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Speaker 1: Welcome to Truth Hounds, a production of My Heart Radio.

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Speaker 1: I'm Anna and I've been unemployed for two years now,

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Speaker 1: so I really have nothing going on. And I'm Kyle

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Speaker 1: and in middle school I received the award Most Enthusiastic

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Speaker 1: to Learn. So that makes me pretty special. And that

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Speaker 1: is what makes us the perfect investigative duo. We are

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Speaker 1: two friends who love each other very much, but we

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Speaker 1: love even more is getting to the bottom of mysteries,

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Speaker 1: all mysteries, short but small mysteries. Specifically, trust me, No

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Speaker 1: mystery is too small? No, no, no, Why don't you

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Speaker 1: trust me when I tell you we are ready to

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Speaker 1: sniff around? We are the the truth Hounds. Previously on

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Speaker 1: Truth Hounds, I think we should make a movie to

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Speaker 1: submit to this festival. Deep Macromy, the director of the festival,

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Speaker 1: looked terrifying. Yeah, he says, you guys are looking for

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Speaker 1: a short film script the horror short. Ana and I

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Speaker 1: were thinking about maybe meeting with an acting coach to

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Speaker 1: just really get our rolls down. What's the intention behind

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Speaker 1: the whoa? I think that I think let's go get

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Speaker 1: some shut I look, we get to be onset tomorrow.

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Speaker 1: I'm so excited, so exciting, really that I'm scared. I'm

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Speaker 1: really scared. It'll be okay, I'm here for you. Okay,

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Speaker 1: let's go. Okay, Hello, hey Kyle. Yeah, hey, sorry, I

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Speaker 1: know you just drove away from the beach, but um

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Speaker 1: there we just kind of need to talk some more.

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Speaker 1: I about the beach. But I'll be right there. Okay, okay, okay, else,

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Speaker 1: you should be careful. Hey, what is it? Thanks so

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Speaker 1: much for coming back. Oh yeah, I was like on

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Speaker 1: my way home, I feel like I thought we I

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Speaker 1: thought we should get home because of the shoot tomorrow. Yeah.

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Speaker 1: I know. I guess the shoots in a couple of

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Speaker 1: hours now very powerful. How the waves are today? Yeah,

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Speaker 1: we just were we were just here. Um, I mean

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Speaker 1: I don't know. I guess you left and then I

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Speaker 1: stood here and I just like we might actually meet

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Speaker 1: beat back room. I don't know. I got really scared. Well,

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Speaker 1: we don't know. Okay, I'm serious. We I gotta get

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Speaker 1: home because the shoot is tomorrow. Yeah yeah, yeah, okay,

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Speaker 1: I just felt like I needed my friend. I don't

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Speaker 1: do that. I'm sorry I needed you. No, it's okay,

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Speaker 1: it's fine, I'm fine whatever. I just needed my friend. No,

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Speaker 1: I can't leave it on that note. Okay, but I

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Speaker 1: have to go. I'm sorry, It's totally fine, just go,

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Speaker 1: It's I'm fine, I'll see, I'll see on set. It's fine.

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Speaker 1: We'll just from And how are you doing? Yeah? Is

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Speaker 1: that a birth? Episode four? What is Fear? And why

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Speaker 1: Can't I Look Away? Part three? So here we were

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Speaker 1: on the day of the shoot, meeting beat back from

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Speaker 1: It was still in the distance, but we had now

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Speaker 1: plotted a map which showed us how to reach him.

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Speaker 1: The road towards the film Festival unfurled itself beneath our feet,

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Speaker 1: and all we needed to do was to commit those

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Speaker 1: feet too, stepping on it. Whoa yeah, exactly as Anna said,

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Speaker 1: the shoot was upon us. All the different moving parts

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Speaker 1: were in motion. My house became a bustling movie set.

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Speaker 1: You could have mistaken it for the sound stage for

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Speaker 1: Meet the Goldbergs. There was a camera operator, a guy

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Speaker 1: setting up lights. The other actors would eventually be arriving

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Speaker 1: with bags bursting with wardrobe options, and we had already

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Speaker 1: commit the number of the pizza and salad place to

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Speaker 1: our speed dials. I have to say, I know that

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Speaker 1: there was an ultimate destination here, the film Festival, but

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Speaker 1: for this moment, we put aside our investigative hats and

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Speaker 1: trench coats and melted into our roles as actors. Before

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Speaker 1: we officially began the shoot, and and I had a

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Speaker 1: huddle with our brave director Clay to discuss the day's

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Speaker 1: game plan. Okay, okay, so this is I guess a

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Speaker 1: production meeting. This is like a um um yeah, production eating.

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Speaker 1: Clay jumped right in. Okay, so, gang, how long do

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Speaker 1: you think we have to shoot this? We were so

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Speaker 1: happy to be working with him and seeing him step

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Speaker 1: into the role of the director on set me to

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Speaker 1: see him in a whole new way. Honestly, he was gorgeous.

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Speaker 1: Gone was the bookish boy on the other end of

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Speaker 1: our zoom calls in his stead the sexy bespectacle mysterio.

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Speaker 1: You know the kind of guy who lives in the

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Speaker 1: Lower east Side. No, but I know the kind of

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Speaker 1: man who lives on the Lower east Side. Ha ha ha, exactly, Kyle.

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Speaker 1: You see, this was the kind of Lower east Side

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Speaker 1: man whom you might expect to find on the other

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Speaker 1: side of a door leading you to a dusty, obscure

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Speaker 1: jazz basement holding a glass of eye lay scotch in

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Speaker 1: one hand and apathetically tinking on an old yamaha with

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Speaker 1: the other. But it just so happens to be the

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Speaker 1: most beautiful music arrangement your ears ever, did hear? Yeah, exactly,

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Speaker 1: And he's holding a saxophone. Yeah, and a jazz record

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Speaker 1: plays in the background. Yeah, and there's a beautiful woman

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Speaker 1: draped over her shoulders and she's like, oh yeah, okay, okay, anyway,

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Speaker 1: now you see what we saw. Clay was amazing. He

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Speaker 1: had just asked us how long we hoped the shoot

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Speaker 1: would take. We thought about it, um um, I mean

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Speaker 1: as soon as early as possible. But I do have

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Speaker 1: four pages here. Yeah, so if we shoot from six

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Speaker 1: thirty to nine, maybe we even rest earlier. But I

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Speaker 1: just don't I just don't see that being a possible.

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Speaker 1: This was our first time making a film, so we

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Speaker 1: really had no idea how long it would take. Play

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Speaker 1: seemed to imply that would probably take longer than an hour,

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Speaker 1: but hey, even if it took two hours, it would

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Speaker 1: be okay. We were here to make a short film

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Speaker 1: and get into the film festival. This is our camera guy,

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Speaker 1: how long do you think this is going to take? Unfortunately,

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Speaker 1: the camera guy, Moses predicted that it would be more

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Speaker 1: like twelve hours to shoot the whole film, if not more.

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Speaker 1: In and I were not expecting that, not at all.

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Speaker 1: In our heads. It was like this, So think about

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Speaker 1: a movie. How long is one of those? Two hours? Okay,

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Speaker 1: so what's the hold up? Why isn't it taking two

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Speaker 1: hours to shoot one? Well? You know, I guess the

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Speaker 1: guys have to set up the lights and turn on

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Speaker 1: the camera. Okay, fine, but that takes what an hour?

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Speaker 1: So fine? Add that to the total. It should take

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Speaker 1: three hours to shoot a two hour movie. Well but anna,

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Speaker 1: you know afterward, I think those same guys have to

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Speaker 1: take down the lights and turn off the cameras. Fine,

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Speaker 1: so I ad another extra hour of cushion at the end.

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Speaker 1: Four hours. It should take four hours to make a

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Speaker 1: two hour movie. So what I'm saying is we're making

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Speaker 1: a three minute short. Where's this camera? Guy? Moses getting

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Speaker 1: twelve hours? I'm sorry, but again, what's the hold up?

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Speaker 1: Are we gonna be walking around the set going oh

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Speaker 1: and wow, look at that? And you guys ever hear

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Speaker 1: that one story about Orson Wells? Hey, what's this story

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Speaker 1: about Orson Welles? No, that's not the point. No, unnecessary

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Speaker 1: conversation while we're shooting, Kyle, keep it tight, you know what.

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Speaker 1: We're going to make the short in. Four hours before

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Speaker 1: we finished our production meeting, I had some news for

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Speaker 1: Anna that I hadn't shared with her yet. We got

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Speaker 1: an Instagram message and it's pretty crazy. I don't know

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Speaker 1: if you saw it, but it says I'd love to

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Speaker 1: screen your shirt at my festival. We'd love to screen

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Speaker 1: your shirt. Yeah, And I wrote back and I said,

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Speaker 1: whoa do you mean short? Good to clarify, we would

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Speaker 1: love that, and he said I absolutely meant short. And

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Speaker 1: then I said, awesome, Sauce, tell us when your festival is,

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Speaker 1: we will give you our short. Wow. He didn't respond

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Speaker 1: to that because he said shirt at first. Then Yeah,

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Speaker 1: so anyway, I'm saying it, We're definitely going to this

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Speaker 1: other one. Just to keep it consistent, we bleeped out

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Speaker 1: the name of this other festival as well. Hey, we're

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Speaker 1: not anyone's PR team over here. This was exciting, to

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Speaker 1: say the least. We hadn't made the short yet and

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Speaker 1: there was already a festival circuit buzz. Some random person

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Speaker 1: from Instagram wanted our short sight unseen in his film

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Speaker 1: festival Clay, it turns out, was not only gorgeous but wise.

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Speaker 1: He imparted some wisdom. Well, I just say, let's keep

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Speaker 1: our eyes from the price here, because I don't know

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Speaker 1: if I can miss out on this other festival. Clay

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Speaker 1: was right, we were getting ahead of ourselves by thinking

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Speaker 1: of other film festivals. We didn't need to because we

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Speaker 1: had a great film festival to look forward to, the

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Speaker 1: Shop Film Festival. Sure we hadn't made the movie yet,

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Speaker 1: but I had a great feeling. I could literally imagine

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Speaker 1: us rolling up to the festival. Kyle and I would

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Speaker 1: look just like Hollywood Starlett. I would wear a gown

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Speaker 1: and my hair would be up. No, no, it would

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Speaker 1: be down. You know what. It would be half up,

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Speaker 1: half down, and that way you get the best of

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Speaker 1: both worlds. And me, Kyle, I would wear an oversized

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Speaker 1: suit and have lots of gel in my hair. It

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Speaker 1: would take hours to get that gel out of my

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Speaker 1: hair after the event, but it literally wouldn't matter because

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Speaker 1: my short film was being screened at the film festival.

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Speaker 1: That's right, And you know what, let's let the whole

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Speaker 1: crew come. I mean, I'm sure they would want to

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Speaker 1: come to this fabulous event and watch our hard work

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Speaker 1: on the big screen. Well, the absolutely, I mean that

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Speaker 1: would be and to bring the whole crew, I mean

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Speaker 1: we all roll in. Will probably have to get a

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Speaker 1: limo if it's in l A. As this thing happened

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Speaker 1: before in other areas, I have to jump in. The

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Speaker 1: truth is we were applying to this festival blindly because

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Speaker 1: we didn't know where the festival actually took place, because

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Speaker 1: this information was not listed on the website, So we

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Speaker 1: were we didn't know how to answer Clay's question this festival, Yeah,

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Speaker 1: it's unclear, but I really looked hard on the website

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Speaker 1: you didn't see it, try to find where the location

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Speaker 1: of this one was, but it was not there. Little

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Speaker 1: did we know at this moment the location of this

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Speaker 1: festival would actually proved to be a big deal. But

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Speaker 1: more on that later. I know things are getting really good,

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Speaker 1: but we have to take a break for some ads.

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Speaker 1: And the ad break is over. Back to it. We

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Speaker 1: were about to start shooting, but there was something we

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Speaker 1: needed to do first. I had been told by some

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Speaker 1: of my film but friends that getting into festivals it's

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Speaker 1: not an easy feat. It seemed that getting in it

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Speaker 1: was a matter of whom you knew and how they

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Speaker 1: felt about you. Let's be honest, if we wanted to

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Speaker 1: get into this festival, we needed to build a report

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Speaker 1: with Beep Macromy. I know it seems like this was

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Speaker 1: a big risk to take to reach out to the

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Speaker 1: very person who frightened us, but we needed to start

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Speaker 1: playing chess in order for this investigation to be a success.

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Speaker 1: In order to meet Beep Macromy at his festival, we

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Speaker 1: needed to start acting like real festival hopefuls, and that

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Speaker 1: meant reaching out to him and saying, hey, crazy running

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Speaker 1: into you here, what's up. I gotta say this was terrifying,

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Speaker 1: but I knew Anna had a good point. She assured

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Speaker 1: me this was the safest time to reach out to him.

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Speaker 1: We were together on a film set, and by the way,

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Speaker 1: we were surrounded by a bunch of strong guys who

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Speaker 1: handled cameras and lights. If anything, this was the safest

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Speaker 1: time to do this. That is how that works works.

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Speaker 1: That's a really good idea. Sorry, I know this is

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Speaker 1: We're in the middle of this meeting. This is what

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Speaker 1: production Okay, it's getting a vibe check from the DPS.

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Speaker 1: Here's what the final email said, Mr beat Mackramy. I

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Speaker 1: just wanted to let you know we are currently working

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Speaker 1: on our short. Something you probably can't tell right here

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Speaker 1: is that I'm actually terrified. It is looking promising and

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Speaker 1: we will have it in by the late deadline. Not

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Speaker 1: to be presumptuous, but curious. Where will the festival be

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Speaker 1: located this year? If we get in fingers crossed winky

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Speaker 1: face again, I'm terrified. Can my whole crew attend? I

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Speaker 1: know they are all dying to go. As I said,

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Speaker 1: we have a strong product here. I will send another

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Speaker 1: message when we actually submit the short. Much love about Emoji, Kyle.

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Speaker 1: That was so scary, but it had to be done

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Speaker 1: because we how to get into the festival, because we

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Speaker 1: had to meet beat macromy because that would be facing

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Speaker 1: our fears. We were super happy with the email we

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Speaker 1: had written, but we did apologize to Clay for taking

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Speaker 1: time away from the production. I mean, if we were

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Speaker 1: going to make this puppy in two hours, we kind

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Speaker 1: of had to get this thing going. But Clay was

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Speaker 1: really cool about it. I think I think you're I

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Speaker 1: think what you're doing right now and that's more important

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Speaker 1: is networking. Wow, I was feeling really good about it.

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Speaker 1: It was definitely scary to send an email to beat

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Speaker 1: macromy but we did it. Who knew what the twisted

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Speaker 1: freak would say back. It was finally time to start

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Speaker 1: this shoot, but before the cameras could start rolling, we

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Speaker 1: needed to take care of some little last minute tasks

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Speaker 1: like create the set design. Kyle and I didn't know

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Speaker 1: what set design was per se, but we knew what

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Speaker 1: looked good play plan for the opening shot to be

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Speaker 1: that of a creepy fridge, so we took a look

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Speaker 1: at what we had to work with Kyle's fridge. We

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Speaker 1: just decided that, I think for the opening shot, we

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Speaker 1: wanted it to be this postcard that we got from

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Speaker 1: the Tri Cities Cities, which is where we took road

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Speaker 1: Yeah for his perfect days Perfect and we wanted to

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Speaker 1: give this, as they say in the film world, a

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Speaker 1: little easter egg, A little easter egg that's right for

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Speaker 1: the fans, so hopefully they catch it. Hopefully the fans

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Speaker 1: that are listening to the show are also of course

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Speaker 1: watching the film, and the even bigger vans, A little

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Speaker 1: a basket of baghetts, a magnet because Paris, because we

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Speaker 1: have a real strong relationship to Paris, to Paris, of course,

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Speaker 1: and just like that, we he became set designers, having

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Speaker 1: just adorn the fridge with a postcard from the Tri

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Speaker 1: Cities and two magnets from Paris. The Tri Cities, if

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Speaker 1: you remember, was where we took Rod on his perfect

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Speaker 1: day in season one. We put that in there for you,

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Speaker 1: the listener. The magnets from Paris, well that's just for us.

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Speaker 1: We love Paris. We moved onto the interior of the fridge.

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Speaker 1: You see in this opening shot a guy would be

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Speaker 1: opening the fridge and looking inside of it, and we

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Speaker 1: the audience, would be right there with him, meaning we

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Speaker 1: would also see what was inside the fridge. He likes

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Speaker 1: to eat. Maybe there's nothing in his fridge except for

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Speaker 1: the maple syrup, and then you who's that guy. We

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Speaker 1: tried out Anna's idea of leaving just the maple syrup

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Speaker 1: in the fridge, but it actually wasn't as impactful as

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Speaker 1: we had hoped. We threw some sausages in there too,

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Speaker 1: So whoever this guy was in the opening shot, he

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Speaker 1: was a maple syrup and sausage kind of guy. You

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Speaker 1: figure it out. I think that's really nice. And then

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Speaker 1: you just just because just check, just check the motor

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Speaker 1: that really read that there's because see you also imagine this.

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Speaker 1: The fridge was set and we were ready to fly

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Speaker 1: in the actor who would be playing the guy. But

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Speaker 1: here's the thing, we didn't know that many actors. Kyle

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Speaker 1: had mentioned that her neighbor sometimes acted and stuff, so

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Speaker 1: we figured that sounded fine and we asked him to

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Speaker 1: do it. It looked promising for a while, but right

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Speaker 1: now when we needed him the most on set, he

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Speaker 1: was nowhere to be found. And we were already an

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Speaker 1: hour and a half into the shoot. Well, we waited patiently.

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Speaker 1: Clay decided to test the shot by standing in for

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Speaker 1: the other guy. Checked it out in the monitor. Wow,

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Speaker 1: I really like how long you held your gaze. I

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Speaker 1: kind of scared myself a little bit, so it's kind

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Speaker 1: of I'm not even acting early honestly, When I saw

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Speaker 1: on the monitor, it's great. Clay, well, he was a natural.

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Speaker 1: Right then we made a split decision. Let Clay be

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Speaker 1: the part of the guy. That's right. He could be

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Speaker 1: the guy in the opening shot. I mean he literally

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Speaker 1: just nailed it in one take. Sorry, Kyle's neighbor, better

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Speaker 1: look next time. You're really good. I think it's so

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Speaker 1: good that we we got it so let's move to

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Speaker 1: the second show. One shot down, twenty to go. We

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Speaker 1: were off to such a good start that we were

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Speaker 1: ready to do one of the most important parts of

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Speaker 1: the day, ordering the pizza and the salad. Just to

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Speaker 1: refresh your memory, we had raised money through indiego Go

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Speaker 1: to buy pizza and salad for the day of the shoot. Well,

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Speaker 1: that day was today. I browsed the pizza menu and

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Speaker 1: asked the crew what they thought. Can I give you,

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Speaker 1: guys two choices? Okay, Pepperoni classic or roasted fenteal sausage. Well,

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Speaker 1: it's two different schools entirely, so I would defur both

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Speaker 1: in those h The pizza was ordered, and don't forget

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Speaker 1: the salad, and we were sitting around at this point.

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Speaker 1: We were about three hours into the shoot. To be honest,

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Speaker 1: we weren't doing much. This is probably a good time

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Speaker 1: to tell you about the short film. Kyle and I

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Speaker 1: were in it as actors, but it was actually about

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Speaker 1: much more than that. It was about COVID and the

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Speaker 1: monotony of our own anxieties about COVID. That is to say,

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Speaker 1: this film it's about something much bigger than just us.

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Speaker 1: And that is to say, there were lots of scenes

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Speaker 1: in this thing that we weren't in. And then that

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Speaker 1: is to say, we were doing a lot of sitting around.

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Speaker 1: M M. It's so interesting with Phil how long they

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Speaker 1: stay in the same spot. I know, it's crazy, like

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Speaker 1: you think we yeah, you think we've already moved on.

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Speaker 1: It's crazy. I kind of we would be done by now.

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Speaker 1: It was taking a really long time. But before we

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Speaker 1: knew it, the pizza had arrived and with it the salado.

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Speaker 1: Have the pizza? Oh great? Do you want to put

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Speaker 1: it over here? The pizzas here? Whenever you bud the

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Speaker 1: sun always really small right now? Damn do you think?

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Speaker 1: I mean yeah, I think we already thought, yeah, that's rolling, okay,

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Speaker 1: say okay, just because the pizza. Ah, what is this

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Speaker 1: quiet on set thing? We were just letting everyone know

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Speaker 1: that the pizza had arrived and with it the salad.

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Speaker 1: I mean, could you blame us? We were just sitting

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Speaker 1: around with nothing to do. It seemed to me that

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Speaker 1: this whole filmmaking thing kind of sucked. I mean, don't

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Speaker 1: get me wrong, I am a huge film lover, but

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Speaker 1: to be honest, I found the whole process to be

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Speaker 1: rather tedious, and they would spend so much time shooting

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Speaker 1: the door, watching it open and then watching it close,

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Speaker 1: then shooting another angle, this time from the door's perspective.

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Speaker 1: I'm sorry, why did we need the door's perspective and action? Uh?

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Speaker 1: I guess we got the shot, but something worried me.

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Speaker 1: I brought it up to Kyle. Mm hmm. I just

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Speaker 1: so the pizzas here and then the salad. Yeah, the salad. Again,

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Speaker 1: pizza and salad had to arrive, but it seemed like

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Speaker 1: no one on the crew cared. They kept shooting. There's

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Speaker 1: no poetic way to say this pizza gets cold, which

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Speaker 1: normally would be fine, but in this case, it had

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Speaker 1: been funded by our Indie Go Go backers. Remember our

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Speaker 1: Indie Go Go campaign was solely for this, providing pizza

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Speaker 1: for the shoot and with it the salad. I really

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Speaker 1: didn't want to cause a scene on set, but also

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Speaker 1: I didn't want to risk toying with other people's money.

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Speaker 1: It felt ad, but I had no choice. Hey, so

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Speaker 1: I know that you guys have a couple more shots

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Speaker 1: and stuff, but I'm a little worried. Yeah, the pizza

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Speaker 1: is going to get cold because the salads fine, I

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Speaker 1: think sounds good cold. Well, salads good cold, so that

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Speaker 1: unless it came hot. But the pizza, I'm now I'm

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Speaker 1: a little worried because it's kind of a focal point

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Speaker 1: of the fundraising. So I just you know what I'm taking.

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Speaker 1: Are you thinking for the pizza just to have it

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Speaker 1: be warm? I think you might lose a shot. Combine

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Speaker 1: it with another shot, and then maybe we have a

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Speaker 1: quicker out. Is that okay? Yeah, that's good. I'm okay

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Speaker 1: with that. Is because I think as long as you

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Speaker 1: keep the pizza the fox, it's going to be a Yeah.

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Speaker 1: I'm not planning on eating the pizza, but even though

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Speaker 1: I'm not eating it, I am worried about it for

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Speaker 1: the sake of other people. Just can we change shot

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Speaker 1: to and and merchant was shot four, so we can

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Speaker 1: skip shot six? Cool? All right, I'm gonna get back

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Speaker 1: to say, okay, cool, thank you so much, thank you,

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Speaker 1: Thank what a relief. Lay was really a good guy,

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Speaker 1: and you know what, it didn't hurt that he was gorgeous.

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Speaker 1: He moved some shots around and before we knew it,

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Speaker 1: we were eating piping hot pizza while some of us

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Speaker 1: focused on the salad. Hey Kyle, I'm looking at you.

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Speaker 1: She doesn't eat pizza. We thought this would be a

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Speaker 1: good opportunity to grab some behind the scenes footage for

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Speaker 1: indiego Go backers to show them exactly where their money went.

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Speaker 1: At first, the crew, which included Clay are Di Rector,

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Speaker 1: Moses our camera operator, and Tom, the lights guy. They

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Speaker 1: were a little taken aback. You see, usually these guys

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Speaker 1: are behind the camera, not in front of it, and

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Speaker 1: I get that, but I told them it was an

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Speaker 1: important part of the process to connect with our campaign supporters.

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Speaker 1: And hey, they like that they were getting to eat, right,

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Speaker 1: That's what I thought. Now get dancing boys. So what

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Speaker 1: you're about to hear is that footage we got of

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Speaker 1: the crew enjoying the pizza and don't forget the salad. Tom,

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Speaker 1: thank you to all the indigogo donors on this pizza

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Speaker 1: is really amazing and not to mention the salad. Wow,

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Speaker 1: it looks like a really good pizza. I don't think

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Speaker 1: this would have been possible without the indiego Go people

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Speaker 1: who gave money for this, and thank you so much.

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Speaker 1: It's most really good too. And the salad I'm sorry

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Speaker 1: for invention salad action drink because of you. I's pizza

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Speaker 1: and the scream shot. Thank you all right, boys, thanks

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Speaker 1: for dancing, and now an ad break. The ad break

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Speaker 1: is over. Next, it was time to bring in the

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Speaker 1: other actors. Let's just talk about them for a minute.

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Speaker 1: We needed to people who would be portraying a couple

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Speaker 1: seated next to one another on a bed. First, we

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Speaker 1: had hired a wonderful woman named Sheila. Sheila had been

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Speaker 1: recommended to us by Deshaun, our acting coach. Sheila, well,

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Speaker 1: she just had the it factor. Now the more tricky

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Speaker 1: actor to explain. We were looking for a guy and

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Speaker 1: it was kind of important to me that he was cute.

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Speaker 1: I mean, I'm not shallow, but let me ask you this.

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Speaker 1: If you were watching a movie and you see a

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Speaker 1: cute guy on the screen, aren't you more likely to

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Speaker 1: keep watching the movie? That's what I thought. So I

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Speaker 1: thought about all the guys that I think are cute,

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Speaker 1: and one happened to stand out. Honestly, I have a confession.

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Speaker 1: I have a crush. You guys, you actually know him.

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Speaker 1: It's so embarrassing. Okay, do you remember Chris from episode one?

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Speaker 1: Why are some people always late? Hi? My name is

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Speaker 1: Chris and I'm a late person. Oh my god, I'm

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Speaker 1: turning red. I'm so thankful this is a podcast because

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Speaker 1: my face is turning beat red. Anyway, Chris was the

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Speaker 1: guy who was perpetually late to practically everything. But I'll

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Speaker 1: tell you one thing. He wasn't late for leaving a

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Speaker 1: big impression on me. No, when it came to that,

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Speaker 1: he was right on time. Anyway. Chris had been on

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Speaker 1: my mind, so when we needed to hire another actor

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Speaker 1: and he needed to be cute, well naturally I thought

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Speaker 1: of him. Um, okay. When Anna first brought up hiring Chris,

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Speaker 1: I was a little confused. You mean Chris who was

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Speaker 1: eating a tangerine for twenty minutes and that's why he

426
00:34:19,800 --> 00:34:23,880
Speaker 1: was late to meet his friend Mia and Chris who

427
00:34:23,960 --> 00:34:27,040
Speaker 1: showed up at our art show uninvited, and Anna didn't

428
00:34:27,080 --> 00:34:32,120
Speaker 1: have answers for that. Look. It was becoming clear that

429
00:34:32,160 --> 00:34:36,920
Speaker 1: Anna had developed a big crush on Chris, which is fine.

430
00:34:37,760 --> 00:34:42,319
Speaker 1: I get that, I've been there, but I guess from

431
00:34:42,320 --> 00:34:46,719
Speaker 1: my perspective, Rather than casting her crush in a role

432
00:34:46,760 --> 00:34:48,920
Speaker 1: in a short film that we would eventually submit to

433
00:34:48,960 --> 00:34:51,879
Speaker 1: a festival in the hopes of getting in to meet

434
00:34:51,960 --> 00:34:55,840
Speaker 1: beat Macromate Journey, which would ultimately take up most of

435
00:34:55,840 --> 00:35:00,799
Speaker 1: our second season. It seemed like, rather than doing all that,

436
00:35:01,800 --> 00:35:05,120
Speaker 1: wouldn't it be easier to just ask the guy out?

437
00:35:06,480 --> 00:35:14,480
Speaker 1: But hey, eat their own anyway. That's how we came

438
00:35:14,520 --> 00:35:16,600
Speaker 1: to select Sheila and Chris to be a part of

439
00:35:16,640 --> 00:35:21,640
Speaker 1: our short. You're not going to believe this, but Chris

440
00:35:23,080 --> 00:35:27,080
Speaker 1: showed up early. He wanted to have time to run

441
00:35:27,120 --> 00:35:31,279
Speaker 1: through his lines. I honestly jumped at the opportunity to

442
00:35:31,320 --> 00:35:37,520
Speaker 1: help him. Wait. So it's like a horror movie within

443
00:35:37,600 --> 00:35:42,640
Speaker 1: the world. Yeah, it's like weird. It really does feel

444
00:35:42,680 --> 00:35:46,840
Speaker 1: a horrantine. Everyone going through the same. Something you probably

445
00:35:46,880 --> 00:35:51,160
Speaker 1: can't tell right here is that I'm actually freaking out.

446
00:35:52,920 --> 00:35:56,680
Speaker 1: Oh my god, you're not gonna open it, are you please?

447
00:35:58,880 --> 00:36:08,000
Speaker 1: Just that sounds great? Good, great job. Oh god. I

448
00:36:08,160 --> 00:36:13,640
Speaker 1: barely held it together right there. But luckily Sheila arrived

449
00:36:14,160 --> 00:36:17,040
Speaker 1: and it really seemed to break up the tension. This

450
00:36:17,239 --> 00:36:27,279
Speaker 1: is Chris and acting with Chris. Hey, let's not get

451
00:36:27,320 --> 00:36:34,319
Speaker 1: too carried away. And then players are directed a break. Well,

452
00:36:34,360 --> 00:36:39,040
Speaker 1: I think they're all set up. The actors took their places.

453
00:36:40,560 --> 00:36:43,279
Speaker 1: In this scene. We would see a couple next to

454
00:36:43,320 --> 00:36:47,279
Speaker 1: one another in a bed. They're watching a movie as

455
00:36:47,280 --> 00:36:51,360
Speaker 1: they wait for food to be delivered. The twist is

456
00:36:51,400 --> 00:36:54,440
Speaker 1: that the movie they're watching is actually the scene that

457
00:36:54,520 --> 00:36:59,240
Speaker 1: Clay was just in, a guy opening the fridge, looking

458
00:36:59,320 --> 00:37:05,120
Speaker 1: at the bull syrup and sausages, and then getting stabbed.

459
00:37:06,760 --> 00:37:11,200
Speaker 1: Obviously there's more tour short, but we'll tell you more

460
00:37:11,200 --> 00:37:14,719
Speaker 1: about the plot later. We were just about ready to

461
00:37:14,719 --> 00:37:19,720
Speaker 1: shoot the Sheila and Christine. First, Kyle and I needed

462
00:37:19,760 --> 00:37:24,680
Speaker 1: to make sure their outfits looked right. I jumped at

463
00:37:24,680 --> 00:37:28,160
Speaker 1: the opportunity to look at Chris a bit closer, if

464
00:37:28,560 --> 00:37:31,680
Speaker 1: you know what I mean. I mean like two ft

465
00:37:32,320 --> 00:37:43,839
Speaker 1: rather than the classic six Okay, leading man sweater. That's

466
00:37:43,880 --> 00:37:48,200
Speaker 1: kind of nice is leading men sweater? I've never worn it.

467
00:37:48,320 --> 00:37:55,919
Speaker 1: I bought it five years ago. I'm just thinking maybe maybe. Yeah.

468
00:37:57,440 --> 00:38:01,000
Speaker 1: I kept laughing like a psychopath. Can you guys tell

469
00:38:01,080 --> 00:38:07,960
Speaker 1: him nervous? My stomach is literally in my butt. Anyway.

470
00:38:08,600 --> 00:38:10,680
Speaker 1: Clay framed the shot and I checked it out on

471
00:38:10,719 --> 00:38:18,759
Speaker 1: the monitor. Oh it's a beautiful shot. Wow, you've got

472
00:38:18,840 --> 00:38:25,239
Speaker 1: to come over here by play this. Oh my, that's

473
00:38:25,320 --> 00:38:28,919
Speaker 1: really nice, so good, it looks really really good. Sunk

474
00:38:29,040 --> 00:38:33,200
Speaker 1: that little lamp a little lamp punch shine so much? Alright,

475
00:38:33,239 --> 00:38:36,520
Speaker 1: cool whatever X call action. You can wait the five

476
00:38:36,560 --> 00:38:46,400
Speaker 1: seconds and then get into it. Question and action. So

477
00:38:46,480 --> 00:38:50,200
Speaker 1: it's it's like a movie within a horror movie. Yeah,

478
00:38:50,280 --> 00:38:54,920
Speaker 1: it's like weird in meta. It really is like Quarantine.

479
00:38:55,760 --> 00:39:00,879
Speaker 1: I mean, everyone doing the exact same thing over and over. Yeah,

480
00:39:01,800 --> 00:39:14,440
Speaker 1: cut beautiful. You guys are doing fabulous closer to acting.

481
00:39:14,920 --> 00:39:25,320
Speaker 1: It's really good. Sheila and Chris were amazing. They really

482
00:39:25,440 --> 00:39:31,560
Speaker 1: understood what we were going for. Great acting, great chemistry,

483
00:39:32,440 --> 00:39:37,560
Speaker 1: and sheer terror. We set our goodbyes to them, and

484
00:39:37,640 --> 00:39:41,920
Speaker 1: I told Chris that I hoped I would see him later.

485
00:39:43,440 --> 00:39:47,600
Speaker 1: He said, okay, what do you guys think that means?

486
00:39:49,160 --> 00:39:54,359
Speaker 1: Finally it was time for our big moment. We were

487
00:39:54,440 --> 00:40:04,239
Speaker 1: about to act. We were all nerves and then we

488
00:40:04,400 --> 00:40:11,520
Speaker 1: looked at the clock. It was like twelve thirty am.

489
00:40:11,560 --> 00:40:14,360
Speaker 1: I'm sorry, but how did we go from knocking this

490
00:40:14,440 --> 00:40:17,279
Speaker 1: out in two hours to barely getting around to it

491
00:40:17,360 --> 00:40:21,880
Speaker 1: at six? Not only were we stressed out about our parts,

492
00:40:22,800 --> 00:40:26,560
Speaker 1: but we were tired and the guys were still setting

493
00:40:26,680 --> 00:40:33,040
Speaker 1: up our shot. It was so late. You don't understand.

494
00:40:33,960 --> 00:40:38,520
Speaker 1: This was hours after Kyle's bedtime. We had done all

495
00:40:38,520 --> 00:40:42,279
Speaker 1: this preparation for our scene beforehand. I met with an

496
00:40:42,320 --> 00:40:46,560
Speaker 1: acting coach, strategized on the best ways to run backward,

497
00:40:47,560 --> 00:40:52,480
Speaker 1: and visited Hollywood. But when it came time to actually act,

498
00:40:53,880 --> 00:40:58,600
Speaker 1: we didn't even have the energy for it. We literally

499
00:40:59,360 --> 00:41:03,600
Speaker 1: did two hags and said that it would probably be fine.

500
00:41:05,160 --> 00:41:10,760
Speaker 1: I mean to be honest, we did it so quickly.

501
00:41:12,120 --> 00:41:17,000
Speaker 1: We don't even have the audio of us doing that

502
00:41:17,080 --> 00:41:22,480
Speaker 1: scene that you the listeners have heard over and over.

503
00:41:25,000 --> 00:41:29,800
Speaker 1: We hoped it would be good, but honestly, who cares.

504
00:41:31,239 --> 00:41:35,320
Speaker 1: I have to get some disease. It's really interesting. I

505
00:41:35,360 --> 00:41:38,759
Speaker 1: don't really know how actors do this. Hit hard. It's

506
00:41:38,800 --> 00:41:44,719
Speaker 1: really hard hard, you know. I think that hopefully in

507
00:41:44,760 --> 00:41:47,319
Speaker 1: the end we come up with a great product that

508
00:41:47,560 --> 00:41:51,040
Speaker 1: I really that they will, that will not be able

509
00:41:51,080 --> 00:41:57,400
Speaker 1: to ignore. Kyle was so tired she was calling her

510
00:41:57,480 --> 00:42:05,120
Speaker 1: short film a product m poor guy. We waited around

511
00:42:05,160 --> 00:42:09,960
Speaker 1: until we were officially dismissed by Clay. You've got another

512
00:42:10,040 --> 00:42:16,919
Speaker 1: time check. You're not gonna believe this. It was three

513
00:42:16,960 --> 00:42:30,240
Speaker 1: a m. How did this happen? What happened? What is this? Okay?

514
00:42:30,320 --> 00:42:33,799
Speaker 1: So I think that's a wrap? Yeah, um, guys are

515
00:42:33,840 --> 00:42:39,600
Speaker 1: just getting in with the nareson um rap. It's three

516
00:42:41,880 --> 00:42:54,080
Speaker 1: Wednesday next day, am yeah, so damn, I'm so tired

517
00:42:54,160 --> 00:42:58,759
Speaker 1: that I don't even I don't know how I can't.

518
00:42:58,800 --> 00:43:02,759
Speaker 1: I don't even know where my body is anymore. Yeah, like,

519
00:43:02,880 --> 00:43:06,480
Speaker 1: how do people do this? I honestly don't even remember

520
00:43:06,520 --> 00:43:11,680
Speaker 1: what we did. I honestly feel crazy. I had no

521
00:43:11,719 --> 00:43:16,400
Speaker 1: idea filmmaking took so long. I we had done it,

522
00:43:19,160 --> 00:43:22,200
Speaker 1: we had made the short film that we would submit

523
00:43:22,280 --> 00:43:27,600
Speaker 1: to the Horror Possible. We were by no means done.

524
00:43:28,120 --> 00:43:33,000
Speaker 1: There's still remains several stretches of our journey doors yet

525
00:43:33,040 --> 00:43:37,720
Speaker 1: to be opened. We would still have to submit the film,

526
00:43:37,880 --> 00:43:44,920
Speaker 1: hopefully get in attend the festival and meet Beep macromy

527
00:43:44,920 --> 00:43:51,160
Speaker 1: who scared the ship out of us. But honestly, I

528
00:43:51,160 --> 00:43:55,680
Speaker 1: am so tired. I just need to go to bed.

529
00:43:57,200 --> 00:43:59,319
Speaker 1: I can't a person just go to bed and not

530
00:43:59,440 --> 00:44:03,640
Speaker 1: have to wrap things up poetically and present them to

531
00:44:03,719 --> 00:44:09,120
Speaker 1: you with a little bow. Okay, okay, we do have

532
00:44:09,239 --> 00:44:13,759
Speaker 1: to go to bed. More on all of this later

533
00:44:15,000 --> 00:44:24,000
Speaker 1: to be continued. M hm hm, can you actually turn

534
00:44:24,120 --> 00:44:27,360
Speaker 1: down the music. I'm trying to get some shot. I

535
00:44:32,040 --> 00:44:37,400
Speaker 1: Next time on Truth Hounds it is PM and there's

536
00:44:37,520 --> 00:44:39,960
Speaker 1: just been a break in the case. Oh my god

537
00:44:40,840 --> 00:44:45,720
Speaker 1: over superfar girl. Oh my god, what we saw next

538
00:44:46,360 --> 00:44:51,520
Speaker 1: was um confusing to say the least. That was brutal

539
00:44:51,680 --> 00:44:58,200
Speaker 1: to hear. Get me, get that that. I was a

540
00:44:58,280 --> 00:45:03,000
Speaker 1: little worried about Anna. Where did that leave us? Did

541
00:45:03,239 --> 00:45:18,840
Speaker 1: that mean we were done? That? Was it a ship? Hey?

542
00:45:19,360 --> 00:45:22,279
Speaker 1: If you like the Truth Hounds, please subscribe to us

543
00:45:22,320 --> 00:45:26,799
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544
00:45:26,880 --> 00:45:31,040
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545
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546
00:45:34,360 --> 00:45:38,239
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547
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548
00:45:41,960 --> 00:45:46,720
Speaker 1: investigations and see behind the scenes footage and bonus juicy content.

549
00:45:48,360 --> 00:45:51,600
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550
00:45:51,680 --> 00:45:54,719
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