1 00:00:00,120 --> 00:00:02,600 Speaker 1: This is the Press Show. Let's get you hotel a 2 00:00:02,680 --> 00:00:05,600 Speaker 1: trip for two to see Jennifer Lopez her brand new 3 00:00:05,680 --> 00:00:09,400 Speaker 1: Las Vegas residency. Jennifer Lopez Up All Night Live in 4 00:00:09,520 --> 00:00:12,920 Speaker 1: Las Vegas March thirteenth, twenty twenty six, at the Coliseum 5 00:00:13,039 --> 00:00:17,000 Speaker 1: at Caesar's Palace. Text Lopez to three seven three three 6 00:00:17,160 --> 00:00:19,760 Speaker 1: seven right now for a chance to win two tickets 7 00:00:19,880 --> 00:00:22,799 Speaker 1: to the March thirteenth show at twout Hotels Day March 8 00:00:22,840 --> 00:00:26,000 Speaker 1: twelve through the fourteenth at the Flamingo Hotel Casino, Las 9 00:00:26,079 --> 00:00:29,080 Speaker 1: Vegas and Ron Trevert Fear. A confirmation text will be 10 00:00:29,120 --> 00:00:32,160 Speaker 1: sent Dennard Message and data rates may apply. All thanks 11 00:00:32,200 --> 00:00:34,560 Speaker 1: to Live Nation. Tickets are on sale now at ticketmaster 12 00:00:34,640 --> 00:00:38,280 Speaker 1: dot com for all shows running December thirtieth through January third, 13 00:00:38,400 --> 00:00:41,560 Speaker 1: and March sixth through the twenty eighth. Cawen's Entertainment Report 14 00:00:41,840 --> 00:00:42,920 Speaker 1: is on the Press Show. 15 00:00:43,440 --> 00:00:47,440 Speaker 2: Patrick Blackwood and Nina Unrated are counting their blessings after 16 00:00:47,840 --> 00:00:50,800 Speaker 2: that near death experience when a car crashed through a 17 00:00:50,800 --> 00:00:53,800 Speaker 2: restaurant window while they were doing a food review for TikTok. 18 00:00:54,160 --> 00:00:56,600 Speaker 2: You haven't seen it. They've been going viral all week 19 00:00:56,640 --> 00:00:58,920 Speaker 2: because of this. Of course, that means there's video of 20 00:00:58,960 --> 00:01:01,000 Speaker 2: it because they were in the middle of filming. Nina 21 00:01:01,040 --> 00:01:03,080 Speaker 2: walked away with a big gash on a wrist, while 22 00:01:03,080 --> 00:01:05,760 Speaker 2: Patrick with a chest injury and a big cut on 23 00:01:05,840 --> 00:01:07,960 Speaker 2: his sigh. They're both honestly lucky to be alive. 24 00:01:08,000 --> 00:01:09,000 Speaker 1: If you saw it, you know that. 25 00:01:09,600 --> 00:01:12,399 Speaker 2: And they're literally, if you have not seen it, sitting 26 00:01:12,440 --> 00:01:15,000 Speaker 2: next to each other in a booth by a window 27 00:01:15,120 --> 00:01:17,480 Speaker 2: at and I hope I'm saying you're right Cooov's Culinary 28 00:01:17,560 --> 00:01:21,800 Speaker 2: Creations in Houston when this car hits the window, shattering 29 00:01:21,840 --> 00:01:23,480 Speaker 2: glass all over them and their table, and they kind 30 00:01:23,480 --> 00:01:26,000 Speaker 2: of like jump out of the way. Nina claims that 31 00:01:26,040 --> 00:01:28,960 Speaker 2: she says she heard cops say that the woman driving 32 00:01:29,040 --> 00:01:32,679 Speaker 2: suffered from dehydration, and the cops did confirm that the 33 00:01:32,720 --> 00:01:36,319 Speaker 2: driver wasn't intoxicated when she hit the restaurant. And they've 34 00:01:36,400 --> 00:01:38,959 Speaker 2: actually already been back to that restaurant to try the 35 00:01:38,959 --> 00:01:41,920 Speaker 2: food they said, which is wild. I mean, I'm sure 36 00:01:41,920 --> 00:01:42,919 Speaker 2: they had a different table. 37 00:01:43,319 --> 00:01:45,440 Speaker 3: I would never step foot in that place again. 38 00:01:45,520 --> 00:01:49,560 Speaker 2: That video is insane, insane. A French streamer speaking of 39 00:01:49,560 --> 00:01:54,360 Speaker 2: the Internet named Joan or Jean poor mavone, I do hope. 40 00:01:54,200 --> 00:01:54,760 Speaker 1: I'm saying it right. 41 00:01:54,800 --> 00:01:58,360 Speaker 2: It's a French name known for extreme content. Died earlier 42 00:01:58,400 --> 00:02:01,240 Speaker 2: this week and wrapper Drake and streamer Aiden Ross have 43 00:02:01,360 --> 00:02:04,200 Speaker 2: offered to foot the bill for his funeral. Drake has 44 00:02:04,240 --> 00:02:06,480 Speaker 2: streamed with Aidan before. I feel like Drake is kind 45 00:02:06,480 --> 00:02:08,360 Speaker 2: of a big streamer now, which is wild And I 46 00:02:08,400 --> 00:02:10,360 Speaker 2: guess Aiden asked if you wanted to help go in 47 00:02:10,400 --> 00:02:12,680 Speaker 2: on it. And this internet personality was in the middle 48 00:02:12,720 --> 00:02:16,399 Speaker 2: of a ten days streaming marathon that seemed like kind 49 00:02:16,400 --> 00:02:18,800 Speaker 2: of like torture to his followers. But cops say they 50 00:02:18,800 --> 00:02:22,440 Speaker 2: didn't suspect anything suspicious after his death, but they're looking 51 00:02:22,480 --> 00:02:25,240 Speaker 2: into it. And Fred, this is the study I teased 52 00:02:25,240 --> 00:02:28,160 Speaker 2: and you are absolutely right. I saw this on the 53 00:02:28,240 --> 00:02:31,840 Speaker 2: rap Instagram. It's just at rip. Studies suggests that the 54 00:02:31,919 --> 00:02:34,480 Speaker 2: music we listen to between the ages of thirteen and 55 00:02:34,720 --> 00:02:38,720 Speaker 2: seventeen can leave a profound and lasting mark. Adolescence is 56 00:02:38,760 --> 00:02:41,760 Speaker 2: a time of heightened emotions and rapid change, making the 57 00:02:41,840 --> 00:02:45,560 Speaker 2: music a really powerful tool for expression and emotional regulation. 58 00:02:46,120 --> 00:02:49,400 Speaker 2: Song from these years often become linked to these meaningful memories, 59 00:02:49,400 --> 00:02:53,799 Speaker 2: giving them lasting emotional significance. Shared tastes can even deepen 60 00:02:53,880 --> 00:02:56,880 Speaker 2: social connections. And play a role in shaping identity. Because 61 00:02:56,880 --> 00:02:59,880 Speaker 2: of this, those preferences formed in our teen years off 62 00:03:00,080 --> 00:03:03,400 Speaker 2: and stick with us. So maybe the music wasn't better 63 00:03:03,440 --> 00:03:05,280 Speaker 2: at that time like we all feel like it was. 64 00:03:05,440 --> 00:03:07,480 Speaker 2: Maybe it was just we were more affected by it. 65 00:03:08,120 --> 00:03:09,920 Speaker 1: But I can yeah, I think everyone thinks that the 66 00:03:10,000 --> 00:03:13,640 Speaker 1: music was better, right. Everyone thinks their generation or whatever 67 00:03:13,680 --> 00:03:15,800 Speaker 1: connects with them the most is the best music, of course, 68 00:03:15,800 --> 00:03:18,399 Speaker 1: But I I and maybe in some ways that's true. 69 00:03:18,440 --> 00:03:20,040 Speaker 1: But I also think it's because we have the most 70 00:03:20,080 --> 00:03:23,440 Speaker 1: memories attached to it. Yes, because it was I probably 71 00:03:23,520 --> 00:03:27,000 Speaker 1: argue we, you know, the more transformational times in our lives. 72 00:03:27,080 --> 00:03:29,600 Speaker 1: Oh yeah, we can connect with memories as opposed to 73 00:03:29,680 --> 00:03:32,120 Speaker 1: times it might be a little more you know, mundane 74 00:03:32,200 --> 00:03:32,880 Speaker 1: or routine. 75 00:03:32,960 --> 00:03:35,480 Speaker 2: There were so many emotions at that time. Oh yeah, 76 00:03:35,480 --> 00:03:36,280 Speaker 2: lots of emotions. 77 00:03:36,280 --> 00:03:39,960 Speaker 1: No bills, a lot of time, yeah SnO backs. Yeah. 78 00:03:40,080 --> 00:03:41,880 Speaker 2: Can you found out someone's parents were gonna be out 79 00:03:41,880 --> 00:03:42,160 Speaker 2: of town? 80 00:03:42,240 --> 00:03:43,600 Speaker 1: I remember when I was little kid, I used to, 81 00:03:43,720 --> 00:03:45,640 Speaker 1: like really little. I used to and now I you know, 82 00:03:46,520 --> 00:03:48,160 Speaker 1: there's not as much stuff set in the mail, but 83 00:03:48,200 --> 00:03:50,280 Speaker 1: I used to want mail. You know. We'd walk down 84 00:03:50,280 --> 00:03:53,000 Speaker 1: to the mailbox in our neighborhood, and I'm like, I 85 00:03:53,000 --> 00:03:55,000 Speaker 1: didn't have any mail like that that ever came for me, 86 00:03:55,040 --> 00:03:57,920 Speaker 1: So my mom would pretend the junk mail was for me. Now, 87 00:03:57,960 --> 00:04:00,520 Speaker 1: every time I get mailed, it's I owe some something. 88 00:04:00,520 --> 00:04:02,920 Speaker 1: I don't want it. No, I don't want mail. I 89 00:04:03,000 --> 00:04:05,040 Speaker 1: don't want it. But stop sending it to me. 90 00:04:05,240 --> 00:04:07,280 Speaker 2: I can't open it. It just piles up, and then 91 00:04:07,320 --> 00:04:08,840 Speaker 2: I like run from the pile. I don't know. 92 00:04:08,840 --> 00:04:11,040 Speaker 3: It's really really bod to always somebody trying to get 93 00:04:11,080 --> 00:04:13,200 Speaker 3: some out of me. I don't have nothing to get right, 94 00:04:13,920 --> 00:04:16,560 Speaker 3: Stop it. I am ignoring you on purpose. You don't 95 00:04:16,600 --> 00:04:19,480 Speaker 3: have to send me a lesson letter to mail. Oh yeah, 96 00:04:19,680 --> 00:04:20,159 Speaker 3: I don't want. 97 00:04:20,240 --> 00:04:22,279 Speaker 2: I love to give. By the way, if you're a 98 00:04:22,320 --> 00:04:24,760 Speaker 2: new friend or you haven't found us on social, you 99 00:04:24,839 --> 00:04:26,920 Speaker 2: can go to Instagram. Fred Show Radio. We have fred 100 00:04:26,960 --> 00:04:29,800 Speaker 2: show Radio dot Com, the freend Show, TikTok. If you 101 00:04:30,000 --> 00:04:32,039 Speaker 2: like waiting by the phone, we have Fred Show Radio 102 00:04:32,240 --> 00:04:34,760 Speaker 2: on YouTube. Sometimes we are live during this show, and 103 00:04:34,760 --> 00:04:36,479 Speaker 2: then you could search the Fred Show on demand and 104 00:04:36,520 --> 00:04:38,400 Speaker 2: set us as a preset if you still have time 105 00:04:38,440 --> 00:04:39,040 Speaker 2: after all that