WEBVTT - #237 - Armani Caesar

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<v Speaker 1>Boulet cap Show, special guests in here, Buffalo's Finest, Griselda's

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<v Speaker 1>own the First Lady. Yes, Yes, Harmoni Caesar, how you doing. Welcome,

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<v Speaker 1>It's good to see you. Good to be here. Of course,

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<v Speaker 1>your new album is officially out, The Liz Too. Yes,

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<v Speaker 1>highly anticipated. Yes. How does it feel now that it's

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<v Speaker 1>out in the world and you're getting reception? Like, are

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<v Speaker 1>you are you happy with everybody's you know, take on it? Yeah,

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<v Speaker 1>I still feel like, you know, I've been in a

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<v Speaker 1>lot of love when it I still feel like it's

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<v Speaker 1>being digested because that's something that you got to listen

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<v Speaker 1>to a few times to really catch everything right, like

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<v Speaker 1>just the bars, metaphors, double entandras, but also like the

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<v Speaker 1>flow of it, Like it's really like in a sequence

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<v Speaker 1>of like events that were really happening, right, So you're like,

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<v Speaker 1>I feel like you are kind of an anomaly in

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<v Speaker 1>a crew like Griselda. Yeah, right, Like we think of Done,

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<v Speaker 1>we think of Conway A Benny, it's high level coke rap.

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<v Speaker 1>It's you know, yeah, it's we know what it is, right,

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<v Speaker 1>And then there's Armani Caesar, who's like, you know, one

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<v Speaker 1>of those pretty girls in hip hop and obviously you

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<v Speaker 1>could wrap your ass off, but you're also very much

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<v Speaker 1>like a different You're bringing something different to the crew.

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<v Speaker 1>When did you initially link up with Gun? And like,

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<v Speaker 1>how did you guys eventually get on each other's radar

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<v Speaker 1>to where you ended up working with Griselda officially? So

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<v Speaker 1>I met Gun back and when I was still living

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<v Speaker 1>in Buffalo, I was like a teenager and we met

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<v Speaker 1>through DJSHA. That's I met all the guys through DJSHA.

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<v Speaker 1>Was in a group all together called buff City. And

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<v Speaker 1>then once I left for school, and then everybody kind

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<v Speaker 1>of just banded, you know, did they own it? Was me? Conway?

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<v Speaker 1>Benny Hyde was in it? Rick was it? Yes? I

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<v Speaker 1>just realized that, and like it was like, uh, hooge crews.

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<v Speaker 1>Who else is in Above City? That's just prior to

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<v Speaker 1>you going to college, So this is like, how are

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<v Speaker 1>you like eighteen seventeen? Like seventeen, just turned seventeen? Wow? Okay, yeah.

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<v Speaker 1>So then I just kind of, you know, they met me.

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<v Speaker 1>I went in there for some studio time and they

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<v Speaker 1>had another rap chick in there at the time, and

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<v Speaker 1>Benny was like helping her write a verse or whatever

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<v Speaker 1>because she was gonna be like the first Lady above

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<v Speaker 1>City at the time, gotcha. So where they was like

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<v Speaker 1>they were going over the verse and it kept playing instrumental.

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<v Speaker 1>I wrote my own verse and then somebody heard me

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<v Speaker 1>rapping it and then Benny you know, came over heard

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<v Speaker 1>me tap shade like yo, like she fired s a

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<v Speaker 1>third long story short, I ended up in a group

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<v Speaker 1>just like that. Wow, So that was kind of like

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<v Speaker 1>the first time you had like really linked up with

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<v Speaker 1>the guys over there in general. Yeah. Yeah, So you

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<v Speaker 1>go to school, you said, North Carolina Central HBCU. Yep,

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<v Speaker 1>what were you going to school for? So I was,

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<v Speaker 1>I was a few things, but I ended up a

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<v Speaker 1>marketing major business administration with a concentration of marketing. But

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<v Speaker 1>like all of my prerecs were like, you know, pretty

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<v Speaker 1>much the same and like staples that you needed for

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<v Speaker 1>every class except for the hip hop and Context class.

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<v Speaker 1>There was a hip hop and context class teaching. Yeah,

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<v Speaker 1>I just saw him post that, so you never know

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<v Speaker 1>who's in the classroom. Yes, So it was crazy, like

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<v Speaker 1>because I even gave him the mixtape that I had

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<v Speaker 1>back in the day. It was called Back and body Work,

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<v Speaker 1>and you know he was he was showing love like

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<v Speaker 1>you know, he was still he was just real cool.

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<v Speaker 1>It was a bunch of people in the class, but essentially,

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<v Speaker 1>like it really kind of got me into a journey

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<v Speaker 1>of like going and doing my research on the rock

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<v Speaker 1>sand Chante's and see lights like the people that weren't

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<v Speaker 1>like mainstream, like the Kim's and Foxies. Right, So you

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<v Speaker 1>think like taking that class kind of helped you like

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<v Speaker 1>sharpen your hip hop head metal if you will for sure.

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<v Speaker 1>I mean we would just be walking into class and

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<v Speaker 1>like he would be playing a sample and then he

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<v Speaker 1>would played the song that sampled it, like you know

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<v Speaker 1>that kind of thing, Like, so that got me in

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<v Speaker 1>my sample bag. That got me like digging for beats

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<v Speaker 1>and like even inspiring me to just go back and

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<v Speaker 1>listen to old school music. So were you like motivated

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<v Speaker 1>to go check out Little brother at All his group? Yeah?

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<v Speaker 1>I love Little Brothers. Little Brother's one of my favorite

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<v Speaker 1>rap groups ever. Yeah, they was fired fontat They still

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<v Speaker 1>like they put a good ALBUMNT a couple years ago,

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<v Speaker 1>a few years ago before the pandemic, shoutout Fontine, Big Poop. Yes,

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<v Speaker 1>I gotta check that out. Yeah, So you go to school,

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<v Speaker 1>you get the mark, you got a degree. No you

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<v Speaker 1>didn't finished. No, I didn't finish. Once I was told, like,

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<v Speaker 1>you know, I think this was like my junior year

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<v Speaker 1>and I was trying to figure out like what I

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<v Speaker 1>wanted to do, and I was just really going to

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<v Speaker 1>school just to appease my mother. And my advisor was like,

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<v Speaker 1>look like, I see how you go like in our

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<v Speaker 1>marketing class, and you could literally sell ice to Eskimos,

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<v Speaker 1>so like if you can market yourself, you could really

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<v Speaker 1>much pretty much do anything. And I guess he was

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<v Speaker 1>trying to motivate me, but it motivated me to like leave,

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<v Speaker 1>like say fuck this on the right move? Yeah, and

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<v Speaker 1>you got Now I see why you have your so success.

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<v Speaker 1>You got a damn Armani's closet. Yeah. Is this an

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<v Speaker 1>online store or an actual place that people can visit?

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<v Speaker 1>It's an online store. I'm working on making it like

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<v Speaker 1>a brick and mortar, but I wanted to be like

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<v Speaker 1>an experience that's super tight. Yeah. Okay, so you decided

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<v Speaker 1>to leave school. Yeah, at that point in time, you

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<v Speaker 1>stay in North Carolina, you go back home. What are

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<v Speaker 1>you doing? I just was going back and forth. I

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<v Speaker 1>was still kind of like working, and then I got

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<v Speaker 1>a job at a club, and it was just like

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<v Speaker 1>I was running it up, making money from there. And

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<v Speaker 1>what were you doing at the club. I was dancing.

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<v Speaker 1>You're stripping, Okay, so shouts all the ladies out there

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<v Speaker 1>geting that money. Yes, get that brig, get that bag.

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<v Speaker 1>My wife used to be a dancer, So no judgment here.

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<v Speaker 1>I mean, listen, listen. I know more strippers making more

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<v Speaker 1>money than drug dealers to this day, and a lot

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<v Speaker 1>risky less risky. Yeah, even though, Yo, there's something about

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<v Speaker 1>strip club politics that because I used to do a

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<v Speaker 1>lot at strip clubs, so I've been in the locker rooms.

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<v Speaker 1>I've seen bitches beat the ship out of each other.

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<v Speaker 1>Oh yeah, over like whose bucket got fuller from someone

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<v Speaker 1>making it rain? Like the strip cup politics are crazy.

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<v Speaker 1>I ended up getting fired. That's how I ended up

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<v Speaker 1>stopping because it was like so it was just I

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<v Speaker 1>hated my job, but it was like the money was

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<v Speaker 1>so good that I was like I was trying to

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<v Speaker 1>figure out how I could walk away from it for good,

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<v Speaker 1>because you know, you gonna stop a little bit here,

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<v Speaker 1>you need some money and go work for a weekend, yeah,

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<v Speaker 1>or just you know, you get a nigga. You you know,

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<v Speaker 1>you just be like, Okay, well I'm gonna start a

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<v Speaker 1>business that don't work out. You already know you're going

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<v Speaker 1>back to strip club? Wow? Why did you get fired?

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<v Speaker 1>Girl on her? Yeah, I mean at least she didn't

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<v Speaker 1>assault her. I mean you kind of did. Shouldn't beat

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<v Speaker 1>her up? No, I couldn't. It was like security. Yeah,

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<v Speaker 1>like that was the only way, like I could kind

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<v Speaker 1>of get to it. Was it over like some money? Yeah,

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<v Speaker 1>it was, of course, because that's the only reason why

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<v Speaker 1>I'm here, Like, give a fuck about you bitches, you

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<v Speaker 1>know why I'm here? Yeah? What city was this? This

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<v Speaker 1>isn't Charlotte, Charlotte? Yeah a CIAA weekends are probably this

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<v Speaker 1>as fuck. Oh man, it was going crazy. I mean

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<v Speaker 1>we was on like they would make like the news

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<v Speaker 1>like for people spending like hundreds of thousand dollars a

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<v Speaker 1>night on the weekend. It's crazy. What was the most

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<v Speaker 1>amount of money in your short lived dancing career that

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<v Speaker 1>you made in one night? Mmmm? Like a little over

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<v Speaker 1>twenty k Jesus Christ. Yeah, I would never quit. But

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<v Speaker 1>every night it don't be like that, tell you something.

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<v Speaker 1>I have my ass out until they would tell me

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<v Speaker 1>I had to leave, but you know, now you explains

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<v Speaker 1>why I didn't want to leave. It was like, you know,

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<v Speaker 1>get it. It's also like mentally taxing. I don't think

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<v Speaker 1>people understand, like your job is to like make like

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<v Speaker 1>like it's I can only my wife's explain it to me,

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<v Speaker 1>Like it is mentally taxing to like hit reset and

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<v Speaker 1>then try like you have to kind of be everybody's

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<v Speaker 1>fantasy slash counselor slash person they trust, like even if

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<v Speaker 1>it's for twenty minutes, like and you do that, however

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<v Speaker 1>long right, and it's like, fuck, it was a long night,

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<v Speaker 1>you know, Like yeah, and them black clubs is a

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<v Speaker 1>little bit different because, like you know, you gotta deal

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<v Speaker 1>with all the street ship that be coming into the club.

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<v Speaker 1>So the club I used to dj in Phoenix called

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<v Speaker 1>Jaguars Legendary Strip Club. It's very much the epicenter of

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<v Speaker 1>all of the street shit in Phoenix. Everybody comes there

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<v Speaker 1>at two am after the regular club gets out, and

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<v Speaker 1>everybody who's got beef with everybody is all in the

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<v Speaker 1>same fucking place every single fucking night. It's it's like

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<v Speaker 1>you could sometimes you can feel the fucking tension in there. Yeah,

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<v Speaker 1>it's like, oh shit, and imagine it's like you ain't

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<v Speaker 1>got no choice. You gotta get this mother fucking bag,

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<v Speaker 1>like you praying that niggas don't be shooting or you

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<v Speaker 1>know what I'm saying, Like, yeah, for sure, it's crazy,

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<v Speaker 1>it's wild. Yeah, fights happen, like you said, people get right. Yeah,

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<v Speaker 1>I don't care about the fights. Maybe be the shooting

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<v Speaker 1>part for me. Yeah, yeah, I can imagine. Well, okay,

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<v Speaker 1>so you're dancing. At what point in time you get

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<v Speaker 1>so you got fired? Did you eventually say okay, I'm done? Yeah,

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<v Speaker 1>because it was like I wasn't about to work at

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<v Speaker 1>no rinky thing clubs. Like at the time, I was

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<v Speaker 1>like building my following the main spot, not even so

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<v Speaker 1>much at the main spot because a lot of people

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<v Speaker 1>didn't even know I danced, you know, because this time, Yeah,

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<v Speaker 1>I started rapping, like I kept rapping as soon as

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<v Speaker 1>I got down to North Carolina. I mean, you gave

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<v Speaker 1>Ninth Wonder your mixtape Bath and body Work, Yes, amazing.

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<v Speaker 1>I was popping big ships. Is this? Can we look

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<v Speaker 1>at album artwork anywhere on the internet? Yes? Unfortunately. Yeah,

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<v Speaker 1>if it's online, it's never going away. I know. That's

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<v Speaker 1>a great name though I know no for really, I

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<v Speaker 1>might have to name like a song now or something.

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<v Speaker 1>I got to google it real quick. Hold on, let's see.

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<v Speaker 1>I think it's streamable right now? Is it? Also? It's

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<v Speaker 1>on Bennie on their Conway on there. But like, I think,

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<v Speaker 1>what year did this drop? Two thousand and thirteen twelve

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<v Speaker 1>something like that? My goodness, Yeah, all right, look at that. Okay,

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<v Speaker 1>I see you, I see you in the tub. And

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<v Speaker 1>the thing about that is it was like a shout

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<v Speaker 1>out to Shay. He found his house in the hood.

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<v Speaker 1>I forgot it was one of his friend's house, but

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<v Speaker 1>it had like a jacuzie in it. It was like

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<v Speaker 1>one of them little like ratchet houses that looked like

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<v Speaker 1>a trap house. But then when you walk in it's

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<v Speaker 1>like renovated. So yeah, he let us borrow that to

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<v Speaker 1>do a little photo shoot. That's great. Well, damn, that's crazy.

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<v Speaker 1>That was nine years ago, so you're like a veteran. Definitely,

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<v Speaker 1>you were not new to this very much true to

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<v Speaker 1>this factual. Hey, what up, y'all? Boulet keV got to

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<v Speaker 1>right now. Hardan Underscore Las Vegas. Go to their website

0:11:36.679 --> 0:11:42.600
<v Speaker 1>Hardinlasvegas dot com. That's j R d N Underscore Las Vegas.

0:11:42.720 --> 0:11:45.720
<v Speaker 1>When you're in Vegas, you have to pull up to Hardan,

0:11:46.080 --> 0:11:48.719
<v Speaker 1>tell them I sent you, and get high off your

0:11:48.760 --> 0:11:51.120
<v Speaker 1>fucking face. I don't even know what that means. How

0:11:51.120 --> 0:11:53.240
<v Speaker 1>do you get high off of your face? Whatever? Melt

0:11:53.240 --> 0:11:55.400
<v Speaker 1>your fucking face off with some of that good hard Dean.

0:11:55.480 --> 0:11:58.400
<v Speaker 1>Y'all go follow one more time. That's Hardyan underscore Las Vegas.

0:11:58.480 --> 0:12:00.960
<v Speaker 1>Let's get back to the interview. Okay, so you were

0:12:00.960 --> 0:12:05.280
<v Speaker 1>obviously rapping for a while. When did you feel like

0:12:05.360 --> 0:12:08.120
<v Speaker 1>you started to catch some traction where you could be like, oh,

0:12:08.480 --> 0:12:11.520
<v Speaker 1>this might work out for me. It was just always

0:12:11.559 --> 0:12:16.760
<v Speaker 1>little things that happened. Back in like twenty fifteen. I

0:12:16.800 --> 0:12:20.280
<v Speaker 1>got my first placement on this album on Rico Love's album,

0:12:20.280 --> 0:12:24.840
<v Speaker 1>actually on the Yes on a song called bad Attitude

0:12:25.000 --> 0:12:28.560
<v Speaker 1>featuring me, him and Ray Kwan. Wow. Yeah, so that

0:12:28.640 --> 0:12:31.080
<v Speaker 1>was like my first album placement. Then from there I

0:12:31.280 --> 0:12:34.000
<v Speaker 1>ended up like signing and getting a deal, but it

0:12:34.120 --> 0:12:38.400
<v Speaker 1>was like it was through somebody I don't want to

0:12:38.600 --> 0:12:43.520
<v Speaker 1>mention fuck them, but yeah, but essentially they left. They

0:12:43.520 --> 0:12:46.360
<v Speaker 1>were the VP at a big record label and ended

0:12:46.400 --> 0:12:48.560
<v Speaker 1>up leaving, And then my stuff was kind of like

0:12:48.559 --> 0:12:50.320
<v Speaker 1>in limbo for a year. So I was just sitting

0:12:50.360 --> 0:12:52.600
<v Speaker 1>like not doing shit. That happens a lot. It's like

0:12:52.640 --> 0:12:54.880
<v Speaker 1>the people that sign you, they get a better job

0:12:54.960 --> 0:12:56.679
<v Speaker 1>or they get fired, and then there's all these new

0:12:56.679 --> 0:12:58.200
<v Speaker 1>people that come in and they're like, well, we didn't

0:12:58.200 --> 0:12:59.840
<v Speaker 1>sign her. They don't they don't believe in you. The

0:12:59.840 --> 0:13:01.920
<v Speaker 1>same the people who signed you believe in right, right,

0:13:02.000 --> 0:13:04.960
<v Speaker 1>and if you signed through somebody else, like it don't

0:13:05.000 --> 0:13:06.800
<v Speaker 1>really make a difference because it ain't shipped that they

0:13:06.840 --> 0:13:09.280
<v Speaker 1>can do. They don't really have the ties. So so

0:13:09.320 --> 0:13:11.960
<v Speaker 1>you kind of went through like uh the full music

0:13:13.160 --> 0:13:16.320
<v Speaker 1>U industry experience. Yeah, like he was trying to like

0:13:16.400 --> 0:13:18.559
<v Speaker 1>stop bags. He was trying to stop people from sucking

0:13:18.640 --> 0:13:22.160
<v Speaker 1>with me. Like it was crazy. Really is this like

0:13:22.200 --> 0:13:25.920
<v Speaker 1>a famous person. I mean he's well known. He's not

0:13:26.000 --> 0:13:29.800
<v Speaker 1>like industry guy. He industry, but like behind the scenes industry.

0:13:29.800 --> 0:13:36.520
<v Speaker 1>But what was the label? It was a big one,

0:13:36.559 --> 0:13:45.959
<v Speaker 1>it was. It was one of the top five ones. Yeah,

0:13:46.000 --> 0:13:51.359
<v Speaker 1>but yeah, fuck him because that did No it was

0:13:51.440 --> 0:13:59.720
<v Speaker 1>It wasn't Jay, it wasn't but like you know, no,

0:14:00.800 --> 0:14:04.440
<v Speaker 1>so it was Columbia, you know what. Anyway, But like

0:14:04.559 --> 0:14:06.240
<v Speaker 1>I actually seen him when I was doing the red

0:14:06.240 --> 0:14:09.000
<v Speaker 1>carpet at the BT Awards because I had to deciphering right,

0:14:09.559 --> 0:14:11.520
<v Speaker 1>and you know, it just was a good feeling. It

0:14:11.559 --> 0:14:13.680
<v Speaker 1>was just like, damn, you tried to stop and look

0:14:13.720 --> 0:14:15.720
<v Speaker 1>at me. Now, It's pretty crazy that someone would go

0:14:15.720 --> 0:14:18.400
<v Speaker 1>out of their way to try to stop money from

0:14:18.640 --> 0:14:21.560
<v Speaker 1>like a somebody who's just trying to make ends meet.

0:14:21.840 --> 0:14:23.840
<v Speaker 1>I mean it happens more often than not, especially the

0:14:23.880 --> 0:14:29.000
<v Speaker 1>females for sure. Yeah, I've gotten deal stopped because I

0:14:29.000 --> 0:14:31.880
<v Speaker 1>didn't want to fuck with executives. I've gotten deal stop

0:14:31.960 --> 0:14:34.440
<v Speaker 1>because obviously, you know, a person wasn't doing anything and

0:14:34.480 --> 0:14:38.080
<v Speaker 1>they just wanted me to just sit and wait like it.

0:14:38.280 --> 0:14:41.680
<v Speaker 1>It's crazy. Yeah, there's a double standard with like women

0:14:41.720 --> 0:14:44.280
<v Speaker 1>in hip hop, where it's like, no matter what you do,

0:14:44.360 --> 0:14:47.760
<v Speaker 1>like people are always going to assume the not necessarily

0:14:47.800 --> 0:14:49.960
<v Speaker 1>the worst. But shit, I told you earlier. I was like,

0:14:50.000 --> 0:14:52.160
<v Speaker 1>I forgot. He told me that you and Kodak had

0:14:52.200 --> 0:14:53.640
<v Speaker 1>a song coming out because you were supposed to come

0:14:53.720 --> 0:14:55.120
<v Speaker 1>up here like a month ago or something, and he

0:14:55.160 --> 0:14:56.920
<v Speaker 1>was like, well, we're waiting for this Kodak great, get cleared.

0:14:57.120 --> 0:14:58.960
<v Speaker 1>But then I just saw the video that you posted

0:14:58.960 --> 0:15:02.400
<v Speaker 1>a Kodak braiding your hair. I was like, damn Kodaks

0:15:02.680 --> 0:15:06.040
<v Speaker 1>Dayton RMANI Caesar Kodak is just a certified lover boy.

0:15:06.120 --> 0:15:08.840
<v Speaker 1>So I think he just give off that like flirty energy. Yeah,

0:15:08.840 --> 0:15:12.120
<v Speaker 1>shot out to him. He's I mean he bought Shannon

0:15:12.160 --> 0:15:16.640
<v Speaker 1>Brown'sa's wife Monica person the other night. Yeah, but he's

0:15:16.680 --> 0:15:19.200
<v Speaker 1>sweet like that though, like He's the type that you

0:15:19.240 --> 0:15:23.600
<v Speaker 1>don't even have to be with him, like he just hm,

0:15:24.200 --> 0:15:28.120
<v Speaker 1>he did the record. I was happy enough with that. No,

0:15:28.240 --> 0:15:31.680
<v Speaker 1>it wasn't free, but you know, he just looked out

0:15:32.160 --> 0:15:34.200
<v Speaker 1>you know what I'm saying for for a person that's

0:15:34.240 --> 0:15:36.600
<v Speaker 1>still underground and stuff like that. Like, and I slid

0:15:36.600 --> 0:15:38.240
<v Speaker 1>in his DM. I was like, yo, like cause I

0:15:38.280 --> 0:15:41.160
<v Speaker 1>was listening to you know, the album, and I'm like, damn,

0:15:41.160 --> 0:15:43.200
<v Speaker 1>like we need a couple more features just to wrap

0:15:43.240 --> 0:15:46.400
<v Speaker 1>this up. And I was just like, well fuck it.

0:15:46.400 --> 0:15:48.600
<v Speaker 1>I'm just so yeah, let's just see what happens. He

0:15:48.680 --> 0:15:51.080
<v Speaker 1>hit me right back, and I sent the song. I'm like,

0:15:51.160 --> 0:15:52.880
<v Speaker 1>let me know if you're fucking with it. He sent

0:15:52.920 --> 0:15:54.560
<v Speaker 1>me right back. He was just like, I'm about to

0:15:54.560 --> 0:15:55.800
<v Speaker 1>stretch to be I'm gonna send it back to you.

0:15:56.040 --> 0:15:58.560
<v Speaker 1>He sent it in like three hours. Oh ship yep.

0:15:58.600 --> 0:16:00.960
<v Speaker 1>And then the next maybe like a week or two later,

0:16:01.000 --> 0:16:04.440
<v Speaker 1>pulled up and did the video. Yo. That doesn't happen usually, never,

0:16:04.680 --> 0:16:07.280
<v Speaker 1>like especially in an artists that big, Like usually you're

0:16:07.320 --> 0:16:09.640
<v Speaker 1>like waiting like two months or something. You're like, Yoda,

0:16:10.040 --> 0:16:13.560
<v Speaker 1>forget niggas that ain't even as big as that. Conway,

0:16:14.800 --> 0:16:17.520
<v Speaker 1>don't do Conway. Conway did take way longer to do it.

0:16:17.680 --> 0:16:20.840
<v Speaker 1>I know he did. Conway takes way longer than everybody.

0:16:20.840 --> 0:16:23.600
<v Speaker 1>But I love I love Conway. Conway. I love him

0:16:23.640 --> 0:16:25.800
<v Speaker 1>as well. But like, even with all the backlash that

0:16:26.080 --> 0:16:27.920
<v Speaker 1>Kodak was getting at the time, you know, I was

0:16:28.000 --> 0:16:30.240
<v Speaker 1>kind of like Leary, like, you know, not so much

0:16:30.320 --> 0:16:32.120
<v Speaker 1>Leary because I know that. I'm mean, I know how

0:16:32.160 --> 0:16:35.560
<v Speaker 1>I carry myself. So oh, was this during the uh

0:16:36.000 --> 0:16:38.360
<v Speaker 1>like when there was they were trying to there was

0:16:38.400 --> 0:16:41.520
<v Speaker 1>somebody were they trying to like paint him out to

0:16:41.560 --> 0:16:45.320
<v Speaker 1>be the Yeah. I don't know who it was, but

0:16:45.400 --> 0:16:47.880
<v Speaker 1>it was, Yeah, I think it was something like that.

0:16:47.960 --> 0:16:50.520
<v Speaker 1>But I was gonna say, like, is it, like, are

0:16:50.560 --> 0:16:53.440
<v Speaker 1>you starting to you gotta I feel like as a

0:16:53.440 --> 0:16:54.880
<v Speaker 1>as a woman in hip hop, you have to have

0:16:54.960 --> 0:16:58.560
<v Speaker 1>thick skin and you gotta kind of like understand like

0:16:59.600 --> 0:17:01.760
<v Speaker 1>whether it's right or wrong, people are gonna look at

0:17:01.760 --> 0:17:04.120
<v Speaker 1>you a certain way up until they hear your music.

0:17:04.720 --> 0:17:08.560
<v Speaker 1>I mean, I think me coming down to North Carolina

0:17:08.600 --> 0:17:11.199
<v Speaker 1>and not knowing nobody and having to establish myself with

0:17:11.240 --> 0:17:14.560
<v Speaker 1>the DJs, with even my studio sessions, like locking that

0:17:14.560 --> 0:17:18.320
<v Speaker 1>shit down for ten hours at a time, you're making Yeah,

0:17:18.359 --> 0:17:20.600
<v Speaker 1>but it's like how you carry yourself, like, you know,

0:17:21.080 --> 0:17:24.159
<v Speaker 1>I don't move like how everybody moves, So people know

0:17:24.240 --> 0:17:26.000
<v Speaker 1>not to play with me. Even if it's like at

0:17:26.040 --> 0:17:27.960
<v Speaker 1>first you think, oh shit, like she fired, I'm gonna

0:17:27.960 --> 0:17:29.639
<v Speaker 1>shoot my shot, It's like once you see that I'm

0:17:29.680 --> 0:17:32.119
<v Speaker 1>really about business, then you ain't gonna play with me.

0:17:32.200 --> 0:17:34.680
<v Speaker 1>Like that was a when did you How long did

0:17:34.720 --> 0:17:37.760
<v Speaker 1>you guys shoot the video? We shot it Native America

0:17:37.800 --> 0:17:40.399
<v Speaker 1>weekend in Philly. When was that? That was? Like? That

0:17:40.440 --> 0:17:43.080
<v Speaker 1>was like in September September. First, I want to say, yeah, yeah,

0:17:43.119 --> 0:17:45.280
<v Speaker 1>I remember that weekend. Yeah, that's dope. So it was

0:17:45.320 --> 0:17:49.280
<v Speaker 1>all in Philly. Yep, that's what's up for you? Do

0:17:49.320 --> 0:17:51.840
<v Speaker 1>you do you like? Were you always kind of like

0:17:53.359 --> 0:17:57.440
<v Speaker 1>cause you are very good at skating over beats that

0:17:57.680 --> 0:18:01.000
<v Speaker 1>you would not expect women who look like you to

0:18:01.040 --> 0:18:04.879
<v Speaker 1>wrap over. Were you always in that bag with like

0:18:04.920 --> 0:18:07.480
<v Speaker 1>the Darringer type sound or was that something that like

0:18:07.560 --> 0:18:12.119
<v Speaker 1>once you officially came full circle signed with Griselda, that

0:18:12.160 --> 0:18:15.359
<v Speaker 1>you embraced a little bit more. Cause you're living in

0:18:15.359 --> 0:18:19.080
<v Speaker 1>North Carolina, you're in the strip club. Music's a certain way,

0:18:19.680 --> 0:18:24.280
<v Speaker 1>So I think I was doing that beforehand. Like again,

0:18:24.359 --> 0:18:28.520
<v Speaker 1>going back to my first project that I ever did

0:18:28.560 --> 0:18:30.920
<v Speaker 1>with buff City, it was like we was wrapping over Heartbeat,

0:18:31.400 --> 0:18:33.800
<v Speaker 1>So you know, of course when I moved down there,

0:18:33.880 --> 0:18:35.760
<v Speaker 1>it was like then I learned how to like ride

0:18:35.800 --> 0:18:37.840
<v Speaker 1>that wave. So now it's like I have an equal

0:18:37.880 --> 0:18:41.560
<v Speaker 1>balance of both. And when I moved over to you know,

0:18:41.560 --> 0:18:43.879
<v Speaker 1>when I actually signed to Griselda, it was like, you know,

0:18:43.960 --> 0:18:46.560
<v Speaker 1>I was excited to do it just because there was

0:18:46.600 --> 0:18:49.639
<v Speaker 1>already a lane for me open there versus me trying

0:18:49.640 --> 0:18:51.680
<v Speaker 1>to like start off and do that by myself in

0:18:51.720 --> 0:18:55.600
<v Speaker 1>North Carolina. So I think walk into a pretty rapid

0:18:55.760 --> 0:18:58.920
<v Speaker 1>fan base. Yeah, that was crazy. The Griselda fans are.

0:18:59.280 --> 0:19:02.520
<v Speaker 1>They're very dedicated, but I love them now. At first,

0:19:02.560 --> 0:19:04.120
<v Speaker 1>they was a little mean to me when I first signed,

0:19:04.600 --> 0:19:07.119
<v Speaker 1>mean because I looked like this and they thought that

0:19:07.119 --> 0:19:09.320
<v Speaker 1>I couldn't wrap. Yeah, they probably wanted you to be like,

0:19:09.680 --> 0:19:15.800
<v Speaker 1>you know, two hundred and eighty pounds lesbian. Yes, I

0:19:15.800 --> 0:19:17.440
<v Speaker 1>wanted you to look like Queen La and set it

0:19:17.480 --> 0:19:22.040
<v Speaker 1>off right or be like super you know, yeah, yeah

0:19:22.040 --> 0:19:24.840
<v Speaker 1>for sure, Yo, what what is going on with Grizzelda?

0:19:24.840 --> 0:19:27.679
<v Speaker 1>They're over here signing pretty girl, right They like, is

0:19:27.680 --> 0:19:30.240
<v Speaker 1>she gonna be the backup dancer? Oh, they only signed

0:19:30.240 --> 0:19:32.480
<v Speaker 1>her because she's pretty. They're gonna be writing her rhymes.

0:19:32.480 --> 0:19:34.479
<v Speaker 1>So like the first LISZ was me just proving all

0:19:34.480 --> 0:19:36.800
<v Speaker 1>that shit wrong. So that's why I came out swinging,

0:19:36.920 --> 0:19:38.640
<v Speaker 1>like I mean yeah, and you did a good job

0:19:38.640 --> 0:19:41.360
<v Speaker 1>with that. Thank you? Do you can you share some

0:19:41.400 --> 0:19:44.440
<v Speaker 1>of the insight because I feel like Gun is somebody

0:19:44.520 --> 0:19:48.879
<v Speaker 1>who is influenced, so influencing a lot of culture in

0:19:48.960 --> 0:19:51.159
<v Speaker 1>hip hop, whether or not people want to't acknowledge it.

0:19:52.160 --> 0:19:56.560
<v Speaker 1>He's very smart. He's a master curator. Of course he's

0:19:56.640 --> 0:19:59.239
<v Speaker 1>an incredible rapper as well, but just in terms of

0:19:59.280 --> 0:20:02.480
<v Speaker 1>just like his mark being prow as, his business prowers.

0:20:02.480 --> 0:20:04.840
<v Speaker 1>Like what are some of the things that you were

0:20:04.880 --> 0:20:07.880
<v Speaker 1>able to pick up from him since recent like since

0:20:08.400 --> 0:20:14.639
<v Speaker 1>again coming to Griselda officially, just watching watching the moves

0:20:14.680 --> 0:20:17.199
<v Speaker 1>that he makes, Watching how he knows how to like

0:20:17.800 --> 0:20:21.239
<v Speaker 1>cultivate you know, artwork and you know bridge it with

0:20:21.320 --> 0:20:25.399
<v Speaker 1>the music. Knowing like his influence like over the Griselda

0:20:25.560 --> 0:20:29.639
<v Speaker 1>fans and how like they're very big on just the suspense,

0:20:30.080 --> 0:20:34.080
<v Speaker 1>the the merch, you know, like those are all things

0:20:34.080 --> 0:20:36.920
<v Speaker 1>that like a lot of new age people aren't really doing,

0:20:37.000 --> 0:20:39.679
<v Speaker 1>and me, as a woman and as an entrepreneur, like

0:20:40.080 --> 0:20:43.080
<v Speaker 1>that's always motivation because I want to take what he

0:20:43.200 --> 0:20:45.560
<v Speaker 1>doing and take it even further, you know what I'm saying,

0:20:45.640 --> 0:20:48.040
<v Speaker 1>and even do it my way. Because I'm a woman,

0:20:48.160 --> 0:20:50.199
<v Speaker 1>I won't see no woman moving like that, So I

0:20:50.280 --> 0:20:52.040
<v Speaker 1>want to be like the female. Yeah, there really is

0:20:52.080 --> 0:20:55.679
<v Speaker 1>no woman that's like taking advantage. I mean, obviously if

0:20:55.760 --> 0:20:58.080
<v Speaker 1>Nicky drops the sweater, people by it like she's got

0:20:58.119 --> 0:21:02.160
<v Speaker 1>fans that are, you know, interact. But like I feel

0:21:02.160 --> 0:21:06.960
<v Speaker 1>like there I haven't seen like a female MC really

0:21:07.000 --> 0:21:12.280
<v Speaker 1>like dive into the merch shit like some male people have,

0:21:12.359 --> 0:21:14.720
<v Speaker 1>like Tech nine or Griselda or whatever. So it's wide

0:21:14.720 --> 0:21:17.440
<v Speaker 1>open for you for sure. Hey guys, we gotta stop

0:21:17.480 --> 0:21:19.080
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0:21:41.600 --> 0:21:44.400
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0:21:44.520 --> 0:21:47.800
<v Speaker 1>get to work with that hard fucking cock of yours.

0:21:48.320 --> 0:21:50.680
<v Speaker 1>Your dick is gonna be harder than trigonometry was in

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<v Speaker 1>high school. Ladies and gentlemen. It's gonna be fucking like

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<v Speaker 1>you know, uh Ryu and street Fighter. He'd be like,

0:21:58.400 --> 0:22:00.520
<v Speaker 1>oh do youk? And he does. The motherfucker this is

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<v Speaker 1>gonna be your dick. It's gonna be like Ryu's fucking uppercut,

0:22:03.160 --> 0:22:04.840
<v Speaker 1>you know what I'm saying. God bless whoever's on the

0:22:04.840 --> 0:22:08.080
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<v Speaker 1>have to worry about going and sitting in a waiting

0:22:23.480 --> 0:22:25.720
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<v Speaker 1>use a little pep in my step, And then it's awkward.

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<v Speaker 1>You gotta look at this old fuck talking about your dick.

0:22:30.440 --> 0:22:32.240
<v Speaker 1>He might ask you to pull it out. Who fucking

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<v Speaker 1>your wife will thank you, your girlfriend will thank you,

0:22:57.760 --> 0:23:01.360
<v Speaker 1>your boyfriend will thank you, whatever the fuck you're fucking oh,

0:23:01.400 --> 0:23:03.720
<v Speaker 1>thank you as long as it's legal. All right, let's

0:23:03.720 --> 0:23:05.479
<v Speaker 1>get back to the interview. Go to butt you dot com.

0:23:05.520 --> 0:23:09.600
<v Speaker 1>Promo coo bootleg. That's it. Yeah, how much like obviously

0:23:10.600 --> 0:23:14.359
<v Speaker 1>each album is a painting. I want to I'm not

0:23:14.359 --> 0:23:16.440
<v Speaker 1>gonna fuck. His name is Isaac Palaho, right, mm hmm.

0:23:18.280 --> 0:23:21.680
<v Speaker 1>Was that because we know that that's something that Gun

0:23:21.720 --> 0:23:24.359
<v Speaker 1>loves his art? I mean I've been to the store,

0:23:24.480 --> 0:23:27.520
<v Speaker 1>I've seen videos of his cribt Phoenix. Guy's got paintings

0:23:27.520 --> 0:23:30.720
<v Speaker 1>fucking everywhere. Was that like a collaborative idea or did

0:23:30.720 --> 0:23:32.680
<v Speaker 1>you just kind of let gun handle curate in the art.

0:23:33.359 --> 0:23:36.840
<v Speaker 1>I let Gun curate the art. Obviously it was kind

0:23:36.840 --> 0:23:39.679
<v Speaker 1>of like easier moving onto the list too, because it

0:23:39.760 --> 0:23:41.720
<v Speaker 1>was kind of like we're going to continue with the

0:23:41.760 --> 0:23:45.679
<v Speaker 1>same makes sense, But you know, the art thing is

0:23:45.680 --> 0:23:50.280
<v Speaker 1>still something that I'm like learning about, like what makes

0:23:50.359 --> 0:23:53.520
<v Speaker 1>things like what makes people want to buy that? Because

0:23:53.520 --> 0:23:56.600
<v Speaker 1>everybody can do art, but it's like, are you going

0:23:56.680 --> 0:23:59.359
<v Speaker 1>to get people to actually want it? Is it going

0:23:59.440 --> 0:24:02.160
<v Speaker 1>to be like ope is going to be understood by people?

0:24:02.400 --> 0:24:05.160
<v Speaker 1>Came along way from Bath and Body Work, Yes, for sure,

0:24:05.359 --> 0:24:08.600
<v Speaker 1>in the in the tub. And I didn't want to

0:24:08.640 --> 0:24:12.320
<v Speaker 1>be on my first album, you know, because I feel

0:24:12.400 --> 0:24:14.080
<v Speaker 1>like people was gonna look at it and be like,

0:24:14.200 --> 0:24:16.359
<v Speaker 1>m this ain't gonna sound like what I think is

0:24:16.400 --> 0:24:19.880
<v Speaker 1>gonna sound like or what it does does sound like? Right? Uh?

0:24:19.960 --> 0:24:21.879
<v Speaker 1>For you? Who would you consider some of your biggest

0:24:21.880 --> 0:24:31.840
<v Speaker 1>influences just as an MC, jay Z, nas Wayne, fab Nikki,

0:24:32.160 --> 0:24:40.119
<v Speaker 1>Foxy Remy, Missy Elliott. Yes, I love her. That's a

0:24:40.119 --> 0:24:44.840
<v Speaker 1>fab to not enough people say fab yeah, No for real,

0:24:45.040 --> 0:24:54.520
<v Speaker 1>like out of world styles, p Jada Kiss Like I

0:24:54.600 --> 0:24:57.359
<v Speaker 1>just I love people that's barred up, you know. I

0:24:57.480 --> 0:25:00.560
<v Speaker 1>like people like a jay Z or even Dre that

0:25:00.640 --> 0:25:04.199
<v Speaker 1>can like transcend sounds, but it still sounds like them,

0:25:04.280 --> 0:25:06.720
<v Speaker 1>that's true. It's a hard thing to do. Yeah, yeah, Drake.

0:25:06.800 --> 0:25:08.879
<v Speaker 1>I think Drake's the best of that. Mm hmmm. So

0:25:08.880 --> 0:25:11.280
<v Speaker 1>I'm like, Drake could do a bad bunny song and

0:25:11.320 --> 0:25:13.200
<v Speaker 1>it's like, oh, this just sounds like something Drake would

0:25:13.240 --> 0:25:15.439
<v Speaker 1>have did because he was like because it's natural to him,

0:25:15.480 --> 0:25:17.800
<v Speaker 1>Like why not. You know, there's not a lot of

0:25:17.800 --> 0:25:21.080
<v Speaker 1>guys who could really pull off as much shit as

0:25:21.200 --> 0:25:25.280
<v Speaker 1>Drake and it not be like like you would not

0:25:25.440 --> 0:25:27.560
<v Speaker 1>like like if jay Z jumped on a bad bunny song,

0:25:27.600 --> 0:25:29.400
<v Speaker 1>we probably all would look at him and be what's

0:25:29.400 --> 0:25:32.879
<v Speaker 1>happening here? What's going on here? Why is Jaz speaking Spanish? Right?

0:25:33.119 --> 0:25:36.239
<v Speaker 1>But does it? And it's like it's Drake. Yeah, I

0:25:36.280 --> 0:25:39.960
<v Speaker 1>just assumed Drake knows every language. Like if he hopped

0:25:39.960 --> 0:25:43.280
<v Speaker 1>on like somebody from like Hungary's fucking song like Tomorrow,

0:25:43.359 --> 0:25:45.359
<v Speaker 1>I'll be like, yeah, I'd be like, yeah, Drake knows Hungary,

0:25:45.359 --> 0:25:48.320
<v Speaker 1>and of course he does. He's Drake, He's worldly. Yes.

0:25:48.440 --> 0:25:51.200
<v Speaker 1>And I gotta say the guys too, like Benny and

0:25:51.280 --> 0:25:54.399
<v Speaker 1>Conway obviously, like I've been studying them since I was,

0:25:55.040 --> 0:25:57.800
<v Speaker 1>you know, young, Like even now, I listen to they

0:25:57.880 --> 0:26:01.679
<v Speaker 1>music before I start writing sometimes, I like, it does

0:26:01.800 --> 0:26:03.520
<v Speaker 1>help when you have two of the best rappers alive

0:26:03.560 --> 0:26:07.080
<v Speaker 1>in your crew. And like, in my opinion, I always

0:26:07.119 --> 0:26:13.520
<v Speaker 1>say Conway is like Conway is. I just think Conway

0:26:13.640 --> 0:26:16.800
<v Speaker 1>is just his like ability to convey pain on songs

0:26:17.440 --> 0:26:19.680
<v Speaker 1>is like second to none, and I think that's such

0:26:19.720 --> 0:26:23.199
<v Speaker 1>a special attribute and like it makes people like I've

0:26:23.240 --> 0:26:25.280
<v Speaker 1>seen motherfuckers crying in the crowd when he's performing the

0:26:25.359 --> 0:26:27.400
<v Speaker 1>cow and shit, you know what I'm saying. So that's

0:26:27.440 --> 0:26:29.119
<v Speaker 1>good to like pick up on and just be around.

0:26:29.240 --> 0:26:33.440
<v Speaker 1>So all right, So you have a song with Kodak Black,

0:26:33.440 --> 0:26:36.600
<v Speaker 1>which means that there's a lot of eyes on what

0:26:36.680 --> 0:26:39.440
<v Speaker 1>you're doing right now, and you got the video yes,

0:26:40.000 --> 0:26:43.240
<v Speaker 1>which is a great feat for an independent artist like yourself.

0:26:45.200 --> 0:26:49.640
<v Speaker 1>Are you feeling any pressure for like maybe the next

0:26:49.720 --> 0:26:52.920
<v Speaker 1>go round to do a little bit like more commercial shit,

0:26:53.320 --> 0:26:54.720
<v Speaker 1>even though I feel like you did do a little

0:26:54.720 --> 0:26:56.280
<v Speaker 1>bit more of that on this project, but like in

0:26:56.359 --> 0:26:59.360
<v Speaker 1>terms of like, you know, do you see yourself doing

0:26:59.640 --> 0:27:03.359
<v Speaker 1>something like that? Yeah, Like it just really depends on

0:27:03.480 --> 0:27:06.120
<v Speaker 1>how I'm feeling, you know. Again, Like I was doing

0:27:06.200 --> 0:27:09.960
<v Speaker 1>the commercial shit more so before I got signed anyway,

0:27:10.119 --> 0:27:11.879
<v Speaker 1>So it was always a part of the plan. Like

0:27:11.960 --> 0:27:14.879
<v Speaker 1>the thing was with west Side. He was always like,

0:27:14.960 --> 0:27:17.840
<v Speaker 1>you know, you like the star player because if I

0:27:18.000 --> 0:27:21.960
<v Speaker 1>go and do a song with you know, Taylor Swift,

0:27:22.240 --> 0:27:24.680
<v Speaker 1>they gonna look at me like I'm crazy. But you know,

0:27:24.920 --> 0:27:27.199
<v Speaker 1>you do it and it's going to make sense because

0:27:27.359 --> 0:27:29.600
<v Speaker 1>you know how to do both, you know what I'm saying,

0:27:29.680 --> 0:27:32.359
<v Speaker 1>So you're kind of able to like even bridge the

0:27:32.440 --> 0:27:36.800
<v Speaker 1>gap between Griselda fans and mainstream by doing the things

0:27:36.840 --> 0:27:40.000
<v Speaker 1>that you're doing and being a female artist that can

0:27:40.119 --> 0:27:43.360
<v Speaker 1>actually rap that looks good, that you know, can sing,

0:27:43.920 --> 0:27:47.280
<v Speaker 1>that you know, writes all her own music. So it

0:27:47.359 --> 0:27:49.400
<v Speaker 1>was pretty much just like easy. So I do plan

0:27:49.520 --> 0:27:52.440
<v Speaker 1>on like getting into the more mainstream stuff. But it's

0:27:52.480 --> 0:27:54.679
<v Speaker 1>also like I think being in the strip club as

0:27:54.720 --> 0:27:56.520
<v Speaker 1>long as you have like you also like whether you

0:27:56.560 --> 0:27:58.600
<v Speaker 1>want to, like you actually kind of like low key

0:27:58.680 --> 0:28:01.000
<v Speaker 1>becoming a and R in there, you know what I yeah, yeah,

0:28:01.240 --> 0:28:03.240
<v Speaker 1>and like you kind of start to understand music and

0:28:03.400 --> 0:28:06.880
<v Speaker 1>like how like what makes people react to certain ship

0:28:07.000 --> 0:28:11.480
<v Speaker 1>in the club or what music is you know who Look, look,

0:28:11.600 --> 0:28:13.960
<v Speaker 1>I always talk about this with people. I think Future

0:28:14.040 --> 0:28:17.360
<v Speaker 1>is the greatest club artists of all time. I think

0:28:17.359 --> 0:28:21.399
<v Speaker 1>it's Future number one and then everybody. I mean, you

0:28:21.480 --> 0:28:23.200
<v Speaker 1>can figure out who the rest is. But I think

0:28:23.840 --> 0:28:28.520
<v Speaker 1>Future is the greatest club artist ever. It depends on

0:28:28.600 --> 0:28:31.480
<v Speaker 1>the type of clubs I go to, at least it depends.

0:28:31.520 --> 0:28:33.480
<v Speaker 1>It's like you gotta, I don't know, so many things

0:28:33.600 --> 0:28:37.000
<v Speaker 1>go into that. It's like the era because you know,

0:28:37.480 --> 0:28:39.880
<v Speaker 1>Rick Ross and Jeezy had to gain in the choke

0:28:39.920 --> 0:28:41.720
<v Speaker 1>hold for as far as the strip clubs that I

0:28:41.840 --> 0:28:44.400
<v Speaker 1>used to work at, because it was all dope boys

0:28:44.440 --> 0:28:47.760
<v Speaker 1>that's all they wanted to hear or boosy. Yeah, yeah

0:28:47.800 --> 0:28:50.160
<v Speaker 1>you were, you were in North Carolina. Yeah, but like

0:28:50.600 --> 0:28:55.640
<v Speaker 1>actual like mainstream stuff. You're absolutely like Future for sure.

0:28:56.840 --> 0:28:59.240
<v Speaker 1>Drake for sure, because you got Drake gonna get the

0:28:59.320 --> 0:29:05.120
<v Speaker 1>ladies like Future Drake. Little Baby, I don't think he's

0:29:05.200 --> 0:29:07.240
<v Speaker 1>quite there yet. Club boys, real, he's up there, he's

0:29:07.320 --> 0:29:10.360
<v Speaker 1>up there, but he's he's up there. But little John,

0:29:11.000 --> 0:29:13.960
<v Speaker 1>little John for sure. That's why I said eras because

0:29:14.240 --> 0:29:17.360
<v Speaker 1>Little John had everything in the cold. The greatest club

0:29:17.440 --> 0:29:21.000
<v Speaker 1>song ever, though an old one. It's old back that

0:29:21.080 --> 0:29:24.640
<v Speaker 1>ass up by Juveniles. The number one song in club history. Yeah,

0:29:24.720 --> 0:29:26.800
<v Speaker 1>for sure. No matter what club you're in, it could

0:29:26.800 --> 0:29:28.480
<v Speaker 1>be the most ratchet place in the world. It could

0:29:28.480 --> 0:29:30.920
<v Speaker 1>be fucking the most high end club in the visa.

0:29:31.120 --> 0:29:33.200
<v Speaker 1>If they play back that ass up, it's okay, oh

0:29:33.280 --> 0:29:36.400
<v Speaker 1>for sure, because it's just you're gonna immediately run to

0:29:36.480 --> 0:29:39.760
<v Speaker 1>the dance floor. Just you gotta like turn around, get

0:29:39.800 --> 0:29:42.400
<v Speaker 1>that one last little song in before you leave, Like

0:29:42.680 --> 0:29:44.760
<v Speaker 1>that's the one that's the one that's gonna turn him around.

0:29:45.320 --> 0:29:49.840
<v Speaker 1>Anything Like you obviously you have your boutique, your online boutique,

0:29:49.880 --> 0:29:53.080
<v Speaker 1>anything else you're working on besides the online clothes, Just

0:29:53.200 --> 0:29:56.200
<v Speaker 1>expanding the brand, like leveling up like everything that I'm

0:29:56.240 --> 0:29:59.680
<v Speaker 1>doing as far as like my music, my shows, my

0:30:00.160 --> 0:30:04.120
<v Speaker 1>you know, my brand, my boutique. Just trying to just

0:30:04.280 --> 0:30:08.480
<v Speaker 1>capitalize on the platform that I already have, so taking deals,

0:30:08.520 --> 0:30:12.480
<v Speaker 1>whether it'll be a movie, you know, merch you know,

0:30:13.000 --> 0:30:14.959
<v Speaker 1>collapse and stuff like that. Like I want to get

0:30:15.000 --> 0:30:17.360
<v Speaker 1>into more beauty stuff. Like I'm just taking my brain

0:30:17.440 --> 0:30:19.400
<v Speaker 1>and expanding it to the next level. Hey, we gotta

0:30:19.440 --> 0:30:21.120
<v Speaker 1>stop the interview real quick to tell you about our

0:30:21.160 --> 0:30:24.200
<v Speaker 1>partners at odd Socks are presenting sponsor here at the

0:30:24.200 --> 0:30:28.400
<v Speaker 1>Bootleg Hit podcast. Listen, Christmas times approaching faster than you think.

0:30:28.600 --> 0:30:30.240
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0:30:30.280 --> 0:30:33.400
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0:30:33.520 --> 0:30:36.560
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0:31:20.360 --> 0:31:23.440
<v Speaker 1>socks and the podcast At the same fucking time. Let's

0:31:23.440 --> 0:31:27.160
<v Speaker 1>get back to the interview. Any of the OG female

0:31:27.240 --> 0:31:30.120
<v Speaker 1>rappers reach out and tap in with you yet, so

0:31:30.680 --> 0:31:35.360
<v Speaker 1>like a few years ago, Foxy had reached out, she

0:31:35.640 --> 0:31:38.680
<v Speaker 1>I feel like, I don't that sounds very rare. You've

0:31:38.760 --> 0:31:41.600
<v Speaker 1>never heard her do that. Yeah, it was a guy

0:31:41.680 --> 0:31:46.080
<v Speaker 1>that I knew from New York, and he knew somebody

0:31:46.120 --> 0:31:47.720
<v Speaker 1>that she knew, and I think she had seen like

0:31:47.760 --> 0:31:49.480
<v Speaker 1>a picture of me or something like that long story

0:31:49.480 --> 0:31:52.280
<v Speaker 1>short that got us on the phone, and she just

0:31:52.480 --> 0:31:54.920
<v Speaker 1>showed so much love. She was just super like, yo,

0:31:55.160 --> 0:31:57.280
<v Speaker 1>you fire like even your look or remind me of

0:31:57.440 --> 0:31:59.800
<v Speaker 1>like something I would do, Like she was just real.

0:32:00.480 --> 0:32:03.000
<v Speaker 1>Do you feel like I feel like there's like this

0:32:03.160 --> 0:32:06.960
<v Speaker 1>weird civil war between like Cardi B and Nicki Minaj

0:32:07.160 --> 0:32:10.000
<v Speaker 1>and whoever they're friends with all at the same time.

0:32:10.640 --> 0:32:14.040
<v Speaker 1>It's very it's very frustrating. It's just someone who likes

0:32:14.080 --> 0:32:17.080
<v Speaker 1>both of them or it's just like guys, yeah, I

0:32:17.240 --> 0:32:19.160
<v Speaker 1>get it, but it's just like, man, it just feels

0:32:19.160 --> 0:32:21.480
<v Speaker 1>like it just feels like it's like the most like

0:32:22.040 --> 0:32:25.400
<v Speaker 1>weirdly catty situation on Twitter every other week where I'm

0:32:25.440 --> 0:32:28.800
<v Speaker 1>just like, why is who's Cardy beefing with? Now? Who's

0:32:28.840 --> 0:32:31.640
<v Speaker 1>Nicki beefing with? Now? Why can't everyone just get along?

0:32:31.720 --> 0:32:34.640
<v Speaker 1>And I know that it like, I mean, it's a

0:32:34.680 --> 0:32:37.280
<v Speaker 1>female it's it's not a female rapper thing men men beef,

0:32:37.320 --> 0:32:39.840
<v Speaker 1>But I'm saying I'm speaking at it from like somebody

0:32:39.880 --> 0:32:42.680
<v Speaker 1>who loves female mcs when you see something like that,

0:32:42.960 --> 0:32:45.560
<v Speaker 1>like not necessarily specific to either of them, because I

0:32:45.560 --> 0:32:46.960
<v Speaker 1>ain't trying to get you caught up with no barbs

0:32:47.000 --> 0:32:51.560
<v Speaker 1>in it, but in terms of, like, you know, just

0:32:51.680 --> 0:32:55.240
<v Speaker 1>kind of the beef between a lot of female rappers,

0:32:55.320 --> 0:32:58.200
<v Speaker 1>Are you like trying to avoid that at all costs,

0:32:58.360 --> 0:33:02.080
<v Speaker 1>or you know, just trying to avoid any kind of negativity.

0:33:02.320 --> 0:33:03.920
<v Speaker 1>I feel like, you know, it's the blessing to be

0:33:03.960 --> 0:33:06.480
<v Speaker 1>able to get paid for doing what I'm doing, and

0:33:06.720 --> 0:33:09.240
<v Speaker 1>like you just gotta pay attention to the things that matter,

0:33:09.480 --> 0:33:13.520
<v Speaker 1>like that beef shit, who don't like you? Who's fucking who? Who? Like? That?

0:33:13.560 --> 0:33:15.920
<v Speaker 1>Shit don't matter to me. I ain't never been in

0:33:16.000 --> 0:33:18.040
<v Speaker 1>no drama like that in my personal life, so I'm

0:33:18.040 --> 0:33:22.440
<v Speaker 1>definitely not gonna do it at work. Yeah, Yo, I

0:33:22.560 --> 0:33:26.200
<v Speaker 1>saw when the shooting happened in Buffalo. I saw you

0:33:26.320 --> 0:33:28.880
<v Speaker 1>had said that when you were growing up, you worked

0:33:28.920 --> 0:33:32.080
<v Speaker 1>at not that same location, but you worked at a

0:33:32.160 --> 0:33:36.240
<v Speaker 1>different one of those. Yeah. That was obviously an extremely

0:33:37.240 --> 0:33:41.960
<v Speaker 1>That was a pretty crazy day. Were you when that happened? No,

0:33:42.240 --> 0:33:44.920
<v Speaker 1>but my mom, well, first my grandmother had called me.

0:33:44.960 --> 0:33:46.480
<v Speaker 1>I was getting on a plane. I actually was on

0:33:46.600 --> 0:33:48.080
<v Speaker 1>my way to a show because this was during like

0:33:48.120 --> 0:33:53.040
<v Speaker 1>the Griselda tour. And my grandmother called me and was like, hey,

0:33:53.120 --> 0:33:54.920
<v Speaker 1>can you turn a new because she don't she like

0:33:55.200 --> 0:33:57.720
<v Speaker 1>stupor she don't do no internet, she don't do nothing.

0:33:58.400 --> 0:34:01.200
<v Speaker 1>She was like, Yo, I heard that it was a

0:34:01.280 --> 0:34:04.360
<v Speaker 1>shooting or something at a grocery store. Can you look

0:34:04.400 --> 0:34:06.200
<v Speaker 1>it up? So then I looked it up and I

0:34:06.320 --> 0:34:08.800
<v Speaker 1>seen that it was at Tops and this Tops is

0:34:08.840 --> 0:34:11.799
<v Speaker 1>around the corner from where like my mom lives at Wow.

0:34:12.000 --> 0:34:13.840
<v Speaker 1>So like and then I called my mom and just

0:34:13.960 --> 0:34:15.640
<v Speaker 1>check on her because she goes there all the time.

0:34:16.320 --> 0:34:19.080
<v Speaker 1>And my mom was like hysterical and crying and she

0:34:19.239 --> 0:34:21.160
<v Speaker 1>was like I was on my way there, and this,

0:34:21.280 --> 0:34:23.799
<v Speaker 1>that and the third. It was just it was a lot. Yeah,

0:34:23.880 --> 0:34:25.800
<v Speaker 1>Now that shit was terrible. Your mom was on the

0:34:25.840 --> 0:34:30.200
<v Speaker 1>way there, Jesus. Yeah. And it's not like again, you

0:34:30.560 --> 0:34:32.719
<v Speaker 1>can get anywhere in Buffalo ten to fifteen minutes. So

0:34:32.840 --> 0:34:35.160
<v Speaker 1>just imagine, like you live around a corner, you right

0:34:35.280 --> 0:34:37.280
<v Speaker 1>there and then you see in all these cop cars

0:34:37.360 --> 0:34:39.840
<v Speaker 1>and it was crazy. It was bodies out there. It

0:34:39.960 --> 0:34:42.480
<v Speaker 1>was just wild. Yeah, Buffalo is a place that, like

0:34:42.520 --> 0:34:44.279
<v Speaker 1>I said, I went there for a couple of days

0:34:44.320 --> 0:34:46.680
<v Speaker 1>and I really liked it. Like I really thought Buffalo

0:34:46.880 --> 0:34:48.920
<v Speaker 1>was like a vibe and I didn't know what to

0:34:49.000 --> 0:34:52.839
<v Speaker 1>expect going there, but it was very Uh it wasn't

0:34:52.840 --> 0:34:54.680
<v Speaker 1>as cool as I thought it was going to be,

0:34:54.760 --> 0:34:58.120
<v Speaker 1>as we discussed. The food was solid, but it just

0:34:58.200 --> 0:35:01.120
<v Speaker 1>felt like its own. Pl into Detroit before and I've

0:35:01.160 --> 0:35:03.719
<v Speaker 1>heard people compare Detroit and Buffalo, but I just felt

0:35:03.800 --> 0:35:06.920
<v Speaker 1>like its own thing. Like what part of Buffalo are

0:35:06.920 --> 0:35:08.880
<v Speaker 1>you from? I'm from the east side of Buffalo, Like

0:35:09.000 --> 0:35:11.400
<v Speaker 1>I grew up in a fruit belt and you know,

0:35:11.640 --> 0:35:16.120
<v Speaker 1>I stayed like like in the east side, like they

0:35:16.200 --> 0:35:19.800
<v Speaker 1>call it a booktown, cold Springs, I stayed in the area. Nice.

0:35:20.760 --> 0:35:24.560
<v Speaker 1>What's first of all next for you music wise? You're

0:35:24.560 --> 0:35:26.719
<v Speaker 1>working this album. I'm sure there's more music videos coming.

0:35:27.000 --> 0:35:30.160
<v Speaker 1>Are you already recording new shit? Oh yeah, it's already

0:35:30.160 --> 0:35:33.000
<v Speaker 1>in a clip. I'm dropping Top of the year already.

0:35:33.800 --> 0:35:36.400
<v Speaker 1>I ain't gonna let y'all wait two years for no nothing,

0:35:36.480 --> 0:35:38.879
<v Speaker 1>no more. Yeah. Yeah, yeah. It was a long way. Yeah,

0:35:38.960 --> 0:35:43.240
<v Speaker 1>why the way? Well, it was a lot that happened, obviously,

0:35:43.360 --> 0:35:45.600
<v Speaker 1>Like it was mid pandemic, so it was a lot

0:35:45.680 --> 0:35:47.560
<v Speaker 1>of things that needed to be worked out with that.

0:35:47.760 --> 0:35:50.000
<v Speaker 1>But I just think now, like I'm just more hands

0:35:50.080 --> 0:35:51.600
<v Speaker 1>on with my shit. I'm more in charge of of

0:35:51.640 --> 0:35:54.040
<v Speaker 1>my shit, Like even when it came down from everything

0:35:54.200 --> 0:35:58.520
<v Speaker 1>from like my rollout, you know, I had my team

0:35:58.600 --> 0:36:00.680
<v Speaker 1>or whatever, so shout out to them, but you know,

0:36:01.160 --> 0:36:03.960
<v Speaker 1>my mixes, to the content that I was dropping, to

0:36:04.239 --> 0:36:07.239
<v Speaker 1>my feature like to everything. Like, you know, I'm really

0:36:07.360 --> 0:36:10.320
<v Speaker 1>more so hands on with mine, and I think that

0:36:10.520 --> 0:36:12.640
<v Speaker 1>that's important for a lot of women to do. Just

0:36:12.760 --> 0:36:14.319
<v Speaker 1>be in charge of your own shit for the first

0:36:14.320 --> 0:36:16.800
<v Speaker 1>album where you're not like as hands on. Well, the

0:36:16.840 --> 0:36:20.560
<v Speaker 1>first album was kind of the fuck fucking galaxies always

0:36:20.600 --> 0:36:23.000
<v Speaker 1>fucking see that's why you need an iPhone. I kind

0:36:23.000 --> 0:36:27.640
<v Speaker 1>of both Oh okay, so heavy, nah, but the first

0:36:27.719 --> 0:36:30.040
<v Speaker 1>one was really like cutting dry was super easy. I

0:36:30.120 --> 0:36:33.360
<v Speaker 1>didn't obviously have as much of a rollout as I

0:36:33.440 --> 0:36:36.560
<v Speaker 1>did with this one. But I recorded that Lives in

0:36:36.640 --> 0:36:39.600
<v Speaker 1>about seven days, not even seven days, three days. I

0:36:39.719 --> 0:36:41.520
<v Speaker 1>told Wes I was gonna give him seven days because

0:36:41.520 --> 0:36:43.400
<v Speaker 1>I was scared to come outside after I got COVID,

0:36:43.920 --> 0:36:49.160
<v Speaker 1>And then well, you recorded the first album in three days? Yeah, wow, yep,

0:36:49.200 --> 0:36:51.560
<v Speaker 1>we drove to what we call the five. It's in Atlanta,

0:36:52.000 --> 0:36:54.200
<v Speaker 1>and it's like an abasement in one of West houses

0:36:54.520 --> 0:36:59.320
<v Speaker 1>and it's like super grimy, like don't watch TV, Travis.

0:36:59.600 --> 0:37:02.520
<v Speaker 1>He did like most of the graffiti artwork in there,

0:37:03.080 --> 0:37:05.400
<v Speaker 1>got all the artwork up there. They got like a

0:37:05.920 --> 0:37:09.480
<v Speaker 1>green light that's like super muddy and it's just a vibe.

0:37:09.840 --> 0:37:12.400
<v Speaker 1>So I gave myself seven days to do it. I

0:37:12.520 --> 0:37:15.040
<v Speaker 1>left in three because I had my boutique that had

0:37:15.160 --> 0:37:16.640
<v Speaker 1>just started and I needed to get back to that.

0:37:19.000 --> 0:37:21.120
<v Speaker 1>And you know, long story short, you know, when it

0:37:21.200 --> 0:37:23.479
<v Speaker 1>was time to like package up everything, you know, West

0:37:23.560 --> 0:37:25.759
<v Speaker 1>kind of like handled everything with that. Even with some

0:37:25.880 --> 0:37:27.360
<v Speaker 1>of the beats I was doing. I didn't even know

0:37:27.560 --> 0:37:29.560
<v Speaker 1>my first single was a promo beat until after I

0:37:29.640 --> 0:37:31.800
<v Speaker 1>had recorded it, because it didn't have no scratches on it,

0:37:31.920 --> 0:37:33.720
<v Speaker 1>or you didn't know you were wrapping on a premiere

0:37:33.719 --> 0:37:35.920
<v Speaker 1>beat when you're no. He was because it didn't have

0:37:36.000 --> 0:37:39.719
<v Speaker 1>no scratch. You know, he's got the hooks, Yeah, he was,

0:37:39.840 --> 0:37:42.120
<v Speaker 1>just like after I recorded it, we listened back to it,

0:37:43.120 --> 0:37:44.520
<v Speaker 1>he was like, Oka, I'm gonna send this to Primo

0:37:44.560 --> 0:37:45.800
<v Speaker 1>so you can put the scratches on it. And I

0:37:45.880 --> 0:37:49.239
<v Speaker 1>turned around, I'm like, yeah, which Premo? Were we talking

0:37:49.239 --> 0:37:52.360
<v Speaker 1>about Yeah. I'm like, nah, let me do it over again.

0:37:52.480 --> 0:37:55.360
<v Speaker 1>He was like, nah, it sounds amazing. Like that was

0:37:55.800 --> 0:37:59.040
<v Speaker 1>one project where it was like I didn't do a

0:37:59.080 --> 0:38:00.960
<v Speaker 1>lot of singing on it anything like that. It was

0:38:01.040 --> 0:38:05.719
<v Speaker 1>just pretty much like bars and you know, as far

0:38:05.760 --> 0:38:07.879
<v Speaker 1>as like the concept and everything like that, like Wes

0:38:08.040 --> 0:38:10.399
<v Speaker 1>did it and it's this time around. It was like, okay, well,

0:38:10.640 --> 0:38:13.360
<v Speaker 1>I wanted to be more like female empowerment. I wanted

0:38:13.400 --> 0:38:16.799
<v Speaker 1>to be more like me, like telling my story for real.

0:38:16.840 --> 0:38:18.880
<v Speaker 1>I wanted to open up on different songs. That's why

0:38:18.920 --> 0:38:22.000
<v Speaker 1>you got songs like Lpuro with me and Conway going

0:38:22.040 --> 0:38:24.799
<v Speaker 1>back and forth on some like almost like a relationship

0:38:24.880 --> 0:38:27.640
<v Speaker 1>type of song. You know, I'm singing a lot more

0:38:27.760 --> 0:38:29.680
<v Speaker 1>on it. I mean, I got a song called First

0:38:29.719 --> 0:38:32.000
<v Speaker 1>Wives Club on it. It's literally saying like nigga, I'm

0:38:32.040 --> 0:38:35.120
<v Speaker 1>not your bitch. So but the guys love it. Wait

0:38:35.120 --> 0:38:37.600
<v Speaker 1>wait wait wait First wives Club? What is the theme

0:38:37.680 --> 0:38:41.440
<v Speaker 1>of the song. So it's like a women's empowerment song.

0:38:41.480 --> 0:38:43.880
<v Speaker 1>I called it First wives Club because I'm saying like

0:38:43.960 --> 0:38:47.600
<v Speaker 1>you don't own me. And I heard that song originally

0:38:47.800 --> 0:38:51.200
<v Speaker 1>on the First Wives Club movie and got yeah, and

0:38:51.280 --> 0:38:55.320
<v Speaker 1>I got into haun. Yeah, what was the other? I

0:38:55.360 --> 0:39:01.759
<v Speaker 1>don't remember. That's one of one of Yes, she's so bad.

0:39:02.000 --> 0:39:05.600
<v Speaker 1>But you ever been married or close to getting married? Yes,

0:39:06.360 --> 0:39:11.279
<v Speaker 1>so you've been married. You've been married in your day.

0:39:11.360 --> 0:39:14.640
<v Speaker 1>I've been close to being married. Not actually married though.

0:39:15.280 --> 0:39:19.000
<v Speaker 1>So you got you were engaged? Yeah, something like that.

0:39:19.239 --> 0:39:24.440
<v Speaker 1>I mean, did you have a ring? We was close again, man,

0:39:24.440 --> 0:39:27.279
<v Speaker 1>it was a very very close relationship. Did you have

0:39:27.440 --> 0:39:31.920
<v Speaker 1>a ring? Yes, I'm always gonna have a ring. Well, well,

0:39:32.000 --> 0:39:34.680
<v Speaker 1>so you were engaged. Yeah, So what happened? He cheated?

0:39:35.560 --> 0:39:39.040
<v Speaker 1>It just didn't work out, damn. Yeah, we just went

0:39:39.080 --> 0:39:43.719
<v Speaker 1>into two separate paths. Yeah. But God bless him. He's

0:39:43.800 --> 0:39:46.959
<v Speaker 1>doing really well. So well, that's good. That's positive. Usually

0:39:47.080 --> 0:39:49.080
<v Speaker 1>when that kind of thing happened, you're like, yo, fuck him.

0:39:49.320 --> 0:39:51.000
<v Speaker 1>He ain't shipped, by the way, track hates about that.

0:39:52.800 --> 0:39:54.479
<v Speaker 1>I mean, I get to get that out in my music.

0:39:54.560 --> 0:39:56.040
<v Speaker 1>But that's why I don't never feel no way like

0:39:56.080 --> 0:39:58.400
<v Speaker 1>I get over shit very quick. I don't stay mad

0:39:58.440 --> 0:40:00.960
<v Speaker 1>a long. That's straight to have. Yeah, because you can't.

0:40:01.080 --> 0:40:03.600
<v Speaker 1>You have a short memory. I got a I don't

0:40:03.600 --> 0:40:06.360
<v Speaker 1>got a shore memory with stuff that matters. But a

0:40:06.440 --> 0:40:09.959
<v Speaker 1>lot of shit is just like I'll be over because

0:40:09.960 --> 0:40:11.840
<v Speaker 1>I'll be having so much other shit going on in

0:40:11.920 --> 0:40:15.120
<v Speaker 1>my life, like that actually matters and requires my attention

0:40:15.239 --> 0:40:16.880
<v Speaker 1>and for me to show up and be happy and

0:40:16.920 --> 0:40:20.239
<v Speaker 1>shit that I can't afford to waste my time being

0:40:20.920 --> 0:40:23.279
<v Speaker 1>mad or bitter or anything like that Like that ain't

0:40:23.280 --> 0:40:25.799
<v Speaker 1>gonna get me no money, and it's only gonna make

0:40:26.280 --> 0:40:28.359
<v Speaker 1>even more bad shit come your way. What up, y'all,

0:40:28.360 --> 0:40:29.960
<v Speaker 1>We gotta stop the interview real quick. Tell you about

0:40:29.960 --> 0:40:32.080
<v Speaker 1>our good friends at my Bookie. That's right, man, My

0:40:32.239 --> 0:40:34.200
<v Speaker 1>bookie is where you want to get this money and

0:40:34.800 --> 0:40:39.120
<v Speaker 1>enjoy being a degenerate like myself. And it's the best

0:40:39.160 --> 0:40:41.480
<v Speaker 1>time of the year to be a degenerate because NFL

0:40:41.600 --> 0:40:43.960
<v Speaker 1>season is obviously we are in the midst of a

0:40:44.040 --> 0:40:48.040
<v Speaker 1>crazy NFL season, NBA season just started. World Series is

0:40:48.120 --> 0:40:50.799
<v Speaker 1>going down, and you can get your bets in right now.

0:40:51.200 --> 0:40:53.480
<v Speaker 1>Go to my Bookie and sign up for a new

0:40:53.520 --> 0:40:58.040
<v Speaker 1>account using the promo code bootleg that's b oot l

0:40:58.080 --> 0:41:00.600
<v Speaker 1>e G. You sign up right now. They will match

0:41:00.640 --> 0:41:04.759
<v Speaker 1>your first deposit. That's right. Put in a thousand. Oh

0:41:04.800 --> 0:41:08.040
<v Speaker 1>go give you another thousand to gamble with. That's free money.

0:41:08.280 --> 0:41:10.600
<v Speaker 1>Free money to gamble with. Let's get in on this

0:41:10.800 --> 0:41:14.680
<v Speaker 1>action man NFL season. I'm loving this part of the

0:41:14.760 --> 0:41:18.960
<v Speaker 1>year so much good just everything to bet on football, basketball,

0:41:19.280 --> 0:41:23.879
<v Speaker 1>fucking UFC, NFL, baseball, whatever. Now is the best time

0:41:24.120 --> 0:41:25.920
<v Speaker 1>to get your gamble on. So go sign up for

0:41:25.960 --> 0:41:28.640
<v Speaker 1>a new account at my bookie, use that promo coude

0:41:28.680 --> 0:41:31.680
<v Speaker 1>Bootleg and double your deposit. Let's get back to the interview.

0:41:31.920 --> 0:41:34.239
<v Speaker 1>You feel like now that you're you have like a

0:41:34.320 --> 0:41:37.800
<v Speaker 1>high profile as an artist, is it take a special

0:41:37.840 --> 0:41:40.720
<v Speaker 1>type of dude to like get down with Harmaney Caesar

0:41:40.800 --> 0:41:42.920
<v Speaker 1>because he has to kind of understand that you're a

0:41:43.000 --> 0:41:46.719
<v Speaker 1>boss bitch, that you got this thriving rap career, that

0:41:46.840 --> 0:41:49.440
<v Speaker 1>you're a public figure. Like there's so many things that like,

0:41:50.040 --> 0:41:53.759
<v Speaker 1>like I think when I think of like, uh, you know,

0:41:54.840 --> 0:41:58.480
<v Speaker 1>powerful women intimidate men. It just is what it is. Yeah,

0:41:59.120 --> 0:42:04.279
<v Speaker 1>I think, Yeah, it's difficult for a man to day

0:42:04.320 --> 0:42:08.920
<v Speaker 1>a woman because I think, at least in my case,

0:42:09.680 --> 0:42:12.160
<v Speaker 1>it's already like guy's gonna judge you off of how

0:42:12.200 --> 0:42:14.759
<v Speaker 1>you look anyway and expect you to be a certain way,

0:42:14.920 --> 0:42:18.040
<v Speaker 1>not realizing like you know, I actually am an avid reader.

0:42:18.280 --> 0:42:21.160
<v Speaker 1>I like deep conversations. I like you know what I'm saying,

0:42:21.160 --> 0:42:23.439
<v Speaker 1>they may look at me and judge me based off

0:42:23.480 --> 0:42:26.360
<v Speaker 1>of you know, Instagram or whatever the case may be.

0:42:26.560 --> 0:42:28.279
<v Speaker 1>Like a lot of guys don't really get to know

0:42:28.480 --> 0:42:31.440
<v Speaker 1>me for me. Yeah, so they think like, oh man,

0:42:31.480 --> 0:42:33.640
<v Speaker 1>I gotta have like my bag up, I gotta get

0:42:33.680 --> 0:42:35.960
<v Speaker 1>her to say, I gotta get her that. And it's like, well,

0:42:36.080 --> 0:42:38.839
<v Speaker 1>or we could just have a nice conversation that, yeah,

0:42:38.880 --> 0:42:41.160
<v Speaker 1>can we can? We can we carry an hour conversation

0:42:41.200 --> 0:42:43.000
<v Speaker 1>where I'm not bored and want to kill myself? Yeah,

0:42:43.160 --> 0:42:45.320
<v Speaker 1>I mean that's why. But I write songs about that

0:42:45.360 --> 0:42:47.239
<v Speaker 1>all the time, Like that's where the Liz Love's Luger

0:42:47.560 --> 0:42:49.759
<v Speaker 1>song came from. Like I just wanted to loyalty. I

0:42:49.840 --> 0:42:53.040
<v Speaker 1>want all of that stuff too, because obviously, like if

0:42:53.040 --> 0:42:55.480
<v Speaker 1>I'm gonna do it for myself, I want whoever is

0:42:55.520 --> 0:42:57.560
<v Speaker 1>around me to be able to love on me like

0:42:57.640 --> 0:42:59.880
<v Speaker 1>how I love on me. But I think, you know,

0:43:00.480 --> 0:43:04.200
<v Speaker 1>it's better stuff, like bigger stuff that matters. I think nowadays,

0:43:04.840 --> 0:43:09.200
<v Speaker 1>you know, relationships are so transactional, like and social media

0:43:09.280 --> 0:43:11.600
<v Speaker 1>only perpetuates that they don't know, So now you don't

0:43:11.640 --> 0:43:14.279
<v Speaker 1>really know how to deal with people on just a

0:43:14.360 --> 0:43:18.080
<v Speaker 1>regular human basis without it being a transit. Yeah. Yeah,

0:43:18.080 --> 0:43:20.600
<v Speaker 1>what's the uh, what's the ulterior motive? What can I

0:43:20.680 --> 0:43:23.520
<v Speaker 1>get out of this? Yeah? A lot of men are paying,

0:43:23.760 --> 0:43:26.120
<v Speaker 1>you know, to get with the girls of their dreams,

0:43:26.120 --> 0:43:27.919
<v Speaker 1>and a lot of women are getting paid for their pain.

0:43:28.560 --> 0:43:30.800
<v Speaker 1>What is you say? You're avid reader? What do you

0:43:30.880 --> 0:43:33.960
<v Speaker 1>like to read? What kind of books you reading? Books

0:43:33.960 --> 0:43:37.040
<v Speaker 1>that's just gonna make me boss up? Like the Game

0:43:37.080 --> 0:43:38.839
<v Speaker 1>of Life and how to Play It. That's a real

0:43:38.920 --> 0:43:43.919
<v Speaker 1>good one. The Alchemist Gucci Man Guid's Greatness was good.

0:43:44.040 --> 0:43:46.160
<v Speaker 1>I just read that. I just read A Perfect Day

0:43:46.200 --> 0:43:50.720
<v Speaker 1>to Boss Up by Rick Ross. Self help books. Self

0:43:50.760 --> 0:43:55.120
<v Speaker 1>help books, Yeah, for sure, I mean hood book. There's

0:43:55.120 --> 0:43:57.359
<v Speaker 1>a book called The Subtle Art to Not Giving a Fuck?

0:43:57.440 --> 0:43:58.800
<v Speaker 1>Have you heard of that book? I heard of it,

0:43:58.840 --> 0:44:01.239
<v Speaker 1>but I didn't read it. It's a pretty okay. I

0:44:01.320 --> 0:44:03.359
<v Speaker 1>think I already know how to not give a fuck.

0:44:03.640 --> 0:44:06.279
<v Speaker 1>I mean that's fair. Like I haven't been giving a

0:44:06.320 --> 0:44:09.000
<v Speaker 1>fuck since I was like twelve. Oh shit, So, like

0:44:09.719 --> 0:44:11.719
<v Speaker 1>you know, it was still a good book though. That's fine.

0:44:11.719 --> 0:44:13.759
<v Speaker 1>I'm gonna lookt I'm gonna read it. Yeah, what about

0:44:13.840 --> 0:44:16.000
<v Speaker 1>do you what do you binge watching when you're watching TV,

0:44:16.280 --> 0:44:18.080
<v Speaker 1>any shows you just fucking love that you just can't

0:44:18.080 --> 0:44:20.600
<v Speaker 1>get enough of. I'm a fucking geek kind of like

0:44:20.719 --> 0:44:22.640
<v Speaker 1>low key when it comes to shit like that, Like

0:44:22.719 --> 0:44:26.600
<v Speaker 1>what are you watching where you geek out over? I

0:44:26.719 --> 0:44:33.200
<v Speaker 1>watch like cinema, sins prims, hood media. It's like this

0:44:33.640 --> 0:44:40.959
<v Speaker 1>they do like reviews on like hood movies. I haven't

0:44:40.960 --> 0:44:43.480
<v Speaker 1>heard of this, Yeah, Like it's I like shit like that.

0:44:43.600 --> 0:44:46.480
<v Speaker 1>I like a lot of things that like are documentaries

0:44:46.840 --> 0:44:49.960
<v Speaker 1>or like things I'm gonna learn from things I didn't know,

0:44:50.120 --> 0:44:52.600
<v Speaker 1>especially like if it's my favorite movie, things that I

0:44:52.680 --> 0:44:56.120
<v Speaker 1>didn't even notice, or like any kind of like weird

0:44:56.560 --> 0:44:59.080
<v Speaker 1>quirky facts that you may never know. Like, I like

0:44:59.160 --> 0:45:02.120
<v Speaker 1>shit like that. What's your favorite movie? I got so

0:45:02.239 --> 0:45:05.400
<v Speaker 1>many favorite movies, give me three of them. I like

0:45:07.480 --> 0:45:12.799
<v Speaker 1>Friday After Next. That's a great one. Harlem Nights, great one,

0:45:13.880 --> 0:45:20.919
<v Speaker 1>and Ming Girls, Hey heat it is it's fire. Hey

0:45:21.520 --> 0:45:25.239
<v Speaker 1>Friday after Next though, that's that's uh. I mean, I'm

0:45:25.560 --> 0:45:29.200
<v Speaker 1>og Friday. I like all the Fridays, all three, all

0:45:29.239 --> 0:45:32.279
<v Speaker 1>the Fridays for sure. I think it's Friday, Friday after next,

0:45:32.360 --> 0:45:35.080
<v Speaker 1>the next Friday. See. I like Friday after Next because

0:45:35.880 --> 0:45:38.319
<v Speaker 1>it can be a Christmas movie. It is a Christmas movie,

0:45:38.400 --> 0:45:41.719
<v Speaker 1>and you know, just a regular you know, Williams coming

0:45:41.760 --> 0:45:46.480
<v Speaker 1>out parties. Oh my gosh, fire Money Mike. Yeah, shout

0:45:46.480 --> 0:45:48.160
<v Speaker 1>out to Money Mike. Well look, I appreciate you pulling

0:45:48.239 --> 0:45:50.640
<v Speaker 1>up the list. Two is out, Yes, go get that,

0:45:51.200 --> 0:45:53.640
<v Speaker 1>go run it up. More videos on the way, yes,

0:45:53.760 --> 0:45:58.160
<v Speaker 1>more video you got some some surprises also, uh new

0:45:58.280 --> 0:46:00.520
<v Speaker 1>music top of the year. Yes, for sure. You're not

0:46:00.520 --> 0:46:02.280
<v Speaker 1>gonna make everybody. I mean, listen if you record albums

0:46:02.280 --> 0:46:04.960
<v Speaker 1>in three days. I mean, but this is one I'm

0:46:05.000 --> 0:46:07.480
<v Speaker 1>taking my time with. I think I'm you know, I'm

0:46:07.520 --> 0:46:09.759
<v Speaker 1>more so intentional about it, like cause I'm I'm I

0:46:10.040 --> 0:46:12.960
<v Speaker 1>already showing people I know how to rap right now.

0:46:13.000 --> 0:46:17.279
<v Speaker 1>It's about making songs and good songs versus you know,

0:46:17.520 --> 0:46:20.080
<v Speaker 1>just giving people bars. I'm gonna get you bars in between. Anyway.

0:46:20.239 --> 0:46:23.319
<v Speaker 1>You're a superstar. Thank you. You gotta Yeah, so you've

0:46:23.360 --> 0:46:25.560
<v Speaker 1>proven the rapping part, thank you. Now you just gotta

0:46:25.560 --> 0:46:27.520
<v Speaker 1>put them hits out, okay, cause I'm trying to get

0:46:27.560 --> 0:46:30.200
<v Speaker 1>on some of these movie soundtracks. I need a movie contract.

0:46:30.239 --> 0:46:32.400
<v Speaker 1>I'm trying to get in you know, all of it,

0:46:32.600 --> 0:46:34.880
<v Speaker 1>all of that stuff there it is Harmoni sees appreciate

0:46:34.880 --> 0:46:37.200
<v Speaker 1>you coming through boom fire,