WEBVTT - The Prince of Egypt: Turgid & Hippo

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio.

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<v Speaker 2>Hello, I'm Leanna Holston and I'm Sienna Jacole, and welcome

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<v Speaker 2>to Toss Popcorn, the podcast where two idiots watched every

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<v Speaker 2>film on the AFI's one hundred Greatest American Movies of

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<v Speaker 2>All Time and are now watching films directed by women.

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<v Speaker 1>This podcast is a safe palace for people who don't

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<v Speaker 1>know anything about movies. Today we're watching The Prince of Egypt.

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<v Speaker 1>I shall teach you what to say.

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<v Speaker 3>Is it just called Prince of Egypt? Prince of Egypt?

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<v Speaker 1>Yeah, I guess warning there will be spoilers about this.

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<v Speaker 1>I'd say biblical, but what does it mean? What's from

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<v Speaker 1>the from the Talmud?

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<v Speaker 2>Oh? Well, you know, I don't know old film, how

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<v Speaker 2>medical old film? I guess content warning for locusts, like

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<v Speaker 2>torture of enslaves, Yeah, locusts and torture of enslaved people,

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<v Speaker 2>but like, I don't know, mainly locusts. No, definitely, I'm

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<v Speaker 2>so interested to talk about like the things that kids

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<v Speaker 2>are used to.

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<v Speaker 3>Seeing, what the fuck.

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<v Speaker 1>It's like right and wrong, and so much about what

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<v Speaker 1>you're learning. So they'll just show torture scenes. I saw

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<v Speaker 1>my torture scenes abuse.

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<v Speaker 3>Would you think of that way? But now that I'm

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<v Speaker 3>an adult watching it, I'm.

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<v Speaker 2>Like, oh my god, many atrocities. Yes, Sienna, had you

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<v Speaker 2>seen this before?

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<v Speaker 3>Well, let's do our predictions show.

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<v Speaker 2>Okay, Sienna, could I please hear your prediction for Prince

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<v Speaker 2>of Egypt?

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<v Speaker 1>Yuh huh, High Leanna, this is Sienna. I'm about to

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<v Speaker 1>watch the Prince of Egypt. I am sure I've seen

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<v Speaker 1>this a bunch of times because I went to Catholic school.

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<v Speaker 3>I haven't seen it in a while.

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<v Speaker 1>It seems like something we'd watch, like a rainy Day

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<v Speaker 1>recess or like.

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<v Speaker 2>Ray Day recess.

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<v Speaker 1>Ye, it's in the library end a lot for an

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<v Speaker 1>after school thing.

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<v Speaker 3>I oh my god.

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<v Speaker 1>Oh I predict that Moses floats down the river in

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<v Speaker 1>a basket and then he does all the Moses stuff and.

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<v Speaker 3>Then is it a musical?

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<v Speaker 2>Yeah?

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<v Speaker 1>It seems like everyone's seen this movie, and I don't

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<v Speaker 1>understand why, because did you all go to Catholic school?

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<v Speaker 3>What's up?

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<v Speaker 1>Let's see what it's all about.

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<v Speaker 3>I love you, goodbye. Yeah.

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<v Speaker 1>There was a dog that barked and it sounded like

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<v Speaker 1>it was in my house, but it's it was like

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<v Speaker 1>a neighbor's dog all jealous. Okay, Leanna, Well, I'd love

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<v Speaker 1>to hear your prediction.

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<v Speaker 2>Okay, hello, Sienna, na I grew up to watch The

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<v Speaker 2>Prince of Egypt. I don't think I've seen this before,

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<v Speaker 2>but I know Ray finds voice as a character in it.

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<v Speaker 2>Perfect casting. Way to nail that, Disney not Disney. And

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<v Speaker 2>there's a song about sending plagues because the Bible and

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<v Speaker 2>I predict there's going to be a lot of frogs.

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<v Speaker 1>Yeah, you gotter work. Okay, So how many times have

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<v Speaker 1>you seen this movie? What's the relationship with seeing it?

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<v Speaker 2>I think I've seen this once now total including now

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<v Speaker 2>so yesir and then TikTok fed me. Well today, TikTok

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<v Speaker 2>fed me a lot of the plague song over the

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<v Speaker 2>past couple of years and clips.

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<v Speaker 1>When you're in Catholic school or a religious space, this

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<v Speaker 1>is one of the perfect ones for them to slap on.

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<v Speaker 2>Yeah, just because God will punish you and they want

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<v Speaker 2>you to learn that.

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<v Speaker 1>I I, uh, well.

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<v Speaker 3>Yes, first of all. Yeah.

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<v Speaker 1>Oh, we'll have to talk about it more after we do. Okay.

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<v Speaker 1>Hey girl, Yeah, hey girl, Hey girl, how are you doing.

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<v Speaker 3>Girl?

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<v Speaker 2>It's been so humid here for like the whole week

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<v Speaker 2>and my body is shutting down. No, I like it.

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<v Speaker 2>It's it's altered me psychologically to the point that I'm like,

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<v Speaker 2>I shouldn't exist as a human person. I have no

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<v Speaker 2>worth as a person because I just feel so sweaty

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<v Speaker 2>and hot and appealing all the time. Yeah, and I'm like,

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<v Speaker 2>no one look at me. I will, I will not,

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<v Speaker 2>I should not be I'm so sorry.

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<v Speaker 1>You really have an aversion to dampness. Huh.

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<v Speaker 2>I'm not good with it. And as soon as it

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<v Speaker 2>gets hot, I'm not good at that either. I'm not

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<v Speaker 2>good at being a different temperature than the one that

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<v Speaker 2>I like. And it's like the windows are cracked but

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<v Speaker 2>there's no breeze, so it's just like still air. No, yeah, no,

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<v Speaker 2>it's it ain't right.

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<v Speaker 3>I'm on this podcast. We hate being too hot.

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<v Speaker 2>Yeah, and I ate too much trail mix. And now

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<v Speaker 2>my stomach hurts, which happens every time. I always know

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<v Speaker 2>it's gonna happen, but I do it anyway. I'm my

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<v Speaker 2>father's daughter. He has the same thing with mixed nuts.

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<v Speaker 1>It's hard to eat the right amount of a of

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<v Speaker 1>a snack like that.

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<v Speaker 2>Mm hmmm.

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<v Speaker 3>It's hard.

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<v Speaker 2>So now I have a tummy ache, and I'm I'm

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<v Speaker 2>at that point where I'm about to start sweating, and

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<v Speaker 2>that's where I permanently exist in this weather. I'm always

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<v Speaker 2>just about to be clammy, Like you can't feel it

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<v Speaker 2>or see it externally, but I.

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<v Speaker 3>Know, yeah, totally.

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<v Speaker 1>Also very uncomfortable, comfortable, really uncomfort.

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<v Speaker 3>I'm so sorry.

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<v Speaker 2>I hate maybe it will be the only woman on

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<v Speaker 2>the lineup, but it's not good tonight. And I'm like

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<v Speaker 2>a sweaty I'm what they think women are, which is

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<v Speaker 2>like ugly and stupid and bad.

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<v Speaker 1>WHOA None of that was relevant to what you've been

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<v Speaker 1>saying about being sweaty.

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<v Speaker 2>Yeah, I'm very ugly and stupid and bad. When I'm

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<v Speaker 2>sweaty and humid, I get really ugly, stupid and bad.

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<v Speaker 2>I become a usb. I'm so uncomfortable. I don't know

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<v Speaker 2>what to do. There's nothing to do. I just have to

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<v Speaker 2>sit here. Anyway, when it was raining fire in the film,

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<v Speaker 2>I understood, I was like, I know a bit about that.

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<v Speaker 1>I'm so sorry. This is such a funny movie to

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<v Speaker 1>watch when you're like not comfortable.

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<v Speaker 2>This movie is not and it's in plague. The Old

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<v Speaker 2>Testament is really a downer, well, Siena, Hey girl, hey.

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<v Speaker 1>Girl, I'm about to get my hair done after this,

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<v Speaker 1>which is again the opposite of what you're doing, which

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<v Speaker 1>is going to an all male mic.

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<v Speaker 3>Yay, my sister's.

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<v Speaker 1>Gonna come with me and we're gonna chat with our

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<v Speaker 1>hair lady. No, that sounds so nice, Okay. The one

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<v Speaker 1>thing that worries me is when I scheduled disappointment, my

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<v Speaker 1>hair looked very bad. Okay, so I was like, let's

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<v Speaker 1>redo everything. I want to get highlights, I want to

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<v Speaker 1>cut it.

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<v Speaker 3>I want to whatever.

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<v Speaker 2>Okay.

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<v Speaker 1>Yeah, and now it's actually been looking pretty good because

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<v Speaker 1>it finally go out to the right thing. And so

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<v Speaker 1>I'm like, I probably do need a maintenance haircut so

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<v Speaker 1>it stays so I can grow.

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<v Speaker 3>Out how I want.

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<v Speaker 1>But there's a lot of room for error here, because

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<v Speaker 1>if I don't explain what I want, yeah, then what

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<v Speaker 1>I've been.

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<v Speaker 3>Enjoying is gonna get worse.

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<v Speaker 1>And I'm afraid now I already told her, like I

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<v Speaker 1>had her book a lot of time so I could

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<v Speaker 1>get all these highlights.

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<v Speaker 3>I'm like, I don't really want to have like blonde

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<v Speaker 3>hair when I leave there.

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<v Speaker 1>That doesn't that's maybe I'll just wear an outfit that

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<v Speaker 1>I've been wearing a lot and then go like, can you.

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<v Speaker 2>Make this match the outfit?

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<v Speaker 3>Yeah, kind of like I wanted to.

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<v Speaker 1>I've been wearing a lot of the same color scheme

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<v Speaker 1>recently and I don't.

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<v Speaker 2>So you're like, this is what I'm doing. Yeah, please

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<v Speaker 2>get something that vibes with this. Yes, that's genius, thank you, because.

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<v Speaker 1>I'm afraid that it's going to be really I'm going

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<v Speaker 1>to get some really blonde streaks.

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<v Speaker 3>In a way that I won't like.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, I also don't have as much of Usually I

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<v Speaker 1>go for the highlights because my hair is sort of

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<v Speaker 1>a color you can't quite catch, sort of target. You're like,

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<v Speaker 1>I have red hair, make it more orange, make it

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<v Speaker 1>vibrant red, make it more vibrant. But I'm sort of like,

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<v Speaker 1>I don't really know. It's sort of that like German

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<v Speaker 1>nothing color and so uh so I'm just like, make

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<v Speaker 1>it look brighter or bigger.

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<v Speaker 3>Mm hmm, I don't know.

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<v Speaker 2>But apologies again to the country of Germany.

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<v Speaker 3>You know German brown hair that's sort of like.

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<v Speaker 2>It's unnameable.

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<v Speaker 1>A lot of you out there have it, and that's

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<v Speaker 1>o color.

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<v Speaker 2>You're forever chasing. Yeah, and like there's like maybe there's

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<v Speaker 2>a rain for that color. In German, probably they have

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<v Speaker 2>some sort of portmanteau.

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<v Speaker 3>I call it your light brown.

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<v Speaker 2>These days, I would not say, but you're so right.

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<v Speaker 2>I've never had to describe your hair color, and I

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<v Speaker 2>wouldn't know how to. I would say it's curly, but.

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<v Speaker 1>For thank you, that's how the color is.

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<v Speaker 2>Well, listener, if any of you know what Ciana's hair

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<v Speaker 2>color is, please ride in, please tell us. Would walnut?

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<v Speaker 2>Is walnut something? I think I just ate a lot

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<v Speaker 2>of walnut.

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<v Speaker 1>So maybe it's walnut or raisin. Well, Leanna, let's get

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<v Speaker 1>through this, shall we?

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<v Speaker 2>Okay, let's shall Sienna? Could you please give us a

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<v Speaker 2>synopsis of I guess the old testing.

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<v Speaker 3>Yeah, kind of. I didn't want to do that, so sure.

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<v Speaker 1>Oh, the Prince of Egypt, this is the Exodus story,

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<v Speaker 1>which we all know.

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<v Speaker 3>That's right, the second book of the second Book of.

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<v Speaker 1>The Bible, the Exodus story, or part of it anyway,

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<v Speaker 1>Egyptian Prince Moses iconically learns that he was adopted and

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<v Speaker 1>came from Jewish slaves, who, as we might recall, and

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<v Speaker 1>as he might recall, are the people treated like total

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<v Speaker 1>crap by his Egyptian posse. He realizes this is wrong

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<v Speaker 1>and embraces his roots and makes it his mission.

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<v Speaker 3>To set his people free.

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<v Speaker 2>Let my people.

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<v Speaker 1>It starts with him as a baby getting sent down

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<v Speaker 1>the river and ends with the very the second before

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<v Speaker 1>he delivers the Ten Commandments.

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<v Speaker 2>That was him. Yeah, I think, yeah, Oh my god, yeah, baby,

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<v Speaker 2>Oh my god. I would not want to listen to

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<v Speaker 2>that just after crossing the Red Sea. Oh my god,

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<v Speaker 2>are you kidding? I'd be like, shut up, don't tell

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<v Speaker 2>me what to do. I'm just I'm let me catch

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<v Speaker 2>my breath.

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<v Speaker 3>Emma, I was watching this with my brow.

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<v Speaker 2>Shalt not kill you just killed like most of the

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<v Speaker 2>Egyptian Guard.

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<v Speaker 3>We were watching this with Emma.

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<v Speaker 1>My brother's girlfriend too, is Jewish, and she said, it's

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<v Speaker 1>so Jewish quote to uh be so hungry and but

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<v Speaker 1>have to hear a bunch of rules before you're allowed

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<v Speaker 1>to eat.

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<v Speaker 2>Ah, Like, here's a bunch of new rules. Oh my god, hey, everyone,

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<v Speaker 2>new rules, new rules.

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<v Speaker 3>Alert It would be so annoying. Moses goes up, hold up.

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<v Speaker 2>Oh, thank god we had Thank god that we had

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<v Speaker 2>a Jewish perspective in the viewing of this because I

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<v Speaker 2>was really curious.

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<v Speaker 3>We were talking a lot about it.

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<v Speaker 1>It sounds like it's similar for her growing up in

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<v Speaker 1>like Hebrews school and okay, yeah, yeah, well this would

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<v Speaker 1>be great because we've got a Catholic.

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<v Speaker 2>A Jew, and just like kind of a non person

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<v Speaker 2>in me like I had, say, a Christian, but I didn't.

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<v Speaker 3>Sorry, I'm sorry, I'm so sorry. I forgot that doesn't No,

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<v Speaker 3>you're right.

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<v Speaker 2>Okay, So we had a Catholic, a Jew, and a

0:12:30.080 --> 0:12:33.920
<v Speaker 2>sweaty woman watching the film, and now let's hear the

0:12:34.000 --> 0:12:36.960
<v Speaker 2>opinions of the three religions.

0:12:40.440 --> 0:12:43.400
<v Speaker 1>Sorry, everybody, we need to take a moment for one

0:12:43.440 --> 0:12:46.319
<v Speaker 1>of the plagues of twenty twenty five ad breaks.

0:12:46.920 --> 0:12:47.959
<v Speaker 2>We'll right back.

0:12:48.840 --> 0:12:58.920
<v Speaker 1>Nice well, Leana, shall we talk about our phone notes?

0:12:59.400 --> 0:13:01.360
<v Speaker 2>Note, I'm so glad you're here. I'm so glad you're

0:13:01.400 --> 0:13:03.360
<v Speaker 2>here to shepherd through this.

0:13:04.000 --> 0:13:06.640
<v Speaker 3>Yeah. I gotta tell you, Oh my god, I did

0:13:06.640 --> 0:13:07.360
<v Speaker 3>not enjoy this.

0:13:08.320 --> 0:13:12.120
<v Speaker 2>I I can't say that I felt uplifted by the end.

0:13:12.240 --> 0:13:14.120
<v Speaker 1>It's so serious.

0:13:14.440 --> 0:13:17.840
<v Speaker 2>I'd let it. Okay, let's get into it, Sienna Rude.

0:13:17.880 --> 0:13:21.679
<v Speaker 2>Your first note is the animation actually looks so bad. Okay.

0:13:21.800 --> 0:13:24.520
<v Speaker 2>My thinking was, I thought the animation looked really good.

0:13:24.720 --> 0:13:25.199
<v Speaker 3>Oh really?

0:13:25.600 --> 0:13:26.160
<v Speaker 2>Is that wrong?

0:13:26.360 --> 0:13:28.760
<v Speaker 1>I think both things can be true, which is that

0:13:29.240 --> 0:13:32.080
<v Speaker 1>you're probably like for at the time, it's actually pretty

0:13:32.080 --> 0:13:34.280
<v Speaker 1>good just general.

0:13:34.400 --> 0:13:36.840
<v Speaker 2>No, no, I was like, this looks so much better

0:13:36.840 --> 0:13:40.840
<v Speaker 2>than today's animation because today's they really fortnited it, and

0:13:40.880 --> 0:13:41.680
<v Speaker 2>I don't like that.

0:13:42.000 --> 0:13:45.679
<v Speaker 1>I love two D animation. But to me, this I

0:13:46.200 --> 0:13:51.840
<v Speaker 1>was frustrated because here's what I do not respect. All right,

0:13:51.880 --> 0:13:52.520
<v Speaker 1>take number one.

0:13:53.120 --> 0:13:53.600
<v Speaker 2>Let's hear it.

0:13:53.720 --> 0:13:58.800
<v Speaker 1>So for example, uh, Emma, my brother's fiance, Yes, and

0:13:58.920 --> 0:14:02.800
<v Speaker 1>my friend she's an example. She's a graphic novelist, and

0:14:02.840 --> 0:14:05.920
<v Speaker 1>she's a person who has like a really clear style,

0:14:06.440 --> 0:14:08.800
<v Speaker 1>like she could draw anything in her style, and I

0:14:08.800 --> 0:14:12.079
<v Speaker 1>think that's amazing. I part of this is probably because

0:14:12.120 --> 0:14:14.080
<v Speaker 1>I like to draw, but I can't do that, Like

0:14:14.120 --> 0:14:19.000
<v Speaker 1>I couldn't create yea like a whole style packet for

0:14:19.320 --> 0:14:21.800
<v Speaker 1>a show or for a movie or something. But I

0:14:21.840 --> 0:14:24.080
<v Speaker 1>respect when they're able to give it a cohesive looking style.

0:14:25.040 --> 0:14:28.160
<v Speaker 1>This movie, it felt like somebody just drew a bunch

0:14:28.240 --> 0:14:31.880
<v Speaker 1>of different looking faces that don't go together at all

0:14:32.640 --> 0:14:35.280
<v Speaker 1>and then tried to pass it off. Is that they'd

0:14:35.280 --> 0:14:37.600
<v Speaker 1>done a good job and you can't fool me.

0:14:39.600 --> 0:14:41.320
<v Speaker 2>I was just like, oh, Egypt at the time was

0:14:41.360 --> 0:14:42.200
<v Speaker 2>super diverse.

0:14:42.920 --> 0:14:47.400
<v Speaker 1>It just looked so stylistically huh, wow, I did did you?

0:14:47.520 --> 0:14:51.680
<v Speaker 2>Oh question, did you watch the SD or the HD version?

0:14:51.960 --> 0:14:54.200
<v Speaker 3>No idea, probably h I watched.

0:14:54.720 --> 0:14:57.040
<v Speaker 2>I watched s d X. It was twenty cents cheaper.

0:14:57.840 --> 0:14:59.920
<v Speaker 2>I think I didn't. I think that probably smoothed things

0:15:00.240 --> 0:15:00.800
<v Speaker 2>really nice time.

0:15:00.960 --> 0:15:02.680
<v Speaker 1>I bet it did, because they had all these weird

0:15:02.760 --> 0:15:06.720
<v Speaker 1>three D stuff, you know, like when the the basket

0:15:06.760 --> 0:15:08.280
<v Speaker 1>is going through the water and stuff.

0:15:08.400 --> 0:15:11.480
<v Speaker 2>Yeah, yeah, mine was great. Mine was very as it

0:15:11.640 --> 0:15:14.000
<v Speaker 2>was meant to have. Really, I think that's good.

0:15:14.280 --> 0:15:14.760
<v Speaker 3>That's nice.

0:15:14.760 --> 0:15:19.400
<v Speaker 1>I definitely definitely appreciate the two D animation more. Yeah,

0:15:19.480 --> 0:15:21.280
<v Speaker 1>it just felt so much like this movie wanted to

0:15:21.320 --> 0:15:27.160
<v Speaker 1>be Hercules the whole time to me in terms of vibe,

0:15:27.240 --> 0:15:31.080
<v Speaker 1>except for that they cut out all the there was

0:15:31.440 --> 0:15:35.040
<v Speaker 1>nobody had like the charm that they had.

0:15:35.080 --> 0:15:38.880
<v Speaker 2>I can't believe that you said that, because I thought

0:15:39.000 --> 0:15:42.560
<v Speaker 2>that the High Priests were modeled off of Hades's uh

0:15:42.640 --> 0:15:43.880
<v Speaker 2>huh little gargoyles.

0:15:43.960 --> 0:15:47.640
<v Speaker 1>Yeah, they felt completely similar, Leonna. You said, Okay, it's

0:15:47.640 --> 0:15:51.960
<v Speaker 1>one hundred percent insane. They turned this story into an

0:15:52.000 --> 0:15:56.760
<v Speaker 1>animated children's film. I just am like, was somebody did

0:15:56.840 --> 0:16:00.560
<v Speaker 1>somebody ask for this? Because in today's day and age,

0:16:00.560 --> 0:16:03.360
<v Speaker 1>I would think it was completely funded by a Christian organization.

0:16:03.960 --> 0:16:10.160
<v Speaker 2>Mmm. Interesting, I just think they wouldn't this this, this

0:16:10.160 --> 0:16:13.640
<v Speaker 2>would never get made today because everybody would be like,

0:16:13.640 --> 0:16:16.080
<v Speaker 2>I'm not touching that. I'm not getting into all those

0:16:16.080 --> 0:16:20.640
<v Speaker 2>different for Christians too many people. Yeah, I guess maybe

0:16:20.680 --> 0:16:23.240
<v Speaker 2>a mega church would pay to get like a really

0:16:24.120 --> 0:16:29.000
<v Speaker 2>eerie version of an animated film made.

0:16:29.240 --> 0:16:30.160
<v Speaker 3>The number of genus?

0:16:30.360 --> 0:16:33.360
<v Speaker 2>Is this contest is pushing still a Christian agenda?

0:16:33.920 --> 0:16:39.600
<v Speaker 1>Yes, I explain because this is this is my perception,

0:16:40.360 --> 0:16:43.760
<v Speaker 1>because they love any of the good boys of the Bible.

0:16:43.840 --> 0:16:45.520
<v Speaker 2>The good Boys of the Bible, the g b o

0:16:45.600 --> 0:16:51.440
<v Speaker 2>b uh. But it's a story about the Jewish people, right,

0:16:51.520 --> 0:16:55.080
<v Speaker 2>But but the Christians are like Jesus. Yeah, yeah, Jesus was.

0:16:56.560 --> 0:17:00.480
<v Speaker 2>And it's also part of this, Like a suit rich

0:17:00.560 --> 0:17:03.840
<v Speaker 2>synagogue wouldn't pay to have this turned into a face.

0:17:03.920 --> 0:17:04.720
<v Speaker 1>It's a good question.

0:17:04.880 --> 0:17:05.280
<v Speaker 3>I don't know.

0:17:05.320 --> 0:17:08.280
<v Speaker 1>I'd have to, I'd have to ask our in house.

0:17:08.400 --> 0:17:10.760
<v Speaker 2>I feel like Christians, though, are the ones who have

0:17:10.800 --> 0:17:12.680
<v Speaker 2>to keep rebranding and being like, no, we're good.

0:17:12.760 --> 0:17:15.200
<v Speaker 1>I also want to convert people.

0:17:15.920 --> 0:17:16.720
<v Speaker 3>That's their whole thing.

0:17:17.400 --> 0:17:22.200
<v Speaker 1>Yeah, I'm not saying that there's not propaganda from every church.

0:17:22.000 --> 0:17:24.240
<v Speaker 3>Right there definitely is. There definitely is.

0:17:24.840 --> 0:17:26.600
<v Speaker 2>But from every religion.

0:17:26.359 --> 0:17:33.439
<v Speaker 1>Christians in the US. Yeah, and like religious content, like

0:17:33.480 --> 0:17:39.320
<v Speaker 1>they just they throw down, Oh Siena, you noted and

0:17:39.359 --> 0:17:44.840
<v Speaker 1>thank you. All these white voices, Okay, an all white

0:17:45.080 --> 0:17:50.600
<v Speaker 1>cast again for a tale set in ancient Egypt, a

0:17:50.680 --> 0:17:56.119
<v Speaker 1>country famously in Africa. It was like, it's not just

0:17:56.160 --> 0:17:59.760
<v Speaker 1>that the voices were white, and that's a whole big

0:18:00.080 --> 0:18:05.480
<v Speaker 1>the conversation about whiteness and the original Caucasian, the Jewish culture.

0:18:05.520 --> 0:18:08.520
<v Speaker 3>Okay, whatever, but again.

0:18:08.720 --> 0:18:12.679
<v Speaker 1>Ancient Egypt, these are brown people, safe to assume. But

0:18:12.800 --> 0:18:15.240
<v Speaker 1>on top of that, they didn't even choose They chose

0:18:15.320 --> 0:18:21.720
<v Speaker 1>the whitest possible voices. Val Kilmer, Val Kilmer, Sandra Bullock.

0:18:21.960 --> 0:18:24.439
<v Speaker 2>Girl, what were you doing in this? The songs in

0:18:24.480 --> 0:18:29.919
<v Speaker 2>this were all bad? Oh what was that about? Usually

0:18:29.960 --> 0:18:30.760
<v Speaker 2>the songs are good.

0:18:30.800 --> 0:18:35.800
<v Speaker 1>I feel so gas lit by the fact that anyone

0:18:35.880 --> 0:18:40.960
<v Speaker 1>talks about this film in any way, shape or form.

0:18:39.600 --> 0:18:41.560
<v Speaker 3>Like it is a legitimate musical.

0:18:42.200 --> 0:18:45.400
<v Speaker 2>Oh my god, there's only one good song, and it's

0:18:45.440 --> 0:18:47.440
<v Speaker 2>the moment that the frogs are hopping out of the river.

0:18:48.000 --> 0:18:48.800
<v Speaker 3>Which song was it?

0:18:49.480 --> 0:18:55.840
<v Speaker 2>I send up pestilence and I just like, unfortunately it

0:18:55.880 --> 0:18:58.639
<v Speaker 2>then gets wrecked by by two white boys singing at

0:18:58.680 --> 0:19:01.760
<v Speaker 2>each other over that sit that sick beat.

0:19:03.040 --> 0:19:05.600
<v Speaker 1>I thought more of the songs. There was so much

0:19:05.640 --> 0:19:07.359
<v Speaker 1>potential for sick beats.

0:19:07.400 --> 0:19:11.040
<v Speaker 2>Every song was bad for the opening lullaby was like, okay,

0:19:11.480 --> 0:19:16.760
<v Speaker 2>fun use of perhaps like Egyptian themes, Egyptian musical theme. Yeah, nope,

0:19:16.880 --> 0:19:18.440
<v Speaker 2>just ease white boys singing.

0:19:18.680 --> 0:19:21.240
<v Speaker 1>I'm like, is this before they figured out the pizzazz

0:19:21.440 --> 0:19:23.840
<v Speaker 1>that cartoons can have? But no, they're not doing it

0:19:23.920 --> 0:19:24.760
<v Speaker 1>for decades.

0:19:25.400 --> 0:19:29.359
<v Speaker 2>There's no was white voices, but not all white. Not

0:19:29.400 --> 0:19:30.920
<v Speaker 2>everybody was a white voice. Let me not a race

0:19:31.000 --> 0:19:33.960
<v Speaker 2>the people who are actually not white in Mulan, but

0:19:34.119 --> 0:19:37.240
<v Speaker 2>also great songs exactly.

0:19:37.440 --> 0:19:41.480
<v Speaker 1>I'm like, you've got they did Aladdin and Aladdin has gotten.

0:19:41.200 --> 0:19:44.120
<v Speaker 2>Away with I missed Aladdin watching this. I missed Aladdin

0:19:44.200 --> 0:19:45.080
<v Speaker 2>because the desert.

0:19:45.560 --> 0:19:51.520
<v Speaker 4>It's like it least it is objectively a careless portrayal

0:19:52.400 --> 0:19:58.399
<v Speaker 4>of that region. But oh sure, yeah, but it's so

0:19:58.760 --> 0:20:01.679
<v Speaker 4>fun that they've I still worked with it for a

0:20:01.720 --> 0:20:02.960
<v Speaker 4>long time, you.

0:20:03.000 --> 0:20:03.440
<v Speaker 2>Know what I mean?

0:20:03.560 --> 0:20:05.280
<v Speaker 1>Like, how do we make this because they made it

0:20:05.320 --> 0:20:08.920
<v Speaker 1>a fun time for people to watch all This movie

0:20:09.000 --> 0:20:11.280
<v Speaker 1>was not lit. No, this movie was not lit. It

0:20:11.320 --> 0:20:12.280
<v Speaker 1>was very serious.

0:20:12.760 --> 0:20:14.919
<v Speaker 3>The songs did not slay.

0:20:15.520 --> 0:20:17.119
<v Speaker 2>The song very dead.

0:20:17.880 --> 0:20:19.800
<v Speaker 3>I'm glad you said that because that's how I felt.

0:20:19.920 --> 0:20:20.639
<v Speaker 3>And I was scared.

0:20:20.760 --> 0:20:25.840
<v Speaker 2>Yeah, I was scared. What's happening? Nothing is slaying.

0:20:26.200 --> 0:20:29.000
<v Speaker 3>Nothing is slaying. People don't understand.

0:20:29.480 --> 0:20:30.680
<v Speaker 2>It's supposed to be slaying.

0:20:31.520 --> 0:20:35.439
<v Speaker 1>Leanna, you said crocodiles and hippos, best of luck baby.

0:20:36.840 --> 0:20:38.720
<v Speaker 1>I recently was in New York City and I went

0:20:38.720 --> 0:20:39.000
<v Speaker 1>to the.

0:20:38.960 --> 0:20:41.240
<v Speaker 2>Med baby died. There's no way that baby lived. Yeah,

0:20:41.359 --> 0:20:44.560
<v Speaker 2>keep going that baby was Moses. Yeah, but come on.

0:20:46.160 --> 0:20:46.720
<v Speaker 3>A new one.

0:20:46.960 --> 0:20:50.480
<v Speaker 2>That baby got flipped upside down by several crocodiles and hippos.

0:20:51.280 --> 0:20:54.560
<v Speaker 1>This is why stories come to be, because somebody saw

0:20:54.600 --> 0:20:57.120
<v Speaker 1>a baby floating down the river and then they're like, oh, yeah,

0:20:57.240 --> 0:20:58.920
<v Speaker 1>I bet he became a prince. It's like you got

0:20:58.920 --> 0:20:59.960
<v Speaker 1>even by hippo and one bite.

0:21:00.200 --> 0:21:03.320
<v Speaker 2>When when that all happened. When the movie was over,

0:21:03.400 --> 0:21:05.239
<v Speaker 2>I really wanted to ask, like, Okay, so what if

0:21:05.280 --> 0:21:08.919
<v Speaker 2>all of that actually happened? We and do we know?

0:21:09.000 --> 0:21:09.760
<v Speaker 2>And can we know?

0:21:10.760 --> 0:21:13.160
<v Speaker 3>I don't know. I don't know. Personally.

0:21:13.359 --> 0:21:15.480
<v Speaker 1>We were talking about it because I'm like, well, it's

0:21:15.520 --> 0:21:17.920
<v Speaker 1>kind of like a legend based on an actual sort

0:21:17.920 --> 0:21:20.800
<v Speaker 1>of historical time, right, And Emma was like, I think

0:21:20.800 --> 0:21:23.480
<v Speaker 1>it's even more like King Arthur, where it's like based

0:21:23.480 --> 0:21:28.040
<v Speaker 1>on a an era slash genre that we can kind

0:21:28.080 --> 0:21:31.160
<v Speaker 1>of click with, Like we know that there were slaves,

0:21:31.440 --> 0:21:34.280
<v Speaker 1>there were people were enslaved in Egypt. Yeah, for sure,

0:21:35.000 --> 0:21:38.160
<v Speaker 1>and sure this is sort of like a story about that,

0:21:38.280 --> 0:21:42.640
<v Speaker 1>like this legend is placed in this Okay. I went

0:21:42.680 --> 0:21:45.800
<v Speaker 1>to the met this year and I found out that hippos.

0:21:46.680 --> 0:21:49.240
<v Speaker 2>Yes, yes, tell me what is it? Oh my god,

0:21:49.280 --> 0:21:50.960
<v Speaker 2>I love this. What you don't want to hear it

0:21:51.000 --> 0:21:52.280
<v Speaker 2>right now? How they're everywhere?

0:21:53.600 --> 0:21:55.040
<v Speaker 3>Egyptian? Egyptian?

0:21:55.480 --> 0:21:58.560
<v Speaker 2>Now I'm trying, Yes, I want to hear about the hippos.

0:21:58.560 --> 0:22:02.160
<v Speaker 2>Why haven't you told me yet? Tell me? Yeah, what is.

0:22:02.080 --> 0:22:03.240
<v Speaker 3>It in Egyptians?

0:22:03.680 --> 0:22:08.760
<v Speaker 1>Because in ancient Egypt, why, it was like overrun with hippos.

0:22:10.960 --> 0:22:16.119
<v Speaker 1>There were literally so many hippos in the Nile. There

0:22:16.160 --> 0:22:19.200
<v Speaker 1>were straight up I love that so many hippos. That's

0:22:19.200 --> 0:22:22.760
<v Speaker 1>way too many hippos. Because I was, you know, it's like, oh,

0:22:22.760 --> 0:22:24.360
<v Speaker 1>it's a it's a it's a sort of sacred.

0:22:24.600 --> 0:22:24.800
<v Speaker 3>You know.

0:22:24.840 --> 0:22:29.000
<v Speaker 1>They have the Egyptian God. That's a hippo. I remember,

0:22:29.320 --> 0:22:34.520
<v Speaker 1>they're revered for reasons because of their their strength and

0:22:34.560 --> 0:22:38.679
<v Speaker 1>they're whatever. But it's also because there were.

0:22:38.680 --> 0:22:39.840
<v Speaker 2>So many.

0:22:41.400 --> 0:22:44.639
<v Speaker 1>For hippos, and so there was like a royal like

0:22:44.680 --> 0:22:46.240
<v Speaker 1>to prove yourself as a prince, you always you have

0:22:46.280 --> 0:22:47.040
<v Speaker 1>to kill a hippo.

0:22:47.560 --> 0:22:51.359
<v Speaker 2>Oh my god, I wouldn't. I wouldn't try. If you

0:22:51.440 --> 0:22:54.359
<v Speaker 2>came face to face with a hippo, how would you

0:22:54.440 --> 0:22:55.080
<v Speaker 2>go about I.

0:22:55.000 --> 0:22:57.639
<v Speaker 3>Actually don't know. I think that's the thing about hippos.

0:22:57.680 --> 0:22:59.560
<v Speaker 1>They're like, you don't you can't get away from that

0:22:59.640 --> 0:23:00.879
<v Speaker 1>if you you see when.

0:23:00.720 --> 0:23:05.240
<v Speaker 2>You're done kind of they're like, So I would maintain

0:23:05.280 --> 0:23:08.080
<v Speaker 2>eye contact and I would back away very slowly, but

0:23:08.119 --> 0:23:09.639
<v Speaker 2>I would not turn my back on a hippo.

0:23:09.760 --> 0:23:11.800
<v Speaker 3>Okay, I feel like it's a respect thing.

0:23:12.000 --> 0:23:14.080
<v Speaker 1>Yeah, because I guess, first of.

0:23:14.040 --> 0:23:15.560
<v Speaker 2>All, I wouldn't disrespect to hippo.

0:23:15.640 --> 0:23:16.399
<v Speaker 3>That's a great point.

0:23:17.200 --> 0:23:18.719
<v Speaker 1>I wonder if the most the safest thing you can

0:23:18.760 --> 0:23:20.240
<v Speaker 1>do is just hop on its back if it runs

0:23:20.240 --> 0:23:20.560
<v Speaker 1>at you.

0:23:22.720 --> 0:23:23.400
<v Speaker 3>And try to write.

0:23:24.560 --> 0:23:27.520
<v Speaker 2>They're so slippery, they are the most tire out the hippo.

0:23:27.720 --> 0:23:30.640
<v Speaker 1>Dan's animal. They're slippery so you can't grab on. Yeah,

0:23:30.680 --> 0:23:33.600
<v Speaker 1>they have super stronge, they're huge, couldn't have the bigger mouth.

0:23:33.720 --> 0:23:36.320
<v Speaker 1>Weirdly fast, biggest mouth, and they're fine in the water.

0:23:36.320 --> 0:23:37.200
<v Speaker 1>They're fast in the water.

0:23:37.880 --> 0:23:41.640
<v Speaker 2>Yeah, cute little ears which are disarmingly charming.

0:23:41.880 --> 0:23:42.960
<v Speaker 3>And yeah, then they charm you.

0:23:43.560 --> 0:23:46.080
<v Speaker 2>Moodang. Moodang is propaganda from big hippo.

0:23:46.200 --> 0:23:47.359
<v Speaker 3>It's so true.

0:23:47.640 --> 0:23:49.800
<v Speaker 2>What are they planning. They're going to come back. There's

0:23:49.840 --> 0:23:51.639
<v Speaker 2>going to be as many hippos as there were in

0:23:51.720 --> 0:23:53.080
<v Speaker 2>ancient Egyptian times.

0:23:53.400 --> 0:23:54.720
<v Speaker 3>Leanne, I have to read some more of your notes.

0:23:54.720 --> 0:23:56.240
<v Speaker 1>You said everyone loves to have a take on the

0:23:56.240 --> 0:23:58.159
<v Speaker 1>sphink how the Sphinx lost its nose.

0:23:59.240 --> 0:24:01.680
<v Speaker 2>If they're sphinc that includes the Sphinx. A director is

0:24:01.680 --> 0:24:03.640
<v Speaker 2>gonna say, and of course will show how it lost

0:24:03.680 --> 0:24:04.120
<v Speaker 2>its nose.

0:24:04.160 --> 0:24:05.000
<v Speaker 3>Everybody loves that.

0:24:05.440 --> 0:24:08.439
<v Speaker 1>Move on, everybody loves move on everyone.

0:24:08.680 --> 0:24:09.880
<v Speaker 2>I don't want to. I don't want to see any

0:24:09.880 --> 0:24:13.240
<v Speaker 2>more revisionist history about the Sphinx his nose. And I okay,

0:24:15.160 --> 0:24:18.199
<v Speaker 2>that could be a vocal warm up for theater. Revisionist

0:24:18.320 --> 0:24:20.000
<v Speaker 2>history about the Sphinx's.

0:24:19.480 --> 0:24:22.960
<v Speaker 3>No revisionist history. Read the Sphinx's nose.

0:24:23.640 --> 0:24:27.879
<v Speaker 1>Oh, Leanna, you said, may God protect you in an

0:24:27.880 --> 0:24:30.920
<v Speaker 1>American accent in Ancient Egypt is so stupid.

0:24:31.320 --> 0:24:35.480
<v Speaker 3>Yeah, that's how the movie felt. May God stupid? What?

0:24:36.320 --> 0:24:37.959
<v Speaker 2>Who is speaking? Shut up?

0:24:38.080 --> 0:24:40.080
<v Speaker 1>When I first heard Sandra Bullock talk, I was like, Sandra,

0:24:40.160 --> 0:24:46.600
<v Speaker 1>I love you so much, but get get out of here. Said, uh,

0:24:46.720 --> 0:24:47.360
<v Speaker 1>I think this is.

0:24:47.280 --> 0:24:48.639
<v Speaker 3>How a lot of the world feels.

0:24:48.720 --> 0:24:51.520
<v Speaker 1>Leoni, you said ancient Egypt was so lit except for

0:24:51.520 --> 0:24:52.919
<v Speaker 1>the slavery.

0:24:54.480 --> 0:24:55.639
<v Speaker 3>That's kind of the vibe.

0:24:55.680 --> 0:25:01.320
<v Speaker 5>That architecture was so gorgeous, the fash everybody was hot

0:25:02.119 --> 0:25:05.680
<v Speaker 5>in my understanding, and that's true and confident that that's

0:25:05.720 --> 0:25:06.399
<v Speaker 5>true as well.

0:25:06.760 --> 0:25:11.199
<v Speaker 2>The hippos, so many hippos. I didn't go to the

0:25:11.280 --> 0:25:12.920
<v Speaker 2>unprecedented numbers of hippos.

0:25:13.040 --> 0:25:17.360
<v Speaker 1>I went to the Brooklyn Museum, which they have hippos there.

0:25:18.040 --> 0:25:21.360
<v Speaker 2>They had, I understand, because they've got an Egypt section.

0:25:21.320 --> 0:25:25.560
<v Speaker 1>Right, you know what they had an Egypt section two. Oh,

0:25:25.920 --> 0:25:27.280
<v Speaker 1>unless I'm getting this wrong.

0:25:27.720 --> 0:25:30.000
<v Speaker 2>Did you go to the zoo? Do you see a

0:25:30.040 --> 0:25:30.800
<v Speaker 2>hippo at the zoo?

0:25:31.520 --> 0:25:33.760
<v Speaker 3>Yeah? And then I just guessed about all the other stuff.

0:25:35.320 --> 0:25:38.159
<v Speaker 2>What so many of these back in the day. I

0:25:38.200 --> 0:25:42.639
<v Speaker 2>love ancient Egypt minusless slavery. Yeah, it really seems like

0:25:42.680 --> 0:25:44.560
<v Speaker 2>a really lit place except all the slavery.

0:25:45.000 --> 0:25:50.520
<v Speaker 1>Leanna, you said, my guys, you have to stop scything babies.

0:25:52.240 --> 0:25:56.840
<v Speaker 2>Uh uh oh my god. An animated children's film, you

0:25:56.880 --> 0:26:00.399
<v Speaker 2>see a soldier go into a home, hover over a

0:26:00.400 --> 0:26:05.359
<v Speaker 2>cradle and take out a scythe and you say, whoa.

0:26:04.960 --> 0:26:08.480
<v Speaker 3>This is why I'm like, was nobody in what way?

0:26:08.520 --> 0:26:12.280
<v Speaker 1>Is this not funded as some sort of propaganda because

0:26:12.840 --> 0:26:19.240
<v Speaker 1>all love to my Catholic education, not all love. Oh,

0:26:19.280 --> 0:26:22.040
<v Speaker 1>like I think this did make me an interesting person,

0:26:22.720 --> 0:26:28.159
<v Speaker 1>but all the like horrific torture and death stuff that

0:26:28.200 --> 0:26:32.120
<v Speaker 1>you see, yea is definitely to put messages in your

0:26:32.119 --> 0:26:35.199
<v Speaker 1>head about like age, right and wrong, what is right

0:26:35.280 --> 0:26:37.040
<v Speaker 1>or wrong? But also there's a little bit of like

0:26:37.480 --> 0:26:40.280
<v Speaker 1>this is what happened to people like us, or people

0:26:40.280 --> 0:26:43.119
<v Speaker 1>who believed in things like people who have faith faith,

0:26:43.200 --> 0:26:48.840
<v Speaker 1>or people who really care about like hm, you you know,

0:26:49.080 --> 0:26:54.400
<v Speaker 1>like there's some sort of virtue to our faith because

0:26:54.440 --> 0:26:56.720
<v Speaker 1>of this, this, this and this, you know, or like, h,

0:26:57.880 --> 0:26:59.800
<v Speaker 1>there's some reason you want kids.

0:26:59.560 --> 0:27:00.719
<v Speaker 3>To see these things.

0:27:01.640 --> 0:27:05.240
<v Speaker 2>Yeah, you know what I mean, I forget where we

0:27:05.280 --> 0:27:08.800
<v Speaker 2>are also watching this because I thought this was like

0:27:08.840 --> 0:27:12.760
<v Speaker 2>a historical event, Like I thought Ramsey's was a guy

0:27:12.800 --> 0:27:14.760
<v Speaker 2>and Moses was a guy, right, and everybody just got

0:27:14.800 --> 0:27:17.640
<v Speaker 2>like a little metaphorical with the telling of the story.

0:27:18.440 --> 0:27:20.600
<v Speaker 2>I was like, well, I guess that's what they were doing.

0:27:20.840 --> 0:27:26.000
<v Speaker 2>So ye, you know, it's it's historically accurate.

0:27:26.160 --> 0:27:26.439
<v Speaker 3>I mean, the.

0:27:26.520 --> 0:27:29.600
<v Speaker 2>Probably, I guess they're going to show it, but the torture,

0:27:29.720 --> 0:27:32.680
<v Speaker 2>it's not like I mean, I do believe even if

0:27:32.760 --> 0:27:35.400
<v Speaker 2>not literally this happened, this kind of thing has happened.

0:27:35.400 --> 0:27:37.200
<v Speaker 2>So I was like, yeah, okay.

0:27:38.320 --> 0:27:40.960
<v Speaker 1>No, that stuff I think is definitely what was happening.

0:27:41.200 --> 0:27:44.199
<v Speaker 1>It just feels like they're not just showing like a

0:27:44.240 --> 0:27:48.600
<v Speaker 1>spicific event. Obviously, we never see things like that about

0:27:48.600 --> 0:27:51.200
<v Speaker 1>the way that slavery in the United States was actually

0:27:51.320 --> 0:27:55.920
<v Speaker 1>enacted or anything, you know, like that would be useful information.

0:27:56.440 --> 0:27:57.920
<v Speaker 3>But it's always about like.

0:27:59.359 --> 0:28:02.000
<v Speaker 1>The ancient times of your religion that we want you

0:28:02.040 --> 0:28:06.000
<v Speaker 1>to stay in and keep giving money to forever. Ooh,

0:28:06.040 --> 0:28:07.960
<v Speaker 1>and that's the real tea and I'm all for.

0:28:08.320 --> 0:28:10.360
<v Speaker 3>I think faith is a wonderful thing. I think there's

0:28:10.359 --> 0:28:13.360
<v Speaker 3>so much value to it. But that's also part of it.

0:28:13.960 --> 0:28:15.000
<v Speaker 2>Yeah, I don't know.

0:28:15.280 --> 0:28:17.520
<v Speaker 1>I just I was like, who's paying for this? But

0:28:17.640 --> 0:28:20.959
<v Speaker 1>also you forget sometimes that religion has been very in

0:28:21.480 --> 0:28:22.960
<v Speaker 1>for a very long time.

0:28:23.119 --> 0:28:24.320
<v Speaker 2>For almost the US.

0:28:25.200 --> 0:28:27.919
<v Speaker 1>Oh sure, for almost ever everywhere, but in the US,

0:28:27.960 --> 0:28:29.520
<v Speaker 1>like it might have just been more of a thing

0:28:29.600 --> 0:28:31.200
<v Speaker 1>even back in was it the nineties?

0:28:32.359 --> 0:28:32.639
<v Speaker 3>I don't know.

0:28:32.720 --> 0:28:34.960
<v Speaker 1>It's gotta be to be like obviously everybody wants to

0:28:34.960 --> 0:28:38.920
<v Speaker 1>see this because we all love the Bible. Yeah, Lehanna,

0:28:39.040 --> 0:28:43.080
<v Speaker 1>you said Elmo Moses. Only now becoming aware of slaves

0:28:43.160 --> 0:28:49.760
<v Speaker 1>is white people in twenty twenty, discovering racism tea we are?

0:28:53.400 --> 0:28:57.320
<v Speaker 2>It was so like, my guy, have you considered looking

0:28:57.320 --> 0:28:59.160
<v Speaker 2>out the way once? Ever?

0:28:59.600 --> 0:29:00.520
<v Speaker 3>That's for now?

0:29:00.560 --> 0:29:04.840
<v Speaker 2>You is this happens every day right in front of you.

0:29:04.840 --> 0:29:08.400
<v Speaker 1>You're the royal architect, and they would build the stuff.

0:29:10.880 --> 0:29:14.400
<v Speaker 2>It was very white people in twenty twenty. It is

0:29:14.440 --> 0:29:19.520
<v Speaker 2>also at the times like just very suddenly being like hey,

0:29:19.640 --> 0:29:21.960
<v Speaker 2>what whoa what's that?

0:29:22.080 --> 0:29:23.480
<v Speaker 3>Do you guys have a problem with this?

0:29:23.720 --> 0:29:27.320
<v Speaker 2>What's I can't believe this is happening. Oh my gosh,

0:29:27.480 --> 0:29:30.760
<v Speaker 2>she would be happening. Did you know this was going on? Okay?

0:29:30.880 --> 0:29:33.920
<v Speaker 2>Turning to the slaves, did you show that you're enslaved. Yes,

0:29:36.240 --> 0:29:40.360
<v Speaker 2>if your husband came back from work and said, honey,

0:29:41.160 --> 0:29:43.880
<v Speaker 2>I talked to a plant. The plant was God. God

0:29:43.880 --> 0:29:46.520
<v Speaker 2>said I have to go fight the king. I'm leaving.

0:29:47.960 --> 0:29:48.720
<v Speaker 2>What would you do?

0:29:48.840 --> 0:29:52.760
<v Speaker 3>You would go, I don't believe you.

0:29:52.800 --> 0:29:55.160
<v Speaker 2>About that, Okay. I would say, shut up and sit

0:29:55.200 --> 0:29:58.440
<v Speaker 2>down and have some water. Have some water, and then

0:29:58.680 --> 0:30:02.120
<v Speaker 2>I would call the police. I'm just kidding.

0:30:04.080 --> 0:30:06.280
<v Speaker 1>I would probably hear them out. I'd probably be like,

0:30:06.400 --> 0:30:09.320
<v Speaker 1>please explain. I would say please explain, because I'd really

0:30:09.360 --> 0:30:11.920
<v Speaker 1>hope that there was some explanation to why they're being cuckoo.

0:30:12.800 --> 0:30:15.640
<v Speaker 2>Yeah, I'd say, where is the rest of the mushroom chocolate?

0:30:15.920 --> 0:30:17.640
<v Speaker 2>And could I have some? Please?

0:30:18.000 --> 0:30:20.040
<v Speaker 1>You said, oh, Moses is a shepherd. What's up with

0:30:20.120 --> 0:30:22.200
<v Speaker 1>Moses and Jesus and why are they so similar?

0:30:22.880 --> 0:30:23.360
<v Speaker 2>Mm hm.

0:30:23.400 --> 0:30:25.200
<v Speaker 3>Themes?

0:30:25.400 --> 0:30:27.240
<v Speaker 1>First of all, I think people were shepherds for a

0:30:27.440 --> 0:30:29.080
<v Speaker 1>long time a lot of places, So the.

0:30:29.040 --> 0:30:30.719
<v Speaker 2>Shepherd's true forever.

0:30:30.960 --> 0:30:33.600
<v Speaker 1>It's sort of there are themes throughout the whole Bible.

0:30:34.800 --> 0:30:37.160
<v Speaker 3>These are all people who you.

0:30:37.120 --> 0:30:39.560
<v Speaker 1>Know, had a relationship with God and did something important

0:30:39.560 --> 0:30:42.360
<v Speaker 1>that led to our tradition going forward. Like we have

0:30:42.360 --> 0:30:43.719
<v Speaker 1>the Ten Commandments, Thank you Moses.

0:30:44.560 --> 0:30:47.200
<v Speaker 3>We have this covenant with God. Thank you Noah.

0:30:47.640 --> 0:30:50.560
<v Speaker 2>Do you think that God sent the flood that Noah

0:30:50.600 --> 0:30:53.240
<v Speaker 2>had to build the arc for because there were so

0:30:53.320 --> 0:30:54.080
<v Speaker 2>many hippos?

0:30:57.480 --> 0:30:58.200
<v Speaker 3>Oh my god.

0:31:00.680 --> 0:31:05.240
<v Speaker 1>There were literally more hippos than we could imagine. Like

0:31:05.360 --> 0:31:07.440
<v Speaker 1>imagine every time you go to the water there is

0:31:07.760 --> 0:31:11.880
<v Speaker 1>there's like hip families of hippos. They were just like

0:31:11.960 --> 0:31:15.120
<v Speaker 1>so populated there. They had to keep killing them. They're like, aha,

0:31:18.240 --> 0:31:28.920
<v Speaker 1>like were so scared of hippos? So awesome? Uh, Leana,

0:31:28.920 --> 0:31:30.720
<v Speaker 1>you said when they were writing the Bible, do you

0:31:30.760 --> 0:31:37.920
<v Speaker 1>think they too giggled at burning bush? My bush is burning,

0:31:48.520 --> 0:31:49.640
<v Speaker 1>My bush is burning.

0:31:50.000 --> 0:31:52.120
<v Speaker 2>My bush is absolutely burning in this humid weather.

0:31:55.000 --> 0:31:57.080
<v Speaker 1>Come on, a burning bush?

0:31:57.360 --> 0:31:58.080
<v Speaker 2>Be serious.

0:31:58.280 --> 0:32:01.000
<v Speaker 1>I don't think they laughed at that little bush, Oh

0:32:01.040 --> 0:32:03.360
<v Speaker 1>my god. And by the way, this is where we

0:32:03.400 --> 0:32:07.960
<v Speaker 1>get Yahweh. He's like, I am with you, Yahweh.

0:32:08.000 --> 0:32:08.960
<v Speaker 3>Is that what ya means?

0:32:09.400 --> 0:32:10.040
<v Speaker 2>Did he say that?

0:32:10.360 --> 0:32:13.240
<v Speaker 3>Yeah? They're like, what wait, what's your name? Hey? Who

0:32:13.280 --> 0:32:15.280
<v Speaker 3>am I talking to? And he's like, I'm.

0:32:15.240 --> 0:32:23.240
<v Speaker 2>Yahweh And Yahweh is God? Yes, okay, I it means

0:32:23.440 --> 0:32:26.880
<v Speaker 2>imagine me in religion class, okay, because it means I am.

0:32:27.000 --> 0:32:28.400
<v Speaker 3>That's what we learned in religion class.

0:32:28.560 --> 0:32:34.120
<v Speaker 2>I am, I am, Oh my God. Imagine, imagine Moses

0:32:34.200 --> 0:32:36.920
<v Speaker 2>is talking to the burning bush and Moses is like, wait,

0:32:36.920 --> 0:32:40.120
<v Speaker 2>who are you? And the burning bush goes, I am

0:32:40.560 --> 0:32:42.840
<v Speaker 2>a yankee doodle dandy.

0:32:44.400 --> 0:32:51.440
<v Speaker 1>I am a yankee doodle dandy yanke.

0:32:53.440 --> 0:33:00.000
<v Speaker 3>Yeah, that's how it goes. Yahweh a yankee doodle boy.

0:33:00.080 --> 0:33:09.840
<v Speaker 2>That way is an acronym for is your bush burning? Mama,

0:33:09.880 --> 0:33:12.440
<v Speaker 2>you're gonna want attend to that. You've got three minutes.

0:33:12.480 --> 0:33:24.480
<v Speaker 2>We'll be right back. Oh, Sienna, you noted.

0:33:24.600 --> 0:33:29.400
<v Speaker 1>The Angel left Death is like, mean, my God, you

0:33:29.520 --> 0:33:29.920
<v Speaker 1>have death.

0:33:30.040 --> 0:33:33.520
<v Speaker 3>By the way, is a big white wind that comes

0:33:33.560 --> 0:33:40.040
<v Speaker 3>from comes from a big, big bright sun hole in

0:33:40.080 --> 0:33:40.440
<v Speaker 3>the sky.

0:33:40.560 --> 0:33:42.840
<v Speaker 2>That scene that was actually scary. That was quite scary.

0:33:42.920 --> 0:33:43.280
<v Speaker 3>Scary.

0:33:43.840 --> 0:33:46.240
<v Speaker 2>Yeah, the way that it was animated was really unsettling.

0:33:46.360 --> 0:33:49.960
<v Speaker 1>So this is the passover moment when it's like, listen,

0:33:50.000 --> 0:33:52.640
<v Speaker 1>if you're with God, you're gonna put Lamb's blood.

0:33:52.400 --> 0:33:53.680
<v Speaker 3>Over the baby sheep.

0:33:54.040 --> 0:33:54.960
<v Speaker 2>Don't worry about them.

0:33:55.120 --> 0:33:57.320
<v Speaker 1>And if you're not on the door, you're not gone.

0:33:57.360 --> 0:33:58.840
<v Speaker 2>You will take your firstborn son.

0:33:59.320 --> 0:34:06.000
<v Speaker 1>And the Angel of Death sweeps through anthropomorphically kind of

0:34:06.040 --> 0:34:07.800
<v Speaker 1>peeks around here and there like Flubber.

0:34:09.160 --> 0:34:12.239
<v Speaker 2>Oh my god, it was like Flubber to see. Oh

0:34:12.320 --> 0:34:18.840
<v Speaker 2>my god, Flubber is the angel of death bouncing around?

0:34:19.640 --> 0:34:23.200
<v Speaker 2>Do you think that Flubber is in some ways a

0:34:23.280 --> 0:34:26.920
<v Speaker 2>reincarnation of all of the hippos that God drowned in

0:34:27.000 --> 0:34:31.799
<v Speaker 2>the flood? And thank you for asking that Flubber is round? Yes,

0:34:31.840 --> 0:34:32.920
<v Speaker 2>I Lubber is slippery.

0:34:33.560 --> 0:34:34.400
<v Speaker 3>I'm glad you asked.

0:34:34.520 --> 0:34:35.120
<v Speaker 2>I do think that.

0:34:35.320 --> 0:34:38.080
<v Speaker 3>Yes, that's what I think.

0:34:38.080 --> 0:34:39.839
<v Speaker 2>I've always thought that, and it's really great to hear

0:34:39.880 --> 0:34:42.480
<v Speaker 2>something else externalize it. I thank you for articulating myself.

0:34:43.360 --> 0:34:46.839
<v Speaker 3>I do think that. So the angel of.

0:34:46.800 --> 0:34:52.359
<v Speaker 1>Death, flubberly, yeah, bounces around and like we'll like look in.

0:34:52.560 --> 0:34:55.520
<v Speaker 1>We'll literally like sniff around and check and then be like, oh, no,

0:34:55.560 --> 0:34:58.279
<v Speaker 1>you do have blood on your door. I won't kill you, say,

0:34:58.360 --> 0:34:59.600
<v Speaker 1>and then we'll turn and then every now and then

0:34:59.600 --> 0:35:02.359
<v Speaker 1>we'll be like, I don't see any blood, sorry, swing in.

0:35:02.480 --> 0:35:05.880
<v Speaker 1>We hear oh, and then a child is dead.

0:35:06.400 --> 0:35:07.640
<v Speaker 2>Yeah.

0:35:07.719 --> 0:35:09.799
<v Speaker 1>At one point, a boy walks in holding a pot

0:35:09.840 --> 0:35:12.320
<v Speaker 1>and we hear the pot crash and his hand flies out.

0:35:12.239 --> 0:35:14.799
<v Speaker 2>His hand slaps out of the door. It's so nuts dark,

0:35:15.719 --> 0:35:18.560
<v Speaker 2>it was really nuts. Ci Ia, you noted about that. Wow,

0:35:18.640 --> 0:35:21.160
<v Speaker 2>it's too bad. This song comes directly after all the

0:35:21.239 --> 0:35:24.480
<v Speaker 2>children of the town die, the one that's like miracles

0:35:24.600 --> 0:35:26.560
<v Speaker 2>happen once in a lot.

0:35:27.800 --> 0:35:30.359
<v Speaker 1>That's what's so weird about religion, classes and stuff, because

0:35:30.360 --> 0:35:32.799
<v Speaker 1>you never questioned that as a kid, and you get

0:35:33.040 --> 0:35:34.000
<v Speaker 1>that was pretty ft.

0:35:34.440 --> 0:35:35.879
<v Speaker 3>The consequence of.

0:35:35.880 --> 0:35:42.680
<v Speaker 2>You, I get Rameses needs to end slavery in Egypt

0:35:43.600 --> 0:35:48.160
<v Speaker 2>and should be punished if he doesn't. Okay, but killing children,

0:35:49.040 --> 0:35:52.000
<v Speaker 2>Oh it just whoa, This is starting to sound familiar.

0:35:52.280 --> 0:35:57.240
<v Speaker 1>It reads Oh no in the book, in a book,

0:35:57.360 --> 0:36:02.399
<v Speaker 1>it reads so much it needs better because yeah, it's

0:36:02.480 --> 0:36:06.439
<v Speaker 1>like because it's an old legend in a book, so yeah,

0:36:06.640 --> 0:36:10.040
<v Speaker 1>it's like yeah, and so the angel of Death killed

0:36:10.040 --> 0:36:15.000
<v Speaker 1>all the firstborn sons and then Ramses said okay, fine,

0:36:15.120 --> 0:36:17.440
<v Speaker 1>you can go, you know, like the god punished him

0:36:17.440 --> 0:36:20.360
<v Speaker 1>and then this happened and they celebrated. That all makes sense,

0:36:20.560 --> 0:36:24.560
<v Speaker 1>but then trying to portray it with Sandra Bullock as

0:36:24.560 --> 0:36:28.799
<v Speaker 1>a cartoon coming down and being like me, it has happened, Nah,

0:36:29.800 --> 0:36:31.360
<v Speaker 1>like don't this is not the time.

0:36:32.000 --> 0:36:36.799
<v Speaker 2>There was written in the pod that was really uncomfortable,

0:36:37.200 --> 0:36:41.480
<v Speaker 2>like that I didn't like celebrating the suffering of it

0:36:41.520 --> 0:36:42.560
<v Speaker 2>was just billions.

0:36:42.840 --> 0:36:44.840
<v Speaker 3>It was just so directly after.

0:36:45.440 --> 0:36:49.759
<v Speaker 2>Yeah, read the room borderline during like it was nearly overlapping.

0:36:50.280 --> 0:36:56.120
<v Speaker 1>Yeah, Leanna, you said, yay plague song a lot of frogs.

0:36:58.680 --> 0:37:00.200
<v Speaker 1>By the time the plague song came on, I was

0:37:00.239 --> 0:37:01.719
<v Speaker 1>so pissed about all the music that I was like,

0:37:01.719 --> 0:37:02.760
<v Speaker 1>what's with all this chanting?

0:37:02.880 --> 0:37:03.760
<v Speaker 3>I wish this was all.

0:37:03.719 --> 0:37:07.400
<v Speaker 2>Yeah, No, that was my favorite, but then unfortunately the

0:37:07.440 --> 0:37:10.360
<v Speaker 2>two brothers sing over it, and I was like, stop, shut,

0:37:10.400 --> 0:37:11.880
<v Speaker 2>I want to hear this plague chanting.

0:37:12.160 --> 0:37:14.320
<v Speaker 3>Shut I send up pestil and send.

0:37:19.320 --> 0:37:23.680
<v Speaker 2>It was a banger. All those frogs. Which of the

0:37:23.719 --> 0:37:26.399
<v Speaker 2>forty plagues do you think would be your least favorite?

0:37:27.920 --> 0:37:29.040
<v Speaker 3>Were they forty plagues?

0:37:29.760 --> 0:37:31.319
<v Speaker 2>I thought, so, isn't that the thing?

0:37:32.560 --> 0:37:34.720
<v Speaker 3>I thought it was treer than that, but I don't remember. Oh.

0:37:35.239 --> 0:37:37.080
<v Speaker 2>I feel like the number forty is always the number.

0:37:37.520 --> 0:37:45.440
<v Speaker 2>It is the number twenty days, forty nine plagues. Oh well,

0:37:45.560 --> 0:37:47.040
<v Speaker 2>they could have come up with more.

0:37:47.440 --> 0:37:49.600
<v Speaker 3>I love that, though they'd be like really like trying to.

0:37:49.600 --> 0:37:54.000
<v Speaker 1>They're like, okay, so locus, okay, bug hippos.

0:37:53.520 --> 0:37:58.239
<v Speaker 2>We can we can send every hippo you said, still

0:37:58.280 --> 0:37:59.320
<v Speaker 2>a lot of hippos.

0:38:00.520 --> 0:38:04.440
<v Speaker 1>Yeah, Leanna, you said this tale hits specifically these days. Yes,

0:38:04.840 --> 0:38:08.800
<v Speaker 1>misuse of power, yes, tormenting and killing people.

0:38:09.200 --> 0:38:10.600
<v Speaker 3>Yes, it was.

0:38:10.760 --> 0:38:12.880
<v Speaker 2>I think the thing that was particularly like, oh my

0:38:13.080 --> 0:38:18.520
<v Speaker 2>Jesus god, apt you was just naming the big guys

0:38:19.040 --> 0:38:24.640
<v Speaker 2>was a world leader continuing to do harm to a

0:38:24.680 --> 0:38:30.680
<v Speaker 2>population and ignoring the the damage that's doing to his own.

0:38:32.680 --> 0:38:36.560
<v Speaker 2>So then everybody is suffering totally. Yeah, And it's like

0:38:36.760 --> 0:38:41.719
<v Speaker 2>just his kind of ego and power and insanity. It's

0:38:41.719 --> 0:38:44.360
<v Speaker 2>a great great driving bullies.

0:38:45.880 --> 0:38:52.480
<v Speaker 1>Um hmm, Leanna you said, Leanna's final note just top

0:38:52.520 --> 0:38:53.960
<v Speaker 1>it all off. We'll let you all sit and think

0:38:53.960 --> 0:38:55.760
<v Speaker 1>about that, because it was it was very dark.

0:38:56.920 --> 0:38:59.160
<v Speaker 3>Leon. Your final note is Ramsey's pal.

0:38:59.320 --> 0:39:05.719
<v Speaker 1>You gotta let this one go, so to speak, you

0:39:06.000 --> 0:39:07.840
<v Speaker 1>let just this one people go.

0:39:08.360 --> 0:39:10.640
<v Speaker 2>Because the final shot, or one of the final things,

0:39:10.680 --> 0:39:16.960
<v Speaker 2>is Ramsey's yelling across the city Moses. And I was like,

0:39:17.239 --> 0:39:19.160
<v Speaker 2>my guy, just let it go. And then I realized

0:39:19.200 --> 0:39:24.800
<v Speaker 2>what I'd said, and I said, if you touch me, maybe.

0:39:24.560 --> 0:39:27.400
<v Speaker 1>Not what he's best at, maybe not the best.

0:39:27.560 --> 0:39:31.040
<v Speaker 2>Something to work on, not a strength, but I endorse

0:39:31.120 --> 0:39:32.040
<v Speaker 2>him with on LinkedIn.

0:39:33.040 --> 0:39:35.400
<v Speaker 1>Yeah, should we move on to our next segment, yes,

0:39:35.480 --> 0:39:38.600
<v Speaker 1>which is of course badges and trages, where we give

0:39:38.680 --> 0:39:43.759
<v Speaker 1>badges for babies and baskets for babies, and baskets and

0:39:43.960 --> 0:39:49.719
<v Speaker 1>tradges for a tyrannical enslavement Yeah of people.

0:39:50.040 --> 0:39:52.600
<v Speaker 2>Yeah yeah, I give that a trage for sure.

0:39:52.640 --> 0:39:54.440
<v Speaker 3>Tyrannical of him to enslave them.

0:39:54.440 --> 0:39:57.600
<v Speaker 2>He was being a tyrant. I have a badge for

0:39:57.680 --> 0:40:01.279
<v Speaker 2>the spooky dogs. Okay, he has two of those really

0:40:01.320 --> 0:40:09.200
<v Speaker 2>spooky dogs from Egyptian times, a cane, corso whatever dogs,

0:40:09.280 --> 0:40:10.879
<v Speaker 2>and they were so cute. He was being so cute

0:40:10.920 --> 0:40:11.920
<v Speaker 2>with them.

0:40:12.719 --> 0:40:16.640
<v Speaker 1>I have a badge for his sandals. Later in the desert,

0:40:16.680 --> 0:40:19.880
<v Speaker 1>when he very viscerally rips his sandal, that scared me.

0:40:20.000 --> 0:40:22.160
<v Speaker 1>But he lifts up his sandal like, oh this damn

0:40:22.239 --> 0:40:26.600
<v Speaker 1>sandal broke. He has a beautiful, little gorgeous like embroidery

0:40:26.680 --> 0:40:30.440
<v Speaker 1>or something on the inside of Egypt or something. I

0:40:30.480 --> 0:40:32.680
<v Speaker 1>don't remember what it was up, but it was gorgeous.

0:40:32.680 --> 0:40:35.040
<v Speaker 1>Oh my gosh, I would love to have more art

0:40:35.080 --> 0:40:36.520
<v Speaker 1>on the bottom of my shoes please.

0:40:39.000 --> 0:40:46.360
<v Speaker 2>I have a I guess badge for not sugarcoating slavery. True,

0:40:46.640 --> 0:40:55.520
<v Speaker 2>they made it so definitely showed that it was real badge. Yeah,

0:40:55.560 --> 0:40:59.200
<v Speaker 2>they were not above the brutality of this despite it

0:40:59.239 --> 0:41:01.160
<v Speaker 2>being a maybe kind.

0:41:01.000 --> 0:41:01.919
<v Speaker 3>Of for kids question mark.

0:41:04.000 --> 0:41:07.880
<v Speaker 1>My main badge for the movie is the parting of

0:41:07.920 --> 0:41:10.600
<v Speaker 1>the sea is the best part in my opinion. It's

0:41:10.640 --> 0:41:12.720
<v Speaker 1>really fun when you get to see the huge ocean

0:41:13.400 --> 0:41:15.320
<v Speaker 1>go straight up because the water needs to go somewhere,

0:41:15.360 --> 0:41:16.680
<v Speaker 1>and when they're walking through.

0:41:16.920 --> 0:41:22.200
<v Speaker 3>And you get to see some life, yeah, swim by.

0:41:23.280 --> 0:41:26.520
<v Speaker 2>There definitely should have been a hippo in that, yeah, swimming.

0:41:28.000 --> 0:41:32.279
<v Speaker 2>It was probably mostly hippos in the Red Sea. My

0:41:32.400 --> 0:41:34.920
<v Speaker 2>last badge is a badge for it is super metal.

0:41:35.080 --> 0:41:39.719
<v Speaker 2>To turn the Nile to blood. That was so metal. Yeah,

0:41:39.880 --> 0:41:43.080
<v Speaker 2>I said, okay, God, this angsty teen God.

0:41:43.000 --> 0:41:45.520
<v Speaker 3>This is an god angsty story.

0:41:46.920 --> 0:41:51.720
<v Speaker 2>God is rock and roll. Tragic moment, Oh my god. Trages,

0:41:52.800 --> 0:41:54.879
<v Speaker 2>Oh a trage for it is so embarrassing that these

0:41:54.880 --> 0:41:58.040
<v Speaker 2>are just two white guys Moses and Rameses.

0:41:58.120 --> 0:41:58.760
<v Speaker 3>Oh my gosh.

0:41:58.760 --> 0:42:02.719
<v Speaker 1>Honestly, same with Steve Martin and Martin short as the

0:42:03.560 --> 0:42:07.400
<v Speaker 1>that's who those were. Oh no, the gargoyles. I'm sorry

0:42:07.480 --> 0:42:09.239
<v Speaker 1>they did not do a good job at that role.

0:42:09.320 --> 0:42:11.160
<v Speaker 1>I see why they were like, oh a comedy duo.

0:42:12.840 --> 0:42:16.439
<v Speaker 1>It felt like that improv Yeah, I have a trage

0:42:16.480 --> 0:42:20.280
<v Speaker 1>for it's so serious. This is I remember not loving

0:42:20.280 --> 0:42:23.080
<v Speaker 1>this movie as a kid, and I stand by it,

0:42:23.080 --> 0:42:24.760
<v Speaker 1>but I was always confused because it seems like everybody

0:42:24.800 --> 0:42:27.160
<v Speaker 1>else was excited about it, but it was always too

0:42:27.200 --> 0:42:28.000
<v Speaker 1>serious for me.

0:42:28.800 --> 0:42:32.680
<v Speaker 2>Yeah, this is just not fun. This ain't it? Oh

0:42:32.840 --> 0:42:37.840
<v Speaker 2>trage for American accents at least do British. It was

0:42:38.040 --> 0:42:39.640
<v Speaker 2>so so it sounds elevated.

0:42:39.920 --> 0:42:41.200
<v Speaker 3>So American.

0:42:42.360 --> 0:42:46.680
<v Speaker 1>Trage for They're playing with the big boys now is

0:42:46.719 --> 0:42:48.760
<v Speaker 1>one of the worst songs ever.

0:42:49.600 --> 0:42:51.680
<v Speaker 2>I couldn't believe it was happening.

0:42:52.360 --> 0:42:57.480
<v Speaker 1>Was me my jaw, My jaw was dropped as I

0:42:57.560 --> 0:43:01.759
<v Speaker 1>was watching, just how poorly I was waiting for it

0:43:01.760 --> 0:43:04.759
<v Speaker 1>to become a song, waiting, waiting, waiting, waiting, waiting for

0:43:04.800 --> 0:43:06.520
<v Speaker 1>it to have a beat, waiting for it to be fun.

0:43:06.760 --> 0:43:10.560
<v Speaker 1>They just name a bunch of Egyptian gods in a

0:43:10.600 --> 0:43:12.359
<v Speaker 1>way where its like, is the joke that you're doing

0:43:12.360 --> 0:43:15.160
<v Speaker 1>the accent that you're like actually trying to pronounce it correctly,

0:43:15.280 --> 0:43:17.480
<v Speaker 1>Which is the first time anybody's like acknowledged that this

0:43:17.520 --> 0:43:20.040
<v Speaker 1>is actually true true?

0:43:20.239 --> 0:43:22.400
<v Speaker 3>And then it was not.

0:43:22.440 --> 0:43:24.319
<v Speaker 1>I'm sorry I'm sorry everybody, I'm being such a hater,

0:43:24.400 --> 0:43:25.160
<v Speaker 1>but I hated this.

0:43:25.320 --> 0:43:29.040
<v Speaker 3>I hated that song. Well.

0:43:29.080 --> 0:43:30.960
<v Speaker 1>Watching I felt gas lit like I was supposed to

0:43:30.960 --> 0:43:32.800
<v Speaker 1>be enjoying this, as if this was the comedic relief,

0:43:32.800 --> 0:43:34.200
<v Speaker 1>the comic relief, but it was not.

0:43:34.760 --> 0:43:36.480
<v Speaker 3>It was bad. It was bad.

0:43:37.160 --> 0:43:40.040
<v Speaker 2>Yep, yep, that song sucked.

0:43:40.120 --> 0:43:41.560
<v Speaker 3>Thank you for agreeing. Oh my god, it makes me

0:43:41.560 --> 0:43:42.319
<v Speaker 3>feel so much better.

0:43:43.560 --> 0:43:45.640
<v Speaker 2>Uh. Two trage is in a row that are very relevant.

0:43:45.640 --> 0:43:47.760
<v Speaker 2>Trade for this did not need to be a musical

0:43:48.320 --> 0:43:50.880
<v Speaker 2>and a trage for this song sucks, which I was

0:43:50.880 --> 0:43:53.560
<v Speaker 2>talking about a different song. I was talking about his

0:43:53.640 --> 0:43:55.720
<v Speaker 2>like hero song of like oh my life, I wanted

0:43:55.760 --> 0:43:56.680
<v Speaker 2>to whatever blah.

0:43:56.520 --> 0:44:02.480
<v Speaker 1>Blah blah blah blah blah. My final two trages are

0:44:02.520 --> 0:44:07.400
<v Speaker 1>also related there. I said too much chanting, because I

0:44:07.400 --> 0:44:09.960
<v Speaker 1>think they relied on They're like, okay, this is like

0:44:10.760 --> 0:44:15.000
<v Speaker 1>they're feeling it, like this is sort of a tribe

0:44:15.520 --> 0:44:18.759
<v Speaker 1>that they're like expressing together. We'll just have them sort

0:44:18.760 --> 0:44:22.480
<v Speaker 1>of like chant sing. But I think they relied on

0:44:22.520 --> 0:44:23.719
<v Speaker 1>that too much, and it was just like.

0:44:25.480 --> 0:44:29.280
<v Speaker 3>Again, Uh. I think it was Emma who said.

0:44:29.080 --> 0:44:31.040
<v Speaker 1>Wow, I'm really quoting her a lot for this, but

0:44:31.640 --> 0:44:33.319
<v Speaker 1>it was like, what they were trying to make sound

0:44:33.400 --> 0:44:36.440
<v Speaker 1>sort of ancient came out as just dissonant and boring.

0:44:37.120 --> 0:44:39.200
<v Speaker 1>Oh and that's how it felt to me. So my

0:44:39.200 --> 0:44:42.000
<v Speaker 1>final trage is just for the music. Dot dot dot question.

0:44:41.760 --> 0:44:44.839
<v Speaker 2>Mark, Yeah, what happened? What went on there?

0:44:44.920 --> 0:44:45.560
<v Speaker 3>What did happen?

0:44:45.800 --> 0:44:47.760
<v Speaker 1>My prediction is that he was writing Wicked at exactly

0:44:47.800 --> 0:44:49.160
<v Speaker 1>the same time, and so he just had to like

0:44:49.160 --> 0:44:50.080
<v Speaker 1>write this in one night.

0:44:52.760 --> 0:44:54.520
<v Speaker 3>Because Wicked ate, but this does not eat.

0:44:54.600 --> 0:44:58.400
<v Speaker 2>Wicked was very good. This sucked a trage for God

0:44:58.600 --> 0:45:03.120
<v Speaker 2>is also a American man. I think it's awesome. I

0:45:03.120 --> 0:45:07.759
<v Speaker 2>think it was Val Kilmer. That's so embarrassing. What an ego? Wait,

0:45:07.920 --> 0:45:09.680
<v Speaker 2>you go, you see a bush. It talks to you

0:45:09.719 --> 0:45:11.880
<v Speaker 2>in your own voice, and you're like, I heard God,

0:45:12.960 --> 0:45:17.800
<v Speaker 2>Oh my god, someone slap him. Eo boo.

0:45:18.400 --> 0:45:23.919
<v Speaker 3>That's so funny. That's so funny. Every guy who tells

0:45:23.920 --> 0:45:26.840
<v Speaker 3>me about the screenplay he's writing. Literally, I went, I

0:45:26.880 --> 0:45:28.080
<v Speaker 3>heard my own voice and it was gone.

0:45:28.120 --> 0:45:29.680
<v Speaker 2>I had an idea for this sketch. I think it's

0:45:29.680 --> 0:45:30.920
<v Speaker 2>really funny. Do you want to hear it? Well, you're

0:45:30.920 --> 0:45:36.040
<v Speaker 2>going to fuck off A trage for the music they

0:45:36.080 --> 0:45:39.839
<v Speaker 2>play while God is turning the nile to blood was

0:45:39.880 --> 0:45:45.279
<v Speaker 2>not right. It was very like, yes, it needed to

0:45:45.360 --> 0:45:45.719
<v Speaker 2>be like.

0:45:55.040 --> 0:45:55.480
<v Speaker 3>Listeners.

0:45:55.520 --> 0:45:57.839
<v Speaker 1>By the way, just so you know, Leona put up

0:45:57.880 --> 0:46:00.200
<v Speaker 1>both her hands in the sort of rock what is

0:46:00.239 --> 0:46:06.080
<v Speaker 1>this rock and roll? Okay, we just found out that

0:46:06.120 --> 0:46:09.200
<v Speaker 1>when you do that on Apple, it makes lasers that

0:46:09.239 --> 0:46:10.040
<v Speaker 1>happen behind you.

0:46:10.920 --> 0:46:14.800
<v Speaker 2>And my final tragedy is this movie is long, not literally,

0:46:14.960 --> 0:46:18.040
<v Speaker 2>but it felt long. I it was long.

0:46:19.960 --> 0:46:22.160
<v Speaker 1>I'm didn't like I have no allegiance to this film.

0:46:22.360 --> 0:46:24.960
<v Speaker 1>It was they did a bad job. I think I

0:46:25.040 --> 0:46:26.480
<v Speaker 1>just genuinely think they did a bad job.

0:46:28.480 --> 0:46:30.439
<v Speaker 2>I don't know how you could do a good job

0:46:30.520 --> 0:46:30.759
<v Speaker 2>with this.

0:46:31.200 --> 0:46:31.920
<v Speaker 3>This shouldn't be.

0:46:31.880 --> 0:46:34.280
<v Speaker 1>An animated movie, a little more charming.

0:46:34.320 --> 0:46:36.640
<v Speaker 2>It's like a crazy story to be like, hey, kids

0:46:36.640 --> 0:46:37.360
<v Speaker 2>gather around.

0:46:37.960 --> 0:46:39.960
<v Speaker 1>I think they needed to commit to the remember when.

0:46:39.840 --> 0:46:42.480
<v Speaker 2>You were a baby? Well, imagine that there's a scythe

0:46:42.680 --> 0:46:45.600
<v Speaker 2>and an angry soldier holding it.

0:46:45.719 --> 0:46:48.320
<v Speaker 3>The fuck they couldn't decide the tone. It was no good.

0:46:48.800 --> 0:46:51.680
<v Speaker 1>Um okay, Leanna, let's move on to our next segment,

0:46:51.719 --> 0:46:54.000
<v Speaker 1>which is how to pretend you've seen this film.

0:46:54.120 --> 0:46:58.319
<v Speaker 2>This is more you are herding your sheep.

0:46:58.120 --> 0:47:01.640
<v Speaker 3>You're hurting your sheep. Come on, come on here, and God.

0:47:03.760 --> 0:47:05.719
<v Speaker 2>Is that okay? You're okay with that?

0:47:05.880 --> 0:47:10.520
<v Speaker 1>God yells at you in the voice of Jeff Goldblim,

0:47:10.719 --> 0:47:13.400
<v Speaker 1>Jeff gold who was in this for no reason, maybe

0:47:13.400 --> 0:47:17.200
<v Speaker 1>the only Jewish person that we hear about, and he says.

0:47:17.840 --> 0:47:22.480
<v Speaker 3>Ah, isn't that what he does?

0:47:23.160 --> 0:47:28.279
<v Speaker 2>Yeah? Yes, yes, it's a lot.

0:47:28.200 --> 0:47:31.600
<v Speaker 1>Of hurting sheep over there.

0:47:32.440 --> 0:47:38.319
<v Speaker 3>That reminds me of a movie that remember I was in.

0:47:38.400 --> 0:47:42.680
<v Speaker 1>I was in as a little character named Yahweh, And.

0:47:43.800 --> 0:47:45.000
<v Speaker 3>I'd love to tell you about it.

0:47:45.040 --> 0:47:46.840
<v Speaker 1>If you haven't minute, we can talk about it together.

0:47:47.200 --> 0:47:51.759
<v Speaker 2>And in order to extinguish this bush, we're going to

0:47:51.800 --> 0:47:54.240
<v Speaker 2>give you a few sentences you can say to pretend

0:47:54.320 --> 0:47:57.160
<v Speaker 2>you've seen the film Prince of Egypt.

0:47:58.760 --> 0:48:00.799
<v Speaker 1>Well, I have the best piece of true about this movie,

0:48:00.800 --> 0:48:03.040
<v Speaker 1>which I think many of us know. This was the

0:48:03.040 --> 0:48:05.120
<v Speaker 1>film that DreamWorks was making and focusing on.

0:48:05.880 --> 0:48:07.480
<v Speaker 3>Have you heard this? And that.

0:48:09.000 --> 0:48:11.759
<v Speaker 1>When an animator would mess up on this film, when

0:48:11.800 --> 0:48:15.160
<v Speaker 1>they were getting like punished and taken off the project,

0:48:15.480 --> 0:48:17.440
<v Speaker 1>they would be sent to work on another movie that

0:48:17.520 --> 0:48:19.479
<v Speaker 1>was going on that nobody wanted to work on because

0:48:19.480 --> 0:48:23.200
<v Speaker 1>it wasn't supposed to be as like successful or exciting

0:48:23.640 --> 0:48:27.600
<v Speaker 1>and it was a movie called Shrek uh, and so

0:48:27.640 --> 0:48:30.120
<v Speaker 1>it was called being shreked O.

0:48:30.760 --> 0:48:33.160
<v Speaker 2>God, from you got shrekeed.

0:48:33.640 --> 0:48:36.960
<v Speaker 1>You were sent from Prince of Egypt to Shrek, and

0:48:37.000 --> 0:48:38.319
<v Speaker 1>thus Shrek was born.

0:48:38.360 --> 0:48:40.839
<v Speaker 3>And it's so much more memorable than this.

0:48:40.920 --> 0:48:48.080
<v Speaker 2>Wow, it shaped a generation. Oh my god, Yes, God,

0:48:48.800 --> 0:48:54.120
<v Speaker 2>I've seen Prince of Egypt. You know that baby, the

0:48:54.160 --> 0:48:58.319
<v Speaker 2>way that they animated him, his face, he looks. That

0:48:58.400 --> 0:49:02.719
<v Speaker 2>baby has the face of an That baby looks like

0:49:02.800 --> 0:49:06.160
<v Speaker 2>he owns a railroad in the nineteenth century.

0:49:06.680 --> 0:49:08.400
<v Speaker 3>A face like a railroad owner.

0:49:11.680 --> 0:49:13.319
<v Speaker 2>I mean, no wonder they took him in. They were like,

0:49:13.360 --> 0:49:15.400
<v Speaker 2>I think this guy knows about oppressing the worker.

0:49:17.160 --> 0:49:18.160
<v Speaker 3>You can tell in his face.

0:49:18.320 --> 0:49:20.320
<v Speaker 1>Yeah, I think that baby up out of a basket,

0:49:20.400 --> 0:49:22.160
<v Speaker 1>I could tell you new how to oppress some people.

0:49:22.640 --> 0:49:24.360
<v Speaker 2>Oh yeah, love that baby.

0:49:25.400 --> 0:49:29.600
<v Speaker 1>Yes, God, I have seen the film Prince of Egypt.

0:49:29.640 --> 0:49:32.120
<v Speaker 1>The four minute parting of the Red Sea sequence took

0:49:32.160 --> 0:49:37.760
<v Speaker 1>ten animators two years to complete. No, and also, Steven

0:49:37.800 --> 0:49:41.640
<v Speaker 1>Spielberg insisted that the film end on Moses carrying the

0:49:41.680 --> 0:49:47.160
<v Speaker 1>Ten Commandments. That's fine, what that makes sense? Why do

0:49:47.200 --> 0:49:49.839
<v Speaker 1>you have to insist so much? What do people want? Ah?

0:49:49.920 --> 0:49:52.399
<v Speaker 2>Yes, God, I've seen Prince of Egypt. There is one

0:49:52.440 --> 0:49:54.919
<v Speaker 2>line in it that was very a huge mood, which

0:49:54.960 --> 0:49:57.520
<v Speaker 2>is when Moses says, I've done nothing in my life

0:49:57.600 --> 0:50:03.760
<v Speaker 2>worth honoring. Hello, Hello, I felt that my sweaty ass

0:50:03.760 --> 0:50:07.400
<v Speaker 2>felt that this week I have swamp ass.

0:50:07.480 --> 0:50:12.480
<v Speaker 1>I just swamp ass is real. Yes, God, I have

0:50:12.560 --> 0:50:16.160
<v Speaker 1>seen the film Prince of Egypt. One reason why Val

0:50:16.239 --> 0:50:20.359
<v Speaker 1>Kilmer was selected to play God was because the filmmakers

0:50:20.480 --> 0:50:23.840
<v Speaker 1>liked the idea that God was acting as Moses's inner

0:50:23.960 --> 0:50:25.440
<v Speaker 1>voice in order.

0:50:25.239 --> 0:50:32.080
<v Speaker 2>To guide to God jimminy cricket ass. Yes, God, I've

0:50:32.120 --> 0:50:35.240
<v Speaker 2>seen the Prince of Egypt. You know you said something

0:50:35.280 --> 0:50:40.440
<v Speaker 2>in that movie when you've said I am that I am,

0:50:40.920 --> 0:50:45.600
<v Speaker 2>that had the exact same energy as when in Succession,

0:50:46.120 --> 0:50:49.720
<v Speaker 2>cousin Greg is testifying in front of Congress and says,

0:50:50.360 --> 0:50:53.360
<v Speaker 2>if it is to be said, so it be, so

0:50:53.520 --> 0:50:59.719
<v Speaker 2>it is. Oh my God, Siena, let's let's ride a

0:50:59.800 --> 0:51:02.680
<v Speaker 2>hip bow into our next segment. Should you watch this

0:51:03.000 --> 0:51:04.880
<v Speaker 2>or in which we tell you if we think you

0:51:04.920 --> 0:51:08.160
<v Speaker 2>should watch this movie or if you should do something

0:51:08.320 --> 0:51:10.560
<v Speaker 2>anything else with your time.

0:51:11.120 --> 0:51:12.439
<v Speaker 3>I have the perfect answers.

0:51:12.680 --> 0:51:14.440
<v Speaker 2>Oh I do too, Okay, what's yours?

0:51:14.520 --> 0:51:14.759
<v Speaker 3>Okay?

0:51:14.800 --> 0:51:15.120
<v Speaker 2>Yeah.

0:51:15.320 --> 0:51:17.879
<v Speaker 1>My perfect answer is you do not need to watch

0:51:17.920 --> 0:51:20.960
<v Speaker 1>this film. I'm sorry, this film is lame. I would say,

0:51:21.040 --> 0:51:24.399
<v Speaker 1>if you want to get a childish, if you want

0:51:24.400 --> 0:51:27.120
<v Speaker 1>to get some of the stories of the Bible, because

0:51:27.160 --> 0:51:29.680
<v Speaker 1>sometimes it's nice to just see them because nobody wants

0:51:29.719 --> 0:51:33.279
<v Speaker 1>to read that, but you could watch Veggietails. They sum

0:51:33.280 --> 0:51:36.160
<v Speaker 1>it up a little Vegietails, which also is sort of

0:51:36.680 --> 0:51:40.080
<v Speaker 1>that that's really making it for kids right there. And

0:51:40.320 --> 0:51:43.680
<v Speaker 1>if you want to get the like sort of ancient

0:51:43.800 --> 0:51:46.359
<v Speaker 1>pizzazz vibes that they seem to really want to give

0:51:46.480 --> 0:51:51.279
<v Speaker 1>with this, watch Emperor's Groove ancient pizzazz. It is so

0:51:51.440 --> 0:51:55.520
<v Speaker 1>good and it's so filmy, so enjoyable. It's it's the

0:51:55.520 --> 0:51:58.320
<v Speaker 1>opposite of this in vibes. This is like serious, turgid

0:51:58.360 --> 0:52:02.520
<v Speaker 1>and lame. Thisg and it's just such a good movie.

0:52:02.600 --> 0:52:06.160
<v Speaker 3>It's so fun. Boom Baby, they wanted most boom Baby.

0:52:06.200 --> 0:52:09.000
<v Speaker 1>Boomy Baby'd be very Reverend Leanna, what about you.

0:52:09.040 --> 0:52:12.040
<v Speaker 2>That's true, I would say, if you don't watch this,

0:52:12.680 --> 0:52:17.279
<v Speaker 2>if you are looking for something that includes ancient Egyptian

0:52:17.560 --> 0:52:24.560
<v Speaker 2>mythology and at least some actual Egyptians, you should, and

0:52:24.600 --> 0:52:32.319
<v Speaker 2>in fact must, watch the series Moon Night perfect, the

0:52:32.360 --> 0:52:37.600
<v Speaker 2>best thing. It's one of my favorite TV shows and

0:52:37.640 --> 0:52:41.480
<v Speaker 2>it was one glorious season that was never going to

0:52:41.520 --> 0:52:42.600
<v Speaker 2>be renewed ever.

0:52:45.680 --> 0:52:46.560
<v Speaker 3>And I love it.

0:52:46.680 --> 0:52:49.000
<v Speaker 2>I love it so much. And the hippo is in it.

0:52:49.080 --> 0:52:50.920
<v Speaker 2>The hippo goddess is in it.

0:52:50.920 --> 0:52:52.160
<v Speaker 3>It was a cool little series.

0:52:52.280 --> 0:52:53.799
<v Speaker 2>Poet, I think that's her name.

0:52:54.400 --> 0:52:55.000
<v Speaker 3>I think you're right.

0:52:55.680 --> 0:53:03.719
<v Speaker 2>Ah yeah, baby boom, baby boom, Cianna, what would you

0:53:03.800 --> 0:53:05.600
<v Speaker 2>rate the film Prince of Egypt?

0:53:05.719 --> 0:53:06.160
<v Speaker 3>Odd?

0:53:06.520 --> 0:53:09.600
<v Speaker 1>Guys, they did not do a good job. Whatever teamwork

0:53:09.680 --> 0:53:11.040
<v Speaker 1>was happening, didn't.

0:53:11.160 --> 0:53:12.200
<v Speaker 3>It didn't give I'm.

0:53:12.040 --> 0:53:14.400
<v Speaker 2>Sorry, and well everybody kept getting shrecked.

0:53:14.440 --> 0:53:19.279
<v Speaker 1>I guess yeah, I give this like one locust out

0:53:19.280 --> 0:53:20.560
<v Speaker 1>of five mm.

0:53:21.000 --> 0:53:21.600
<v Speaker 3>I just didn't.

0:53:21.719 --> 0:53:25.160
<v Speaker 1>I just And also some of my dislike distaste for

0:53:25.200 --> 0:53:26.719
<v Speaker 1>this movie comes for the fact that I had to

0:53:26.800 --> 0:53:28.200
<v Speaker 1>keep watching it as a kid, and I was always like,

0:53:28.280 --> 0:53:33.399
<v Speaker 1>really that guy. Nothing against Moses, but this movie did

0:53:33.440 --> 0:53:34.520
<v Speaker 1>not light me up.

0:53:34.760 --> 0:53:35.960
<v Speaker 3>Leanna put about yourself.

0:53:37.080 --> 0:53:40.360
<v Speaker 2>Yes, I too would give Prince of Egypt one hippo

0:53:40.640 --> 0:53:46.000
<v Speaker 2>out of millions the billions that were in ancient.

0:53:45.640 --> 0:53:48.760
<v Speaker 1>And Egypt they wish out of five.

0:53:50.200 --> 0:53:54.840
<v Speaker 2>Moses was really hot, but it was so so wrong,

0:53:55.719 --> 0:53:58.560
<v Speaker 2>and none of the songs slapped in the way that

0:53:58.640 --> 0:54:02.319
<v Speaker 2>we all know they could have. Yes, exactly, and it

0:54:02.440 --> 0:54:07.160
<v Speaker 2>was confusing and shouldn't have been an animated film. This

0:54:07.200 --> 0:54:12.680
<v Speaker 2>should never for children, This should never have happened. But again,

0:54:12.800 --> 0:54:15.600
<v Speaker 2>at least they were like slavery was really bad. It's

0:54:15.680 --> 0:54:20.560
<v Speaker 2>really horrible to treat people this way. So one hip

0:54:20.800 --> 0:54:25.239
<v Speaker 2>of well, all right, praise be thanks everybody, get it.

0:54:25.320 --> 0:54:27.279
<v Speaker 1>We just listened to Prince of Egypt. Sorry, if it's

0:54:27.280 --> 0:54:29.760
<v Speaker 1>your fave, I think you can rewatch it because.

0:54:29.520 --> 0:54:30.239
<v Speaker 3>It was not good.

0:54:30.760 --> 0:54:31.319
<v Speaker 2>Revisit that.

0:54:31.520 --> 0:54:34.360
<v Speaker 1>Yeah, thank you so much. We are at Toss Popcorn.

0:54:34.360 --> 0:54:37.319
<v Speaker 1>You can find us at toss Popcorn on Instagram dot com,

0:54:37.320 --> 0:54:39.920
<v Speaker 1>where we post a little means and posters that we

0:54:39.960 --> 0:54:42.319
<v Speaker 1>do that are fun for us. And then you can

0:54:42.360 --> 0:54:44.919
<v Speaker 1>find us on patreon dot com slash toss Popcorn, where

0:54:44.920 --> 0:54:49.440
<v Speaker 1>we give reviews of movies that are modern today and

0:54:49.480 --> 0:54:54.640
<v Speaker 1>you can see our faces for better and next week

0:54:55.040 --> 0:54:56.799
<v Speaker 1>when we will be watching Oh please, can we watch

0:54:56.840 --> 0:55:05.240
<v Speaker 1>Trek Shrek? Yeah, don't care if our watch of Shrek

0:55:05.320 --> 0:55:07.480
<v Speaker 1>is just Leanna saying don't get a whole the time,

0:55:07.560 --> 0:55:11.839
<v Speaker 1>don't care, laugh, don't care.

0:55:15.920 --> 0:55:16.360
<v Speaker 2>Thank you.

0:55:16.680 --> 0:55:26.080
<v Speaker 1>We love you bye, don't care, don'tky. You can find

0:55:26.120 --> 0:55:29.360
<v Speaker 1>us on Instagram as at Sienna Jaco and at Leanna Holsten.

0:55:29.719 --> 0:55:31.000
<v Speaker 1>Please check the description for.

0:55:30.960 --> 0:55:32.520
<v Speaker 3>The spelling of our dumb names.

0:55:32.640 --> 0:55:34.840
<v Speaker 1>We put out episodes every Tuesday, so make sure to

0:55:34.920 --> 0:55:37.840
<v Speaker 1>subscribe so that you don't miss an episode. See you

0:55:37.880 --> 0:55:40.960
<v Speaker 1>next week on Tossed Popcorn. For more podcasts from my

0:55:41.040 --> 0:55:43.120
<v Speaker 1>Heart Radio, check the iHeartRadio app.

0:55:44.600 --> 0:55:54.759
<v Speaker 2>What noise do you think of hippo makes? Okay? Okay,

0:55:54.800 --> 0:55:55.960
<v Speaker 2>I'll try growl does it?

0:55:55.960 --> 0:55:56.400
<v Speaker 3>What does it do?

0:55:56.640 --> 0:55:59.479
<v Speaker 2>I'll try noise of hippo makes?

0:56:01.000 --> 0:56:18.360
<v Speaker 3>Don't care? Hm hmmm, why did I expect that? Don't get.

0:56:21.520 --> 0:56:23.880
<v Speaker 2>Two thousand Scottish hippos.

0:56:23.440 --> 0:56:26.239
<v Speaker 3>Don't get, don't get, don't get, don't good, don't get.

0:56:26.840 --> 0:56:28.560
<v Speaker 3>And the Egyptians were so scared.