WEBVTT - Sacred Trees of the World

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 2>is Robert Lamb.

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<v Speaker 3>And I am Joe McCormick.

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<v Speaker 2>And today's episode of Stuff to Blow Your Mind is

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<v Speaker 2>a travel episode. That's, of course a broad category that

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<v Speaker 2>we're sometimes asked to consider. And since we've already done

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<v Speaker 2>more specific episodes on say, the psychology of travel, like

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<v Speaker 2>why do we travel, what does the travel do to

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<v Speaker 2>the brain, and so forth, we decided to turn our

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<v Speaker 2>attention instead to topics that invited travel. You know that

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<v Speaker 2>maybe even sort of summoned an itinerary or a bucket

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<v Speaker 2>list in the mind of the listener. Certainly get in

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<v Speaker 2>touch with an actual travel agent or travel coordinator if

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<v Speaker 2>you need a book flights based on anything we discussed here.

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<v Speaker 2>But yeah, I mean, there are many reasons to travel.

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<v Speaker 2>To visit friends and family, to take in culture and cuisine,

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<v Speaker 2>to visit natural wonders, and of course to experience various

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<v Speaker 2>ecosystems while we still can. And I was thinking about

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<v Speaker 2>all of this during recent travels with my family and

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<v Speaker 2>kind of landed on a focus for this episode. Sacred

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<v Speaker 2>trees of the world, often old and or ancient trees

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<v Speaker 2>that instantly set our minds and perhaps our spirits as well,

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<v Speaker 2>into motion. I don't know if you've had this experience, Joe,

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<v Speaker 2>when you've been around you know, big trees, old trees,

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<v Speaker 2>novel trees, and so forth.

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<v Speaker 3>I'm a big fan of trees. I can easily get

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<v Speaker 3>to thinking of trees as sacred just in their generic form.

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<v Speaker 3>Like a forest is a place that feels like a

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<v Speaker 3>church to me. You know, I like to be surrounded

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<v Speaker 3>by trees. There's a part of me that feels a

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<v Speaker 3>little I don't know, I get my hackles up a

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<v Speaker 3>bit when there are no trees around, when I'm just

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<v Speaker 3>in like an empty field. I don't know if that

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<v Speaker 3>bothers you in the same way it does bother me.

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<v Speaker 3>It really does, like I need some vertical things around me.

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<v Speaker 3>I assume that's a fairly common experience. I don't know,

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<v Speaker 3>but I have respect for their power as well. I

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<v Speaker 3>don't remember if we ever talked about this on the show,

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<v Speaker 3>but you know, there was a week last summer, not

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<v Speaker 3>this year, but the year before where a huge old

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<v Speaker 3>tree in our neighbor's yard fell down, took out the

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<v Speaker 3>power lines, and it was like you know, it was

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<v Speaker 3>a long time coming back from that. There was a

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<v Speaker 3>large storm, and of course Atlanta has a lot of

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<v Speaker 3>trees in it, so you know, things were falling down

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<v Speaker 3>all over the place, many people affected. But yeah, it

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<v Speaker 3>just kind of reminds you that there are there are

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<v Speaker 3>these wooden gods all around you, these giant, giant beings

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<v Speaker 3>that are alive and going through life cycles of their own.

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<v Speaker 3>You don't always notice it, but some of them are

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<v Speaker 3>young and growing, and some of them are old and ailing,

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<v Speaker 3>and some of them are covered in parasites, and others

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<v Speaker 3>are you know, getting stronger by the day. And there's

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<v Speaker 3>a kind of plant drama that we miss out on

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<v Speaker 3>because we're not really attuned to its frequency. It's happening

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<v Speaker 3>usually on a timescale that we're not very sensitive too.

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<v Speaker 2>Yeah. Yeah, there's this sense that they are divine beings

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<v Speaker 2>and you don't want to invoke their wrath, but also

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<v Speaker 2>we benefit from their shade and their comfort, and you know,

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<v Speaker 2>and they're just great to be around. We lost several

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<v Speaker 2>big trees in the immediate vicinity here in part due

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<v Speaker 2>to the recent storms, but also I think kind of

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<v Speaker 2>the aftermath of those storms, I believe I was looking

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<v Speaker 2>at an article in the AJAC having to do with, like,

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<v Speaker 2>you know, insurance companies becoming more strict about large trees

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<v Speaker 2>and overarching limbs and so forth for insurance policies on

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<v Speaker 2>homes and so At any rate, there are a number

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<v Speaker 2>of big trees that I'm just accustomed to seeing that

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<v Speaker 2>are no longer there.

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<v Speaker 3>Yeah, when a big tree falls, when it falls naturally

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<v Speaker 3>or when it gets cut down, you know, just because

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<v Speaker 3>it's looming, I do feel that as a missing presence,

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<v Speaker 3>and you know, it's like somebody has gone out of

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<v Speaker 3>my life. You get used to the canopy and their presence.

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<v Speaker 3>It does change the landscape. So yeah, that kind of

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<v Speaker 3>thing actually does. It affects me a lot when trees

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<v Speaker 3>are gone. But to come to the idea of sacred trees,

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<v Speaker 3>when you suggested this as an episode topic, I thought

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<v Speaker 3>it was really cool, and I thought it was also

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<v Speaker 3>interesting how it can be taken a couple of different ways, right,

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<v Speaker 3>because when you think of a sacred tree, you could

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<v Speaker 3>be thinking of a specific tree, like maybe a really

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<v Speaker 3>beautiful tree, or a really old tree, a really giant tree,

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<v Speaker 3>a specific tree or specific grove of trees that people

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<v Speaker 3>go to, and maybe that specific place has meaning to people,

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<v Speaker 3>or you could be thinking about a kind of tree

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<v Speaker 3>that has a kind of sacred significance in say a

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<v Speaker 3>culture or mythology.

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<v Speaker 2>Yeah, exactly, there are various ways to think about it.

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<v Speaker 2>And then we'll get into examples of how like the

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<v Speaker 2>sacred nature of a given variety of tree or maybe

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<v Speaker 2>even individual trees. You know, it can vary over time,

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<v Speaker 2>it can certainly wane, and then it has to be

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<v Speaker 2>relearned and so forth. So humans have a law history

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<v Speaker 2>of seeing the sacred in trees. Certainly, tree symbols go

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<v Speaker 2>way back. We have various examples of you know, the

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<v Speaker 2>likes of world trees bridging Earth to the cosmos and

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<v Speaker 2>so forth. So pretty much anywhere you go, especially if

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<v Speaker 2>there are large trees of some sort there are there's

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<v Speaker 2>there's gonna be some sort of tradition, and so you

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<v Speaker 2>really could chart your travels based entirely on the big trees.

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<v Speaker 2>To be clear, this is not quite what we do,

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<v Speaker 2>but I now that I think back on it. Pretty

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<v Speaker 2>much anywhere we travel, we often end up checking out

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<v Speaker 2>really cool trees. You know, It's like it's it's often

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<v Speaker 2>on the itinerary. If there's some sort of you know,

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<v Speaker 2>nature based attraction. There's a good chance they'll be an

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<v Speaker 2>interesting tree. So we have sought out trees in various

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<v Speaker 2>travel destinations before, So in this episode we're going to

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<v Speaker 2>look at at least a couple of examples of sacred

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<v Speaker 2>trees of the world. We are not going to cover

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<v Speaker 2>all of them. That would take far more than even

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<v Speaker 2>a few episodes. But hey, if listeners enjoy our treatment

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<v Speaker 2>here today, this is something we can perhaps come back

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<v Speaker 2>to in the future. So for our first destination, I

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<v Speaker 2>want to bring you to the western Sierra Nevada. This

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<v Speaker 2>is in California here in the United States, to see

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<v Speaker 2>the giant Sequoia trees, also known as the giant redwood. Specifically,

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<v Speaker 2>the species we're talking about here is Sequoia dendron gigantium,

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<v Speaker 2>and there are two related trees in the same subfan family,

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<v Speaker 2>and I'll mention these as well. I think as we've

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<v Speaker 2>received the coast redwood or coastal redwood or California redwood

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<v Speaker 2>Sequoia simper veins. These are also giant trees. And then

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<v Speaker 2>there's the don redwood or meta sequoia. This is the

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<v Speaker 2>shortest of the redwoods, but I think still a big

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<v Speaker 2>tree by most other measurements. So again, in their natural habitat,

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<v Speaker 2>you'll find the giant sequoia on the western slopes of

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<v Speaker 2>the Sierra Nevada Mountain range of California. As their name implies,

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<v Speaker 2>they are among the largest trees in the world. There

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<v Speaker 2>are several different ways to decide on how the honors

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<v Speaker 2>of giant tree biggest tree are divvied out, But if

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<v Speaker 2>you focus purely on raw height, trunk volume, limb volume,

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<v Speaker 2>or bark thickness among currently living trees, the giant sacquoya

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<v Speaker 2>is absolutely have it. Though to be clear, just over

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<v Speaker 2>the last century, humans have cut down some trees of

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<v Speaker 2>various species that would be considered the tallest today if

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<v Speaker 2>they were still alive, and another caveat if those historic

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<v Speaker 2>measurements were accurate to begin with.

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<v Speaker 3>Ah okay, so some people in the past were like, Hey,

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<v Speaker 3>this might be the biggest tree ever. Let's cut it

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<v Speaker 3>down to see.

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<v Speaker 2>Yeah, there's there's a long There are multiple examples of

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<v Speaker 2>that that going on, you know, where it's a big tree,

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<v Speaker 2>let's cut it down. We've got to we've gotta tell

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<v Speaker 2>the rest of the country about this. The way to

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<v Speaker 2>do that is to go ahead and cut it down

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<v Speaker 2>and get a nice big sample on it and send

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<v Speaker 2>it out. Let it travel around from city to city. Now,

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<v Speaker 2>according to the National Park Service, the two largest giant

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<v Speaker 2>sequoias in the world are the General Sherman Tree and

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<v Speaker 2>the General Grant Tree. These are the names, obviously we

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<v Speaker 2>give the trees. They didn't choose to be named after

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<v Speaker 2>what are to them very recent human beings. Both of

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<v Speaker 2>these can be found in Sequoia and Kings Canyon National Parks.

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<v Speaker 2>I had the chance to visit these parks on a

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<v Speaker 2>recent trip with my family. We went out to California.

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<v Speaker 2>I got to experience these amazing organisms up close or

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<v Speaker 2>as close as you know you're allowed to get to them.

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<v Speaker 2>And as the National Park Service points out, these are

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<v Speaker 2>I mean, it's like this with a lot of things

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<v Speaker 2>in nature. It's this is the way it is with say,

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<v Speaker 2>the Grand Canyon. You can look at a picture, but

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<v Speaker 2>it's another thing to experience it. To be there and

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<v Speaker 2>take in the vastness, the emptiness of it is just

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<v Speaker 2>an entirely different experience. And it's absolutely the same thing

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<v Speaker 2>with these massive giants sequoia trees. You look at a

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<v Speaker 2>picture and yeah, they look big, but you're often seeing

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<v Speaker 2>them next to other gigantic trees. There'll be people in

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<v Speaker 2>the shot as well, but you can't always completely grasp

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<v Speaker 2>how big they are. But when you're there, there's just

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<v Speaker 2>no denying it. I mean, it is like this, we

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<v Speaker 2>compare it to a cathedral, but it's even grander than that.

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<v Speaker 3>Yes, as far as I know, I've never seen a

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<v Speaker 3>giant sequoia in person, but I have been to a

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<v Speaker 3>coastal redwood forest, so not exactly the same, but very similar.

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<v Speaker 3>Years ago, my wife and I we were visiting family

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<v Speaker 3>on a trip to southwest Oregon, so we were in

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<v Speaker 3>a fairly secluded area around the Rogue River Siskiyou National

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<v Speaker 3>Forest in Oregon. One day we just drove down over

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<v Speaker 3>the state border into northern California and spent the day

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<v Speaker 3>walking around in the redwood trees. And yeah, absolutely marvelous experience.

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<v Speaker 3>It's hard to know exactly how to describe it. I

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<v Speaker 3>like your comparison to a cathedral rob not just in

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<v Speaker 3>the more abstract sense that it feels sacred, but in

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<v Speaker 3>kind of specific sensory qualities. There's a sense in which

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<v Speaker 3>you feel enclosed, but enclosed in a kind of vast

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<v Speaker 3>and powerful space, not like a small room, but like

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<v Speaker 3>a cathedral. You know, there's a vaulted canopy over you,

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<v Speaker 3>these trees going up so high. There's a sense in

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<v Speaker 3>which sound is kind of changed in these forests. That

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<v Speaker 3>also reminds me of the well, I don't know here,

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<v Speaker 3>probably less like the sounds of a cathedral, which are

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<v Speaker 3>a bit more echoey with all the stone. I think

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<v Speaker 3>there's more damping of the sound in the forest. But

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<v Speaker 3>still there's something in common there, kind of an ability

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<v Speaker 3>to hear indistinct murmuring all around you, you know, just

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<v Speaker 3>this just this kind of drone that lends itself well

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<v Speaker 3>to achieving a peaceful state of mind. Also smells, I

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<v Speaker 3>remember thinking, you know, there are smells of I guess

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<v Speaker 3>just decomposing wood and all the normal things of life

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<v Speaker 3>going on in this forest. That reminded me of the

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<v Speaker 3>smells you might get in a church or in a

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<v Speaker 3>high church kind of cathedral, like incense and stuff like that.

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<v Speaker 2>Yeah, no burning incense around these trees, by the way. Yeah,

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<v Speaker 2>but yeah, these things are massive, like for example, the

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<v Speaker 2>largest giants saquoias, are said to be as tall as

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<v Speaker 2>twenty six story buildings, and to put that in you

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<v Speaker 2>compare that to an actual building. The historic Flat Iron

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<v Speaker 2>Building in New York City is twenty two stories tall,

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<v Speaker 2>and unlike a skyscraper, these trees are alive and growing.

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<v Speaker 2>Giants Saccoia Is, according to the NPS, produce roughly forty

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<v Speaker 2>cubic feet or one cubic meter of wood each year,

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<v Speaker 2>so they just continue to bulk up. And you know,

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<v Speaker 2>you can compare that to like how many trees worth

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<v Speaker 2>of wood it's growing per year. The General Sherman tree

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<v Speaker 2>currently stands at two hundred and seventy four point nine

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<v Speaker 2>feet tall, has a ground circumference of one hundred and

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<v Speaker 2>two point six feet and a trunk volume of fifty

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<v Speaker 2>five hundred and eight cubic feet. General Grant is a

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<v Speaker 2>little shorter but has a slightly larger ground circumference.

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<v Speaker 3>I wonder why they named the bigger one after Sherman

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<v Speaker 3>and the slightly smaller one after Grant. I guess Sherman

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<v Speaker 3>the man was I assumed taller than Grant, just imagining

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<v Speaker 3>from the way they look in pictures. I mean, I

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<v Speaker 3>never seen him side by side.

0:12:26.440 --> 0:12:29.800
<v Speaker 2>They neither could take this as a slight. These are trees.

0:12:31.120 --> 0:12:33.360
<v Speaker 3>I'm just saying, Grant was his boss. They should have

0:12:33.360 --> 0:12:34.400
<v Speaker 3>made the bigger one Grant.

0:12:35.920 --> 0:12:39.400
<v Speaker 2>The thing is like, not only do they dwarf us

0:12:39.480 --> 0:12:43.400
<v Speaker 2>in space in size, but they also dwarf us in time.

0:12:44.240 --> 0:12:46.800
<v Speaker 2>And I think that's another reason that it's easy to

0:12:46.800 --> 0:12:48.720
<v Speaker 2>think of them in terms of the sacred. And these

0:12:49.040 --> 0:12:52.840
<v Speaker 2>are giants that are especially long lived. They are thought

0:12:52.840 --> 0:12:55.880
<v Speaker 2>to live more than three thousand years in some cases.

0:12:56.160 --> 0:12:59.839
<v Speaker 2>The Grizzly Giant Tree, for example, this is one I

0:13:00.000 --> 0:13:02.160
<v Speaker 2>also got to see. This one is in Yosemite National

0:13:02.160 --> 0:13:07.360
<v Speaker 2>Park's Mariposa Grove. It's one that has this enormously thick

0:13:07.880 --> 0:13:10.640
<v Speaker 2>limb coming out from the side of it, like it

0:13:10.720 --> 0:13:14.880
<v Speaker 2>looks like the tree has developed a giant muscle arm

0:13:14.920 --> 0:13:18.000
<v Speaker 2>and is about to flex. Like it's just it's on

0:13:18.080 --> 0:13:20.440
<v Speaker 2>inspiring and a little frightening because it just doesn't it

0:13:20.440 --> 0:13:23.400
<v Speaker 2>doesn't look stable. But it's been obviously it's been up

0:13:23.400 --> 0:13:26.400
<v Speaker 2>there for a very long time. But this tree in

0:13:26.440 --> 0:13:29.760
<v Speaker 2>particular is thought to be between two thousand and three

0:13:29.800 --> 0:13:34.360
<v Speaker 2>thousand years old, according to the National Park Service. A

0:13:34.520 --> 0:13:37.959
<v Speaker 2>twenty nineteen study put it at two nine hundred and

0:13:38.080 --> 0:13:39.199
<v Speaker 2>ninety five years old.

0:13:39.800 --> 0:13:42.720
<v Speaker 3>That's funny precision. Shouldn't you just say three thousand?

0:13:44.720 --> 0:13:46.240
<v Speaker 2>I mean, I don't know you cross the line at

0:13:46.240 --> 0:13:51.400
<v Speaker 2>that point, right, But I mean the exact estimated ages

0:13:51.559 --> 0:13:54.839
<v Speaker 2>of some of these trees has varied over time, as

0:13:55.320 --> 0:13:58.400
<v Speaker 2>you know. Sometimes it's been a lot, a lot greater

0:13:58.760 --> 0:14:02.600
<v Speaker 2>and then they pull back on them. But just assuming

0:14:02.640 --> 0:14:06.080
<v Speaker 2>that we're talking about two thousand, nine hundred ninety five

0:14:06.120 --> 0:14:09.079
<v Speaker 2>years old, I mean, just think about that, this tree

0:14:09.200 --> 0:14:13.400
<v Speaker 2>has potentially lived since what nine to seventy BCE, a

0:14:13.480 --> 0:14:16.520
<v Speaker 2>time when pharaohs and Old Testament kings walk the earth,

0:14:17.559 --> 0:14:21.120
<v Speaker 2>more than nine centuries before the birth of Christ, almost

0:14:21.120 --> 0:14:24.880
<v Speaker 2>too millennia before the earliest known first contact between Europeans

0:14:24.920 --> 0:14:28.760
<v Speaker 2>and Native North American peoples. You know, our lives, even

0:14:28.760 --> 0:14:30.360
<v Speaker 2>the two hundred and forty eight year history of the

0:14:30.440 --> 0:14:32.960
<v Speaker 2>United States is just a drop in the bucket compared

0:14:32.960 --> 0:14:35.840
<v Speaker 2>to the life span of one of these wooden Leviathans.

0:14:36.400 --> 0:14:38.080
<v Speaker 3>Makes you want to ask it for advice.

0:14:39.080 --> 0:14:42.960
<v Speaker 2>Yeah, it doesn't have any advice to give, like, but

0:14:44.040 --> 0:14:46.600
<v Speaker 2>you know, just keep growing. I guess it's its whole thing.

0:14:48.160 --> 0:14:51.320
<v Speaker 2>And they're pretty. But yeah, these are just such fascinating trees.

0:14:51.360 --> 0:14:54.680
<v Speaker 2>So we could go into great depth about them here,

0:14:54.720 --> 0:14:57.120
<v Speaker 2>but I'm just gonna hit some of the high points.

0:14:58.480 --> 0:14:59.960
<v Speaker 2>One of the big ones, of course, is they drop

0:15:00.080 --> 0:15:02.680
<v Speaker 2>their lower branches as they grow, and this helps to

0:15:02.720 --> 0:15:06.600
<v Speaker 2>afford them resistance against forest fires. And indeed, and I

0:15:06.680 --> 0:15:10.040
<v Speaker 2>believe we've probably discussed this on the show before, wildfires

0:15:10.040 --> 0:15:13.400
<v Speaker 2>are part of their life cycle. Their seed strategy evolved

0:15:13.440 --> 0:15:18.160
<v Speaker 2>alongside periodic fires, so their closed cones hold on to

0:15:18.240 --> 0:15:21.200
<v Speaker 2>their seeds for as much as twenty years, opening up

0:15:21.760 --> 0:15:26.000
<v Speaker 2>when there's that hot, dry air outside brought on by wildfires.

0:15:26.320 --> 0:15:29.320
<v Speaker 2>This allows the seeds to pop out and take advantage

0:15:29.360 --> 0:15:33.200
<v Speaker 2>of those post fire soils and the openness of the

0:15:33.200 --> 0:15:38.760
<v Speaker 2>post fire environment. Okay, and so they're impressive survivors on

0:15:38.840 --> 0:15:43.240
<v Speaker 2>their own without humans protecting them or interfering with them,

0:15:43.440 --> 0:15:48.080
<v Speaker 2>they got by just fine, and thus far they've also

0:15:48.120 --> 0:15:52.240
<v Speaker 2>survived the dangers of human logging and other human cause

0:15:52.320 --> 0:15:56.560
<v Speaker 2>problems in the environment. Part of this, to understand is

0:15:56.560 --> 0:16:01.280
<v Speaker 2>because the giant Sequoia two didn't have as what was

0:16:01.320 --> 0:16:03.720
<v Speaker 2>considered as high a quality of wood as some of

0:16:03.720 --> 0:16:07.440
<v Speaker 2>the competing giants, which maybe helped prevent us from cutting

0:16:08.000 --> 0:16:11.280
<v Speaker 2>them all down. But they remain endangered and protected to

0:16:11.360 --> 0:16:14.560
<v Speaker 2>this day getting into the sacredness of it. You know,

0:16:14.680 --> 0:16:21.120
<v Speaker 2>modern interlopers into these environments certainly would would connect with

0:16:20.880 --> 0:16:24.080
<v Speaker 2>the sacredness of them. There's a sacredness that kind of

0:16:24.320 --> 0:16:29.480
<v Speaker 2>builds up. So Europeans initially began to encounter these trees,

0:16:29.880 --> 0:16:33.120
<v Speaker 2>and you know, individuals may have thought they looked impressive

0:16:33.280 --> 0:16:35.320
<v Speaker 2>or you found something sacred and then but a lot

0:16:35.360 --> 0:16:38.040
<v Speaker 2>of people just saw them as resources to be plundered.

0:16:38.960 --> 0:16:41.680
<v Speaker 2>And then that begins to change over time. But you know,

0:16:41.800 --> 0:16:44.960
<v Speaker 2>gets to the point where the General Grant Tree, for example,

0:16:45.040 --> 0:16:48.080
<v Speaker 2>was dubbed the Nation's Christmas Tree in nineteen twenty six,

0:16:48.760 --> 0:16:52.400
<v Speaker 2>and various dedications and proclamations have taken place in the

0:16:52.440 --> 0:16:55.160
<v Speaker 2>presence of these trees, as if you know, it is

0:16:55.280 --> 0:17:00.440
<v Speaker 2>like sacred American ground upon which you know one should

0:17:00.600 --> 0:17:06.200
<v Speaker 2>be present, you know, where one might make something you know, official,

0:17:06.320 --> 0:17:09.480
<v Speaker 2>and so forth, as if before the eyes of God

0:17:09.600 --> 0:17:13.720
<v Speaker 2>or something. In fact, if you're looking for an example

0:17:13.760 --> 0:17:18.000
<v Speaker 2>of like bipartisan unity in American politics, at least non

0:17:18.000 --> 0:17:21.280
<v Speaker 2>contemporary politics, you can look to multiple examples of past

0:17:21.440 --> 0:17:24.960
<v Speaker 2>US presidents at the very least expressing admiration for the

0:17:24.960 --> 0:17:27.520
<v Speaker 2>great trees, which I guess you know, if I'm going

0:17:27.600 --> 0:17:30.080
<v Speaker 2>to be cynical as far as politics go, I mean,

0:17:30.119 --> 0:17:32.760
<v Speaker 2>it's it's a pretty safe bet to be like pro

0:17:33.080 --> 0:17:37.560
<v Speaker 2>giant sequoia after a point, right, it would be a

0:17:37.560 --> 0:17:41.000
<v Speaker 2>weird hill to die upon otherwise. And so you have

0:17:41.960 --> 0:17:47.320
<v Speaker 2>past US presidents from both major parties that have expanded

0:17:47.359 --> 0:17:51.320
<v Speaker 2>protection for giants aquoias. So I mean that's pretty cool,

0:17:51.960 --> 0:17:54.720
<v Speaker 2>you know, I'll take that. Also worth noting that in

0:17:54.800 --> 0:17:58.040
<v Speaker 2>May of nineteen forty five, more than five hundred United

0:17:58.119 --> 0:18:02.080
<v Speaker 2>Nations delegates attended the first UN Peace Conference in San Francisco,

0:18:02.560 --> 0:18:06.240
<v Speaker 2>and they gathered at Newer Woods National Monument, home to

0:18:06.720 --> 0:18:10.360
<v Speaker 2>a number of these sequoia simper vans or coastal redwoods

0:18:10.359 --> 0:18:12.760
<v Speaker 2>that we mentioned earlier, as well as some pretty great

0:18:12.800 --> 0:18:15.840
<v Speaker 2>banana slugs, like go for the trees, but stay for

0:18:15.880 --> 0:18:18.080
<v Speaker 2>the banana slugs and you know, the world peace.

0:18:18.720 --> 0:18:21.320
<v Speaker 3>One of my good family friends was a camp counselor

0:18:21.359 --> 0:18:23.760
<v Speaker 3>somewhere out there, and it's like it was like a

0:18:23.840 --> 0:18:26.240
<v Speaker 3>nature camp, and apparently they had some great songs about

0:18:26.240 --> 0:18:27.960
<v Speaker 3>banana slugs the kids liked.

0:18:28.320 --> 0:18:31.320
<v Speaker 2>They're very impressive. Well, we took my son out there

0:18:31.359 --> 0:18:36.000
<v Speaker 2>when he was a lot younger, and he really barely

0:18:36.040 --> 0:18:38.400
<v Speaker 2>cared about the trees, but he was excited to see

0:18:38.400 --> 0:18:40.760
<v Speaker 2>the banana slugs. And we got there early in the morning,

0:18:40.760 --> 0:18:42.760
<v Speaker 2>and at first we did not see any banana slugs,

0:18:42.760 --> 0:18:45.440
<v Speaker 2>and he was about to become very upset at having

0:18:45.480 --> 0:18:48.240
<v Speaker 2>not seen them, and then luckily a park ranger showed

0:18:48.320 --> 0:18:50.720
<v Speaker 2>us one, and then we were like, oh, okay, all

0:18:50.800 --> 0:18:51.240
<v Speaker 2>was saved.

0:18:51.800 --> 0:18:54.720
<v Speaker 3>I think the thing is, you hear banana slug and

0:18:54.760 --> 0:18:57.560
<v Speaker 3>you think it's just a name. Until you see it.

0:18:57.720 --> 0:19:01.840
<v Speaker 3>You don't realize how much like a banana it's gonna look. Yeah.

0:19:02.080 --> 0:19:15.320
<v Speaker 2>Absolutely Now. Before the coming of the Europeans, the treaties

0:19:15.359 --> 0:19:18.800
<v Speaker 2>were already held in high, even sacred regard, though they

0:19:18.840 --> 0:19:24.200
<v Speaker 2>were not called Sequoias. The Europeans selected names seemingly derives

0:19:24.400 --> 0:19:29.040
<v Speaker 2>from that of Cherokee polymath Sequoia, who live seventeen sixty

0:19:29.080 --> 0:19:33.520
<v Speaker 2>seven through eighteen forty three, though this connection is sometimes contested.

0:19:34.560 --> 0:19:37.240
<v Speaker 2>At any rate, the situation may be much like the

0:19:37.320 --> 0:19:41.280
<v Speaker 2>name Yosemite itself, which is derived from actual names in

0:19:41.320 --> 0:19:46.080
<v Speaker 2>the Miwok languages. But itself, the word Yosemite doesn't really

0:19:46.160 --> 0:19:50.160
<v Speaker 2>mean much, you know, It's just like a composite word now,

0:19:50.160 --> 0:19:51.879
<v Speaker 2>Who were the Miwok peoples. They were one of the

0:19:51.960 --> 0:19:55.159
<v Speaker 2>native inhabitants of what is now northern California, and they

0:19:55.200 --> 0:19:59.639
<v Speaker 2>practiced complex landscape and ecosystem management strategies to help ensure

0:19:59.680 --> 0:20:03.680
<v Speaker 2>the the dominance of for them, key acorn producing trees.

0:20:04.960 --> 0:20:07.960
<v Speaker 2>This is something you can learn about if you visit Yosemite.

0:20:08.600 --> 0:20:11.800
<v Speaker 2>They have a lot of really fascinating stuff about how

0:20:11.840 --> 0:20:15.000
<v Speaker 2>they would gather these acorns, process them, save them. It

0:20:15.080 --> 0:20:18.199
<v Speaker 2>was a vital resource for them, and they would do

0:20:18.280 --> 0:20:22.920
<v Speaker 2>things like engage in intentional burns to manage both vegetation

0:20:23.160 --> 0:20:27.280
<v Speaker 2>and game, ensuring the acorns, but also this would tie

0:20:27.320 --> 0:20:29.720
<v Speaker 2>into the management of game that they would hunt as well.

0:20:30.359 --> 0:20:33.719
<v Speaker 2>And they reportedly, and this reporting tends to come from

0:20:33.800 --> 0:20:37.240
<v Speaker 2>Europeans that were at the time at least looking to

0:20:37.320 --> 0:20:42.320
<v Speaker 2>exploit exotic romanticism about Yosemite, they would say that the

0:20:42.480 --> 0:20:47.280
<v Speaker 2>native peoples knew the giant sequoias as Wawona. Wawona is

0:20:47.320 --> 0:20:51.160
<v Speaker 2>also the name of an historic hotel in Yosemite One.

0:20:51.320 --> 0:20:53.000
<v Speaker 2>I've stayed at it a couple of times. It's a

0:20:53.119 --> 0:20:58.879
<v Speaker 2>very interesting historic landmark. But as to what Wowona actually meant,

0:20:58.920 --> 0:21:02.080
<v Speaker 2>Like you see counts that it is referring to the trees.

0:21:02.440 --> 0:21:06.280
<v Speaker 2>There are also accounts that it is referring to owls

0:21:06.359 --> 0:21:09.159
<v Speaker 2>or the sound the hoot of an owl as it

0:21:09.200 --> 0:21:12.720
<v Speaker 2>is heard passing through a grove of these trees. And

0:21:12.800 --> 0:21:15.080
<v Speaker 2>it does seem like there is some sort of connection

0:21:15.240 --> 0:21:17.639
<v Speaker 2>between the owls and the great trees. They have a

0:21:17.680 --> 0:21:21.240
<v Speaker 2>shared sacredness in the tradition, with the owl possibly serving

0:21:21.560 --> 0:21:24.480
<v Speaker 2>as like a spirit guardian of the Great trees. So

0:21:24.520 --> 0:21:25.960
<v Speaker 2>I was looking to read more about this, so I

0:21:26.080 --> 0:21:30.040
<v Speaker 2>turned to a book titled King Sequoia, The Tree That

0:21:30.160 --> 0:21:33.280
<v Speaker 2>inspired a nation created international park System and changed the

0:21:33.280 --> 0:21:36.760
<v Speaker 2>way we think about nature, by William C. Tweed. This

0:21:36.800 --> 0:21:40.000
<v Speaker 2>is a really interesting book. I definitely recommend this for

0:21:40.080 --> 0:21:43.440
<v Speaker 2>anyone out there who wants a deeper dive into the

0:21:43.480 --> 0:21:48.200
<v Speaker 2>history of this tree and how, and as the title indicates,

0:21:48.760 --> 0:21:51.800
<v Speaker 2>the role it has played and sort of the changing

0:21:51.960 --> 0:21:57.200
<v Speaker 2>attitude we've had towards the natural world in the United States.

0:21:57.760 --> 0:21:59.960
<v Speaker 2>But he points out that prior to the Gold Rush

0:22:00.080 --> 0:22:02.960
<v Speaker 2>of the eighteen forties in the eighteen fifties, the domains

0:22:03.000 --> 0:22:05.679
<v Speaker 2>of the Great Trees were largely left alone by Europeans,

0:22:06.000 --> 0:22:09.720
<v Speaker 2>including during the Spanish and Mexican period. Preceding the gold Rush,

0:22:10.200 --> 0:22:13.160
<v Speaker 2>these areas have been mostly left alone to the native

0:22:13.160 --> 0:22:16.560
<v Speaker 2>inhabitants of those regions. But then when the gold rush occurs,

0:22:16.680 --> 0:22:19.639
<v Speaker 2>people come out looking for the gold, tearing up the

0:22:19.680 --> 0:22:23.200
<v Speaker 2>land for the gold, and of course ultimately decimating indigenous

0:22:23.200 --> 0:22:26.960
<v Speaker 2>populations and driving them from their lands. The author here

0:22:27.000 --> 0:22:29.840
<v Speaker 2>points out that nearly all of California's native groups, including

0:22:29.880 --> 0:22:33.200
<v Speaker 2>the Miwok, of course, understood the importance of fire to

0:22:33.359 --> 0:22:36.240
<v Speaker 2>the ecosystem, as we mentioned earlier, and used it to

0:22:36.240 --> 0:22:39.600
<v Speaker 2>manage vegetation and game. And this is interesting in that

0:22:39.920 --> 0:22:43.800
<v Speaker 2>this is a lesson that Europeans and Americans would be

0:22:43.960 --> 0:22:47.480
<v Speaker 2>very slow to realize, to realize that, yes, you can't

0:22:47.520 --> 0:22:50.960
<v Speaker 2>just prevent all wildfires, you have to of course engage

0:22:51.119 --> 0:22:56.080
<v Speaker 2>in strategic, small scale burns, in part because this is

0:22:56.119 --> 0:23:00.760
<v Speaker 2>what the natural environment is accustomed to. Also goes into

0:23:01.320 --> 0:23:04.480
<v Speaker 2>detail about the many steps that were involved in the

0:23:04.520 --> 0:23:07.919
<v Speaker 2>near worship of these great trees in the early twentieth

0:23:07.960 --> 0:23:11.000
<v Speaker 2>century in America. You know, it was very much a

0:23:11.040 --> 0:23:13.879
<v Speaker 2>transition from past attitudes that against all these trees as

0:23:13.960 --> 0:23:17.480
<v Speaker 2>mere resources to plunder like everything else, to this growing

0:23:17.600 --> 0:23:21.280
<v Speaker 2>sense that these trees are special, and then that idea

0:23:21.320 --> 0:23:23.719
<v Speaker 2>seems to sort of it's sort of like, once you

0:23:23.760 --> 0:23:25.639
<v Speaker 2>pull on it, you begin to pull up these other

0:23:25.720 --> 0:23:27.600
<v Speaker 2>ideas and you realize, oh, well, maybe it's not just

0:23:27.680 --> 0:23:30.280
<v Speaker 2>the trees that are sacred, you know, it's the areas

0:23:30.280 --> 0:23:32.960
<v Speaker 2>around the trees. Maybe it's the whole ecosystem that the

0:23:33.000 --> 0:23:35.760
<v Speaker 2>trees are a part of. Maybe it's the natural world

0:23:35.800 --> 0:23:39.480
<v Speaker 2>that is important here and should be conserved. However, he

0:23:39.520 --> 0:23:43.800
<v Speaker 2>points out that sadly, in terms of what the indigenous

0:23:43.800 --> 0:23:47.520
<v Speaker 2>people thought specifically about these trees, he said that we've

0:23:47.560 --> 0:23:50.879
<v Speaker 2>lost quote most of the experiences, tales, and wisdom of

0:23:50.920 --> 0:23:53.159
<v Speaker 2>the first peoples to have walked in the shadows and

0:23:53.240 --> 0:23:57.920
<v Speaker 2>sunlit reflections of these mountain forests. But he still points

0:23:57.960 --> 0:24:01.440
<v Speaker 2>out that from what we do know, from what was

0:24:01.480 --> 0:24:04.959
<v Speaker 2>passed down and remembered, quote, they perceived the trees as

0:24:05.000 --> 0:24:07.560
<v Speaker 2>they did everything else that surrounded them, as part of

0:24:07.600 --> 0:24:11.520
<v Speaker 2>a complex web of existence that had spiritual value embedded

0:24:11.800 --> 0:24:14.880
<v Speaker 2>in every element. And of course, if the Miwok saw

0:24:15.040 --> 0:24:18.679
<v Speaker 2>the trees as part of a grander world of interconnected

0:24:18.720 --> 0:24:21.720
<v Speaker 2>spirits in nature, then you know, perhaps we can see

0:24:21.760 --> 0:24:24.080
<v Speaker 2>the giant sequoias and their ken as like the prime

0:24:24.200 --> 0:24:29.200
<v Speaker 2>deities that again steadily helped to reveal the sacred aspects

0:24:29.240 --> 0:24:34.000
<v Speaker 2>of nature to a wider American public. You know, that

0:24:34.160 --> 0:24:37.960
<v Speaker 2>leads you know, early conservationists like John Muir himself to

0:24:38.119 --> 0:24:40.959
<v Speaker 2>refer to the trees as the noblest of the noble

0:24:41.040 --> 0:24:45.760
<v Speaker 2>race and noblest of God's trees. So I left this research,

0:24:45.960 --> 0:24:49.760
<v Speaker 2>you know, wanting to know more about how indigenous people

0:24:49.840 --> 0:24:54.080
<v Speaker 2>specifically thought about the great Sequoias, the giant Sequoias. It

0:24:54.119 --> 0:24:57.560
<v Speaker 2>sounds like a lot of those traditions have been lost,

0:24:58.320 --> 0:25:03.399
<v Speaker 2>but it is interesting how though those traditions were decimated

0:25:03.400 --> 0:25:05.720
<v Speaker 2>and lost, there is this sense of sort of like

0:25:05.800 --> 0:25:13.320
<v Speaker 2>rediscovering them in the history of conservationists in America, realizing

0:25:13.359 --> 0:25:16.960
<v Speaker 2>that the trees should be protected and and should be conserved.

0:25:17.600 --> 0:25:20.280
<v Speaker 2>But again that's it's very much a transition. There's certainly

0:25:20.440 --> 0:25:22.760
<v Speaker 2>a phase in between there where we have a lot

0:25:22.800 --> 0:25:24.760
<v Speaker 2>of like the cutting down of these trees or the

0:25:24.840 --> 0:25:27.560
<v Speaker 2>drilling of great holes in them so you can drive

0:25:27.600 --> 0:25:29.480
<v Speaker 2>an automobile through them. And I guess, you know, part

0:25:29.520 --> 0:25:31.520
<v Speaker 2>of that is like we've got to show people how

0:25:31.520 --> 0:25:34.440
<v Speaker 2>big these are. Let's put a car next to it. No,

0:25:34.640 --> 0:25:37.359
<v Speaker 2>let's drive a car through it, you know, without fully

0:25:37.400 --> 0:25:39.840
<v Speaker 2>realizing that, you know, how destructive that is.

0:25:40.520 --> 0:25:42.600
<v Speaker 3>I was just reminded of seeing that photo when you

0:25:42.600 --> 0:25:44.440
<v Speaker 3>said it. I don't know how common that is. Is

0:25:44.480 --> 0:25:46.399
<v Speaker 3>that something that happened to a bunch of trees or

0:25:46.480 --> 0:25:49.399
<v Speaker 3>is it just like that one famous one, the driving

0:25:49.400 --> 0:25:50.120
<v Speaker 3>the car through.

0:25:49.920 --> 0:25:52.119
<v Speaker 2>I mean, oh, I mean there there have been a

0:25:52.119 --> 0:25:57.120
<v Speaker 2>couple of different examples of this. National Park Service actually

0:25:57.160 --> 0:25:59.280
<v Speaker 2>has a has a page about this you can look up,

0:25:59.280 --> 0:26:01.119
<v Speaker 2>called the Myth of the Tree you Can Drive Through

0:26:02.480 --> 0:26:05.520
<v Speaker 2>and it covers, like some of a couple of the

0:26:05.560 --> 0:26:09.200
<v Speaker 2>actual examples of trees that had been tunneled. One of

0:26:09.240 --> 0:26:12.320
<v Speaker 2>the ones that they have pictured in this article is

0:26:12.640 --> 0:26:15.320
<v Speaker 2>in the Suqua National Park and it's a tree that

0:26:15.359 --> 0:26:18.040
<v Speaker 2>had already fallen and then they had dug out an

0:26:18.080 --> 0:26:21.560
<v Speaker 2>area to drive a tree through. But unfortunately, like live

0:26:21.600 --> 0:26:25.760
<v Speaker 2>trees were also tunneled. Yeah, the Wawona tree is one

0:26:25.800 --> 0:26:29.440
<v Speaker 2>that they write in this article stood for eighty eight summers,

0:26:30.040 --> 0:26:34.200
<v Speaker 2>but then eventually it fell during a severe winter between

0:26:34.280 --> 0:26:37.480
<v Speaker 2>nineteen sixty eight and nineteen sixty nine. And part of this,

0:26:37.520 --> 0:26:40.200
<v Speaker 2>of course, is that when you tunnel a tree, you

0:26:40.359 --> 0:26:43.960
<v Speaker 2>weaken the tree, so there you go. Yeah, so it's

0:26:43.960 --> 0:26:47.000
<v Speaker 2>not something that is currently done. Now. I want to

0:26:47.040 --> 0:26:50.679
<v Speaker 2>add an important note on the Mewook people. We've been

0:26:50.720 --> 0:26:54.880
<v Speaker 2>speaking about them in an historic context here, who they

0:26:54.920 --> 0:26:57.879
<v Speaker 2>were when Europeans first encountered them, and what they lost

0:26:57.920 --> 0:27:00.720
<v Speaker 2>in terms of life, culture, and then so stroll land

0:27:01.080 --> 0:27:04.119
<v Speaker 2>because of that contact. But it's important to stress that

0:27:04.200 --> 0:27:07.879
<v Speaker 2>the Miwook did not vanish, and they the indigenous people

0:27:07.880 --> 0:27:12.160
<v Speaker 2>of central California, still largely reside there on five rancherias

0:27:12.320 --> 0:27:16.240
<v Speaker 2>under tribal leadership, as well as elsewhere in California. Their

0:27:16.280 --> 0:27:19.760
<v Speaker 2>access to ancestral lands in Yosemite, i'm to understand, has

0:27:19.800 --> 0:27:22.680
<v Speaker 2>improved quite a bit in recent years, though there's obviously

0:27:22.960 --> 0:27:25.679
<v Speaker 2>a long way to go there. So those are the

0:27:25.680 --> 0:27:31.359
<v Speaker 2>giants squoias. So we have visited California. Where are we

0:27:31.440 --> 0:27:32.440
<v Speaker 2>off to next, Joe?

0:27:33.000 --> 0:27:36.359
<v Speaker 3>Well, the tree I wanted to talk about is is

0:27:36.400 --> 0:27:39.320
<v Speaker 3>one I've never seen in person before, but I think

0:27:39.440 --> 0:27:42.480
<v Speaker 3>probably you have because you've been to the place it grows.

0:27:42.920 --> 0:27:45.600
<v Speaker 3>So this is a tree that is found in Hawaii,

0:27:45.840 --> 0:27:48.679
<v Speaker 3>and for centuries it has been an important part of

0:27:48.760 --> 0:27:52.960
<v Speaker 3>Hawaiian culture, both in a practical sense as a source

0:27:53.000 --> 0:27:56.560
<v Speaker 3>of wood used to make a variety of objects, but

0:27:56.600 --> 0:27:58.919
<v Speaker 3>then also in a sacred sense. For its role in

0:27:59.000 --> 0:28:03.199
<v Speaker 3>Hawaiian religion and mythology, this tree is known as the

0:28:03.320 --> 0:28:10.359
<v Speaker 3>Ohea lahua. The scientific nomenclature is Metrocederos polymorpha. So I

0:28:10.440 --> 0:28:13.320
<v Speaker 3>was going to start by trying to describe what an

0:28:13.320 --> 0:28:17.040
<v Speaker 3>ohe lahua looks like, but that's a kind of complicated

0:28:17.080 --> 0:28:21.800
<v Speaker 3>proposition because the species name, again is polymorpha, which means

0:28:21.880 --> 0:28:25.400
<v Speaker 3>many forms or many shapes, and that is quite appropriate

0:28:25.480 --> 0:28:29.320
<v Speaker 3>to describe this plant, which, depending on circumstances, can change

0:28:29.359 --> 0:28:32.160
<v Speaker 3>the color of its flowers. They can be cherry red,

0:28:32.320 --> 0:28:34.960
<v Speaker 3>that's the most common version you'll see, but also pink

0:28:35.160 --> 0:28:38.480
<v Speaker 3>or even lemon yellow. It can change the size and

0:28:38.600 --> 0:28:41.760
<v Speaker 3>shape of its leaves, and it can vary drastically in

0:28:41.840 --> 0:28:46.200
<v Speaker 3>its overall size and growth pattern. So sometimes the Ohee

0:28:46.240 --> 0:28:49.719
<v Speaker 3>la hua is a small shrub you might see projecting

0:28:49.800 --> 0:28:53.800
<v Speaker 3>from a fresh black lava field, or sometimes it is

0:28:53.840 --> 0:28:56.360
<v Speaker 3>a tree more than fifty feet tall in a dense

0:28:56.400 --> 0:29:00.240
<v Speaker 3>forest of many of the same tree. So it takes

0:29:00.000 --> 0:29:03.120
<v Speaker 3>many forms. It can be a shrub, can be a tree,

0:29:03.440 --> 0:29:06.160
<v Speaker 3>and in its tree form, this species is the most

0:29:06.320 --> 0:29:10.880
<v Speaker 3>abundant of Hawaii's native trees. Going back centuries, the wood

0:29:10.960 --> 0:29:14.000
<v Speaker 3>of the Ohelahua has been used by the people of Hawaii,

0:29:14.360 --> 0:29:17.480
<v Speaker 3>especially for sacred and religious purposes. It's been used to

0:29:17.480 --> 0:29:22.480
<v Speaker 3>make tools like wooden beaters that are used for producing kappa,

0:29:22.600 --> 0:29:26.560
<v Speaker 3>a traditional textile of Hawaii, but it's also been used

0:29:26.560 --> 0:29:30.240
<v Speaker 3>to make things like statues for religious purposes, representations of

0:29:30.280 --> 0:29:34.920
<v Speaker 3>gods and other spiritual beings. So Rabbi included some pictures

0:29:34.960 --> 0:29:37.360
<v Speaker 3>for you to look at here in the outline. One

0:29:37.400 --> 0:29:41.680
<v Speaker 3>thing that's very notable about the blossoms of the ohela

0:29:41.800 --> 0:29:47.120
<v Speaker 3>Hua is that they have these many projecting stamens, so

0:29:47.160 --> 0:29:49.480
<v Speaker 3>they can look kind of like a sea anemone.

0:29:50.080 --> 0:29:53.440
<v Speaker 2>Yes, yes, I do remember these. These are quite beautiful.

0:29:54.480 --> 0:29:58.120
<v Speaker 2>And then you also share some images of the full

0:29:58.160 --> 0:30:02.640
<v Speaker 2>sized trees with that are kind of I guess you

0:30:02.720 --> 0:30:05.520
<v Speaker 2>might describe these as kind of like veining. There's a

0:30:05.520 --> 0:30:08.240
<v Speaker 2>sense of like veining upward, or it's almost like the

0:30:08.560 --> 0:30:11.280
<v Speaker 2>shape of roots growing into the sky. I don't know.

0:30:11.320 --> 0:30:15.160
<v Speaker 2>This feels insufficient, but it's one of the one of

0:30:15.200 --> 0:30:19.480
<v Speaker 2>the aspects of the forest of why that certainly resonated

0:30:19.480 --> 0:30:20.960
<v Speaker 2>with me a lot when I was there be it,

0:30:21.240 --> 0:30:24.080
<v Speaker 2>you know, in the botanical garden situation, or just driving,

0:30:24.960 --> 0:30:28.840
<v Speaker 2>you know, across the islands. You just see these beautiful

0:30:28.880 --> 0:30:31.240
<v Speaker 2>trees and they're just like they're unlike anything I'm accustomed

0:30:31.240 --> 0:30:31.960
<v Speaker 2>to seeing back home.

0:30:32.040 --> 0:30:35.280
<v Speaker 3>Obviously. Yeah, it's funny because in a couple of the

0:30:35.840 --> 0:30:39.800
<v Speaker 3>myths I was reading that incorporate this tree, the tree

0:30:39.840 --> 0:30:43.080
<v Speaker 3>is described in some sense as like gnar oled or ugly,

0:30:43.960 --> 0:30:47.880
<v Speaker 3>but in other cases it's regarded specifically for its beauty,

0:30:47.920 --> 0:30:51.960
<v Speaker 3>and certainly the blossoms are always thought of as particularly beautiful.

0:30:52.880 --> 0:30:55.360
<v Speaker 3>And I guess those two different ways of describing it

0:30:55.400 --> 0:30:57.440
<v Speaker 3>come together in one of the last myths I'm going

0:30:57.480 --> 0:30:59.800
<v Speaker 3>to get to in this section. But so, yeah, you

0:30:59.840 --> 0:31:01.959
<v Speaker 3>can see a diversity of forms. If you look up

0:31:02.000 --> 0:31:08.080
<v Speaker 3>images again, it's the Ohea lehua. There's some unusual characters

0:31:08.120 --> 0:31:10.920
<v Speaker 3>in the Anglicized version of the name, but I think

0:31:10.960 --> 0:31:14.080
<v Speaker 3>if you just type in O h I A l

0:31:14.120 --> 0:31:17.160
<v Speaker 3>e h u A you can find it. But anyway,

0:31:17.200 --> 0:31:21.880
<v Speaker 3>these forms include full sized trees with woody trunks, and

0:31:21.920 --> 0:31:26.440
<v Speaker 3>also just these particularly lovely red blossomed shrubs that you

0:31:26.480 --> 0:31:30.200
<v Speaker 3>see growing up from cracks in new volcanic rocks. Sometimes

0:31:30.240 --> 0:31:34.720
<v Speaker 3>by themselves. They're known for beings among the first plants

0:31:34.760 --> 0:31:37.120
<v Speaker 3>to sort of fill in and colonize an area that

0:31:37.160 --> 0:31:40.120
<v Speaker 3>has newly been paved over by a volcanic eruption.

0:31:40.680 --> 0:31:44.480
<v Speaker 2>And that's always picturesque. It's like the hang in there

0:31:44.520 --> 0:31:46.960
<v Speaker 2>baby signed with the cat, you know. It's like like,

0:31:47.320 --> 0:31:50.200
<v Speaker 2>look at this, Even in the midst of of all

0:31:50.240 --> 0:31:54.040
<v Speaker 2>of this volcanic desolation, there's re growth, Like this is

0:31:54.080 --> 0:31:55.800
<v Speaker 2>a cycle we're witnessing here.

0:31:56.200 --> 0:32:00.240
<v Speaker 3>Yeah. So I was reading in multiple sources that the

0:32:00.240 --> 0:32:05.000
<v Speaker 3>Ohee Lahua is a type of sacred tree within Hawaiian tradition.

0:32:05.160 --> 0:32:07.160
<v Speaker 3>But what was interesting to me the more I got

0:32:07.200 --> 0:32:11.800
<v Speaker 3>into it was the diversity of ways that this sacred

0:32:11.840 --> 0:32:16.880
<v Speaker 3>status was defined. That there are so many different connection

0:32:17.120 --> 0:32:21.600
<v Speaker 3>points between this species of tree and traditional stories and

0:32:21.680 --> 0:32:26.040
<v Speaker 3>beliefs of the Hawaiian people, for example, gods and spiritual

0:32:26.080 --> 0:32:29.880
<v Speaker 3>beings embodied by or represented by the tree. This is

0:32:30.000 --> 0:32:33.280
<v Speaker 3>not a case where you will get one clear and

0:32:33.400 --> 0:32:38.800
<v Speaker 3>unique association between one deity and one plant species. Instead,

0:32:38.920 --> 0:32:41.600
<v Speaker 3>I've found so many stories in which this tree is

0:32:41.640 --> 0:32:45.680
<v Speaker 3>the embodiment of or is associated with so many different

0:32:45.920 --> 0:32:49.600
<v Speaker 3>named spiritual beings in Hawaiian religion. So I just want

0:32:49.640 --> 0:32:51.320
<v Speaker 3>to list some of the things I've come across to

0:32:51.320 --> 0:32:54.200
<v Speaker 3>give a sense of this diversity. One thing is I

0:32:54.280 --> 0:32:58.240
<v Speaker 3>was listening to a video interview with a scholar, a

0:32:58.280 --> 0:33:03.120
<v Speaker 3>professor named Kalna Silva, who is at the University of Hawaii, Hilo,

0:33:03.480 --> 0:33:07.800
<v Speaker 3>who specializes in Hawaiian language and history, and he says

0:33:08.000 --> 0:33:11.280
<v Speaker 3>that the Ohia Lahua is what he calls the physical

0:33:11.320 --> 0:33:16.080
<v Speaker 3>manifestation of a couple of divine figures he names he

0:33:16.240 --> 0:33:19.920
<v Speaker 3>Iyaka and Laka. So I went looking for more on

0:33:19.960 --> 0:33:23.800
<v Speaker 3>these two connections. First of all, Laka is a name

0:33:24.000 --> 0:33:28.480
<v Speaker 3>referring actually to multiple figures within Hawaiian religion. One is

0:33:28.480 --> 0:33:31.600
<v Speaker 3>a goddess of the growing forest as well as well

0:33:31.640 --> 0:33:35.640
<v Speaker 3>as of hula dancing, and another is a member of

0:33:35.760 --> 0:33:40.760
<v Speaker 3>the assemblage of cou gods Ku gods, which I'll say

0:33:40.760 --> 0:33:45.120
<v Speaker 3>more about in a minute. But this Laca god is

0:33:45.240 --> 0:33:48.480
<v Speaker 3>also associated with hula dancing. So both of these associated

0:33:48.520 --> 0:33:51.600
<v Speaker 3>with hula dancing, which you might have some awareness of

0:33:51.640 --> 0:33:53.920
<v Speaker 3>as a form of dance, but it's not just a

0:33:53.960 --> 0:33:57.080
<v Speaker 3>form of dance. One thing that's important to understand about

0:33:57.160 --> 0:34:00.840
<v Speaker 3>hula is that it is narrative in so it's a

0:34:00.920 --> 0:34:05.280
<v Speaker 3>dance that tells stories about Hawaiian history and mythology and

0:34:05.320 --> 0:34:10.360
<v Speaker 3>so forth. The other entity that Silva mentions as being

0:34:10.719 --> 0:34:15.000
<v Speaker 3>embodied in the tree is he Iyaka, who is an

0:34:15.040 --> 0:34:19.520
<v Speaker 3>interesting figure, the daughter of the goddess Halmea and the

0:34:19.520 --> 0:34:24.200
<v Speaker 3>god Kane, and also the younger sister of the volcano

0:34:24.280 --> 0:34:27.960
<v Speaker 3>goddess Pele. So there is a famous story about the

0:34:28.040 --> 0:34:33.080
<v Speaker 3>two sisters Pele and he Iyaka, which exists in apparently

0:34:33.160 --> 0:34:34.880
<v Speaker 3>a lot of different forms. This will sort of be

0:34:34.960 --> 0:34:37.759
<v Speaker 3>a theme today, many different forms, but I'll give an

0:34:37.800 --> 0:34:41.080
<v Speaker 3>abridged summary of one form of the story. This form

0:34:41.120 --> 0:34:44.360
<v Speaker 3>is hosted on the National Parks page for Hawaii Volcano's

0:34:44.440 --> 0:34:49.160
<v Speaker 3>National Park. It starts off with Pele. She lives up

0:34:49.239 --> 0:34:53.680
<v Speaker 3>on the volcanic mountain of Kilauea, and once Pele had

0:34:53.760 --> 0:34:57.880
<v Speaker 3>a lover named Lohiao, who lived on a different island

0:34:57.920 --> 0:35:01.520
<v Speaker 3>from her, on the island of Kawaii. Pele wanted to

0:35:01.600 --> 0:35:04.440
<v Speaker 3>see her lover, but he was so far away, so

0:35:04.719 --> 0:35:07.320
<v Speaker 3>she asked her sisters to go to the other island

0:35:07.360 --> 0:35:10.720
<v Speaker 3>and bring him back to her, and only her youngest sister,

0:35:10.840 --> 0:35:14.239
<v Speaker 3>he Iyaka, agreed. And while he Iyaka is away on

0:35:14.320 --> 0:35:17.719
<v Speaker 3>this mission, Pele promised that she would take good care

0:35:17.800 --> 0:35:20.520
<v Speaker 3>of what he Iyaka cared about the most, which was

0:35:20.719 --> 0:35:25.080
<v Speaker 3>a sacred grove of Ohia trees and of he Iaka's

0:35:25.120 --> 0:35:29.319
<v Speaker 3>best friend Apoe. Unfortunately, when he Eyaka got to the

0:35:29.360 --> 0:35:33.120
<v Speaker 3>other island, she discovered that Pele's lover Lohiao, had died,

0:35:33.400 --> 0:35:36.520
<v Speaker 3>so he Iyaka has to bring him back from the dead,

0:35:36.880 --> 0:35:39.000
<v Speaker 3>which was no easy job. She has to go chasing

0:35:39.040 --> 0:35:41.719
<v Speaker 3>after his spirit which has left his body, but she

0:35:41.840 --> 0:35:45.360
<v Speaker 3>catches it, brings it back, and she's able to resurrect him.

0:35:45.600 --> 0:35:48.800
<v Speaker 3>He Eyaka and the now revived Lohio make the journey

0:35:48.880 --> 0:35:52.440
<v Speaker 3>back to Pel's Island, but with some stops along the way,

0:35:52.600 --> 0:35:56.399
<v Speaker 3>in which he Eyaka has to defend against this guy

0:35:56.520 --> 0:36:00.440
<v Speaker 3>being tempted to betray Pele with another woman. There's like

0:36:00.680 --> 0:36:04.560
<v Speaker 3>a beautiful queen who has some history with Lohio, and

0:36:04.880 --> 0:36:07.000
<v Speaker 3>he Iyaka has to win some kind of game to

0:36:07.080 --> 0:36:10.440
<v Speaker 3>prevent him from from I think the prize that she

0:36:10.480 --> 0:36:12.319
<v Speaker 3>would that the queen would get if she won is

0:36:12.320 --> 0:36:14.480
<v Speaker 3>that Lohio would have to stay with her for a night.

0:36:15.640 --> 0:36:18.600
<v Speaker 3>So he Iyaka is really going above and beyond. She

0:36:18.960 --> 0:36:21.319
<v Speaker 3>raises this guy from the dead keeps him loyal to

0:36:21.360 --> 0:36:26.520
<v Speaker 3>the volcano goddess, but Pele unfortunately gets paranoid and impatient

0:36:26.920 --> 0:36:29.960
<v Speaker 3>her sister has not returned, so she gets angry and

0:36:30.000 --> 0:36:34.319
<v Speaker 3>she burns down he Iyaka's precious Ohea trees, and then

0:36:34.600 --> 0:36:38.600
<v Speaker 3>she also covers he Iyaka's friend Hapoe with molten lava,

0:36:38.719 --> 0:36:43.120
<v Speaker 3>so she's very mad. This in turn makes he Iaka furious,

0:36:43.480 --> 0:36:47.319
<v Speaker 3>so she and Lohioo go to Pele's volcano crater to

0:36:47.480 --> 0:36:50.640
<v Speaker 3>face off against her, and there is a battle involving

0:36:50.719 --> 0:36:55.000
<v Speaker 3>multiple parties and incantations and sorcery. Pele tries to compel

0:36:55.080 --> 0:36:57.920
<v Speaker 3>some of her other relatives to attack them and to

0:36:58.000 --> 0:37:02.239
<v Speaker 3>kill Lohiao, but they sort of hesitate, and in the

0:37:02.360 --> 0:37:07.400
<v Speaker 3>end Pele herself kills her lover Lohiao out of rage,

0:37:07.840 --> 0:37:11.520
<v Speaker 3>and then in revenge for this, he Iyaka she plans

0:37:11.560 --> 0:37:14.879
<v Speaker 3>to destroy Pele. Her plan is she's going to break

0:37:14.920 --> 0:37:17.880
<v Speaker 3>through the crust of the earth, flood the volcano with water,

0:37:17.960 --> 0:37:20.520
<v Speaker 3>and snuff it out. But then at the last moment

0:37:20.640 --> 0:37:24.799
<v Speaker 3>she relents and she does not extinguish her sister's fires

0:37:24.560 --> 0:37:27.480
<v Speaker 3>with the water from below, and they make up and

0:37:27.480 --> 0:37:30.160
<v Speaker 3>they get over their differences, but in the story you

0:37:30.160 --> 0:37:34.000
<v Speaker 3>can see he Iyaka, this powerful divine heroine who has

0:37:34.040 --> 0:37:37.480
<v Speaker 3>all these You know, she has magical powers. She can

0:37:37.480 --> 0:37:41.080
<v Speaker 3>break through the earth to summon waters. She she can

0:37:41.120 --> 0:37:43.360
<v Speaker 3>sort of like see things from afar like, she can

0:37:43.440 --> 0:37:46.120
<v Speaker 3>sort of do everything. And the thing she really loves,

0:37:46.200 --> 0:37:48.320
<v Speaker 3>things she cares about the most apart from her friend,

0:37:48.760 --> 0:37:53.360
<v Speaker 3>is this grove of the ohia Lehua trees. Now I

0:37:53.400 --> 0:37:56.360
<v Speaker 3>was reading in another source, according to a scholar named

0:37:56.560 --> 0:37:59.840
<v Speaker 3>Beatrice Krauss, in a book called Plants in Hawaiian Culture

0:38:00.000 --> 0:38:02.479
<v Speaker 3>from University of Hawaii Press. This is the twenty twenty

0:38:02.520 --> 0:38:06.480
<v Speaker 3>one edition of the book. The Ohee Lahua tree is one,

0:38:06.880 --> 0:38:09.800
<v Speaker 3>according to this book, one of the natural forms taken

0:38:09.960 --> 0:38:13.880
<v Speaker 3>by Ku, who is one of the four major gods

0:38:13.960 --> 0:38:18.640
<v Speaker 3>of Hawaiian religion. Ku, in his many manifestations, is a

0:38:18.760 --> 0:38:22.600
<v Speaker 3>male god of war and politics, known as the Snatcher

0:38:22.640 --> 0:38:27.920
<v Speaker 3>of land, but also represents farming and fishing and forests

0:38:27.960 --> 0:38:31.120
<v Speaker 3>and a number of different things. So Ku is known

0:38:31.160 --> 0:38:35.520
<v Speaker 3>to take a many animal shapes, including the Hawaiian hawk

0:38:36.160 --> 0:38:39.280
<v Speaker 3>and the shape of a shark, but also plant forms,

0:38:39.400 --> 0:38:43.240
<v Speaker 3>notably the Ohee Lahua tree. And so I was reading

0:38:43.239 --> 0:38:46.120
<v Speaker 3>more about this in another book, a book called Hawaiian

0:38:46.120 --> 0:38:50.480
<v Speaker 3>Mythology by Martha Warren Beckwith this was University of Hawaii Press.

0:38:50.680 --> 0:38:52.560
<v Speaker 3>This is a much older book, but this was the

0:38:52.560 --> 0:38:56.680
<v Speaker 3>twenty twenty one edition of it. And in this book

0:38:56.800 --> 0:39:00.560
<v Speaker 3>she talks about how the Ohee Lahua tree form of

0:39:00.640 --> 0:39:04.040
<v Speaker 3>Coup is one of what she calls the coup gods,

0:39:04.560 --> 0:39:08.120
<v Speaker 3>which could be interpreted either as sort of subordinate gods

0:39:08.160 --> 0:39:12.279
<v Speaker 3>who serve under Coup and are worshiped under his auspices,

0:39:13.040 --> 0:39:18.000
<v Speaker 3>or derivative manifestations of Coup himself. And many of these are,

0:39:18.080 --> 0:39:21.600
<v Speaker 3>in her words quote, functional gods of the forest or

0:39:21.680 --> 0:39:26.920
<v Speaker 3>sea upon whom depended success in some special craft. So

0:39:27.400 --> 0:39:31.320
<v Speaker 3>there are number of examples listed in this text. Beckweth

0:39:31.360 --> 0:39:36.439
<v Speaker 3>identifies a god named ku Ohilaka as an example here,

0:39:36.840 --> 0:39:39.320
<v Speaker 3>one of the many gods who was worshiped, for example,

0:39:39.320 --> 0:39:42.759
<v Speaker 3>by canoe builders for playing some role in the construction

0:39:42.840 --> 0:39:46.040
<v Speaker 3>of a canoe. In this case, he was, for one thing,

0:39:46.080 --> 0:39:49.400
<v Speaker 3>a god of rain in the forest, but also the

0:39:49.440 --> 0:39:52.920
<v Speaker 3>god embodied in the wood of the Ohee Lahua tree,

0:39:53.440 --> 0:39:57.719
<v Speaker 3>which was one of the sources of hardwood building material

0:39:58.040 --> 0:40:02.160
<v Speaker 3>available in the upland forest. Also you can hear the

0:40:02.239 --> 0:40:06.560
<v Speaker 3>name Laca in Kuka ohel Laca. This is the male

0:40:06.640 --> 0:40:09.560
<v Speaker 3>god Laka, which was one of the entities I mentioned

0:40:09.600 --> 0:40:12.399
<v Speaker 3>earlier as a patron of the hula dance art form

0:40:12.480 --> 0:40:17.879
<v Speaker 3>in which history and important stories were stored and then expressed. Now,

0:40:18.000 --> 0:40:21.080
<v Speaker 3>beck With in her text mentions a really interesting story

0:40:21.120 --> 0:40:26.080
<v Speaker 3>connecting this Laca, this version of the coup god Laka,

0:40:26.840 --> 0:40:31.120
<v Speaker 3>to a particular cave in Hawaii and to the ohe

0:40:31.280 --> 0:40:35.560
<v Speaker 3>Lahua tree. So she says that there's a particular cave

0:40:35.760 --> 0:40:40.239
<v Speaker 3>in Hawaii where there grows a specific tree of this species,

0:40:40.719 --> 0:40:45.760
<v Speaker 3>and that tree is the preserved body of Laca. Several

0:40:45.760 --> 0:40:48.279
<v Speaker 3>things are said about this tree. One is that it

0:40:48.360 --> 0:40:51.319
<v Speaker 3>only ever has two blossoms at a time, and the

0:40:51.360 --> 0:40:53.719
<v Speaker 3>other is that if you snap a branch off of it,

0:40:54.000 --> 0:40:57.680
<v Speaker 3>blood will flow from the wood. And then Beckwick goes

0:40:57.719 --> 0:41:00.640
<v Speaker 3>on to tell the story of the tree. Up here

0:41:00.800 --> 0:41:05.120
<v Speaker 3>is that I believe it's that Laka and his sister

0:41:05.280 --> 0:41:09.520
<v Speaker 3>Kawa come to Hawaii to live with their spouses, Laka

0:41:09.560 --> 0:41:12.840
<v Speaker 3>and his wife kaa Aw and Kawa with her husband

0:41:12.920 --> 0:41:15.480
<v Speaker 3>in the uplands of the island. So here I'm going

0:41:15.560 --> 0:41:19.319
<v Speaker 3>to read from Beckwith quote When the sister brings vegetable

0:41:19.360 --> 0:41:21.719
<v Speaker 3>food from her garden to her brother at the sea,

0:41:22.200 --> 0:41:24.840
<v Speaker 3>her stingy sister in law pretends that they have no

0:41:25.000 --> 0:41:27.839
<v Speaker 3>fish and gives her nothing but seaweed to take home

0:41:27.920 --> 0:41:32.360
<v Speaker 3>as a relish. In despair at this treatment, Kawa transforms

0:41:32.360 --> 0:41:36.400
<v Speaker 3>her husband and children into rats, and herself into a

0:41:36.480 --> 0:41:40.040
<v Speaker 3>spring of water. Her spirit comes to her brother and

0:41:40.080 --> 0:41:43.759
<v Speaker 3>tells him of her fate. He visits the uplands, recognizes

0:41:43.840 --> 0:41:46.200
<v Speaker 3>the spot as she is directed in the dream, and

0:41:46.680 --> 0:41:51.280
<v Speaker 3>plunging into the spring, is himself transformed into the Lahua tree,

0:41:51.400 --> 0:41:54.719
<v Speaker 3>which we see today. Oh wow, but it doesn't stop there.

0:41:54.960 --> 0:41:58.840
<v Speaker 3>I was talking about the god cou earlier. Ku himself

0:41:58.920 --> 0:42:01.640
<v Speaker 3>is said to be the husband of the goddess Heina

0:42:02.000 --> 0:42:05.920
<v Speaker 3>and here this can also be confusing because there are

0:42:05.920 --> 0:42:09.719
<v Speaker 3>apparently multiple divine figures referred to as Hena, but this

0:42:09.760 --> 0:42:12.680
<v Speaker 3>is one of them, and Ku is the husband of

0:42:12.880 --> 0:42:16.080
<v Speaker 3>the Heinah, who is associated with the ocean, the moon,

0:42:16.600 --> 0:42:21.520
<v Speaker 3>and with female female fertility and motherhood. Now, Beckwith's book

0:42:21.719 --> 0:42:25.640
<v Speaker 3>also lists the goddess Hena as a spiritual being embodied

0:42:25.640 --> 0:42:30.080
<v Speaker 3>by the same tree, in this case as hina ulu Ohea,

0:42:30.120 --> 0:42:33.480
<v Speaker 3>meaning Heina the growing Ohea tree. So this version of

0:42:33.520 --> 0:42:37.320
<v Speaker 3>Hena plays an important role in the genealogies of Hawaiian

0:42:37.360 --> 0:42:42.800
<v Speaker 3>gods as a mother, ancestor, and protector of other important

0:42:42.840 --> 0:42:46.680
<v Speaker 3>characters who figure into various stories. But then Beckwith writes

0:42:46.760 --> 0:42:51.080
<v Speaker 3>quote to both God and goddess, the flowering Ohea is sacred,

0:42:51.160 --> 0:42:53.560
<v Speaker 3>and no one on a visit to the volcano will

0:42:53.640 --> 0:42:56.880
<v Speaker 3>venture to break the red flowers for a wreath or

0:42:56.960 --> 0:43:01.080
<v Speaker 3>pluck leaves or branches on the way thither. Only on return,

0:43:01.320 --> 0:43:05.840
<v Speaker 3>with proper invocations, may the flowers be gathered. A rainstorm

0:43:05.960 --> 0:43:08.760
<v Speaker 3>is the least of the unpleasant results that may follow

0:43:08.880 --> 0:43:13.319
<v Speaker 3>tampering with the sacred Lahua blossoms. And then connecting to that,

0:43:13.640 --> 0:43:16.200
<v Speaker 3>there's one more story that it's sort of along the

0:43:16.239 --> 0:43:20.400
<v Speaker 3>same lines. I've seen this repeated in several places. Once again,

0:43:20.480 --> 0:43:24.480
<v Speaker 3>this involves the fire and volcano goddess Pele as a

0:43:24.560 --> 0:43:28.799
<v Speaker 3>jealous lover. So in this story, there's a gorgeous guy,

0:43:28.960 --> 0:43:33.879
<v Speaker 3>a beautiful dude named Ohea. He's unbelievably good looking, and

0:43:34.080 --> 0:43:37.399
<v Speaker 3>Pele falls in love with him, but he only has

0:43:37.440 --> 0:43:41.560
<v Speaker 3>eyes for a different woman named Lahua. So when Peley's

0:43:41.600 --> 0:43:46.080
<v Speaker 3>affections are spurned, she reacts with envious rage, and she

0:43:46.320 --> 0:43:50.880
<v Speaker 3>transforms Ohea into a gnarled tree, an ugly tree with

0:43:50.960 --> 0:43:55.440
<v Speaker 3>twisted branches. And so the woman Lahua mourns the loss

0:43:55.440 --> 0:43:57.720
<v Speaker 3>of her lover. He's been turned into a tree now,

0:43:58.120 --> 0:44:00.480
<v Speaker 3>But the other gods take pity on her, and they

0:44:00.600 --> 0:44:03.960
<v Speaker 3>use their power to help sort of make things right,

0:44:04.040 --> 0:44:07.520
<v Speaker 3>not fully, but they allow her to join him in form.

0:44:07.960 --> 0:44:14.000
<v Speaker 3>So Lahua becomes the beautiful blossom that grows on ohea branches.

0:44:14.440 --> 0:44:17.719
<v Speaker 3>This way they can be together for all time. But

0:44:18.200 --> 0:44:21.600
<v Speaker 3>as one possible consequence of this story, if you pick

0:44:21.640 --> 0:44:24.840
<v Speaker 3>the flower from the tree, you tear the lovers apart again,

0:44:25.239 --> 0:44:28.280
<v Speaker 3>and then the tears of Lahua and Ohea will fall

0:44:28.320 --> 0:44:28.799
<v Speaker 3>as rain.

0:44:29.160 --> 0:44:29.600
<v Speaker 2>Oh wow.

0:44:30.760 --> 0:44:33.280
<v Speaker 3>Now I mentioned that these trees are known for having hard,

0:44:33.400 --> 0:44:36.960
<v Speaker 3>sturdy wood, and even in their smaller shrub forms, they're

0:44:37.480 --> 0:44:43.000
<v Speaker 3>known for, you know, for flowing into apparently inhospitable environments.

0:44:43.000 --> 0:44:45.480
<v Speaker 3>You know, there'll be some of the first plants growing

0:44:45.520 --> 0:44:49.000
<v Speaker 3>out of the cracks in fresh volcanic rock after interruption.

0:44:49.680 --> 0:44:51.919
<v Speaker 3>So that might kind of give the impression that these

0:44:52.120 --> 0:44:55.480
<v Speaker 3>plants are invincible, but they are not invincible. In fact,

0:44:56.120 --> 0:45:01.240
<v Speaker 3>currently Ohea lehua are threatened by a wide spread fungal disease.

0:45:01.680 --> 0:45:05.120
<v Speaker 3>The phenomenon has been known as rapid ohea death or

0:45:05.360 --> 0:45:09.240
<v Speaker 3>ro D, so named because it can appear that something

0:45:09.320 --> 0:45:12.759
<v Speaker 3>happens to these trees and kills them very fast and

0:45:12.920 --> 0:45:16.560
<v Speaker 3>like a matter of days. According to once ourst I

0:45:16.719 --> 0:45:18.560
<v Speaker 3>was looking at, this is caused by a couple of

0:45:18.640 --> 0:45:22.680
<v Speaker 3>species of fungus which are in the genus serato cistus.

0:45:23.560 --> 0:45:28.080
<v Speaker 3>These fungi can harm the tree greatly, and it's thought

0:45:28.160 --> 0:45:31.640
<v Speaker 3>that they harm the tree by stopping up the tree's

0:45:31.719 --> 0:45:35.399
<v Speaker 3>vascular system. So like you know this, this tree has

0:45:35.440 --> 0:45:37.840
<v Speaker 3>hardy roots that can reach down into you know, the

0:45:37.880 --> 0:45:40.920
<v Speaker 3>cracks and rocks and so forth, and can access water

0:45:41.040 --> 0:45:45.360
<v Speaker 3>wherever it needs to. But this plugs up the vascular system,

0:45:45.400 --> 0:45:47.840
<v Speaker 3>so the water from the roots can't get up to

0:45:47.920 --> 0:45:49.840
<v Speaker 3>the canopy, can't get up to the leaves and the

0:45:50.280 --> 0:45:52.759
<v Speaker 3>tops of the trees, which of course is going to

0:45:52.800 --> 0:45:56.239
<v Speaker 3>first turn them brown and kill the leaves and then

0:45:56.320 --> 0:45:59.640
<v Speaker 3>ultimately kills the whole plant. And so there are conservation

0:45:59.680 --> 0:46:03.080
<v Speaker 3>effort it's ongoing to try to understand this threat and

0:46:03.120 --> 0:46:07.760
<v Speaker 3>counteract it. But this is something that that conservationists and

0:46:07.760 --> 0:46:11.200
<v Speaker 3>and also just people to whom the Ohea Lhua has

0:46:11.680 --> 0:46:15.160
<v Speaker 3>great cultural and religious significance are very aware of and

0:46:15.880 --> 0:46:16.640
<v Speaker 3>having to deal with.

0:46:17.600 --> 0:46:20.600
<v Speaker 2>It's interesting you see this in various examples. You see

0:46:20.600 --> 0:46:23.759
<v Speaker 2>this with the great sequoias as well. You know, we

0:46:24.000 --> 0:46:25.840
<v Speaker 2>look at a tree and it doesn't even have to

0:46:25.840 --> 0:46:29.239
<v Speaker 2>be a giant tree. You know, they're all they're often

0:46:29.280 --> 0:46:31.839
<v Speaker 2>pretty big. They're often bigger than us. But you look

0:46:31.840 --> 0:46:33.600
<v Speaker 2>at a tree and you can often think that by

0:46:33.680 --> 0:46:37.799
<v Speaker 2>virtue of its size, by virtue of the pace of

0:46:37.840 --> 0:46:41.399
<v Speaker 2>its existence, we think of them as being sometimes more

0:46:41.440 --> 0:46:44.600
<v Speaker 2>rugged than they actually are. We don't think that human

0:46:44.640 --> 0:46:47.960
<v Speaker 2>activities can harm them, can interfere them, so we do

0:46:48.040 --> 0:46:51.920
<v Speaker 2>things like, you know, carve our initials into them, or

0:46:53.040 --> 0:46:57.280
<v Speaker 2>tunnel holes through them for novelty automobile photographs and things

0:46:57.320 --> 0:46:59.880
<v Speaker 2>like that, when in reality, you know they are often

0:47:00.160 --> 0:47:02.840
<v Speaker 2>they're often very sensitive to their environment, and sometimes it

0:47:02.880 --> 0:47:04.799
<v Speaker 2>comes down to details like for instance, I I didn't

0:47:04.840 --> 0:47:07.600
<v Speaker 2>mention that the sequoia tree has you know, reasonably shallow

0:47:07.680 --> 0:47:10.480
<v Speaker 2>root systems, and that's one of the reasons that when

0:47:10.520 --> 0:47:13.239
<v Speaker 2>you're around them, there's a lot of emphasis given on

0:47:13.320 --> 0:47:15.880
<v Speaker 2>staying on the path and not you know, walking up

0:47:15.920 --> 0:47:18.239
<v Speaker 2>close to them, because you could damage these roots like

0:47:18.520 --> 0:47:22.640
<v Speaker 2>the thing that is, you know, ancient and rough and tumble,

0:47:22.719 --> 0:47:25.880
<v Speaker 2>and you know, we compare them to giants and grizzly bears.

0:47:26.080 --> 0:47:28.440
<v Speaker 2>You know that there they are, in their own way, fragile,

0:47:28.880 --> 0:47:31.719
<v Speaker 2>and you know we can do great harm to them.

0:47:31.760 --> 0:47:34.640
<v Speaker 2>We can do great arm to the environment, and we

0:47:34.760 --> 0:47:37.080
<v Speaker 2>have to respect it and care for it.

0:47:37.600 --> 0:47:41.120
<v Speaker 3>Trees, like us are both tough and fragile, and you

0:47:41.239 --> 0:47:43.480
<v Speaker 3>have to understand the ways in which we are both.

0:47:44.040 --> 0:47:46.400
<v Speaker 2>But I love these these Hawaiian stories. I love these

0:47:46.400 --> 0:47:50.200
<v Speaker 2>stories of transformation into trees. This is something you see

0:47:50.280 --> 0:47:54.640
<v Speaker 2>echoes of in other traditions as well, sometimes you know,

0:47:54.840 --> 0:47:59.640
<v Speaker 2>for more tragic effects, sometimes for haunting effect. But I

0:47:59.640 --> 0:48:02.200
<v Speaker 2>imagine and it's probably one of the key mythological tropes.

0:48:02.320 --> 0:48:06.560
<v Speaker 2>Like you have world trees, and you also have transformation

0:48:06.719 --> 0:48:10.360
<v Speaker 2>into trees, people and gods and demi gods becoming the tree.

0:48:10.760 --> 0:48:12.919
<v Speaker 2>And I guess maybe you see combinations of the two

0:48:12.960 --> 0:48:13.319
<v Speaker 2>as well.

0:48:13.800 --> 0:48:16.440
<v Speaker 3>Yeah, what do you think, did we cover all of

0:48:16.480 --> 0:48:17.800
<v Speaker 3>the sacred trees in the world?

0:48:18.719 --> 0:48:22.680
<v Speaker 2>Now? We left a few off? Sadly, yes, we only

0:48:22.719 --> 0:48:26.279
<v Speaker 2>covered two. Fortunately they I think they're connected essentially by

0:48:26.320 --> 0:48:28.799
<v Speaker 2>a direct flight from San Francisco to Hawaii. So if

0:48:28.800 --> 0:48:31.360
<v Speaker 2>you want to turn this into a travel itinerary, this

0:48:31.400 --> 0:48:34.319
<v Speaker 2>one's an easy one. But yes, obviously there are a

0:48:34.400 --> 0:48:37.320
<v Speaker 2>number of sacred trees we didn't get to. I originally

0:48:37.400 --> 0:48:40.040
<v Speaker 2>was going to talk about the body tree the sacred

0:48:40.080 --> 0:48:43.080
<v Speaker 2>fig a bit in this episode, but obviously we ran

0:48:43.680 --> 0:48:45.879
<v Speaker 2>ran out of time, So you know, consider this an

0:48:45.920 --> 0:48:48.520
<v Speaker 2>unofficial part one. If you want to hear more about

0:48:48.560 --> 0:48:50.919
<v Speaker 2>sacred trees in the world, let us know and we'll

0:48:50.920 --> 0:48:53.200
<v Speaker 2>come back with another episode at some point in the

0:48:53.200 --> 0:48:56.960
<v Speaker 2>future talk about the body tree and who knows what else.

0:48:56.960 --> 0:48:58.560
<v Speaker 2>There are a number of great ones in terms of

0:48:58.640 --> 0:49:02.560
<v Speaker 2>just big impressive tree, but also trees that have various

0:49:02.640 --> 0:49:03.920
<v Speaker 2>roles within a given culture.

0:49:04.280 --> 0:49:06.319
<v Speaker 3>Yeah, there are so many. We could do a ten

0:49:06.400 --> 0:49:09.120
<v Speaker 3>part series on this, and it often does get surprisingly

0:49:09.120 --> 0:49:12.480
<v Speaker 3>interesting at how like the botany interacts with the legend

0:49:12.520 --> 0:49:13.319
<v Speaker 3>and mythology.

0:49:13.840 --> 0:49:16.920
<v Speaker 2>Yeah, absolutely, all right, so we'll go ahead and close

0:49:17.000 --> 0:49:18.439
<v Speaker 2>this one out, but yeah, let us know if you'd

0:49:18.480 --> 0:49:19.600
<v Speaker 2>like to hear more. If you want to hear us

0:49:19.600 --> 0:49:22.040
<v Speaker 2>speak for the trees some more, we can do so

0:49:22.200 --> 0:49:25.080
<v Speaker 2>in the future. In the meantime, we'll just remind you

0:49:25.120 --> 0:49:27.000
<v Speaker 2>that Stuff to Blow Your Mind is primarily a science

0:49:27.000 --> 0:49:30.560
<v Speaker 2>and culture podcast, with core episodes on Tuesdays and Thursdays.

0:49:30.840 --> 0:49:33.160
<v Speaker 2>On Fridays, we set aside most serious concerners, just talk

0:49:33.160 --> 0:49:36.439
<v Speaker 2>about a weird film on Weird House Cinema and let's

0:49:36.480 --> 0:49:38.520
<v Speaker 2>see any other thing we need to mention here. Oh,

0:49:38.680 --> 0:49:41.440
<v Speaker 2>if you're on the Instagrams and you wish to follow

0:49:41.520 --> 0:49:45.719
<v Speaker 2>us STBYM podcast, that's where you'll find us. Keep up

0:49:45.719 --> 0:49:48.479
<v Speaker 2>with some of the episodes coming out. And we haven't

0:49:48.480 --> 0:49:50.920
<v Speaker 2>mentioned this a lot recently, but hey, rate and review

0:49:50.920 --> 0:49:52.360
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0:49:52.440 --> 0:49:54.799
<v Speaker 2>listen to us, give us a nice star rating. That

0:49:54.920 --> 0:49:57.560
<v Speaker 2>helps you know, keep things nice and fresh. It's it's

0:49:57.600 --> 0:50:00.560
<v Speaker 2>like putting some fresh flowers in the room, just freshen

0:50:00.680 --> 0:50:03.520
<v Speaker 2>things up nicely, and so we do move ask you

0:50:03.560 --> 0:50:04.919
<v Speaker 2>to remember to do that.

0:50:05.400 --> 0:50:08.200
<v Speaker 3>If you have it all right, huge, thanks as always

0:50:08.200 --> 0:50:11.239
<v Speaker 3>to our excellent audio producer JJ Posway. If you would

0:50:11.320 --> 0:50:13.319
<v Speaker 3>like to get in touch with us with feedback on

0:50:13.400 --> 0:50:16.000
<v Speaker 3>this episode or any other, to suggest a topic for

0:50:16.040 --> 0:50:18.400
<v Speaker 3>the future, or just to say hello, you can email

0:50:18.480 --> 0:50:20.880
<v Speaker 3>us at contact at Stuff to Blow Your Mind.

0:50:21.040 --> 0:50:31.520
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