1 00:00:01,960 --> 00:00:05,800 Speaker 1: Hello, everyone, Welcome back to another episode. Oh Alchemy. This 2 00:00:06,320 --> 00:00:09,160 Speaker 1: I am your guest host, Chris Alvarado, and I'm sitting 3 00:00:09,160 --> 00:00:13,800 Speaker 1: in for Kevin Pollock today or am I. We'll figure 4 00:00:13,800 --> 00:00:16,200 Speaker 1: that out in just a moment, but right now I 5 00:00:16,200 --> 00:00:19,120 Speaker 1: want to meet our alchemist today in no particular order. First, 6 00:00:19,200 --> 00:00:23,479 Speaker 1: let's say hello to Jackie d Ruthie. Oh hey, oh 7 00:00:23,520 --> 00:00:29,840 Speaker 1: hey Jackie. How would you describe or define your personal style? Oh? 8 00:00:30,320 --> 00:00:33,879 Speaker 1: That's really fun. Um. I mean my personal mottel has 9 00:00:33,880 --> 00:00:38,559 Speaker 1: to do with my personal style, and that's confidence is key. Oh. 10 00:00:38,600 --> 00:00:45,200 Speaker 1: I like a funky situation. I like a funky situation, 11 00:00:45,240 --> 00:00:49,040 Speaker 1: and I believe that, like you know, you can pull 12 00:00:49,120 --> 00:00:53,640 Speaker 1: off whatever as long as you're confident. I think that's right. 13 00:00:54,000 --> 00:00:58,720 Speaker 1: That's what I That's what I believe. Um. But at 14 00:00:58,720 --> 00:01:00,480 Speaker 1: the same time, I'm like a little bit of like 15 00:01:00,480 --> 00:01:03,760 Speaker 1: a simple dresser, you know what you mean. I don't 16 00:01:03,760 --> 00:01:06,440 Speaker 1: go like a bunch of I'm just like a little lazier. 17 00:01:08,080 --> 00:01:10,760 Speaker 1: But I like a bold choice, like a like a 18 00:01:11,319 --> 00:01:14,520 Speaker 1: something you'd were to like a sweatpant and like a 19 00:01:14,680 --> 00:01:17,880 Speaker 1: CrOx and like a hoodie type. You know, I'm a 20 00:01:17,880 --> 00:01:20,679 Speaker 1: cross gal. You know what it is is I like 21 00:01:20,760 --> 00:01:22,800 Speaker 1: to describe my closet. It looks like a like a 22 00:01:22,800 --> 00:01:25,720 Speaker 1: clown's room. Like it's just everything is very bright and 23 00:01:25,840 --> 00:01:29,360 Speaker 1: all different colors. I really like, I really like colors. 24 00:01:29,400 --> 00:01:31,800 Speaker 1: I own a few black T shirts, but that's because 25 00:01:31,800 --> 00:01:37,600 Speaker 1: they're all heat shirts. Um heat, they're all Miami Heat shirts. 26 00:01:37,880 --> 00:01:41,360 Speaker 1: But I really like, I really like a bunch of colors. But, 27 00:01:41,600 --> 00:01:43,720 Speaker 1: like you're saying, you can do all of this if 28 00:01:43,720 --> 00:01:50,760 Speaker 1: you have the confidence, all right, let's keep moving. Craig Katkowski, Welcome, Welcome, Welcome. 29 00:01:51,560 --> 00:01:53,640 Speaker 1: This is this is a real question. Well they're all 30 00:01:53,680 --> 00:01:56,080 Speaker 1: real questions, but I'm curious to hear hear your answer 31 00:01:56,080 --> 00:01:59,360 Speaker 1: on this one. In your opinion, which is the most 32 00:01:59,480 --> 00:02:04,760 Speaker 1: important element of theater? The script, the actors, or the audience? 33 00:02:06,960 --> 00:02:09,320 Speaker 1: And those are the only options. Those are only options 34 00:02:09,320 --> 00:02:14,720 Speaker 1: I'm giving you today, The script, the actors, or the audience. 35 00:02:15,560 --> 00:02:19,080 Speaker 1: I think a good production and good acting can absolutely 36 00:02:19,120 --> 00:02:27,840 Speaker 1: elevate a mediocre script. That and uh, terrible acting can 37 00:02:27,919 --> 00:02:35,080 Speaker 1: ruin a great script. Um so. And I think you 38 00:02:35,120 --> 00:02:39,720 Speaker 1: know audience, having a good audience is important. But uh, 39 00:02:40,160 --> 00:02:43,960 Speaker 1: you know, if if a great show exists in front 40 00:02:44,000 --> 00:02:46,359 Speaker 1: of three people who are watching it, you know who 41 00:02:46,360 --> 00:02:49,440 Speaker 1: were only mildly interested. I think it's still a great show. 42 00:02:49,480 --> 00:02:51,960 Speaker 1: I think all of those are are elements. But I 43 00:02:52,040 --> 00:02:55,520 Speaker 1: say this as an actor, uh that it's it comes 44 00:02:55,560 --> 00:02:58,880 Speaker 1: down to the acting. Oh. I love that. And also 45 00:02:58,960 --> 00:03:01,480 Speaker 1: by the way, I love when you show, when you 46 00:03:01,520 --> 00:03:03,480 Speaker 1: show your work like that, Like, I just love hearing. 47 00:03:03,520 --> 00:03:05,040 Speaker 1: I just love you, Greg. Can I just say that 48 00:03:05,040 --> 00:03:06,880 Speaker 1: out loud? I just love it. It's just fun to 49 00:03:07,000 --> 00:03:09,600 Speaker 1: hear you like work that out in real time. Thank 50 00:03:09,600 --> 00:03:12,079 Speaker 1: you for sharing that because I had to pick only one. 51 00:03:12,160 --> 00:03:15,560 Speaker 1: But of course all three are important. All three are important. Okay, 52 00:03:16,320 --> 00:03:21,560 Speaker 1: I'm moving on. James Heeney. Everybody say hello to James Heney. James, 53 00:03:22,000 --> 00:03:23,959 Speaker 1: I have a hypothetical for you, okay, and I want 54 00:03:23,960 --> 00:03:27,120 Speaker 1: you to answer this. You just booked. You just booked 55 00:03:27,120 --> 00:03:30,200 Speaker 1: a major role in two different movies, but you can 56 00:03:30,280 --> 00:03:34,240 Speaker 1: only accept one role. Now. One movie is starring The 57 00:03:34,360 --> 00:03:38,720 Speaker 1: Rock and the other movie is starring Paul Rudd. Which 58 00:03:38,760 --> 00:03:48,000 Speaker 1: movie are you are you going? Jeep was incredible, that's insane, 59 00:03:48,720 --> 00:03:53,680 Speaker 1: I guess, I guess Paul Rudd. I really love The Rock. 60 00:03:54,120 --> 00:03:58,760 Speaker 1: I mean that's insane. I love how personally I love this, James, 61 00:03:58,760 --> 00:04:01,760 Speaker 1: this is this is an awful scenario up for you, right, yeah, 62 00:04:03,000 --> 00:04:05,480 Speaker 1: oh my god, I love the Rock, but I have 63 00:04:05,600 --> 00:04:09,080 Speaker 1: to choose Paul Rock. I guarantee you'd be well compensated 64 00:04:09,120 --> 00:04:11,920 Speaker 1: for both roles. But if you pick the movie that 65 00:04:11,960 --> 00:04:14,200 Speaker 1: the rocks, then you're gonna make it a lot more money. 66 00:04:14,240 --> 00:04:17,400 Speaker 1: That's true. I mean that's very true. He makes a lot. 67 00:04:17,560 --> 00:04:21,400 Speaker 1: But yes, I'll go for the I'll go for the 68 00:04:21,480 --> 00:04:23,640 Speaker 1: Is it too late, I'll take the rock. The rocket 69 00:04:23,720 --> 00:04:27,760 Speaker 1: is right, if that's what you're all about stuff, But 70 00:04:27,800 --> 00:04:32,040 Speaker 1: I'll take a rock, then maybe that's right. Well, money 71 00:04:32,080 --> 00:04:34,960 Speaker 1: what money was not get a choice as a component, 72 00:04:35,080 --> 00:04:37,640 Speaker 1: But money was not a choice that important. He would 73 00:04:37,680 --> 00:04:40,559 Speaker 1: have chose money. Let's keep moving out here. Let's welcome 74 00:04:40,560 --> 00:04:44,640 Speaker 1: out tools. Singing everybody a tool? A tool. Would you 75 00:04:44,839 --> 00:04:49,440 Speaker 1: rather do a solo dance performance or a solo singing 76 00:04:49,520 --> 00:04:57,240 Speaker 1: performance dances? Is that because you're confident in your dance skills, 77 00:04:57,240 --> 00:04:59,920 Speaker 1: are not confident in your singing skills? I think it's 78 00:05:00,120 --> 00:05:03,120 Speaker 1: I'll stay on the positive. Confidence is key. Somebody wise 79 00:05:03,240 --> 00:05:07,279 Speaker 1: told me that about seconds ago, and uh yeah, I'm 80 00:05:07,279 --> 00:05:11,560 Speaker 1: confident in my dance skills, have rhythm um and so 81 00:05:11,600 --> 00:05:14,719 Speaker 1: I feel very strongly that I could do that easily. 82 00:05:15,320 --> 00:05:19,920 Speaker 1: I enjoy singing. But going to Craig's question, I might 83 00:05:20,000 --> 00:05:23,520 Speaker 1: the audience would not. They would be it would be 84 00:05:23,600 --> 00:05:28,200 Speaker 1: a concern. Gosh, No, I was just I would give 85 00:05:28,240 --> 00:05:30,359 Speaker 1: a lot of money to see a solo dance concert 86 00:05:30,600 --> 00:05:35,120 Speaker 1: with the tool. Oh you're so wonderful. Um. And now 87 00:05:35,520 --> 00:05:39,159 Speaker 1: this just in. Things are getting crazy here in the studio. 88 00:05:39,560 --> 00:05:41,919 Speaker 1: We have a special guest coming in. And this is 89 00:05:41,960 --> 00:05:44,760 Speaker 1: strange because I'm hosting, but you all know him and 90 00:05:44,839 --> 00:05:48,120 Speaker 1: love him. Ladies and gentlemen or however you identify, please 91 00:05:48,160 --> 00:05:57,000 Speaker 1: welcome Kevin Pollock. Yes, Pollock everyone. It's an upside down universe. 92 00:05:57,560 --> 00:06:00,160 Speaker 1: And uh, I'm so thrilled to be joining you guys 93 00:06:00,000 --> 00:06:03,400 Speaker 1: as late as it is. And I'm so grateful to 94 00:06:03,440 --> 00:06:06,520 Speaker 1: Chris for guest hosting today and allowing me to be 95 00:06:06,560 --> 00:06:10,040 Speaker 1: one of the alchemists to to Dear James, I just 96 00:06:10,080 --> 00:06:12,680 Speaker 1: want to say, take the Paul Rudd because A you're 97 00:06:12,680 --> 00:06:16,080 Speaker 1: gonna kill it better in a comedy. B. H. The 98 00:06:16,160 --> 00:06:20,000 Speaker 1: rock takes all the money, there'll be none left for you. Yeah, 99 00:06:20,400 --> 00:06:24,400 Speaker 1: as you'd like to switch, I've got it in the 100 00:06:24,440 --> 00:06:26,800 Speaker 1: books here. You were never switched over. To the rock. 101 00:06:26,960 --> 00:06:29,480 Speaker 1: You were not allowed to switch over to the Rock's terrific. 102 00:06:29,520 --> 00:06:32,960 Speaker 1: They're still on the rod. Yeah, and actually you spend time. Well, 103 00:06:33,000 --> 00:06:34,960 Speaker 1: you know, that's a different podcast. It's different, you know. 104 00:06:35,240 --> 00:06:37,240 Speaker 1: You know he's a great guy. But Kevin, I'm not 105 00:06:37,320 --> 00:06:39,080 Speaker 1: letting you off the hook without a question. Now. As 106 00:06:39,120 --> 00:06:41,560 Speaker 1: you know, because you've been in this zoom room, we 107 00:06:41,680 --> 00:06:44,040 Speaker 1: have been. We are joined today by two alche Maniacs. 108 00:06:44,320 --> 00:06:47,560 Speaker 1: That's Paul Hatton and Mike del Rosso. Right, they are here, 109 00:06:47,600 --> 00:06:49,280 Speaker 1: they're joining us. This is one of the perks of 110 00:06:49,400 --> 00:06:52,520 Speaker 1: being in Alchemaniac and they're having a good time. Now. Now, 111 00:06:52,560 --> 00:06:54,599 Speaker 1: when you stepped away from your computer, I said, I 112 00:06:54,600 --> 00:06:58,760 Speaker 1: gotta ask Kevin a question. He's a surprise special guest. Paul, 113 00:06:58,800 --> 00:07:00,479 Speaker 1: do you have a question for him? And he said 114 00:07:00,560 --> 00:07:03,159 Speaker 1: yes with the hesitation, and this was and this was 115 00:07:03,240 --> 00:07:08,320 Speaker 1: his Yeah, this is his question from Okay, very specific question, Kevin, 116 00:07:09,279 --> 00:07:14,440 Speaker 1: did you ever ignore a fan in Virginia Beach? Wow? 117 00:07:14,480 --> 00:07:19,800 Speaker 1: That's really specific. I mean, I mean the answer seems 118 00:07:19,800 --> 00:07:24,880 Speaker 1: sort of obvious. Do you recall it? Yeah? If the 119 00:07:25,000 --> 00:07:28,440 Speaker 1: question was do I recall that? That's that's a question 120 00:07:28,480 --> 00:07:31,200 Speaker 1: I can answer, whether or not I ever did seem 121 00:07:31,200 --> 00:07:34,440 Speaker 1: self fulfilling in the question. And for the record, I 122 00:07:34,480 --> 00:07:37,360 Speaker 1: would have much more appreciated a question from you, Chris. 123 00:07:37,400 --> 00:07:42,120 Speaker 1: But listen, yeah, yeah, yeah, listen. Uh Paul Hadden if 124 00:07:42,120 --> 00:07:47,320 Speaker 1: that's your real name, Uh uh maybe? I mean sure? 125 00:07:49,680 --> 00:07:53,040 Speaker 1: Oh I like this. I like this attitude again from 126 00:07:53,080 --> 00:07:57,920 Speaker 1: guests Kevin Paul Now, yeah, absolutely, he doesn't have to 127 00:07:58,000 --> 00:08:02,960 Speaker 1: charm anyone. Yeah no, no, I actually know one as 128 00:08:02,960 --> 00:08:07,640 Speaker 1: a partisant. Oh. I think I think we've said enough, 129 00:08:07,640 --> 00:08:11,960 Speaker 1: so let's jump in. Let's jump into our show here. Um, 130 00:08:12,080 --> 00:08:14,600 Speaker 1: as you all know, all of today's suggestions come to 131 00:08:14,680 --> 00:08:17,720 Speaker 1: us from listener emails, and if you want priorities, consider 132 00:08:17,760 --> 00:08:21,760 Speaker 1: becoming a Patreon v i P or Patreon alchemaniac. Right 133 00:08:22,000 --> 00:08:24,200 Speaker 1: you can, you can watch us. You can join us 134 00:08:24,200 --> 00:08:27,880 Speaker 1: for an in zoom session, plenty of perks, including bonus scenes, 135 00:08:28,120 --> 00:08:31,440 Speaker 1: and your suggestions move up in the queue. So if 136 00:08:31,440 --> 00:08:32,880 Speaker 1: you want to do that, please head on over to 137 00:08:32,920 --> 00:08:36,480 Speaker 1: patreon dot com slash alchemy this, or if you'd like 138 00:08:36,520 --> 00:08:39,559 Speaker 1: to submit a suggestion the old timing way. Gosh, it's 139 00:08:39,559 --> 00:08:41,160 Speaker 1: hard to do when Kevin's watching this, by the way, 140 00:08:41,160 --> 00:08:43,440 Speaker 1: because I'm using his cadence. But I'm gon keep going. 141 00:08:44,600 --> 00:08:46,720 Speaker 1: If you want to submit a suggestion the old timing way, 142 00:08:46,800 --> 00:08:50,319 Speaker 1: consider dropping us an email at alchemy this email at 143 00:08:50,360 --> 00:08:58,320 Speaker 1: gmail dot com, that's dot com. Seen one comes to 144 00:08:58,400 --> 00:09:02,240 Speaker 1: us from Alchemy v I p Andy Montoya and he says, 145 00:09:02,559 --> 00:09:08,040 Speaker 1: seeing suggestion, harsh art. Critic goes to their kids finger 146 00:09:08,080 --> 00:09:17,280 Speaker 1: painting class. Thanks and take care. All of you have 147 00:09:17,320 --> 00:09:21,040 Speaker 1: done such a great job. I can't wait for you 148 00:09:21,160 --> 00:09:25,000 Speaker 1: to share with your parents. This is just incredible work. 149 00:09:25,040 --> 00:09:27,600 Speaker 1: You should be proud of yourself. Timmy, I'm pretty proud. 150 00:09:27,760 --> 00:09:30,120 Speaker 1: First of all, what time do our parents get here 151 00:09:30,200 --> 00:09:35,640 Speaker 1: and be don't patronize us, please, don't. You guys are 152 00:09:35,679 --> 00:09:40,360 Speaker 1: such sophisticated students. I believe your parents should be here 153 00:09:40,480 --> 00:09:43,199 Speaker 1: right at the I mean they might be already waiting outside, 154 00:09:43,480 --> 00:09:46,520 Speaker 1: but when classes over today, they're gonna come in and 155 00:09:46,559 --> 00:09:49,160 Speaker 1: look at all the work you've done this this year 156 00:09:49,240 --> 00:09:52,199 Speaker 1: so far. My dad is a mechanic. He doesn't get art, 157 00:09:52,320 --> 00:09:57,440 Speaker 1: but he's here. Oh everyone gets art. You just enjoy 158 00:09:57,520 --> 00:10:02,280 Speaker 1: what you see. It's it's it's it's human nature. I 159 00:10:02,320 --> 00:10:05,520 Speaker 1: love meeting people's parents because they seem to be like 160 00:10:05,559 --> 00:10:08,000 Speaker 1: the building blocks of the little person that you guys 161 00:10:08,040 --> 00:10:15,000 Speaker 1: are okay, parents, I'm persible atler as you know. Now 162 00:10:15,080 --> 00:10:17,520 Speaker 1: we're gonna be taking you into the classroom. Now. Just 163 00:10:17,559 --> 00:10:21,560 Speaker 1: a quick reminder, the kids put their hearts into these paintings, 164 00:10:21,559 --> 00:10:24,840 Speaker 1: a lot of finger paintings. Um, I'm sure I don't 165 00:10:24,840 --> 00:10:26,200 Speaker 1: have to tell you, but we want to keep this 166 00:10:26,400 --> 00:10:30,800 Speaker 1: night a positive night. Okay, I'm sorry. Oh gosh, we 167 00:10:30,880 --> 00:10:32,960 Speaker 1: got a lot of questions. Yes, what's going on here? Oh? 168 00:10:33,000 --> 00:10:36,600 Speaker 1: Please you after you madam? Oh, I'm sorry, but um, 169 00:10:36,640 --> 00:10:40,120 Speaker 1: I'm not a liar. So if I'm looking at something 170 00:10:40,640 --> 00:10:43,920 Speaker 1: and it's not what they're telling me it is, I'm 171 00:10:43,920 --> 00:10:46,560 Speaker 1: not gonna say, wow, beautiful tiger. If I'm just looking 172 00:10:46,559 --> 00:10:48,800 Speaker 1: at a lava nothing, you know what I mean? Show me, 173 00:10:49,320 --> 00:10:51,720 Speaker 1: show me the eyes, where's the nose, where are the whiskers? 174 00:10:54,200 --> 00:10:56,400 Speaker 1: Say something positive? Or say nothing at all? What are 175 00:10:56,440 --> 00:10:59,120 Speaker 1: we going with that? Yeah, perhaps it's that, Perhaps it's that. 176 00:10:59,320 --> 00:11:02,800 Speaker 1: Just you know, we want to keep the energy light, sir, 177 00:11:02,920 --> 00:11:05,760 Speaker 1: sir with with the accent here. Yes, and my profession 178 00:11:05,800 --> 00:11:09,080 Speaker 1: as well. If something is not correct, I have to mention. 179 00:11:09,120 --> 00:11:11,840 Speaker 1: It is part of my job. So I just want 180 00:11:11,840 --> 00:11:15,120 Speaker 1: to look that up up front. You're staring at my shirt. 181 00:11:16,200 --> 00:11:18,040 Speaker 1: Uh No, I was just reading it, so that's all 182 00:11:18,080 --> 00:11:22,920 Speaker 1: I was doing. I mean, I stand by what's written 183 00:11:22,920 --> 00:11:27,600 Speaker 1: on it. Yeah, well that's great. So yeah, okay, it's 184 00:11:27,640 --> 00:11:29,520 Speaker 1: a little I guess the children can't read that, so 185 00:11:29,600 --> 00:11:32,240 Speaker 1: though we should be Okay, all right, I'm gonna open 186 00:11:32,240 --> 00:11:35,560 Speaker 1: the room. As you know, the teacher is Mr. Elder 187 00:11:35,640 --> 00:11:40,160 Speaker 1: Regard and um you know, here we go. Hi, everybody, 188 00:11:40,200 --> 00:11:46,600 Speaker 1: look who it is. It's your favorite RD. Okay, okay, 189 00:11:46,600 --> 00:11:49,120 Speaker 1: So I just want to say it's been a pleasure 190 00:11:49,200 --> 00:11:53,000 Speaker 1: working with your kids. I've grown as much as they've grown. 191 00:11:53,440 --> 00:11:57,280 Speaker 1: We really are excited to show you our work. Daddy, 192 00:11:57,480 --> 00:12:08,560 Speaker 1: Danny kind Son. It's great to see you. Yes, it's me. Yeah, 193 00:12:08,600 --> 00:12:11,160 Speaker 1: I want to share you my painting. Okay, of course, 194 00:12:11,280 --> 00:12:15,079 Speaker 1: Mr Mr e Can I show my painting? Of course? 195 00:12:15,400 --> 00:12:19,200 Speaker 1: Of course. Um I can tell you the title, but 196 00:12:19,240 --> 00:12:22,080 Speaker 1: I don't want to tell you what it is. No. Honestly, 197 00:12:22,120 --> 00:12:24,240 Speaker 1: I think it's helpful if you do tell him what 198 00:12:24,280 --> 00:12:27,840 Speaker 1: it is, because sometimes it's easier to explain with words 199 00:12:27,920 --> 00:12:31,040 Speaker 1: than silence. That's what you said. We always say it's 200 00:12:31,120 --> 00:12:37,520 Speaker 1: easier to explain with words that this is an octopus 201 00:12:37,559 --> 00:12:40,520 Speaker 1: playing an oboe of violin and the drums and the 202 00:12:40,520 --> 00:12:45,120 Speaker 1: title is music under the Sea. I love it, son, 203 00:12:45,720 --> 00:12:48,560 Speaker 1: I see all of it. And let me tell you 204 00:12:48,760 --> 00:12:52,720 Speaker 1: instructor that in my job, Mr, Mr Elder God, in 205 00:12:52,800 --> 00:12:56,480 Speaker 1: my job, sometimes people explain things without using words. Sometimes 206 00:12:56,520 --> 00:12:58,920 Speaker 1: people come in and go, my engine makes this noise. 207 00:12:59,720 --> 00:13:05,360 Speaker 1: Grummmmmm grom and I have to deduce what could be 208 00:13:05,480 --> 00:13:09,760 Speaker 1: the possibilities of Uh. It feels a little like you're 209 00:13:09,800 --> 00:13:13,560 Speaker 1: you're judging me for having a Honda Civic. No, no, no, 210 00:13:13,600 --> 00:13:17,320 Speaker 1: not at all. Not just say it's the not the accord, 211 00:13:17,520 --> 00:13:20,920 Speaker 1: but it is. Uh, it is a Honda. Um. Just 212 00:13:21,160 --> 00:13:23,360 Speaker 1: you decided at some point not to get the leite 213 00:13:23,600 --> 00:13:26,480 Speaker 1: top model, the second model. But I will take a look. 214 00:13:26,480 --> 00:13:29,280 Speaker 1: Can you explain to me what's exactly going on? Yeah, 215 00:13:29,440 --> 00:13:32,400 Speaker 1: well it's cutting out a lot and uh, like, I 216 00:13:32,400 --> 00:13:37,000 Speaker 1: don't know if I'm flooding the engine or somebody suggested 217 00:13:37,080 --> 00:13:41,720 Speaker 1: online it could be a bad alternator online. Huh. I 218 00:13:41,720 --> 00:13:45,640 Speaker 1: mean we go for all the answers in the world. Yeah, 219 00:13:47,320 --> 00:13:49,400 Speaker 1: but I think when it when it conks out, it 220 00:13:49,480 --> 00:13:55,600 Speaker 1: kind of makes uh cod sound. Thank you right there, 221 00:13:56,520 --> 00:14:01,240 Speaker 1: you've narrowed down the problem. I'll be able to repair well, 222 00:14:01,320 --> 00:14:03,480 Speaker 1: you see, why don't we step aside for just a 223 00:14:03,520 --> 00:14:05,199 Speaker 1: moment so I could tell you a little teach your 224 00:14:05,240 --> 00:14:08,960 Speaker 1: parents secret, so you see what the thing is is 225 00:14:09,000 --> 00:14:12,319 Speaker 1: some of these kids do really trashy pictures. They're just awful. 226 00:14:12,640 --> 00:14:15,079 Speaker 1: But your kids got talent. You can see the oboe, 227 00:14:15,160 --> 00:14:20,200 Speaker 1: the violin, the octopus, right, so, and that's why sometimes 228 00:14:20,280 --> 00:14:24,320 Speaker 1: we explain it. Does that make sense? Yes, you didn't 229 00:14:24,320 --> 00:14:27,920 Speaker 1: need me to pull me aside for that. Let's step 230 00:14:27,960 --> 00:14:30,680 Speaker 1: aside for just one more second. We'll see. What you 231 00:14:30,720 --> 00:14:33,400 Speaker 1: don't understand is if I have a different setables for 232 00:14:33,440 --> 00:14:35,560 Speaker 1: your kid, it's going to be pretty transparent. Kids are 233 00:14:35,600 --> 00:14:38,040 Speaker 1: smarter than you think. Okay, don't be kind of sending 234 00:14:38,080 --> 00:14:43,640 Speaker 1: to what was that? Were you? Okay? What's when? What's when? 235 00:14:43,760 --> 00:14:50,080 Speaker 1: What's when's your parents? Which? When's your mom or dada? Well, 236 00:14:50,200 --> 00:14:53,040 Speaker 1: my my dad's not here yet, so I don't know. 237 00:14:53,160 --> 00:14:57,920 Speaker 1: I don't Okay, Well I like your picture. Thanks. Yeah. 238 00:14:58,000 --> 00:15:01,760 Speaker 1: I mean I've been inspired Picasso for a long time, 239 00:15:01,880 --> 00:15:06,080 Speaker 1: and sometimes I try to work outside the cubism and 240 00:15:06,320 --> 00:15:16,120 Speaker 1: just get to the Hey, um, i'm your dad's secretary. Yeah, uh, 241 00:15:16,360 --> 00:15:20,560 Speaker 1: nice to meet you. I'm here to check out your work. 242 00:15:21,240 --> 00:15:23,760 Speaker 1: So well, I'll tell you what weren't you just tell 243 00:15:23,840 --> 00:15:26,600 Speaker 1: him you liked it, you found some of it confusing, 244 00:15:26,840 --> 00:15:32,200 Speaker 1: and you don't have to really stay. Oh it's your mommy. No, no, no, 245 00:15:32,240 --> 00:15:36,360 Speaker 1: I don't. I'm so excited. Oh I don't have kids. 246 00:15:36,360 --> 00:15:40,360 Speaker 1: Oh it's your step mommy. It's uh, this is gonna 247 00:15:40,400 --> 00:15:43,520 Speaker 1: be wonderful. Have you showed her your artwork yet? Yeah, 248 00:15:43,880 --> 00:15:46,560 Speaker 1: let's not put a title on her. Yeah, let's just 249 00:15:46,600 --> 00:15:51,560 Speaker 1: make it clear. That makes sense, makes sense that here 250 00:15:52,680 --> 00:15:55,640 Speaker 1: I don't know, I don't know. Have you shared your 251 00:15:55,760 --> 00:16:00,880 Speaker 1: artwork yet? It's wonderful. He's actually refusing. He's actually withholding 252 00:16:00,960 --> 00:16:04,560 Speaker 1: his artwork from me, And that's not how I roll. 253 00:16:04,960 --> 00:16:07,680 Speaker 1: It's clear to see that you might not understand it, 254 00:16:07,720 --> 00:16:11,120 Speaker 1: but if you want to see it, sure it's over here, Grady. 255 00:16:11,440 --> 00:16:17,640 Speaker 1: That's the spirit there. It is Grady. I get art. 256 00:16:17,760 --> 00:16:21,440 Speaker 1: Let me just hate that. He just says I get art. 257 00:16:21,480 --> 00:16:25,280 Speaker 1: People who don't. But go ahead, okay, I think you 258 00:16:25,320 --> 00:16:27,280 Speaker 1: just can. I just have a little tiny secret time 259 00:16:27,320 --> 00:16:31,040 Speaker 1: with you. Just step aside a little bit. Grady's been 260 00:16:31,040 --> 00:16:35,600 Speaker 1: a real aspect. I don't know what the problem is 261 00:16:37,280 --> 00:16:41,640 Speaker 1: or whatever you'll talk about. Wish was asshole. It's a 262 00:16:41,680 --> 00:16:44,800 Speaker 1: big it's a big one. You can't do anything about this. 263 00:16:45,000 --> 00:16:47,880 Speaker 1: I can't do anything about this. I shouldn't even be here. 264 00:16:49,040 --> 00:16:51,280 Speaker 1: I should even be here. I should be doing clerical 265 00:16:51,320 --> 00:16:52,960 Speaker 1: work that gets me to move up the ladders so 266 00:16:53,000 --> 00:16:57,960 Speaker 1: that eventually I too can be a litigator. But you know, 267 00:16:58,160 --> 00:17:02,200 Speaker 1: not even family. No I'm not. You're not even family terry, 268 00:17:02,240 --> 00:17:05,760 Speaker 1: which also is sucked up because I'm illegal. And yet 269 00:17:06,440 --> 00:17:09,320 Speaker 1: he makes me agree. Okay, okay, I gotta get myself centered. 270 00:17:09,840 --> 00:17:17,159 Speaker 1: Oh it's a wonderful. Hey, can you make sure this 271 00:17:17,240 --> 00:17:21,719 Speaker 1: deposition gets over to to climb in facts? And how 272 00:17:21,760 --> 00:17:26,879 Speaker 1: did everything? Uh? Go with the with the kid? Uh? Yeah, 273 00:17:26,920 --> 00:17:29,840 Speaker 1: he's he does art. It's with his fingers and it's 274 00:17:29,880 --> 00:17:32,280 Speaker 1: pretty good. His teacher is a bit off the rails. 275 00:17:32,359 --> 00:17:35,960 Speaker 1: She wants to kind of talk with you. Um, but 276 00:17:36,680 --> 00:17:39,080 Speaker 1: I'd really rather talk about the defication because I actually 277 00:17:39,119 --> 00:17:41,800 Speaker 1: filed the taper work for it that I don't think 278 00:17:41,840 --> 00:17:45,159 Speaker 1: that you read yet. But um, is anything not clear 279 00:17:45,240 --> 00:17:50,840 Speaker 1: about the instructions I gave you? No? Um, your instructions 280 00:17:50,840 --> 00:17:53,600 Speaker 1: were clear. It's that I finished. Are you asking me 281 00:17:53,640 --> 00:17:56,439 Speaker 1: to give those instructions again? No, I'm letting you know 282 00:17:56,640 --> 00:18:00,840 Speaker 1: that I took initiative and I started to do extra 283 00:18:00,880 --> 00:18:03,560 Speaker 1: work on top of the work that I already finished 284 00:18:03,680 --> 00:18:06,200 Speaker 1: that you asked me to do, just to show you 285 00:18:06,359 --> 00:18:10,800 Speaker 1: that I am worth more than perhaps you see tell 286 00:18:10,840 --> 00:18:17,960 Speaker 1: me tell me your name again? Three years? Oh no, 287 00:18:19,960 --> 00:18:22,679 Speaker 1: look whose dad it is? I heard this guy as 288 00:18:22,720 --> 00:18:28,439 Speaker 1: an actual art critic. What do you mean? Well, I 289 00:18:28,440 --> 00:18:30,840 Speaker 1: think he does that for a living. I think that's 290 00:18:30,880 --> 00:18:34,040 Speaker 1: his job. He says bad things about our We're good 291 00:18:34,080 --> 00:18:37,040 Speaker 1: but probably mostly bad. Critic doesn't feel like as a 292 00:18:37,040 --> 00:18:40,880 Speaker 1: positive association with it. I mean, to justify your existence? 293 00:18:40,920 --> 00:18:43,439 Speaker 1: Do you have to put things down? I think, m hm, 294 00:18:43,960 --> 00:18:51,640 Speaker 1: where's my fucking kid? Where's my fucking kid? This isn't 295 00:18:51,640 --> 00:18:55,879 Speaker 1: gonna go. Well, where's your Where's where's your teacher? Oh? Hello, 296 00:18:56,280 --> 00:18:59,679 Speaker 1: I'm mr elder Gard. You must be here for the 297 00:19:00,280 --> 00:19:04,400 Speaker 1: teacher art show. Here's my card. I'm with the the Atlantic, 298 00:19:04,520 --> 00:19:09,320 Speaker 1: all right? Oh, I've read the Atlantic. This is what 299 00:19:10,359 --> 00:19:15,919 Speaker 1: you've read The Atlantic personally, what we talked to you 300 00:19:15,960 --> 00:19:19,840 Speaker 1: over here. For a second, it feels a little bit 301 00:19:19,920 --> 00:19:21,720 Speaker 1: kind of like you're judging me for only getting two 302 00:19:21,720 --> 00:19:31,240 Speaker 1: pieces into the Whitney Biennial. Well, I am judging you 303 00:19:31,320 --> 00:19:36,200 Speaker 1: fun face, and that's that's called for. No, it's not. No, 304 00:19:36,359 --> 00:19:38,680 Speaker 1: it's not if you do funk face work and get 305 00:19:38,680 --> 00:19:41,400 Speaker 1: two pieces only into the Whitney. Do you know how 306 00:19:41,400 --> 00:19:46,120 Speaker 1: many times the biennial happens? Um, it's either every two 307 00:19:46,200 --> 00:19:50,280 Speaker 1: years or twice a year. Sometimes these terms are confusing. 308 00:19:50,280 --> 00:19:53,879 Speaker 1: I wish words would just all right, Yes, it happens 309 00:19:53,920 --> 00:19:56,720 Speaker 1: every two years. It's very fucking fancy. So when you 310 00:19:56,720 --> 00:20:00,800 Speaker 1: get two pieces in, be happy about it, all right. 311 00:20:02,040 --> 00:20:06,760 Speaker 1: I saw you getting in Jeff Kuhn's face. Jeff con 312 00:20:06,840 --> 00:20:09,359 Speaker 1: is the guy who doesn't even do the actual fucking work. Hey, 313 00:20:09,400 --> 00:20:12,159 Speaker 1: anyone can make a balloon, all right, a metallic balloon. 314 00:20:12,720 --> 00:20:15,120 Speaker 1: I mean I did. I did both of these sculptures 315 00:20:15,119 --> 00:20:18,880 Speaker 1: and they did get into the Whitney Whitney Biennial. Yes, hey, 316 00:20:18,880 --> 00:20:23,280 Speaker 1: why don't you tell me one more time? Well, I 317 00:20:23,040 --> 00:20:27,360 Speaker 1: I just I just feel like you're being unnecessarily harsh, sir. 318 00:20:27,520 --> 00:20:31,280 Speaker 1: Did you see mine? Look at this? Look at this 319 00:20:31,400 --> 00:20:34,160 Speaker 1: young boy? This is this kid is five years old. 320 00:20:34,880 --> 00:20:38,680 Speaker 1: His work is right next to yours. That's not cool. 321 00:20:41,119 --> 00:20:43,840 Speaker 1: Look at it? Look at it? Are these are animals 322 00:20:43,920 --> 00:20:46,879 Speaker 1: under the sea? Tom? Why don't you explain it. Oh. 323 00:20:47,920 --> 00:20:49,760 Speaker 1: I know that you're a parent of one of the 324 00:20:49,800 --> 00:20:53,080 Speaker 1: students here, but uh, you can't just bring in these 325 00:20:53,119 --> 00:20:58,240 Speaker 1: statues and whoever this person is, um, uh, this is 326 00:20:58,280 --> 00:21:02,120 Speaker 1: a nude statue. We've children here and like it's art. 327 00:21:02,240 --> 00:21:13,080 Speaker 1: Can talk to you over her sing. Let's moving on 328 00:21:13,119 --> 00:21:15,000 Speaker 1: to see number two. And it comes to us from 329 00:21:15,080 --> 00:21:20,800 Speaker 1: listener Andre Durham. Hello, thank you all for existing suggestion 330 00:21:21,440 --> 00:21:27,920 Speaker 1: the newest Bond girl, Dolores from accounting. Thanks Andre. Did 331 00:21:27,920 --> 00:21:31,960 Speaker 1: you see Did you see this? They're they're doing a 332 00:21:32,000 --> 00:21:34,080 Speaker 1: cattle call. They're doing a cattle call for the new 333 00:21:34,160 --> 00:21:41,600 Speaker 1: James Bond movie. You know this internet flyer here? Oh 334 00:21:41,640 --> 00:21:45,560 Speaker 1: my god, that's not that's the first thing flyer I've seen. 335 00:21:46,040 --> 00:21:48,480 Speaker 1: Oh yeah, well, it usually goes to the spam of 336 00:21:48,520 --> 00:21:52,320 Speaker 1: people's emails. But I don't get emails. I may spam 337 00:21:52,400 --> 00:21:56,240 Speaker 1: my primary Dolores move moves, see let me see my 338 00:21:57,080 --> 00:22:03,880 Speaker 1: must be female. I'm out hot. No, I guess none 339 00:22:03,880 --> 00:22:07,520 Speaker 1: of us. I think. I don't think you realize that's 340 00:22:07,520 --> 00:22:09,760 Speaker 1: not that's not a casting call. They're looking for a 341 00:22:09,800 --> 00:22:12,760 Speaker 1: real secret agent. Look at that right up there. It 342 00:22:12,760 --> 00:22:16,280 Speaker 1: says for real. Oh yeah, at the top. Yeah, but 343 00:22:16,400 --> 00:22:18,280 Speaker 1: for real that's how you know it's real because it 344 00:22:18,320 --> 00:22:21,960 Speaker 1: says it's for real. I mean it's I wouldn't say 345 00:22:21,960 --> 00:22:23,960 Speaker 1: that if it wasn't but a waste to text. None 346 00:22:23,960 --> 00:22:26,199 Speaker 1: of this it means anything does anyway? Okay, we all 347 00:22:26,240 --> 00:22:33,880 Speaker 1: work in this office. None of us are so well actually, Dolores, Yeah, 348 00:22:33,920 --> 00:22:37,320 Speaker 1: I'm uncomfortable with this line of thinking. Well, I didn't 349 00:22:37,320 --> 00:22:40,719 Speaker 1: mean Dolores always has her hair up and has her 350 00:22:40,760 --> 00:22:43,320 Speaker 1: glasses on. So I just look at this if I 351 00:22:43,400 --> 00:22:49,800 Speaker 1: think if I take this hair down, Sorry, look at 352 00:22:51,400 --> 00:22:55,159 Speaker 1: I'm sorry. I'll go back to my cub the transfer. 353 00:22:55,680 --> 00:22:57,760 Speaker 1: If you not see the transformation moment and every motion 354 00:22:57,880 --> 00:23:02,400 Speaker 1: picture where the awkward, nerdy girl takes down her hair 355 00:23:02,480 --> 00:23:06,760 Speaker 1: and removes her glass, can you name one, She's all 356 00:23:06,800 --> 00:23:09,280 Speaker 1: that comes to mind. But listen, Yeah, that's what I thought. Yeah, 357 00:23:10,600 --> 00:23:14,600 Speaker 1: but no one does it for her. I'm sorry, my bad. 358 00:23:14,640 --> 00:23:17,199 Speaker 1: I'll go back to my cubic clocks. Hey, I'll go 359 00:23:17,200 --> 00:23:21,000 Speaker 1: back to my cubicle. Do it for her in that movie, 360 00:23:21,720 --> 00:23:25,600 Speaker 1: like they give her a makeover, right, you know, but 361 00:23:25,680 --> 00:23:30,400 Speaker 1: no one man handles her head, do they? Especially when honestly, 362 00:23:30,440 --> 00:23:35,320 Speaker 1: I have such a sensitive scalp. Mr Bond Unfortunately, it's 363 00:23:35,320 --> 00:23:38,240 Speaker 1: been a little difficult to find a new bond girl, 364 00:23:38,440 --> 00:23:42,920 Speaker 1: as our internet flyers seems to be half casting call 365 00:23:43,160 --> 00:23:47,000 Speaker 1: half actual really, so people are getting confused. So please 366 00:23:47,119 --> 00:23:53,560 Speaker 1: forgive the the situation. You're not gonna kill me, are you. 367 00:23:54,000 --> 00:23:57,399 Speaker 1: I'm just no, of course not keep up the search 368 00:23:57,760 --> 00:24:01,360 Speaker 1: and um, I'll just do this next mission on my own. 369 00:24:01,520 --> 00:24:05,040 Speaker 1: But please, Mr bond was it was? It? Um? Not 370 00:24:05,480 --> 00:24:07,920 Speaker 1: right of me too when I was making this internet 371 00:24:07,960 --> 00:24:09,600 Speaker 1: flyer to ask for somebody to be hot? Is that 372 00:24:09,880 --> 00:24:12,560 Speaker 1: is that? That was? That was not personally I'm not 373 00:24:12,600 --> 00:24:15,200 Speaker 1: happy with the term bond girl either. But let's just 374 00:24:15,400 --> 00:24:19,719 Speaker 1: let's just have a name, you know, bring me every 375 00:24:19,800 --> 00:24:23,440 Speaker 1: you know, just just give her a name. Okay, every 376 00:24:23,480 --> 00:24:27,520 Speaker 1: bring you every Dolores in the country. My mother's name 377 00:24:27,520 --> 00:24:30,320 Speaker 1: is Dolores. So yes, let's let's go with that. Okay, 378 00:24:30,400 --> 00:24:32,239 Speaker 1: that builds, That builds a little more even and then 379 00:24:32,280 --> 00:24:38,160 Speaker 1: a little more uh safe. Listen, m you're in charge. 380 00:24:38,200 --> 00:24:39,800 Speaker 1: You don't need to test me. I just do that, 381 00:24:40,040 --> 00:24:41,840 Speaker 1: you know. I just I'm older and so I kind 382 00:24:41,840 --> 00:24:44,520 Speaker 1: of you know, confused with the way things anyway. This 383 00:24:44,600 --> 00:24:46,280 Speaker 1: is a pen. It blows up if you throw it 384 00:24:46,280 --> 00:24:48,960 Speaker 1: at somebody. Well, you're doing a ques job now is 385 00:24:49,000 --> 00:24:54,280 Speaker 1: that cue supposed to be? Um? Yes? Um, my name 386 00:24:54,359 --> 00:25:01,080 Speaker 1: is Dolores, right, you're all Dolores Is. Oh sorry, I'm 387 00:25:01,119 --> 00:25:07,879 Speaker 1: Dolores Clatorus. I'm here for the casting call. Okay, is it? 388 00:25:07,920 --> 00:25:13,760 Speaker 1: Is it? It pronounced Clitus? My last name is pronounced Clitoris. Okay, 389 00:25:13,800 --> 00:25:19,720 Speaker 1: I'm sorry, I'm sorry. Oh that's okay, Mrs Clatorus. What 390 00:25:19,800 --> 00:25:28,359 Speaker 1: was your what was your schedule? Time? Tot? I just 391 00:25:28,400 --> 00:25:30,439 Speaker 1: want you to know that I come early because early 392 00:25:30,840 --> 00:25:33,960 Speaker 1: is on time and on time is late in my world. Okay, 393 00:25:34,000 --> 00:25:37,520 Speaker 1: well we are we are going to go with time scheduled, 394 00:25:37,720 --> 00:25:40,040 Speaker 1: so you it is two thirty. Now you can go 395 00:25:40,520 --> 00:25:42,720 Speaker 1: on into the room. Mr Bond may Or may not 396 00:25:42,800 --> 00:25:44,520 Speaker 1: be there, but there will be an associate to help you. 397 00:25:44,640 --> 00:25:53,600 Speaker 1: Thank you so much, thank you. Hello. Hello, my name's 398 00:25:54,359 --> 00:26:01,359 Speaker 1: James Wonderful. My name is Dolores, Dolores Cloris, isn't it 399 00:26:03,000 --> 00:26:06,840 Speaker 1: my last name is. I'm just running the camera back here, 400 00:26:06,880 --> 00:26:08,800 Speaker 1: but I'm not sure it is this acting or is 401 00:26:08,840 --> 00:26:15,679 Speaker 1: this secret agent stuff like Terry? Just just record all right, 402 00:26:15,920 --> 00:26:19,520 Speaker 1: I'm hitting her card dude. Thank you. Sorry, I have 403 00:26:19,600 --> 00:26:24,320 Speaker 1: a seat. Mr lawis. We just have a few questions. Um, 404 00:26:24,480 --> 00:26:30,399 Speaker 1: have you ever done any secret missions? Well, one time, 405 00:26:31,280 --> 00:26:33,960 Speaker 1: uh my mom didn't want me to leave the house 406 00:26:34,160 --> 00:26:36,960 Speaker 1: because there was a hurricane, but it was the very 407 00:26:37,000 --> 00:26:39,680 Speaker 1: beginning of the storm and it was only a category too. 408 00:26:40,000 --> 00:26:44,359 Speaker 1: And I had a craving for a brownie thunder from 409 00:26:44,720 --> 00:26:47,800 Speaker 1: uh t G I of Fridays, and so I told 410 00:26:47,840 --> 00:26:49,840 Speaker 1: her I was going to Blockbuster to pick up movies 411 00:26:49,920 --> 00:26:52,560 Speaker 1: for the hurricane, and instead I went to t G. 412 00:26:52,640 --> 00:26:55,520 Speaker 1: I have Fridays and I had that dessert, and she 413 00:26:55,520 --> 00:27:00,879 Speaker 1: she was never the right. You've told me enough? Okay, 414 00:27:00,920 --> 00:27:04,480 Speaker 1: can I head stop? No, Terry, just all right, all right, 415 00:27:04,520 --> 00:27:07,800 Speaker 1: I'll tell you roll. Would you like my profiles? Without 416 00:27:08,080 --> 00:27:09,880 Speaker 1: you will actually be going through that door right there 417 00:27:09,880 --> 00:27:17,400 Speaker 1: to the right render. Let's go over this one more time. 418 00:27:18,800 --> 00:27:23,600 Speaker 1: When I said bring me the newest bun Girls the 419 00:27:23,720 --> 00:27:30,040 Speaker 1: way to torture Agent, I thought I was rather clear 420 00:27:30,920 --> 00:27:39,160 Speaker 1: which bard Were you confused? Well? Uh, first of all, boss, 421 00:27:39,160 --> 00:27:43,119 Speaker 1: You're you're hard to understand sometimes, you know, so you know, 422 00:27:43,200 --> 00:27:47,560 Speaker 1: sometimes it's just a it's addiction thing, you know. But yeah, 423 00:27:47,600 --> 00:27:49,800 Speaker 1: I think I got the message, like get the get 424 00:27:49,800 --> 00:27:53,119 Speaker 1: the new Bond girl. You don't like the way I 425 00:27:53,200 --> 00:27:59,640 Speaker 1: saw screwed up, disfigured face disturb you as well. It's 426 00:27:59,680 --> 00:28:03,160 Speaker 1: not great, you know, Like I mean, they didn't make 427 00:28:03,200 --> 00:28:05,800 Speaker 1: you that mask that that will cover like most of 428 00:28:05,840 --> 00:28:08,919 Speaker 1: your face. You know, it wouldn't hurt to keep it 429 00:28:08,960 --> 00:28:15,080 Speaker 1: on around the office. Well, how did I screw up 430 00:28:15,080 --> 00:28:22,440 Speaker 1: this time? Boss? I don't see the Bond oh? Um? 431 00:28:22,560 --> 00:28:27,840 Speaker 1: Yeah about that? Um? You know I kidnapped her, uh 432 00:28:28,160 --> 00:28:31,080 Speaker 1: last night, and then I got back to the warehouse 433 00:28:31,680 --> 00:28:35,159 Speaker 1: and everything was locked up like everyone everyone kind of 434 00:28:35,160 --> 00:28:37,359 Speaker 1: closed up got home for the night. And you know 435 00:28:37,720 --> 00:28:41,880 Speaker 1: it's because you know, I asked you for a key, 436 00:28:42,000 --> 00:28:44,880 Speaker 1: and uh, you know, jarity is crucial. I don't know 437 00:28:44,880 --> 00:28:47,280 Speaker 1: if I need that, Okay, but I am at the 438 00:28:47,320 --> 00:28:54,400 Speaker 1: warehouse a lot freeze right there, Mr Bond, Oh and Delorestores, 439 00:28:56,720 --> 00:28:59,640 Speaker 1: Now you're both gonna die. All I need is one 440 00:29:00,080 --> 00:29:10,120 Speaker 1: little bullet next to Yeah, oh very right, missus platoris 441 00:29:10,760 --> 00:29:15,120 Speaker 1: I expected this from Bond, but not from a Bond girl. Well, 442 00:29:15,280 --> 00:29:20,520 Speaker 1: I'm a woman at this point, okay, forty two years old, young, 443 00:29:20,800 --> 00:29:24,160 Speaker 1: forty two years young? And what will you do if 444 00:29:24,160 --> 00:29:29,880 Speaker 1: I just shoot you? Now? Well, I would dodge it 445 00:29:31,320 --> 00:29:34,000 Speaker 1: if you're giving me enough warning. In fact, I'm just 446 00:29:34,040 --> 00:29:38,000 Speaker 1: gonna grab the gun, right, and then you're just so 447 00:29:38,040 --> 00:29:40,040 Speaker 1: focused on that other thing. And so now I have 448 00:29:40,160 --> 00:29:42,560 Speaker 1: your gun, and I'm actually quite a good shot. I 449 00:29:42,640 --> 00:29:44,400 Speaker 1: used to go to the range with my father to 450 00:29:44,520 --> 00:29:51,680 Speaker 1: bond with him. We loved guns to bond with him. 451 00:29:51,720 --> 00:29:54,200 Speaker 1: I don't know. I think maybe I did defend to Laura. 452 00:29:54,320 --> 00:29:56,360 Speaker 1: She hasn't been back since I dropped her hair into 453 00:29:56,440 --> 00:30:00,000 Speaker 1: her glasses. You think I'm going to get in trouble? 454 00:30:00,120 --> 00:30:02,840 Speaker 1: Was HR? You're saying you're repped glitter is the wrong way. 455 00:30:02,960 --> 00:30:07,480 Speaker 1: I think maybe we should just like we should just 456 00:30:07,520 --> 00:30:12,040 Speaker 1: like use this as a learning moment. You know, I 457 00:30:12,080 --> 00:30:13,760 Speaker 1: said no one was hot in the office, and that's 458 00:30:13,760 --> 00:30:17,800 Speaker 1: not really cool either. That wasn't cool. Yeah, I guess 459 00:30:17,800 --> 00:30:23,760 Speaker 1: we've learned a lot o you too? Uh sorry? Um 460 00:30:23,840 --> 00:30:30,800 Speaker 1: oh yeah, you're fired? Oh all right? Uh Steve from 461 00:30:30,920 --> 00:30:32,400 Speaker 1: HR didn't want to come down. Just send me to 462 00:30:32,480 --> 00:30:35,040 Speaker 1: pass on the message, right, Okay, that that makes sense. 463 00:30:35,080 --> 00:30:39,520 Speaker 1: That makes sense. Okay, all right, so let me just 464 00:30:39,560 --> 00:30:44,040 Speaker 1: walk you up. Yep, are you too? Lis? I sent 465 00:30:44,200 --> 00:30:47,200 Speaker 1: you into be double agents and you've both got fired. 466 00:30:47,920 --> 00:30:51,000 Speaker 1: What you're saying, I got so lost in the role. 467 00:30:51,080 --> 00:30:52,920 Speaker 1: I didn't know what it was. It was hard and 468 00:30:53,160 --> 00:30:58,000 Speaker 1: which was up right? Well, then maybe you can get 469 00:30:58,000 --> 00:31:01,800 Speaker 1: into the warehouse and help them. Dumb three year I 470 00:31:01,840 --> 00:31:06,760 Speaker 1: don't gee, you have the keys? Uh am? I are 471 00:31:06,800 --> 00:31:10,440 Speaker 1: you gonna kill me if I say no? It's Bruno. 472 00:31:10,520 --> 00:31:15,320 Speaker 1: I'm stuck outside, Bruno. Why if you look brow in 473 00:31:15,640 --> 00:31:22,320 Speaker 1: p I'm on it. Yeah, I we'll see about that. Oh. 474 00:31:22,520 --> 00:31:28,000 Speaker 1: I hit my knuckle on the doorn. Oh wait, who's that? 475 00:31:28,280 --> 00:31:32,200 Speaker 1: Someone's taking Bruno? James Bond is here, boss, James Bond 476 00:31:32,320 --> 00:31:36,840 Speaker 1: is here? Facts defell for my trap? Let me wait? 477 00:31:36,840 --> 00:31:41,040 Speaker 1: We were all lures and you're using us. Yes, trout boys, 478 00:31:41,160 --> 00:31:52,920 Speaker 1: step aside. Found I found Claris Dolores taurus. It rhynds. 479 00:31:53,000 --> 00:31:56,200 Speaker 1: It shouldn't be hard anyway, I found her. It was 480 00:31:56,920 --> 00:32:02,920 Speaker 1: I was searching the longest time, plagued mankind for centuries. 481 00:32:03,040 --> 00:32:07,440 Speaker 1: My boy, you don't take it personally? Well, Mr bad 482 00:32:08,520 --> 00:32:12,000 Speaker 1: we needed These ropes are not going to be able 483 00:32:12,040 --> 00:32:15,600 Speaker 1: to hold me right? Why didn't I tell you my 484 00:32:15,680 --> 00:32:18,960 Speaker 1: evil plan before you get out of those ropes? Where 485 00:32:19,120 --> 00:32:21,600 Speaker 1: don't you usually have a mask that covers half your face? 486 00:32:24,280 --> 00:32:26,520 Speaker 1: Just really happy? I think I left it in the 487 00:32:26,560 --> 00:32:33,240 Speaker 1: car bos Yeah, thanks, thanks dum never mind, here's my plan. 488 00:32:35,200 --> 00:32:37,120 Speaker 1: Maybe maybe if you don't want to wear this brown 489 00:32:37,760 --> 00:32:41,920 Speaker 1: this brown paper back, we cut eye holes in. Yeah, yeah, 490 00:32:41,960 --> 00:32:43,440 Speaker 1: that's it. Cut I holds in. I don't take you 491 00:32:43,480 --> 00:32:49,680 Speaker 1: twenty minutes, as I always say, my plan, Mr articulate boss. Wait, 492 00:32:49,720 --> 00:32:53,320 Speaker 1: we lost the lories. We lost Mr Laturus. I don't 493 00:32:53,320 --> 00:32:54,880 Speaker 1: know where she is. I thought we had her. I 494 00:32:54,880 --> 00:32:58,080 Speaker 1: thought we knew exactly where she was. And I'm funny her, 495 00:32:58,280 --> 00:33:00,280 Speaker 1: I don't. I don't know where she is. Can we 496 00:33:00,360 --> 00:33:03,920 Speaker 1: just call her the button for short? I don't know 497 00:33:03,960 --> 00:33:06,280 Speaker 1: if we can do that. Well, you know, we we 498 00:33:06,320 --> 00:33:08,720 Speaker 1: were senting to the other office. We got canned for 499 00:33:08,800 --> 00:33:12,320 Speaker 1: saying things are less offensive than that, right, yeah, we 500 00:33:12,440 --> 00:33:19,720 Speaker 1: there's no hr were the bad guys sake now, ter Bun. 501 00:33:20,920 --> 00:33:24,840 Speaker 1: My plan was quite simple. I'm going to the ripened 502 00:33:24,960 --> 00:33:30,320 Speaker 1: shreds piece by piece so that you, you too, are unseeable. 503 00:33:31,040 --> 00:33:34,720 Speaker 1: Do you think I could get that in writing? Here's 504 00:33:34,720 --> 00:33:44,920 Speaker 1: a pen? Cool, Dolores. How was your weekend? It's pretty chill, 505 00:33:45,200 --> 00:33:47,120 Speaker 1: I am. I actually went to the movie theater for 506 00:33:47,200 --> 00:33:50,880 Speaker 1: the first time in a long time. Oh wow, fun yeah, 507 00:33:50,880 --> 00:33:54,640 Speaker 1: it was pretty good. What do you see, um, you 508 00:33:54,680 --> 00:33:59,560 Speaker 1: know one of those classic bad guys good guy spy 509 00:33:59,720 --> 00:34:05,240 Speaker 1: ish movies. Those are so unbelievable, but fun starts. Second 510 00:34:05,320 --> 00:34:14,480 Speaker 1: sing our. Third suggestion comes to us from Alcamaniac and 511 00:34:14,760 --> 00:34:20,400 Speaker 1: in zoom guest Mike del Rosso. Everybody, this is exciting. 512 00:34:21,120 --> 00:34:25,120 Speaker 1: Mike says, what's up you marry Ganga Pranksters scenes suggestion 513 00:34:25,760 --> 00:34:32,440 Speaker 1: Penultimate Frisbee Tournament heads on a swivel. Buttermilk Jones Penultimate 514 00:34:32,600 --> 00:34:38,520 Speaker 1: Frisbee Tournament. Yeah, I'd just like to practice before the 515 00:34:38,560 --> 00:34:42,799 Speaker 1: game starts, to get a little couple of tosses in. Right, Great, great, 516 00:34:42,840 --> 00:34:44,680 Speaker 1: And here at Frisbee Weekly, we were wondering if you 517 00:34:44,680 --> 00:34:48,320 Speaker 1: could tell us a couple of like of your secret 518 00:34:48,360 --> 00:34:50,560 Speaker 1: stretches or something that really gets you get your head 519 00:34:50,560 --> 00:34:54,120 Speaker 1: in the game. Listen, this is the semifinals, alright, the 520 00:34:54,160 --> 00:34:59,200 Speaker 1: penalty match of the year. Were four years defending champions 521 00:35:00,000 --> 00:35:03,640 Speaker 1: and everything that we do is a secret. Yeah, I'm 522 00:35:03,680 --> 00:35:07,200 Speaker 1: not gonna share any of our secret trips. That makes sense. 523 00:35:07,360 --> 00:35:09,879 Speaker 1: That makes sense. Hey, you can't blame the guy for asking, right, Yeah, Hey, 524 00:35:09,920 --> 00:35:15,200 Speaker 1: we love Frisbee Weekly. By the way, I gotta say 525 00:35:15,520 --> 00:35:19,960 Speaker 1: your June issue. The the centerfold issue was one of 526 00:35:19,960 --> 00:35:23,640 Speaker 1: our hottest selling I wasn't that that, Frisbee wasn't glued 527 00:35:23,680 --> 00:35:25,919 Speaker 1: to me. I was holding you. I heard, I heard, 528 00:35:26,040 --> 00:35:29,520 Speaker 1: I heard that is so hot, that you are so hot. Anyway, 529 00:35:29,920 --> 00:35:33,879 Speaker 1: go Flyers, uh and have a good Uh. You don't 530 00:35:33,880 --> 00:35:39,520 Speaker 1: have any more questions. I got one more. I see 531 00:35:39,520 --> 00:35:44,760 Speaker 1: if I can find it here. Are you? Are you single? 532 00:35:45,680 --> 00:35:50,920 Speaker 1: That's a good question. I am Oh. I know this 533 00:35:50,960 --> 00:35:54,239 Speaker 1: is weird, but I have a question for you, on 534 00:35:54,440 --> 00:36:01,960 Speaker 1: or off the record. On I'm listening, Are you single? 535 00:36:03,760 --> 00:36:07,520 Speaker 1: I am not. I am not because sometimes when you're young, 536 00:36:07,560 --> 00:36:09,520 Speaker 1: you make stupid choices, you know what I mean, and 537 00:36:09,520 --> 00:36:11,440 Speaker 1: then you go, I guess you know I'm here now, 538 00:36:11,480 --> 00:36:13,560 Speaker 1: and I gotta lock into this, you know, forever and 539 00:36:13,560 --> 00:36:16,319 Speaker 1: never and never until one of us dies. Fantasies might 540 00:36:16,360 --> 00:36:17,959 Speaker 1: come into the mind, but that doesn't mean you're gonna 541 00:36:18,000 --> 00:36:19,360 Speaker 1: do it, and you're not gonna act on them, you 542 00:36:19,400 --> 00:36:23,440 Speaker 1: know what I mean. So God Flyers, and let's go 543 00:36:23,520 --> 00:36:27,520 Speaker 1: get them semifinals. Alright, Good luck with your personal life. 544 00:36:28,000 --> 00:36:35,640 Speaker 1: Frisbee Weekly out Hey, I heard you talking about how 545 00:36:35,640 --> 00:36:37,680 Speaker 1: you were, you know, regret being married and stuff. But 546 00:36:39,080 --> 00:36:45,680 Speaker 1: I actually heard that, Yeah, I was your first month, 547 00:36:45,719 --> 00:36:49,759 Speaker 1: and I got Yeah, I'm Frisbee Weekly. We don't really 548 00:36:49,800 --> 00:36:54,560 Speaker 1: get along, not typically, not typically. I mean we curate 549 00:36:54,600 --> 00:36:56,759 Speaker 1: our work a little better, We take our time and 550 00:36:56,800 --> 00:36:58,560 Speaker 1: make it worth it. Well, we're on the fly. We 551 00:36:58,600 --> 00:37:01,600 Speaker 1: need it now. It looks rushed. But anyways, what I 552 00:37:01,640 --> 00:37:05,040 Speaker 1: was gonna say is I got a guy they can 553 00:37:05,040 --> 00:37:09,279 Speaker 1: take care of that dead weight problem you got. You 554 00:37:09,280 --> 00:37:11,560 Speaker 1: gotta pay in crypto to keep it on the d. 555 00:37:11,760 --> 00:37:15,239 Speaker 1: L I'm right here. Why don't you just introduce me? Hi, 556 00:37:17,000 --> 00:37:20,160 Speaker 1: Larry tam I'm with Frisbee Annual. So I have a 557 00:37:20,239 --> 00:37:23,200 Speaker 1: lot of time on my head, and this is the 558 00:37:23,560 --> 00:37:25,880 Speaker 1: guy who can do the thing. I can absolutely do 559 00:37:25,960 --> 00:37:29,200 Speaker 1: the thing, whatever the thing is. He's got time. He's 560 00:37:29,200 --> 00:37:31,960 Speaker 1: an annual. Quick question though, I've always had a hard 561 00:37:32,000 --> 00:37:35,960 Speaker 1: time buying the cryptok First of all, slow down, okay, 562 00:37:36,040 --> 00:37:39,040 Speaker 1: no reason for quick questions. You have a tough time 563 00:37:39,080 --> 00:37:44,600 Speaker 1: purchasing cryptos. Okay, what part is you do you find 564 00:37:44,600 --> 00:37:47,040 Speaker 1: in troubling? I think maybe we'll get to that later, 565 00:37:47,080 --> 00:37:49,759 Speaker 1: because is that is I need somebody to kill mine? 566 00:37:50,640 --> 00:37:55,200 Speaker 1: Oh God, Harold, I think that Robert's cheating on me. 567 00:37:56,360 --> 00:38:02,319 Speaker 1: What well, two henchman came into my apartment yesterday and 568 00:38:02,400 --> 00:38:04,760 Speaker 1: tried to murder me. But you know, I have really 569 00:38:04,800 --> 00:38:09,520 Speaker 1: strong thighs and I was able to always And why 570 00:38:09,600 --> 00:38:11,560 Speaker 1: else would he do that if he wasn't like into 571 00:38:11,600 --> 00:38:14,200 Speaker 1: somebody else, Like, why else would he hire somebody to 572 00:38:16,840 --> 00:38:18,640 Speaker 1: I don't mean you got to give him the benefit 573 00:38:18,680 --> 00:38:24,040 Speaker 1: of the doubt though, right, No, no, I'm not saying that. 574 00:38:24,200 --> 00:38:27,839 Speaker 1: I'm just saying that maybe there's a a more logical explanation. 575 00:38:27,960 --> 00:38:30,760 Speaker 1: I don't know, God Gerrold. It just makes me feel 576 00:38:32,320 --> 00:38:34,719 Speaker 1: so right, I just feel like a piece of ship. 577 00:38:35,000 --> 00:38:37,520 Speaker 1: I feel like an actual piece of ship. But at 578 00:38:37,520 --> 00:38:41,319 Speaker 1: the same time, it's like, fuck, if Beyonce gets cheated on, 579 00:38:41,520 --> 00:38:44,840 Speaker 1: like why not me? You know, and you're a strong 580 00:38:44,880 --> 00:38:48,840 Speaker 1: woman just like she is. I don't think it's strong 581 00:38:49,640 --> 00:38:54,040 Speaker 1: you can finish that smooth physically. I felt really strong. Yes, 582 00:38:54,160 --> 00:38:57,520 Speaker 1: you are. I mean the thighs in particular are just ridiculous. 583 00:38:57,800 --> 00:38:59,920 Speaker 1: You know what it is I've been Have you ever 584 00:39:00,120 --> 00:39:10,239 Speaker 1: seen Lost the Yeah? I think like you don't like 585 00:39:10,360 --> 00:39:13,760 Speaker 1: if you can't say yes with fer then the answer 586 00:39:14,080 --> 00:39:24,719 Speaker 1: is no, it's purgatory, right, I only watched the pilot. Sorry, boss. Uh, 587 00:39:25,360 --> 00:39:30,520 Speaker 1: well we got in there. Uh, but we we didn't. 588 00:39:31,120 --> 00:39:36,440 Speaker 1: We didn't kill her. I mean you didn't get it. Well, 589 00:39:37,239 --> 00:39:40,080 Speaker 1: Phil was Phil was in the lead, and so he 590 00:39:40,160 --> 00:39:43,280 Speaker 1: got in the front door. Um, and I said shoot 591 00:39:43,280 --> 00:39:45,439 Speaker 1: her and he said, I thought you had the gun. 592 00:39:46,200 --> 00:39:50,480 Speaker 1: And that's where that's where it was confusing. Is that 593 00:39:50,600 --> 00:39:55,600 Speaker 1: not an interview process by which you morons get ironed? No? 594 00:39:55,840 --> 00:40:01,520 Speaker 1: Hr is very thorough right. Yeah. So see still things 595 00:40:01,600 --> 00:40:04,160 Speaker 1: like I thought I had the gun but he had 596 00:40:04,200 --> 00:40:08,080 Speaker 1: the gun. That sort of thing can still happen. Yeah, 597 00:40:08,800 --> 00:40:17,000 Speaker 1: put your knuckles that both of us. Oh you guys 598 00:40:17,080 --> 00:40:23,160 Speaker 1: changed lots again. Tougher. Hey, wow, that was a really 599 00:40:23,200 --> 00:40:26,680 Speaker 1: good warm up. Guys. Uh, looking good out there, looking. 600 00:40:26,800 --> 00:40:29,240 Speaker 1: I actually did have a couple more questions. I forgot 601 00:40:29,280 --> 00:40:32,399 Speaker 1: to ask you for Frisbee Weekly. Um, listen, I just 602 00:40:32,400 --> 00:40:35,040 Speaker 1: gave an interview to Frisbee Monthly and Annual, so you 603 00:40:35,040 --> 00:40:37,480 Speaker 1: can just take it up with them, all right, Oh okay, 604 00:40:37,520 --> 00:40:40,440 Speaker 1: because it just feels like you maybe we want to 605 00:40:40,440 --> 00:40:47,040 Speaker 1: say a couple of things about Frisbee to us. That 606 00:40:47,120 --> 00:40:51,560 Speaker 1: wasn't a very good argument. I mean, are you here 607 00:40:51,560 --> 00:40:55,799 Speaker 1: to change your answer and then I'll what what what 608 00:40:55,920 --> 00:40:59,440 Speaker 1: are you crazy. This is the samer what what are we? What? 609 00:40:59,560 --> 00:41:01,320 Speaker 1: What we want to know? This is what game? Is? 610 00:41:01,320 --> 00:41:03,080 Speaker 1: This the champ not the championship, but the woman before? 611 00:41:03,200 --> 00:41:05,319 Speaker 1: What's that called? The ultimate? Is last? This is a 612 00:41:05,320 --> 00:41:09,920 Speaker 1: pen ultimate. So that's what we're dealing with here today. Yeah, 613 00:41:09,320 --> 00:41:12,319 Speaker 1: this is halftime right now. So it's halftime. We're in 614 00:41:12,320 --> 00:41:17,160 Speaker 1: the middle of the game. Frisbees are flying, hearts are flying. 615 00:41:18,320 --> 00:41:22,120 Speaker 1: You know, hey, pal, just wondering if you've got two 616 00:41:22,400 --> 00:41:28,680 Speaker 1: words for frisbee decade. We put a lot of time 617 00:41:28,680 --> 00:41:32,120 Speaker 1: and consideration into each issue. I'm actually in the middle 618 00:41:32,120 --> 00:41:38,680 Speaker 1: of an interview right now. Okay, we can wait. Hey, honey, 619 00:41:38,680 --> 00:41:46,239 Speaker 1: I'm I'm home. How did cow um cheryl? I know 620 00:41:46,360 --> 00:41:51,440 Speaker 1: she's cheating on me. I know what you're saying. He 621 00:41:51,520 --> 00:41:56,120 Speaker 1: has like a complete other life with some woman. I'm saying, 622 00:41:56,640 --> 00:42:00,720 Speaker 1: I'm taking a nap in the bedroom. The were closed, 623 00:42:00,719 --> 00:42:03,280 Speaker 1: of course, because you know, I like to like simulate 624 00:42:03,360 --> 00:42:06,640 Speaker 1: nighttime when I take my day. Yeah. Yes, he comes 625 00:42:06,680 --> 00:42:11,879 Speaker 1: home and another woman answers the door. She was her apartment, 626 00:42:12,960 --> 00:42:15,080 Speaker 1: she was there. I just had a bad day. I 627 00:42:15,160 --> 00:42:17,279 Speaker 1: just had a bad day. Maybe can you make a 628 00:42:17,320 --> 00:42:23,839 Speaker 1: cup of coffee? Babe? Sure, you know? Okay? Good? Where 629 00:42:23,960 --> 00:42:27,920 Speaker 1: is everything? Where do I make the coffee? Um? You 630 00:42:27,960 --> 00:42:29,960 Speaker 1: know what? I should just make it? Thanks for She 631 00:42:30,200 --> 00:42:33,640 Speaker 1: asked me where you woke me up to ask me? 632 00:42:35,000 --> 00:42:37,200 Speaker 1: And I was like, is this a dream? Is this heaven? 633 00:42:37,320 --> 00:42:40,120 Speaker 1: Is this hell? Like? What's happening? What is the bitch 634 00:42:40,200 --> 00:42:45,279 Speaker 1: even doing there? What is she doing there? What is 635 00:42:45,280 --> 00:42:48,759 Speaker 1: she doing there? Do you want the rest of smoothie? Or? 636 00:42:49,360 --> 00:42:51,680 Speaker 1: I can't even eat at this point? And you know, 637 00:42:51,760 --> 00:42:57,160 Speaker 1: I consider Bush. We were going to kill his his wife, 638 00:42:57,200 --> 00:42:59,800 Speaker 1: but when we came in there was two wives. I 639 00:43:00,160 --> 00:43:04,080 Speaker 1: don't know. I'm not killing two people. They're not You're 640 00:43:04,120 --> 00:43:06,879 Speaker 1: a up to that task killing both of them? As 641 00:43:06,920 --> 00:43:10,640 Speaker 1: a quick answer, that much, I just killing both? That 642 00:43:10,680 --> 00:43:13,920 Speaker 1: doesn't cross your mind. It just seemed a little confusing. 643 00:43:13,960 --> 00:43:16,200 Speaker 1: I was sent out to kill one person and then 644 00:43:16,239 --> 00:43:20,520 Speaker 1: there's two people both with them? Right? Come on? Because 645 00:43:20,520 --> 00:43:22,120 Speaker 1: I was like, what if they wanted us to kill 646 00:43:22,200 --> 00:43:26,239 Speaker 1: two but they only paid for one knowing we'd kill two? Money? 647 00:43:26,320 --> 00:43:28,560 Speaker 1: Is that it? Yeah? Yeah, boss? I didn't want it 648 00:43:28,600 --> 00:43:34,360 Speaker 1: to be about money. Okay, So let's say I don't know, 649 00:43:34,640 --> 00:43:37,920 Speaker 1: you're sending to a situation where you have an assignment 650 00:43:38,719 --> 00:43:44,640 Speaker 1: and that assignment is to find the dog and steal it. 651 00:43:45,000 --> 00:43:48,000 Speaker 1: But when you get there, there are five dogs. What 652 00:43:48,040 --> 00:43:54,560 Speaker 1: do you do? Do I have a cell phone? Yeah? 653 00:43:54,880 --> 00:43:58,880 Speaker 1: All right? Then I call right and I and I clarify, 654 00:43:59,040 --> 00:44:00,360 Speaker 1: is like, can you send me a a sure of 655 00:44:00,400 --> 00:44:04,760 Speaker 1: the dog you would like kidnapped? And then I would 656 00:44:05,080 --> 00:44:09,040 Speaker 1: then take that one dog. But if you got voicemail 657 00:44:09,040 --> 00:44:14,400 Speaker 1: when you call, I was texting this whole time. Okay, 658 00:44:14,920 --> 00:44:17,640 Speaker 1: all right, so I got voicemail. So if I got voicemail, 659 00:44:17,680 --> 00:44:20,759 Speaker 1: I would just wait. Maybe i'd wait ten more minutes. M. 660 00:44:21,719 --> 00:44:26,400 Speaker 1: Do I have to catch a bus or train or anything? Okay? 661 00:44:26,640 --> 00:44:31,640 Speaker 1: Would wait? Wait it out? Interesting call M. I've been 662 00:44:31,680 --> 00:44:34,920 Speaker 1: doing this. I've been this for a long time. Yeah, baby, 663 00:44:35,120 --> 00:44:39,279 Speaker 1: she's here too. So what you're not happy and I'm 664 00:44:39,320 --> 00:44:43,880 Speaker 1: not happy? I knew. I never said I wasn't happy. 665 00:44:44,480 --> 00:44:48,319 Speaker 1: You're making me unhappy right now with this, but before this, 666 00:44:48,560 --> 00:44:57,120 Speaker 1: I wasn't unhappy. Oh good, or okay, I'm sorry that 667 00:44:57,160 --> 00:44:59,640 Speaker 1: I can't wield a Ninja star or whatever the fun 668 00:44:59,760 --> 00:45:03,719 Speaker 1: she in those stupid ass movies. They're not stupid, and 669 00:45:03,760 --> 00:45:06,400 Speaker 1: I just want to say that I'm here for support. 670 00:45:09,000 --> 00:45:12,520 Speaker 1: You see what the issue is Cheryl, Yes, Cheryl, do 671 00:45:12,600 --> 00:45:20,520 Speaker 1: you everybody freeze? There's three women here. I just think 672 00:45:20,560 --> 00:45:23,920 Speaker 1: we should just kill them. We should just kill him today. 673 00:45:24,719 --> 00:45:35,400 Speaker 1: What a tiny star you are? Like to whoa frozen 674 00:45:35,480 --> 00:45:41,279 Speaker 1: strawberry chunks at the bottom. That's smoothie. They're piercing triangular 675 00:45:42,040 --> 00:45:47,080 Speaker 1: killed us. I don't know what to say. Listen, I 676 00:45:47,080 --> 00:45:50,680 Speaker 1: don't know what to say. You would know what to 677 00:45:50,719 --> 00:45:53,279 Speaker 1: say if you would have only have watched Lost and 678 00:45:53,320 --> 00:45:55,880 Speaker 1: I asked you to watch. I asked you to watch 679 00:45:55,920 --> 00:46:03,799 Speaker 1: that show. Everybody, WHOA. Let's take a second here and 680 00:46:03,840 --> 00:46:07,279 Speaker 1: thank everybody for playing. James Heeney, thank you. Tell us 681 00:46:07,280 --> 00:46:11,440 Speaker 1: what you're up to. Well, I'm still doing brief news 682 00:46:11,560 --> 00:46:14,320 Speaker 1: brief if you're looking for a brief take on the news, 683 00:46:14,680 --> 00:46:17,279 Speaker 1: don't forget to you know. And they come out every week. 684 00:46:17,719 --> 00:46:20,640 Speaker 1: And game Front tons of game Front video game stuff 685 00:46:20,640 --> 00:46:24,000 Speaker 1: on YouTube. Terrific. Craig Atkowski, thank you so much. What's 686 00:46:24,040 --> 00:46:27,799 Speaker 1: going on? Well? A Tool correctly used the word penultimate, 687 00:46:27,960 --> 00:46:31,520 Speaker 1: which means second to last. I think sometimes people are like, 688 00:46:31,560 --> 00:46:36,560 Speaker 1: it's the penultimate, like it's the ultra ultimate, but it 689 00:46:36,719 --> 00:46:40,920 Speaker 1: just means second to last. And also, uh if if 690 00:46:40,920 --> 00:46:44,520 Speaker 1: it's a frisbee. It's a registered trademark of WAMO. Otherwise 691 00:46:44,520 --> 00:46:48,239 Speaker 1: it's just a plastic flying disc. Oh my god, I 692 00:46:48,719 --> 00:46:53,040 Speaker 1: know that, Jackie de Ruthie. Did you know that? Absolutely not. 693 00:46:53,400 --> 00:47:01,279 Speaker 1: I don't even know what WAMO is invented the frisbee. Yeah, 694 00:47:01,600 --> 00:47:04,640 Speaker 1: I love that. That's a fun fact. Thank you for 695 00:47:04,719 --> 00:47:07,880 Speaker 1: that fact. Thank you for having me play as well. 696 00:47:07,920 --> 00:47:12,959 Speaker 1: What a great day of course A tool sing Bud, Yeah, 697 00:47:13,040 --> 00:47:15,080 Speaker 1: thank you for him. It's always so much fun. You 698 00:47:15,120 --> 00:47:18,360 Speaker 1: can people can follow me at a tool time on socials, 699 00:47:18,760 --> 00:47:20,759 Speaker 1: and I have to give credit. And the reason I 700 00:47:20,800 --> 00:47:25,440 Speaker 1: know that regarding penultimate is because of a Zach Sermons 701 00:47:25,480 --> 00:47:28,319 Speaker 1: song I believe called Super Penultimate or something like that, 702 00:47:28,320 --> 00:47:32,520 Speaker 1: which is the third to last. Oh, and a tool 703 00:47:33,080 --> 00:47:35,000 Speaker 1: Are you gonna? Are you gonna sleep today? I know 704 00:47:35,040 --> 00:47:38,000 Speaker 1: you've been traveling. I'm actually gonna try to stay up. 705 00:47:38,040 --> 00:47:39,640 Speaker 1: The goal would be to stay up till the night. 706 00:47:39,760 --> 00:47:44,200 Speaker 1: That way I get back into a sleep cycle. Smart 707 00:47:44,640 --> 00:47:48,880 Speaker 1: and I mean Kevin Pollock, thank you for joining us 708 00:47:49,719 --> 00:47:53,640 Speaker 1: in the middle of day. So great, so great. I 709 00:47:53,640 --> 00:47:57,359 Speaker 1: I only know the third to last is anti penultimate. 710 00:47:57,920 --> 00:48:01,160 Speaker 1: I only know that because of poker. People are very anxious. 711 00:48:01,160 --> 00:48:03,080 Speaker 1: What the last hand of the night. Have you've been 712 00:48:03,080 --> 00:48:07,800 Speaker 1: playing for hours and hours and ever present and occasionally annoying, 713 00:48:07,840 --> 00:48:10,880 Speaker 1: Sam Levine will say this is the penultimate, and then 714 00:48:11,080 --> 00:48:14,319 Speaker 1: earlier he would have said this is the anti penultimate. 715 00:48:14,360 --> 00:48:16,640 Speaker 1: I believe, I believe Craig will back me up on that. 716 00:48:17,560 --> 00:48:20,719 Speaker 1: Um And yeah, no, this was great because I did 717 00:48:20,719 --> 00:48:22,759 Speaker 1: not think I would get any time with you all 718 00:48:22,800 --> 00:48:26,280 Speaker 1: today based on work schedule here in the New York City. 719 00:48:26,840 --> 00:48:29,600 Speaker 1: And Chris was lovely enough to uh jump at the 720 00:48:29,719 --> 00:48:33,879 Speaker 1: chance to uh to I say host, I don't say guests, 721 00:48:34,200 --> 00:48:37,160 Speaker 1: come on your host, all right, yeah, come on, And 722 00:48:37,280 --> 00:48:41,640 Speaker 1: uh this is my first time as as just analochemist. 723 00:48:42,239 --> 00:48:45,480 Speaker 1: Um and uh and I had I had a blast, 724 00:48:45,719 --> 00:48:47,680 Speaker 1: and I feel I was completely off my game and 725 00:48:47,680 --> 00:48:49,960 Speaker 1: it was really enjoy to watch the rest of you 726 00:48:51,120 --> 00:48:54,520 Speaker 1: from a from a different perspective. Uh not the clock. 727 00:48:55,600 --> 00:48:58,880 Speaker 1: Uh that is different. That is different. Yeah, it's a 728 00:48:58,920 --> 00:49:01,839 Speaker 1: weird kind of pressure. Um, but yeah, this is great fun. 729 00:49:01,880 --> 00:49:04,440 Speaker 1: I love you all. We love you. Enjoy the rest 730 00:49:04,480 --> 00:49:06,279 Speaker 1: of your time in New York. And let's also thank 731 00:49:06,360 --> 00:49:11,600 Speaker 1: our two in zoom in studio Alcmaniac Guess, Paul Hatton 732 00:49:11,680 --> 00:49:15,200 Speaker 1: and Mike del Rosso. Thanks for being here, gentlemen, everybody else, 733 00:49:15,239 --> 00:49:17,040 Speaker 1: if you want to, you want to give us a shot, 734 00:49:17,120 --> 00:49:20,920 Speaker 1: you know, meet us at that alca maniac level Patreon 735 00:49:21,000 --> 00:49:24,239 Speaker 1: dot com, slash alchemy. This also, while we are thinking people, 736 00:49:24,320 --> 00:49:27,520 Speaker 1: let's think our engineer and producer to the stars, Mr Dougan, 737 00:49:29,719 --> 00:49:34,120 Speaker 1: and the fine folks at I Heart Media. I have 738 00:49:34,239 --> 00:49:37,200 Speaker 1: been your host, Chris Alvarado, and I thank you for 739 00:49:37,239 --> 00:49:38,800 Speaker 1: listening and until next time.