1 00:00:00,240 --> 00:00:02,880 Speaker 1: Brought to you by the reinvented two thousand twelve Camray. 2 00:00:03,120 --> 00:00:07,480 Speaker 1: It's ready. Are you welcome to Stuff you Should Know 3 00:00:08,080 --> 00:00:16,480 Speaker 1: from House Stuff Works dot Com. Hey, and welcome to 4 00:00:16,520 --> 00:00:19,960 Speaker 1: the podcast. I'm Josh Clark. There's Charles W. Chuck Bryant, 5 00:00:20,160 --> 00:00:25,880 Speaker 1: which makes this Stuff you should Know very nice. How 6 00:00:25,880 --> 00:00:28,200 Speaker 1: are you doing? Oh, I'm great. You look like you're 7 00:00:28,200 --> 00:00:30,560 Speaker 1: doing great. Chow, you look like you're doing great, Josh. 8 00:00:30,760 --> 00:00:34,400 Speaker 1: Jerry looks like she's doing about like we're doing. We're 9 00:00:34,440 --> 00:00:39,200 Speaker 1: all doing the same. That's what we're doing. So Chuckers, 10 00:00:39,240 --> 00:00:41,879 Speaker 1: I got, as I said right before we started recording, 11 00:00:41,920 --> 00:00:46,199 Speaker 1: I've I've got no intro for this, but this is 12 00:00:46,320 --> 00:00:50,200 Speaker 1: a listener request times infinity or so yeah, I gotta 13 00:00:50,320 --> 00:00:52,559 Speaker 1: I got an intro. Okay, let's hear. It just came 14 00:00:52,600 --> 00:00:57,680 Speaker 1: to me. Okay, Josh, remember years ago when you were 15 00:00:57,760 --> 00:01:01,520 Speaker 1: a young child watching NFL football, All in the quarterback 16 00:01:01,600 --> 00:01:06,280 Speaker 1: for the Washington Redskins, Joe. Thisman horrifically broke his leg. 17 00:01:06,400 --> 00:01:09,279 Speaker 1: Lawrence Taylor broke his leg. It's one of the great 18 00:01:10,080 --> 00:01:12,720 Speaker 1: tragedies of my life that I missed that you did. 19 00:01:12,840 --> 00:01:15,080 Speaker 1: I never saw it. You know, when you were watching 20 00:01:15,080 --> 00:01:17,200 Speaker 1: any sporting event and you see a knee go in 21 00:01:17,240 --> 00:01:20,720 Speaker 1: a direction it shouldn't go in Willis Mcgahey, okay, there 22 00:01:20,800 --> 00:01:24,480 Speaker 1: you go exactly when it was flopping around. Uh did 23 00:01:24,520 --> 00:01:28,119 Speaker 1: you feel a pain in your leg when that happened? Yeah? Yeah, 24 00:01:28,440 --> 00:01:31,760 Speaker 1: I felt some sort of discomfort. Okay, I feel a 25 00:01:31,760 --> 00:01:35,360 Speaker 1: shooting pain when I see it's it's usually a bone 26 00:01:35,480 --> 00:01:37,319 Speaker 1: or a leg going away. It's not supposed to go 27 00:01:37,400 --> 00:01:40,680 Speaker 1: like a knife wound. Wouldn't bother me, it wouldn't make 28 00:01:40,680 --> 00:01:44,040 Speaker 1: me grab my chest. But that always sends a shooting 29 00:01:44,040 --> 00:01:48,040 Speaker 1: pain through my leg. And that, buddy, maybe a mild 30 00:01:48,080 --> 00:01:51,400 Speaker 1: form of synaesthesia. Yes, it might be. It's my first intro. 31 00:01:51,640 --> 00:01:54,120 Speaker 1: That's very good, Chuck. I think we should, uh, we 32 00:01:54,120 --> 00:01:59,600 Speaker 1: should appropriately clap for that, Jerry. Yes, I cut for myself, 33 00:01:59,600 --> 00:02:02,240 Speaker 1: so just be a two person lame slow clap. It 34 00:02:02,320 --> 00:02:04,960 Speaker 1: was a good clap. It's a good intro, Chuck. And 35 00:02:05,360 --> 00:02:07,120 Speaker 1: this is news to me. I had no idea that 36 00:02:07,160 --> 00:02:09,160 Speaker 1: you were a synistet. Well, I don't know if that 37 00:02:09,240 --> 00:02:12,480 Speaker 1: really counts. I kind of thought everyone felt a shooting 38 00:02:12,480 --> 00:02:13,960 Speaker 1: pain when that kind of thing happened. But you know, 39 00:02:14,040 --> 00:02:18,519 Speaker 1: but you sound like a developmental synistet born with it people. Yeah, 40 00:02:18,520 --> 00:02:21,840 Speaker 1: people who are born with synesthesia tend to think that 41 00:02:21,880 --> 00:02:26,480 Speaker 1: this is a very normal occurrence that everybody feels as well. Yeah. Yeah, 42 00:02:26,919 --> 00:02:30,000 Speaker 1: that's the only time it happens though. It's just with 43 00:02:30,560 --> 00:02:34,520 Speaker 1: leg injuries, well breaks and things like when limbs just 44 00:02:34,560 --> 00:02:36,840 Speaker 1: do things that aren't supposed to they're not supposed to do. 45 00:02:36,880 --> 00:02:39,840 Speaker 1: I don't see the number three is orange. We'll get 46 00:02:39,840 --> 00:02:42,160 Speaker 1: to that later, but we definitely what but what you're 47 00:02:42,200 --> 00:02:48,400 Speaker 1: talking about is mirror touch synesthesia. Yeah, the first one, Yeah, yes, okay, 48 00:02:48,919 --> 00:02:51,000 Speaker 1: do you want to go into it? Yeah? Why not? 49 00:02:52,000 --> 00:02:53,640 Speaker 1: What are you waiting for? That's one of that I 50 00:02:53,720 --> 00:02:56,440 Speaker 1: just did the intro. I thought when you hand it over, 51 00:02:56,440 --> 00:02:58,560 Speaker 1: so I'm handing it over. Yeah, this is all reverse 52 00:02:58,680 --> 00:03:02,760 Speaker 1: and it's not like mirror reverse. It's all just confusing. Um, 53 00:03:02,800 --> 00:03:07,040 Speaker 1: all right, Well, mirror touch synaesthesia is a I don't 54 00:03:07,040 --> 00:03:09,320 Speaker 1: know if you could call it a disorder, maybe a condition, 55 00:03:09,440 --> 00:03:14,520 Speaker 1: we'll say conditions. It's a condition where a person actually 56 00:03:14,560 --> 00:03:19,480 Speaker 1: experiences a touch or an injury, uh, that they're observing 57 00:03:19,600 --> 00:03:24,080 Speaker 1: on someone else. And because it's mirror touch, if saying 58 00:03:24,080 --> 00:03:27,800 Speaker 1: I'm facing you right, which you are right, and your 59 00:03:28,000 --> 00:03:30,800 Speaker 1: left arm gets touched, I would feel it in my 60 00:03:30,919 --> 00:03:34,240 Speaker 1: right arm right. And if I were standing next to 61 00:03:34,240 --> 00:03:36,720 Speaker 1: you and your left arm were touched, I would feel 62 00:03:36,720 --> 00:03:40,040 Speaker 1: it in my left arm too. This is not supposed 63 00:03:40,080 --> 00:03:44,800 Speaker 1: to happen normally. No, pretty weird it is, And apparently 64 00:03:44,880 --> 00:03:49,800 Speaker 1: for the the I guess, truly advanced mirror touch synisthts 65 00:03:49,880 --> 00:03:53,440 Speaker 1: like you can't watch a horror movie because the the 66 00:03:53,520 --> 00:03:59,080 Speaker 1: empathy involved is so extreme that they it's unbearable to watch. 67 00:03:59,200 --> 00:04:02,120 Speaker 1: Like you feel like these things are happening to you, 68 00:04:02,480 --> 00:04:05,480 Speaker 1: And there's no There's a lot of stuff we need 69 00:04:05,520 --> 00:04:07,440 Speaker 1: to point out, but chief among them is there's no 70 00:04:07,520 --> 00:04:10,440 Speaker 1: confusion here. These people aren't confused. They don't think they're 71 00:04:10,480 --> 00:04:13,960 Speaker 1: really you know, Jack Nicholson getting hit in the head 72 00:04:14,160 --> 00:04:18,400 Speaker 1: with a baseball bat by Shelley Duval, right, They don't 73 00:04:18,400 --> 00:04:21,719 Speaker 1: think that's happening to them, but they still experience this, right. 74 00:04:22,440 --> 00:04:28,120 Speaker 1: That's number one. Number two is this is not imagination, right, right, Like, 75 00:04:28,240 --> 00:04:33,080 Speaker 1: these people aren't deluded, No, no, anymore than than say 76 00:04:33,440 --> 00:04:38,080 Speaker 1: a person with mirror touch synesthesia feeling themselves being pinched 77 00:04:38,120 --> 00:04:41,080 Speaker 1: when they want someone else being pinched. That's no more 78 00:04:41,240 --> 00:04:46,360 Speaker 1: a delusion than you or I being pinched that experience, right, Yeah, 79 00:04:46,360 --> 00:04:51,159 Speaker 1: they're they're considered uh neurologically normal quote unquote, right. And 80 00:04:51,200 --> 00:04:54,200 Speaker 1: we also know that they are having these real experiences 81 00:04:54,279 --> 00:04:58,479 Speaker 1: because of our friend the Wonder Machine, which has been 82 00:04:58,520 --> 00:05:03,359 Speaker 1: employed to UM investigate synesthesia in all forms, and it 83 00:05:03,440 --> 00:05:09,040 Speaker 1: shows UM that the for example, I don't I can't 84 00:05:09,040 --> 00:05:10,800 Speaker 1: come up with one from you or touching neuruns, but 85 00:05:11,240 --> 00:05:17,080 Speaker 1: we'll we'll use the color grapheme. No, we'll use the 86 00:05:17,120 --> 00:05:20,200 Speaker 1: sound color synesthesia. Okay, Yeah, there's all different types and 87 00:05:20,200 --> 00:05:22,400 Speaker 1: and this is another one. Sound color is when you 88 00:05:23,480 --> 00:05:26,800 Speaker 1: associate sound with color. Right. So if you have somebody 89 00:05:26,880 --> 00:05:29,400 Speaker 1: who has sound color synesthesia and the m r I 90 00:05:29,800 --> 00:05:33,520 Speaker 1: all right, and you play a musical note for them, 91 00:05:33,600 --> 00:05:37,760 Speaker 1: the region of the brain that uh that that experiences 92 00:05:37,839 --> 00:05:43,440 Speaker 1: or governs our understanding of musical notes is activated, as 93 00:05:43,520 --> 00:05:45,960 Speaker 1: is the region of the brain that's associated with colors. 94 00:05:46,400 --> 00:05:49,159 Speaker 1: So these people are experiencing both. There's no way to 95 00:05:49,200 --> 00:05:54,360 Speaker 1: separate them, and it's not an association like, um, you 96 00:05:54,480 --> 00:05:58,960 Speaker 1: were wearing a blue Evil Kinevel jumpsuit the first time 97 00:05:59,000 --> 00:06:02,479 Speaker 1: you heard, you know, a particular box concerto, right, although 98 00:06:02,520 --> 00:06:05,800 Speaker 1: it was you work and you may associate that, so 99 00:06:06,080 --> 00:06:08,960 Speaker 1: you may have a visual image in your mind of 100 00:06:09,000 --> 00:06:11,200 Speaker 1: that blue jump suit or even that shade of blue 101 00:06:11,400 --> 00:06:13,560 Speaker 1: whenever you hear that concerto. This is not what we're 102 00:06:13,560 --> 00:06:16,680 Speaker 1: talking about. This is a mixture of the senses in 103 00:06:16,720 --> 00:06:20,120 Speaker 1: its most definitive form. Yeah. Oftentimes they say they will 104 00:06:20,160 --> 00:06:23,680 Speaker 1: even be a projection of that color, a literal projection 105 00:06:23,720 --> 00:06:26,960 Speaker 1: that they see. And it sounds cookie if you've never 106 00:06:27,000 --> 00:06:30,799 Speaker 1: experienced it, but to them it seems completely normal. Well yeah, um, 107 00:06:30,839 --> 00:06:34,520 Speaker 1: I think once that once they realize that they're cinis 108 00:06:34,560 --> 00:06:37,719 Speaker 1: seats and that this isn't normal, Uh, it becomes tiresome, 109 00:06:37,760 --> 00:06:39,680 Speaker 1: from what I understand. I was reading an interview with 110 00:06:39,800 --> 00:06:44,480 Speaker 1: Dr Oliver Sacks, the Awakenings guy. He's been hanging with 111 00:06:44,520 --> 00:06:47,880 Speaker 1: cinis seats for many decades now, so he's some something 112 00:06:47,880 --> 00:06:50,520 Speaker 1: of an authority on it, and he was saying that 113 00:06:50,600 --> 00:06:52,760 Speaker 1: a lot of them get kind of tired of it, 114 00:06:53,040 --> 00:06:55,320 Speaker 1: like I really wish I could just listen to music 115 00:06:55,360 --> 00:06:57,840 Speaker 1: without seeing all the colors. Well, a lot of people 116 00:06:57,920 --> 00:07:01,400 Speaker 1: use it too, though, well yeah, cre creatively sure. Sure. 117 00:07:01,560 --> 00:07:06,320 Speaker 1: Famous sinnisthetes have have remarked that it has helped them 118 00:07:06,400 --> 00:07:08,200 Speaker 1: with their memory. I gotta study on that, which we'll 119 00:07:08,200 --> 00:07:12,360 Speaker 1: get too later. But we're talking about Duke Ellington. Yeah, no, 120 00:07:12,520 --> 00:07:18,400 Speaker 1: slouch no, uh frowns Franz list YEP composer Nabokov, writer 121 00:07:18,640 --> 00:07:22,360 Speaker 1: actually Nabokov. In his autobiography, he talks about how he 122 00:07:22,440 --> 00:07:25,600 Speaker 1: started to um realize that he was syn aesthetic when 123 00:07:25,680 --> 00:07:29,760 Speaker 1: he was a little kid. Um he was pointing to these, uh, 124 00:07:29,960 --> 00:07:34,520 Speaker 1: I guess the alphabet and they were just colorless um letters. 125 00:07:34,960 --> 00:07:37,160 Speaker 1: But he was talking about the colors of the letters, 126 00:07:37,520 --> 00:07:39,560 Speaker 1: and his mother came over and agreed with them that 127 00:07:39,600 --> 00:07:45,000 Speaker 1: the letters were indeed colored, but um, she disagreed with 128 00:07:45,320 --> 00:07:48,239 Speaker 1: what colors the letters were. So he came to realize 129 00:07:48,240 --> 00:07:50,760 Speaker 1: as he grew older that he and his mother were 130 00:07:50,760 --> 00:07:53,400 Speaker 1: syn aesthetic, and actually, strangely enough, his wife turned out 131 00:07:53,440 --> 00:07:56,560 Speaker 1: to be a synisty too. Well they do think it's hereditary, 132 00:07:56,600 --> 00:08:02,280 Speaker 1: for sure, but get this. He also couldn't hear music, 133 00:08:03,560 --> 00:08:06,920 Speaker 1: Like he could hear set the sound, but he couldn't 134 00:08:06,920 --> 00:08:08,800 Speaker 1: hear music, so he couldn't hear a high or a 135 00:08:08,840 --> 00:08:13,920 Speaker 1: low pitch, and he couldn't hear discordant. What we see now, 136 00:08:14,200 --> 00:08:18,360 Speaker 1: he was a color graphyme synasty all right, so that's two. 137 00:08:18,480 --> 00:08:20,360 Speaker 1: We'll go ahead and say the other two word taste, 138 00:08:20,920 --> 00:08:24,920 Speaker 1: words associated with taste and taste, touch, And there's all 139 00:08:25,000 --> 00:08:28,480 Speaker 1: kinds of groupings of these. It's not just those. Apparently, 140 00:08:28,520 --> 00:08:30,440 Speaker 1: they can be paired in all sorts of ways. And 141 00:08:30,520 --> 00:08:33,640 Speaker 1: I think they said it's rare, but some people even have, uh, 142 00:08:33,840 --> 00:08:38,080 Speaker 1: involve three or more of their senses. Yes, I mean crazy, right, 143 00:08:38,160 --> 00:08:42,480 Speaker 1: And there's no besides, you know, color graphemes synesthesia. It's 144 00:08:42,520 --> 00:08:45,280 Speaker 1: not like you just have that. You can have different 145 00:08:45,320 --> 00:08:47,839 Speaker 1: types of synesthesia, and you can also have them to 146 00:08:47,920 --> 00:08:51,320 Speaker 1: different degrees, so much so that um researchers are are 147 00:08:51,440 --> 00:08:53,560 Speaker 1: coming to believe that one out of it, every one 148 00:08:53,800 --> 00:08:57,839 Speaker 1: dred or two hundred people have synesthesia, Yeah, to some 149 00:08:58,160 --> 00:09:00,760 Speaker 1: to some degree, like you, right, And it's also specific 150 00:09:00,840 --> 00:09:04,200 Speaker 1: to the person, so everyone's is their own, right, which 151 00:09:04,240 --> 00:09:07,120 Speaker 1: is why three isn't always blue for every synasty, which 152 00:09:07,160 --> 00:09:09,800 Speaker 1: is why Nabokov and his mother were arguing about why 153 00:09:10,440 --> 00:09:13,040 Speaker 1: you know what colors were? What? Uh, there's another one 154 00:09:13,040 --> 00:09:16,320 Speaker 1: I found too, called time space synesthesia. Did you see 155 00:09:16,360 --> 00:09:19,720 Speaker 1: this this? Uh? They kind of referenced it in the article. 156 00:09:19,760 --> 00:09:22,400 Speaker 1: As far as some people even see certain months and 157 00:09:22,559 --> 00:09:26,280 Speaker 1: days as shapes. But this there's a psychologist named David 158 00:09:26,320 --> 00:09:30,800 Speaker 1: Brang who his theory is that people can literally see 159 00:09:30,920 --> 00:09:34,120 Speaker 1: time as a space. They see it as a spatial construct. 160 00:09:34,640 --> 00:09:37,520 Speaker 1: So he found this one woman in a study who 161 00:09:38,160 --> 00:09:41,640 Speaker 1: was able to see the year as a circular ring 162 00:09:41,880 --> 00:09:45,839 Speaker 1: surrounding her body, and it rotated clockwise throughout the year, 163 00:09:46,400 --> 00:09:49,520 Speaker 1: and the current month resided inside of her chest, in 164 00:09:49,600 --> 00:09:52,680 Speaker 1: the past month resided on the front of her chest. 165 00:09:53,880 --> 00:09:56,920 Speaker 1: Isn't that crazy? And when I say crazy, I'm not 166 00:09:57,000 --> 00:10:00,679 Speaker 1: being derogatory. Fascinating? Yes, right, well, yeah, of course we 167 00:10:00,800 --> 00:10:05,640 Speaker 1: use those interchangeably around here, don't we. Well, um, that 168 00:10:05,800 --> 00:10:10,040 Speaker 1: woman can probably tell you exactly what happened on a 169 00:10:10,160 --> 00:10:14,360 Speaker 1: certain day of a given year, because one of the 170 00:10:14,480 --> 00:10:19,280 Speaker 1: one of the benefits that the researchers believe um synists 171 00:10:19,320 --> 00:10:25,160 Speaker 1: are bestowed with is uh better working memory. There's different associations. 172 00:10:25,480 --> 00:10:30,360 Speaker 1: It's not just one association. It's you're using two regions 173 00:10:30,400 --> 00:10:33,480 Speaker 1: of the brain to form memories or that are elicited 174 00:10:33,800 --> 00:10:37,160 Speaker 1: as a response to music or a letter or something 175 00:10:37,240 --> 00:10:39,880 Speaker 1: like that. While he died, he did two studies. You 176 00:10:39,920 --> 00:10:41,840 Speaker 1: want to hear that I do. He took the same 177 00:10:41,920 --> 00:10:46,520 Speaker 1: people the time space. Uh is it sin a sinists, 178 00:10:46,720 --> 00:10:50,880 Speaker 1: sinists synist synistates. Yeah, he took the time space synist 179 00:10:50,880 --> 00:10:53,960 Speaker 1: eats and he did a He asked him to memorize 180 00:10:53,960 --> 00:10:58,319 Speaker 1: an unfamiliar spatial calendar and then reproduce it. And he 181 00:10:58,480 --> 00:10:59,959 Speaker 1: then he got you know, normal people to do it, 182 00:11:00,360 --> 00:11:03,120 Speaker 1: and the results showed that they could recall events in 183 00:11:03,280 --> 00:11:10,559 Speaker 1: time like light years beyond the non synistates. And they 184 00:11:11,040 --> 00:11:14,800 Speaker 1: found on average that they synistates have about a hundred 185 00:11:14,840 --> 00:11:18,200 Speaker 1: and twenty three different facts that they can call up 186 00:11:18,520 --> 00:11:20,720 Speaker 1: about a specific event in our lives in their life, 187 00:11:21,040 --> 00:11:24,120 Speaker 1: compared to thirty nine for your average Joe. So it's 188 00:11:24,160 --> 00:11:28,040 Speaker 1: it's definitely doubling your pleasure with the memory. You're fun 189 00:11:28,600 --> 00:11:35,200 Speaker 1: with synesthesia, Chuck. Um, you were talking about studies and tests. Uh. 190 00:11:35,600 --> 00:11:39,160 Speaker 1: Dr Sax mentioned a pretty simple test for somebody with 191 00:11:39,360 --> 00:11:43,840 Speaker 1: color grapheme synesthesia. Um, and it's brilliant and it's simplicity. 192 00:11:44,200 --> 00:11:46,360 Speaker 1: But you just put a piece of paper in front 193 00:11:46,400 --> 00:11:50,000 Speaker 1: of them with a scattering a random scattering of fives 194 00:11:50,160 --> 00:11:53,400 Speaker 1: and ss and say pick out five siness is as 195 00:11:53,440 --> 00:11:56,840 Speaker 1: fast as you can and for a synist because remember 196 00:11:56,920 --> 00:12:01,040 Speaker 1: this isn't an association like they literally five it looks red, 197 00:12:01,880 --> 00:12:05,360 Speaker 1: s looks with other numbers and letters. No, just five 198 00:12:05,400 --> 00:12:08,240 Speaker 1: sinesses because they look similar. So the Cyneses should be 199 00:12:08,240 --> 00:12:10,040 Speaker 1: able to pick out the five Sinesses and no time 200 00:12:10,080 --> 00:12:14,199 Speaker 1: flat like because blue and red, because it's not just 201 00:12:15,280 --> 00:12:19,120 Speaker 1: a black printed number letter that looks similar to want 202 00:12:19,120 --> 00:12:21,760 Speaker 1: to know, it will clearly look like this one's red, 203 00:12:21,880 --> 00:12:24,520 Speaker 1: this one's green, this one's red, this one's green, green, green, red, 204 00:12:24,840 --> 00:12:28,280 Speaker 1: like a human highlighter pretty much, you know, that's why 205 00:12:28,360 --> 00:12:30,160 Speaker 1: you use a highlighter so it stands out. But think 206 00:12:30,160 --> 00:12:35,120 Speaker 1: about this. Can you imagine trying to study if do 207 00:12:35,240 --> 00:12:38,560 Speaker 1: you remember back in like seventh grade, those fat pens 208 00:12:38,640 --> 00:12:41,400 Speaker 1: that have four different color inks in them, and the 209 00:12:41,440 --> 00:12:43,920 Speaker 1: girls with love notes with one letter for and when 210 00:12:43,960 --> 00:12:47,240 Speaker 1: they really really liked you, like each letter would be 211 00:12:47,320 --> 00:12:51,000 Speaker 1: a different um, a different color, and it was just 212 00:12:51,200 --> 00:12:53,760 Speaker 1: a headache and nightmare and you're like, I don't like you, 213 00:12:53,960 --> 00:12:57,520 Speaker 1: you know you with that that puffy bang thing that's 214 00:12:57,520 --> 00:13:01,640 Speaker 1: all hairsprayed going on. Ye much later for me, seventh 215 00:13:01,679 --> 00:13:03,920 Speaker 1: grade for me was that was still uh oh yeah, 216 00:13:03,960 --> 00:13:09,600 Speaker 1: everybody j everybody's keeping on trucking, spiky jone jet hair. 217 00:13:09,720 --> 00:13:13,320 Speaker 1: That's what was going on. Nice Chuck, this is appears 218 00:13:13,360 --> 00:13:17,040 Speaker 1: to be genetic in origin. Yeah, that's what they think 219 00:13:17,120 --> 00:13:19,520 Speaker 1: because usually more than one person your family has it 220 00:13:20,160 --> 00:13:24,240 Speaker 1: at a time. Yeah. Old Jacob Silverman not to be 221 00:13:24,320 --> 00:13:27,960 Speaker 1: confused with old Kirk Christiansen. Uh he uh. He wrote 222 00:13:28,000 --> 00:13:31,319 Speaker 1: about UM a researcher named Sarah Jane Blake Moore who 223 00:13:31,440 --> 00:13:34,760 Speaker 1: was delivering a lecture and mentioned, uh that she had 224 00:13:34,840 --> 00:13:38,520 Speaker 1: heard of people who confused UM other people's touches for 225 00:13:38,600 --> 00:13:42,199 Speaker 1: their own, right, she's talking about mirror touch synistats. And 226 00:13:42,400 --> 00:13:44,559 Speaker 1: a woman in the audience, I guess during the Q 227 00:13:44,679 --> 00:13:48,000 Speaker 1: and A session said, wait, I thought everybody felt that 228 00:13:48,720 --> 00:13:51,400 Speaker 1: it was like, what is going on here? Sarah Jane 229 00:13:51,440 --> 00:13:54,320 Speaker 1: Blakemore is like, let's go to your home, and they did, 230 00:13:54,640 --> 00:13:57,200 Speaker 1: and she found out that eleven of her family members 231 00:13:57,280 --> 00:14:00,800 Speaker 1: had some form of synis teach. So if they think 232 00:14:00,840 --> 00:14:03,320 Speaker 1: it it does have a genetic basis, but check up. 233 00:14:03,440 --> 00:14:08,960 Speaker 1: Writing an article on a skin condition called epidermal lisis belosa, okay, 234 00:14:09,480 --> 00:14:16,000 Speaker 1: basically you get blisters really easy. Okay. Researchers have determined 235 00:14:16,360 --> 00:14:19,880 Speaker 1: that ten genes are in order, are in play or 236 00:14:20,000 --> 00:14:24,960 Speaker 1: mutated to have epidermalos epidermal lisis belosa. And that's just 237 00:14:25,040 --> 00:14:28,480 Speaker 1: for a blister. Can you imagine the number of genes 238 00:14:28,520 --> 00:14:31,320 Speaker 1: and have to be mutated in the specific combinations to 239 00:14:31,840 --> 00:14:39,120 Speaker 1: form synesthesia? Crazy amounts? It is crazy and we mean fascinating. Uh, 240 00:14:39,520 --> 00:14:41,840 Speaker 1: where should we go here? We got a mirror neurons? Well, 241 00:14:41,880 --> 00:14:44,400 Speaker 1: hold on, let's talk about one other thing first. Um, 242 00:14:44,800 --> 00:14:49,119 Speaker 1: we with synesthesia, there's two types. We talked about developmental 243 00:14:49,200 --> 00:14:53,600 Speaker 1: synesthes who think that this everybody experiences this because they're 244 00:14:53,600 --> 00:14:56,920 Speaker 1: born with it. Sure, um. And then there's acquired synesthesia. 245 00:14:57,200 --> 00:15:00,400 Speaker 1: And this is most predominantly seen in people who lose 246 00:15:00,480 --> 00:15:03,720 Speaker 1: their sight after a certain age, right, or if you 247 00:15:03,760 --> 00:15:07,920 Speaker 1: have a brain injury or do lots of drugs. Yeah, 248 00:15:08,120 --> 00:15:10,440 Speaker 1: drug use can can lead to I guess a kind 249 00:15:10,480 --> 00:15:13,560 Speaker 1: of temporary synesthesia from what I've read. But like if 250 00:15:13,600 --> 00:15:17,520 Speaker 1: you go blind, Um, apparently your your brain's visual center, 251 00:15:18,320 --> 00:15:22,040 Speaker 1: after it's been trained to take in visual information, it's 252 00:15:22,080 --> 00:15:26,080 Speaker 1: still hungry for it, so it starts. Apparently your synesthesia 253 00:15:26,160 --> 00:15:29,000 Speaker 1: can just come in like gang Busters after you lose 254 00:15:29,080 --> 00:15:31,360 Speaker 1: your site, even when you didn't have it before. And 255 00:15:31,440 --> 00:15:34,840 Speaker 1: you remember that movie Mask who could forget? Of course 256 00:15:34,920 --> 00:15:37,240 Speaker 1: you remember the part where Rocky Dennis is teaching his 257 00:15:37,760 --> 00:15:42,160 Speaker 1: blind girlfriend what colors the coldest blue, hotest red? Right, 258 00:15:42,200 --> 00:15:44,360 Speaker 1: he puts her hand under some cold water and this 259 00:15:44,440 --> 00:15:47,480 Speaker 1: is blue and what he heated like a rock up 260 00:15:47,920 --> 00:15:49,840 Speaker 1: in a camp fire and gave it to her to 261 00:15:49,920 --> 00:15:52,120 Speaker 1: teach her red and teach her a lesson. And he 262 00:15:52,240 --> 00:15:55,240 Speaker 1: smacked her in the face and said that's orange, right, 263 00:15:55,600 --> 00:15:59,760 Speaker 1: get it right? O pain? Yeah, I think that's the 264 00:16:00,000 --> 00:16:02,840 Speaker 1: I can't tell, and I don't know that a neurologist 265 00:16:02,880 --> 00:16:08,000 Speaker 1: could tell you whether that was actually developing synesthesia? Right. 266 00:16:08,080 --> 00:16:10,480 Speaker 1: That was Laura Dern, wasn't it. I think it was, yeah, 267 00:16:10,520 --> 00:16:12,640 Speaker 1: a young Laura Dern. Yeah, and Rocky Dennis was Eric 268 00:16:12,720 --> 00:16:15,800 Speaker 1: Stoltz and share with share Eric stolts in a lot 269 00:16:15,840 --> 00:16:18,920 Speaker 1: of prosthetic makeup. Yeah, good move, great movie. I love 270 00:16:19,000 --> 00:16:22,359 Speaker 1: that Sam Elliott too. Everybody was in that. John Travolta, 271 00:16:22,560 --> 00:16:26,600 Speaker 1: Tom Cruise, Beck Beck was in it. Yeah. Well, and 272 00:16:26,640 --> 00:16:30,400 Speaker 1: who can forget the cameo by Liberaci. I know it 273 00:16:30,560 --> 00:16:34,080 Speaker 1: was blew me away. He was the mask he turned 274 00:16:34,120 --> 00:16:37,760 Speaker 1: out to be, not even metaphorically like Rocky Dennis took 275 00:16:37,800 --> 00:16:41,120 Speaker 1: his mask off and it was Liberaci. Yeah, what a classic. 276 00:16:41,960 --> 00:16:45,400 Speaker 1: Are we a mirror neurons? We definitely if we're not 277 00:16:45,480 --> 00:16:50,320 Speaker 1: wearing Big Trouble Buddy. Oh wait show No really? Yeah okay. 278 00:16:50,760 --> 00:16:55,600 Speaker 1: Another pop culture references Uman Fantasia is commonly pointed to 279 00:16:56,160 --> 00:16:59,600 Speaker 1: as about the closest a non SYNISTI could come to 280 00:16:59,680 --> 00:17:06,760 Speaker 1: experire encing synesthesia short hallucinating. Interesting, Yeah, because the almost 281 00:17:06,760 --> 00:17:10,600 Speaker 1: every motion and color and change in lighting is associated 282 00:17:10,640 --> 00:17:13,960 Speaker 1: with Yeah that I can't get through that thing anymore. 283 00:17:14,080 --> 00:17:15,480 Speaker 1: I can't think. When I was a little kid, I 284 00:17:15,480 --> 00:17:18,520 Speaker 1: thought it was neat, but now it's just unsettling. Yeah, 285 00:17:18,560 --> 00:17:22,840 Speaker 1: it's boring, alright, Chuck, I believe we have arrived at 286 00:17:23,119 --> 00:17:27,920 Speaker 1: mirror neurons. So mirror neurons, Josh, I didn't realize this, 287 00:17:28,000 --> 00:17:34,399 Speaker 1: but they were discovered only in in Maccaque monkeys by accident. Yeah. Uh. 288 00:17:34,520 --> 00:17:37,480 Speaker 1: There were these dudes in Italy, the neuroscientists at the 289 00:17:37,600 --> 00:17:39,960 Speaker 1: University of Parma, and I will read their names because 290 00:17:40,000 --> 00:17:44,920 Speaker 1: I love Italians. It was a Giacomo Rizzolatti was the 291 00:17:45,000 --> 00:17:49,720 Speaker 1: first one, and Vittorio Galsi it's the second one. And 292 00:17:49,800 --> 00:17:53,760 Speaker 1: the third one was Leonardo Foghassi. I like the last 293 00:17:53,800 --> 00:17:57,359 Speaker 1: guy's name the most. Fagassi Yeah, he's good. So they 294 00:17:57,440 --> 00:18:00,320 Speaker 1: make a mean pasta sauce too. So they were doing 295 00:18:00,320 --> 00:18:05,760 Speaker 1: a little study on the premotor neuron dynamics. So they 296 00:18:05,840 --> 00:18:09,040 Speaker 1: ran some electrodes into a macaque monkey, like you said, 297 00:18:09,440 --> 00:18:12,760 Speaker 1: to the premotor cortex to monitor neural activity when the 298 00:18:12,800 --> 00:18:16,040 Speaker 1: monkey like would reach for something. It's all going fine. 299 00:18:16,080 --> 00:18:18,879 Speaker 1: They were learning whatever they were learning, eating some spaghetti, 300 00:18:19,600 --> 00:18:22,119 Speaker 1: and all of a sudden, one of the guys, is 301 00:18:22,160 --> 00:18:23,800 Speaker 1: how the story goes, at least, came into the room 302 00:18:23,840 --> 00:18:26,480 Speaker 1: and like reached for a raisin I think they said 303 00:18:26,520 --> 00:18:28,680 Speaker 1: it was. And the monkey was still hooked up, and 304 00:18:28,760 --> 00:18:32,639 Speaker 1: they saw that his brain started firing the same as 305 00:18:32,680 --> 00:18:34,760 Speaker 1: it did when he had actually reached for it, and 306 00:18:34,840 --> 00:18:40,280 Speaker 1: they all went say, it's it's a punsy nice And 307 00:18:40,359 --> 00:18:43,520 Speaker 1: all of a sudden they had stumbled upon what one 308 00:18:43,560 --> 00:18:47,280 Speaker 1: of them calls the biggest neuroscientific discovery of the decade. 309 00:18:47,560 --> 00:18:50,120 Speaker 1: And he went on to say that mere neurons will 310 00:18:50,119 --> 00:18:54,160 Speaker 1: do for psychology what DNA has done for biology. It's 311 00:18:54,359 --> 00:18:57,160 Speaker 1: very funny, you know, provide a unifying framework. That's funny 312 00:18:57,240 --> 00:18:59,240 Speaker 1: that he said that, because that that's a lot of 313 00:18:59,320 --> 00:19:03,080 Speaker 1: foresight for that one single guy. Because that's exactly what 314 00:19:03,240 --> 00:19:06,600 Speaker 1: it's done. Oh yeah, big time. I mean that basically, 315 00:19:06,680 --> 00:19:10,479 Speaker 1: mirror neurons are how we learn to do everything right, 316 00:19:10,560 --> 00:19:12,760 Speaker 1: Think about swinging a baseball back. You don't just walk 317 00:19:12,880 --> 00:19:15,320 Speaker 1: up and go, oh, there you go. You learn it 318 00:19:15,400 --> 00:19:18,119 Speaker 1: by observing other people. At the same time, you can 319 00:19:18,200 --> 00:19:24,040 Speaker 1: make the case that culture, UM other kinds of acquired 320 00:19:24,119 --> 00:19:27,960 Speaker 1: learning aside from swinging baseball batch um. The theory of 321 00:19:28,040 --> 00:19:31,199 Speaker 1: the mind, where we can put ourselves in other people's 322 00:19:31,200 --> 00:19:34,360 Speaker 1: situations to predict their behavior. All of this is accounted 323 00:19:34,400 --> 00:19:39,440 Speaker 1: for by mirror neurons. A biological basis for empathy. Yes, crazy, 324 00:19:39,720 --> 00:19:44,440 Speaker 1: it is crazy, UM. And I think also, uh, empaths, 325 00:19:44,520 --> 00:19:48,600 Speaker 1: people who have severe empathy real empathy, UM, tend to 326 00:19:48,680 --> 00:19:53,560 Speaker 1: have more active mirror neurons. And uh people with autism 327 00:19:54,200 --> 00:19:57,639 Speaker 1: tend to not display any motor mirror neuron activities. You 328 00:19:57,760 --> 00:19:59,840 Speaker 1: understand one and you might explain the other is what 329 00:20:00,000 --> 00:20:05,160 Speaker 1: are thinking? Um? Also, chuck, the that was just mirror 330 00:20:05,200 --> 00:20:07,640 Speaker 1: neurons were just observed in humans for the first time 331 00:20:07,720 --> 00:20:10,880 Speaker 1: this year. Yeah U c l A. Yeah, and apparently 332 00:20:10,960 --> 00:20:14,879 Speaker 1: there were have much more robust than even the monkeys do. Right, 333 00:20:14,960 --> 00:20:17,640 Speaker 1: So they are you talking about? The study where they 334 00:20:18,119 --> 00:20:22,760 Speaker 1: had brain electrodes already implanted in epilepsy patients awaiting surgery. 335 00:20:23,640 --> 00:20:26,200 Speaker 1: That one. Okay, um, these are the guys who showed 336 00:20:26,240 --> 00:20:29,359 Speaker 1: it directly before I'd been observed. Its activity had been 337 00:20:29,400 --> 00:20:31,879 Speaker 1: observed like the m R I. But m R has 338 00:20:31,880 --> 00:20:34,200 Speaker 1: falling a little out of favor these days, and rightly, 339 00:20:34,280 --> 00:20:38,560 Speaker 1: so we just didn't Yeah, right, um. These guys had 340 00:20:38,800 --> 00:20:42,840 Speaker 1: brain electrodes hooked up to the brains of epilepsy patients already, 341 00:20:42,880 --> 00:20:45,760 Speaker 1: and they're like, hey, let's test this out. So they 342 00:20:45,840 --> 00:20:51,479 Speaker 1: had people watch others do grasping motions, and then they 343 00:20:51,560 --> 00:20:55,320 Speaker 1: had the people do grasping motions themselves. Some neurons were 344 00:20:55,440 --> 00:20:58,920 Speaker 1: fired when the person to the grasp grasping motion himself, 345 00:20:59,440 --> 00:21:02,600 Speaker 1: and other urons fired when they watched it, but eight 346 00:21:02,680 --> 00:21:06,119 Speaker 1: percent fired both times. Those are the mirror neurons. It 347 00:21:06,200 --> 00:21:08,000 Speaker 1: was the first time, the first time they were ever 348 00:21:08,119 --> 00:21:12,000 Speaker 1: directly observed in humans. And those are the sine sinist 349 00:21:13,040 --> 00:21:17,240 Speaker 1: you know, they're just they're just regular everyday people. Let's 350 00:21:17,280 --> 00:21:20,680 Speaker 1: go back to that sports metaphor. Okay, okay, all right, Chuck, 351 00:21:21,160 --> 00:21:24,120 Speaker 1: have you ever seen somebody get hit by a pitch? Yeah, 352 00:21:24,880 --> 00:21:27,560 Speaker 1: And did you recoil in your chair even though you're 353 00:21:27,600 --> 00:21:30,080 Speaker 1: in no way in the line of that pitch a 354 00:21:30,119 --> 00:21:32,119 Speaker 1: little bit. But have you seen other people do it? 355 00:21:32,160 --> 00:21:36,400 Speaker 1: It's like, oh yeah, Like that's that's mirror neurons at work. 356 00:21:36,480 --> 00:21:39,080 Speaker 1: You're anticipating that this other person is going to feel pain. 357 00:21:39,640 --> 00:21:42,800 Speaker 1: You don't necessarily have to be a sinist for to 358 00:21:42,960 --> 00:21:46,399 Speaker 1: have mirror neurons. You see what I'm saying. Yeah, although 359 00:21:46,600 --> 00:21:50,080 Speaker 1: in sinist it's just tightened. It's they're much more active, right, 360 00:21:50,160 --> 00:21:53,159 Speaker 1: And that's the theory. Uh. They also found through that 361 00:21:53,520 --> 00:21:55,679 Speaker 1: and I love this. This is like brand new stuff 362 00:21:55,840 --> 00:21:57,520 Speaker 1: here in the past couple of years, which I really love. 363 00:21:58,160 --> 00:22:00,639 Speaker 1: They found that it's you don't actually even have to 364 00:22:00,640 --> 00:22:03,240 Speaker 1: see it. You can hear it, like a piece of 365 00:22:03,280 --> 00:22:06,879 Speaker 1: paper being torn, and they'll start firing like that. And 366 00:22:07,440 --> 00:22:14,040 Speaker 1: when a Galassian Rizzolatti found that when they actually describe 367 00:22:14,400 --> 00:22:17,679 Speaker 1: something happening in a sentence, the same mirror neurons are 368 00:22:17,680 --> 00:22:21,159 Speaker 1: firing as if they are actually performing the action. So 369 00:22:21,280 --> 00:22:22,840 Speaker 1: that's I don't know if that's getting through to people. 370 00:22:23,240 --> 00:22:27,200 Speaker 1: The neurons at fire. If you would actually tear a 371 00:22:27,240 --> 00:22:30,840 Speaker 1: piece of paper happened when you hear it being torn crazy. 372 00:22:31,119 --> 00:22:33,800 Speaker 1: It is crazy. Um. And you were talking about the 373 00:22:34,560 --> 00:22:36,800 Speaker 1: what was the Italian guy's name who made the prediction 374 00:22:36,840 --> 00:22:38,400 Speaker 1: that it was going to be the biggest thing since 375 00:22:38,800 --> 00:22:43,320 Speaker 1: the Beatles? Uh Ravioli, Okay Ravioli. When he said, um, 376 00:22:43,560 --> 00:22:47,320 Speaker 1: that it was gonna be huge, he was absolutely right, Chuck. Yes, 377 00:22:47,920 --> 00:22:52,040 Speaker 1: mirror neurons are at the center of what's being called 378 00:22:52,119 --> 00:22:55,800 Speaker 1: the Fifth Revolution and humanity. I believe it. Will you 379 00:22:55,920 --> 00:22:58,080 Speaker 1: will you allow me? Will you indulge me a moment? 380 00:22:59,080 --> 00:23:03,560 Speaker 1: So there's has been four so far, and we're at 381 00:23:03,600 --> 00:23:06,240 Speaker 1: the beginning of the fifth Revolution. The first revolution was 382 00:23:06,400 --> 00:23:10,360 Speaker 1: Copernicus saying Earth is in at the center of the universe. 383 00:23:11,800 --> 00:23:16,120 Speaker 1: The second revolution was Darwin saying men are just clever monkeys, 384 00:23:16,320 --> 00:23:20,400 Speaker 1: even though he was seventy five years after what's his face? Yeah, 385 00:23:20,480 --> 00:23:25,280 Speaker 1: what's his face? I know you're talking about. Oh yeah, um. 386 00:23:26,119 --> 00:23:29,760 Speaker 1: And then the third revolution was Freudian who suggested that 387 00:23:29,840 --> 00:23:33,280 Speaker 1: we were nothing but a bunch of drives and desires 388 00:23:33,359 --> 00:23:36,320 Speaker 1: that we were unconscious of and could control. The fourth 389 00:23:36,480 --> 00:23:39,159 Speaker 1: was the genetic revolution, the d n A. Krick and 390 00:23:39,200 --> 00:23:42,720 Speaker 1: Watson who showed like, hey, we're actually a bunch of 391 00:23:42,840 --> 00:23:46,560 Speaker 1: genes and all that that implies, and Watson put it 392 00:23:46,920 --> 00:23:51,680 Speaker 1: like there are only molecules. Everything else's sociology, and his 393 00:23:52,040 --> 00:23:56,000 Speaker 1: his partner Francis Crick, said, huh, you know, that's really 394 00:23:56,080 --> 00:23:57,840 Speaker 1: interesting that we came up with that. I'm gonna go 395 00:23:57,920 --> 00:24:00,960 Speaker 1: ahead and predict the fifth wave and the fifth Revolution 396 00:24:01,320 --> 00:24:04,760 Speaker 1: is neuroscience and that's where we're at now, that we 397 00:24:05,000 --> 00:24:09,440 Speaker 1: are nothing. But uh, this is how Crick put it 398 00:24:09,520 --> 00:24:13,399 Speaker 1: in his book Astonishing Hypothesis. Even our loftiest thoughts and 399 00:24:13,480 --> 00:24:18,680 Speaker 1: aspirations are mere byproducts of neural activity and mirror neurons 400 00:24:18,960 --> 00:24:22,240 Speaker 1: are revealing that synesthesia reveals that. Because think about it, Chuck. 401 00:24:22,560 --> 00:24:25,200 Speaker 1: If I watch you get pinched and I experienced the 402 00:24:25,280 --> 00:24:28,680 Speaker 1: pinching just like I'm being pinched, that's my reality. But 403 00:24:28,760 --> 00:24:33,680 Speaker 1: it's not reality. Is everybody sees reality or agrees that 404 00:24:33,760 --> 00:24:36,240 Speaker 1: reality is, but it's still just as real. So it 405 00:24:36,359 --> 00:24:41,800 Speaker 1: kind of, um, it kind of underscores just how feeble 406 00:24:42,200 --> 00:24:46,000 Speaker 1: reality actually is. And this is well, this is what 407 00:24:46,200 --> 00:24:51,560 Speaker 1: neuroscience is. This fifth Revolution is undermining our conceptions and 408 00:24:51,640 --> 00:24:56,000 Speaker 1: our perceptions of reality. Wow, I have a question for you. 409 00:24:57,200 --> 00:25:03,240 Speaker 1: There's a neuroscientist named vs. Ramash Chandron that's Okay, he 410 00:25:03,440 --> 00:25:05,720 Speaker 1: has a question that he liked supposed to people, it's 411 00:25:05,720 --> 00:25:11,160 Speaker 1: not his, but he bandies it about a lot. Chuck. Yes, 412 00:25:11,800 --> 00:25:16,440 Speaker 1: if a neuroscientist could keep your brain in a vat 413 00:25:16,680 --> 00:25:23,000 Speaker 1: of liquid and maintain your consciousness, so you had no idea. 414 00:25:23,040 --> 00:25:24,679 Speaker 1: You were just a brain and a vat of liquid, 415 00:25:25,240 --> 00:25:29,000 Speaker 1: apply electrical impulses, so that could make you the happiest 416 00:25:29,080 --> 00:25:34,280 Speaker 1: form of yourself, combined with Gandhi, Hugh Hefner, Um Einstein, 417 00:25:34,440 --> 00:25:37,040 Speaker 1: and Bill Gates, and you were just as happy as 418 00:25:37,080 --> 00:25:39,880 Speaker 1: you could be. And then one day the neuroscientist says 419 00:25:39,920 --> 00:25:42,720 Speaker 1: to you, Hey, I'm gonna give you a choice. First 420 00:25:42,720 --> 00:25:46,040 Speaker 1: of all, your brain in a vat of liquid, and 421 00:25:46,640 --> 00:25:50,320 Speaker 1: all of your experiences are just me applying electrical impulses 422 00:25:50,440 --> 00:25:53,840 Speaker 1: like Futurama or like the matrix, or like the matrix, 423 00:25:53,960 --> 00:25:57,960 Speaker 1: which was actually based on this this thought experiment. So 424 00:25:58,119 --> 00:26:01,200 Speaker 1: you can either remain this happy eluded brain in this 425 00:26:01,400 --> 00:26:05,000 Speaker 1: vet of liquid, or you can be your regular self, 426 00:26:05,080 --> 00:26:08,040 Speaker 1: what you consider to be yourself, what you consider to 427 00:26:08,119 --> 00:26:11,400 Speaker 1: be yourself right now, what would you choose? Blue pill 428 00:26:11,440 --> 00:26:16,280 Speaker 1: or red pill? Basically, uh, I'd want to beat myself. 429 00:26:17,440 --> 00:26:21,280 Speaker 1: What's the difference? No, but really it's true. And this 430 00:26:21,440 --> 00:26:27,639 Speaker 1: was around before the Warshinski brothers, you know, cinema whatever Lebaski, 431 00:26:28,320 --> 00:26:32,000 Speaker 1: before they cinematized it as the basis for the matrix systems. 432 00:26:32,359 --> 00:26:34,879 Speaker 1: This is a philosophical experiment and it well, if you 433 00:26:34,880 --> 00:26:37,119 Speaker 1: would never know, you're right, what's the difference, right? But 434 00:26:37,240 --> 00:26:39,920 Speaker 1: it's not. It's not never knowing, Chuck. The point is, 435 00:26:40,720 --> 00:26:42,560 Speaker 1: that's what's going on with us right now. That's our 436 00:26:42,600 --> 00:26:46,440 Speaker 1: conception of reality. It's just a it's a neurological response 437 00:26:46,600 --> 00:26:51,360 Speaker 1: to external stimuli. But that's that. None of it's real, 438 00:26:51,640 --> 00:26:55,280 Speaker 1: And mirror neurons are kind of pointing that out as 439 00:26:55,359 --> 00:26:58,840 Speaker 1: a big flashing light, like buddy, If somebody can feel 440 00:26:59,000 --> 00:27:01,879 Speaker 1: someone else being hinched and you can actually see the 441 00:27:01,960 --> 00:27:05,920 Speaker 1: brain activity going, they're not amaging it, then reality isn't real, right, 442 00:27:06,040 --> 00:27:09,960 Speaker 1: And we're here to show you. Wow, I know I'm depressed. 443 00:27:10,920 --> 00:27:13,639 Speaker 1: See I'm inspired. What does that say about us? I 444 00:27:13,680 --> 00:27:17,119 Speaker 1: don't know. Yeah, that means we compliment each other. That 445 00:27:17,240 --> 00:27:21,600 Speaker 1: you blew my mind literally into next Wednesday. I got 446 00:27:21,640 --> 00:27:24,280 Speaker 1: a couple of more things. I want to hear them. Uh, 447 00:27:24,680 --> 00:27:28,200 Speaker 1: you know how I was talking about the biological basis 448 00:27:28,240 --> 00:27:32,080 Speaker 1: for empathy. They're also thinking that this is why yawns 449 00:27:32,080 --> 00:27:35,800 Speaker 1: are contagious, laughter contagious and moods or contagious good and bad. 450 00:27:35,880 --> 00:27:39,439 Speaker 1: We didn't do that when the yawning contagious doesn't make 451 00:27:39,480 --> 00:27:42,520 Speaker 1: you empathetic. I don't think they knew as much even 452 00:27:42,600 --> 00:27:44,399 Speaker 1: when we recorded that as they do now about me 453 00:27:44,480 --> 00:27:46,119 Speaker 1: or her. Yeah, like you were saying, like this is 454 00:27:46,160 --> 00:27:48,960 Speaker 1: cutting edge stuff. It's been advancing leaps and bounds, like 455 00:27:49,040 --> 00:27:51,399 Speaker 1: over the last two years, right, leaps and bounds. And 456 00:27:51,440 --> 00:27:53,080 Speaker 1: I got one more thing for you, speaking of that, 457 00:27:53,160 --> 00:27:56,600 Speaker 1: have you seen that cute little lamb where's be the 458 00:27:56,720 --> 00:27:59,600 Speaker 1: Confused Little Lamb on YouTube? No, but Cherry's like nodding 459 00:27:59,680 --> 00:28:02,120 Speaker 1: like a year old adorable You mean, I just sit 460 00:28:02,200 --> 00:28:04,119 Speaker 1: there and watch it like that. You'll you'll watch it 461 00:28:04,200 --> 00:28:07,800 Speaker 1: ten times if that. As long as a little be 462 00:28:08,000 --> 00:28:11,560 Speaker 1: the lambs around, I don't care what's real. Yeah, I 463 00:28:11,600 --> 00:28:13,400 Speaker 1: don't know if I could ever watch anything as much 464 00:28:13,400 --> 00:28:18,120 Speaker 1: as I watched the Surprise cat kitten or the uh yeah, 465 00:28:18,480 --> 00:28:23,840 Speaker 1: or the the shocked gopher groundhog or whatever they are 466 00:28:24,320 --> 00:28:27,159 Speaker 1: around dramatic. Yeah, I can't remember what it's called. What 467 00:28:27,240 --> 00:28:32,960 Speaker 1: about the weather guy? Pretty much everywhere. Arthur Arthur, Yeah, 468 00:28:32,960 --> 00:28:35,760 Speaker 1: he was good too. Boy, that was a nice little sidebar. 469 00:28:35,920 --> 00:28:39,000 Speaker 1: Have you seen Keyboard Kitty? We should just do a 470 00:28:39,040 --> 00:28:42,400 Speaker 1: whole show on YouTube stuff. I haven't seen keyboard Kitty. 471 00:28:43,320 --> 00:28:46,240 Speaker 1: Uh Josh. Here's one of the one last thing. The 472 00:28:46,680 --> 00:28:52,120 Speaker 1: mirror neurons. They think a more complex mirror neuron system 473 00:28:52,520 --> 00:28:56,320 Speaker 1: developed in humans about five to ten thousand years ago. Yeah, 474 00:28:56,320 --> 00:28:58,640 Speaker 1: I remember. You know what else happened around five to 475 00:28:58,760 --> 00:29:03,400 Speaker 1: ten tho years ago. We I've got everything I want 476 00:29:03,440 --> 00:29:07,400 Speaker 1: to say. I can't say. It emerged roughly at the 477 00:29:07,480 --> 00:29:12,040 Speaker 1: same time as modern communication and language beauty. So they 478 00:29:12,080 --> 00:29:15,040 Speaker 1: think the mirror neurons, once they developed to that extent 479 00:29:15,640 --> 00:29:23,280 Speaker 1: in early man, that crude pantomime gestures became more elaborate gestures, gestures. 480 00:29:23,800 --> 00:29:26,640 Speaker 1: I'd like that. It's like a nod to just right. 481 00:29:27,040 --> 00:29:29,520 Speaker 1: And then that became rudimentary language, and then it just 482 00:29:29,560 --> 00:29:32,160 Speaker 1: snowballed from there. So we'll chuck think about this. We've 483 00:29:32,200 --> 00:29:36,000 Speaker 1: talked about Mesopotamia being the cradle of civilization. We started 484 00:29:36,040 --> 00:29:39,480 Speaker 1: living in cities around that time too. Yeah, and mirror 485 00:29:39,560 --> 00:29:43,600 Speaker 1: neurons make us more empathetic, which is pretty much the 486 00:29:43,680 --> 00:29:48,479 Speaker 1: glue that holds society together truly. The Fifth Revolution so interesting. Um, 487 00:29:48,880 --> 00:29:50,480 Speaker 1: we should give a shout out just so we don't 488 00:29:50,520 --> 00:29:56,280 Speaker 1: get a thousand million emails about Richard Psytowick. He yeah, yeah, 489 00:29:56,320 --> 00:29:59,320 Speaker 1: he kind of says that he's the man. He wrote 490 00:29:59,360 --> 00:30:04,080 Speaker 1: a book in You noticed Oliver Sex nodding to this 491 00:30:04,200 --> 00:30:06,160 Speaker 1: guy too, Yeah, he, I mean he seems like the 492 00:30:06,240 --> 00:30:11,720 Speaker 1: real deal. All that his website is m crude. Well, 493 00:30:11,840 --> 00:30:13,400 Speaker 1: it's just you go to it and you're like, oh man, 494 00:30:13,560 --> 00:30:15,640 Speaker 1: I thought you're all like it's professional and it's not 495 00:30:16,360 --> 00:30:20,600 Speaker 1: dot org is it? But no, I don't think so. 496 00:30:20,840 --> 00:30:22,600 Speaker 1: But he hasn't he he does have some books once 497 00:30:22,600 --> 00:30:25,880 Speaker 1: called The Man Who Tasted Shapes. Yeah, that's I think 498 00:30:25,920 --> 00:30:29,080 Speaker 1: that's the one from And then Wednesday is Intogo Blue 499 00:30:29,280 --> 00:30:33,720 Speaker 1: discovering the Brain of Synaesthesia, and he proposes that it's well, 500 00:30:33,960 --> 00:30:36,400 Speaker 1: we should say, there was another hypothesis that it's just 501 00:30:37,440 --> 00:30:40,920 Speaker 1: crossed wires, and that we're born like that with our 502 00:30:41,040 --> 00:30:46,400 Speaker 1: neurons cross and that almost all humans get it straightened 503 00:30:46,440 --> 00:30:49,560 Speaker 1: out and becomes more complex around twelve months of age. Yeah, 504 00:30:49,720 --> 00:30:52,400 Speaker 1: but that it's just just wires across. That's why, baby, 505 00:30:52,440 --> 00:30:53,720 Speaker 1: if you stick your tongue out of a baby. They 506 00:30:53,800 --> 00:30:56,800 Speaker 1: might stick their tongue out back. One other one, Yeah, 507 00:30:56,840 --> 00:31:01,520 Speaker 1: we're talking about exo echo praxia in um the Turette's episode, 508 00:31:02,080 --> 00:31:05,160 Speaker 1: and that apparently it has to do with mere neurons 509 00:31:05,200 --> 00:31:08,720 Speaker 1: as well. Um. And then one other school of thought 510 00:31:09,160 --> 00:31:11,960 Speaker 1: for synesthesia is that synists are picking up on something 511 00:31:12,040 --> 00:31:15,640 Speaker 1: that's actually there, So, like the wavelength of a piece 512 00:31:15,720 --> 00:31:20,400 Speaker 1: of music also has some sort of light wavelength. Interesting, 513 00:31:20,680 --> 00:31:23,120 Speaker 1: I'm going with the mere neurons. Well, I don't think 514 00:31:23,160 --> 00:31:26,120 Speaker 1: we have any choice. Man, It's like evolution Freud. I 515 00:31:26,200 --> 00:31:28,160 Speaker 1: don't know if I accept him as a revolution, but 516 00:31:28,560 --> 00:31:36,640 Speaker 1: it's like evolution Copernicus. But don't you feel, Chuck that 517 00:31:36,880 --> 00:31:39,760 Speaker 1: we are at this point where all the information is 518 00:31:39,800 --> 00:31:42,840 Speaker 1: on the table, but we're just now starting to be 519 00:31:42,960 --> 00:31:45,520 Speaker 1: able to put it together. So it's a really depressing 520 00:31:45,600 --> 00:31:48,600 Speaker 1: point right now because our place in the universe is 521 00:31:48,840 --> 00:31:51,320 Speaker 1: up in the airs. It's ever been, We've been, we're were, 522 00:31:51,400 --> 00:31:54,400 Speaker 1: We've never been less sure about our importance or the 523 00:31:54,480 --> 00:31:58,080 Speaker 1: meaning of our lives. It's entirely possible that once we 524 00:31:58,120 --> 00:32:01,640 Speaker 1: put it all together, the meaning will be even bleaker, 525 00:32:02,320 --> 00:32:04,400 Speaker 1: the reality will be even bleaker. But then we'll be 526 00:32:04,440 --> 00:32:07,240 Speaker 1: able to grow from there. I think that we exist 527 00:32:07,400 --> 00:32:11,480 Speaker 1: right now in one of the bleakest periods of humankind. Wow, 528 00:32:11,560 --> 00:32:15,400 Speaker 1: that's a nice way to leave things. Well, let's sit 529 00:32:15,520 --> 00:32:19,000 Speaker 1: for a synesthesia. I think we've got more than just 530 00:32:19,120 --> 00:32:21,120 Speaker 1: this one article on the site, but the one we 531 00:32:21,280 --> 00:32:23,760 Speaker 1: were basing this off of is can people feel the 532 00:32:23,800 --> 00:32:26,560 Speaker 1: pain of others? I think if you type synesthesia s 533 00:32:26,720 --> 00:32:29,080 Speaker 1: y N E S T h E S I A 534 00:32:29,240 --> 00:32:31,440 Speaker 1: into the handy search bar how stuff works dot Com, 535 00:32:31,800 --> 00:32:35,719 Speaker 1: you're gonna get something pal something, maybe d L hugely. 536 00:32:36,040 --> 00:32:38,959 Speaker 1: We never can talk, so chuck. It means it's time 537 00:32:39,000 --> 00:32:41,640 Speaker 1: for listener mail, right well, Josha Wood those listener mail, 538 00:32:42,400 --> 00:32:44,280 Speaker 1: But I didn't prepare a listener mail today because we 539 00:32:44,360 --> 00:32:48,800 Speaker 1: have just some things to talk about. T shirt submissions. Yeah, 540 00:32:48,840 --> 00:32:51,320 Speaker 1: we've gotten some pretty cool ones. We've gotten some really 541 00:32:51,360 --> 00:32:55,000 Speaker 1: cool ones and something aren't so great. But but we 542 00:32:55,080 --> 00:32:58,680 Speaker 1: appreciate the effort, yes we do, but keep them coming. 543 00:32:58,760 --> 00:33:01,080 Speaker 1: We don't have the details. Yeah, we just wanted to 544 00:33:01,160 --> 00:33:04,479 Speaker 1: say that we archive all emails. We archive all the emails. 545 00:33:04,520 --> 00:33:06,320 Speaker 1: I have a little folder called t shirts and I'm 546 00:33:06,360 --> 00:33:08,560 Speaker 1: throwing all the all the ones in there. That people 547 00:33:08,600 --> 00:33:10,840 Speaker 1: send in. That's so crazy. I thought of making a 548 00:33:10,880 --> 00:33:15,840 Speaker 1: folder called t shirt leave it to me. Uh, it's 549 00:33:15,880 --> 00:33:18,320 Speaker 1: that we're really getting some great ones though. I would 550 00:33:18,320 --> 00:33:20,800 Speaker 1: want these t shirts. Oh there's one that I know 551 00:33:20,960 --> 00:33:24,560 Speaker 1: we definitely can't produce that. I really want the magnum 552 00:33:24,560 --> 00:33:27,120 Speaker 1: Pi one. Yeah. That was pretty dep Oh my goodness, 553 00:33:27,160 --> 00:33:31,720 Speaker 1: pretty cool. All right? Well yeah, so that okay, that's coming, 554 00:33:31,760 --> 00:33:33,880 Speaker 1: and then we should we should plug Facebook and Twitter too, 555 00:33:34,640 --> 00:33:36,920 Speaker 1: because there we're up and running. Now. There's a social 556 00:33:37,000 --> 00:33:39,560 Speaker 1: media site called Facebook that you should check out, and 557 00:33:39,640 --> 00:33:42,080 Speaker 1: then there's another thing called Twitter that people should check 558 00:33:42,120 --> 00:33:44,840 Speaker 1: out too. And you can find us at stuff you 559 00:33:44,840 --> 00:33:47,240 Speaker 1: should Know on the Facebook. You want to talk about 560 00:33:47,240 --> 00:33:50,400 Speaker 1: our Facebook and Twitters and you can find us at 561 00:33:50,720 --> 00:33:54,040 Speaker 1: s y ESK podcast on Twitter. Yeah, and you know, 562 00:33:54,200 --> 00:33:56,440 Speaker 1: follow us and sign up and become a fan. And 563 00:33:56,720 --> 00:33:59,200 Speaker 1: I'm kind of digging being involved. We should put a 564 00:33:59,280 --> 00:34:04,600 Speaker 1: subliminal obey and right here despair Yeah, oh yeah, thanks 565 00:34:04,680 --> 00:34:06,920 Speaker 1: for the despair Pennant, you know who you are, right, 566 00:34:07,400 --> 00:34:09,840 Speaker 1: thanks for everything we've gotten recently. Yeah, we got a 567 00:34:09,840 --> 00:34:11,440 Speaker 1: six pack of micro brew from a guy that was 568 00:34:11,480 --> 00:34:16,160 Speaker 1: really nice. And the people send us things. Uh about 569 00:34:16,400 --> 00:34:19,040 Speaker 1: that work at sers we've got like hats and T shirts. 570 00:34:19,480 --> 00:34:23,879 Speaker 1: Turns out nine one one isn't a joke. No, it's not. Well. 571 00:34:23,960 --> 00:34:27,360 Speaker 1: Thank you everybody for listening, at least those of you 572 00:34:27,520 --> 00:34:29,680 Speaker 1: send an emails double thanks, and those of you who 573 00:34:29,719 --> 00:34:34,080 Speaker 1: send an actual physical stuff triple thanks. Uh. If you 574 00:34:34,320 --> 00:34:37,120 Speaker 1: want to contact Chuck or me or both of us 575 00:34:37,440 --> 00:34:40,920 Speaker 1: and Jerry too, you can send us an email including 576 00:34:41,040 --> 00:34:44,960 Speaker 1: T shirt submissions to stuff podcast at how stuff works 577 00:34:45,120 --> 00:34:52,280 Speaker 1: dot com. For more on this and thousands of other topics, 578 00:34:52,600 --> 00:34:55,440 Speaker 1: is it how stuff works dot com. Want more how 579 00:34:55,520 --> 00:34:58,160 Speaker 1: stuff works, check out our blogs on the house stuff 580 00:34:58,200 --> 00:35:02,920 Speaker 1: works dot com home page. MM brought to you by 581 00:35:02,960 --> 00:35:06,279 Speaker 1: the reinvented two thousand twelve camera. It's ready, are you