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Speaker 1: Quest Love Supreme is a production of iHeartRadio.

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Speaker 2: Welcome back to another episode of Quest Love Supreme. This

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Speaker 2: is unpaid bill. Last week we gave you.

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Speaker 3: Part one of our studio interview with our friends Hannibal Burns.

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Speaker 3: According to Hollywood, you haven't yet checked that out. Hannibal

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Speaker 3: spoke about Chicago, his beginnings in comedy, and more. We're

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Speaker 3: back with part two and also this full interview will

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Speaker 3: be available on YouTube soon, so be.

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Speaker 4: Sure to check that out too.

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Speaker 2: All right, folks, here we go.

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Speaker 4: I would think, like if I'm making my for raight

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Speaker 4: in the comedy, I would have my defense ready, Like

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Speaker 4: how do you deal with hecklers? How do you deal

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Speaker 4: with How early you deal with hecklers?

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Speaker 5: I mean you try to just win the room back,

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Speaker 5: you know what I mean.

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Speaker 6: I mean it's different early on when they don't know you,

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Speaker 6: because then.

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Speaker 5: It's just fully combative versus dealing with it.

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Speaker 6: Now when people pay money to see you and they

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Speaker 6: might have been wanting to see you for a while,

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Speaker 6: and then somebody else's ruining their experience, so it's easier

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Speaker 6: to light them up and flip.

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Speaker 5: You could just say like, hey, they.

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Speaker 6: Didn't come here for that ship and they're like, we

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Speaker 6: didn't come here for that.

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Speaker 7: You ain't got to no Heckler's rule. I've seen a

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Speaker 7: lot of comedians have that now, like.

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Speaker 6: We just said before the show, but if people want to,

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Speaker 6: I mean sometimes people say stuff and you just just

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Speaker 6: like it's not they stay in.

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Speaker 5: The seats, so it usually it's usually light work.

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Speaker 6: I'd rather not talk with them just because I got

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Speaker 6: an hour and a half of show and stories.

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Speaker 5: So it's not really going to ignore them.

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Speaker 6: No, no, no, no, you don't really ignore if they're

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Speaker 6: loud enough because they took focus. So you just try

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Speaker 6: to just settle the room and and just you know,

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Speaker 6: show them why they're there.

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Speaker 4: Who's that was it?

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Speaker 2: Said?

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Speaker 4: That told us that he makes sure that one of

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Speaker 4: his openers is like a shooter like that comes out

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Speaker 4: in his mere job is to roost the audience to

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Speaker 4: be like, you know, I don't bash you. I think

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Speaker 4: Chris Rock also had that. Do you know the white

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Speaker 4: Uh yeah, he's good? Oh yeah, who Jce No, no, no,

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Speaker 4: it wasn't. Well I know Jesselyn, but it's another guy.

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Speaker 4: It's a new guy where he just he intentionally just

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Speaker 4: comes down the audience and talks like lights you up

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Speaker 4: unprovoked whatever, and it you know, it's I'm surprised that

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Speaker 4: he's still living, that's how good he is at roasting.

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Speaker 4: But for you, do you always have like your back

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Speaker 4: pocket full of like your mama jokes.

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Speaker 6: Or or no, you kind of you know, even now,

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Speaker 6: you just try to get an idea of where they

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Speaker 6: add and just you know why they you know, it

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Speaker 6: depends on the situation of what you were talking about.

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Speaker 6: A lot of times if they interest especially if they

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Speaker 6: interrupted in a story. It's just as simple as saying,

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Speaker 6: I don't know why you thought it was cool to

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Speaker 6: say that right there. That was a terrible spot for

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Speaker 6: you to say that must be drunk, uh yeah, drunk

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Speaker 6: or just you know, it's just a heckle by accident.

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Speaker 4: So you don't.

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Speaker 7: You got no heckle by accident, Like just like I'm sorry,

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Speaker 7: I thought that was a question for me.

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Speaker 4: Yeah, it wasn't.

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Speaker 6: Sometimes people talking amongst themselves and it's it's so loud

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Speaker 6: it sounds like a heckle But then a lot of

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Speaker 6: times too, it's a function of my show not being

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Speaker 6: that tight yet, and so it left them too much room. Yeah,

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Speaker 6: it left too much room, and so they're like, that's

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Speaker 6: my turn. I can't sit with my thoughts that long.

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Speaker 6: I got something. And so now as I've been on

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Speaker 6: the road with this one and now that the show is,

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Speaker 6: you don't really leave too much space for somebody to

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Speaker 6: even think of something to say because you're on to

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Speaker 6: the next So that's that's what that A lot of

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Speaker 6: the hecklers happen if I'm in a in a gap

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Speaker 6: and like, oh, where's my next thing?

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Speaker 5: But so now where if the ship is like that,

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Speaker 5: then they ain't got no room.

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Speaker 4: At what point are you taking this series as in,

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Speaker 4: this is what I want to do for a living?

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Speaker 4: And are you aware of the Chicago paths? I e.

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Speaker 4: You know, either go the Second City route, so that

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Speaker 4: a Steve Higgins, Yeah, Like, is it general knowledge for

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Speaker 4: every comedian in Chicago that either Higgins or a rep

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Speaker 4: for Lauren Michaels or anyone SNL related it's going to

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Speaker 4: spend three weeks out there and sort of circle the

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Speaker 4: Second Cities and the ucb's.

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Speaker 6: Yeah, well yeah, around then it was it was known,

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Speaker 6: but that wasn't really my path or what I wanted

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Speaker 6: to do at the time. I was kind of really

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Speaker 6: locked in on stand up. Even getting SNL was a

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Speaker 6: after fouling. Seth Myers wanted to meet and I didn't

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Speaker 6: know what he wanted to meet about because I was

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Speaker 6: I didn't I hadn't submitted a packet. I had submitted

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Speaker 6: some stuff the year before, and I thought it was

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Speaker 6: that it was so bad that I was blackballed. I

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Speaker 6: did that cast submission with some bad I was like,

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Speaker 6: here's rock being Jerry Seinfeld. It was some stuff that

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Speaker 6: really wasn't as good as I could have. So I

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Speaker 6: was thinking, what does he want to meet about? Because

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Speaker 6: I didn't added a mine, and I damn it didn't

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Speaker 6: take the meeting because I had a price line ticket

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Speaker 6: back to Chicago and those guys really they have really

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Speaker 6: rigid shame's policies.

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Speaker 5: So I was like, what does he want to talk about?

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Speaker 4: Because you can't talk about on the phone. Wait, all right,

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Speaker 4: So that's another question you get answered for me because

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Speaker 4: this is the number one thing every comedian friend of

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Speaker 4: mine and the Tonight Show and SNL. Yeah, what is

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Speaker 4: a package? And what goes in those package? Because they

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Speaker 4: always say to me, well, just have to send me

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Speaker 4: a package, right, what's the what's the package?

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Speaker 5: The writing package? For SNL or just in general.

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Speaker 4: Or if you want to be have you written for

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Speaker 4: a late night show before you did SNL or was

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Speaker 4: that SNL your entry into writing for a show?

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Speaker 5: SNL was my entry?

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Speaker 4: Okay, So if I want to submit a package to SNL,

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Speaker 4: what is in that package?

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Speaker 5: Probably a few handful of sketches.

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Speaker 6: This is also you know, I'm just thinking of what

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Speaker 6: the format of the show is. I don't know exactly,

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Speaker 6: So it'll be a few sketches, probably a commercial parody,

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Speaker 6: some weekend update jokes.

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Speaker 4: And you have to type this out like submit it

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Speaker 4: as a script or you do this like video.

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Speaker 5: Or if you submit it as a writer out there

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Speaker 5: you would have it typed out.

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Speaker 4: Does it help if you have a visual to it?

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Speaker 4: Especially now?

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Speaker 6: Probably now you know I was my year was O nine,

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Speaker 6: so I'm sure now it is definitely more visual because

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Speaker 6: they got more visual.

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Speaker 5: I think they got different three different.

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Speaker 6: Visual camps in there now, so yeah, you know, they

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Speaker 6: definitely focusing more on the on the digital. But yeah,

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Speaker 6: I think that's what it will be a few sketches maybe, yeah,

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Speaker 6: commercial parody, weekend update and that and that. That's just

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Speaker 6: a solid submission.

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Speaker 4: So you feel as though that your actual stand up

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Speaker 4: on that show was your. You didn't officially have to submit.

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Speaker 6: I never Yeah, I never submitted anything written up. They

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Speaker 6: just I met with Seth. I think the meeting was

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Speaker 6: just to see if I was crazy.

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Speaker 5: In person or intolerable and then for me the job.

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Speaker 4: At the end of the meeting. How many years were

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Speaker 4: you at SNL? One year? One season? Wait? What?

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Speaker 5: Yeah?

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Speaker 4: In my mind you were like or maybe I'm just

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Speaker 4: lumping you in with Tim and Chay.

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Speaker 5: Yeah.

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Speaker 4: We never like Tim Robinson and like all.

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Speaker 5: Never overlapped with Chay or who's uh or JB Smooth?

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Speaker 4: No, he was the only lone black guy.

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Speaker 6: In and h Keena was, Yeah, Keena was. It was

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Speaker 6: just yeah, it was me there. Who's Fred Armisen was there?

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Speaker 6: As far as Yeah, it was Jenny Slat's one year there? Yeah,

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Speaker 6: n Megan Fox was the season premiere. That was your

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Speaker 6: That was your that was your first that was first episodes.

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Speaker 4: And inside for people, that particular episode is what has

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Speaker 4: started the mythical war between Melody Cole and I because

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Speaker 4: I had a dope sweater that she liked and she

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Speaker 4: ignored him. She's like, oh, I like your sweater. I

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Speaker 4: was like, oh thanks, and she like he was like

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Speaker 4: and that sort of that's the beginning of our spy

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Speaker 4: versus spy on Instagram thing with each other. But for you,

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Speaker 4: the one thing, now, I wish i'd known you known

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Speaker 4: you during that period because I'm always running the Higgins

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Speaker 4: on a Monday after I watch a show, because sometimes

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Speaker 4: I'm trying to figure out how do things get greenlit

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Speaker 4: that I can't actually see written on paper? For instance,

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Speaker 4: like I would assume that all sketches on that show

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Speaker 4: that people have to sit at a table, yeah, and

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Speaker 4: physically describe something and you can feedback in the room

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Speaker 4: or not. But there's some things that I literally can't

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Speaker 4: see it be in formed with, like and at this point,

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Speaker 4: I'm gonna fall down the stairs, and trust me, it's

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Speaker 4: gonna be funny. Like is there a lot of that

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Speaker 4: where it's this faith that Okay, it sounds like you

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Speaker 4: know what you're talking about right the bit, Well.

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Speaker 6: Yeah, people, it's the pitch meeting, the Monday pitch where

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Speaker 6: everybody's in the office in Lauren's office and some people

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Speaker 6: pitching real ideas, some people pitching fake and then folks

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Speaker 6: right on Tuesdays and then it's the read through that

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Speaker 6: two thousand and nine twenty ten season was the first

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Speaker 6: What's up with that?

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Speaker 4: Oh man? Yeah, I love that. Did you have something

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Speaker 4: to do?

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Speaker 6: Like, No, I didn't have it, but I just you know,

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Speaker 6: being there for the beginning was cool, and I remember

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Speaker 6: everybody was kind of singing it around the oven.

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Speaker 4: Okay, Well that's the thing though, like at a pitch table,

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Speaker 4: Like that's a bit that relies a lot on repetition,

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Speaker 4: mostly Jason Sadac dancing in the background. Yeah, but it

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Speaker 4: involves a lot of physical things in which how do

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Speaker 4: you literally don't see how that's funny on paper, but

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Speaker 4: it's one of the funniest things I've ever seen on

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Speaker 4: the show.

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Speaker 6: So yeah, I think the song care in it in

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Speaker 6: the in that setting, you know what I mean, Like everybody's.

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Speaker 4: Just you know, Coatri Sponge sugar free.

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Speaker 5: Yeah with that.

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Speaker 7: Yeah, was there a bit that you like, what was

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Speaker 7: the bit that you were surprised that actually made it

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Speaker 7: to air that you were part of?

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Speaker 6: Only had one sketch of my own that made it,

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Speaker 6: and then I contributed to others and contributed lines here

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Speaker 6: and there. I had Rihanna said one of my lines

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Speaker 6: that that that helped me for a little bit, just

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Speaker 6: you know, because I popped into Lonely Island office when

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Speaker 6: they were working on Shyronni. Because it was just you know,

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Speaker 6: it was a time where I realized, Okay, I'm not

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Speaker 6: getting stuff on, so let me just pop in and

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Speaker 6: try to you know.

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Speaker 4: Are you allowed to keep your head in and what's

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Speaker 4: going on here?

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Speaker 6: And then yeah, you could just you know, yeah, you

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Speaker 6: could just pop in territorial like maybe some people you know,

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Speaker 6: they weren't, but some people might have been on that.

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Speaker 6: They might have some people might have been more closed

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Speaker 6: off than others. I'm not even you know, those day

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Speaker 6: I felt comfortable going, you know, just to chop it

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Speaker 6: up with them.

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Speaker 5: So I popped in. They were working on shy Ronnie

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Speaker 5: and I had.

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Speaker 6: Actually sent him a Bangs video you remember, let me

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Speaker 6: take it to the movie and.

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Speaker 5: So that's yeah, that's where you got.

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Speaker 4: The ha yeah, and so yeah, maybe where it came from.

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Speaker 6: Yeah, And then it was a line they was they

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Speaker 6: were doing the Schyronnie and then I came up with

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Speaker 6: the line this beat cost a lot of money for

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Speaker 6: Rihanna to say, and so this to see it, I

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Speaker 6: was like, WHOA was Brehanna just said some ship.

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Speaker 5: I said, man, that's crazy.

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Speaker 8: It sounds like, so did you did you really enjoy

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Speaker 8: being a writer? Like it doesn't sound I mean like

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Speaker 8: you sound you were thankful for the experience. Yeah, it

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Speaker 8: seemed like you just really wanted to just be on

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Speaker 8: stage kind of doing you.

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Speaker 6: I think before the second half of the season, Chris

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Speaker 6: Rockett actually told me to try to get on camera,

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Speaker 6: try to get on weekend Update, And so so I

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Speaker 6: met with Sad, Hey can I get on Weekend Update?

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Speaker 6: Which was it was I feel like it was a

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Speaker 6: strong ass because you yourself. I hadn't done anything, but

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Speaker 6: it was just you know, well, might as well asked you.

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Speaker 6: He said, all right, write something up and we'll we'll

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Speaker 6: try it at the table.

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Speaker 5: And so I wrote, wrote something.

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Speaker 6: I reformatted the picklejuice joke and this other joke about

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Speaker 6: rental cars or something. I formatted as me as a

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Speaker 6: financial advisor or something like that, and then we tried

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Speaker 6: it at the table.

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Speaker 5: It went cool, and then we.

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Speaker 6: Did it in dress rehearsal actually, and it went cool

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Speaker 6: at dress and then it got cut and then we're

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Speaker 6: gonna get you next week, and then it never came okay.

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Speaker 4: So I have a question about dress rehearsal. So in

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Speaker 4: my observations, whenever you guys have the post dress rehearsal meeting,

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Speaker 4: when you guys find out if you made the cut

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Speaker 4: or not, I automatically know that the people that didn't

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Speaker 4: make it, they always rush up to seventeen and they

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Speaker 4: just start getting drunk, like yeah, there's a level depressed

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Speaker 4: giving family secrets away. No, there's just a level of hope,

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Speaker 4: like you know, you're pointing all your hope that this

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Speaker 4: makes it, and they do like what they do, like

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Speaker 4: an extra six or seven sketches on the rehearsal show

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Speaker 4: to see what works, and then they got to cut

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Speaker 4: the six and then remix it for the eleven thirty show.

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Speaker 4: And usually I would know that some writers that whose

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Speaker 4: jokes didn't make it, and you know, you take that

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Speaker 4: lonely trip up to seventeen where there's always a stash

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Speaker 4: of beer like brown liquor whatever, and people just get

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Speaker 4: ungodly drunk and be like all right, I'll try to

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Speaker 4: get next week. Like but for you, were you taking

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Speaker 4: stuff personal or did you feel like there's a time limit,

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Speaker 4: like I gotta get something on next week.

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Speaker 6: It was just it was tough to not get stuff

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Speaker 6: on because it was just you know, I knew I

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Speaker 6: was funny and I was having I was doing well

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Speaker 6: it's stand up, you know what I mean, And so

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Speaker 6: I was I was having success there. Uh, but yeah,

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Speaker 6: it was frustrating to to not to not have stuff

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Speaker 6: moving and feeling like I was creative enough to succeed

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Speaker 6: in the in the format. I think, you know, if

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Speaker 6: I did it another year, because then I would have

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Speaker 6: known how to move around in the building and just

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Speaker 6: how to collaborate and and how to just learn really yeah, yeah,

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Speaker 6: I learned the system because it's really I mean, it's

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Speaker 6: a terrible on boarding process, being honest, you.

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Speaker 5: Just right, here's your office peace, like what.

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Speaker 9: On board just created last year?

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Speaker 5: It was just just get there.

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Speaker 4: But the thing was, I always thought that because I

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Speaker 4: also recalled you were on thirty Rock a lot that year. Yeah, right,

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Speaker 4: So was the decision like, okay, well let me try

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Speaker 4: did you write for thirty rock or you were.

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Speaker 5: Just like I wrote for thirty rock?

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Speaker 4: Yeah, okay, was that a better fit for you?

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Speaker 6: Or it was SNL kind of soft fired me. There

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Speaker 6: was no real and then you just didn't get a

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Speaker 6: call back, just didn't get.

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Speaker 5: A call back. And then and then thirty Rock came through.

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Speaker 6: I think because Donald had left to do community, so

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Speaker 6: didn't they need to.

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Speaker 5: They need to feel their diversity spot and so there.

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Speaker 4: To punch up Tracy Morgan and guys.

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Speaker 5: Yeah, I punched up. I did a lot of It

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Speaker 5: wasn't a general thing.

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Speaker 4: Okay, every time I mentioned that on the show, people

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Speaker 4: look at me like, I just like, like I landed

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Speaker 4: from another planet. But I recall, I don't know if

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Speaker 4: you've seen it in jests. I mean, he wasn't saying

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Speaker 4: it jokingly. But I was always under the impression that

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Speaker 4: Glover's sort of existence on thirty Rock was sort of

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Speaker 4: to punch up whatever Tracy Jordan's character was, like, to

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Speaker 4: enhance his stuff, like you did like Werewolf, bar mitzvah

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Speaker 4: and all that other stuff. And you know, so I

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Speaker 4: just assumed that when it came to Tracy's character, they

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Speaker 4: needed to not look like all white people writing for

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Speaker 4: the show, and.

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Speaker 6: That uh nah, that was never explicitly explicitly said. It

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Speaker 6: was just you know, you in the room with everybody

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Speaker 6: and they go on line through line by the script.

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Speaker 5: Everybody pitch of the.

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Speaker 6: Line until something is just undeniable and then you write

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Speaker 6: it with that.

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Speaker 5: And then move along. But yeah, it was yeah, I

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Speaker 5: think the day job that was more of a regular job.

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Speaker 6: Thirty Rock was like that was every you know what

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Speaker 6: I mean, show up at nine or ten or whatever,

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Speaker 6: even at at six.

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Speaker 8: And so was that challenging because that scene that just

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Speaker 8: sounds like the complete opposite it was being a comedian.

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Speaker 5: Man, it wasn't. It wasn't for me, man, But I yeah,

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Speaker 5: it wasn't.

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Speaker 9: Less stressing essnal though. Right.

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Speaker 6: The thing with ESSNL though, was that you would have

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Speaker 6: weeks off, so you might do two weeks on, two

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Speaker 6: weeks off, three weeks on, one week off, and then

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Speaker 6: so for that week you could go on the road

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Speaker 6: do whatever.

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Speaker 5: Yeah, thirty rock was just your on on on. So yeah,

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Speaker 5: it wasn't. It wasn't really for me like that.

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Speaker 9: How long you do that job?

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Speaker 5: One season? I went through one season, but.

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Speaker 6: It was early on I was I realized it wasn't

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Speaker 6: for me, and I said, man, about to quit this.

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Speaker 6: I wrote out pros and cons on the sheet.

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Speaker 8: To quit just writing or quit comedy period, no quick

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Speaker 8: that that job, and so I just said, let me

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Speaker 8: just tough it out for this year and and do it.

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Speaker 6: It's a it's a steady paycheck. But then after that,

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Speaker 6: because I had cabin fever, I think I went on

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Speaker 6: a road for probably eight months straight, you know what

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Speaker 6: I mean, just because I was.

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Speaker 5: I went everywhere.

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Speaker 4: How far in events? Was the Andre Show? And how

365
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Speaker 4: is that pitch to you? And does it make sense

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Speaker 4: to you? At the time when that looked like for real.

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Speaker 5: I think it was just more I'm doing this.

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Speaker 4: Thing and you already know he's crazy, And it.

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Speaker 5: Wasn't even it was just you want to It was

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Speaker 5: when did we film that?

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Speaker 4: Oh? Wait, see like an improved version of Hits from

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Speaker 4: the Streets? Yeah, and is well you never done any

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Speaker 4: of the have you done any of this street bits

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Speaker 4: that he does?

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Speaker 6: Or yeah, we did some street stuff in New York?

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Speaker 6: Did the Black Israelites? I did acting like we did

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Speaker 6: beating up the police car. I did draw a police

378
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Speaker 6: officer with a forty. We did Who Get a Stranger?

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Speaker 6: I wrote a stranger to let like, who can get

380
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Speaker 6: the most strangers? Let them hold their babies? Which I

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Speaker 6: bailed on that when I do it in real life.

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Speaker 6: Wait a second, I know I wrote this, but to do.

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Speaker 4: So, what's the planning like, because I would assume that

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Speaker 4: you would have to go to a place where you

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Speaker 4: absolutely know that they do not know who Eric Andre is. Yeah,

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Speaker 4: and I can be in Harlem, Yeah, in the Heights.

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Speaker 6: First couple of seasons that wasn't that was that wasn't

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Speaker 6: an issue right twenty premiered in twenty twelve.

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Speaker 4: How do you guys, like, because he's such a call phenomenon,

390
00:19:38,080 --> 00:19:41,760
Speaker 4: how did you find you know? There were some places

391
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Speaker 4: where I see y'all like went to like Redneck down South, Like,

392
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Speaker 4: how do.

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Speaker 6: You think I didn't do those I didn't do those

394
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Speaker 6: travel ones. And that's more on production and and and

395
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Speaker 6: on that that side of the game as far as

396
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Speaker 6: trying to preserve that. But yeah, the early stuff that

397
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Speaker 6: wasn't really too much of an issue. He was would

398
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Speaker 6: have kind of catch people off guard with a lot

399
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Speaker 6: of the early stuff.

400
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Speaker 5: It was it was.

401
00:20:05,520 --> 00:20:08,320
Speaker 4: Has there ever been a situation so dangerous that had

402
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Speaker 4: never made it on air like a TV show?

403
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Speaker 5: Oh? Okay, I mean I think he's gotten arrested before.

404
00:20:14,960 --> 00:20:17,480
Speaker 6: It's been some crazier ones when I haven't been there

405
00:20:17,560 --> 00:20:19,840
Speaker 6: that I've seen, and there might be some other stuff

406
00:20:19,840 --> 00:20:22,119
Speaker 6: that's untold that I don't even I don't even know

407
00:20:22,119 --> 00:20:24,159
Speaker 6: about it if I'm not there, but you.

408
00:20:24,320 --> 00:20:26,359
Speaker 9: Help face it real good, Like the ship was normal.

409
00:20:26,440 --> 00:20:27,760
Speaker 9: I was like, how do you do that?

410
00:20:28,240 --> 00:20:28,800
Speaker 5: It's time?

411
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Speaker 6: I mean, we added out when I break, But I

412
00:20:30,400 --> 00:20:32,160
Speaker 6: do break sometimes.

413
00:20:32,520 --> 00:20:34,159
Speaker 5: I think some of you just bite the inside of

414
00:20:34,160 --> 00:20:36,560
Speaker 5: your cheek to hold in a last there's a little tricks.

415
00:20:36,600 --> 00:20:38,320
Speaker 5: You just gotta grit the teeth feeling.

416
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Speaker 4: One of one of the coolest things I learned and

417
00:20:40,400 --> 00:20:44,920
Speaker 4: doing that show was how vomited is made. So there's

418
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Speaker 4: a husband and wife team and they it's it's like

419
00:20:50,119 --> 00:20:53,120
Speaker 4: they have their own ice cream truck. And what they

420
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Speaker 4: do is they provide, well, no, they provide. If you

421
00:20:57,280 --> 00:21:00,960
Speaker 4: ever watch a show, there's a brandonotato chips that looks

422
00:21:01,000 --> 00:21:04,359
Speaker 4: like Lays, but it's called Let's and you'll see it.

423
00:21:04,760 --> 00:21:07,600
Speaker 4: Just look up Lets potato Chips. It'll be on Community.

424
00:21:08,080 --> 00:21:11,920
Speaker 4: It's been on like Scandal, like that's their that's their trademark,

425
00:21:12,000 --> 00:21:15,000
Speaker 4: like any random snacks and you'll look like in the background,

426
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Speaker 4: be like Let's crackers or whatever, like that's how they

427
00:21:17,520 --> 00:21:22,120
Speaker 4: do it. But they also make, uh, they make blood

428
00:21:22,640 --> 00:21:27,399
Speaker 4: and vomit. Like he handles the art for fake cereal

429
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Speaker 4: and fake bread and all the foods, and she handles vomits.

430
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Speaker 4: And so she rolled in this like cart and she's like, so,

431
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Speaker 4: what's your favorite cereal? And I was like huh, And

432
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Speaker 4: I was like, all right, Golden Grams and uh Captain

433
00:21:41,920 --> 00:21:46,840
Speaker 4: crunching and tricks, right, and then she'll take all that

434
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Speaker 4: and put it in a blender.

435
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Speaker 5: And that was my vomit.

436
00:21:51,400 --> 00:21:54,240
Speaker 4: That was my throw up. It was a cereal wow. Yeah.

437
00:21:55,119 --> 00:21:57,680
Speaker 4: And sometimes they'll you know, they'll put the pump, they'll

438
00:21:57,680 --> 00:21:59,720
Speaker 4: put the pump in your hands. So it's like, that's

439
00:21:59,760 --> 00:22:03,600
Speaker 4: what thing. So I had to throw up on the show.

440
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Speaker 4: I don't I don't even know if that made the

441
00:22:04,840 --> 00:22:06,920
Speaker 4: final cut, but there was a point where like, yeah,

442
00:22:07,119 --> 00:22:13,160
Speaker 4: vomited on the drum set. So it was so tasty. Yeah,

443
00:22:13,200 --> 00:22:16,480
Speaker 4: it tasted real good because they put it was all cereal.

444
00:22:16,920 --> 00:22:18,560
Speaker 4: And we'll be right back after.

445
00:22:22,280 --> 00:22:23,840
Speaker 2: Brought to you by Let's Potato Cheses.

446
00:22:29,200 --> 00:22:31,680
Speaker 4: All right, So we're back with Quest Loves Supreme. All right,

447
00:22:31,760 --> 00:22:40,240
Speaker 4: So I'm going to pick a new approach to a

448
00:22:40,359 --> 00:22:42,280
Speaker 4: question that I know you're tired of answering. I'm not

449
00:22:42,280 --> 00:22:44,240
Speaker 4: even going to ask you the story about this. No, no,

450
00:22:44,280 --> 00:22:47,040
Speaker 4: but I'm gonna ask you, do you finally feel as

451
00:22:47,040 --> 00:22:54,560
Speaker 4: though the scarlet letter quote hashtag of that situation is

452
00:22:54,640 --> 00:22:59,520
Speaker 4: now in your rear view mirror or seriously or do

453
00:22:59,560 --> 00:23:00,119
Speaker 4: you wake up it.

454
00:23:00,359 --> 00:23:07,240
Speaker 6: Like, Uh, no, no, it's not in the rare view.

455
00:23:07,560 --> 00:23:07,639
Speaker 4: No.

456
00:23:07,800 --> 00:23:08,879
Speaker 5: Sometimes people just hit me.

457
00:23:08,920 --> 00:23:11,760
Speaker 6: It's like, uh, people hit me up freshly mad, like

458
00:23:11,800 --> 00:23:16,680
Speaker 6: they just found out about to this day.

459
00:23:17,119 --> 00:23:19,840
Speaker 5: Yeah, this new message, Fuck you man, what the fuck?

460
00:23:19,880 --> 00:23:20,800
Speaker 5: And it's just like, come.

461
00:23:20,640 --> 00:23:25,359
Speaker 6: On, man, I've heard every reaction you could hear the

462
00:23:25,520 --> 00:23:27,560
Speaker 6: to the whole thing, and so it's just kind of

463
00:23:27,640 --> 00:23:29,880
Speaker 6: all that goes in this bugget like because I've heard

464
00:23:29,880 --> 00:23:32,040
Speaker 6: all of it from and I've heard anything you could

465
00:23:32,040 --> 00:23:34,960
Speaker 6: say about it pretty much in twenty fourteen and twenty fifteen.

466
00:23:35,440 --> 00:23:41,200
Speaker 5: So it's just no, no, it's uh, it's just one

467
00:23:41,240 --> 00:23:41,960
Speaker 5: of them things.

468
00:23:42,200 --> 00:23:43,199
Speaker 4: How did you work through that?

469
00:23:43,240 --> 00:23:46,600
Speaker 8: Because I just imagine it's crazy to just one day

470
00:23:46,680 --> 00:23:49,720
Speaker 8: just wake up being the most famous person in the

471
00:23:49,760 --> 00:23:52,800
Speaker 8: world for something that is totally unrelated to you, you

472
00:23:52,880 --> 00:23:53,520
Speaker 8: know what I mean.

473
00:23:54,200 --> 00:23:57,159
Speaker 9: And that was public knowledge but never really right right.

474
00:23:57,880 --> 00:24:00,720
Speaker 5: It was a wild time, man, It was a you know, yeah,

475
00:24:00,880 --> 00:24:03,480
Speaker 5: it was uh uh.

476
00:24:04,920 --> 00:24:07,520
Speaker 6: That was the first time I would be on TV

477
00:24:08,920 --> 00:24:15,439
Speaker 6: without knowing I was about to be on TV, and

478
00:24:15,520 --> 00:24:18,080
Speaker 6: so that was, yeah, I'm just chilling and.

479
00:24:17,920 --> 00:24:22,800
Speaker 10: Watching like what, man, I ain't know what because before

480
00:24:22,840 --> 00:24:25,560
Speaker 10: the hat, it was just my TV appearance was you know,

481
00:24:26,119 --> 00:24:27,920
Speaker 10: Eric and it was my comedy special.

482
00:24:28,400 --> 00:24:30,199
Speaker 6: It was my late night stuff where it was like,

483
00:24:30,320 --> 00:24:33,159
Speaker 6: I know, I'm going to be on Comedy Central at nine.

484
00:24:33,160 --> 00:24:38,160
Speaker 5: Thirty, check me out. And so that was the most time. Yeah,

485
00:24:38,200 --> 00:24:39,680
Speaker 5: So that that was I was jarring.

486
00:24:39,760 --> 00:24:42,960
Speaker 6: It was a lot of it was it was heavy, man,

487
00:24:42,960 --> 00:24:46,199
Speaker 6: because it kind of we pushed stuff back because of it,

488
00:24:46,280 --> 00:24:48,320
Speaker 6: because I was we were getting ready to announce my

489
00:24:48,320 --> 00:24:52,639
Speaker 6: Comedy Central show, but it was already in motion for

490
00:24:53,240 --> 00:24:55,480
Speaker 6: a year or something before that. But then because that

491
00:24:55,600 --> 00:24:58,200
Speaker 6: was happening, it was like, oh, we are now staying.

492
00:24:58,200 --> 00:25:00,560
Speaker 6: It looked like it's I got the job because of that.

493
00:25:00,720 --> 00:25:02,359
Speaker 6: Some people still think that, but it is what it is.

494
00:25:02,640 --> 00:25:04,280
Speaker 4: So you wanted to hold it back so it didn't

495
00:25:04,320 --> 00:25:07,680
Speaker 4: look like they want to want to drop it right

496
00:25:07,720 --> 00:25:10,119
Speaker 4: in that but I don't, but they just you know,

497
00:25:10,200 --> 00:25:11,720
Speaker 4: we definitely things.

498
00:25:11,440 --> 00:25:15,720
Speaker 6: Were adjusted and moved around because of it, and I

499
00:25:15,760 --> 00:25:18,160
Speaker 6: think it took a lot of a lot of headspace

500
00:25:18,480 --> 00:25:22,320
Speaker 6: creatively and probably you know, in some form affected the

501
00:25:22,320 --> 00:25:24,200
Speaker 6: work I created at that time and maybe even now.

502
00:25:24,240 --> 00:25:26,040
Speaker 7: But you didn't have nobody to lean on in a

503
00:25:26,080 --> 00:25:28,479
Speaker 7: way because you were like the first to do something

504
00:25:28,600 --> 00:25:31,040
Speaker 7: like that to someone who had such a It.

505
00:25:31,000 --> 00:25:35,480
Speaker 4: Was a viral movement that probably introduced the term cancel culture, I.

506
00:25:35,440 --> 00:25:38,040
Speaker 7: Guess, yeah, for somebody who people looked at in a

507
00:25:38,080 --> 00:25:40,439
Speaker 7: totally opposite way. So it's kind of like who you

508
00:25:40,560 --> 00:25:42,760
Speaker 7: lean on when you are stressed about that, because who've

509
00:25:42,800 --> 00:25:43,280
Speaker 7: been through it?

510
00:25:43,480 --> 00:25:45,880
Speaker 4: Yeah? What do you call you? Who's on your side?

511
00:25:45,880 --> 00:25:47,760
Speaker 4: Who was just your squad? Uh?

512
00:25:49,000 --> 00:25:49,520
Speaker 5: Gambling?

513
00:25:49,560 --> 00:25:58,480
Speaker 6: Alcohol, heavy like heavy spending, like those friends just getting

514
00:25:58,520 --> 00:26:01,879
Speaker 6: private jets just as I got it, just like I

515
00:26:01,880 --> 00:26:02,760
Speaker 6: had this ship already.

516
00:26:06,200 --> 00:26:09,280
Speaker 8: We don't say it kind of ended or not end

517
00:26:09,320 --> 00:26:11,280
Speaker 8: it because you know, you say you're still getting messages,

518
00:26:11,320 --> 00:26:12,880
Speaker 8: But when do you feel like you kind of work

519
00:26:12,920 --> 00:26:13,119
Speaker 8: through it?

520
00:26:13,080 --> 00:26:14,879
Speaker 4: And it's like all right, you know, well can you

521
00:26:14,960 --> 00:26:17,320
Speaker 4: in twenty twenty three, can you get through a week

522
00:26:17,960 --> 00:26:19,119
Speaker 4: without someone bringing it up?

523
00:26:19,200 --> 00:26:19,360
Speaker 7: Yeah?

524
00:26:19,440 --> 00:26:20,440
Speaker 5: Yeah, I can get through a week.

525
00:26:20,440 --> 00:26:22,640
Speaker 6: It's not it's not something that's heavy like that. I'm

526
00:26:22,760 --> 00:26:26,760
Speaker 6: chill with what it is now. But the initial ship

527
00:26:26,960 --> 00:26:28,919
Speaker 6: was was crazy because it was like, oh man, this

528
00:26:29,040 --> 00:26:32,800
Speaker 6: is this is intense. It was you know people, you

529
00:26:32,840 --> 00:26:34,320
Speaker 6: know random after that, and I do.

530
00:26:34,320 --> 00:26:36,679
Speaker 5: Want to see you with your show.

531
00:26:36,520 --> 00:26:38,760
Speaker 6: And then I'm talking ship like I'm also I'm like,

532
00:26:38,760 --> 00:26:44,320
Speaker 6: come see me there Moray.

533
00:26:45,400 --> 00:26:46,440
Speaker 4: Who's defending him?

534
00:26:47,400 --> 00:26:50,600
Speaker 9: Uh well, all we're kind of you know, don't let's

535
00:26:50,680 --> 00:26:50,879
Speaker 9: keep it.

536
00:26:51,119 --> 00:26:52,840
Speaker 7: Let's keep it from getting like I know, the black folks,

537
00:26:52,880 --> 00:26:55,160
Speaker 7: I'm like, what you're doing putting our business in public?

538
00:26:55,480 --> 00:26:58,679
Speaker 4: Right? Bo? I forgot about that part. That part, I

539
00:26:58,720 --> 00:26:59,520
Speaker 4: forgot about it, right.

540
00:26:59,800 --> 00:27:00,080
Speaker 5: That was.

541
00:27:01,520 --> 00:27:05,080
Speaker 4: So for you though, like in terms of like doing

542
00:27:05,119 --> 00:27:08,720
Speaker 4: movies and whatnot, Like I always feel like, for you,

543
00:27:08,800 --> 00:27:11,639
Speaker 4: what is the end game because I've yet to see

544
00:27:11,680 --> 00:27:16,360
Speaker 4: like have you thought about doing your own comedy show,

545
00:27:16,480 --> 00:27:19,880
Speaker 4: like your own series? I know sitcoms are like what

546
00:27:19,920 --> 00:27:28,560
Speaker 4: we call it now? No series? Is it still a

547
00:27:28,640 --> 00:27:32,320
Speaker 4: hustle or is it like where do you want to

548
00:27:32,400 --> 00:27:34,680
Speaker 4: land the plane? Where it's like this is what I'm

549
00:27:34,720 --> 00:27:35,960
Speaker 4: definitively known for.

550
00:27:36,800 --> 00:27:40,040
Speaker 6: Right Uh yeah, there's no singular thing right now. So

551
00:27:40,040 --> 00:27:43,440
Speaker 6: it's it's pretty that's fag minute. I'm not too move

552
00:27:43,600 --> 00:27:48,880
Speaker 6: by film like that as far as me wanting to

553
00:27:48,920 --> 00:27:49,560
Speaker 6: make my own.

554
00:27:49,880 --> 00:27:50,640
Speaker 5: I like docs.

555
00:27:51,440 --> 00:27:53,480
Speaker 6: We did the one I did the one Doctor Handible

556
00:27:53,520 --> 00:27:56,560
Speaker 6: takes Edinburgh. We did one for my festival, I solo fest.

557
00:27:56,560 --> 00:28:00,320
Speaker 6: I think event the event space and just live so

558
00:28:01,800 --> 00:28:03,040
Speaker 6: and and and helping others.

559
00:28:03,119 --> 00:28:04,320
Speaker 5: Dude do great shows too.

560
00:28:04,359 --> 00:28:08,440
Speaker 6: So I got the the the least on the old

561
00:28:08,520 --> 00:28:12,960
Speaker 6: knitting factory space. So I'm taking out your back. Yeah,

562
00:28:13,040 --> 00:28:16,520
Speaker 6: so I'm gonna be running that spot and congratulations.

563
00:28:16,600 --> 00:28:17,320
Speaker 5: So I think.

564
00:28:18,160 --> 00:28:20,760
Speaker 4: Factory, the one in the one in Williamsburg.

565
00:28:21,680 --> 00:28:24,320
Speaker 5: Yeah, gotta got a tenure least there.

566
00:28:24,520 --> 00:28:26,800
Speaker 4: This is a weird, sad question. Did old girl work

567
00:28:26,840 --> 00:28:29,360
Speaker 4: out for you or did you work Yeah?

568
00:28:29,359 --> 00:28:31,480
Speaker 5: I talked with her. She's dope. She's dope. Yeah, I

569
00:28:31,520 --> 00:28:34,679
Speaker 5: gotta when I'm back out in New York, meeting in person.

570
00:28:34,720 --> 00:28:37,040
Speaker 4: But so you're literally going to run that spot.

571
00:28:36,840 --> 00:28:39,400
Speaker 5: From run that spot, yeah, and probably do a month.

572
00:28:39,520 --> 00:28:41,800
Speaker 4: Because they used to be the old home of Okay

573
00:28:41,840 --> 00:28:44,240
Speaker 4: player well used to be upstairs.

574
00:28:44,320 --> 00:28:47,200
Speaker 6: Yeah, the space was still Vagan Knitting Factory left there

575
00:28:48,080 --> 00:28:51,840
Speaker 6: August of last year and then the.

576
00:28:51,720 --> 00:28:53,800
Speaker 5: Realtor reached out.

577
00:28:54,200 --> 00:28:56,760
Speaker 6: Hey still you know he was the new I guess

578
00:28:56,800 --> 00:28:58,560
Speaker 6: they had one for a while and then he took

579
00:28:58,680 --> 00:29:01,200
Speaker 6: he took it over as far as marketing it.

580
00:29:01,240 --> 00:29:03,320
Speaker 5: He reached out to me, Hey, man, I know you

581
00:29:03,400 --> 00:29:05,160
Speaker 5: used to do shows here. What you think about it?

582
00:29:05,240 --> 00:29:07,440
Speaker 5: And initially I was like, hell, no, man, why is

583
00:29:07,440 --> 00:29:11,240
Speaker 5: it still open? And that's going on? Why it's it

584
00:29:11,280 --> 00:29:12,080
Speaker 5: been open for a year?

585
00:29:12,400 --> 00:29:14,240
Speaker 6: And then I just kind of started, you know, running

586
00:29:14,280 --> 00:29:15,640
Speaker 6: the numbers in my head. I said, this could be

587
00:29:15,720 --> 00:29:17,840
Speaker 6: really this could be something really cool, man, just to

588
00:29:17,920 --> 00:29:20,160
Speaker 6: and it's a great story to you know, I hosted

589
00:29:20,240 --> 00:29:23,320
Speaker 6: I was. I did the first night there in two

590
00:29:23,400 --> 00:29:26,760
Speaker 6: thousand and nine, which led to me hosting my my

591
00:29:26,800 --> 00:29:29,480
Speaker 6: comedy night there. My comedy night was on Sundays because

592
00:29:29,520 --> 00:29:31,720
Speaker 6: that was my only off day from SNL.

593
00:29:32,360 --> 00:29:35,400
Speaker 4: Were you were you part of even Tarror did hip

594
00:29:35,440 --> 00:29:38,840
Speaker 4: hop karaoke when like I remember DJ Terror?

595
00:29:39,960 --> 00:29:40,120
Speaker 6: Yeah?

596
00:29:40,320 --> 00:29:42,640
Speaker 4: Was it? Were you there with? Like? Were you running

597
00:29:42,680 --> 00:29:43,560
Speaker 4: that hip hop karaoke?

598
00:29:43,840 --> 00:29:44,000
Speaker 7: No?

599
00:29:44,080 --> 00:29:45,960
Speaker 6: We just did that special for my birthday. That was

600
00:29:46,000 --> 00:29:47,560
Speaker 6: my thirtieth birthday. Y'all came through.

601
00:29:48,200 --> 00:29:50,080
Speaker 4: Oh I thought that was like a weekly thing.

602
00:29:50,240 --> 00:29:50,320
Speaker 5: No.

603
00:29:50,800 --> 00:29:51,760
Speaker 4: I was like, oh, this is dope.

604
00:29:51,920 --> 00:29:54,640
Speaker 6: No, we just did it up for my birthday and

605
00:29:54,640 --> 00:29:59,400
Speaker 6: and and yeah it was twenty thirteen. Okay, thank you

606
00:29:59,480 --> 00:30:01,840
Speaker 6: for coming through. By the way, I was fun. But yeah, man,

607
00:30:01,840 --> 00:30:05,320
Speaker 6: I'm hyped about that because it just gives me. I

608
00:30:05,360 --> 00:30:07,320
Speaker 6: love going to shows and seeing dope shows.

609
00:30:07,520 --> 00:30:09,760
Speaker 7: What's your vision, like in your mind, this is dope

610
00:30:09,760 --> 00:30:12,160
Speaker 7: because you know, folks like you don't do whole venues,

611
00:30:12,760 --> 00:30:14,400
Speaker 7: so you can just put whatever you want to.

612
00:30:14,640 --> 00:30:16,720
Speaker 6: Yeah, just the you know, I want to get the

613
00:30:16,840 --> 00:30:19,400
Speaker 6: a dope screen in there, like get the visuals right,

614
00:30:19,840 --> 00:30:22,760
Speaker 6: just you know, really making my own and it's three

615
00:30:22,840 --> 00:30:24,760
Speaker 6: hundred caps, so that's a great.

616
00:30:24,960 --> 00:30:26,200
Speaker 9: What kind of shows you're thinking?

617
00:30:26,560 --> 00:30:30,280
Speaker 5: All types of like just a dope artists man, you know,

618
00:30:30,360 --> 00:30:32,520
Speaker 5: booked to my taste and I.

619
00:30:32,560 --> 00:30:35,520
Speaker 4: Forgotten also factories music also, yeah, I thought you were

620
00:30:35,520 --> 00:30:36,280
Speaker 4: just going to turn.

621
00:30:36,120 --> 00:30:39,880
Speaker 6: It nice comedy. Yeah, it's gonna be everything, you know,

622
00:30:40,000 --> 00:30:43,320
Speaker 6: everything more and more. Yeah, it'd be probably more music,

623
00:30:43,480 --> 00:30:44,080
Speaker 6: you know what I mean?

624
00:30:44,320 --> 00:30:47,400
Speaker 4: It would be lean when you're working out comedy in

625
00:30:47,520 --> 00:30:51,240
Speaker 4: New York, because I know that there's different communities up there,

626
00:30:51,280 --> 00:30:56,200
Speaker 4: like yeah, established comedy seller and then kind of the Vegacy.

627
00:30:57,120 --> 00:30:58,840
Speaker 4: I don't want to say, I don't know what to

628
00:30:58,960 --> 00:31:01,400
Speaker 4: call the Vegas type comedian, but that's always like a

629
00:31:01,440 --> 00:31:06,800
Speaker 4: midtown Manhattan Caroline sort of thing. And then there's like

630
00:31:06,880 --> 00:31:10,760
Speaker 4: the Brooklyn set where like Wyatt or you know, I

631
00:31:10,800 --> 00:31:15,320
Speaker 4: guess they call it alternative. Is Brooklyn really considered like

632
00:31:16,480 --> 00:31:21,200
Speaker 4: the alternative comedy hub? Like, I don't think I would

633
00:31:21,200 --> 00:31:24,360
Speaker 4: see Chris at any spot in Brooklyn.

634
00:31:24,800 --> 00:31:30,000
Speaker 6: So Chris came through nit A bunch word, Yeah, oh Chris,

635
00:31:30,080 --> 00:31:30,920
Speaker 6: Chris came through Neit.

636
00:31:31,640 --> 00:31:32,520
Speaker 5: They've came through Neit.

637
00:31:33,800 --> 00:31:36,760
Speaker 4: Well, there's some people that just have no fear and go.

638
00:31:36,920 --> 00:31:40,400
Speaker 4: But like, is that still is it still not segregated?

639
00:31:40,440 --> 00:31:43,560
Speaker 4: But is it still like the all comedians don't mess

640
00:31:43,600 --> 00:31:48,040
Speaker 4: with the Vegas comedians who don't mess with the whatever

641
00:31:48,080 --> 00:31:49,960
Speaker 4: the a list that comedy Seller represents.

642
00:31:50,440 --> 00:31:53,520
Speaker 6: I'm not one to speak on the current scene right

643
00:31:53,560 --> 00:31:55,479
Speaker 6: now because I haven't been I haven't lived in New

644
00:31:55,560 --> 00:31:59,840
Speaker 6: York full time since twenty sixteen seventeen. I've been out

645
00:32:00,080 --> 00:32:03,080
Speaker 6: been out West, so I'm not really even well versed.

646
00:32:03,120 --> 00:32:06,320
Speaker 6: I just kind of now if I just started doing

647
00:32:06,360 --> 00:32:09,200
Speaker 6: comedy in New York recently, and I'll pop out a seller,

648
00:32:09,320 --> 00:32:12,160
Speaker 6: you know, I'm really not want to speak on all

649
00:32:12,160 --> 00:32:12,720
Speaker 6: the dynamics.

650
00:32:12,880 --> 00:32:16,840
Speaker 4: Is the seller a spot that you trust? Because most

651
00:32:16,920 --> 00:32:20,040
Speaker 4: comedians tell me that you have to work out in

652
00:32:20,120 --> 00:32:23,680
Speaker 4: a spot that is hard, Like Chris is like, no,

653
00:32:23,920 --> 00:32:27,880
Speaker 4: I'm going to Palm Springs, Florida. I'm going to there's

654
00:32:27,920 --> 00:32:31,200
Speaker 4: a spot in Ohio. He wants. He wants an audience

655
00:32:31,240 --> 00:32:34,120
Speaker 4: that he doesn't resonate with whatsoever, and if they can laugh,

656
00:32:34,840 --> 00:32:36,760
Speaker 4: then he knows he has something. But if you're in

657
00:32:36,800 --> 00:32:39,520
Speaker 4: the comedy seller, then it's like your boys are there

658
00:32:39,520 --> 00:32:41,880
Speaker 4: egging you are like, yeah, that's dope, and then it

659
00:32:41,920 --> 00:32:44,040
Speaker 4: doesn't work for me.

660
00:32:45,640 --> 00:32:47,640
Speaker 5: Just doing an hour on the road.

661
00:32:47,880 --> 00:32:50,520
Speaker 6: Now you're trying to headline, so that's where you you know,

662
00:32:50,600 --> 00:32:53,200
Speaker 6: I'd rather I don't really even do that many fifteen

663
00:32:53,240 --> 00:32:55,800
Speaker 6: minutes like pop up on my show. I want to

664
00:32:55,800 --> 00:32:57,760
Speaker 6: do an hour because some of my some of the

665
00:32:57,760 --> 00:33:00,120
Speaker 6: pieces and stories now it's twenty twenty five minutes on

666
00:33:00,160 --> 00:33:02,680
Speaker 6: their own. So I'm not gonna figure that out out there.

667
00:33:03,400 --> 00:33:04,040
Speaker 5: Uh So I.

668
00:33:04,000 --> 00:33:06,160
Speaker 6: Think just working on it. You you get better as

669
00:33:06,200 --> 00:33:10,720
Speaker 6: a headliner by by headlining. And so this recent run

670
00:33:11,760 --> 00:33:14,160
Speaker 6: it made me realize for my last before I put

671
00:33:14,160 --> 00:33:17,440
Speaker 6: out Miami Nights and my last tour was all theaters,

672
00:33:18,240 --> 00:33:19,920
Speaker 6: which is cool and it's and it's nice to be

673
00:33:19,960 --> 00:33:21,640
Speaker 6: able to do, but it made me realize I ain't

674
00:33:21,640 --> 00:33:25,040
Speaker 6: really like really hammered the show in the club and

675
00:33:25,160 --> 00:33:27,480
Speaker 6: just you know, getting the timing right and and doing

676
00:33:27,560 --> 00:33:31,240
Speaker 6: five in a weekend and and having you know, performed

677
00:33:31,360 --> 00:33:35,200
Speaker 6: through you know, waitresses and whatever walking through and just

678
00:33:35,480 --> 00:33:37,600
Speaker 6: you know, get to get the show tight and then

679
00:33:37,680 --> 00:33:39,520
Speaker 6: taking it to theaters, which I'm doing now. And so

680
00:33:39,600 --> 00:33:42,960
Speaker 6: I'm noticing the difference in the inequality and as far

681
00:33:42,960 --> 00:33:46,560
Speaker 6: as just making the show bulletproof through through to just

682
00:33:46,600 --> 00:33:49,160
Speaker 6: working on it. So it's been I'm I'm hype man

683
00:33:49,200 --> 00:33:51,440
Speaker 6: because I've been you know, just been moving around and

684
00:33:51,720 --> 00:33:55,760
Speaker 6: and and it's been It's an exciting time creatively.

685
00:33:56,160 --> 00:34:00,040
Speaker 8: I wanted you to talk about specifically Miami Nights and

686
00:34:00,040 --> 00:34:02,800
Speaker 8: and you know, your decision to put it out on YouTube. Yeah,

687
00:34:02,960 --> 00:34:06,280
Speaker 8: just talking through that whole experience because it was something

688
00:34:06,320 --> 00:34:08,160
Speaker 8: for me. It was really inspired. I mean we talked

689
00:34:08,160 --> 00:34:10,520
Speaker 8: in private about it, but yeah, was really inspiring. I

690
00:34:10,560 --> 00:34:12,680
Speaker 8: think a lot of artists it would. I think it

691
00:34:12,719 --> 00:34:14,640
Speaker 8: would inspired them to hear that story.

692
00:34:15,080 --> 00:34:16,080
Speaker 5: With Miami Knights.

693
00:34:16,840 --> 00:34:20,759
Speaker 6: It was a lot of it was the decision making

694
00:34:20,800 --> 00:34:24,200
Speaker 6: around it was definitely based in emotion because of you know,

695
00:34:24,239 --> 00:34:27,040
Speaker 6: it was me dealing with my my false arrest and

696
00:34:27,120 --> 00:34:32,200
Speaker 6: all of that, and so you know, going to the marketplace, it.

697
00:34:32,200 --> 00:34:34,440
Speaker 5: Was tough for me to put a price on it

698
00:34:34,520 --> 00:34:35,759
Speaker 5: and so like.

699
00:34:37,520 --> 00:34:40,600
Speaker 6: They say this amount, like, motherfucker, what are you talking about?

700
00:34:40,760 --> 00:34:42,920
Speaker 6: Is because I couldn't just it was not it was

701
00:34:42,960 --> 00:34:46,239
Speaker 6: not business in that way to me. And so that

702
00:34:46,400 --> 00:34:48,279
Speaker 6: was a big part of it. And then just doing

703
00:34:48,280 --> 00:34:54,040
Speaker 6: the negotiation in pandemic and and having a lot of.

704
00:34:53,960 --> 00:34:54,480
Speaker 5: Time to think.

705
00:34:54,520 --> 00:34:56,120
Speaker 6: It was about we were about to go to Netflix,

706
00:34:57,560 --> 00:35:00,640
Speaker 6: we know, right, And it wasn't ont flick talking about

707
00:35:00,640 --> 00:35:03,960
Speaker 6: it. It was delivered to Netflix. We were they were subtitling

708
00:35:04,000 --> 00:35:08,799
Speaker 6: that ship. And I pulled it why because it just

709
00:35:09,280 --> 00:35:11,360
Speaker 6: I was just thinking about it, man, And and it

710
00:35:11,440 --> 00:35:14,399
Speaker 6: was just it was part it was short term vision,

711
00:35:14,480 --> 00:35:19,000
Speaker 6: long term vision where it didn't look like the road

712
00:35:19,080 --> 00:35:22,160
Speaker 6: was happening in the fall, and so and it was

713
00:35:22,160 --> 00:35:25,759
Speaker 6: signing away the entire the entire thing. And I didn't

714
00:35:25,760 --> 00:35:28,120
Speaker 6: think the price point after sitting around thinking about it

715
00:35:28,160 --> 00:35:32,439
Speaker 6: because I wasn't in motion. You're your manager, Uh at

716
00:35:32,440 --> 00:35:34,880
Speaker 6: that time, I did not have management.

717
00:35:34,880 --> 00:35:36,480
Speaker 5: I had agent, Yeah, I had agent.

718
00:35:36,600 --> 00:35:39,200
Speaker 6: That was there was, but it was just you know, yeah,

719
00:35:39,280 --> 00:35:42,759
Speaker 6: me and my thoughts was my manager, and so it

720
00:35:42,840 --> 00:35:47,440
Speaker 6: was just somewhere I didn't I'm I'm happy with the decision.

721
00:35:47,440 --> 00:35:49,160
Speaker 6: I wish I just did it earlier because I know

722
00:35:49,200 --> 00:35:52,920
Speaker 6: they were salted it and I got relationships over there

723
00:35:52,920 --> 00:35:57,120
Speaker 6: that was before they were even at Netflix. But yeah,

724
00:35:57,160 --> 00:35:58,880
Speaker 6: so I decided to go YouTube just to keep the

725
00:35:59,080 --> 00:36:01,839
Speaker 6: keep the ownership of it and and put it out

726
00:36:01,880 --> 00:36:02,279
Speaker 6: that way.

727
00:36:03,520 --> 00:36:06,000
Speaker 7: And YouTube ownership is like, because I was wondering, I'm like,

728
00:36:06,000 --> 00:36:06,920
Speaker 7: don't they still.

729
00:36:06,680 --> 00:36:10,000
Speaker 5: Own no YouTube? Uh?

730
00:36:10,040 --> 00:36:12,000
Speaker 6: And then I took it down from YouTube too because

731
00:36:12,000 --> 00:36:15,000
Speaker 6: I just it was weird releasing something in the in

732
00:36:15,040 --> 00:36:18,440
Speaker 6: the pandemic and not having any live energy around it

733
00:36:18,520 --> 00:36:21,439
Speaker 6: and movement and then and then then so now it's

734
00:36:21,480 --> 00:36:24,160
Speaker 6: just down and I be thinking I'm gonna put it

735
00:36:24,200 --> 00:36:26,480
Speaker 6: back up, but it's no urgency.

736
00:36:26,560 --> 00:36:27,960
Speaker 5: And I kind of like the idea of having a

737
00:36:27,960 --> 00:36:29,360
Speaker 5: special that people.

738
00:36:29,080 --> 00:36:35,440
Speaker 4: Can create your own scarcity.

739
00:36:35,719 --> 00:36:38,440
Speaker 6: Yeah, and so it's just no, I don't want to,

740
00:36:38,600 --> 00:36:41,920
Speaker 6: you know, I like just having and you know, maybe

741
00:36:41,920 --> 00:36:43,840
Speaker 6: who knows when they'll go out. They'll go out eventually,

742
00:36:43,880 --> 00:36:46,279
Speaker 6: but it's not it's not I have to do it

743
00:36:46,400 --> 00:36:46,680
Speaker 6: like that.

744
00:36:46,800 --> 00:36:49,920
Speaker 4: It's just well, I'll ask you because I still say

745
00:36:51,280 --> 00:36:53,759
Speaker 4: that that's the two things that I've not seen a

746
00:36:53,800 --> 00:36:56,000
Speaker 4: comedian do yet. And I feel like comedy should be

747
00:36:56,040 --> 00:37:02,400
Speaker 4: something which a comedian will attempt to go in uncharted territory.

748
00:37:02,640 --> 00:37:06,600
Speaker 4: And so there was a what's his name's boy who

749
00:37:06,640 --> 00:37:12,520
Speaker 4: did the comedy special with no audience. Oh, I can't remember,

750
00:37:12,520 --> 00:37:17,960
Speaker 4: the white guy Drew Michael. But also I believe Silverman

751
00:37:18,120 --> 00:37:22,319
Speaker 4: once did a special which it had to been at

752
00:37:22,400 --> 00:37:26,120
Speaker 4: least maybe like eighteen people in the room, like, but

753
00:37:26,160 --> 00:37:28,719
Speaker 4: it was just an intimate which that felt like, oh,

754
00:37:28,719 --> 00:37:31,320
Speaker 4: that must be hard, like to try to make eighteen

755
00:37:31,360 --> 00:37:36,600
Speaker 4: people gut laugh in that manner. But I mean, are

756
00:37:36,640 --> 00:37:41,920
Speaker 4: there for you? Is there any desire to figure that out?

757
00:37:42,000 --> 00:37:44,120
Speaker 4: Or it's just like nah, Like if it ain't broke,

758
00:37:44,160 --> 00:37:45,120
Speaker 4: don't fix it, Like just.

759
00:37:45,080 --> 00:37:47,600
Speaker 5: Do something, just doing a different message with the format.

760
00:37:47,719 --> 00:37:52,160
Speaker 6: Yeah, uh yeah, there's a lot of ways to to

761
00:37:52,239 --> 00:37:52,880
Speaker 6: just try it.

762
00:37:52,920 --> 00:37:53,160
Speaker 5: Man.

763
00:37:53,560 --> 00:37:55,160
Speaker 8: I think to drive through shows you kind of, I

764
00:37:55,200 --> 00:37:56,440
Speaker 8: mean the driving shows you did.

765
00:37:56,480 --> 00:37:58,239
Speaker 4: Yeah, so why didn't you like the wor you said

766
00:37:58,280 --> 00:37:59,279
Speaker 4: disasters drive through?

767
00:38:00,360 --> 00:38:02,359
Speaker 5: Man? That shit was just.

768
00:38:04,000 --> 00:38:06,680
Speaker 6: Ye had a huh And it's just a disconnect. There's

769
00:38:06,719 --> 00:38:11,600
Speaker 6: no you can't see faces people either in their cars

770
00:38:11,719 --> 00:38:15,680
Speaker 6: or or sitting on it. It's no connection and so

771
00:38:15,840 --> 00:38:19,600
Speaker 6: that you know, especially you know, I was rusty too,

772
00:38:20,360 --> 00:38:22,080
Speaker 6: you know what I mean, with no real and so

773
00:38:22,200 --> 00:38:27,480
Speaker 6: then jumping back out my first gig, it's nothing I

774
00:38:27,680 --> 00:38:31,200
Speaker 6: practiced for the past, you know, eighteen years or whatever.

775
00:38:31,680 --> 00:38:33,320
Speaker 5: So it was just a weird experience.

776
00:38:34,880 --> 00:38:35,600
Speaker 4: Yeah, it was.

777
00:38:35,640 --> 00:38:38,720
Speaker 6: I remember Cleveland was the first show. It was facing

778
00:38:38,719 --> 00:38:43,239
Speaker 6: a highway and it was a train. It was a

779
00:38:43,280 --> 00:38:46,800
Speaker 6: train track to the right, A stage was facing a highway.

780
00:38:47,000 --> 00:38:51,000
Speaker 6: Audience is seeing so I'm so I'm seeing FedEx trucks

781
00:38:51,280 --> 00:38:53,719
Speaker 6: and then the train got really active during my set

782
00:38:54,480 --> 00:38:56,400
Speaker 6: and I hadn't even been on stage in months, so

783
00:38:56,440 --> 00:39:01,480
Speaker 6: I'm and I'm like, whoa, this is terrible. But because

784
00:39:01,520 --> 00:39:04,200
Speaker 6: the audience is listening to radio, that's not their experience,

785
00:39:04,200 --> 00:39:05,439
Speaker 6: so they're not bothered by the train.

786
00:39:05,719 --> 00:39:07,480
Speaker 5: They're not even seeing the trucks.

787
00:39:07,800 --> 00:39:11,360
Speaker 6: So I'm just mother on stage complaining about trucks and trains.

788
00:39:13,160 --> 00:39:16,360
Speaker 5: So it was just one of those was it, man?

789
00:39:16,600 --> 00:39:17,759
Speaker 5: I wanted to and I was.

790
00:39:18,080 --> 00:39:19,840
Speaker 6: We got about six morties and it was It was

791
00:39:19,840 --> 00:39:22,320
Speaker 6: funny to flip because initially I was super excited to

792
00:39:22,360 --> 00:39:23,960
Speaker 6: get that tour going, just to get something going we

793
00:39:24,080 --> 00:39:27,440
Speaker 6: out here, and then I actually announced that because somebody

794
00:39:27,520 --> 00:39:31,279
Speaker 6: else was taking too long. It made sense that they

795
00:39:31,400 --> 00:39:33,560
Speaker 6: was taking too long because it was a dicey situation,

796
00:39:33,680 --> 00:39:35,560
Speaker 6: so they was thinking about it, and so I said, no,

797
00:39:35,640 --> 00:39:38,080
Speaker 6: we about to announce, and I announced, and then we

798
00:39:38,160 --> 00:39:38,719
Speaker 6: get out there and.

799
00:39:38,719 --> 00:39:40,839
Speaker 5: I said, man, I want to cancel the rest of these.

800
00:39:41,800 --> 00:39:43,359
Speaker 5: We kind of figured it out and it got better,

801
00:39:43,400 --> 00:39:44,200
Speaker 5: but it still wasn't.

802
00:39:44,280 --> 00:39:46,359
Speaker 6: It wasn't the ideal it was. It was a it

803
00:39:46,400 --> 00:39:49,200
Speaker 6: was an an ideal situation. As far as it's flipping stuff,

804
00:39:49,239 --> 00:39:50,120
Speaker 6: I mean, you make it.

805
00:39:50,320 --> 00:39:50,560
Speaker 5: You know.

806
00:39:50,640 --> 00:39:53,840
Speaker 6: We did the Hannibal Takes Edinburgh thing where that was

807
00:39:53,880 --> 00:39:56,800
Speaker 6: a bunch of shows in one place, and and adding

808
00:39:56,840 --> 00:40:00,600
Speaker 6: the docu documentary element. I think people liked story and

809
00:40:00,640 --> 00:40:03,040
Speaker 6: seeing it seeing that part of it, I got some

810
00:40:03,160 --> 00:40:06,680
Speaker 6: I got another idea for something for a special that

811
00:40:06,760 --> 00:40:09,640
Speaker 6: involves some some traveling and some some moving around. So

812
00:40:10,239 --> 00:40:11,920
Speaker 6: there is ways to flipp it because there's been so

813
00:40:12,000 --> 00:40:15,840
Speaker 6: much just stand up done, just somebody standing on the stage.

814
00:40:16,520 --> 00:40:20,000
Speaker 6: So anytime you could figure out a different visual element

815
00:40:20,239 --> 00:40:23,799
Speaker 6: or something else, you know, it could just makes it

816
00:40:23,840 --> 00:40:25,399
Speaker 6: be CREATI because the jokes are gonna be the jokes

817
00:40:25,400 --> 00:40:26,200
Speaker 6: no matter what you're doing.

818
00:40:26,360 --> 00:40:28,040
Speaker 5: So it's just how to how to figure out how

819
00:40:28,040 --> 00:40:28,520
Speaker 5: to flip it.

820
00:40:28,960 --> 00:40:32,080
Speaker 8: Man, I wanted you to talk about Isla Feste you

821
00:40:32,120 --> 00:40:36,399
Speaker 8: pulled up because that she was insane. So yeah, how

822
00:40:36,400 --> 00:40:39,080
Speaker 8: do you get how many thousands of people that you

823
00:40:39,120 --> 00:40:39,440
Speaker 8: got to?

824
00:40:39,680 --> 00:40:41,400
Speaker 4: Yeah, a small town.

825
00:40:41,440 --> 00:40:43,560
Speaker 8: That you know you probably couldn't even find on the map.

826
00:40:43,840 --> 00:40:49,880
Speaker 6: Yeah, I Solo fest December twenty nineteen. I had the idea,

827
00:40:49,920 --> 00:40:52,839
Speaker 6: I have a little club. Me and my cousin own

828
00:40:52,960 --> 00:40:55,280
Speaker 6: a club and I sold the Mississippi that's where my

829
00:40:55,280 --> 00:40:56,759
Speaker 6: my mom's side of the family's from.

830
00:40:57,560 --> 00:40:59,680
Speaker 5: And so I had the idea to do.

831
00:41:00,760 --> 00:41:00,920
Speaker 4: Uh.

832
00:41:01,360 --> 00:41:03,200
Speaker 5: I wanted to do some shows down there, just to

833
00:41:03,280 --> 00:41:03,800
Speaker 5: draw attention.

834
00:41:04,040 --> 00:41:08,000
Speaker 6: Population of this town is a thousand or less. Uh,

835
00:41:08,239 --> 00:41:10,600
Speaker 6: super small town. But I said, you know what you

836
00:41:10,640 --> 00:41:13,120
Speaker 6: do the right ship people people show up, and so

837
00:41:13,160 --> 00:41:14,479
Speaker 6: I want to do a show down there.

838
00:41:16,239 --> 00:41:16,760
Speaker 5: And then.

839
00:41:18,120 --> 00:41:20,520
Speaker 6: First hear I hit up T Pain, expecting him to

840
00:41:20,520 --> 00:41:25,520
Speaker 6: say no, it was really just a practice call. Just

841
00:41:25,560 --> 00:41:28,080
Speaker 6: a practice call is practice in my pitch. I'm gonna

842
00:41:28,160 --> 00:41:30,080
Speaker 6: let him say no. I hit up T Pain. You

843
00:41:30,120 --> 00:41:31,719
Speaker 6: want to do the show? And I told it I.

844
00:41:31,719 --> 00:41:37,399
Speaker 4: Never thought of that. I need that advice. Right, I'm

845
00:41:37,440 --> 00:41:41,600
Speaker 4: doing this ship wrong. I got to call it Fredda

846
00:41:45,280 --> 00:41:45,759
Speaker 4: doctor Dre.

847
00:41:47,840 --> 00:41:50,000
Speaker 5: I'm expected to know he was. I said, you want

848
00:41:50,040 --> 00:41:51,520
Speaker 5: to do the show? And I sold him thinking it

849
00:41:52,080 --> 00:41:52,799
Speaker 5: he said yeah, I.

850
00:41:53,200 --> 00:41:56,560
Speaker 6: Said what And so then I escalate into it, I said,

851
00:41:56,680 --> 00:41:59,200
Speaker 6: from being a one night thing to a three day festival,

852
00:41:59,200 --> 00:42:00,400
Speaker 6: which was on that sarih.

853
00:42:00,480 --> 00:42:03,480
Speaker 5: But we got the memories and the experience. Uh.

854
00:42:03,560 --> 00:42:05,640
Speaker 6: And then and then it was we was only doing

855
00:42:05,680 --> 00:42:08,440
Speaker 6: it on three weeks notice because the play was to

856
00:42:09,120 --> 00:42:12,680
Speaker 6: do it in December, So this was I guess late

857
00:42:12,800 --> 00:42:16,600
Speaker 6: November that I was trying to execute this and then

858
00:42:17,320 --> 00:42:20,440
Speaker 6: and then, uh, we were gonna do it properly the

859
00:42:20,520 --> 00:42:23,400
Speaker 6: following Memorial Day weekend. Now that we established it and

860
00:42:23,440 --> 00:42:26,239
Speaker 6: everything and then and we did it.

861
00:42:26,400 --> 00:42:27,000
Speaker 5: Was cool, man.

862
00:42:27,000 --> 00:42:27,200
Speaker 4: It was.

863
00:42:27,239 --> 00:42:29,560
Speaker 6: It's a lot of challenges that you could imagine to

864
00:42:29,719 --> 00:42:33,399
Speaker 6: doing a show in rural Mississippi, but it was it

865
00:42:33,440 --> 00:42:35,960
Speaker 6: was dope to to have it come together after, you know,

866
00:42:36,000 --> 00:42:38,560
Speaker 6: because it's you know, brought a lot of artists down

867
00:42:38,640 --> 00:42:42,759
Speaker 6: and and people. It wasn't thousands of folks, it was,

868
00:42:42,800 --> 00:42:45,000
Speaker 6: you know, a few hundred, but it was it was

869
00:42:45,120 --> 00:42:47,880
Speaker 6: people came from from everywhere to the you know a

870
00:42:47,920 --> 00:42:50,440
Speaker 6: lot of spots in the South, and the folks that

871
00:42:50,640 --> 00:42:53,320
Speaker 6: went to it hadn't seen anything like that there before,

872
00:42:53,440 --> 00:42:56,719
Speaker 6: so you know, you could see that genuine appreciation.

873
00:42:57,560 --> 00:42:58,440
Speaker 5: I'm gonna trying to get that.

874
00:42:58,560 --> 00:43:00,960
Speaker 6: I'm gonna get that back rolling and do a lot

875
00:43:00,960 --> 00:43:04,160
Speaker 6: of updates to the club to once once uh get

876
00:43:04,160 --> 00:43:06,640
Speaker 6: my Brooklyn stuff going. The goal is to have that

877
00:43:06,719 --> 00:43:09,520
Speaker 6: kind of stuff trickle down to there and maybe I'll

878
00:43:09,520 --> 00:43:14,200
Speaker 6: start booking folks on the Isola Brooklyn run.

879
00:43:14,719 --> 00:43:17,040
Speaker 5: But uh yeah, I want to, you know, just have

880
00:43:17,120 --> 00:43:20,320
Speaker 5: your multiple multiple venues and and and.

881
00:43:20,040 --> 00:43:22,960
Speaker 6: And build like that and just you know, really really

882
00:43:23,040 --> 00:43:24,520
Speaker 6: do some cool stuff in the live space.

883
00:43:29,360 --> 00:43:36,399
Speaker 4: When you did the Spider Man movie, which one, uh well,

884
00:43:36,680 --> 00:43:40,680
Speaker 4: I recall that at one of the premieres, you had

885
00:43:40,719 --> 00:43:45,400
Speaker 4: sent a sub year to go in your place. Where

886
00:43:45,400 --> 00:43:47,280
Speaker 4: did that come from?

887
00:43:49,560 --> 00:43:51,759
Speaker 6: It was just really I want I was on set

888
00:43:51,800 --> 00:43:56,759
Speaker 6: at TAG and they needed me for that day, and

889
00:43:56,800 --> 00:43:59,719
Speaker 6: I didn't want to not have any presence there.

890
00:44:00,040 --> 00:44:01,359
Speaker 5: You know, I didn't want to just be I can't

891
00:44:01,360 --> 00:44:04,200
Speaker 5: make it. It's a Spider Man. He looked like her.

892
00:44:04,320 --> 00:44:07,200
Speaker 4: How did you know? I don't think he he just na.

893
00:44:07,320 --> 00:44:09,360
Speaker 6: He really looked like me a little bit taller. He

894
00:44:09,440 --> 00:44:11,879
Speaker 6: was bald, uh, and I just.

895
00:44:11,920 --> 00:44:14,000
Speaker 4: Was like, how did you how did you one? How

896
00:44:14,000 --> 00:44:15,919
Speaker 4: did you find him? And what was the game plan?

897
00:44:16,000 --> 00:44:19,560
Speaker 4: And did you warn the Spider Man people that you're

898
00:44:19,600 --> 00:44:21,600
Speaker 4: sending a sub in your place?

899
00:44:21,840 --> 00:44:22,040
Speaker 5: No?

900
00:44:22,520 --> 00:44:26,880
Speaker 6: I found him. I tweeted it out, and then I

901
00:44:27,000 --> 00:44:30,640
Speaker 6: wasn't good. I said, I needed to look like I

902
00:44:30,680 --> 00:44:33,799
Speaker 6: need to look alike, uh, you know, have decent comedic time.

903
00:44:33,840 --> 00:44:36,120
Speaker 6: And I forgot what the ad was, but put that out,

904
00:44:36,520 --> 00:44:37,880
Speaker 6: and then there was a bunch of folks that was

905
00:44:37,920 --> 00:44:39,920
Speaker 6: emailing it weren't seriously white folks.

906
00:44:39,920 --> 00:44:41,359
Speaker 5: He was like, come on, man, I'm trying to do something.

907
00:44:46,560 --> 00:44:49,120
Speaker 5: Come on, man, I know he messing around.

908
00:44:49,480 --> 00:44:52,640
Speaker 4: Was able? Was he able to fool anyone in the

909
00:44:52,680 --> 00:44:53,440
Speaker 4: press line that?

910
00:44:54,560 --> 00:44:54,640
Speaker 11: Oh?

911
00:44:54,719 --> 00:44:56,800
Speaker 6: Then he reached out he had actually been a stand

912
00:44:56,840 --> 00:45:00,640
Speaker 6: in for me on something for the MTV the Movie

913
00:45:00,640 --> 00:45:04,680
Speaker 6: Awards of VMA or something that shot, so he could

914
00:45:04,719 --> 00:45:06,960
Speaker 6: be trusted to not do nothing too crazy out there,

915
00:45:07,000 --> 00:45:07,480
Speaker 6: you know what I mean.

916
00:45:07,560 --> 00:45:09,080
Speaker 5: Some people might get in that environment and.

917
00:45:10,320 --> 00:45:12,120
Speaker 4: Crazy trying to keep working.

918
00:45:12,200 --> 00:45:12,719
Speaker 5: Yeah, he trying.

919
00:45:12,760 --> 00:45:14,880
Speaker 6: Yeah, So he kept the cool And so then I

920
00:45:15,000 --> 00:45:17,440
Speaker 6: just sent him all of my credentials and everything that

921
00:45:17,440 --> 00:45:19,080
Speaker 6: they sent me. So when he pulled up to the

922
00:45:19,280 --> 00:45:20,960
Speaker 6: with the car, you know what I mean, and security

923
00:45:20,960 --> 00:45:23,799
Speaker 6: he could just show that and so yeah, I mean,

924
00:45:25,400 --> 00:45:26,719
Speaker 6: you know what I mean. And then he got there

925
00:45:26,880 --> 00:45:30,120
Speaker 6: did an interview. It was crazy seeing it progress like

926
00:45:30,120 --> 00:45:32,440
Speaker 6: that because we were watching him on live. There was

927
00:45:32,680 --> 00:45:34,839
Speaker 6: a lot of downtime on the tag sets. So I said,

928
00:45:34,840 --> 00:45:38,520
Speaker 6: what I put that together and just watching that, I.

929
00:45:38,520 --> 00:45:40,239
Speaker 9: Don't think nobody's ever done this before either.

930
00:45:40,360 --> 00:45:44,080
Speaker 4: And you know what, I don't think here's the funny thing,

931
00:45:45,239 --> 00:45:47,000
Speaker 4: uh that was done to me before.

932
00:45:47,080 --> 00:45:48,240
Speaker 2: You were like camal Bell.

933
00:45:50,640 --> 00:45:52,680
Speaker 4: Here, No, here's the hilarious thing. I thought. I told

934
00:45:52,719 --> 00:45:58,400
Speaker 4: the story before. Letterman had hosted the Emmy Award and

935
00:45:58,440 --> 00:46:02,080
Speaker 4: it was disastrous or critics thought it was a disaster job.

936
00:46:02,920 --> 00:46:08,640
Speaker 4: So kind of Letterman's middle finger to the Academy because

937
00:46:08,719 --> 00:46:11,319
Speaker 4: oh shockers, they'd invite me to the nineteen ninety six

938
00:46:11,400 --> 00:46:15,440
Speaker 4: one and so he was nominated for Best Late Night

939
00:46:15,440 --> 00:46:17,920
Speaker 4: Show whatever. So he was like, I'm gonna send out

940
00:46:17,920 --> 00:46:25,840
Speaker 4: a sub. Now this is TUPAC Diawood September thirteenth. Okay,

941
00:46:25,920 --> 00:46:32,880
Speaker 4: so this is let's say September fifth of ninety six.

942
00:46:34,160 --> 00:46:38,440
Speaker 4: I went to the store to buy a suit because

943
00:46:38,800 --> 00:46:40,640
Speaker 4: this is the very first time that I'm drumming for

944
00:46:40,719 --> 00:46:44,960
Speaker 4: DiAngelo for the Brown Sugar Platinum party. This is when

945
00:46:45,080 --> 00:46:47,799
Speaker 4: like this is a very time first time me Pino,

946
00:46:47,880 --> 00:46:52,960
Speaker 4: like everyone's doing that. And Letterman happened to be in

947
00:46:53,000 --> 00:46:55,200
Speaker 4: that store buying a suit for if you remember the

948
00:46:55,320 --> 00:46:58,520
Speaker 4: character on the show, Larry bud Melman. Do you remember

949
00:46:58,800 --> 00:47:04,560
Speaker 4: Larry right, legendary character on the Letterman Show. And so

950
00:47:04,680 --> 00:47:08,960
Speaker 4: Letterman's looking at me in all my primitive exotic glory

951
00:47:09,040 --> 00:47:12,120
Speaker 4: like this, you know, six ft three Afro guy walking in.

952
00:47:12,600 --> 00:47:14,920
Speaker 4: He doesn't know who or what I am. No one knows,

953
00:47:15,000 --> 00:47:18,440
Speaker 4: and they were just like, hey, would you like to suit?

954
00:47:18,560 --> 00:47:21,279
Speaker 4: And I was inadvertently part of the sketch and then

955
00:47:21,320 --> 00:47:23,360
Speaker 4: they were like what are you doing on Sunday? And

956
00:47:23,520 --> 00:47:28,760
Speaker 4: literally the thing flips and Larry bud Melman and I

957
00:47:28,880 --> 00:47:35,839
Speaker 4: are like David Letterman's representatives for the Emmys what And

958
00:47:35,960 --> 00:47:40,040
Speaker 4: all I remember was who's old boy from h Scrubs?

959
00:47:40,239 --> 00:47:43,040
Speaker 4: I'm sorry, I know Scrubs as in the sound effects

960
00:47:43,080 --> 00:47:48,960
Speaker 4: Don Donald, Yeah, yeah, And that's the moment where Donald,

961
00:47:49,040 --> 00:47:53,360
Speaker 4: like Faison was like in tears, like Tupac just got shot.

962
00:47:53,480 --> 00:47:58,520
Speaker 4: And like literally, yeah, it's like that's how it. But

963
00:47:59,160 --> 00:48:04,879
Speaker 4: I was I was lettermans standing. Yeah, and then maybe

964
00:48:04,960 --> 00:48:08,360
Speaker 4: a week later they realized the show realized like you know,

965
00:48:08,480 --> 00:48:10,520
Speaker 4: this isn't a random guy, like this guy is an

966
00:48:10,560 --> 00:48:13,160
Speaker 4: actual like they put him on. But then but you

967
00:48:13,239 --> 00:48:15,160
Speaker 4: got to go to That made me well yeah, but

968
00:48:15,160 --> 00:48:16,719
Speaker 4: then it also made me a friend of the show.

969
00:48:16,719 --> 00:48:19,080
Speaker 4: And then that's the roots could not get on Letterman

970
00:48:19,200 --> 00:48:22,320
Speaker 4: at that time during that do you want More philadelph period,

971
00:48:22,400 --> 00:48:25,799
Speaker 4: So that kind of opened the door. So yes, I

972
00:48:25,880 --> 00:48:28,960
Speaker 4: was David Letterman's proxy.

973
00:48:29,040 --> 00:48:31,120
Speaker 2: I like, you know, scrubs because the sound effects that.

974
00:48:33,000 --> 00:48:36,800
Speaker 4: I didn't know what show undercats no between between Barker

975
00:48:36,880 --> 00:48:39,520
Speaker 4: Lewis can't lose his scrubs like they were just you

976
00:48:39,560 --> 00:48:45,600
Speaker 4: know him, gentlemen cinema in between transition. That's not that

977
00:48:45,680 --> 00:48:47,120
Speaker 4: I mean, but as they were just showing like.

978
00:48:47,080 --> 00:48:49,160
Speaker 9: Hey, what right, you're right, you're right right?

979
00:48:49,360 --> 00:48:52,040
Speaker 4: Sound effects. Yeah, I don't call it scrubs. I just

980
00:48:52,040 --> 00:48:53,839
Speaker 4: call it.

981
00:48:56,440 --> 00:48:58,959
Speaker 8: But I wanted to ask you, Hannibal, when you're going

982
00:48:58,960 --> 00:49:03,759
Speaker 8: out on tour, when we're touring with rappers, what do

983
00:49:03,800 --> 00:49:04,640
Speaker 8: you pick up?

984
00:49:05,000 --> 00:49:05,880
Speaker 4: Like what do you learn?

985
00:49:06,080 --> 00:49:07,920
Speaker 8: You know what I'm saying because stepping into a new

986
00:49:08,000 --> 00:49:11,680
Speaker 8: kind of a new kind of performance. Yeah, what's some

987
00:49:11,680 --> 00:49:13,520
Speaker 8: of the stuff you you're watching for and you learn

988
00:49:13,560 --> 00:49:16,319
Speaker 8: when you watch other MC's perform Just the.

989
00:49:18,320 --> 00:49:22,399
Speaker 6: Just rapping with with force, you know what I mean?

990
00:49:22,520 --> 00:49:25,719
Speaker 5: And clarity, Yeah, just that part of it.

991
00:49:25,920 --> 00:49:31,160
Speaker 6: Just make engine create moments for yourself, Like because at

992
00:49:31,160 --> 00:49:33,480
Speaker 6: this point people listening, but they don't know my songs,

993
00:49:33,680 --> 00:49:37,040
Speaker 6: and so I just can't rap at them blindly, and

994
00:49:37,080 --> 00:49:39,840
Speaker 6: so it's just kind of creating the moments either acapellas

995
00:49:40,040 --> 00:49:43,600
Speaker 6: or you walk them into the song explaining with the story,

996
00:49:43,719 --> 00:49:46,040
Speaker 6: or hey, here's the hook to this, or you know

997
00:49:46,120 --> 00:49:48,520
Speaker 6: those parts of it because it's forcing me. I can't

998
00:49:48,520 --> 00:49:51,279
Speaker 6: just lean on y'all know this shit. They do not

999
00:49:51,440 --> 00:49:52,479
Speaker 6: know that shit, but they.

1000
00:49:53,880 --> 00:49:56,879
Speaker 5: But they willing to learn. Uh so uh.

1001
00:49:58,480 --> 00:50:00,759
Speaker 6: And so that part of it of just energy and

1002
00:50:00,880 --> 00:50:04,000
Speaker 6: just you know, yeah this, you know, figuring out the

1003
00:50:04,719 --> 00:50:07,399
Speaker 6: pacing of a said and who are.

1004
00:50:07,320 --> 00:50:09,200
Speaker 7: Some mcs that you've watched though and you've been like,

1005
00:50:09,200 --> 00:50:11,680
Speaker 7: you know what he got that? I need to work

1006
00:50:11,680 --> 00:50:15,239
Speaker 7: on that myself, Fante. Okay, I was thinking that when.

1007
00:50:15,160 --> 00:50:15,600
Speaker 9: He was talking.

1008
00:50:15,680 --> 00:50:19,520
Speaker 4: Yeah, just yeah, y'all charismatic motherfucker.

1009
00:50:19,560 --> 00:50:21,480
Speaker 9: Yess he on stage. It's a problem.

1010
00:50:21,920 --> 00:50:26,880
Speaker 6: Yeah, Fante intro me in Raleigh or yeah, Raleigh was

1011
00:50:26,920 --> 00:50:28,959
Speaker 6: twenty thirteen. Because I asked, you want to do something,

1012
00:50:29,040 --> 00:50:32,560
Speaker 6: He's like, I'll do the intro and then he went

1013
00:50:32,640 --> 00:50:34,360
Speaker 6: up and introed me. He was like, ladies and gentlemen,

1014
00:50:35,920 --> 00:50:37,759
Speaker 6: everybody got everybody standing up?

1015
00:50:40,040 --> 00:50:43,440
Speaker 4: Did it too good? It was right.

1016
00:50:43,520 --> 00:50:45,000
Speaker 5: I was like, I didn't know that was possible. I

1017
00:50:45,000 --> 00:50:46,480
Speaker 5: didn't know you could start a show like that.

1018
00:50:46,680 --> 00:50:49,640
Speaker 4: Yeah, I swear for it was a period of time.

1019
00:50:49,760 --> 00:50:53,120
Speaker 8: I was damn near Hannibal's agent and booking agent when

1020
00:50:53,120 --> 00:50:55,640
Speaker 8: he came to He called me that same show. He

1021
00:50:55,680 --> 00:50:58,960
Speaker 8: called me. I got a call the night before. Hey man,

1022
00:50:59,000 --> 00:51:02,640
Speaker 8: I'm coming to Raleigh. I'm saying, you know some ballerinas.

1023
00:51:04,239 --> 00:51:06,480
Speaker 4: You were the man in Houston. I was the guy

1024
00:51:06,520 --> 00:51:09,440
Speaker 4: and he was like, yo, you know some.

1025
00:51:09,800 --> 00:51:12,160
Speaker 8: I'm like, yes, I got this bid I want to do.

1026
00:51:12,200 --> 00:51:14,480
Speaker 8: I just I just wrap, but I want ballerinas with it.

1027
00:51:14,600 --> 00:51:16,520
Speaker 4: I'm like, and you did, like, bro, let me see

1028
00:51:16,560 --> 00:51:16,960
Speaker 4: what I could do.

1029
00:51:17,040 --> 00:51:19,279
Speaker 8: And also I knew some people and he got we

1030
00:51:19,320 --> 00:51:20,320
Speaker 8: had like three four balleries.

1031
00:51:20,320 --> 00:51:22,680
Speaker 4: That was the night Damien was open for you. Damien Lemon.

1032
00:51:22,920 --> 00:51:24,879
Speaker 5: Yeah, yeah, oh my god.

1033
00:51:24,880 --> 00:51:26,040
Speaker 9: I college with Damien.

1034
00:51:27,160 --> 00:51:27,840
Speaker 4: That was a great.

1035
00:51:30,400 --> 00:51:32,279
Speaker 2: I love that, you know, Ballerina.

1036
00:51:33,120 --> 00:51:35,319
Speaker 8: I was like, and then like you call again and

1037
00:51:35,400 --> 00:51:37,200
Speaker 8: the funniest funny this maybe a couple of years later,

1038
00:51:37,360 --> 00:51:38,879
Speaker 8: you hit me again. I was like, yo, man, so

1039
00:51:39,480 --> 00:51:41,759
Speaker 8: I'm doing the show here where I need somebody to

1040
00:51:41,760 --> 00:51:44,560
Speaker 8: open for me, and you know somebody and I had

1041
00:51:44,560 --> 00:51:46,719
Speaker 8: a home in mind. That was, you know, making him know.

1042
00:51:46,840 --> 00:51:48,160
Speaker 8: He was trying to you know, get in the game.

1043
00:51:48,200 --> 00:51:49,879
Speaker 8: And I just hit him like, yo, bro, you want

1044
00:51:49,880 --> 00:51:50,320
Speaker 8: to open.

1045
00:51:50,160 --> 00:51:52,879
Speaker 4: The handle tonight? He was like yeah, and he went

1046
00:51:52,960 --> 00:51:54,400
Speaker 4: and did it and I hit handle the next y.

1047
00:51:54,480 --> 00:51:55,680
Speaker 4: I said, how did it go? He was like, oh

1048
00:51:55,760 --> 00:51:56,480
Speaker 4: that nigga bombs.

1049
00:51:57,960 --> 00:52:03,000
Speaker 5: He wasn't good. It just yeah, it just what you know,

1050
00:52:05,000 --> 00:52:05,800
Speaker 5: did he have potential?

1051
00:52:05,840 --> 00:52:07,120
Speaker 9: Don't handle? Did he have potential?

1052
00:52:07,440 --> 00:52:12,560
Speaker 5: It's uh yeah, you had to ask me right afterwards.

1053
00:52:12,600 --> 00:52:14,960
Speaker 5: It's been a couple of years. That was twenty seventeen.

1054
00:52:15,080 --> 00:52:17,200
Speaker 8: But it was, you know, it was funny because he

1055
00:52:17,280 --> 00:52:19,520
Speaker 8: was you were laughing, like hell just talking about him bomb.

1056
00:52:19,600 --> 00:52:20,640
Speaker 4: I thought it was funny. Ship.

1057
00:52:21,160 --> 00:52:24,040
Speaker 8: But but nah, man, I when we did that show,

1058
00:52:24,080 --> 00:52:25,960
Speaker 8: when we did uh the like the run.

1059
00:52:26,000 --> 00:52:27,280
Speaker 4: We did the LB Run in March.

1060
00:52:27,520 --> 00:52:30,640
Speaker 8: Yeah, and I hit you up and I was like, yo, man,

1061
00:52:30,680 --> 00:52:32,440
Speaker 8: you want to do it? Because me and Pool were

1062
00:52:32,440 --> 00:52:34,520
Speaker 8: just thinking it was like yo, we didn't want to

1063
00:52:34,600 --> 00:52:38,480
Speaker 8: have just uh, you know, a traditional quote unquote like

1064
00:52:38,680 --> 00:52:41,160
Speaker 8: we wanted to show me like look man, this is

1065
00:52:41,200 --> 00:52:44,200
Speaker 8: really it's really an experience. And you know, I had

1066
00:52:44,280 --> 00:52:46,440
Speaker 8: you had sent me some of your music and I

1067
00:52:46,480 --> 00:52:48,279
Speaker 8: think you at first just put out the SU tune

1068
00:52:48,360 --> 00:52:50,960
Speaker 8: EP and you sent meself and I was like, I

1069
00:52:51,040 --> 00:52:52,919
Speaker 8: was like, okay, like this ship is actually like good,

1070
00:52:53,120 --> 00:52:55,040
Speaker 8: so you know what I mean. So I hit you

1071
00:52:55,440 --> 00:52:57,480
Speaker 8: and you were down to do it. And I remember

1072
00:52:57,520 --> 00:52:59,440
Speaker 8: that night I watched the show. That night I watched

1073
00:52:59,680 --> 00:53:02,040
Speaker 8: pretty much, I mean maybe all us say for like

1074
00:53:02,040 --> 00:53:04,080
Speaker 8: the last pak five minutes, ten minutes, whatever, because I

1075
00:53:04,080 --> 00:53:06,239
Speaker 8: had to get ready. But now I watched the show

1076
00:53:06,280 --> 00:53:09,279
Speaker 8: Man and it was so dope to see you had

1077
00:53:09,280 --> 00:53:11,200
Speaker 8: the crowd like you. I mean, you had them, you

1078
00:53:11,239 --> 00:53:13,200
Speaker 8: know what I'm saying, because they, you know, our crowd,

1079
00:53:13,239 --> 00:53:15,360
Speaker 8: like they if you was whacked, they didn't let you know,

1080
00:53:15,520 --> 00:53:16,920
Speaker 8: you know what I mean, but you was with them.

1081
00:53:16,920 --> 00:53:19,000
Speaker 8: And even afterwards, you know, we had people coming out.

1082
00:53:19,040 --> 00:53:20,279
Speaker 4: They was like, Yo, that was a great show. We

1083
00:53:20,320 --> 00:53:22,520
Speaker 4: had a great time. And I didn't even know Hannibal

1084
00:53:22,560 --> 00:53:24,400
Speaker 4: Rap you damn ear got a deal that night. I

1085
00:53:24,400 --> 00:53:26,439
Speaker 4: don't even know if you realized. Yeah it was a dude.

1086
00:53:26,440 --> 00:53:28,600
Speaker 4: It's like, yo, if you want to do something whatever, Yeah,

1087
00:53:28,640 --> 00:53:29,160
Speaker 4: you know what I mean.

1088
00:53:29,200 --> 00:53:31,480
Speaker 8: But but nah, I just always appreciate it man, that

1089
00:53:31,840 --> 00:53:33,520
Speaker 8: you know, you always like looked out for me and

1090
00:53:33,600 --> 00:53:35,719
Speaker 8: just you know, we always just connected you through each

1091
00:53:35,719 --> 00:53:36,560
Speaker 8: other opportunities.

1092
00:53:36,560 --> 00:53:39,520
Speaker 4: And so that was just a great show that we did.

1093
00:53:39,600 --> 00:53:40,720
Speaker 4: And I really appreciate you coming.

1094
00:53:40,680 --> 00:53:41,880
Speaker 5: Fine, man, thank you for having me.

1095
00:53:42,000 --> 00:53:44,640
Speaker 4: Are you looking for a music deal?

1096
00:53:45,840 --> 00:53:48,040
Speaker 5: Uh? I don't.

1097
00:53:48,160 --> 00:53:50,799
Speaker 6: I'll be over to the conversation. Yeah, I'll be over

1098
00:53:50,880 --> 00:53:53,640
Speaker 6: to the conversation. I could use some help lifting.

1099
00:53:54,120 --> 00:53:55,560
Speaker 9: Everybody has approached you already.

1100
00:53:55,560 --> 00:53:59,920
Speaker 6: I'm no, nobody's approached. Yeah, we'll just you know, we

1101
00:54:00,239 --> 00:54:02,880
Speaker 6: keep rocket get yours. Yeah, and I'm and I'm I

1102
00:54:03,000 --> 00:54:04,560
Speaker 6: booked myself for my.

1103
00:54:06,840 --> 00:54:07,560
Speaker 4: Keep it in passion.

1104
00:54:07,800 --> 00:54:08,880
Speaker 5: Yeah.

1105
00:54:09,320 --> 00:54:10,640
Speaker 4: Where does the name come from.

1106
00:54:10,920 --> 00:54:12,840
Speaker 5: Esu essue ish?

1107
00:54:13,160 --> 00:54:14,120
Speaker 9: I think you Nigerian.

1108
00:54:15,040 --> 00:54:18,600
Speaker 6: It's the trickster god from u Nigerian mythology. I looked

1109
00:54:18,680 --> 00:54:19,799
Speaker 6: up African mythology.

1110
00:54:20,160 --> 00:54:20,760
Speaker 4: I was hoping.

1111
00:54:20,800 --> 00:54:24,040
Speaker 9: I was like Nigerian, I want to put that on Hannibal.

1112
00:54:25,880 --> 00:54:26,920
Speaker 9: What what's up now?

1113
00:54:27,000 --> 00:54:29,960
Speaker 4: I once got scammed by Nigerian.

1114
00:54:33,520 --> 00:54:36,920
Speaker 9: Yeah, the continent like literally.

1115
00:54:36,680 --> 00:54:38,080
Speaker 4: Called million dollars.

1116
00:54:38,520 --> 00:54:39,120
Speaker 2: I have a question.

1117
00:54:39,800 --> 00:54:43,600
Speaker 12: Yeah, So, just in general, you do so many different

1118
00:54:44,000 --> 00:54:49,520
Speaker 12: types of things voiceover, acting, podcasts, music, comedy, et cetera.

1119
00:54:50,239 --> 00:54:53,440
Speaker 12: And I'm sure they all have their own individual challenges.

1120
00:54:53,680 --> 00:54:57,160
Speaker 12: But at some point does it all just become one

1121
00:54:57,200 --> 00:55:00,200
Speaker 12: thing or just become entertainment and you just say I'm

1122
00:55:00,200 --> 00:55:03,080
Speaker 12: just gonna entertain Yeah.

1123
00:55:03,120 --> 00:55:06,000
Speaker 6: Well, in the right now, the focus is kind of

1124
00:55:06,400 --> 00:55:12,120
Speaker 6: really shrunk into just uh, most music in comedy is

1125
00:55:12,160 --> 00:55:14,640
Speaker 6: the is the main thing. I haven't been really acting,

1126
00:55:14,760 --> 00:55:18,560
Speaker 6: like I did I do. I did one thing last year.

1127
00:55:18,640 --> 00:55:20,520
Speaker 6: I did what we do in the Shadows did a day?

1128
00:55:21,160 --> 00:55:23,279
Speaker 6: I really I really ain't acting on nothing. If if

1129
00:55:23,280 --> 00:55:25,080
Speaker 6: to ask is more than a day, Like if we

1130
00:55:25,120 --> 00:55:26,359
Speaker 6: can't get it done in the day, I don't want

1131
00:55:26,360 --> 00:55:26,560
Speaker 6: to do it.

1132
00:55:26,560 --> 00:55:28,600
Speaker 5: I don't care what it and so.

1133
00:55:32,000 --> 00:55:33,000
Speaker 4: I get it.

1134
00:55:33,000 --> 00:55:38,160
Speaker 6: It's just but if so with the music and comedy,

1135
00:55:38,239 --> 00:55:41,200
Speaker 6: what's been cool is some of the some of the

1136
00:55:41,239 --> 00:55:42,640
Speaker 6: concepts from comedy.

1137
00:55:43,239 --> 00:55:47,279
Speaker 5: You know that I just were just alluded to have.

1138
00:55:47,560 --> 00:55:50,520
Speaker 6: Become songs like the Veneers was was just like a

1139
00:55:50,600 --> 00:55:53,120
Speaker 6: throwaway joke, like yeah, I got these tv T Veneers.

1140
00:55:53,120 --> 00:55:55,960
Speaker 6: And then and then something else, you know, struck where

1141
00:55:55,960 --> 00:55:57,200
Speaker 6: I was like, oh, that could be a song.

1142
00:55:57,239 --> 00:56:01,000
Speaker 5: And even now I tell this, you know, I tell

1143
00:56:01,080 --> 00:56:02,120
Speaker 5: this whole story and my.

1144
00:56:02,120 --> 00:56:08,000
Speaker 6: Stand up about you know, uh, going to my grandmother's funeral,

1145
00:56:08,080 --> 00:56:12,880
Speaker 6: leaving the funeral and then being in uh like just

1146
00:56:12,960 --> 00:56:18,200
Speaker 6: driving aimlessly. I ended up stopping in Shreveport gambling, drinking,

1147
00:56:18,400 --> 00:56:21,960
Speaker 6: and it's the whole thing. And I'm leaving Shreveport. This

1148
00:56:22,080 --> 00:56:25,160
Speaker 6: guy gets shot at the gas station while I'm there.

1149
00:56:25,480 --> 00:56:26,759
Speaker 5: He dies, and this.

1150
00:56:26,800 --> 00:56:30,400
Speaker 6: Whole thing, it's a wild They whoa just because I

1151
00:56:30,480 --> 00:56:32,600
Speaker 6: ended up drinking too much in gambling at the casino,

1152
00:56:32,680 --> 00:56:35,160
Speaker 6: they took my keys even though I wasn't driving, and

1153
00:56:35,239 --> 00:56:36,960
Speaker 6: it held up and then I ended up being a

1154
00:56:37,000 --> 00:56:38,399
Speaker 6: goddamn murder witness.

1155
00:56:38,440 --> 00:56:41,959
Speaker 5: And so, uh, it was a wild, wild week.

1156
00:56:42,200 --> 00:56:45,200
Speaker 6: And so but then I talk about that in comedy

1157
00:56:45,239 --> 00:56:46,920
Speaker 6: in one way, and then I also talk about it

1158
00:56:46,960 --> 00:56:49,719
Speaker 6: in the song that the same story. But then the

1159
00:56:49,880 --> 00:56:53,800
Speaker 6: comedy has different expectations than the than the storytelling and

1160
00:56:53,880 --> 00:56:56,120
Speaker 6: the music. When in the music I just focused on

1161
00:56:56,160 --> 00:56:58,920
Speaker 6: the details of the story and moving it along. Is

1162
00:56:59,000 --> 00:57:01,200
Speaker 6: not much humor in it, where you know, with that

1163
00:57:01,239 --> 00:57:03,120
Speaker 6: type of stuff in comedy, you gotta flip it or

1164
00:57:03,120 --> 00:57:05,200
Speaker 6: it's just gonna be real depressing and dark in the room.

1165
00:57:05,640 --> 00:57:08,000
Speaker 6: But you know it's a little So it's just having

1166
00:57:08,040 --> 00:57:11,000
Speaker 6: those It's the same things. Certain ideas for a stand

1167
00:57:11,040 --> 00:57:14,000
Speaker 6: up lending himself to a sketch or something might expand

1168
00:57:14,000 --> 00:57:17,000
Speaker 6: to a movie, or it might be a conversation topic.

1169
00:57:17,040 --> 00:57:21,160
Speaker 6: It's just about how you choose to position any idea.

1170
00:57:21,280 --> 00:57:23,320
Speaker 8: How did you link with Keifer that he's one of

1171
00:57:23,400 --> 00:57:25,520
Speaker 8: my favorite musicians?

1172
00:57:25,720 --> 00:57:26,840
Speaker 4: Like, Keith is so dope, man.

1173
00:57:27,880 --> 00:57:31,640
Speaker 6: I heard he produced YadA YadA and it's in Pact

1174
00:57:31,840 --> 00:57:34,760
Speaker 6: and I heard that track and I just love pack

1175
00:57:34,840 --> 00:57:36,920
Speaker 6: performance and right on that and I love to beat too,

1176
00:57:37,000 --> 00:57:39,240
Speaker 6: just the feeling of the key, and so I just

1177
00:57:39,320 --> 00:57:44,360
Speaker 6: reached out to him in twenty twenty. Yo, it's just

1178
00:57:44,440 --> 00:57:47,280
Speaker 6: dope when I'm starting to do music, and he sent me.

1179
00:57:48,240 --> 00:57:51,280
Speaker 6: He sent me a few beats and the one that

1180
00:57:51,400 --> 00:57:54,640
Speaker 6: kept about three. It's just the way his chords are.

1181
00:57:54,720 --> 00:57:56,920
Speaker 6: It's just really take you to a thoughtful place and

1182
00:57:56,960 --> 00:57:57,560
Speaker 6: you start.

1183
00:57:57,480 --> 00:57:59,080
Speaker 5: Just like, oh yeah, another thing.

1184
00:57:59,120 --> 00:57:59,800
Speaker 4: Oh yeah, I remember.

1185
00:57:59,800 --> 00:58:03,320
Speaker 6: It just brings a lot, like his music brings a

1186
00:58:03,360 --> 00:58:05,320
Speaker 6: lot out of me as a as a writer. There's

1187
00:58:05,360 --> 00:58:08,160
Speaker 6: another track we have, uh the two that just kind

1188
00:58:08,160 --> 00:58:13,360
Speaker 6: of it puts you in that reflective place. And so yeah,

1189
00:58:13,400 --> 00:58:16,160
Speaker 6: he's he's a really dope artist and just his music,

1190
00:58:16,200 --> 00:58:20,080
Speaker 6: he's just really makes me realize. Oh I got a

1191
00:58:20,080 --> 00:58:21,960
Speaker 6: lot to say. Sometimes you hear stuff you're like, oh

1192
00:58:22,160 --> 00:58:24,000
Speaker 6: was it that? When I when it when the right

1193
00:58:24,000 --> 00:58:26,400
Speaker 6: beat of his it's just everything starts flowing.

1194
00:58:26,680 --> 00:58:30,640
Speaker 4: Yeah. You know often hizam songs that I don't know,

1195
00:58:31,080 --> 00:58:33,720
Speaker 4: you know who they are, And for some reason, I've

1196
00:58:33,720 --> 00:58:38,720
Speaker 4: been very late to the the Chris and Chris I

1197
00:58:38,760 --> 00:58:43,480
Speaker 4: always said, q Quelle Chris and the Gene Gray Project. Yeah, everything,

1198
00:58:43,520 --> 00:58:46,880
Speaker 4: And that was brilliant man. Yeah, I was like Jesus Christ.

1199
00:58:46,920 --> 00:58:49,560
Speaker 4: And then I was like ship Like I religiously re

1200
00:58:49,880 --> 00:58:54,040
Speaker 4: pitch Fork and I missed that review he was year

1201
00:58:54,160 --> 00:58:57,920
Speaker 4: it's like I think twenty seventeen or eighteening like that. Yeah,

1202
00:58:57,960 --> 00:59:00,720
Speaker 4: but I heard it somewhere and it was the song

1203
00:59:01,120 --> 00:59:03,320
Speaker 4: joined that you were on, Like are you ever going

1204
00:59:03,400 --> 00:59:04,200
Speaker 4: to work with them again?

1205
00:59:04,280 --> 00:59:08,400
Speaker 5: Or I got some I got a couple unreleased joints with.

1206
00:59:08,680 --> 00:59:11,200
Speaker 6: Actually, I got a bunch of stuff that I gotta

1207
00:59:11,240 --> 00:59:12,160
Speaker 6: just start letting let.

1208
00:59:12,200 --> 00:59:15,760
Speaker 8: Him fly now you kull opened my eg like y'all

1209
00:59:15,760 --> 00:59:18,280
Speaker 8: are like just some of my favorite artists. Man, like

1210
00:59:18,360 --> 00:59:22,000
Speaker 8: y'all y'all does like I really fuck with y'all. Man,

1211
00:59:22,520 --> 00:59:26,680
Speaker 8: it's off the beaten path, but it's still you know quality.

1212
00:59:26,760 --> 00:59:28,360
Speaker 4: Yeah, Well, he's.

1213
00:59:28,200 --> 00:59:31,800
Speaker 6: A dope, a dope producer, man, he's dope producer. Where

1214
00:59:31,800 --> 00:59:36,000
Speaker 6: it's one track that sound like a soul track that

1215
00:59:36,040 --> 00:59:38,120
Speaker 6: I and then I had it for a while and

1216
00:59:38,120 --> 00:59:40,480
Speaker 6: I said, what's the sample on this? And he sent

1217
00:59:40,560 --> 00:59:42,320
Speaker 6: me what the sample was and it was just some

1218
00:59:42,680 --> 00:59:45,280
Speaker 6: just Japanese cartoon theme song.

1219
00:59:45,440 --> 00:59:47,360
Speaker 5: But I thought it was.

1220
00:59:49,120 --> 00:59:51,440
Speaker 6: I thought it was a seventy soul sample or something,

1221
00:59:51,440 --> 00:59:52,760
Speaker 6: no ages something.

1222
00:59:52,800 --> 00:59:54,920
Speaker 5: It's not what you think it is, but it was.

1223
00:59:54,960 --> 00:59:55,680
Speaker 5: It was dope to.

1224
00:59:55,760 --> 00:59:59,040
Speaker 6: That type of sampling where it's not. We completely flipped

1225
00:59:59,080 --> 01:00:00,400
Speaker 6: it and put it in another world.

1226
01:00:00,520 --> 01:00:03,480
Speaker 4: You know, Before I close, I would like to ask you,

1227
01:00:04,400 --> 01:00:06,160
Speaker 4: and I guess he went on record about it before,

1228
01:00:06,240 --> 01:00:10,440
Speaker 4: but he talk about like how sobriety has changed you

1229
01:00:10,520 --> 01:00:14,120
Speaker 4: and transformed you to who you are now, just like

1230
01:00:14,120 --> 01:00:15,200
Speaker 4: as a family, man, and.

1231
01:00:15,880 --> 01:00:16,760
Speaker 5: Oh I'm not sober.

1232
01:00:21,600 --> 01:00:25,960
Speaker 4: I felt right. It was great. No, I saw this

1233
01:00:26,040 --> 01:00:28,400
Speaker 4: interview where you were like really getting.

1234
01:00:28,280 --> 01:00:31,240
Speaker 6: Sober on certain day. I was sober at that interview.

1235
01:00:33,640 --> 01:00:36,320
Speaker 6: I was sober around that time. But that was probably

1236
01:00:36,320 --> 01:00:38,919
Speaker 6: I'm guessing that was twenty nineteen, twenty twenty or something

1237
01:00:38,960 --> 01:00:41,040
Speaker 6: like that is the This.

1238
01:00:41,000 --> 01:00:43,200
Speaker 4: Is the perfect ending of an interview. Yeah, I swear

1239
01:00:43,200 --> 01:00:45,800
Speaker 4: to that heart felt answer about.

1240
01:00:45,600 --> 01:00:49,080
Speaker 6: Like no at that time stuff. Yes, for sure, I

1241
01:00:49,080 --> 01:00:52,400
Speaker 6: had a good run three. By the way, I want

1242
01:00:52,400 --> 01:00:56,440
Speaker 6: to apologize for you know, I I ran on the

1243
01:00:56,440 --> 01:00:59,520
Speaker 6: stage when y'all would do an event sponsored by butt Light.

1244
01:01:01,640 --> 01:01:04,520
Speaker 9: That I need this story now.

1245
01:01:05,120 --> 01:01:07,800
Speaker 4: Oh my god. It's really not a big deal. It's like,

1246
01:01:07,880 --> 01:01:11,160
Speaker 4: you know, you do those it was like super Bowl

1247
01:01:11,200 --> 01:01:11,920
Speaker 4: time or something like.

1248
01:01:11,880 --> 01:01:13,880
Speaker 5: This, south By Southwest, same.

1249
01:01:13,680 --> 01:01:17,360
Speaker 11: Thing, you know, And when it took opera gigs, sure,

1250
01:01:17,560 --> 01:01:21,360
Speaker 11: there's there's there's regular gigs, and then there's opera gigs

1251
01:01:22,080 --> 01:01:25,000
Speaker 11: and you know, you know, handm.

1252
01:01:24,880 --> 01:01:27,120
Speaker 4: What was there. So we were like, hey, just get on,

1253
01:01:27,200 --> 01:01:30,720
Speaker 4: I can talk. And he talked about the taste of

1254
01:01:30,760 --> 01:01:35,000
Speaker 4: the beer was not too savory. Ship there was like

1255
01:01:35,040 --> 01:01:39,840
Speaker 4: a president but moment Sean g was catching a heart

1256
01:01:39,880 --> 01:01:41,760
Speaker 4: attack because he don't want to drop the best. But

1257
01:01:41,880 --> 01:01:43,360
Speaker 4: we was laughing ass off this.

1258
01:01:43,920 --> 01:01:48,400
Speaker 5: No, y'all did laugh time, non't.

1259
01:01:48,600 --> 01:01:49,800
Speaker 2: He remembers a different.

1260
01:01:49,800 --> 01:01:52,520
Speaker 5: I remember completely. I didn't ask to go on stage.

1261
01:01:53,320 --> 01:01:54,120
Speaker 5: Y'all did tell me.

1262
01:01:54,320 --> 01:01:58,480
Speaker 6: I just went up there because yes, Sir Seth Herzog

1263
01:01:58,600 --> 01:01:59,120
Speaker 6: was hosted.

1264
01:01:59,440 --> 01:02:00,480
Speaker 4: It was secifically.

1265
01:02:00,520 --> 01:02:03,240
Speaker 6: It was a it was a special drink that they had,

1266
01:02:03,280 --> 01:02:05,240
Speaker 6: like bud Line or something.

1267
01:02:05,720 --> 01:02:08,160
Speaker 5: And I mean, like, hey, what y'all, y'all got no

1268
01:02:08,200 --> 01:02:08,560
Speaker 5: other ship.

1269
01:02:08,760 --> 01:02:17,120
Speaker 4: He was like a d Ruby Davis d okay. And

1270
01:02:17,440 --> 01:02:19,960
Speaker 4: I learned what a spoonerism was two days ago. So

1271
01:02:20,000 --> 01:02:24,400
Speaker 4: that's an example of spoonerism where you say, then, yeah,

1272
01:02:25,240 --> 01:02:28,040
Speaker 4: a word, what I call you? Conte pullman? You know

1273
01:02:28,080 --> 01:02:30,480
Speaker 4: what I mean? You ever calls you that?

1274
01:02:30,560 --> 01:02:34,440
Speaker 3: Let me know, that's sounds like a totally different situation.

1275
01:02:35,280 --> 01:02:41,959
Speaker 4: That's yeah, but it's it's I maybe because the years

1276
01:02:41,960 --> 01:02:45,320
Speaker 4: have went by. Wait, was that a serious moment or.

1277
01:02:45,640 --> 01:02:47,520
Speaker 5: It wasn't serious? But it was just it was uh,

1278
01:02:47,600 --> 01:02:48,720
Speaker 5: I think I was twenty seventeen.

1279
01:02:48,760 --> 01:02:54,760
Speaker 6: But then after now that I uh understand the economics

1280
01:02:54,800 --> 01:02:58,520
Speaker 6: of traveling with a band, then I felt even more

1281
01:02:58,560 --> 01:03:02,240
Speaker 6: bad about it. I was like, oh, they got like

1282
01:03:02,240 --> 01:03:03,480
Speaker 6: twenty people with them.

1283
01:03:04,640 --> 01:03:07,640
Speaker 4: I mean, we've never lost the account, you know, I

1284
01:03:07,680 --> 01:03:09,320
Speaker 4: know it was I think, I mean the but light

1285
01:03:09,320 --> 01:03:12,080
Speaker 4: people were definitely I believe up in the arms and showing.

1286
01:03:12,240 --> 01:03:14,400
Speaker 4: Was like a little nervous, but whatever.

1287
01:03:14,560 --> 01:03:15,760
Speaker 9: They've had bigger battles since.

1288
01:03:16,320 --> 01:03:20,760
Speaker 4: Oh yeah, well I'm I'm glad we got to make

1289
01:03:20,760 --> 01:03:24,280
Speaker 4: this happen. Do you have anything that shirt Hebrew?

1290
01:03:24,400 --> 01:03:26,040
Speaker 5: Yeah, this is Hebrew Hebrews.

1291
01:03:26,320 --> 01:03:30,240
Speaker 6: He had a installation in Chicago in twenty twenty never More.

1292
01:03:30,360 --> 01:03:32,760
Speaker 6: It was a bunch of his art and different pieces.

1293
01:03:33,200 --> 01:03:35,000
Speaker 4: My favorite. I just bought a piece off of him.

1294
01:03:35,640 --> 01:03:36,880
Speaker 4: We bought a couple of weeks.

1295
01:03:36,760 --> 01:03:39,720
Speaker 7: Ago and put us on Hebrew Hebrew brantly but not

1296
01:03:39,800 --> 01:03:41,720
Speaker 7: spelled like he brow.

1297
01:03:41,040 --> 01:03:43,560
Speaker 4: Not not e w, but h e b r U.

1298
01:03:43,720 --> 01:03:45,400
Speaker 4: That's Hebrew Brantley.

1299
01:03:45,280 --> 01:03:48,880
Speaker 2: Not like people different different, different, different trick people.

1300
01:03:49,080 --> 01:03:51,560
Speaker 4: Yeah he's he's one of us. Okay, a differ different tricks.

1301
01:03:52,360 --> 01:03:54,000
Speaker 4: But yeah, but no, he trying to see what this

1302
01:03:54,040 --> 01:03:56,040
Speaker 4: conversation is going to figure out what Steve I'm about

1303
01:03:56,080 --> 01:03:58,440
Speaker 4: to play.

1304
01:03:57,640 --> 01:03:58,960
Speaker 9: I'm got to talk about original Hebrew.

1305
01:03:59,000 --> 01:04:03,520
Speaker 6: So I went to Hebrew Studio when I first moved

1306
01:04:03,560 --> 01:04:06,240
Speaker 6: to La in twenty nineteen. He was showing me think

1307
01:04:06,800 --> 01:04:08,720
Speaker 6: and then he was like, yeah, it's one hundred thousand dollars.

1308
01:04:08,760 --> 01:04:10,120
Speaker 6: I was like, oh, I didn't know. It was like

1309
01:04:10,200 --> 01:04:14,000
Speaker 6: I knew you were doing good. He was like, here,

1310
01:04:14,440 --> 01:04:16,720
Speaker 6: I'm gonna gift you these prints. Brother, Like, thank you

1311
01:04:16,840 --> 01:04:18,640
Speaker 6: very much. He's out of my budget.

1312
01:04:19,360 --> 01:04:26,439
Speaker 4: Oh yeah, okay, I know he yeah he's dope co Yeah, yeah, yeah,

1313
01:04:26,480 --> 01:04:33,439
Speaker 4: there's yeah, that's my bizarro for soth.

1314
01:04:34,800 --> 01:04:37,720
Speaker 8: But but nah, man, I'm glad you. You know, we

1315
01:04:37,800 --> 01:04:40,080
Speaker 8: finally got a chance to do this. You've just always

1316
01:04:40,080 --> 01:04:41,840
Speaker 8: just been one of my favorite comedians and just.

1317
01:04:42,080 --> 01:04:43,920
Speaker 4: You know, one of my you know, this is our

1318
01:04:43,960 --> 01:04:44,640
Speaker 4: second episode.

1319
01:04:44,840 --> 01:04:46,720
Speaker 7: I got a list of a couple of other folks

1320
01:04:46,720 --> 01:04:48,840
Speaker 7: that you can do what you did for us with

1321
01:04:48,960 --> 01:04:49,600
Speaker 7: the other dude.

1322
01:04:49,720 --> 01:04:51,360
Speaker 9: I just was thinking that, that's all I was.

1323
01:04:51,320 --> 01:04:53,080
Speaker 4: Thinking, mm hmm.

1324
01:04:53,320 --> 01:04:54,680
Speaker 9: I just we'll talk about it.

1325
01:04:55,960 --> 01:04:58,440
Speaker 4: What are you talking about about? Other folks? From me

1326
01:04:58,520 --> 01:05:06,840
Speaker 4: to y'all, y'all, y'all, y'all play out. Yeah, where did

1327
01:05:06,880 --> 01:05:07,520
Speaker 4: this come from?

1328
01:05:08,360 --> 01:05:10,240
Speaker 5: Uh? The harmonica?

1329
01:05:10,400 --> 01:05:11,480
Speaker 4: Yes? This?

1330
01:05:12,200 --> 01:05:12,480
Speaker 11: Uh?

1331
01:05:12,640 --> 01:05:13,520
Speaker 5: I got one.

1332
01:05:13,880 --> 01:05:16,520
Speaker 6: We were just in I think it was yeah, beginning

1333
01:05:16,560 --> 01:05:21,280
Speaker 6: of twenty twenty, I said guitar Center with Harry Allen Kane,

1334
01:05:21,280 --> 01:05:23,120
Speaker 6: and she was like, let's get harmonica's and I was like,

1335
01:05:23,160 --> 01:05:26,400
Speaker 6: why not? And so then I was just and then

1336
01:05:26,400 --> 01:05:27,840
Speaker 6: I was playing harmonica, and then I think I was

1337
01:05:27,880 --> 01:05:31,480
Speaker 6: playing it online, just joking around, and then uh, Frederick

1338
01:05:31,840 --> 01:05:32,440
Speaker 6: was like, let.

1339
01:05:32,280 --> 01:05:33,400
Speaker 5: Me get you a good harmonica.

1340
01:05:33,480 --> 01:05:36,920
Speaker 4: Oh wow, Frederick, Frederick, let me get.

1341
01:05:36,760 --> 01:05:37,640
Speaker 5: You a good harmonica.

1342
01:05:37,720 --> 01:05:40,600
Speaker 6: So he sent this one and then uh, and then

1343
01:05:41,040 --> 01:05:43,760
Speaker 6: before I was about to come here for the podcast,

1344
01:05:44,360 --> 01:05:44,800
Speaker 6: I saw it.

1345
01:05:44,840 --> 01:05:47,160
Speaker 5: I was like, I'm a fucking up with the harmonica.

1346
01:05:50,160 --> 01:05:53,720
Speaker 4: One of the secret talents. Do you have talents?

1347
01:05:53,760 --> 01:05:56,600
Speaker 5: But I just want to I'm working on drums.

1348
01:05:57,040 --> 01:06:00,640
Speaker 6: I got drunkard at the crib and so and I

1349
01:06:00,680 --> 01:06:02,520
Speaker 6: want to learn keys, and I think I'll make my

1350
01:06:02,600 --> 01:06:05,640
Speaker 6: best music after I got kind of proficiency had an.

1351
01:06:05,520 --> 01:06:07,320
Speaker 5: Instrument for three or four years, you know.

1352
01:06:07,400 --> 01:06:11,400
Speaker 6: And and so I do want to at some point

1353
01:06:11,440 --> 01:06:15,080
Speaker 6: be able to drum in some in a band or

1354
01:06:15,160 --> 01:06:18,120
Speaker 6: sit in and and not have people.

1355
01:06:17,840 --> 01:06:19,440
Speaker 5: Be like fucking up, you know what I mean. I

1356
01:06:19,440 --> 01:06:20,320
Speaker 5: want to be able to do that.

1357
01:06:20,520 --> 01:06:23,760
Speaker 6: And I think it's definitely helped my production and and

1358
01:06:23,760 --> 01:06:25,920
Speaker 6: and music creation. So I think once I you know,

1359
01:06:26,040 --> 01:06:29,080
Speaker 6: keys and drums it'll it'll take the music up.

1360
01:06:29,760 --> 01:06:32,600
Speaker 4: At the time in the pandemic. Uh, we did a

1361
01:06:32,600 --> 01:06:36,960
Speaker 4: bit where you were, uh cooking and whatnot. So how's

1362
01:06:37,120 --> 01:06:40,080
Speaker 4: how's your like? Once the pandemic was over, have you

1363
01:06:40,160 --> 01:06:40,880
Speaker 4: stopped your.

1364
01:06:41,960 --> 01:06:45,080
Speaker 6: I'll tell you about that, because that I was when

1365
01:06:45,080 --> 01:06:47,240
Speaker 6: we did that was the quest love, what was the

1366
01:06:47,280 --> 01:06:52,640
Speaker 6: name of that food? I didn't I had a misunderstanding

1367
01:06:52,720 --> 01:06:54,880
Speaker 6: on what the demands for that was gonna be. And

1368
01:06:54,920 --> 01:06:59,160
Speaker 6: I job because then because I was like, yeah, I'll

1369
01:06:59,200 --> 01:07:03,120
Speaker 6: do that, and and then and so uh, I had

1370
01:07:03,120 --> 01:07:04,880
Speaker 6: a little bit of mushrooms because I was like, hey,

1371
01:07:04,880 --> 01:07:07,000
Speaker 6: we just were just out here at it, but.

1372
01:07:07,000 --> 01:07:09,320
Speaker 5: I didn't know what. And then I opened They said

1373
01:07:09,320 --> 01:07:10,640
Speaker 5: the kid is outside your door.

1374
01:07:10,880 --> 01:07:13,320
Speaker 6: And I opened my door and it's lights and a

1375
01:07:13,400 --> 01:07:15,160
Speaker 6: camera and I was like, oh, no, I ain't know.

1376
01:07:17,360 --> 01:07:23,160
Speaker 4: So I asked. This was during the pandemic. I guess

1377
01:07:23,200 --> 01:07:26,520
Speaker 4: the Food Network had asked me to put together an

1378
01:07:26,600 --> 01:07:32,360
Speaker 4: hour special asking my notable friends, you know, for recipes

1379
01:07:32,400 --> 01:07:32,840
Speaker 4: and whatnot.

1380
01:07:33,200 --> 01:07:36,200
Speaker 5: What did you make? I forget. I just remember.

1381
01:07:36,760 --> 01:07:39,080
Speaker 6: I just remember the panic of having these people on

1382
01:07:39,240 --> 01:07:41,240
Speaker 6: zoom and they were like, you know, put the lights

1383
01:07:41,320 --> 01:07:44,520
Speaker 6: there and keep plugging in and just I was like, oh, man,

1384
01:07:44,560 --> 01:07:45,760
Speaker 6: I didn't know I was about to be a.

1385
01:07:45,720 --> 01:07:46,640
Speaker 5: Guy for Up in the Air.

1386
01:07:50,920 --> 01:07:54,240
Speaker 6: Yeah, do you remember the part where I was so overwhelmed.

1387
01:07:54,440 --> 01:07:56,200
Speaker 5: I was just like, man, you just.

1388
01:07:58,680 --> 01:08:03,360
Speaker 6: If you just closed the laptop, everything's over. I was like, no,

1389
01:08:03,480 --> 01:08:05,439
Speaker 6: you can't do that. At the quest love tough it out.

1390
01:08:05,480 --> 01:08:05,680
Speaker 7: Man.

1391
01:08:05,880 --> 01:08:10,720
Speaker 9: Just now, I gotta look this up because you might

1392
01:08:10,760 --> 01:08:12,480
Speaker 9: have made some No, I don't even know.

1393
01:08:12,520 --> 01:08:14,600
Speaker 6: I think I just showed you the pantry or something,

1394
01:08:14,720 --> 01:08:16,519
Speaker 6: or it wasn't even it wasn't that.

1395
01:08:16,600 --> 01:08:20,080
Speaker 4: Ye see your kitchen, and yeah, I swear you made something.

1396
01:08:20,560 --> 01:08:23,520
Speaker 4: Tiffany asked me fried chicken on the air fryer.

1397
01:08:23,840 --> 01:08:24,519
Speaker 9: Did the hannimal.

1398
01:08:25,720 --> 01:08:27,200
Speaker 2: The fact that Handle doesn't even remember.

1399
01:08:27,320 --> 01:08:28,960
Speaker 5: I didn't make it. I didn't make anything.

1400
01:08:29,479 --> 01:08:32,479
Speaker 6: Showed your bare season I just showed some seasonings and

1401
01:08:32,479 --> 01:08:37,200
Speaker 6: and just waiting for my high to go down. I

1402
01:08:37,520 --> 01:08:41,000
Speaker 6: sweated on camera, set up lights. I remember setting up

1403
01:08:41,080 --> 01:08:42,000
Speaker 6: lights more than anything.

1404
01:08:42,960 --> 01:08:46,240
Speaker 4: All right, So gamming is your secret talent. I know

1405
01:08:46,280 --> 01:08:47,599
Speaker 4: you stopped drinking for a minute.

1406
01:08:47,720 --> 01:08:50,000
Speaker 8: You have like other drugs that you just preferred more

1407
01:08:50,080 --> 01:08:51,599
Speaker 8: so now, like mushrooms, more so.

1408
01:08:51,560 --> 01:08:54,800
Speaker 5: Than I'm noticing, Like I don't really I think on

1409
01:08:54,840 --> 01:08:55,599
Speaker 5: the road. Now.

1410
01:08:56,840 --> 01:09:02,240
Speaker 6: I think with the drinking, I think it's adjusting. I

1411
01:09:02,720 --> 01:09:05,880
Speaker 6: got sober in a in a certain time, and now

1412
01:09:05,880 --> 01:09:10,800
Speaker 6: I'm adjusting to a different level of stimuli and a

1413
01:09:10,840 --> 01:09:11,559
Speaker 6: different life.

1414
01:09:11,680 --> 01:09:12,759
Speaker 5: And so that's uh.

1415
01:09:12,720 --> 01:09:16,040
Speaker 6: You know, with with doing music and and another level

1416
01:09:16,040 --> 01:09:19,240
Speaker 6: of activity where the traveling and that part of.

1417
01:09:19,200 --> 01:09:21,559
Speaker 5: It is what's sort of getting me.

1418
01:09:21,680 --> 01:09:24,400
Speaker 6: But when I'm here and at home, I'm in the studio,

1419
01:09:24,439 --> 01:09:27,200
Speaker 6: I'm just you know, seeing my daughter. So it doesn't

1420
01:09:27,240 --> 01:09:29,160
Speaker 6: it doesn't, it doesn't pull me like that one.

1421
01:09:29,200 --> 01:09:30,040
Speaker 4: Ho is she? Now?

1422
01:09:30,200 --> 01:09:33,160
Speaker 5: She too? Doing some change. It's doing some change.

1423
01:09:33,200 --> 01:09:36,960
Speaker 6: She got some uh, she got strong, she had strong

1424
01:09:37,040 --> 01:09:40,280
Speaker 6: musical opinions. Now oh wow, once she really want to

1425
01:09:40,280 --> 01:09:43,559
Speaker 6: hear Moanna one of the Moana songs. And if you

1426
01:09:43,600 --> 01:09:46,000
Speaker 6: play the wrong one, not that one, not that one.

1427
01:09:46,120 --> 01:09:48,200
Speaker 6: She used to vibe to my stuff. But and she

1428
01:09:48,520 --> 01:09:50,479
Speaker 6: but now it's like, nah, not that one. I'll be

1429
01:09:50,479 --> 01:09:51,640
Speaker 6: playing her other stuff.

1430
01:09:51,960 --> 01:09:55,360
Speaker 4: You got to the age of seven to program your

1431
01:09:55,439 --> 01:09:57,360
Speaker 4: child to have good taste before she.

1432
01:09:57,479 --> 01:10:01,160
Speaker 5: Just yeah, no, radio gonna make it happen. We're gonna

1433
01:10:01,160 --> 01:10:02,920
Speaker 5: we're gonna make it happens.

1434
01:10:02,960 --> 01:10:06,639
Speaker 4: Dope. Actually, okay, before I close, I kind of need advice.

1435
01:10:06,720 --> 01:10:08,960
Speaker 4: So this is like a community question for you people,

1436
01:10:09,560 --> 01:10:13,240
Speaker 4: and Annimal you can you can chime in. Uh, our

1437
01:10:13,280 --> 01:10:17,120
Speaker 4: crew behind the cameras can chime in as well. I

1438
01:10:17,200 --> 01:10:20,840
Speaker 4: need a creative idea for Halloween and I don't know

1439
01:10:21,840 --> 01:10:22,640
Speaker 4: what to be.

1440
01:10:23,280 --> 01:10:27,760
Speaker 5: What yeah for you means party costume.

1441
01:10:28,120 --> 01:10:31,600
Speaker 4: I'm literally running out of party Yeah Heidi.

1442
01:10:33,160 --> 01:10:37,799
Speaker 8: Heidi coon, Yeah he winn't he can't do that.

1443
01:10:38,160 --> 01:10:44,320
Speaker 4: She like a or something. Wow, thank you, Steve, I

1444
01:10:45,040 --> 01:10:45,640
Speaker 4: appreciate that.

1445
01:10:46,320 --> 01:10:50,800
Speaker 6: Today go is uh tie trip it and just be

1446
01:10:50,840 --> 01:10:52,480
Speaker 6: really energetic everywhere.

1447
01:10:54,960 --> 01:10:58,479
Speaker 4: You could go was my bass player on this on

1448
01:10:58,560 --> 01:11:04,600
Speaker 4: this l O run. And also I also blame Thattius

1449
01:11:04,640 --> 01:11:08,519
Speaker 4: for like Fattius in the Roots shout out. You know,

1450
01:11:08,840 --> 01:11:12,479
Speaker 4: we had a COVID situation with Mark, so Fatty's had

1451
01:11:12,479 --> 01:11:19,160
Speaker 4: to replace Mark on the LL tour and he made

1452
01:11:19,240 --> 01:11:23,639
Speaker 4: us a thirty year old group again, like all that

1453
01:11:23,760 --> 01:11:26,200
Speaker 4: dance and all that energy and you kind of you

1454
01:11:26,240 --> 01:11:29,679
Speaker 4: saw the last night. So Fattius actually broke his leg.

1455
01:11:32,200 --> 01:11:35,880
Speaker 4: Fatti's broke his leg in Atlanta, so he was not

1456
01:11:35,960 --> 01:11:38,759
Speaker 4: supposed to be on his leg or dance or whatever,

1457
01:11:38,840 --> 01:11:41,280
Speaker 4: so he pretty much I don't even know if the

1458
01:11:41,360 --> 01:11:43,720
Speaker 4: audience knows that he was hopping on one foot the

1459
01:11:43,880 --> 01:11:48,080
Speaker 4: entire time. Wow, the entire show. Yeah, those trippets are

1460
01:11:48,520 --> 01:11:49,360
Speaker 4: are a special.

1461
01:11:50,160 --> 01:11:52,559
Speaker 2: How about Black Doc from Back to the Future.

1462
01:11:54,720 --> 01:11:57,000
Speaker 9: That's not as fun. That's just a colt.

1463
01:11:58,479 --> 01:12:01,280
Speaker 4: I'm just trying to do anything that short of Charlie

1464
01:12:01,280 --> 01:12:03,120
Speaker 4: Brown just putting a bunch of holes in the sheet

1465
01:12:03,160 --> 01:12:06,520
Speaker 4: and saying I got a rock. You could be Denzel's

1466
01:12:06,720 --> 01:12:10,920
Speaker 4: character in me. Yeah, that could be.

1467
01:12:13,160 --> 01:12:14,519
Speaker 9: You could do Frederick Douglass.

1468
01:12:17,120 --> 01:12:20,439
Speaker 4: I mean, coach prompt.

1469
01:12:21,760 --> 01:12:24,800
Speaker 8: But if you do Frederick, that could be fair. If

1470
01:12:24,840 --> 01:12:26,360
Speaker 8: you do, you got to go all the way. You

1471
01:12:26,400 --> 01:12:27,960
Speaker 8: gotta show up to the party with a white woman.

1472
01:12:31,720 --> 01:12:35,040
Speaker 7: That's a harsh reality that I wasn't ready to face today.

1473
01:12:36,240 --> 01:12:41,240
Speaker 8: Commit you gotta go all way in he was.

1474
01:12:43,280 --> 01:12:46,320
Speaker 4: I like, that's a great question.

1475
01:12:46,560 --> 01:12:49,000
Speaker 9: The Lion the Wiz is making a comeback.

1476
01:12:49,600 --> 01:12:51,479
Speaker 5: Let me see I got Muneo line.

1477
01:12:51,800 --> 01:12:55,280
Speaker 4: It was Muno line. Uh yeah, I might field it

1478
01:12:55,320 --> 01:12:58,120
Speaker 4: in this year. Man, Like, I don't know she's gonna do.

1479
01:12:58,320 --> 01:13:00,639
Speaker 9: That's man ship. How she don't run the ideas?

1480
01:13:01,040 --> 01:13:03,840
Speaker 4: No, she you know, she's whatever she's doing. I know

1481
01:13:03,920 --> 01:13:08,799
Speaker 4: she's preparing the last week of September. So my favorite

1482
01:13:08,880 --> 01:13:11,120
Speaker 4: costume I saw I'll do And this was years ago.

1483
01:13:11,120 --> 01:13:12,760
Speaker 4: It was a root show and y'all came out in

1484
01:13:12,800 --> 01:13:16,280
Speaker 4: the dead presence make up. Oh that's right. They used

1485
01:13:16,280 --> 01:13:18,600
Speaker 4: to do that. Y'all don't dress well. We used to

1486
01:13:18,680 --> 01:13:22,880
Speaker 4: do Halloween shows. But you know, yeah, all right, I

1487
01:13:23,240 --> 01:13:37,439
Speaker 4: be half me Sandell. That's the last word I say, Claire,

1488
01:13:37,560 --> 01:13:44,080
Speaker 4: all right and Bannable hers. Yes, this is Let's cove,

1489
01:13:45,680 --> 01:13:49,519
Speaker 4: and thank you for listening to our very long part.

1490
01:13:49,600 --> 01:13:51,799
Speaker 4: This is Is this a three hour man? Listen?

1491
01:13:51,960 --> 01:13:52,040
Speaker 11: No?

1492
01:13:52,760 --> 01:13:53,639
Speaker 9: Two half to half?

1493
01:13:53,880 --> 01:13:56,400
Speaker 4: That's not bad. Okay. I love these quality shows when

1494
01:13:56,400 --> 01:13:58,760
Speaker 4: we get together and talk. So this was a long

1495
01:13:58,840 --> 01:14:00,639
Speaker 4: time in the coming to. You can call it through.

1496
01:14:01,080 --> 01:14:02,599
Speaker 5: Thank you.

1497
01:14:02,680 --> 01:14:04,720
Speaker 9: That's how we do it live from your venue. All right,

1498
01:14:04,880 --> 01:14:10,880
Speaker 9: all right, come on, man, thats gonna be.

1499
01:14:10,880 --> 01:14:12,960
Speaker 4: Called at the Knitting Factory.

1500
01:14:13,160 --> 01:14:13,840
Speaker 9: What's gonna be called?

1501
01:14:14,920 --> 01:14:17,280
Speaker 4: Have you wait? You're not calling it the knitting Factory?

1502
01:14:17,320 --> 01:14:18,320
Speaker 5: No, that's no.

1503
01:14:18,680 --> 01:14:21,439
Speaker 6: God, create a new I got a working title I

1504
01:14:21,560 --> 01:14:27,000
Speaker 6: Solo Sessions, but I'm still I'm still brainstorm the Fittingnactory.

1505
01:14:27,560 --> 01:14:30,720
Speaker 4: And that's out. Jake and Brittany, thank you very much.

1506
01:14:30,800 --> 01:14:35,760
Speaker 5: And the next go around, this is.

1507
01:14:35,680 --> 01:14:38,280
Speaker 12: Sugar Steve Thank you for listening to Quest Love Supreme.

1508
01:14:39,000 --> 01:14:41,479
Speaker 12: This podcast is hosted by a Mere Quest Love Thompson,

1509
01:14:41,600 --> 01:14:45,240
Speaker 12: Liah Saint Clair, Pompte Coleman, Sugar, Steve Mandel, and unpaid

1510
01:14:45,280 --> 01:14:45,920
Speaker 12: Bill Sherman.

1511
01:14:46,920 --> 01:14:48,879
Speaker 4: The executive producers are a mere Quest.

1512
01:14:48,720 --> 01:14:53,400
Speaker 12: Love Thompson, Sean g and Brian Calhoun. Produced by Britney Benjamin,

1513
01:14:53,479 --> 01:14:57,759
Speaker 12: Jake Payne and Liah Saint Clair. Edited by Alex Conroy.

1514
01:14:58,840 --> 01:15:02,360
Speaker 12: Produced for iHeart by No Brown and Mike Johns. What

1515
01:15:02,479 --> 01:15:05,599
Speaker 12: Are You Engineering by Graham Gibson at Iheart's La Studio.

1516
01:15:14,600 --> 01:15:21,080
Speaker 1: Post Love Supreme is a production of iHeartRadio. For more

1517
01:15:21,120 --> 01:15:25,600
Speaker 1: podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1518
01:15:25,600 --> 01:15:27,240
Speaker 1: wherever you listen to your favorite shows.