WEBVTT - Art Critic at Kids Finger Painting Class

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<v Speaker 1>Hello, everyone, Welcome back to another episode. Oh Alchemy. This

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<v Speaker 1>I am your guest host, Chris Alvarado, and I'm sitting

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<v Speaker 1>in for Kevin Pollock today or am I. We'll figure

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<v Speaker 1>that out in just a moment, but right now I

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<v Speaker 1>want to meet our alchemist today in no particular order. First,

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<v Speaker 1>let's say hello to Jackie d Ruthie. Oh hey, oh

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<v Speaker 1>hey Jackie. How would you describe or define your personal style? Oh?

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<v Speaker 1>That's really fun. Um. I mean my personal mottel has

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<v Speaker 1>to do with my personal style, and that's confidence is key. Oh.

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<v Speaker 1>I like a funky situation. I like a funky situation,

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<v Speaker 1>and I believe that, like you know, you can pull

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<v Speaker 1>off whatever as long as you're confident. I think that's right.

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<v Speaker 1>That's what I That's what I believe. Um. But at

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<v Speaker 1>the same time, I'm like a little bit of like

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<v Speaker 1>a simple dresser, you know what you mean. I don't

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<v Speaker 1>go like a bunch of I'm just like a little lazier.

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<v Speaker 1>But I like a bold choice, like a like a

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<v Speaker 1>something you'd were to like a sweatpant and like a

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<v Speaker 1>CrOx and like a hoodie type. You know, I'm a

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<v Speaker 1>cross gal. You know what it is is I like

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<v Speaker 1>to describe my closet. It looks like a like a

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<v Speaker 1>clown's room. Like it's just everything is very bright and

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<v Speaker 1>all different colors. I really like, I really like colors.

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<v Speaker 1>I own a few black T shirts, but that's because

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<v Speaker 1>they're all heat shirts. Um heat, they're all Miami Heat shirts.

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<v Speaker 1>But I really like, I really like a bunch of colors. But,

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<v Speaker 1>like you're saying, you can do all of this if

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<v Speaker 1>you have the confidence, all right, let's keep moving. Craig Katkowski, Welcome, Welcome, Welcome.

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<v Speaker 1>This is this is a real question. Well they're all

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<v Speaker 1>real questions, but I'm curious to hear hear your answer

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<v Speaker 1>on this one. In your opinion, which is the most

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<v Speaker 1>important element of theater? The script, the actors, or the audience?

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<v Speaker 1>And those are the only options. Those are only options

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<v Speaker 1>I'm giving you today, The script, the actors, or the audience.

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<v Speaker 1>I think a good production and good acting can absolutely

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<v Speaker 1>elevate a mediocre script. That and uh, terrible acting can

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<v Speaker 1>ruin a great script. Um so. And I think you

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<v Speaker 1>know audience, having a good audience is important. But uh,

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<v Speaker 1>you know, if if a great show exists in front

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<v Speaker 1>of three people who are watching it, you know who

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<v Speaker 1>were only mildly interested. I think it's still a great show.

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<v Speaker 1>I think all of those are are elements. But I

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<v Speaker 1>say this as an actor, uh that it's it comes

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<v Speaker 1>down to the acting. Oh. I love that. And also

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<v Speaker 1>by the way, I love when you show, when you

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<v Speaker 1>show your work like that, Like, I just love hearing.

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<v Speaker 1>I just love you, Greg. Can I just say that

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<v Speaker 1>out loud? I just love it. It's just fun to

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<v Speaker 1>hear you like work that out in real time. Thank

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<v Speaker 1>you for sharing that because I had to pick only one.

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<v Speaker 1>But of course all three are important. All three are important. Okay,

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<v Speaker 1>I'm moving on. James Heeney. Everybody say hello to James Heney. James,

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<v Speaker 1>I have a hypothetical for you, okay, and I want

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<v Speaker 1>you to answer this. You just booked. You just booked

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<v Speaker 1>a major role in two different movies, but you can

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<v Speaker 1>only accept one role. Now. One movie is starring The

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<v Speaker 1>Rock and the other movie is starring Paul Rudd. Which

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<v Speaker 1>movie are you are you going? Jeep was incredible, that's insane,

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<v Speaker 1>I guess, I guess Paul Rudd. I really love The Rock.

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<v Speaker 1>I mean that's insane. I love how personally I love this, James,

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<v Speaker 1>this is this is an awful scenario up for you, right, yeah,

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<v Speaker 1>oh my god, I love the Rock, but I have

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<v Speaker 1>to choose Paul Rock. I guarantee you'd be well compensated

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<v Speaker 1>for both roles. But if you pick the movie that

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<v Speaker 1>the rocks, then you're gonna make it a lot more money.

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<v Speaker 1>That's true. I mean that's very true. He makes a lot.

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<v Speaker 1>But yes, I'll go for the I'll go for the

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<v Speaker 1>Is it too late, I'll take the rock. The rocket

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<v Speaker 1>is right, if that's what you're all about stuff, But

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<v Speaker 1>I'll take a rock, then maybe that's right. Well, money

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<v Speaker 1>what money was not get a choice as a component,

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<v Speaker 1>But money was not a choice that important. He would

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<v Speaker 1>have chose money. Let's keep moving out here. Let's welcome

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<v Speaker 1>out tools. Singing everybody a tool? A tool. Would you

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<v Speaker 1>rather do a solo dance performance or a solo singing

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<v Speaker 1>performance dances? Is that because you're confident in your dance skills,

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<v Speaker 1>are not confident in your singing skills? I think it's

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<v Speaker 1>I'll stay on the positive. Confidence is key. Somebody wise

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<v Speaker 1>told me that about seconds ago, and uh yeah, I'm

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<v Speaker 1>confident in my dance skills, have rhythm um and so

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<v Speaker 1>I feel very strongly that I could do that easily.

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<v Speaker 1>I enjoy singing. But going to Craig's question, I might

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<v Speaker 1>the audience would not. They would be it would be

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<v Speaker 1>a concern. Gosh, No, I was just I would give

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<v Speaker 1>a lot of money to see a solo dance concert

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<v Speaker 1>with the tool. Oh you're so wonderful. Um. And now

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<v Speaker 1>this just in. Things are getting crazy here in the studio.

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<v Speaker 1>We have a special guest coming in. And this is

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<v Speaker 1>strange because I'm hosting, but you all know him and

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<v Speaker 1>love him. Ladies and gentlemen or however you identify, please

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<v Speaker 1>welcome Kevin Pollock. Yes, Pollock everyone. It's an upside down universe.

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<v Speaker 1>And uh, I'm so thrilled to be joining you guys

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<v Speaker 1>as late as it is. And I'm so grateful to

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<v Speaker 1>Chris for guest hosting today and allowing me to be

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<v Speaker 1>one of the alchemists to to Dear James, I just

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<v Speaker 1>want to say, take the Paul Rudd because A you're

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<v Speaker 1>gonna kill it better in a comedy. B. H. The

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<v Speaker 1>rock takes all the money, there'll be none left for you. Yeah,

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<v Speaker 1>as you'd like to switch, I've got it in the

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<v Speaker 1>books here. You were never switched over. To the rock.

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<v Speaker 1>You were not allowed to switch over to the Rock's terrific.

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<v Speaker 1>They're still on the rod. Yeah, and actually you spend time. Well,

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<v Speaker 1>you know, that's a different podcast. It's different, you know.

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<v Speaker 1>You know he's a great guy. But Kevin, I'm not

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<v Speaker 1>letting you off the hook without a question. Now. As

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<v Speaker 1>you know, because you've been in this zoom room, we

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<v Speaker 1>have been. We are joined today by two alche Maniacs.

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<v Speaker 1>That's Paul Hatton and Mike del Rosso. Right, they are here,

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<v Speaker 1>they're joining us. This is one of the perks of

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<v Speaker 1>being in Alchemaniac and they're having a good time. Now. Now,

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<v Speaker 1>when you stepped away from your computer, I said, I

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<v Speaker 1>gotta ask Kevin a question. He's a surprise special guest. Paul,

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<v Speaker 1>do you have a question for him? And he said

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<v Speaker 1>yes with the hesitation, and this was and this was

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<v Speaker 1>his Yeah, this is his question from Okay, very specific question, Kevin,

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<v Speaker 1>did you ever ignore a fan in Virginia Beach? Wow?

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<v Speaker 1>That's really specific. I mean, I mean the answer seems

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<v Speaker 1>sort of obvious. Do you recall it? Yeah? If the

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<v Speaker 1>question was do I recall that? That's that's a question

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<v Speaker 1>I can answer, whether or not I ever did seem

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<v Speaker 1>self fulfilling in the question. And for the record, I

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<v Speaker 1>would have much more appreciated a question from you, Chris.

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<v Speaker 1>But listen, yeah, yeah, yeah, listen. Uh Paul Hadden if

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<v Speaker 1>that's your real name, Uh uh maybe? I mean sure?

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<v Speaker 1>Oh I like this. I like this attitude again from

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<v Speaker 1>guests Kevin Paul Now, yeah, absolutely, he doesn't have to

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<v Speaker 1>charm anyone. Yeah no, no, I actually know one as

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<v Speaker 1>a partisant. Oh. I think I think we've said enough,

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<v Speaker 1>so let's jump in. Let's jump into our show here. Um,

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<v Speaker 1>as you all know, all of today's suggestions come to

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<v Speaker 1>us from listener emails, and if you want priorities, consider

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<v Speaker 1>becoming a Patreon v i P or Patreon alchemaniac. Right

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<v Speaker 1>you can, you can watch us. You can join us

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<v Speaker 1>for an in zoom session, plenty of perks, including bonus scenes,

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<v Speaker 1>and your suggestions move up in the queue. So if

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<v Speaker 1>you want to do that, please head on over to

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<v Speaker 1>patreon dot com slash alchemy this, or if you'd like

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<v Speaker 1>to submit a suggestion the old timing way. Gosh, it's

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<v Speaker 1>hard to do when Kevin's watching this, by the way,

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<v Speaker 1>because I'm using his cadence. But I'm gon keep going.

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<v Speaker 1>If you want to submit a suggestion the old timing way,

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<v Speaker 1>consider dropping us an email at alchemy this email at

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<v Speaker 1>gmail dot com, that's dot com. Seen one comes to

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<v Speaker 1>us from Alchemy v I p Andy Montoya and he says,

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<v Speaker 1>seeing suggestion, harsh art. Critic goes to their kids finger

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<v Speaker 1>painting class. Thanks and take care. All of you have

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<v Speaker 1>done such a great job. I can't wait for you

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<v Speaker 1>to share with your parents. This is just incredible work.

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<v Speaker 1>You should be proud of yourself. Timmy, I'm pretty proud.

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<v Speaker 1>First of all, what time do our parents get here

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<v Speaker 1>and be don't patronize us, please, don't. You guys are

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<v Speaker 1>such sophisticated students. I believe your parents should be here

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<v Speaker 1>right at the I mean they might be already waiting outside,

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<v Speaker 1>but when classes over today, they're gonna come in and

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<v Speaker 1>look at all the work you've done this this year

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<v Speaker 1>so far. My dad is a mechanic. He doesn't get art,

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<v Speaker 1>but he's here. Oh everyone gets art. You just enjoy

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<v Speaker 1>what you see. It's it's it's it's human nature. I

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<v Speaker 1>love meeting people's parents because they seem to be like

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<v Speaker 1>the building blocks of the little person that you guys

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<v Speaker 1>are okay, parents, I'm persible atler as you know. Now

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<v Speaker 1>we're gonna be taking you into the classroom. Now. Just

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<v Speaker 1>a quick reminder, the kids put their hearts into these paintings,

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<v Speaker 1>a lot of finger paintings. Um, I'm sure I don't

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<v Speaker 1>have to tell you, but we want to keep this

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<v Speaker 1>night a positive night. Okay, I'm sorry. Oh gosh, we

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<v Speaker 1>got a lot of questions. Yes, what's going on here? Oh?

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<v Speaker 1>Please you after you madam? Oh, I'm sorry, but um,

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<v Speaker 1>I'm not a liar. So if I'm looking at something

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<v Speaker 1>and it's not what they're telling me it is, I'm

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<v Speaker 1>not gonna say, wow, beautiful tiger. If I'm just looking

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<v Speaker 1>at a lava nothing, you know what I mean? Show me,

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<v Speaker 1>show me the eyes, where's the nose, where are the whiskers?

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<v Speaker 1>Say something positive? Or say nothing at all? What are

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<v Speaker 1>we going with that? Yeah, perhaps it's that, Perhaps it's that.

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<v Speaker 1>Just you know, we want to keep the energy light, sir,

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<v Speaker 1>sir with with the accent here. Yes, and my profession

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<v Speaker 1>as well. If something is not correct, I have to mention.

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<v Speaker 1>It is part of my job. So I just want

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<v Speaker 1>to look that up up front. You're staring at my shirt.

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<v Speaker 1>Uh No, I was just reading it, so that's all

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<v Speaker 1>I was doing. I mean, I stand by what's written

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<v Speaker 1>on it. Yeah, well that's great. So yeah, okay, it's

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<v Speaker 1>a little I guess the children can't read that, so

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<v Speaker 1>though we should be Okay, all right, I'm gonna open

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<v Speaker 1>the room. As you know, the teacher is Mr. Elder

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<v Speaker 1>Regard and um you know, here we go. Hi, everybody,

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<v Speaker 1>look who it is. It's your favorite RD. Okay, okay,

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<v Speaker 1>So I just want to say it's been a pleasure

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<v Speaker 1>working with your kids. I've grown as much as they've grown.

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<v Speaker 1>We really are excited to show you our work. Daddy,

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<v Speaker 1>Danny kind Son. It's great to see you. Yes, it's me. Yeah,

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<v Speaker 1>I want to share you my painting. Okay, of course,

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<v Speaker 1>Mr Mr e Can I show my painting? Of course?

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<v Speaker 1>Of course. Um I can tell you the title, but

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<v Speaker 1>I don't want to tell you what it is. No. Honestly,

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<v Speaker 1>I think it's helpful if you do tell him what

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<v Speaker 1>it is, because sometimes it's easier to explain with words

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<v Speaker 1>than silence. That's what you said. We always say it's

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<v Speaker 1>easier to explain with words that this is an octopus

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<v Speaker 1>playing an oboe of violin and the drums and the

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<v Speaker 1>title is music under the Sea. I love it, son,

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<v Speaker 1>I see all of it. And let me tell you

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<v Speaker 1>instructor that in my job, Mr, Mr Elder God, in

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<v Speaker 1>my job, sometimes people explain things without using words. Sometimes

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<v Speaker 1>people come in and go, my engine makes this noise.

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<v Speaker 1>Grummmmmm grom and I have to deduce what could be

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<v Speaker 1>the possibilities of Uh. It feels a little like you're

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<v Speaker 1>you're judging me for having a Honda Civic. No, no, no,

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<v Speaker 1>not at all. Not just say it's the not the accord,

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<v Speaker 1>but it is. Uh, it is a Honda. Um. Just

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<v Speaker 1>you decided at some point not to get the leite

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<v Speaker 1>top model, the second model. But I will take a look.

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<v Speaker 1>Can you explain to me what's exactly going on? Yeah,

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<v Speaker 1>well it's cutting out a lot and uh, like, I

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<v Speaker 1>don't know if I'm flooding the engine or somebody suggested

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<v Speaker 1>online it could be a bad alternator online. Huh. I

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<v Speaker 1>mean we go for all the answers in the world. Yeah,

0:13:47.320 --> 0:13:49.400
<v Speaker 1>but I think when it when it conks out, it

0:13:49.480 --> 0:13:55.600
<v Speaker 1>kind of makes uh cod sound. Thank you right there,

0:13:56.520 --> 0:14:01.240
<v Speaker 1>you've narrowed down the problem. I'll be able to repair well,

0:14:01.320 --> 0:14:03.480
<v Speaker 1>you see, why don't we step aside for just a

0:14:03.520 --> 0:14:05.199
<v Speaker 1>moment so I could tell you a little teach your

0:14:05.240 --> 0:14:08.960
<v Speaker 1>parents secret, so you see what the thing is is

0:14:09.000 --> 0:14:12.319
<v Speaker 1>some of these kids do really trashy pictures. They're just awful.

0:14:12.640 --> 0:14:15.079
<v Speaker 1>But your kids got talent. You can see the oboe,

0:14:15.160 --> 0:14:20.200
<v Speaker 1>the violin, the octopus, right, so, and that's why sometimes

0:14:20.280 --> 0:14:24.320
<v Speaker 1>we explain it. Does that make sense? Yes, you didn't

0:14:24.320 --> 0:14:27.920
<v Speaker 1>need me to pull me aside for that. Let's step

0:14:27.960 --> 0:14:30.680
<v Speaker 1>aside for just one more second. We'll see. What you

0:14:30.720 --> 0:14:33.400
<v Speaker 1>don't understand is if I have a different setables for

0:14:33.440 --> 0:14:35.560
<v Speaker 1>your kid, it's going to be pretty transparent. Kids are

0:14:35.600 --> 0:14:38.040
<v Speaker 1>smarter than you think. Okay, don't be kind of sending

0:14:38.080 --> 0:14:43.640
<v Speaker 1>to what was that? Were you? Okay? What's when? What's when?

0:14:43.760 --> 0:14:50.080
<v Speaker 1>What's when's your parents? Which? When's your mom or dada? Well,

0:14:50.200 --> 0:14:53.040
<v Speaker 1>my my dad's not here yet, so I don't know.

0:14:53.160 --> 0:14:57.920
<v Speaker 1>I don't Okay, Well I like your picture. Thanks. Yeah.

0:14:58.000 --> 0:15:01.760
<v Speaker 1>I mean I've been inspired Picasso for a long time,

0:15:01.880 --> 0:15:06.080
<v Speaker 1>and sometimes I try to work outside the cubism and

0:15:06.320 --> 0:15:16.120
<v Speaker 1>just get to the Hey, um, i'm your dad's secretary. Yeah, uh,

0:15:16.360 --> 0:15:20.560
<v Speaker 1>nice to meet you. I'm here to check out your work.

0:15:21.240 --> 0:15:23.760
<v Speaker 1>So well, I'll tell you what weren't you just tell

0:15:23.840 --> 0:15:26.600
<v Speaker 1>him you liked it, you found some of it confusing,

0:15:26.840 --> 0:15:32.200
<v Speaker 1>and you don't have to really stay. Oh it's your mommy. No, no, no,

0:15:32.240 --> 0:15:36.360
<v Speaker 1>I don't. I'm so excited. Oh I don't have kids.

0:15:36.360 --> 0:15:40.360
<v Speaker 1>Oh it's your step mommy. It's uh, this is gonna

0:15:40.400 --> 0:15:43.520
<v Speaker 1>be wonderful. Have you showed her your artwork yet? Yeah,

0:15:43.880 --> 0:15:46.560
<v Speaker 1>let's not put a title on her. Yeah, let's just

0:15:46.600 --> 0:15:51.560
<v Speaker 1>make it clear. That makes sense, makes sense that here

0:15:52.680 --> 0:15:55.640
<v Speaker 1>I don't know, I don't know. Have you shared your

0:15:55.760 --> 0:16:00.880
<v Speaker 1>artwork yet? It's wonderful. He's actually refusing. He's actually withholding

0:16:00.960 --> 0:16:04.560
<v Speaker 1>his artwork from me, And that's not how I roll.

0:16:04.960 --> 0:16:07.680
<v Speaker 1>It's clear to see that you might not understand it,

0:16:07.720 --> 0:16:11.120
<v Speaker 1>but if you want to see it, sure it's over here, Grady.

0:16:11.440 --> 0:16:17.640
<v Speaker 1>That's the spirit there. It is Grady. I get art.

0:16:17.760 --> 0:16:21.440
<v Speaker 1>Let me just hate that. He just says I get art.

0:16:21.480 --> 0:16:25.280
<v Speaker 1>People who don't. But go ahead, okay, I think you

0:16:25.320 --> 0:16:27.280
<v Speaker 1>just can. I just have a little tiny secret time

0:16:27.320 --> 0:16:31.040
<v Speaker 1>with you. Just step aside a little bit. Grady's been

0:16:31.040 --> 0:16:35.600
<v Speaker 1>a real aspect. I don't know what the problem is

0:16:37.280 --> 0:16:41.640
<v Speaker 1>or whatever you'll talk about. Wish was asshole. It's a

0:16:41.680 --> 0:16:44.800
<v Speaker 1>big it's a big one. You can't do anything about this.

0:16:45.000 --> 0:16:47.880
<v Speaker 1>I can't do anything about this. I shouldn't even be here.

0:16:49.040 --> 0:16:51.280
<v Speaker 1>I should even be here. I should be doing clerical

0:16:51.320 --> 0:16:52.960
<v Speaker 1>work that gets me to move up the ladders so

0:16:53.000 --> 0:16:57.960
<v Speaker 1>that eventually I too can be a litigator. But you know,

0:16:58.160 --> 0:17:02.200
<v Speaker 1>not even family. No I'm not. You're not even family terry,

0:17:02.240 --> 0:17:05.760
<v Speaker 1>which also is sucked up because I'm illegal. And yet

0:17:06.440 --> 0:17:09.320
<v Speaker 1>he makes me agree. Okay, okay, I gotta get myself centered.

0:17:09.840 --> 0:17:17.159
<v Speaker 1>Oh it's a wonderful. Hey, can you make sure this

0:17:17.240 --> 0:17:21.719
<v Speaker 1>deposition gets over to to climb in facts? And how

0:17:21.760 --> 0:17:26.879
<v Speaker 1>did everything? Uh? Go with the with the kid? Uh? Yeah,

0:17:26.920 --> 0:17:29.840
<v Speaker 1>he's he does art. It's with his fingers and it's

0:17:29.880 --> 0:17:32.280
<v Speaker 1>pretty good. His teacher is a bit off the rails.

0:17:32.359 --> 0:17:35.960
<v Speaker 1>She wants to kind of talk with you. Um, but

0:17:36.680 --> 0:17:39.080
<v Speaker 1>I'd really rather talk about the defication because I actually

0:17:39.119 --> 0:17:41.800
<v Speaker 1>filed the taper work for it that I don't think

0:17:41.840 --> 0:17:45.159
<v Speaker 1>that you read yet. But um, is anything not clear

0:17:45.240 --> 0:17:50.840
<v Speaker 1>about the instructions I gave you? No? Um, your instructions

0:17:50.840 --> 0:17:53.600
<v Speaker 1>were clear. It's that I finished. Are you asking me

0:17:53.640 --> 0:17:56.439
<v Speaker 1>to give those instructions again? No, I'm letting you know

0:17:56.640 --> 0:18:00.840
<v Speaker 1>that I took initiative and I started to do extra

0:18:00.880 --> 0:18:03.560
<v Speaker 1>work on top of the work that I already finished

0:18:03.680 --> 0:18:06.200
<v Speaker 1>that you asked me to do, just to show you

0:18:06.359 --> 0:18:10.800
<v Speaker 1>that I am worth more than perhaps you see tell

0:18:10.840 --> 0:18:17.960
<v Speaker 1>me tell me your name again? Three years? Oh no,

0:18:19.960 --> 0:18:22.679
<v Speaker 1>look whose dad it is? I heard this guy as

0:18:22.720 --> 0:18:28.439
<v Speaker 1>an actual art critic. What do you mean? Well, I

0:18:28.440 --> 0:18:30.840
<v Speaker 1>think he does that for a living. I think that's

0:18:30.880 --> 0:18:34.040
<v Speaker 1>his job. He says bad things about our We're good

0:18:34.080 --> 0:18:37.040
<v Speaker 1>but probably mostly bad. Critic doesn't feel like as a

0:18:37.040 --> 0:18:40.880
<v Speaker 1>positive association with it. I mean, to justify your existence?

0:18:40.920 --> 0:18:43.439
<v Speaker 1>Do you have to put things down? I think, m hm,

0:18:43.960 --> 0:18:51.640
<v Speaker 1>where's my fucking kid? Where's my fucking kid? This isn't

0:18:51.640 --> 0:18:55.879
<v Speaker 1>gonna go. Well, where's your Where's where's your teacher? Oh? Hello,

0:18:56.280 --> 0:18:59.679
<v Speaker 1>I'm mr elder Gard. You must be here for the

0:19:00.280 --> 0:19:04.400
<v Speaker 1>teacher art show. Here's my card. I'm with the the Atlantic,

0:19:04.520 --> 0:19:09.320
<v Speaker 1>all right? Oh, I've read the Atlantic. This is what

0:19:10.359 --> 0:19:15.919
<v Speaker 1>you've read The Atlantic personally, what we talked to you

0:19:15.960 --> 0:19:19.840
<v Speaker 1>over here. For a second, it feels a little bit

0:19:19.920 --> 0:19:21.720
<v Speaker 1>kind of like you're judging me for only getting two

0:19:21.720 --> 0:19:31.240
<v Speaker 1>pieces into the Whitney Biennial. Well, I am judging you

0:19:31.320 --> 0:19:36.200
<v Speaker 1>fun face, and that's that's called for. No, it's not. No,

0:19:36.359 --> 0:19:38.680
<v Speaker 1>it's not if you do funk face work and get

0:19:38.680 --> 0:19:41.400
<v Speaker 1>two pieces only into the Whitney. Do you know how

0:19:41.400 --> 0:19:46.120
<v Speaker 1>many times the biennial happens? Um, it's either every two

0:19:46.200 --> 0:19:50.280
<v Speaker 1>years or twice a year. Sometimes these terms are confusing.

0:19:50.280 --> 0:19:53.879
<v Speaker 1>I wish words would just all right, Yes, it happens

0:19:53.920 --> 0:19:56.720
<v Speaker 1>every two years. It's very fucking fancy. So when you

0:19:56.720 --> 0:20:00.800
<v Speaker 1>get two pieces in, be happy about it, all right.

0:20:02.040 --> 0:20:06.760
<v Speaker 1>I saw you getting in Jeff Kuhn's face. Jeff con

0:20:06.840 --> 0:20:09.359
<v Speaker 1>is the guy who doesn't even do the actual fucking work. Hey,

0:20:09.400 --> 0:20:12.159
<v Speaker 1>anyone can make a balloon, all right, a metallic balloon.

0:20:12.720 --> 0:20:15.120
<v Speaker 1>I mean I did. I did both of these sculptures

0:20:15.119 --> 0:20:18.880
<v Speaker 1>and they did get into the Whitney Whitney Biennial. Yes, hey,

0:20:18.880 --> 0:20:23.280
<v Speaker 1>why don't you tell me one more time? Well, I

0:20:23.040 --> 0:20:27.360
<v Speaker 1>I just I just feel like you're being unnecessarily harsh, sir.

0:20:27.520 --> 0:20:31.280
<v Speaker 1>Did you see mine? Look at this? Look at this

0:20:31.400 --> 0:20:34.160
<v Speaker 1>young boy? This is this kid is five years old.

0:20:34.880 --> 0:20:38.680
<v Speaker 1>His work is right next to yours. That's not cool.

0:20:41.119 --> 0:20:43.840
<v Speaker 1>Look at it? Look at it? Are these are animals

0:20:43.920 --> 0:20:46.879
<v Speaker 1>under the sea? Tom? Why don't you explain it. Oh.

0:20:47.920 --> 0:20:49.760
<v Speaker 1>I know that you're a parent of one of the

0:20:49.800 --> 0:20:53.080
<v Speaker 1>students here, but uh, you can't just bring in these

0:20:53.119 --> 0:20:58.240
<v Speaker 1>statues and whoever this person is, um, uh, this is

0:20:58.280 --> 0:21:02.120
<v Speaker 1>a nude statue. We've children here and like it's art.

0:21:02.240 --> 0:21:13.080
<v Speaker 1>Can talk to you over her sing. Let's moving on

0:21:13.119 --> 0:21:15.000
<v Speaker 1>to see number two. And it comes to us from

0:21:15.080 --> 0:21:20.800
<v Speaker 1>listener Andre Durham. Hello, thank you all for existing suggestion

0:21:21.440 --> 0:21:27.920
<v Speaker 1>the newest Bond girl, Dolores from accounting. Thanks Andre. Did

0:21:27.920 --> 0:21:31.960
<v Speaker 1>you see Did you see this? They're they're doing a

0:21:32.000 --> 0:21:34.080
<v Speaker 1>cattle call. They're doing a cattle call for the new

0:21:34.160 --> 0:21:41.600
<v Speaker 1>James Bond movie. You know this internet flyer here? Oh

0:21:41.640 --> 0:21:45.560
<v Speaker 1>my god, that's not that's the first thing flyer I've seen.

0:21:46.040 --> 0:21:48.480
<v Speaker 1>Oh yeah, well, it usually goes to the spam of

0:21:48.520 --> 0:21:52.320
<v Speaker 1>people's emails. But I don't get emails. I may spam

0:21:52.400 --> 0:21:56.240
<v Speaker 1>my primary Dolores move moves, see let me see my

0:21:57.080 --> 0:22:03.880
<v Speaker 1>must be female. I'm out hot. No, I guess none

0:22:03.880 --> 0:22:07.520
<v Speaker 1>of us. I think. I don't think you realize that's

0:22:07.520 --> 0:22:09.760
<v Speaker 1>not that's not a casting call. They're looking for a

0:22:09.800 --> 0:22:12.760
<v Speaker 1>real secret agent. Look at that right up there. It

0:22:12.760 --> 0:22:16.280
<v Speaker 1>says for real. Oh yeah, at the top. Yeah, but

0:22:16.400 --> 0:22:18.280
<v Speaker 1>for real that's how you know it's real because it

0:22:18.320 --> 0:22:21.960
<v Speaker 1>says it's for real. I mean it's I wouldn't say

0:22:21.960 --> 0:22:23.960
<v Speaker 1>that if it wasn't but a waste to text. None

0:22:23.960 --> 0:22:26.199
<v Speaker 1>of this it means anything does anyway? Okay, we all

0:22:26.240 --> 0:22:33.880
<v Speaker 1>work in this office. None of us are so well actually, Dolores, Yeah,

0:22:33.920 --> 0:22:37.320
<v Speaker 1>I'm uncomfortable with this line of thinking. Well, I didn't

0:22:37.320 --> 0:22:40.719
<v Speaker 1>mean Dolores always has her hair up and has her

0:22:40.760 --> 0:22:43.320
<v Speaker 1>glasses on. So I just look at this if I

0:22:43.400 --> 0:22:49.800
<v Speaker 1>think if I take this hair down, Sorry, look at

0:22:51.400 --> 0:22:55.159
<v Speaker 1>I'm sorry. I'll go back to my cub the transfer.

0:22:55.680 --> 0:22:57.760
<v Speaker 1>If you not see the transformation moment and every motion

0:22:57.880 --> 0:23:02.400
<v Speaker 1>picture where the awkward, nerdy girl takes down her hair

0:23:02.480 --> 0:23:06.760
<v Speaker 1>and removes her glass, can you name one, She's all

0:23:06.800 --> 0:23:09.280
<v Speaker 1>that comes to mind. But listen, Yeah, that's what I thought. Yeah,

0:23:10.600 --> 0:23:14.600
<v Speaker 1>but no one does it for her. I'm sorry, my bad.

0:23:14.640 --> 0:23:17.199
<v Speaker 1>I'll go back to my cubic clocks. Hey, I'll go

0:23:17.200 --> 0:23:21.000
<v Speaker 1>back to my cubicle. Do it for her in that movie,

0:23:21.720 --> 0:23:25.600
<v Speaker 1>like they give her a makeover, right, you know, but

0:23:25.680 --> 0:23:30.400
<v Speaker 1>no one man handles her head, do they? Especially when honestly,

0:23:30.440 --> 0:23:35.320
<v Speaker 1>I have such a sensitive scalp. Mr Bond Unfortunately, it's

0:23:35.320 --> 0:23:38.240
<v Speaker 1>been a little difficult to find a new bond girl,

0:23:38.440 --> 0:23:42.920
<v Speaker 1>as our internet flyers seems to be half casting call

0:23:43.160 --> 0:23:47.000
<v Speaker 1>half actual really, so people are getting confused. So please

0:23:47.119 --> 0:23:53.560
<v Speaker 1>forgive the the situation. You're not gonna kill me, are you.

0:23:54.000 --> 0:23:57.399
<v Speaker 1>I'm just no, of course not keep up the search

0:23:57.760 --> 0:24:01.360
<v Speaker 1>and um, I'll just do this next mission on my own.

0:24:01.520 --> 0:24:05.040
<v Speaker 1>But please, Mr bond was it was? It? Um? Not

0:24:05.480 --> 0:24:07.920
<v Speaker 1>right of me too when I was making this internet

0:24:07.960 --> 0:24:09.600
<v Speaker 1>flyer to ask for somebody to be hot? Is that

0:24:09.880 --> 0:24:12.560
<v Speaker 1>is that? That was? That was not personally I'm not

0:24:12.600 --> 0:24:15.200
<v Speaker 1>happy with the term bond girl either. But let's just

0:24:15.400 --> 0:24:19.719
<v Speaker 1>let's just have a name, you know, bring me every

0:24:19.800 --> 0:24:23.440
<v Speaker 1>you know, just just give her a name. Okay, every

0:24:23.480 --> 0:24:27.520
<v Speaker 1>bring you every Dolores in the country. My mother's name

0:24:27.520 --> 0:24:30.320
<v Speaker 1>is Dolores. So yes, let's let's go with that. Okay,

0:24:30.400 --> 0:24:32.239
<v Speaker 1>that builds, That builds a little more even and then

0:24:32.280 --> 0:24:38.160
<v Speaker 1>a little more uh safe. Listen, m you're in charge.

0:24:38.200 --> 0:24:39.800
<v Speaker 1>You don't need to test me. I just do that,

0:24:40.040 --> 0:24:41.840
<v Speaker 1>you know. I just I'm older and so I kind

0:24:41.840 --> 0:24:44.520
<v Speaker 1>of you know, confused with the way things anyway. This

0:24:44.600 --> 0:24:46.280
<v Speaker 1>is a pen. It blows up if you throw it

0:24:46.280 --> 0:24:48.960
<v Speaker 1>at somebody. Well, you're doing a ques job now is

0:24:49.000 --> 0:24:54.280
<v Speaker 1>that cue supposed to be? Um? Yes? Um, my name

0:24:54.359 --> 0:25:01.080
<v Speaker 1>is Dolores, right, you're all Dolores Is. Oh sorry, I'm

0:25:01.119 --> 0:25:07.879
<v Speaker 1>Dolores Clatorus. I'm here for the casting call. Okay, is it?

0:25:07.920 --> 0:25:13.760
<v Speaker 1>Is it? It pronounced Clitus? My last name is pronounced Clitoris. Okay,

0:25:13.800 --> 0:25:19.720
<v Speaker 1>I'm sorry, I'm sorry. Oh that's okay, Mrs Clatorus. What

0:25:19.800 --> 0:25:28.359
<v Speaker 1>was your what was your schedule? Time? Tot? I just

0:25:28.400 --> 0:25:30.439
<v Speaker 1>want you to know that I come early because early

0:25:30.840 --> 0:25:33.960
<v Speaker 1>is on time and on time is late in my world. Okay,

0:25:34.000 --> 0:25:37.520
<v Speaker 1>well we are we are going to go with time scheduled,

0:25:37.720 --> 0:25:40.040
<v Speaker 1>so you it is two thirty. Now you can go

0:25:40.520 --> 0:25:42.720
<v Speaker 1>on into the room. Mr Bond may Or may not

0:25:42.800 --> 0:25:44.520
<v Speaker 1>be there, but there will be an associate to help you.

0:25:44.640 --> 0:25:53.600
<v Speaker 1>Thank you so much, thank you. Hello. Hello, my name's

0:25:54.359 --> 0:26:01.359
<v Speaker 1>James Wonderful. My name is Dolores, Dolores Cloris, isn't it

0:26:03.000 --> 0:26:06.840
<v Speaker 1>my last name is. I'm just running the camera back here,

0:26:06.880 --> 0:26:08.800
<v Speaker 1>but I'm not sure it is this acting or is

0:26:08.840 --> 0:26:15.679
<v Speaker 1>this secret agent stuff like Terry? Just just record all right,

0:26:15.920 --> 0:26:19.520
<v Speaker 1>I'm hitting her card dude. Thank you. Sorry, I have

0:26:19.600 --> 0:26:24.320
<v Speaker 1>a seat. Mr lawis. We just have a few questions. Um,

0:26:24.480 --> 0:26:30.399
<v Speaker 1>have you ever done any secret missions? Well, one time,

0:26:31.280 --> 0:26:33.960
<v Speaker 1>uh my mom didn't want me to leave the house

0:26:34.160 --> 0:26:36.960
<v Speaker 1>because there was a hurricane, but it was the very

0:26:37.000 --> 0:26:39.680
<v Speaker 1>beginning of the storm and it was only a category too.

0:26:40.000 --> 0:26:44.359
<v Speaker 1>And I had a craving for a brownie thunder from

0:26:44.720 --> 0:26:47.800
<v Speaker 1>uh t G I of Fridays, and so I told

0:26:47.840 --> 0:26:49.840
<v Speaker 1>her I was going to Blockbuster to pick up movies

0:26:49.920 --> 0:26:52.560
<v Speaker 1>for the hurricane, and instead I went to t G.

0:26:52.640 --> 0:26:55.520
<v Speaker 1>I have Fridays and I had that dessert, and she

0:26:55.520 --> 0:27:00.879
<v Speaker 1>she was never the right. You've told me enough? Okay,

0:27:00.920 --> 0:27:04.480
<v Speaker 1>can I head stop? No, Terry, just all right, all right,

0:27:04.520 --> 0:27:07.800
<v Speaker 1>I'll tell you roll. Would you like my profiles? Without

0:27:08.080 --> 0:27:09.880
<v Speaker 1>you will actually be going through that door right there

0:27:09.880 --> 0:27:17.400
<v Speaker 1>to the right render. Let's go over this one more time.

0:27:18.800 --> 0:27:23.600
<v Speaker 1>When I said bring me the newest bun Girls the

0:27:23.720 --> 0:27:30.040
<v Speaker 1>way to torture Agent, I thought I was rather clear

0:27:30.920 --> 0:27:39.160
<v Speaker 1>which bard Were you confused? Well? Uh, first of all, boss,

0:27:39.160 --> 0:27:43.119
<v Speaker 1>You're you're hard to understand sometimes, you know, so you know,

0:27:43.200 --> 0:27:47.560
<v Speaker 1>sometimes it's just a it's addiction thing, you know. But yeah,

0:27:47.600 --> 0:27:49.800
<v Speaker 1>I think I got the message, like get the get

0:27:49.800 --> 0:27:53.119
<v Speaker 1>the new Bond girl. You don't like the way I

0:27:53.200 --> 0:27:59.640
<v Speaker 1>saw screwed up, disfigured face disturb you as well. It's

0:27:59.680 --> 0:28:03.160
<v Speaker 1>not great, you know, Like I mean, they didn't make

0:28:03.200 --> 0:28:05.800
<v Speaker 1>you that mask that that will cover like most of

0:28:05.840 --> 0:28:08.919
<v Speaker 1>your face. You know, it wouldn't hurt to keep it

0:28:08.960 --> 0:28:15.080
<v Speaker 1>on around the office. Well, how did I screw up

0:28:15.080 --> 0:28:22.440
<v Speaker 1>this time? Boss? I don't see the Bond oh? Um?

0:28:22.560 --> 0:28:27.840
<v Speaker 1>Yeah about that? Um? You know I kidnapped her, uh

0:28:28.160 --> 0:28:31.080
<v Speaker 1>last night, and then I got back to the warehouse

0:28:31.680 --> 0:28:35.159
<v Speaker 1>and everything was locked up like everyone everyone kind of

0:28:35.160 --> 0:28:37.359
<v Speaker 1>closed up got home for the night. And you know

0:28:37.720 --> 0:28:41.880
<v Speaker 1>it's because you know, I asked you for a key,

0:28:42.000 --> 0:28:44.880
<v Speaker 1>and uh, you know, jarity is crucial. I don't know

0:28:44.880 --> 0:28:47.280
<v Speaker 1>if I need that, Okay, but I am at the

0:28:47.320 --> 0:28:54.400
<v Speaker 1>warehouse a lot freeze right there, Mr Bond, Oh and Delorestores,

0:28:56.720 --> 0:28:59.640
<v Speaker 1>Now you're both gonna die. All I need is one

0:29:00.080 --> 0:29:10.120
<v Speaker 1>little bullet next to Yeah, oh very right, missus platoris

0:29:10.760 --> 0:29:15.120
<v Speaker 1>I expected this from Bond, but not from a Bond girl. Well,

0:29:15.280 --> 0:29:20.520
<v Speaker 1>I'm a woman at this point, okay, forty two years old, young,

0:29:20.800 --> 0:29:24.160
<v Speaker 1>forty two years young? And what will you do if

0:29:24.160 --> 0:29:29.880
<v Speaker 1>I just shoot you? Now? Well, I would dodge it

0:29:31.320 --> 0:29:34.000
<v Speaker 1>if you're giving me enough warning. In fact, I'm just

0:29:34.040 --> 0:29:38.000
<v Speaker 1>gonna grab the gun, right, and then you're just so

0:29:38.040 --> 0:29:40.040
<v Speaker 1>focused on that other thing. And so now I have

0:29:40.160 --> 0:29:42.560
<v Speaker 1>your gun, and I'm actually quite a good shot. I

0:29:42.640 --> 0:29:44.400
<v Speaker 1>used to go to the range with my father to

0:29:44.520 --> 0:29:51.680
<v Speaker 1>bond with him. We loved guns to bond with him.

0:29:51.720 --> 0:29:54.200
<v Speaker 1>I don't know. I think maybe I did defend to Laura.

0:29:54.320 --> 0:29:56.360
<v Speaker 1>She hasn't been back since I dropped her hair into

0:29:56.440 --> 0:30:00.000
<v Speaker 1>her glasses. You think I'm going to get in trouble?

0:30:00.120 --> 0:30:02.840
<v Speaker 1>Was HR? You're saying you're repped glitter is the wrong way.

0:30:02.960 --> 0:30:07.480
<v Speaker 1>I think maybe we should just like we should just

0:30:07.520 --> 0:30:12.040
<v Speaker 1>like use this as a learning moment. You know, I

0:30:12.080 --> 0:30:13.760
<v Speaker 1>said no one was hot in the office, and that's

0:30:13.760 --> 0:30:17.800
<v Speaker 1>not really cool either. That wasn't cool. Yeah, I guess

0:30:17.800 --> 0:30:23.760
<v Speaker 1>we've learned a lot o you too? Uh sorry? Um

0:30:23.840 --> 0:30:30.800
<v Speaker 1>oh yeah, you're fired? Oh all right? Uh Steve from

0:30:30.920 --> 0:30:32.400
<v Speaker 1>HR didn't want to come down. Just send me to

0:30:32.480 --> 0:30:35.040
<v Speaker 1>pass on the message, right, Okay, that that makes sense.

0:30:35.080 --> 0:30:39.520
<v Speaker 1>That makes sense. Okay, all right, so let me just

0:30:39.560 --> 0:30:44.040
<v Speaker 1>walk you up. Yep, are you too? Lis? I sent

0:30:44.200 --> 0:30:47.200
<v Speaker 1>you into be double agents and you've both got fired.

0:30:47.920 --> 0:30:51.000
<v Speaker 1>What you're saying, I got so lost in the role.

0:30:51.080 --> 0:30:52.920
<v Speaker 1>I didn't know what it was. It was hard and

0:30:53.160 --> 0:30:58.000
<v Speaker 1>which was up right? Well, then maybe you can get

0:30:58.000 --> 0:31:01.800
<v Speaker 1>into the warehouse and help them. Dumb three year I

0:31:01.840 --> 0:31:06.760
<v Speaker 1>don't gee, you have the keys? Uh am? I are

0:31:06.800 --> 0:31:10.440
<v Speaker 1>you gonna kill me if I say no? It's Bruno.

0:31:10.520 --> 0:31:15.320
<v Speaker 1>I'm stuck outside, Bruno. Why if you look brow in

0:31:15.640 --> 0:31:22.320
<v Speaker 1>p I'm on it. Yeah, I we'll see about that. Oh.

0:31:22.520 --> 0:31:28.000
<v Speaker 1>I hit my knuckle on the doorn. Oh wait, who's that?

0:31:28.280 --> 0:31:32.200
<v Speaker 1>Someone's taking Bruno? James Bond is here, boss, James Bond

0:31:32.320 --> 0:31:36.840
<v Speaker 1>is here? Facts defell for my trap? Let me wait?

0:31:36.840 --> 0:31:41.040
<v Speaker 1>We were all lures and you're using us. Yes, trout boys,

0:31:41.160 --> 0:31:52.920
<v Speaker 1>step aside. Found I found Claris Dolores taurus. It rhynds.

0:31:53.000 --> 0:31:56.200
<v Speaker 1>It shouldn't be hard anyway, I found her. It was

0:31:56.920 --> 0:32:02.920
<v Speaker 1>I was searching the longest time, plagued mankind for centuries.

0:32:03.040 --> 0:32:07.440
<v Speaker 1>My boy, you don't take it personally? Well, Mr bad

0:32:08.520 --> 0:32:12.000
<v Speaker 1>we needed These ropes are not going to be able

0:32:12.040 --> 0:32:15.600
<v Speaker 1>to hold me right? Why didn't I tell you my

0:32:15.680 --> 0:32:18.960
<v Speaker 1>evil plan before you get out of those ropes? Where

0:32:19.120 --> 0:32:21.600
<v Speaker 1>don't you usually have a mask that covers half your face?

0:32:24.280 --> 0:32:26.520
<v Speaker 1>Just really happy? I think I left it in the

0:32:26.560 --> 0:32:33.240
<v Speaker 1>car bos Yeah, thanks, thanks dum never mind, here's my plan.

0:32:35.200 --> 0:32:37.120
<v Speaker 1>Maybe maybe if you don't want to wear this brown

0:32:37.760 --> 0:32:41.920
<v Speaker 1>this brown paper back, we cut eye holes in. Yeah, yeah,

0:32:41.960 --> 0:32:43.440
<v Speaker 1>that's it. Cut I holds in. I don't take you

0:32:43.480 --> 0:32:49.680
<v Speaker 1>twenty minutes, as I always say, my plan, Mr articulate boss. Wait,

0:32:49.720 --> 0:32:53.320
<v Speaker 1>we lost the lories. We lost Mr Laturus. I don't

0:32:53.320 --> 0:32:54.880
<v Speaker 1>know where she is. I thought we had her. I

0:32:54.880 --> 0:32:58.080
<v Speaker 1>thought we knew exactly where she was. And I'm funny her,

0:32:58.280 --> 0:33:00.280
<v Speaker 1>I don't. I don't know where she is. Can we

0:33:00.360 --> 0:33:03.920
<v Speaker 1>just call her the button for short? I don't know

0:33:03.960 --> 0:33:06.280
<v Speaker 1>if we can do that. Well, you know, we we

0:33:06.320 --> 0:33:08.720
<v Speaker 1>were senting to the other office. We got canned for

0:33:08.800 --> 0:33:12.320
<v Speaker 1>saying things are less offensive than that, right, yeah, we

0:33:12.440 --> 0:33:19.720
<v Speaker 1>there's no hr were the bad guys sake now, ter Bun.

0:33:20.920 --> 0:33:24.840
<v Speaker 1>My plan was quite simple. I'm going to the ripened

0:33:24.960 --> 0:33:30.320
<v Speaker 1>shreds piece by piece so that you, you too, are unseeable.

0:33:31.040 --> 0:33:34.720
<v Speaker 1>Do you think I could get that in writing? Here's

0:33:34.720 --> 0:33:44.920
<v Speaker 1>a pen? Cool, Dolores. How was your weekend? It's pretty chill,

0:33:45.200 --> 0:33:47.120
<v Speaker 1>I am. I actually went to the movie theater for

0:33:47.200 --> 0:33:50.880
<v Speaker 1>the first time in a long time. Oh wow, fun yeah,

0:33:50.880 --> 0:33:54.640
<v Speaker 1>it was pretty good. What do you see, um, you

0:33:54.680 --> 0:33:59.560
<v Speaker 1>know one of those classic bad guys good guy spy

0:33:59.720 --> 0:34:05.240
<v Speaker 1>ish movies. Those are so unbelievable, but fun starts. Second

0:34:05.320 --> 0:34:14.480
<v Speaker 1>sing our. Third suggestion comes to us from Alcamaniac and

0:34:14.760 --> 0:34:20.400
<v Speaker 1>in zoom guest Mike del Rosso. Everybody, this is exciting.

0:34:21.120 --> 0:34:25.120
<v Speaker 1>Mike says, what's up you marry Ganga Pranksters scenes suggestion

0:34:25.760 --> 0:34:32.440
<v Speaker 1>Penultimate Frisbee Tournament heads on a swivel. Buttermilk Jones Penultimate

0:34:32.600 --> 0:34:38.520
<v Speaker 1>Frisbee Tournament. Yeah, I'd just like to practice before the

0:34:38.560 --> 0:34:42.799
<v Speaker 1>game starts, to get a little couple of tosses in. Right, Great, great,

0:34:42.840 --> 0:34:44.680
<v Speaker 1>And here at Frisbee Weekly, we were wondering if you

0:34:44.680 --> 0:34:48.320
<v Speaker 1>could tell us a couple of like of your secret

0:34:48.360 --> 0:34:50.560
<v Speaker 1>stretches or something that really gets you get your head

0:34:50.560 --> 0:34:54.120
<v Speaker 1>in the game. Listen, this is the semifinals, alright, the

0:34:54.160 --> 0:34:59.200
<v Speaker 1>penalty match of the year. Were four years defending champions

0:35:00.000 --> 0:35:03.640
<v Speaker 1>and everything that we do is a secret. Yeah, I'm

0:35:03.680 --> 0:35:07.200
<v Speaker 1>not gonna share any of our secret trips. That makes sense.

0:35:07.360 --> 0:35:09.879
<v Speaker 1>That makes sense. Hey, you can't blame the guy for asking, right, Yeah, Hey,

0:35:09.920 --> 0:35:15.200
<v Speaker 1>we love Frisbee Weekly. By the way, I gotta say

0:35:15.520 --> 0:35:19.960
<v Speaker 1>your June issue. The the centerfold issue was one of

0:35:19.960 --> 0:35:23.640
<v Speaker 1>our hottest selling I wasn't that that, Frisbee wasn't glued

0:35:23.680 --> 0:35:25.919
<v Speaker 1>to me. I was holding you. I heard, I heard,

0:35:26.040 --> 0:35:29.520
<v Speaker 1>I heard that is so hot, that you are so hot. Anyway,

0:35:29.920 --> 0:35:33.879
<v Speaker 1>go Flyers, uh and have a good Uh. You don't

0:35:33.880 --> 0:35:39.520
<v Speaker 1>have any more questions. I got one more. I see

0:35:39.520 --> 0:35:44.760
<v Speaker 1>if I can find it here. Are you? Are you single?

0:35:45.680 --> 0:35:50.920
<v Speaker 1>That's a good question. I am Oh. I know this

0:35:50.960 --> 0:35:54.239
<v Speaker 1>is weird, but I have a question for you, on

0:35:54.440 --> 0:36:01.960
<v Speaker 1>or off the record. On I'm listening, Are you single?

0:36:03.760 --> 0:36:07.520
<v Speaker 1>I am not. I am not because sometimes when you're young,

0:36:07.560 --> 0:36:09.520
<v Speaker 1>you make stupid choices, you know what I mean, and

0:36:09.520 --> 0:36:11.440
<v Speaker 1>then you go, I guess you know I'm here now,

0:36:11.480 --> 0:36:13.560
<v Speaker 1>and I gotta lock into this, you know, forever and

0:36:13.560 --> 0:36:16.319
<v Speaker 1>never and never until one of us dies. Fantasies might

0:36:16.360 --> 0:36:17.959
<v Speaker 1>come into the mind, but that doesn't mean you're gonna

0:36:18.000 --> 0:36:19.360
<v Speaker 1>do it, and you're not gonna act on them, you

0:36:19.400 --> 0:36:23.440
<v Speaker 1>know what I mean. So God Flyers, and let's go

0:36:23.520 --> 0:36:27.520
<v Speaker 1>get them semifinals. Alright, Good luck with your personal life.

0:36:28.000 --> 0:36:35.640
<v Speaker 1>Frisbee Weekly out Hey, I heard you talking about how

0:36:35.640 --> 0:36:37.680
<v Speaker 1>you were, you know, regret being married and stuff. But

0:36:39.080 --> 0:36:45.680
<v Speaker 1>I actually heard that, Yeah, I was your first month,

0:36:45.719 --> 0:36:49.759
<v Speaker 1>and I got Yeah, I'm Frisbee Weekly. We don't really

0:36:49.800 --> 0:36:54.560
<v Speaker 1>get along, not typically, not typically. I mean we curate

0:36:54.600 --> 0:36:56.759
<v Speaker 1>our work a little better, We take our time and

0:36:56.800 --> 0:36:58.560
<v Speaker 1>make it worth it. Well, we're on the fly. We

0:36:58.600 --> 0:37:01.600
<v Speaker 1>need it now. It looks rushed. But anyways, what I

0:37:01.640 --> 0:37:05.040
<v Speaker 1>was gonna say is I got a guy they can

0:37:05.040 --> 0:37:09.279
<v Speaker 1>take care of that dead weight problem you got. You

0:37:09.280 --> 0:37:11.560
<v Speaker 1>gotta pay in crypto to keep it on the d.

0:37:11.760 --> 0:37:15.239
<v Speaker 1>L I'm right here. Why don't you just introduce me? Hi,

0:37:17.000 --> 0:37:20.160
<v Speaker 1>Larry tam I'm with Frisbee Annual. So I have a

0:37:20.239 --> 0:37:23.200
<v Speaker 1>lot of time on my head, and this is the

0:37:23.560 --> 0:37:25.880
<v Speaker 1>guy who can do the thing. I can absolutely do

0:37:25.960 --> 0:37:29.200
<v Speaker 1>the thing, whatever the thing is. He's got time. He's

0:37:29.200 --> 0:37:31.960
<v Speaker 1>an annual. Quick question though, I've always had a hard

0:37:32.000 --> 0:37:35.960
<v Speaker 1>time buying the cryptok First of all, slow down, okay,

0:37:36.040 --> 0:37:39.040
<v Speaker 1>no reason for quick questions. You have a tough time

0:37:39.080 --> 0:37:44.600
<v Speaker 1>purchasing cryptos. Okay, what part is you do you find

0:37:44.600 --> 0:37:47.040
<v Speaker 1>in troubling? I think maybe we'll get to that later,

0:37:47.080 --> 0:37:49.759
<v Speaker 1>because is that is I need somebody to kill mine?

0:37:50.640 --> 0:37:55.200
<v Speaker 1>Oh God, Harold, I think that Robert's cheating on me.

0:37:56.360 --> 0:38:02.319
<v Speaker 1>What well, two henchman came into my apartment yesterday and

0:38:02.400 --> 0:38:04.760
<v Speaker 1>tried to murder me. But you know, I have really

0:38:04.800 --> 0:38:09.520
<v Speaker 1>strong thighs and I was able to always And why

0:38:09.600 --> 0:38:11.560
<v Speaker 1>else would he do that if he wasn't like into

0:38:11.600 --> 0:38:14.200
<v Speaker 1>somebody else, Like, why else would he hire somebody to

0:38:16.840 --> 0:38:18.640
<v Speaker 1>I don't mean you got to give him the benefit

0:38:18.680 --> 0:38:24.040
<v Speaker 1>of the doubt though, right, No, no, I'm not saying that.

0:38:24.200 --> 0:38:27.839
<v Speaker 1>I'm just saying that maybe there's a a more logical explanation.

0:38:27.960 --> 0:38:30.760
<v Speaker 1>I don't know, God Gerrold. It just makes me feel

0:38:32.320 --> 0:38:34.719
<v Speaker 1>so right, I just feel like a piece of ship.

0:38:35.000 --> 0:38:37.520
<v Speaker 1>I feel like an actual piece of ship. But at

0:38:37.520 --> 0:38:41.319
<v Speaker 1>the same time, it's like, fuck, if Beyonce gets cheated on,

0:38:41.520 --> 0:38:44.840
<v Speaker 1>like why not me? You know, and you're a strong

0:38:44.880 --> 0:38:48.840
<v Speaker 1>woman just like she is. I don't think it's strong

0:38:49.640 --> 0:38:54.040
<v Speaker 1>you can finish that smooth physically. I felt really strong. Yes,

0:38:54.160 --> 0:38:57.520
<v Speaker 1>you are. I mean the thighs in particular are just ridiculous.

0:38:57.800 --> 0:38:59.920
<v Speaker 1>You know what it is I've been Have you ever

0:39:00.120 --> 0:39:10.239
<v Speaker 1>seen Lost the Yeah? I think like you don't like

0:39:10.360 --> 0:39:13.760
<v Speaker 1>if you can't say yes with fer then the answer

0:39:14.080 --> 0:39:24.719
<v Speaker 1>is no, it's purgatory, right, I only watched the pilot. Sorry, boss. Uh,

0:39:25.360 --> 0:39:30.520
<v Speaker 1>well we got in there. Uh, but we we didn't.

0:39:31.120 --> 0:39:36.440
<v Speaker 1>We didn't kill her. I mean you didn't get it. Well,

0:39:37.239 --> 0:39:40.080
<v Speaker 1>Phil was Phil was in the lead, and so he

0:39:40.160 --> 0:39:43.280
<v Speaker 1>got in the front door. Um, and I said shoot

0:39:43.280 --> 0:39:45.439
<v Speaker 1>her and he said, I thought you had the gun.

0:39:46.200 --> 0:39:50.480
<v Speaker 1>And that's where that's where it was confusing. Is that

0:39:50.600 --> 0:39:55.600
<v Speaker 1>not an interview process by which you morons get ironed? No?

0:39:55.840 --> 0:40:01.520
<v Speaker 1>Hr is very thorough right. Yeah. So see still things

0:40:01.600 --> 0:40:04.160
<v Speaker 1>like I thought I had the gun but he had

0:40:04.200 --> 0:40:08.080
<v Speaker 1>the gun. That sort of thing can still happen. Yeah,

0:40:08.800 --> 0:40:17.000
<v Speaker 1>put your knuckles that both of us. Oh you guys

0:40:17.080 --> 0:40:23.160
<v Speaker 1>changed lots again. Tougher. Hey, wow, that was a really

0:40:23.200 --> 0:40:26.680
<v Speaker 1>good warm up. Guys. Uh, looking good out there, looking.

0:40:26.800 --> 0:40:29.240
<v Speaker 1>I actually did have a couple more questions. I forgot

0:40:29.280 --> 0:40:32.399
<v Speaker 1>to ask you for Frisbee Weekly. Um, listen, I just

0:40:32.400 --> 0:40:35.040
<v Speaker 1>gave an interview to Frisbee Monthly and Annual, so you

0:40:35.040 --> 0:40:37.480
<v Speaker 1>can just take it up with them, all right, Oh okay,

0:40:37.520 --> 0:40:40.440
<v Speaker 1>because it just feels like you maybe we want to

0:40:40.440 --> 0:40:47.040
<v Speaker 1>say a couple of things about Frisbee to us. That

0:40:47.120 --> 0:40:51.560
<v Speaker 1>wasn't a very good argument. I mean, are you here

0:40:51.560 --> 0:40:55.799
<v Speaker 1>to change your answer and then I'll what what what

0:40:55.920 --> 0:40:59.440
<v Speaker 1>are you crazy. This is the samer what what are we? What?

0:40:59.560 --> 0:41:01.320
<v Speaker 1>What we want to know? This is what game? Is?

0:41:01.320 --> 0:41:03.080
<v Speaker 1>This the champ not the championship, but the woman before?

0:41:03.200 --> 0:41:05.319
<v Speaker 1>What's that called? The ultimate? Is last? This is a

0:41:05.320 --> 0:41:09.920
<v Speaker 1>pen ultimate. So that's what we're dealing with here today. Yeah,

0:41:09.320 --> 0:41:12.319
<v Speaker 1>this is halftime right now. So it's halftime. We're in

0:41:12.320 --> 0:41:17.160
<v Speaker 1>the middle of the game. Frisbees are flying, hearts are flying.

0:41:18.320 --> 0:41:22.120
<v Speaker 1>You know, hey, pal, just wondering if you've got two

0:41:22.400 --> 0:41:28.680
<v Speaker 1>words for frisbee decade. We put a lot of time

0:41:28.680 --> 0:41:32.120
<v Speaker 1>and consideration into each issue. I'm actually in the middle

0:41:32.120 --> 0:41:38.680
<v Speaker 1>of an interview right now. Okay, we can wait. Hey, honey,

0:41:38.680 --> 0:41:46.239
<v Speaker 1>I'm I'm home. How did cow um cheryl? I know

0:41:46.360 --> 0:41:51.440
<v Speaker 1>she's cheating on me. I know what you're saying. He

0:41:51.520 --> 0:41:56.120
<v Speaker 1>has like a complete other life with some woman. I'm saying,

0:41:56.640 --> 0:42:00.720
<v Speaker 1>I'm taking a nap in the bedroom. The were closed,

0:42:00.719 --> 0:42:03.280
<v Speaker 1>of course, because you know, I like to like simulate

0:42:03.360 --> 0:42:06.640
<v Speaker 1>nighttime when I take my day. Yeah. Yes, he comes

0:42:06.680 --> 0:42:11.879
<v Speaker 1>home and another woman answers the door. She was her apartment,

0:42:12.960 --> 0:42:15.080
<v Speaker 1>she was there. I just had a bad day. I

0:42:15.160 --> 0:42:17.279
<v Speaker 1>just had a bad day. Maybe can you make a

0:42:17.320 --> 0:42:23.839
<v Speaker 1>cup of coffee? Babe? Sure, you know? Okay? Good? Where

0:42:23.960 --> 0:42:27.920
<v Speaker 1>is everything? Where do I make the coffee? Um? You

0:42:27.960 --> 0:42:29.960
<v Speaker 1>know what? I should just make it? Thanks for She

0:42:30.200 --> 0:42:33.640
<v Speaker 1>asked me where you woke me up to ask me?

0:42:35.000 --> 0:42:37.200
<v Speaker 1>And I was like, is this a dream? Is this heaven?

0:42:37.320 --> 0:42:40.120
<v Speaker 1>Is this hell? Like? What's happening? What is the bitch

0:42:40.200 --> 0:42:45.279
<v Speaker 1>even doing there? What is she doing there? What is

0:42:45.280 --> 0:42:48.759
<v Speaker 1>she doing there? Do you want the rest of smoothie? Or?

0:42:49.360 --> 0:42:51.680
<v Speaker 1>I can't even eat at this point? And you know,

0:42:51.760 --> 0:42:57.160
<v Speaker 1>I consider Bush. We were going to kill his his wife,

0:42:57.200 --> 0:42:59.800
<v Speaker 1>but when we came in there was two wives. I

0:43:00.160 --> 0:43:04.080
<v Speaker 1>don't know. I'm not killing two people. They're not You're

0:43:04.120 --> 0:43:06.879
<v Speaker 1>a up to that task killing both of them? As

0:43:06.920 --> 0:43:10.640
<v Speaker 1>a quick answer, that much, I just killing both? That

0:43:10.680 --> 0:43:13.920
<v Speaker 1>doesn't cross your mind. It just seemed a little confusing.

0:43:13.960 --> 0:43:16.200
<v Speaker 1>I was sent out to kill one person and then

0:43:16.239 --> 0:43:20.520
<v Speaker 1>there's two people both with them? Right? Come on? Because

0:43:20.520 --> 0:43:22.120
<v Speaker 1>I was like, what if they wanted us to kill

0:43:22.200 --> 0:43:26.239
<v Speaker 1>two but they only paid for one knowing we'd kill two? Money?

0:43:26.320 --> 0:43:28.560
<v Speaker 1>Is that it? Yeah? Yeah, boss? I didn't want it

0:43:28.600 --> 0:43:34.360
<v Speaker 1>to be about money. Okay, So let's say I don't know,

0:43:34.640 --> 0:43:37.920
<v Speaker 1>you're sending to a situation where you have an assignment

0:43:38.719 --> 0:43:44.640
<v Speaker 1>and that assignment is to find the dog and steal it.

0:43:45.000 --> 0:43:48.000
<v Speaker 1>But when you get there, there are five dogs. What

0:43:48.040 --> 0:43:54.560
<v Speaker 1>do you do? Do I have a cell phone? Yeah?

0:43:54.880 --> 0:43:58.880
<v Speaker 1>All right? Then I call right and I and I clarify,

0:43:59.040 --> 0:44:00.360
<v Speaker 1>is like, can you send me a a sure of

0:44:00.400 --> 0:44:04.760
<v Speaker 1>the dog you would like kidnapped? And then I would

0:44:05.080 --> 0:44:09.040
<v Speaker 1>then take that one dog. But if you got voicemail

0:44:09.040 --> 0:44:14.400
<v Speaker 1>when you call, I was texting this whole time. Okay,

0:44:14.920 --> 0:44:17.640
<v Speaker 1>all right, so I got voicemail. So if I got voicemail,

0:44:17.680 --> 0:44:20.759
<v Speaker 1>I would just wait. Maybe i'd wait ten more minutes. M.

0:44:21.719 --> 0:44:26.400
<v Speaker 1>Do I have to catch a bus or train or anything? Okay?

0:44:26.640 --> 0:44:31.640
<v Speaker 1>Would wait? Wait it out? Interesting call M. I've been

0:44:31.680 --> 0:44:34.920
<v Speaker 1>doing this. I've been this for a long time. Yeah, baby,

0:44:35.120 --> 0:44:39.279
<v Speaker 1>she's here too. So what you're not happy and I'm

0:44:39.320 --> 0:44:43.880
<v Speaker 1>not happy? I knew. I never said I wasn't happy.

0:44:44.480 --> 0:44:48.319
<v Speaker 1>You're making me unhappy right now with this, but before this,

0:44:48.560 --> 0:44:57.120
<v Speaker 1>I wasn't unhappy. Oh good, or okay, I'm sorry that

0:44:57.160 --> 0:44:59.640
<v Speaker 1>I can't wield a Ninja star or whatever the fun

0:44:59.760 --> 0:45:03.719
<v Speaker 1>she in those stupid ass movies. They're not stupid, and

0:45:03.760 --> 0:45:06.400
<v Speaker 1>I just want to say that I'm here for support.

0:45:09.000 --> 0:45:12.520
<v Speaker 1>You see what the issue is Cheryl, Yes, Cheryl, do

0:45:12.600 --> 0:45:20.520
<v Speaker 1>you everybody freeze? There's three women here. I just think

0:45:20.560 --> 0:45:23.920
<v Speaker 1>we should just kill them. We should just kill him today.

0:45:24.719 --> 0:45:35.400
<v Speaker 1>What a tiny star you are? Like to whoa frozen

0:45:35.480 --> 0:45:41.279
<v Speaker 1>strawberry chunks at the bottom. That's smoothie. They're piercing triangular

0:45:42.040 --> 0:45:47.080
<v Speaker 1>killed us. I don't know what to say. Listen, I

0:45:47.080 --> 0:45:50.680
<v Speaker 1>don't know what to say. You would know what to

0:45:50.719 --> 0:45:53.279
<v Speaker 1>say if you would have only have watched Lost and

0:45:53.320 --> 0:45:55.880
<v Speaker 1>I asked you to watch. I asked you to watch

0:45:55.920 --> 0:46:03.799
<v Speaker 1>that show. Everybody, WHOA. Let's take a second here and

0:46:03.840 --> 0:46:07.279
<v Speaker 1>thank everybody for playing. James Heeney, thank you. Tell us

0:46:07.280 --> 0:46:11.440
<v Speaker 1>what you're up to. Well, I'm still doing brief news

0:46:11.560 --> 0:46:14.320
<v Speaker 1>brief if you're looking for a brief take on the news,

0:46:14.680 --> 0:46:17.279
<v Speaker 1>don't forget to you know. And they come out every week.

0:46:17.719 --> 0:46:20.640
<v Speaker 1>And game Front tons of game Front video game stuff

0:46:20.640 --> 0:46:24.000
<v Speaker 1>on YouTube. Terrific. Craig Atkowski, thank you so much. What's

0:46:24.040 --> 0:46:27.799
<v Speaker 1>going on? Well? A Tool correctly used the word penultimate,

0:46:27.960 --> 0:46:31.520
<v Speaker 1>which means second to last. I think sometimes people are like,

0:46:31.560 --> 0:46:36.560
<v Speaker 1>it's the penultimate, like it's the ultra ultimate, but it

0:46:36.719 --> 0:46:40.920
<v Speaker 1>just means second to last. And also, uh if if

0:46:40.920 --> 0:46:44.520
<v Speaker 1>it's a frisbee. It's a registered trademark of WAMO. Otherwise

0:46:44.520 --> 0:46:48.239
<v Speaker 1>it's just a plastic flying disc. Oh my god, I

0:46:48.719 --> 0:46:53.040
<v Speaker 1>know that, Jackie de Ruthie. Did you know that? Absolutely not.

0:46:53.400 --> 0:47:01.279
<v Speaker 1>I don't even know what WAMO is invented the frisbee. Yeah,

0:47:01.600 --> 0:47:04.640
<v Speaker 1>I love that. That's a fun fact. Thank you for

0:47:04.719 --> 0:47:07.880
<v Speaker 1>that fact. Thank you for having me play as well.

0:47:07.920 --> 0:47:12.959
<v Speaker 1>What a great day of course A tool sing Bud, Yeah,

0:47:13.040 --> 0:47:15.080
<v Speaker 1>thank you for him. It's always so much fun. You

0:47:15.120 --> 0:47:18.360
<v Speaker 1>can people can follow me at a tool time on socials,

0:47:18.760 --> 0:47:20.759
<v Speaker 1>and I have to give credit. And the reason I

0:47:20.800 --> 0:47:25.440
<v Speaker 1>know that regarding penultimate is because of a Zach Sermons

0:47:25.480 --> 0:47:28.319
<v Speaker 1>song I believe called Super Penultimate or something like that,

0:47:28.320 --> 0:47:32.520
<v Speaker 1>which is the third to last. Oh, and a tool

0:47:33.080 --> 0:47:35.000
<v Speaker 1>Are you gonna? Are you gonna sleep today? I know

0:47:35.040 --> 0:47:38.000
<v Speaker 1>you've been traveling. I'm actually gonna try to stay up.

0:47:38.040 --> 0:47:39.640
<v Speaker 1>The goal would be to stay up till the night.

0:47:39.760 --> 0:47:44.200
<v Speaker 1>That way I get back into a sleep cycle. Smart

0:47:44.640 --> 0:47:48.880
<v Speaker 1>and I mean Kevin Pollock, thank you for joining us

0:47:49.719 --> 0:47:53.640
<v Speaker 1>in the middle of day. So great, so great. I

0:47:53.640 --> 0:47:57.359
<v Speaker 1>I only know the third to last is anti penultimate.

0:47:57.920 --> 0:48:01.160
<v Speaker 1>I only know that because of poker. People are very anxious.

0:48:01.160 --> 0:48:03.080
<v Speaker 1>What the last hand of the night. Have you've been

0:48:03.080 --> 0:48:07.800
<v Speaker 1>playing for hours and hours and ever present and occasionally annoying,

0:48:07.840 --> 0:48:10.880
<v Speaker 1>Sam Levine will say this is the penultimate, and then

0:48:11.080 --> 0:48:14.319
<v Speaker 1>earlier he would have said this is the anti penultimate.

0:48:14.360 --> 0:48:16.640
<v Speaker 1>I believe, I believe Craig will back me up on that.

0:48:17.560 --> 0:48:20.719
<v Speaker 1>Um And yeah, no, this was great because I did

0:48:20.719 --> 0:48:22.759
<v Speaker 1>not think I would get any time with you all

0:48:22.800 --> 0:48:26.280
<v Speaker 1>today based on work schedule here in the New York City.

0:48:26.840 --> 0:48:29.600
<v Speaker 1>And Chris was lovely enough to uh jump at the

0:48:29.719 --> 0:48:33.879
<v Speaker 1>chance to uh to I say host, I don't say guests,

0:48:34.200 --> 0:48:37.160
<v Speaker 1>come on your host, all right, yeah, come on, And

0:48:37.280 --> 0:48:41.640
<v Speaker 1>uh this is my first time as as just analochemist.

0:48:42.239 --> 0:48:45.480
<v Speaker 1>Um and uh and I had I had a blast,

0:48:45.719 --> 0:48:47.680
<v Speaker 1>and I feel I was completely off my game and

0:48:47.680 --> 0:48:49.960
<v Speaker 1>it was really enjoy to watch the rest of you

0:48:51.120 --> 0:48:54.520
<v Speaker 1>from a from a different perspective. Uh not the clock.

0:48:55.600 --> 0:48:58.880
<v Speaker 1>Uh that is different. That is different. Yeah, it's a

0:48:58.920 --> 0:49:01.839
<v Speaker 1>weird kind of pressure. Um, but yeah, this is great fun.

0:49:01.880 --> 0:49:04.440
<v Speaker 1>I love you all. We love you. Enjoy the rest

0:49:04.480 --> 0:49:06.279
<v Speaker 1>of your time in New York. And let's also thank

0:49:06.360 --> 0:49:11.600
<v Speaker 1>our two in zoom in studio Alcmaniac Guess, Paul Hatton

0:49:11.680 --> 0:49:15.200
<v Speaker 1>and Mike del Rosso. Thanks for being here, gentlemen, everybody else,

0:49:15.239 --> 0:49:17.040
<v Speaker 1>if you want to, you want to give us a shot,

0:49:17.120 --> 0:49:20.920
<v Speaker 1>you know, meet us at that alca maniac level Patreon

0:49:21.000 --> 0:49:24.239
<v Speaker 1>dot com, slash alchemy. This also, while we are thinking people,

0:49:24.320 --> 0:49:27.520
<v Speaker 1>let's think our engineer and producer to the stars, Mr Dougan,

0:49:29.719 --> 0:49:34.120
<v Speaker 1>and the fine folks at I Heart Media. I have

0:49:34.239 --> 0:49:37.200
<v Speaker 1>been your host, Chris Alvarado, and I thank you for

0:49:37.239 --> 0:49:38.800
<v Speaker 1>listening and until next time.