1 00:00:03,680 --> 00:00:09,160 Speaker 1: It's that time. Time, time, time, luck and load. 2 00:00:11,039 --> 00:00:12,120 Speaker 2: The Michael Very. 3 00:00:12,080 --> 00:00:15,120 Speaker 1: Show is on the air. Unlock this door with the 4 00:00:15,200 --> 00:00:19,560 Speaker 1: key of imagination. Beyond it is another dimension, a dimension 5 00:00:19,560 --> 00:00:22,240 Speaker 1: of sound. Holy forth, amendment. 6 00:00:29,520 --> 00:00:34,680 Speaker 3: The wait the career, my passenger said, saying that day 7 00:00:34,760 --> 00:00:40,879 Speaker 3: for a three hour two, but three hour two one 8 00:00:40,960 --> 00:00:44,159 Speaker 3: day when the lady met this fellow, and. 9 00:00:44,360 --> 00:00:48,280 Speaker 4: They know it was my shoulder and hunch that this 10 00:00:48,479 --> 00:00:50,879 Speaker 4: group former family. 11 00:00:51,840 --> 00:00:56,920 Speaker 1: That's the way they all became the ray bunch pleased 12 00:00:56,960 --> 00:01:01,080 Speaker 1: and thrilled his round little family room. Then he can 13 00:01:01,080 --> 00:01:03,880 Speaker 1: get on. Some blood was built, and so it was 14 00:01:03,920 --> 00:01:05,679 Speaker 1: by any command and. 15 00:01:06,600 --> 00:01:14,920 Speaker 4: Steve Austin astronaut a man Bury alive, gentlemen, we can 16 00:01:15,040 --> 00:01:16,280 Speaker 4: rebuild him. 17 00:01:16,520 --> 00:01:17,840 Speaker 1: We have the technology. 18 00:01:18,600 --> 00:01:21,280 Speaker 4: In nineteen seventy two, a crack commando unit was sent 19 00:01:21,319 --> 00:01:23,360 Speaker 4: to prison by a military court for a crime they 20 00:01:23,400 --> 00:01:26,679 Speaker 4: didn't commit. These men promptly escaped from a maximum security 21 00:01:26,720 --> 00:01:30,119 Speaker 4: stockade to the Los Angeles underground. Today, still wanted by 22 00:01:30,120 --> 00:01:32,959 Speaker 4: the government, they survive as soldiers of fortune. If you 23 00:01:33,040 --> 00:01:35,240 Speaker 4: have a problem, if no one else can help, and 24 00:01:35,360 --> 00:01:38,800 Speaker 4: if you can find them, maybe you can hire the eighteen. 25 00:01:43,160 --> 00:01:56,160 Speaker 5: Marve living is the leave it to beaver starring Barbara Billingsley, 26 00:01:56,480 --> 00:02:02,320 Speaker 5: Hugh Beaumont, Tony Dau and Jerry Lathers as the Beaver. 27 00:02:25,680 --> 00:02:27,399 Speaker 1: So I saw something the other day that John Boy 28 00:02:27,480 --> 00:02:31,760 Speaker 1: came to Orange to do a one man show, the 29 00:02:32,080 --> 00:02:35,840 Speaker 1: Mark Twain one man Show. I thought, look at my 30 00:02:35,919 --> 00:02:39,639 Speaker 1: little Orange. I'm so proud of them. I love when 31 00:02:39,680 --> 00:02:43,400 Speaker 1: little towns. It's always some woman in the little town 32 00:02:44,520 --> 00:02:46,800 Speaker 1: and she's got a little more money than everybody else. 33 00:02:48,040 --> 00:02:52,160 Speaker 1: Maybe she inherited a little because her grandfather was a 34 00:02:52,200 --> 00:02:55,680 Speaker 1: county judge and he might have bought some land before 35 00:02:55,720 --> 00:02:58,920 Speaker 1: they built the highway through. And she's got a little 36 00:02:58,960 --> 00:03:00,880 Speaker 1: bit of airs about her. But she's sweet and she 37 00:03:00,919 --> 00:03:02,680 Speaker 1: loves her little town and she wants good things for 38 00:03:02,720 --> 00:03:07,200 Speaker 1: her town. And so, you know, she goes out at 39 00:03:07,200 --> 00:03:11,919 Speaker 1: the theater, the Wharton Theater or wherever, the Belleville Theater 40 00:03:12,520 --> 00:03:14,520 Speaker 1: she brings in. You know, she finds out, oh you 41 00:03:14,560 --> 00:03:16,800 Speaker 1: can get John Boy from Mark Twain, and she goes 42 00:03:16,800 --> 00:03:19,079 Speaker 1: out and she books it and she puts up the money. 43 00:03:19,880 --> 00:03:21,760 Speaker 1: A lot of times, when I give a speech to 44 00:03:22,120 --> 00:03:24,920 Speaker 1: some far flung group, I'll think, I wonder how they 45 00:03:24,919 --> 00:03:28,440 Speaker 1: could pay my fee, So I ask them, And there's 46 00:03:28,480 --> 00:03:32,120 Speaker 1: always one person in the crowd that has some money 47 00:03:32,320 --> 00:03:36,280 Speaker 1: in that in that community because they have timber interests, 48 00:03:36,400 --> 00:03:40,640 Speaker 1: or their husband's the CEO of a major corporation or whatever, 49 00:03:40,680 --> 00:03:42,680 Speaker 1: and they just happen to live out there, and they're like, look, 50 00:03:42,680 --> 00:03:44,760 Speaker 1: i'll stroke the check. We want we want our event, 51 00:03:45,120 --> 00:03:46,960 Speaker 1: we want him to speak at the event, so we'll 52 00:03:46,960 --> 00:03:49,200 Speaker 1: do it that way. The group doesn't pay for it, 53 00:03:50,360 --> 00:03:52,800 Speaker 1: But anyway, I thought that'd be a fun show to 54 00:03:52,960 --> 00:03:56,520 Speaker 1: I'm ma, I'm I'm obsessed with Mark Twain. I think 55 00:03:56,560 --> 00:04:02,560 Speaker 1: he's I think he's he's the quintess and American. When 56 00:04:02,720 --> 00:04:07,720 Speaker 1: when I think of the quintessential American, there are several 57 00:04:07,760 --> 00:04:11,400 Speaker 1: people that kind of embody that nature, and Mark Twain 58 00:04:11,480 --> 00:04:15,080 Speaker 1: would be one of those, and George Washington would be 59 00:04:15,120 --> 00:04:21,280 Speaker 1: one of those. And Robert E. Lee and I mentioned 60 00:04:21,279 --> 00:04:27,200 Speaker 1: Mark Twain and Teddy Roosevelt. Although I don't like a 61 00:04:27,240 --> 00:04:30,880 Speaker 1: lot of Teddy Roosevelt's politics, but I think this sort 62 00:04:30,880 --> 00:04:37,520 Speaker 1: of swash buckling image that he projected and Earnest Hemingways 63 00:04:37,720 --> 00:04:41,120 Speaker 1: is similar. I think that's a distinctly American trait. It's 64 00:04:41,200 --> 00:04:46,440 Speaker 1: part of the American uh DNA to be, you know, 65 00:04:46,520 --> 00:04:49,200 Speaker 1: to project ourselves. It's just kind of grand. 66 00:04:49,440 --> 00:04:49,520 Speaker 3: Uh. 67 00:04:50,400 --> 00:04:54,400 Speaker 1: You know, in the Taming of the Shrew, the character 68 00:04:54,480 --> 00:04:58,560 Speaker 1: that's played by played by Burt Lancaster. In any case, 69 00:04:58,720 --> 00:05:01,919 Speaker 1: I think that would be fantastic. I was thinking of 70 00:05:01,960 --> 00:05:08,240 Speaker 1: some other folks that would represent what is America in 71 00:05:08,320 --> 00:05:12,160 Speaker 1: terms of their overall elvis that if you were to say, 72 00:05:12,200 --> 00:05:15,240 Speaker 1: you know, this is this is a projection of America. 73 00:05:16,480 --> 00:05:23,080 Speaker 1: Ford Uh, I would not actually say Einstein, because I 74 00:05:23,080 --> 00:05:27,480 Speaker 1: think Einstein is more distinctly European literally and and and symbolically. 75 00:05:28,160 --> 00:05:32,480 Speaker 1: And I would say Edison, however, and in that sense, 76 00:05:32,520 --> 00:05:35,880 Speaker 1: I would say Elon Musk. Yeah, we'll have that conversation 77 00:05:35,920 --> 00:05:39,680 Speaker 1: another day. Kevin, I'm sorry to leave you holding. What 78 00:05:39,720 --> 00:05:42,760 Speaker 1: do you have to say? Good sir? With your I'm 79 00:05:42,760 --> 00:05:49,520 Speaker 1: gonna tell that all day. Did the Joke Show the 80 00:05:49,600 --> 00:05:50,560 Speaker 1: best radio. 81 00:05:50,360 --> 00:05:53,719 Speaker 6: Show as far as the news goes for the Houston area? 82 00:05:54,080 --> 00:05:56,120 Speaker 1: I'm sorry? Can you say that again? Ramon was talking? 83 00:05:57,600 --> 00:06:02,159 Speaker 7: I have determined that the AM Show with Jimmy and Sky, 84 00:06:02,320 --> 00:06:03,920 Speaker 7: Mike and Cliff. 85 00:06:04,080 --> 00:06:07,200 Speaker 6: Is the best news morning show around. 86 00:06:07,640 --> 00:06:10,200 Speaker 1: Oh, I'm gonna this and send that to them. They 87 00:06:10,200 --> 00:06:13,480 Speaker 1: will love to hear that. Yeah, they all flow together. 88 00:06:13,560 --> 00:06:17,159 Speaker 1: It's hard to describe, like they they bounce off of 89 00:06:17,240 --> 00:06:22,120 Speaker 1: each other. But it's good. You know. I'm going to 90 00:06:22,200 --> 00:06:26,840 Speaker 1: tell you about Jimmy Barrett. Jimmy Barrett had a big 91 00:06:26,880 --> 00:06:29,479 Speaker 1: job when he came in, and Ramon can correct me 92 00:06:29,560 --> 00:06:33,320 Speaker 1: because I get the order wrong. But Jimmy replaced or replaced. 93 00:06:33,360 --> 00:06:38,919 Speaker 1: Jimmy came after Matt Patrick. And you know, Matt and 94 00:06:39,000 --> 00:06:41,680 Speaker 1: I shared a first name. He was actually Michael. It 95 00:06:41,800 --> 00:06:42,800 Speaker 1: was Michael Matt Patrick. 96 00:06:43,440 --> 00:06:43,560 Speaker 6: Uh. 97 00:06:43,680 --> 00:06:45,360 Speaker 1: He told me that after knowing him like two years. 98 00:06:45,400 --> 00:06:47,480 Speaker 1: I said, you weirdo, you're Matt to me, how can 99 00:06:47,520 --> 00:06:49,520 Speaker 1: you be Michael? He goes, I'm actually Michael. 100 00:06:50,160 --> 00:06:50,640 Speaker 8: Uh. 101 00:06:51,040 --> 00:06:54,280 Speaker 1: Matt was a big presence and people loved Matt and 102 00:06:54,400 --> 00:06:57,000 Speaker 1: much like Rush Limbaugh, and in this sense more than 103 00:06:57,080 --> 00:07:00,840 Speaker 1: Rush Limbaugh. A lot of people felt they were suffering 104 00:07:00,880 --> 00:07:03,120 Speaker 1: alongside him when he passed. He was young and he 105 00:07:03,160 --> 00:07:07,200 Speaker 1: was fifty seven years old. Had a son at the time, 106 00:07:07,360 --> 00:07:09,320 Speaker 1: was about twelve. I think he's in the Navy now, 107 00:07:09,360 --> 00:07:14,240 Speaker 1: wants to be a Navy seal. Loved his wife, He 108 00:07:14,280 --> 00:07:17,000 Speaker 1: had had failings in his life. He's very open about 109 00:07:17,240 --> 00:07:21,120 Speaker 1: I think that endears you to people. The kind of 110 00:07:21,160 --> 00:07:24,400 Speaker 1: people who believe in forgiveness, and he was just very 111 00:07:24,400 --> 00:07:26,000 Speaker 1: good at what he did. And he was a big 112 00:07:26,040 --> 00:07:29,880 Speaker 1: personality and a warm heart, and he was a big 113 00:07:29,920 --> 00:07:33,680 Speaker 1: space in the hallway. He's a big guy. I wonder 114 00:07:33,720 --> 00:07:35,600 Speaker 1: how many people knew that he was tall. It wasn't fat. 115 00:07:35,680 --> 00:07:39,960 Speaker 1: He was a tall, big man. So Jimmy had to 116 00:07:39,960 --> 00:07:42,720 Speaker 1: come in and replace that, and that's not easy to do. 117 00:07:43,360 --> 00:07:45,440 Speaker 1: First thing, I thought he had come from the market 118 00:07:45,480 --> 00:07:48,720 Speaker 1: of Richmond, Virginia, small market, and so this was a 119 00:07:48,720 --> 00:07:51,240 Speaker 1: big job for him. And what I think he did 120 00:07:51,440 --> 00:07:54,840 Speaker 1: very well is he didn't come rolling in and try 121 00:07:54,880 --> 00:07:57,560 Speaker 1: to be the king of the hill. He came in 122 00:07:57,680 --> 00:08:01,280 Speaker 1: with humility and modesty. He learned his way around, figured 123 00:08:01,280 --> 00:08:04,080 Speaker 1: out where the bathrooms were, figured out where the power 124 00:08:04,080 --> 00:08:08,960 Speaker 1: structures were. He brought great pipes to the market. He 125 00:08:09,360 --> 00:08:13,880 Speaker 1: enjoys the news business, and I think he genuinely likes 126 00:08:13,920 --> 00:08:16,520 Speaker 1: other people, and I think he has I think he 127 00:08:16,560 --> 00:08:18,120 Speaker 1: has done very very well. 128 00:08:18,840 --> 00:08:18,960 Speaker 3: Uh. 129 00:08:19,080 --> 00:08:21,480 Speaker 1: I mean that that you think about Land and JP 130 00:08:21,840 --> 00:08:25,360 Speaker 1: that in Matt Patrick, Jimmy Barrett, I mean that's big 131 00:08:25,400 --> 00:08:27,640 Speaker 1: shoester there. And I think he's done very very well. 132 00:08:27,640 --> 00:08:34,840 Speaker 1: I'm I'm delighted. I'm proud of him. That's uh, that's 133 00:08:34,880 --> 00:08:37,520 Speaker 1: some good writing right there. I mean, you think about 134 00:08:38,000 --> 00:08:44,679 Speaker 1: in the pantheon of great American poetry. Forget songwriters as songwriters, 135 00:08:44,720 --> 00:08:49,240 Speaker 1: they're poets. Listen to this. Oh yes, they call him 136 00:08:49,240 --> 00:08:53,920 Speaker 1: the street boogody Bogey. He likes to turn the other 137 00:08:54,040 --> 00:08:59,520 Speaker 1: cheek a little double an tundra there, bogdey bogaey. He's 138 00:08:59,559 --> 00:09:03,560 Speaker 1: always making the news. We're in just his tennis shoes. 139 00:09:04,240 --> 00:09:10,800 Speaker 1: I guess you could call him unique. If Ralph Waldo 140 00:09:10,800 --> 00:09:15,400 Speaker 1: Emerson could have written those words, if Walt Whitman could 141 00:09:15,400 --> 00:09:18,160 Speaker 1: have put pen to paper with those work, I mean, 142 00:09:18,200 --> 00:09:21,400 Speaker 1: that's quality right there. The third dr Adam, you're old 143 00:09:21,440 --> 00:09:23,440 Speaker 1: and Michael berry Shaw go ahead. 144 00:09:23,880 --> 00:09:28,120 Speaker 6: Mortan, Michael, you are poking me right in the fields 145 00:09:28,160 --> 00:09:31,559 Speaker 6: this morning with all your music coming on air. I'm 146 00:09:31,600 --> 00:09:33,560 Speaker 6: as a few years older than you and all those 147 00:09:33,600 --> 00:09:36,000 Speaker 6: shows I watched when I was a little kid. 148 00:09:36,360 --> 00:09:38,360 Speaker 1: Hey, Adam, do me a favor. Talk right into the mic. 149 00:09:38,400 --> 00:09:40,640 Speaker 1: I can barely hear you. And if I let Ramon blotter, 150 00:09:40,840 --> 00:09:41,440 Speaker 1: yeah there you are. 151 00:09:42,400 --> 00:09:45,440 Speaker 6: Okay, you just poked me all in the fields this 152 00:09:45,480 --> 00:09:50,679 Speaker 6: morning with that music. Nick Tran is running from Morgan 153 00:09:50,720 --> 00:09:55,120 Speaker 6: la Treil seat are you aware of him at all? 154 00:09:55,760 --> 00:09:57,680 Speaker 1: I just know the name. I haven't dug into that 155 00:09:57,760 --> 00:09:59,360 Speaker 1: race yet. 156 00:09:59,600 --> 00:10:02,640 Speaker 6: He it is a Vietnam refugee, came here. 157 00:10:02,440 --> 00:10:07,240 Speaker 1: When he was a little boy. 158 00:10:06,679 --> 00:10:11,280 Speaker 6: Great story, and I think he'd be much better to 159 00:10:11,320 --> 00:10:15,360 Speaker 6: take Morgan's seat than that young lady that is running 160 00:10:15,480 --> 00:10:15,839 Speaker 6: for it. 161 00:10:16,600 --> 00:10:19,200 Speaker 1: Okay, I will commit to you that I will be 162 00:10:19,240 --> 00:10:24,080 Speaker 1: looking into that race. Today is twenty five days until 163 00:10:24,160 --> 00:10:29,080 Speaker 1: the Republican primary. It is my intention to release how 164 00:10:29,160 --> 00:10:36,640 Speaker 1: I'm voting a week prior to primary. Prior to early 165 00:10:36,760 --> 00:10:41,080 Speaker 1: voting for the primaries. I was scolded by the crowd 166 00:10:41,080 --> 00:10:46,640 Speaker 1: that scolds last time that we had our endorsements released 167 00:10:46,640 --> 00:10:49,000 Speaker 1: a little bit late and some people had voted already. 168 00:10:50,200 --> 00:10:54,040 Speaker 1: So I will just tell you they're not necessarily an endorsement. 169 00:10:55,400 --> 00:10:59,200 Speaker 1: It is simply how I'm voting. And we'll also tell 170 00:10:59,200 --> 00:11:01,960 Speaker 1: you before people get too deep into this, that we're 171 00:11:02,000 --> 00:11:06,800 Speaker 1: going to disagree on some candidates, and that's okay. I 172 00:11:06,840 --> 00:11:09,719 Speaker 1: will also tell you for those of you who get very, 173 00:11:09,880 --> 00:11:13,320 Speaker 1: very into your guy that's running for Dogcatcher and he 174 00:11:13,360 --> 00:11:15,280 Speaker 1: doesn't win, you're going to be it's gonna be the 175 00:11:15,320 --> 00:11:16,960 Speaker 1: end of the world for you, and you're so mad 176 00:11:17,000 --> 00:11:19,199 Speaker 1: because you needed me to support the same candidate you're 177 00:11:19,240 --> 00:11:22,040 Speaker 1: voting for because you love me and you're my biggest fan, 178 00:11:22,120 --> 00:11:23,640 Speaker 1: and I need to vote the way you're gonna vote. 179 00:11:24,320 --> 00:11:27,560 Speaker 1: If you try to light me up, you're gonna regret 180 00:11:27,559 --> 00:11:33,360 Speaker 1: it because I don't care that you're going through that 181 00:11:33,520 --> 00:11:39,359 Speaker 1: time of the month or menopause or hysterics or fellas 182 00:11:39,440 --> 00:11:44,640 Speaker 1: some drunken mender. You're accountable for your words, so you're 183 00:11:44,679 --> 00:11:47,280 Speaker 1: not going to hurt my feelings, but I'm gonna hurt yours, 184 00:11:47,520 --> 00:11:51,440 Speaker 1: So just don't do it. You can be for a candidate, 185 00:11:51,800 --> 00:11:56,000 Speaker 1: support a candidate that is different than my candidate, and 186 00:11:56,080 --> 00:11:58,600 Speaker 1: that doesn't make me a bad person or stupid or 187 00:11:58,600 --> 00:12:02,599 Speaker 1: sold out or whatever else. It just means we disagree 188 00:12:02,640 --> 00:12:06,200 Speaker 1: for whatever reason. It is possible, not often, but it 189 00:12:06,280 --> 00:12:10,079 Speaker 1: is possible that there is more than one candidate who 190 00:12:10,120 --> 00:12:13,240 Speaker 1: would do a good job in that race. I'm not 191 00:12:13,320 --> 00:12:16,080 Speaker 1: even sure there's always a candidate who would do a 192 00:12:16,080 --> 00:12:19,040 Speaker 1: good job in a race. But we are left with 193 00:12:19,080 --> 00:12:22,160 Speaker 1: those people willing to run. And while we all like 194 00:12:22,280 --> 00:12:24,920 Speaker 1: to say, well look at this band of losers, is 195 00:12:24,960 --> 00:12:28,160 Speaker 1: that all we have to choose from? Look in the mirror, 196 00:12:28,920 --> 00:12:33,720 Speaker 1: if you're better, why didn't you? Having run for office 197 00:12:34,160 --> 00:12:38,079 Speaker 1: held office helped a lot of campaigns, studied campaigns over 198 00:12:38,080 --> 00:12:40,160 Speaker 1: the years. I'm going to tell you that by and large, 199 00:12:40,200 --> 00:12:43,560 Speaker 1: we don't get the best. The best in society are 200 00:12:43,600 --> 00:12:47,880 Speaker 1: not typically drawn to run for office. The best in 201 00:12:47,960 --> 00:12:50,600 Speaker 1: society or often at the right or left hand of 202 00:12:50,640 --> 00:12:53,400 Speaker 1: the candidate or officeholder. I've seen that more times than 203 00:12:53,400 --> 00:12:56,319 Speaker 1: you would imagine. The best and brightest are sometimes the 204 00:12:56,360 --> 00:13:00,319 Speaker 1: chiefest staff to the candidate or office holder and pay 205 00:13:00,400 --> 00:13:06,079 Speaker 1: manager or the biggest donor. People are who are successful 206 00:13:06,080 --> 00:13:09,400 Speaker 1: in business almost never want to run for office, and 207 00:13:09,440 --> 00:13:14,320 Speaker 1: the few who do are almost always terrible. It's it's 208 00:13:14,320 --> 00:13:18,560 Speaker 1: a conundrum. Everybody knows better than the officeholder and the 209 00:13:18,600 --> 00:13:24,559 Speaker 1: candidate how to do things, myself included, but unless you've 210 00:13:24,600 --> 00:13:27,160 Speaker 1: done that thing. And I think everybody should hold an 211 00:13:27,360 --> 00:13:29,559 Speaker 1: office at some point in their lives. I also think 212 00:13:29,559 --> 00:13:32,400 Speaker 1: everybody should coach a litle league team, be the hoa president, 213 00:13:32,840 --> 00:13:38,360 Speaker 1: referee a youth sporting event, wait tables. So anyway, give 214 00:13:38,400 --> 00:13:40,280 Speaker 1: me two weeks on that and I will tell you 215 00:13:40,360 --> 00:13:42,839 Speaker 1: how I'm how I'm voting for some of these. I'm 216 00:13:42,880 --> 00:13:45,240 Speaker 1: just now beginning to look in because candidates come and 217 00:13:45,280 --> 00:13:46,720 Speaker 1: go and all that, and there's a lot of races 218 00:13:46,760 --> 00:13:51,920 Speaker 1: out there. Michael Berry Show. Brenda, you're on the Michael 219 00:13:51,920 --> 00:13:56,080 Speaker 1: Berry Show. Welcome to the program. Sweetheart, Good morning, Good morning. 220 00:13:56,640 --> 00:14:00,400 Speaker 2: I tell you what you really made mine say. Playing 221 00:14:00,440 --> 00:14:02,640 Speaker 2: the song the Streak, I hadn't heard it in years, 222 00:14:02,840 --> 00:14:06,720 Speaker 2: and I got to tell you, that made more teenage 223 00:14:06,760 --> 00:14:09,679 Speaker 2: boys get naked than anything else in the seventies. When 224 00:14:09,679 --> 00:14:12,400 Speaker 2: that song came out, I couldn't believe how many of 225 00:14:12,440 --> 00:14:17,280 Speaker 2: the local neighborhood guys sat there and would streak on 226 00:14:17,320 --> 00:14:20,360 Speaker 2: the weekends at night when all the parents were at home. 227 00:14:20,960 --> 00:14:22,440 Speaker 2: Look for just watching me. 228 00:14:23,880 --> 00:14:26,720 Speaker 1: You know what's funny in nineteen seventy came out in 229 00:14:26,760 --> 00:14:29,080 Speaker 1: February nineteen seventy four. I just checked. I thought it 230 00:14:29,080 --> 00:14:31,360 Speaker 1: was seventy three. It came out February nineteen seventy four. 231 00:14:31,960 --> 00:14:35,280 Speaker 1: And to think that the people who were our age 232 00:14:35,640 --> 00:14:37,400 Speaker 1: in February of nineteen seventy four. 233 00:14:37,360 --> 00:14:41,960 Speaker 8: Said, what's his country coming to? We got this as 234 00:14:42,000 --> 00:14:48,400 Speaker 8: the lowest it could get. We've got kids streaking. Oh, 235 00:14:48,600 --> 00:14:54,480 Speaker 8: trust me, check back fifty years. You have no idea 236 00:14:54,480 --> 00:14:55,800 Speaker 8: how much there he is. 237 00:14:57,120 --> 00:15:00,440 Speaker 1: Oh, I finde days of justice streaking. 238 00:15:03,280 --> 00:15:05,520 Speaker 7: I gotta I got a question for you. Do you 239 00:15:05,560 --> 00:15:08,400 Speaker 7: know what the difference is between naked and naked? 240 00:15:09,920 --> 00:15:11,200 Speaker 1: Is three inches? 241 00:15:13,720 --> 00:15:14,080 Speaker 2: No? 242 00:15:14,840 --> 00:15:16,520 Speaker 1: No, I don't know. 243 00:15:16,600 --> 00:15:18,120 Speaker 7: You asked me naked? 244 00:15:19,320 --> 00:15:19,680 Speaker 1: No? 245 00:15:19,680 --> 00:15:22,360 Speaker 7: No, I well to tell you this, or naked is 246 00:15:22,440 --> 00:15:25,400 Speaker 7: we you just don't have any clothes on. Naked means 247 00:15:25,440 --> 00:15:27,680 Speaker 7: you don't have any clothes on and you're doing something you. 248 00:15:27,640 --> 00:15:31,560 Speaker 1: Ought not to be doing. Yeah. I almost only ever 249 00:15:31,600 --> 00:15:34,280 Speaker 1: write it any kk I D because it tickles me 250 00:15:34,400 --> 00:15:38,000 Speaker 1: to say it that way. Naked as a jay bird, 251 00:15:38,080 --> 00:15:39,120 Speaker 1: that was our line. 252 00:15:41,000 --> 00:15:41,440 Speaker 7: I can. 253 00:15:42,920 --> 00:15:44,400 Speaker 1: I can remember being a little kid coming out of 254 00:15:44,400 --> 00:15:47,920 Speaker 1: the tub. Who takes a tub bath anymore? 255 00:15:48,320 --> 00:15:48,480 Speaker 3: Uh? 256 00:15:48,560 --> 00:15:50,040 Speaker 1: I can remember being a little kid coming out of 257 00:15:50,080 --> 00:15:53,640 Speaker 1: the tub and my my, my mother making a big 258 00:15:53,680 --> 00:15:56,840 Speaker 1: deal and putting the towel out, and me spinning around 259 00:15:56,880 --> 00:15:58,720 Speaker 1: in circles and I wouldn't get in the towel and 260 00:15:58,760 --> 00:16:01,680 Speaker 1: she'd get in a towel. Oh those were good times. 261 00:16:01,840 --> 00:16:02,120 Speaker 7: Yep. 262 00:16:02,440 --> 00:16:06,920 Speaker 1: You know, Brenda, do you take a tub bath or bath? 263 00:16:07,640 --> 00:16:07,720 Speaker 6: Not? 264 00:16:08,080 --> 00:16:10,400 Speaker 2: Since I had my knees replaced, it's kind of hard 265 00:16:10,400 --> 00:16:11,400 Speaker 2: to get in out of the tub. 266 00:16:12,760 --> 00:16:15,400 Speaker 1: Yeah, I hear, that's a tough deal to do. That's 267 00:16:15,440 --> 00:16:17,360 Speaker 1: that's it. That's the true. My mom had both her 268 00:16:17,400 --> 00:16:19,800 Speaker 1: hips replaced in damned if it wasn't a bad it 269 00:16:19,880 --> 00:16:22,520 Speaker 1: wasn't it wasn't bad at all. We had a great 270 00:16:22,600 --> 00:16:27,280 Speaker 1: doctor here. I uh. I sent her to a friend 271 00:16:27,320 --> 00:16:30,080 Speaker 1: of mine who is at Fonder and Orthopedic, and he 272 00:16:30,120 --> 00:16:31,800 Speaker 1: had his partner do it and he kind of over 273 00:16:32,080 --> 00:16:34,960 Speaker 1: saw the deal and it went so well. Dan Pastorini 274 00:16:35,040 --> 00:16:37,920 Speaker 1: had both of his done and and and we had 275 00:16:38,000 --> 00:16:41,240 Speaker 1: lunch like a day or two later, and he had 276 00:16:41,240 --> 00:16:43,640 Speaker 1: a he was on a walker. Yeah, but it was 277 00:16:44,040 --> 00:16:45,120 Speaker 1: you know, he did well. I don't know if you 278 00:16:45,160 --> 00:16:47,560 Speaker 1: ever heard me tell the story, but I had lunch 279 00:16:47,560 --> 00:16:52,000 Speaker 1: with Dan Pastorini at Carabas and and we go to 280 00:16:52,160 --> 00:16:54,440 Speaker 1: we go to sit down, and he's got his walker 281 00:16:54,480 --> 00:16:56,720 Speaker 1: and he's just had the surgery I think maybe the 282 00:16:56,760 --> 00:16:59,720 Speaker 1: day before, but at most two days before. And the 283 00:16:59,800 --> 00:17:02,920 Speaker 1: main manager came over and pulled me to the side 284 00:17:02,960 --> 00:17:05,439 Speaker 1: and he said, I wanted to say something to mister Pastorini, 285 00:17:05,480 --> 00:17:07,479 Speaker 1: but I don't want to offend him. And I said, well, 286 00:17:07,480 --> 00:17:09,480 Speaker 1: pretty much everything offends him. Wyn't you tell me what 287 00:17:09,520 --> 00:17:13,560 Speaker 1: you were going to say? He said, well, I was 288 00:17:13,640 --> 00:17:16,680 Speaker 1: going to say, mister Passerini. I never expected to say 289 00:17:16,720 --> 00:17:19,760 Speaker 1: these words, but I've put your walker against the wall. 290 00:17:20,040 --> 00:17:22,080 Speaker 1: I said, Oh, you can say that. He'll think that's funny. 291 00:17:22,200 --> 00:17:27,200 Speaker 1: That because that is that is legitimately funny. Brenda, thank 292 00:17:27,200 --> 00:17:28,920 Speaker 1: you for the call. I love your laugh. I'm glad 293 00:17:28,920 --> 00:17:34,120 Speaker 1: to know you're out there. Seven one three nine one thousand, 294 00:17:34,240 --> 00:17:36,240 Speaker 1: or you can always email me through the website Michael 295 00:17:36,440 --> 00:17:47,280 Speaker 1: at Michael Berryshow dot com Michael Berry Show. I found 296 00:17:47,359 --> 00:17:51,800 Speaker 1: a little investigation. It was done by a magazine on 297 00:17:51,880 --> 00:17:56,199 Speaker 1: that song. It is credited to Zute Finster, which was 298 00:17:56,680 --> 00:18:03,000 Speaker 1: an alias like Luke the Drifter for Jack Barlow. The 299 00:18:03,000 --> 00:18:05,320 Speaker 1: man owns page six O two was a male model's 300 00:18:05,359 --> 00:18:09,280 Speaker 1: genitalia really visible in the nineteen seventy five Seers Falling 301 00:18:09,320 --> 00:18:13,320 Speaker 1: Winter Catalog. We add some new evidence to this old debate. 302 00:18:14,320 --> 00:18:17,520 Speaker 1: In July seventy five, the Seer's Falling Winter Catalog arrived 303 00:18:17,560 --> 00:18:20,160 Speaker 1: in thousands of mailboxes. As it had in the past, 304 00:18:20,200 --> 00:18:22,919 Speaker 1: catalog offered a wide variety of merchandise in it's one thy, 305 00:18:23,000 --> 00:18:26,680 Speaker 1: four hundred and ninety two pages. Think about that they 306 00:18:26,760 --> 00:18:31,600 Speaker 1: mailed fifteen hundred pages of a catalog close exercise equipment, 307 00:18:31,640 --> 00:18:35,119 Speaker 1: musical instruments, tools, et cetera. But careful readers noticed that 308 00:18:35,200 --> 00:18:37,840 Speaker 1: this edition of the catalog including something a little bit 309 00:18:37,960 --> 00:18:41,800 Speaker 1: extra and scandalously out of the ordinary. Word of this 310 00:18:41,840 --> 00:18:44,520 Speaker 1: bonus feature spread like wildfire, with the result that this 311 00:18:44,680 --> 00:18:46,919 Speaker 1: rapidly became the most talked about issue of the catalog 312 00:18:46,960 --> 00:18:49,720 Speaker 1: since the company had first begun sending them out in 313 00:18:49,840 --> 00:18:54,720 Speaker 1: eighteen eighty eight. That was not accidental. The focus of 314 00:18:54,720 --> 00:18:57,040 Speaker 1: everyone's attention was a male model featured on page six 315 00:18:57,160 --> 00:19:01,000 Speaker 1: O two, where he was modeling permanent pressed boxer shorts, 316 00:19:01,240 --> 00:19:05,200 Speaker 1: a luxury brend blend of quote fifty percent Codell polyester 317 00:19:05,359 --> 00:19:10,160 Speaker 1: and fifty percent combed cotton with a no roll elastic waste. 318 00:19:10,640 --> 00:19:12,760 Speaker 1: But it wasn't his underwear that generating the buzz. In 319 00:19:12,800 --> 00:19:15,520 Speaker 1: the carefully chosen words of a news director for Sears, 320 00:19:15,960 --> 00:19:19,000 Speaker 1: Sears had a news director imagine that the item of 321 00:19:19,040 --> 00:19:22,359 Speaker 1: interest was quote something below it. That's something was what 322 00:19:22,400 --> 00:19:24,560 Speaker 1: appeared to be a round object peeking out from the 323 00:19:24,560 --> 00:19:27,000 Speaker 1: bottom edge of the left leg of his shorts. It 324 00:19:27,080 --> 00:19:29,479 Speaker 1: occurred to some readers that the mysterious object was in 325 00:19:29,520 --> 00:19:33,040 Speaker 1: fact a tip of the models. As traum Thorne would say, 326 00:19:33,320 --> 00:19:39,159 Speaker 1: Genitalia let's see here. The man on page six oh 327 00:19:39,240 --> 00:19:42,200 Speaker 1: two became a viral sensation. People took the catalog into 328 00:19:42,240 --> 00:19:45,439 Speaker 1: work and showed the provocative photo to their colleagues. Copies 329 00:19:45,480 --> 00:19:50,160 Speaker 1: circulated at schools public libraries noticed an unusual rise in 330 00:19:50,200 --> 00:19:52,920 Speaker 1: request for the issue. The appeal was obvious. A Sears 331 00:19:52,960 --> 00:19:55,120 Speaker 1: catalog was as wholesome as all American as apple pie 332 00:19:55,160 --> 00:19:57,400 Speaker 1: in the fourth of July, and yet here slipped into 333 00:19:57,440 --> 00:19:59,200 Speaker 1: it was a guy showing off his stuff. It was 334 00:19:59,240 --> 00:20:02,120 Speaker 1: a perfect country trast of elements. Also, as one woman 335 00:20:02,160 --> 00:20:04,359 Speaker 1: told a reporter, it was an error and that makes 336 00:20:04,400 --> 00:20:08,040 Speaker 1: it funny. I betch it wasn't an error. By September 337 00:20:08,040 --> 00:20:09,240 Speaker 1: of the media got win into the story, and the 338 00:20:09,280 --> 00:20:12,400 Speaker 1: man on six to o two became national news. Does 339 00:20:12,440 --> 00:20:15,879 Speaker 1: Sears catalog model display more than shorts? One headline asked? 340 00:20:16,160 --> 00:20:19,280 Speaker 1: Another pose to more provocative suggestion, let's all turn to 341 00:20:19,320 --> 00:20:22,400 Speaker 1: page six to so two. However, newspapers faced the problem 342 00:20:22,440 --> 00:20:24,120 Speaker 1: of how to report on this story without being able 343 00:20:24,119 --> 00:20:27,920 Speaker 1: to show the photograph itself for fear of offending the readers. 344 00:20:28,560 --> 00:20:31,439 Speaker 1: The Kansas City Times solved this problem by reproducing the 345 00:20:31,480 --> 00:20:36,760 Speaker 1: image but waiting out the model's entire body. Was the 346 00:20:36,760 --> 00:20:39,080 Speaker 1: man on page six oh two really showing off his anatomy? 347 00:20:39,440 --> 00:20:42,199 Speaker 1: That was the burning question on everyone's mind. In an 348 00:20:42,240 --> 00:20:45,200 Speaker 1: attempt to get an answer, reporters directed their inquiries to Sears, 349 00:20:45,640 --> 00:20:47,720 Speaker 1: and the company soon came back with an official reply. 350 00:20:47,800 --> 00:20:49,679 Speaker 1: The model on page six o two was definitely not 351 00:20:50,000 --> 00:20:53,879 Speaker 1: showing off anything undoward, but please, please please keep writing 352 00:20:53,920 --> 00:20:57,760 Speaker 1: about it. Ernest Arms, a PR director for Sears, told reporters, 353 00:20:58,000 --> 00:21:02,080 Speaker 1: it's just a printing flaw. Those spots just happened. It's 354 00:21:02,200 --> 00:21:06,320 Speaker 1: just that it was in an unfortunate spot. Judy Acock, 355 00:21:06,400 --> 00:21:09,720 Speaker 1: another PR rep, elaborated, the subject in question is actually 356 00:21:09,760 --> 00:21:12,200 Speaker 1: a flaw which happened by water, grease, or dirt being 357 00:21:12,240 --> 00:21:14,760 Speaker 1: on the plate. It didn't pick up. Inc The same 358 00:21:14,920 --> 00:21:18,679 Speaker 1: artwork was used in the Spring General catalog and no 359 00:21:18,680 --> 00:21:21,160 Speaker 1: one suggested it be in Playgirl instead of the mail 360 00:21:21,200 --> 00:21:29,040 Speaker 1: order catalog. Her name Judy Acock. Acock offered some more information. 361 00:21:29,280 --> 00:21:31,719 Speaker 1: The company had printed fifteen million copies of the catalog, 362 00:21:31,760 --> 00:21:35,439 Speaker 1: and yes, they all contained the blemish. However, she denied 363 00:21:35,440 --> 00:21:38,680 Speaker 1: the rumor that Sears was facing unprecedented demand for the catalog. 364 00:21:39,280 --> 00:21:42,359 Speaker 1: There were no plans for the company to print more copies, 365 00:21:42,560 --> 00:21:46,960 Speaker 1: nor were they replating page six zh two. The opposite rumor, 366 00:21:47,040 --> 00:21:49,960 Speaker 1: she noted, was equally untrue. The company was not considering 367 00:21:50,040 --> 00:21:52,320 Speaker 1: a recall of the category. In fact, they had not 368 00:21:52,359 --> 00:21:55,680 Speaker 1: received any complaints from customers, nor was anybody suing them 369 00:21:55,680 --> 00:21:58,560 Speaker 1: on account of the picture. As for the model's identity, 370 00:21:58,600 --> 00:22:00,600 Speaker 1: Sears refused to release his name, saying that he was 371 00:22:00,720 --> 00:22:04,720 Speaker 1: entitled to his privacy, and to this day his identity 372 00:22:04,840 --> 00:22:07,520 Speaker 1: remains a secret. He's probably in his seventies now, if 373 00:22:07,520 --> 00:22:10,240 Speaker 1: he's still alive. A side note, Although the rumor that 374 00:22:10,280 --> 00:22:12,639 Speaker 1: the company experienced an unprecedented demand for the catalog may 375 00:22:12,640 --> 00:22:15,280 Speaker 1: have been untrue, it is true that many people sought 376 00:22:15,280 --> 00:22:18,399 Speaker 1: to obtain copies of the catalog, anticipating it would become 377 00:22:18,680 --> 00:22:21,560 Speaker 1: a collector's item, and copies of it today do command 378 00:22:21,640 --> 00:22:24,159 Speaker 1: higher prices than other issues. If you want to purchase 379 00:22:24,160 --> 00:22:26,000 Speaker 1: a copy on eBay, you may have to spend as 380 00:22:26,040 --> 00:22:29,680 Speaker 1: much as one hundred dollars to get one. In September 381 00:22:29,680 --> 00:22:32,680 Speaker 1: of seventy five, a trio of songwriters penned a four 382 00:22:32,760 --> 00:22:35,640 Speaker 1: verse gimmick song about the man on page six oh two. 383 00:22:36,280 --> 00:22:39,720 Speaker 1: The song was recorded by Jack Barlow using the pseudonym 384 00:22:39,800 --> 00:22:43,119 Speaker 1: Zuot Finster. By November, the song had reached number one 385 00:22:43,680 --> 00:22:46,520 Speaker 1: on the Country Singles chart. This represented the high water 386 00:22:46,600 --> 00:22:49,719 Speaker 1: mark of interest in the man on page six to two. 387 00:22:50,240 --> 00:22:54,840 Speaker 1: But still questions lingered. Sears explanation didn't satisfy everyone. After all, 388 00:22:54,880 --> 00:22:57,200 Speaker 1: it really did look like there was something peeking out 389 00:22:57,240 --> 00:23:00,000 Speaker 1: of the guy's shorts. The object was so perfectly play. 390 00:23:00,680 --> 00:23:03,239 Speaker 1: Could it really have been a printing error? True, the 391 00:23:03,280 --> 00:23:05,919 Speaker 1: object is rather far down his leg. He would have 392 00:23:05,960 --> 00:23:09,320 Speaker 1: to be remarkably well and down. But still it's possible. 393 00:23:09,720 --> 00:23:12,200 Speaker 1: The pr reps for Sears had noted that the exact 394 00:23:12,240 --> 00:23:14,440 Speaker 1: same photo of the model minus the blemish, had appeared 395 00:23:14,440 --> 00:23:16,399 Speaker 1: in the previous issue of the catalog, which was Spring 396 00:23:16,400 --> 00:23:19,679 Speaker 1: summer seventy five. Oh so they didn't just have a 397 00:23:19,680 --> 00:23:23,680 Speaker 1: fifteen hundred page catalog that they mailed to everyone. They 398 00:23:23,720 --> 00:23:28,080 Speaker 1: did that twice. They offered this as proof that the 399 00:23:28,080 --> 00:23:30,239 Speaker 1: object in question had to be a printing error and 400 00:23:30,320 --> 00:23:33,679 Speaker 1: not stray anatomy. As far as we know here at 401 00:23:33,680 --> 00:23:36,080 Speaker 1: the Museum of Hoaxes, no one has ever checked the 402 00:23:36,080 --> 00:23:43,800 Speaker 1: previous issue to confirm that no genitalia is visible. Well, 403 00:23:43,960 --> 00:23:45,600 Speaker 1: what I'd like to know is did they sell more 404 00:23:45,640 --> 00:23:48,400 Speaker 1: Sears products, and I bet you they did. The idea 405 00:23:48,440 --> 00:23:51,320 Speaker 1: of receiving in the mail a fifteen hundred page catalog, 406 00:23:51,640 --> 00:23:55,080 Speaker 1: just stop and process. That happened in my lifetime. You 407 00:23:55,080 --> 00:23:57,760 Speaker 1: didn't even ask for it, you certainly didn't pay for it, 408 00:23:58,480 --> 00:24:01,200 Speaker 1: and you could get most anything in there that you wanted, 409 00:24:02,080 --> 00:24:05,960 Speaker 1: including a kit to construct the home that was fifty 410 00:24:06,080 --> 00:24:11,399 Speaker 1: years ago. That's crazy, crazy, for better, for worse, and 411 00:24:11,520 --> 00:24:13,720 Speaker 1: so many different ways the Internet has changed our lives. 412 00:24:13,760 --> 00:24:15,359 Speaker 1: I will tell you I enjoyed the Internet because I 413 00:24:15,440 --> 00:24:18,520 Speaker 1: enjoy Facebook because I put silly stuff up there, and 414 00:24:18,560 --> 00:24:20,320 Speaker 1: when I have a minute, I read what people write, 415 00:24:20,520 --> 00:24:23,359 Speaker 1: and there's always some ninny or negative nelly or person 416 00:24:23,440 --> 00:24:24,960 Speaker 1: needs to tell you what an expert they are and 417 00:24:25,000 --> 00:24:26,919 Speaker 1: you've done this or that wrong. But mostly it's just 418 00:24:27,280 --> 00:24:28,440 Speaker 1: a fun way to interact