WEBVTT - Call It The First Ever 'Grey's' Rewatch!

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<v Speaker 1>Call It what It Is with Jessica Capshaw and Camille Luddington,

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<v Speaker 1>an iHeartRadio podcast. Hello, Hello, Hello, Hello, Call It crew,

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<v Speaker 1>and welcome to our first call it a rewatch.

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<v Speaker 2>Oh. I like the way that sounded it does. I

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<v Speaker 2>like new things. I like new things.

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<v Speaker 1>We've I mean, this is what twenty twenty fially you

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<v Speaker 1>bringing you guys. You're welcome new things, asking you shall receive.

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<v Speaker 2>I know, gosh, it was I gotta say this, really,

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<v Speaker 2>this really took me back. This was really fun, literally

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<v Speaker 2>and figuratively. I in the weirdest way. I would say

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<v Speaker 2>it was the thing that I didn't know that I wanted.

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<v Speaker 2>Because you know, people do ask me quite often do

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<v Speaker 2>you watch the show when you're on it? And also

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<v Speaker 2>like do you still watch the show or do you

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<v Speaker 2>know how does the show affect your life? And I

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<v Speaker 2>talk so much about having been a fan of the show,

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<v Speaker 2>But that was when I wasn't on it, and then

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<v Speaker 2>I got on it, and then I definitely did watch

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<v Speaker 2>probably the first twenty five to fifty episodes that I

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<v Speaker 2>was on, I probably watched.

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<v Speaker 1>Yeah, and then you feel like you lived it, like

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<v Speaker 1>you're I don't need to watch it, like I've heard

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<v Speaker 1>it in the table read I lived it, and now

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<v Speaker 1>you know you're moving on in the story.

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<v Speaker 2>But the first twenty five to fifty I was checking

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<v Speaker 2>my work. Evidently after that first quit long, you just

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<v Speaker 2>need to check my work, Yeah, yeah, yeah, or or

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<v Speaker 2>maybe I just yeah. I don't know, but I definitely

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<v Speaker 2>did transition out of watching it every week, and so

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<v Speaker 2>then I think I would just watch a couple maybe

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<v Speaker 2>during the season. And now here we are being asked

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<v Speaker 2>to rewatch. And I have to say that the first

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<v Speaker 2>thing that I thought was this is a really good show.

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<v Speaker 1>Yeah, should we talk about Okay, let's talk about what

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<v Speaker 1>episode we is? Our first recap episode. Well, it was

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<v Speaker 1>the People's choice. It's the people's choice. We threw it

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<v Speaker 1>out to the crew. We're like, what do you want

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<v Speaker 1>us to do first? And overwhelmingly, yeah, overwhelmingly.

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<v Speaker 2>It was a wed episode. It was the weed cookies.

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<v Speaker 1>It was the weed cookie episode, which was not surprising.

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<v Speaker 1>And what's funny is I thought to myself, what do

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<v Speaker 1>I actually remember storyline about that? I mean, I remember,

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<v Speaker 1>like some people ate the wee cookies, but I watching

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<v Speaker 1>it back, it was like a fresh episode to me.

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<v Speaker 2>Well, it was also we made it five six years ago,

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<v Speaker 2>I heart said to me.

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<v Speaker 1>When I got on this call, They're like, you know

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<v Speaker 1>that episode was six years ago. I was like, what,

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<v Speaker 1>no wonder, I look young and fresh.

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<v Speaker 2>Okay, so let's be honest. When we had a very

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<v Speaker 2>very brief chat before we got to sat down to record,

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<v Speaker 2>and I said to Kamilla a lot of things that

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<v Speaker 2>we'll talk about, but one of the things I said was, oh,

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<v Speaker 2>you look so pretty. And what did you say back?

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<v Speaker 2>I said, I did look so pretty.

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<v Speaker 1>And I was like, wow, you look so pretty Lunnington.

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<v Speaker 1>And then I spent some of the episode just vanity wise,

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<v Speaker 1>wondering where.

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<v Speaker 2>It's gone wrong? Do you know what I mean? Like,

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<v Speaker 2>what what exactly has slid.

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<v Speaker 1>On my face? What is melting to make me look

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<v Speaker 1>the way I look now? I wish i'd appreciated that

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<v Speaker 1>back then. You're crazy. You look even But I said

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<v Speaker 1>to Jess in return, you look even hotter now.

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<v Speaker 2>Because by the way, she did not say to me,

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<v Speaker 2>you look so pretty.

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<v Speaker 1>Too, I said, I think you look hotterer now, like

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<v Speaker 1>pure girlfriend, like Vanity. You know, I think Jess is

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<v Speaker 1>as she ages, she's made a deal with the devil

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<v Speaker 1>and she's getting hotter and the rest of us are melting.

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<v Speaker 2>I will I will take that compliment. I will take

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<v Speaker 2>that compliment. And then uh, and then I do remember

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<v Speaker 2>saying back to you funny because if if that is true, yeah,

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<v Speaker 2>I have a worldwide audience of you know, my worldwide

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<v Speaker 2>audience appreciating what's happened. It's diminished since the years where

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<v Speaker 2>it was on television every week with whatever it is

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<v Speaker 2>that I look like in the episode that we're we watching, Yeah,

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<v Speaker 2>you said how many millions of people will watch me then?

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<v Speaker 1>And now it's like seven. You said, it's just the

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<v Speaker 1>dog's that one horse and the kids.

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<v Speaker 2>I know it is what it is. The chickens. The

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<v Speaker 2>chickens get the nice Yes, the chickens. You know. The

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<v Speaker 2>poppy named one of them China, and I was like

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<v Speaker 2>short for what she's like, the Jina. Of course, I

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<v Speaker 2>have a chicken named China. Listen, China's a cute chicken.

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<v Speaker 2>I love it.

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<v Speaker 1>We have to jump in though, because I can. I

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<v Speaker 1>tell you I have six I stole my kids notepad.

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<v Speaker 1>I have six pages of notes on this episode. I

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<v Speaker 1>went through it and I and like just said, when

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<v Speaker 1>we were watching back when I was watching it, back,

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<v Speaker 1>I was like, A, this cast is fantastic, this is

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<v Speaker 1>this is a great cast. The storyline's fantastic, everyone's so solid.

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<v Speaker 1>I was laughing. I was into all the storylines. I

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<v Speaker 1>was shocked by someone's like what what, and of course,

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<v Speaker 1>like I know that it happened, but I don't remember.

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<v Speaker 2>Yeah, I too felt the same way. I just was

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<v Speaker 2>in awe of how good everyone is and how perfectly cast.

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<v Speaker 2>Shout out to Linda Lowie. I mean, truly, the show

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<v Speaker 2>is just so well cast. Everyone's so good in it.

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<v Speaker 2>There were things that they were doing that I was like, God,

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<v Speaker 2>I don't And then I was trying to think back

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<v Speaker 2>to you know, I think it's worth mentioning the table

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<v Speaker 2>read is where it all starts. Yeah, and I do.

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<v Speaker 2>It was trying to remember the table read, and I

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<v Speaker 2>remember certain shows you know from the table read. You

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<v Speaker 2>know that it's you feel kind of bad for the

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<v Speaker 2>director because they're usually you know, only there for that episode,

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<v Speaker 2>and you're like, ooh, this one's so good. Don't get up. Yeah,

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<v Speaker 2>this one's good. And it was written by Julie Wong,

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<v Speaker 2>who is just a fan favorite and a hilarious human being.

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<v Speaker 1>Yeah, if you go back and watch Julia Wang's episodes,

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<v Speaker 1>you will realize she can do it all. But she

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<v Speaker 1>can really do comedy. And I think comedy is hard

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<v Speaker 1>to write.

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<v Speaker 2>Yeah, oh got it.

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<v Speaker 1>But she just always steps up to the plate when

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<v Speaker 1>she has to write an episode that's funny, It's gonna

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<v Speaker 1>be funy.

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<v Speaker 2>Yeah. Then a director was a female director that episode,

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<v Speaker 2>Sidney Freeland. Yes, yep, I felt a little bit. Like

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<v Speaker 2>I said, I felt for her. I didn't feel bad

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<v Speaker 2>for her. I felt for her because there was a

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<v Speaker 2>lot of pressure to get this really awesome episode done well.

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<v Speaker 2>And it was episode twenty of that season, which means

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<v Speaker 2>we were all nearing the end of the season. And

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<v Speaker 2>do you know what happens when that happens during that

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<v Speaker 2>time of the season.

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<v Speaker 1>Well, it's a certain time of year in a certain

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<v Speaker 1>seasons where people are up for renegotiation.

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<v Speaker 2>Well yeah, but I'm talking about this just that was

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<v Speaker 2>true of that year, but but that this is like

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<v Speaker 2>any year when you coming up to potentially twenty four.

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<v Speaker 2>And so we're in twenty So everyone's.

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<v Speaker 1>Toasty, everyone is tired. Okay, So where to start, Well,

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<v Speaker 1>the let's start with the episode opens up. So the

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<v Speaker 1>episode opens up on what I think is probably the

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<v Speaker 1>most important character of the show. Go what the rewatches

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<v Speaker 1>are gonna be about?

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<v Speaker 2>You guys? It opens up with a gorgeous at Joe Wilson.

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<v Speaker 1>It opens up with me pushing a mouse through the

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<v Speaker 1>hospital because there it.

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<v Speaker 2>Is competition day.

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<v Speaker 1>You know what I thought of when I saw myself

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<v Speaker 1>on TV, I was like, in the episode on TV,

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<v Speaker 1>what's on TV? I was like, Oh, I would have

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<v Speaker 1>been so excited that day to not be in scrubs.

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<v Speaker 1>It's very rare on the show that you don't have

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<v Speaker 1>to wear scrubs. And the fact that I was in

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<v Speaker 1>reg regular clothes. Mimi was our customer. She was fantastic,

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<v Speaker 1>And I just remember being very excited to be able

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<v Speaker 1>to wear my hair down because I'm always in a bun.

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<v Speaker 1>Look a little cute or look a little more put together.

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<v Speaker 1>And I'm wheeling the mouse in because Joe and Meredith

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<v Speaker 1>are working on something together and there is a grant

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<v Speaker 1>up for grabs in this competition that's about.

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<v Speaker 2>To be held. Yep, there's a little bit more. Everybody's

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<v Speaker 2>a little bit more in performance mode because there are

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<v Speaker 2>people actually giving presentations that are going to be performances.

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<v Speaker 1>Yeah, and I was trying to remember if David Bowie

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<v Speaker 1>the mouse was real or like a CGI mouse, and

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<v Speaker 1>I couldn't remember that.

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<v Speaker 2>I wish I could.

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<v Speaker 1>I don't know if we had a professional mouse act

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<v Speaker 1>remember stuff I wasn't even there for. And then okay,

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<v Speaker 1>so we get we and so then we get into

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<v Speaker 1>the what is that room called that we're all in,

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<v Speaker 1>I know, auditorium, Like yeah, it's like our presentation space.

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<v Speaker 2>It's like, yeah, we don't go there often, but it's

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<v Speaker 2>when yeah, we give auditorium the auditorium.

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<v Speaker 1>And I think we can say that the scenes when

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<v Speaker 1>we're it's rare that we're.

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<v Speaker 2>All together and it takes a long time to film.

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<v Speaker 2>It takes a long time.

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<v Speaker 1>To film, but it's rare we're all together, and there's

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<v Speaker 1>a certain energy when everyone's in the scene together. Oh yeah,

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<v Speaker 1>there's more potential for in laughter.

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<v Speaker 2>Gree is what I was gonna say. Actually, yeah, yeah,

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<v Speaker 2>there's always more potential. And you always have the same

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<v Speaker 2>like the same people like you. You know that Jesse's

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<v Speaker 2>going to be given me shit about something, Yeah, I

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<v Speaker 2>know it. You don't. You don't have to wonder then

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<v Speaker 2>you're going to be giving him about this.

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<v Speaker 1>Of course, absolutely as I should. We had some new

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<v Speaker 1>interns sort of in there.

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<v Speaker 2>I was.

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<v Speaker 1>I remember when I was watching that scene, I was

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<v Speaker 1>Maggie and Jackson had this cute little interaction and I.

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<v Speaker 2>Forgot that they were together. Yes, I forgot. I forgot.

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<v Speaker 2>And then when they were kind of like it wasn't sexy,

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<v Speaker 2>but it was like intimate, like you know, like you

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<v Speaker 2>kept me up all night or whatever where she says

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<v Speaker 2>like you kid me and she's like she's like, get

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<v Speaker 2>out of here. I was like this little flirty and

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<v Speaker 2>I was like, wait.

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<v Speaker 1>There to get I mean, I for some reason, that's

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<v Speaker 1>like a race for my memory.

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<v Speaker 2>Yeah, I mean, I don't know. I think that what

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<v Speaker 2>replaces it is just the fact that ultimately on the show,

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<v Speaker 2>the ships that are the true ships end up just

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<v Speaker 2>being the ships. You remember, and you know that it's

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<v Speaker 2>Sarah and Jesse.

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<v Speaker 1>You know that it's yeah, it's Sarah and Jesse Keepner,

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<v Speaker 1>I don't.

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<v Speaker 2>Know what to tell you it is, by the way,

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<v Speaker 2>I mean, I loved watching that relationship and they were

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<v Speaker 2>so great. Kelly and Jesse were great together. I don't

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<v Speaker 2>think so, Okay, we're gonna be honest, No, we're gonna

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<v Speaker 2>be honest.

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<v Speaker 1>And by the way, I think if we had Kelly

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<v Speaker 1>on and we had Jesse on, I don't think that

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<v Speaker 1>they I don't know what, well, listen, maybe they would

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<v Speaker 1>argue so differently.

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<v Speaker 2>But I felt at.

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<v Speaker 1>The time as a viewer that something was a little

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<v Speaker 1>off between those two characters. I didn't know what it was,

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<v Speaker 1>wasn't it.

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<v Speaker 2>It just wasn't in.

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<v Speaker 1>And then I have to say, when Maggie and Winston

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<v Speaker 1>got together, I was like, oh, that's cute, Like I'm

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<v Speaker 1>into that for her husband that she ended up having

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<v Speaker 1>on the show. I mean, they're divorced now spoiler alert.

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<v Speaker 1>And then I just I felt like it felt to

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<v Speaker 1>me like an in between me mm hmm, like I'm

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<v Speaker 1>not a true sale ship, like an in between e ship.

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<v Speaker 1>Sometimes a tweeny is necessary. Oh, we all have a

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<v Speaker 1>tweeny to get out too the next weenie. We all

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<v Speaker 1>have a tweeny for the next weenie.

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<v Speaker 2>Yep, I got you. Okay, So you see that cute

0:11:46.640 --> 0:11:49.199
<v Speaker 2>little moment. Then you see Richard and Catherine have their

0:11:49.240 --> 0:11:52.920
<v Speaker 2>cu cute little moment, which also, like I knew, but

0:11:53.080 --> 0:11:57.319
<v Speaker 2>I was reminded. And then Stefania yes, oh my gosh,

0:11:57.320 --> 0:12:02.240
<v Speaker 2>and seeing them back together, so seat cute, so cute.

0:12:01.920 --> 0:12:05.000
<v Speaker 1>I it's interesting because I didn't when I was when

0:12:05.040 --> 0:12:07.880
<v Speaker 1>we were doing the episode, I kind of forgot where

0:12:07.960 --> 0:12:11.240
<v Speaker 1>everyone is in their time on the show. So when

0:12:11.280 --> 0:12:13.960
<v Speaker 1>I saw her sitting down, I was like.

0:12:13.960 --> 0:12:16.120
<v Speaker 2>Oh, wait, are you guys together? Like what's the deal?

0:12:16.160 --> 0:12:17.360
<v Speaker 2>Are you not together? Are you together?

0:12:17.400 --> 0:12:19.559
<v Speaker 1>And then there was a little conversation that was very

0:12:19.600 --> 0:12:23.840
<v Speaker 1>flirty and cute, and I remember like that. I know

0:12:23.920 --> 0:12:28.520
<v Speaker 1>that was a tweeny relationship, but I think that could

0:12:28.520 --> 0:12:29.319
<v Speaker 1>have gone the distance.

0:12:29.480 --> 0:12:31.440
<v Speaker 2>I'm gonna be honest, I think that could have worked.

0:12:31.960 --> 0:12:36.280
<v Speaker 2>I know, I know, and I think that it was

0:12:36.360 --> 0:12:42.080
<v Speaker 2>interesting because that particular season, well twenty, she came on

0:12:42.200 --> 0:12:45.880
<v Speaker 2>as a guest star, and I think that I was

0:12:45.920 --> 0:12:48.000
<v Speaker 2>told that she was going to really be like a

0:12:48.280 --> 0:12:52.840
<v Speaker 2>short in between situation, and then it ended up becoming

0:12:53.120 --> 0:12:56.040
<v Speaker 2>that she's so great that she's obviously stayed, and there

0:12:56.080 --> 0:13:00.800
<v Speaker 2>was all this other story and the sister brother a relationship,

0:13:00.800 --> 0:13:02.360
<v Speaker 2>and like there was so much room for it to happen.

0:13:02.559 --> 0:13:05.480
<v Speaker 2>So I feel like it could have is my I'm

0:13:05.480 --> 0:13:07.840
<v Speaker 2>an agreement. I think that had they've been given a

0:13:07.840 --> 0:13:10.120
<v Speaker 2>little bit more of a chance, I think it probably

0:13:10.120 --> 0:13:11.600
<v Speaker 2>would have gone.

0:13:12.320 --> 0:13:14.480
<v Speaker 1>So you were with somebody else before that, you got

0:13:14.679 --> 0:13:18.559
<v Speaker 1>you got a little ghosted by your previous little betweeny situation,

0:13:19.240 --> 0:13:21.360
<v Speaker 1>and now you're you're kind of into this, you know,

0:13:21.440 --> 0:13:23.599
<v Speaker 1>it's so funny. I wrote six pages of notes you

0:13:23.679 --> 0:13:25.600
<v Speaker 1>guys when I read that when I was watching this,

0:13:26.000 --> 0:13:29.000
<v Speaker 1>and one of my notes when Jessica appears on screen

0:13:29.080 --> 0:13:30.840
<v Speaker 1>is we need to talk about your earring game. On

0:13:30.880 --> 0:13:36.760
<v Speaker 1>Gray's Anatomy, earring game always, Jessica Capshaw always had you

0:13:36.800 --> 0:13:40.480
<v Speaker 1>always had your three cute studs in that you would

0:13:40.559 --> 0:13:42.760
<v Speaker 1>like change out, and it was just such a good

0:13:42.760 --> 0:13:45.160
<v Speaker 1>earring game every episode.

0:13:45.400 --> 0:13:47.400
<v Speaker 2>I just wanted to throw that out there. For the

0:13:47.440 --> 0:13:49.320
<v Speaker 2>first couple of years, I just wore a heart shaped

0:13:49.400 --> 0:13:52.880
<v Speaker 2>um hoop and then I think I probably just put

0:13:52.880 --> 0:13:55.240
<v Speaker 2>stuff in, But yeah, thanks, thanks, it was up for

0:13:55.280 --> 0:13:58.520
<v Speaker 2>the earing game. Well, so, yes, so Arizona comes in

0:13:58.840 --> 0:14:01.840
<v Speaker 2>with the lesbian gratit two cookies. Well, but let's also

0:14:02.040 --> 0:14:05.200
<v Speaker 2>remember what that because also when that was said, I

0:14:05.240 --> 0:14:07.199
<v Speaker 2>was actually thinking, I mean, clearly the people watching it

0:14:07.280 --> 0:14:11.240
<v Speaker 2>are fans, but that was based on the storyline that

0:14:11.280 --> 0:14:17.320
<v Speaker 2>happened before where Arizona helps save this couple's baby and

0:14:17.760 --> 0:14:19.880
<v Speaker 2>they come back in. But they're not. They're just like

0:14:19.920 --> 0:14:21.920
<v Speaker 2>they just reappear, so you would have had to watch

0:14:21.960 --> 0:14:24.240
<v Speaker 2>the episode before to know who they even were. But

0:14:24.280 --> 0:14:26.520
<v Speaker 2>they've come back to the hospital and given Arizona cookies

0:14:26.720 --> 0:14:28.320
<v Speaker 2>and said thank you so much, whatever, and then she

0:14:28.360 --> 0:14:30.640
<v Speaker 2>starts giving out the cookies in this very packed room.

0:14:30.760 --> 0:14:33.760
<v Speaker 1>I noticed I put down de Luca. It's very funny

0:14:33.840 --> 0:14:36.880
<v Speaker 1>that de Luca's going through his heartbreak. I forgot that storyline.

0:14:36.960 --> 0:14:39.960
<v Speaker 1>And he grabs he literally takes like four cookies. It's

0:14:39.960 --> 0:14:41.800
<v Speaker 1>a good setup for the storyline.

0:14:42.000 --> 0:14:44.080
<v Speaker 2>Yeah, which is also a good time to say that

0:14:44.200 --> 0:14:49.000
<v Speaker 2>Gray's has always been really really incredible at taking real

0:14:49.040 --> 0:14:53.240
<v Speaker 2>life and real time challenges and struggles and putting them

0:14:53.240 --> 0:14:55.120
<v Speaker 2>in the show. So the fact that she was getting

0:14:55.120 --> 0:14:58.360
<v Speaker 2>deported was also around the time that there was a lot,

0:14:58.680 --> 0:15:02.680
<v Speaker 2>a lot on the news about ice and deportation, and

0:15:02.880 --> 0:15:05.160
<v Speaker 2>it was you know, it was it was I remember

0:15:05.160 --> 0:15:08.160
<v Speaker 2>it being on the forefront of a lot of people's thoughts.

0:15:10.080 --> 0:15:13.320
<v Speaker 2>So she gets supported. Okay, So then Arizona flits around

0:15:13.360 --> 0:15:17.240
<v Speaker 2>the room offering everyone a cookie, and you don't even

0:15:17.280 --> 0:15:19.040
<v Speaker 2>know to pay attention. Who eats the cookie?

0:15:19.160 --> 0:15:19.600
<v Speaker 1>You do not?

0:15:20.040 --> 0:15:21.120
<v Speaker 2>No, no, you're not paying attention.

0:15:21.320 --> 0:15:23.720
<v Speaker 1>I do remember reading the script in the table read

0:15:23.760 --> 0:15:25.800
<v Speaker 1>and being real sad Jo didn't take.

0:15:25.680 --> 0:15:29.160
<v Speaker 2>That cookie, and I felt the sadness again. She's like, no,

0:15:29.240 --> 0:15:32.280
<v Speaker 2>I'm too nervous. I can't take the cookie. Joe.

0:15:32.880 --> 0:15:37.240
<v Speaker 1>It'll be fun, baby, take the cookie.

0:15:38.000 --> 0:15:43.200
<v Speaker 2>And then of course April looking so just lovely loved

0:15:43.200 --> 0:15:46.280
<v Speaker 2>her costume for that looks very professional. Started the game off.

0:15:46.320 --> 0:15:48.240
<v Speaker 2>Started the games off about the Graceland surge.

0:15:48.280 --> 0:15:48.480
<v Speaker 1>Glad.

0:15:48.520 --> 0:15:50.840
<v Speaker 2>Yeah, it's kind of a prototype day. It was like

0:15:50.880 --> 0:15:53.880
<v Speaker 2>the Hunger Games, and then the twenty five proposals and

0:15:53.920 --> 0:15:56.280
<v Speaker 2>then five of them will receive a one million dollar

0:15:56.320 --> 0:15:58.640
<v Speaker 2>grant blah blah blah, and then she wishes everyone luck

0:15:58.720 --> 0:16:02.440
<v Speaker 2>and then introduces as the first candidate, Richard. Yeah, I

0:16:02.600 --> 0:16:03.640
<v Speaker 2>was you know what.

0:16:04.000 --> 0:16:07.720
<v Speaker 1>Meredith and Joe are singing together, and they're kind of

0:16:07.760 --> 0:16:10.760
<v Speaker 1>you know, Joe's a little She's get nervous because Richard's

0:16:10.760 --> 0:16:13.120
<v Speaker 1>does look good. And I remember in real life being like, well,

0:16:13.320 --> 0:16:16.160
<v Speaker 1>just he's gonna get it. Yeah, but also Ken, they

0:16:16.200 --> 0:16:19.120
<v Speaker 1>can figure out that was kick ass. Why isn't that

0:16:19.120 --> 0:16:20.440
<v Speaker 1>pen in every episode?

0:16:20.640 --> 0:16:21.440
<v Speaker 2>Is that pen real?

0:16:21.600 --> 0:16:21.760
<v Speaker 1>Well?

0:16:21.800 --> 0:16:23.080
<v Speaker 2>I don't know if you should find out.

0:16:23.160 --> 0:16:25.280
<v Speaker 1>I'm assuming because I feel like our when we do

0:16:25.400 --> 0:16:28.680
<v Speaker 1>stuff like that, it's it's not something we've completely made up.

0:16:29.200 --> 0:16:31.000
<v Speaker 2>Yeah, it's basically based on something.

0:16:31.080 --> 0:16:33.360
<v Speaker 1>Yeah, it's usually based on something that really is up

0:16:33.400 --> 0:16:36.920
<v Speaker 1>and coming in some medical Yeah.

0:16:36.200 --> 0:16:39.440
<v Speaker 2>So what's happening backstage that we don't know about in

0:16:39.440 --> 0:16:41.360
<v Speaker 2>the front as we're eating our cookies and watching Richard

0:16:41.400 --> 0:16:44.720
<v Speaker 2>and being worried that he's gonna win. Is that Jackson

0:16:45.440 --> 0:16:48.920
<v Speaker 2>and Catherine are bickering. Which watching it, I was like,

0:16:48.920 --> 0:16:51.840
<v Speaker 2>what are they wired? I know, I can remember either, Yeah,

0:16:51.880 --> 0:16:55.240
<v Speaker 2>what happening? And then something about a woman named Rebecca

0:16:55.320 --> 0:16:59.400
<v Speaker 2>Froyd and then how he's messed up and I'm like, wait,

0:16:59.440 --> 0:17:02.120
<v Speaker 2>what's happening. Yeah, he does something and now she's got

0:17:02.120 --> 0:17:03.560
<v Speaker 2>to clean it up and I don't know what it

0:17:03.600 --> 0:17:05.720
<v Speaker 2>is yet. And then because I haven't watched a long time,

0:17:06.320 --> 0:17:10.000
<v Speaker 2>I was like, I'm intrigued. Oh yeah, yeah, I was in.

0:17:10.160 --> 0:17:11.840
<v Speaker 2>I Yeah, I was in the whole time.

0:17:11.880 --> 0:17:14.080
<v Speaker 1>I was in, from the the minute I was had

0:17:14.080 --> 0:17:15.800
<v Speaker 1>the mouse, I was in.

0:17:16.400 --> 0:17:18.000
<v Speaker 2>Yeah. I do.

0:17:18.520 --> 0:17:21.720
<v Speaker 1>I like it when there's a little competition on Grays Yeah,

0:17:21.760 --> 0:17:23.520
<v Speaker 1>I like it, you know, like just you know, just

0:17:23.600 --> 0:17:24.920
<v Speaker 1>naturally amongst the characters.

0:17:24.960 --> 0:17:26.479
<v Speaker 2>I think it adds some spice to it.

0:17:27.119 --> 0:17:31.520
<v Speaker 1>I wrote, Okay, so then we sort of cut to you.

0:17:33.119 --> 0:17:37.480
<v Speaker 2>Be you being paged, being paged. Yeah, that's so. Now

0:17:37.560 --> 0:17:41.879
<v Speaker 2>you go to me coming around the corner. Yeah, seemingly

0:17:42.000 --> 0:17:44.679
<v Speaker 2>nine to one one, which I've helped this couple with

0:17:44.800 --> 0:17:47.680
<v Speaker 2>their babies, so clearly I must think that something's very wrong.

0:17:48.320 --> 0:17:52.120
<v Speaker 2>Come around the corner, and then they hit me with

0:17:52.640 --> 0:17:55.080
<v Speaker 2>they need those cookies back. Yeah. I cannot give them

0:17:55.119 --> 0:17:57.880
<v Speaker 2>those cookies back. So they cooked it with like, uh,

0:17:58.680 --> 0:18:00.040
<v Speaker 2>they made the cookies.

0:17:59.640 --> 0:18:03.119
<v Speaker 1>With the cannabis peanut butter.

0:18:03.480 --> 0:18:06.160
<v Speaker 2>Those are some pot cookies. Those are some pot cookies.

0:18:06.720 --> 0:18:09.399
<v Speaker 2>I laughed out loud at.

0:18:09.280 --> 0:18:14.040
<v Speaker 1>Your weird slow walk back into the auditorium where I'm like,

0:18:14.080 --> 0:18:16.000
<v Speaker 1>she's already a little high and she doesn't know.

0:18:16.160 --> 0:18:16.959
<v Speaker 2>How to deal with this.

0:18:17.040 --> 0:18:19.199
<v Speaker 1>I literally put like I was laughing so hard it

0:18:19.200 --> 0:18:19.760
<v Speaker 1>made me giggle.

0:18:19.800 --> 0:18:22.879
<v Speaker 2>It's like this really awkward walk. And this is what

0:18:22.920 --> 0:18:23.959
<v Speaker 2>I love about episodes like this.

0:18:24.000 --> 0:18:26.080
<v Speaker 1>We do with so many serious episodes on Grace for

0:18:26.200 --> 0:18:28.960
<v Speaker 1>good reason, right, Like we're dealing with life and death

0:18:29.000 --> 0:18:32.000
<v Speaker 1>and relationships and stuff. When we get to play like

0:18:32.080 --> 0:18:35.320
<v Speaker 1>this and do some of this physical comedy that we

0:18:35.359 --> 0:18:36.960
<v Speaker 1>get to do this episode or you guys get to

0:18:36.960 --> 0:18:39.400
<v Speaker 1>do it's so fun Yeah.

0:18:39.119 --> 0:18:43.560
<v Speaker 2>Yeah, yeah it is. It is. And also certain people

0:18:43.680 --> 0:18:49.440
<v Speaker 2>do sort of like know how to do that right,

0:18:49.520 --> 0:18:52.439
<v Speaker 2>Like are kind of great with that. I mean some

0:18:52.520 --> 0:18:54.200
<v Speaker 2>of the care some of the actors are like great

0:18:54.240 --> 0:18:56.600
<v Speaker 2>with everything right, but some of us, like we've got

0:18:56.600 --> 0:18:59.600
<v Speaker 2>different instruments, We've got different tools, ryeah. And so some

0:18:59.720 --> 0:19:03.280
<v Speaker 2>are so good, like you bring up a you bring

0:19:03.359 --> 0:19:05.760
<v Speaker 2>up a sad scene and they are fucking aces. They're

0:19:05.800 --> 0:19:07.840
<v Speaker 2>like yeah, and everyone else is like damn, how'd you

0:19:07.920 --> 0:19:09.480
<v Speaker 2>do that? Right? But then there's like funny ones, and

0:19:09.480 --> 0:19:12.600
<v Speaker 2>so everybody gets to sort of sort of flex their

0:19:12.640 --> 0:19:16.240
<v Speaker 2>talents in different ways. But anyways, so so, yes, I

0:19:16.800 --> 0:19:19.040
<v Speaker 2>remember sliding into there, and I also remember standing there

0:19:19.040 --> 0:19:20.840
<v Speaker 2>and being like, how do I get their attention?

0:19:21.280 --> 0:19:24.080
<v Speaker 1>Yes, So I want to talk about this little moment

0:19:24.359 --> 0:19:28.399
<v Speaker 1>with Arizona when she tells Joe and Meredith for the

0:19:28.440 --> 0:19:31.760
<v Speaker 1>first time, because I think watching it back, because I

0:19:31.840 --> 0:19:34.920
<v Speaker 1>know this, I think that you can tell that Ellen

0:19:34.960 --> 0:19:38.920
<v Speaker 1>and I are really trying very hard not to laugh

0:19:38.960 --> 0:19:44.200
<v Speaker 1>because you remember filming that scene. It was so funny

0:19:44.640 --> 0:19:47.120
<v Speaker 1>that we were laughing. Just that little moment the three

0:19:47.160 --> 0:19:50.719
<v Speaker 1>of us were laughing over and over, and I can tell, like,

0:19:50.880 --> 0:19:52.960
<v Speaker 1>I mean, we do a good job of playing the moment,

0:19:53.080 --> 0:19:57.320
<v Speaker 1>but I know underneath the real situation was that we really.

0:19:57.160 --> 0:19:58.080
<v Speaker 2>Wanted to pee your pants.

0:19:58.119 --> 0:20:00.639
<v Speaker 1>When you're like Ohsa and we're like who eight the cookies?

0:20:00.680 --> 0:20:03.600
<v Speaker 1>And then they do the scan around the room like.

0:20:04.200 --> 0:20:06.720
<v Speaker 2>Question is who didn't? Yeah, you're like who didn't?

0:20:06.880 --> 0:20:08.800
<v Speaker 1>And then and then my actually I didn't remember this

0:20:08.800 --> 0:20:11.040
<v Speaker 1>moment either. When they cut to Jackson and Jackson's like

0:20:11.080 --> 0:20:15.800
<v Speaker 1>vagina's Vaginas I came out of this one, I was like, damn, Julie,

0:20:15.840 --> 0:20:17.080
<v Speaker 1>you're so good at writing.

0:20:17.119 --> 0:20:20.680
<v Speaker 2>This is so funny. Yeah, yeah, that was really funny.

0:20:20.800 --> 0:20:22.240
<v Speaker 2>I love Yeah, I loved that too.

0:20:22.680 --> 0:20:26.200
<v Speaker 1>And then I loved the decision in the show where

0:20:26.240 --> 0:20:29.359
<v Speaker 1>they're like, uh, Meredith, I think it's it's Meredith that

0:20:29.400 --> 0:20:32.679
<v Speaker 1>gets to Guz asks who who ate the cookies? And

0:20:32.840 --> 0:20:35.159
<v Speaker 1>there's rat poison. I do think it's funny that we

0:20:35.200 --> 0:20:39.280
<v Speaker 1>went with rat poison, yeah over something else. And then

0:20:39.359 --> 0:20:41.479
<v Speaker 1>you forget to raise your hand and I nudg you.

0:20:41.520 --> 0:20:44.440
<v Speaker 1>I remember finding that moment really funny to film too.

0:20:44.800 --> 0:20:47.080
<v Speaker 2>That was funny too, Yeah, because I because yeah, well

0:20:47.119 --> 0:20:49.320
<v Speaker 2>I think and I think that that was actually dare

0:20:49.359 --> 0:20:53.840
<v Speaker 2>I say my own choice? Yes, I think I was like, oh,

0:20:53.920 --> 0:20:58.680
<v Speaker 2>I'm not gonna yeah, raise my hand, a little improvisation situation,

0:20:58.960 --> 0:21:01.119
<v Speaker 2>and then you and then it was your idea to

0:21:01.200 --> 0:21:02.960
<v Speaker 2>nudge me, and I was like, oh yeah, yeah, yeah, yeah,

0:21:03.040 --> 0:21:06.679
<v Speaker 2>yeah yeah yeah. So then we end up having the

0:21:06.720 --> 0:21:10.680
<v Speaker 2>meeting backstage. Yes, by the way, I don't even know what.

0:21:10.560 --> 0:21:12.600
<v Speaker 1>That room is, and I don't know if we've ever

0:21:12.640 --> 0:21:14.879
<v Speaker 1>filmed in that room. Since I have no idea what

0:21:14.960 --> 0:21:17.960
<v Speaker 1>that room is. Hm, I feel like it was created.

0:21:18.119 --> 0:21:20.520
<v Speaker 1>I'm probably wrong, and then I'll get messages on this.

0:21:21.240 --> 0:21:23.800
<v Speaker 1>But listen, I'm rewatching this too. My memory is not

0:21:23.920 --> 0:21:27.040
<v Speaker 1>so great. This is years ago. I think that little

0:21:27.119 --> 0:21:30.520
<v Speaker 1>side room was made. I just don't remember ever seeing

0:21:30.520 --> 0:21:30.879
<v Speaker 1>it again.

0:21:31.000 --> 0:21:33.320
<v Speaker 2>Yeah. Well, sometimes they come up with these spaces and

0:21:33.800 --> 0:21:35.960
<v Speaker 2>we never seen that. We've never seen him before, we've

0:21:36.000 --> 0:21:52.040
<v Speaker 2>never seen him since. Okay, So then she comes back

0:21:52.040 --> 0:21:54.400
<v Speaker 2>and she says that what's obvious, which is that none

0:21:54.440 --> 0:21:57.520
<v Speaker 2>of us, whoever has had any of these cookies cannot

0:21:57.520 --> 0:21:59.760
<v Speaker 2>be a doctor today. So then we all sort of

0:21:59.760 --> 0:22:02.359
<v Speaker 2>then hair off. So it's de Luca, Maggie and I

0:22:02.680 --> 0:22:04.960
<v Speaker 2>because Maggie wanders off and I'm like, I gotta get her.

0:22:05.080 --> 0:22:06.080
<v Speaker 2>Pairs runs off.

0:22:06.359 --> 0:22:07.960
<v Speaker 1>Okay, but I think we need to talk about something

0:22:08.000 --> 0:22:11.120
<v Speaker 1>because within that scene, there was like a panning across

0:22:11.160 --> 0:22:14.400
<v Speaker 1>of everybody, right, and everyone started.

0:22:14.080 --> 0:22:15.920
<v Speaker 2>To like you could see the effects right.

0:22:15.920 --> 0:22:20.439
<v Speaker 1>Like you know Andrew's comatoes, there's I think Jackson sniffs

0:22:20.480 --> 0:22:25.760
<v Speaker 1>a pillow and puts it down, and a conversation started

0:22:26.760 --> 0:22:32.439
<v Speaker 1>of what being high like that physically feels like an

0:22:32.720 --> 0:22:35.680
<v Speaker 1>is and do you remember this whole conversation like you're

0:22:35.720 --> 0:22:40.280
<v Speaker 1>not on psychedelics, you're because some of us, initially I

0:22:40.280 --> 0:22:42.520
<v Speaker 1>think we're taking it too far where we were almost

0:22:42.560 --> 0:22:44.720
<v Speaker 1>like we were, you know, tripping.

0:22:44.520 --> 0:22:46.800
<v Speaker 2>Balls Yep, definitely on LSD.

0:22:47.440 --> 0:22:49.720
<v Speaker 1>Yeah, Yeah, it was more of an LSD like you're

0:22:49.760 --> 0:22:52.479
<v Speaker 1>a Woodstock kind of situation. And so we had we

0:22:52.520 --> 0:22:55.640
<v Speaker 1>had we had a drug conversation like, yeah.

0:22:55.320 --> 0:22:57.400
<v Speaker 2>They were one head band and a pair of bell

0:22:57.440 --> 0:23:02.080
<v Speaker 2>bottoms away from trip and balls on a stage in Woodstock. Yeah. Well,

0:23:02.240 --> 0:23:03.560
<v Speaker 2>so there was.

0:23:03.520 --> 0:23:07.080
<v Speaker 1>A conversation about like, hey, this isn't this isn't LSD.

0:23:07.720 --> 0:23:10.080
<v Speaker 2>Yeah, do you remember that? And then I think it

0:23:10.119 --> 0:23:12.560
<v Speaker 2>was sort of right sized, right, everybody went, oh, right, okay,

0:23:13.400 --> 0:23:16.359
<v Speaker 2>and then yeah, because we also had I remember also

0:23:16.480 --> 0:23:18.199
<v Speaker 2>that every actor had a different way of doing it.

0:23:18.200 --> 0:23:21.200
<v Speaker 2>But I remember one actor really had created their timeline

0:23:21.600 --> 0:23:23.360
<v Speaker 2>so they like, on a scale of one to ten

0:23:23.440 --> 0:23:26.040
<v Speaker 2>how high they were going to be. Oh that's great.

0:23:26.080 --> 0:23:28.680
<v Speaker 2>So every time we got to that scene, they were like, oh,

0:23:28.920 --> 0:23:32.080
<v Speaker 2>I'm I'm at a four here. Oh that's smart, because

0:23:32.240 --> 0:23:34.359
<v Speaker 2>if you don't know this, which maybe you don't, we

0:23:34.400 --> 0:23:37.200
<v Speaker 2>don't shoot the scenes in order, so we jump around

0:23:37.200 --> 0:23:40.400
<v Speaker 2>all the different scenes, and so to know how high

0:23:40.560 --> 0:23:42.960
<v Speaker 2>or not high you were, they had like put down

0:23:43.040 --> 0:23:46.720
<v Speaker 2>where they were in their character's highness, which I completely stole.

0:23:46.880 --> 0:23:49.800
<v Speaker 2>I stole that and also did my own scale of

0:23:49.800 --> 0:23:51.360
<v Speaker 2>one to ten for all the scenes, because again, how

0:23:51.359 --> 0:23:55.159
<v Speaker 2>can you remember if you're bopping around? Yes, and I do.

0:23:55.320 --> 0:23:57.720
<v Speaker 1>I remember was we take all your phones in those scenes,

0:23:57.720 --> 0:24:00.320
<v Speaker 1>And I remember Maggie has this line this like you

0:24:00.320 --> 0:24:03.240
<v Speaker 1>look so pretty, you look like a cartoon, and trying

0:24:03.240 --> 0:24:05.240
<v Speaker 1>not to laugh every time she said it to me

0:24:05.280 --> 0:24:07.320
<v Speaker 1>because it was just so she I mean.

0:24:07.280 --> 0:24:08.199
<v Speaker 2>Kelly's so funny.

0:24:08.240 --> 0:24:09.520
<v Speaker 1>I think you just brought that up to bring up

0:24:09.560 --> 0:24:11.400
<v Speaker 1>up pretty you are again, And it was hard being

0:24:11.400 --> 0:24:14.320
<v Speaker 1>that pretty that day I can imagine it was No.

0:24:14.400 --> 0:24:17.040
<v Speaker 1>I thought that line was very funny, and yeah, it

0:24:17.080 --> 0:24:20.520
<v Speaker 1>was difficult being that gorgeous. I know, I did laugh

0:24:20.640 --> 0:24:24.879
<v Speaker 1>at the walk Pierce runs off, Andrew's just floating around

0:24:24.880 --> 0:24:27.520
<v Speaker 1>the hospital and that's he's stroking the walls. And the

0:24:27.560 --> 0:24:29.680
<v Speaker 1>next scene, oh oh.

0:24:29.240 --> 0:24:30.200
<v Speaker 2>Oh, we missed it out.

0:24:30.480 --> 0:24:32.840
<v Speaker 1>So then it cuts to this whole other storyline that

0:24:32.880 --> 0:24:34.080
<v Speaker 1>I totally forgot about.

0:24:34.119 --> 0:24:36.560
<v Speaker 2>It the Foster Ohen Yeah, yeah, yeah, no, this is

0:24:36.560 --> 0:24:37.000
<v Speaker 2>where it goes.

0:24:37.080 --> 0:24:39.520
<v Speaker 1>Yes, we go off and then it goes to and

0:24:39.560 --> 0:24:43.359
<v Speaker 1>then I was trying to remember, are they together, like

0:24:43.359 --> 0:24:44.240
<v Speaker 1>I was trying to figure out.

0:24:44.280 --> 0:24:47.680
<v Speaker 2>I thought, that's Owen married. Yeah, and then I also,

0:24:47.920 --> 0:24:52.800
<v Speaker 2>I'm just being honest. I also thought, oh, man, because

0:24:53.400 --> 0:24:56.600
<v Speaker 2>lord knows, it's happened to me a million times. When

0:24:56.640 --> 0:25:00.880
<v Speaker 2>you when you're the other storyline, like when there's definitely

0:25:00.880 --> 0:25:03.000
<v Speaker 2>a storyline that's got like all the bells and whistles

0:25:03.040 --> 0:25:07.040
<v Speaker 2>and stars and stress and pizzazz, and then you're in

0:25:07.119 --> 0:25:10.399
<v Speaker 2>the storyline that's like the b storyline. Yeah, you're you

0:25:10.480 --> 0:25:15.040
<v Speaker 2>have a cold at home. Yeah, And so we go

0:25:15.080 --> 0:25:18.800
<v Speaker 2>to Owen finding out that he's gonna get a baby. Well,

0:25:18.800 --> 0:25:20.600
<v Speaker 2>he's gonna get a foster child, and it's not going

0:25:20.680 --> 0:25:21.399
<v Speaker 2>to be a child.

0:25:21.400 --> 0:25:25.120
<v Speaker 1>It's gonna be a baby. Yes, it's gonna be our baby.

0:25:26.200 --> 0:25:28.280
<v Speaker 1>I do this as an actor on this show. I

0:25:28.359 --> 0:25:32.520
<v Speaker 1>also like to visually snoop around people's houses, like what

0:25:32.640 --> 0:25:35.200
<v Speaker 1>kind of stuff, you know, because I'm like, Owen's house

0:25:35.200 --> 0:25:37.880
<v Speaker 1>to me, looked good and I was like, you know what, maybe.

0:25:37.720 --> 0:25:39.760
<v Speaker 2>Joe needs a little bookshelf like that.

0:25:41.320 --> 0:25:43.360
<v Speaker 1>You know. At the time, she was in the loft too,

0:25:43.440 --> 0:25:45.760
<v Speaker 1>I think, so I was like, Wow, he's got he's

0:25:45.800 --> 0:25:48.480
<v Speaker 1>got a good setup there at the Owen household.

0:25:48.920 --> 0:25:52.440
<v Speaker 2>Yep. So then he calls Amelia and says, can you

0:25:52.440 --> 0:25:55.679
<v Speaker 2>help me out? And she seems pretty willing. Meanwhile, this

0:25:55.840 --> 0:25:58.280
<v Speaker 2>is a little bit where logic runs out the door,

0:25:58.320 --> 0:26:01.000
<v Speaker 2>because don't they like need all hands on deck with

0:26:01.040 --> 0:26:04.400
<v Speaker 2>all those doctors. Shouldn't she have stayed? They shouldn't Owe

0:26:04.440 --> 0:26:06.760
<v Speaker 2>actually have been called in. Owen should have been.

0:26:06.720 --> 0:26:09.959
<v Speaker 1>Yeah, and they absolutely should have been called in.

0:26:10.040 --> 0:26:10.960
<v Speaker 2>They got no doctors.

0:26:11.000 --> 0:26:14.360
<v Speaker 1>They don't have no doctors, no, no one, no high

0:26:14.440 --> 0:26:16.000
<v Speaker 1>doctors exactly right.

0:26:16.960 --> 0:26:18.600
<v Speaker 2>But she comes in and it's funny.

0:26:18.880 --> 0:26:20.919
<v Speaker 1>I could not figure out if they were together or not,

0:26:20.960 --> 0:26:24.560
<v Speaker 1>because uh, Katerina and Kevin have such really they have

0:26:24.760 --> 0:26:27.200
<v Speaker 1>really good chemistry on camera, and the only way I

0:26:27.200 --> 0:26:30.080
<v Speaker 1>could figure out if they were married is is I

0:26:30.119 --> 0:26:32.879
<v Speaker 1>looked for their ring fingers. I was like, wait, are like,

0:26:32.920 --> 0:26:37.119
<v Speaker 1>what's going on? And then I had totally also forgotten

0:26:37.200 --> 0:26:42.760
<v Speaker 1>that they basically fostered a baby together, and I think

0:26:42.760 --> 0:26:44.320
<v Speaker 1>he ends up adopting the baby.

0:26:44.560 --> 0:26:45.680
<v Speaker 2>Does he have a child? Now?

0:26:45.960 --> 0:26:47.879
<v Speaker 1>I don't know he does, but like you know, Grays,

0:26:48.080 --> 0:26:49.960
<v Speaker 1>you know, it's like hard for me to remember these

0:26:50.000 --> 0:26:53.600
<v Speaker 1>things anyway, So it's it does set up that storyline,

0:26:54.480 --> 0:26:56.720
<v Speaker 1>and then we do cut back and to the hospital.

0:26:56.760 --> 0:27:01.560
<v Speaker 1>Andrew is stroking the the wall, Maggie is running.

0:27:02.680 --> 0:27:06.000
<v Speaker 2>And then when Maggie tells Arizona that she's never ever

0:27:06.080 --> 0:27:08.040
<v Speaker 2>been high before and that she's not she doesn't make

0:27:08.080 --> 0:27:10.399
<v Speaker 2>a choice when she gets drunk, so she thinks that

0:27:10.440 --> 0:27:13.080
<v Speaker 2>she needs to be alone. Arizona's like, you cannot leave

0:27:13.080 --> 0:27:16.119
<v Speaker 2>me alone. I need to be with someone, and is

0:27:16.160 --> 0:27:17.119
<v Speaker 2>that when you bring it.

0:27:17.359 --> 0:27:19.119
<v Speaker 1>Maybe that's not the moment, but you end up you

0:27:19.160 --> 0:27:20.640
<v Speaker 1>do end up bringing them into that room.

0:27:20.680 --> 0:27:22.159
<v Speaker 2>I forget what that room is. No, I think we

0:27:22.200 --> 0:27:24.200
<v Speaker 2>go into a different room at that point. But then

0:27:24.560 --> 0:27:27.480
<v Speaker 2>so before Amelia goes to Owen's, she goes into her

0:27:27.560 --> 0:27:32.400
<v Speaker 2>lab and she finds Alex, and Alex is very apparently hot.

0:27:32.640 --> 0:27:36.560
<v Speaker 1>Reveal of Alex in that like I put weird science

0:27:36.600 --> 0:27:37.080
<v Speaker 1>in my notes.

0:27:37.119 --> 0:27:38.199
<v Speaker 2>I don't even know what it is.

0:27:38.320 --> 0:27:41.280
<v Speaker 1>It looked like in Back to the Future when Doc

0:27:41.440 --> 0:27:42.840
<v Speaker 1>is wearing that thing on his head.

0:27:42.880 --> 0:27:46.159
<v Speaker 2>That's what it reminded me of. It cracked me up

0:27:46.240 --> 0:27:47.160
<v Speaker 2>because I don't.

0:27:46.920 --> 0:27:52.359
<v Speaker 1>Think Alex appears in the big auditorium scene, or at

0:27:52.400 --> 0:27:55.560
<v Speaker 1>least we don't see him, and so it's just revealed.

0:27:55.680 --> 0:27:57.960
<v Speaker 1>Of course at some point he's had his hands in

0:27:58.000 --> 0:28:02.440
<v Speaker 1>that cookie jar. Oh yeah, it's perfect Alex Karev. And

0:28:03.680 --> 0:28:07.040
<v Speaker 1>it's a very funny reveal. And so he's he gets

0:28:08.200 --> 0:28:12.000
<v Speaker 1>evacuated from the hospital and he's then you know, that's

0:28:12.040 --> 0:28:15.480
<v Speaker 1>where that storyline is coming with me, is coming with me.

0:28:15.480 --> 0:28:18.840
<v Speaker 2>Meanwhile, Jackson and Catherine are back, and then it cuts

0:28:18.880 --> 0:28:23.679
<v Speaker 2>back and I wrote down thirteen women. Yeah.

0:28:24.520 --> 0:28:29.000
<v Speaker 1>Yeah, so this this storyline, even though they're high, these

0:28:29.040 --> 0:28:34.119
<v Speaker 1>two together are sort of working through the reveal and

0:28:34.240 --> 0:28:37.080
<v Speaker 1>truth of this that I think it was a great

0:28:37.119 --> 0:28:39.040
<v Speaker 1>storyline because we'll talk.

0:28:39.000 --> 0:28:39.800
<v Speaker 2>About this at some point.

0:28:39.880 --> 0:28:42.440
<v Speaker 1>But Katherine, it kind of explains the position she was

0:28:42.440 --> 0:28:45.520
<v Speaker 1>in and that times have changed, and she you know.

0:28:45.760 --> 0:28:48.240
<v Speaker 2>Well because well at this point, I think she's really

0:28:48.280 --> 0:28:52.880
<v Speaker 2>just saying, listen, there's stuff you didn't know. Now you're

0:28:52.920 --> 0:28:55.440
<v Speaker 2>going to have to be a big boy and no,

0:28:55.960 --> 0:28:58.000
<v Speaker 2>and I'm going to tell you what happened. And he's

0:28:58.040 --> 0:29:00.280
<v Speaker 2>all full of judgment and like this is so bad,

0:29:00.280 --> 0:29:02.960
<v Speaker 2>how could you do this? It starts to set up that, yeah,

0:29:03.000 --> 0:29:05.040
<v Speaker 2>this is so bad, and they're thirteen women and it's

0:29:05.160 --> 0:29:08.160
<v Speaker 2>it's all very much. It seems like it's very directionally

0:29:08.240 --> 0:29:10.880
<v Speaker 2>going at Catherine like she's done something wrong. Meanwhile, they

0:29:10.880 --> 0:29:13.160
<v Speaker 2>don't know that April is there, and she overhears the

0:29:13.200 --> 0:29:16.600
<v Speaker 2>whole conversation. Yeah, she does that creepy, little like weird

0:29:16.720 --> 0:29:18.800
<v Speaker 2>slide out at the end by the door.

0:29:18.920 --> 0:29:19.120
<v Speaker 1>Yeah.

0:29:19.200 --> 0:29:22.600
<v Speaker 2>Yeah, yeah, so now she's ever heard this. Now, now

0:29:22.680 --> 0:29:25.720
<v Speaker 2>you find out that it affects the whole hospital. Yes, yeah.

0:29:25.760 --> 0:29:28.479
<v Speaker 2>So Meredith is like, we're done. We're canceling surgeries, all

0:29:28.840 --> 0:29:31.720
<v Speaker 2>all the surgeries that are elective or can be postponed.

0:29:31.720 --> 0:29:35.200
<v Speaker 2>We're cut, we're cutting. And then she sees the interns

0:29:35.240 --> 0:29:36.840
<v Speaker 2>and this was the part where I was actually a

0:29:37.040 --> 0:29:39.440
<v Speaker 2>bit like I had to question myself.

0:29:39.600 --> 0:29:41.800
<v Speaker 1>I want to talk about this moment too, because this

0:29:41.840 --> 0:29:45.000
<v Speaker 1>is a moment where I'm talking to the interns, just

0:29:45.040 --> 0:29:47.200
<v Speaker 1>sort of with Meredith, and first off, I was like, oh,

0:29:47.240 --> 0:29:49.880
<v Speaker 1>Blue Life, Blue Scrubs, Like it brought me back a

0:29:49.920 --> 0:29:52.640
<v Speaker 1>little bit. I was like, oh, And it was also

0:29:52.680 --> 0:29:55.000
<v Speaker 1>a little bit where we got to play a little

0:29:55.120 --> 0:29:58.440
<v Speaker 1>a little comedy and a little like improvvness with the

0:29:58.480 --> 0:30:00.800
<v Speaker 1>playfulness of Joe being in charge to the interns. I

0:30:00.840 --> 0:30:02.840
<v Speaker 1>haven't seen that intern class in a long time, so

0:30:03.040 --> 0:30:07.040
<v Speaker 1>I used to like see all those faces. Yeah, but yeah,

0:30:07.080 --> 0:30:10.400
<v Speaker 1>so that in that moment, it gets revealed, right that

0:30:10.440 --> 0:30:12.240
<v Speaker 1>one of the one of the one of the guys

0:30:12.320 --> 0:30:12.720
<v Speaker 1>is lying.

0:30:13.160 --> 0:30:15.640
<v Speaker 2>No, it's not revealed though, he just they all deny

0:30:15.720 --> 0:30:18.000
<v Speaker 2>it and you and if you were really paying attention,

0:30:18.080 --> 0:30:19.960
<v Speaker 2>you would remember that Vic was there and he did

0:30:19.960 --> 0:30:22.280
<v Speaker 2>have a cookie, but it wasn't like featured, so it

0:30:22.320 --> 0:30:24.440
<v Speaker 2>wasn't like he's lying. He's lying. He's lying.

0:30:24.840 --> 0:30:27.280
<v Speaker 1>Well, isn't there like a punch in on him? Maybe

0:30:27.280 --> 0:30:29.680
<v Speaker 1>in that moment maybe, But my point is I missed it.

0:30:29.840 --> 0:30:31.600
<v Speaker 1>I think there's a little punchin on him that's like

0:30:31.640 --> 0:30:34.160
<v Speaker 1>a wink wink, Remember those guys a little bell a liar.

0:30:34.600 --> 0:30:37.760
<v Speaker 2>Yeah, yeah, yeah, he's yeah, he seems a little sparmy. Okay.

0:30:37.760 --> 0:30:39.840
<v Speaker 2>So then something happens that I forgot that I think

0:30:39.920 --> 0:30:42.360
<v Speaker 2>is such a genius Julie Wong touch, which is that

0:30:42.400 --> 0:30:44.400
<v Speaker 2>Meredith gets a page that's nine to one one, so

0:30:44.440 --> 0:30:47.120
<v Speaker 2>she from Bailey. So she goes to ba Bailey's o

0:30:47.280 --> 0:30:50.680
<v Speaker 2>R and you forgot that Bailey had a cookie and

0:30:50.720 --> 0:30:54.040
<v Speaker 2>she's like, I'm feeling a little dizzy and like yes, and.

0:30:54.000 --> 0:30:57.120
<v Speaker 1>You're like, not Bailey, Yes, and shout out to our

0:30:57.160 --> 0:30:59.680
<v Speaker 1>director because that like that you I don't know what

0:30:59.720 --> 0:31:04.160
<v Speaker 1>that camera thing is the it's also stupid where the

0:31:04.200 --> 0:31:06.680
<v Speaker 1>background's moving but you're a still and it really does

0:31:06.720 --> 0:31:09.600
<v Speaker 1>feel trippy. Loved all of that in the whole episode

0:31:09.600 --> 0:31:12.720
<v Speaker 1>because it's used multiple times and it does disorientate your

0:31:12.960 --> 0:31:19.400
<v Speaker 1>disorient tid disoriented. And and by the way, this is

0:31:19.440 --> 0:31:21.040
<v Speaker 1>the I feel like, this is the first moment that

0:31:21.040 --> 0:31:22.880
<v Speaker 1>we see Levi and Jake.

0:31:22.960 --> 0:31:26.000
<v Speaker 2>Brella looks so young and he's got his glasses on.

0:31:26.560 --> 0:31:31.560
<v Speaker 1>The glasses on so cute. But yes, she can't she's tripping.

0:31:31.840 --> 0:31:32.760
<v Speaker 1>She's tripping the balls.

0:31:33.760 --> 0:31:35.560
<v Speaker 2>So Meredith is like, don't worry, I got you. I'm

0:31:35.560 --> 0:31:37.440
<v Speaker 2>gonna take this over because it's already started, so we

0:31:37.480 --> 0:31:41.160
<v Speaker 2>can't push this off. And then while she's saying, are

0:31:41.200 --> 0:31:42.760
<v Speaker 2>you sure I got you? Sure you got you, she

0:31:42.840 --> 0:31:46.400
<v Speaker 2>closes the door on Meredith's hand. On the hand, there's

0:31:46.400 --> 0:31:46.680
<v Speaker 2>a hand.

0:31:46.840 --> 0:31:51.080
<v Speaker 1>Now Meredith can't and by the way, that is you

0:31:51.160 --> 0:31:56.600
<v Speaker 1>cannot squish Meredith Gray's hand. No, that's a dicey situation.

0:31:56.960 --> 0:31:59.480
<v Speaker 1>Wait why oh, just Jake, because it's Meredith great.

0:31:59.480 --> 0:32:01.840
<v Speaker 2>Are he can't hurt her? We've hurt her a lot.

0:32:02.080 --> 0:32:04.160
<v Speaker 1>We've hurt her a lot, but like we have her,

0:32:04.360 --> 0:32:06.440
<v Speaker 1>but she needs the hands are important.

0:32:06.480 --> 0:32:09.400
<v Speaker 2>The show has almost drowned her. It is almost It's true.

0:32:09.480 --> 0:32:13.360
<v Speaker 2>It's true. Yes, but you taking issue with the hand

0:32:13.360 --> 0:32:15.800
<v Speaker 2>in the door. The door, the hand in the door.

0:32:16.120 --> 0:32:19.760
<v Speaker 2>It frightened me, jump scare for me. When I was watching,

0:32:20.480 --> 0:32:22.480
<v Speaker 2>I was not okay. So she's not going to be

0:32:22.480 --> 0:32:25.120
<v Speaker 2>able to do this surgery. So who is Joe Wilson?

0:32:25.360 --> 0:32:29.120
<v Speaker 2>Who's going to do this surgery? Joe Wilson? And do

0:32:29.160 --> 0:32:30.640
<v Speaker 2>you know what I got to get that?

0:32:30.760 --> 0:32:32.400
<v Speaker 1>I got to get them a little behind the scenes

0:32:32.440 --> 0:32:36.840
<v Speaker 1>about this because there was and still sort of is

0:32:37.120 --> 0:32:40.960
<v Speaker 1>a running joke that all Joe ever did in any

0:32:41.000 --> 0:32:42.040
<v Speaker 1>surgery was suction.

0:32:42.600 --> 0:32:44.280
<v Speaker 2>That was a joke that happened to a lot of people.

0:32:44.320 --> 0:32:46.120
<v Speaker 2>There were a lot of people who were just suctioners.

0:32:46.400 --> 0:32:50.560
<v Speaker 1>We and so and so this was a moment that I,

0:32:50.560 --> 0:32:52.600
<v Speaker 1>I don't know, Jessin Williams loves to give me the

0:32:52.640 --> 0:32:55.320
<v Speaker 1>little pokey bokes about the I only do a suction.

0:32:55.840 --> 0:32:59.520
<v Speaker 1>This was a moment where it was Joe's time to shine. Yeah,

0:32:59.600 --> 0:33:02.360
<v Speaker 1>and I remember is an actor being like, hell, yeah, Joe,

0:33:02.440 --> 0:33:03.200
<v Speaker 1>you get your.

0:33:03.120 --> 0:33:03.680
<v Speaker 2>Butt in there.

0:33:03.720 --> 0:33:05.320
<v Speaker 1>I mean, that's not how she felt. She was like,

0:33:05.400 --> 0:33:07.560
<v Speaker 1>you get a scalpel. She was, yeah, you get a

0:33:07.560 --> 0:33:12.760
<v Speaker 1>scalpel and you go in. So I was very excited.

0:33:12.400 --> 0:33:14.320
<v Speaker 2>Because you're a real doctor. I love that. And that's

0:33:14.360 --> 0:33:17.000
<v Speaker 2>the bad assery. Yeah, and when you're in light blue

0:33:17.040 --> 0:33:20.120
<v Speaker 2>scrubs like those moments, that's real. That's almost like going

0:33:20.200 --> 0:33:23.320
<v Speaker 2>back to season one, right, Yeah, yeah, I love that.

0:33:23.480 --> 0:33:25.880
<v Speaker 2>So just as an actor, it's like, yes, no suction.

0:33:26.800 --> 0:33:29.560
<v Speaker 2>So then I mean, again, I give them all the

0:33:29.600 --> 0:33:31.600
<v Speaker 2>love in the world, but just because I don't know,

0:33:31.680 --> 0:33:34.320
<v Speaker 2>maybe we're not going to be here for twelve hours. Uh,

0:33:34.640 --> 0:33:36.760
<v Speaker 2>Then all the Amelia and Alex stuff is happening at

0:33:36.760 --> 0:33:39.120
<v Speaker 2>Owen's house and they're cleaning up the house and.

0:33:39.200 --> 0:33:41.920
<v Speaker 1>I know, but you know what, I did love all

0:33:41.960 --> 0:33:44.520
<v Speaker 1>those scenes, even though it was he did too, but

0:33:44.640 --> 0:33:45.680
<v Speaker 1>it was so funny.

0:33:46.280 --> 0:33:48.000
<v Speaker 2>Yeah, we we We're back there.

0:33:48.200 --> 0:33:53.640
<v Speaker 1>Alex is scoffing all of the snacks and cracking cracking

0:33:53.680 --> 0:33:53.920
<v Speaker 1>me up.

0:33:53.960 --> 0:33:55.760
<v Speaker 2>And I love that, like I love that.

0:33:55.720 --> 0:33:58.360
<v Speaker 1>It's him because of course he's the only character that's

0:33:58.400 --> 0:34:00.400
<v Speaker 1>going to be like and he literally says, you are

0:34:00.440 --> 0:34:04.680
<v Speaker 1>so screwed right now. He's he's the opposite of Amelia.

0:34:05.080 --> 0:34:07.080
<v Speaker 2>He's not you got this. He's like, you don't got this.

0:34:07.320 --> 0:34:08.719
<v Speaker 2>He's like, you absolutely don't got this.

0:34:08.800 --> 0:34:11.120
<v Speaker 1>And he's laughing and there's like chips coming out of

0:34:11.160 --> 0:34:14.840
<v Speaker 1>his mouth, and it's just you needed Alex there for

0:34:14.880 --> 0:34:16.080
<v Speaker 1>that moment for sure.

0:34:16.600 --> 0:34:19.600
<v Speaker 2>Yeah, very funny, Julie. But there's something about his character

0:34:19.600 --> 0:34:21.799
<v Speaker 2>where even though he's saying you don't got this, you

0:34:21.960 --> 0:34:25.319
<v Speaker 2>still know you do because he's not freaking out. He's

0:34:25.360 --> 0:34:28.080
<v Speaker 2>kind of like always got this. Like there's a lightness

0:34:28.080 --> 0:34:30.560
<v Speaker 2>to like he's chuckling at you, which makes you feel

0:34:30.560 --> 0:34:33.920
<v Speaker 2>like it can't be that bad. He's just kind of laughing.

0:34:34.000 --> 0:34:37.160
<v Speaker 2>It's gonna be okay. I think I don't know.

0:34:37.760 --> 0:34:40.200
<v Speaker 1>I mean, like, I don't I think he really thinks

0:34:40.360 --> 0:34:41.720
<v Speaker 1>he's probably a little bit screwed.

0:34:44.320 --> 0:34:47.840
<v Speaker 2>But okay, so he tells me he screwed that we

0:34:48.000 --> 0:34:50.759
<v Speaker 2>go back to the skills lap.

0:34:50.800 --> 0:34:53.759
<v Speaker 1>And you I put down in my notes Arizona is

0:34:53.840 --> 0:34:59.240
<v Speaker 1>guarding a weed prison. Yes, that's what that room feels

0:34:59.320 --> 0:35:01.200
<v Speaker 1>like to me. Where you guys were on the couch.

0:35:01.280 --> 0:35:01.719
<v Speaker 2>He's okay.

0:35:01.719 --> 0:35:04.200
<v Speaker 1>So Andrew's like, he's on the he's on the floor,

0:35:04.239 --> 0:35:09.040
<v Speaker 1>and he's I forget Janine's character's name, Janny Mason. I

0:35:09.120 --> 0:35:11.399
<v Speaker 1>just loved Janine so much. She was so great. She

0:35:11.480 --> 0:35:13.839
<v Speaker 1>was so she only because she got a big job.

0:35:14.040 --> 0:35:16.200
<v Speaker 2>She got like some big show from there, right she did.

0:35:16.239 --> 0:35:20.200
<v Speaker 1>She got roswell, she got a fancy show, right right,

0:35:20.600 --> 0:35:23.120
<v Speaker 1>and of course she got it because she's fantastic. And

0:35:23.239 --> 0:35:25.520
<v Speaker 1>just even seeing a glimpse of her face on the

0:35:25.960 --> 0:35:27.839
<v Speaker 1>laying next to de Luca, I was like.

0:35:27.800 --> 0:35:29.960
<v Speaker 2>Sam Bellow. She played doctor sam Bello.

0:35:30.200 --> 0:35:33.240
<v Speaker 1>That's right, yeah, sam Bello, she played sam Bello. Seeing

0:35:33.280 --> 0:35:34.520
<v Speaker 1>her gorgeous.

0:35:34.080 --> 0:35:37.080
<v Speaker 2>Face, yeah, the nicest actress.

0:35:37.480 --> 0:35:39.520
<v Speaker 1>It made me feel like Andrew, I was like, you

0:35:39.520 --> 0:35:42.239
<v Speaker 1>know what, I'm heartbroken too that we we lost her.

0:35:43.400 --> 0:35:45.440
<v Speaker 1>But this scene is so funny between you guys. Do

0:35:45.480 --> 0:35:47.960
<v Speaker 1>you remember filming this because she's banging on about cheese

0:35:48.000 --> 0:35:49.640
<v Speaker 1>and you're talking about Karina.

0:35:50.160 --> 0:35:52.359
<v Speaker 2>Yeah, yeah, yeah, yeah that's what. That's the room where

0:35:52.360 --> 0:35:54.479
<v Speaker 2>I felt like we were the longest, at least filming

0:35:54.520 --> 0:35:54.920
<v Speaker 2>the longest.

0:35:55.000 --> 0:35:55.200
<v Speaker 1>Yeah.

0:35:55.320 --> 0:35:59.360
<v Speaker 2>She starts talking about cheese and then I'm on the couch.

0:36:00.360 --> 0:36:02.440
<v Speaker 2>I remember it was a leather couch and it was

0:36:02.640 --> 0:36:05.040
<v Speaker 2>squeak every time. I was a squeaky Yes, it just

0:36:05.080 --> 0:36:07.120
<v Speaker 2>makes it. You got to watch that for sound, yeah

0:36:07.120 --> 0:36:10.960
<v Speaker 2>and bow and sound would be like apshaw, stop moving.

0:36:11.160 --> 0:36:15.160
<v Speaker 2>Yeah yeah yeah, so I was very still yeah yeah,

0:36:15.200 --> 0:36:16.000
<v Speaker 2>which kind of worked.

0:36:16.040 --> 0:36:16.239
<v Speaker 1>Yeah.

0:36:16.320 --> 0:36:16.600
<v Speaker 2>Yeah.

0:36:17.040 --> 0:36:19.360
<v Speaker 1>Do you remember finding it hard to get through that

0:36:19.400 --> 0:36:22.640
<v Speaker 1>scene because she's like Swiss?

0:36:22.880 --> 0:36:24.839
<v Speaker 2>Yes, we had I would have last for each other.

0:36:25.040 --> 0:36:27.120
<v Speaker 2>But also we had no prompts. It was like none

0:36:27.160 --> 0:36:30.399
<v Speaker 2>of our lines. Normally, in a conversation, your line makes

0:36:30.440 --> 0:36:32.719
<v Speaker 2>sense because of what the other character said right before you,

0:36:33.000 --> 0:36:36.440
<v Speaker 2>but in this situation, all of our lines were We

0:36:36.440 --> 0:36:39.440
<v Speaker 2>were just having conversations with ourselves. Yeah, and then they

0:36:39.480 --> 0:36:42.200
<v Speaker 2>were but then there was like someone else that was talking,

0:36:43.160 --> 0:36:47.719
<v Speaker 2>like interjecting. Totally nonlinear to what you were saying. And

0:36:48.800 --> 0:36:53.759
<v Speaker 2>so I found this kind of interesting because you know,

0:36:54.960 --> 0:36:58.799
<v Speaker 2>I always found Arizona to be so confident, Like you

0:36:58.840 --> 0:37:02.360
<v Speaker 2>didn't see her question herself a lot, Like she was

0:37:02.400 --> 0:37:06.560
<v Speaker 2>always very from being lesbianic to like never having questioned

0:37:06.560 --> 0:37:09.560
<v Speaker 2>her sexuality as a kid, which is like who does that?

0:37:09.560 --> 0:37:13.880
<v Speaker 2>That's a superhero? Like just always straight straight, well not straight,

0:37:14.239 --> 0:37:18.080
<v Speaker 2>but very straight about her ideas, like knowing exactly who

0:37:18.120 --> 0:37:20.879
<v Speaker 2>she was and what she was, and so you don't

0:37:20.920 --> 0:37:24.759
<v Speaker 2>see a lot of you don't see her insecurities so much,

0:37:24.920 --> 0:37:28.520
<v Speaker 2>you don't see her questioning herself so much, And so

0:37:28.560 --> 0:37:30.319
<v Speaker 2>I thought it was kind of interesting that there she

0:37:30.600 --> 0:37:32.839
<v Speaker 2>was talking about whether or not she was going too

0:37:32.840 --> 0:37:35.080
<v Speaker 2>fast with Karina, but then she starts talking about having

0:37:35.160 --> 0:37:39.000
<v Speaker 2>been ghosted, and then she talks about having been left

0:37:39.640 --> 0:37:42.840
<v Speaker 2>and then and so you have like this like triple

0:37:42.880 --> 0:37:47.719
<v Speaker 2>packed punch of Arizona going huh. I heard her saying,

0:37:47.760 --> 0:37:49.920
<v Speaker 2>am I not good enough? Right? Like? Am I not?

0:37:50.880 --> 0:37:54.000
<v Speaker 2>Am I not someone that people stay for?

0:37:54.480 --> 0:37:58.440
<v Speaker 1>Do you remember in this episode when you're playing these scenes,

0:37:58.520 --> 0:38:02.160
<v Speaker 1>do you remember? Because I thought the episode was going

0:38:02.200 --> 0:38:05.040
<v Speaker 1>to end with you breaking up with Karina, and so

0:38:05.120 --> 0:38:07.200
<v Speaker 1>I was quite surprised. We can talk about this at

0:38:07.200 --> 0:38:11.240
<v Speaker 1>the end. Do you remember the filming this, whether you

0:38:11.400 --> 0:38:16.640
<v Speaker 1>feel like Arizona was going to you felt like it

0:38:16.680 --> 0:38:18.480
<v Speaker 1>was going to be starting to lean out of the

0:38:18.520 --> 0:38:20.080
<v Speaker 1>relationship as opposed to lean in.

0:38:20.760 --> 0:38:23.360
<v Speaker 2>I think that maybe the reason that you might have

0:38:23.400 --> 0:38:25.400
<v Speaker 2>thought that was because she had the slip where she

0:38:25.440 --> 0:38:26.480
<v Speaker 2>was talking about Calie.

0:38:26.600 --> 0:38:29.760
<v Speaker 1>She does later, yes, but even saying like we're moving

0:38:29.800 --> 0:38:30.600
<v Speaker 1>too fast?

0:38:31.520 --> 0:38:33.360
<v Speaker 2>Am I moving too fast?

0:38:33.800 --> 0:38:37.000
<v Speaker 1>I don't know, I kind of okay, No, I mean

0:38:37.040 --> 0:38:38.520
<v Speaker 1>you player, you tell me.

0:38:38.719 --> 0:38:41.440
<v Speaker 2>I wish that they had had more scenes where you

0:38:42.880 --> 0:38:45.760
<v Speaker 2>saw what they like so much about each other, because

0:38:45.800 --> 0:38:48.400
<v Speaker 2>you really just had to guess, like, you know, it

0:38:48.480 --> 0:38:50.239
<v Speaker 2>worked for us to be together, and we had that

0:38:50.400 --> 0:38:52.799
<v Speaker 2>very funny first scene where we're like, yeah, making out,

0:38:54.680 --> 0:38:58.200
<v Speaker 2>But it wasn't like you didn't see us like becoming

0:38:59.200 --> 0:39:01.960
<v Speaker 2>friends too, Like you didn't see us becoming like deepening

0:39:02.000 --> 0:39:04.080
<v Speaker 2>the relationship and figuring out what we liked so much

0:39:04.120 --> 0:39:21.080
<v Speaker 2>Buddy to Anyways, Yes, she's talking about cheese and then

0:39:21.520 --> 0:39:22.600
<v Speaker 2>it goes back.

0:39:22.400 --> 0:39:29.239
<v Speaker 1>To Bailey by which, yes, they're so funny. I love you,

0:39:29.239 --> 0:39:32.879
<v Speaker 1>don't You don't see these two characters together very much.

0:39:32.960 --> 0:39:37.720
<v Speaker 1>Both of them say they've never done pop before, and

0:39:37.719 --> 0:39:41.200
<v Speaker 1>and it just starts to set up this amazing twosome

0:39:41.280 --> 0:39:45.680
<v Speaker 1>that we again don't see much and uh and and

0:39:45.680 --> 0:39:48.040
<v Speaker 1>and where it goes from there, But it's the beginning

0:39:48.080 --> 0:39:49.160
<v Speaker 1>really of those two.

0:39:49.640 --> 0:39:54.759
<v Speaker 2>In another we Jail Another where April starts it off

0:39:54.760 --> 0:39:58.560
<v Speaker 2>with I know something I heard something that I shouldn't

0:39:58.560 --> 0:40:00.960
<v Speaker 2>have heard and end of an era.

0:40:01.719 --> 0:40:06.120
<v Speaker 1>At the end of a bad, bad era, and you're like, oh, You're.

0:40:06.000 --> 0:40:07.640
<v Speaker 2>Like, well, I guess she wasn't going to keep that

0:40:07.719 --> 0:40:09.360
<v Speaker 2>secret for sure.

0:40:09.600 --> 0:40:11.960
<v Speaker 1>Well you're kind of like you're kind of wondering, like

0:40:12.080 --> 0:40:15.160
<v Speaker 1>how what you know? Because she's high, Like it is

0:40:15.200 --> 0:40:18.400
<v Speaker 1>intriguing because you're like, what has she heard? How she

0:40:18.480 --> 0:40:21.320
<v Speaker 1>interpreted it? Is she gonna spill all the beans?

0:40:21.760 --> 0:40:22.280
<v Speaker 2>Yeah?

0:40:22.719 --> 0:40:23.040
<v Speaker 1>Yeah?

0:40:23.080 --> 0:40:27.640
<v Speaker 2>And to Bailey, yeah yeah, of all people, who's just

0:40:27.920 --> 0:40:33.200
<v Speaker 2>I mean, honestly, she's she's just I don't know, I

0:40:33.239 --> 0:40:35.640
<v Speaker 2>can't even come up with a right word for what

0:40:35.719 --> 0:40:39.440
<v Speaker 2>Bailey is, but she's definitely like she just seems like

0:40:39.480 --> 0:40:42.239
<v Speaker 2>she's the one. She's like the I want to say

0:40:42.239 --> 0:40:44.120
<v Speaker 2>that oracle. It's not the oracle she's like, but she's

0:40:44.160 --> 0:40:46.360
<v Speaker 2>like the if you wanted to know whether something was

0:40:46.360 --> 0:40:48.880
<v Speaker 2>fair or not, you'd go to Bailey. She seems like

0:40:48.960 --> 0:40:51.919
<v Speaker 2>she's the person who just has all the answers. Yeah,

0:40:51.960 --> 0:40:54.640
<v Speaker 2>she does, and she would figure it out. She'd be

0:40:54.680 --> 0:40:57.080
<v Speaker 2>my phone a friend, you know, like if you call it.

0:40:57.200 --> 0:40:59.239
<v Speaker 1>You have an opportunity to call someone that Bailey can

0:40:59.280 --> 0:41:02.040
<v Speaker 1>also cause her ruckus when she knows yes, and so

0:41:02.120 --> 0:41:04.880
<v Speaker 1>you know that this information is not gonna it's not

0:41:04.920 --> 0:41:06.720
<v Speaker 1>gonna be smooth sailing by any means.

0:41:07.080 --> 0:41:08.239
<v Speaker 2>No, no, no, no, no no.

0:41:09.120 --> 0:41:13.040
<v Speaker 1>So then cut to Miss Joe Wilson in her surgery. Yep,

0:41:13.440 --> 0:41:16.439
<v Speaker 1>and I wanted to shout out to Linda Kleine, Linda Kohn.

0:41:17.200 --> 0:41:19.680
<v Speaker 2>I say, bring the scans over, and we need to

0:41:19.719 --> 0:41:22.600
<v Speaker 2>talk about Linda Klein. So Linda, and she goes, yes doctor,

0:41:22.640 --> 0:41:24.840
<v Speaker 2>which I love her, love yes doctor.

0:41:24.920 --> 0:41:28.600
<v Speaker 1>Yes, Linda makes me feel so good. So Linda's a

0:41:28.640 --> 0:41:31.560
<v Speaker 1>real surgeon. She's an executive producer on our show. She's

0:41:31.680 --> 0:41:34.880
<v Speaker 1>been here like literally since the beginning of time.

0:41:35.360 --> 0:41:36.880
<v Speaker 2>She was on Niptock before.

0:41:38.320 --> 0:41:41.560
<v Speaker 1>And she is the one that actually during scenes, she

0:41:42.000 --> 0:41:44.360
<v Speaker 1>during the or scenes or any of these medical scenes,

0:41:44.400 --> 0:41:46.400
<v Speaker 1>she comes in. She Corey Grass that she tells us

0:41:46.440 --> 0:41:48.160
<v Speaker 1>what we're doing wrong, What we need to do right

0:41:48.520 --> 0:41:49.720
<v Speaker 1>mostly what we're doing wrong.

0:41:50.200 --> 0:41:53.520
<v Speaker 2>She is the absolutely best. I mean it is the best.

0:41:53.880 --> 0:41:55.600
<v Speaker 2>Talk about like the heartbeat of a show.

0:41:56.239 --> 0:41:59.719
<v Speaker 1>I mean, yes, so she's just bringing scans to me,

0:41:59.800 --> 0:42:03.000
<v Speaker 1>but really that she is the doctor, the real doctor.

0:42:03.040 --> 0:42:06.680
<v Speaker 1>God in the room is Linda Klein. And I did

0:42:06.680 --> 0:42:09.200
<v Speaker 1>get a kick out of her saying yes, doctor, Yes.

0:42:09.120 --> 0:42:11.000
<v Speaker 2>I told I I saw her. And whenever I see her,

0:42:11.040 --> 0:42:13.640
<v Speaker 2>it's like, oh, yes, I'm so happy. Bokey's in the

0:42:13.719 --> 0:42:14.160
<v Speaker 2>room too.

0:42:14.280 --> 0:42:17.239
<v Speaker 1>Bokey is in that surgery too, and Bokey has been

0:42:17.280 --> 0:42:18.000
<v Speaker 1>with us forever.

0:42:18.600 --> 0:42:20.439
<v Speaker 2>Quick quick story, real quick.

0:42:20.480 --> 0:42:23.040
<v Speaker 1>When I very first started the show, how I met

0:42:23.040 --> 0:42:26.319
<v Speaker 1>Bokey is that Shanda Rhimes before I even no maybe

0:42:26.360 --> 0:42:28.640
<v Speaker 1>i'd filmed something, but she sent me to watch a

0:42:28.680 --> 0:42:33.360
<v Speaker 1>real surgery and Bokey was doing that real surgery, open

0:42:33.400 --> 0:42:35.960
<v Speaker 1>heart surgery. And that's the first time I met her.

0:42:36.000 --> 0:42:39.720
<v Speaker 1>She helped me scrub in. She's just doing anything, scrub

0:42:39.800 --> 0:42:43.600
<v Speaker 1>nurse and so h So Bokey's there and Joe and LEVI,

0:42:43.960 --> 0:42:46.760
<v Speaker 1>you know, like they're not friends really yet, I think,

0:42:47.400 --> 0:42:50.040
<v Speaker 1>but but they obviously slept together at this point. But

0:42:50.080 --> 0:42:51.840
<v Speaker 1>it's fun that I love it when they're own surgery

0:42:51.880 --> 0:42:57.120
<v Speaker 1>is together. Then it's backed to Jackson and MoMA Avery.

0:42:57.600 --> 0:43:01.200
<v Speaker 2>Yep, and they're going to get into it. They're going

0:43:01.280 --> 0:43:04.040
<v Speaker 2>to get into it because he's freaking out and he's

0:43:04.320 --> 0:43:08.480
<v Speaker 2>not understanding why his mom is so calm because it's

0:43:08.520 --> 0:43:12.880
<v Speaker 2>all new information to him. So then they kind of

0:43:12.880 --> 0:43:15.520
<v Speaker 2>get into the whole thing about reminding us that they're

0:43:15.560 --> 0:43:18.200
<v Speaker 2>actually both high too, so they are both high while

0:43:18.239 --> 0:43:19.840
<v Speaker 2>this guy saying very big thing.

0:43:19.880 --> 0:43:22.160
<v Speaker 1>These two are the most I think these two are

0:43:22.160 --> 0:43:25.520
<v Speaker 1>the most grounded high for sure.

0:43:26.320 --> 0:43:30.200
<v Speaker 2>Yeah, okay, for sure. Then we're back because then we're back.

0:43:30.040 --> 0:43:33.640
<v Speaker 1>To Owen and uh and Alex Kreb is not a

0:43:33.680 --> 0:43:36.040
<v Speaker 1>grounded high Alex Kreb has made a chip baby.

0:43:36.520 --> 0:43:39.080
<v Speaker 2>Oh man, I remember when the table read these moments

0:43:39.480 --> 0:43:40.439
<v Speaker 2>with Alex.

0:43:40.200 --> 0:43:44.120
<v Speaker 1>Being high and just thinking it was so hysterical because

0:43:44.200 --> 0:43:47.759
<v Speaker 1>then the baby comes in and Alex pretends he's there,

0:43:48.040 --> 0:43:49.759
<v Speaker 1>he's supposed to be in the back room, but it

0:43:49.800 --> 0:43:53.680
<v Speaker 1>smells like Owen or something smells too much like oh.

0:43:53.760 --> 0:43:55.920
<v Speaker 2>Yes, guess yes, but wait, also just to go back

0:43:55.960 --> 0:43:59.400
<v Speaker 2>because I actually thought that like wow, because there's things

0:43:59.400 --> 0:44:02.439
<v Speaker 2>that are in you know, headlines right now that are

0:44:03.080 --> 0:44:07.360
<v Speaker 2>quite that touched on the same topic. But I actually

0:44:07.360 --> 0:44:11.080
<v Speaker 2>took I took a screenshot.

0:44:10.480 --> 0:44:12.200
<v Speaker 1>Of it, so I was like, you know what, Oh,

0:44:12.320 --> 0:44:13.279
<v Speaker 1>let me see what is it?

0:44:13.600 --> 0:44:19.000
<v Speaker 2>Well, no, it's the words to the scene because when

0:44:19.120 --> 0:44:21.279
<v Speaker 2>Jackson really gives Catherine a hard time and says like,

0:44:21.360 --> 0:44:23.719
<v Speaker 2>what the heck, like, you don't get to do that?

0:44:23.760 --> 0:44:25.480
<v Speaker 2>Why did you get why did you keep this a secret?

0:44:25.560 --> 0:44:29.520
<v Speaker 2>And she come she starts to come back at him

0:44:29.680 --> 0:44:34.200
<v Speaker 2>because she realizes something, and she says to him, no, no, no,

0:44:34.160 --> 0:44:35.759
<v Speaker 2>you do not get to do that. You do not

0:44:35.800 --> 0:44:38.560
<v Speaker 2>get to stand there in judgment of me thirty years ago,

0:44:38.600 --> 0:44:41.720
<v Speaker 2>getting harassed at work, getting groped at work wasn't something

0:44:41.760 --> 0:44:44.200
<v Speaker 2>we could protest. It was something we had to take

0:44:44.239 --> 0:44:46.600
<v Speaker 2>with our morning coffee. It was part of the job.

0:44:46.880 --> 0:44:49.040
<v Speaker 2>And if we made a noise, if we fussed, we

0:44:49.040 --> 0:44:51.759
<v Speaker 2>were told we were overreacting, and more often than not,

0:44:52.080 --> 0:44:55.120
<v Speaker 2>we lost the job and our reputation along with it.

0:44:55.600 --> 0:44:58.000
<v Speaker 2>I was not then who I am now. I didn't

0:44:58.040 --> 0:45:00.880
<v Speaker 2>have the voice then that I have now. I had choices.

0:45:00.920 --> 0:45:03.359
<v Speaker 2>I could stand there and let your grandfather fire those

0:45:03.360 --> 0:45:05.239
<v Speaker 2>women and drag them through the mud, or I could

0:45:05.239 --> 0:45:07.680
<v Speaker 2>make sure they got some money a leg to stand

0:45:07.719 --> 0:45:11.000
<v Speaker 2>on a path to move forward. I'm not ashamed of myself, Jackson,

0:45:11.080 --> 0:45:13.360
<v Speaker 2>but I am ashamed of what your grandfather did. And

0:45:13.400 --> 0:45:15.880
<v Speaker 2>I'm so sorry that now you have to carry that

0:45:15.960 --> 0:45:18.600
<v Speaker 2>burden along with me. Did you pull up the script?

0:45:18.680 --> 0:45:20.840
<v Speaker 2>Did you go back and google the script in your phone?

0:45:21.080 --> 0:45:24.960
<v Speaker 2>I to, well, when I was watching it, I had

0:45:25.000 --> 0:45:29.520
<v Speaker 2>the captions on. Oh yeah, and I screenshot every single

0:45:29.560 --> 0:45:31.239
<v Speaker 2>line because I was like, I had to go.

0:45:31.239 --> 0:45:33.600
<v Speaker 1>Back because I was like, oh, good, Julie, so glad

0:45:33.680 --> 0:45:35.720
<v Speaker 1>we went back, Julie.

0:45:36.280 --> 0:45:37.640
<v Speaker 2>Those are such I mean.

0:45:37.800 --> 0:45:41.000
<v Speaker 1>So it just this is what this is what I love,

0:45:41.080 --> 0:45:43.520
<v Speaker 1>love love about Crazy Anatomy so much as these writers

0:45:43.560 --> 0:45:46.560
<v Speaker 1>are so good, and it started so early from episode one,

0:45:46.600 --> 0:45:48.520
<v Speaker 1>and it just has carried on and we are talking

0:45:48.520 --> 0:45:52.400
<v Speaker 1>about season fourteen right now, this episode of season fourteen,

0:45:53.440 --> 0:45:58.320
<v Speaker 1>and it keeps doing it, which is just illuminating the challenge,

0:45:58.360 --> 0:46:02.360
<v Speaker 1>illuminating the hardship and things are not simple, and sexual

0:46:02.360 --> 0:46:04.240
<v Speaker 1>harassment is not simple.

0:46:04.320 --> 0:46:07.400
<v Speaker 2>It is very nuanced, and each situation in which it

0:46:07.440 --> 0:46:12.279
<v Speaker 2>occurs is obviously individual, but how often, no matter, what

0:46:12.760 --> 0:46:18.520
<v Speaker 2>seems to be associated with sexual harassment is that the

0:46:18.600 --> 0:46:23.200
<v Speaker 2>woman did something wrong, that she overreacted, that she you

0:46:23.200 --> 0:46:28.680
<v Speaker 2>know that she did something, and almost always it seems

0:46:28.680 --> 0:46:31.279
<v Speaker 2>like it's the woman that gets blamed. And I mean,

0:46:31.280 --> 0:46:33.640
<v Speaker 2>if you go after listen, if you start looking around

0:46:33.640 --> 0:46:35.560
<v Speaker 2>at everything that anyone's ever done in their life, you're

0:46:35.640 --> 0:46:38.640
<v Speaker 2>likely to find something. Right. But I think that we

0:46:38.719 --> 0:46:40.839
<v Speaker 2>lose sight of the point, which is that all that

0:46:40.920 --> 0:46:43.839
<v Speaker 2>matters is the sexual harassment. In a court of law

0:46:43.960 --> 0:46:46.880
<v Speaker 2>or in a court of public opinion, all the matters

0:46:47.040 --> 0:46:49.759
<v Speaker 2>is the offense. Who the person was or how they

0:46:49.760 --> 0:46:54.400
<v Speaker 2>dealt with it is not the issue. Anyways, I digress. No, No,

0:46:54.520 --> 0:46:56.160
<v Speaker 2>I think it's a great I don't.

0:46:56.239 --> 0:46:58.000
<v Speaker 1>Yeah, I don't want to skip over it, to be honest,

0:46:58.000 --> 0:47:01.080
<v Speaker 1>because I think that one thing that it makes you

0:47:01.200 --> 0:47:06.279
<v Speaker 1>ruminate about is that and this still happens, is this

0:47:06.360 --> 0:47:09.160
<v Speaker 1>is not not you can there's still a feeling that

0:47:09.200 --> 0:47:12.319
<v Speaker 1>you can't speak up for many many reasons and all

0:47:12.360 --> 0:47:16.319
<v Speaker 1>different kinds of environments and jobs and family and all

0:47:16.360 --> 0:47:21.920
<v Speaker 1>the things. And I think that women were have this

0:47:22.200 --> 0:47:30.239
<v Speaker 1>expert level of finding ways to shake it off, laugh

0:47:30.280 --> 0:47:32.920
<v Speaker 1>it off, yeah, make a joke of it, make it

0:47:33.000 --> 0:47:35.279
<v Speaker 1>highte like, however you needed to deal And I think

0:47:35.320 --> 0:47:38.200
<v Speaker 1>that we deal with this in so many episodes on Graze.

0:47:38.239 --> 0:47:40.279
<v Speaker 2>But this speech of hers taking.

0:47:40.000 --> 0:47:44.080
<v Speaker 1>It with your morning coffee, that line is fantastic because

0:47:44.120 --> 0:47:47.640
<v Speaker 1>it feels it for a time and for some people

0:47:47.640 --> 0:47:48.200
<v Speaker 1>it still does.

0:47:48.320 --> 0:47:51.960
<v Speaker 2>It feels like that's just part of life. Just endure it.

0:47:52.120 --> 0:47:58.600
<v Speaker 1>Yeah, yeah, okay, glad we went back. I'm so glad

0:47:58.640 --> 0:48:02.200
<v Speaker 1>you took pictures of that, right that that was probably

0:48:02.239 --> 0:48:05.640
<v Speaker 1>the most important moment of the whole show. But we

0:48:05.680 --> 0:48:08.640
<v Speaker 1>do go back to uh, to Alex Greb and his

0:48:08.760 --> 0:48:13.719
<v Speaker 1>crushed chip baby and the and the baby arriving, and

0:48:13.760 --> 0:48:19.760
<v Speaker 1>then we go to Richard and the weak cookies.

0:48:20.320 --> 0:48:23.040
<v Speaker 2>Yes, and now he's now at least we have another

0:48:23.080 --> 0:48:26.400
<v Speaker 2>responsible doctor. We have someone else, thank god.

0:48:27.640 --> 0:48:31.200
<v Speaker 1>At this point we're like using the janitor for like surgeries.

0:48:32.120 --> 0:48:35.760
<v Speaker 1>We have someone that did not take the wee cookies.

0:48:36.000 --> 0:48:40.400
<v Speaker 1>And then we're dealing with an intern who is high

0:48:41.520 --> 0:48:45.120
<v Speaker 1>doctor Roy and a central.

0:48:44.719 --> 0:48:48.279
<v Speaker 2>Line, yeah, because he responds to he responds.

0:48:47.800 --> 0:48:51.680
<v Speaker 1>To uh, you know, being paged and someone needs a

0:48:51.719 --> 0:48:55.200
<v Speaker 1>central line and he doesn't want to do it. And

0:48:55.239 --> 0:48:58.360
<v Speaker 1>then we get to see Helmum Parker. These are our interns.

0:48:58.360 --> 0:49:00.279
<v Speaker 1>We haven't seen it so long, I mean, how we

0:49:00.320 --> 0:49:03.920
<v Speaker 1>still have the show. But yeah, I knew when we

0:49:03.920 --> 0:49:06.040
<v Speaker 1>were reading this at the table read, I was like,

0:49:06.160 --> 0:49:09.840
<v Speaker 1>this is this is one of those dramas where you know,

0:49:09.920 --> 0:49:13.200
<v Speaker 1>because we tend on the show to you know, not

0:49:13.320 --> 0:49:14.440
<v Speaker 1>everyone makes it.

0:49:14.440 --> 0:49:16.160
<v Speaker 2>It's part of the show always. I mean, it's been

0:49:16.239 --> 0:49:17.240
<v Speaker 2>part of that speech from.

0:49:17.120 --> 0:49:19.120
<v Speaker 1>Day one, like look at the person next to you,

0:49:19.280 --> 0:49:21.439
<v Speaker 1>they may be gone, and so you know that that's

0:49:21.760 --> 0:49:24.520
<v Speaker 1>part of our storytelling. And when we got to that part,

0:49:24.600 --> 0:49:27.880
<v Speaker 1>I was like, oh, this may be the end for

0:49:27.960 --> 0:49:28.560
<v Speaker 1>this doctor.

0:49:29.640 --> 0:49:31.640
<v Speaker 2>I was like, this doctor may be heading in well,

0:49:31.960 --> 0:49:33.640
<v Speaker 2>and it goes from bad to worse, right because you

0:49:33.719 --> 0:49:38.720
<v Speaker 2>know that he's hosed, but now he gets double hosed

0:49:38.719 --> 0:49:41.920
<v Speaker 2>because he ends up running into the part that has

0:49:41.960 --> 0:49:46.560
<v Speaker 2>the scalpel and then and it's pretty bad. Oh yeah.

0:49:46.719 --> 0:49:49.359
<v Speaker 1>And we should say, by the way that like we

0:49:49.880 --> 0:49:53.520
<v Speaker 1>as actors, we are not always aware of who is leaving.

0:49:53.600 --> 0:49:56.680
<v Speaker 1>Sometimes we really do discover these things in the tape read.

0:49:56.719 --> 0:49:59.040
<v Speaker 1>I'm like, oh my god, that character's going that actor knows,

0:49:59.080 --> 0:50:01.560
<v Speaker 1>but like we, you know, it's not always discussed with

0:50:01.640 --> 0:50:03.839
<v Speaker 1>all of us and like a huge group meeting. So

0:50:04.040 --> 0:50:06.719
<v Speaker 1>it was still surprising that this is where the storyline

0:50:06.760 --> 0:50:08.319
<v Speaker 1>was going. But as we were reading the table read.

0:50:08.360 --> 0:50:11.560
<v Speaker 1>I was like, oh boy, then it's back to Miss

0:50:11.680 --> 0:50:16.279
<v Speaker 1>Joe Wilson and she's decided that the weber pen is

0:50:17.360 --> 0:50:19.439
<v Speaker 1>going to be used. I think we should talk about

0:50:19.440 --> 0:50:21.920
<v Speaker 1>redly quick because this is the surgery of the episode,

0:50:22.600 --> 0:50:24.520
<v Speaker 1>all of that stuff.

0:50:24.080 --> 0:50:28.600
<v Speaker 2>That you're seeing. It's like, we have this body cat.

0:50:28.960 --> 0:50:32.960
<v Speaker 1>We have this body like a torso basically, and it's

0:50:33.040 --> 0:50:36.360
<v Speaker 1>the middle is cut out. It looks like it's put out,

0:50:36.440 --> 0:50:40.240
<v Speaker 1>and it's almost like a bowl, right, like a rectangle bowl,

0:50:40.600 --> 0:50:43.600
<v Speaker 1>and we shove stuff in there, so that's like a

0:50:43.640 --> 0:50:46.440
<v Speaker 1>lot of plastic guts, and we fill it with blood

0:50:46.480 --> 0:50:48.319
<v Speaker 1>and all the things so that we can suction, and

0:50:48.360 --> 0:50:52.440
<v Speaker 1>we fill it with water. But I believe that's most

0:50:52.560 --> 0:50:55.120
<v Speaker 1>likely what's on the table. There is this this this

0:50:55.239 --> 0:51:01.200
<v Speaker 1>fake mannequin with a a hole in the middle. Yeah,

0:51:01.360 --> 0:51:03.319
<v Speaker 1>to make this all happen. But she comes up with

0:51:03.360 --> 0:51:05.600
<v Speaker 1>this great plan. She can use the weber pen so

0:51:05.640 --> 0:51:07.440
<v Speaker 1>that she doesn't maybe have to take out all of

0:51:07.480 --> 0:51:12.160
<v Speaker 1>the all of the organ and find where the cancer ends.

0:51:12.239 --> 0:51:15.640
<v Speaker 1>And uh and Levi assent on his way. But there's

0:51:15.680 --> 0:51:18.440
<v Speaker 1>also that back and forth with Meredith of like Joe

0:51:18.520 --> 0:51:24.279
<v Speaker 1>desperately wanting the answer and Meredith knows best. She knows

0:51:24.280 --> 0:51:26.279
<v Speaker 1>that Joe needs to figure this out by herself. She

0:51:26.320 --> 0:51:30.120
<v Speaker 1>already knows the answer, but she she needs to know it.

0:51:32.440 --> 0:51:34.319
<v Speaker 1>Then we go to the intern and I.

0:51:34.239 --> 0:51:36.120
<v Speaker 2>Think you need to talk. I think you I'm gonna

0:51:36.160 --> 0:51:36.600
<v Speaker 2>hit it to you.

0:51:36.920 --> 0:51:39.279
<v Speaker 1>How do we squirt blood on people along Gray's Nani

0:51:39.719 --> 0:51:44.080
<v Speaker 1>Jessica Capsuaw, what what is the way that we do that?

0:51:44.280 --> 0:51:46.560
<v Speaker 1>Because we do it all the time. Well, you mean,

0:51:46.680 --> 0:51:50.200
<v Speaker 1>like the technicality, like, let's let them know, like how

0:51:50.440 --> 0:51:51.879
<v Speaker 1>we make that happen on our show.

0:51:52.000 --> 0:51:56.520
<v Speaker 2>Blood gets squirted all over God, And it's actually very

0:51:57.719 --> 0:52:00.880
<v Speaker 2>like technically, it's very very technical. They're like little balloons

0:52:01.080 --> 0:52:05.280
<v Speaker 2>of blood and they are like pellets or packets of blood,

0:52:05.719 --> 0:52:10.480
<v Speaker 2>and then when you perforate them, blood explodes because they've

0:52:10.480 --> 0:52:12.680
<v Speaker 2>got a little well, if there's someone standing off to

0:52:12.719 --> 0:52:15.040
<v Speaker 2>the side with a little air hose and they're like

0:52:15.160 --> 0:52:19.080
<v Speaker 2>make it, they're pumping it to make the blood squirt. Yeah, yeah,

0:52:19.320 --> 0:52:21.560
<v Speaker 2>so yeah, that's how it goes up a little tube

0:52:21.560 --> 0:52:24.719
<v Speaker 2>and it can as much or as little as you want.

0:52:25.600 --> 0:52:29.239
<v Speaker 2>But sometimes and sometimes when we're doing it, it doesn't work,

0:52:29.640 --> 0:52:33.240
<v Speaker 2>and we have often tiles. Sometimes we have top.

0:52:33.280 --> 0:52:37.799
<v Speaker 1>Issues and we're waiting for an explosion of blood and things.

0:52:37.600 --> 0:52:41.080
<v Speaker 2>Go wrong and that's the show business, baby, that's exactly right,

0:52:41.200 --> 0:52:44.400
<v Speaker 2>and what and the show must what go on? The

0:52:44.520 --> 0:52:47.719
<v Speaker 2>show must go on, all right. So then it goes

0:52:47.800 --> 0:52:53.200
<v Speaker 2>back to my weed prison, where Andrew is still hallucinating

0:52:53.239 --> 0:52:57.840
<v Speaker 2>and he's starting to see his girlfriend Sam and crying.

0:52:58.040 --> 0:53:00.719
<v Speaker 2>That broke my heart when he was crying. Oh, I know,

0:53:00.920 --> 0:53:06.040
<v Speaker 2>I hate that. Maggie is now on the dissection table

0:53:06.400 --> 0:53:09.239
<v Speaker 2>where the first and only time you've ever seen this thing,

0:53:09.520 --> 0:53:11.920
<v Speaker 2>but she's touching it the first time though I don't

0:53:12.360 --> 0:53:13.439
<v Speaker 2>seen it before. I don't.

0:53:13.480 --> 0:53:15.600
<v Speaker 1>I think it may have been introduced in a different episode.

0:53:16.040 --> 0:53:18.600
<v Speaker 1>Maybe you tell us, guys, you tell us. But it

0:53:18.719 --> 0:53:20.240
<v Speaker 1>was a great use of that table.

0:53:20.560 --> 0:53:23.279
<v Speaker 2>Yeah, yeah, and organs are showing up and then they're

0:53:23.480 --> 0:53:25.920
<v Speaker 2>going away, and she's touching it and she's manipulating it.

0:53:26.520 --> 0:53:29.320
<v Speaker 2>And then Arizona's laying there on the thing and the

0:53:29.600 --> 0:53:32.120
<v Speaker 2>couch again and she's talking about how with Karina it

0:53:32.200 --> 0:53:35.759
<v Speaker 2>feels right, and then she brings up Calli's name by accident,

0:53:36.760 --> 0:53:41.120
<v Speaker 2>and then Arizona wonders why she said that. But then

0:53:41.160 --> 0:53:44.080
<v Speaker 2>you plant that, like you know, there's still that part

0:53:44.160 --> 0:53:47.560
<v Speaker 2>of her life, and then she talks about how they.

0:53:47.560 --> 0:53:51.960
<v Speaker 1>Drive her crazy and bid, yeah, I love that Arizona

0:53:52.080 --> 0:53:56.160
<v Speaker 1>is just spilling it because it is not an Arizona.

0:53:56.360 --> 0:53:59.399
<v Speaker 2>You guys are not close friends. She's not a friend

0:53:59.440 --> 0:54:03.040
<v Speaker 2>of Arizona. Nope, nope, but she just she says it all.

0:54:03.520 --> 0:54:05.440
<v Speaker 2>But that's the this is the sad part when she

0:54:05.480 --> 0:54:08.680
<v Speaker 2>says when Arizona says, eventually everyone leaves her, and I

0:54:08.800 --> 0:54:12.919
<v Speaker 2>was like, I remember thinking back then that I didn't

0:54:13.000 --> 0:54:14.879
<v Speaker 2>know that my character felt that way.

0:54:14.960 --> 0:54:17.120
<v Speaker 1>And I was like, oh, so, oh, I know that's

0:54:17.200 --> 0:54:20.080
<v Speaker 1>hard when you get those scripts and you're like, wait, yeah,

0:54:20.440 --> 0:54:21.319
<v Speaker 1>I feel that way.

0:54:21.440 --> 0:54:24.560
<v Speaker 2>That sucks. Yeah, but that's but that's when she realizes

0:54:24.600 --> 0:54:26.920
<v Speaker 2>the why she's holding onto Krina so tight. Right, She's like,

0:54:26.960 --> 0:54:28.560
<v Speaker 2>oh my gosh, I can't let her go. I'm letting

0:54:28.600 --> 0:54:31.440
<v Speaker 2>this go so fast because I don't want to lose her.

0:54:32.000 --> 0:54:34.720
<v Speaker 1>Yeah, but you had that little Freudian slip of CALLI baby,

0:54:35.560 --> 0:54:39.759
<v Speaker 1>I know, I know, it's all I mean, listen, this

0:54:39.920 --> 0:54:41.600
<v Speaker 1>is what we're talking about. This is when you know,

0:54:41.920 --> 0:54:44.160
<v Speaker 1>like you're wondering, is this ship gonna be a little

0:54:44.440 --> 0:54:47.040
<v Speaker 1>in between me? Or is it gonna set sail and

0:54:47.160 --> 0:54:50.280
<v Speaker 1>the little Cali slip was like, hmmm, this feels between

0:54:50.320 --> 0:54:52.720
<v Speaker 1>me between sexy sees.

0:54:53.360 --> 0:54:55.000
<v Speaker 2>I mean, as you said earlier, I think that they

0:54:55.000 --> 0:54:56.719
<v Speaker 2>actually could have gone the distance. I think that they

0:54:56.760 --> 0:55:00.239
<v Speaker 2>could have been a compelling couple. Yeah.

0:55:00.760 --> 0:55:03.120
<v Speaker 1>Yeah, there's something else happening in this scene.

0:55:03.800 --> 0:55:08.239
<v Speaker 2>Maggie does lose the liver. Yeah, she finds that. She's like,

0:55:08.360 --> 0:55:11.160
<v Speaker 2>it's gone, and it's that's so funny. Okay, So I

0:55:11.400 --> 0:55:14.040
<v Speaker 2>think that you know, listen, you can't know what you

0:55:14.160 --> 0:55:16.400
<v Speaker 2>haven't learned yet. And this is our first rewatch, so

0:55:16.520 --> 0:55:18.000
<v Speaker 2>we had no idea how long it would take us

0:55:18.040 --> 0:55:21.920
<v Speaker 2>to talk about this, that and the other. But here

0:55:22.000 --> 0:55:26.919
<v Speaker 2>we are at a normal episode marker for our show,

0:55:27.440 --> 0:55:29.160
<v Speaker 2>and we still got a lot to talk about. And

0:55:29.200 --> 0:55:30.560
<v Speaker 2>I don't want to rush it. I don't want to

0:55:30.600 --> 0:55:35.320
<v Speaker 2>rush it. So I'm feeling like, maybe we push this

0:55:35.440 --> 0:55:38.920
<v Speaker 2>and we do a whole other episode that finishes this rewatch.

0:55:39.360 --> 0:55:39.759
<v Speaker 2>What do you think?

0:55:39.800 --> 0:55:41.640
<v Speaker 1>I think we do that because I don't want to.

0:55:41.920 --> 0:55:44.440
<v Speaker 1>I I'm so excited about this. I feel like the

0:55:44.560 --> 0:55:48.040
<v Speaker 1>crew are so excited about this and this this episode

0:55:48.120 --> 0:55:49.040
<v Speaker 1>is jam packed.

0:55:49.520 --> 0:55:51.319
<v Speaker 2>Yeah, and by the way, since this is our first one,

0:55:51.400 --> 0:55:53.440
<v Speaker 2>we may hear from you all. Hey, guess what. We

0:55:53.480 --> 0:55:55.080
<v Speaker 2>actually want you to speed it up and we want

0:55:55.080 --> 0:55:57.080
<v Speaker 2>to hear about it in one hour. That's great. We

0:55:57.200 --> 0:56:00.960
<v Speaker 2>will have learned well for this one. Let's call this

0:56:02.080 --> 0:56:04.400
<v Speaker 2>the end of the episode.