WEBVTT - Let Sara Schaefer Be Your Guide

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<v Speaker 1>Hey, and welcome to What Future. I'm your host, Joshua

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<v Speaker 1>to Pulski, I'm back, and I should say that two things.

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<v Speaker 1>One is Lyra, my producer. We were on video a

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<v Speaker 1>second ago, and now her video is I have to

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<v Speaker 1>take a screenshot at this because it's almost kind of beautiful.

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<v Speaker 1>Something has happened to her image, her video image here

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<v Speaker 1>that it has just turned it into a kind of

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<v Speaker 1>purple hued gradient, pixelated blur. Lyra, are you we're seeing

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<v Speaker 1>this on your end? No, it's just normal video for me. Really,

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<v Speaker 1>did you do a screenshot? I did a screenshot. I'm

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<v Speaker 1>going to share now he went back to normal. I'm

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<v Speaker 1>going to share with you. Not a great look for me,

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<v Speaker 1>but for you. Kind of a transcendent? Is it my aura?

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<v Speaker 1>I don't know, but it's fucking pretty beautiful, and I'm

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<v Speaker 1>going to send it to you right now. Well I

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<v Speaker 1>just have to here we go, Oh wow, that interesting. Yeah,

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<v Speaker 1>I don't know where they came from, but it's kind

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<v Speaker 1>of beautiful. It reminds me of old Microsoft word gradients. Yeah,

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<v Speaker 1>I can see where you're coming from with that. The

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<v Speaker 1>word art at any rate. So you know, we're just

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<v Speaker 1>starting the show here and then we had this weird

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<v Speaker 1>little glitch where you turned into a beautiful purple gradient,

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<v Speaker 1>which I think is really says everything you need to

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<v Speaker 1>know about today's episode. I believe you know. I don't

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<v Speaker 1>want to waste any time because it's a great conversation

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<v Speaker 1>for the listener to hear and I think for us

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<v Speaker 1>to experience as a group together. My guest today is

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<v Speaker 1>an incredible comedian, a fantastic writer, an Emmy Award winner,

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<v Speaker 1>old friend of mine, and someone I'm so pleased to

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<v Speaker 1>have on the show. I'm of course talking about Sarah Schaeffer,

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<v Speaker 1>the one and only we met on Late Night with

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<v Speaker 1>Jimmy Fallon. Yeah, it was a long time ago. I

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<v Speaker 1>think Obama was president when we met. Yeah, just to

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<v Speaker 1>give you an idea, I'm trying to think he ran

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<v Speaker 1>against McCain? Is that right? Was that the first? And

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<v Speaker 1>then he who was the who did he run against

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<v Speaker 1>for the second one? This is fucked up? Mitt Romney?

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<v Speaker 1>Or was Mitt Romney twenty twelve? Yeah? Mitt Romney was

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<v Speaker 1>was twenty twelve? I think? Okay, Lyras say yes it

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<v Speaker 1>was not in yes, So the first one was John McCain,

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<v Speaker 1>who everybody loved the Maverick. Great guy. Yeah, great guy.

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<v Speaker 1>Uh pow. And then Sarah Palin was his running mate.

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<v Speaker 1>By the way, that's not what we were supposed to

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<v Speaker 1>be talking about, but it's fine. What are we supposed

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<v Speaker 1>to be talking about? Eric Plin was like a proto

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<v Speaker 1>Trump in a way, like she was really racist. She

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<v Speaker 1>was always talking about how like white people weren't getting

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<v Speaker 1>a fair shake. Yeah it was. It was tea party, Yeah,

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<v Speaker 1>tea Party ship, the Rise of the Tea Party. Yeah.

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<v Speaker 1>And now, of course we have empirical data to support

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<v Speaker 1>that white people have never gotten a fair shake. Oh. Absolutely,

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<v Speaker 1>it's so unfair, speaking as it as a Jew who

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<v Speaker 1>passes for white. Um. You know, I can tell you

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<v Speaker 1>I've hit a lot of roadblocks in my life. So

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<v Speaker 1>then yeah, once twelve he ran against Mitt Romney. Remember

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<v Speaker 1>Mitt Romney had the big scandal, the binders full of

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<v Speaker 1>women scandal, which I don't even remember that, yea what

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<v Speaker 1>it was about, but whatever, I see a binder. Here's

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<v Speaker 1>how fucking impactful the Binder's full of women thing was.

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<v Speaker 1>I have a daughter. Her name is Zelda. She is

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<v Speaker 1>nine years old, and she's into musicals and she puts

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<v Speaker 1>together like scripts from musicals in binders. We have binders,

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<v Speaker 1>so many binders in the house, and every fucking time

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<v Speaker 1>I see one, and every time I mentioned one, my

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<v Speaker 1>brain immediately goes to the phrase binders full of women.

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<v Speaker 1>It's like automatic, well, it's crazy. Do you remember what

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<v Speaker 1>the binders were? I believe somebody asked him, like at

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<v Speaker 1>a town hall or an interview or something like, you know,

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<v Speaker 1>are you gonna employ women? Are you gonna put women

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<v Speaker 1>in your cabinet? I think he was like, oh, yeah, yeah,

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<v Speaker 1>I've got binders full of women, and it just came

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<v Speaker 1>off bad, like we were files, you know, like we

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<v Speaker 1>were like yeah, yeah, and and just like a man

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<v Speaker 1>should not say he has binders full of women. Like

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<v Speaker 1>it was just and yeah, and it sounded creepy a

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<v Speaker 1>little bit. And it didn't help him beat Obama. No

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<v Speaker 1>it did not. But all right, Sarah, let me just

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<v Speaker 1>say now that we've been talking for a few minutes.

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<v Speaker 1>You are a comedian. Yeah, unfortunately you stand up comedy.

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<v Speaker 1>You have several several albums, right, more than one? Um, yeah,

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<v Speaker 1>I have two albums severe, Yeah, I'm good accounting. And

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<v Speaker 1>in case you're wondering, this is Sarah Schaeffer, a pronouncing

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<v Speaker 1>that right. Yeah, yeah, does they may ever pronounce it wrong? Actually,

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<v Speaker 1>it was so funny. I did this stand up show

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<v Speaker 1>in LA and it was like this young hip show,

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<v Speaker 1>and I felt very old. I've been around long enough

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<v Speaker 1>in comedy where some younger comedians treat me with respect.

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<v Speaker 1>Others don't. They're like, who are you? That's interesting, But

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<v Speaker 1>some like are like, oh, miss Shaffer, welcome, you know,

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<v Speaker 1>like that kind of thing. Really they say, they say,

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<v Speaker 1>miss Schaeffer, Wow, that's nice. No, No, that's the attitude.

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<v Speaker 1>Though he had obviously been taught always ask how people's

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<v Speaker 1>names are pronounced right, because it was the host and

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<v Speaker 1>he's like, how do you say your last name? Is

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<v Speaker 1>it Chaffer? And he like almost put a French accent on,

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<v Speaker 1>And I was like, that's kind of a twist, though,

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<v Speaker 1>that might be a new thing for you. I was like,

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<v Speaker 1>I've never heard of there of any I've maybe heard

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<v Speaker 1>schaffer Schaffer. I could see that if they spelled a

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<v Speaker 1>different way. But yeah, it was like a chaff there.

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<v Speaker 1>You know, this this new generation. Yeah, they're so so respectful,

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<v Speaker 1>they're so ahead of the curve that they'll completely change

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<v Speaker 1>the pronunciation of your name. They never assume assume that

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<v Speaker 1>any of the letters would pronounce how they're supposed to be.

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<v Speaker 1>It could be absolutely anything going on in that name. Well,

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<v Speaker 1>I've noticed in my zoomer niece and nephew. I have

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<v Speaker 1>a niece and nephew who are sixteen and eighteen years old. Yeah,

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<v Speaker 1>oh they're that's very old. They're like grown up. Yeah.

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<v Speaker 1>They frequently will refer to people as they. Yeah, that's right,

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<v Speaker 1>even though I know that they know it's a woman,

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<v Speaker 1>you know that they're talking about. But they'll be like, oh,

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<v Speaker 1>you mean somebody who isn't requesting or doesn't want to

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<v Speaker 1>be They will they default today as a as a

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<v Speaker 1>sort of like, oh, well, maybe that person isn't she

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<v Speaker 1>or he? They wouldn't assume, right, And I've noticed that

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<v Speaker 1>happening at like comedy shows where the host will be like,

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<v Speaker 1>they're a very funny comedian and you would never have

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<v Speaker 1>heard that before. And I just think it's becoming part

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<v Speaker 1>of language to refer to general people as they kind

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<v Speaker 1>of like how there was a while where we were

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<v Speaker 1>referring to general people as dude, Like dudes, dude, you know,

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<v Speaker 1>and you would refer to guy, hey, guys. That's the

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<v Speaker 1>classic example like guys and you, you mean, everybody. So

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<v Speaker 1>I don't think they're being like I'm not assuming general.

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<v Speaker 1>I don't think they're being overly sensitive. I just think

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<v Speaker 1>that that's more normal for them to, like, you think

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<v Speaker 1>it's like a pattern, like a speech pattern now that

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<v Speaker 1>like people are just saying. I think it's both. I

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<v Speaker 1>think it came from being more aware of various pronouns

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<v Speaker 1>and stuff like that, and now I think it's kind

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<v Speaker 1>of becoming like more and more people just referring to

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<v Speaker 1>people they don't know as they right, it's a safe bet.

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<v Speaker 1>It's like, oh, that's a stranger. I don't really know

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<v Speaker 1>who they are. It's like, oh, wow, the kids are

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<v Speaker 1>going to be okay. That's interesting because it's both like

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<v Speaker 1>much more modern obviously to consider the possibility that someone

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<v Speaker 1>may not be the pronoun you may assume they are.

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<v Speaker 1>But also it's it's like utilitarian is what you're saying, yeah,

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<v Speaker 1>which is basically like it gets out of the whole

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<v Speaker 1>need to specify, you know, which is I don't know.

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<v Speaker 1>I guess that sort of makes sense. I mean, obviously

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<v Speaker 1>I endorse any pronoun. I'm happy to use that pronoun

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<v Speaker 1>whatever makes the person most comfortable whatever they feel comfortable with. However,

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<v Speaker 1>the only time I get tripped up, and I probably

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<v Speaker 1>have talked about this before on some podcasts in the past,

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<v Speaker 1>is the use of them in a written sentence when

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<v Speaker 1>I'm grazing it, Like when I'm kind of like reading

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<v Speaker 1>through something kind of quickly. I often will be like,

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<v Speaker 1>wait a second, are there two people? Because it's not

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<v Speaker 1>clear in writing, you know, and this is a minor

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<v Speaker 1>is very minor and kind of meaningless gripe, but it does.

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<v Speaker 1>It just takes from getting used to kind of be

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<v Speaker 1>a little bit extra careful on pars in it. I

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<v Speaker 1>actually find it the opposite. Really, I think in writing,

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<v Speaker 1>I'm fine with it because I'm used to news articles

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<v Speaker 1>referring to someone that they don't know, like the perpetrator

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<v Speaker 1>they were seen last scene, you know, like if you

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<v Speaker 1>don't know the gender, they'll just say they like who

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<v Speaker 1>left this here? They need to come get this. You're

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<v Speaker 1>referring to one person, but you don't know who it was, right,

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<v Speaker 1>So in writing, I'm actually okay with it. I've struggled

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<v Speaker 1>with friends that have changed their pronouns today, right, and

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<v Speaker 1>I've had trouble while talking referring to them as they. Yeah,

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<v Speaker 1>that is harder to adjust for me in a sentence

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<v Speaker 1>when I know I used to refer to them as

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<v Speaker 1>she or he and now I have to change it today.

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<v Speaker 1>Do we sound ancient right now? I'm just yet. Do

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<v Speaker 1>we sound like we're a billion years old? We're like,

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<v Speaker 1>this is like I'm pretty soon I'm going to send

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<v Speaker 1>you a meme like these don't exist anymore. It'll be

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<v Speaker 1>like a rotary fund and stuff like we're just a

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<v Speaker 1>few moments away from that, right. Well, one of my friends,

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<v Speaker 1>the first person I ever knew that changed their pronouns today.

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<v Speaker 1>I was talking to them about it and I was like, oh,

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<v Speaker 1>it's it's actually kind of challenging, and they were like,

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<v Speaker 1>I know, and I know the difference between someone who's

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<v Speaker 1>trying and miss genders me accidentally and someone who is

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<v Speaker 1>being aggressive with it or disrespectful, like rude's being rude? Right,

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<v Speaker 1>They were like, I know the difference, Like, if you

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<v Speaker 1>just spend all your days on Twitter, you think that,

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<v Speaker 1>you know, people are screaming in your face in person

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<v Speaker 1>for not getting the pronouns perfectly every time. Nobody's doing that, right,

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<v Speaker 1>nobody's doing that. I mean, and if they are, then

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<v Speaker 1>that's an asshole. I mean, like, I don't know, right,

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<v Speaker 1>it's the problem of like a person who's fucking with

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<v Speaker 1>you or intentionally not caring or whatever. Is a different

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<v Speaker 1>situation than Yeah. I mean, I know exactly what you're saying.

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<v Speaker 1>I think what's tough, what actually is tough? Just generally speaking.

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<v Speaker 1>I don't have no idea. I don't even remember how

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<v Speaker 1>we got this conversation. It's because we're now we're down.

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<v Speaker 1>Now we're making headlines. Now we're now we're making headlines,

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<v Speaker 1>like we're both Actually this is a total aside. I

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<v Speaker 1>was scrolling through Twitter and I saw a tweet of yours.

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<v Speaker 1>This is gonna this is either gonna be really uncomfortable

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<v Speaker 1>and gross or great. Oh no, but I saw a

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<v Speaker 1>tweet of yours and it's I stopped. I don't remember exactly. O. God,

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<v Speaker 1>I shouldn't even bring this up to say it, say it,

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<v Speaker 1>but I stopped in my feed. I was like, is

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<v Speaker 1>Sarah talking about squirting? Oh my god? How old are

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<v Speaker 1>we going back in these taps? So I don't know,

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<v Speaker 1>I just saw it, just like a month ago. You

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<v Speaker 1>were like referencing you know what, Yeah, Splash Mountain. So

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<v Speaker 1>here thing, I hadn't heard Your Believe the second album, right, yeah,

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<v Speaker 1>it's my first album. Yeah, I didn't hear the joke. Okay,

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<v Speaker 1>so wait, you're very PG in my mind for whatever reason.

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<v Speaker 1>I don't know why. Like maybe it's because I'm overall

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<v Speaker 1>very wholesome, but I have some very dirty jokes. Yeah. Yeah,

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<v Speaker 1>Well I was like, is that it's Sarah bit about

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<v Speaker 1>this or whatever for Shaffer? That's what it was like.

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<v Speaker 1>Then I really listened to it, and I was fucking scandalized.

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<v Speaker 1>I was like, I can't. I don't know what to

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<v Speaker 1>think anymore. I don't now now. I was like, now

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<v Speaker 1>I know hardcore sex comedian. Imagine my family, Oh my god,

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<v Speaker 1>that is this kind of thing I do imagine. Actually,

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<v Speaker 1>I'm like, what would a family member, you know, Like

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<v Speaker 1>I think about in my in my running gags that

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<v Speaker 1>I'm going to get into comedy at some point. Um,

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<v Speaker 1>And I think all the time about things I'd like

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<v Speaker 1>to say about myself or people that I know, And

0:12:32.520 --> 0:12:34.400
<v Speaker 1>it feels like it would just be a constant torrent

0:12:34.440 --> 0:12:36.520
<v Speaker 1>of having to hear from my family about it. Um

0:12:37.000 --> 0:12:38.600
<v Speaker 1>if they ever if they ever heard any of it.

0:12:38.840 --> 0:12:41.960
<v Speaker 1>I'm sorry, this is sex. There's a fair amount of

0:12:42.000 --> 0:12:45.160
<v Speaker 1>sex jokes on my first album, and it's just because

0:12:45.160 --> 0:12:48.400
<v Speaker 1>that's what I was like, uh talking about at the time.

0:12:48.400 --> 0:12:53.960
<v Speaker 1>It's what I was going through, um, and the experiences

0:12:54.000 --> 0:12:56.520
<v Speaker 1>I was having was I had just gotten divorced and

0:12:56.840 --> 0:13:00.600
<v Speaker 1>my first husband was like, um, my first boyfriend, and

0:13:00.640 --> 0:13:02.840
<v Speaker 1>so it was like my first I was in my thirties,

0:13:02.920 --> 0:13:06.040
<v Speaker 1>having like a single dating experience in my twenties that

0:13:06.080 --> 0:13:08.079
<v Speaker 1>most people would have in their twenties. So a lot

0:13:08.080 --> 0:13:10.640
<v Speaker 1>of my material was about that at the time, and

0:13:10.679 --> 0:13:12.720
<v Speaker 1>then I ended up putting it on an album. You

0:13:12.760 --> 0:13:15.840
<v Speaker 1>know it takes ears, yeah, and then yeah, I've heard

0:13:15.880 --> 0:13:19.439
<v Speaker 1>you do some of that, but not the not I

0:13:19.640 --> 0:13:25.520
<v Speaker 1>merely would do because I never was fully uh into it,

0:13:25.840 --> 0:13:30.600
<v Speaker 1>but it always crushed so hard when I did, and um, honestly,

0:13:30.679 --> 0:13:33.000
<v Speaker 1>part of why I stopped doing it is especially the

0:13:33.520 --> 0:13:36.760
<v Speaker 1>joke I will call it splash Mountain. That's it, splash

0:13:37.320 --> 0:13:40.960
<v Speaker 1>splash mountains. You made a reference tweet mountain clothes. Slash

0:13:41.000 --> 0:13:44.199
<v Speaker 1>Mountain did close, and yeah for me as well for

0:13:44.240 --> 0:13:50.200
<v Speaker 1>me as well. Uh wow, Okay, that's it's almost medical

0:13:50.880 --> 0:13:54.240
<v Speaker 1>form here that I prepare for the show but I

0:13:54.480 --> 0:13:57.920
<v Speaker 1>stopped doing the joke. A lot of the reason I

0:13:57.920 --> 0:14:02.600
<v Speaker 1>stopped doing it, which is so um sad, is because

0:14:02.760 --> 0:14:05.920
<v Speaker 1>every time I did it. I'm talking every time I

0:14:05.960 --> 0:14:10.240
<v Speaker 1>did that joke, the comedian after me would make a

0:14:10.280 --> 0:14:14.360
<v Speaker 1>comment about it or corner me in the dressing room

0:14:14.360 --> 0:14:17.760
<v Speaker 1>in the green room to grill me with questions about it,

0:14:17.840 --> 0:14:19.920
<v Speaker 1>like I was some sort of like, uh, you know,

0:14:21.040 --> 0:14:28.480
<v Speaker 1>some miracle of science, like female comedians would cord I

0:14:28.520 --> 0:14:31.280
<v Speaker 1>was gonna say, that doesn't sound totally male, so it

0:14:31.320 --> 0:14:34.080
<v Speaker 1>wouldn't be anything. Yeah, you're right, I'm sorry. I'm just

0:14:34.120 --> 0:14:37.760
<v Speaker 1>so used to being around men in this business. Male

0:14:37.840 --> 0:14:42.560
<v Speaker 1>comedians would not be able to not say anything about it,

0:14:42.600 --> 0:14:45.640
<v Speaker 1>Like they just had to comment on it, come up

0:14:45.680 --> 0:14:48.440
<v Speaker 1>to me and like and and if I was able

0:14:48.480 --> 0:14:52.720
<v Speaker 1>to interact with audience members afterwards, men would say things

0:14:52.720 --> 0:14:55.200
<v Speaker 1>to me too. And it just started to be like, oh,

0:14:55.360 --> 0:14:59.000
<v Speaker 1>I feel like i've somehow they think because I said that,

0:14:59.000 --> 0:15:02.280
<v Speaker 1>because it's extremely intimate, that that means that I want

0:15:02.320 --> 0:15:08.680
<v Speaker 1>to have a conversation about their pe fetish like right, yeah,

0:15:08.680 --> 0:15:11.640
<v Speaker 1>and it's like I don't know, and you know, it

0:15:11.680 --> 0:15:13.600
<v Speaker 1>was really funny. I got it out of my system.

0:15:14.200 --> 0:15:17.840
<v Speaker 1>And I'm proud of those jokes. I love. I was

0:15:17.880 --> 0:15:20.640
<v Speaker 1>listening to that old album the other day for like

0:15:20.720 --> 0:15:24.680
<v Speaker 1>looking for things to do on TikTok or something like

0:15:24.800 --> 0:15:28.080
<v Speaker 1>ideas of like recycling all jokes and um, and I

0:15:28.160 --> 0:15:30.040
<v Speaker 1>was like, oh, that ship was so funny and I

0:15:30.040 --> 0:15:32.280
<v Speaker 1>had such a good time. Oh those were the days,

0:15:32.360 --> 0:15:35.440
<v Speaker 1>you know. Yeah, but yes, that was h you did

0:15:35.480 --> 0:15:38.360
<v Speaker 1>not imagine that on my Twitter feet. It was this

0:15:38.440 --> 0:15:41.000
<v Speaker 1>weird sequence of events, which and like now I feel

0:15:41.040 --> 0:15:43.640
<v Speaker 1>like I sound like a creep, but what happened was yeah,

0:15:43.680 --> 0:15:47.880
<v Speaker 1>I mean, it was just that it wasn't not say so.

0:15:48.160 --> 0:15:52.360
<v Speaker 1>I mean, okay, no, totally, I get it. But here's

0:15:52.360 --> 0:15:54.920
<v Speaker 1>what's funny about that story. First off, it is a

0:15:55.000 --> 0:15:56.920
<v Speaker 1>very funny bit. I mean, it is very funny. And

0:15:56.960 --> 0:15:59.840
<v Speaker 1>it's also like I stand behind it, you know, like

0:15:59.840 --> 0:16:01.960
<v Speaker 1>I I think it's really original and funny. It's one

0:16:01.960 --> 0:16:05.720
<v Speaker 1>of those things where it's it's so personal. It's the

0:16:05.800 --> 0:16:08.160
<v Speaker 1>kind of thing you just people don't talk about ever.

0:16:08.320 --> 0:16:10.880
<v Speaker 1>And obviously comedy goes to places where people don't talk

0:16:10.880 --> 0:16:14.800
<v Speaker 1>about it. But I think that even for even for comedy,

0:16:14.880 --> 0:16:17.400
<v Speaker 1>this is a topic or this is a kind of topic. Obviously,

0:16:17.600 --> 0:16:20.840
<v Speaker 1>only a female comedian what we could do or probably,

0:16:20.840 --> 0:16:23.520
<v Speaker 1>I mean, men have tried. I'm sure. I'm sure, I'm

0:16:23.560 --> 0:16:26.040
<v Speaker 1>sure because they would do it every time. After I

0:16:26.080 --> 0:16:28.600
<v Speaker 1>wouldn't go on and do that joke, they would have

0:16:28.680 --> 0:16:31.440
<v Speaker 1>to try and make a joke about it. Of course. Um,

0:16:31.960 --> 0:16:35.560
<v Speaker 1>But the reason I started telling that joke because I

0:16:35.600 --> 0:16:39.280
<v Speaker 1>was filled with enormous shame on the topic. And one

0:16:39.280 --> 0:16:42.080
<v Speaker 1>of the reasons I started telling the joke is because, um,

0:16:43.360 --> 0:16:47.040
<v Speaker 1>without getting into too many details, a male comedian that

0:16:47.080 --> 0:16:50.560
<v Speaker 1>I was entangled with at one point, I saw him

0:16:50.560 --> 0:16:54.520
<v Speaker 1>at a show and he made fun of me. Oh,

0:16:54.560 --> 0:16:57.440
<v Speaker 1>he didn't say my name, but he knew I was

0:16:57.480 --> 0:17:01.240
<v Speaker 1>in the room, and he would argue that he wasn't

0:17:01.240 --> 0:17:04.840
<v Speaker 1>making fun of me, that he was like admiring it.

0:17:04.920 --> 0:17:07.719
<v Speaker 1>But I was so embarrassed by it, and no one

0:17:07.840 --> 0:17:10.600
<v Speaker 1>knew and it was just like except people I had

0:17:10.600 --> 0:17:15.119
<v Speaker 1>had intimate relationship with, right, so I never told anyone,

0:17:15.160 --> 0:17:21.760
<v Speaker 1>and it just felt so humiliating and such a betrayal

0:17:21.840 --> 0:17:25.400
<v Speaker 1>of privacy, Like and again he didn't say my name,

0:17:25.440 --> 0:17:27.320
<v Speaker 1>but like he's looking to write at me. It just

0:17:27.880 --> 0:17:30.800
<v Speaker 1>it was like something he was doing to me in

0:17:30.840 --> 0:17:33.240
<v Speaker 1>that moment, just for me to hear what he was

0:17:33.280 --> 0:17:35.720
<v Speaker 1>going to say and his brilliant jokes about my body,

0:17:36.320 --> 0:17:39.560
<v Speaker 1>and I in a way I thank him now, you know,

0:17:39.720 --> 0:17:43.119
<v Speaker 1>I'm so evolved past that incident at this point. But like,

0:17:44.119 --> 0:17:47.400
<v Speaker 1>but what it led to is me talking about it year,

0:17:47.560 --> 0:17:50.240
<v Speaker 1>like a year later or something like on my podcast,

0:17:50.640 --> 0:17:53.080
<v Speaker 1>and then that led me to realize, oh, it's like

0:17:53.119 --> 0:17:56.560
<v Speaker 1>actually kind of a funny story. And then I got

0:17:56.640 --> 0:17:58.560
<v Speaker 1>up and told it on a really big show. It

0:17:58.640 --> 0:18:02.520
<v Speaker 1>was a show called fifty ft Jokes and you get

0:18:02.600 --> 0:18:04.720
<v Speaker 1>up and you tell your first joke of the year

0:18:05.080 --> 0:18:08.120
<v Speaker 1>in January, and you can't have told it anywhere else,

0:18:08.840 --> 0:18:11.000
<v Speaker 1>I mean on stage. So I got up and I

0:18:11.080 --> 0:18:14.199
<v Speaker 1>just just you have two minutes, and I told it

0:18:14.280 --> 0:18:15.960
<v Speaker 1>really quick version of it. It's the first time I

0:18:16.000 --> 0:18:19.560
<v Speaker 1>did on stage, and it was people were like screaming, laughing,

0:18:20.080 --> 0:18:22.320
<v Speaker 1>and that's when I was like, oh, I'm onto something,

0:18:22.720 --> 0:18:27.000
<v Speaker 1>you know, And it was me reclaiming something I was

0:18:27.040 --> 0:18:30.080
<v Speaker 1>ashamed of. And the story is about me discovering it

0:18:30.119 --> 0:18:32.800
<v Speaker 1>and not being naive and not knowing what was going on,

0:18:32.920 --> 0:18:36.800
<v Speaker 1>and right, so yeah, I look at it fondly. I

0:18:36.840 --> 0:18:39.960
<v Speaker 1>don't feel any shame over it. It's also really endearing

0:18:40.080 --> 0:18:43.240
<v Speaker 1>because it is, like you said, it's like it's very

0:18:43.240 --> 0:18:45.560
<v Speaker 1>self effacing. It's very like I mean, it's it's just

0:18:45.600 --> 0:18:48.240
<v Speaker 1>the way that you present the information. Obviously, this is

0:18:48.240 --> 0:18:51.399
<v Speaker 1>what makes comedy comedy. But it's like a mousey girl

0:18:51.480 --> 0:18:55.320
<v Speaker 1>discovering she has a party trick, like like a like

0:18:55.359 --> 0:18:59.359
<v Speaker 1>a sexual porn star party trick. Yeah. I think of

0:18:59.400 --> 0:19:03.040
<v Speaker 1>it as like a very erotic, wild born thing or whatever,

0:19:03.080 --> 0:19:06.320
<v Speaker 1>but you actually make it very charming in a way,

0:19:06.480 --> 0:19:09.600
<v Speaker 1>like a very quaint almost thing that you're like, wow,

0:19:09.760 --> 0:19:24.760
<v Speaker 1>like this is interesting, you know, like it's it's funny,

0:19:24.800 --> 0:19:27.480
<v Speaker 1>like you telling this story is fascinating because I was like, well, look,

0:19:27.520 --> 0:19:29.880
<v Speaker 1>I mean, like you've been doing comedy forever, you don't

0:19:29.920 --> 0:19:32.159
<v Speaker 1>there's been this ongoing conversation about like what we can

0:19:32.200 --> 0:19:34.160
<v Speaker 1>say and what we can't say, and you know, people

0:19:34.160 --> 0:19:36.760
<v Speaker 1>are being silence, and actually I wanted to talk about that,

0:19:36.840 --> 0:19:38.720
<v Speaker 1>and but then what you just said is kind of

0:19:38.720 --> 0:19:42.280
<v Speaker 1>crazy because you basically were like I started doing this joke,

0:19:42.320 --> 0:19:47.400
<v Speaker 1>which is really candid and really very real and obviously

0:19:47.600 --> 0:19:50.840
<v Speaker 1>on a subject that is taboo or I don't know

0:19:50.840 --> 0:19:53.080
<v Speaker 1>if we even say do we use the word taboo anymore?

0:19:53.119 --> 0:19:56.440
<v Speaker 1>But it is like not a widely discussed subject. Yeah. Yeah,

0:19:56.480 --> 0:19:58.920
<v Speaker 1>at the time, I was the only person I knew

0:19:58.920 --> 0:20:01.280
<v Speaker 1>that had ever told a joke about it. So yeah,

0:20:01.320 --> 0:20:02.959
<v Speaker 1>and what year did you do that? What year did

0:20:02.960 --> 0:20:07.760
<v Speaker 1>you do that for the first two ten eleven? Yeah,

0:20:07.760 --> 0:20:10.440
<v Speaker 1>oh my god, like a while ago, over a decade ago,

0:20:11.000 --> 0:20:14.240
<v Speaker 1>right right around the time that we met. Yeah, but

0:20:14.320 --> 0:20:16.399
<v Speaker 1>now you're saying like, which is like a really fucking

0:20:16.440 --> 0:20:19.120
<v Speaker 1>depressing thing that you're now obviously like, listen, everybody moves

0:20:19.119 --> 0:20:21.719
<v Speaker 1>on from their their bits or whatever, but you're like,

0:20:21.840 --> 0:20:24.600
<v Speaker 1>I stopped doing it because when I did it, dudes

0:20:24.640 --> 0:20:28.359
<v Speaker 1>were absolute fucking creeps about it, and it like created

0:20:28.359 --> 0:20:31.280
<v Speaker 1>a very uncomfortable situation, which like I feel like, you

0:20:31.320 --> 0:20:34.000
<v Speaker 1>don't hear a lot of male comedians talking about you

0:20:34.040 --> 0:20:35.600
<v Speaker 1>don't hear a lot of guy comedians be like, well

0:20:35.600 --> 0:20:38.160
<v Speaker 1>I had to stop doing that, the bit about my dick,

0:20:38.240 --> 0:20:42.320
<v Speaker 1>because women just couldn't stop harassing sucking my dick. After

0:20:42.480 --> 0:20:46.520
<v Speaker 1>that just doesn't happen. Um, yeah, it's like, oh, I'm

0:20:46.520 --> 0:20:50.720
<v Speaker 1>so annoyed. So it was that there are parallels where

0:20:50.760 --> 0:20:53.920
<v Speaker 1>like if you, I know, everybody has a joke that

0:20:54.160 --> 0:20:57.720
<v Speaker 1>elicits reactions after the fact that are annoying for one

0:20:57.760 --> 0:21:01.040
<v Speaker 1>reason or the other, and they might move on from

0:21:01.040 --> 0:21:03.840
<v Speaker 1>it because of that. But like I also was just

0:21:03.920 --> 0:21:06.480
<v Speaker 1>moving on material wise, like I put it on the

0:21:06.520 --> 0:21:09.760
<v Speaker 1>album and at the same time, so the album came

0:21:09.800 --> 0:21:14.840
<v Speaker 1>out like in probably twenty fourteen or fifteen, and at

0:21:14.880 --> 0:21:18.120
<v Speaker 1>the same time, I booked a lot of colleges, and

0:21:18.160 --> 0:21:21.760
<v Speaker 1>I was not doing that joke at colleges. Oh no,

0:21:22.160 --> 0:21:25.240
<v Speaker 1>you weren't doing any of the colleges. Really, Well, here's

0:21:25.280 --> 0:21:29.320
<v Speaker 1>my thing about colleges. It's not because they're sensitive. It's

0:21:29.359 --> 0:21:34.879
<v Speaker 1>because they're virgins. They're too scared of your advanced sex material. Really,

0:21:35.119 --> 0:21:38.240
<v Speaker 1>I would have thought totally the opposite. So college gigs

0:21:38.240 --> 0:21:40.280
<v Speaker 1>are not what you think they are, at least they

0:21:40.320 --> 0:21:42.920
<v Speaker 1>weren't when I first started doing them. College gigs are

0:21:43.720 --> 0:21:49.560
<v Speaker 1>entertainment provided by the school, and that entertainment is there

0:21:49.640 --> 0:21:53.440
<v Speaker 1>as an alternative to drinking. Oh, unless you're a really

0:21:53.480 --> 0:21:55.679
<v Speaker 1>famous comedian that everybody wants to come see. But if

0:21:55.680 --> 0:21:58.359
<v Speaker 1>you're just the random comedian getting booked, you know, for

0:21:58.400 --> 0:22:02.119
<v Speaker 1>their entertainment series, you know, student activities board, like you know,

0:22:02.200 --> 0:22:06.680
<v Speaker 1>whatever comedy night at the lounge, you know, that is

0:22:06.720 --> 0:22:10.240
<v Speaker 1>an alter programming that the school offers as an alternative

0:22:10.320 --> 0:22:13.119
<v Speaker 1>to getting drunk off your ass. And who comes to

0:22:13.200 --> 0:22:18.960
<v Speaker 1>those things under age? Underclass, you know, lower class. Uh,

0:22:19.000 --> 0:22:20.840
<v Speaker 1>not not lower class, but you know whatever. The term

0:22:20.920 --> 0:22:24.400
<v Speaker 1>is first now, by the way, freshman, I learned this freshman,

0:22:24.520 --> 0:22:27.239
<v Speaker 1>sophomore and all those are outdated terms. Now it's first year,

0:22:27.320 --> 0:22:29.760
<v Speaker 1>second year, third year, fourth year. That's very British. That

0:22:29.760 --> 0:22:33.040
<v Speaker 1>sounds like something from Harry Potter, right, canceled unfortunately, but

0:22:33.080 --> 0:22:36.840
<v Speaker 1>that was inflicted by millennium. Okay, interesting, Wait why is freshman? Okay,

0:22:36.840 --> 0:22:40.160
<v Speaker 1>I mean I can understand, I don't I think as man. Maybe. Yeah,

0:22:40.200 --> 0:22:42.280
<v Speaker 1>I'm sure there's other reasons. I'm sure it's roots are

0:22:42.280 --> 0:22:46.760
<v Speaker 1>in like yeah, hazing, roots are probably racism, probably racism. Yeah,

0:22:46.800 --> 0:22:53.080
<v Speaker 1>it's like that was actually like a terrific m um. Yeah, sophomore. No,

0:22:53.200 --> 0:22:57.359
<v Speaker 1>sophomore is actually a completely sexist and racist term. You

0:22:57.400 --> 0:23:00.480
<v Speaker 1>didn't know that, Okay, So wait, so you so you're

0:23:00.480 --> 0:23:03.080
<v Speaker 1>playing to younger people. So first year kids were the

0:23:03.119 --> 0:23:05.479
<v Speaker 1>ones coming, and a lot of times you're doing like

0:23:05.600 --> 0:23:08.040
<v Speaker 1>back to school you know stuff, and they these some

0:23:08.119 --> 0:23:10.639
<v Speaker 1>of these kids are seventeen, Like they haven't even turned eighteen.

0:23:10.720 --> 0:23:13.760
<v Speaker 1>Yet so right, and they're like people, right, I didn't Yeah,

0:23:13.760 --> 0:23:16.679
<v Speaker 1>I didn't go to college because I'm very stupid, but uh,

0:23:16.760 --> 0:23:18.840
<v Speaker 1>you know, I had know nothing now as a result.

0:23:18.880 --> 0:23:21.400
<v Speaker 1>But but my guess what you're saying is like, so

0:23:21.440 --> 0:23:24.080
<v Speaker 1>it's young people, and also they're coming from all these

0:23:24.080 --> 0:23:26.040
<v Speaker 1>different places. Right, So you're at a college somewhere, but

0:23:26.080 --> 0:23:27.919
<v Speaker 1>you've got people from like, oh, yeah, the middle of

0:23:27.960 --> 0:23:29.840
<v Speaker 1>nowhere who've just showed up in this like big new

0:23:29.880 --> 0:23:31.760
<v Speaker 1>town or whatever. And then yeah, you're going for the

0:23:32.040 --> 0:23:33.480
<v Speaker 1>you know, for the comedy night. Next thing, you know,

0:23:33.520 --> 0:23:36.439
<v Speaker 1>you're you've scandalized them with your sexual acts, right, And

0:23:36.440 --> 0:23:39.960
<v Speaker 1>I just know, even even like material about divorce, you know,

0:23:40.000 --> 0:23:43.440
<v Speaker 1>they were kind of like, oh, really, like fifty one

0:23:43.480 --> 0:23:46.920
<v Speaker 1>percent of marriages or whatever, it's too adult. It's too adult.

0:23:47.160 --> 0:23:49.880
<v Speaker 1>Like it's not even that they're like, they're just like, oh,

0:23:49.920 --> 0:23:54.000
<v Speaker 1>this is like old people jokes talk about something I understand, right,

0:23:54.200 --> 0:23:56.800
<v Speaker 1>And so eventually, like, you know, I had other material

0:23:56.920 --> 0:23:59.920
<v Speaker 1>that worked better, and I would like rearrange my ass

0:24:00.000 --> 0:24:04.320
<v Speaker 1>acting stuff. And then I also was enjoying the challenge

0:24:04.320 --> 0:24:06.560
<v Speaker 1>of coming up with material that would work in front

0:24:06.560 --> 0:24:10.520
<v Speaker 1>of almost any crowd except for dumb dumbs, right. I

0:24:10.600 --> 0:24:15.359
<v Speaker 1>always enjoy doing shows for a higher like emotional intelligence

0:24:15.600 --> 0:24:19.320
<v Speaker 1>type crowd, or even just that they understand basic stuff

0:24:19.760 --> 0:24:23.400
<v Speaker 1>in life and the world. Or I guess I guess

0:24:23.400 --> 0:24:27.959
<v Speaker 1>the term is like more nerdy, you know, ignorant stupid

0:24:27.960 --> 0:24:31.520
<v Speaker 1>audiences that's not your well say, generally they hate me

0:24:32.040 --> 0:24:35.200
<v Speaker 1>because I'm too. I mean, I get comments all the time,

0:24:35.280 --> 0:24:38.080
<v Speaker 1>like on on Facebook and stuff, because they'll run ads

0:24:38.119 --> 0:24:40.080
<v Speaker 1>for my shows and I'll see the comments that people

0:24:40.160 --> 0:24:42.040
<v Speaker 1>leave because it's just a random person seeing a video

0:24:42.080 --> 0:24:44.159
<v Speaker 1>of me being like, hi, come to my show, and

0:24:44.200 --> 0:24:47.040
<v Speaker 1>people will be like, oh, this is awful. She's annoying.

0:24:47.119 --> 0:24:50.040
<v Speaker 1>She's obviously a Democrat, you know, and it's like, okay,

0:24:50.119 --> 0:24:52.639
<v Speaker 1>you know, like look, don't look at my show. They

0:24:53.320 --> 0:24:57.240
<v Speaker 1>ad worked as intended. I do not want you at

0:24:57.240 --> 0:25:00.760
<v Speaker 1>my show or near me. Ever your like that. I mean,

0:25:00.800 --> 0:25:03.360
<v Speaker 1>it's just leaving a negative comment in general is already

0:25:03.400 --> 0:25:05.560
<v Speaker 1>a sign in my opinion, that like we don't need

0:25:05.600 --> 0:25:07.960
<v Speaker 1>to be around each other. I think about that all that.

0:25:08.080 --> 0:25:10.280
<v Speaker 1>I think about the comment thing all the time, which

0:25:10.320 --> 0:25:12.359
<v Speaker 1>is like the effort it takes, Yeah, the effort it

0:25:12.359 --> 0:25:15.520
<v Speaker 1>takes to stop and post a comment to me, I'm like,

0:25:15.680 --> 0:25:16.959
<v Speaker 1>and I don't want I'm not trying to be like,

0:25:16.960 --> 0:25:18.760
<v Speaker 1>oh you know, it's not from me or whatever. I

0:25:18.800 --> 0:25:20.520
<v Speaker 1>just I just feel like the idea of that I

0:25:20.560 --> 0:25:23.520
<v Speaker 1>would ever stop and spend time put in a publicly

0:25:23.600 --> 0:25:27.679
<v Speaker 1>viewable like shit post underneath something else, like it's unless

0:25:27.720 --> 0:25:33.160
<v Speaker 1>it's really extreme someone else's personal page. Like I've never

0:25:33.200 --> 0:25:36.320
<v Speaker 1>done that, Like I have commented, I've critiqued things and

0:25:36.480 --> 0:25:40.720
<v Speaker 1>culture and like been like chumps, you know, probably smells

0:25:40.800 --> 0:25:44.720
<v Speaker 1>like a wet French fry, you know, like like I mean,

0:25:44.720 --> 0:25:48.280
<v Speaker 1>those were the days remember red French fry, which, by

0:25:48.320 --> 0:25:50.840
<v Speaker 1>the way, wet French fry fry smells fine actually like christs,

0:25:50.920 --> 0:25:52.840
<v Speaker 1>just like a regular French fry. Am I think? Am

0:25:52.840 --> 0:25:56.240
<v Speaker 1>I crazy? Yeah? Cold wet French fry. I don't know, Yeah,

0:25:56.240 --> 0:25:58.520
<v Speaker 1>I'll actually he does not smell like that, actually I know.

0:25:58.600 --> 0:26:01.359
<v Speaker 1>But human human ski and shouldn't smell like that, you

0:26:01.400 --> 0:26:04.800
<v Speaker 1>know what I'm saying. Okay, I mean, I guess that's

0:26:04.880 --> 0:26:07.160
<v Speaker 1>up a good point. You need to get that looked at.

0:26:07.240 --> 0:26:10.280
<v Speaker 1>But I've done negative comments like that online. You know

0:26:10.320 --> 0:26:12.719
<v Speaker 1>where it's on my paint and you would have to

0:26:12.760 --> 0:26:15.240
<v Speaker 1>read me to see it. Right, but I would never

0:26:15.359 --> 0:26:18.119
<v Speaker 1>go onto someone else. And trust me, I've been tempted

0:26:18.119 --> 0:26:20.720
<v Speaker 1>at times and like I want to just rip this

0:26:20.800 --> 0:26:25.720
<v Speaker 1>person up, but I never done that. And I've never

0:26:25.760 --> 0:26:28.760
<v Speaker 1>even put a thumbs down on like a YouTube video

0:26:28.840 --> 0:26:32.639
<v Speaker 1>that just meals really, no thumbs down is weird, Like

0:26:32.680 --> 0:26:34.760
<v Speaker 1>what's the point, what's the point, Like you're just pushing

0:26:34.880 --> 0:26:38.320
<v Speaker 1>You're throwing negativity into the void. Like yeah, like you

0:26:38.359 --> 0:26:40.720
<v Speaker 1>don't like it, Okay, then don't fucking watch it again,

0:26:40.840 --> 0:26:43.560
<v Speaker 1>like stop watching it and leave. Yeah, yeah, just move on.

0:26:43.680 --> 0:26:45.720
<v Speaker 1>I have like, okay, to your point. I mean, I've

0:26:45.720 --> 0:26:49.439
<v Speaker 1>definitely like responded to like Elon Musk saying something stupid

0:26:49.480 --> 0:26:53.360
<v Speaker 1>bite saying like like something probably trying to be somewhat

0:26:53.480 --> 0:26:56.400
<v Speaker 1>inquisitive or constructive, not just a random like yeah, I've

0:26:56.480 --> 0:27:00.600
<v Speaker 1>dunked on public figures before. But yeah, yeah that's a

0:27:00.640 --> 0:27:02.840
<v Speaker 1>different story. That's a whole different deal. I mean, but like,

0:27:03.040 --> 0:27:04.800
<v Speaker 1>but the idea that you're stuff, I mean, I don't know.

0:27:05.119 --> 0:27:07.359
<v Speaker 1>I guess they think that they think that I'm a

0:27:07.400 --> 0:27:10.040
<v Speaker 1>public figure and I deserve to be destroyed. And it's

0:27:10.040 --> 0:27:12.360
<v Speaker 1>sort of like, okay, well you are an Emmy Award

0:27:12.400 --> 0:27:17.560
<v Speaker 1>winning Emmy award winning comedian, writer, a podcaster. You ran

0:27:17.680 --> 0:27:20.320
<v Speaker 1>the late night which we found tumbler account true or false?

0:27:20.680 --> 0:27:23.400
<v Speaker 1>Did you actually put tumbler posts up for a late

0:27:23.520 --> 0:27:26.000
<v Speaker 1>night show, probably the first and only late night show

0:27:26.040 --> 0:27:28.159
<v Speaker 1>ever to post on top. It didn't last very long. No,

0:27:28.280 --> 0:27:30.280
<v Speaker 1>there should be an award for because tumbler like went

0:27:30.320 --> 0:27:34.680
<v Speaker 1>away very quickly after that. Yeah, Tumbler is the is

0:27:34.720 --> 0:27:37.240
<v Speaker 1>Twitter of the past. Yeah, the future of Twitter. I

0:27:37.280 --> 0:27:40.879
<v Speaker 1>hopefully Tumbler's past is Twitter's future, you know what I mean?

0:27:41.720 --> 0:27:44.160
<v Speaker 1>They said anyhow, But getting back to speaking your mind,

0:27:44.240 --> 0:27:46.680
<v Speaker 1>being able to speak, you know, as a modern day philosopher,

0:27:46.960 --> 0:27:49.320
<v Speaker 1>of course, we know comedians are the only people who

0:27:49.400 --> 0:27:53.240
<v Speaker 1>can speak truth to power in this world, only us. Yeah. Now,

0:27:53.240 --> 0:27:57.840
<v Speaker 1>obviously we're living in an age of extreme canceling. Stream

0:27:58.400 --> 0:28:01.119
<v Speaker 1>is everywhere you turn, no matter what you say, no

0:28:01.160 --> 0:28:03.760
<v Speaker 1>matter what you who you're saying it about, no matter

0:28:03.800 --> 0:28:06.200
<v Speaker 1>how you say it. Yeah, someone will come out of

0:28:06.200 --> 0:28:09.040
<v Speaker 1>the woodwork and get you canceled permanently off of the

0:28:09.080 --> 0:28:12.800
<v Speaker 1>face of the planet. Do you feel that in this

0:28:12.880 --> 0:28:15.520
<v Speaker 1>era of comedy that you're in in the world and

0:28:15.600 --> 0:28:17.800
<v Speaker 1>sort of thinking about, you know, how you can speak,

0:28:18.359 --> 0:28:20.600
<v Speaker 1>do you feel I mean, what's interesting. You just told

0:28:20.600 --> 0:28:23.600
<v Speaker 1>a story where your actual speech was definitely fully suppressed

0:28:23.600 --> 0:28:26.080
<v Speaker 1>by like the behavior of other people. It's not suppressed,

0:28:26.080 --> 0:28:30.240
<v Speaker 1>but definitely like I've been influenced by others. Yeah. Yeah,

0:28:30.280 --> 0:28:35.240
<v Speaker 1>there is a constant drumbeat of this idea that it's

0:28:35.320 --> 0:28:38.720
<v Speaker 1>your speech is just being limited and narrowed to a

0:28:38.840 --> 0:28:45.280
<v Speaker 1>fine lib cut talking point. Do you feel that way

0:28:45.360 --> 0:28:47.560
<v Speaker 1>as a as a as one of the last truth

0:28:47.600 --> 0:28:51.640
<v Speaker 1>tellers out there, I'm the only comedian left. They're all debt.

0:28:51.880 --> 0:28:56.520
<v Speaker 1>You're actually murdered for you're executed. They don't just cancel

0:28:56.560 --> 0:29:01.440
<v Speaker 1>You're you're killed, You're turned into soiler. Yeah, they put

0:29:01.520 --> 0:29:04.200
<v Speaker 1>in the chopper. So I have a show right now

0:29:04.200 --> 0:29:08.160
<v Speaker 1>that I'm doing. It's a solo show, comedic solo show.

0:29:08.200 --> 0:29:11.280
<v Speaker 1>It's called Going Up, and it's a fake seminar on

0:29:11.320 --> 0:29:14.040
<v Speaker 1>how to make it in the comedy business. And I

0:29:14.160 --> 0:29:18.479
<v Speaker 1>comment on that exact question heavily in the show. But

0:29:18.560 --> 0:29:21.280
<v Speaker 1>to answer it straightforward, you know, because I've thought a

0:29:21.280 --> 0:29:23.400
<v Speaker 1>lot about it, you better have a great answer that well,

0:29:23.440 --> 0:29:26.720
<v Speaker 1>I've I've channeled a lot of my commentary on this

0:29:26.880 --> 0:29:31.560
<v Speaker 1>into the show because I actually chose to allow people

0:29:31.640 --> 0:29:34.080
<v Speaker 1>to silence me. Not the example I gave you, because

0:29:34.120 --> 0:29:36.600
<v Speaker 1>I think that was more like my just not wanting

0:29:36.600 --> 0:29:38.840
<v Speaker 1>to deal. No one was trying to silence me. They

0:29:38.840 --> 0:29:40.640
<v Speaker 1>were actually trying to get me to talk more about it.

0:29:40.920 --> 0:29:47.040
<v Speaker 1>They're actually like, but inadvertently silence here by being annoyed. Yeah, right,

0:29:47.080 --> 0:29:49.200
<v Speaker 1>they didn't mean to do that. That's not what that was.

0:29:49.520 --> 0:29:53.240
<v Speaker 1>But I you know, a few years back, I was

0:29:54.160 --> 0:29:56.760
<v Speaker 1>very I was for many years. I was very vocal

0:29:56.800 --> 0:30:01.240
<v Speaker 1>on Twitter about women in comedy, about comedy stuff. And

0:30:02.080 --> 0:30:05.440
<v Speaker 1>then the Louis c k stuff happened, and maybe what

0:30:05.600 --> 0:30:10.120
<v Speaker 1>he waited what six months before making a comeback? Yeah,

0:30:10.160 --> 0:30:13.360
<v Speaker 1>a few episodes ago talking to Nick Turner Media Love,

0:30:13.680 --> 0:30:16.280
<v Speaker 1>and we were talking about that he sells out Masis

0:30:16.280 --> 0:30:18.920
<v Speaker 1>and Square Garden. Oh he's fine, Like nobody's bating this,

0:30:19.080 --> 0:30:22.080
<v Speaker 1>like nothing happened, right, Well, he's been canceled permanently and

0:30:22.120 --> 0:30:24.280
<v Speaker 1>can no longer get work except for selling that Madison

0:30:24.320 --> 0:30:26.960
<v Speaker 1>Square Garden. That's it, right, Well, they always go He

0:30:27.040 --> 0:30:30.920
<v Speaker 1>lost thirty million dollars, He lost thirty million in potential income.

0:30:30.960 --> 0:30:33.400
<v Speaker 1>And like, if you don't understand how TV contracts work

0:30:33.640 --> 0:30:36.880
<v Speaker 1>and development deals work, then you don't realize he didn't.

0:30:36.880 --> 0:30:40.280
<v Speaker 1>He didn't have thirty million dollars deleted from his bank account.

0:30:40.280 --> 0:30:42.440
<v Speaker 1>That's that how it happened, you know. Yeah, but we

0:30:42.560 --> 0:30:44.880
<v Speaker 1>you know, we had deleted from our from the bank

0:30:44.880 --> 0:30:47.960
<v Speaker 1>account of culture is another season of Louis right, right,

0:30:48.000 --> 0:30:50.680
<v Speaker 1>exactly when you think about it, there was right, there

0:30:50.760 --> 0:30:54.440
<v Speaker 1>wasn't might be lost. But hello, if you are working

0:30:54.440 --> 0:31:00.800
<v Speaker 1>in TV or movies, but especially in TV, canceling can

0:31:00.880 --> 0:31:07.680
<v Speaker 1>happen for any reason, as stupid as a network president going,

0:31:08.320 --> 0:31:11.080
<v Speaker 1>I don't like it anymore, thank you know, like right,

0:31:11.400 --> 0:31:15.400
<v Speaker 1>like right. In fact, every single person in TV gets

0:31:15.440 --> 0:31:18.880
<v Speaker 1>their show canceled at some point, and the reasons never

0:31:18.920 --> 0:31:21.480
<v Speaker 1>make sense. So why are we being so sensitive when

0:31:21.480 --> 0:31:24.560
<v Speaker 1>it's like, maybe they don't like you any gay, Maybe

0:31:24.600 --> 0:31:27.040
<v Speaker 1>you kind of freaked them out and they don't want

0:31:27.080 --> 0:31:29.240
<v Speaker 1>to work. People were just looking for an excuse. Maybe

0:31:29.240 --> 0:31:31.360
<v Speaker 1>they're like, this is it we can finally get rid

0:31:31.400 --> 0:31:33.560
<v Speaker 1>of No, but I'm just saying, but I'm saying, you

0:31:33.600 --> 0:31:37.040
<v Speaker 1>can be your stuff, your career, your TV career can

0:31:37.080 --> 0:31:40.720
<v Speaker 1>be canceled. It's that's like where the term came from

0:31:40.800 --> 0:31:45.080
<v Speaker 1>in terms of like, oh a show gets canceled. That's

0:31:45.200 --> 0:31:48.720
<v Speaker 1>oginate is literally and then and then canceled culture became

0:31:49.200 --> 0:31:52.160
<v Speaker 1>I'm pretty sure it came from like black culture, or

0:31:52.560 --> 0:31:56.560
<v Speaker 1>I think black Twitter might have originated all the best

0:31:56.720 --> 0:31:58.560
<v Speaker 1>I start as I know, all the best, most interesting

0:31:58.600 --> 0:32:02.280
<v Speaker 1>things happening in culture come from black Twitter and black culture. Yeah,

0:32:02.320 --> 0:32:04.680
<v Speaker 1>of course there was the cancel culture is a term

0:32:04.720 --> 0:32:06.880
<v Speaker 1>that was appropriated. Yeah. No. The thing I think I

0:32:06.920 --> 0:32:08.840
<v Speaker 1>think all the time about what like white supremiss is

0:32:08.880 --> 0:32:11.400
<v Speaker 1>like the world that they imagine would be so boring

0:32:11.440 --> 0:32:14.200
<v Speaker 1>and so devoid of anything like fun or interesting happening,

0:32:14.320 --> 0:32:17.120
<v Speaker 1>like the white pro like white people just produce so

0:32:17.280 --> 0:32:20.080
<v Speaker 1>little that is good and interesting at this point, and

0:32:20.120 --> 0:32:22.400
<v Speaker 1>I lay massas as a white person with the podcast,

0:32:22.440 --> 0:32:24.240
<v Speaker 1>so you know, I think, you know, I'm in a

0:32:24.720 --> 0:32:29.600
<v Speaker 1>unique vantage point it. Oh yeah, so I was pretty

0:32:29.680 --> 0:32:32.640
<v Speaker 1>vocal about stuff. I was talking about that whole thing,

0:32:32.760 --> 0:32:35.440
<v Speaker 1>like why are we crying for Luis? Why are we

0:32:35.480 --> 0:32:40.600
<v Speaker 1>acting like Hollywood was fair up until this point, right, Welcome,

0:32:41.200 --> 0:32:44.640
<v Speaker 1>welcome to it being unfair, Welcome to it making sense

0:32:44.720 --> 0:32:47.760
<v Speaker 1>to you, Welcome to it being fickle. Yeah, well, you know,

0:32:47.840 --> 0:32:52.239
<v Speaker 1>like welcome to it being well. And then there's good, right,

0:32:52.440 --> 0:32:55.239
<v Speaker 1>like pretty good reasons you know, like, right, it's not

0:32:55.280 --> 0:32:57.320
<v Speaker 1>just like somebody didn't like his act, you know, it's

0:32:57.360 --> 0:32:59.640
<v Speaker 1>like he had real problem, right and so, and it's

0:32:59.680 --> 0:33:02.120
<v Speaker 1>a lie ability and he was doing shit on set

0:33:02.200 --> 0:33:04.280
<v Speaker 1>and that's why people, Oh, I didn't do anything. It's

0:33:04.280 --> 0:33:06.760
<v Speaker 1>like you didn't read the same articles that I did.

0:33:06.920 --> 0:33:09.200
<v Speaker 1>I mean, like, so, anyway, I'm not going to rehash it.

0:33:09.240 --> 0:33:12.080
<v Speaker 1>I literally can't. I'll no, no, no no, no. But it's

0:33:12.880 --> 0:33:15.000
<v Speaker 1>so fascinated to talk about, though, I get it, Like

0:33:15.360 --> 0:33:19.040
<v Speaker 1>this is really the second time in recent podcast history

0:33:19.080 --> 0:33:20.760
<v Speaker 1>for me that I've this has come up, and I

0:33:20.760 --> 0:33:22.840
<v Speaker 1>do think it's endlessly fascinating just because I think this

0:33:22.880 --> 0:33:25.800
<v Speaker 1>topic of cancel culture, you know, this idea of cancelation

0:33:25.880 --> 0:33:28.720
<v Speaker 1>seems so pervasive, and yet if you look at people

0:33:28.720 --> 0:33:31.640
<v Speaker 1>who've been canceled because of their speech or whatever, which

0:33:31.680 --> 0:33:33.480
<v Speaker 1>is not the case in his case, and really in

0:33:33.520 --> 0:33:35.160
<v Speaker 1>any of these, people always act like the Louis c

0:33:35.320 --> 0:33:37.440
<v Speaker 1>Kay thing is a freedom of speech issue, right, And

0:33:37.480 --> 0:33:39.600
<v Speaker 1>I'm like, no, actually, it was like a workplace safety

0:33:39.640 --> 0:33:43.080
<v Speaker 1>issue and like a human issue, and some of it

0:33:43.120 --> 0:33:46.560
<v Speaker 1>was borderline criminal depending on the state you're in. And like,

0:33:46.680 --> 0:33:50.800
<v Speaker 1>you know, so anyway, I was vocal about that stuff,

0:33:51.080 --> 0:33:53.920
<v Speaker 1>and I was really pissed off and annoyed when he

0:33:55.000 --> 0:33:57.760
<v Speaker 1>came back so quickly, and like there were articles going

0:33:57.760 --> 0:34:03.120
<v Speaker 1>around about bookers saying they would book him and their

0:34:03.160 --> 0:34:05.760
<v Speaker 1>stage is open to anyone and all this stuff, and

0:34:05.920 --> 0:34:07.840
<v Speaker 1>it was digging into all those things we were just

0:34:07.920 --> 0:34:10.359
<v Speaker 1>touching on, and I was tweeting about that shit, and

0:34:10.400 --> 0:34:13.359
<v Speaker 1>I got kind of in the crosshairs of like the

0:34:13.400 --> 0:34:19.040
<v Speaker 1>worst people, which is comedy like bro comedy fans, comedy defenders. Yeah,

0:34:19.120 --> 0:34:22.160
<v Speaker 1>I call them shit head island, and like male comedy

0:34:22.239 --> 0:34:28.319
<v Speaker 1>fans of that ilk are so toxic and they well

0:34:28.400 --> 0:34:30.799
<v Speaker 1>male male fans. Can I just say, like in my

0:34:30.880 --> 0:34:32.960
<v Speaker 1>experience and this is not just say that this is

0:34:33.000 --> 0:34:34.840
<v Speaker 1>not unique because I think what your saying it is.

0:34:34.880 --> 0:34:37.160
<v Speaker 1>But and I'm sorry, I just totally cut you off

0:34:37.239 --> 0:34:41.279
<v Speaker 1>like a huge dickhead, like shut up a second and

0:34:41.440 --> 0:34:44.200
<v Speaker 1>let me make a point. But like male fans of

0:34:44.239 --> 0:34:48.680
<v Speaker 1>anything are bad in my can get very and their

0:34:48.760 --> 0:34:51.840
<v Speaker 1>they take on different flavors or whatever, but this fandom

0:34:51.920 --> 0:34:57.279
<v Speaker 1>is pretty toxic and they really hate, uh, female comedians

0:34:57.320 --> 0:34:59.600
<v Speaker 1>who talk about this stuff. And they I've seen how

0:34:59.640 --> 0:35:02.680
<v Speaker 1>they've after many of us and me included, and that

0:35:03.080 --> 0:35:08.279
<v Speaker 1>at that time, it also bubbled up to fellow comics

0:35:08.960 --> 0:35:11.120
<v Speaker 1>fighting with me and being mean to me and like

0:35:11.200 --> 0:35:14.240
<v Speaker 1>kind of sticking their fans on me, and it really

0:35:14.680 --> 0:35:17.800
<v Speaker 1>it hit me at a vulnerable time in my life.

0:35:18.040 --> 0:35:21.280
<v Speaker 1>It really affected me, and I saw and was told

0:35:21.320 --> 0:35:23.960
<v Speaker 1>things that were just so cruel and some of it

0:35:24.040 --> 0:35:28.360
<v Speaker 1>was scary, and it was just like I had people

0:35:28.360 --> 0:35:31.920
<v Speaker 1>in my life being like, you need to stop with that,

0:35:32.200 --> 0:35:36.000
<v Speaker 1>and not that they were blaming me, but I made

0:35:36.040 --> 0:35:39.239
<v Speaker 1>a promise to myself and to my husband, like because

0:35:39.239 --> 0:35:41.080
<v Speaker 1>it would just take me out, you know, and I

0:35:41.080 --> 0:35:44.440
<v Speaker 1>would just be spiraling and like freaking out, and it

0:35:44.520 --> 0:35:46.920
<v Speaker 1>just triggered so much anxiety and me and I mean

0:35:47.040 --> 0:35:51.439
<v Speaker 1>having like physical symptoms and stuff. And ye like when

0:35:51.440 --> 0:35:54.200
<v Speaker 1>I see someone getting harassed online, even if they were

0:35:54.280 --> 0:35:57.359
<v Speaker 1>really horrible for what they said, then they come back

0:35:57.360 --> 0:35:59.960
<v Speaker 1>with the I'm getting death threats and this is ruined,

0:36:00.160 --> 0:36:02.160
<v Speaker 1>you know, and it's like, I know what that feels like.

0:36:02.239 --> 0:36:05.239
<v Speaker 1>It is not okay there, you know, Yeah, no, it's

0:36:05.320 --> 0:36:07.920
<v Speaker 1>very abnormal. I have had a couple of not to

0:36:08.000 --> 0:36:10.840
<v Speaker 1>the yeah yeah, and we never talked to like certainly

0:36:10.880 --> 0:36:14.120
<v Speaker 1>a woman who's online. I know that my experience could

0:36:14.160 --> 0:36:17.920
<v Speaker 1>never possibly begin to approach. No, you're human being and like,

0:36:18.080 --> 0:36:20.560
<v Speaker 1>you know people, but but yeah, so I got attacked

0:36:20.600 --> 0:36:24.680
<v Speaker 1>and I what I said was so mild. I didn't

0:36:24.760 --> 0:36:29.160
<v Speaker 1>even say anything that inflammatory. I just said it's boring

0:36:29.640 --> 0:36:32.480
<v Speaker 1>to book Louis k right, And I was just kind

0:36:32.520 --> 0:36:36.480
<v Speaker 1>of and I had a little thread and I was like,

0:36:36.520 --> 0:36:39.200
<v Speaker 1>get over yourselves, like like you know, and I just

0:36:39.280 --> 0:36:41.800
<v Speaker 1>was sort of like blah, like this is so boring.

0:36:41.920 --> 0:36:45.360
<v Speaker 1>Please You're not edgy or special, and like you're not

0:36:45.440 --> 0:36:47.959
<v Speaker 1>cool for this, and I mean, you go after whether

0:36:48.040 --> 0:36:51.080
<v Speaker 1>or not someone's cool. They don't like that. So I

0:36:51.160 --> 0:36:54.239
<v Speaker 1>got I got that kind of attacked and um, and

0:36:54.280 --> 0:36:57.800
<v Speaker 1>I made a promise to stop tweeting about comedy debates,

0:36:58.840 --> 0:37:01.000
<v Speaker 1>you know, when Chappelle was say something or like just

0:37:01.040 --> 0:37:04.320
<v Speaker 1>having opinions on my own business. And I just tried

0:37:04.360 --> 0:37:06.960
<v Speaker 1>it for a while. I gave it a try, and

0:37:07.239 --> 0:37:11.799
<v Speaker 1>it was incredible how they successfully did silence me and

0:37:12.000 --> 0:37:15.879
<v Speaker 1>it actually worked. You know, like when a big group

0:37:15.920 --> 0:37:18.440
<v Speaker 1>of people are telling you to go kill yourself or

0:37:18.480 --> 0:37:22.120
<v Speaker 1>like quit or stop, they're guessing at what would hit you.

0:37:22.719 --> 0:37:28.080
<v Speaker 1>And it is funny how when I stopped commenting on

0:37:28.120 --> 0:37:31.640
<v Speaker 1>the thing that I know the most about my own business,

0:37:31.760 --> 0:37:35.560
<v Speaker 1>my own career, my own experiences as a woman in comedy.

0:37:36.120 --> 0:37:40.879
<v Speaker 1>The harassment stopped right and then the few times I've

0:37:41.040 --> 0:37:44.520
<v Speaker 1>just tiptoed back in, it starts again, and it's like, wow,

0:37:45.920 --> 0:37:49.160
<v Speaker 1>they know that. I think that, whether conscious or not,

0:37:49.200 --> 0:37:51.720
<v Speaker 1>they're they're trying to get you to shut the fuck

0:37:51.800 --> 0:37:55.200
<v Speaker 1>up about it. I chose that I have friends who

0:37:55.239 --> 0:37:58.239
<v Speaker 1>are like you will never silence me. Fuck you, I'm

0:37:58.280 --> 0:38:02.480
<v Speaker 1>going to go even harder. They can handle it. I

0:38:02.520 --> 0:38:05.360
<v Speaker 1>cannot handle a certain level once it gets past a

0:38:05.360 --> 0:38:08.120
<v Speaker 1>certain level of harassment, Like I can't. It's not good

0:38:08.120 --> 0:38:12.000
<v Speaker 1>for me. So I chose to stop. So is my

0:38:12.160 --> 0:38:16.759
<v Speaker 1>freedom of speech being curtailed? Technically no, but it's like

0:38:17.200 --> 0:38:23.000
<v Speaker 1>a platform is being abused to bully people into silence

0:38:23.120 --> 0:38:25.239
<v Speaker 1>and like make it say they're faced with this kind

0:38:25.280 --> 0:38:28.160
<v Speaker 1>of choice if they aren't made of steel, you know.

0:38:39.680 --> 0:38:43.480
<v Speaker 1>I mean, first off, like, what's so interesting just hearing

0:38:43.840 --> 0:38:46.319
<v Speaker 1>your perspective on this is that it is such a

0:38:46.440 --> 0:38:48.480
<v Speaker 1>common And I don't mean I'm not saying, wow, this

0:38:48.640 --> 0:38:50.960
<v Speaker 1>doesn't matter, but I'm saying what you're describing is such

0:38:51.000 --> 0:38:57.120
<v Speaker 1>a common thread of online interaction and having been in

0:38:57.200 --> 0:39:00.200
<v Speaker 1>some moments not too dissimilar from what you're describing, where

0:39:00.200 --> 0:39:01.759
<v Speaker 1>you've got like a mob of people, like it is

0:39:01.760 --> 0:39:04.480
<v Speaker 1>a mob. And I think you're largely talking about Twitter.

0:39:04.520 --> 0:39:07.960
<v Speaker 1>I don't know other platforms. There happened on other platforms,

0:39:08.480 --> 0:39:13.520
<v Speaker 1>but Twitter is like, for me, was the most toxic place. Yeah. Yeah,

0:39:13.640 --> 0:39:17.560
<v Speaker 1>it's design and to this day, it's design is fashioned

0:39:17.600 --> 0:39:20.719
<v Speaker 1>in such a way that quote tweet, it has given

0:39:20.920 --> 0:39:23.680
<v Speaker 1>a mob all of the tools it needs now in

0:39:23.719 --> 0:39:25.719
<v Speaker 1>the same way that you can say anything you want

0:39:25.760 --> 0:39:28.319
<v Speaker 1>and gets broadcast out to the world that can be

0:39:28.360 --> 0:39:32.399
<v Speaker 1>immediately turned around and and there can be like an

0:39:32.440 --> 0:39:35.919
<v Speaker 1>inverse of the world broadcasting back at you. Right, Yeah,

0:39:35.960 --> 0:39:38.000
<v Speaker 1>And I think that, like you know, it's like one

0:39:38.080 --> 0:39:40.399
<v Speaker 1>too many and then many to one. It's like a way,

0:39:40.520 --> 0:39:42.920
<v Speaker 1>it's like the streets that it functions on, right, the

0:39:42.960 --> 0:39:45.279
<v Speaker 1>pathways that it functions on. And it is such a

0:39:45.400 --> 0:39:51.960
<v Speaker 1>it is such a cruel, weird, negative form of interaction,

0:39:52.120 --> 0:39:54.719
<v Speaker 1>like with no there's no buffer, there's no barrier, there's

0:39:54.719 --> 0:39:56.960
<v Speaker 1>no time out, there's no there's no way to stem

0:39:56.960 --> 0:39:59.800
<v Speaker 1>the tide. If a thousand people decide at this moment

0:39:59.800 --> 0:40:01.320
<v Speaker 1>that you're going to be the target or one hundred

0:40:01.320 --> 0:40:04.160
<v Speaker 1>thousand people the target of their ire Nothing can stop

0:40:04.239 --> 0:40:07.000
<v Speaker 1>that except you turning, you know, deleting the app and

0:40:07.080 --> 0:40:09.759
<v Speaker 1>not looking at it. And I think that like, as

0:40:09.840 --> 0:40:13.000
<v Speaker 1>human beings, I mean, in a way, it's unnatural for

0:40:13.080 --> 0:40:15.040
<v Speaker 1>us to share in real time anything that we think

0:40:15.120 --> 0:40:17.080
<v Speaker 1>unless we're talking. If like, like you and I are

0:40:17.280 --> 0:40:19.920
<v Speaker 1>having a real time conversation, we're not in the same room,

0:40:20.040 --> 0:40:22.360
<v Speaker 1>would be preferable if we were, I think, just generally

0:40:22.360 --> 0:40:25.480
<v Speaker 1>in life, but like this is a normal interaction, you

0:40:25.560 --> 0:40:29.520
<v Speaker 1>and I exchanging ideas in real time, but like to

0:40:29.760 --> 0:40:32.040
<v Speaker 1>have a real time idea out there and then get

0:40:32.120 --> 0:40:37.640
<v Speaker 1>this like immediate torrent of unchecked feedback or vitriol or

0:40:37.680 --> 0:40:43.240
<v Speaker 1>whatever is a totally unnatural an unhealthy way in which

0:40:43.600 --> 0:40:46.840
<v Speaker 1>we interact or that we've developed an interaction on the internet.

0:40:46.840 --> 0:40:49.640
<v Speaker 1>And I do think, like not to go back to

0:40:49.680 --> 0:40:51.960
<v Speaker 1>elon Mosk or whatever, but I do think this, what

0:40:52.200 --> 0:40:57.040
<v Speaker 1>is happening now on that particular platform is probably like

0:40:57.080 --> 0:41:00.360
<v Speaker 1>we're seeing the kind of twilight of one both like

0:41:00.360 --> 0:41:02.879
<v Speaker 1>the people who want that the kind of people who

0:41:02.880 --> 0:41:06.080
<v Speaker 1>want to have that interaction, also just that platform's ability

0:41:06.160 --> 0:41:08.920
<v Speaker 1>or almost any platform's ability to like amplify in the

0:41:08.960 --> 0:41:11.400
<v Speaker 1>same exact way. Like I think like people are kind

0:41:11.440 --> 0:41:13.080
<v Speaker 1>of moving on from that, but yeah, but it is

0:41:13.080 --> 0:41:16.200
<v Speaker 1>like we have, like over the last like almost two decades,

0:41:16.239 --> 0:41:19.160
<v Speaker 1>created a bunch of avenues of communication that at first

0:41:19.160 --> 0:41:24.680
<v Speaker 1>seemed brilliant and useful and fun when we met. Twitter

0:41:24.840 --> 0:41:27.160
<v Speaker 1>was not the same thing. It was like when Jimmy

0:41:27.280 --> 0:41:30.239
<v Speaker 1>was doing funny bits with Twitter, it was like it

0:41:30.280 --> 0:41:32.920
<v Speaker 1>was just felt like a small community. And in the

0:41:32.960 --> 0:41:35.279
<v Speaker 1>second it gets like as big as it as it

0:41:35.320 --> 0:41:38.640
<v Speaker 1>has gotten, it becomes you know, untenable, and I think, like, well,

0:41:38.680 --> 0:41:41.319
<v Speaker 1>and then the usage of it was different and it

0:41:41.360 --> 0:41:44.839
<v Speaker 1>was structured different. I think people are realizing like how

0:41:44.960 --> 0:41:48.279
<v Speaker 1>I mean, and it's not just Twitter, but like how

0:41:48.320 --> 0:41:53.240
<v Speaker 1>helpless you are to a tech company. Changing just simple

0:41:53.280 --> 0:41:55.880
<v Speaker 1>things about the structure or the way the platform works

0:41:56.320 --> 0:42:00.520
<v Speaker 1>can really have a negative effect on you or what

0:42:00.600 --> 0:42:03.399
<v Speaker 1>you use the platform for. Like even since Elon took over,

0:42:03.440 --> 0:42:05.080
<v Speaker 1>I mean, it's like every day as a new adventure,

0:42:05.120 --> 0:42:07.160
<v Speaker 1>it's like, oh, what's this. You know, it used to

0:42:07.200 --> 0:42:09.040
<v Speaker 1>be Twitter was where you would go for like real

0:42:09.080 --> 0:42:11.799
<v Speaker 1>time events, when things would happen, you'd be catching up

0:42:11.840 --> 0:42:14.120
<v Speaker 1>on it. But now they've restructured it so that you

0:42:14.200 --> 0:42:17.280
<v Speaker 1>go on and you're just seeing a mishmash of random

0:42:17.320 --> 0:42:19.959
<v Speaker 1>tweets from all different time periods, and it's not really

0:42:20.000 --> 0:42:24.280
<v Speaker 1>a feed, a real time feed anymore. And the trend

0:42:24.400 --> 0:42:28.719
<v Speaker 1>you're trending topics are so tailored and so algorithmized to

0:42:28.880 --> 0:42:31.640
<v Speaker 1>you that you don't even realize, like I'll miss major

0:42:31.680 --> 0:42:34.680
<v Speaker 1>news events because like I was relying on Twitter for

0:42:34.719 --> 0:42:37.040
<v Speaker 1>so long for news and now I'm like, oh, I

0:42:37.080 --> 0:42:39.560
<v Speaker 1>can't check Twitter for news right now, they've changed it.

0:42:39.800 --> 0:42:42.239
<v Speaker 1>But also like as a creator, as somebody who's trying

0:42:42.239 --> 0:42:46.440
<v Speaker 1>to sell tickets to a tour, my Twitter presence, Instagram presence,

0:42:46.480 --> 0:42:49.839
<v Speaker 1>all of that stuff has a direct impact on my

0:42:50.640 --> 0:42:54.920
<v Speaker 1>ability to pay my rent, Like there is a pipeline there,

0:42:55.760 --> 0:43:00.560
<v Speaker 1>rent pipeline. Yeah, And you know I was told three

0:43:00.600 --> 0:43:04.600
<v Speaker 1>months ago, like you gotta do reels, reels on Instagram,

0:43:04.640 --> 0:43:07.040
<v Speaker 1>that's what they're prioritizing. And then I happened to see

0:43:07.040 --> 0:43:10.120
<v Speaker 1>a Twitter thread from someone I don't even follow, who

0:43:10.120 --> 0:43:13.480
<v Speaker 1>like works in marketing saying they've received the message that

0:43:13.600 --> 0:43:19.160
<v Speaker 1>now meta is going on Facebook, Instagram now they're deprioritizing reels.

0:43:19.160 --> 0:43:23.160
<v Speaker 1>This is like within months and now they're prioritizing carousels.

0:43:23.280 --> 0:43:25.560
<v Speaker 1>Oh are they? That's good because I've got a lot

0:43:25.560 --> 0:43:28.759
<v Speaker 1>of pictures. All right, Well, I mean and you know

0:43:28.840 --> 0:43:32.880
<v Speaker 1>your engagement if you do anything that links to a

0:43:32.960 --> 0:43:36.200
<v Speaker 1>ticket link, it's like they know, and they're like, you're

0:43:36.239 --> 0:43:38.279
<v Speaker 1>gonna get one like on this. But then if you

0:43:38.320 --> 0:43:42.680
<v Speaker 1>tweet out like poo poo peepee one million life Like

0:43:44.360 --> 0:43:47.040
<v Speaker 1>That's why I've shifted my whole Twitter strategy to just

0:43:47.280 --> 0:43:51.640
<v Speaker 1>that kind of yeah baby, like a fecal matter baby talk.

0:43:51.840 --> 0:43:54.040
<v Speaker 1>But that's it's just like I can't keep up, and

0:43:54.080 --> 0:43:57.120
<v Speaker 1>it's like, well, you have so little control over that.

0:43:57.200 --> 0:43:59.640
<v Speaker 1>So if you aren't super famous where you're just a

0:43:59.760 --> 0:44:02.520
<v Speaker 1>man ending an audience all the time because of that, right,

0:44:02.880 --> 0:44:07.320
<v Speaker 1>it's really frustrating. And you know, I'll like tweet out

0:44:07.360 --> 0:44:10.440
<v Speaker 1>every time I do a show in a city, you know,

0:44:10.480 --> 0:44:12.719
<v Speaker 1>three weeks later, someone's like, come to San Francisco and

0:44:12.760 --> 0:44:16.839
<v Speaker 1>I'm like I was just there and you follow me

0:44:17.000 --> 0:44:20.239
<v Speaker 1>and you didn't even know about it. And it's so frustrating.

0:44:20.239 --> 0:44:22.160
<v Speaker 1>The algorithms like we're not we don't want to share

0:44:22.200 --> 0:44:24.759
<v Speaker 1>that borde like you need to you know, get your

0:44:24.760 --> 0:44:27.120
<v Speaker 1>ass out or whatever. That's what now, that's what the

0:44:27.160 --> 0:44:29.359
<v Speaker 1>people want. But it is to your point about you

0:44:29.400 --> 0:44:32.080
<v Speaker 1>being kind of silenced by the mob, Like it has

0:44:32.120 --> 0:44:38.040
<v Speaker 1>become less enticing to be real on any social media platform.

0:44:38.120 --> 0:44:41.160
<v Speaker 1>They want like a version of you that fits in

0:44:41.200 --> 0:44:44.480
<v Speaker 1>with like an algorithm that isn't too controversial, but it's

0:44:44.520 --> 0:44:47.520
<v Speaker 1>like controversial or interesting in the right ways for the algorithm.

0:44:47.640 --> 0:44:52.960
<v Speaker 1>Inflammatory stuff right right, Inflammatory stuff gets right, gets attention,

0:44:53.160 --> 0:44:56.279
<v Speaker 1>and so it's encouraging you to be inflammatory. So it's

0:44:56.360 --> 0:44:59.239
<v Speaker 1>encouraging you to get into fights with people and they're

0:45:00.239 --> 0:45:03.040
<v Speaker 1>it's like the engine of outrage. Yes, do you ever

0:45:03.120 --> 0:45:06.800
<v Speaker 1>go like I should just become like a fucking like Republican,

0:45:07.640 --> 0:45:11.960
<v Speaker 1>like a phony Republican, like Maga, like Joe Rogan, you know,

0:45:12.120 --> 0:45:14.719
<v Speaker 1>doing my own research whatever, Because like I think about

0:45:14.719 --> 0:45:16.560
<v Speaker 1>this all the time. It's like when I used to

0:45:16.560 --> 0:45:18.960
<v Speaker 1>make music for a living before I did whatever the

0:45:18.960 --> 0:45:21.240
<v Speaker 1>fuck it is I do, before I was a journalist

0:45:21.400 --> 0:45:24.680
<v Speaker 1>a podcast. But like, but I remember thinking like I

0:45:24.719 --> 0:45:27.120
<v Speaker 1>would always try to challenge myself. It was actually when

0:45:27.120 --> 0:45:30.600
<v Speaker 1>you were talking about the structure of doing the comedy

0:45:30.640 --> 0:45:33.680
<v Speaker 1>on college campuses to that audience, I reminded me of

0:45:33.719 --> 0:45:35.520
<v Speaker 1>thinking about how I used to make music when I

0:45:35.520 --> 0:45:38.279
<v Speaker 1>would like try to use like a certain instrument in

0:45:38.280 --> 0:45:40.080
<v Speaker 1>a certain way, but only like limit it to a

0:45:40.080 --> 0:45:42.319
<v Speaker 1>certain type of use, or only use this set of

0:45:42.360 --> 0:45:44.239
<v Speaker 1>things to make a song or whatever, and it would

0:45:44.280 --> 0:45:46.279
<v Speaker 1>be like an interesting challenge to work around it. But

0:45:46.440 --> 0:45:48.799
<v Speaker 1>like I would also work really hard to do things

0:45:48.800 --> 0:45:52.560
<v Speaker 1>that I felt were like challenging to me intellectually or musically.

0:45:52.560 --> 0:45:54.840
<v Speaker 1>I'd be like, let me like make this weirder or

0:45:54.880 --> 0:45:57.399
<v Speaker 1>better or to me, not just like for the sake

0:45:57.440 --> 0:45:59.040
<v Speaker 1>that I think somebody else would like it. But then

0:45:59.080 --> 0:46:01.880
<v Speaker 1>I always admire, not admired, but kind of felt jealous

0:46:01.880 --> 0:46:05.120
<v Speaker 1>of people who, like when you heard their records, you'd

0:46:05.160 --> 0:46:08.279
<v Speaker 1>be like, it really feels like they just did the

0:46:08.320 --> 0:46:12.080
<v Speaker 1>most obvious expected thing, And the effect is I think

0:46:12.120 --> 0:46:15.200
<v Speaker 1>it's dumb, but they're a lot of people like it,

0:46:15.480 --> 0:46:18.680
<v Speaker 1>and it's like it feels below beneath me to have

0:46:18.800 --> 0:46:20.520
<v Speaker 1>done something like that, and yet they must be having

0:46:20.520 --> 0:46:24.400
<v Speaker 1>such a blast just fucking doing the thing that is

0:46:24.480 --> 0:46:27.040
<v Speaker 1>popular or whatever. Yeah, I mean that's a big thing

0:46:27.040 --> 0:46:29.480
<v Speaker 1>in comedy. I mean, you've got a lot of comedians

0:46:29.480 --> 0:46:34.080
<v Speaker 1>who are very famous and very rich for doing jokes

0:46:34.120 --> 0:46:39.600
<v Speaker 1>that are just really really basic or hacky. Yeah, I

0:46:39.600 --> 0:46:43.640
<v Speaker 1>mean it's right, it's infuriating. But at the same time,

0:46:43.680 --> 0:46:45.560
<v Speaker 1>it's like, well that that's like what all of this

0:46:45.560 --> 0:46:48.680
<v Speaker 1>stuff is pushing people towards, is like is like finding

0:46:48.719 --> 0:46:51.799
<v Speaker 1>that you know, I guess whatever. It's like, you know,

0:46:51.880 --> 0:46:53.360
<v Speaker 1>just kind of figuring out like what is going to

0:46:53.400 --> 0:46:56.200
<v Speaker 1>be the thing that hits them the masses. But like

0:46:56.239 --> 0:46:59.560
<v Speaker 1>you can't be like being being unique on the platforms

0:46:59.640 --> 0:47:02.040
<v Speaker 1>is no longer desirable because like there's either too much

0:47:02.680 --> 0:47:04.920
<v Speaker 1>like either too much hate or the algorithm doesn't like it,

0:47:05.040 --> 0:47:06.960
<v Speaker 1>or it's not in the right format. And I mean

0:47:07.160 --> 0:47:09.239
<v Speaker 1>I'm not like bitching about this like it as an

0:47:09.280 --> 0:47:10.759
<v Speaker 1>old person. I don't think you are either. I think

0:47:10.760 --> 0:47:14.520
<v Speaker 1>what we're actually talking about is like this weird shift

0:47:14.560 --> 0:47:17.719
<v Speaker 1>in culture that has made what seemed to be like

0:47:17.800 --> 0:47:20.960
<v Speaker 1>the dawning of a great new way to authentically communicate

0:47:21.000 --> 0:47:24.600
<v Speaker 1>with people has in in some ways almost homogenizing back

0:47:24.640 --> 0:47:28.000
<v Speaker 1>into like oh yeah, nineteen eighties sitcoms, like like not

0:47:28.040 --> 0:47:29.799
<v Speaker 1>that it's the same thing, but that type of like

0:47:30.400 --> 0:47:32.839
<v Speaker 1>cookie cutter. There's a cookie cutter way to do it,

0:47:33.000 --> 0:47:35.360
<v Speaker 1>and people don't really want the other thing. No, And

0:47:35.800 --> 0:47:38.719
<v Speaker 1>if you're too ahead of the curve, which this is

0:47:38.719 --> 0:47:41.960
<v Speaker 1>like I've always i feel like I'm losing it as

0:47:42.000 --> 0:47:43.800
<v Speaker 1>I get older, but like I've always pride of myself

0:47:43.800 --> 0:47:46.880
<v Speaker 1>of being like kind of on the on the cutting

0:47:46.960 --> 0:47:48.719
<v Speaker 1>edge or the on the finger on the pulse of

0:47:48.760 --> 0:47:52.560
<v Speaker 1>like what's cool. I may not be embodying it, but

0:47:52.600 --> 0:47:56.000
<v Speaker 1>I'm aware of it, right, I'm like interested always in

0:47:56.120 --> 0:47:59.160
<v Speaker 1>what people think is cool, even if I don't understand

0:47:59.200 --> 0:48:01.359
<v Speaker 1>it or I'm like I never do in that. I'm

0:48:01.440 --> 0:48:05.280
<v Speaker 1>never going to be that you know, um, but I'm

0:48:05.320 --> 0:48:09.319
<v Speaker 1>always interested in and I like to experience and read

0:48:09.360 --> 0:48:12.839
<v Speaker 1>about stuff like that. And in that way, I'm I'm

0:48:12.880 --> 0:48:15.960
<v Speaker 1>good at predicting, like or because I'm a comedian, I'll

0:48:16.000 --> 0:48:21.240
<v Speaker 1>do satire. I love satire and commenting on cultural stuff.

0:48:21.280 --> 0:48:24.160
<v Speaker 1>And so sometimes I'm commenting on stuff before it's really

0:48:24.280 --> 0:48:29.359
<v Speaker 1>hit mainstream, right, and I'm satirizing something that isn't there yet,

0:48:29.440 --> 0:48:32.200
<v Speaker 1>and then like a year later, someone else will go,

0:48:32.360 --> 0:48:34.719
<v Speaker 1>you know, get famous from doing the thing that I

0:48:35.360 --> 0:48:38.000
<v Speaker 1>This is a perfect example, right, I was. I had

0:48:38.040 --> 0:48:40.920
<v Speaker 1>a joke and this is now ten years ago probably

0:48:40.960 --> 0:48:44.959
<v Speaker 1>I started doing the joke about um those a little

0:48:45.040 --> 0:48:46.719
<v Speaker 1>less than ten years ago, maybe like eight or nine

0:48:46.800 --> 0:48:49.760
<v Speaker 1>years ago, I started doing jokes about those inspirational quotes

0:48:49.960 --> 0:48:53.520
<v Speaker 1>on like pieces of driftwood, like live, Laugh, Love and

0:48:53.520 --> 0:48:55.479
<v Speaker 1>like all that stuff, and I was like the first

0:48:55.520 --> 0:48:58.000
<v Speaker 1>comedian that I know of that, and it's on my

0:48:58.400 --> 0:49:01.480
<v Speaker 1>half hour special on Comedy Central and really proud of

0:49:01.520 --> 0:49:04.759
<v Speaker 1>that material. And I thought I was really kind of

0:49:05.440 --> 0:49:07.840
<v Speaker 1>hit it and hit a moment. But I think I

0:49:07.920 --> 0:49:09.640
<v Speaker 1>was just a little too early, because now you go

0:49:09.680 --> 0:49:12.520
<v Speaker 1>on TikTok, right, and it's like all these trends on

0:49:12.560 --> 0:49:15.600
<v Speaker 1>TikTok making fun of those signs, and I'm like, I'm

0:49:15.640 --> 0:49:20.440
<v Speaker 1>the original, you know. Also it is in a way

0:49:20.480 --> 0:49:24.120
<v Speaker 1>like there is always this thing too of like doing

0:49:24.160 --> 0:49:26.719
<v Speaker 1>it early, but also doing it in a way where

0:49:26.719 --> 0:49:29.480
<v Speaker 1>you're like it's like a tiny bit too cerebral or

0:49:29.520 --> 0:49:33.880
<v Speaker 1>a little bit too yeah yeah, right, like and like

0:49:33.920 --> 0:49:35.920
<v Speaker 1>you're like, oh, if I had just bashed this thing

0:49:35.960 --> 0:49:38.120
<v Speaker 1>over the head, if I had just done this thing

0:49:38.120 --> 0:49:40.520
<v Speaker 1>that was like stupidly obvious but didn't seem That's what

0:49:40.520 --> 0:49:42.640
<v Speaker 1>I'm saying, Like, doesn't seem satisfying to you or fun

0:49:42.680 --> 0:49:45.840
<v Speaker 1>to you or interesting like that. It's like that little tweak.

0:49:46.239 --> 0:49:48.160
<v Speaker 1>It's when it gets watered down to that kind of

0:49:48.200 --> 0:49:53.560
<v Speaker 1>like blander essence that somehow it becomes like much more palatable. Yeah,

0:49:53.600 --> 0:49:56.359
<v Speaker 1>maybe we're just talking about what is broadly considered cool

0:49:56.360 --> 0:49:58.759
<v Speaker 1>as often not very cool. But I do think it's

0:49:58.800 --> 0:50:02.719
<v Speaker 1>like social media and just generally like how the platforms

0:50:03.360 --> 0:50:06.799
<v Speaker 1>interact with our content and what you put out into

0:50:06.840 --> 0:50:10.359
<v Speaker 1>the world has been it does feel like increasingly boxed in,

0:50:10.440 --> 0:50:13.400
<v Speaker 1>like I think, and for me my career has been

0:50:13.440 --> 0:50:15.920
<v Speaker 1>a lot of like we're telling a story of some

0:50:16.000 --> 0:50:17.960
<v Speaker 1>type or we're trying to like you know, communicate in

0:50:18.000 --> 0:50:21.600
<v Speaker 1>this different way to people. The platforms have only ever

0:50:21.640 --> 0:50:27.080
<v Speaker 1>been like a way for the originality to be stripped

0:50:27.120 --> 0:50:29.000
<v Speaker 1>out of it and for it to be replaced with

0:50:29.040 --> 0:50:33.600
<v Speaker 1>something that's much more like packageable and sellable on a

0:50:33.680 --> 0:50:36.479
<v Speaker 1>broad scale, but never about actually serving like the needs

0:50:36.520 --> 0:50:38.920
<v Speaker 1>of like an individual creator. That's why, like there are

0:50:38.920 --> 0:50:41.960
<v Speaker 1>people who have a million followers on TikTok that is

0:50:41.960 --> 0:50:44.240
<v Speaker 1>not a living for them. You could make the funniest

0:50:44.280 --> 0:50:45.880
<v Speaker 1>videos in the world of the most interesting videos, and

0:50:45.880 --> 0:50:47.719
<v Speaker 1>I see people on TikTok all the time and I'm like, wow,

0:50:47.719 --> 0:50:51.360
<v Speaker 1>you're like kind of a genius level creator at doing

0:50:51.400 --> 0:50:54.240
<v Speaker 1>this thing. Yeah, and it's so unique and so interesting.

0:50:54.560 --> 0:50:56.960
<v Speaker 1>But like that, there is not even if you have

0:50:57.000 --> 0:50:58.880
<v Speaker 1>a ton of people watching your videos, or even if

0:50:58.920 --> 0:51:01.560
<v Speaker 1>you have a few videos that go viral, to sustain

0:51:01.719 --> 0:51:05.000
<v Speaker 1>that and make it a thing. That is a small,

0:51:05.400 --> 0:51:09.840
<v Speaker 1>very small portion of these people. It's especially on TikTok,

0:51:09.920 --> 0:51:12.640
<v Speaker 1>I mean, because it's there's also pressure on TikTok. I've

0:51:12.680 --> 0:51:15.359
<v Speaker 1>noticed people who have gone viral for stuff, especially like

0:51:15.480 --> 0:51:18.520
<v Speaker 1>funny people, they have to repeat that and they have

0:51:18.560 --> 0:51:20.640
<v Speaker 1>to keep doing the same thing, right, and then they're

0:51:20.640 --> 0:51:23.759
<v Speaker 1>stuck in that, and I think that that, yeah, that

0:51:24.040 --> 0:51:27.359
<v Speaker 1>is limiting. But also I've seen people be like like

0:51:27.400 --> 0:51:30.440
<v Speaker 1>I came across one guy who was making funny videos

0:51:30.440 --> 0:51:32.960
<v Speaker 1>but the same type of thing over and over, and

0:51:33.000 --> 0:51:35.560
<v Speaker 1>then he was he did a video about how his

0:51:35.680 --> 0:51:38.839
<v Speaker 1>views had just dropped, they had just fallen off a

0:51:38.880 --> 0:51:41.919
<v Speaker 1>cliff at some point, and that he didn't know why

0:51:42.320 --> 0:51:44.239
<v Speaker 1>he still had the same amount of followers, and it

0:51:44.280 --> 0:51:47.120
<v Speaker 1>was like clearly a change in the algorithm. Yeah, because

0:51:47.160 --> 0:51:49.920
<v Speaker 1>they are sharing a tiny amount of money with people.

0:51:50.040 --> 0:51:52.319
<v Speaker 1>It's like if you were just scraping by making like

0:51:52.360 --> 0:51:55.319
<v Speaker 1>a little bit on your TikTok millions of followers, which

0:51:55.320 --> 0:51:56.880
<v Speaker 1>by the way, it has to be that high to

0:51:56.920 --> 0:52:01.319
<v Speaker 1>make anything. You know, that's beyond czy. And you know,

0:52:01.360 --> 0:52:03.680
<v Speaker 1>it's like so it's not sustainable, That's what I'm saying.

0:52:04.000 --> 0:52:07.960
<v Speaker 1>You know, YouTube has become sustainable for a select few

0:52:08.120 --> 0:52:10.960
<v Speaker 1>or um, and they have an ad system they you know,

0:52:11.040 --> 0:52:15.360
<v Speaker 1>it's a more robust thing. But TikTok is very narrow physically,

0:52:15.400 --> 0:52:19.120
<v Speaker 1>it's just a narrow little yeah, you know. But also

0:52:19.160 --> 0:52:21.840
<v Speaker 1>it's like, you know, YouTube has become more like television

0:52:21.880 --> 0:52:24.239
<v Speaker 1>in a way. I mean, right, it's people with like

0:52:25.080 --> 0:52:29.240
<v Speaker 1>entire empires built off of like you know, reviewing video

0:52:29.280 --> 0:52:32.520
<v Speaker 1>games and or you know, like there's one lady I've

0:52:32.880 --> 0:52:36.640
<v Speaker 1>follow that is makes miniatures. You know, really i'd be interested,

0:52:36.800 --> 0:52:38.759
<v Speaker 1>you know, and she you can see that she has

0:52:38.880 --> 0:52:41.000
<v Speaker 1>like a little business going and she does. Okay, she's

0:52:41.000 --> 0:52:44.440
<v Speaker 1>not a millionaire or anything. So yeah, I mean right, no,

0:52:44.560 --> 0:52:47.040
<v Speaker 1>there are there are versions of it that are sustainable.

0:52:47.160 --> 0:52:51.279
<v Speaker 1>That YouTube is is like closer to almost a traditional

0:52:51.440 --> 0:52:53.920
<v Speaker 1>now like traditional television than than But I mean I

0:52:54.000 --> 0:52:56.120
<v Speaker 1>think it's just um, you know, going back to the

0:52:57.440 --> 0:52:59.560
<v Speaker 1>you know, you being early on the jokes. I think

0:52:59.600 --> 0:53:02.160
<v Speaker 1>it's one of those things where that thing of getting

0:53:02.200 --> 0:53:05.040
<v Speaker 1>stuck in it, of getting stuck doing the same bit

0:53:05.200 --> 0:53:07.520
<v Speaker 1>or doing the same joke. Like I do think this

0:53:07.600 --> 0:53:09.200
<v Speaker 1>is true in music too. I think about this all

0:53:09.239 --> 0:53:11.239
<v Speaker 1>the time. It was like I had, you know, a

0:53:11.280 --> 0:53:14.000
<v Speaker 1>record that was sort of successful, and then people wanted

0:53:14.040 --> 0:53:15.640
<v Speaker 1>the next one to be just like that one, but

0:53:15.800 --> 0:53:17.960
<v Speaker 1>like a little bit different. And I didn't want to

0:53:17.960 --> 0:53:19.319
<v Speaker 1>do that because you know when you do something and

0:53:19.360 --> 0:53:21.239
<v Speaker 1>you're creative and you're like I got that out of

0:53:21.239 --> 0:53:22.799
<v Speaker 1>my system and then you're like, Okay, how can I

0:53:22.840 --> 0:53:24.640
<v Speaker 1>tap that or change that or work on something that

0:53:24.680 --> 0:53:27.040
<v Speaker 1>goes beyond it. I'm sure I would imagine do this

0:53:27.080 --> 0:53:29.759
<v Speaker 1>with your writing and your comedy. And it's like for

0:53:29.800 --> 0:53:32.759
<v Speaker 1>a certain type of person that's exciting and they want that.

0:53:32.840 --> 0:53:35.920
<v Speaker 1>It's a much smaller percentage of an overall audience that

0:53:36.200 --> 0:53:39.799
<v Speaker 1>wants the new and the different and the challenging, and

0:53:39.840 --> 0:53:42.200
<v Speaker 1>then there's a larger or much larger audience. And I

0:53:42.200 --> 0:53:44.080
<v Speaker 1>guess this is just life, right. You don't know how

0:53:44.080 --> 0:53:46.400
<v Speaker 1>many Beatles are there, right, Like the Beatles have this

0:53:46.440 --> 0:53:49.759
<v Speaker 1>weird thing where they're like the most fascinating band of

0:53:49.800 --> 0:53:51.400
<v Speaker 1>all and maybe you hate the Beatles, but like they

0:53:51.440 --> 0:53:53.640
<v Speaker 1>made some of the weirdest music of all time, and

0:53:53.680 --> 0:53:55.759
<v Speaker 1>they also happen to be one of the most popular

0:53:55.960 --> 0:53:58.239
<v Speaker 1>things of all time. And like there are only a

0:53:58.280 --> 0:54:02.399
<v Speaker 1>few instances where that is the case, because usually it's like, oh,

0:54:02.440 --> 0:54:04.120
<v Speaker 1>if you make bland shit, like a lot of people

0:54:04.719 --> 0:54:06.759
<v Speaker 1>are really gonna like that. And and I don't think

0:54:06.760 --> 0:54:11.800
<v Speaker 1>the algorithms have they've created a larger the platforms have

0:54:11.880 --> 0:54:16.560
<v Speaker 1>created a larger space for different people to participate in

0:54:16.560 --> 0:54:20.040
<v Speaker 1>a creative process, but they haven't figured out a way

0:54:20.160 --> 0:54:24.920
<v Speaker 1>for those people to really make something of it beyond

0:54:24.960 --> 0:54:27.680
<v Speaker 1>like a momentary. It's like yeah, Spike, yeah, you know,

0:54:28.239 --> 0:54:32.160
<v Speaker 1>and it's it's depressing, right, And it's like, I don't know,

0:54:32.239 --> 0:54:34.680
<v Speaker 1>it's changed a lot even since I started comedy, but

0:54:34.719 --> 0:54:37.200
<v Speaker 1>like there used to be just like a pipeline if

0:54:37.239 --> 0:54:38.799
<v Speaker 1>you've got to do a spot on a late night

0:54:38.800 --> 0:54:41.480
<v Speaker 1>show and then that's what that's puts you into the thing.

0:54:41.600 --> 0:54:43.919
<v Speaker 1>But there was also a time period where just being

0:54:43.920 --> 0:54:45.920
<v Speaker 1>booked on a club you were going to sell out

0:54:45.920 --> 0:54:48.760
<v Speaker 1>the club because people went to comedy clubs. And now

0:54:48.960 --> 0:54:51.560
<v Speaker 1>people don't really go to comedy clubs unless they know

0:54:51.719 --> 0:54:54.359
<v Speaker 1>of the person. I don't think it's it's just not

0:54:54.400 --> 0:54:57.320
<v Speaker 1>the same. Like you you have to be famous for something,

0:54:58.680 --> 0:55:00.560
<v Speaker 1>it doesn't have to be for comedy. Like I saw

0:55:00.680 --> 0:55:03.560
<v Speaker 1>this person on TikTok and now well, or like this

0:55:03.600 --> 0:55:07.000
<v Speaker 1>person is a was a UFC fighter and so now

0:55:07.160 --> 0:55:16.040
<v Speaker 1>I will be or like they were their podcast, right, Yeah, yeah,

0:55:13.360 --> 0:55:19.000
<v Speaker 1>I don't know, but like there's a few UFC adjacent

0:55:19.080 --> 0:55:21.200
<v Speaker 1>you know, there's a story about Tom Brady wanted to

0:55:21.200 --> 0:55:23.400
<v Speaker 1>do com Tom Brady's doing comedy. There was a rumor

0:55:23.440 --> 0:55:25.440
<v Speaker 1>going around that he was gonna do comedy, but then

0:55:25.480 --> 0:55:28.680
<v Speaker 1>they announced he's getting roasted. Oh he's They're doing a

0:55:28.680 --> 0:55:30.520
<v Speaker 1>Comedy Central roast, I believe, or I don't know if

0:55:30.520 --> 0:55:33.759
<v Speaker 1>it's Comedy Central, but that's when people do comedy about you. Yeah,

0:55:33.960 --> 0:55:36.120
<v Speaker 1>it was all kind of at the same time. It's unclear,

0:55:36.160 --> 0:55:38.040
<v Speaker 1>but people, you know, were dunking on and there's been

0:55:38.080 --> 0:55:40.240
<v Speaker 1>athletes that have you know, we tried to do stand

0:55:40.280 --> 0:55:42.920
<v Speaker 1>up and musicians and people try to cross over. It's fine,

0:55:42.960 --> 0:55:45.920
<v Speaker 1>but really oh yeah, John Mayer, Oh John Mayer has

0:55:45.920 --> 0:55:48.200
<v Speaker 1>done standing Yeah it didn't go out. Oh really yeah. See,

0:55:48.239 --> 0:55:50.760
<v Speaker 1>I feel like I feel like my time is coming.

0:55:50.880 --> 0:55:53.160
<v Speaker 1>I think it's gonna be I can finally break into

0:55:53.360 --> 0:55:56.480
<v Speaker 1>the lucrative world of comedy. Yeah, yeah, will come to

0:55:56.520 --> 0:56:00.440
<v Speaker 1>my come to my show. It's where you learn, Okay,

0:56:00.600 --> 0:56:03.040
<v Speaker 1>I will, you'll learn how to do it. I teach

0:56:03.080 --> 0:56:06.920
<v Speaker 1>you how to one and show. Yeah, it's called going up. Okay.

0:56:07.160 --> 0:56:10.360
<v Speaker 1>This is a perfect segue too, wrapping up, because I

0:56:10.440 --> 0:56:12.719
<v Speaker 1>just realized we've been talking for a while, like you

0:56:12.719 --> 0:56:26.200
<v Speaker 1>probably have like life things to do. I just want

0:56:26.200 --> 0:56:28.080
<v Speaker 1>to kind of put a little bit of a period

0:56:28.120 --> 0:56:31.160
<v Speaker 1>on this sentence, if you will. Yeah, So what does

0:56:31.200 --> 0:56:34.000
<v Speaker 1>the future hold for a philosopher and truth teller like yourself?

0:56:34.640 --> 0:56:37.720
<v Speaker 1>Are the cancelations so broad and the silencings so massive

0:56:37.840 --> 0:56:39.680
<v Speaker 1>that like there's no more space for this thing in

0:56:39.719 --> 0:56:43.040
<v Speaker 1>our culture anymore? Or is there still a way to

0:56:43.239 --> 0:56:47.880
<v Speaker 1>make that work? Yeah, there's there's plenty of comedians, there's

0:56:47.920 --> 0:56:51.600
<v Speaker 1>not less. There's plenty of stages for us to perform

0:56:51.640 --> 0:56:54.839
<v Speaker 1>on and ways to reach an audience. And no one

0:56:55.440 --> 0:56:59.520
<v Speaker 1>is making that illegal or taking that away from you

0:56:59.719 --> 0:57:03.319
<v Speaker 1>in that way, I think, because that's what we're being

0:57:03.360 --> 0:57:07.320
<v Speaker 1>told that there's no Yeah, right, comedy is not dead.

0:57:07.680 --> 0:57:10.680
<v Speaker 1>You know, people do have a sense of humor, obviously

0:57:10.760 --> 0:57:15.480
<v Speaker 1>they do. Comedy is the driving force of TikTok. It

0:57:15.560 --> 0:57:18.600
<v Speaker 1>was the original driving force of Twitter. Yeah, stand up

0:57:18.600 --> 0:57:22.160
<v Speaker 1>comedy is interesting because it isn't that old of an

0:57:22.280 --> 0:57:26.160
<v Speaker 1>art form, and it evolves over time and it's very

0:57:26.560 --> 0:57:29.480
<v Speaker 1>in the moment is you know, it doesn't hold up

0:57:29.600 --> 0:57:33.240
<v Speaker 1>the way that other forms of art do, like meaning

0:57:33.280 --> 0:57:38.080
<v Speaker 1>like Lenny Bruce jokes are really weird to read about

0:57:38.160 --> 0:57:40.440
<v Speaker 1>now you know, it's like, oh that doesn't sound fine,

0:57:40.480 --> 0:57:43.280
<v Speaker 1>you know, but it was like so edgy at that time.

0:57:43.400 --> 0:57:45.720
<v Speaker 1>I don't even know what Lenny Bruce material would sound like.

0:57:45.800 --> 0:57:47.880
<v Speaker 1>I guess I don't. I'm not, as you know, I'm

0:57:47.880 --> 0:57:49.880
<v Speaker 1>not a student of comedy. There's a little bit of

0:57:49.920 --> 0:57:52.440
<v Speaker 1>audio of him, um you can look up. But anyway,

0:57:53.400 --> 0:57:55.520
<v Speaker 1>stand up is going to be fine. I just think

0:57:55.520 --> 0:57:59.480
<v Speaker 1>that people now we've been through so much and people

0:57:59.520 --> 0:58:02.880
<v Speaker 1>are more sensitive in terms of like and and this

0:58:03.280 --> 0:58:07.000
<v Speaker 1>is across the board. This is not one political leaning

0:58:07.040 --> 0:58:11.240
<v Speaker 1>over another where you just don't have patience to hear

0:58:11.280 --> 0:58:16.480
<v Speaker 1>comedy and jokes from someone that is joking about something

0:58:16.520 --> 0:58:20.720
<v Speaker 1>that you take very seriously politically or just personally. Like

0:58:21.520 --> 0:58:27.480
<v Speaker 1>I think that people would probably enjoy the majority of

0:58:27.520 --> 0:58:32.280
<v Speaker 1>my material, but because they might be a hardcore Trump supporter,

0:58:32.680 --> 0:58:35.000
<v Speaker 1>and they know that I'm not, they are going to

0:58:35.040 --> 0:58:37.600
<v Speaker 1>be able to enjoy it. They just can't hear it. Right.

0:58:37.800 --> 0:58:40.920
<v Speaker 1>My solo show is very it's specific, and it's it's

0:58:40.960 --> 0:58:43.640
<v Speaker 1>a more theatrical thing. It's like for a more I

0:58:43.680 --> 0:58:50.760
<v Speaker 1>think sophisticated in pr style audience or nerd comedy nerd audience. Like,

0:58:51.040 --> 0:58:55.640
<v Speaker 1>it's not really broad broad regular stand up about food

0:58:55.800 --> 0:58:59.960
<v Speaker 1>and relationships. It's not that well my regular my regular

0:59:00.080 --> 0:59:04.520
<v Speaker 1>stand up these days is very palatable and it's for anybody.

0:59:04.760 --> 0:59:07.120
<v Speaker 1>But there are certain people who if they get winned

0:59:07.200 --> 0:59:09.400
<v Speaker 1>before the show or during the show that I'm a

0:59:09.440 --> 0:59:11.880
<v Speaker 1>feminist or that I'm I think you're a democrat. Yeah,

0:59:11.920 --> 0:59:17.120
<v Speaker 1>they fucking folded arms, pissed off. It's usually men, but

0:59:17.200 --> 0:59:19.920
<v Speaker 1>women do it too, right, um, and and they freak

0:59:19.960 --> 0:59:23.080
<v Speaker 1>out and it's like you can't even hear it. Yeah.

0:59:23.120 --> 0:59:25.360
<v Speaker 1>There are comedians who I'm like, I know that of

0:59:25.440 --> 0:59:28.640
<v Speaker 1>something that they've said in the past that really pissed

0:59:28.680 --> 0:59:30.880
<v Speaker 1>me off, and I think that was damaging and so

0:59:31.000 --> 0:59:33.400
<v Speaker 1>I just will never want to hear them talk ever again.

0:59:33.520 --> 0:59:36.880
<v Speaker 1>I understand it, right, Well, I think I think for

0:59:36.920 --> 0:59:41.480
<v Speaker 1>those people, for anybody who thinks they can't enjoy your comedy.

0:59:41.760 --> 0:59:44.560
<v Speaker 1>For anybody who who who thinks that maybe because you're

0:59:44.560 --> 0:59:48.880
<v Speaker 1>differing political viewpoints that they can't listen to you and

0:59:49.200 --> 0:59:51.080
<v Speaker 1>and and watch you and take something away from it.

0:59:51.120 --> 0:59:54.080
<v Speaker 1>I encourage them to put on the Splash Rountain bit

0:59:54.240 --> 0:59:57.880
<v Speaker 1>from your first album and just take a just take

0:59:57.920 --> 0:59:59.440
<v Speaker 1>a listen to that. And if you if you don't

0:59:59.480 --> 1:00:02.040
<v Speaker 1>find yourself, and then I'm a female comic, and all

1:00:02.040 --> 1:00:05.160
<v Speaker 1>female comics do is talk about you. You don't find yourself?

1:00:05.200 --> 1:00:08.880
<v Speaker 1>Define loudly. Yeah, no matter what where you are on

1:00:08.920 --> 1:00:12.840
<v Speaker 1>the political spectrum, no matter where you what politician you support.

1:00:13.600 --> 1:00:17.200
<v Speaker 1>Um okay. So to wrap up, you have a you're

1:00:17.200 --> 1:00:18.960
<v Speaker 1>not referring to it as a one woman show? Is

1:00:18.960 --> 1:00:22.560
<v Speaker 1>that an updated I don't want to. I just don't

1:00:22.560 --> 1:00:24.920
<v Speaker 1>say that because I people think that that it's like, oh,

1:00:24.960 --> 1:00:28.959
<v Speaker 1>it's about your divorce and your trauma, mauma. It's about

1:00:29.080 --> 1:00:32.680
<v Speaker 1>it's about my trauma. But it's not. Okay, it's a yeah,

1:00:33.120 --> 1:00:36.720
<v Speaker 1>it's like a fun trauma in um capitalism and the

1:00:36.800 --> 1:00:40.280
<v Speaker 1>comedy business. Um right. But and what is that called?

1:00:40.360 --> 1:00:42.840
<v Speaker 1>It's called going up, going up? And where can one

1:00:43.320 --> 1:00:46.360
<v Speaker 1>see or experience going up? If you live in Arizona.

1:00:46.440 --> 1:00:51.000
<v Speaker 1>I'm doing the show in Tucson on Thursday. Phoenix Friday,

1:00:51.280 --> 1:00:53.120
<v Speaker 1>dry heat. There a lot of dry heat, and Tucson

1:00:53.360 --> 1:00:58.360
<v Speaker 1>it's moist. It's moist there right now, but it's raining

1:00:58.400 --> 1:01:02.960
<v Speaker 1>and snowing and and I'm doing it in Flagstaff on Saturday.

1:01:03.520 --> 1:01:05.520
<v Speaker 1>That is my solo show. I'm doing it, and all

1:01:05.640 --> 1:01:07.520
<v Speaker 1>this is on my social media. You can find it.

1:01:07.600 --> 1:01:09.640
<v Speaker 1>Just google my name, you'll find all these things. But

1:01:09.720 --> 1:01:13.200
<v Speaker 1>I'm also doing the Melbourne Comedy Festival in Australia for

1:01:13.360 --> 1:01:15.480
<v Speaker 1>almost a whole month of April. Oh my god, you're

1:01:15.520 --> 1:01:18.400
<v Speaker 1>going to Australia's exciting. Yeah. And then I'm doing the

1:01:18.400 --> 1:01:20.160
<v Speaker 1>show there, and I'm doing it in LA when I

1:01:20.200 --> 1:01:25.120
<v Speaker 1>get back, New York, Texas, Vermont, Indiana. I'm doing it

1:01:25.200 --> 1:01:27.880
<v Speaker 1>all over the place, And I would love for you

1:01:27.920 --> 1:01:29.640
<v Speaker 1>to come to the show because I'm so proud of it,

1:01:29.680 --> 1:01:33.280
<v Speaker 1>and it involves miniatures and music like it's one of

1:01:33.320 --> 1:01:36.600
<v Speaker 1>the most creative things I've ever done. And if you

1:01:36.680 --> 1:01:41.120
<v Speaker 1>just are interested in comedy at all or creative people,

1:01:41.800 --> 1:01:44.080
<v Speaker 1>you don't have to know anything about comedy because I'm

1:01:44.080 --> 1:01:47.840
<v Speaker 1>teaching during it. That's the whole premise. So what do

1:01:47.880 --> 1:01:51.960
<v Speaker 1>you leave you actually are a comedian, so the audience members, well,

1:01:51.960 --> 1:01:54.200
<v Speaker 1>that's the joke. I'm like in the beginning, I'm the beginning.

1:01:54.240 --> 1:01:56.360
<v Speaker 1>I tell everyone that they've signed up for a seminar.

1:01:56.760 --> 1:01:59.080
<v Speaker 1>I bring them into a ruse that they've paid two

1:01:59.120 --> 1:02:02.360
<v Speaker 1>thousand dollars to take the seminar, even though the tickets

1:02:02.360 --> 1:02:04.880
<v Speaker 1>are very cheap. Oh, I love this. This works on

1:02:04.920 --> 1:02:07.400
<v Speaker 1>so many levels for me. When when you do. First off,

1:02:07.440 --> 1:02:08.840
<v Speaker 1>if I don't if I can't come and see it

1:02:08.880 --> 1:02:10.840
<v Speaker 1>in LA or something I would love, when you're in

1:02:10.840 --> 1:02:12.240
<v Speaker 1>New York, you have to give me a heads up

1:02:12.240 --> 1:02:14.160
<v Speaker 1>so I can come and see it. You know that

1:02:14.240 --> 1:02:17.840
<v Speaker 1>sounds super super interesting. And also it would, like I said,

1:02:17.880 --> 1:02:21.360
<v Speaker 1>appeal to my um my sick, latent desire to become

1:02:21.840 --> 1:02:25.640
<v Speaker 1>I'm telling you it will make later I either really

1:02:25.720 --> 1:02:28.120
<v Speaker 1>want to. I've I've had young comics who've come to

1:02:28.120 --> 1:02:30.880
<v Speaker 1>the show and been like I actually learned a lot

1:02:31.000 --> 1:02:33.560
<v Speaker 1>and that was very helpful. And then other people who

1:02:33.560 --> 1:02:36.840
<v Speaker 1>are like I'm and it's usually the older comics are like,

1:02:38.040 --> 1:02:41.320
<v Speaker 1>you just drew a chalk line around my dead body,

1:02:41.480 --> 1:02:44.880
<v Speaker 1>Like I feel, I can't stop thinking about it. I'm

1:02:45.000 --> 1:02:50.040
<v Speaker 1>so depressed, but also cathartic like release, you know, like,

1:02:50.480 --> 1:02:53.440
<v Speaker 1>oh my god. So now I really want to check

1:02:53.480 --> 1:02:55.760
<v Speaker 1>it out because it is so Yeah, it's so germane

1:02:55.800 --> 1:02:58.600
<v Speaker 1>to the conversation we're having here about like about this

1:02:58.640 --> 1:03:01.320
<v Speaker 1>whole start. I was like, yes, this is right up

1:03:01.360 --> 1:03:03.959
<v Speaker 1>my alley right now. You know, I don't I don't

1:03:04.000 --> 1:03:07.520
<v Speaker 1>talk about comedy stuff on Twitter anymore, and I put

1:03:07.560 --> 1:03:10.480
<v Speaker 1>it all in my show. Yeah, see, I want to

1:03:10.520 --> 1:03:13.080
<v Speaker 1>I want to check that out, Sarah. I have to say,

1:03:13.120 --> 1:03:16.320
<v Speaker 1>this has been such a fun and an interesting conversation

1:03:16.480 --> 1:03:18.960
<v Speaker 1>and like we should talk more. Yeah, and like I

1:03:18.960 --> 1:03:20.640
<v Speaker 1>don't know how many years has been since the last one,

1:03:20.640 --> 1:03:23.240
<v Speaker 1>but just like I feel like every every time we talk,

1:03:23.280 --> 1:03:25.440
<v Speaker 1>and frankly like from the moment I met you, like

1:03:25.840 --> 1:03:28.920
<v Speaker 1>I feel like I'm learning something new every time we chat.

1:03:28.960 --> 1:03:31.040
<v Speaker 1>And this has been such a cool experience. So you

1:03:31.080 --> 1:03:33.280
<v Speaker 1>have to come back maybe after you have done like

1:03:33.520 --> 1:03:36.240
<v Speaker 1>a run of these shows, and then we can find out, like, yeah,

1:03:36.680 --> 1:03:38.400
<v Speaker 1>you know what's going on seeing it? Then we do it.

1:03:38.680 --> 1:03:40.480
<v Speaker 1>After I see it, I could I could do a

1:03:40.480 --> 1:03:44.320
<v Speaker 1>real time review of Ye, Sarah, I was disappointed. I

1:03:44.360 --> 1:03:47.760
<v Speaker 1>walked out of the theater somewhat upset about the whole thing. Anyhow,

1:03:47.760 --> 1:03:50.160
<v Speaker 1>this is great. Thank you so much, and and do

1:03:50.280 --> 1:04:01.200
<v Speaker 1>come back as soon as possible. Thank you. I will well.

1:04:01.200 --> 1:04:04.280
<v Speaker 1>I have to be honest with you. That conversation gave

1:04:04.280 --> 1:04:05.880
<v Speaker 1>me a lot of food for thought. It left me

1:04:06.040 --> 1:04:10.800
<v Speaker 1>really questioning everything you know about my comedy career. It

1:04:10.800 --> 1:04:13.080
<v Speaker 1>made me really think this is this right for me?

1:04:13.200 --> 1:04:15.320
<v Speaker 1>Is it should I continue on with my comedy career

1:04:15.960 --> 1:04:18.720
<v Speaker 1>or is it time to hang up the old fedora

1:04:18.840 --> 1:04:21.840
<v Speaker 1>and overcoat which is part of my aufit I wear

1:04:21.880 --> 1:04:24.760
<v Speaker 1>when I do when I do my routine, my type five.

1:04:25.000 --> 1:04:27.760
<v Speaker 1>It's funny that you say that, because that's that's a

1:04:27.880 --> 1:04:31.320
<v Speaker 1>joke in her solo show. What I won't say where

1:04:31.320 --> 1:04:36.680
<v Speaker 1>it happens or what it is it show? Are you serious?

1:04:37.080 --> 1:04:39.640
<v Speaker 1>That's weird because like I have no knowledge of her

1:04:39.680 --> 1:04:42.760
<v Speaker 1>comedy special whatsoever. It's so good. I feel like Sarah

1:04:42.760 --> 1:04:44.880
<v Speaker 1>and I are just very connected. You know. That whole

1:04:44.880 --> 1:04:48.200
<v Speaker 1>conversation just flowed very naturally. Anyhow, that is our show

1:04:48.320 --> 1:04:50.800
<v Speaker 1>for this week. We'll be back next week with more.

1:04:51.240 --> 1:04:54.080
<v Speaker 1>What future end is always I wish you and your

1:04:54.080 --> 1:04:55.720
<v Speaker 1>family the very best