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Speaker 1: It's nine O gene Angine with Jenny Garth and Tory Spelling.

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Speaker 2: You guys, we're so seasonal. What do you mean, grel warm,

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Speaker 2: all cozy? I got the old uh winter sore throat.

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Speaker 2: Woke up with that.

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Speaker 3: Man.

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Speaker 1: I knew last night. I thought I can feel myself swallowing.

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Speaker 1: That's not good.

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Speaker 2: You usually can't feel yourself swallowing. It's not something I

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Speaker 2: notice right, And it's just sort of like you're.

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Speaker 3: Like glunk.

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Speaker 2: Well, and you're like, did I eat a chip wrong?

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Speaker 2: Or am I am? I hosed right now?

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Speaker 1: And then I was like, I'm totally hosed, and then

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Speaker 1: it's not horrible.

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Speaker 3: But it's there. Well, well, you look good.

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Speaker 2: If you could see her, she looks good.

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Speaker 1: I'm wearing my Target Wicked pants. They're very soft.

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Speaker 3: Oh, I just got that, very exciting.

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Speaker 2: I had to Target for the good. Well, seasonally we're

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Speaker 2: all cozy and sorry me sick, but seasonally we're also

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Speaker 2: here for a new season. I'm so excited.

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Speaker 3: I'm so excited.

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Speaker 2: It's kind of major. And I have a question for you.

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Speaker 2: What did you.

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Speaker 3: Notice anything major in the opening credits?

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Speaker 2: No? But did you that's actually watched them for one

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Speaker 2: other than the fact.

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Speaker 1: That I think it's interesting that they add Hillary Swank

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Speaker 1: to the credits before we've even met.

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Speaker 3: Her, I know, and Vincent E.

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Speaker 2: Young and we haven't even met them yet.

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Speaker 1: It feels like they would do the credits without them,

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Speaker 1: and then once they appear.

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Speaker 3: Right weird Tracy was Tracy's character in the opening credits. Now, well, then,

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Speaker 3: what the heck is.

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Speaker 2: Happenings just making a guest appearance?

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Speaker 3: No, no, no, what the heck is happening with two

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Speaker 3: new people in seasons? Season A opening credits, no explanation,

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Speaker 3: no idea who these people are.

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Speaker 2: There is some big discussions that happened over the hill.

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Speaker 1: I'm gonna take the guests that they were paid money

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Speaker 1: and negotiated the title credits into their contract.

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Speaker 3: They had to have been signed on as cast members

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Speaker 3: like regulars.

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Speaker 2: They were both signed on as full time cast members,

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Speaker 2: two new cast members.

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Speaker 1: That's why the Hillary Swank thing against kind of dramatic

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Speaker 1: because she leaves early.

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Speaker 3: Excuse me, ma'am, don't tell her, but it.

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Speaker 2: Feels like we kind of need to discuss it. And

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Speaker 2: here's why why why.

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Speaker 1: I think it's important to analyze her character in this

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Speaker 1: episode because it makes it clearer why the audience did

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Speaker 1: not like her and they let her go.

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Speaker 2: Wait, what girl?

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Speaker 3: What is happening? They introduced her. We will analyze her

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Speaker 3: in this episode that I didn't know she's leaving.

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Speaker 2: Well, she was supposed to be on, but they fire her. Basically,

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Speaker 2: when it happens, I'll tell you the exact story.

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Speaker 3: Okay, it's right there. Oh my god, I can't wait.

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Speaker 2: Oh boy.

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Speaker 3: I like side by side plays, but I have a theory.

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Speaker 2: I have a theory which we can get to.

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Speaker 3: Yeah, we're not there yet, I don't think.

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Speaker 2: Well, we can discuss it a little bit today.

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Speaker 3: If you would like to. Okay, do we have to?

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Speaker 2: This is our one shot talk about us TV actresses. Please,

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Speaker 2: we'll get to her. She gets her just desserts and

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Speaker 2: then she won an Oscar. Correct.

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Speaker 1: I want to talk about how they made her character

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Speaker 1: so unlikable. That's what I want to talk about.

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Speaker 2: Amy's been talking about this for the last two weeks.

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Speaker 3: She's well, we can talk about then if I want

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Speaker 3: Amy to thank This is exciting though. We are on

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Speaker 3: our very first episode of season eight and there's new

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Speaker 3: things happening. I think I've done and had a baby.

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Speaker 3: Definitely because now I don't look pregnant anymore, but I

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Speaker 3: still look like I just live.

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Speaker 2: Don't you say a word.

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Speaker 3: I look like it is not a baby.

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Speaker 1: They're showing your full body now, which is like, we

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Speaker 1: know you've had the baby because they're showing you.

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Speaker 2: Correct. So we filmed the Hawaii Stuffgenden film till the

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Speaker 2: very end. Oh so you were telling me why Trumparter?

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Speaker 2: So you guys are okay, you did it out of order?

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Speaker 2: Got it? So it gave her more time off? Got it?

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Speaker 2: Got it?

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Speaker 3: Glad you remember we're talking about Aloha. Beverly Hills, Part one,

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Speaker 3: aired September tenth, nineteen ninety seven.

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Speaker 2: Synopsis. Valerie is making a splash on the job market,

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Speaker 2: Kelly finds TRACE's of Tracy Gallien, Brandon is begging to

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Speaker 2: write obituaries. Steve starts off on the wrong foot with

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Speaker 2: a soccer mom. Donna gets laid in Honolulu, while David's

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Speaker 2: bottom line put the Pepad in financial free fall.

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Speaker 3: Directed by Bethany Rooney, written by Michael Braverman.

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Speaker 1: Huh so, did you guys notice it's a little bit

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Speaker 1: sexier or is that just me? I've noticed they've leveled

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Speaker 1: it up a little bit more like a little bit more.

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Speaker 2: Can you just start with the narration the voiceover of Jason,

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Speaker 2: good call, good call, talk about it?

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Speaker 3: You don't like it? You do like it? What's happening?

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Speaker 3: I it feels like a different show. What's happening?

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Speaker 2: I'm not sure. I'm hesitant to say it because there

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Speaker 2: were parts of it that I felt my dad's fingerprints

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Speaker 2: all over it. But it felt a little old timey, cheesy, cheesy.

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Speaker 3: Yes, is it just the voiceover is what he's saying.

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Speaker 2: Oh, it's just it's the wording of what was written.

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Speaker 3: Oh, ok And I knew.

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Speaker 2: I was like, I could feel like it wasn't I

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Speaker 2: felt like Jason wasn't that into it, Like he was

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Speaker 2: just like, Okay, here I go. I'm going to read

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Speaker 2: it monotone Brandon. And then but I was like excited

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Speaker 2: for it. And then when I saw it and Valerie

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Speaker 2: thought a new hair, new hairdo would change her luck

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Speaker 2: or something, I was like, oh, that's so my dad.

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Speaker 2: He needed to call it out if someone had a

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Speaker 2: hair change.

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Speaker 3: I mean, yeah, she went to blonde.

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Speaker 1: Yeah, unnecessary, the whole Like, here's here's what sps we

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Speaker 1: be gil this summer. Do you know what I mean,

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Speaker 1: it was like, can I just learn it by learning it?

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Speaker 2: Right? I feel like the big one was, Oh, how

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Speaker 2: do we address Valerie's hair. Let's put a whole voiceover

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Speaker 2: in the front. Yeah, it's like, but who really cares?

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Speaker 2: I guess no one want. Yeah, I guess it caught

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Speaker 2: us so fast. But nothing.

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Speaker 3: It's just different now, like our minds are so accustomed

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Speaker 3: to things changing all the time. I think when people

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Speaker 3: were watching that show in the nineties, they were dead

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Speaker 3: set on everything like being the same, and then when

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Speaker 3: there's a big change, they need a little more hand holding.

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Speaker 2: Can I go out on the limb and just say something?

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Speaker 4: I think the writing's sort of wacky. It's like, it's

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Speaker 4: this is why I don't like Hillary Swank's character. You

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Speaker 4: don't want to say wacky. You want to say what sucks.

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Speaker 2: Fair. I didn't think the writing was great in this episode.

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Speaker 3: No, No, I'm sorry I didn't either. No, no offense.

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Speaker 3: I mean, but someone's definitely going to be offended, Like.

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Speaker 2: What are you trying to say?

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Speaker 1: Yeah, you can noticeably sort of see like what's going on.

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Speaker 1: It's just they're trying all kinds of things, right, That

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Speaker 1: sweaty sort of shirtless walk and talk with the boys,

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Speaker 1: and it was kind of cool, but it was also

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Speaker 1: like it's happening here. And then my main problem with

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Speaker 1: the episode, I'll just tell you Hillary's I always thought

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Speaker 1: that Hillary Swank was bad at this part. That was

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Speaker 1: always sort of my notion looking back on it, remembering, Oh,

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Speaker 1: Hillary Swank was not good. It's not that she wasn't good.

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Speaker 1: She actually is good.

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Speaker 2: It's that they wrote her so ridiculously, like she comes

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Speaker 2: in hot.

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Speaker 1: She's kind of awful from the start, like why who's

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Speaker 1: going up to some dad that's just trying to help

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Speaker 1: a kid and be like, why are you touching my kid?

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Speaker 2: And so mad.

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Speaker 3: I liked it that she was like get your hands

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Speaker 3: off him, Like I liked her there, like if you're

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Speaker 3: a mom, you'd be like, and there's a grown man

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Speaker 3: with his hands on your son's shine, but it's.

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Speaker 1: Clearly a dad at the soccer game and the kid

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Speaker 1: she just for me comes in so hot, and then

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Speaker 1: it's the I could have tolerated that if not for

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Speaker 1: the restaurant scene right where she's no waiter server is

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Speaker 1: behaving that way, and then the date is so horrific

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Speaker 1: that the whole thing, and then the guy over there,

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Speaker 1: I need my drink now.

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Speaker 2: The whole thing just seemed like what in the what

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Speaker 2: is happening in this scene?

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Speaker 3: It's just hard to like go go in the very

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Speaker 3: first episode of a new season and you're already like

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Speaker 3: going off to stories that are new, and instead I

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Speaker 3: feel they've ogs yeah more that to kind of set

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Speaker 3: up the season and then gently roll into that Like

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Speaker 3: I was like, who's this new waitress at the yeah? Mad?

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Speaker 3: Like where'd she come from? I never saw her before

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Speaker 3: in my life? And then then the character of.

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Speaker 1: When she came in with the little tuxedo, I was like,

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Speaker 1: am I having something wrong with me?

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Speaker 3: Like?

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Speaker 2: Who is that person?

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Speaker 3: Like?

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Speaker 2: I was literally like does is that Valerie? In my eyes?

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Speaker 2: Don't work?

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Speaker 3: Like?

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Speaker 2: I was like, what is happening? Like do you want to?

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Speaker 2: Don't set her up at all? She comes in and

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Speaker 2: she's just like Donna pick these out, and I'm like,

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Speaker 2: who are you?

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Speaker 3: How do you know? Donna?

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Speaker 2: Just get them a little scar?

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Speaker 3: Like how much did I miss? Did I miss them?

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Speaker 2: Yeah? I was like, how menopause? Am I what happening?

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Speaker 2: That's like a good thing to bring up in a

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Speaker 2: bigger way that how much disservice do writers and producers

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Speaker 2: do introducing new characters to an audience of any show

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Speaker 2: that is like a long standing show that people love,

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Speaker 2: like it's hard if they don't accept you and they

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Speaker 2: don't do it the right way. It's kind of it.

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Speaker 2: You only get one shot.

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Speaker 3: There's a plenty of.

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Speaker 1: Shows where they introduce new characters in a normal way.

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Speaker 1: It seems like all of a sudden, David's in his

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Speaker 1: office and there's a girl talking to him like she's

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Speaker 1: supposed to be my best friend, and I'm like, who

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Speaker 1: is this in the little white tank.

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Speaker 2: Top with the black tie.

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Speaker 3: I was like, what's what's happening? I like the outfit though,

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Speaker 3: good job Donna, me too.

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Speaker 2: It's very cute. So I think that's my beef.

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Speaker 1: Like, I think that they were trying so hard to like,

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Speaker 1: I feel like what they were trying to do was

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Speaker 1: like introduce Hillary Swank as sort of this foil to

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Speaker 1: Steve right the opposite to him, and she comes in

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Speaker 1: kind of like I don't care about you, get away

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Speaker 1: from me, and then we're going to see them fall

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Speaker 1: in love, right, But they made her so unlikable from

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Speaker 1: the jump that it's why I think she only lasts

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Speaker 1: like episodes or whatever it is, because.

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Speaker 2: She's just I'm just like, oh, you're not nice, You're

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Speaker 2: not nice.

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Speaker 3: I think that she's such a good actress that she

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Speaker 3: took the page, she took the words on the page,

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Speaker 3: and she actually really brought them to life.

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Speaker 2: Yeah, maybe no.

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Speaker 3: One was there saying let's lighten that up just a little.

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Speaker 3: I'm not sure what was the problem, but I guess

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Speaker 3: she comes in pretty hot. But I can definitely see

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Speaker 3: why her character would be a little bit shaken and maybe,

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Speaker 3: you know, you can kind of see her car her

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Speaker 3: running to the gamelight like her work, her job, Like

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Speaker 3: she's definitely clearly running on fumes, the single mom struggling.

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Speaker 2: We get that.

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Speaker 1: But like, I think, had they written her differently, I

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Speaker 1: actually could have really liked her and gone three seasons

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Speaker 1: with her.

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Speaker 2: Do you know what I'm saying? Like they wrote her

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Speaker 2: so negative that I'm like, why would.

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Speaker 4: I like her?

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Speaker 2: She's so awful?

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Speaker 1: And the date Also, if I'm just gonna call it

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Speaker 1: out that Steve is on, she's also awful.

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Speaker 3: Well, yeah, I just don't think that's a great match

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Speaker 3: for Steve.

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Speaker 2: Michael Braverman wrote many scripts for us. Do you remember

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Speaker 2: him Jim and dark Beard? Yesy am, But was this

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Speaker 2: like his first and then he kept going with us?

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Speaker 2: He was only later seasons.

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Speaker 3: I'm wondering. Maybe I'm really not sure.

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Speaker 2: We're not sure. But Bethany was one of our main

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Speaker 2: female directors or only female directors. Yeah, so we had

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Speaker 2: grown with her. She had been with us since the

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Speaker 2: first season, so by this point it's not the director.

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Speaker 2: But she was very hands on directing like she wasn't

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Speaker 2: some directors would let us just like do whatever we

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Speaker 2: want to, just go like. She was very good with that.

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Speaker 2: So I'm just saying I'm surprised that she, especially with

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Speaker 2: a new cast member being a female, that she wouldn't

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Speaker 2: have said that a question. Can director just go like

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Speaker 2: the script is so bad?

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Speaker 3: I don't think they can, right, Yeah, I don't think

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Speaker 3: that that would benefit them at all, right, say that,

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Speaker 3: but they would probably want to tighten things up, because

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Speaker 3: if your point is to get the audience to like

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Speaker 3: Hillary Swank right, to fall in love with her so

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Speaker 3: that we really root for her and Steve, and why

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Speaker 3: have her start where we're all like, yeah, you're awful.

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Speaker 2: The date he's on is awful. This restaurant scene is

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Speaker 2: people behaving in such a awful manner, right.

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Speaker 3: It's not realistic.

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Speaker 2: Oh, it just was like, yeah, totally, that kid is adorable.

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Speaker 3: So cute. It's such a good point because, yeah, you

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Speaker 3: we want to stick around, We want the audience to

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Speaker 3: like her and root for them. But it's a weird

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Speaker 3: way to set it up. Yeah, it's kind of like

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Speaker 3: the wrong.

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Speaker 2: And maybe I get that.

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Speaker 1: They they're like, we'll redeem her, but like we already

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Speaker 1: know Jamie Walters, that doesn't work. Yeah, Now, Aaron is adorable,

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Speaker 1: Steve with Air is adorable, Steve with the Little Boy

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Speaker 1: is adorable. There was such a way to do it

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Speaker 1: where we would have been like, I frankly think I

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Speaker 1: like her better than Claire potentially as an actor or character.

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Speaker 1: Maybe you could see it, But then I'm like, oh,

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Speaker 1: you're the worst. And it's not Hillary Swank because I

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Speaker 1: always thought maybe she just didn't ever see legs yet.

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Speaker 2: No, she's good at it. She's a good actor. Hello

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Speaker 2: Karate Kidden three. Also, because I'm just gonna tell you

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Speaker 2: guys this now.

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Speaker 3: Oh wait, has she already done Karate Kid?

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Speaker 2: She's done? Yeah, I believe So wait should we check that.

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Speaker 1: Yeah, I know, because she gets let go from this

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Speaker 1: show early, and that's why she got Boys Don't cryes

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Speaker 1: because she was free to audition. So she won the

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Speaker 1: Oscar because the nine two one zero riders like kur

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Speaker 1: Dirry and the fans.

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Speaker 2: Just thought she sucked. I have another question, sorry, so

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Speaker 2: many questions.

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Speaker 1: How without social media did you all and I mean

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Speaker 1: like Cass Crew writers.

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Speaker 3: No live when an audience happily hated a character, we

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Speaker 3: didn't I think they had to they would do like

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Speaker 3: what was called or did they even do focus groups

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Speaker 3: or were they just getting like write in comments yeah,

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Speaker 3: or just vibes or something? What's that called fan mail? Yeah?

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Speaker 1: Because somehow they say the audience didn't like Jamie Walters

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Speaker 1: and they didn't you know, not Jamie Walters.

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Speaker 3: Did they know?

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Speaker 4: Yeah?

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Speaker 2: That's my questions, like how did they know?

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Speaker 3: Maybe the audience meant like the net the network executives

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Speaker 3: that watched it in the office.

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Speaker 2: Well, I mean they brought they broke down the analytics

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Speaker 2: of the ratings, right, wasn't there a way to gauge

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Speaker 2: what they like watched? What was that thing called that box?

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Speaker 2: You got Neil silsan box? You could tell like certain

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Speaker 2: scenes if people like kind of walked out and didn't look.

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Speaker 3: How did they know there was a way?

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Speaker 2: Right?

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Speaker 3: Uh Am, I like a dial because it was like

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Speaker 3: a box sign, like.

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Speaker 2: If you were like bored or went to the bathroom

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Speaker 2: and they can see who scenes they went, there is

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Speaker 2: a way.

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Speaker 1: Yeah, yeah, yeah, and you can do focus groups, but

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Speaker 1: it's not as easy as like on social media.

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Speaker 2: It is very clear, so easy now.

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Speaker 1: But anyway, I'm noticing a difference. I'm noticing I'm seeing

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Speaker 1: a little bit more like sexy. Yeah, it's a little more.

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Speaker 2: Booby the generals. The lighting feels a little darker.

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Speaker 1: A little darker, and it's a little more like, like

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Speaker 1: I said, the boys with the shirts off walk and talk.

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Speaker 1: That's not we don't we've seen it, but we don't

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Speaker 1: see it so much. And that just scene always seems

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Speaker 1: ad lid, like they're just joking around.

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Speaker 3: Let's start with the top. Okay, Brandon's explaining everything to us,

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Speaker 3: which is great.

337
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Speaker 2: Thanks for the makings, Brandon.

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Speaker 3: We needed a little recap. I guess they didn't do recaps.

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Speaker 3: Then they just needed him to voice over everything that happened,

340
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Speaker 3: but it was good. And then we see Kelly is inside.

341
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Speaker 3: Is this the first scene we go into the wallshouse?

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Speaker 2: Yeah? I think. Is this where you're redecorating?

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Speaker 3: Yeah? She does not hear that, Like, first of all, yeah,

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Speaker 3: it's all baby doll dresses for Kelly for a while,

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Speaker 3: I think, until her baby bump goes away. But she's

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Speaker 3: redecorating Brandon's room. Is that Brandon's room or is that

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Speaker 3: the parents room?

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Speaker 2: Help me, I guess it's the parents room. Wait it

349
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Speaker 2: is now we've decided.

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Speaker 3: I can't remember.

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Speaker 2: I guess some fans told us it's the parents room.

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Speaker 2: Oh really, I don't. It looks like Brandon's room. Okay, wait,

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Speaker 2: if it's the parents room, so he was sleeping in

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Speaker 2: that room before Kelly moved in, I guess so we

355
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Speaker 2: were wrong.

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Speaker 1: It just they all looked the same, the bedrooms all

357
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Speaker 1: look the same, which they probably were.

358
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Speaker 2: Because I was just like I kept betting nervous with you,

359
00:17:56,560 --> 00:17:58,960
Speaker 2: like carrying drawers, deciding not to carry drawers.

360
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Speaker 3: But it was so me though, like she's taking the

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Speaker 3: drawers out and going through things.

362
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Speaker 2: It's so like bad decor Sorry, I know I would

363
00:18:10,600 --> 00:18:15,200
Speaker 2: not have handled it that way. It's not good, Like

364
00:18:15,320 --> 00:18:20,840
Speaker 2: he's deals with you very well and kind. In this moment, I.

365
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Speaker 3: Think I need to be married to Brandon now because

366
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Speaker 3: my husband is not down with my constant need to

367
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Speaker 3: redecorate things.

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Speaker 2: Can I say this in the loveliest way, like I

369
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Speaker 2: mean this with love. Kelly's got annoying right now? She is.

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Speaker 2: She's like, it's like, why do you care that he's

371
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Speaker 2: got photos? Who cares?

372
00:18:40,920 --> 00:18:44,320
Speaker 3: She's cranky as if she's got a hormone influx. Wait

373
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Speaker 3: what ha ha ha, No, she's she's just kind of

374
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Speaker 3: or new differently, a little naggy, a little negative ish,

375
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Speaker 3: But that's the one that comes in slinging. She comes

376
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Speaker 3: into the room. I thought they are going to get

377
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Speaker 3: along now, but it seems like Brandon my god to

378
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Speaker 3: live with constant thank you.

379
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Speaker 2: It's like the whole thing was at the end of

380
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Speaker 2: last season. She's supposed to be nice and she's not.

381
00:19:10,800 --> 00:19:13,639
Speaker 2: What was already starting in It's just like Kelly has

382
00:19:13,720 --> 00:19:17,600
Speaker 2: Donna and we don't need two nice friends. Your batty

383
00:19:17,640 --> 00:19:20,400
Speaker 2: Crocker line was funny. It wasn't like super hard.

384
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Speaker 4: It was fun.

385
00:19:21,359 --> 00:19:23,520
Speaker 2: It was funny, but she's not nice.

386
00:19:23,720 --> 00:19:26,800
Speaker 3: It's also true, like what the dig cord.

387
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Speaker 2: First of all, none of you have jobs. Can we

388
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Speaker 2: talk about it now now? One of you was stressing

389
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Speaker 2: me out more than anything. I was like, oh my god,

390
00:19:34,080 --> 00:19:35,400
Speaker 2: now it feels like real life.

391
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Speaker 3: And I know it was very stressful because it's probably

392
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Speaker 3: really hard to get a job out of college. I

393
00:19:40,000 --> 00:19:42,320
Speaker 3: know it is, right, but it must have been a

394
00:19:42,520 --> 00:19:45,359
Speaker 3: lot harder than because you didn't have the world at

395
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Speaker 3: your fingertips to apply to different things, you know, and

396
00:19:48,920 --> 00:19:50,400
Speaker 3: find out about different opportunities.

397
00:19:50,800 --> 00:19:53,679
Speaker 2: So much easier now there's no apps. I mean, back then,

398
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Speaker 2: circling in the newspaper, what do you do?

399
00:19:56,200 --> 00:19:58,040
Speaker 1: No, I think it's harder now there's so much real

400
00:19:58,160 --> 00:20:00,879
Speaker 1: musician I think at the time, like the economy I

401
00:20:00,920 --> 00:20:01,520
Speaker 1: think was good.

402
00:20:01,640 --> 00:20:04,040
Speaker 2: What was this the nineties? I don't know what the

403
00:20:04,119 --> 00:20:05,359
Speaker 2: economy was doing what I want.

404
00:20:05,440 --> 00:20:06,480
Speaker 3: I feel like it was good.

405
00:20:06,680 --> 00:20:09,119
Speaker 2: But it's just like, why do they not have jobs?

406
00:20:10,000 --> 00:20:12,960
Speaker 1: Yeah, and like everybody want to work at Xerox. That's

407
00:20:13,040 --> 00:20:15,960
Speaker 1: what everybody graduating did. They went and worked at Xerox

408
00:20:16,160 --> 00:20:17,679
Speaker 1: or Anderson Consulting.

409
00:20:18,240 --> 00:20:21,840
Speaker 3: But they're all looking for jobs. Everybody, you know, Vow's

410
00:20:21,880 --> 00:20:23,959
Speaker 3: trying to find a job. Not working out for her.

411
00:20:24,520 --> 00:20:26,160
Speaker 2: But how does Brandon not have a job.

412
00:20:26,240 --> 00:20:28,359
Speaker 1: That's sort of my flag is like Brandon would have

413
00:20:28,480 --> 00:20:32,600
Speaker 1: graduated without a job, right or like a plan, right,

414
00:20:32,760 --> 00:20:33,679
Speaker 1: Brandon would have had a.

415
00:20:33,760 --> 00:20:38,320
Speaker 2: Job because you've distracted him. Look what you've done, Susie

416
00:20:38,400 --> 00:20:42,080
Speaker 2: homemakers meet it. He can't even focus anymore. Even he

417
00:20:42,200 --> 00:20:45,200
Speaker 2: they've been focused with Tracy. He would have been focused

418
00:20:45,240 --> 00:20:45,760
Speaker 2: with Susan.

419
00:20:46,880 --> 00:20:49,320
Speaker 3: All the girlfriends for him to keep pictures of in

420
00:20:49,440 --> 00:20:53,760
Speaker 3: his drawers. It's like Tracy all just Tracy? Was she

421
00:20:53,920 --> 00:20:56,040
Speaker 3: that significant? In the mid Right?

422
00:20:56,080 --> 00:20:58,480
Speaker 2: Where's Susan? Where's Susan?

423
00:20:58,520 --> 00:21:01,560
Speaker 3: Where's Emily Valentine? I feel like if I scan it.

424
00:21:01,600 --> 00:21:04,199
Speaker 2: To him and every time he's like, oh, here's another one.

425
00:21:04,280 --> 00:21:06,000
Speaker 2: So he just kept putting it in one place because

426
00:21:06,040 --> 00:21:08,680
Speaker 2: he's not organized, but semini organized. It's just all stayed

427
00:21:08,680 --> 00:21:11,119
Speaker 2: in one place. I don't think like he looks at it.

428
00:21:11,359 --> 00:21:13,480
Speaker 2: Here's why we're about to bump into her. I'm just

429
00:21:13,680 --> 00:21:16,920
Speaker 2: upset that he tells you that he's throwing them out.

430
00:21:17,920 --> 00:21:20,960
Speaker 2: Throwing them out seems yucky. Also, that made me feel

431
00:21:21,359 --> 00:21:24,080
Speaker 2: bad because I feel like it's one thing to when

432
00:21:24,160 --> 00:21:26,520
Speaker 2: Kelly's like, I put my past, I boxed him up

433
00:21:26,600 --> 00:21:29,480
Speaker 2: in the past. Yeah, everyone does that we have a history,

434
00:21:29,680 --> 00:21:31,800
Speaker 2: put it away, and then you throw them. I feel

435
00:21:31,920 --> 00:21:34,480
Speaker 2: so bad. He's like I'm burning it all down, like

436
00:21:34,680 --> 00:21:37,160
Speaker 2: I'm gonna throw it all out. I was like, wait,

437
00:21:38,080 --> 00:21:40,360
Speaker 2: wait ah, so we all know why they're gonna bump

438
00:21:40,400 --> 00:21:40,920
Speaker 2: into each other.

439
00:21:41,520 --> 00:21:41,560
Speaker 3: What.

440
00:21:42,760 --> 00:21:44,560
Speaker 2: Yeah, you're right, I forgot about that. I forgot she

441
00:21:44,680 --> 00:21:45,200
Speaker 2: was coming back.

442
00:21:45,280 --> 00:21:47,879
Speaker 1: Yes, well, and they say her name on the opening

443
00:21:48,000 --> 00:21:49,760
Speaker 1: credits as a special guest star or whatever.

444
00:21:50,240 --> 00:21:53,240
Speaker 3: Fine, wait does he run into her in Hawaii? I think,

445
00:21:54,080 --> 00:21:55,760
Speaker 3: oh my god, Yeah.

446
00:21:56,000 --> 00:21:57,359
Speaker 2: She's pretty the gal.

447
00:21:57,960 --> 00:22:02,480
Speaker 1: But Kelly's being annoying. He's they're all annoying, Like he

448
00:22:02,480 --> 00:22:03,600
Speaker 1: should just say, I'm sorry that was there.

449
00:22:03,680 --> 00:22:04,720
Speaker 2: Let me put it in a box and shove it

450
00:22:04,720 --> 00:22:05,119
Speaker 2: in the attic.

451
00:22:05,520 --> 00:22:06,320
Speaker 3: Yeah, no, big deal.

452
00:22:06,880 --> 00:22:09,880
Speaker 2: There's an attic. No, I don't know the basement whatever,

453
00:22:10,000 --> 00:22:12,639
Speaker 2: But I wonder, wait, and Cossa Walsh, is there an

454
00:22:12,680 --> 00:22:16,000
Speaker 2: attic or a basement? No, there's no basements in California.

455
00:22:16,760 --> 00:22:18,520
Speaker 2: You shove in the garage, I don't. I have like

456
00:22:18,560 --> 00:22:19,800
Speaker 2: a weird act. No attic either.

457
00:22:20,040 --> 00:22:22,600
Speaker 1: You shove boxes like that in the garage. Okay, I

458
00:22:22,640 --> 00:22:25,879
Speaker 1: don't know, Jenny Kelly, do you kind of be annoying.

459
00:22:25,560 --> 00:22:28,560
Speaker 2: Donna's doing the deed on the on the like he

460
00:22:28,760 --> 00:22:29,920
Speaker 2: lives there all summer long.

461
00:22:29,960 --> 00:22:35,119
Speaker 3: They're just like rabbits, right, we don't know this, but

462
00:22:35,320 --> 00:22:37,879
Speaker 3: is it now that you have to have you have

463
00:22:37,960 --> 00:22:40,320
Speaker 3: to get a roommate just to be able to pay

464
00:22:40,320 --> 00:22:40,600
Speaker 3: the rent?

465
00:22:40,640 --> 00:22:40,760
Speaker 2: There?

466
00:22:40,840 --> 00:22:43,600
Speaker 3: Is that what's happening because dad's giving you an allowance.

467
00:22:43,920 --> 00:22:45,240
Speaker 2: I love the scene.

468
00:22:45,240 --> 00:22:47,560
Speaker 1: There's nothing I love more than Donna getting her allowance

469
00:22:47,600 --> 00:22:49,760
Speaker 1: from her sweet dad. And the whole thing is so sweet,

470
00:22:49,800 --> 00:22:51,920
Speaker 1: and that actually was very realistic. I'm like, the whole

471
00:22:51,960 --> 00:22:53,200
Speaker 1: thing was like I get it.

472
00:22:53,840 --> 00:22:57,400
Speaker 3: Dads don't just stop like giving you money, hopefully if

473
00:22:57,440 --> 00:23:00,399
Speaker 3: they're in the position to when you graduate from.

474
00:23:00,320 --> 00:23:05,359
Speaker 2: College, especially like doctor Martin his my dad always did that,

475
00:23:05,800 --> 00:23:08,000
Speaker 2: like it was not my mom thing. Like my dad

476
00:23:08,040 --> 00:23:09,960
Speaker 2: when I was little would hand me the allowance I

477
00:23:10,000 --> 00:23:12,760
Speaker 2: would ask to work for, hand me a twenty here

478
00:23:12,840 --> 00:23:13,080
Speaker 2: and there.

479
00:23:13,200 --> 00:23:13,359
Speaker 3: You know.

480
00:23:14,040 --> 00:23:17,359
Speaker 2: Yeah, they make it like it's some big deal that

481
00:23:17,480 --> 00:23:20,359
Speaker 2: she doesn't tell her mom. Why would she tell her mom?

482
00:23:23,000 --> 00:23:25,879
Speaker 2: I mean, if you have a great relationship with your mom, cool,

483
00:23:26,040 --> 00:23:28,200
Speaker 2: But if it's like a bone of contention and it's

484
00:23:28,280 --> 00:23:31,880
Speaker 2: nineteen ninety seven, supposed to wait till marriage, I wouldn't

485
00:23:31,880 --> 00:23:35,639
Speaker 2: be telling my mom either exactly. And David insisting is

486
00:23:35,720 --> 00:23:36,200
Speaker 2: so weird.

487
00:23:36,280 --> 00:23:40,920
Speaker 3: I'm like, why, No, he's insisting that she Donna tells

488
00:23:41,000 --> 00:23:42,239
Speaker 3: him that he's living with her.

489
00:23:42,440 --> 00:23:44,159
Speaker 1: But I think the issue is he wants her to

490
00:23:44,240 --> 00:23:47,560
Speaker 1: say they're living together, like insane that.

491
00:23:50,960 --> 00:23:53,920
Speaker 2: I liked that Kelly said it was her birth control pills.

492
00:23:54,119 --> 00:23:57,000
Speaker 3: Naturally, that's what That's what a friend would do. But

493
00:23:57,160 --> 00:24:01,840
Speaker 3: why is Felice in drug store of all the drug.

494
00:24:01,720 --> 00:24:04,159
Speaker 1: Stores because she had to go out of town or

495
00:24:04,240 --> 00:24:07,080
Speaker 1: something because the doctor called in the wrong prescription to

496
00:24:07,160 --> 00:24:11,000
Speaker 1: the wrong place and da da, they had some lame reason.

497
00:24:11,000 --> 00:24:13,800
Speaker 2: They made up. Yeah, yeah, which they wrote better than

498
00:24:13,840 --> 00:24:14,240
Speaker 2: the opening.

499
00:24:14,840 --> 00:24:15,520
Speaker 3: That was better.

500
00:24:15,680 --> 00:24:18,440
Speaker 1: Yeah, it seemed it was a little bit more realistic.

501
00:24:18,720 --> 00:24:20,840
Speaker 1: But also, I don't know that a pharmacist is going

502
00:24:20,920 --> 00:24:23,280
Speaker 1: to just suddenly start explaining things with like a random

503
00:24:23,359 --> 00:24:26,360
Speaker 1: lady there. I feel like pharmacists keep it kind of private, like, hey,

504
00:24:26,400 --> 00:24:28,280
Speaker 1: do you want to come over to the console area.

505
00:24:29,440 --> 00:24:33,159
Speaker 2: Well nowadays, I mean, this wasn't like CVS. It was

506
00:24:33,240 --> 00:24:35,800
Speaker 2: like a family pharmacy. He was old school.

507
00:24:36,280 --> 00:24:39,680
Speaker 3: Yeah, he's doing his job, and then we see Valerie

508
00:24:39,720 --> 00:24:44,560
Speaker 3: spraying cheap perfume on people, which is fun. But what's

509
00:24:44,600 --> 00:24:46,360
Speaker 3: the big deal. She's got a job.

510
00:24:46,760 --> 00:24:47,439
Speaker 2: At least she's.

511
00:24:47,359 --> 00:24:50,600
Speaker 3: Working, right, Is that below her? She thinks that's below her.

512
00:24:51,040 --> 00:24:51,360
Speaker 3: I don't.

513
00:24:51,800 --> 00:24:55,240
Speaker 2: Probably growing up walking to those people that would spray

514
00:24:55,320 --> 00:24:57,680
Speaker 2: perfume on you, my mom would freak out at that.

515
00:24:58,160 --> 00:24:58,720
Speaker 3: I would too.

516
00:24:59,119 --> 00:25:01,200
Speaker 2: Really, yeah, don't spray that on me.

517
00:25:01,320 --> 00:25:04,200
Speaker 3: I don't. I might not like it if I'm allergic

518
00:25:04,359 --> 00:25:07,119
Speaker 3: to it. I'm like, Mom, that reaction is so excessive.

519
00:25:07,200 --> 00:25:08,800
Speaker 2: She's like, I just don't like sense.

520
00:25:09,000 --> 00:25:12,480
Speaker 1: I'm like, okay, I thought Joey Tribbiani had that job

521
00:25:12,560 --> 00:25:15,440
Speaker 1: for some reason. I thought on Friends or some other show,

522
00:25:15,480 --> 00:25:17,360
Speaker 1: I see somebody going aramis, aramis.

523
00:25:17,440 --> 00:25:19,880
Speaker 2: I don't know why they don't do it anymore, thank goodness.

524
00:25:20,440 --> 00:25:23,040
Speaker 2: It is aggressive and you don't know people's allergies.

525
00:25:23,200 --> 00:25:25,880
Speaker 3: Like, just spray it on them, now you They just ask,

526
00:25:26,000 --> 00:25:27,840
Speaker 3: Now they ask, would you like I thought they hand

527
00:25:27,920 --> 00:25:28,480
Speaker 3: you a strip.

528
00:25:28,640 --> 00:25:30,920
Speaker 2: Now, yeah, you do a strip, they spray it on that,

529
00:25:31,800 --> 00:25:34,320
Speaker 2: then they give you the coffee beans. Yeah.

530
00:25:34,440 --> 00:25:36,480
Speaker 3: But I felt like Kelly saying that that dig to

531
00:25:36,560 --> 00:25:39,720
Speaker 3: her was exactly something that Jackie would say it was,

532
00:25:40,400 --> 00:25:46,360
Speaker 3: but like an Old Housewives kind of line totally good.

533
00:25:46,720 --> 00:25:48,480
Speaker 3: But I guess they're not done hating each other.

534
00:25:49,240 --> 00:25:50,400
Speaker 2: No, that was boring.

535
00:25:50,880 --> 00:25:51,720
Speaker 3: I'm so bored with it.

536
00:25:54,560 --> 00:25:56,320
Speaker 2: I feel like it's it's going to get next level

537
00:25:56,400 --> 00:26:00,119
Speaker 2: fun soon you do. I'm not sure. It just it's

538
00:26:00,200 --> 00:26:03,320
Speaker 2: next level sort of twisty tourney. You know what it gets,

539
00:26:03,480 --> 00:26:04,520
Speaker 2: it gets next level.

540
00:26:04,840 --> 00:26:08,399
Speaker 3: In this episode, it gets next level dumb because Donna

541
00:26:08,480 --> 00:26:12,199
Speaker 3: gets a job in Hawaii and then she's like, come

542
00:26:12,280 --> 00:26:15,680
Speaker 3: with me, David, I'll switch my ticket. Well, I guess

543
00:26:15,680 --> 00:26:18,440
Speaker 3: she's getting a first class ticket as a new assistant.

544
00:26:18,520 --> 00:26:19,800
Speaker 2: Okay, zero.

545
00:26:20,720 --> 00:26:23,920
Speaker 3: Then she says, I'll twist it. I'll turn it in

546
00:26:24,040 --> 00:26:27,640
Speaker 3: for two coach tickets, and then he says, completely out

547
00:26:27,680 --> 00:26:30,119
Speaker 3: of character, why don't we all go to.

548
00:26:31,960 --> 00:26:33,720
Speaker 2: Can I ask a question about the lady you're interview

549
00:26:33,760 --> 00:26:36,320
Speaker 2: going on. That's how it works on TV shows, you guys.

550
00:26:37,000 --> 00:26:39,240
Speaker 2: I guess I need to know about the lady you're

551
00:26:39,280 --> 00:26:42,000
Speaker 2: interviewing with, Like, all of a sudden, was she sick?

552
00:26:42,119 --> 00:26:45,800
Speaker 2: Does she have? What happened? Is she having like ibs?

553
00:26:45,920 --> 00:26:47,439
Speaker 3: Let's have something bad is happening?

554
00:26:47,720 --> 00:26:50,680
Speaker 2: She got a one day viral, like you got to

555
00:26:50,720 --> 00:26:53,280
Speaker 2: get to the bathroom. That's all I know maybe she

556
00:26:53,359 --> 00:26:56,560
Speaker 2: had the og covid a hot flash.

557
00:26:56,680 --> 00:26:58,760
Speaker 3: I'm pretty sure it was either a hot flash or

558
00:26:58,880 --> 00:27:00,520
Speaker 3: she's about to her pants.

559
00:27:01,359 --> 00:27:02,960
Speaker 2: For sure it was his stomach flu.

560
00:27:04,760 --> 00:27:09,320
Speaker 3: Oh bad. She's at that weird restaurant, y'all were She

561
00:27:09,400 --> 00:27:12,000
Speaker 3: seems pretty high maintenance. I'm a little worried about Donna's

562
00:27:12,119 --> 00:27:15,399
Speaker 3: job with her and you shouldn't be nutty, but also

563
00:27:16,400 --> 00:27:19,159
Speaker 3: pretty well written, because you know, there are a lot

564
00:27:19,240 --> 00:27:22,800
Speaker 3: of nutty, totally people in this business. So that was

565
00:27:22,840 --> 00:27:24,560
Speaker 3: pretty It did make sense.

566
00:27:24,680 --> 00:27:26,920
Speaker 2: Yeah, I could totally see myself being like, you have

567
00:27:27,000 --> 00:27:32,760
Speaker 2: the job at diarrhea Duct, You're gonna handle everything. Bye.

568
00:27:33,640 --> 00:27:36,440
Speaker 3: Uh Yeah, it's exciting. I'm excited that Donna has this job.

569
00:27:36,440 --> 00:27:38,080
Speaker 3: I don't know what's going to happen, but she gets

570
00:27:38,119 --> 00:27:38,760
Speaker 3: to go Hawaii.

571
00:27:39,080 --> 00:27:41,439
Speaker 2: No assistant is getting a first class ticket.

572
00:27:41,720 --> 00:27:41,960
Speaker 3: Never.

573
00:27:43,000 --> 00:27:45,040
Speaker 2: Never, We're like, can you drive? Like can you.

574
00:27:47,160 --> 00:27:47,280
Speaker 1: Can?

575
00:27:47,359 --> 00:27:49,480
Speaker 3: You just get yourself there and then I'll pay for

576
00:27:49,560 --> 00:27:50,040
Speaker 3: your meals.

577
00:27:50,600 --> 00:27:53,760
Speaker 2: Yeah, we'll give you forty dollars per getting per diem.

578
00:27:54,680 --> 00:27:55,439
Speaker 2: I'm sure you are.

579
00:27:56,240 --> 00:27:59,240
Speaker 3: Probably. I guess it's a big budget thing because of

580
00:27:59,320 --> 00:28:00,880
Speaker 3: the guy. Who's the guy?

581
00:28:01,280 --> 00:28:18,920
Speaker 2: Yeah, some fancy guy. Should Brandon have gone No, I

582
00:28:19,040 --> 00:28:19,679
Speaker 2: kind of agree.

583
00:28:19,920 --> 00:28:22,560
Speaker 3: I mean, it's just I guess he's going with his friends.

584
00:28:22,720 --> 00:28:26,200
Speaker 3: But it feels really weird that everybody's going to Hawaii

585
00:28:27,160 --> 00:28:29,480
Speaker 3: and Kelly's not, and everybody's.

586
00:28:29,000 --> 00:28:32,440
Speaker 2: Like, Okay, bye. It happens so fast trip and you're

587
00:28:32,480 --> 00:28:35,800
Speaker 2: not coming, but who cares by Like, no discussions. It

588
00:28:35,880 --> 00:28:38,960
Speaker 2: happened so fast, so it gave us time to not

589
00:28:39,160 --> 00:28:41,800
Speaker 2: really focus on that. But if you really think about it,

590
00:28:42,280 --> 00:28:45,440
Speaker 2: on that five and a half hour flight, I'd rebummed, like,

591
00:28:45,880 --> 00:28:46,640
Speaker 2: she's not coming.

592
00:28:47,760 --> 00:28:50,840
Speaker 3: Also, none of them have jobs. How are they affording?

593
00:28:51,080 --> 00:28:57,120
Speaker 3: Just let's go to Hawaii on a whim Buffets, baby Buffets.

594
00:28:57,560 --> 00:28:59,320
Speaker 3: I guess they're from Beverly Hills.

595
00:29:00,160 --> 00:29:02,280
Speaker 2: We were in the Hilton Hawaiian Village Hotel.

596
00:29:03,120 --> 00:29:05,800
Speaker 3: Will know, Lulu, Okay, are you so excited to go

597
00:29:05,920 --> 00:29:09,160
Speaker 3: to Hawaii? On the show, You're so excited.

598
00:29:09,320 --> 00:29:12,360
Speaker 2: I have some fun stories for your guest. I bet if.

599
00:29:12,280 --> 00:29:15,160
Speaker 3: I'd been there, I would know the fun stories, but

600
00:29:15,280 --> 00:29:17,840
Speaker 3: I don't, so I'm excited to hear them. I guess

601
00:29:17,880 --> 00:29:22,440
Speaker 3: I was just I think this was like a month

602
00:29:22,600 --> 00:29:25,120
Speaker 3: after I had the baby. It was time to go

603
00:29:25,200 --> 00:29:28,600
Speaker 3: back to work. Is that normal maternity leave timing? I

604
00:29:28,680 --> 00:29:32,160
Speaker 3: don't think so. One month of time off when you

605
00:29:32,280 --> 00:29:32,800
Speaker 3: have a baby.

606
00:29:32,920 --> 00:29:36,920
Speaker 2: I was somewhere. I was quite literally in a hotel.

607
00:29:37,400 --> 00:29:40,160
Speaker 2: But was I already there or somewhere else when I

608
00:29:40,200 --> 00:29:42,560
Speaker 2: got the call from Tiffany that you had just had

609
00:29:42,600 --> 00:29:43,000
Speaker 2: the baby?

610
00:29:43,840 --> 00:29:48,480
Speaker 3: Where were you? Were you in Hawaii? I did you stay? You?

611
00:29:50,280 --> 00:29:52,240
Speaker 3: How are you? You don't want to come home?

612
00:29:52,760 --> 00:29:52,920
Speaker 4: Oh?

613
00:29:53,400 --> 00:29:54,600
Speaker 3: She knows me so well.

614
00:29:55,160 --> 00:29:57,600
Speaker 2: So probably I was like, I'm gonna take one little

615
00:29:57,600 --> 00:29:59,880
Speaker 2: personal trip with like my brother and friends before we

616
00:30:00,000 --> 00:30:03,400
Speaker 2: so film, and I probably overstayed and then had to

617
00:30:03,440 --> 00:30:04,240
Speaker 2: go right to Hawaii.

618
00:30:04,400 --> 00:30:07,600
Speaker 3: Probably, yeah, yeah, Where was I though? But yeah, I know,

619
00:30:07,720 --> 00:30:10,200
Speaker 3: I just remember. It was just one month of like

620
00:30:10,800 --> 00:30:15,680
Speaker 3: your life changing one hundred percent, when you're just this

621
00:30:15,840 --> 00:30:19,520
Speaker 3: is your first baby, and you know it's crazy, and

622
00:30:19,560 --> 00:30:21,480
Speaker 3: then you have to go back to being on set

623
00:30:21,480 --> 00:30:24,840
Speaker 3: at six am. Oh my gosh, it's a baby on

624
00:30:24,920 --> 00:30:25,320
Speaker 3: your boot.

625
00:30:25,400 --> 00:30:27,200
Speaker 2: Oh wait when we when we come back, will you

626
00:30:27,280 --> 00:30:31,400
Speaker 2: tell the story about because Luca was not expected that

627
00:30:31,520 --> 00:30:32,840
Speaker 2: day and Peter was working.

628
00:30:33,880 --> 00:30:38,160
Speaker 3: Oh yeah, I forgot about that. Thanks for reminding me,

629
00:30:38,720 --> 00:30:44,000
Speaker 3: Is said, Okay, said that, yes, okay, it's fine. He

630
00:30:44,200 --> 00:30:46,280
Speaker 3: was away when he didn't make it back.

631
00:30:46,400 --> 00:30:49,000
Speaker 2: But he tried, which is why Tiffany was there.

632
00:30:50,040 --> 00:30:52,240
Speaker 3: Was Tiffany there for the yes one?

633
00:30:52,360 --> 00:30:56,760
Speaker 2: Oh my god, she was there. She was there like

634
00:30:56,840 --> 00:30:59,400
Speaker 2: they're there, yes because I got the call from her,

635
00:30:59,520 --> 00:31:01,880
Speaker 2: and then I felt so guilty that I wasn't in

636
00:31:02,000 --> 00:31:03,920
Speaker 2: town and it's like Peter didn't make it back.

637
00:31:04,240 --> 00:31:08,960
Speaker 3: No what Yeah, I have my mom and dad both there,

638
00:31:09,160 --> 00:31:13,400
Speaker 3: so I was good. Well, I don't know where we

639
00:31:13,520 --> 00:31:16,480
Speaker 3: go from this. I guess everybody just leaves rat it.

640
00:31:17,000 --> 00:31:19,360
Speaker 3: It's hard to rate at half of an episode.

641
00:31:19,600 --> 00:31:22,680
Speaker 2: It really is, because one's going to get good right now.

642
00:31:22,760 --> 00:31:25,720
Speaker 2: We're just you know, finding out to lay in the pipe.

643
00:31:25,800 --> 00:31:28,160
Speaker 2: We're just like laying the pipe. I hate that term.

644
00:31:28,280 --> 00:31:31,640
Speaker 3: Sounds like poop, right, It's gross. What is laying the pipe.

645
00:31:31,440 --> 00:31:32,960
Speaker 2: Mean taking a poop?

646
00:31:33,480 --> 00:31:33,520
Speaker 4: No?

647
00:31:34,360 --> 00:31:38,840
Speaker 3: No, yes, no in your demented brain maybe, but in

648
00:31:38,960 --> 00:31:41,800
Speaker 3: the world means like you have to lay the pipe,

649
00:31:41,840 --> 00:31:45,360
Speaker 3: the foundation, prepping things, doing the groundwork. Yeah.

650
00:31:45,840 --> 00:31:49,480
Speaker 2: I guess I'm going to give this two ratings. Writing

651
00:31:49,560 --> 00:31:51,320
Speaker 2: a five show an.

652
00:31:51,240 --> 00:31:55,239
Speaker 1: Eight okay, wow, because I think everybody was trying their

653
00:31:55,320 --> 00:31:56,240
Speaker 1: best with a bad script.

654
00:31:56,640 --> 00:31:57,120
Speaker 2: Mm hmmm.

655
00:31:57,440 --> 00:31:58,200
Speaker 3: We'll get used to that.

656
00:31:58,480 --> 00:32:01,640
Speaker 2: And laying the pipe also mean a poop reference.

657
00:32:02,160 --> 00:32:04,240
Speaker 3: Oh my god, are you asking, Siri?

658
00:32:04,960 --> 00:32:09,239
Speaker 2: Yes, Reddit tells me some people refer to pooping as

659
00:32:09,280 --> 00:32:14,040
Speaker 2: the laying pipe. I'm gonna drop the turd, Okay, go on, Okay,

660
00:32:14,120 --> 00:32:14,720
Speaker 2: what's your reading?

661
00:32:15,640 --> 00:32:17,840
Speaker 3: I feel I'm pretty in a line with the five

662
00:32:18,000 --> 00:32:19,360
Speaker 3: on the on the writing, and.

663
00:32:20,320 --> 00:32:23,640
Speaker 2: We're not gonna start splitting up numbers now, you guys,

664
00:32:23,800 --> 00:32:26,600
Speaker 2: why not I feel like working ourselves? Then?

665
00:32:27,040 --> 00:32:29,320
Speaker 3: Okay, Okay, then I'm gonna have to give it a six.

666
00:32:30,400 --> 00:32:34,400
Speaker 3: I didn't. I didn't feel like the feelings I wanted

667
00:32:34,440 --> 00:32:37,200
Speaker 3: to feel coming back from in real life being a

668
00:32:37,240 --> 00:32:40,240
Speaker 3: super fan of the show, waiting and waiting and waiting

669
00:32:40,360 --> 00:32:42,160
Speaker 3: for the episode to come out all summer.

670
00:32:42,440 --> 00:32:44,960
Speaker 2: I'm gonna be like Flavor Flave, like guest hosting on

671
00:32:45,080 --> 00:32:46,760
Speaker 2: Dancing with the Stars. I'm gonna give it an eight.

672
00:32:48,080 --> 00:32:54,280
Speaker 3: Okay, if you wanna, you can do it. Ish Yeah,

673
00:32:54,600 --> 00:32:55,600
Speaker 3: you feel good about the eight?

674
00:32:55,960 --> 00:32:58,360
Speaker 2: Yeah? I don't feel good about it? Seven point five? Please? Okay?

675
00:32:59,240 --> 00:33:02,480
Speaker 3: I could tell Well, we'll see what happens when they

676
00:33:02,520 --> 00:33:04,560
Speaker 3: go to Hawaii next week, that's for sure. I don't

677
00:33:04,560 --> 00:33:04,920
Speaker 3: even know.

678
00:33:05,440 --> 00:33:08,800
Speaker 1: On breaking down this season because we are not gonna

679
00:33:08,800 --> 00:33:12,320
Speaker 1: be afraid to criticize some things, so we'll enjoy the

680
00:33:12,440 --> 00:33:14,240
Speaker 1: good and we'll have fun with the bad.

681
00:33:14,720 --> 00:33:17,560
Speaker 3: And yeah, if that bothers you, let us know.

682
00:33:18,480 --> 00:33:20,520
Speaker 2: Yeah, no, it's not gonna bother anybody. They're gonna be

683
00:33:20,520 --> 00:33:21,040
Speaker 2: in it with us.

684
00:33:21,880 --> 00:33:24,240
Speaker 1: We all love Hillary's Mike. But I think that the

685
00:33:24,360 --> 00:33:26,360
Speaker 1: writers did are dirty. I think that was why the

686
00:33:26,440 --> 00:33:27,360
Speaker 1: character just failed.

687
00:33:28,800 --> 00:33:31,320
Speaker 3: Well, we will find out more next week on part

688
00:33:31,400 --> 00:33:38,320
Speaker 3: two of season eight's opening episode, Aloha, Beverly Hills, Part two.

689
00:33:39,280 --> 00:33:42,520
Speaker 3: Everybody watch it. Aloha Nice