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Speaker 1: Hello the Internet, and welcome to this week trending episode

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Speaker 1: of Yeah, a production of iHeartRadio. I think I'm coming

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Speaker 1: a little hot. Let me turn down my levels. I

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Speaker 1: am Jack O'Brien. That is mister Miles Bread.

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Speaker 2: Yes it is, Yes it is.

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Speaker 1: We are back from our holiday. Yeah, poor day weekend.

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Speaker 2: Oh what a time, What a time?

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Speaker 1: Pour day week trend. I prefer the week trend.

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Speaker 2: Turning your house into the venue for Thanksgiving. Pros and cons,

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Speaker 2: But I pros outweigh the cons, to be honest, because

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Speaker 2: I don't I like the fact that I'm at home

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Speaker 2: and I don't have to think about going home. Yeah,

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Speaker 2: because I'm already there. And then people are like, oh

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Speaker 2: my god, thank you so much for hosts. I'm like, yeah, man,

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Speaker 2: do the dishes like you win? So yeah, it's a

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Speaker 2: but I guess, I guess if you don't like a

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Speaker 2: lot of ruckus and stuff, that can be something. But

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Speaker 2: you know, I'm at that age now where the pitter

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Speaker 2: of little feet and screaming over who gets to play

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Speaker 2: Mario Kart next is like music to my ears.

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Speaker 1: Yeah. Man, that's we had the in laws and and

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Speaker 1: my mother in law kept apologizing for like taking over

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Speaker 1: the kitchen, and I was just like, Okay, I'll try

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Speaker 1: to forgive you.

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Speaker 2: Yeah, yeah, yeah, but like that is like that is

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Speaker 2: so not on my radar that you're blowing my mind

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Speaker 2: with this apology right now. Whoa, I didn't even think

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Speaker 2: to even consider something like that. Well, no, you you

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Speaker 2: will be forgiven. Yeah.

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Speaker 1: But oh and seeing people on social media be like

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Speaker 1: talking about their travel and like flights and stuff like that. Oh,

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Speaker 1: just just gave me anxiety for them. Dude, Like, I'm

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Speaker 1: so glad I'm not coming back from somewhere right now.

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Speaker 2: Part of me, I'm not gonna lie. I was watching

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Speaker 2: that shit like schadenfreud of porn, like.

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Speaker 1: Oh my god, Oh that looked like it hurt.

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Speaker 2: That line looks like about fourteen years long. Good luck

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Speaker 2: to you all. But yeah, and hey, bless y'all who

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Speaker 2: are out there, you know, braving the fucking lines and

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Speaker 2: everything like that, because it's crowded. It was crowded. It's

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Speaker 2: crowded out there.

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Speaker 1: All right. Well, we're gonna get into some news in

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Speaker 1: a little bit. First, we like to open this week

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Speaker 1: trending episode by letting you get to know us a

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Speaker 1: little bit better and less some things that we've learned

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Speaker 1: something that we find to be underrated. Overrated. Miles, you

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Speaker 1: want to kick us off. What's something you think is underrated?

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Speaker 2: Underrated? First up? Just actually know the only thing I

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Speaker 2: have to actually know first first underrated that is a

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Speaker 2: nothing burger. But I just got to say, is the

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Speaker 2: fact that they saw Arby's a Horsey sauce at the store. Yes,

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Speaker 2: was such a welcome surprise as somebody who is a

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Speaker 2: Horsey sauce addicted to see it in a big squeeze bottle.

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Speaker 2: I was like, Okay, now I just got to get

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Speaker 2: a bunch of curly fries or something, and I can

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Speaker 2: rect a big Montana at home for myself. But the

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Speaker 2: true underrated for me was actually giving your Thanksgiving leftovers

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Speaker 2: new life. You know you'll do that like I did

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Speaker 2: that late Thursday night, like people are sleeping, like, you

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Speaker 2: know what, one more plate before I go to bed,

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Speaker 2: and then the next day you probably do a little

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Speaker 2: Thanksgiving like you know, breakfast plate or a sandwich. But

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Speaker 2: then you kind of like start losing momentum, so turning

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Speaker 2: that shit into something else like some you know, fucking

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Speaker 2: next level cruise ship chef. It is truly where it's

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Speaker 2: at So I turned my leftover mashed potatoes into cheesy

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Speaker 2: potato pancakes. So I took that, mixed it with some

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Speaker 2: like cheese and green onion and some egg flour, get

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Speaker 2: that nice consistency, and then just fucking grill them, you know,

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Speaker 2: fry them up in the frying pan. Boom. Got that,

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Speaker 2: and then you could put your leftover gravy on there, which,

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Speaker 2: like I said, I had a lot of leftover gravy

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Speaker 2: and yeah, yeah on top, on top, and then maybe

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Speaker 2: a little dollup of sour cream or whatever you want

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Speaker 2: to go there.

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Speaker 1: See, I was just picturing you when I saw you

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Speaker 1: write this. I was picturing just like throw the mashed

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Speaker 1: potatoes in the like like on the pan. But you're

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Speaker 1: you're adding various ingredients.

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Speaker 2: Yeah, because you don't want to break apart, and so

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Speaker 2: you needed to, like you need a little bit of

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Speaker 2: a binding agent so you don't just get like these

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Speaker 2: tragic potato pancakes that Her Majesty attempted actually the day before.

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Speaker 2: And then also then that took the turkey carcass and

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Speaker 2: the bones and made a fucking stock. I was simmering

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Speaker 2: this stock for like six hours, Okay, just a light

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Speaker 2: simmer getting all that. Oh yeah that just that juicy

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Speaker 2: delicious out and I made a turkey lentil noodle soup

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Speaker 2: so good.

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Speaker 1: So yeah, under I love some fucking lentils.

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Speaker 2: Man, also lentils underrated. The fucking are they? They got there?

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Speaker 2: A lagome? Right? Yeah? What else could they be?

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Speaker 1: Yeah? I mean whatever deans are? Yeah, yeah, yeah them.

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Speaker 2: I don't know why, like because they're like discs. I'm

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Speaker 2: like that can't that's this is some kind of space

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Speaker 2: age logo that I know not of.

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Speaker 1: Yeah, I uh yeah, I've got a ham ham and

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Speaker 1: uh bean soup a simmern as we speak, Oh yeah

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Speaker 1: yeah yeah, because we went we went honey baked Yeah,

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Speaker 1: yeah for for a main meat uh that to save

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Speaker 1: myself hours in the kitchen and move those hours over

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Speaker 1: to waiting in line to pick up the honey bake.

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Speaker 2: Yeah, I got at least you give me on your phone.

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Speaker 2: And there's no way you fuck it up by not

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Speaker 2: paying attention during that stretch.

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Speaker 1: Yeah, exactly. Yeah. I had a very real food coma

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Speaker 1: uh situation like Thanksgiving we ate around for yeah that

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Speaker 1: which was like I had to I had to fight

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Speaker 1: to get it up that early. My wife was like,

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Speaker 1: what are you talking about? Why would we eat really? Wait,

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Speaker 1: we ate like six thirty. Why would we eat any

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Speaker 1: earlier than that? Me, I'm like, this is we eat

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Speaker 1: ourselves into a food coma, and then there's another meal after.

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Speaker 2: But I.

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Speaker 1: Ate so little during the day and then so much

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Speaker 1: all at once during the meal that I couldn't get

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Speaker 1: off the couch for a second, yea a second helping.

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Speaker 2: I made that mistake too. I didn't eat at all

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Speaker 2: while I was preparing food. Then when dinner came, I

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Speaker 2: ate the biggest plate and I ate it like I

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Speaker 2: was like a firefighter and the fucking sirens are going off.

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Speaker 2: We had to get to a call. And then I

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Speaker 2: just like was fucking laid out after. It was bad.

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Speaker 1: Yeah, it was bad. I felt bad. Yeah, But I

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Speaker 1: cooked enough of the meal that I didn't feel bad

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Speaker 1: that I didn't help with the dishes.

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Speaker 2: Ah, there you go, there you go.

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Speaker 1: Anyways, My underrated is the degree to which Netflix has

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Speaker 1: basically won the streaming wars. At this point, I was

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Speaker 1: I was reading an article over the weekend about Life

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Speaker 1: on Air Planet, that documentary that I've been watching with

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Speaker 1: my kids. It's like, what if Nature documentary but dinosaurs,

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Speaker 1: And I was like, why are they writing this now?

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Speaker 1: This documentary came out last year, right, But that was

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Speaker 1: actually a different documentary, those Prehistoric Planet. It was by

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Speaker 1: David Attenborough, but it basically like doesn't exist because it

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Speaker 1: came out on Apple Plus. And so even though like

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Speaker 1: that got better reviews than the new Netflix documentary came

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Speaker 1: out a year before, is narrated by like David Attenborough, who,

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Speaker 1: like they talk about in this article, they're like, David

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Speaker 1: Attenborough documentaries are like the reason that all this exists,

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Speaker 1: but they don't even mention that other series once in

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Speaker 1: this article in The New Yorker. Yeah, and it's it's

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Speaker 1: just like everything once a thing, like once an old

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Speaker 1: show or like a concept hits Netflix, that's when it

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Speaker 1: actually becomes real. It feels like and like we kind

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Speaker 1: of noticed this back when during the pandemic we were

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Speaker 1: paying more attention to streaming numbers, Like the top ten

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Speaker 1: is by default whatever is trending on Netflix, and then occasionally,

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Speaker 1: like a blockbuster like Big, a big show from another

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Speaker 1: streamer would go up the charts, but it would always

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Speaker 1: just like kind of fall back out of the top

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Speaker 1: ten pretty quick and Meanwhile, like Suits is like Charlie

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Speaker 1: after he drinks the fizzy lifting drink, it just like

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Speaker 1: cannot come down. It's just stuck at the top of

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Speaker 1: the charts. Like yeah, so I don't know. And then

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Speaker 1: like other networks are now admitting defeat and like licensing

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Speaker 1: their content to Netflix again.

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Speaker 2: Back to them. They're like, hey, we're not going to

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Speaker 2: renew that Netflix deal because we're starting our own streamer.

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Speaker 3: And then like, yeah, please please take ballers, sir, please

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Speaker 3: take dollars from us.

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Speaker 1: They've got yeah HBO. So like I'm just predicting now

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Speaker 1: that you're going to start seeing shows like uh, Insecure,

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Speaker 1: I feel like it is going to be a big one.

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Speaker 1: But like because that one's they're licensing that to Netflix

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Speaker 1: the Pacific, I don't know, like they've got Band of

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Speaker 1: Brothers in the Pacific.

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Speaker 2: They really are licensing by really licensing dollars back to Netflix,

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Speaker 2: that's going to be everywhere the article.

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Speaker 1: And also Six Feet Under they're licensing to Netflix, which

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Speaker 1: I feel I feel like Six Feet Under is going

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Speaker 1: to have a real second life up that's gonna blow

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Speaker 1: you up.

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Speaker 2: The move with Band of Brothers and the Pacific because

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Speaker 2: that that old Spielberg, Hanks World War two Humper team

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Speaker 2: is coming back with their new one about like the

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Speaker 2: pilots of World War two. Right, so I see what

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Speaker 2: they're like. It's all about ubiquity, man, get them talking

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Speaker 2: about it, because Netflix really is like it's like it's

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Speaker 2: like it's like the streaming equivalent of like having rabbit

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Speaker 2: ears antenna on your TV. Like, yeah, most people have

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Speaker 2: that shit or have access to seeing it. It's when

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Speaker 2: you start adding all this other shit like Apple Plus.

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Speaker 2: Like if if you're not in the Apple ecosystem, I

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Speaker 2: can hardly believe that you have a reason to pay

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Speaker 2: for Apple Plus. Yeah you know what I mean. Like

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Speaker 2: if you don't have Apple TV, or if you if

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Speaker 2: you rock Android or whatever, you might not be as

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Speaker 2: moved by the offerings. But the shows look like like

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Speaker 2: huge things, and I feel the same way. I'm like, oh, okay,

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Speaker 2: this probably looks like a ton of money, but in

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Speaker 2: my mind, I'm like, it's Apple Plus. Therefore is it good?

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Speaker 1: I don't know, right, Yeah, Like that Nathan Fielder show

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Speaker 1: that came out a couple of weeks ago, Okay, the Curse.

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Speaker 1: The Curse, Like I feel like, you know, people I

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Speaker 1: know are talking about it and seeing it. But I

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Speaker 1: don't have showtime, right, I don't have showtime, Like when

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Speaker 1: when it hits Netflix, I feel like, or if it

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Speaker 1: hits Netflix, I guess we'll have like a second round

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Speaker 1: where the rest of the population like, yeah, it is like,

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Speaker 1: you guys seen this Nathan Fielder guy. This guy is

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Speaker 1: so weird.

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Speaker 2: It's like he's awkward, but it's like but he knows

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Speaker 2: what he's doing when he's right. It's really I don't understand.

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Speaker 2: It's really interesting.

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Speaker 1: Yeah, but for now, I guess we'll have to put

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Speaker 1: up with a ballers.

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Speaker 2: Yeah. But I mean, I think to your point, it

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Speaker 2: shows you how like you have reached true ubiquity and

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Speaker 2: domination when someone is putting out an Attenborough narrated nature

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Speaker 2: documentary and people are like, huh, yeah exactly.

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Speaker 1: It is like even the like the New York doesn't

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Speaker 1: even like mention it. I don't think in the whole

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Speaker 1: article they're just like.

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Speaker 2: Oh, they don't mentioned prehistoric planet.

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Speaker 1: No, they don't mention prehistoric planet. It's all about the

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Speaker 1: making of the Netflix documentary and this guy who like

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Speaker 1: studied who like used to work for David Attenborough. But

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Speaker 1: like they don't even mention that this is like a

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Speaker 1: year after a critically acclaimed one from Attenborough and the BBC. Yeah,

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Speaker 1: it's pretty wild. So uh yeahpple, Yeah, I don't know.

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Speaker 2: Hey, work on your marketing, Apple, I guess that's all

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Speaker 2: we can say, Tim Apple, Come on, man.

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Speaker 1: Yeah, I feel like we've got we're There's just a

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Speaker 1: new rhythm to how media works, where movies to a

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Speaker 1: lesser degree, but definitely like streaming, stuff like comes out,

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Speaker 1: but then it really comes out when it hits Netflix.

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Speaker 1: And that might be seven years or like twenty years

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Speaker 1: after it first came out in the first place. But

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Speaker 1: that's when people are like, oh my god.

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Speaker 2: If those like royalties are good, that that must feels

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Speaker 2: so good. Though, if you're like, dude, this thing I

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Speaker 2: absolutely took a shit on years ago. I didn't think

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Speaker 2: it was going anywhere. It's like, it's now I can

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Speaker 2: now do things with my life from all the revenues

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Speaker 2: I've generated from being show exactly.

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Speaker 1: What's what's something you think is overrated?

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Speaker 2: Overrated? Look, I was talking about how I was at

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Speaker 2: Disneyland briefly touched on it on the What was that

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Speaker 2: today's episode? What episode? I don't know whenever we recorded.

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Speaker 1: That Wednesday, I think, oh.

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Speaker 2: No, yeah with crafted yeah yeah, yeah yeah.

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Speaker 1: You talked about it on tomorrow's episode.

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Speaker 2: Talked about on tomorrow's episode. So just a bit of

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Speaker 2: time travel that does occur there. But as I was

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Speaker 2: just kind of thinking back there, like everything when you

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Speaker 2: go there and I know you were, I think you

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Speaker 2: were yeah World or did you go to land You

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Speaker 2: went to land World?

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Speaker 1: Okay, we went everything on the app there toot time

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Speaker 1: like spent looking at yo.

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Speaker 2: I'm sorry that ship is terrible. The app itself works

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Speaker 2: fine for the most part, like it's stable, like whatever

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Speaker 2: the UI great, blah blah blah. It's more that like

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Speaker 2: the app being a huge central part of the experience

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Speaker 2: is what I think is really deeply overrated. Like even

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Speaker 2: down to ordering your food at what used to be

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Speaker 2: like some places you can get in line, other places

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Speaker 2: like do your mobile order, say you want to pick up.

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Speaker 2: I get that it makes things easier, but there are

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Speaker 2: times when I was so confused, like I would I

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Speaker 2: would try to like walk up to like a seated restaurant,

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Speaker 2: like you gotta check the app, right, I'm like, but

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Speaker 2: you're right here, motherfucker. At the fucking mitro d stand

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Speaker 2: with all of the information right there? What if I

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Speaker 2: what if? What if your fucking app has drained my

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Speaker 2: battery so fucking bad, I'm having to plug that shit

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Speaker 2: in in a bathroom right now to try and get

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Speaker 2: my shit going again. Like dude, it's such a fucking

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Speaker 2: and anyway, So as I was there, like I felt

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Speaker 2: like Tommy Lee Jones in No Country for Old Men,

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Speaker 2: Like everything was at based like they laughed at you

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Speaker 2: if you're like, is there another way to ask for this?

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Speaker 2: And I get again definite advantages like like there's it'll

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Speaker 2: cut down on certain time if you plan it well,

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Speaker 2: but if you're not that sad the like it kind

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Speaker 2: of makes things a little bit like it gives the

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Speaker 2: advantage to people who know how to use the app,

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Speaker 2: whether that's like knowing like what line to be in

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Speaker 2: or what place to get your reservations to or whatever.

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Speaker 2: It just feels like a very uh, I don't know,

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Speaker 2: it was just a lot, And it was a lot, yeah,

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Speaker 2: like take so much of my attention and to be

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Speaker 2: on my phone like that. I was truly just like

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Speaker 2: missing the feeling of having a crumpled up map in

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Speaker 2: my pocket, like.

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Speaker 1: Just being in the moment and being in the like

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Speaker 1: physical place you are, and so like being having to

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Speaker 1: like keep bringing up your phone. Yeah exactly. Yeah, just

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Speaker 1: churn through your battery life.

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Speaker 2: It's it really does. And I just felt like, like,

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Speaker 2: you know, I was navigating like the New York streets

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Speaker 2: like as a as a like a tourist for the

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Speaker 2: first time on Google Match, like turn here, where's the

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Speaker 2: thing is it? On that app? So yeah, shout out

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Speaker 2: to that. And also another sort of Disneyland adjacent overrated

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Speaker 2: people wearing their fucking political phrase t shirts. Y'all, the

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Speaker 2: effect of your shirt is not quite what you think

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Speaker 2: it is. And because I saw so mans, like I

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Speaker 2: get it, man, Disneyland is the fucking like nexus central

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Speaker 2: like focal point of America. And I went in probably

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Speaker 2: the busiest time of year, and it was just so wild.

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Speaker 2: Like it's like I you know, like when you're this

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Speaker 2: happens with like liberals too, but with people who watch Fox,

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Speaker 2: especially like you probably aren't near anybody who thinks differently

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Speaker 2: than them. Is like they watch Fox and they spent

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Speaker 2: their whole time like fighting an invisible, made up liberal

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Speaker 2: person in their head. That's like when I meet up man. Yeah,

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Speaker 2: like I'm gonna be wearing my let's Go Brandon shirt

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Speaker 2: with my gun hat or whatever, and like people were

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Speaker 2: just there like walking around just like really like huh huh,

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Speaker 2: look at this shirt that's your handgun on. It says

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Speaker 2: you can't you can't reason with evil, but you can

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Speaker 2: prepare for it. And I'm like, sir, you got Mickey

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Speaker 2: Mouse years on and you are Okay, that's fine, that's

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Speaker 2: just yeah, I get it. This is where we go

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Speaker 2: to to let people know.

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Speaker 1: How Jesus yeah, from my overrated I think I'm overrated.

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Speaker 1: I had overrated how long we've known about dinosaurs because

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Speaker 1: like so I did read the article. You know, there's

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Speaker 1: this new Netflix documentary you got to see that has

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Speaker 1: this amazing advance where it brings dinosaurs into a nature documentary.

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Speaker 1: It's crazy. But I don't know. They were just like

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Speaker 1: going in one section of the article. They're going through

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Speaker 1: like the history of palaeontology and how like I assumed

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Speaker 1: kids were always just obsessed with dinosaurs, and I guess

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Speaker 1: it really started in the eighties like that that was

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Speaker 1: the first generation to be obsessed with dinosaurs. And like

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Speaker 1: so they talk about how as recently as the seventeen hundreds,

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Speaker 1: they were like finding dinosaur bo and thought they were

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Speaker 1: scrotums of giant humans. Like they named one of the

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Speaker 1: animals Scrotum humanum, the scrotum of a giant human like creature.

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Speaker 1: And then like decades after that, this guy found it

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Speaker 1: was like, I think it's a big I think it's

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Speaker 1: a big lizard. Actually is it?

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Speaker 2: Because like they're looking at like the ball joint or something, yeah,

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Speaker 2: like a fever, and like they're like, I kind of

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Speaker 2: see it actually, like when you look at a giant bone,

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Speaker 2: like if you just picture it with a bone one

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Speaker 2: round part yeah, yeah, yeah, like the ball joint on

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Speaker 2: the femur. You're like, dude, that's a big old scrotum.

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Speaker 1: But like got must be a guy with a big,

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Speaker 1: big balls.

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Speaker 2: Right, But like and then is there some other person

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Speaker 2: who knows basic anat me, like what's connected to like

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Speaker 2: a long bone?

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Speaker 1: Yeah, that one goes up inside you. I think that

349
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Speaker 1: part goes No, that's the dick. Whoa Okay, well wait,

350
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Speaker 1: how weird is your dick?

351
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Speaker 2: Man?

352
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Speaker 1: So strange? You think the balls and the dick are

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Speaker 1: on a straight line?

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Speaker 4: I wonder William, Wait, who was the guy who I

355
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Speaker 4: wonder who the guy was who was insisting it was

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Speaker 4: a scrotum, Like very interesting just world view or like

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Speaker 4: you're you're so patriarchy brained that everything is a dick

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Speaker 4: or balls to you.

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Speaker 1: Right, yeah that's and nobody like you're so patriarchy brained.

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Speaker 1: And also like everybody else's so everyone's just like, yeah,

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Speaker 1: that's it was Richard Brooks, an English physician. Brooks, Yeah, yeah,

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Speaker 1: he Dick Brooks, an English physician, reconsidered a detailed drawing

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Speaker 1: of the fossil and gave it a specific name that

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Speaker 1: matched what he believed it was, scrotum humanum, the scrotum

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Speaker 1: of a giant human like creature. But then like, I

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Speaker 1: don't know, so then the eighteen hundred's was the first

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Speaker 1: time they I really got the idea that there are

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Speaker 1: a lot of extinct creatures, like they didn't because there's

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Speaker 1: like something kind of difficult existentially to be like, oh,

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Speaker 1: we're just like the latest, you know, like that whole

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Speaker 1: thing of like humans time on the planet is like

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Speaker 1: a brief blink compared to true history of the planet.

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Speaker 1: But I didn't like they mentioned this Netflix documentary that

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Speaker 1: ninety nine percent of all species that have ever lived

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Speaker 1: are now extinct ninety nine percent.

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Speaker 2: Oh my god, Well, I guess when you considered like this,

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Speaker 2: just like a ton of bugs and stuff I never

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Speaker 2: even heard of.

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Speaker 1: So it's all good, yeah, but it's And they also

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Speaker 1: mentioned that the dominant species rarely survives the major extinctions,

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Speaker 1: which bad news for makes bad news for these guys.

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Speaker 2: Yeah, because with our thick skin that can withstand temperatures

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Speaker 2: above barely one hundred degrees.

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Speaker 1: Yes, yeah, yeah, yeah, but yeah, I don't know, the

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Speaker 1: world didn't really get excited about dinosaurs until the nineteen eighties,

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Speaker 1: Like the paleontologists started getting excited about it and like

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Speaker 1: putting things in museums in like the sixties, and like

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Speaker 1: for a long time that t rex that famous like

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Speaker 1: t rex skeleton was the only dinosaur skeleton that like

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Speaker 1: was on display. But yeah, like they didn't come up

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Speaker 1: with the asteroid extinction like theory until the nineteen eighties.

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Speaker 1: And I don't know, it's just like it's this huge

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Speaker 1: idea that changes completely how you see the world, right,

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Speaker 1: And you know, very recently, relatively recently, people were finding

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Speaker 1: big bones and being like, man that looks like giant

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Speaker 1: balls and it's just a dick. Yeah, that's a dick.

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Speaker 2: I don't know, I don't know, doctor.

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Speaker 1: Yeah, but exactly an English physician imagine being that guy's patient.

399
00:22:03,840 --> 00:22:09,480
Speaker 1: But like just these big pieces of existential perspectives that

400
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Speaker 1: we digest and like immediately it changes how we view

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Speaker 1: the world, and we kind of take it for granted

402
00:22:17,000 --> 00:22:20,720
Speaker 1: that there's always been this like fascinating idea out there

403
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Speaker 1: that like these massive giant creatures like ruled the planet

404
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Speaker 1: and then got marked and the same thing it happened

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Speaker 1: to us. I'm just like, if we're around, it'll just

406
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Speaker 1: be interesting, you know, to think about how like what

407
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Speaker 1: the next giant pieces of like perspective will be that

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Speaker 1: we don't have yet. I'm assuming they'll be coming from like,

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Speaker 1: you know, looking up instead of digging down.

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Speaker 2: But keep your eyes to this, guys, that's right, see

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Speaker 2: what happens. And then people will be like, nah, dude,

412
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Speaker 2: this is a dick. What more like clearly a UFO. No, no, no,

413
00:23:06,160 --> 00:23:14,159
Speaker 2: that's dude, that's like military sperms or something. Dude. Okay, sure, sure.

414
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Speaker 1: Sure, yeah, all right, let's uh, let's take a quick

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Speaker 1: break and we'll be right back. And we're back and uh,

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Speaker 1: Fox News. Yeah, it's always good to check in with

417
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Speaker 1: what they've been up to. You want to find out

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Speaker 1: how your friends were, how their holiday was.

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Speaker 2: Who was your holiday holiday?

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Speaker 1: Fox News?

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Speaker 2: Yeah. I just a quick one because I'm still kind

422
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Speaker 2: of my mind is blown. I think like, look, it

423
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Speaker 2: was probably a long weekend at Fox and they didn't

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Speaker 2: know what to get angry about on Sunday or today.

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Speaker 2: And here we go. We have a guy called Charlie

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Speaker 2: Hurt and he's big hurt over the fact that VP

427
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Speaker 2: Kamala Harris and her tweet to celebrate the holiday had

428
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Speaker 2: a gas stove in the background when they're trying to

429
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Speaker 2: take them from us, and here we go.

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Speaker 5: It's so funny that people they saw that, you know,

431
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Speaker 5: her tweet, they saw her stove, they rightly heckled and

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Speaker 5: mocked her and made fun of her and ridiculed her.

433
00:24:29,520 --> 00:24:32,840
Speaker 5: And then all of the Democrats freaked out and went

434
00:24:32,880 --> 00:24:36,119
Speaker 5: on and jumped online and said, oh no, wait a minute,

435
00:24:36,200 --> 00:24:38,040
Speaker 5: they don't want to take away the gas stoves.

436
00:24:38,080 --> 00:24:39,040
Speaker 2: That's misinformation.

437
00:24:39,440 --> 00:24:42,000
Speaker 5: No, they do want to take away the gas stoves,

438
00:24:42,200 --> 00:24:45,680
Speaker 5: and in fact, they are taking away the gas stories.

439
00:24:46,760 --> 00:24:49,000
Speaker 1: This is where they control things.

440
00:24:49,119 --> 00:24:51,239
Speaker 2: I just want to say they are in fact not

441
00:24:51,440 --> 00:24:54,280
Speaker 2: taking the gas stove, and they in fact don't want

442
00:24:54,320 --> 00:24:58,840
Speaker 2: to take away your fucking guest stoves. But again, and

443
00:24:58,880 --> 00:25:00,920
Speaker 2: I like a little bit of jo, but tell us

444
00:25:01,080 --> 00:25:03,679
Speaker 2: why this is the sick ass setup from the anchor

445
00:25:03,720 --> 00:25:06,040
Speaker 2: at the desk, Wye is that is that? Why?

446
00:25:06,040 --> 00:25:07,960
Speaker 1: Why do you why do they want to ban Gusto?

447
00:25:10,040 --> 00:25:13,160
Speaker 5: I think because they hate us, They hate humans, they

448
00:25:13,200 --> 00:25:14,359
Speaker 5: hate joyfulness.

449
00:25:14,560 --> 00:25:18,880
Speaker 1: They pies anyway, So that's how they started their week off.

450
00:25:20,760 --> 00:25:23,159
Speaker 2: They hate joy He even took the second He was

451
00:25:23,200 --> 00:25:25,359
Speaker 2: because this ship that conspiracy theory. I don't even know

452
00:25:25,359 --> 00:25:26,720
Speaker 2: what the fuck you want to call this. At this point,

453
00:25:26,760 --> 00:25:29,520
Speaker 2: this talking point is so fucking tired that even he

454
00:25:29,640 --> 00:25:32,959
Speaker 2: was like, why uh what we used to say? They

455
00:25:33,040 --> 00:25:38,480
Speaker 2: hate humans and pie weird dealing with an intergalactic droid

456
00:25:38,640 --> 00:25:41,960
Speaker 2: race that hates fucking joy That's true?

457
00:25:42,600 --> 00:25:44,840
Speaker 1: I mean, yeah, they nailed us.

458
00:25:45,000 --> 00:25:46,160
Speaker 2: They hate your freedoms.

459
00:25:46,720 --> 00:25:50,800
Speaker 1: Well over here on my preferred news outlet where I

460
00:25:50,840 --> 00:25:52,560
Speaker 1: get most of my information.

461
00:25:52,600 --> 00:25:54,840
Speaker 2: To a little little share. Okay, I was on Fox.

462
00:25:54,880 --> 00:25:55,760
Speaker 2: You were looking at Goop.

463
00:25:56,000 --> 00:25:58,719
Speaker 1: I was looking at Goop and they just dropped their

464
00:25:58,760 --> 00:26:06,480
Speaker 1: gift guide and Miles, there are some pretty pretty interesting ideas.

465
00:26:06,480 --> 00:26:11,439
Speaker 1: In here we got a twenty four carrot gold vibrator

466
00:26:12,280 --> 00:26:16,240
Speaker 1: low price of fifteen thousand dollars.

467
00:26:17,359 --> 00:26:21,639
Speaker 2: Okay, what the fuck is it made of? Out is

468
00:26:21,760 --> 00:26:23,879
Speaker 2: just the whole thing is like a gold bar that

469
00:26:23,960 --> 00:26:24,520
Speaker 2: you get.

470
00:26:24,320 --> 00:26:28,439
Speaker 1: It actually like in your hands because it's so just

471
00:26:28,560 --> 00:26:32,119
Speaker 1: pure soft gold. It's actually a huge health hazard.

472
00:26:33,040 --> 00:26:35,359
Speaker 2: Yeah, you don't, don't, don't don't get that in you.

473
00:26:35,440 --> 00:26:41,440
Speaker 1: Know, comes in a case like a fancy pen and yeah,

474
00:26:41,560 --> 00:26:43,240
Speaker 1: they dude.

475
00:26:43,000 --> 00:26:46,760
Speaker 2: There's so many weird things on here, like uh, the

476
00:26:46,960 --> 00:26:49,560
Speaker 2: like one is just like a fucking platter for for

477
00:26:49,760 --> 00:26:53,440
Speaker 2: fruit that's like four hundred dollars to be like put

478
00:26:53,520 --> 00:26:56,800
Speaker 2: your per simmons on a pedestal or a perch for

479
00:26:56,880 --> 00:26:57,560
Speaker 2: your peaches.

480
00:26:58,080 --> 00:27:01,199
Speaker 1: Oh, they use the literation. That's just because they're good

481
00:27:01,200 --> 00:27:04,560
Speaker 1: at their job. Another one, Uh, there's an antique s

482
00:27:04,720 --> 00:27:12,879
Speaker 1: cargo pic holder and it's basically it's shaped like a

483
00:27:12,920 --> 00:27:16,920
Speaker 1: tiny erect penis with a giant scrotum. Speaking of giant scrotum, yeah,

484
00:27:16,920 --> 00:27:18,720
Speaker 1: that seems to be the theme of the day. I

485
00:27:18,760 --> 00:27:21,200
Speaker 1: think you may be right if you said no, that's

486
00:27:21,200 --> 00:27:25,679
Speaker 1: a scrotum. This one. I think we're right because I

487
00:27:25,840 --> 00:27:29,119
Speaker 1: like the it's supposed to be a snail shell, but

488
00:27:29,400 --> 00:27:33,800
Speaker 1: the head of the snail is definitely a little Yeah.

489
00:27:33,400 --> 00:27:35,960
Speaker 2: The head of the snale snail looks like the head

490
00:27:36,000 --> 00:27:40,080
Speaker 2: of a penis, Yes, for sure. I don't know the

491
00:27:40,119 --> 00:27:43,800
Speaker 2: scientific term for that part down there, but it was that.

492
00:27:44,400 --> 00:27:48,879
Speaker 1: Yes. Also I don't know is that you eat s

493
00:27:48,960 --> 00:27:51,560
Speaker 1: cargo with picks. I thought you needed to like.

494
00:27:51,560 --> 00:27:56,359
Speaker 2: Scoop a little fork. I mean, okay, I think or

495
00:27:56,440 --> 00:27:58,280
Speaker 2: maybe yeah, like I mean to get it out of

496
00:27:58,320 --> 00:28:00,320
Speaker 2: the shell. I mean, jack, I haven't been I haven't

497
00:28:00,320 --> 00:28:04,240
Speaker 2: been to Paris in so long. Forgive me for for misremembering.

498
00:28:04,280 --> 00:28:08,159
Speaker 2: We definitely need the little shell holder like thing that

499
00:28:08,240 --> 00:28:10,040
Speaker 2: holds a shell and then use like a tiny fork

500
00:28:10,080 --> 00:28:13,720
Speaker 2: to pull out the little snail. Could be for you martinis.

501
00:28:14,359 --> 00:28:17,080
Speaker 1: Yeah, yeah, there's also the foreholder that's a little dick.

502
00:28:17,359 --> 00:28:18,960
Speaker 2: The other thing that's like wow, is like a two

503
00:28:19,040 --> 00:28:22,480
Speaker 2: hundred dollars fucking sword that's just made for sabering a

504
00:28:22,600 --> 00:28:26,320
Speaker 2: champagne bottle. Like this is truly, these are simple.

505
00:28:26,640 --> 00:28:29,320
Speaker 1: Must treat yourself, treat the ones you love.

506
00:28:29,640 --> 00:28:31,920
Speaker 2: Do you know someone who's so haunted by their own

507
00:28:32,000 --> 00:28:34,919
Speaker 2: wealth that they know not how to enjoy anything except

508
00:28:34,920 --> 00:28:39,800
Speaker 2: to just lavish themselves with the most overpriced these society

509
00:28:40,240 --> 00:28:41,240
Speaker 2: you're as a gift guide.

510
00:28:41,520 --> 00:28:44,200
Speaker 1: Yeah, I keep running into these. Like we we mentioned

511
00:28:44,200 --> 00:28:46,280
Speaker 1: it back when we were talking about Harlan Crowe and

512
00:28:46,280 --> 00:28:50,000
Speaker 1: there was that profile from the guy who, like Graham Wood, Yeah,

513
00:28:50,120 --> 00:28:54,240
Speaker 1: lived in Harlan Crowe's town and like used to run

514
00:28:54,280 --> 00:28:57,760
Speaker 1: by his house and he talked about how Harlan crow

515
00:28:57,880 --> 00:29:02,720
Speaker 1: is just unburdening him himself of his wealth. And like

516
00:29:02,800 --> 00:29:06,920
Speaker 1: there is another article that we're researching about, you know,

517
00:29:07,080 --> 00:29:09,880
Speaker 1: just real estate and like what private equity is doing

518
00:29:10,360 --> 00:29:15,240
Speaker 1: to like people's ability to own homes or even like

519
00:29:15,640 --> 00:29:18,960
Speaker 1: live without roommates, right, you know people are living with

520
00:29:19,160 --> 00:29:22,920
Speaker 1: roommates later and later on because yeah, and like when

521
00:29:22,960 --> 00:29:27,960
Speaker 1: you look into real estate articles about how people are investing,

522
00:29:28,400 --> 00:29:31,080
Speaker 1: like what why this is happening? And it's like, you know,

523
00:29:31,240 --> 00:29:36,760
Speaker 1: companies and like private investors are buying up houses that

524
00:29:36,800 --> 00:29:39,560
Speaker 1: they don't live in and just you know using them

525
00:29:39,560 --> 00:29:43,640
Speaker 1: as investment properties. Like the description of that is like

526
00:29:43,720 --> 00:29:48,640
Speaker 1: there's all this money slashing around after the recession and

527
00:29:48,840 --> 00:29:52,200
Speaker 1: COVID and it's like yeah, because they like they just

528
00:29:52,440 --> 00:29:55,120
Speaker 1: covered up all the money at the top it's.

529
00:29:55,040 --> 00:29:59,000
Speaker 2: Just like slashing around like people. I mean, they might

530
00:29:59,040 --> 00:30:00,800
Speaker 2: be able to like use some of that to like

531
00:30:00,920 --> 00:30:05,040
Speaker 2: help people, but nah, nah by this fifteen thousand dollars

532
00:30:05,520 --> 00:30:06,440
Speaker 2: whole vibrator.

533
00:30:06,600 --> 00:30:10,320
Speaker 1: Yeah. There's also an article in the New York Times

534
00:30:10,320 --> 00:30:17,280
Speaker 1: opinion last week that was about how the wealthy are

535
00:30:17,880 --> 00:30:22,320
Speaker 1: historically an exceptionally like greedy and not giving back to

536
00:30:22,600 --> 00:30:25,600
Speaker 1: society in any way like at this time, which right,

537
00:30:25,640 --> 00:30:27,280
Speaker 1: on the one hand, it's like, yeah, we kind of

538
00:30:27,360 --> 00:30:29,080
Speaker 1: knew that, but I don't know.

539
00:30:29,360 --> 00:30:30,840
Speaker 2: But that used to kind of be like how a

540
00:30:30,880 --> 00:30:33,040
Speaker 2: lot of shit got built in the US too. They'd

541
00:30:33,040 --> 00:30:37,080
Speaker 2: be like yeah, aha, yes, oh, an entire hospital for

542
00:30:37,160 --> 00:30:39,680
Speaker 2: you to because I feel bad that I shot all

543
00:30:39,680 --> 00:30:43,560
Speaker 2: those laborers who asked for for who asked for a

544
00:30:43,560 --> 00:30:47,800
Speaker 2: living wage. Well you know, the pinkertons, they know how

545
00:30:47,840 --> 00:30:50,720
Speaker 2: to hold it down for you. But yeah, I get yeah.

546
00:30:51,080 --> 00:30:53,880
Speaker 2: Now that's all we see like reflected back to us.

547
00:30:53,920 --> 00:30:56,280
Speaker 2: At every level. It was like nobody wants to or

548
00:30:56,360 --> 00:30:58,360
Speaker 2: they do this thing where it's like I give back,

549
00:30:58,520 --> 00:31:02,000
Speaker 2: I pay my taxes. No you don't, Yes, they don't.

550
00:31:02,240 --> 00:31:07,320
Speaker 1: They and they've been investing in lawyers who make sure

551
00:31:07,360 --> 00:31:09,680
Speaker 1: that they don't have to pay taxes like that. That's

552
00:31:09,720 --> 00:31:14,120
Speaker 1: been lawyers and politicians like, oh yeah, in a multi decade,

553
00:31:14,200 --> 00:31:16,640
Speaker 1: like as long as I've been alive, they have been

554
00:31:17,360 --> 00:31:21,800
Speaker 1: moving the goal line so that they don't have to

555
00:31:21,840 --> 00:31:24,600
Speaker 1: pay taxes like they used to. And that's where this

556
00:31:24,880 --> 00:31:29,280
Speaker 1: historic inequality is coming from. And that's why we we

557
00:31:29,400 --> 00:31:34,080
Speaker 1: get products like from the Goop Gift Guide stay at

558
00:31:34,160 --> 00:31:39,240
Speaker 1: Turtle Island in Fiji for the price of thirty nine

559
00:31:39,600 --> 00:31:42,400
Speaker 1: five hundred dollars. Now, I know what you're thinking. That

560
00:31:42,480 --> 00:31:46,400
Speaker 1: does sound reasonable until until you realize that it's a

561
00:31:46,440 --> 00:31:49,760
Speaker 1: minimum three nights day and that's thirty nine five hundred

562
00:31:49,800 --> 00:31:50,360
Speaker 1: per night.

563
00:31:51,120 --> 00:31:54,440
Speaker 2: Kid, Absolutely fucked? Is it? Is it just like an

564
00:31:54,720 --> 00:31:56,920
Speaker 2: Are you just going to an entire island or something?

565
00:31:57,000 --> 00:31:58,160
Speaker 2: Is that? Is that what this saying?

566
00:31:58,480 --> 00:32:00,520
Speaker 1: So you get three nites stay Turtle Eye Island in

567
00:32:00,560 --> 00:32:04,120
Speaker 1: Fiji and it's just you, I guess. So, I mean,

568
00:32:04,160 --> 00:32:07,640
Speaker 1: I don't know, like I don't know what what is

569
00:32:07,680 --> 00:32:10,560
Speaker 1: required if it's just you, or if it's all like

570
00:32:10,720 --> 00:32:14,240
Speaker 1: human furniture, like the whole place, all of your furnishing,

571
00:32:14,440 --> 00:32:19,120
Speaker 1: you're like sleeping on servants. Yeah, and like servants, you.

572
00:32:19,120 --> 00:32:23,120
Speaker 2: Rush your teeth with someone else's teeth. That's what's cool

573
00:32:23,160 --> 00:32:26,920
Speaker 2: about Turtle Island. For forty grand a night, that's like,

574
00:32:27,120 --> 00:32:30,680
Speaker 2: and given the way shit costs, that's a fucking I mean,

575
00:32:30,960 --> 00:32:33,600
Speaker 2: I feel like a Toyota Corolla now costs forty thousand

576
00:32:33,680 --> 00:32:35,600
Speaker 2: dollars because the price night fucked up.

577
00:32:35,920 --> 00:32:39,120
Speaker 1: That's the minimum, like one hundred and twenty thousand dollars

578
00:32:39,600 --> 00:32:44,680
Speaker 1: of uh for for a stay at a hotel. I'm

579
00:32:44,960 --> 00:32:49,040
Speaker 1: kind of makes it just it makes sense when you

580
00:32:49,120 --> 00:32:52,080
Speaker 1: realize that they their biggest problem is like they have

581
00:32:52,200 --> 00:32:56,040
Speaker 1: too much money slashing around. Yeah, you know, god, what

582
00:32:56,280 --> 00:32:57,680
Speaker 1: am I What else am I going to spend it on?

583
00:32:57,720 --> 00:33:01,920
Speaker 1: They won't let me collect Nazi memorabilia and yeah.

584
00:33:01,200 --> 00:33:03,320
Speaker 2: What can I help? How much does this It's forty

585
00:33:03,360 --> 00:33:05,040
Speaker 2: grand a night? Okay, great, I'll stay here for like

586
00:33:05,120 --> 00:33:06,640
Speaker 2: fucking six months.

587
00:33:07,040 --> 00:33:11,479
Speaker 1: Yeah wow, wow, get rid of some of this.

588
00:33:11,800 --> 00:33:13,960
Speaker 2: I mean, yeah, it is like the list is always

589
00:33:14,120 --> 00:33:17,120
Speaker 2: I mean, like I do like the list merely for

590
00:33:17,320 --> 00:33:21,840
Speaker 2: the fact that it gives such an interesting insight into

591
00:33:22,800 --> 00:33:27,440
Speaker 2: like what you do when you have such obscene disposable income. Yeah,

592
00:33:27,480 --> 00:33:29,840
Speaker 2: like I don't you know what I mean? Like, I'm like, oh, yeah,

593
00:33:29,840 --> 00:33:31,800
Speaker 2: I know what a I know what a good blanket costs,

594
00:33:31,920 --> 00:33:34,000
Speaker 2: like one hundred bucks or something like if you like

595
00:33:34,040 --> 00:33:36,640
Speaker 2: want like a fucking lit ass blanket, And then they're like, now,

596
00:33:36,680 --> 00:33:39,080
Speaker 2: this one's three thousand fucking dollars.

597
00:33:39,320 --> 00:33:39,520
Speaker 1: Yeah.

598
00:33:39,560 --> 00:33:42,200
Speaker 2: Yeah, and you're like, what, I feel like we perfected

599
00:33:42,320 --> 00:33:46,360
Speaker 2: the couch cushion do we need? Like, hey, man, you

600
00:33:46,360 --> 00:33:48,160
Speaker 2: got it. You can always go meta with like some

601
00:33:49,200 --> 00:33:52,840
Speaker 2: hyper priced item, but yeah, there's a four hundred and

602
00:33:52,880 --> 00:33:54,760
Speaker 2: twenty five dollars blanket.

603
00:33:55,040 --> 00:33:57,400
Speaker 1: There's one, and this is on a gift guide. A

604
00:33:57,520 --> 00:34:01,600
Speaker 1: residence for at the well Bay Harbor Islands for four million,

605
00:34:01,680 --> 00:34:05,960
Speaker 1: four hundred and fifty thousand dollars. So you buy someone

606
00:34:06,000 --> 00:34:08,400
Speaker 1: a home for the holidays.

607
00:34:08,680 --> 00:34:12,279
Speaker 2: Yeah, okay, well I get it. It's you've you've you've

608
00:34:12,320 --> 00:34:16,480
Speaker 2: successfully outraged me goop again. You've done it, You've done it.

609
00:34:16,719 --> 00:34:18,719
Speaker 1: You can also buy two thousand dollars gong.

610
00:34:18,920 --> 00:34:21,640
Speaker 2: Ooh an eight hundred and twenty dollars copper fun dupot.

611
00:34:21,719 --> 00:34:22,839
Speaker 2: Now I'm back now.

612
00:34:26,120 --> 00:34:27,960
Speaker 1: But yeah, it's the sort of thing that we need

613
00:34:27,960 --> 00:34:31,440
Speaker 1: to like rewake up to, like and see again with

614
00:34:31,560 --> 00:34:36,399
Speaker 1: fresh eyes as often as possible, and like, yeah, thank

615
00:34:36,440 --> 00:34:38,759
Speaker 1: you to the Goop Guide for helping us do that.

616
00:34:40,000 --> 00:34:42,520
Speaker 2: Yeah, thank you, thank you. Keep an eye on the prize.

617
00:34:42,640 --> 00:34:45,480
Speaker 2: My two hundred dollars Champagne saber so you can quote

618
00:34:45,520 --> 00:34:48,319
Speaker 2: party like it's seventeen ninety nine. Yeah, things are great

619
00:34:48,360 --> 00:34:54,200
Speaker 2: for me back then, right when we were just screaming

620
00:34:54,239 --> 00:34:59,719
Speaker 2: about biracial monstrosity children and the fact that dinosaur bones

621
00:34:59,719 --> 00:35:02,120
Speaker 2: were Yeah, seventeen ninety nine.

622
00:35:02,239 --> 00:35:03,000
Speaker 1: Yes, that's right.

623
00:35:03,160 --> 00:35:03,759
Speaker 2: Back we go.

624
00:35:04,080 --> 00:35:06,960
Speaker 1: All right, let's take a quick break and we'll come back.

625
00:35:16,680 --> 00:35:18,640
Speaker 2: And we're back. We're back.

626
00:35:19,200 --> 00:35:22,000
Speaker 1: I don't like this next story, Miles, but you don't

627
00:35:22,120 --> 00:35:23,840
Speaker 1: like I don't like being reminded.

628
00:35:24,120 --> 00:35:26,759
Speaker 2: Well, okay, so the route put out there like just

629
00:35:26,800 --> 00:35:30,480
Speaker 2: a reminder you're like some of the top fucking albums

630
00:35:30,480 --> 00:35:33,240
Speaker 2: that are turning twenty five years old this year.

631
00:35:33,719 --> 00:35:40,280
Speaker 6: And nineteen ninety eight was apparently twenty eight, twenty five

632
00:35:40,400 --> 00:35:44,440
Speaker 6: years ago, I'm pretty sure to me, feels like five

633
00:35:44,520 --> 00:35:45,040
Speaker 6: years ago.

634
00:35:45,320 --> 00:35:48,359
Speaker 2: I'm just gonna I'm just this is a trickling, just

635
00:35:48,360 --> 00:35:51,479
Speaker 2: a light sampling of the albums that are turning twenty,

636
00:35:51,600 --> 00:35:54,400
Speaker 2: that are turning twenty five this year or have already.

637
00:35:54,680 --> 00:35:58,680
Speaker 2: The Miseducation of Lauryn Hill a quemin nine, It's dark

638
00:35:58,719 --> 00:36:01,520
Speaker 2: in Hell's Hot, So My Flesh, Blood of My Blood.

639
00:36:01,560 --> 00:36:06,640
Speaker 2: Both DMX put out two albums in nineteen Classics Juveniles

640
00:36:06,680 --> 00:36:10,959
Speaker 2: four hundred Degrees, the first Black Star album, Hard Knock

641
00:36:11,040 --> 00:36:13,160
Speaker 2: Life Volume two, jay Z a Tribe Call.

642
00:36:13,239 --> 00:36:15,840
Speaker 1: For some reason, that's the only one that actually feels

643
00:36:15,880 --> 00:36:18,240
Speaker 1: that old to me. Hard Knock Life Volume two.

644
00:36:19,160 --> 00:36:21,640
Speaker 2: Love Movement by a Trip clock Quest feel what older?

645
00:36:21,719 --> 00:36:24,000
Speaker 2: Younger to you know?

646
00:36:24,120 --> 00:36:27,120
Speaker 1: That feels younger to me? Okay, dude, Hard to Take

647
00:36:27,239 --> 00:36:31,160
Speaker 1: Life Volume two is it's like very specifically placed in

648
00:36:31,480 --> 00:36:34,120
Speaker 1: a place in time for me in high school. And

649
00:36:34,239 --> 00:36:37,520
Speaker 1: also it just feels like it stays kind of in

650
00:36:37,640 --> 00:36:41,080
Speaker 1: rotation in a way that like always reminds me of

651
00:36:41,320 --> 00:36:42,719
Speaker 1: the fact that it's old.

652
00:36:42,920 --> 00:36:46,680
Speaker 2: You know, right right right Love Movement by a Tribe

653
00:36:46,680 --> 00:36:50,719
Speaker 2: clock Quest that he got game original soundtrack, Come On Now,

654
00:36:51,080 --> 00:36:57,200
Speaker 2: Capital Punishment, Big pun for Theriz Bobby Digital. I'm like,

655
00:36:57,280 --> 00:36:58,799
Speaker 2: when I look at just the list and that's not

656
00:36:58,840 --> 00:37:00,960
Speaker 2: even like, you know, there was like Mop came, like,

657
00:37:00,960 --> 00:37:03,080
Speaker 2: there's an Mop album that year, Gangstar, There's a ton

658
00:37:03,120 --> 00:37:05,120
Speaker 2: of fantastic albums. But when I look at this list,

659
00:37:05,160 --> 00:37:07,320
Speaker 2: I just feel like I'm looking at my case logic

660
00:37:07,400 --> 00:37:10,799
Speaker 2: CD Binder thing. I'm like, Yep, there's there's my Miseducation,

661
00:37:10,840 --> 00:37:13,279
Speaker 2: there's my DMX album, there's my Qumini that's next to

662
00:37:13,560 --> 00:37:16,240
Speaker 2: at Aliens, and there's my I got that new Juvie

663
00:37:16,280 --> 00:37:19,879
Speaker 2: the four hundred Degrees. I also got JT Money back then.

664
00:37:20,440 --> 00:37:24,000
Speaker 2: It's like all these albums, but I don't know. I honestly,

665
00:37:24,200 --> 00:37:26,360
Speaker 2: for whatever reason for me, it does not feel that

666
00:37:26,680 --> 00:37:29,479
Speaker 2: long ago. I wonder if because I am still a

667
00:37:29,560 --> 00:37:34,360
Speaker 2: mental juvenile and my fashion tastes have also not evolved

668
00:37:34,400 --> 00:37:36,920
Speaker 2: past nineteen ninety eight. So in that says, Mike, what

669
00:37:37,000 --> 00:37:39,480
Speaker 2: are you talking about? Baby? Nineteen ninety eight was yesteryear,

670
00:37:39,680 --> 00:37:41,040
Speaker 2: that was just two days ago.

671
00:37:41,480 --> 00:37:45,040
Speaker 1: That was very recent. Yeah, yeah, mis educational Lauren Hilen

672
00:37:45,080 --> 00:37:47,160
Speaker 1: a Clemini that fucks me up.

673
00:37:48,040 --> 00:37:50,400
Speaker 2: Miseducation Is it good? I've been playing that for the

674
00:37:50,440 --> 00:37:54,560
Speaker 2: guy's child, Yeah, because like babies like to be sung to,

675
00:37:54,760 --> 00:37:57,120
Speaker 2: like I don't know, like I mean, like a mystery.

676
00:37:57,400 --> 00:38:00,960
Speaker 2: They like being sung to, even if you're at it.

677
00:38:01,560 --> 00:38:03,920
Speaker 2: But that's like one of the albums where, like I

678
00:38:04,000 --> 00:38:07,480
Speaker 2: will Mourn Hill songs, I can really get all emote

679
00:38:07,800 --> 00:38:10,160
Speaker 2: and really give the baby the performance that he deserves.

680
00:38:10,239 --> 00:38:11,880
Speaker 2: So yeah, I've been playing that pretty regularly.

681
00:38:12,200 --> 00:38:17,200
Speaker 1: Nice, all right, just checking around for some things that

682
00:38:17,360 --> 00:38:20,279
Speaker 1: happened over the weekend. We got the Macy's parade being

683
00:38:20,280 --> 00:38:24,240
Speaker 1: interrupted by pro peace protesters, and there is some wild

684
00:38:24,640 --> 00:38:29,720
Speaker 1: imagery of like protesters, you know, blocking the parade route

685
00:38:29,760 --> 00:38:32,200
Speaker 1: and then like getting forced out of the way so

686
00:38:32,239 --> 00:38:37,320
Speaker 1: they could let a giant Ronald McDonald through, like while

687
00:38:37,520 --> 00:38:41,919
Speaker 1: while like children are on the sideline, be like, boo, what.

688
00:38:41,800 --> 00:38:43,680
Speaker 2: Do you mean, what do you mean? No more death,

689
00:38:43,880 --> 00:38:47,320
Speaker 2: no more needless child death, boom, make way for Ronnie.

690
00:38:48,160 --> 00:38:51,840
Speaker 1: Right. To be fair, the people protesting the current genocide

691
00:38:51,880 --> 00:38:55,799
Speaker 1: were getting in the way of the balloons used to

692
00:38:55,880 --> 00:39:00,279
Speaker 1: celebrate a holiday predicated on an entirely different genocide. So

693
00:39:00,760 --> 00:39:02,880
Speaker 1: we're trying to focus on this other one.

694
00:39:02,960 --> 00:39:06,680
Speaker 2: Please, we're trying to erase the memory of this other thing. Now, now,

695
00:39:06,760 --> 00:39:08,480
Speaker 2: bring on SpongeBob.

696
00:39:13,880 --> 00:39:16,440
Speaker 1: Thirty four people were arrested by the NYPD as a

697
00:39:16,480 --> 00:39:20,120
Speaker 1: result of the protest. But yeah, it's gave us some

698
00:39:20,160 --> 00:39:24,319
Speaker 1: really good visual metaphors of like, you know, peaceful protesters

699
00:39:24,360 --> 00:39:28,400
Speaker 1: being arrested for speaking out against a humanitarian catastrophe to

700
00:39:28,440 --> 00:39:32,480
Speaker 1: make way for the Sinclair Oil dinosaur.

701
00:39:32,760 --> 00:39:37,000
Speaker 2: Yeah, speaking of dinosaurs. Yeah, back in a big way,

702
00:39:37,360 --> 00:39:40,480
Speaker 2: but like this is all I mean, like between that,

703
00:39:41,040 --> 00:39:45,560
Speaker 2: then there was the three Palestinian students were shot in Vermont.

704
00:39:46,880 --> 00:39:49,600
Speaker 2: Some guy like just shot these three students. No one

705
00:39:50,280 --> 00:39:56,200
Speaker 2: passed away like luckily, and you know, they're like they're

706
00:39:56,239 --> 00:39:57,759
Speaker 2: they're trying to figure out if it was a hate

707
00:39:57,800 --> 00:40:00,160
Speaker 2: crime or whatever. There's there's a ton of stuff. And

708
00:40:00,160 --> 00:40:04,160
Speaker 2: then we had the hostage swaps happen. Yeah, and we're

709
00:40:04,239 --> 00:40:06,920
Speaker 2: still like it sounds like right now that you know,

710
00:40:07,000 --> 00:40:10,520
Speaker 2: people are like wondering, can the the White House put

711
00:40:10,680 --> 00:40:14,560
Speaker 2: enough pressure to maybe prolong this to make just just

712
00:40:14,600 --> 00:40:18,640
Speaker 2: to get a little bit more something lasting rather than

713
00:40:18,719 --> 00:40:23,120
Speaker 2: just like this couple day pause. So yeah, there's there's

714
00:40:23,120 --> 00:40:26,239
Speaker 2: just a lot a lot was happening. Yeah, in the

715
00:40:26,280 --> 00:40:31,680
Speaker 2: realm of of you know, Palestine Israel talks and yeah,

716
00:40:31,680 --> 00:40:34,840
Speaker 2: and just even how like it's it's manifesting now, like

717
00:40:35,560 --> 00:40:38,160
Speaker 2: you know, like in our own country now we're seeing

718
00:40:38,320 --> 00:40:42,520
Speaker 2: all kinds of hate crimes go up. And yeah, yeah

719
00:40:43,040 --> 00:40:43,640
Speaker 2: not great.

720
00:40:44,000 --> 00:40:48,640
Speaker 1: Over on over on Fox, the hosts criticized the nasty

721
00:40:48,920 --> 00:40:53,120
Speaker 1: protesters because this event was supposed to be about people

722
00:40:53,200 --> 00:40:58,000
Speaker 1: giving thanks, and another guy questioned what do they want even,

723
00:40:58,760 --> 00:41:02,320
Speaker 1: which is very frustrating as they're wearing free palace venture

724
00:41:02,360 --> 00:41:05,400
Speaker 1: it's chanting, we need to cease fire and not another nickel,

725
00:41:05,440 --> 00:41:09,160
Speaker 1: not another dime, no more money for Israel's crimes. Like

726
00:41:09,200 --> 00:41:12,200
Speaker 1: what what could they what? But what are they say?

727
00:41:13,320 --> 00:41:13,400
Speaker 2: What?

728
00:41:13,560 --> 00:41:15,879
Speaker 1: I don't understand the words coming out of your mouth,

729
00:41:15,920 --> 00:41:18,200
Speaker 1: Like what are you even trying to say right now?

730
00:41:18,360 --> 00:41:20,879
Speaker 2: I mean that's yeah, I would do that too if

731
00:41:20,920 --> 00:41:23,600
Speaker 2: I didn't want my viewers to know what they were

732
00:41:23,600 --> 00:41:24,080
Speaker 2: there for.

733
00:41:24,640 --> 00:41:26,759
Speaker 1: Like I can't even know what they're saying shrieking. If

734
00:41:26,760 --> 00:41:29,320
Speaker 1: you're shrieking right now, I can't understand you.

735
00:41:29,600 --> 00:41:31,920
Speaker 2: What do you keep I think they're podcasters. They may

736
00:41:31,920 --> 00:41:35,320
Speaker 2: have shouted out some kind of offer code for twenty

737
00:41:35,320 --> 00:41:38,280
Speaker 2: percent off your first meal. I don't know what they want.

738
00:41:38,360 --> 00:41:41,120
Speaker 2: It's very confusing. Please bring in SpongeBob.

739
00:41:41,880 --> 00:41:43,080
Speaker 1: Yes, thank you.

740
00:41:43,120 --> 00:41:44,120
Speaker 2: Did you watch the Braid?

741
00:41:44,960 --> 00:41:45,040
Speaker 5: No?

742
00:41:45,280 --> 00:41:45,840
Speaker 1: I didn't.

743
00:41:46,160 --> 00:41:48,759
Speaker 2: I watched a replay of it or like, I don't know.

744
00:41:48,800 --> 00:41:51,200
Speaker 2: I think I was able to, like on demand something

745
00:41:51,239 --> 00:41:53,400
Speaker 2: just to have on the background. And it's just like

746
00:41:53,480 --> 00:41:56,640
Speaker 2: I felt so bad for the musical performers because it's

747
00:41:56,960 --> 00:42:00,480
Speaker 2: fully lip synced, like there's no room for sucking any

748
00:42:00,520 --> 00:42:04,120
Speaker 2: real human performance. Yeah, and they had like the Roots

749
00:42:04,160 --> 00:42:06,799
Speaker 2: band and like Jimmy Fallon do a thing and like

750
00:42:07,120 --> 00:42:10,600
Speaker 2: poor quest Love. Do you remember like in Airheads the

751
00:42:10,680 --> 00:42:13,200
Speaker 2: movie Airheads were like they're like like they wanted to

752
00:42:13,239 --> 00:42:16,720
Speaker 2: perform live before like they went to prison or whatever.

753
00:42:17,040 --> 00:42:19,600
Speaker 1: No, I didn't. I never saw Airheads with.

754
00:42:19,600 --> 00:42:22,160
Speaker 2: Brendan Fraser and Steve Buscemi and Adam Sandler.

755
00:42:22,200 --> 00:42:24,560
Speaker 1: They're like sand Man. I know, it was like Adam

756
00:42:24,600 --> 00:42:27,320
Speaker 1: Sandler movie when I was like craving Adam Sandler movies,

757
00:42:27,600 --> 00:42:29,840
Speaker 1: and I for whatever reason was just like, nah, that

758
00:42:29,880 --> 00:42:32,239
Speaker 1: one doesn't look right to make it looks like a

759
00:42:32,280 --> 00:42:33,000
Speaker 1: real Sandler.

760
00:42:33,280 --> 00:42:35,400
Speaker 2: It's so funny. I don't know. I don't know how

761
00:42:35,480 --> 00:42:37,120
Speaker 2: well it ages. But there's like a part where like

762
00:42:37,160 --> 00:42:39,360
Speaker 2: they're like like you know, they take over this radio

763
00:42:39,360 --> 00:42:41,880
Speaker 2: station to get their like band poping or whatever, and

764
00:42:41,920 --> 00:42:44,120
Speaker 2: they demand doing a live show. And when they actually

765
00:42:44,160 --> 00:42:46,759
Speaker 2: set up the live show so they release the hostages

766
00:42:46,840 --> 00:42:49,600
Speaker 2: or whatever, they like realized the whole set has to

767
00:42:49,640 --> 00:42:52,919
Speaker 2: be like dubbed, and they're like, what we're not doing

768
00:42:52,960 --> 00:42:55,720
Speaker 2: no lip syncing and like they like throw their arms

769
00:42:55,800 --> 00:42:58,280
Speaker 2: up while like the song is happening to like protest

770
00:42:58,320 --> 00:43:00,120
Speaker 2: the fact that it was a lip synced like they

771
00:43:00,120 --> 00:43:03,000
Speaker 2: were playing with a track, and anyway, the way like

772
00:43:03,160 --> 00:43:06,479
Speaker 2: Questlove was on drums reminded me of him slowly being like, man,

773
00:43:06,520 --> 00:43:09,160
Speaker 2: I ain't even fucking playing. What if I just fake

774
00:43:09,280 --> 00:43:12,000
Speaker 2: played to be a dickhead because we can't do anything?

775
00:43:12,560 --> 00:43:15,799
Speaker 2: But yeah, it's it's it's hard when you watch like

776
00:43:15,840 --> 00:43:18,759
Speaker 2: real musicians up there being like here this is I'm

777
00:43:18,800 --> 00:43:21,760
Speaker 2: playing an instrument that isn't even present in the audio

778
00:43:21,840 --> 00:43:22,959
Speaker 2: you're hearing right now.

779
00:43:23,480 --> 00:43:28,680
Speaker 1: Yeah. By the way, Sinclair oil dinosaur balloon not historically accurate.

780
00:43:28,760 --> 00:43:32,759
Speaker 1: We discovered uh from from a listener who I think

781
00:43:32,800 --> 00:43:36,680
Speaker 1: when we had doctor Grant on. She was speculating that

782
00:43:36,840 --> 00:43:39,040
Speaker 1: she thought, like a lot of the fossil fuels came

783
00:43:39,080 --> 00:43:43,200
Speaker 1: from dinosaurs, but the fossil fuels are mostly plankton.

784
00:43:43,480 --> 00:43:45,320
Speaker 2: Yeah, not as exciting a logo.

785
00:43:45,640 --> 00:43:47,960
Speaker 1: Yeah, so not not as exciting a logo.

786
00:43:48,040 --> 00:43:50,160
Speaker 2: And here comes the Sinclair plankton float.

787
00:43:50,560 --> 00:43:55,879
Speaker 1: Yeah, although those things are gnarly up close. Plankton up close.

788
00:43:55,960 --> 00:44:01,439
Speaker 2: Yeah, it was like fucking gross pieces as ship fuck

789
00:44:01,520 --> 00:44:04,600
Speaker 2: with no plankton. Dude looked like a bagan in my

790
00:44:04,719 --> 00:44:07,319
Speaker 2: mouth bro Yeah, I have fucking comb in the sea

791
00:44:07,360 --> 00:44:08,240
Speaker 2: to eat that crap.

792
00:44:08,880 --> 00:44:12,839
Speaker 1: And finally, uh, we did you catch any of uh?

793
00:44:13,680 --> 00:44:19,120
Speaker 1: Anna Indiana? No, this is a AI singer songwriter who

794
00:44:19,200 --> 00:44:22,560
Speaker 1: dropped a track on the world Betrayed by this Town.

795
00:44:23,160 --> 00:44:27,719
Speaker 1: That is yet another example of like whenever, like we

796
00:44:27,760 --> 00:44:30,680
Speaker 1: should just look at this when everyone's like AI is

797
00:44:30,760 --> 00:44:35,360
Speaker 1: already here and going to take our jobs. Maybe maybe

798
00:44:35,360 --> 00:44:39,759
Speaker 1: that's true, but this looks like shit and sounds like

799
00:44:39,840 --> 00:44:47,320
Speaker 1: shit and completely lax any modicum of humanity, Like the

800
00:44:47,440 --> 00:44:49,040
Speaker 1: thing that art is supposed to have.

801
00:44:50,640 --> 00:44:54,680
Speaker 3: My favorite cafe ping my teast.

802
00:44:58,560 --> 00:45:06,920
Speaker 2: Indiana. Yeah, sitting at my favorite cafe drinking tea. Oh

803
00:45:06,960 --> 00:45:08,360
Speaker 2: my god. What.

804
00:45:08,520 --> 00:45:12,640
Speaker 1: Then there's like some faux like edgic prop in there

805
00:45:12,680 --> 00:45:15,520
Speaker 1: where she's like talks about feeling betrayed by this town

806
00:45:15,680 --> 00:45:20,600
Speaker 1: and wanting to tear it all down. Oh, which I

807
00:45:20,600 --> 00:45:25,480
Speaker 1: don't know. Yeah, sorry, could be like the Terminator future

808
00:45:25,560 --> 00:45:28,520
Speaker 1: coming through a little bit. But some people were like, oh,

809
00:45:28,680 --> 00:45:32,000
Speaker 1: of course the AI is woke, woke mob.

810
00:45:32,640 --> 00:45:36,160
Speaker 2: Yeah, I'm sorry, Anna, Indiana, but it's definitely a no

811
00:45:36,360 --> 00:45:40,080
Speaker 2: for me. Dog you know, just you tried. It's so

812
00:45:40,400 --> 00:45:43,120
Speaker 2: like even the animation is really animation.

813
00:45:42,880 --> 00:45:45,879
Speaker 1: Is so wild because she just like makes unblinking eye

814
00:45:45,960 --> 00:45:48,279
Speaker 1: contact with the camera the whole time with this like

815
00:45:48,400 --> 00:45:50,080
Speaker 1: weird half smile on her face.

816
00:45:50,239 --> 00:45:53,200
Speaker 2: Yeah, and the body shape too, is like it's sort

817
00:45:53,200 --> 00:45:55,200
Speaker 2: of like it's clearly doing the thing where they had

818
00:45:55,200 --> 00:45:57,800
Speaker 2: like a still image, but like just animate the head.

819
00:45:58,000 --> 00:46:01,120
Speaker 2: Don't even make the shoulders or torso move like a

820
00:46:01,239 --> 00:46:04,439
Speaker 2: human would. It's like fix in the head is just like, Hi,

821
00:46:04,600 --> 00:46:07,720
Speaker 2: I am anna Indiana and I hate this town. Here's

822
00:46:07,760 --> 00:46:11,640
Speaker 2: how you make napalm with a little bit of styrofoam.

823
00:46:12,080 --> 00:46:16,800
Speaker 2: Follow me kids, like y'all the I think to andrew T,

824
00:46:16,960 --> 00:46:18,799
Speaker 2: I remember like when we first started talking about this,

825
00:46:18,840 --> 00:46:21,000
Speaker 2: and andrew T was on the thing that I was

826
00:46:21,000 --> 00:46:24,040
Speaker 2: stuck with me about him like just being like, man,

827
00:46:24,080 --> 00:46:26,360
Speaker 2: fuck these Ais and like their ability to create stuff

828
00:46:26,440 --> 00:46:28,960
Speaker 2: is like they have no fucking taste, Like there's no

829
00:46:29,400 --> 00:46:32,319
Speaker 2: like there's it's not drawing from anything that would give

830
00:46:32,320 --> 00:46:34,920
Speaker 2: you something that like resonates. I get when like they

831
00:46:34,920 --> 00:46:39,480
Speaker 2: can make another artist say some shit like that evokes

832
00:46:39,480 --> 00:46:41,920
Speaker 2: a ton of stuff for you just listening to it,

833
00:46:41,920 --> 00:46:44,000
Speaker 2: where it's like I don't know who in Indiana is

834
00:46:44,040 --> 00:46:47,719
Speaker 2: And this sounds like a Teddy Ruckspin that got damaged

835
00:46:47,760 --> 00:46:49,120
Speaker 2: in a storm or something.

836
00:46:49,200 --> 00:46:53,880
Speaker 1: Yeah, exactly. Yeah, like having having one artist voice covering

837
00:46:53,960 --> 00:46:59,000
Speaker 1: another artist's song is like enough that there's like something

838
00:47:00,080 --> 00:47:03,480
Speaker 1: kind of at least temporarily fascinating to listen to there,

839
00:47:03,920 --> 00:47:07,520
Speaker 1: but this one is. Yeah, well, when you try and

840
00:47:07,560 --> 00:47:10,680
Speaker 1: go fully original, it's not.

841
00:47:10,760 --> 00:47:12,279
Speaker 2: To hear it again, dude.

842
00:47:13,120 --> 00:47:20,720
Speaker 1: Thinking about all he's done, everyone who everyone.

843
00:47:21,960 --> 00:47:28,400
Speaker 2: Broken dreams, shattered hopes and silent screams. Wow, you know

844
00:47:28,640 --> 00:47:32,000
Speaker 2: this is those lyrics are of somebody who tried to

845
00:47:32,040 --> 00:47:33,719
Speaker 2: have a career and didn't make it, and they're like,

846
00:47:33,960 --> 00:47:36,120
Speaker 2: fuck it if I can't have this track that maybe

847
00:47:36,160 --> 00:47:37,720
Speaker 2: Anna Indianda has.

848
00:47:40,080 --> 00:47:42,480
Speaker 1: Yeah, yeah, I feel I feel like that's this is

849
00:47:42,520 --> 00:47:47,000
Speaker 1: being puppeted like some you know middle There's something so.

850
00:47:47,200 --> 00:47:51,040
Speaker 2: Dark behind this, you know, like there is the lyrics

851
00:47:51,400 --> 00:47:55,760
Speaker 2: have this like you know Steve Bannon when he couldn't

852
00:47:55,760 --> 00:47:58,920
Speaker 2: be funny or actually an entertainment industry kind of anger

853
00:47:59,000 --> 00:48:04,320
Speaker 2: behind it. Yes, yeah, yeah, it's just my La Riots

854
00:48:04,400 --> 00:48:07,280
Speaker 2: musical didn't take off because this town's full of fucking

855
00:48:07,400 --> 00:48:12,160
Speaker 2: broken dreams. Oh man.

856
00:48:12,640 --> 00:48:14,640
Speaker 1: Yeah, well, anyways, we can't wait to see what she

857
00:48:14,719 --> 00:48:19,000
Speaker 1: does with the rest of her career nearly an artistic revelation.

858
00:48:19,400 --> 00:48:22,239
Speaker 2: Hopefully the artist can render the other half of her

859
00:48:22,280 --> 00:48:25,920
Speaker 2: face too, so when she turns, it's not just becomes

860
00:48:25,960 --> 00:48:30,040
Speaker 2: like a weird shadow. But hey, yeah, uh well, we're

861
00:48:30,120 --> 00:48:34,640
Speaker 2: rooting for you Anna too, for your motherboard to melt

862
00:48:34,680 --> 00:48:36,719
Speaker 2: down or whatever we do to wish a is is

863
00:48:36,800 --> 00:48:37,240
Speaker 2: a demise.

864
00:48:38,000 --> 00:48:40,480
Speaker 1: Jam was pointing out that her name sounds like a

865
00:48:40,480 --> 00:48:42,840
Speaker 1: Mad magazine parody of Hannah Montana.

866
00:48:43,480 --> 00:48:46,879
Speaker 2: Oh my god, yeah, the work, Yeah, it's truly. We've

867
00:48:46,880 --> 00:48:48,720
Speaker 2: got Hannah Montana at home, honey.

868
00:48:49,040 --> 00:48:54,800
Speaker 1: Yeah, but like Anna Indiana is like it. That's because

869
00:48:54,840 --> 00:48:57,240
Speaker 1: like it already, the last name has the word Anna

870
00:48:57,320 --> 00:48:57,640
Speaker 1: in it.

871
00:48:57,960 --> 00:49:00,279
Speaker 2: Yeah. I guess what could they are? Are there are

872
00:49:00,320 --> 00:49:02,520
Speaker 2: other names like that if they're trying to do that

873
00:49:02,600 --> 00:49:07,560
Speaker 2: same kind of naming convention, like state last name with

874
00:49:07,680 --> 00:49:08,240
Speaker 2: a fun.

875
00:49:09,480 --> 00:49:17,560
Speaker 1: H Becky New York, you know, I mean, something classy

876
00:49:17,840 --> 00:49:19,400
Speaker 1: like Becky, New Jersey.

877
00:49:19,840 --> 00:49:25,000
Speaker 2: Like Tia, California. I don't know, look y'all, it's it's

878
00:49:25,200 --> 00:49:27,759
Speaker 2: that's why Hannah Montana works, y'all. Yeah, you know what

879
00:49:27,800 --> 00:49:30,719
Speaker 2: I mean. Just leave it alone. Something you don't have

880
00:49:30,840 --> 00:49:31,440
Speaker 2: to perfect.

881
00:49:31,560 --> 00:49:37,719
Speaker 1: Yeah, Disney have that Disney Channel basically AI. That ship

882
00:49:37,840 --> 00:49:39,920
Speaker 1: has felt like it was written by AI, like all

883
00:49:39,960 --> 00:49:43,160
Speaker 1: along a little bit so which one the Disney Channel,

884
00:49:43,400 --> 00:49:46,680
Speaker 1: just like when I like hear about what it because

885
00:49:46,719 --> 00:49:49,200
Speaker 1: I never like really watched it growing up, but then

886
00:49:49,840 --> 00:49:51,920
Speaker 1: like what I would hear about it from a distance

887
00:49:51,920 --> 00:49:56,680
Speaker 1: and be like, what is this feels so strange? Is

888
00:49:56,880 --> 00:49:59,680
Speaker 1: maybe it was like an adult looking at children culture

889
00:49:59,680 --> 00:50:07,319
Speaker 1: and bea like stupid, Oh that's okay, smart, okay than

890
00:50:07,360 --> 00:50:09,600
Speaker 1: that five year old you put.

891
00:50:09,400 --> 00:50:12,200
Speaker 2: On a magic jersey and now you're marshall fulk.

892
00:50:12,280 --> 00:50:16,680
Speaker 1: Okay, okay, all right. Those are some of the things

893
00:50:16,680 --> 00:50:20,040
Speaker 1: that are trending on this Monday morning. We are back

894
00:50:20,040 --> 00:50:25,400
Speaker 1: tomorrow with a whole last episode of the show, which

895
00:50:26,120 --> 00:50:30,280
Speaker 1: hold onto your butts. You already heard that, you're already

896
00:50:30,280 --> 00:50:32,960
Speaker 1: already know it's a crofting joint, y'all.

897
00:50:32,760 --> 00:50:35,440
Speaker 2: And he's got youtubess to recommend.

898
00:50:37,480 --> 00:50:40,280
Speaker 1: Until then, be kind to each other, kind to yourself,

899
00:50:40,480 --> 00:50:43,680
Speaker 1: get the vaccine, don't do nothing about white supremacy, and

900
00:50:43,719 --> 00:50:44,840
Speaker 1: we will talk to you tomorrow.

901
00:50:44,920 --> 00:50:48,880
Speaker 2: Fight bye.