WEBVTT - Questlove Supreme: Hannibal Buress Part 2

0:00:00.160 --> 0:00:04.439
<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

0:00:05.360 --> 0:00:07.840
<v Speaker 2>Welcome back to another episode of Quest Love Supreme. This

0:00:07.880 --> 0:00:10.040
<v Speaker 2>is unpaid bill. Last week we gave you.

0:00:10.000 --> 0:00:12.720
<v Speaker 3>Part one of our studio interview with our friends Hannibal Burns.

0:00:12.720 --> 0:00:16.480
<v Speaker 3>According to Hollywood, you haven't yet checked that out. Hannibal

0:00:16.520 --> 0:00:19.880
<v Speaker 3>spoke about Chicago, his beginnings in comedy, and more. We're

0:00:19.920 --> 0:00:22.800
<v Speaker 3>back with part two and also this full interview will

0:00:22.840 --> 0:00:24.800
<v Speaker 3>be available on YouTube soon, so be.

0:00:24.760 --> 0:00:25.759
<v Speaker 4>Sure to check that out too.

0:00:26.000 --> 0:00:27.120
<v Speaker 2>All right, folks, here we go.

0:00:29.840 --> 0:00:31.920
<v Speaker 4>I would think, like if I'm making my for raight

0:00:31.960 --> 0:00:34.919
<v Speaker 4>in the comedy, I would have my defense ready, Like

0:00:35.640 --> 0:00:37.520
<v Speaker 4>how do you deal with hecklers? How do you deal

0:00:37.560 --> 0:00:39.640
<v Speaker 4>with How early you deal with hecklers?

0:00:40.120 --> 0:00:43.240
<v Speaker 5>I mean you try to just win the room back,

0:00:43.440 --> 0:00:44.040
<v Speaker 5>you know what I mean.

0:00:44.120 --> 0:00:47.519
<v Speaker 6>I mean it's different early on when they don't know you,

0:00:47.760 --> 0:00:48.440
<v Speaker 6>because then.

0:00:48.240 --> 0:00:51.400
<v Speaker 5>It's just fully combative versus dealing with it.

0:00:51.479 --> 0:00:54.800
<v Speaker 6>Now when people pay money to see you and they

0:00:54.880 --> 0:00:56.520
<v Speaker 6>might have been wanting to see you for a while,

0:00:56.560 --> 0:00:59.000
<v Speaker 6>and then somebody else's ruining their experience, so it's easier

0:00:59.040 --> 0:01:00.640
<v Speaker 6>to light them up and flip.

0:01:00.720 --> 0:01:02.160
<v Speaker 5>You could just say like, hey, they.

0:01:02.040 --> 0:01:04.200
<v Speaker 6>Didn't come here for that ship and they're like, we

0:01:04.360 --> 0:01:07.039
<v Speaker 6>didn't come here for that.

0:01:07.160 --> 0:01:08.840
<v Speaker 7>You ain't got to no Heckler's rule. I've seen a

0:01:08.840 --> 0:01:10.039
<v Speaker 7>lot of comedians have that now, like.

0:01:10.040 --> 0:01:12.880
<v Speaker 6>We just said before the show, but if people want to,

0:01:12.920 --> 0:01:15.440
<v Speaker 6>I mean sometimes people say stuff and you just just

0:01:15.880 --> 0:01:18.840
<v Speaker 6>like it's not they stay in.

0:01:18.800 --> 0:01:21.119
<v Speaker 5>The seats, so it usually it's usually light work.

0:01:21.280 --> 0:01:23.640
<v Speaker 6>I'd rather not talk with them just because I got

0:01:23.680 --> 0:01:26.319
<v Speaker 6>an hour and a half of show and stories.

0:01:26.360 --> 0:01:28.840
<v Speaker 5>So it's not really going to ignore them.

0:01:29.200 --> 0:01:32.360
<v Speaker 6>No, no, no, no, you don't really ignore if they're

0:01:32.400 --> 0:01:34.640
<v Speaker 6>loud enough because they took focus. So you just try

0:01:34.680 --> 0:01:37.240
<v Speaker 6>to just settle the room and and just you know,

0:01:37.440 --> 0:01:38.959
<v Speaker 6>show them why they're there.

0:01:39.040 --> 0:01:40.360
<v Speaker 4>Who's that was it?

0:01:40.400 --> 0:01:40.640
<v Speaker 2>Said?

0:01:40.680 --> 0:01:42.920
<v Speaker 4>That told us that he makes sure that one of

0:01:42.920 --> 0:01:47.520
<v Speaker 4>his openers is like a shooter like that comes out

0:01:48.040 --> 0:01:50.120
<v Speaker 4>in his mere job is to roost the audience to

0:01:50.240 --> 0:01:52.640
<v Speaker 4>be like, you know, I don't bash you. I think

0:01:53.400 --> 0:01:56.000
<v Speaker 4>Chris Rock also had that. Do you know the white

0:01:56.160 --> 0:02:01.200
<v Speaker 4>Uh yeah, he's good? Oh yeah, who Jce No, no, no,

0:02:01.240 --> 0:02:04.520
<v Speaker 4>it wasn't. Well I know Jesselyn, but it's another guy.

0:02:04.560 --> 0:02:07.440
<v Speaker 4>It's a new guy where he just he intentionally just

0:02:07.480 --> 0:02:11.320
<v Speaker 4>comes down the audience and talks like lights you up

0:02:12.000 --> 0:02:16.200
<v Speaker 4>unprovoked whatever, and it you know, it's I'm surprised that

0:02:16.280 --> 0:02:19.720
<v Speaker 4>he's still living, that's how good he is at roasting.

0:02:19.840 --> 0:02:22.640
<v Speaker 4>But for you, do you always have like your back

0:02:22.680 --> 0:02:25.760
<v Speaker 4>pocket full of like your mama jokes.

0:02:25.600 --> 0:02:30.040
<v Speaker 6>Or or no, you kind of you know, even now,

0:02:30.080 --> 0:02:31.720
<v Speaker 6>you just try to get an idea of where they

0:02:31.760 --> 0:02:34.720
<v Speaker 6>add and just you know why they you know, it

0:02:34.760 --> 0:02:36.919
<v Speaker 6>depends on the situation of what you were talking about.

0:02:37.600 --> 0:02:39.680
<v Speaker 6>A lot of times if they interest especially if they

0:02:39.680 --> 0:02:42.040
<v Speaker 6>interrupted in a story. It's just as simple as saying,

0:02:42.320 --> 0:02:43.920
<v Speaker 6>I don't know why you thought it was cool to

0:02:43.919 --> 0:02:48.920
<v Speaker 6>say that right there. That was a terrible spot for

0:02:48.960 --> 0:02:54.799
<v Speaker 6>you to say that must be drunk, uh yeah, drunk

0:02:54.880 --> 0:02:58.639
<v Speaker 6>or just you know, it's just a heckle by accident.

0:02:58.760 --> 0:03:00.640
<v Speaker 4>So you don't.

0:03:02.280 --> 0:03:05.840
<v Speaker 7>You got no heckle by accident, Like just like I'm sorry,

0:03:05.840 --> 0:03:07.000
<v Speaker 7>I thought that was a question for me.

0:03:07.360 --> 0:03:11.960
<v Speaker 4>Yeah, it wasn't.

0:03:12.440 --> 0:03:15.079
<v Speaker 6>Sometimes people talking amongst themselves and it's it's so loud

0:03:15.120 --> 0:03:17.000
<v Speaker 6>it sounds like a heckle But then a lot of

0:03:17.040 --> 0:03:20.880
<v Speaker 6>times too, it's a function of my show not being

0:03:20.919 --> 0:03:27.200
<v Speaker 6>that tight yet, and so it left them too much room. Yeah,

0:03:27.480 --> 0:03:29.119
<v Speaker 6>it left too much room, and so they're like, that's

0:03:29.120 --> 0:03:31.360
<v Speaker 6>my turn. I can't sit with my thoughts that long.

0:03:31.520 --> 0:03:34.040
<v Speaker 6>I got something. And so now as I've been on

0:03:34.080 --> 0:03:36.720
<v Speaker 6>the road with this one and now that the show is,

0:03:36.840 --> 0:03:39.840
<v Speaker 6>you don't really leave too much space for somebody to

0:03:39.920 --> 0:03:42.120
<v Speaker 6>even think of something to say because you're on to

0:03:42.200 --> 0:03:44.120
<v Speaker 6>the next So that's that's what that A lot of

0:03:44.120 --> 0:03:46.520
<v Speaker 6>the hecklers happen if I'm in a in a gap

0:03:46.640 --> 0:03:48.520
<v Speaker 6>and like, oh, where's my next thing?

0:03:48.640 --> 0:03:50.960
<v Speaker 5>But so now where if the ship is like that,

0:03:51.040 --> 0:03:51.920
<v Speaker 5>then they ain't got no room.

0:03:52.440 --> 0:03:56.240
<v Speaker 4>At what point are you taking this series as in,

0:03:57.680 --> 0:03:59.240
<v Speaker 4>this is what I want to do for a living?

0:03:59.560 --> 0:04:05.320
<v Speaker 4>And are you aware of the Chicago paths? I e.

0:04:05.680 --> 0:04:09.280
<v Speaker 4>You know, either go the Second City route, so that

0:04:09.600 --> 0:04:13.000
<v Speaker 4>a Steve Higgins, Yeah, Like, is it general knowledge for

0:04:13.040 --> 0:04:17.359
<v Speaker 4>every comedian in Chicago that either Higgins or a rep

0:04:17.480 --> 0:04:22.360
<v Speaker 4>for Lauren Michaels or anyone SNL related it's going to

0:04:22.400 --> 0:04:26.000
<v Speaker 4>spend three weeks out there and sort of circle the

0:04:26.040 --> 0:04:29.000
<v Speaker 4>Second Cities and the ucb's.

0:04:28.960 --> 0:04:31.360
<v Speaker 6>Yeah, well yeah, around then it was it was known,

0:04:31.440 --> 0:04:35.039
<v Speaker 6>but that wasn't really my path or what I wanted

0:04:35.080 --> 0:04:37.360
<v Speaker 6>to do at the time. I was kind of really

0:04:37.839 --> 0:04:42.760
<v Speaker 6>locked in on stand up. Even getting SNL was a

0:04:42.760 --> 0:04:47.360
<v Speaker 6>after fouling. Seth Myers wanted to meet and I didn't

0:04:47.400 --> 0:04:49.520
<v Speaker 6>know what he wanted to meet about because I was

0:04:49.640 --> 0:04:51.719
<v Speaker 6>I didn't I hadn't submitted a packet. I had submitted

0:04:51.760 --> 0:04:53.479
<v Speaker 6>some stuff the year before, and I thought it was

0:04:53.520 --> 0:04:56.240
<v Speaker 6>that it was so bad that I was blackballed. I

0:04:56.400 --> 0:04:59.479
<v Speaker 6>did that cast submission with some bad I was like,

0:04:59.520 --> 0:05:02.440
<v Speaker 6>here's rock being Jerry Seinfeld. It was some stuff that

0:05:02.560 --> 0:05:05.000
<v Speaker 6>really wasn't as good as I could have. So I

0:05:05.040 --> 0:05:06.559
<v Speaker 6>was thinking, what does he want to meet about? Because

0:05:06.560 --> 0:05:08.680
<v Speaker 6>I didn't added a mine, and I damn it didn't

0:05:08.680 --> 0:05:10.880
<v Speaker 6>take the meeting because I had a price line ticket

0:05:10.920 --> 0:05:14.360
<v Speaker 6>back to Chicago and those guys really they have really

0:05:14.440 --> 0:05:16.120
<v Speaker 6>rigid shame's policies.

0:05:16.160 --> 0:05:17.960
<v Speaker 5>So I was like, what does he want to talk about?

0:05:18.080 --> 0:05:21.760
<v Speaker 4>Because you can't talk about on the phone. Wait, all right,

0:05:21.839 --> 0:05:24.800
<v Speaker 4>So that's another question you get answered for me because

0:05:25.080 --> 0:05:27.320
<v Speaker 4>this is the number one thing every comedian friend of

0:05:27.320 --> 0:05:31.320
<v Speaker 4>mine and the Tonight Show and SNL. Yeah, what is

0:05:31.360 --> 0:05:33.680
<v Speaker 4>a package? And what goes in those package? Because they

0:05:33.720 --> 0:05:35.599
<v Speaker 4>always say to me, well, just have to send me

0:05:35.600 --> 0:05:37.960
<v Speaker 4>a package, right, what's the what's the package?

0:05:38.440 --> 0:05:41.960
<v Speaker 5>The writing package? For SNL or just in general.

0:05:41.680 --> 0:05:45.440
<v Speaker 4>Or if you want to be have you written for

0:05:45.720 --> 0:05:47.840
<v Speaker 4>a late night show before you did SNL or was

0:05:47.839 --> 0:05:50.120
<v Speaker 4>that SNL your entry into writing for a show?

0:05:50.279 --> 0:05:51.240
<v Speaker 5>SNL was my entry?

0:05:51.680 --> 0:05:54.679
<v Speaker 4>Okay, So if I want to submit a package to SNL,

0:05:55.279 --> 0:05:56.360
<v Speaker 4>what is in that package?

0:05:57.080 --> 0:06:00.800
<v Speaker 5>Probably a few handful of sketches.

0:06:01.320 --> 0:06:03.839
<v Speaker 6>This is also you know, I'm just thinking of what

0:06:03.920 --> 0:06:06.520
<v Speaker 6>the format of the show is. I don't know exactly,

0:06:06.520 --> 0:06:10.520
<v Speaker 6>So it'll be a few sketches, probably a commercial parody,

0:06:12.000 --> 0:06:13.600
<v Speaker 6>some weekend update jokes.

0:06:14.000 --> 0:06:16.680
<v Speaker 4>And you have to type this out like submit it

0:06:16.720 --> 0:06:20.200
<v Speaker 4>as a script or you do this like video.

0:06:20.080 --> 0:06:21.680
<v Speaker 5>Or if you submit it as a writer out there

0:06:21.720 --> 0:06:23.120
<v Speaker 5>you would have it typed out.

0:06:23.600 --> 0:06:25.360
<v Speaker 4>Does it help if you have a visual to it?

0:06:26.520 --> 0:06:27.120
<v Speaker 4>Especially now?

0:06:27.560 --> 0:06:30.680
<v Speaker 6>Probably now you know I was my year was O nine,

0:06:30.720 --> 0:06:33.000
<v Speaker 6>so I'm sure now it is definitely more visual because

0:06:33.040 --> 0:06:34.080
<v Speaker 6>they got more visual.

0:06:34.200 --> 0:06:35.880
<v Speaker 5>I think they got different three different.

0:06:35.600 --> 0:06:39.760
<v Speaker 6>Visual camps in there now, so yeah, you know, they

0:06:39.839 --> 0:06:43.680
<v Speaker 6>definitely focusing more on the on the digital. But yeah,

0:06:43.839 --> 0:06:46.720
<v Speaker 6>I think that's what it will be a few sketches maybe, yeah,

0:06:46.880 --> 0:06:52.520
<v Speaker 6>commercial parody, weekend update and that and that. That's just

0:06:52.640 --> 0:06:53.640
<v Speaker 6>a solid submission.

0:06:54.200 --> 0:06:56.800
<v Speaker 4>So you feel as though that your actual stand up

0:06:57.160 --> 0:07:00.839
<v Speaker 4>on that show was your. You didn't officially have to submit.

0:07:00.680 --> 0:07:03.200
<v Speaker 6>I never Yeah, I never submitted anything written up. They

0:07:03.279 --> 0:07:05.120
<v Speaker 6>just I met with Seth. I think the meeting was

0:07:05.160 --> 0:07:07.320
<v Speaker 6>just to see if I was crazy.

0:07:07.000 --> 0:07:11.200
<v Speaker 5>In person or intolerable and then for me the job.

0:07:11.240 --> 0:07:13.000
<v Speaker 4>At the end of the meeting. How many years were

0:07:13.000 --> 0:07:15.600
<v Speaker 4>you at SNL? One year? One season? Wait? What?

0:07:16.080 --> 0:07:16.400
<v Speaker 5>Yeah?

0:07:16.560 --> 0:07:19.560
<v Speaker 4>In my mind you were like or maybe I'm just

0:07:19.640 --> 0:07:22.280
<v Speaker 4>lumping you in with Tim and Chay.

0:07:23.440 --> 0:07:23.720
<v Speaker 5>Yeah.

0:07:23.760 --> 0:07:26.160
<v Speaker 4>We never like Tim Robinson and like all.

0:07:26.400 --> 0:07:30.840
<v Speaker 5>Never overlapped with Chay or who's uh or JB Smooth?

0:07:31.440 --> 0:07:34.800
<v Speaker 4>No, he was the only lone black guy.

0:07:34.720 --> 0:07:39.760
<v Speaker 6>In and h Keena was, Yeah, Keena was. It was

0:07:39.800 --> 0:07:43.960
<v Speaker 6>just yeah, it was me there. Who's Fred Armisen was there?

0:07:44.160 --> 0:07:48.800
<v Speaker 6>As far as Yeah, it was Jenny Slat's one year there? Yeah,

0:07:48.880 --> 0:07:54.480
<v Speaker 6>n Megan Fox was the season premiere. That was your

0:07:54.640 --> 0:07:58.440
<v Speaker 6>That was your that was your first that was first episodes.

0:07:58.480 --> 0:08:04.400
<v Speaker 4>And inside for people, that particular episode is what has

0:08:04.440 --> 0:08:10.800
<v Speaker 4>started the mythical war between Melody Cole and I because

0:08:10.800 --> 0:08:14.840
<v Speaker 4>I had a dope sweater that she liked and she

0:08:14.920 --> 0:08:17.160
<v Speaker 4>ignored him. She's like, oh, I like your sweater. I

0:08:17.200 --> 0:08:19.720
<v Speaker 4>was like, oh thanks, and she like he was like

0:08:20.480 --> 0:08:24.080
<v Speaker 4>and that sort of that's the beginning of our spy

0:08:24.200 --> 0:08:28.640
<v Speaker 4>versus spy on Instagram thing with each other. But for you,

0:08:29.120 --> 0:08:31.240
<v Speaker 4>the one thing, now, I wish i'd known you known

0:08:31.280 --> 0:08:34.440
<v Speaker 4>you during that period because I'm always running the Higgins

0:08:34.480 --> 0:08:38.960
<v Speaker 4>on a Monday after I watch a show, because sometimes

0:08:39.800 --> 0:08:42.600
<v Speaker 4>I'm trying to figure out how do things get greenlit

0:08:42.840 --> 0:08:48.000
<v Speaker 4>that I can't actually see written on paper? For instance,

0:08:49.120 --> 0:08:51.559
<v Speaker 4>like I would assume that all sketches on that show

0:08:51.800 --> 0:08:54.439
<v Speaker 4>that people have to sit at a table, yeah, and

0:08:54.600 --> 0:08:59.200
<v Speaker 4>physically describe something and you can feedback in the room

0:08:59.400 --> 0:09:04.200
<v Speaker 4>or not. But there's some things that I literally can't

0:09:04.240 --> 0:09:07.080
<v Speaker 4>see it be in formed with, like and at this point,

0:09:07.240 --> 0:09:09.679
<v Speaker 4>I'm gonna fall down the stairs, and trust me, it's

0:09:09.679 --> 0:09:11.440
<v Speaker 4>gonna be funny. Like is there a lot of that

0:09:11.840 --> 0:09:14.800
<v Speaker 4>where it's this faith that Okay, it sounds like you

0:09:14.840 --> 0:09:17.040
<v Speaker 4>know what you're talking about right the bit, Well.

0:09:17.000 --> 0:09:20.199
<v Speaker 6>Yeah, people, it's the pitch meeting, the Monday pitch where

0:09:20.200 --> 0:09:23.720
<v Speaker 6>everybody's in the office in Lauren's office and some people

0:09:23.800 --> 0:09:27.960
<v Speaker 6>pitching real ideas, some people pitching fake and then folks

0:09:28.000 --> 0:09:31.320
<v Speaker 6>right on Tuesdays and then it's the read through that

0:09:31.480 --> 0:09:34.600
<v Speaker 6>two thousand and nine twenty ten season was the first

0:09:35.280 --> 0:09:35.920
<v Speaker 6>What's up with that?

0:09:36.440 --> 0:09:42.400
<v Speaker 4>Oh man? Yeah, I love that. Did you have something

0:09:42.400 --> 0:09:42.600
<v Speaker 4>to do?

0:09:42.800 --> 0:09:44.760
<v Speaker 6>Like, No, I didn't have it, but I just you know,

0:09:44.920 --> 0:09:48.240
<v Speaker 6>being there for the beginning was cool, and I remember

0:09:48.240 --> 0:09:50.320
<v Speaker 6>everybody was kind of singing it around the oven.

0:09:51.200 --> 0:09:54.120
<v Speaker 4>Okay, Well that's the thing though, like at a pitch table,

0:09:55.040 --> 0:09:57.679
<v Speaker 4>Like that's a bit that relies a lot on repetition,

0:09:58.640 --> 0:10:02.400
<v Speaker 4>mostly Jason Sadac dancing in the background. Yeah, but it

0:10:02.400 --> 0:10:06.520
<v Speaker 4>involves a lot of physical things in which how do

0:10:06.559 --> 0:10:09.679
<v Speaker 4>you literally don't see how that's funny on paper, but

0:10:09.679 --> 0:10:11.400
<v Speaker 4>it's one of the funniest things I've ever seen on

0:10:11.440 --> 0:10:11.760
<v Speaker 4>the show.

0:10:11.840 --> 0:10:13.840
<v Speaker 6>So yeah, I think the song care in it in

0:10:13.920 --> 0:10:16.840
<v Speaker 6>the in that setting, you know what I mean, Like everybody's.

0:10:16.360 --> 0:10:20.360
<v Speaker 4>Just you know, Coatri Sponge sugar free.

0:10:20.720 --> 0:10:21.360
<v Speaker 5>Yeah with that.

0:10:21.720 --> 0:10:25.520
<v Speaker 7>Yeah, was there a bit that you like, what was

0:10:25.559 --> 0:10:27.440
<v Speaker 7>the bit that you were surprised that actually made it

0:10:27.440 --> 0:10:28.920
<v Speaker 7>to air that you were part of?

0:10:29.240 --> 0:10:33.720
<v Speaker 6>Only had one sketch of my own that made it,

0:10:34.240 --> 0:10:38.040
<v Speaker 6>and then I contributed to others and contributed lines here

0:10:38.040 --> 0:10:40.800
<v Speaker 6>and there. I had Rihanna said one of my lines

0:10:40.840 --> 0:10:43.080
<v Speaker 6>that that that helped me for a little bit, just

0:10:43.240 --> 0:10:46.640
<v Speaker 6>you know, because I popped into Lonely Island office when

0:10:46.679 --> 0:10:48.959
<v Speaker 6>they were working on Shyronni. Because it was just you know,

0:10:49.440 --> 0:10:50.920
<v Speaker 6>it was a time where I realized, Okay, I'm not

0:10:50.920 --> 0:10:53.120
<v Speaker 6>getting stuff on, so let me just pop in and

0:10:53.200 --> 0:10:54.040
<v Speaker 6>try to you know.

0:10:54.120 --> 0:10:57.360
<v Speaker 4>Are you allowed to keep your head in and what's

0:10:57.400 --> 0:10:58.040
<v Speaker 4>going on here?

0:10:58.120 --> 0:11:00.520
<v Speaker 6>And then yeah, you could just you know, yeah, you

0:11:00.559 --> 0:11:04.080
<v Speaker 6>could just pop in territorial like maybe some people you know,

0:11:04.240 --> 0:11:06.400
<v Speaker 6>they weren't, but some people might have been on that.

0:11:07.080 --> 0:11:08.800
<v Speaker 6>They might have some people might have been more closed

0:11:08.800 --> 0:11:10.840
<v Speaker 6>off than others. I'm not even you know, those day

0:11:10.880 --> 0:11:13.520
<v Speaker 6>I felt comfortable going, you know, just to chop it

0:11:13.600 --> 0:11:13.959
<v Speaker 6>up with them.

0:11:13.960 --> 0:11:15.680
<v Speaker 5>So I popped in. They were working on shy Ronnie

0:11:16.240 --> 0:11:17.280
<v Speaker 5>and I had.

0:11:17.160 --> 0:11:21.160
<v Speaker 6>Actually sent him a Bangs video you remember, let me

0:11:21.240 --> 0:11:23.320
<v Speaker 6>take it to the movie and.

0:11:25.480 --> 0:11:27.960
<v Speaker 5>So that's yeah, that's where you got.

0:11:27.840 --> 0:11:36.960
<v Speaker 4>The ha yeah, and so yeah, maybe where it came from.

0:11:38.120 --> 0:11:40.600
<v Speaker 6>Yeah, And then it was a line they was they

0:11:40.640 --> 0:11:44.800
<v Speaker 6>were doing the Schyronnie and then I came up with

0:11:44.840 --> 0:11:47.640
<v Speaker 6>the line this beat cost a lot of money for

0:11:47.840 --> 0:11:49.920
<v Speaker 6>Rihanna to say, and so this to see it, I

0:11:50.000 --> 0:11:51.760
<v Speaker 6>was like, WHOA was Brehanna just said some ship.

0:11:51.800 --> 0:11:53.240
<v Speaker 5>I said, man, that's crazy.

0:11:54.960 --> 0:11:57.720
<v Speaker 8>It sounds like, so did you did you really enjoy

0:11:57.800 --> 0:12:00.200
<v Speaker 8>being a writer? Like it doesn't sound I mean like

0:12:00.240 --> 0:12:02.280
<v Speaker 8>you sound you were thankful for the experience. Yeah, it

0:12:02.320 --> 0:12:03.840
<v Speaker 8>seemed like you just really wanted to just be on

0:12:03.920 --> 0:12:04.840
<v Speaker 8>stage kind of doing you.

0:12:05.840 --> 0:12:10.760
<v Speaker 6>I think before the second half of the season, Chris

0:12:10.800 --> 0:12:13.679
<v Speaker 6>Rockett actually told me to try to get on camera,

0:12:13.760 --> 0:12:17.280
<v Speaker 6>try to get on weekend Update, And so so I

0:12:17.320 --> 0:12:20.200
<v Speaker 6>met with Sad, Hey can I get on Weekend Update?

0:12:20.400 --> 0:12:22.160
<v Speaker 6>Which was it was I feel like it was a

0:12:22.200 --> 0:12:25.960
<v Speaker 6>strong ass because you yourself. I hadn't done anything, but

0:12:26.000 --> 0:12:27.839
<v Speaker 6>it was just you know, well, might as well asked you.

0:12:27.920 --> 0:12:30.280
<v Speaker 6>He said, all right, write something up and we'll we'll

0:12:30.280 --> 0:12:31.040
<v Speaker 6>try it at the table.

0:12:31.080 --> 0:12:32.280
<v Speaker 5>And so I wrote, wrote something.

0:12:33.000 --> 0:12:36.360
<v Speaker 6>I reformatted the picklejuice joke and this other joke about

0:12:37.120 --> 0:12:39.960
<v Speaker 6>rental cars or something. I formatted as me as a

0:12:40.080 --> 0:12:43.440
<v Speaker 6>financial advisor or something like that, and then we tried

0:12:43.440 --> 0:12:44.040
<v Speaker 6>it at the table.

0:12:44.080 --> 0:12:46.000
<v Speaker 5>It went cool, and then we.

0:12:46.040 --> 0:12:49.640
<v Speaker 6>Did it in dress rehearsal actually, and it went cool

0:12:49.640 --> 0:12:52.760
<v Speaker 6>at dress and then it got cut and then we're

0:12:52.760 --> 0:12:55.760
<v Speaker 6>gonna get you next week, and then it never came okay.

0:12:55.840 --> 0:12:58.960
<v Speaker 4>So I have a question about dress rehearsal. So in

0:12:59.040 --> 0:13:06.319
<v Speaker 4>my observations, whenever you guys have the post dress rehearsal meeting,

0:13:06.440 --> 0:13:08.319
<v Speaker 4>when you guys find out if you made the cut

0:13:08.400 --> 0:13:13.760
<v Speaker 4>or not, I automatically know that the people that didn't

0:13:13.760 --> 0:13:16.800
<v Speaker 4>make it, they always rush up to seventeen and they

0:13:16.840 --> 0:13:20.760
<v Speaker 4>just start getting drunk, like yeah, there's a level depressed

0:13:22.760 --> 0:13:28.200
<v Speaker 4>giving family secrets away. No, there's just a level of hope,

0:13:28.240 --> 0:13:30.600
<v Speaker 4>like you know, you're pointing all your hope that this

0:13:30.720 --> 0:13:33.600
<v Speaker 4>makes it, and they do like what they do, like

0:13:33.640 --> 0:13:37.079
<v Speaker 4>an extra six or seven sketches on the rehearsal show

0:13:37.640 --> 0:13:39.320
<v Speaker 4>to see what works, and then they got to cut

0:13:39.360 --> 0:13:42.520
<v Speaker 4>the six and then remix it for the eleven thirty show.

0:13:42.960 --> 0:13:46.360
<v Speaker 4>And usually I would know that some writers that whose

0:13:46.440 --> 0:13:50.600
<v Speaker 4>jokes didn't make it, and you know, you take that

0:13:51.000 --> 0:13:53.760
<v Speaker 4>lonely trip up to seventeen where there's always a stash

0:13:53.800 --> 0:13:56.959
<v Speaker 4>of beer like brown liquor whatever, and people just get

0:13:57.559 --> 0:13:59.800
<v Speaker 4>ungodly drunk and be like all right, I'll try to

0:13:59.800 --> 0:14:03.680
<v Speaker 4>get next week. Like but for you, were you taking

0:14:03.679 --> 0:14:07.920
<v Speaker 4>stuff personal or did you feel like there's a time limit,

0:14:07.960 --> 0:14:10.400
<v Speaker 4>like I gotta get something on next week.

0:14:11.120 --> 0:14:14.840
<v Speaker 6>It was just it was tough to not get stuff

0:14:14.880 --> 0:14:17.680
<v Speaker 6>on because it was just you know, I knew I

0:14:17.720 --> 0:14:20.120
<v Speaker 6>was funny and I was having I was doing well

0:14:20.160 --> 0:14:21.880
<v Speaker 6>it's stand up, you know what I mean, And so

0:14:22.000 --> 0:14:24.920
<v Speaker 6>I was I was having success there. Uh, but yeah,

0:14:24.960 --> 0:14:30.400
<v Speaker 6>it was frustrating to to not to not have stuff

0:14:30.440 --> 0:14:33.720
<v Speaker 6>moving and feeling like I was creative enough to succeed

0:14:33.760 --> 0:14:36.680
<v Speaker 6>in the in the format. I think, you know, if

0:14:36.800 --> 0:14:39.120
<v Speaker 6>I did it another year, because then I would have

0:14:39.200 --> 0:14:41.640
<v Speaker 6>known how to move around in the building and just

0:14:41.680 --> 0:14:45.640
<v Speaker 6>how to collaborate and and how to just learn really yeah, yeah,

0:14:45.640 --> 0:14:47.760
<v Speaker 6>I learned the system because it's really I mean, it's

0:14:47.800 --> 0:14:50.680
<v Speaker 6>a terrible on boarding process, being honest, you.

0:14:50.760 --> 0:14:57.680
<v Speaker 5>Just right, here's your office peace, like what.

0:14:59.560 --> 0:15:01.040
<v Speaker 9>On board just created last year?

0:15:01.800 --> 0:15:03.680
<v Speaker 5>It was just just get there.

0:15:04.480 --> 0:15:07.280
<v Speaker 4>But the thing was, I always thought that because I

0:15:07.320 --> 0:15:12.360
<v Speaker 4>also recalled you were on thirty Rock a lot that year. Yeah, right,

0:15:12.480 --> 0:15:16.080
<v Speaker 4>So was the decision like, okay, well let me try

0:15:17.360 --> 0:15:19.200
<v Speaker 4>did you write for thirty rock or you were.

0:15:19.240 --> 0:15:20.480
<v Speaker 5>Just like I wrote for thirty rock?

0:15:20.600 --> 0:15:23.160
<v Speaker 4>Yeah, okay, was that a better fit for you?

0:15:23.280 --> 0:15:27.360
<v Speaker 6>Or it was SNL kind of soft fired me. There

0:15:27.400 --> 0:15:30.920
<v Speaker 6>was no real and then you just didn't get a

0:15:30.960 --> 0:15:32.000
<v Speaker 6>call back, just didn't get.

0:15:31.920 --> 0:15:34.800
<v Speaker 5>A call back. And then and then thirty Rock came through.

0:15:34.840 --> 0:15:40.360
<v Speaker 6>I think because Donald had left to do community, so

0:15:40.840 --> 0:15:42.320
<v Speaker 6>didn't they need to.

0:15:42.640 --> 0:15:46.440
<v Speaker 5>They need to feel their diversity spot and so there.

0:15:46.280 --> 0:15:48.760
<v Speaker 4>To punch up Tracy Morgan and guys.

0:15:48.920 --> 0:15:51.120
<v Speaker 5>Yeah, I punched up. I did a lot of It

0:15:51.160 --> 0:15:53.040
<v Speaker 5>wasn't a general thing.

0:15:53.400 --> 0:15:55.320
<v Speaker 4>Okay, every time I mentioned that on the show, people

0:15:55.360 --> 0:15:59.000
<v Speaker 4>look at me like, I just like, like I landed

0:15:59.000 --> 0:16:02.520
<v Speaker 4>from another planet. But I recall, I don't know if

0:16:02.520 --> 0:16:04.200
<v Speaker 4>you've seen it in jests. I mean, he wasn't saying

0:16:04.200 --> 0:16:07.480
<v Speaker 4>it jokingly. But I was always under the impression that

0:16:07.600 --> 0:16:12.640
<v Speaker 4>Glover's sort of existence on thirty Rock was sort of

0:16:12.720 --> 0:16:18.280
<v Speaker 4>to punch up whatever Tracy Jordan's character was, like, to

0:16:18.400 --> 0:16:20.840
<v Speaker 4>enhance his stuff, like you did like Werewolf, bar mitzvah

0:16:20.920 --> 0:16:23.200
<v Speaker 4>and all that other stuff. And you know, so I

0:16:23.360 --> 0:16:27.520
<v Speaker 4>just assumed that when it came to Tracy's character, they

0:16:28.080 --> 0:16:32.120
<v Speaker 4>needed to not look like all white people writing for

0:16:32.160 --> 0:16:32.840
<v Speaker 4>the show, and.

0:16:32.840 --> 0:16:36.800
<v Speaker 6>That uh nah, that was never explicitly explicitly said. It

0:16:36.880 --> 0:16:38.920
<v Speaker 6>was just you know, you in the room with everybody

0:16:39.200 --> 0:16:41.640
<v Speaker 6>and they go on line through line by the script.

0:16:41.640 --> 0:16:42.840
<v Speaker 5>Everybody pitch of the.

0:16:42.800 --> 0:16:47.000
<v Speaker 6>Line until something is just undeniable and then you write

0:16:47.000 --> 0:16:47.480
<v Speaker 6>it with that.

0:16:47.720 --> 0:16:51.960
<v Speaker 5>And then move along. But yeah, it was yeah, I

0:16:51.960 --> 0:16:55.240
<v Speaker 5>think the day job that was more of a regular job.

0:16:55.360 --> 0:16:57.400
<v Speaker 6>Thirty Rock was like that was every you know what

0:16:57.480 --> 0:16:59.680
<v Speaker 6>I mean, show up at nine or ten or whatever,

0:17:00.040 --> 0:17:01.440
<v Speaker 6>even at at six.

0:17:01.600 --> 0:17:04.760
<v Speaker 8>And so was that challenging because that scene that just

0:17:04.800 --> 0:17:09.040
<v Speaker 8>sounds like the complete opposite it was being a comedian.

0:17:09.200 --> 0:17:12.480
<v Speaker 5>Man, it wasn't. It wasn't for me, man, But I yeah,

0:17:12.520 --> 0:17:13.360
<v Speaker 5>it wasn't.

0:17:13.440 --> 0:17:15.040
<v Speaker 9>Less stressing essnal though. Right.

0:17:15.400 --> 0:17:17.679
<v Speaker 6>The thing with ESSNL though, was that you would have

0:17:17.960 --> 0:17:20.040
<v Speaker 6>weeks off, so you might do two weeks on, two

0:17:20.080 --> 0:17:22.080
<v Speaker 6>weeks off, three weeks on, one week off, and then

0:17:22.119 --> 0:17:23.600
<v Speaker 6>so for that week you could go on the road

0:17:23.680 --> 0:17:24.199
<v Speaker 6>do whatever.

0:17:27.240 --> 0:17:30.440
<v Speaker 5>Yeah, thirty rock was just your on on on. So yeah,

0:17:30.440 --> 0:17:32.880
<v Speaker 5>it wasn't. It wasn't really for me like that.

0:17:33.760 --> 0:17:34.760
<v Speaker 9>How long you do that job?

0:17:35.160 --> 0:17:37.480
<v Speaker 5>One season? I went through one season, but.

0:17:37.600 --> 0:17:40.480
<v Speaker 6>It was early on I was I realized it wasn't

0:17:40.520 --> 0:17:44.280
<v Speaker 6>for me, and I said, man, about to quit this.

0:17:44.320 --> 0:17:46.080
<v Speaker 6>I wrote out pros and cons on the sheet.

0:17:49.160 --> 0:17:51.920
<v Speaker 8>To quit just writing or quit comedy period, no quick

0:17:52.320 --> 0:17:54.840
<v Speaker 8>that that job, and so I just said, let me

0:17:54.880 --> 0:17:57.879
<v Speaker 8>just tough it out for this year and and do it.

0:17:57.880 --> 0:18:00.920
<v Speaker 6>It's a it's a steady paycheck. But then after that,

0:18:01.200 --> 0:18:03.040
<v Speaker 6>because I had cabin fever, I think I went on

0:18:03.080 --> 0:18:05.680
<v Speaker 6>a road for probably eight months straight, you know what

0:18:05.720 --> 0:18:09.520
<v Speaker 6>I mean, just because I was.

0:18:08.320 --> 0:18:09.160
<v Speaker 5>I went everywhere.

0:18:09.280 --> 0:18:13.800
<v Speaker 4>How far in events? Was the Andre Show? And how

0:18:13.920 --> 0:18:16.760
<v Speaker 4>is that pitch to you? And does it make sense

0:18:16.800 --> 0:18:21.400
<v Speaker 4>to you? At the time when that looked like for real.

0:18:21.840 --> 0:18:23.760
<v Speaker 5>I think it was just more I'm doing this.

0:18:23.760 --> 0:18:27.560
<v Speaker 4>Thing and you already know he's crazy, And it.

0:18:27.440 --> 0:18:29.480
<v Speaker 5>Wasn't even it was just you want to It was

0:18:29.960 --> 0:18:31.000
<v Speaker 5>when did we film that?

0:18:31.160 --> 0:18:33.440
<v Speaker 4>Oh? Wait, see like an improved version of Hits from

0:18:33.440 --> 0:18:39.640
<v Speaker 4>the Streets? Yeah, and is well you never done any

0:18:39.640 --> 0:18:42.320
<v Speaker 4>of the have you done any of this street bits

0:18:42.400 --> 0:18:43.040
<v Speaker 4>that he does?

0:18:43.160 --> 0:18:45.600
<v Speaker 6>Or yeah, we did some street stuff in New York?

0:18:45.760 --> 0:18:52.000
<v Speaker 6>Did the Black Israelites? I did acting like we did

0:18:52.240 --> 0:18:54.719
<v Speaker 6>beating up the police car. I did draw a police

0:18:54.760 --> 0:18:59.080
<v Speaker 6>officer with a forty. We did Who Get a Stranger?

0:18:59.240 --> 0:19:02.000
<v Speaker 6>I wrote a stranger to let like, who can get

0:19:02.040 --> 0:19:04.199
<v Speaker 6>the most strangers? Let them hold their babies? Which I

0:19:04.280 --> 0:19:06.600
<v Speaker 6>bailed on that when I do it in real life.

0:19:06.800 --> 0:19:08.840
<v Speaker 6>Wait a second, I know I wrote this, but to do.

0:19:11.720 --> 0:19:14.120
<v Speaker 4>So, what's the planning like, because I would assume that

0:19:14.200 --> 0:19:15.760
<v Speaker 4>you would have to go to a place where you

0:19:15.880 --> 0:19:19.680
<v Speaker 4>absolutely know that they do not know who Eric Andre is. Yeah,

0:19:19.680 --> 0:19:24.919
<v Speaker 4>and I can be in Harlem, Yeah, in the Heights.

0:19:25.200 --> 0:19:27.400
<v Speaker 6>First couple of seasons that wasn't that was that wasn't

0:19:27.440 --> 0:19:32.119
<v Speaker 6>an issue right twenty premiered in twenty twelve.

0:19:33.600 --> 0:19:37.320
<v Speaker 4>How do you guys, like, because he's such a call phenomenon,

0:19:38.080 --> 0:19:41.760
<v Speaker 4>how did you find you know? There were some places

0:19:41.760 --> 0:19:44.359
<v Speaker 4>where I see y'all like went to like Redneck down South, Like,

0:19:44.920 --> 0:19:45.240
<v Speaker 4>how do.

0:19:45.160 --> 0:19:47.080
<v Speaker 6>You think I didn't do those I didn't do those

0:19:47.119 --> 0:19:50.960
<v Speaker 6>travel ones. And that's more on production and and and

0:19:51.600 --> 0:19:53.960
<v Speaker 6>on that that side of the game as far as

0:19:54.000 --> 0:19:57.760
<v Speaker 6>trying to preserve that. But yeah, the early stuff that

0:19:57.920 --> 0:20:00.280
<v Speaker 6>wasn't really too much of an issue. He was would

0:20:00.280 --> 0:20:02.360
<v Speaker 6>have kind of catch people off guard with a lot

0:20:02.400 --> 0:20:03.560
<v Speaker 6>of the early stuff.

0:20:04.560 --> 0:20:05.560
<v Speaker 5>It was it was.

0:20:05.520 --> 0:20:08.320
<v Speaker 4>Has there ever been a situation so dangerous that had

0:20:08.320 --> 0:20:11.560
<v Speaker 4>never made it on air like a TV show?

0:20:11.960 --> 0:20:14.879
<v Speaker 5>Oh? Okay, I mean I think he's gotten arrested before.

0:20:14.960 --> 0:20:17.480
<v Speaker 6>It's been some crazier ones when I haven't been there

0:20:17.560 --> 0:20:19.840
<v Speaker 6>that I've seen, and there might be some other stuff

0:20:19.840 --> 0:20:22.119
<v Speaker 6>that's untold that I don't even I don't even know

0:20:22.119 --> 0:20:24.159
<v Speaker 6>about it if I'm not there, but you.

0:20:24.320 --> 0:20:26.359
<v Speaker 9>Help face it real good, Like the ship was normal.

0:20:26.440 --> 0:20:27.760
<v Speaker 9>I was like, how do you do that?

0:20:28.240 --> 0:20:28.800
<v Speaker 5>It's time?

0:20:28.840 --> 0:20:30.359
<v Speaker 6>I mean, we added out when I break, But I

0:20:30.400 --> 0:20:32.160
<v Speaker 6>do break sometimes.

0:20:32.520 --> 0:20:34.159
<v Speaker 5>I think some of you just bite the inside of

0:20:34.160 --> 0:20:36.560
<v Speaker 5>your cheek to hold in a last there's a little tricks.

0:20:36.600 --> 0:20:38.320
<v Speaker 5>You just gotta grit the teeth feeling.

0:20:38.359 --> 0:20:40.280
<v Speaker 4>One of one of the coolest things I learned and

0:20:40.400 --> 0:20:44.920
<v Speaker 4>doing that show was how vomited is made. So there's

0:20:44.920 --> 0:20:50.040
<v Speaker 4>a husband and wife team and they it's it's like

0:20:50.119 --> 0:20:53.120
<v Speaker 4>they have their own ice cream truck. And what they

0:20:53.160 --> 0:20:57.159
<v Speaker 4>do is they provide, well, no, they provide. If you

0:20:57.280 --> 0:21:00.960
<v Speaker 4>ever watch a show, there's a brandonotato chips that looks

0:21:01.000 --> 0:21:04.359
<v Speaker 4>like Lays, but it's called Let's and you'll see it.

0:21:04.760 --> 0:21:07.600
<v Speaker 4>Just look up Lets potato Chips. It'll be on Community.

0:21:08.080 --> 0:21:11.920
<v Speaker 4>It's been on like Scandal, like that's their that's their trademark,

0:21:12.000 --> 0:21:15.000
<v Speaker 4>like any random snacks and you'll look like in the background,

0:21:15.040 --> 0:21:17.520
<v Speaker 4>be like Let's crackers or whatever, like that's how they

0:21:17.520 --> 0:21:22.120
<v Speaker 4>do it. But they also make, uh, they make blood

0:21:22.640 --> 0:21:27.399
<v Speaker 4>and vomit. Like he handles the art for fake cereal

0:21:27.520 --> 0:21:31.280
<v Speaker 4>and fake bread and all the foods, and she handles vomits.

0:21:31.480 --> 0:21:35.679
<v Speaker 4>And so she rolled in this like cart and she's like, so,

0:21:35.680 --> 0:21:38.120
<v Speaker 4>what's your favorite cereal? And I was like huh, And

0:21:38.600 --> 0:21:41.879
<v Speaker 4>I was like, all right, Golden Grams and uh Captain

0:21:41.920 --> 0:21:46.840
<v Speaker 4>crunching and tricks, right, and then she'll take all that

0:21:46.960 --> 0:21:48.000
<v Speaker 4>and put it in a blender.

0:21:48.560 --> 0:21:51.080
<v Speaker 5>And that was my vomit.

0:21:51.400 --> 0:21:54.240
<v Speaker 4>That was my throw up. It was a cereal wow. Yeah.

0:21:55.119 --> 0:21:57.680
<v Speaker 4>And sometimes they'll you know, they'll put the pump, they'll

0:21:57.680 --> 0:21:59.720
<v Speaker 4>put the pump in your hands. So it's like, that's

0:21:59.760 --> 0:22:03.600
<v Speaker 4>what thing. So I had to throw up on the show.

0:22:03.640 --> 0:22:04.840
<v Speaker 4>I don't I don't even know if that made the

0:22:04.840 --> 0:22:06.920
<v Speaker 4>final cut, but there was a point where like, yeah,

0:22:07.119 --> 0:22:13.160
<v Speaker 4>vomited on the drum set. So it was so tasty. Yeah,

0:22:13.200 --> 0:22:16.480
<v Speaker 4>it tasted real good because they put it was all cereal.

0:22:16.920 --> 0:22:18.560
<v Speaker 4>And we'll be right back after.

0:22:22.280 --> 0:22:23.840
<v Speaker 2>Brought to you by Let's Potato Cheses.

0:22:29.200 --> 0:22:31.680
<v Speaker 4>All right, So we're back with Quest Loves Supreme. All right,

0:22:31.760 --> 0:22:40.240
<v Speaker 4>So I'm going to pick a new approach to a

0:22:40.359 --> 0:22:42.280
<v Speaker 4>question that I know you're tired of answering. I'm not

0:22:42.280 --> 0:22:44.240
<v Speaker 4>even going to ask you the story about this. No, no,

0:22:44.280 --> 0:22:47.040
<v Speaker 4>but I'm gonna ask you, do you finally feel as

0:22:47.040 --> 0:22:54.560
<v Speaker 4>though the scarlet letter quote hashtag of that situation is

0:22:54.640 --> 0:22:59.520
<v Speaker 4>now in your rear view mirror or seriously or do

0:22:59.560 --> 0:23:00.119
<v Speaker 4>you wake up it.

0:23:00.359 --> 0:23:07.240
<v Speaker 6>Like, Uh, no, no, it's not in the rare view.

0:23:07.560 --> 0:23:07.639
<v Speaker 4>No.

0:23:07.800 --> 0:23:08.879
<v Speaker 5>Sometimes people just hit me.

0:23:08.920 --> 0:23:11.760
<v Speaker 6>It's like, uh, people hit me up freshly mad, like

0:23:11.800 --> 0:23:16.680
<v Speaker 6>they just found out about to this day.

0:23:17.119 --> 0:23:19.840
<v Speaker 5>Yeah, this new message, Fuck you man, what the fuck?

0:23:19.880 --> 0:23:20.800
<v Speaker 5>And it's just like, come.

0:23:20.640 --> 0:23:25.359
<v Speaker 6>On, man, I've heard every reaction you could hear the

0:23:25.520 --> 0:23:27.560
<v Speaker 6>to the whole thing, and so it's just kind of

0:23:27.640 --> 0:23:29.880
<v Speaker 6>all that goes in this bugget like because I've heard

0:23:29.880 --> 0:23:32.040
<v Speaker 6>all of it from and I've heard anything you could

0:23:32.040 --> 0:23:34.960
<v Speaker 6>say about it pretty much in twenty fourteen and twenty fifteen.

0:23:35.440 --> 0:23:41.200
<v Speaker 5>So it's just no, no, it's uh, it's just one

0:23:41.240 --> 0:23:41.960
<v Speaker 5>of them things.

0:23:42.200 --> 0:23:43.199
<v Speaker 4>How did you work through that?

0:23:43.240 --> 0:23:46.600
<v Speaker 8>Because I just imagine it's crazy to just one day

0:23:46.680 --> 0:23:49.720
<v Speaker 8>just wake up being the most famous person in the

0:23:49.760 --> 0:23:52.800
<v Speaker 8>world for something that is totally unrelated to you, you

0:23:52.880 --> 0:23:53.520
<v Speaker 8>know what I mean.

0:23:54.200 --> 0:23:57.159
<v Speaker 9>And that was public knowledge but never really right right.

0:23:57.880 --> 0:24:00.720
<v Speaker 5>It was a wild time, man, It was a you know, yeah,

0:24:00.880 --> 0:24:03.480
<v Speaker 5>it was uh uh.

0:24:04.920 --> 0:24:07.520
<v Speaker 6>That was the first time I would be on TV

0:24:08.920 --> 0:24:15.439
<v Speaker 6>without knowing I was about to be on TV, and

0:24:15.520 --> 0:24:18.080
<v Speaker 6>so that was, yeah, I'm just chilling and.

0:24:17.920 --> 0:24:22.800
<v Speaker 10>Watching like what, man, I ain't know what because before

0:24:22.840 --> 0:24:25.560
<v Speaker 10>the hat, it was just my TV appearance was you know,

0:24:26.119 --> 0:24:27.920
<v Speaker 10>Eric and it was my comedy special.

0:24:28.400 --> 0:24:30.199
<v Speaker 6>It was my late night stuff where it was like,

0:24:30.320 --> 0:24:33.159
<v Speaker 6>I know, I'm going to be on Comedy Central at nine.

0:24:33.160 --> 0:24:38.160
<v Speaker 5>Thirty, check me out. And so that was the most time. Yeah,

0:24:38.200 --> 0:24:39.680
<v Speaker 5>So that that was I was jarring.

0:24:39.760 --> 0:24:42.960
<v Speaker 6>It was a lot of it was it was heavy, man,

0:24:42.960 --> 0:24:46.199
<v Speaker 6>because it kind of we pushed stuff back because of it,

0:24:46.280 --> 0:24:48.320
<v Speaker 6>because I was we were getting ready to announce my

0:24:48.320 --> 0:24:52.639
<v Speaker 6>Comedy Central show, but it was already in motion for

0:24:53.240 --> 0:24:55.480
<v Speaker 6>a year or something before that. But then because that

0:24:55.600 --> 0:24:58.200
<v Speaker 6>was happening, it was like, oh, we are now staying.

0:24:58.200 --> 0:25:00.560
<v Speaker 6>It looked like it's I got the job because of that.

0:25:00.720 --> 0:25:02.359
<v Speaker 6>Some people still think that, but it is what it is.

0:25:02.640 --> 0:25:04.280
<v Speaker 4>So you wanted to hold it back so it didn't

0:25:04.320 --> 0:25:07.680
<v Speaker 4>look like they want to want to drop it right

0:25:07.720 --> 0:25:10.119
<v Speaker 4>in that but I don't, but they just you know,

0:25:10.200 --> 0:25:11.720
<v Speaker 4>we definitely things.

0:25:11.440 --> 0:25:15.720
<v Speaker 6>Were adjusted and moved around because of it, and I

0:25:15.760 --> 0:25:18.160
<v Speaker 6>think it took a lot of a lot of headspace

0:25:18.480 --> 0:25:22.320
<v Speaker 6>creatively and probably you know, in some form affected the

0:25:22.320 --> 0:25:24.200
<v Speaker 6>work I created at that time and maybe even now.

0:25:24.240 --> 0:25:26.040
<v Speaker 7>But you didn't have nobody to lean on in a

0:25:26.080 --> 0:25:28.479
<v Speaker 7>way because you were like the first to do something

0:25:28.600 --> 0:25:31.040
<v Speaker 7>like that to someone who had such a It.

0:25:31.000 --> 0:25:35.480
<v Speaker 4>Was a viral movement that probably introduced the term cancel culture, I.

0:25:35.440 --> 0:25:38.040
<v Speaker 7>Guess, yeah, for somebody who people looked at in a

0:25:38.080 --> 0:25:40.439
<v Speaker 7>totally opposite way. So it's kind of like who you

0:25:40.560 --> 0:25:42.760
<v Speaker 7>lean on when you are stressed about that, because who've

0:25:42.800 --> 0:25:43.280
<v Speaker 7>been through it?

0:25:43.480 --> 0:25:45.880
<v Speaker 4>Yeah? What do you call you? Who's on your side?

0:25:45.880 --> 0:25:47.760
<v Speaker 4>Who was just your squad? Uh?

0:25:49.000 --> 0:25:49.520
<v Speaker 5>Gambling?

0:25:49.560 --> 0:25:58.480
<v Speaker 6>Alcohol, heavy like heavy spending, like those friends just getting

0:25:58.520 --> 0:26:01.879
<v Speaker 6>private jets just as I got it, just like I

0:26:01.880 --> 0:26:02.760
<v Speaker 6>had this ship already.

0:26:06.200 --> 0:26:09.280
<v Speaker 8>We don't say it kind of ended or not end

0:26:09.320 --> 0:26:11.280
<v Speaker 8>it because you know, you say you're still getting messages,

0:26:11.320 --> 0:26:12.880
<v Speaker 8>But when do you feel like you kind of work

0:26:12.920 --> 0:26:13.119
<v Speaker 8>through it?

0:26:13.080 --> 0:26:14.879
<v Speaker 4>And it's like all right, you know, well can you

0:26:14.960 --> 0:26:17.320
<v Speaker 4>in twenty twenty three, can you get through a week

0:26:17.960 --> 0:26:19.119
<v Speaker 4>without someone bringing it up?

0:26:19.200 --> 0:26:19.360
<v Speaker 7>Yeah?

0:26:19.440 --> 0:26:20.440
<v Speaker 5>Yeah, I can get through a week.

0:26:20.440 --> 0:26:22.640
<v Speaker 6>It's not it's not something that's heavy like that. I'm

0:26:22.760 --> 0:26:26.760
<v Speaker 6>chill with what it is now. But the initial ship

0:26:26.960 --> 0:26:28.919
<v Speaker 6>was was crazy because it was like, oh man, this

0:26:29.040 --> 0:26:32.800
<v Speaker 6>is this is intense. It was you know people, you

0:26:32.840 --> 0:26:34.320
<v Speaker 6>know random after that, and I do.

0:26:34.320 --> 0:26:36.679
<v Speaker 5>Want to see you with your show.

0:26:36.520 --> 0:26:38.760
<v Speaker 6>And then I'm talking ship like I'm also I'm like,

0:26:38.760 --> 0:26:44.320
<v Speaker 6>come see me there Moray.

0:26:45.400 --> 0:26:46.440
<v Speaker 4>Who's defending him?

0:26:47.400 --> 0:26:50.600
<v Speaker 9>Uh well, all we're kind of you know, don't let's

0:26:50.680 --> 0:26:50.879
<v Speaker 9>keep it.

0:26:51.119 --> 0:26:52.840
<v Speaker 7>Let's keep it from getting like I know, the black folks,

0:26:52.880 --> 0:26:55.160
<v Speaker 7>I'm like, what you're doing putting our business in public?

0:26:55.480 --> 0:26:58.679
<v Speaker 4>Right? Bo? I forgot about that part. That part, I

0:26:58.720 --> 0:26:59.520
<v Speaker 4>forgot about it, right.

0:26:59.800 --> 0:27:00.080
<v Speaker 5>That was.

0:27:01.520 --> 0:27:05.080
<v Speaker 4>So for you though, like in terms of like doing

0:27:05.119 --> 0:27:08.720
<v Speaker 4>movies and whatnot, Like I always feel like, for you,

0:27:08.800 --> 0:27:11.639
<v Speaker 4>what is the end game because I've yet to see

0:27:11.680 --> 0:27:16.360
<v Speaker 4>like have you thought about doing your own comedy show,

0:27:16.480 --> 0:27:19.880
<v Speaker 4>like your own series? I know sitcoms are like what

0:27:19.920 --> 0:27:28.560
<v Speaker 4>we call it now? No series? Is it still a

0:27:28.640 --> 0:27:32.320
<v Speaker 4>hustle or is it like where do you want to

0:27:32.400 --> 0:27:34.680
<v Speaker 4>land the plane? Where it's like this is what I'm

0:27:34.720 --> 0:27:35.960
<v Speaker 4>definitively known for.

0:27:36.800 --> 0:27:40.040
<v Speaker 6>Right Uh yeah, there's no singular thing right now. So

0:27:40.040 --> 0:27:43.440
<v Speaker 6>it's it's pretty that's fag minute. I'm not too move

0:27:43.600 --> 0:27:48.880
<v Speaker 6>by film like that as far as me wanting to

0:27:48.920 --> 0:27:49.560
<v Speaker 6>make my own.

0:27:49.880 --> 0:27:50.640
<v Speaker 5>I like docs.

0:27:51.440 --> 0:27:53.480
<v Speaker 6>We did the one I did the one Doctor Handible

0:27:53.520 --> 0:27:56.560
<v Speaker 6>takes Edinburgh. We did one for my festival, I solo fest.

0:27:56.560 --> 0:28:00.320
<v Speaker 6>I think event the event space and just live so

0:28:01.800 --> 0:28:03.040
<v Speaker 6>and and and helping others.

0:28:03.119 --> 0:28:04.320
<v Speaker 5>Dude do great shows too.

0:28:04.359 --> 0:28:08.440
<v Speaker 6>So I got the the the least on the old

0:28:08.520 --> 0:28:12.960
<v Speaker 6>knitting factory space. So I'm taking out your back. Yeah,

0:28:13.040 --> 0:28:16.520
<v Speaker 6>so I'm gonna be running that spot and congratulations.

0:28:16.600 --> 0:28:17.320
<v Speaker 5>So I think.

0:28:18.160 --> 0:28:20.760
<v Speaker 4>Factory, the one in the one in Williamsburg.

0:28:21.680 --> 0:28:24.320
<v Speaker 5>Yeah, gotta got a tenure least there.

0:28:24.520 --> 0:28:26.800
<v Speaker 4>This is a weird, sad question. Did old girl work

0:28:26.840 --> 0:28:29.360
<v Speaker 4>out for you or did you work Yeah?

0:28:29.359 --> 0:28:31.480
<v Speaker 5>I talked with her. She's dope. She's dope. Yeah, I

0:28:31.520 --> 0:28:34.679
<v Speaker 5>gotta when I'm back out in New York, meeting in person.

0:28:34.720 --> 0:28:37.040
<v Speaker 4>But so you're literally going to run that spot.

0:28:36.840 --> 0:28:39.400
<v Speaker 5>From run that spot, yeah, and probably do a month.

0:28:39.520 --> 0:28:41.800
<v Speaker 4>Because they used to be the old home of Okay

0:28:41.840 --> 0:28:44.240
<v Speaker 4>player well used to be upstairs.

0:28:44.320 --> 0:28:47.200
<v Speaker 6>Yeah, the space was still Vagan Knitting Factory left there

0:28:48.080 --> 0:28:51.840
<v Speaker 6>August of last year and then the.

0:28:51.720 --> 0:28:53.800
<v Speaker 5>Realtor reached out.

0:28:54.200 --> 0:28:56.760
<v Speaker 6>Hey still you know he was the new I guess

0:28:56.800 --> 0:28:58.560
<v Speaker 6>they had one for a while and then he took

0:28:58.680 --> 0:29:01.200
<v Speaker 6>he took it over as far as marketing it.

0:29:01.240 --> 0:29:03.320
<v Speaker 5>He reached out to me, Hey, man, I know you

0:29:03.400 --> 0:29:05.160
<v Speaker 5>used to do shows here. What you think about it?

0:29:05.240 --> 0:29:07.440
<v Speaker 5>And initially I was like, hell, no, man, why is

0:29:07.440 --> 0:29:11.240
<v Speaker 5>it still open? And that's going on? Why it's it

0:29:11.280 --> 0:29:12.080
<v Speaker 5>been open for a year?

0:29:12.400 --> 0:29:14.240
<v Speaker 6>And then I just kind of started, you know, running

0:29:14.280 --> 0:29:15.640
<v Speaker 6>the numbers in my head. I said, this could be

0:29:15.720 --> 0:29:17.840
<v Speaker 6>really this could be something really cool, man, just to

0:29:17.920 --> 0:29:20.160
<v Speaker 6>and it's a great story to you know, I hosted

0:29:20.240 --> 0:29:23.320
<v Speaker 6>I was. I did the first night there in two

0:29:23.400 --> 0:29:26.760
<v Speaker 6>thousand and nine, which led to me hosting my my

0:29:26.800 --> 0:29:29.480
<v Speaker 6>comedy night there. My comedy night was on Sundays because

0:29:29.520 --> 0:29:31.720
<v Speaker 6>that was my only off day from SNL.

0:29:32.360 --> 0:29:35.400
<v Speaker 4>Were you were you part of even Tarror did hip

0:29:35.440 --> 0:29:38.840
<v Speaker 4>hop karaoke when like I remember DJ Terror?

0:29:39.960 --> 0:29:40.120
<v Speaker 6>Yeah?

0:29:40.320 --> 0:29:42.640
<v Speaker 4>Was it? Were you there with? Like? Were you running

0:29:42.680 --> 0:29:43.560
<v Speaker 4>that hip hop karaoke?

0:29:43.840 --> 0:29:44.000
<v Speaker 7>No?

0:29:44.080 --> 0:29:45.960
<v Speaker 6>We just did that special for my birthday. That was

0:29:46.000 --> 0:29:47.560
<v Speaker 6>my thirtieth birthday. Y'all came through.

0:29:48.200 --> 0:29:50.080
<v Speaker 4>Oh I thought that was like a weekly thing.

0:29:50.240 --> 0:29:50.320
<v Speaker 5>No.

0:29:50.800 --> 0:29:51.760
<v Speaker 4>I was like, oh, this is dope.

0:29:51.920 --> 0:29:54.640
<v Speaker 6>No, we just did it up for my birthday and

0:29:54.640 --> 0:29:59.400
<v Speaker 6>and and yeah it was twenty thirteen. Okay, thank you

0:29:59.480 --> 0:30:01.840
<v Speaker 6>for coming through. By the way, I was fun. But yeah, man,

0:30:01.840 --> 0:30:05.320
<v Speaker 6>I'm hyped about that because it just gives me. I

0:30:05.360 --> 0:30:07.320
<v Speaker 6>love going to shows and seeing dope shows.

0:30:07.520 --> 0:30:09.760
<v Speaker 7>What's your vision, like in your mind, this is dope

0:30:09.760 --> 0:30:12.160
<v Speaker 7>because you know, folks like you don't do whole venues,

0:30:12.760 --> 0:30:14.400
<v Speaker 7>so you can just put whatever you want to.

0:30:14.640 --> 0:30:16.720
<v Speaker 6>Yeah, just the you know, I want to get the

0:30:16.840 --> 0:30:19.400
<v Speaker 6>a dope screen in there, like get the visuals right,

0:30:19.840 --> 0:30:22.760
<v Speaker 6>just you know, really making my own and it's three

0:30:22.840 --> 0:30:24.760
<v Speaker 6>hundred caps, so that's a great.

0:30:24.960 --> 0:30:26.200
<v Speaker 9>What kind of shows you're thinking?

0:30:26.560 --> 0:30:30.280
<v Speaker 5>All types of like just a dope artists man, you know,

0:30:30.360 --> 0:30:32.520
<v Speaker 5>booked to my taste and I.

0:30:32.560 --> 0:30:35.520
<v Speaker 4>Forgotten also factories music also, yeah, I thought you were

0:30:35.520 --> 0:30:36.280
<v Speaker 4>just going to turn.

0:30:36.120 --> 0:30:39.880
<v Speaker 6>It nice comedy. Yeah, it's gonna be everything, you know,

0:30:40.000 --> 0:30:43.320
<v Speaker 6>everything more and more. Yeah, it'd be probably more music,

0:30:43.480 --> 0:30:44.080
<v Speaker 6>you know what I mean?

0:30:44.320 --> 0:30:47.400
<v Speaker 4>It would be lean when you're working out comedy in

0:30:47.520 --> 0:30:51.240
<v Speaker 4>New York, because I know that there's different communities up there,

0:30:51.280 --> 0:30:56.200
<v Speaker 4>like yeah, established comedy seller and then kind of the Vegacy.

0:30:57.120 --> 0:30:58.840
<v Speaker 4>I don't want to say, I don't know what to

0:30:58.960 --> 0:31:01.400
<v Speaker 4>call the Vegas type comedian, but that's always like a

0:31:01.440 --> 0:31:06.800
<v Speaker 4>midtown Manhattan Caroline sort of thing. And then there's like

0:31:06.880 --> 0:31:10.760
<v Speaker 4>the Brooklyn set where like Wyatt or you know, I

0:31:10.800 --> 0:31:15.320
<v Speaker 4>guess they call it alternative. Is Brooklyn really considered like

0:31:16.480 --> 0:31:21.200
<v Speaker 4>the alternative comedy hub? Like, I don't think I would

0:31:21.200 --> 0:31:24.360
<v Speaker 4>see Chris at any spot in Brooklyn.

0:31:24.800 --> 0:31:30.000
<v Speaker 6>So Chris came through nit A bunch word, Yeah, oh Chris,

0:31:30.080 --> 0:31:30.920
<v Speaker 6>Chris came through Neit.

0:31:31.640 --> 0:31:32.520
<v Speaker 5>They've came through Neit.

0:31:33.800 --> 0:31:36.760
<v Speaker 4>Well, there's some people that just have no fear and go.

0:31:36.920 --> 0:31:40.400
<v Speaker 4>But like, is that still is it still not segregated?

0:31:40.440 --> 0:31:43.560
<v Speaker 4>But is it still like the all comedians don't mess

0:31:43.600 --> 0:31:48.040
<v Speaker 4>with the Vegas comedians who don't mess with the whatever

0:31:48.080 --> 0:31:49.960
<v Speaker 4>the a list that comedy Seller represents.

0:31:50.440 --> 0:31:53.520
<v Speaker 6>I'm not one to speak on the current scene right

0:31:53.560 --> 0:31:55.479
<v Speaker 6>now because I haven't been I haven't lived in New

0:31:55.560 --> 0:31:59.840
<v Speaker 6>York full time since twenty sixteen seventeen. I've been out

0:32:00.080 --> 0:32:03.080
<v Speaker 6>been out West, so I'm not really even well versed.

0:32:03.120 --> 0:32:06.320
<v Speaker 6>I just kind of now if I just started doing

0:32:06.360 --> 0:32:09.200
<v Speaker 6>comedy in New York recently, and I'll pop out a seller,

0:32:09.320 --> 0:32:12.160
<v Speaker 6>you know, I'm really not want to speak on all

0:32:12.160 --> 0:32:12.720
<v Speaker 6>the dynamics.

0:32:12.880 --> 0:32:16.840
<v Speaker 4>Is the seller a spot that you trust? Because most

0:32:16.920 --> 0:32:20.040
<v Speaker 4>comedians tell me that you have to work out in

0:32:20.120 --> 0:32:23.680
<v Speaker 4>a spot that is hard, Like Chris is like, no,

0:32:23.920 --> 0:32:27.880
<v Speaker 4>I'm going to Palm Springs, Florida. I'm going to there's

0:32:27.920 --> 0:32:31.200
<v Speaker 4>a spot in Ohio. He wants. He wants an audience

0:32:31.240 --> 0:32:34.120
<v Speaker 4>that he doesn't resonate with whatsoever, and if they can laugh,

0:32:34.840 --> 0:32:36.760
<v Speaker 4>then he knows he has something. But if you're in

0:32:36.800 --> 0:32:39.520
<v Speaker 4>the comedy seller, then it's like your boys are there

0:32:39.520 --> 0:32:41.880
<v Speaker 4>egging you are like, yeah, that's dope, and then it

0:32:41.920 --> 0:32:44.040
<v Speaker 4>doesn't work for me.

0:32:45.640 --> 0:32:47.640
<v Speaker 5>Just doing an hour on the road.

0:32:47.880 --> 0:32:50.520
<v Speaker 6>Now you're trying to headline, so that's where you you know,

0:32:50.600 --> 0:32:53.200
<v Speaker 6>I'd rather I don't really even do that many fifteen

0:32:53.240 --> 0:32:55.800
<v Speaker 6>minutes like pop up on my show. I want to

0:32:55.800 --> 0:32:57.760
<v Speaker 6>do an hour because some of my some of the

0:32:57.760 --> 0:33:00.120
<v Speaker 6>pieces and stories now it's twenty twenty five minutes on

0:33:00.160 --> 0:33:02.680
<v Speaker 6>their own. So I'm not gonna figure that out out there.

0:33:03.400 --> 0:33:04.040
<v Speaker 5>Uh So I.

0:33:04.000 --> 0:33:06.160
<v Speaker 6>Think just working on it. You you get better as

0:33:06.200 --> 0:33:10.720
<v Speaker 6>a headliner by by headlining. And so this recent run

0:33:11.760 --> 0:33:14.160
<v Speaker 6>it made me realize for my last before I put

0:33:14.160 --> 0:33:17.440
<v Speaker 6>out Miami Nights and my last tour was all theaters,

0:33:18.240 --> 0:33:19.920
<v Speaker 6>which is cool and it's and it's nice to be

0:33:19.960 --> 0:33:21.640
<v Speaker 6>able to do, but it made me realize I ain't

0:33:21.640 --> 0:33:25.040
<v Speaker 6>really like really hammered the show in the club and

0:33:25.160 --> 0:33:27.480
<v Speaker 6>just you know, getting the timing right and and doing

0:33:27.560 --> 0:33:31.240
<v Speaker 6>five in a weekend and and having you know, performed

0:33:31.360 --> 0:33:35.200
<v Speaker 6>through you know, waitresses and whatever walking through and just

0:33:35.480 --> 0:33:37.600
<v Speaker 6>you know, get to get the show tight and then

0:33:37.680 --> 0:33:39.520
<v Speaker 6>taking it to theaters, which I'm doing now. And so

0:33:39.600 --> 0:33:42.960
<v Speaker 6>I'm noticing the difference in the inequality and as far

0:33:42.960 --> 0:33:46.560
<v Speaker 6>as just making the show bulletproof through through to just

0:33:46.600 --> 0:33:49.160
<v Speaker 6>working on it. So it's been I'm I'm hype man

0:33:49.200 --> 0:33:51.440
<v Speaker 6>because I've been you know, just been moving around and

0:33:51.720 --> 0:33:55.760
<v Speaker 6>and and it's been It's an exciting time creatively.

0:33:56.160 --> 0:34:00.040
<v Speaker 8>I wanted you to talk about specifically Miami Nights and

0:34:00.040 --> 0:34:02.800
<v Speaker 8>and you know, your decision to put it out on YouTube. Yeah,

0:34:02.960 --> 0:34:06.280
<v Speaker 8>just talking through that whole experience because it was something

0:34:06.320 --> 0:34:08.160
<v Speaker 8>for me. It was really inspired. I mean we talked

0:34:08.160 --> 0:34:10.520
<v Speaker 8>in private about it, but yeah, was really inspiring. I

0:34:10.560 --> 0:34:12.680
<v Speaker 8>think a lot of artists it would. I think it

0:34:12.719 --> 0:34:14.640
<v Speaker 8>would inspired them to hear that story.

0:34:15.080 --> 0:34:16.080
<v Speaker 5>With Miami Knights.

0:34:16.840 --> 0:34:20.759
<v Speaker 6>It was a lot of it was the decision making

0:34:20.800 --> 0:34:24.200
<v Speaker 6>around it was definitely based in emotion because of you know,

0:34:24.239 --> 0:34:27.040
<v Speaker 6>it was me dealing with my my false arrest and

0:34:27.120 --> 0:34:32.200
<v Speaker 6>all of that, and so you know, going to the marketplace, it.

0:34:32.200 --> 0:34:34.440
<v Speaker 5>Was tough for me to put a price on it

0:34:34.520 --> 0:34:35.759
<v Speaker 5>and so like.

0:34:37.520 --> 0:34:40.600
<v Speaker 6>They say this amount, like, motherfucker, what are you talking about?

0:34:40.760 --> 0:34:42.920
<v Speaker 6>Is because I couldn't just it was not it was

0:34:42.960 --> 0:34:46.239
<v Speaker 6>not business in that way to me. And so that

0:34:46.400 --> 0:34:48.279
<v Speaker 6>was a big part of it. And then just doing

0:34:48.280 --> 0:34:54.040
<v Speaker 6>the negotiation in pandemic and and having a lot of.

0:34:53.960 --> 0:34:54.480
<v Speaker 5>Time to think.

0:34:54.520 --> 0:34:56.120
<v Speaker 6>It was about we were about to go to Netflix,

0:34:57.560 --> 0:35:00.640
<v Speaker 6>we know, right, And it wasn't ont flick talking about

0:35:00.640 --> 0:35:03.960
<v Speaker 6>it. It was delivered to Netflix. We were they were subtitling

0:35:04.000 --> 0:35:08.799
<v Speaker 6>that ship. And I pulled it why because it just

0:35:09.280 --> 0:35:11.360
<v Speaker 6>I was just thinking about it, man, And and it

0:35:11.440 --> 0:35:14.399
<v Speaker 6>was just it was part it was short term vision,

0:35:14.480 --> 0:35:19.000
<v Speaker 6>long term vision where it didn't look like the road

0:35:19.080 --> 0:35:22.160
<v Speaker 6>was happening in the fall, and so and it was

0:35:22.160 --> 0:35:25.759
<v Speaker 6>signing away the entire the entire thing. And I didn't

0:35:25.760 --> 0:35:28.120
<v Speaker 6>think the price point after sitting around thinking about it

0:35:28.160 --> 0:35:32.439
<v Speaker 6>because I wasn't in motion. You're your manager, Uh at

0:35:32.440 --> 0:35:34.880
<v Speaker 6>that time, I did not have management.

0:35:34.880 --> 0:35:36.480
<v Speaker 5>I had agent, Yeah, I had agent.

0:35:36.600 --> 0:35:39.200
<v Speaker 6>That was there was, but it was just you know, yeah,

0:35:39.280 --> 0:35:42.759
<v Speaker 6>me and my thoughts was my manager, and so it

0:35:42.840 --> 0:35:47.440
<v Speaker 6>was just somewhere I didn't I'm I'm happy with the decision.

0:35:47.440 --> 0:35:49.160
<v Speaker 6>I wish I just did it earlier because I know

0:35:49.200 --> 0:35:52.920
<v Speaker 6>they were salted it and I got relationships over there

0:35:52.920 --> 0:35:57.120
<v Speaker 6>that was before they were even at Netflix. But yeah,

0:35:57.160 --> 0:35:58.880
<v Speaker 6>so I decided to go YouTube just to keep the

0:35:59.080 --> 0:36:01.839
<v Speaker 6>keep the ownership of it and and put it out

0:36:01.880 --> 0:36:02.279
<v Speaker 6>that way.

0:36:03.520 --> 0:36:06.000
<v Speaker 7>And YouTube ownership is like, because I was wondering, I'm like,

0:36:06.000 --> 0:36:06.920
<v Speaker 7>don't they still.

0:36:06.680 --> 0:36:10.000
<v Speaker 5>Own no YouTube? Uh?

0:36:10.040 --> 0:36:12.000
<v Speaker 6>And then I took it down from YouTube too because

0:36:12.000 --> 0:36:15.000
<v Speaker 6>I just it was weird releasing something in the in

0:36:15.040 --> 0:36:18.440
<v Speaker 6>the pandemic and not having any live energy around it

0:36:18.520 --> 0:36:21.439
<v Speaker 6>and movement and then and then then so now it's

0:36:21.480 --> 0:36:24.160
<v Speaker 6>just down and I be thinking I'm gonna put it

0:36:24.200 --> 0:36:26.480
<v Speaker 6>back up, but it's no urgency.

0:36:26.560 --> 0:36:27.960
<v Speaker 5>And I kind of like the idea of having a

0:36:27.960 --> 0:36:29.360
<v Speaker 5>special that people.

0:36:29.080 --> 0:36:35.440
<v Speaker 4>Can create your own scarcity.

0:36:35.719 --> 0:36:38.440
<v Speaker 6>Yeah, and so it's just no, I don't want to,

0:36:38.600 --> 0:36:41.920
<v Speaker 6>you know, I like just having and you know, maybe

0:36:41.920 --> 0:36:43.840
<v Speaker 6>who knows when they'll go out. They'll go out eventually,

0:36:43.880 --> 0:36:46.279
<v Speaker 6>but it's not it's not I have to do it

0:36:46.400 --> 0:36:46.680
<v Speaker 6>like that.

0:36:46.800 --> 0:36:49.920
<v Speaker 4>It's just well, I'll ask you because I still say

0:36:51.280 --> 0:36:53.759
<v Speaker 4>that that's the two things that I've not seen a

0:36:53.800 --> 0:36:56.000
<v Speaker 4>comedian do yet. And I feel like comedy should be

0:36:56.040 --> 0:37:02.400
<v Speaker 4>something which a comedian will attempt to go in uncharted territory.

0:37:02.640 --> 0:37:06.600
<v Speaker 4>And so there was a what's his name's boy who

0:37:06.640 --> 0:37:12.520
<v Speaker 4>did the comedy special with no audience. Oh, I can't remember,

0:37:12.520 --> 0:37:17.960
<v Speaker 4>the white guy Drew Michael. But also I believe Silverman

0:37:18.120 --> 0:37:22.319
<v Speaker 4>once did a special which it had to been at

0:37:22.400 --> 0:37:26.120
<v Speaker 4>least maybe like eighteen people in the room, like, but

0:37:26.160 --> 0:37:28.719
<v Speaker 4>it was just an intimate which that felt like, oh,

0:37:28.719 --> 0:37:31.320
<v Speaker 4>that must be hard, like to try to make eighteen

0:37:31.360 --> 0:37:36.600
<v Speaker 4>people gut laugh in that manner. But I mean, are

0:37:36.640 --> 0:37:41.920
<v Speaker 4>there for you? Is there any desire to figure that out?

0:37:42.000 --> 0:37:44.120
<v Speaker 4>Or it's just like nah, Like if it ain't broke,

0:37:44.160 --> 0:37:45.120
<v Speaker 4>don't fix it, Like just.

0:37:45.080 --> 0:37:47.600
<v Speaker 5>Do something, just doing a different message with the format.

0:37:47.719 --> 0:37:52.160
<v Speaker 6>Yeah, uh yeah, there's a lot of ways to to

0:37:52.239 --> 0:37:52.880
<v Speaker 6>just try it.

0:37:52.920 --> 0:37:53.160
<v Speaker 5>Man.

0:37:53.560 --> 0:37:55.160
<v Speaker 8>I think to drive through shows you kind of, I

0:37:55.200 --> 0:37:56.440
<v Speaker 8>mean the driving shows you did.

0:37:56.480 --> 0:37:58.239
<v Speaker 4>Yeah, so why didn't you like the wor you said

0:37:58.280 --> 0:37:59.279
<v Speaker 4>disasters drive through?

0:38:00.360 --> 0:38:02.359
<v Speaker 5>Man? That shit was just.

0:38:04.000 --> 0:38:06.680
<v Speaker 6>Ye had a huh And it's just a disconnect. There's

0:38:06.719 --> 0:38:11.600
<v Speaker 6>no you can't see faces people either in their cars

0:38:11.719 --> 0:38:15.680
<v Speaker 6>or or sitting on it. It's no connection and so

0:38:15.840 --> 0:38:19.600
<v Speaker 6>that you know, especially you know, I was rusty too,

0:38:20.360 --> 0:38:22.080
<v Speaker 6>you know what I mean, with no real and so

0:38:22.200 --> 0:38:27.480
<v Speaker 6>then jumping back out my first gig, it's nothing I

0:38:27.680 --> 0:38:31.200
<v Speaker 6>practiced for the past, you know, eighteen years or whatever.

0:38:31.680 --> 0:38:33.320
<v Speaker 5>So it was just a weird experience.

0:38:34.880 --> 0:38:35.600
<v Speaker 4>Yeah, it was.

0:38:35.640 --> 0:38:38.720
<v Speaker 6>I remember Cleveland was the first show. It was facing

0:38:38.719 --> 0:38:43.239
<v Speaker 6>a highway and it was a train. It was a

0:38:43.280 --> 0:38:46.800
<v Speaker 6>train track to the right, A stage was facing a highway.

0:38:47.000 --> 0:38:51.000
<v Speaker 6>Audience is seeing so I'm so I'm seeing FedEx trucks

0:38:51.280 --> 0:38:53.719
<v Speaker 6>and then the train got really active during my set

0:38:54.480 --> 0:38:56.400
<v Speaker 6>and I hadn't even been on stage in months, so

0:38:56.440 --> 0:39:01.480
<v Speaker 6>I'm and I'm like, whoa, this is terrible. But because

0:39:01.520 --> 0:39:04.200
<v Speaker 6>the audience is listening to radio, that's not their experience,

0:39:04.200 --> 0:39:05.439
<v Speaker 6>so they're not bothered by the train.

0:39:05.719 --> 0:39:07.480
<v Speaker 5>They're not even seeing the trucks.

0:39:07.800 --> 0:39:11.360
<v Speaker 6>So I'm just mother on stage complaining about trucks and trains.

0:39:13.160 --> 0:39:16.360
<v Speaker 5>So it was just one of those was it, man?

0:39:16.600 --> 0:39:17.759
<v Speaker 5>I wanted to and I was.

0:39:18.080 --> 0:39:19.840
<v Speaker 6>We got about six morties and it was It was

0:39:19.840 --> 0:39:22.320
<v Speaker 6>funny to flip because initially I was super excited to

0:39:22.360 --> 0:39:23.960
<v Speaker 6>get that tour going, just to get something going we

0:39:24.080 --> 0:39:27.440
<v Speaker 6>out here, and then I actually announced that because somebody

0:39:27.520 --> 0:39:31.279
<v Speaker 6>else was taking too long. It made sense that they

0:39:31.400 --> 0:39:33.560
<v Speaker 6>was taking too long because it was a dicey situation,

0:39:33.680 --> 0:39:35.560
<v Speaker 6>so they was thinking about it, and so I said, no,

0:39:35.640 --> 0:39:38.080
<v Speaker 6>we about to announce, and I announced, and then we

0:39:38.160 --> 0:39:38.719
<v Speaker 6>get out there and.

0:39:38.719 --> 0:39:40.839
<v Speaker 5>I said, man, I want to cancel the rest of these.

0:39:41.800 --> 0:39:43.359
<v Speaker 5>We kind of figured it out and it got better,

0:39:43.400 --> 0:39:44.200
<v Speaker 5>but it still wasn't.

0:39:44.280 --> 0:39:46.359
<v Speaker 6>It wasn't the ideal it was. It was a it

0:39:46.400 --> 0:39:49.200
<v Speaker 6>was an an ideal situation. As far as it's flipping stuff,

0:39:49.239 --> 0:39:50.120
<v Speaker 6>I mean, you make it.

0:39:50.320 --> 0:39:50.560
<v Speaker 5>You know.

0:39:50.640 --> 0:39:53.840
<v Speaker 6>We did the Hannibal Takes Edinburgh thing where that was

0:39:53.880 --> 0:39:56.800
<v Speaker 6>a bunch of shows in one place, and and adding

0:39:56.840 --> 0:40:00.600
<v Speaker 6>the docu documentary element. I think people liked story and

0:40:00.640 --> 0:40:03.040
<v Speaker 6>seeing it seeing that part of it, I got some

0:40:03.160 --> 0:40:06.680
<v Speaker 6>I got another idea for something for a special that

0:40:06.760 --> 0:40:09.640
<v Speaker 6>involves some some traveling and some some moving around. So

0:40:10.239 --> 0:40:11.920
<v Speaker 6>there is ways to flipp it because there's been so

0:40:12.000 --> 0:40:15.840
<v Speaker 6>much just stand up done, just somebody standing on the stage.

0:40:16.520 --> 0:40:20.000
<v Speaker 6>So anytime you could figure out a different visual element

0:40:20.239 --> 0:40:23.799
<v Speaker 6>or something else, you know, it could just makes it

0:40:23.840 --> 0:40:25.399
<v Speaker 6>be CREATI because the jokes are gonna be the jokes

0:40:25.400 --> 0:40:26.200
<v Speaker 6>no matter what you're doing.

0:40:26.360 --> 0:40:28.040
<v Speaker 5>So it's just how to how to figure out how

0:40:28.040 --> 0:40:28.520
<v Speaker 5>to flip it.

0:40:28.960 --> 0:40:32.080
<v Speaker 8>Man, I wanted you to talk about Isla Feste you

0:40:32.120 --> 0:40:36.399
<v Speaker 8>pulled up because that she was insane. So yeah, how

0:40:36.400 --> 0:40:39.080
<v Speaker 8>do you get how many thousands of people that you

0:40:39.120 --> 0:40:39.440
<v Speaker 8>got to?

0:40:39.680 --> 0:40:41.400
<v Speaker 4>Yeah, a small town.

0:40:41.440 --> 0:40:43.560
<v Speaker 8>That you know you probably couldn't even find on the map.

0:40:43.840 --> 0:40:49.880
<v Speaker 6>Yeah, I Solo fest December twenty nineteen. I had the idea,

0:40:49.920 --> 0:40:52.839
<v Speaker 6>I have a little club. Me and my cousin own

0:40:52.960 --> 0:40:55.280
<v Speaker 6>a club and I sold the Mississippi that's where my

0:40:55.280 --> 0:40:56.759
<v Speaker 6>my mom's side of the family's from.

0:40:57.560 --> 0:40:59.680
<v Speaker 5>And so I had the idea to do.

0:41:00.760 --> 0:41:00.920
<v Speaker 4>Uh.

0:41:01.360 --> 0:41:03.200
<v Speaker 5>I wanted to do some shows down there, just to

0:41:03.280 --> 0:41:03.800
<v Speaker 5>draw attention.

0:41:04.040 --> 0:41:08.000
<v Speaker 6>Population of this town is a thousand or less. Uh,

0:41:08.239 --> 0:41:10.600
<v Speaker 6>super small town. But I said, you know what you

0:41:10.640 --> 0:41:13.120
<v Speaker 6>do the right ship people people show up, and so

0:41:13.160 --> 0:41:14.479
<v Speaker 6>I want to do a show down there.

0:41:16.239 --> 0:41:16.760
<v Speaker 5>And then.

0:41:18.120 --> 0:41:20.520
<v Speaker 6>First hear I hit up T Pain, expecting him to

0:41:20.520 --> 0:41:25.520
<v Speaker 6>say no, it was really just a practice call. Just

0:41:25.560 --> 0:41:28.080
<v Speaker 6>a practice call is practice in my pitch. I'm gonna

0:41:28.160 --> 0:41:30.080
<v Speaker 6>let him say no. I hit up T Pain. You

0:41:30.120 --> 0:41:31.719
<v Speaker 6>want to do the show? And I told it I.

0:41:31.719 --> 0:41:37.399
<v Speaker 4>Never thought of that. I need that advice. Right, I'm

0:41:37.440 --> 0:41:41.600
<v Speaker 4>doing this ship wrong. I got to call it Fredda

0:41:45.280 --> 0:41:45.759
<v Speaker 4>doctor Dre.

0:41:47.840 --> 0:41:50.000
<v Speaker 5>I'm expected to know he was. I said, you want

0:41:50.040 --> 0:41:51.520
<v Speaker 5>to do the show? And I sold him thinking it

0:41:52.080 --> 0:41:52.799
<v Speaker 5>he said yeah, I.

0:41:53.200 --> 0:41:56.560
<v Speaker 6>Said what And so then I escalate into it, I said,

0:41:56.680 --> 0:41:59.200
<v Speaker 6>from being a one night thing to a three day festival,

0:41:59.200 --> 0:42:00.400
<v Speaker 6>which was on that sarih.

0:42:00.480 --> 0:42:03.480
<v Speaker 5>But we got the memories and the experience. Uh.

0:42:03.560 --> 0:42:05.640
<v Speaker 6>And then and then it was we was only doing

0:42:05.680 --> 0:42:08.440
<v Speaker 6>it on three weeks notice because the play was to

0:42:09.120 --> 0:42:12.680
<v Speaker 6>do it in December, So this was I guess late

0:42:12.800 --> 0:42:16.600
<v Speaker 6>November that I was trying to execute this and then

0:42:17.320 --> 0:42:20.440
<v Speaker 6>and then, uh, we were gonna do it properly the

0:42:20.520 --> 0:42:23.400
<v Speaker 6>following Memorial Day weekend. Now that we established it and

0:42:23.440 --> 0:42:26.239
<v Speaker 6>everything and then and we did it.

0:42:26.400 --> 0:42:27.000
<v Speaker 5>Was cool, man.

0:42:27.000 --> 0:42:27.200
<v Speaker 4>It was.

0:42:27.239 --> 0:42:29.560
<v Speaker 6>It's a lot of challenges that you could imagine to

0:42:29.719 --> 0:42:33.399
<v Speaker 6>doing a show in rural Mississippi, but it was it

0:42:33.440 --> 0:42:35.960
<v Speaker 6>was dope to to have it come together after, you know,

0:42:36.000 --> 0:42:38.560
<v Speaker 6>because it's you know, brought a lot of artists down

0:42:38.640 --> 0:42:42.759
<v Speaker 6>and and people. It wasn't thousands of folks, it was,

0:42:42.800 --> 0:42:45.000
<v Speaker 6>you know, a few hundred, but it was it was

0:42:45.120 --> 0:42:47.880
<v Speaker 6>people came from from everywhere to the you know a

0:42:47.920 --> 0:42:50.440
<v Speaker 6>lot of spots in the South, and the folks that

0:42:50.640 --> 0:42:53.320
<v Speaker 6>went to it hadn't seen anything like that there before,

0:42:53.440 --> 0:42:56.719
<v Speaker 6>so you know, you could see that genuine appreciation.

0:42:57.560 --> 0:42:58.440
<v Speaker 5>I'm gonna trying to get that.

0:42:58.560 --> 0:43:00.960
<v Speaker 6>I'm gonna get that back rolling and do a lot

0:43:00.960 --> 0:43:04.160
<v Speaker 6>of updates to the club to once once uh get

0:43:04.160 --> 0:43:06.640
<v Speaker 6>my Brooklyn stuff going. The goal is to have that

0:43:06.719 --> 0:43:09.520
<v Speaker 6>kind of stuff trickle down to there and maybe I'll

0:43:09.520 --> 0:43:14.200
<v Speaker 6>start booking folks on the Isola Brooklyn run.

0:43:14.719 --> 0:43:17.040
<v Speaker 5>But uh yeah, I want to, you know, just have

0:43:17.120 --> 0:43:20.320
<v Speaker 5>your multiple multiple venues and and and.

0:43:20.040 --> 0:43:22.960
<v Speaker 6>And build like that and just you know, really really

0:43:23.040 --> 0:43:24.520
<v Speaker 6>do some cool stuff in the live space.

0:43:29.360 --> 0:43:36.399
<v Speaker 4>When you did the Spider Man movie, which one, uh well,

0:43:36.680 --> 0:43:40.680
<v Speaker 4>I recall that at one of the premieres, you had

0:43:40.719 --> 0:43:45.400
<v Speaker 4>sent a sub year to go in your place. Where

0:43:45.400 --> 0:43:47.280
<v Speaker 4>did that come from?

0:43:49.560 --> 0:43:51.759
<v Speaker 6>It was just really I want I was on set

0:43:51.800 --> 0:43:56.759
<v Speaker 6>at TAG and they needed me for that day, and

0:43:56.800 --> 0:43:59.719
<v Speaker 6>I didn't want to not have any presence there.

0:44:00.040 --> 0:44:01.359
<v Speaker 5>You know, I didn't want to just be I can't

0:44:01.360 --> 0:44:04.200
<v Speaker 5>make it. It's a Spider Man. He looked like her.

0:44:04.320 --> 0:44:07.200
<v Speaker 4>How did you know? I don't think he he just na.

0:44:07.320 --> 0:44:09.360
<v Speaker 6>He really looked like me a little bit taller. He

0:44:09.440 --> 0:44:11.879
<v Speaker 6>was bald, uh, and I just.

0:44:11.920 --> 0:44:14.000
<v Speaker 4>Was like, how did you how did you one? How

0:44:14.000 --> 0:44:15.919
<v Speaker 4>did you find him? And what was the game plan?

0:44:16.000 --> 0:44:19.560
<v Speaker 4>And did you warn the Spider Man people that you're

0:44:19.600 --> 0:44:21.600
<v Speaker 4>sending a sub in your place?

0:44:21.840 --> 0:44:22.040
<v Speaker 5>No?

0:44:22.520 --> 0:44:26.880
<v Speaker 6>I found him. I tweeted it out, and then I

0:44:27.000 --> 0:44:30.640
<v Speaker 6>wasn't good. I said, I needed to look like I

0:44:30.680 --> 0:44:33.799
<v Speaker 6>need to look alike, uh, you know, have decent comedic time.

0:44:33.840 --> 0:44:36.120
<v Speaker 6>And I forgot what the ad was, but put that out,

0:44:36.520 --> 0:44:37.880
<v Speaker 6>and then there was a bunch of folks that was

0:44:37.920 --> 0:44:39.920
<v Speaker 6>emailing it weren't seriously white folks.

0:44:39.920 --> 0:44:41.359
<v Speaker 5>He was like, come on, man, I'm trying to do something.

0:44:46.560 --> 0:44:49.120
<v Speaker 5>Come on, man, I know he messing around.

0:44:49.480 --> 0:44:52.640
<v Speaker 4>Was able? Was he able to fool anyone in the

0:44:52.680 --> 0:44:53.440
<v Speaker 4>press line that?

0:44:54.560 --> 0:44:54.640
<v Speaker 11>Oh?

0:44:54.719 --> 0:44:56.800
<v Speaker 6>Then he reached out he had actually been a stand

0:44:56.840 --> 0:45:00.640
<v Speaker 6>in for me on something for the MTV the Movie

0:45:00.640 --> 0:45:04.680
<v Speaker 6>Awards of VMA or something that shot, so he could

0:45:04.719 --> 0:45:06.960
<v Speaker 6>be trusted to not do nothing too crazy out there,

0:45:07.000 --> 0:45:07.480
<v Speaker 6>you know what I mean.

0:45:07.560 --> 0:45:09.080
<v Speaker 5>Some people might get in that environment and.

0:45:10.320 --> 0:45:12.120
<v Speaker 4>Crazy trying to keep working.

0:45:12.200 --> 0:45:12.719
<v Speaker 5>Yeah, he trying.

0:45:12.760 --> 0:45:14.880
<v Speaker 6>Yeah, So he kept the cool And so then I

0:45:15.000 --> 0:45:17.440
<v Speaker 6>just sent him all of my credentials and everything that

0:45:17.440 --> 0:45:19.080
<v Speaker 6>they sent me. So when he pulled up to the

0:45:19.280 --> 0:45:20.960
<v Speaker 6>with the car, you know what I mean, and security

0:45:20.960 --> 0:45:23.799
<v Speaker 6>he could just show that and so yeah, I mean,

0:45:25.400 --> 0:45:26.719
<v Speaker 6>you know what I mean. And then he got there

0:45:26.880 --> 0:45:30.120
<v Speaker 6>did an interview. It was crazy seeing it progress like

0:45:30.120 --> 0:45:32.440
<v Speaker 6>that because we were watching him on live. There was

0:45:32.680 --> 0:45:34.839
<v Speaker 6>a lot of downtime on the tag sets. So I said,

0:45:34.840 --> 0:45:38.520
<v Speaker 6>what I put that together and just watching that, I.

0:45:38.520 --> 0:45:40.239
<v Speaker 9>Don't think nobody's ever done this before either.

0:45:40.360 --> 0:45:44.080
<v Speaker 4>And you know what, I don't think here's the funny thing,

0:45:45.239 --> 0:45:47.000
<v Speaker 4>uh that was done to me before.

0:45:47.080 --> 0:45:48.240
<v Speaker 2>You were like camal Bell.

0:45:50.640 --> 0:45:52.680
<v Speaker 4>Here, No, here's the hilarious thing. I thought. I told

0:45:52.719 --> 0:45:58.400
<v Speaker 4>the story before. Letterman had hosted the Emmy Award and

0:45:58.440 --> 0:46:02.080
<v Speaker 4>it was disastrous or critics thought it was a disaster job.

0:46:02.920 --> 0:46:08.640
<v Speaker 4>So kind of Letterman's middle finger to the Academy because

0:46:08.719 --> 0:46:11.319
<v Speaker 4>oh shockers, they'd invite me to the nineteen ninety six

0:46:11.400 --> 0:46:15.440
<v Speaker 4>one and so he was nominated for Best Late Night

0:46:15.440 --> 0:46:17.920
<v Speaker 4>Show whatever. So he was like, I'm gonna send out

0:46:17.920 --> 0:46:25.840
<v Speaker 4>a sub. Now this is TUPAC Diawood September thirteenth. Okay,

0:46:25.920 --> 0:46:32.880
<v Speaker 4>so this is let's say September fifth of ninety six.

0:46:34.160 --> 0:46:38.440
<v Speaker 4>I went to the store to buy a suit because

0:46:38.800 --> 0:46:40.640
<v Speaker 4>this is the very first time that I'm drumming for

0:46:40.719 --> 0:46:44.960
<v Speaker 4>DiAngelo for the Brown Sugar Platinum party. This is when

0:46:45.080 --> 0:46:47.799
<v Speaker 4>like this is a very time first time me Pino,

0:46:47.880 --> 0:46:52.960
<v Speaker 4>like everyone's doing that. And Letterman happened to be in

0:46:53.000 --> 0:46:55.200
<v Speaker 4>that store buying a suit for if you remember the

0:46:55.320 --> 0:46:58.520
<v Speaker 4>character on the show, Larry bud Melman. Do you remember

0:46:58.800 --> 0:47:04.560
<v Speaker 4>Larry right, legendary character on the Letterman Show. And so

0:47:04.680 --> 0:47:08.960
<v Speaker 4>Letterman's looking at me in all my primitive exotic glory

0:47:09.040 --> 0:47:12.120
<v Speaker 4>like this, you know, six ft three Afro guy walking in.

0:47:12.600 --> 0:47:14.920
<v Speaker 4>He doesn't know who or what I am. No one knows,

0:47:15.000 --> 0:47:18.440
<v Speaker 4>and they were just like, hey, would you like to suit?

0:47:18.560 --> 0:47:21.279
<v Speaker 4>And I was inadvertently part of the sketch and then

0:47:21.320 --> 0:47:23.360
<v Speaker 4>they were like what are you doing on Sunday? And

0:47:23.520 --> 0:47:28.760
<v Speaker 4>literally the thing flips and Larry bud Melman and I

0:47:28.880 --> 0:47:35.839
<v Speaker 4>are like David Letterman's representatives for the Emmys what And

0:47:35.960 --> 0:47:40.040
<v Speaker 4>all I remember was who's old boy from h Scrubs?

0:47:40.239 --> 0:47:43.040
<v Speaker 4>I'm sorry, I know Scrubs as in the sound effects

0:47:43.080 --> 0:47:48.960
<v Speaker 4>Don Donald, Yeah, yeah, And that's the moment where Donald,

0:47:49.040 --> 0:47:53.360
<v Speaker 4>like Faison was like in tears, like Tupac just got shot.

0:47:53.480 --> 0:47:58.520
<v Speaker 4>And like literally, yeah, it's like that's how it. But

0:47:59.160 --> 0:48:04.879
<v Speaker 4>I was I was lettermans standing. Yeah, and then maybe

0:48:04.960 --> 0:48:08.360
<v Speaker 4>a week later they realized the show realized like you know,

0:48:08.480 --> 0:48:10.520
<v Speaker 4>this isn't a random guy, like this guy is an

0:48:10.560 --> 0:48:13.160
<v Speaker 4>actual like they put him on. But then but you

0:48:13.239 --> 0:48:15.160
<v Speaker 4>got to go to That made me well yeah, but

0:48:15.160 --> 0:48:16.719
<v Speaker 4>then it also made me a friend of the show.

0:48:16.719 --> 0:48:19.080
<v Speaker 4>And then that's the roots could not get on Letterman

0:48:19.200 --> 0:48:22.320
<v Speaker 4>at that time during that do you want More philadelph period,

0:48:22.400 --> 0:48:25.799
<v Speaker 4>So that kind of opened the door. So yes, I

0:48:25.880 --> 0:48:28.960
<v Speaker 4>was David Letterman's proxy.

0:48:29.040 --> 0:48:31.120
<v Speaker 2>I like, you know, scrubs because the sound effects that.

0:48:33.000 --> 0:48:36.800
<v Speaker 4>I didn't know what show undercats no between between Barker

0:48:36.880 --> 0:48:39.520
<v Speaker 4>Lewis can't lose his scrubs like they were just you

0:48:39.560 --> 0:48:45.600
<v Speaker 4>know him, gentlemen cinema in between transition. That's not that

0:48:45.680 --> 0:48:47.120
<v Speaker 4>I mean, but as they were just showing like.

0:48:47.080 --> 0:48:49.160
<v Speaker 9>Hey, what right, you're right, you're right right?

0:48:49.360 --> 0:48:52.040
<v Speaker 4>Sound effects. Yeah, I don't call it scrubs. I just

0:48:52.040 --> 0:48:53.839
<v Speaker 4>call it.

0:48:56.440 --> 0:48:58.959
<v Speaker 8>But I wanted to ask you, Hannibal, when you're going

0:48:58.960 --> 0:49:03.759
<v Speaker 8>out on tour, when we're touring with rappers, what do

0:49:03.800 --> 0:49:04.640
<v Speaker 8>you pick up?

0:49:05.000 --> 0:49:05.880
<v Speaker 4>Like what do you learn?

0:49:06.080 --> 0:49:07.920
<v Speaker 8>You know what I'm saying because stepping into a new

0:49:08.000 --> 0:49:11.680
<v Speaker 8>kind of a new kind of performance. Yeah, what's some

0:49:11.680 --> 0:49:13.520
<v Speaker 8>of the stuff you you're watching for and you learn

0:49:13.560 --> 0:49:16.319
<v Speaker 8>when you watch other MC's perform Just the.

0:49:18.320 --> 0:49:22.399
<v Speaker 6>Just rapping with with force, you know what I mean?

0:49:22.520 --> 0:49:25.719
<v Speaker 5>And clarity, Yeah, just that part of it.

0:49:25.920 --> 0:49:31.160
<v Speaker 6>Just make engine create moments for yourself, Like because at

0:49:31.160 --> 0:49:33.480
<v Speaker 6>this point people listening, but they don't know my songs,

0:49:33.680 --> 0:49:37.040
<v Speaker 6>and so I just can't rap at them blindly, and

0:49:37.080 --> 0:49:39.840
<v Speaker 6>so it's just kind of creating the moments either acapellas

0:49:40.040 --> 0:49:43.600
<v Speaker 6>or you walk them into the song explaining with the story,

0:49:43.719 --> 0:49:46.040
<v Speaker 6>or hey, here's the hook to this, or you know

0:49:46.120 --> 0:49:48.520
<v Speaker 6>those parts of it because it's forcing me. I can't

0:49:48.520 --> 0:49:51.279
<v Speaker 6>just lean on y'all know this shit. They do not

0:49:51.440 --> 0:49:52.479
<v Speaker 6>know that shit, but they.

0:49:53.880 --> 0:49:56.879
<v Speaker 5>But they willing to learn. Uh so uh.

0:49:58.480 --> 0:50:00.759
<v Speaker 6>And so that part of it of just energy and

0:50:00.880 --> 0:50:04.000
<v Speaker 6>just you know, yeah this, you know, figuring out the

0:50:04.719 --> 0:50:07.399
<v Speaker 6>pacing of a said and who are.

0:50:07.320 --> 0:50:09.200
<v Speaker 7>Some mcs that you've watched though and you've been like,

0:50:09.200 --> 0:50:11.680
<v Speaker 7>you know what he got that? I need to work

0:50:11.680 --> 0:50:15.239
<v Speaker 7>on that myself, Fante. Okay, I was thinking that when.

0:50:15.160 --> 0:50:15.600
<v Speaker 9>He was talking.

0:50:15.680 --> 0:50:19.520
<v Speaker 4>Yeah, just yeah, y'all charismatic motherfucker.

0:50:19.560 --> 0:50:21.480
<v Speaker 9>Yess he on stage. It's a problem.

0:50:21.920 --> 0:50:26.880
<v Speaker 6>Yeah, Fante intro me in Raleigh or yeah, Raleigh was

0:50:26.920 --> 0:50:28.959
<v Speaker 6>twenty thirteen. Because I asked, you want to do something,

0:50:29.040 --> 0:50:32.560
<v Speaker 6>He's like, I'll do the intro and then he went

0:50:32.640 --> 0:50:34.360
<v Speaker 6>up and introed me. He was like, ladies and gentlemen,

0:50:35.920 --> 0:50:37.759
<v Speaker 6>everybody got everybody standing up?

0:50:40.040 --> 0:50:43.440
<v Speaker 4>Did it too good? It was right.

0:50:43.520 --> 0:50:45.000
<v Speaker 5>I was like, I didn't know that was possible. I

0:50:45.000 --> 0:50:46.480
<v Speaker 5>didn't know you could start a show like that.

0:50:46.680 --> 0:50:49.640
<v Speaker 4>Yeah, I swear for it was a period of time.

0:50:49.760 --> 0:50:53.120
<v Speaker 8>I was damn near Hannibal's agent and booking agent when

0:50:53.120 --> 0:50:55.640
<v Speaker 8>he came to He called me that same show. He

0:50:55.680 --> 0:50:58.960
<v Speaker 8>called me. I got a call the night before. Hey man,

0:50:59.000 --> 0:51:02.640
<v Speaker 8>I'm coming to Raleigh. I'm saying, you know some ballerinas.

0:51:04.239 --> 0:51:06.480
<v Speaker 4>You were the man in Houston. I was the guy

0:51:06.520 --> 0:51:09.440
<v Speaker 4>and he was like, yo, you know some.

0:51:09.800 --> 0:51:12.160
<v Speaker 8>I'm like, yes, I got this bid I want to do.

0:51:12.200 --> 0:51:14.480
<v Speaker 8>I just I just wrap, but I want ballerinas with it.

0:51:14.600 --> 0:51:16.520
<v Speaker 4>I'm like, and you did, like, bro, let me see

0:51:16.560 --> 0:51:16.960
<v Speaker 4>what I could do.

0:51:17.040 --> 0:51:19.279
<v Speaker 8>And also I knew some people and he got we

0:51:19.320 --> 0:51:20.320
<v Speaker 8>had like three four balleries.

0:51:20.320 --> 0:51:22.680
<v Speaker 4>That was the night Damien was open for you. Damien Lemon.

0:51:22.920 --> 0:51:24.879
<v Speaker 5>Yeah, yeah, oh my god.

0:51:24.880 --> 0:51:26.040
<v Speaker 9>I college with Damien.

0:51:27.160 --> 0:51:27.840
<v Speaker 4>That was a great.

0:51:30.400 --> 0:51:32.279
<v Speaker 2>I love that, you know, Ballerina.

0:51:33.120 --> 0:51:35.319
<v Speaker 8>I was like, and then like you call again and

0:51:35.400 --> 0:51:37.200
<v Speaker 8>the funniest funny this maybe a couple of years later,

0:51:37.360 --> 0:51:38.879
<v Speaker 8>you hit me again. I was like, yo, man, so

0:51:39.480 --> 0:51:41.759
<v Speaker 8>I'm doing the show here where I need somebody to

0:51:41.760 --> 0:51:44.560
<v Speaker 8>open for me, and you know somebody and I had

0:51:44.560 --> 0:51:46.719
<v Speaker 8>a home in mind. That was, you know, making him know.

0:51:46.840 --> 0:51:48.160
<v Speaker 8>He was trying to you know, get in the game.

0:51:48.200 --> 0:51:49.879
<v Speaker 8>And I just hit him like, yo, bro, you want

0:51:49.880 --> 0:51:50.320
<v Speaker 8>to open.

0:51:50.160 --> 0:51:52.879
<v Speaker 4>The handle tonight? He was like yeah, and he went

0:51:52.960 --> 0:51:54.400
<v Speaker 4>and did it and I hit handle the next y.

0:51:54.480 --> 0:51:55.680
<v Speaker 4>I said, how did it go? He was like, oh

0:51:55.760 --> 0:51:56.480
<v Speaker 4>that nigga bombs.

0:51:57.960 --> 0:52:03.000
<v Speaker 5>He wasn't good. It just yeah, it just what you know,

0:52:05.000 --> 0:52:05.800
<v Speaker 5>did he have potential?

0:52:05.840 --> 0:52:07.120
<v Speaker 9>Don't handle? Did he have potential?

0:52:07.440 --> 0:52:12.560
<v Speaker 5>It's uh yeah, you had to ask me right afterwards.

0:52:12.600 --> 0:52:14.960
<v Speaker 5>It's been a couple of years. That was twenty seventeen.

0:52:15.080 --> 0:52:17.200
<v Speaker 8>But it was, you know, it was funny because he

0:52:17.280 --> 0:52:19.520
<v Speaker 8>was you were laughing, like hell just talking about him bomb.

0:52:19.600 --> 0:52:20.640
<v Speaker 4>I thought it was funny. Ship.

0:52:21.160 --> 0:52:24.040
<v Speaker 8>But but nah, man, I when we did that show,

0:52:24.080 --> 0:52:25.960
<v Speaker 8>when we did uh the like the run.

0:52:26.000 --> 0:52:27.280
<v Speaker 4>We did the LB Run in March.

0:52:27.520 --> 0:52:30.640
<v Speaker 8>Yeah, and I hit you up and I was like, yo, man,

0:52:30.680 --> 0:52:32.440
<v Speaker 8>you want to do it? Because me and Pool were

0:52:32.440 --> 0:52:34.520
<v Speaker 8>just thinking it was like yo, we didn't want to

0:52:34.600 --> 0:52:38.480
<v Speaker 8>have just uh, you know, a traditional quote unquote like

0:52:38.680 --> 0:52:41.160
<v Speaker 8>we wanted to show me like look man, this is

0:52:41.200 --> 0:52:44.200
<v Speaker 8>really it's really an experience. And you know, I had

0:52:44.280 --> 0:52:46.440
<v Speaker 8>you had sent me some of your music and I

0:52:46.480 --> 0:52:48.279
<v Speaker 8>think you at first just put out the SU tune

0:52:48.360 --> 0:52:50.960
<v Speaker 8>EP and you sent meself and I was like, I

0:52:51.040 --> 0:52:52.919
<v Speaker 8>was like, okay, like this ship is actually like good,

0:52:53.120 --> 0:52:55.040
<v Speaker 8>so you know what I mean. So I hit you

0:52:55.440 --> 0:52:57.480
<v Speaker 8>and you were down to do it. And I remember

0:52:57.520 --> 0:52:59.440
<v Speaker 8>that night I watched the show. That night I watched

0:52:59.680 --> 0:53:02.040
<v Speaker 8>pretty much, I mean maybe all us say for like

0:53:02.040 --> 0:53:04.080
<v Speaker 8>the last pak five minutes, ten minutes, whatever, because I

0:53:04.080 --> 0:53:06.239
<v Speaker 8>had to get ready. But now I watched the show

0:53:06.280 --> 0:53:09.279
<v Speaker 8>Man and it was so dope to see you had

0:53:09.280 --> 0:53:11.200
<v Speaker 8>the crowd like you. I mean, you had them, you

0:53:11.239 --> 0:53:13.200
<v Speaker 8>know what I'm saying, because they, you know, our crowd,

0:53:13.239 --> 0:53:15.360
<v Speaker 8>like they if you was whacked, they didn't let you know,

0:53:15.520 --> 0:53:16.920
<v Speaker 8>you know what I mean, but you was with them.

0:53:16.920 --> 0:53:19.000
<v Speaker 8>And even afterwards, you know, we had people coming out.

0:53:19.040 --> 0:53:20.279
<v Speaker 4>They was like, Yo, that was a great show. We

0:53:20.320 --> 0:53:22.520
<v Speaker 4>had a great time. And I didn't even know Hannibal

0:53:22.560 --> 0:53:24.400
<v Speaker 4>Rap you damn ear got a deal that night. I

0:53:24.400 --> 0:53:26.439
<v Speaker 4>don't even know if you realized. Yeah it was a dude.

0:53:26.440 --> 0:53:28.600
<v Speaker 4>It's like, yo, if you want to do something whatever, Yeah,

0:53:28.640 --> 0:53:29.160
<v Speaker 4>you know what I mean.

0:53:29.200 --> 0:53:31.480
<v Speaker 8>But but nah, I just always appreciate it man, that

0:53:31.840 --> 0:53:33.520
<v Speaker 8>you know, you always like looked out for me and

0:53:33.600 --> 0:53:35.719
<v Speaker 8>just you know, we always just connected you through each

0:53:35.719 --> 0:53:36.560
<v Speaker 8>other opportunities.

0:53:36.560 --> 0:53:39.520
<v Speaker 4>And so that was just a great show that we did.

0:53:39.600 --> 0:53:40.720
<v Speaker 4>And I really appreciate you coming.

0:53:40.680 --> 0:53:41.880
<v Speaker 5>Fine, man, thank you for having me.

0:53:42.000 --> 0:53:44.640
<v Speaker 4>Are you looking for a music deal?

0:53:45.840 --> 0:53:48.040
<v Speaker 5>Uh? I don't.

0:53:48.160 --> 0:53:50.799
<v Speaker 6>I'll be over to the conversation. Yeah, I'll be over

0:53:50.880 --> 0:53:53.640
<v Speaker 6>to the conversation. I could use some help lifting.

0:53:54.120 --> 0:53:55.560
<v Speaker 9>Everybody has approached you already.

0:53:55.560 --> 0:53:59.920
<v Speaker 6>I'm no, nobody's approached. Yeah, we'll just you know, we

0:54:00.239 --> 0:54:02.880
<v Speaker 6>keep rocket get yours. Yeah, and I'm and I'm I

0:54:03.000 --> 0:54:04.560
<v Speaker 6>booked myself for my.

0:54:06.840 --> 0:54:07.560
<v Speaker 4>Keep it in passion.

0:54:07.800 --> 0:54:08.880
<v Speaker 5>Yeah.

0:54:09.320 --> 0:54:10.640
<v Speaker 4>Where does the name come from.

0:54:10.920 --> 0:54:12.840
<v Speaker 5>Esu essue ish?

0:54:13.160 --> 0:54:14.120
<v Speaker 9>I think you Nigerian.

0:54:15.040 --> 0:54:18.600
<v Speaker 6>It's the trickster god from u Nigerian mythology. I looked

0:54:18.680 --> 0:54:19.799
<v Speaker 6>up African mythology.

0:54:20.160 --> 0:54:20.760
<v Speaker 4>I was hoping.

0:54:20.800 --> 0:54:24.040
<v Speaker 9>I was like Nigerian, I want to put that on Hannibal.

0:54:25.880 --> 0:54:26.920
<v Speaker 9>What what's up now?

0:54:27.000 --> 0:54:29.960
<v Speaker 4>I once got scammed by Nigerian.

0:54:33.520 --> 0:54:36.920
<v Speaker 9>Yeah, the continent like literally.

0:54:36.680 --> 0:54:38.080
<v Speaker 4>Called million dollars.

0:54:38.520 --> 0:54:39.120
<v Speaker 2>I have a question.

0:54:39.800 --> 0:54:43.600
<v Speaker 12>Yeah, So, just in general, you do so many different

0:54:44.000 --> 0:54:49.520
<v Speaker 12>types of things voiceover, acting, podcasts, music, comedy, et cetera.

0:54:50.239 --> 0:54:53.440
<v Speaker 12>And I'm sure they all have their own individual challenges.

0:54:53.680 --> 0:54:57.160
<v Speaker 12>But at some point does it all just become one

0:54:57.200 --> 0:55:00.200
<v Speaker 12>thing or just become entertainment and you just say I'm

0:55:00.200 --> 0:55:03.080
<v Speaker 12>just gonna entertain Yeah.

0:55:03.120 --> 0:55:06.000
<v Speaker 6>Well, in the right now, the focus is kind of

0:55:06.400 --> 0:55:12.120
<v Speaker 6>really shrunk into just uh, most music in comedy is

0:55:12.160 --> 0:55:14.640
<v Speaker 6>the is the main thing. I haven't been really acting,

0:55:14.760 --> 0:55:18.560
<v Speaker 6>like I did I do. I did one thing last year.

0:55:18.640 --> 0:55:20.520
<v Speaker 6>I did what we do in the Shadows did a day?

0:55:21.160 --> 0:55:23.279
<v Speaker 6>I really I really ain't acting on nothing. If if

0:55:23.280 --> 0:55:25.080
<v Speaker 6>to ask is more than a day, Like if we

0:55:25.120 --> 0:55:26.359
<v Speaker 6>can't get it done in the day, I don't want

0:55:26.360 --> 0:55:26.560
<v Speaker 6>to do it.

0:55:26.560 --> 0:55:28.600
<v Speaker 5>I don't care what it and so.

0:55:32.000 --> 0:55:33.000
<v Speaker 4>I get it.

0:55:33.000 --> 0:55:38.160
<v Speaker 6>It's just but if so with the music and comedy,

0:55:38.239 --> 0:55:41.200
<v Speaker 6>what's been cool is some of the some of the

0:55:41.239 --> 0:55:42.640
<v Speaker 6>concepts from comedy.

0:55:43.239 --> 0:55:47.279
<v Speaker 5>You know that I just were just alluded to have.

0:55:47.560 --> 0:55:50.520
<v Speaker 6>Become songs like the Veneers was was just like a

0:55:50.600 --> 0:55:53.120
<v Speaker 6>throwaway joke, like yeah, I got these tv T Veneers.

0:55:53.120 --> 0:55:55.960
<v Speaker 6>And then and then something else, you know, struck where

0:55:55.960 --> 0:55:57.200
<v Speaker 6>I was like, oh, that could be a song.

0:55:57.239 --> 0:56:01.000
<v Speaker 5>And even now I tell this, you know, I tell

0:56:01.080 --> 0:56:02.120
<v Speaker 5>this whole story and my.

0:56:02.120 --> 0:56:08.000
<v Speaker 6>Stand up about you know, uh, going to my grandmother's funeral,

0:56:08.080 --> 0:56:12.880
<v Speaker 6>leaving the funeral and then being in uh like just

0:56:12.960 --> 0:56:18.200
<v Speaker 6>driving aimlessly. I ended up stopping in Shreveport gambling, drinking,

0:56:18.400 --> 0:56:21.960
<v Speaker 6>and it's the whole thing. And I'm leaving Shreveport. This

0:56:22.080 --> 0:56:25.160
<v Speaker 6>guy gets shot at the gas station while I'm there.

0:56:25.480 --> 0:56:26.759
<v Speaker 5>He dies, and this.

0:56:26.800 --> 0:56:30.400
<v Speaker 6>Whole thing, it's a wild They whoa just because I

0:56:30.480 --> 0:56:32.600
<v Speaker 6>ended up drinking too much in gambling at the casino,

0:56:32.680 --> 0:56:35.160
<v Speaker 6>they took my keys even though I wasn't driving, and

0:56:35.239 --> 0:56:36.960
<v Speaker 6>it held up and then I ended up being a

0:56:37.000 --> 0:56:38.399
<v Speaker 6>goddamn murder witness.

0:56:38.440 --> 0:56:41.959
<v Speaker 5>And so, uh, it was a wild, wild week.

0:56:42.200 --> 0:56:45.200
<v Speaker 6>And so but then I talk about that in comedy

0:56:45.239 --> 0:56:46.920
<v Speaker 6>in one way, and then I also talk about it

0:56:46.960 --> 0:56:49.719
<v Speaker 6>in the song that the same story. But then the

0:56:49.880 --> 0:56:53.800
<v Speaker 6>comedy has different expectations than the than the storytelling and

0:56:53.880 --> 0:56:56.120
<v Speaker 6>the music. When in the music I just focused on

0:56:56.160 --> 0:56:58.920
<v Speaker 6>the details of the story and moving it along. Is

0:56:59.000 --> 0:57:01.200
<v Speaker 6>not much humor in it, where you know, with that

0:57:01.239 --> 0:57:03.120
<v Speaker 6>type of stuff in comedy, you gotta flip it or

0:57:03.120 --> 0:57:05.200
<v Speaker 6>it's just gonna be real depressing and dark in the room.

0:57:05.640 --> 0:57:08.000
<v Speaker 6>But you know it's a little So it's just having

0:57:08.040 --> 0:57:11.000
<v Speaker 6>those It's the same things. Certain ideas for a stand

0:57:11.040 --> 0:57:14.000
<v Speaker 6>up lending himself to a sketch or something might expand

0:57:14.000 --> 0:57:17.000
<v Speaker 6>to a movie, or it might be a conversation topic.

0:57:17.040 --> 0:57:21.160
<v Speaker 6>It's just about how you choose to position any idea.

0:57:21.280 --> 0:57:23.320
<v Speaker 8>How did you link with Keifer that he's one of

0:57:23.400 --> 0:57:25.520
<v Speaker 8>my favorite musicians?

0:57:25.720 --> 0:57:26.840
<v Speaker 4>Like, Keith is so dope, man.

0:57:27.880 --> 0:57:31.640
<v Speaker 6>I heard he produced YadA YadA and it's in Pact

0:57:31.840 --> 0:57:34.760
<v Speaker 6>and I heard that track and I just love pack

0:57:34.840 --> 0:57:36.920
<v Speaker 6>performance and right on that and I love to beat too,

0:57:37.000 --> 0:57:39.240
<v Speaker 6>just the feeling of the key, and so I just

0:57:39.320 --> 0:57:44.360
<v Speaker 6>reached out to him in twenty twenty. Yo, it's just

0:57:44.440 --> 0:57:47.280
<v Speaker 6>dope when I'm starting to do music, and he sent me.

0:57:48.240 --> 0:57:51.280
<v Speaker 6>He sent me a few beats and the one that

0:57:51.400 --> 0:57:54.640
<v Speaker 6>kept about three. It's just the way his chords are.

0:57:54.720 --> 0:57:56.920
<v Speaker 6>It's just really take you to a thoughtful place and

0:57:56.960 --> 0:57:57.560
<v Speaker 6>you start.

0:57:57.480 --> 0:57:59.080
<v Speaker 5>Just like, oh yeah, another thing.

0:57:59.120 --> 0:57:59.800
<v Speaker 4>Oh yeah, I remember.

0:57:59.800 --> 0:58:03.320
<v Speaker 6>It just brings a lot, like his music brings a

0:58:03.360 --> 0:58:05.320
<v Speaker 6>lot out of me as a as a writer. There's

0:58:05.360 --> 0:58:08.160
<v Speaker 6>another track we have, uh the two that just kind

0:58:08.160 --> 0:58:13.360
<v Speaker 6>of it puts you in that reflective place. And so yeah,

0:58:13.400 --> 0:58:16.160
<v Speaker 6>he's he's a really dope artist and just his music,

0:58:16.200 --> 0:58:20.080
<v Speaker 6>he's just really makes me realize. Oh I got a

0:58:20.080 --> 0:58:21.960
<v Speaker 6>lot to say. Sometimes you hear stuff you're like, oh

0:58:22.160 --> 0:58:24.000
<v Speaker 6>was it that? When I when it when the right

0:58:24.000 --> 0:58:26.400
<v Speaker 6>beat of his it's just everything starts flowing.

0:58:26.680 --> 0:58:30.640
<v Speaker 4>Yeah. You know often hizam songs that I don't know,

0:58:31.080 --> 0:58:33.720
<v Speaker 4>you know who they are, And for some reason, I've

0:58:33.720 --> 0:58:38.720
<v Speaker 4>been very late to the the Chris and Chris I

0:58:38.760 --> 0:58:43.480
<v Speaker 4>always said, q Quelle Chris and the Gene Gray Project. Yeah, everything,

0:58:43.520 --> 0:58:46.880
<v Speaker 4>And that was brilliant man. Yeah, I was like Jesus Christ.

0:58:46.920 --> 0:58:49.560
<v Speaker 4>And then I was like ship Like I religiously re

0:58:49.880 --> 0:58:54.040
<v Speaker 4>pitch Fork and I missed that review he was year

0:58:54.160 --> 0:58:57.920
<v Speaker 4>it's like I think twenty seventeen or eighteening like that. Yeah,

0:58:57.960 --> 0:59:00.720
<v Speaker 4>but I heard it somewhere and it was the song

0:59:01.120 --> 0:59:03.320
<v Speaker 4>joined that you were on, Like are you ever going

0:59:03.400 --> 0:59:04.200
<v Speaker 4>to work with them again?

0:59:04.280 --> 0:59:08.400
<v Speaker 5>Or I got some I got a couple unreleased joints with.

0:59:08.680 --> 0:59:11.200
<v Speaker 6>Actually, I got a bunch of stuff that I gotta

0:59:11.240 --> 0:59:12.160
<v Speaker 6>just start letting let.

0:59:12.200 --> 0:59:15.760
<v Speaker 8>Him fly now you kull opened my eg like y'all

0:59:15.760 --> 0:59:18.280
<v Speaker 8>are like just some of my favorite artists. Man, like

0:59:18.360 --> 0:59:22.000
<v Speaker 8>y'all y'all does like I really fuck with y'all. Man,

0:59:22.520 --> 0:59:26.680
<v Speaker 8>it's off the beaten path, but it's still you know quality.

0:59:26.760 --> 0:59:28.360
<v Speaker 4>Yeah, Well, he's.

0:59:28.200 --> 0:59:31.800
<v Speaker 6>A dope, a dope producer, man, he's dope producer. Where

0:59:31.800 --> 0:59:36.000
<v Speaker 6>it's one track that sound like a soul track that

0:59:36.040 --> 0:59:38.120
<v Speaker 6>I and then I had it for a while and

0:59:38.120 --> 0:59:40.480
<v Speaker 6>I said, what's the sample on this? And he sent

0:59:40.560 --> 0:59:42.320
<v Speaker 6>me what the sample was and it was just some

0:59:42.680 --> 0:59:45.280
<v Speaker 6>just Japanese cartoon theme song.

0:59:45.440 --> 0:59:47.360
<v Speaker 5>But I thought it was.

0:59:49.120 --> 0:59:51.440
<v Speaker 6>I thought it was a seventy soul sample or something,

0:59:51.440 --> 0:59:52.760
<v Speaker 6>no ages something.

0:59:52.800 --> 0:59:54.920
<v Speaker 5>It's not what you think it is, but it was.

0:59:54.960 --> 0:59:55.680
<v Speaker 5>It was dope to.

0:59:55.760 --> 0:59:59.040
<v Speaker 6>That type of sampling where it's not. We completely flipped

0:59:59.080 --> 1:00:00.400
<v Speaker 6>it and put it in another world.

1:00:00.520 --> 1:00:03.480
<v Speaker 4>You know, Before I close, I would like to ask you,

1:00:04.400 --> 1:00:06.160
<v Speaker 4>and I guess he went on record about it before,

1:00:06.240 --> 1:00:10.440
<v Speaker 4>but he talk about like how sobriety has changed you

1:00:10.520 --> 1:00:14.120
<v Speaker 4>and transformed you to who you are now, just like

1:00:14.120 --> 1:00:15.200
<v Speaker 4>as a family, man, and.

1:00:15.880 --> 1:00:16.760
<v Speaker 5>Oh I'm not sober.

1:00:21.600 --> 1:00:25.960
<v Speaker 4>I felt right. It was great. No, I saw this

1:00:26.040 --> 1:00:28.400
<v Speaker 4>interview where you were like really getting.

1:00:28.280 --> 1:00:31.240
<v Speaker 6>Sober on certain day. I was sober at that interview.

1:00:33.640 --> 1:00:36.320
<v Speaker 6>I was sober around that time. But that was probably

1:00:36.320 --> 1:00:38.919
<v Speaker 6>I'm guessing that was twenty nineteen, twenty twenty or something

1:00:38.960 --> 1:00:41.040
<v Speaker 6>like that is the This.

1:00:41.000 --> 1:00:43.200
<v Speaker 4>Is the perfect ending of an interview. Yeah, I swear

1:00:43.200 --> 1:00:45.800
<v Speaker 4>to that heart felt answer about.

1:00:45.600 --> 1:00:49.080
<v Speaker 6>Like no at that time stuff. Yes, for sure, I

1:00:49.080 --> 1:00:52.400
<v Speaker 6>had a good run three. By the way, I want

1:00:52.400 --> 1:00:56.440
<v Speaker 6>to apologize for you know, I I ran on the

1:00:56.440 --> 1:00:59.520
<v Speaker 6>stage when y'all would do an event sponsored by butt Light.

1:01:01.640 --> 1:01:04.520
<v Speaker 9>That I need this story now.

1:01:05.120 --> 1:01:07.800
<v Speaker 4>Oh my god. It's really not a big deal. It's like,

1:01:07.880 --> 1:01:11.160
<v Speaker 4>you know, you do those it was like super Bowl

1:01:11.200 --> 1:01:11.920
<v Speaker 4>time or something like.

1:01:11.880 --> 1:01:13.880
<v Speaker 5>This, south By Southwest, same.

1:01:13.680 --> 1:01:17.360
<v Speaker 11>Thing, you know, And when it took opera gigs, sure,

1:01:17.560 --> 1:01:21.360
<v Speaker 11>there's there's there's regular gigs, and then there's opera gigs

1:01:22.080 --> 1:01:25.000
<v Speaker 11>and you know, you know, handm.

1:01:24.880 --> 1:01:27.120
<v Speaker 4>What was there. So we were like, hey, just get on,

1:01:27.200 --> 1:01:30.720
<v Speaker 4>I can talk. And he talked about the taste of

1:01:30.760 --> 1:01:35.000
<v Speaker 4>the beer was not too savory. Ship there was like

1:01:35.040 --> 1:01:39.840
<v Speaker 4>a president but moment Sean g was catching a heart

1:01:39.880 --> 1:01:41.760
<v Speaker 4>attack because he don't want to drop the best. But

1:01:41.880 --> 1:01:43.360
<v Speaker 4>we was laughing ass off this.

1:01:43.920 --> 1:01:48.400
<v Speaker 5>No, y'all did laugh time, non't.

1:01:48.600 --> 1:01:49.800
<v Speaker 2>He remembers a different.

1:01:49.800 --> 1:01:52.520
<v Speaker 5>I remember completely. I didn't ask to go on stage.

1:01:53.320 --> 1:01:54.120
<v Speaker 5>Y'all did tell me.

1:01:54.320 --> 1:01:58.480
<v Speaker 6>I just went up there because yes, Sir Seth Herzog

1:01:58.600 --> 1:01:59.120
<v Speaker 6>was hosted.

1:01:59.440 --> 1:02:00.480
<v Speaker 4>It was secifically.

1:02:00.520 --> 1:02:03.240
<v Speaker 6>It was a it was a special drink that they had,

1:02:03.280 --> 1:02:05.240
<v Speaker 6>like bud Line or something.

1:02:05.720 --> 1:02:08.160
<v Speaker 5>And I mean, like, hey, what y'all, y'all got no

1:02:08.200 --> 1:02:08.560
<v Speaker 5>other ship.

1:02:08.760 --> 1:02:17.120
<v Speaker 4>He was like a d Ruby Davis d okay. And

1:02:17.440 --> 1:02:19.960
<v Speaker 4>I learned what a spoonerism was two days ago. So

1:02:20.000 --> 1:02:24.400
<v Speaker 4>that's an example of spoonerism where you say, then, yeah,

1:02:25.240 --> 1:02:28.040
<v Speaker 4>a word, what I call you? Conte pullman? You know

1:02:28.080 --> 1:02:30.480
<v Speaker 4>what I mean? You ever calls you that?

1:02:30.560 --> 1:02:34.440
<v Speaker 3>Let me know, that's sounds like a totally different situation.

1:02:35.280 --> 1:02:41.959
<v Speaker 4>That's yeah, but it's it's I maybe because the years

1:02:41.960 --> 1:02:45.320
<v Speaker 4>have went by. Wait, was that a serious moment or.

1:02:45.640 --> 1:02:47.520
<v Speaker 5>It wasn't serious? But it was just it was uh,

1:02:47.600 --> 1:02:48.720
<v Speaker 5>I think I was twenty seventeen.

1:02:48.760 --> 1:02:54.760
<v Speaker 6>But then after now that I uh understand the economics

1:02:54.800 --> 1:02:58.520
<v Speaker 6>of traveling with a band, then I felt even more

1:02:58.560 --> 1:03:02.240
<v Speaker 6>bad about it. I was like, oh, they got like

1:03:02.240 --> 1:03:03.480
<v Speaker 6>twenty people with them.

1:03:04.640 --> 1:03:07.640
<v Speaker 4>I mean, we've never lost the account, you know, I

1:03:07.680 --> 1:03:09.320
<v Speaker 4>know it was I think, I mean the but light

1:03:09.320 --> 1:03:12.080
<v Speaker 4>people were definitely I believe up in the arms and showing.

1:03:12.240 --> 1:03:14.400
<v Speaker 4>Was like a little nervous, but whatever.

1:03:14.560 --> 1:03:15.760
<v Speaker 9>They've had bigger battles since.

1:03:16.320 --> 1:03:20.760
<v Speaker 4>Oh yeah, well I'm I'm glad we got to make

1:03:20.760 --> 1:03:24.280
<v Speaker 4>this happen. Do you have anything that shirt Hebrew?

1:03:24.400 --> 1:03:26.040
<v Speaker 5>Yeah, this is Hebrew Hebrews.

1:03:26.320 --> 1:03:30.240
<v Speaker 6>He had a installation in Chicago in twenty twenty never More.

1:03:30.360 --> 1:03:32.760
<v Speaker 6>It was a bunch of his art and different pieces.

1:03:33.200 --> 1:03:35.000
<v Speaker 4>My favorite. I just bought a piece off of him.

1:03:35.640 --> 1:03:36.880
<v Speaker 4>We bought a couple of weeks.

1:03:36.760 --> 1:03:39.720
<v Speaker 7>Ago and put us on Hebrew Hebrew brantly but not

1:03:39.800 --> 1:03:41.720
<v Speaker 7>spelled like he brow.

1:03:41.040 --> 1:03:43.560
<v Speaker 4>Not not e w, but h e b r U.

1:03:43.720 --> 1:03:45.400
<v Speaker 4>That's Hebrew Brantley.

1:03:45.280 --> 1:03:48.880
<v Speaker 2>Not like people different different, different, different trick people.

1:03:49.080 --> 1:03:51.560
<v Speaker 4>Yeah he's he's one of us. Okay, a differ different tricks.

1:03:52.360 --> 1:03:54.000
<v Speaker 4>But yeah, but no, he trying to see what this

1:03:54.040 --> 1:03:56.040
<v Speaker 4>conversation is going to figure out what Steve I'm about

1:03:56.080 --> 1:03:58.440
<v Speaker 4>to play.

1:03:57.640 --> 1:03:58.960
<v Speaker 9>I'm got to talk about original Hebrew.

1:03:59.000 --> 1:04:03.520
<v Speaker 6>So I went to Hebrew Studio when I first moved

1:04:03.560 --> 1:04:06.240
<v Speaker 6>to La in twenty nineteen. He was showing me think

1:04:06.800 --> 1:04:08.720
<v Speaker 6>and then he was like, yeah, it's one hundred thousand dollars.

1:04:08.760 --> 1:04:10.120
<v Speaker 6>I was like, oh, I didn't know. It was like

1:04:10.200 --> 1:04:14.000
<v Speaker 6>I knew you were doing good. He was like, here,

1:04:14.440 --> 1:04:16.720
<v Speaker 6>I'm gonna gift you these prints. Brother, Like, thank you

1:04:16.840 --> 1:04:18.640
<v Speaker 6>very much. He's out of my budget.

1:04:19.360 --> 1:04:26.439
<v Speaker 4>Oh yeah, okay, I know he yeah he's dope co Yeah, yeah, yeah,

1:04:26.480 --> 1:04:33.439
<v Speaker 4>there's yeah, that's my bizarro for soth.

1:04:34.800 --> 1:04:37.720
<v Speaker 8>But but nah, man, I'm glad you. You know, we

1:04:37.800 --> 1:04:40.080
<v Speaker 8>finally got a chance to do this. You've just always

1:04:40.080 --> 1:04:41.840
<v Speaker 8>just been one of my favorite comedians and just.

1:04:42.080 --> 1:04:43.920
<v Speaker 4>You know, one of my you know, this is our

1:04:43.960 --> 1:04:44.640
<v Speaker 4>second episode.

1:04:44.840 --> 1:04:46.720
<v Speaker 7>I got a list of a couple of other folks

1:04:46.720 --> 1:04:48.840
<v Speaker 7>that you can do what you did for us with

1:04:48.960 --> 1:04:49.600
<v Speaker 7>the other dude.

1:04:49.720 --> 1:04:51.360
<v Speaker 9>I just was thinking that, that's all I was.

1:04:51.320 --> 1:04:53.080
<v Speaker 4>Thinking, mm hmm.

1:04:53.320 --> 1:04:54.680
<v Speaker 9>I just we'll talk about it.

1:04:55.960 --> 1:04:58.440
<v Speaker 4>What are you talking about about? Other folks? From me

1:04:58.520 --> 1:05:06.840
<v Speaker 4>to y'all, y'all, y'all, y'all play out. Yeah, where did

1:05:06.880 --> 1:05:07.520
<v Speaker 4>this come from?

1:05:08.360 --> 1:05:10.240
<v Speaker 5>Uh? The harmonica?

1:05:10.400 --> 1:05:11.480
<v Speaker 4>Yes? This?

1:05:12.200 --> 1:05:12.480
<v Speaker 11>Uh?

1:05:12.640 --> 1:05:13.520
<v Speaker 5>I got one.

1:05:13.880 --> 1:05:16.520
<v Speaker 6>We were just in I think it was yeah, beginning

1:05:16.560 --> 1:05:21.280
<v Speaker 6>of twenty twenty, I said guitar Center with Harry Allen Kane,

1:05:21.280 --> 1:05:23.120
<v Speaker 6>and she was like, let's get harmonica's and I was like,

1:05:23.160 --> 1:05:26.400
<v Speaker 6>why not? And so then I was just and then

1:05:26.400 --> 1:05:27.840
<v Speaker 6>I was playing harmonica, and then I think I was

1:05:27.880 --> 1:05:31.480
<v Speaker 6>playing it online, just joking around, and then uh, Frederick

1:05:31.840 --> 1:05:32.440
<v Speaker 6>was like, let.

1:05:32.280 --> 1:05:33.400
<v Speaker 5>Me get you a good harmonica.

1:05:33.480 --> 1:05:36.920
<v Speaker 4>Oh wow, Frederick, Frederick, let me get.

1:05:36.760 --> 1:05:37.640
<v Speaker 5>You a good harmonica.

1:05:37.720 --> 1:05:40.600
<v Speaker 6>So he sent this one and then uh, and then

1:05:41.040 --> 1:05:43.760
<v Speaker 6>before I was about to come here for the podcast,

1:05:44.360 --> 1:05:44.800
<v Speaker 6>I saw it.

1:05:44.840 --> 1:05:47.160
<v Speaker 5>I was like, I'm a fucking up with the harmonica.

1:05:50.160 --> 1:05:53.720
<v Speaker 4>One of the secret talents. Do you have talents?

1:05:53.760 --> 1:05:56.600
<v Speaker 5>But I just want to I'm working on drums.

1:05:57.040 --> 1:06:00.640
<v Speaker 6>I got drunkard at the crib and so and I

1:06:00.680 --> 1:06:02.520
<v Speaker 6>want to learn keys, and I think I'll make my

1:06:02.600 --> 1:06:05.640
<v Speaker 6>best music after I got kind of proficiency had an.

1:06:05.520 --> 1:06:07.320
<v Speaker 5>Instrument for three or four years, you know.

1:06:07.400 --> 1:06:11.400
<v Speaker 6>And and so I do want to at some point

1:06:11.440 --> 1:06:15.080
<v Speaker 6>be able to drum in some in a band or

1:06:15.160 --> 1:06:18.120
<v Speaker 6>sit in and and not have people.

1:06:17.840 --> 1:06:19.440
<v Speaker 5>Be like fucking up, you know what I mean. I

1:06:19.440 --> 1:06:20.320
<v Speaker 5>want to be able to do that.

1:06:20.520 --> 1:06:23.760
<v Speaker 6>And I think it's definitely helped my production and and

1:06:23.760 --> 1:06:25.920
<v Speaker 6>and music creation. So I think once I you know,

1:06:26.040 --> 1:06:29.080
<v Speaker 6>keys and drums it'll it'll take the music up.

1:06:29.760 --> 1:06:32.600
<v Speaker 4>At the time in the pandemic. Uh, we did a

1:06:32.600 --> 1:06:36.960
<v Speaker 4>bit where you were, uh cooking and whatnot. So how's

1:06:37.120 --> 1:06:40.080
<v Speaker 4>how's your like? Once the pandemic was over, have you

1:06:40.160 --> 1:06:40.880
<v Speaker 4>stopped your.

1:06:41.960 --> 1:06:45.080
<v Speaker 6>I'll tell you about that, because that I was when

1:06:45.080 --> 1:06:47.240
<v Speaker 6>we did that was the quest love, what was the

1:06:47.280 --> 1:06:52.640
<v Speaker 6>name of that food? I didn't I had a misunderstanding

1:06:52.720 --> 1:06:54.880
<v Speaker 6>on what the demands for that was gonna be. And

1:06:54.920 --> 1:06:59.160
<v Speaker 6>I job because then because I was like, yeah, I'll

1:06:59.200 --> 1:07:03.120
<v Speaker 6>do that, and and then and so uh, I had

1:07:03.120 --> 1:07:04.880
<v Speaker 6>a little bit of mushrooms because I was like, hey,

1:07:04.880 --> 1:07:07.000
<v Speaker 6>we just were just out here at it, but.

1:07:07.000 --> 1:07:09.320
<v Speaker 5>I didn't know what. And then I opened They said

1:07:09.320 --> 1:07:10.640
<v Speaker 5>the kid is outside your door.

1:07:10.880 --> 1:07:13.320
<v Speaker 6>And I opened my door and it's lights and a

1:07:13.400 --> 1:07:15.160
<v Speaker 6>camera and I was like, oh, no, I ain't know.

1:07:17.360 --> 1:07:23.160
<v Speaker 4>So I asked. This was during the pandemic. I guess

1:07:23.200 --> 1:07:26.520
<v Speaker 4>the Food Network had asked me to put together an

1:07:26.600 --> 1:07:32.360
<v Speaker 4>hour special asking my notable friends, you know, for recipes

1:07:32.400 --> 1:07:32.840
<v Speaker 4>and whatnot.

1:07:33.200 --> 1:07:36.200
<v Speaker 5>What did you make? I forget. I just remember.

1:07:36.760 --> 1:07:39.080
<v Speaker 6>I just remember the panic of having these people on

1:07:39.240 --> 1:07:41.240
<v Speaker 6>zoom and they were like, you know, put the lights

1:07:41.320 --> 1:07:44.520
<v Speaker 6>there and keep plugging in and just I was like, oh, man,

1:07:44.560 --> 1:07:45.760
<v Speaker 6>I didn't know I was about to be a.

1:07:45.720 --> 1:07:46.640
<v Speaker 5>Guy for Up in the Air.

1:07:50.920 --> 1:07:54.240
<v Speaker 6>Yeah, do you remember the part where I was so overwhelmed.

1:07:54.440 --> 1:07:56.200
<v Speaker 5>I was just like, man, you just.

1:07:58.680 --> 1:08:03.360
<v Speaker 6>If you just closed the laptop, everything's over. I was like, no,

1:08:03.480 --> 1:08:05.439
<v Speaker 6>you can't do that. At the quest love tough it out.

1:08:05.480 --> 1:08:05.680
<v Speaker 7>Man.

1:08:05.880 --> 1:08:10.720
<v Speaker 9>Just now, I gotta look this up because you might

1:08:10.760 --> 1:08:12.480
<v Speaker 9>have made some No, I don't even know.

1:08:12.520 --> 1:08:14.600
<v Speaker 6>I think I just showed you the pantry or something,

1:08:14.720 --> 1:08:16.519
<v Speaker 6>or it wasn't even it wasn't that.

1:08:16.600 --> 1:08:20.080
<v Speaker 4>Ye see your kitchen, and yeah, I swear you made something.

1:08:20.560 --> 1:08:23.520
<v Speaker 4>Tiffany asked me fried chicken on the air fryer.

1:08:23.840 --> 1:08:24.519
<v Speaker 9>Did the hannimal.

1:08:25.720 --> 1:08:27.200
<v Speaker 2>The fact that Handle doesn't even remember.

1:08:27.320 --> 1:08:28.960
<v Speaker 5>I didn't make it. I didn't make anything.

1:08:29.479 --> 1:08:32.479
<v Speaker 6>Showed your bare season I just showed some seasonings and

1:08:32.479 --> 1:08:37.200
<v Speaker 6>and just waiting for my high to go down. I

1:08:37.520 --> 1:08:41.000
<v Speaker 6>sweated on camera, set up lights. I remember setting up

1:08:41.080 --> 1:08:42.000
<v Speaker 6>lights more than anything.

1:08:42.960 --> 1:08:46.240
<v Speaker 4>All right, So gamming is your secret talent. I know

1:08:46.280 --> 1:08:47.599
<v Speaker 4>you stopped drinking for a minute.

1:08:47.720 --> 1:08:50.000
<v Speaker 8>You have like other drugs that you just preferred more

1:08:50.080 --> 1:08:51.599
<v Speaker 8>so now, like mushrooms, more so.

1:08:51.560 --> 1:08:54.800
<v Speaker 5>Than I'm noticing, Like I don't really I think on

1:08:54.840 --> 1:08:55.599
<v Speaker 5>the road. Now.

1:08:56.840 --> 1:09:02.240
<v Speaker 6>I think with the drinking, I think it's adjusting. I

1:09:02.720 --> 1:09:05.880
<v Speaker 6>got sober in a in a certain time, and now

1:09:05.880 --> 1:09:10.800
<v Speaker 6>I'm adjusting to a different level of stimuli and a

1:09:10.840 --> 1:09:11.559
<v Speaker 6>different life.

1:09:11.680 --> 1:09:12.759
<v Speaker 5>And so that's uh.

1:09:12.720 --> 1:09:16.040
<v Speaker 6>You know, with with doing music and and another level

1:09:16.040 --> 1:09:19.240
<v Speaker 6>of activity where the traveling and that part of.

1:09:19.200 --> 1:09:21.559
<v Speaker 5>It is what's sort of getting me.

1:09:21.680 --> 1:09:24.400
<v Speaker 6>But when I'm here and at home, I'm in the studio,

1:09:24.439 --> 1:09:27.200
<v Speaker 6>I'm just you know, seeing my daughter. So it doesn't

1:09:27.240 --> 1:09:29.160
<v Speaker 6>it doesn't, it doesn't pull me like that one.

1:09:29.200 --> 1:09:30.040
<v Speaker 4>Ho is she? Now?

1:09:30.200 --> 1:09:33.160
<v Speaker 5>She too? Doing some change. It's doing some change.

1:09:33.200 --> 1:09:36.960
<v Speaker 6>She got some uh, she got strong, she had strong

1:09:37.040 --> 1:09:40.280
<v Speaker 6>musical opinions. Now oh wow, once she really want to

1:09:40.280 --> 1:09:43.559
<v Speaker 6>hear Moanna one of the Moana songs. And if you

1:09:43.600 --> 1:09:46.000
<v Speaker 6>play the wrong one, not that one, not that one.

1:09:46.120 --> 1:09:48.200
<v Speaker 6>She used to vibe to my stuff. But and she

1:09:48.520 --> 1:09:50.479
<v Speaker 6>but now it's like, nah, not that one. I'll be

1:09:50.479 --> 1:09:51.640
<v Speaker 6>playing her other stuff.

1:09:51.960 --> 1:09:55.360
<v Speaker 4>You got to the age of seven to program your

1:09:55.439 --> 1:09:57.360
<v Speaker 4>child to have good taste before she.

1:09:57.479 --> 1:10:01.160
<v Speaker 5>Just yeah, no, radio gonna make it happen. We're gonna

1:10:01.160 --> 1:10:02.920
<v Speaker 5>we're gonna make it happens.

1:10:02.960 --> 1:10:06.639
<v Speaker 4>Dope. Actually, okay, before I close, I kind of need advice.

1:10:06.720 --> 1:10:08.960
<v Speaker 4>So this is like a community question for you people,

1:10:09.560 --> 1:10:13.240
<v Speaker 4>and Annimal you can you can chime in. Uh, our

1:10:13.280 --> 1:10:17.120
<v Speaker 4>crew behind the cameras can chime in as well. I

1:10:17.200 --> 1:10:20.840
<v Speaker 4>need a creative idea for Halloween and I don't know

1:10:21.840 --> 1:10:22.640
<v Speaker 4>what to be.

1:10:23.280 --> 1:10:27.760
<v Speaker 5>What yeah for you means party costume.

1:10:28.120 --> 1:10:31.600
<v Speaker 4>I'm literally running out of party Yeah Heidi.

1:10:33.160 --> 1:10:37.799
<v Speaker 8>Heidi coon, Yeah he winn't he can't do that.

1:10:38.160 --> 1:10:44.320
<v Speaker 4>She like a or something. Wow, thank you, Steve, I

1:10:45.040 --> 1:10:45.640
<v Speaker 4>appreciate that.

1:10:46.320 --> 1:10:50.800
<v Speaker 6>Today go is uh tie trip it and just be

1:10:50.840 --> 1:10:52.480
<v Speaker 6>really energetic everywhere.

1:10:54.960 --> 1:10:58.479
<v Speaker 4>You could go was my bass player on this on

1:10:58.560 --> 1:11:04.600
<v Speaker 4>this l O run. And also I also blame Thattius

1:11:04.640 --> 1:11:08.519
<v Speaker 4>for like Fattius in the Roots shout out. You know,

1:11:08.840 --> 1:11:12.479
<v Speaker 4>we had a COVID situation with Mark, so Fatty's had

1:11:12.479 --> 1:11:19.160
<v Speaker 4>to replace Mark on the LL tour and he made

1:11:19.240 --> 1:11:23.639
<v Speaker 4>us a thirty year old group again, like all that

1:11:23.760 --> 1:11:26.200
<v Speaker 4>dance and all that energy and you kind of you

1:11:26.240 --> 1:11:29.679
<v Speaker 4>saw the last night. So Fattius actually broke his leg.

1:11:32.200 --> 1:11:35.880
<v Speaker 4>Fatti's broke his leg in Atlanta, so he was not

1:11:35.960 --> 1:11:38.759
<v Speaker 4>supposed to be on his leg or dance or whatever,

1:11:38.840 --> 1:11:41.280
<v Speaker 4>so he pretty much I don't even know if the

1:11:41.360 --> 1:11:43.720
<v Speaker 4>audience knows that he was hopping on one foot the

1:11:43.880 --> 1:11:48.080
<v Speaker 4>entire time. Wow, the entire show. Yeah, those trippets are

1:11:48.520 --> 1:11:49.360
<v Speaker 4>are a special.

1:11:50.160 --> 1:11:52.559
<v Speaker 2>How about Black Doc from Back to the Future.

1:11:54.720 --> 1:11:57.000
<v Speaker 9>That's not as fun. That's just a colt.

1:11:58.479 --> 1:12:01.280
<v Speaker 4>I'm just trying to do anything that short of Charlie

1:12:01.280 --> 1:12:03.120
<v Speaker 4>Brown just putting a bunch of holes in the sheet

1:12:03.160 --> 1:12:06.520
<v Speaker 4>and saying I got a rock. You could be Denzel's

1:12:06.720 --> 1:12:10.920
<v Speaker 4>character in me. Yeah, that could be.

1:12:13.160 --> 1:12:14.519
<v Speaker 9>You could do Frederick Douglass.

1:12:17.120 --> 1:12:20.439
<v Speaker 4>I mean, coach prompt.

1:12:21.760 --> 1:12:24.800
<v Speaker 8>But if you do Frederick, that could be fair. If

1:12:24.840 --> 1:12:26.360
<v Speaker 8>you do, you got to go all the way. You

1:12:26.400 --> 1:12:27.960
<v Speaker 8>gotta show up to the party with a white woman.

1:12:31.720 --> 1:12:35.040
<v Speaker 7>That's a harsh reality that I wasn't ready to face today.

1:12:36.240 --> 1:12:41.240
<v Speaker 8>Commit you gotta go all way in he was.

1:12:43.280 --> 1:12:46.320
<v Speaker 4>I like, that's a great question.

1:12:46.560 --> 1:12:49.000
<v Speaker 9>The Lion the Wiz is making a comeback.

1:12:49.600 --> 1:12:51.479
<v Speaker 5>Let me see I got Muneo line.

1:12:51.800 --> 1:12:55.280
<v Speaker 4>It was Muno line. Uh yeah, I might field it

1:12:55.320 --> 1:12:58.120
<v Speaker 4>in this year. Man, Like, I don't know she's gonna do.

1:12:58.320 --> 1:13:00.639
<v Speaker 9>That's man ship. How she don't run the ideas?

1:13:01.040 --> 1:13:03.840
<v Speaker 4>No, she you know, she's whatever she's doing. I know

1:13:03.920 --> 1:13:08.799
<v Speaker 4>she's preparing the last week of September. So my favorite

1:13:08.880 --> 1:13:11.120
<v Speaker 4>costume I saw I'll do And this was years ago.

1:13:11.120 --> 1:13:12.760
<v Speaker 4>It was a root show and y'all came out in

1:13:12.800 --> 1:13:16.280
<v Speaker 4>the dead presence make up. Oh that's right. They used

1:13:16.280 --> 1:13:18.600
<v Speaker 4>to do that. Y'all don't dress well. We used to

1:13:18.680 --> 1:13:22.880
<v Speaker 4>do Halloween shows. But you know, yeah, all right, I

1:13:23.240 --> 1:13:37.439
<v Speaker 4>be half me Sandell. That's the last word I say, Claire,

1:13:37.560 --> 1:13:44.080
<v Speaker 4>all right and Bannable hers. Yes, this is Let's cove,

1:13:45.680 --> 1:13:49.519
<v Speaker 4>and thank you for listening to our very long part.

1:13:49.600 --> 1:13:51.799
<v Speaker 4>This is Is this a three hour man? Listen?

1:13:51.960 --> 1:13:52.040
<v Speaker 11>No?

1:13:52.760 --> 1:13:53.639
<v Speaker 9>Two half to half?

1:13:53.880 --> 1:13:56.400
<v Speaker 4>That's not bad. Okay. I love these quality shows when

1:13:56.400 --> 1:13:58.760
<v Speaker 4>we get together and talk. So this was a long

1:13:58.840 --> 1:14:00.639
<v Speaker 4>time in the coming to. You can call it through.

1:14:01.080 --> 1:14:02.599
<v Speaker 5>Thank you.

1:14:02.680 --> 1:14:04.720
<v Speaker 9>That's how we do it live from your venue. All right,

1:14:04.880 --> 1:14:10.880
<v Speaker 9>all right, come on, man, thats gonna be.

1:14:10.880 --> 1:14:12.960
<v Speaker 4>Called at the Knitting Factory.

1:14:13.160 --> 1:14:13.840
<v Speaker 9>What's gonna be called?

1:14:14.920 --> 1:14:17.280
<v Speaker 4>Have you wait? You're not calling it the knitting Factory?

1:14:17.320 --> 1:14:18.320
<v Speaker 5>No, that's no.

1:14:18.680 --> 1:14:21.439
<v Speaker 6>God, create a new I got a working title I

1:14:21.560 --> 1:14:27.000
<v Speaker 6>Solo Sessions, but I'm still I'm still brainstorm the Fittingnactory.

1:14:27.560 --> 1:14:30.720
<v Speaker 4>And that's out. Jake and Brittany, thank you very much.

1:14:30.800 --> 1:14:35.760
<v Speaker 5>And the next go around, this is.

1:14:35.680 --> 1:14:38.280
<v Speaker 12>Sugar Steve Thank you for listening to Quest Love Supreme.

1:14:39.000 --> 1:14:41.479
<v Speaker 12>This podcast is hosted by a Mere Quest Love Thompson,

1:14:41.600 --> 1:14:45.240
<v Speaker 12>Liah Saint Clair, Pompte Coleman, Sugar, Steve Mandel, and unpaid

1:14:45.280 --> 1:14:45.920
<v Speaker 12>Bill Sherman.

1:14:46.920 --> 1:14:48.879
<v Speaker 4>The executive producers are a mere Quest.

1:14:48.720 --> 1:14:53.400
<v Speaker 12>Love Thompson, Sean g and Brian Calhoun. Produced by Britney Benjamin,

1:14:53.479 --> 1:14:57.759
<v Speaker 12>Jake Payne and Liah Saint Clair. Edited by Alex Conroy.

1:14:58.840 --> 1:15:02.360
<v Speaker 12>Produced for iHeart by No Brown and Mike Johns. What

1:15:02.479 --> 1:15:05.599
<v Speaker 12>Are You Engineering by Graham Gibson at Iheart's La Studio.

1:15:14.600 --> 1:15:21.080
<v Speaker 1>Post Love Supreme is a production of iHeartRadio. For more

1:15:21.120 --> 1:15:25.600
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1:15:25.600 --> 1:15:27.240
<v Speaker 1>wherever you listen to your favorite shows.