0:41:20.160
<v Speaker 1>compound and then I see a farmer. They're farming goats,

0:41:20.200 --> 0:41:24.440
<v Speaker 1>and all I'm like, okay, you weren't there yesterday, but

0:41:24.480 --> 0:41:27.520
<v Speaker 1>now you're farming. That should have been the first red flag.

0:41:27.680 --> 0:41:30.920
<v Speaker 1>That's it's like almost an immediate tell, like the student

0:41:31.000 --> 0:41:35.840
<v Speaker 1>is probably up to no good. So that's how that

0:41:35.960 --> 0:41:37.600
<v Speaker 1>your head. Dutcher, Let's go over there and talk to

0:41:37.680 --> 0:41:42.760
<v Speaker 1>this guy. It's like, okay, we entered this guy's field.

0:41:45.880 --> 0:41:48.799
<v Speaker 1>I started arguing with them because I tell him like, hey,

0:41:49.600 --> 0:41:54.520
<v Speaker 1>what you doing here? He's like, oh, farming. I was like,

0:41:55.719 --> 0:41:58.359
<v Speaker 1>that's bullshit. What are you doing here? It's like, oh,

0:41:58.360 --> 0:42:02.160
<v Speaker 1>I'm farming. I was like, where the Taliban it. He's like,

0:42:02.680 --> 0:42:05.879
<v Speaker 1>Nista the other band, there's no Taliban here all right?

0:42:07.280 --> 0:42:08.800
<v Speaker 1>Where the bombs? That? Where the A D S? A

0:42:08.880 --> 0:42:12.000
<v Speaker 1>pull much up to day. He's like, Nista, Nishta, there's

0:42:12.040 --> 0:42:14.080
<v Speaker 1>no bombs here. I was like, bullshit, there's sucking. There's

0:42:14.080 --> 0:42:16.520
<v Speaker 1>probably some A D S right there. Where are they?

0:42:17.440 --> 0:42:20.399
<v Speaker 1>He's like, no, there's no bombs here. I was like, okay, well,

0:42:20.440 --> 0:42:24.080
<v Speaker 1>then walk us right through there. He's like no, there's

0:42:24.200 --> 0:42:27.239
<v Speaker 1>there's probably bombs there. It's like, okay, you fucking piece

0:42:27.280 --> 0:42:30.640
<v Speaker 1>of ship. Mendoza had just caught him lying, and he

0:42:30.760 --> 0:42:34.280
<v Speaker 1>says this should have been another red flag. He ordered

0:42:34.320 --> 0:42:37.359
<v Speaker 1>the man to lead the squad through the field. He's

0:42:37.400 --> 0:42:39.520
<v Speaker 1>like no. I was like, no, you're walking him through

0:42:40.239 --> 0:42:44.520
<v Speaker 1>and sold Dutcher, Hey, that'tcher, follow this guy. He's gonna

0:42:44.600 --> 0:42:48.200
<v Speaker 1>walk us through this area right here. That when we're

0:42:48.239 --> 0:42:52.279
<v Speaker 1>making him walk through these A D rets like where

0:42:52.320 --> 0:42:54.399
<v Speaker 1>we suspect there to be a a d S because

0:42:54.440 --> 0:42:56.640
<v Speaker 1>he says there's none, but then he says there is.

0:42:56.840 --> 0:43:04.200
<v Speaker 1>We're walking him through that and we start following this

0:43:04.400 --> 0:43:06.480
<v Speaker 1>dude starts off right in front of us, right in

0:43:06.520 --> 0:43:15.600
<v Speaker 1>front of Dutch Air. Now he starts walking faster and

0:43:15.920 --> 0:43:20.040
<v Speaker 1>we're right behind him, and then he speeds up to

0:43:20.120 --> 0:43:22.000
<v Speaker 1>the point where we start kind of playing catch up,

0:43:23.680 --> 0:43:31.560
<v Speaker 1>kept following him. The most the obvious, fucking tell last

0:43:31.680 --> 0:43:35.399
<v Speaker 1>red flag it should have been when he jumped over

0:43:35.480 --> 0:43:39.600
<v Speaker 1>a fucking berm. It's a little it's a little area

0:43:39.880 --> 0:43:44.760
<v Speaker 1>next to a wall. He steps over it very carefully.

0:43:46.000 --> 0:44:14.400
<v Speaker 1>Dutcher follows, and that's the last thing I remember, rather

0:44:14.520 --> 0:44:22.120
<v Speaker 1>than dust. I'm looking at Dutcher. He's running in front

0:44:22.160 --> 0:44:26.000
<v Speaker 1>of me, and then the whole world turns brown and

0:44:26.080 --> 0:44:29.120
<v Speaker 1>then black. The next thing I know when I got

0:44:29.160 --> 0:44:33.200
<v Speaker 1>my hand on his on his flak and I'm pulling

0:44:33.280 --> 0:44:38.839
<v Speaker 1>him out of this crater and he's just covered in dust.

0:44:41.440 --> 0:44:46.000
<v Speaker 1>His leg is destroyed, it's got a hole on his pelvis,

0:44:48.719 --> 0:44:53.200
<v Speaker 1>tinant hole, and everything's brown except for that whole what's

0:44:53.280 --> 0:45:00.560
<v Speaker 1>black and it turns red bright red. Hm hm mmmm

0:45:01.239 --> 0:45:06.239
<v Speaker 1>just a matter of seconds. Let's start working on him

0:45:07.560 --> 0:45:13.560
<v Speaker 1>pressure on that wound, started playing tourni kids. I felt

0:45:13.600 --> 0:45:16.959
<v Speaker 1>like an eternity before the medic got there. We start

0:45:17.000 --> 0:45:22.480
<v Speaker 1>working on him, working, working, working, just putting it together

0:45:22.480 --> 0:45:47.680
<v Speaker 1>as best we can, working on we know he's in pain, NICs,

0:45:47.760 --> 0:45:51.480
<v Speaker 1>to try and look him in the eye, to talk

0:45:51.560 --> 0:46:05.320
<v Speaker 1>to him as he always doing. M h m. Everything

0:46:05.400 --> 0:46:17.319
<v Speaker 1>we could do, we're doing. M y okay, start telling

0:46:17.360 --> 0:46:19.919
<v Speaker 1>me you're gonna make it. It's gonna be fine. It's

0:46:19.920 --> 0:46:27.879
<v Speaker 1>gonna be fine. He's gonna be fine. I don't know how.

0:46:28.000 --> 0:46:33.680
<v Speaker 1>We've just pull the picture of his mom and his

0:46:33.800 --> 0:46:41.800
<v Speaker 1>brother and Rachel exolutely. Don't you're looking at the picture.

0:46:42.760 --> 0:46:44.920
<v Speaker 1>That's a little what you're gonna make you man, You're

0:46:44.920 --> 0:46:52.160
<v Speaker 1>gonna get home to him. We're fine, You'll be fine,

0:46:55.719 --> 0:47:02.239
<v Speaker 1>You'll be fine. M hm. Scream at him, screaming his name.

0:47:02.440 --> 0:47:05.320
<v Speaker 1>Just stay with stay with us, man, just stay with me.

0:47:05.520 --> 0:47:14.200
<v Speaker 1>Dutch helicopter finally arrives. Let him up on the helicopter.

0:47:15.760 --> 0:47:22.960
<v Speaker 1>We had a pulse, so we're like, we got him.

0:47:24.680 --> 0:47:31.920
<v Speaker 1>He's gay, he's going home. We got him, hold his

0:47:32.000 --> 0:47:36.880
<v Speaker 1>hand and told him by duchy, I love you, and

0:47:36.960 --> 0:47:45.200
<v Speaker 1>then fly away. It was only after the bird took

0:47:45.239 --> 0:47:48.719
<v Speaker 1>off that Mendoza realized he was wounded too. He took

0:47:48.800 --> 0:47:51.640
<v Speaker 1>shrapnel to his leg and arm, and he was disoriented

0:47:51.680 --> 0:47:55.040
<v Speaker 1>and felt like throwing up. The squad was worried enough

0:47:55.080 --> 0:47:59.400
<v Speaker 1>that they wanted to medivac him, but Mendoza refused and

0:47:59.560 --> 0:48:08.240
<v Speaker 1>on the way back get radio traffic. Dutcher's status has changed.

0:48:10.040 --> 0:48:23.160
<v Speaker 1>He's gone from critical two heroes status. Ducher had died

0:48:23.239 --> 0:48:31.839
<v Speaker 1>on the bird. He left behind his twin brother Tim,

0:48:32.360 --> 0:48:53.440
<v Speaker 1>his fiance Rachel, and his mom Teresa. That's it, man,

0:48:55.840 --> 0:49:00.080
<v Speaker 1>that's my word. If so, what's the what if? M

0:49:00.840 --> 0:49:02.239
<v Speaker 1>If I would have shot the dude right then and

0:49:02.320 --> 0:49:08.040
<v Speaker 1>there after every single fucking red flag, it's four times

0:49:08.080 --> 0:49:11.600
<v Speaker 1>I should have killed him. What if I had just

0:49:11.719 --> 0:49:19.399
<v Speaker 1>told Dutcher, I don't follow this guy, or Dutcher stop,

0:49:21.960 --> 0:49:25.880
<v Speaker 1>Or if I hadn't been there, if I had when

0:49:25.960 --> 0:49:31.600
<v Speaker 1>somebody else take point. There's plenty of what ifs, man,

0:49:32.600 --> 0:49:35.239
<v Speaker 1>so many different ways that could have gone, but he

0:49:35.320 --> 0:49:51.040
<v Speaker 1>went the wrong way. Those what ifs rattled around Mendoze

0:49:51.080 --> 0:49:53.000
<v Speaker 1>his head after he got back to the States and

0:49:53.080 --> 0:49:57.000
<v Speaker 1>through the rest of his time in the Marines. When

0:49:57.040 --> 0:49:59.600
<v Speaker 1>he took the uniform off for the last time the

0:49:59.719 --> 0:50:03.279
<v Speaker 1>what followed him to college. He was living the dream

0:50:03.360 --> 0:50:05.560
<v Speaker 1>that he described me and sang in, but he felt

0:50:05.640 --> 0:50:10.080
<v Speaker 1>painfully out of place outside the embrace of his marine family.

0:50:10.560 --> 0:50:14.799
<v Speaker 1>The what ifs began to torture him. It was after

0:50:14.920 --> 0:50:18.120
<v Speaker 1>that point I accepted that it was me. I did it.

0:50:21.560 --> 0:50:26.160
<v Speaker 1>Mendoza didn't just take responsibility for Dutcher's death. He became

0:50:26.239 --> 0:50:30.359
<v Speaker 1>convinced that he killed Dutcher. It was like my first

0:50:30.480 --> 0:50:34.759
<v Speaker 1>year in college pretty much, and nobody got me. Man.

0:50:36.080 --> 0:50:39.879
<v Speaker 1>That transition was hard, you know, going to school, being

0:50:39.960 --> 0:50:43.960
<v Speaker 1>in the classroom. The classroom just felt totally totally alien

0:50:44.040 --> 0:50:48.320
<v Speaker 1>to me. And so I was drinking a lot. I

0:50:48.560 --> 0:50:53.719
<v Speaker 1>drink a lot, smoke a lot. And when night, you know,

0:50:53.760 --> 0:50:56.880
<v Speaker 1>I just felt like I gave up, or actually I

0:50:57.000 --> 0:51:00.800
<v Speaker 1>did give up. It was like, let's just put it

0:51:00.880 --> 0:51:04.400
<v Speaker 1>all the way now, let's just put it all away.

0:51:08.120 --> 0:51:10.520
<v Speaker 1>I remember I went outside because I don't want to

0:51:10.520 --> 0:51:16.080
<v Speaker 1>make a mess inside the inside the apartment and my bread.

0:51:18.160 --> 0:51:23.840
<v Speaker 1>But for some reason, I just called Fry with his

0:51:23.960 --> 0:51:29.080
<v Speaker 1>pistol in his hand, Mendoza called his old squad leader. Yeah, man,

0:51:29.160 --> 0:51:32.120
<v Speaker 1>He answered the phone to like four in the morning.

0:51:32.480 --> 0:51:35.400
<v Speaker 1>He was in Pittsburgh. Yeah, I told him I was

0:51:35.440 --> 0:51:40.840
<v Speaker 1>feeling and it was all my fault that I did it,

0:51:43.160 --> 0:51:46.640
<v Speaker 1>and he put the blame on himself and he said, no,

0:51:47.400 --> 0:51:50.440
<v Speaker 1>I was a squad leader, I was the sergeant. I

0:51:50.520 --> 0:51:56.359
<v Speaker 1>was in charge of that patrol. And yes, that got

0:51:56.400 --> 0:52:00.239
<v Speaker 1>to me. It got to me. It made me. I

0:52:00.360 --> 0:52:05.520
<v Speaker 1>realized that there are people who care because I was

0:52:05.560 --> 0:52:10.160
<v Speaker 1>feeling the burden and here is Jared putting the burden

0:52:10.239 --> 0:52:14.920
<v Speaker 1>on himself and it wasn't even him, but here he

0:52:15.080 --> 0:52:22.279
<v Speaker 1>is trying to take that responsibility because he cares and

0:52:22.400 --> 0:52:30.000
<v Speaker 1>he was listening. He actually listened. At the most crucial moment,

0:52:30.440 --> 0:52:34.359
<v Speaker 1>Fry passed the test and Mendoza says that phone call

0:52:35.000 --> 0:52:43.640
<v Speaker 1>saved his life. Do you still have the Brenna good?

0:52:45.160 --> 0:52:49.680
<v Speaker 1>Have o'clock now? Oh my god, it's going on one

0:52:49.760 --> 0:52:52.520
<v Speaker 1>am and Mendoza has to work in the morning. He's

0:52:52.560 --> 0:52:54.760
<v Speaker 1>going to skip the gym, which means he might sleep

0:52:54.920 --> 0:52:58.480
<v Speaker 1>until five. Do you think that you work at the

0:52:58.520 --> 0:53:01.680
<v Speaker 1>fire station and you hustle, hustle, hustle, and try to

0:53:01.719 --> 0:53:07.120
<v Speaker 1>do so much because you're trying to not so much

0:53:07.160 --> 0:53:09.480
<v Speaker 1>payback in debts to society, but you're trying to make

0:53:09.600 --> 0:53:14.200
<v Speaker 1>up for for these feelings of guilt that you have.

0:53:15.600 --> 0:53:20.280
<v Speaker 1>Do you think there's a connection between those two things. Possibly,

0:53:21.120 --> 0:53:23.759
<v Speaker 1>I haven't thought about it. I've thought about it like that.

0:53:28.680 --> 0:53:30.279
<v Speaker 1>It seems there's a good chance. There's a chance that

0:53:30.480 --> 0:53:32.760
<v Speaker 1>might be. It seems like you don't really let yourself

0:53:32.800 --> 0:53:38.600
<v Speaker 1>slow down too much. Mhm. As we're packing up, Mendoza

0:53:38.680 --> 0:53:42.040
<v Speaker 1>shows me something else he keeps on his shelf next

0:53:42.080 --> 0:53:45.600
<v Speaker 1>to the photos of his dead friends. You've got three soldiers,

0:53:46.440 --> 0:53:49.759
<v Speaker 1>three toy soldiers, green armament that you get into the

0:53:49.800 --> 0:53:53.120
<v Speaker 1>giant bag. My mom gave him to me. She gave

0:53:53.200 --> 0:53:58.719
<v Speaker 1>me just three, one for O'Brien, one for McDaniels, and

0:53:58.840 --> 0:54:02.800
<v Speaker 1>one for Dutcher, one for each of the empty spaces

0:54:03.080 --> 0:54:06.319
<v Speaker 1>in his soldier's heart. One of them's on watch, one

0:54:06.360 --> 0:54:09.000
<v Speaker 1>was ready for attack, the other one is just standing by.

0:54:12.600 --> 0:54:16.960
<v Speaker 1>So the idea is that they're all looking over, they're

0:54:16.960 --> 0:54:24.120
<v Speaker 1>watching me, they're protecting. I'm not judging, We're just there.

0:54:27.400 --> 0:54:31.000
<v Speaker 1>I'm just here to make sure that the I don't

0:54:31.040 --> 0:55:11.280
<v Speaker 1>let him that next time. On third Squad, I joined

0:55:11.400 --> 0:55:14.040
<v Speaker 1>to fucking stacked bodies, not in a crazy way, like

0:55:14.120 --> 0:55:16.480
<v Speaker 1>does that make sense to like, not in a psycho

0:55:16.560 --> 0:55:19.439
<v Speaker 1>way of saying that I don't even see him as people.

0:55:19.800 --> 0:55:23.439
<v Speaker 1>I really don't the Taliban or African Talban. I've shot

0:55:23.520 --> 0:55:27.680
<v Speaker 1>prairie dogs, like prairie dogs, like fucking ground rats that

0:55:27.880 --> 0:55:32.120
<v Speaker 1>I've felt worse about shooting. I don't give a fuck.

0:55:34.360 --> 0:55:36.799
<v Speaker 1>It's one two o'clock in the morning, my phone rings,

0:55:37.840 --> 0:55:42.080
<v Speaker 1>it's it's Brian, and we're talking and everything's good. Then

0:55:42.160 --> 0:55:45.520
<v Speaker 1>just all of a sudden, I hear it shoo shoo

0:55:46.160 --> 0:55:51.200
<v Speaker 1>that that that that that look. I gotta go click.

0:56:03.239 --> 0:56:06.840
<v Speaker 1>Third Squad is written and produced by Elliot Woods, Tommy Andres,

0:56:06.920 --> 0:56:10.640
<v Speaker 1>and Maria Byrne. It's an Heirloom Media production distributed by

0:56:10.680 --> 0:56:14.320
<v Speaker 1>iHeart Media funding support from the National Endowment for the

0:56:14.400 --> 0:56:17.520
<v Speaker 1>Humanities in collaboration with the Center for Warren Society at

0:56:17.560 --> 0:56:22.800
<v Speaker 1>San Diego State University. Original music by Mondo Boys, editing

0:56:22.880 --> 0:56:26.920
<v Speaker 1>and sound designed by John Ward. Fact checking by Ben Kalin.

0:56:27.680 --> 0:56:32.520
<v Speaker 1>Special thanks to Scott Carrier, Marianne Andre, Ted Jenaway's, Caitlin Ash,

0:56:32.760 --> 0:56:36.840
<v Speaker 1>Carrie Gracie, Kevin Connolly, and Lena Ferguson. If you'd like

0:56:36.920 --> 0:56:39.719
<v Speaker 1>to see my photographs from Sangin and from our road trip,

0:56:40.080 --> 0:56:43.320
<v Speaker 1>please visit Third squad dot com. You can find me

0:56:43.600 --> 0:56:47.520
<v Speaker 1>on Instagram and Twitter at Elliott Woods. Before we go.

0:56:47.880 --> 0:56:51.160
<v Speaker 1>If you're having thoughts about suicide or self harm, please

0:56:51.200 --> 0:56:54.880
<v Speaker 1>don't wait to get help. Call the National Suicide Prevention

0:56:55.000 --> 0:56:58.960
<v Speaker 1>Lifeline to talk to someone now one hundred to seven three,

0:56:59.160 --> 0:57:00.279
<v Speaker 1>eight to five five